THE WEB MUSIC LIST OF jjoops

Last Update: 5/12/2009
Automatically generated by TapeTracker for Windows

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CONTENTS

• Contact Information
• List Information
• Artist Index
• The Tape Trader Network

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CONTACT INFORMATION

jjoops
jjupille AT yahoo DOT com

[ Contents | List Info | Contact Info | Artist Index ]

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LIST INFORMATION

Fields: Date, Location, Source, Sets, Time, Ref #, NR

[ Contents | List Info | Contact Info | Artist Index ]

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ARTIST INDEX

A.B. Skhy (1)
Abercrombie/Towner/Garbarek (1)
Adderley, Cannonball (33)
Afro-Cuban All Stars (2)
Allman Brothers Band (5)
Antibalas (1)
Art Ensemble of Chicago (1)
Aum (1)
Back Door (3)
Balin, Marty (3)
Band, The (2)
Barbieri, Gato (1)
Bauza, Mario (1)
Beach Boys (4)
Black Uhuru (1)
Blakey, Art (24)
Bley, Paul (1)
Blood, Sweat & Tears (2)
Bloomfield, Mike (2)
Blues Project (1)
Bluiett, Hamiet (1)
Booker, James (16)
Brand, Dollar (1)
Brecker Brothers Band (2)
Brickell, Edie (1)
Brown, Clifford (1)
Brubeck, Dave (4)
Buena Vista Social Club (5)
Buffalo Springfield (5)
Burning Spear (2)
Butterfield, Paul (8)
Byrd, Donald (1)
Byrds, The (2)
Cash, Johnny (1)
Celebration at Big Sur (1)
Charlatans, The (3)
Cherry, Don (4)
Chicago (7)
Cipollina, John (49)
Clarke, Stanley (1)
Cliff, Jimmy (1)
Cobham, Billy (13)
Coleman, George (1)
Coleman, Ornette (7)
Collins, Albert (1)
Coltrane, John (94)
Corea, Chick (4)
Coryell, Larry (1)
Cotten, Elizabeth (1)
Country Joe & The Fish (3)
Cream (4)
Creedence Clearwater Revival (9)
Croce, Jim (1)
Crow, Sheryl (1)
CSNY and variants thereof (38)
Davis, Miles (190)
Davis, Reverend Gary (1)
Dejohnette, Jack (1)
Diga Rhythm Band (4)
Dire Straits (3)
Dolphy, Eric (13)
Doors, The (2)
Dorham, Kenny (1)
Duncan, Gary (2)
Dylan, Bob (25)
Electric Flag, The (5)
Electric Masada (1)
Ervin, Booker (1)
Evans, Bill (12)
Eye R Us (1)
Ferrer, Ibrahim (2)
Final Solution, The (1)
Fitzgerald, Ella (1)
Flatt & Scruggs (1)
Fleetwood Mac (6)
Flying Burrito Brothers (1)
Fortune, Sonny (2)
Freeman, Chico (1)
Funk Filharmonik (1)
Garbarek, Jan (1)
Gaye, Marvin (2)
Getz, Stan (3)
Gordon, Dexter (11)
Grappelli, Stephane (1)
Grateful Dead (604)
Great American Music/String Band (10)
Great Brazilian Night (1)
Griffin, Johnny (4)
Grisman, David (6)
Guy, Buddy (1)
Hancock, Herbie (17)
Hendrix, Jimi (4)
Higgs, Joe (1)
Holland, Dave (2)
Hot Tuna (9)
Howlin' Wolf (2)
Hubbard, Freddie (14)
Hunter, Robert (6)
Hutcherson-Land Quintet (2)
Ibrahim, Abdullah (2)
It's a Beautiful Day (9)
Itals, The (1)
Jefferson Family (Airplane, Starship, etc.) (77)
Jerry Garcia (1792)
Jerry Garcia on Official Releases (93)
Jones, Elvin (2)
Joplin, Janis (13)
Kaukonen & Pastorius (2)
Keith & Donna Band (no JG) (1)
Kentucky Colonels (4)
Kesey, Ken (1)
King, Albert (3)
King, B.B. (3)
King, Freddie (11)
King, Martin Luther (1)
Kingfish (1)
Kirk, Rahsaan Roland (1)
Led Zeppelin (2)
Leno, Jay (1)
Lightfoot, Gordon (1)
Little Feat (1)
Lynyrd Skynyrd (8)
Mahavishnu Orchestra (1)
Manassas (1)
Marley and the Wailers, Bob (143)
Marsh-Levy Quartet (3)
Mayall, John (1)
McLean, Don (1)
Merchant, Natalie (29)
Miller, Steve (12)
Mingus, Charles (56)
Mitchell, Joni (1)
Mobley, Hank (1)
Moby Grape (8)
Molvaer, Nils Petter (1)
Monk, Thelonious (17)
Montgomery, Wes (5)
Morrison, Van (1)
Motian-Lovano-Frisell Trio (1)
Mydland, Brent (2)
Neidlinger, Buell (1)
New Riders of the Purple Sage (4)
Nirvana (4)
O'Connor, Mark (1)
Palmieri, Eddie (1)
Parliament Funkadelic (10)
Pearl Jam (2)
Pepper, Art (2)
Peterson, Oscar (4)
Pink Floyd (6)
Playboy After Dark (1)
Professor Longhair (3)
Public Enemy (2)
Pullen, Don (1)
Quicksilver Messenger Service (117)
Raitt, Bonnie (3)
Return to Forever (1)
Roach, Max (1)
Rollins, Sonny (5)
Rubalcaba, Gonzalo (1)
Sanders, Pharoah (1)
Santana (24)
Seatrain (1)
Seeger, Pete & Guthrie, Arlo (1)
Seger, Bob (2)
Shaw, Woody (1)
Shepp, Archie (4)
Shorter, Wayne (3)
Silver, Horace (12)
Simon, Paul (2)
Sly and the Family Stone (3)
Sons of Champlin (2)
Steely Dan (5)
Steppenwolf (2)
Stills & Young Band (1)
Stills, Stephen (1)
Stitt, Sonny (4)
Strength In Numbers (1)
Taj Mahal (8)
Ten Years After (2)
Tenor Battle (1)
The Hippie Temptation (1)
Tolliver, Charles (1)
Tosh, Peter (2)
Toure, Ali Farka (5)
Tower of Power (6)
Traffic (2)
Tyner, McCoy (1)
Umphrey's McGee (1)
Up in Smoke Tour (1)
Us3 (2)
Vanilla Fudge (2)
Various Artists (34)
Vaughan, Stevie Ray (12)
Waters, Muddy (2)
Weather Report (8)
Weir, Bob (1)
White, Andrew (1)
Wilco (1)
Wonder, Stevie (9)
Woods, Phil (1)
Woodstock (1)
Yardbirds (1)
Young, Neil (12)

[ Contents | List Info | Contact Info | Artist Index ]

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A.B. SKHY

 
03/30/69 San Francisco, CA - Avalon Ballroom MS?>?>CD 33 
 *see Compilations: San Franciscan Nights #2, disc VI*
 I love this stuff! The first tune ("The World Needs Love") is very good, as is St. James
 Infirmary. Actually, I actively dislike track 4 (heavy metal!) and track 6. The the others are
 wonderful.
 Set One: 1. @@The World Needs Love, 2. Thinking It Over, 3. Sweet Little Angel, 4. Just What
 I Needed, 5. @@St. James Infirmary, 6. Every Day I Have The Blues

[ Contents | List Info | Contact Info | Artist Index | A.B. Skhy ]

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ABERCROMBIE/TOWNER/GARBAREK

 
08/31/78 Willisau?, Switzerland - Willisau Jazz Festival MFT>T>CD All 28 
 SOURCE: FM > Reel tape > AUDIO TAPE > Phillips Standalone CDR 560 > Audio CD > trade > CDR > EAC
 Secure Rip > Flac Frontend, level 6. DIME seed by ricola. LINEUP: John Abercrombie - elg; Ralph Towner
 - ag, piano; Jan Garbarek - ss,ts; Nana Vasconcelos - perc. JJ: - Great sound, but the material
 doesn't move me at all.
 Set One: Improvisation > Timeless (Time 27:33)

[ Contents | List Info | Contact Info | Artist Index | Abercrombie/Towner/Garbarek ]

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ADDERLEY, CANNONBALL

Available Years: 1957, 1958, 1959, 1961, 1963, 1965, 1966, 1969, 1970, 1972, 1973, 1974, 1975

 
08/03/57 New York, NY - Cafe Bohemia M??>?>CD partial 18 
 “Bandstand USA” . Julian “Cannonball” Adderley – Alto Saxophone; Nat Adderley – Cornet; Junior
  Mance – Piano; Sam Jones – Bass; Jimmy Cobb – Drums; ????? – Announcer.
 Set One: 5 tracks, 18:02: 1. I’ll Remember April, 2. Miss Jackie’s Delight, 3. Jubilation,
 4. What’s New, 5. Spectacular
 
08/09/58 see Davis, Miles  n/a 
09/09/58 see Davis, Miles n/a 
11/01/58 see Davis, Miles  n/a 
 
01/03/59 see Davis, Miles n/a 
08/07/59 see Davis, Miles n/a  
08/25/59 see Davis, Miles n/a 
 
04/10/61 Stockholm, Sweden - Koncerthuset MFT>CD All 24 
  Cannonball Adderley - alto saxophone; Nat Adderley - cornet; Victor Feldman - piano, vibes; Sam
 Jones - bass; Louis Hayes - drums. FM broadcast (cable) > Philips CDR765 > Adobe Audition 2.0 >
 dBpowerAMP Music Converter (Reference) 12.0, taped & Transferred by peterw.
 Set One: 1. Radio announcement 4:29, 2. New Delhi (Feldman) 9:45, 3. @@This Here (Timmons)
 9:21, Total time 23:35
 
03/21/63 Baden-Baden, Germany TV>VHS>DVD All  n/a 
 Source: TV -> VHS -> PAL DVD (Pioneer DVD recorder) -> HDD, audio is 2 channel AC3@256. This was
 originally recorded for Joachim-Ernst Berendt's TV programme "Jazz gehört und gesehen", which used to
  run short of 30 minutes so this unfortunately is all that was recorded that day. Cannonball Adderley,
 as; Nat Adderley, flh; Yusef Lateef, oboe, flute, ts; Joe Zawinul, p; Sam Jones, b; Louis Hayes,
 dr.
 Set One: setlist: 01 Jessica's Birthday, 02 Brother John, 03 Jive Samba, TT: 24:34
03/24/63 Lugano, Italy - Auditorio RSI MS?>?>CD All 65 
 Source: SBD > ? > CDR > EAC > FLAC. Recorded for broadcast. Julian "Cannonball" Adderley (as); Nat
 Adderley (cor); Yusef Lateef (ts,fl,oboe); Joe Zawinul (p) ; Sam Jones (b); Louis Hayes (d). Nice
 stuff. I particularly like Jive Samba.
 Set One: Single Disc, (7) 64:57, 1. Jessica's Birthday (Quincy Jones) (10:00), 2. @@Jive
 Samba (Nat Adderley) (11:16), 3. Bohemia After Dark (Oscar Pettiford) (7:53), 4. Dizzy's Business
 (Ernie Wilkins) (8:01), 5. Trouble in Mind (Richard Jones) (13:25), 6. Work Song (Oscar Brown Jr/Nat
  Adderley) (8:20), 7. Unit Seven (Sam Jones) (6:01)
 
01/29/65 New York, NY - Half Note MF?>?>CD All 45 
 "Portraits in Jazz" Broadcast. Personnel: Julian “Cannonball” Adderley – Alto Saxophone; Nat
 Adderley – Cornet; Charles Lloyd – Flute; Josef Zawinul – Piano; Sam Jones – Bass; Louis Hayes –
 Drums; Announcer - Alan Grant.
 Set One: (5 tracks, 44:45) 1. Announcer (Alan Grant), 2. Work Song, 3. The Song My Lady
 Sings, 4. The Little Boy With the Sad Eyes, 5. Fidder on the Roof
02/05/65 New York, NY - Half Note MF?>?>CD All 46  
 *pitch-corrected*
 The Cannonball Adderley Sextet, Feb 2, 1965 live at the Half Note, hosted by Allen Grant "Portraits
 in Jazz". Radio WABC 95.5. Sound B+/A-. Cannonball Adderley (as), Nat Adderley (cnt), Joe Zawinul (p),
 Sam Jones (b), Louis Hayes (d), Charles Lloyd (ts, Fl). Pitch corrected version.
 Set One: 11 tracks, 45:53: 01. Jessica’s Birthday, 02. Announcer, 03. Cajvalach, 04.
 Announcer, 05. Sewing Machine, 06. announcer, 07. Come Sunday (Zawinul feature), 08. Announcer, 09.
 The Little Boy With the Sad Eyes, 10. Announcer, 11. The Work Song
04/09/65 New York, NY - Half Note MF?>?>CD  All 45 
 "Portraits in Jazz" Broadcast. Personnel: Julian “Cannonball” Adderley – Alto Saxophone; Nat
 Adderley – Cornet; Charles Lloyd – Flute, saxophone; Josef Zawinul – Piano; Sam Jones – Bass; Louis
  Hayes – Drums; Announcer - Alan Grant. Levels are rather low.
 Set One: 7 tracks, 44:43: 1 Fiddler on the Roof, 2.Announcer, 3.Matchmaker, 4.Announcer,
 5.How Can I Tell You (Lloyd feature on sax), 6.Announcer, 7.Unit 7
 
04/23/66 Paris, France - Maison de la Radio, Salle 104 MS?>?>CD All 45 
 Source: SBD > ? > CDR > EAC > FLAC. Recorded for broadcast. Julian "Cannonball" Adderley (as);
 Nat Adderley (cor); Joe Zawinul (p); Gilbert Rovere (b); Roy McCurdy (d). Bootleg: Cannonball
 Adderley Live in Paris, April 23rd, 1966 (Ulysse Musique [F] AROC 50709). JJ: fun stuff, nice SQ. I
 especially like t03.
 Set One: 1. Fiddler on the Roof (Bocks/Harnick) (9:30), 2. Somewhere (Bernstein/Sondheim)
 (3:51), 3. @@Money in the Pocket (Zawinul/Rowser) (8:41), 4. Hippodelphia (Zawinul) (7:25), 5. Sticks
 (Julian "Cannonball" Adderley) (5:08), 6. Unit Seven (Sam Jones) (9:52) total time 44:30
 
03/14/69 Bordeaux, France MS?>?>CD All 64 
 Julian "Cannonball" Adderley - Alto Saxophone; Nat Adderley - Cornet; Josef Zawinul - Electric and
 Acoustic Piano; Victor Gaskin - Bass; Roy McCurdy - Drums. Original silver boot/Flac/You. Seeded to
 DIME by michaelmee. JJ: sounds wonderful! Amazing material.
 Set One: 01. @@The Scavenger 9:00, 02. Manha De Carnaval 7:20, 03. @@Work Song 9:05, 04.
 Somewhere 4:50, 05. Experience in E 11:10, 06. Why Am I Treated So Bad 7:30, 07. Blue 'n Boogie 8:30,
 TT: 64:02
03/15/69 Graz, Austria - Stephaniensaal MF?>?>CD All 106 1376  
 SOURCE: FM > unknown recording equipment > trade > CDR > EAC Secure Rip > Flac Frontend, level 6.
 LINEUP: Julian “Cannonball” Adderley - Alto Saxophone; Nat Adderley - Cornet; Josef Zawinul - Acoustic
 and Electric Piano; Victor Gaskin - Bass; Roy McCurdy - Drums. JJ: - @@ yeah!
 Set One: CD 1 (53:38) --1st set-- 01 @@ Big P (Jimmy Heath) 9:43 02 Cannonball talks 1:27 03
 Sweet Emma 4:47 04 Cannonball talks 2:23 05 74 Miles Away 13:15 06 Cannonball talks 1:32 07 7 Zawinul
 solo: Unk. Title > Willow Weep For Me > My One And Only Love 8:55 08 Cannonball talks 1:55 09 Walk
 Tall 2:22 10 Cannonball talks 1:33 11 Mercy, Mercy, Mercy 4:42 12 Playing Outro 1.04
 Set Two: CD 2 (52:22) -2nd set-- 01 Experience In E 13:41 02 Cannonball talks 2:20 03
 Medley: Bittersweet / Yours Is My Heart Alone 7:40 04 Cannonball talks 2:40 05 Bohemia After Dark
 12:47 06 Cannonball talks 2:14 07 Early Chanson 2:43 08 Oh Babe 6:02 09 The Scene 4.00 10 Work Song
 5.15
03/15/69 Graz, Austria - Stephaniensaal MF?>?>CD partial 24 
 The Cannonball Adderley Quintet: Graz - March 15, 1969, FM Broadcast. Julian “Cannonball” Adderley
 - Alto Saxophone; Nat Adderley - Coronet; Josef Zawinul - Acoustic and Electric Piano; Victor Gaskin -
 Bass; Roy McCurdy - Drums. *from a different tape source than the other tracks. JJ: very tightly
 edited, SQ was said to be A+ but I find it to be a bit overprocessed.
 Set One: Set List (5 tracks, 24:01): 1. 74 Miles Away (12.53), 2. Walk Tall (2:05), 3.
 Mercy, Mercy, Mercy (4:27), 4. Early Chanson (2:30), 5. The Work Song / Outro (2:02)*
03/19/69 Hamburg, Germany MF?>?>C>CD All 64 
 from radio broadcast. Julian "Cannonball" Adderley - Alto Saxophone; Nat Adderley - Coronet; Josef
 Zawinul - Piano; Victor Gaskin - Bass; Roy McCurdy - Drums. Original Silver Boot / Cassette tape / JVC
 Stand alone burner / Flac / You. JJ: great stuff!! I especially love Hamba Nami (has kind of a Walk
 Tall feel) and I'm on My Way (with a great Latin feel). Glitch @ 1:19 of Sweet Emma.
 Set One: 1. Domination 3:01 2. @@Hamba Nami 3:10 3. @@I'm On My Way 4:38 4. The Work Song
 5:08 5. Sweet Emma 4:18 6. Rumpelstiliskin 4:45 7. Experience in E 5:34 8. Somewhere 4:23 9. The
 Sticks 3:31 10. The Scavenger 5:31 11. Walk Tall 1:55 12. Do Do Do 2:51 13. Sack 'O Woe 5:08 14. Come
 Sunday 4:16 15. Painted Desert 5:33 TT: 63:49
03/20/69 Stuttgart, Germany - Liederhalle MFR>CD All 68  
 SOURCE: FM > Reel to Reel Tape Master > CD Copy direct from Master (1st generation) > EAC Secure
 Modus > Flac Frontend Level 6 > trade. SOUND: A --MONO-- (listen to mp3 sample). Nat Adderley -co;
 Cannonball Adderley -as; Joe Zawinul -p, keyb; Victor Gaskin -b; Roy McCurdy -d. Seeded to DIME by
 ricola. JJ: wonderful SQ and @@ fantastic material!
 Set One: 01 WHY AM I TREATED SO BAD 8.02, 02 RUMPELSTIELZCHEN 12.10, 03 THE PAINTED
 DESERT 10.09, 04 EXPERIENCE IN E 10.17, 05 SWEET EMMA 4.21, 06 WALK TALL 2.30, 07 WORK SONG
 4.31, 08 BLUE'N BOOGIE 9.13, 09 MERCY MERCY MERCY 4.20, 10 THE THEME 2.51, Total time --
 68:21
 
07/15/70 Philadelphia, PA - Playhouse in the Park MAC>CD All n/a 
 *Michael Mee, unknown gear*
 The Cannonball Adderley Quintet: Live at "Playhouse in the Park", Philadelphia, Pa. July 15, 1970;
 Audience recording - C; Historical importance - A. Julian "Cannonball" Adderley - Soprano and Alto
 Saxophones; Nat Adderley - Cornet; Josef Zawinul - Acoustic and Fender Rhoades Electric Piano; Walter
 Booker - Acoustic and Electric Bass; Roy McCurdy - Drums. Lineage: Prehistoric cassette recorder > JVC
 stand alone burner > CD wave editor > Flac > You.
 Set One: --Set 1-- 01. Experience in E (17:28), 02. Hummin' (9:12), 03. Lover Man (7:19),
 04. Blue & Boogie / Drum solo / Mercy Mercy Mercy (8:31), 05. The Scene (2:17) --Set 2, 06 Directions
 (14:14), 07 Country Preacher (3:03), 08 Walk Tall (4:00), 09 Oh Babe (5:42), 10 The Scene (3:08) --TT:
 75:24--
 
10/19/72 Warsaw, Poland - Sala Kongresova  MF?>?>CD partial n/a 
 Source: RADIOPRO > ? > CAS > CDR > CDR > EAC > HDD > WaveLab Remaster (using Sonic Foundry Noise
 Reduction & Paragraphic EQ plug ins) > 99.9% normalisation > CD Wave (tracking) > FLAC. Julian
 “Cannonball” Adderley (Alto Saxophone), Nat Adderley (Cornet), George Duke (Keyboards), Walter Booker
 (Bass), Roy McCurdy (Drums).
 Set One: (10) 50:24, 01. Intro, 02. Black Messiah, 03. Cannonball Talks, 04. Pretty
 Paul/Denise, 05. Directions > 06. Drum Solo > 07. Mercy, Mercy, Mercy, 08. ? > fade --Encores-- 09.
 Straight, No Chaser, 10. Walk Tall
10/25/72 Paris, FR - Olympia Theater MF?>?>CD All n/a  
 Cannonball Adderley Quintet with George Duke. FM Broadcast. Quality A/A- (last 2 tracks have some
 slight FM static, doesnt ruin it at all). Julian “Cannonball” Adderley (Alto Saxophone), Nat Adderley
 (Cornet), George Duke (Keyboards), Walter Booker (Bass), Roy McCurdy (Drums).
 Set One: 1 Dr. Honoris Causa 20:41, 2 Mercy, Mercy, Mercy 3:17, 3 Humming 9:10, 4 Directions
 3:40, 5 Black Messiah 20:39, 6 Walk Tall 4:54, Total 62:22
10/27/72 Rotterdam, Netherlands - De Doelen MFR>CD All 57 
 Source: FM > Original recorded on Reel to reel Tape > unknown transfer > trade > CDR > EAC Secure
 Modus > Flac Frontend Level 6 > Flac. Lineup: Julian 'Cannonball' Adderley (Alto Saxophone); Nat
 Adderley (Cornet); George Duke (Keyboards); Walter Booker (Bass); Roy McCurdy (Drums). JJ: - some
 significant distortion on this recording. Far below the B+ it was given for that reason, IMO. - Man,
 Duke just starts tearing it up right from the start. Black Messiah is burnin'.
 Set One: 1: @@The Black Messiah, 2: Hummin', 3: Free form intro/Walk Tall, 4: The Brakes, 5:
 Straight, No Chaser, 6. Oh Babe, Total Time: 56:53
11/??/72 Rotterdam, Netherlands - De Doelen MFR>CD All n/a 
11/02/72 West Berlin, FRG - Philharmonie MFR>R>C>CD All n/a 
  Cannonball Adderley Quintet. Source: FM > MR > RR > CA > M2 > WAVE RM > MCDR > EAC > FLAC. Julian
 “Cannonball” Adderley (Alto Saxophone), Nat Adderley (Cornet), George Duke (Keyboards), Walter Booker
 (Bass), Roy McCurdy (Drums).
  Set One: 01. Black Messiah, 02. Cannonball Talks, 03. Humming, 04. Dr. Honoris Causa, 05.
 Preamble, 06. Bass/Piano Duo, 07. Soul Zodiac Intro > 08. Walk Tall
11/04/72 Vienna, Austria - Stadthalle M??>?>CD All 44 
 *remaster*
 Lineup:Cannonball Adderley- [Alto Sax], Nat Adderley- [Cornet], George Duke- [Keyboards], Walter
 Booker- [Bass], Roy McCurdy- [Drums]. Some oversaturation on keys, but this sounds quite good. Gap @
 transition track 01-02. REMASTER notes: FM (probably digital remaster rebroadcast) > ?(HD?) > Flac >
 Wave > dynamic reconstruction (up to 6 db) remaster with Wavelab 5.0, using 32, 48 & 64 bit plug ins >
 normalisation to -0.01 db > CD Wave Tracking > Flac Frontend level 8. JJ: remastered version sounds
 fantastic.
 Set One: REMASTER: (8 tracks, 44:09) 01. Introduction 02. The Black Messiah 03. Humming 04.
 Booker/Duke Duo 05. Unknown 06. Drums 07. Mercy, Mercy, Mercy 08. Closing Theme
 Set Two: OLD COPY (7 tracks, 44:19) 1 Announcements by Kurt Votava, 2 Noodling [5:04] -> The
 Black Messiah, 3 Hummin’, 4 Solitomba, 5 Directions, 6 Mercy, Mercy, Mercy, 7 The Scene
 
10/30/73 Philadelphia, PA - Just Jazz MAC>CD All n/a 
 *Michael Mee, unknown gear*
 Julian "Cannonball" Adderley - Alto Saxophone; Nat Adderley - Cornet; Walter Booker - Bass; Hal
 Galper - Electric Piano; Roy McCurday - Drums. Prehistoric cassette recorder/Phillips stand alone
 burner/Flac/You
 Set One: Disc 1: Set 1: 01 Rhythm Section - La Fiesta 6:03, 02 Au Privave 8:53, 03 Saudade
 (aka Books Bossa 9:02), 04 The Work Song 8:54, 05 Five of a Kind 7:57, 06 Mercy Mercy Mercy 3:12, 07
 The Scene 1:54, Set 2: 08 Rhythm Section 6:03, 09 Snakin' the Grass 8:52, 10 Autumn Leaves 10:17, TT:
 61:19
 Set Two: Disc 2: 01 Piano solo 6:43, 02 Oh Babe 12:27, 03 The Scene 1:09, Set 3: 04 Rhtyhm
 Section 3:27, 05 The Black Messiah 12:23, 06 Straight, No Chaser 10:38, 07 Lover Man 9:41, 08 Walk
 Tall 4:42, 09 The Scene 1:06, TT: 62:16
10/31/73 Philadelphia, PA - Just Jazz MAC>CD I,III 136 
 *Michael Mee: unknown gear*
 Lineage: Michael Mee's MAC (Sony Stereo Cassette Recorder) -> JVC stand alone burner (DAO) ->
 Soundforge (Level adjustment, fixed cuts and defects, created track indices) -> Wav - FLAC.
 Cannonball Adderley (as); Nat Adderley (tp); Hal Galper (piano, keyboards); Walter Booker (b); Roy
 McCurdy (d); unknown vocalist on one track.
 Set One: Disc 1 --set I-- 1 Black Messiah 17:36, 2 Cannon Raps :43, 3 Country Preacher 3:17,
 4 Autumn Leaves 12:53, 5 Cannon Raps :50, 6 Five of a Kind 5:54, 7 Mercy, Mercy, Mercy 4:40, TT =
 49:32
 Set Two: Disc 2 --set I con't-- 1 ? (fade-in) 4:01, 2 ? 10:17, 3 So Badly (sic) 8:45, 4
 Cannon Raps 1:22, 5 Galper Improv 6:05, 6 ? (w/ unknown Vocalist), 7 Ending Theme/Closing 2:37, TT =
 43:48
 Set Three: Disc 3 --set III-- 1. unidentified title (trio) 4:47, 2. Au Privave 7:06, 3.
 Cannon Raps 1:16, 4. There Is No Greater Love (trio) 12:22, 5. Lover Man 9:27, 6. Walk Tall 4:30, 7.
 The Scene (theme) 3:00, TT = 42:28
11/02/73 Philadelphia, PA - Just Jazz MAC>CD I 55  
 *Michael Mee, Sony stereo recorder*
 Cannonball Adderley Quintet: Just Jazz, Philadelphia, PA, 1973-11-02, First Set. Lineage: Audience
 Sony Stereo Cassette Recorder -> JVC stand alone burner (DAO) -> Soundforge (Level adjustment, fixed
 cuts and defects, created track indices) -> Wav -> FLAC. Cannonball Adderley - Alto & Soprano Sax;
 Nat Adderley - Cornet; Hal Galper - keyboards; Walter Booker - Bass; Roy McCurdy - Drums. Seeder's
 Notes: "Special thanks to Michael Mee for taping this originally and then for ending the cd-rs. The
 second set this night was only partially recorded due to battery depletion. Previously seeded was
 three sets from October 31. - jcdb." JJ: very nice tape of amazing material. Black Messiah is
 incredible.
 Set One: 1 Rhythm Section 4:06, 2 @@The Black Messiah 14:19, 3 Cannonball Raps 4:59, 4
 Country Preacher 3:20, 5 Autumn Leaves 14:12, 6 Cannonball Raps 1:02, 7 Five of a Kind 8:15, 8 Mercy,
 Mercy, Mercy 3:20, 9 The Scene 1:01, TT = 54:41
 
10/28/74 Philadelphia, PA - Philadelphia Community College MAC>CD All n/a 
 *Michael Mee, unknown gear*
 Julian "Cannonball" Adderley - Alto and Soprano Saxophones; Nat Adderley - Coronet; Hal Galper -
 Electric Piano; Walter Booker - Bass; Roy McCurdy - Drums. Prehistoric Cassette Recorder/JVC Stand
 Alone Burner / CD Wave / Flac / You.
 Set One: Set 1: 01 Rhythm Section 5:43, 02 Phases 8:54, 03 My Lady Blue 7:55, 04 Piano Solo
 8:06, 05 Five of a Kind 7:22, 06 Mercy Mercy Mercy 2:39 --tape flip-- 07 Mercy (continued) 0:27, 08
 The Scene 1:07, Set 2: 09 Rhythm Section 6:07, 10 Snakin' the Grass 10:21, 11 Suite Cannon: 14:18, a)
 The King and I, b) Time In, c) For Melvin Lastie, TT: 73:27
 
04/21/75 Philadelphia, PA - Just Jazz MAC>CD II 46 
 *Michael Mee master*
 The Cannonball Adderley Quintet: Julian “Cannonball” Adderley – Alto and Soprano Saxophones; Nat
 Adderley – Cornet; Michael Wolff – Acoustic and Electric Piano; Walter Booker – Bass; Roy McCurdy –
 Drums. Recorded by Michael Mee: Cassette recorder / JVC stand alone burner / CD Wave / Flac / You. "I
 hope you all enjoy this little piece of jazz history." --Mike. There is a "restored" version seeded to
  DIME by jazzrita, but I didn't download it.
 Set One: (5 tracks, 45:56) 1. Rhythm Section 7:49 2. The Black Messiah// (cuts out) 14:45 3.
 (cuts in) //Bass and Acoustic Piano Duet 7:29 4. Au Privave 11:52 5. Walk Tall// 3:58
04/22/75 Philadelphia, PA - Just Jazz MAC>CD All 89 
 *Michael Mee master*
 The Cannonball Adderley Quintet: Julian “Cannonball” Adderley – Alto and Soprano Saxophones; Nat
 Adderley – Cornet; Michael Wolff – Acoustic and Electric Piano; Walter Booker – Bass; Roy McCurdy –
 Drums. Recorded by Michael Mee: Cassette recorder / JVC stand alone burner / CD Wave / Flac / You. "I
 hope you all enjoy this little piece of jazz history." --Mike. There is a "restored" version seeded to
 DIME by jazzrita, but I didn't download it.
 Set One: Disc One (7 tracks, 46:29) 1. Rhythm Section 6:40 2. Phases 12:27 3. Saudade (aka
 Books Bossa) 8:27 4. Stella By Starlight (sax and piano duet) 6:55 5. The Country Preacher 4:31 6.
 Mercy Mercy Mercy 3:08 7. The Scene 4:16
 Set Two: Disc Two (7 tracks, 43:02) 1. Rhythm Section 5:40 2. Suite Cannon: The King and I
 5:04 3. Time In 7:15 4. For Melvin Lastie 4:27 5. Acoustic Piano solo 8:22 6. Straight, No Chaser 8:28
 7. The Scene 3:46
05/03/75 Montreal, Quebec M??>?>CD All-1 42 
 Liberated bootleg > ? > wave > flac6. d1t01 Cannonball raps until 8:05; d1t01 tick @ 2:24. Mike
 Wolf - keyboards; Roy McCurdy - drums; Walter Booker - bass; Nat Adderley - brass; Cannonball Adderley
 - saxophone. Some pops & crackles
 Set One: Single Disc (5 tracks, 41:59): MISSING: Phases, 01. Country Preacher, 02. Wobum,
 03. Five Of A Kind, 04. First Trip, 05. Mercy, Mercy, Mercy

[ Contents | List Info | Contact Info | Artist Index | Cannonball Adderley ]

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AFRO-CUBAN ALL STARS

 
06/14/98 Salzau, Germany - Jazz Baltica TV>CD All  92 
 Great stuff!! AFRO-CUBAN ALL STARS - Jazz Baltica 1998; Sound: A+ (dig. tv-signal > hifi-vcr > hd >
 cdr), 2CD. Musicians: Juan De Marcos Gonzáles: vocals, leader ; Ibrahim Ferrer: vocals, percussion;
  Felix Valby: vocals; Manuel "Puntillita" Licea: vocals; Teresita Garcia Caturia: vocals ; Guillermo
 Rubalcaba: piano; Daniel Ramos Alayo: trumpet; Alejandro Picharde: trumpet; Yonko Pisaco Pichardo:
 trumpet; Jesus "Aguafe" Ramos: trombone; Alberto Munos Martinez: trombone; Orlando "Cachaito" López:
 floor bass; Carlos Gonzáles: Bongos; Angel Terry Domech: Congas ; Amadito Valdés: Timbales
 Set One: (4) 48:41, Disc 1, 1. Chan Chan, 2. Amor Verdadero, 3. Gandinga Mondongo Sundenga,
 4. El Mal De La Hipocresia
 Set Two: (5) 43:04, Disc 2, 1. Los Tamalitos De Olga, 2. Habana Del Este, 3. Fiesta De La
 Rumba, 4. Pio Mentrioso, 5. Murmullo
 
02/03/01 London, England - Royal Festival Hall  MAD>CD All 100 
 *Afro Cuban All Stars Presents Felix Baloy*
 Afro Cuban All Stars Presents Felix Baloy: Juan De Marcos - tres, guitar; Felix Baloy - Vocals;
 Luis Lang Morejon - piano; Jose Espinosa Martinez - timbales; Rolando Salgado Palacio - congas;
 Pascual Odelquis Reve Calderin - bongo; Cecilio Orestes Valido Scull - sax, flute; Luis Alemany Conde
 - trumpet; Julio Enrique Padron Veranes - trumpet; Juan Carlos Marin Eloseguy - trombone; Antonio Leal
 Rodriguez - trombone; Narciso Jorge Reyes Hernendez - bass; Felix Valdes Ibanez - vocals; Fernando
 Ferrer Rodriguez - vocals; * Alex Wilson - piano. Aud: AT853>Sony D8 DAT>Soundforge>Flac. JJ: pretty
  nice tape and pretty good performance.
 Set One: Disc 1 (52:29): 1. ?, 2. Yo Soy el del sentimento, 3. Mami te guesto, 4. Lo es todo
 tu amor *, 5. El mal de la hipocresia, 6. ?
 Set Two: Disc 2 (48:03): 1. @@?, 2. Despues de esta noche, 3. Baila mi son, 4. Misericordia
 no aguanto, 5. Cada vez que te veo

[ Contents | List Info | Contact Info | Artist Index | Afro-Cuban All Stars ]

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ALLMAN BROTHERS BAND

 
02/11/70a NYC, NY - Fillmore East MSR>C>D>CD All 42 490  
 Master Soundboard Reel > Cassette > DAT> CDR* > Remastered** > SHN. *EAC'ed / SHN'ed by Scott
 Clugston 7/4/01. **Digitally remastered by Garrett Van Cleef*** (rev. 2) 12/12/01. ***Current email
 at gvancleef.com.  Note: This is the second revision of the remaster. Fixed several pops and other
 minor problems. Still contains d1t01 sector boundary errors, which I (JJ) fixed with shntool. t01L
 channel out until 0:57, R channel fluctuations & return @ 4:32; t05 Mountain Jam gap/splice @
 3:24-3:25.
 Set One: Single Disc (5) 42:02, 1. In Memory of Elizabeth Reed [8:28] [1:32], 2. Statesboro
 Blues [4:03] [0:12], 3. Trouble No More [3:42] [1:00], 4. Hoochie Coochie Man [4:34] -> 5. Mountain //
 Jam [18:#16] [0:14]
10/23/70 Stony Brook, NY - Gym, S.U.N.Y. Unknown all 76 
 Set One: Single Disc (6) 75:41, Please don't keep me wondering 3:49, Stormy Monday 9:05, In
 Memory of Elizabeth Reed 11:27, You don't love me 5:58, Dreams 9:38, Mountain Jam 35:42
 
06/27/71 NYC, NY - Fillmore East MSR>D>C>CD All 79 
 SBD > Reel To Reel > DAT > Cass > Montego Beach Digital I/O > CDR > EAC (Secure Mode) > Wav > Shn
 (MKWACT). EAC'd/Shn'd by Charlie Connor 11/22/01. Correct Sector Boundaries Verified using Shntool.
 Minor digital editing done to smooth out tape splice between tracks using Steinberg's Wavelab 3.0.
 Set One: Single Disc (10) 79:17, 1. Bill Graham Intro, 2. Statesboro Blues, 3. Don't Keep
 Me Wonderin', 4. Done Somebody Wrong, 5. One Way Out, 6. In Memory Of Elizabeth Reed, 7. Midnight
  Rider, 8. Hot 'Lanta, 9. Whipping Post, Encore: 10. You Don't Love Me
08/26/71 New York, NY - A&R Studios via WPLJ-FM S:F>?>CD All n/a 
 Set One: 1. Statesboro Blues, 2. Trouble No More, 3. Don't Keep Me Wonderin', 4. Done
 Somebody Wrong, 5. One Way Out, 6. In Memory of Elizabeth Reed, 7. Stormy Monday, You Don't Love Me ->
 Soul Serenade -> You Don't Love Me -> Soul Serenade in memory of King Curtis -> You Don't Love Me,
 Hot 'Lanta, intro's
 
12/31/73 Daly City, CA - Cow Palace S:R>D>CD All n/a 517-519 

[ Contents | List Info | Contact Info | Artist Index | Allman Brothers Band ]

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ANTIBALAS

 
09/22/00  65 
 Set One: (7) 64:21

[ Contents | List Info | Contact Info | Artist Index | Antibalas ]

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ART ENSEMBLE OF CHICAGO

 
06/01/78 Padova, Italy MA?>?>CD All 75 
 Aud??->??->CDR->EAC->FLAC. Lester Bowie, Roscoe Mitchell, Joseph Jarman, Malachi Favors, Don
 Moye.
 Set One: 4 tracks, 75:07

[ Contents | List Info | Contact Info | Artist Index | Art Ensemble of Chicago ]

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AUM

 
04/06/69 San Francisco, CA - Avalon Ballroom MS?>?>CD n/a 
 *see San Franciscan Nights #3, disc III*

[ Contents | List Info | Contact Info | Artist Index | Aum ]

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BACK DOOR

 
??/??/73 London, England - Paris Theatre MF?>?>C>CD partial 20 
 Back Door: Paris Theater, BBC In Concert, 1973. Ron Aspery - alto sax, flute, electric piano; Colin
 Hodgkinson - bass, vocal;Tony Hicks - drums. Seeder's Notes: "After going through these sessions and
 comparing them to The Human Bed CD release, I was happy to find that none of this, or the next
 session, appear on the official release. These being Paris theatre shows .... the CD appears to be BBC
 Studio sessions. So here is the first of the 2 BBC shows, in all of its multi-generational cassette
 glory." JJ: - hissy, but very nice. Upgraded Version Notes: - Massive SQ upgrade - sounds very, very
 nice. Occasional pops.
 Set One: 1. Folk Song 3:21, 2. @@Roberta 2:57, 3. Linin' Track 3:59, 4. Forget Me Daisy
 2:34, 5. Blue Country Blues 2:56, 6. His Old Boots 4:03, Total Time 19:47
  Set Three: Inferior Version: 01. Folk Song, 02. Roberta, 03. Forget The Daisy, 04. Blue
 Country Blues, 05. His Old Boots, Total Time - 15:48 FM > Cass (? Gen) > Peak > CDR > Xact > Flac.
 
11/05/76 Berlin, Germany - Berlin Jazzfest  MF?>?>C>CD Partial 31 
 FM > Cass in trade > Peak > Xact > flac. Ron Aspery Reeds, Keys; Colin Hodgkinson Bass, Voice;
 Adrian Tilbrook Drums. JJ: - Hissy, but this bassist is a monster. The first track starts off with a
 bass solo that is pretty incredible. Track 7 is absolutely fantastic. - t07 static @ 1:15, 1:37, 2:49
 - t07 occasional pops
 Set One: (7 tracks, 31:11) 32-20 Blues ? ? ? 5. Sweet Home Chicago 6. Turning Point (static
 @ 2:10) 7. @@Moon Mad Woman (fades out)
 
11/05/85 Newcastle-Upon-Tyne, England - Corner House Hotel MA?>?>C>CD All n/a 
 *unknown taper & gear* *remaster*
 Ron Aspery: Alto and Soprano sax, Flute, Keyboard; Colin Hodgkinson: Bass, Vocals; Tony Hicks:
 Drums.
 Set One: Disc 1: 01. Back Door (5.26) [*? at 4.23], 02. When you got a good friend (5.41) [*
 at 4.00], 03. Askin' the Way (Blues) (6.31), 04. Walkin' Blues (6.38) [* at 1.56], 05. Turning Point
 (3.55), 06. Catcote (3.03) [*? at 1.30], 07. San Francisco Bay Blues (3.40), 08. The Spoiler (4.46) >
 fade out (tape flip?), 09. Turnaround (7.41) (Slivadiv is announced but then the tape cuts)
 Set Two: Disc 2: 01. Vienna Breakdown (7.27), 02. Mean Ole Frisco (6.25), 03. Folksong
 (3.05) > fade out (tape flip?), 04. Blue Country Blues (6.20), 05. Sweet Home Chicago (6.56), 06.
  Human Bed (3.22), 07. A Sliding Delta (4.06), 08. Norman's Got A Patent On The Blues (7.33), 09.
 Lieutenant Loose (4.33)

[ Contents | List Info | Contact Info | Artist Index | Back Door ]

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BALIN, MARTY

 
 2003 SBD>CD All n/a 
 Set One: Viva La Vida, L.A. Girls, Don't Be Sad Anymore, City Lights, Dance You Outta My
 Mind, Rockin' Blues, Time for Every Season, Dance All Night, Free As a Bird
 Nashville Sessions SBD>CD All  n/a 
 Set One: Rising From the Ashes, Lost Highway, Hide My Heart, Count On Me, Nobody But You,
 Pieces of the Rain, Mercy of the Moon, We Rise with Our Dreams, Hold Me, Red Roses
 
08/15/02 Milford, Iowa  SBD>CD All n/a 
 *Marty Balin Trio, w/ soundcheck*

[ Contents | List Info | Contact Info | Artist Index | Balin, Marty ]

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BAND, THE

 
01/14/74 see Dylan, Bob n/a 
 
07/17/76 Washington, DC - Carter-Baron Ampitheater MF?>?>CD All 47 

[ Contents | List Info | Contact Info | Artist Index | Band, The ]

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BARBIERI, GATO

 
11/05/72 Berlin, Germany - Berlin Jazzfest MFR>R>CD All 62 
 FM > reels [1-track, 7½ ips, 1st generation] > Revox A-77 > Soundblaster AWE-64 > CDR > EAC > FLAC.
 Lineup: Gato Barbieri (ts); Lonnie Liston Smith (p); J.F. Jenny Clarke (b); Mandrake (perc); Han
 Bennink (d).
 Set One: (5 tracks, 62:09) 01. Annoucements 1:09 02. Sudamerica 25:04 03. Mi Buenos Aires
 Querido 7:33 04. El Arriero (an Argentinean folklore song) auth: Athaualpa Yupanqui 19:10 05. El
 Pampero 9:14 (fade-out)

[ Contents | List Info | Contact Info | Artist Index | Gato Barbieri ]

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BAUZA, MARIO

 
07/02/92 Lugano, Switzerland - Piazza Della Riforma MS?>1?>CD All 68 
 Soundboard > 1st copy > eac > wave > flac frontend (align on sector boundaries Level 8) > torrent
 on www.dimeadozen.org. Lineup :Mario Bauza - trumpet, musical director (born 28.April 1911 in Havana,
 Cuba, died 11.July 1993 in New York City); Ross Konikoff - trumpet; Raymond Vaga - trumpet; Victor Paz
 - trumpet; Rolando Briceno - alto saxophone, flute; Enrique Fernandez - saxophones; Eddie Alex -
 saxophones; Pablo Calogero - saxophones; Dioris Rivera - saxophones; Gerry Chamberlain - trombone;
 Noah Bless - trombone; Marcus Persiani - piano; Guillermo Edghill - bass; Joe Gonzales - bongos; Papo
 Pepin - congas; Bobby Sanabria - drums; Rudy Calzado - vocals; Yolando Maldonado - vocals; Tatyana
 "Graciela" Calzado - vocals.
 Set One: Single Disc (10 tracks, 67:37), 01. Wild jungle 5:04, 02. Tanga Suite : fourth
 movement 5:10, 03. Azulito 7.29, 04. La reina del café 8:02, 05. Son cubano (Yo Soy el Son Cubano)
 7:50, 06. Mambo rincon 12:51, 07. 19 cudado de lengua 5:08, 08. Reflexion 4:12, 09. Mambo Inn 7:49,
 10. Tango mambo afro cuban 3:56

[ Contents | List Info | Contact Info | Artist Index | Mario Bauza ]

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BEACH BOYS

 
 SMiLE - Stereo Reconstruction by Purple Chick studio  All 77 
 The Beach Boys: SMiLE - a STEREO reconstruction (or "Not another damn SMiLE mix??!!??") by Purple
 Chick. SBD > ? (many varied sources, I'm sure) > 'original' CDR > EAC > FLAC. Seeder's Notes: "Brian
 Wilson's 2004 arrangement of SMiLE as performed by the Beach Boys back in the day. In glorious STEREO,
 just like it says on the cover. We decided to do it the way we imagined which necessitated edits,
 manipulation, speed tempo and pitch correction, etc. Despite killing all the sacred cows it sounds
 mighty fine to us. seeder's note: There have been many, many other attempts at reconstructing SMiLE.
 This one is by far the best I've heard. It all flows together beautifully, the arrangements and cuts
 are probably as good as we're going to get. Also, unlike any other version, it's almost completely in
 stereo. I think only "On A Holiday" is mostly mono, by necessity. Good Vibrations really packs a
 punch. So if you're downloaded other versions, you might want to take a chance on this one also."
 Set One: 01: Our Prayer/Gee, 02: Heroes And Villians, 03: Roll Plymouth Rock, 04: Barnyard,
 05: Old Master Painter/You Are My Sunshine, 06: Cabin Essence, 07: Wonderful, 08: Song For Children,
 09: Child Is Father Of The Man, 10: Surf's Up, 11: I'm In Great Shape/I Wanna Be Around/Workshop, 12:
 Vega-Tables, 13: On A Holiday, 14: Wind Chimes, 15: Mrs. O'Leary's Cow, 16: In Blue Hawaii, 17: Good
 Vibrations --Very Unnecessary Bonus Tracks-- 18: Vega-Tables (vocals only), 19: Our Prayer/Gee (mono),
 20: Heroes And Villians (mono), 21: Roll Plymouth Rock (mono), 22: Child Is Father Of The Man (mono),
 23: Surf's Up (alternate), 24: I'm In Great Shape/I Wanna Be Around/Workshop (mono), 25: Vega-Tables
 (mono), 26: In Blue Hawaii (with mono sections), 27: Good Vibrations (stereo - original lyrics), Total
 Time 76:51
 
08/25/67 Honolulu, HI - Honolulu International Center MS?>?>CD All 45 
 THE BEACH BOYS: Aloha From Hawaii (And Hollywood) 1967. Liberated Spank bootleg. Excellent stereo
 soundboard.
 Set One: 01. Introduction 02. The Letter 03. Hawaii 04. You're My Baby 05. Intro to Surfer
 Girl 06. Surfer Girl 07. Intro to Surfin' 08. Surfin' 09. Intro to Gettin' Hungry 10. Gettin' Hungry
 11. Intro to California Girls 12. California Girls 13. Intro to Wouldn't It Be Nice 14. Wouldn't It Be
 Nice 15. Heroes And Villains 16. Intro to God Only Knows 17. God Only Knows 18. Intro to Good
 Vibrations 19. Good Vibrations 20. Barbara Ann 21. Outro --continues with Hollywood 9/11/67--
09/11/67 Hollywood, CA - Wally Heider's MS?>?>CD ? 25 
 THE BEACH BOYS: Aloha From Hawaii (And Hollywood) 1967. Liberated Spank bootleg. Excellent stereo
 soundboard.
  Set One: --continues from 8/25/67-- 22. You're So Good To Me 23. Help Me Rhonda 24. Surfer
 Girl rehearsal 25. Surfer Girl 26. California Girls rehearsal 27. California Girls 28. Surfin'
 rehearsal 29. God Only Knows rehearsal 30. God Only Knows (takes 1-6) 31. God Only Knows 32. Good
 Vibrations rehearsal 33. Heroes And Villains 34. The Letter
 
04/27/71 *see Grateful Dead* n/a 

[ Contents | List Info | Contact Info | Artist Index | Beach Boys ]

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BLACK UHURU

 
08/03/82 Reseda, CA - Country Club MSC>C>CD All 88 
 lineage: SBD > 1st gen cass maxell 90 min XLII > Xitel Inport > wav > Nero for tracking and slight
 EQ > APE align on sector bounderies via traders little helper. Seeder's notes: "notes: Tape was
 obtained from the man himself Roger Steffens. He MC'd this show for Black Uhuru's first show in LA.
 Great show, good sound. No flaws noted."
 Set One: Disc One (9, 53:27), 1. Shine Eye Gal, 2. Plastic Smile, 3. Puff She Puff, 4. I
 love King Selassie, 5. Monday, 6. Youth Of Eglington, 7. Chill Out// (cuts out), 8. //Darkness (cuts
 in), 9. Darkness continued
 Set Two: Disc Two (6, 34:33), 10. Happiness, 11. Happiness continued, 12. World Is Africa,
 13. Sponji Reggae, 14. Sensimilla, 15. Sensimilla continued/Outro

[ Contents | List Info | Contact Info | Artist Index | Black Uhuru ]

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BLAKEY, ART

Available Years: 1951, 1957, 1958, 1959, 1961, 1962, 1965, 1968, 1969, 1977, 1978, 1979

 
01/06/51 see Coltrane, John  n/a 
01/13/51 see Coltrane, John n/a 
01/20/51 see Coltrane, John n/a  
02/03/51 see Coltrane, John n/a 
 
04/25/57 Philadelphia, PA - Blue Note MSR>?>D>CD All 60 
 Recording: SB> Reel>?> DAT. Transfer: DAT played back on Sony PCM-500> Digital Audio Labs Card
 Deluxe> Adobe Audition 2.0> FLAC encoding. Transfer and FLAC encoding by David Minches. Band: Art
 Blakey - Drums; Bill Hardman - Trumpet; Johnny Griffin - Tenor Sax; Spanky DeBrest - Bass; Sam Dockery
 - Piano; Jackie McLean - Alto Sax.
 Set One: 01. //The Theme 02. Off the Wall// 03. Stella By Starlight 04. A Night in Tunisia//
 TT-60:21
05/14/57 New York, NY - Atlantic Studios MS?>?>CD ?? 104 
 *studio sessions, with Thelonious Monk*
 Art Blakey and the Jazz Messengers with Thelonious Monk, Atlantic Studios, NY, NY, May 14 & 15,
 1957. Bill Hardman (tp); Johnny Griffin (ts); Thelonious Monk (p); Spanky DeBrest (b); Art Blakey (d).
 sbd>?>cdr>eac(secure mode)>flac(level 8). This is a studio session(s) for the classic album: Art
 Blakey's Jazz Messengers with Thelonious Monk (Atlantic LP 1278) . Multiple takes including many false
 starts and outtakes. Excellent sound quality.
 Set One: CD1: Blue Monk, 10 Takes Evidence, 12 Takes (66:18)
 Set Two: CD2: Evidence, 1 Take I Mean You, 6 Takes Evidence, 5 Takes Blue Monk, 3 Takes
 (37:49
 
12/04/58 Zurich, Switzerland - Volkshaus MST>CD All 102 
 *ABJM*
 Seeded to DIME by ricola:SOURCE: SBD > unknown recording equipment > Tape > CD TRANSFER > trade >
 CD > EAC Secure Modus > Flac Frontend Level 6 > Flac. SOUND: A* very good sound for that age of
 recording (JJ: I'd give it a B+ - a little fuzzy). Lineup: Lee Morgan -tp; Benny Golson -ts; Bobby
 Timmons -p; Jymie Merritt -b; Art Blakey -d.
 Set One: Disc One (6 tracks, 59:54): 01 NOW'S THE TIME 13.17, 02 THE THEME 6.49, 03 MOANIN
 14.31, 04 WHISPER NOT 11.05, 05 EVIDENCE 6.14, 06 I REMEMBER CLIFFORD 7.59
 Set Two: Disc Two (5 tracks, 41:58): 07 JUST BY MYSELF 6.45, 08 ALONG CAME BETTY 11.59, 09
 MY FUNNY VALENTINE 5.23, 10 COME RAIN OR COME SHINE 8.48, 11 NIGHT IN TUNISIA 9.07
 
07/01/59 Freebody Park, RI MS?>?>CD  All? 41 
 Seeder (DAD, 5/2005): "The sound is pretty good. I would have to say it a SBD." Art Blakey- Drums;
 Lee Morgan- Trumpet; Hank Mobley- Tenor Sax; Bobby Timmons- Piano; Jymie Merrit- Bass. Fantastic
  stuff!
 Set One: 1) M&M 9:36, 2) Close your Eyes 9:58, 3) Moanin' 10:55, 4) A Night in Tunisia 9:36,
 41:01
11/18/59 Dusseldorf, Germany MF?>?>CD All 52 
 *ABJM*
 Art Blakey and the Jazz Messengers: November 18, 1959, Dusseldorf, Germany. Source Radio. Sound
 B+/A-. Art Blakey-drums, Lee Morgan- Trumpet, Wayne Shorter- Tenor, Walter Davis- Piano, Jymie Merrit-
 bass. Seeded to DIME by ricola, ca 9/2/2007.
 Set One: 1. Blues March 9:23, 2. announcer/The Migit 14:12, 3. Title, 18:34, 4. A Night In
 Tunisa, Cuts off 10:16, Total 52:25
11/20/59 Dusseldorf, Germany - QUESTIONABLE MAT>?>CD All  42 
 *questionable band & date*
 Source Audience. Sound B at best. Art Blakey- Drums, Lee Morgan- Trumpet, Wayne shorter- Tenor Sax,
 Walter Davis Jr.- Piano, Jymie Merritt- Bass. There is considerable question about what this material
 really is. DIME user tweekid: " I've found no reference of Art Blakey recording or performing Midnight
 Sun. As for Prince Albert, he had recorded it in November '55 at Cafe Bohemia with Kenny Dorham but
  not again thereafter. Confirmation was recorded with Clifford Brown in '54 at the Birdland dates and
 then again with Lee Morgan backing Jimmy Smith. Ecaroh was recorded in 1952 and 1956 but both times
 Horce Silver on piano. Lastly, Blue 'n' Boogie was something that Art Blakey recorded back in 1945
 with Billy Eckstein and then not again till 1971 with the Giants of Jazz tours. OK, the foregoing is
 all based on the discography so I might be off but it does seem strange." JJ: sound is a 'C' at best.
 Performance doesn't really move me.
 Set One: 01 Ecaroh (Horace Silver) 3:41, 02 Blue 'n' Boogie (Dizzy Gillespie) 22:31, 03
 Confirmation (Charlie Parker) 6:39, 04 Midnight Sun (Lionel Hampton, Johnny Burke, Johnny Mercer)
 5:14, 05 Prince Albert (Kenny Dorham) 3:24, Total Time 41:30
11/23/59 Stockholm, Sweden MS?>?>CD All  58 
 Comment: Lee Morgan (tp); Wayne Shorter (ts); Walter Davis (p); Jymie Merritt (b); Art Blakey (d).
 Great SQ, great material.
 Set One: (5 tracks, 58:24) Close Your Eyes, Like Some One In Love, Lester Left Town, The
 Midget, Night In Tunisia
11/28/59 Munich, Germany - Deutsches Museum MF?>?>CD All 36 
 Art Blakey and the Jazz Messengers, München, Deutsches Museum, November 28, 1959. Radio broadcast.
 Some radio hiss but overall a real nice show. Art Blakey- [Drums], Lee Morgan- [Trumpet], Wayne
 Shorter- [Tenor Sax], Walter Davis- [Piano], Jymie Merritt- [Bass]. JJ: nice stuff, easy to listen
 to.
  Set One: 01 Round Midnight 10:01 , 02 Close Your Eyes 11:51 , 03 Like Someone In Love 8:02 ,
 04 Lester Left Town (incomplete) 6:06
11/28/59 Munich, Germany - Deutsches Museum MFT>CD All n/a 
 SOURCE: FM (Bayrischer Rundfunk) > unknown Master > CD transfer for trade > CDR > EAC SECURE MODUS
 > FLAC FRONTEND, LEVEL 6 > FLAC. SOUND: A/A-. LINEUP: Lee Morgan -tp; Wayne Shorter -ts; Walter
 Davis -p; Jymie Merritt -b; ART BLAKEY -d. Seeded to DIME by ricola.
 Set One: Tracks: 1. LESTER LEFT TOWN 6.46 (Radio Introduction by Ado Schlier at start), 2.
 LIKE SOMEONE IN LOVE 8.16, 3. ROUND MIDNIGHT 10.16, 4. CLOSE YOUR EYES 12.12
 
05/06/61 Manchester, England, UK - Free Trade Hall MF?>?>CD All 80 
 SOURCE: FM > unknown recording equipment > trade > CD > EAC Secure Modus > Flac Frontend Level 6 >
 Flac. SOUND: A (really nice FM if you compare it with that age of recording!). LINEUP: Lee Morgan -tp;
 Wayne Shorter -ts; Bobby Timmons -p; Jymie Merritt -b; Art Blakey -d. Seeded to DIME by ricola. Goody:
 "I have a scary feeling that this one's really sharp, although it's a little hard to tell ..."
 Set One: TRACKS: 1. IT IS ONLY A PAPERMOON 12.34, 2. DAT DERE 8.55, 3. ARE YOU REAL
 10.40, 4. NIGHT IN TUNISIA 10.14, 5. SUMMIT 9.10, 6. LIKE SOMEONE IN LOVE 12.30, 7. KOZO'S WALTZ
 15.39 TT - 79:46
05/13/61 Paris, FR - Olympia Theater M??>?>CD All 150 
 Art Blakey: drums; Lee Morgan: trumpet; Wayne Shorter: tenor sax; Bobby Timmons: piano; Jymie
 Merritt: bass. Sounds quite nice.
 Set One: Disc I - Set I (7, 77:21), 01 - The Summit, 02 - Yama, 03 - Close Your Eyes (this
 is pretty darn good), 04 - Dat Dere, 05 - Round About Midnight, 06 - So Tired (nice!), 07 - My Funny
 Valentine
 Set Two: Disc II - set II (6, 72:40), 01 - It's Only A Papermoon, 02 - Noise In the Attic,
 03 - Moanin', 04 - I Didn't Know What Time It Was, 05 - Blues March, 06 - Night In Tunisia
 
10/23/62 CARAVAN - NFT album  All 52 
 Art Blakey and the Jazz Messengers: "Caravan". Recorded Oct 23, 1962. 2001 20-bit remaster from
 Fantasy. Curtis Fuller (trombone); Freddie Hubbard (trumpet); Wayne Shorter (tenor sax); Cedar Walton
 (piano); Reggie Workman (bass); Art Blakey (drums).
 Set One: 8 tracks, 52:21 1. Caravan 2. Sweet 'N' Sour (Take 4) 3. Sweet 'N' Sour 4. In The
 Wee Small Hours Of The Morning 5. This Is For Albert 6. Skylark 7. Thermo (Track 2) 8. Thermo
 
03/07/65 London, England - Cine-Tele Sound Studio MT?>?>CD All 34 
 Musicians: Lee Morgan - trumpet; John Gilmore - tenor saxophone; John Hicks - piano; Victor Sproles
  - bass; Art Blakey - drums. Source: TV broadcast. Lineage: TV >? >CD >EAC (secure) >FLAC Frontend
 (level 8, SBE OK). JJ: quite nice.
 Set One: Track List (34:07): 1. On the Ginsa - 5:09, 2. Lament for Stacy - 4:45, 3. The
 Egyptians - 10:19, 4. I Can't Get Started - 5:03, 5. Buhaina Chant - 8:49
 
11/03/68 Vienna, Austria - Konzerthaus Wien MFT>CD All 46 
 Bill Hardman (tp), Julian Priester (tb), Billy Harper (ts), Ronnie Mathews (p), Lawrence Evans (b),
 Art Blakey (dr). FM reel-to-reel tape > CD. t01 static @ 1:14.
 Set One: (46:05) 1 Moment's Notice 2 You Don't Know What Love Is 3 Moanin' 4 A New World
11/08/68 Berlin, Germany - Philharmonie  MST>CD All 33 
 Recorded at the festival "Berliner Jazztage", radio station mastertape>CD-R. Bill Hardman (tp),
 Julian Priester (tb), Billy Harper (ts), Ronnie Mathews (p), Lawrence Evans (b), Art Blakey (dr).
 Set One: 4 tracks, 33:17, 1 Moment's Notice, 2 Blue Moon, 3 Announcements by Art Blakey, 4 A
 New World
 
04/15/69 New Brunswick, NJ - Rutgers University MFR>CD All 95 
 Musicians: Woody Shaw - trumpet; Carlos Garnett - tenor saxophone; George Cables - piano; Scotty
 Holt - bass; Art Blakey - drums. Lineage: FM >reel >.wav >CDR >EAC (secure) >SoundForge 6.0 and
 Wavelab 5.0 >CD Wave >FLAC Frontend (level 8, SBE OK). Absolutely incredible stuff!
 Set One: Disc One (55:37): 1. The Moontrane - 17:26, 2. Round About Midnight - 11:21, 3.
 Unknown - 26:48
 Set Two: Disc Two (38:52): 1. Moanin' - 17:42, 2. A Night in Tunisia - 21:10
 
12/31/77 San Francisco, CA - Keystone Korner MFR>CD partial 8 
 d2t01 of the 12/31/79 ABJM show.
 Set One: I Remember Clifford+ - 8:22
 
07/16/78 Untertuerckheim, Germany MF?>?>CD All 79 
 Radio broadcast. Sound A. Art Blakey-Drums; Valeri Ponomarev-tp; Dave Schnitter-ts; Bobby
  Watson-as; James Williams-p; Dennis Irwin-b.
 Set One: 1. Title 13:09, 2. Boby and Soul 10:20, 3. Title 13:49, 4. Blues March 10:52, 5.
 Title 8:12, 6. Title 11:35, 7.Title 11:21, TT 79:22
 
??/??/79 Vught, Netherlands - De Speeldoos MF?>?>CD partial 46 
 Art Blakey (ldr), Bobby Watson (as), David Schnitter (ts), Valery Ponomarev (t), James Williams
 (p), Dennis Irwin (b), Art Blakey (d). t04: w/p Schnitter and Ponomarev. Broadcast live by TROS radio
 program Sesjun. JJ: nice stuff!
 Set One: Single Disc (5 tracks, 46:01) 01 Say, Dr. "J" - 09:08 (James Williams), 02 Blues
 March - 08:44 (Benny Golson), 03 Moanin' - 11:24 (Bobby Timmons), 04 Chelsea Bridge - 08:22 (Billy
 Strayhorn), 05 In This Korner - 08:11 (James Williams)
12/31/79 San Francisco, CA - Keystone Korner MFR>CD All 135 
 Source: Jazz Alive WNYC FM broadcast. Lineage: FM >reel >Goldwave >CD Wave >CDR >EAC (secure) >FLAC
 Frontend (level 6, SBE OK). Note: Second part billed as "Art Blakey's Jazz Messengers, Old and New."
 Disc One Musicians: Eddie Henderson - trumpet; Curtis Fuller - trombone; Jackie McLean - alto
 saxophone; Billy Harper - tenor saxophone; Cedar Walton - piano; Dennis Irwin - bass; Airto -
 percussion; Art Blakey - drums. Disc Two Musicians: Eddie Henderson, Valery Ponamarov - trumpet;
 Curtis Fuller - trombone; Jackie McLean, Bobby Watson - alto saxophone; David Schnitter, Billy Harper
 - tenor saxophone; Cedar Walton, James Williams^ - piano; Dennis Irwin - bass; Airto - percussion; Art
 Blakey - drums; *Flora Purim - vocals. +George Cables - piano (Keystone Korner, New Year's Eve 1977).
 JJ: some vinyl crackling
 Set One: Disc One (1:14:01): 1. Intro & Caravan - 23:37, 2. Art Blakey intros & Auld Lang
 Syne - 6:49, 3. Never Never Land - 5:34, 4. Up Jumped Spring - 14:01 (pop @ 0:19), 5. A La Mode -
 16:10, 6. Interview of Walton and Fuller by Gerald Wilson - 7:48
 Set Two: Disc Two (1:01:17): 1. I Remember Clifford+ - 8:22 [NB: from 12/31/77], 2.
  Interview of Jackie McLean by Gerald Wilson - 4:28, 3. Blues March^ - 21:27, 4. Autumn Leaves* - 8:48,
 5. It's Only a Paper Moon/Theme - 18:10

[ Contents | List Info | Contact Info | Artist Index | Art Blakey ]

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BLEY, PAUL

 
09/27/66 Bremen, Germany - Jazzclub Lila Eule MF?>?>CD All 53  
 SOURCE: FM > low gen, unknown lineage > trade > CDR > EAC Secure Rip > Flac Frontend, level 5.
 LINEUP: Paul Bley: piano; Mark Levinson: bass; Barry Altschul: drums. JJ: - Holy smokes, this is
 great. The first song lights me up, the rest is pretty good.
 Set One: TRACKS (52:55): 1 @@New Love 20:05 2 Closer 5:13 3 Sweet And Lovely 12.46 4
 Mazatlan (Paul Bley) 10.12 5 Ida Lupino (Carla Bley) 03.53

[ Contents | List Info | Contact Info | Artist Index | Paul Bley ]

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BLOOD, SWEAT & TEARS

 
02/23/68 Boston, MA - Psychedelic Supermarket  MAR>CD All 66 
 ¼ master reel > CD-R > WAV > FLAC, Transferred to CD-R by Eddie Kramer. Lineup: Al Kooper: organ,
 vocals; Steve Katz: guitar, vocals, Jim Fielder: bass, Bobby Colomby: drums, Fred Lipsius: alto sax,
 Dick Halligan: trombone, Jerry Weiss: 1st trumpet, Randy Brecker: 2nd trumpet. Seeder's Notes: "This
 is the only known recording of the original BS&T line-up, and was recorded on their first ever tour
  just a week after their debut album was released. This is a great sounding audience recording of BS&T
 opening for Big Brother and the Holding Company (you can hear Janis wailing in the backround during
 the interview). Al Kooper himself told me that no live recordings of the original line-up exist, and
 he that he doesn’t even have any. But... I have found this gem and this is the first time it has ever
 been released anywhere. A friend of mine had told me that he had interviewed and recorded numerous
 acts in Boston during the 60’s, and he had a bunch of ¼ tapes stored in a chest. From what he
 remembered, he had a Jimi Hendrix interview and a Rolling Stones concert, but hadn’t heard the tapes
 in 37 years so he was unsure of what was on them, if anything at all. We found three tapes one labeled
 “Jimi Hendrix interview” and the two others labeled “Rolling Stones, Terry Reid & BB King, Boston
 Garden 1968”. Of course the Hendrix interview was what I wanted to hear, so we loaded the tape and
 Jimi starts talking for 20 minutes, then Mitch and Noel. Anyway, we let the tape roll and find this
 rare BS&T concert and interview on the same tape. I contacted the Hendrix family, we came to an
 agreement about the tape and they took it to LA so Eddie Kramer could transfer and archive it. I told
 them that there was a very rare BS&T recording also on the tape, and Mr. Kramer was kind enough to
  transfer it for me before it went into the Hendrix Vaults." JJ: this is terrific stuff. Tape is a
 little oversaturated, but basically excellent.
 Set One: Setlist (7 tracks, 66:18): 01: More & More, 02. You’ve Made Me So Very Happy, 03.
 Morning Glory, 04. Camile, 05. Smiling Phases, 06. Somethin’ Goin’ On, 07. Jim Fielder interview
 
05/26/73 Frankfurt, Germany - Jahrhundert Halle MAR>CD All 94 
 line-up: Jerry LaCroix - lead vocals, sax; Dave Bargeron - trombone, tuba; Tony Klatka - trumpet,
 flugelhorn; Bill Tillman - alto & soporano sax, flute; Larry Willis - keys; George Wadenius - guitar;
 Ron McClure - bass; Bobby Columby - drums. Lineage: "Heribert B."'s Master Reel-Revox B77
 MK2-EQ-PDR-05-EAC-Flac . Transferred, mastered & uploaded to Dime by Doc Tinker in August 2006.
 Set One: Tracklist: 01-Intro; 02-Rockn´Roll Song (?); 03-You make me so very Happy; 04-Down
 in the Flood; 05-A Song for John; 06-Road´s Blues; 07-Alone; 08-New Life (?); 09-?; 10-?; 11-Empty
 Pages; 12-?; 13-God bless the Child; 14-?/bass/dr; Encore: 15-And when I Die; TT: 94 mins

[ Contents | List Info | Contact Info | Artist Index | Blood, Sweat & Tears ]

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BLOOMFIELD, MIKE

 
02/08/69 San Francisco, CA - Fillmore West MS?>?>CD All 45 
 Liberated Bootleg, 1/4">Original silver CDs>EAC(secure)>Shorten v3.5.1>SHN. Quality: A++ Soundboard
 recording. Michael Bloomfield, guitar; Nick Gravenites, vocals; Mark Naftalin, piano; Ira Kamin,
 organ; John Kahn, bass; Bob Jones, drums; Rienol "Dino" Andino, congas; Noel Jewkis, tenor sax; Gerald
 Oshita, baritone sax; Cornelius "Snooky" Flowers, baritone sax; John Wilmeth, trumpet.
 Set One: (5) 45:16, 1. Blues on the Westside (15.09), 2. It’s About Time (9.46), 3. Sweet
 Little Angel (11.48), 4. Instrumental (7.19), 5. "That’s It!" (0.51)
 
02/19/71 San Bernardino, CA - Swing Auditorium MSR>R>CD All 48 
 Lineup: Mike Bloomfield: g, voc on Tracks1-3 & 7; John Kahn: b; Ron Wilmuth: trumpet; Ron " Rev"
 Stallings: sax, voc. on Tracks 4-7& 9; ??: drums; ??: keys. Lineage: Recorded by Harry Kaslow w/ Uher
 Report reel deck from sbd-Mastereel- Pat: Transfer August 2006 1st Gen reel-Revox A-77 reel> Phillips
 785 CDR burner -CDR- Pixielf-Unknown lineage CDR ( very low gen!)-CDR Doc Tinker; CDR-EAC-Cooledit
 (use of better channel only-EQ) - Flac. Remastered & uploaded to Dime by Doc Tinker Nov. 2006
 Set One: Tracklist: 01- / I f you see my Baby 02- Poor Kelly 03- Stateboro Blues 04- You
 Won't See Me (Lennon/McCartney) 05- She's Mine aka I found true Love 06- Come Back Baby 07-
 Driftin' and Driftin' 08- Drinkin´Wine TT - 48:15

[ Contents | List Info | Contact Info | Artist Index | Mike Bloomfield ]

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BLUES PROJECT

 
09/07/66 San Francisco, CA - The Matrix MSR>?>R>CD All 70 
 *Other Nights Other Vaults, vol. 1*
 Set One: (acquired from reel source) (Stereo) 01 Goin' Down Louisiana (04:10), 02 Steve's
 Song (03:45), 03 I Can't Keep From Crying (04:24), 04 Caress My Baby (07:11), 05 Flute Thing (07:13),
  06 Wake Me Shake Me (08:42), 07 Kerri's Shuffle (03:29), 08 Jelly Jelly Blues (skips towards the end)
 (06:44), 09 You Can't Catch Me (05:23), 10 Shake That Thing (03:35), 11 You Can't Judge A Book By
 Looking At The Cover (05:33), 12 Hoochie Coochie Man (05:13), 13 If You Don't Come Back (04:50),
 [Total Time 70:12]

[ Contents | List Info | Contact Info | Artist Index | Blues Project ]

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BLUIETT, HAMIET

 
02/14/76 New York, NY MF?>?>CD All 54 
 DIME seed by Jack Warner. FM broadcast > ? > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5)
 > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0). Hamiet Bluiett
 Quartet: Hamiet Bluiett bs,fl; Don Pullen p; Fred Hopkins b; Ajaramu d.
  Set One: Disc (3 tracks) [53:56], 01 Announcements [0:48], 02 Dennis > EBU > Children > EBU
 [52:40], 03 Announcements [0:27]

[ Contents | List Info | Contact Info | Artist Index | Hamiet Bluiett ]

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BOOKER, JAMES

 
??/??/?? New Orleans, LA - Toulouse Street Theater MA?>?>CD various n/a 
  Set One: 7 discs worth of material from this venue. --Disc 1 of 7 (26 tracks, 78:31)--
 --Disc 2 of 7 (26 tracks, 78:05)-- --Disc 7 (9 tracks, 44:53)--
xx/xx/6x Early Singles (1960-1962) 10 
 Set One: filler on "Tipitina's 1977", disc one 07. Gonzo (2:25), 08. Cool Turkey (2:14), 09.
 Tubby Pt. 1 (2:25), 10. Tubby Pt. 2 (2:20), 11. Big Nick (1:54)
 
??/??/76 Europe 1976-77 (Boot CD: "Let Them Talk")  MS?>?>CD All 64 
 James Booker, from boot cd "Let Them Talk" ( Lafitte 1010). Live in Europe 1976-77, sbd recordings.
 TAO early on? Sounds quite nice but for vinyl crackles. t13 Let Them Talk 1-sec repeated section at
 3:20.
 Set One: (16 tracks, 63:38), 1 Desitively Bonaroo/Right Place Time ( medley), 2 Tico Tico, 3
 Wake Up Mr. Moon Man, 4 Save Your Love For Me / Lonely Ave ( medley), 5 All By Myself/I'm In Love
  Again/Let the Four Winds Blow ( medley), 6 People Get Ready, 7 Besame Mucho / Why Don't You Do
 Right/Until the Real Thing , Comes ALong (medey), 8 Love Monkey/I Feel So Bad ( medley), 9 Ora, 10
 Baby Won't You Please Come Home, 11 Please Send Me Someone to Love, 12 Tell Them How Do You Feel, 13
 Let Them Talk, 14 Come On In My House
01/07/76 See Jerry Garcia All n/a 
01/09/76 See Jerry Garcia  All n/a 
01/10/76 See Jerry Garcia All n/a 
10/29/76 Hamburg, Germany - Onkel Po's Carnegie Hall  MS?>?>CD All 95 
 Saith the seeder: "These sets were released on two long out of print LP's by the German Aves in
 1976 (The Piano Prince Of New Orleans & Blues and Ragtime From New Orleans). There are noticable pops
 on the recording but otherwise the quality if excellent. Booker is on glorious form and plays some
 great rare tunes such as Slowly But Surely and Stormy Monday."
 Set One: Disc One (10) 50:01 1, Life , 2, One Helluva Nerve , 3, United Our Thing Will
 Stand , 4, Slowly But Surely , 5, Too Much Blues , 6, Junco Partner , 7, Classified , 8, Stormy
 Monday , 9, Sixty Minute Man , 10, Please Send Me Someone To Love
 Set Two: Disc Two (10) 44:35, 1, Destively Bonaroo , 2, Tico Tico , 3, Wake Up Mr Moon Man
 , 4, Save Your Love For Me , 5, All By Myself , 6, People Get Ready , 7, Besame Mucho , 8, Love Monkey
 , 9, Ora , 10, Baby Won't You Please Come Home
 
??/??/77 New Orleans, LA - Dream Palace MSC>CD All 57 
 Booker w/ drummer
 Source info: Master soundboard cassette > CDR. Transfer to CDR by J.M.: master cassette >
 standalone CDR recorder > CDR (details not known). Transfer to shn by Richard Russell (August 2001):
 J.M.'s CDR > Macintosh Powerbook G4 (Platinum) > Toast Audio Extractor 1.1 (best setting)] > Bias Peak
 2.53 (tracked and converted to .wav format) > Shorten for Mac 1.1a3 > shn. Sector boundaries fixed
 (March 2005): shn files > X Audio Compression Toolkit 1.4b23 > shn.
 Set One: 1 Life 2:34, 2 Let's Make A Better World 6:42 , 3 La Cucaracha > Iko Iko 3:58 , 4
 Let Them Talk 5:52, 5 I'm Slippin' In 4:57, 6 Junco Partner 3:46 , 7 Bei Mir Bist Du Schoen 2:16 , 8
 Tico Tico (tape flip) 3:07, 9 Too Much Blues 4:33 , 10 Besame Mucho 6:23 , 11 Pop's Dilemma 2:05 , 12
 Goodnight Irene 4:19 , 13 You Are My Sunshine 3:36 , 14 Something You've Got > Goodnight Irene 2:59,
 TOTAL TIME 57:12
??/??/77 New Orleans, LA - Tipitina's MS?>2T>CD All 103 
 James Booker: Solo piano and organ (1 with drummer). Source: SBD (Mono) > tape (2nd gen) > Cool
 Edit Pro 2 / Sound Forge 7 > wav/flac. Editing Notes: Noise Reduction, left channel inverted to
 correct phasing, Normalized Transferred, edited by B3gROovE.
 Set One: Disc 1 ------ 1. Old Time Religion > He's Got The Whole World > Just A Closer Walk
 With Thee > When The Saints Go Marching In (on organ) (15:09), 2. Dialogue with audience (7:52), 3.
 Classified (3:34), 4. United Our Thang Will Stand (4:49), 5. Junco Partner (16:05) [minor cut at 10:56
 + part of song missing at 13:20 + fade out], 6. So Swell When You're Well ("Organ Funk" w/ drummer)
 (8:03) --Filler: "Early Singles (1960-1962)"--
 Set Two: Disc 2------1. Papa Was A Rascal (5:36), 2. Tico Tico (4:17), 3. Put Out The Light
 (3:50), 4. Blues Rhapsody > A Taste of Honey > Malaguena > Goodnight Irene > All By Myself (8:53)
 [fade out], 5. Life (4:08) [fade in], 6. That's Life > Ain't Nobody's Business > Precious Lord
 (10:11)
??/??/77 New Orleans, LA - Unknown Venue MSC>CD All 57 
 Source info: Master soundboard cassette > CDR. Transfer to CDR by J.M.: master cassette >
  standalone CDR recorder > CDR (additional details not known). Transfer to shn by Richard Russell
 (September 2002): J.M.'s CDR > Macintosh Powerbook G4 (Platinum) > Toast Audio Extractor 1.1 (best
 setting)] > Bias Peak 2.53 (one large wav file converted to .wav format) > Shorten for Mac 1.1a3 >
 shn. Indexed, re-shn'd (March 2005): one large shn file > Bias Peak 4.12 (normzlied by 1.7 db; indexed
 and saved as individual .wav song files) > X Audio Compression Toolkit 1.4b23 > shn. Note: there are
 cuts between all but maybe two songs; on the majority, the applause is cut, and on almost all the
 first note or two of the song is cut. This seems largely due to a bad transfer from cassette to
 standalone CDR. * This recording is sometimes referred to as "5712 tr14" - a reference to the elapsed
 time and number of tracks on the original CDR transfer ("5712 tr14 was handwritten on the face of the
 CDR.) (Several seconds of silence were removed, thus the difference in the original elapsed time and
 the current time.)
 Set One: 01. Papa Was a Rascal 4:31, 02. The Long Last Laugh 2:39, 03. Unknown 7:28, 04.
 Penny Lane >1:20 05. I Saw Her Standing There 2:56, 06. Eleanor Rigby 5:35, 07. Something (false
 start) :56, 08. Something 3:02, 09. Let It Be 4:37, 10. Unknown 3:17, 11. One Helluva Nerve 4:23, 12.
 Unknown 4:56, 13. Unknown 3:17, 14. Just Let ThemTalk// 4:50, 15. All By Myself 3:09, TOTAL TIME
 57:03
??/??/77b New Orleans, LA - Unknown Venue MS?>?>CD All 70 
 James Booker, Unknown venue in New Orleans ( best guess is the Dream Palace), circa 1977,
 soundboard. Booker on electric piano & vocals with unknown drummer. A strange little Booker piece -
 the electric piano really doesn't do Booker's playing justice, but any Booker is worth having, right?
 first song has tape drag- everything sounds good after that. JJ: sounds nice, but it is a bit weird
 hearing JB with the electric piano.
 Set One: 12 tracks, 69:53 -- 1 Tico Tico(tape drags) , 2 One Helluva Nerve , 3 Ain't No
 Sunshine , 4 True , 5 Let's Make A Better World , 6 Chains of Love , 7 Classified , 8 Put Out The
 Light , 9 Slowly But Surely , 10 Since I Fell , 11 Life , 12 Come On Into My House>Hound Dog
10/11/77 New Orleans, LA - Tipitina's MS?>2C>CD All 104  
 
??/??/78 London, England - BBC Maida Studios M??>?>CD All 36 
 James Booker, BBC Maida Studios 1978. Remastered 2005, CDR > iTunes > AIFF > xACT > Flac 8. Too
 much reverb on this recording, but sounds nice.
 Set One: (11 tracks, 36:21), Intro, One Helluva Nerve, Let Them Talk, Baby Face, Hound Dog,
 Gonzo, Lets Make A Better World, Rockin' Pneumonia, Baby Won't You Please Come Home, Tipitina, How Do
 You Feel
??/??/78 New Orleans, LA - Jazz City Studios MF?>?>CD All? 46 
 James Booker - solo, WNOE-FM broadcast. Seeder notes: "CLASSIC Booker. fm broadcast..pretty good
 sound...there are a few dropouts in the first few minutes of Ji(?). Booker is in an absolutely
 frantic mood for this one. Lots of rants about drug use and drug laws. Fascinating stuff. Oh yeah,
 there's music, too!" JJ: great stuff, very interesting.
 Set One: (7 tracks, 46:22), 1) Junco Partner 13:00, 2) Let's Make A Better World 5:34, 3)
 Let Them Talk 4:30, 4) A Taste of Honey 6:19, 5) Sunny Side of the Street 2:41, 6) Come Rain or Shine
 4:13, 7) Classified 7:00
04/15/78 New Orleans Jazzfest MA?>?>CD All 44 
 Excellent audience recording. CDR > ITUNES > XACT > 247MB Flac Level 8.
 Set One: 10 tracks, 44:06, 01. Junco Partner, 02. Let Them Talk, 03. Black Minute Waltz >
 Papa Was a Rascal, 04. Please Send Me Someone To Love, 05. Life, 06. Let's Make A Better World, 07.
 I'm True, 08. La Cucaracha > Iko Iko, 09. St. James Infirmary > Black Night, 10. ??? > Goodnight
 Irene//
 
??/??/79 New Orleans, LA - Toulouse Street Theatre M??>?>CD partial 27 
 Set One: (6 tracks, 27:23) Intro, Booker Dialogue, The Man I Love, Let Them Talk, Tico Tico,
 Fur Elise -> Papa was a Rascal //

[ Contents | List Info | Contact Info | Artist Index | James Booker ]

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BRAND, DOLLAR

 
 Three Studio Sessions, 1968-1969 MFR>CD All 69 
 Not my cup of tea, but forced to choose I'd take the last track.
 Set One: --Hamburg, March 1968-- (w/ John Tchicai, Gato Barbieri, Barre Philips & Makaya
 Ntshoko), 1. Hamba Kahle (2:40), 2. talk (0:44), 3. The Alone and the Wild Rose (14:12), 4. talk
 (0:35), 5. Portrait of a Bushman, 6. talk (0:26), 7. Jabulani (6:48) --Copenhagen, December 1969-- (w/
 Radiojazzgruppen under the direction of Palle Mikkelborg + solo performance), 8. unknown title (solo)
 (9:56), 9. unknown title (15:29) --'Afterbeat' session, Copenhagen, November 1972-- (w/ Don Cherry &
  Carlos Ward), 10. unknown title (10:55) (features interview bit at the beginning), total time:
 69:21

[ Contents | List Info | Contact Info | Artist Index | Dollar Brand ]

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BRECKER BROTHERS BAND

 
07/07/92 Hamburg, Germany - Deichtorhallen MFV>D>CD All 78 
 Technics Jazzport Festival. Musicians: Randy Brecker - trumpet, flugelhorn; Michael Brecker - tenor
 saxophone, Akai Electronic Wind Instrument (EWI); Mike Stern - guitar; James Genus - bass; George
 Whitty - keyboards; Dave Weckl - drums. Lineage: FM > HiFi VHS > DAT > DAT clone >.wav at 48 kHz via
 S/PDIF and M-Audio 2448 Dio digital soundcard > CoolEdit Pro 2.0 > CD Wave > CDR > EAC (secure) >
 Trader's Little Helper > FLAC (level 6, ASB). Notes: This has circulated incorrectly as October 25.
 CDR transfer c. 2002; Encoded to FLAC July 2006 -Milesian
 Set One: Track List (1:18:06): 1. Intro / Some Skunk Funk - 7:13, 2. Common Ground - 15:17,
 3. Sponge - 7:57, 4. Walkie Talkie - 19:58, 5. Song for Barry - 18:53, 6. Inside Out - 8:46
 
07/16/95 Berlin, Germany - Jazzclub Quasimodo MFC>CD Ip,II 59 
 JJ: too muzacky for my taste. Source: FM Broadcast > TDK METAL TAPE > CDR Phillips 880 > EAC Secure
 > Flac Frontend > Level 8; Sound: A+. Lineup: Michael Brecker : Saxophone; Randy Brecker : Trumpet;
 James Genus : Bass; Dean Brown : Guitar; George Whitty : Keyboards; Rodney Holmes : Drums.
 Set One: Tracks: 01 - African Skies 9'51" (set break), 02 - Harpoon 20'20", 03 - The
 Nightwalker 10'16", 04 - Song For Barry (cut before the end) 17'45", Total Time: 58.45 min

[ Contents | List Info | Contact Info | Artist Index | Brecker Brothers Band ]

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BRICKELL, EDIE

 
12/08/89 Dallas, TX - Richland Planetarium MAC>C>CD All 65 
 Edie Brickell and the New Bohemians, billed as "the Windbreakers", Richland Planetarium "Laser Show
 series", Dallas, TX, December 8, 1989. Source: mics/decks unknown > cassette/1 > 12 years/6 cars >
 sony TC-KE500S > event Darla 24 > soundforge 4.5 > cdwav > shn. yes - there are some fade outs and
 tape cuts - I tried to preserve the original and leave the editing to the pros. The band played in an
 intimate setting under the dome in the planetarium. The sound was absolutely phenomenal! Everyone
 laid back in seats designed for watching the stars; from there, we listened and watched the stars.
 Set One: 11 tracks, 65:25, 01. Jam / acoustics check (Edie arrives) 6:12 , 02. Always
 something Going On (soundcheck jam) 6:10, 03. Scratch the Surface improv 2:01, 04. Strange Thing 8:05,
 05. What They Say 5:45, 06. Most Beautiful Dead Man improv 5:42, 07. Big Yellow Dog improv!! 6:52, 08.
 Water 5:16, 09. Air of December 8:16, 10. Strings of Love 4:45, 11. Mama Help Me 6:00

[ Contents | List Info | Contact Info | Artist Index | Edie Brickell ]

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BROWN, CLIFFORD

 
07/16/55 Newport, RI - Newport Jazz Festival MF?>?>CD All? 31 
 Source: SBD or Broadcast. Personnel: Clifford Brown - trumpet; Harold Land - tenor saxophone;
 Richie Powell - piano; George Morrow - bass; Max Roach - drums.
 Set One: 1. Announcement, 2. Daahoud, 3. Ghost of a Chance, 4. Jacqui, 5. I Get a Kick Out
  of You TT 30:50

[ Contents | List Info | Contact Info | Artist Index | Clifford Brown ]

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BRUBECK, DAVE

 
04/02/60 Essen, Germany - Gruga Halle MF?>?>CD All 43 
 SOURCE: FM Broadcast (WDR2 Retro) > trade > CD > EAC Secure Modus > Flac Frontend Level 6 > Flac.
  SOUND: A/A+. Lineup: Dave Brubeck: piano; Paul Desmond: alto sax; Gene Wright: bass; Joe Morello:
 drums. Seeded to DIME by ricola. JJ: - this sounds absolutely incredible!!! - another song is starting
 when the recording runs out.
 Set One: Tracks (43:14): 01 - These Foolish Things 08.58, 02 - 07.03, 03 - I'm In A Dancing
 Mood 03.09, 04 - One Moment Worth Years 06.58, 05 - St.Louis Blues 09.24, 06 - Blue Rondo A La Turk
 07.42
 
07/12/63 Rock Rimmon Jazz Festival, New Hampshire MS?>?>R>CD Partial 24 
 SOURCE: SBD > unknown recording equipment > REEL TAPE > CD TRANSFER > trade >EAC Secure Modus >
 Flac Frontend Level 6 > Flac. SOUND: A. LINEUP: Bobby Hackett -co; Paul Desmond -as; Benny Goodman
 -cl; Dave Brubeck -p; Gene Wright -b; Joe Morello -d. Seeded to DIME by ricola. JJ: I really enjoy
 this stuff.
 Set One: TRACKS (24:13): 1) POOR BUTTERFLY 4.13 2) SWEET GEORGIA BROWN 10.42 3) ON THE SUNNY
 SIDE OF THE STREET 8.40
 
??/??/65 "Someday My Prince Will Come" MFT>?>CD All 63 1108 
 A Jazz Hour With .............. The Dave Brubeck Quartet "Someday My Prince Will Come". Personnel:
 Dave Brubeck - piano ; Paul Desmond - alto sax; Gene Wright - bass; Joe Morello - drums; * Gerry
 Mulligan - baritone sax, track 9 only. Recorded in Europe circa 1965. Lineage: fm b'cast> tape> silver
 cd> EAC(secure)> wav> flac(7)(asb)
 Set One: 1. Someday My Prince Will Come 6:23, 2. One Moment 9:00, 3. Joe's Blues 7:55, 4.
 Take The "A" Train 6:34, 5. Mexican Folk Songs 7:07, 6. Three To Get Ready 5:43, 7. Forty Days
 4:50, 8. Summer Song 5:08, 9. These Foolish Things 9:54, Total Playing
 Time....................62:45
 
11/??/66 London, England MF?>?>CD All 68 
  FM Broadcast (BBC Radio Broadcast) > unknown lineage > trade > flac. LINEUP: Paul Desmond: alto
 sax; Dave Brubeck: piano, announcer; Gene Wright: double bass; “Master” Joe Morello: drums. JJ: -
 Seeder ricola had rated as an A-. I might be a little harsher, but it sounds quite fine (a bit of
 hiss). - I really like "Forty Days", and overall this is a really nice listen.
 Set One: (10 tracks, 68:25) 01. Out Of Nowhere 02. One Moment Worth Years 03. I'm In A
 Dancing Mood 04. Three To Get Ready (digiskip @ 3:09) 05. Cultural Exchange 06. @@Forty Days 07.
 Softly, William, Softly 08. Tangerine 09. Take Five 10. Take The A-Train

[ Contents | List Info | Contact Info | Artist Index | Dave Brubeck ]

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BUENA VISTA SOCIAL CLUB

 
04/05/98 Munich, Germany - Muffathalle MF?>?>CD All 50 
 Source: FM broadcast. Lineage: CDR> iTunes (with error correction)> aiff> xACT 1.2> FLAC (level 6).
 Musicians include:Ibrahim Ferrer: vocals; Ruben Gonzalez: piano; Orlando "Cachaito" Lopez: bass;
 Amadito ValdŽs: timbales; Octavio Calderon: trumpet; Roberto Garcia: bongos; Angel Terry: congas.
 Set One: Single Disc (11) 49:36, 01. Siboney, 02. Chanchullo, 03. piano & bass instrumental,
 04. Mandinga, 05. Dos Gardenias, 06. Tromb—n Majadero, 07. El Bodeguero, 08. No Me Hagas Sufrir, 09.
 Murmullo, 10. Cumbanchero, 11. program info (in German)
 
11/11/99 Boulder, CO - Boulder Theater MAD>CD? All 133 
  Ruben Gonzalez & Ibrahim Ferrer - featuring Omara Portuondo. One etreer gives this info, not sure
 if correct/applicable: Core Sound stealth mics > Sony D8 > Sonic Port > CDWav > Soundforge 4.5 > CDWin
 > CDR
 Set One: Disc One (12) 61:38
 Set Two: Disc Two (11) 71:23
11/22/99 Tucson, AZ - Centennial Hall, U of AZ M??>?>CD All 132 
 Set One: 14 tracks, 69:27
 Set Two: 11 tracks, 62:54
 
01/24/02 Tempe, AZ - Gammage Auditorium, ASU MAD>CD All n/a 
 Probably from this source: SHN Lineage: Microtech Gefell m300 > Lunatec V2 > Sony PCM-M1 @ 48khz >
 DAT > CDR > cdparanoia > shorten v3.3. Comment: "These shn files decode to wav files which have been
 ripped from CDRs burnt directly from the master DAT with a standalone CD burner. The wav files are in
 rough state and would need some re-tracking and sound mastering. Rolf W."
 
04/02/03 Westwood, CA - Royce Hall, UCLA MAD>CD All n/a 
 *Orquestra Ibrahim Ferrer*
 Source:AUDIO TECHNICA 853 > SONY D8 (44.1khz) > DAT > ZA-2 > SOUNDFORGE > CD WAV > MASTER CD > EAC
 (SECURE) SHN; Location: Orchcestra 2,Row U,Seat 11(2 Seats From Center Aisle).The Band Pays Tribute To
 Ruben Gonzalez, who Had Recently Retired (tracks 9 and 10 on disc 1). BAND: IBRAHIM FERRER-VOCALS;
 MANUEL GALBAN -GUITAR AND ORGAN; CACHITO LOPEZ -DOUBLE BASS; GUARIRO MIRABAL-TRUMPET; AGUAJE
 RAMOS-TROMBONE; DEMETRIO MUNIZ-TROMBONE; ROBERTO FONSECA-TRUMPET; TONI JIMENEZ-TENOR SAX; VENTURA
 GARCIA-BARITONE SAX; ALFRED THOMPSON-ALTO SAX; ANGEL TERRY-CONGAS; FILIBERTO Sanchez--TIMBALES;
 ROBERTICO MILLONARIO-PERCUSSION; JAVIER ZALBA-FLUTE,ALTO SAX,BARITONE; LAZARO VILLA-BACKING VOCALS;
 JIMMY JENKS-TENOR SAX; IDANIA-BACKING VOCALS; ALBERTO LA NOCHE-BONGOS. LIST FROM PROGRAM. Student
 Ticket Price 15 Bucks!!! DAT/SHN By S.G.: antoniopaints@hotmail.com.
 Set One: Disc 1: 1.(Opening anouncment), 2.?(Without I. Ferrer), 3.Bruca Manigua, 4.No Tiene
 Telarana, 5.Boliviana, 6.Naufragio, 7.Hey Que Entrarle A Palos A Ese, 8.Perfume De Gardenias, 9.Isora
 Club (Without I. ferrer), 10.Piano Solo>Choco's Guijira(Without I.Ferrer)
 Set Two: Disc 2: 1.Buenos Hermanos, 2.La Musica Cubana, 3.Coma El Arrullo De Palma, 4.oye El
 consejo, 5.Boquinene, ENCORES, 6.Mil Congojas, 7.Candela, 8.(audiance Applause)

[ Contents | List Info | Contact Info | Artist Index | Buena Vista Social Club ]

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BUFFALO SPRINGFIELD

 
06/18/67 Monterey, CA - Monterey Fairgrounds MF?>?>CD All 30 
 Seeder's notes: "Buffalo Springfield, June 18, 1967 Monterey Pop Festival, Monterey County
 Fairgrounds, Monterey, CA. source: taken from broadcast cds for radio station use broadcast 7/4/88
 (some announcer talk over is heard on one track). 16 seconds of Pretty Girl Why taken from KSAN
 broadcast special. Steven Stills - lead guitar, vocals; Doug Hastings - guitar; Richie Furay - rhythm
 guitar, vocals; Bruce Palmer - bass; Dewey Martin - drums, vocals; David Crosby - guitar, vocals (this
 one gig only). note #1: I have two versions of this one, the one i am posting is from the bootleg
 "Monterey, Mannix and Gold Star" this is by far the best sounding one. note #2: GOTR (Ghosts on The
 Road) shows this setlist order and says is possibly incomplete: Child's Claim To Fame, Pretty Girl Why
 (fades out after.16), For What It's Worth, Nowadays Clancy Can't Even Sing, Rock and Roll Woman,
 Bluebird."
 Set One: For What It's Worth, Nowadays Clancy Can't Even Sing, Rock and Roll Woman ->
 Bluebird, Child's Claim To Fame, Pretty Girl Why (fades out after.16)
12/23/67 San Francisco, CA - Fillmore West MS?>?>CD partial 30 
 Seeder's notes: "source: unknown low gen soundboard > cdr > flac. quality fluctuates but not bad
 for this age. note #1: the track transitions are a little rough, i have not edited this in any way,
 this is how i got. maybe someone can fix and re-seed? note #2 i have the show listed as 12/23/67,
 but according to GOTR (Ghosts On The Road) the date is unknown between the 21st and 23rd and has the
 above setlist."
 Set One: On The Way Home, Good Time Boy, Nowadays Clancy Can't Even Sing, Mr Soul, Child's
 Claim To Fame, For What It's Worth, Bluebird
 
01/20/68 Whittier, CA - Whittier High School MS?>?>CD partial 25 
 Seeder's notes: "source: unknown low gen soundboard > cdr > flac. note #1: date comes from BS box
 set notes written by Pete Long. note #2: these tracks have been circulating for years as Whittier HS
 but are generally considered to be an unknown date/ven." Fun material. Sound is just o.k.
 Set One: Pay The Price, Nobody's Fool, Nowadays Clancy Can't Even Sing, Rock And Roll Woman,
 My Kind Of Love
04/20/68 Dallas, TX - Market Hall MS?>?>CD all? 31  
 Seeder's notes: "Opening Act for Beach Boys. source: unknown low gen soundboard. Additional notes:
 I love this.....if you listen real carefully at the start of track one, you can hear Neil say: "One
 more hit record and we won't have to nail our equipment together before we start" Classic Neil :-)"
 This one sounds pretty nice, but for some oversaturation.
 Set One: Rock and Roll Woman, Childs Claim To Fame, Nowadays Clancy Can't Even Sing, Uno
  Mundo, For What It's Worth, Bluebird
05/05/68 Long Beach, CA - Long Beach Arena MS?>?>CD All 56 
 Sounds like crap. Last BS show.
 Set One: (10) 56:07, 1) Intro/Tuning 2) Rock and Roll Woman (aborted) 3) Rock and Roll Woman
 (resumed) 4) A Child's Claim To Fame 5) Nowadays Clancy Can't Even Sing 6) Good Time Boy 7) Mr. Soul
 8) Uno Mundo 9) For What It's Worth10) Bluebird

[ Contents | List Info | Contact Info | Artist Index | Buffalo Springfield ]

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BURNING SPEAR

 
08/30/86 Montego Bay, Jamaica - Jarrett Park MSD>D>C>CD All 80 
 Reggae Sun Splash #9. Source: DSBD > DAT > CASS > Nak DR-10 (Playback) > Midiman Flying Cow
 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook
 16/44.1) > CDWav v1.6 (tracking only) > SHNv3 (MKW ACT). Digital Mastering by Charlie Connor 9/28/01.
 Flaws: Intermittent obnoxious static during the first few songs. Most noticeable during the first two
 songs.
 Set One: Total Time 79:52, 01. Intro > Dub, 02. Resting Place, 03. People Get Ready, 04.
 Foggy Road, 05. The Youth, 06. Swell Headed, 07. Marcus Garvey, 08. Old Marcus Garvey, 09. Christopher
 Columbus, 10. Down By The River Side, 11. Lion, 12. Queen Of The Mountain, 13. Slavery Days, 14.
 Creation Rebel, 15. Happy Day, 16. Door Peep > 17. Red, Gold, Green Jam
 
07/28/90 Port Chester, NY - Capitol Theater  MSD>D>CD All 78 

[ Contents | List Info | Contact Info | Artist Index | Burning Spear ]

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BUTTERFIELD, PAUL

 
??/??/?? Boston, MA - WGBH-TV, "Mixed Bag" Show MTR>R>CD All 30 
 Paul Butterfield and His Band: "Mix Bag" PBS TV Show, WGBH-TV Channel 2, Boston, Mass,
 1969=1970???, Very Good / Excellent Mono Tape of Television. TV -> Reel -> Reel (Revox B77) -> CD
 (Tascam Prof CD Recorder) -> Eac -> Wav -> CD Wav Editor -> Flac.
 Set One: 6 tracks, 29:53, TV Announcer, All In A Day, I Gambled All My Love, So Far So Good,
 Love March, Take Away Those Lies (fades out)
 
??/??/66 Cambridge, MA - Unicorn Coffee House MAR>R>CD All 84 
 Master Audience reels > Maxell 1st gen reels @ 7 1/2 ips (Technics 1506) > Tascam Prof CD Recorder
 > CDWav > Flac. Easytree.org Bit Torrent via hezekiahx2, who listed these as '2nd gen' tapes but
 confirmed that his were taped directly from the masters. Band Personel: Paul Butterfield - Harp,
 Vocals; Mike Bloomfield - Lead Guitar; Elvin Bishop - Rhythum Guitar; Jerome Arnold - Bass;
 Mark Naftalin - Organ; Bill Davenport - Drums. Hezekiahx2's Notes: - There was 'no' editing
 performed on this by me! - Each set was on one side of the reel.- I never used noise reduction and all
 my tapes are at 7 ½ ips. - Nothing has been edited out or EQ’d. Additional Notes: - Bad static from
 d2t03 @ 1:43-end of the show. Seeder confirms that these were on the master reels.
 Set One: Disc One (9) 40:08 --Set I-- 1. Tuning up, 2. Opening Number, 3. Look Over Yonders
 walls, 4. Born In Chicago, 5. Love Her With A Feeling, 6. Get Out My Life Woman, 7. Never Say No, 8.
 One More Heartache, 9. Worksong
 Set Two: Disc Two (9) 43:34, --Set II--, 1. Comin' Home Baby, 2. Treat Her Right, 3. Got A
 Mind To Give Up Livin', 4. Walkin' By Myself, 5. Baby Please Come Home, 6. World Is In An Uproar, 7.
 Midnight Hour, 8. So Fine, 9. Got My Mojo Workin'
09/30/66 San Francisco, CA - Fillmore Auditorium MS?>?>CD All 40 
 "Fixed/edited" version via Dime.
 Set One: 03.39 Baby, Please Don't Go, 04.19 Drifting, 04.08 Born In Chicago, 06.21 Willow
 Tree, 04.12 My Babe, 04.03 Kansas City, 13.14 Work Song
10/14/66 San Francisco, CA - Fillmore Auditorium MS?>?>CD All 40 
  *see Compilation: San Franciscan Nights #2, disc II*
 Now have a "fixed/edited" version, cia Dime 20060926.
 Set One: 1. Shake Your Money Maker, 2. The Sky Is Crying, 3. Prettty Woman, 4. Help Me, 5.
 Never Say No, 6. You're So Fine, 7. East West (cuts)
12/??/66 San Francisco, CA - The Matrix MS?>?>CD All 44 
 Set One: (11 tracks, 44:02) 1-Feel So Bad, 2-Driftin', 3-300 lbs of Joy, 4-Reconsider Baby,
 5-The Road I Travel, 6-Get Outta My Life Woman, 7-One More Heartache, 8-Midnight Hour, 9-Walkin' By
 Myself, 1-Born In Chicago, 11-Got My Mojo Workin'
 
06/??/67 see Compilation: Monterey Pop Festival, 2/5 n/a  
 Set One: 1. Look Over Yonders Wall - The Butterfield Blues Band , 2. Mystery Train - The
 Butterfield Blues Band , 3. Born In Chicago - The Butterfield Blues Band , 4. Double Trouble - The
 Butterfield Blues Band , 5. Mary Ann - The Butterfield Blues Band
 
06/09/68 see Fleetwood Mac n/a 
 
07/??/69 San Francisco, CA - Fillmore West MSR>2C>CD All 35  
 *7/5, 6 or 7/69*
 Set One: 6 tracks, 74:05, of which only the first three are Butterfield. Tracks 4-6 are
 unknown Santana. Timing is a guess.

[ Contents | List Info | Contact Info | Artist Index | Paul Butterfield ]

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BYRD, DONALD

 
09/04/73 Boston, MA - Jazz Workshop  MFR>R>CD All 72 
 WBCN-FM broadcast > master reel tape > 1st gen reel played back on Akai GX4000D > Numark 20 Band
 Equalizer > HHB CDR 830 by allsoundz from 1st gen reel (recorded by NC). cdr > eac (secure mode) >
 flac (level 6) by carville 8 January 2008. Donald Byrd - trumpet; Kevin Toney - piano; Keith Kilgo -
 drums; Ray Armando - conga; David Williams - bass; Bernard Perry - guitar; Alan Barnes - saxophones,
 flute. JJ: this is nice stuff. t01 is a bit out there. t02 has a nice Latin feel to it. t03 sounds a
 bit like Cannonball's "Country Preacher" (or is it Mercy, Mercy, Mercy ?) t04 is delightful, easygoing
 but very pleasant on the ears.
 Set One: total time 72:29 1 Kwame (?) 2 Fancy Free 3 The Good Reverend 4 @@Flight Time

[ Contents | List Info | Contact Info | Artist Index | Donald Byrd ]

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BYRDS, THE

 
09/28/68 *see Playboy After Dark* n/a 
 
01/04/70 San Francisco, CA - Fillmore West  MSR>CD All 86 
 Seeded to DAD by "Pink Robert", speed corrected and some other minor fixing by "nobody". The
 Byrds: Roger McGuinn/guitar & vocals; Clarence White/guitar & vocals; Skip Battin/bass & vocals; Gene
 Parsons/drums & vocals. Lineage: soundboard-->reels-->possibly hi-fi VHS (CD1 and tracks 13-15 on
 CD2)??(tracks 1-12 on CD2 seem to have a cassette generation)-->WAV (with EAC?)-->flac-->WAV
 (again)-->SoundForge 7.0-->flac level 8-->you. (JJ Note: Pink Robert insists that he digitized master
 reels.) Notes on the speed correction: I used SoundForge 7.0 and several live releases, official
 (Untitled, Live at Fillmore 1969) and unofficial (Louisville 4.20.70) as well as a few studio cuts for
 reference as per what keys things should be in. CD1 was just all over the place, it had various
 degrees of slowed-down-ness that were addressed painstakingly, one song at a time. CD2 seemed for the
 most part correct or at least in-the-vicinity of close, so I left it alone after much experimentation,
 except for the last 3 tracks that follow the tape cut in the middle of Mr. Tambourine Man... these
 were a semi-tone slow and were corrected. Hopefully all of this (going on 6 hours of intense effort)
 will add up to a much more listenable experience. I also tightened up the tape cuts in Take a City
 Bride (CD1) and Mr. Tambourine Man/Eight Miles High (CD2) using CD Wave Editor, to make these
 transitions a wee bit less disjointed... I left these track breaks as they were in the original
 torrent, though, so each CD still has 15 tracks. Oh yeah, I included the artwork that came with the
 original torrent as well. Very many thanks to Pink Robert for the original seed... this was not one to
 take to one's grave, it's just too fantastic to sit in a musty old coffin for eternity. And special
 thanks to Torrential1 for his invaluable input and encouragement. Hope y'all will enjoy this one as
 much as I enjoy hearing Clarence (R.I.P. always) whip a sermon of syncopated, B-bent 16th notes on an
 unsuspecting audience!"
 Set One: (15 tracks, 41:32) Disc 1: early show: You Ain't Going Nowhere, Feel A Whole Lot
 Better, Old Blue, You All Look Alike, Positively 4th Street, Jesus Is Just Alright, Mr. Spaceman, It's
 All Over Now Baby Blue, Take a City Bride pt 1//, //Take a City Bride pt 2, Turn! Turn! Turn!, Mr.
 Tambourine Man, Eight Miles High pt 1, Eight Miles High pt 2, Hold It
 Set Two: (15 tracks, 44:15) Disc 2: late show: tuning, Feel A Whole Lot Better, This Wheels
 On Fire, Positively 4th Street, Roll Over Beethoven, Close Up the Honky Tonks medley, So You Want To
 Be A Rock'n'Roll Star, You Don't Miss Your Water, Jesus Is Just Alright, Nashville West, Turn! Turn!
 Turn!, Mr. Tambourine Man//, Eight Miles High, He Was A Friend Of Mine, Hold It

[ Contents | List Info | Contact Info | Artist Index | The Byrds ]

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CASH, JOHNNY

 
 1956 & 1959 radio broadcasts radio>vinyl All 43 
 JOHNNY CASH AND THE ORIGINAL TENNESSEE TWO: LUTHER PERKINS: LEAD GUITAR, MARSHALL GRANT: UPRIGHT
  BASS. Seeder's notes: "These are vintage radio broadcast transcription discs (at times you can “hear”
 the vinyl which adds flavor). The sound quality is amazing." **This was originally listed as 1958, but
 DIME user 'zeppelinator' did some research and found this: "Rock Island Line, JC says they haven't
 recorded it yet. That's because it's not 1958 or 57..which is when JC recorded Rock Island Line...I
 *think* Rock Island Line was recorded or released around July of 1957. Next is Get Rhythm...JC says
 it's their LATEST RELEASE from SUN...it was released on April 2, 1956, as the B side to the
 single..."I Walk the Line". Put 2 and 2 together and you get the date of the first show being between
  APRIL 2, 1956, and July of 1957. Further investigation, pointed to the year 1956 as the date of this
 show. It is known that JC performed on Country Style USA in 1956...it's just until NOW...there wasn't
 much *proof*. SO, since it is known that he performed on this show in 56, and you take into account
 the information I just provided concerning 2 of the songs....then it probably isn't 57, and definately
 is NOT 58. One can logically surmise...this must be that 1956 recording of JC on Country Style
 USA."
 Set One: 21 tracks, 43:17, 1) Country Style USA Intro (1956** see notes), 2) Hey Porter, 3)
 I Walk The Line, 4) Join The Reserve For Youth Training Program spot, 5) Rock Island Line (Johnny says
 they haven’t recorded it yet), 6) So Doggone Lonesome, 7) Country Style USA Outro, 8) Country Style
 USA Intro, 9) Folsom Prison Blues, 10) Cry Cry Cry, 11) Reserve For Youth Training Program spot, 12) I
 Was There When It Happened, 13) Get Rhythm ("our latest release on Sun"), 14) Country Style USA Outro,
 15) Guest Star Intro (1959), 16) Country Boy, 17) Chat w/ Johnny, 18) Don’t Take Your Guns To Town,
 19) Johnny Cash Buy Savings Bonds spot, 20) Swing Low, Sweet Chariot, 21) Guest Star Outro

[ Contents | List Info | Contact Info | Artist Index | Johnny Cash ]

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CELEBRATION AT BIG SUR

 
09/??/69 1971 documentary of the 1969 Big Sur Festival DVD All 82 
 Amazing quality!! Pink Robert says: "Since I work at TV I bought the broadcasting right of this
 movie from Fox so they sent Beta broadcasting master to us. Only couple of months later this movie was
 deleted from their TV catalogue. This is the very best quality around." Stream: VTS_01_1.VOB; Type:
 VOB program stream; Duration: 1:22:29; Data Size: 3.24 GB; Bit Rate: 5.63 Mbps; Video Tracks: 224
 MPEG-2, 720 × 576, 4:3, 25 fps, 9.50 Mbps, upper field first; Audio Tracks: 128 AC3 2/0, 48 kHz, 192
 kbps.
 Set One: Appearances by Joan Baez, John Sebastian, Joni Mitchell, Dorothy Morrison & The
 Comb Sisters, Crosby, Stills, Nash & Young

[ Contents | List Info | Contact Info | Artist Index | Celebration at Big Sur ]

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CHARLATANS, THE

 
??/??/?? Various  MS?>?>CD n/a 
 *see Compilation: San Franciscan Nights #1, vol. 4*
 Set One: The Charlatans , 1 When I Go Sailing By --Red Dog Saloon [6-65] , 2 Alabama
 Bound--Avalon Ballroom [1967] , 3 Codine Blues --Studio [1967] , 4 32-20 , 5 I Saw Her , 6 The Shadow
 Knows , 7 Long Comma Viper , 8 By Hook or by Crook , 9 Sidetrack (with Lynn Hughes) , 10 Devil (with
 Lynn Hughes)
??/??/?? "From the Red Dog to Straight Street"  various All n/a 
 Charlatans, From The Red Dog to Straight Street: "Seven Stories Productions" (2003).
 Set One: --1967, Fillmore West, San Francisco CA-- 01 - I Saw The Light [with flute
 introduction] (5:10) Notes: One thing is certain, this was not recorded at the Fillmore West in 1967.
 During 1967 the venue was known as the Carousel Ballroom. The Charlatans, to the best of my knowledge
 never played the Carousel before May 3, 1968. The first Fillmore West show after Bill Graham renamed
 the Carousel was on July 5, 1968, the only shows that the Charlatans played at the Fillmore West were
 May 29 to June 1, 1969. It would be a reasonable assumption, given the flute Introduction, that this
 dates from 1969, whether it comes from the May 1969 shows at the Fillmore West is not clear. --June
 14, 1969, San Francisco, CA-- 02 - Alabama Bound [Vocals cut in at 2:00] (9:27) Notes: Assuming the
 date is correct, this is the second day of the three day opening of the Family Dog at the Great
 Highway. This seems perfectly reasonable. The Charlatans opened for the Jefferson Airplane. --1967,
 Straight Theatre, San Francisco, CA-- 03 - Alabama Bound [Vocals cut in at 1:28] (7:58) , 04 - Folsom
 Prison Blues (3:02) , 05 - Lulu's Back In Town (1:08) , 06 - I Always Wanted A Girl Like You (1:45)
 Notes: The first cut was recorded at the Straight Theater on July 22, 1967, the second night of what
 was billed as the "Straight Theater Opening". The first night had seen Quicksilver Messenger Service,
 Mount Rushmore, Salvation Army Banned and Mother Earth play and on the second night The Charlatans
 were joined by Country Joe and The Fish, Blue Cheer and Freedom Highway. The other three songs might
 be from another show. --June 1965, Red Dog Saloon, Virginia City, NV-- 07 - Interview (0:23) , 08 -
  Wabash Cannonball (7:45) , 09 - When I Go Sailing By (2:23) Notes: The interview was made a lot later
 than 1965. I have no idea where or when the two tracks were recorded, but they are early recordings.
 --1967, Fillmore West, San Francisco, CA-- 10 - Alabama Bound (9:26) Notes: See the notes above for
 track 1, "I Saw The Light". (Notes courtesy of Ross Hannan.)
 
??/??/69 Sausalito Sessions MS?>?>CD n/a  
 *see Compilation: San Franciscan Nights #2, disc VII*
 Set One: 6. I Always Wanted A Girl Like You, 7. Alabama Bound, 8. No Place To Go, 9. How Can
 I Miss You When You Won't Go Away, 10. We're Not On The Same trip, 11. Styrofoam

[ Contents | List Info | Contact Info | Artist Index | The Charlatans ]

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CHERRY, DON

 
??/??/63 Savoy Sessions MS?>?>CD All? 26 
 Savoy Studio Sessions, 1963 --Don Cherry tpt, w/ unk(sxs)(pno)(bs)(dms). lineage/source: studio>
 ?> cd-r> EAC(secure mode)> wav> flac(7)(asb).
 Set One: 1. 4:01, 2. Studio Chatter 0:15, 3. 4:11, 4. Studio Chatter 0:16, 5. 5:27, 6. 6:03
 -- continues with Copenhagen 10/27/63--
10/27/63 Copenhagen, DK - Radiohusets Koncertsal M??>?>CD partial 23 
 *New York Contemporary Five*
 New York Contemporary Five: Live Radiohusets Koncertsal, Copenhagen, Denmark, October 27, 1963.
 Archie Shepp: ts/ Don Cherry: cor/ John Tchicai: as/ Don Moore: b/ J. C. Moses: dr
 Set One: --continues from 1963 Savoy Sessions-- 7. Emotions (for Lotta) 9:41, 8. Monk's Mood
 [Monk] 2:56, 9. Consequences [Cherry] 16:27
 
11/??/72 See Brand, Dollar "Three Studio Sessions" n/a 
 
08/??/76 Boulder, CO - Naropa Institute MAC>CD All 83 
 Audience recording, Recorded on a Sony mono cassette recorder. Transferred from original cassette
 --> CD: cdr > eac (secure mode) > flac (level 8). Don Cherry - pocket tpt, doussn'gouni, Fender Rhodes
 piano, perc and voice; Ed Blackwell - drums; Karl Berger - vibes. JJ: not my cuppa tea.
 Set One: Disc One (2 tracks, 47:09)
 Set Two: Disc Two (5 tracks, 36:00)

[ Contents | List Info | Contact Info | Artist Index | Don Cherry ]

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CHICAGO

 
08/??/69 San Francisco, CA - Fillmore West MSR>D>CD All 91 
 no digital errors
 Seeder's notes: "After numerous permutations making the internet rounds, here is what we hope will
 be the ultimate – and most complete - version of this earliest known soundboard recording of Chicago
 (Transit Authority). Recorded live at Bill Graham’s fabled Fillmore West in August of 1969, the reels
 were transferred to DAT in the early 1990’s before Graham’s untimely death. The original DAT had the
 2 short sets completely mixed up as the reels were loaded incorrectly. (In fact, the last track on
 the 90 minute DAT is Someday which explains the sharp cut at the end of that song compared to the
 "old-school" sound of a reel as it reaches the end of its tether.) When the DAT was first transferred
  to CDR, presumably in the early 2000’s, it tracked poorly and the resulting copy which was leaked to
 the internet suffered from numerous obnoxious digital noise bursts (in addition to the original
 dropouts that occurred due to reel flips and other human errors). In any event, that’s our story and
 we’re sticking to it! Thanks to the cooperation of a Sony ZA5ES DAT machine and a generous temporary
 loan of the original DAT tape, what you are about to download is a corrected version, devoid of
 digital artifacts! As noted above, a couple of songs are cut at the end, Someday and Liberation.
 Except for a slight fade at the end of Someday, these 2 tracks were left alone. We have taken the
 liberty to perform dexterous digital surgery on 3 other songs which suffered from original reel
 dropouts, specifically Beginnings, Questions 67 & 68 and The Road. All of the repairs required great
 effort and ingenuity, in some cases utilizing an audio version of a skin graft, borrowing snippets
 from other parts of the same song. Hopefully you will appreciate the new, “improved” version but if
 you are a purist who really “gets into” dead air, we’ve attached the original files, complete with
 dropouts, at the end of Disc 1. So, if you choose to, you may substitute tracks 8, 9 and 10 on the
 first disc for the doctored files. Everybody wins! Notes from the OR: D1,T6: patched at beginning;
 D2, T3: patched at end; D2, T4: crossfaded during drum/rhythm solo; D2, T6: patched in middle."
 Set One: Disc One (7 tracks, 39:05), 01. Poem 58 (10:37) 02. Freeform Intro (00:48) > 03.
 Does Anybody Really Know What Time It Is? (3:25), 04. It Better End Soon (9:01), 05. Someday (cuts)
 (2:38), 06. Questions 67 & 68 (5:17), 07. 25 Or 6 To 4 (7:16)
 Set Two: Disc Two (7 tracks, 51:34), 01. Introduction (7:49), 02. Listen (4:43), 03. The
 Road (3:15), 04. I’m A Man (6:25), 05. South California Purples (6:10), 06. Beginnings (6:15), 07.
 Liberation (cuts) (16:57)
08/30/69 Dallas, TX - Dallas Int'l Motor Speedway MS?>?>CD  All? 30 
 TEXAS POP FESTIVAL VOL.1: CHICAGO TRANSIT AUTHORITY -- Dallas International Motor Speedway,
 Lewisville, Texas, August 30-31, 1969. Excellent stereo soundboard. Robert Lamm - keyboards, Terry
 Kath - guitar, Peter Cetera - bass, Danny Seraphine - drums, Walter Parazaider - woodwinds, Lee
 Loughnane - trumpet. James Pankow - trombone. JJ: oversaturated.
 Set One: 1. Intro / Introduction, 2. Does Anybody Really Know What Time It Is, 3. South
 California Purples, 4. Beginnings, 5. 25 Or 6 To 4
08/31/69 Dallas, TX - Dallas Int'l Motor Speedway MS?>?>CD partial 9 
 TEXAS POP FESTIVAL VOL.1: CHICAGO TRANSIT AUTHORITY -- Dallas International Motor Speedway,
 Lewisville, Texas, August 30-31, 1969. Excellent stereo soundboard. Robert Lamm - keyboards, Terry
 Kath - guitar, Peter Cetera - bass, Danny Seraphine - drums, Walter Parazaider - woodwinds, Lee
  Loughnane - trumpet. James Pankow - trombone. JJ: oversaturated.
 Set One: announcements, I'm a Man
09/13/69 Toronto, ON - Varsity Stadium, U. of Toronto MS?>?>CD ? 49 
 Chicago Transit Authority: September 13, 1969, The Toronto Rock 'N Roll Revival, Varsity Stadium,
 University of Toronto. *Liberated Bootleg* Lineage: SBD > ? > silverCD > EAC > wav > flac.
 Set One: (48:46) 01. Introduction 02. South California Purples 03. 25 or 6 to 4 04. Does
 Anybody Really Know What Time It Is? 05. I'm A Man 06. Questions 67 and 68 07. Liberation 08.
 Beginnings (fades out)
 
10/13/70a Port Chester, NY - Capitol Theater MAC>R>CD  All 93 
 Seeded to DIME by Dave Tamarkin. CASSETTE AUD MASTER > REEL > M-AUDIO TRANSIT > COOL EDIT > CD
 WAVE EDITOR > FLAC.
 Set One: CD1 (53:22): 1-IT BETTER END SOON, 2-BEGINNINGS, 3-IN THE COUNTRY, 4-MOTHER,
 5-SOUTH CALIFORNIA PURPLES
 Set Two: CD2 (40:22): 1-INSTRUMENTAL ? > 2-DOES ANYBODY REALLY KNOW WHAT TIME IT IS ?, 3-25
 OR 6 TO 4, 4-MAKE ME SMILE > 5-COLOUR MY WORLD > 6-MAKE ME SMILE, 7-CROWD, 8-I'M A MAN
10/13/70b Port Chester, NY - Capitol Theater MA?>?>CD All 95 
 Set One: Disk 1 (4 tracks, 41:07), 1 It Better End Soon-18 min WP flubs flute solo, 2
 Beginnings , 3 In The Country, 4 Mother
  Set Two: Disk 2 (6, 53:34), 1 South California Purples, 2 Free Form Intro, 3 Does Anybody
 Know What Time It Is?, 4 25 or 6 to 4, 5 Ballet For A Girl in Buchannon, 6 I'm A Man/Free Medley
 
06/02/71 Frankfurt, Germany - Kongresshalle  MAR>CD All 62 
 *Heribert B., unknown gear*
 Heribert B.'s reel-to-reel aud master > EQ > PDR-05 > Eac > Cool edit > flac. Transferred, mastered
 & uploaded to Dime by Doc Tinker in August 2006! Lineup: Terry Kath: g, voc.; Peter Cetera:b, voc;
 Robert Lamm:keyb, voc; Lee Loughnane:trumpet,backround voc,g; Walter Parazaider:woodwinds,
 perc,backround voc; James Pankow:Trombone, perc.; Danny Seraphine: dr. Seeder's comments: Friends,
 here´s a great & rare show from CHICAGO off master, recorded by the great German taper Heribert B, in
 very listenable sound! Since Heribert is famous for usually having recorded nearly all of his shows
 uncut, he probably had to change his recording position because of the CHICAGO crew ... The sound
 quality improves after the 1st cut! The end section is not as good as the rest! JJ: decent aud, really
 good show.
 Set One: Tracklist: 01-Intro, 02-Lowdown, 03-Beginnings, 04-Loneliness Is Just A Word, 05-It
 Better End Soon #1/cut, It Better End Soon#2, 06-Does Anybody Really Know What Time It Is? (piano
 solo), 07-Does Anybody Really Know What Time It Is?, 08-25 or 6 to 4#1/cut, 09-25 or 6 to 4#2/cut,
 10-short Anouncement 0.26 (speed probs), 11-Mother small Fragment 0.13 (speed probs), 12-Mother,
 13-Crowd, Encores:14-I´m a Man/drums, 15-Free , TT:62 mins

[ Contents | List Info | Contact Info | Artist Index | Chicago ]

---

CIPOLLINA, JOHN

Available Years: ????, 1969, 1970, 1971, 1972, 1974, 1975, 1978, 1979, 1980, 1982, 1983, 1984, 1985, 1986, 1987, 1988

 
??/??/?? Studio Jam: Cip, Clapton, Carlos, N. Schon ? ? 17 
 Unsure what this really is, if any of the listed players are actually on this. Hissy.
 Set One: 01. Dead Air [0:04], Jam [16:41], 02. [0:08]
00/00/00 "Through the years & through the bands" 70 
 JOHN CIPOLLINA "Through the years & through the bands" 1968-86 rarities of various bands (A) 1
 cd
 Set One: Camaro, Teacher, Marijuana, Grow Your Own, It Blew My Mind, Good Olde Rock & Roll,
 Small Walk In Box, Four Floors Or Forty, Stagger Lee, Train Song, Instrumental, Not Like Independence
 Day, Honky Tonk Jeckyl & Hide, Gimme Some Lovin', Cobra
00/00/7? Raven - Postscripts (Demos and Unreleased Songs) Unknown ? 139 
 *Raven*
  Hutch Hutchinson--Vocals, String Synth; John Cipollina--Guitar; Greg Douglass--Guitar, Vocals@;
 Skip Olsen--Bass; David Weber--Drums; Jim McPherson--Piano, Vocals; Andy Kirby--Drums, Vocals; Nicky
 Hopkins--Piano *; Dallas Anderson--Bass, Vocals**
 Set One: --Disc 1 (71:33) -- True Golden Touch**, The Truth, All American Boy**, Grass Is
 Always Greener, Postscripts, Sawtooth, Delta Pick Blues*, Your Move**, Blues Intro/Prayers, Clouds,
 Greg’s Tune**, Joliene, Maelstrom, Burning Corte Madera
 Set Two: --Disc 2 (67:22)-- Highway, Bad News, Do What You Do, Nadine@, Vampira*, Keeper of
 the Flame, Wet Wild & Warm**, Special Kind Of Love, Oxblood, Kiddie Boy**, Cowboy Blues, Sweet Home
 Chicago, Caravan
 
??/??/69 Studio Rehearsals MSR?>CD All 59 1169 
 *Nick Gravenites with John Cipollina/QMS* *JC#s 29, 22, 36*
 Reel #s 39, 22 & 36 from Cipollina's collection. MSR? > Teac X-300R 1/4 R2R playback > unknown
 model HHB CDRW/0 > unknown drive extraction (Easy CD-DA Extractor) > tracking (CD Wave) > CD/1 (Easy
 CD Creator) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification
 (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v1.7.1 etree edition). EAC >> FLAC by jjoops.
 Notes: - A few blemishes here and there, but sounds nice. - Cipollina's reels are believed to be
  masters, though it is possible that they aren't and that there are additional (reel) gens here. Thanks
 to the generous provider of this great stuff!
 Set One: Single Disc (10 tracks, 58:39), --JC#39: 2/3/69 with John Cipollina-- 01-02. Moon
 Tune --JC#22: with Quicksilver Messenger Service-- 03. High Flying Blues --JC#36: with Quicksilver
 Messenger Service-- 04-09. Be a Brother (some with violin), 10. Take Me Off This Bad Trip
??/??/69 Nick & John Studio Rehearsals MSR?>CD All 46 
 *JC# 18*
 Reel/item #18 from John Cipollina's collection. MSR > Teac X-300R 1/4 R2R playback > unknown model
 HHB CDRW/0 > unknown drive extraction (Easy CD-DA Extractor) > tracking (CD Wave) > CD/1 (Easy CD
 Creator).
 Set One: (12 tracks, 46:18) 01. East Texas Is My Home, 02. High Flying Blues, 03. High
 Flying Blues, 04. Deuce Through Ten, 05, Deuce Through Ten, 06. Deuce Through Ten, 07. Deuce Through
 Ten, 08. Albert Alberta, 09. Deuce Through Ten, 10. Deuce Through Ten, 11. Tuning, 12. Terry and the
 Pirates
01/09/69 Studio Rehearsals MSR?>CD All 47 1176 
 *Nick Gravenites with John Cipollina* *JC# 35*
 Reel/item #35 from Cipollina's collection. MSR? > Teac X-300R 1/4 R2R playback > unknown model HHB
 CDRW/0 > unknown drive extraction (Easy CD-DA Extractor) > tracking (CD Wave) > CD/1 (Easy CD Creator)
 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) >
 level 8 FLAC encoding (Flac Frontend v1.7.1 etree edition). EAC >> FLAC by jjoops. Notes: - It is
 assumed that Cipollina's reels are masters, but they may not be, hence the question mark in the
 lineage. Either way, this material sounds extremely clean. - t02 Holy Moly cuts out. Thanks to the
 generous provider of this great material!
 Set One: Single Disc (7 tracks, 46:45), 01. Small Walk-In Box Jam [1:59], 02. Holy Moly//
 [5:41], 03. Poor Boy [8:08], 04. Moon Tune [8:46], 05. My Labors [11:20], 06. House Next Door [5:09],
 07. Dreams to Remember [5:40]
02/03/69 Studio Rehearsal MSR?>CD All 61 1180 
 *Nick Gravenites w/ John Cipollina* *JC# 44*
 Item #44 from Cipollina's collection. MSR? > Teac X-300R 1/4 R2R playback > unknown model HHB
 CDRW/0 > unknown drive extraction (Easy CD-DA Extractor) > tracking (CD Wave) > CD/1 (Easy CD Creator)
 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) >
 level 8 FLAC encoding (Flac Frontend v1.7.1 etree edition). EAC >> FLAC by jjoops. Notes: -
 Cipollina's reels are believed to be masters, but this is not determined. This particular recording
 is just a little bit oversaturated, but is generally very nice. The material is very cool, bluesy
 Gravenites-type material. Thanks to the generous provider of this great material! Setlist info
 courtesy of Jeff Smith, posted 6 July 2005 to the Cip-Quick Yahoo Group.
 Set One: Single Disc (16 tracks, 61:12), 01. Question Man #1, 02. Question Man #2, 03.
 Tuning/Noodling > Moon Tune, 04. Instrumental, 05. Tuning, 06. As Good As You've Been To This World,
 07. Tuning, 08. As Good As You've Been to this World (Instrumental), 09. Tuning, 10. Next Time You See
 My Baby//, 11. Tuning, 12. Moon Tune, 13. Backstreet Business > Sweet Home Chicago, 14. Tuning, 15.
 Country Club Malt Liquor, 16. Walked All The Way From Texas
 
01/06/70 King St. Studio MSR?>CD All 118 1181 
 *JC#s 20, 78*
 Reel/item #20 from Cipollina's collection. MSR? > Teac X-300R 1/4 R2R playback > unknown model HHB
 CDRW/0 > unknown drive extraction (Easy CD-DA Extractor) > tracking (CD Wave) > CD/1 (Easy CD Creator)
 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) >
 level 8 FLAC encoding (Flac Frontend v1.7.1 etree edition). EAC >> FLAC by jjoops. Notes: - It is
 assumed that Cipollina's reels were masters, but it is possible they were not, hence the question mark
 in the lineage.
 Set One: Disc One (13 tracks, 57:09), 01-11. East Texas Is My Home, 12-13. Tee-Top Tall
 Woman
 Set Two: Disc Two (14 tracks, 60:38), 01. Unknown Snippet & tell-tale coughing, 02. Unknown
 Snippet, 03. Dust My Broom (w/ Taj Mahal), 04. Jam w/ JC (sounds like QMS)//, 05-13. East Texas Is My
 Home --Filler: JC #78-- 14. Who Do You Love (QMS, Alt. Mix from Golden State Recorders)
08/04/70 San Francisco, CA - The Matrix MS?>?>D>CD All 45 
 *Hot Dead Messenger Service (no Garcia)*
 SBD>Analog>DAT>CD. Sounds quite good. 8/4/70 @ The Matrix, SF. Jorma, Jack, Carlos Santana, John
 Cippolina, Dino Valenti, Gary Duncan and Nicky Hopkins. t02 very brief splice @ 4:42
 Set One: (4) 44:43, 1. //Rock Me Baby [#1:35], 2. Just Ain't //Thick Enough For Me//
 [14:#50#], 3. Jam [17:32] ("w/ 'it's no secret' feel"), 4. Jam [10:46]
08/04/70 San Francisco, CA - The Matrix MSR>R>CD All n/a 1295  
 Matrix Tuesday Night Jam Session: Line up: John Cipollina, Carlos Santana, Dino Valenti, Jack
 Casady, Jorma Kaukonen, Nicky Hopkins. 1st generation reel to reel > revox > amplifiers > tascam
 audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. Recorded, transfered, &
 uploaded by 38f on Dime, March 2007. Fabio (38f)'s notes: "This comes straight from the John
 Cipollina's collection, i personally made a copy of his reel and his notes....I did not touch the
 sound or edited anything in the trasfer, you get what i got in first place. Pretty good recording,
 awesome stuffs. Almost all the songs are not complete, some fades in, some fades out, some are cut,
  but it's just an super jam!" JJ: someone entered the title of tracks 2 as "Just Ain't Thick Enough For
 Me" at CDDB; that sounds more likely since this does not sound like Stormy Monday at all to my ears.
 t03 Sunshine Superman theme doesn't really kick in until about 11:55 in. t02 splice/drop at 4:43,
 fades out.
 Set One: 4 tracks, 44:38: 1. Rock Me Baby, 2. Stormy Weather ... , 3. Sunshine Superman Jam,
 4. Santana Jam
09/09/70 Rehearsal, Unknown Location MSR?>CD All 69 1150 
 *#368 from Cipollina's collection (CPMC)*
 Cipollina, Nick Gravenites and Jim Murray (bass). MSR > Teac X-300R 1/4 R2R playback > unknown
 model HHB CDRW/0 > unknown drive extraction (Easy CD-DA Extractor) > tracking (CD Wave) > CD/1 (Easy
 CD Creator) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector
 boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).
 EAC > FLAC by jjoops. Notes: - Very interesting material! - Cipollina's reels are believed to be
 masters, though it is possible that they aren't and that there are additional (reel) gens here. -
 Terrific sound quality, though could probably use a volume boost here and there. There is a tick @
 0:25 of track 07. I basically decided to leave this stuff "as is" and let others with more time,
 inclination and skill do what they want down the line. - Many thanks to the generous provider of this
 great stuff! Setlist is provided by Jeff Smith of the Cip-Quick group.
 Set One: Single Disc (19) 68:55, 1)Instrumental, 2)Instrumental, 3)Not Every Angel Lives In
 Heaven, 4)tuning, 5)Keepin' It All Inside, 6)tuning, 7)Sweet Lady (Instrumental), 8)tuning, 9)tuning,
 10)On The Road Again (Instrumental), 11)tuning, 12)Cruel World, 13)tuning, 14)Living On A Blue Road,
 15)tuning, 16)Living On A Blue Road #2, 17)Terry & The Pirates In A Mountain Stronghold, 18)talking,
 19)Killing Floor (Instrumental)
10/21/70 see Jerry Garcia n/a  
 
??/??/71 Copperhead Studio Sessions, 1971-1972 MSR>CD All 114 
 UPPED ON DIME BY 38F ON JUNE 27TH 2005, FROM HIS PERSONAL MASTERS REEL TO REEL. ALL THE TRACKS ARE
 IN A MAGNIFIQUE STEREO SOUNBOARD SOUND! MASTER REEL TO REEL > PRO EQUALIZER > CD > EAC > WAV > FLAC.
 JJ: occasional distortion, sometimes bad. I really like d2t03 version of Making a Monster.
 Set One: DISC ONE (9 tracks, 74:23) --ACOUSTIC COPPERHEAD (second attempt to form
 Copperhead), STUDIO, MARCH 3RD 1971, JOHN CIPOLLINA, JIM MCPHERSON AND CYRUS-- 1. ARE YOU LONELY FOR
 ME BABY , 2. INSTRUMENTAL 1 , 3. INSTRUMENTAL 2 --STUDIO, OCTOBER 1970. (really first attempt to form
 the band) JOHN CIPOLLINA, MARK UNOBSKY, JIM MURRAY & ROBERTSON-- 4. INSTRUMENTAL --JOHN CIPOLLINA &
 COPPERHEAD, UNKNOWN SESSION AND LINE UP, CIRCA WINTER 1971 (This is the very first session as real
 Copperhead) --5. ROLLER DERBY STAR TAKE 1 , 6. ROLLER DERBY STAR TAKE 2 , (Amazing version with
 violin, i think is it Sid Page on violin) , 7. MAKING A MONSTER (really first embryo of it) , 8.
 BRAZIL , 9. YOU KNOW I WILL TAKE 1
  Set Two: DISC TWO (10 tracks, 40:21) 1. YOU KNOW I WILL TAKE 2, 2. BIGELOW 6-9000 (First
 time ever played, partial) --STUDIO SESSIONS SOMEDAY OF 1972 (Really early & unusual versions of
 known songs)-- 3. MAKING A MONSTER , 4. WANG DANG DOO , 5. BIGELOW 6-9000 , 6. ROLLER DERBY STAR
 (Partial) --FOUR SONGS FROM THE UNRELEASED 2ND LP-- 7. PUTTING TO YOU , 8. DRUNKEN IRISH SETTER , 9.
 BIGELOW 6-9000 , 10. UNTITLED
??/??/71 Jim Murray's Lost Album, 1970-1971  MSR>CD All 64 
 JIM MURRAY - THE LOST ALBUM. DEMO REFERENCE, MICKEY HART RANCH, DECEMBER 1970/JANUARY 1971, AND
 JOHN CIPOLLINA'S APARTMENT, MILL VALLEY, JANUARY 1971. PRODUCED BY JOHN CIPOLLINA. with JIM MURRAY,
 JOHN CIPOLLINA, MARIO CIPOLLINA, GREGORY ELMORE, PAUL BUTTERFIELD, MIKE BLOOMFIELD, NICK GRAVENITES
 AND MANY OTHERS ... Seeded to DIME by 38f, summer 2005. COMPLETE, NEVER CIRCULATED VERSION, UNEDIT
 AND UNCUT MASTER STEREO SOUNDBOARD. MASTER STEREO REEL TO REEL > EQUALIZER > CD > EAC > WAV > FLAC.
 Fabio's notes: REGARDING THE SONG'S TITLES, I JUST REPORT HERE THE TITLES THAT JOHN CIPOLLINA HIMSELF
 KINDLY WROTE ON MY MASTER REEL TO REEL BACK IN 1979. THIS IS ONE OF THE BEST LOST PIECE OF MUSIC I
 EVER HEARD." Here there is an extract from John's interview with Pete Frame regarding this project
 (zig zag magazine, number 52, february 1975, page 26) : Part Two: The Lost Jim Murray Album -- "My
 first project upon leaving Quicksilver Messenger Service was to produce an album by Jim Murray, who
 was originally in Quicksilver with me - we were the first two members. The fact that the album never
 appeared could be attributed to 'record company hang-ups'; United Artists were going to do it, but for
 some reason decided not to at the last minute .... I can't work record companies out - the closer I've
 been involved with them, the more confused I've become about their mysterious ways. "We cut at least
 a whole album, in my living room, as a matter of fact, with a 3M eight-track and a load of other
 equipment that we brought in ... it was kind of a fun thing - we didn't leave the house for over three
 weeks. We kept the tapes running about 20 hours a day, with two engineers taking 8-hour shifts at the
 board, but at the end of about a month I'd had enough - I had to get them all out of my house. It was
  fun, alright, and we got (as you can imagine) a lot of material recorded - with contributions from
 everyone who happened to pass by the house ... like Paul Butterfield played some harmonica (sitting on
 three cases of beer), Mike Bloomfield was on piano (he'd cut his finger and it was all bandaged up),
 Nick Gravenites was playing a 12-string acoustic (sitting in a rocking chair), my little brother Mario
 was playing bass, and I was playing steel and slide guitar. Gravenites' wife and some of the girls
 that were at the house did back-up vocals, and we got really loose ... it was party-time; a lot of
 indulging, a lot of laughs ... staying up forever, with no trouble at all."
 Set One: (15 tracks, 63:54) 1. GREAT WHITE LADY (SHE'S SO FINE) (1 channel is lower for some
 sec.) , 2. THIS WOMAN , 3. SWEET LADY take 1, 4. IT'S ALRIGHT GIRL take 1, 5. IT'S ALRIGHT GIRL take
 2, 6. FROM A FRIEND WHO LOVES YOU, 7. I CAN LOVE YOU WOMAN take 1, 8. FROM A FRIEND WHO LOVES YOU
 (instrumental version), 9. THIS WOMAN take 1 (instrumental version), 10. THIS WOMAN take 2
 (instrumental version), 11. IT'S ALRIGHT GIRL take 1 (instrumental version) (cut), 12. IT'S ALRIGHT
 GIRL take 2 (instrumental version), 13. GREAT WHITE LADY (SHE'S SO FINE) (instrumental version), 14. I
 CAN LOVE YOU WOMAN take 2, 15. SWEET LADY take 2
 
??/??/72 San Francisco, CA - KSAN Studios  S:R>?>CD ? 80 
 *Copperhead*
 PreFM>RR>?>CD, 1 CD
 Set One: 14 tracks, 79:41, tracks 11-14 are in concert
??/??/72 1971-1972 Studio Outtakes & Live in S.F. S:R>?>CD  ? 89 
 *Copperhead*
 2 CD
 Set One: Disc One (11) 46:36. Tracks 1-8 = studio, rest = from radio interview show?
 Set Two: Disc Two (7) 41:57
 
??/??/74 Berkeley, CA - Longbranch Saloon  MS?>?>CD All 55 
 *Copperhead*
 Seeder's comments: The date of this show is uncertain, sometimes is reported as 2.1974, sometimes
 as 6.1974. One of the best sounding Copperhead's show in circulation with 18 minutes making a
 monster." JJ: this is nice stuff, with Making a Monster indeed very hot.
 Set One: (8 tracks, 55:27), 1. Spin Spin, 2. Drunken Irish Setter, 3. Cobra, 4. Little
 Cindy, 5, Pawnshop Man, 6. I Hata My House, 7. Something Inside You, 8. @@They're Making A Monster
 (cut at the real end)
 
07/10/75 "Solid Silver" Outtakes MSR>?>CD ? 43 
 Set One: following from QMS studio 4/30/69: Honky Tonk Jekyll & Hyde, Worryin' Shoes
 (Instrumental), Worryin' Shoes (Instrumental), They Don't Know, Worryin' Shoes, Heebie Jeebies, Honky
 Tonk Jekyll & Hyde, Honky Tonk Jekyll & Hyde, They Don't Know, Honky Tonk Jekyll & Hyde
 
09/02/78 San Francisco, CA - The Palms MS?>?>CD II 76 
 *Rocky Sullivan Band*
 JC Tree #4. "burned straight from the master recording." Rocky Sullivan--Vocals; John
 Cipollina--Guitar, Vocals; John Fontaine--Guitar; Pete Sears--Keyboards, Bass; Mario Cipollina-- Bass,
 Vocals; Joey Covington -- Drums
 Set One: Bigelow 6-9000, Whatcha Get, Jackknife Lover, Roxy, Fever Dreams, Nobody’s Fool,
 Pissed Off, Backup Girl, Who’s Kidding Who, Everybody’s Got A Price, Going Down The Tubes --Filler:
 Santa Cruz, 7/2/79--
 
04/30/79 Boston, MA - Paradise Club MAC>CD All 98 1182 
 *S.F. All Stars: Steve Rolfe, Nak 700s > Sony D5*
 MAC (Taped by Steve Rolfe, Nak 700s > Sony D5) > Nakamichi Dragon playback > Art DI/O > Egosys
 Waveterminal 2496 > Cool Edit 2000 > sector boundary alignment (shntool) > .shn encoding (mkwACT) >
 FLAC encoding (shntool). Cassette >> shn by David Minches, info & FLAC encoding by jjoops. Notes: -
 Absolutely stellar recording, low vocals but crystal clear instruments (especially guitar!). - I have
 archived and circulated this in FLAC format, using shntool's 'shntool conv -o flac *.shn' command, but
 retained the md5s from the original .shn set. Thanks to Steve Rolfe for taping & sharing and David
 Minches for transferring and circulating!
 Set One: Disc One (10) 58:00, 01. Tuning [3:55], 02. Baby I'm Amazed, 03. ????, 04. ????,
 05. Carmelina, 06. Tonight, 07. ????, 08. "I'm Just a Slave", 09. You're Only As Pretty As You Feel,
 10. Back in My Baby's Arms
 Set Two: Disc Two (6) 40:19, 01. Tuning [0:12], 02. , 03., 04., 05., 06.
05/07/79 with Grateful Dead MAC>D>CD All n/a 
 w/ Grateful Dead
 Set One: Not Fade Away -> Black Peter -> Around & Around
07/02/79 Santa Cruz MS?>?>CD All 40 
 *Rocky Sullivan Band*
 Rocky Sullivan--Vocals; John Cipollina--Guitar, Vocals; John Fontaine--Guitar; Pete
 Sears--Keyboards, Bass; Mario Cipollina-- Bass, Vocals; Joey Covington--Drums
 Set One: Filler on Rocky Sullivan 9/2/78: Just a Little, Roxy, Heart's on Fire, Jackknife
 Lover, Be My Girl, You're So Hot, Crowd Pleaser, Shake Your Shake
 
11/03/80 Hanover, Germany MSC>CD All 134 
 Excellent SQ. Blues in the Bottle fades in. I like "Small Walk-in Box" a lot. Trouble in the
 Teepee has some snits @ 0:15.
 Set One: Disk 1 --(Set 1, 12 tracks, 67:30)-- 01. Blues in the Bottle, 02. Born in Chicago,
 03. Junkyard in Malibu, 04. @@Small Walk-in Box, 05. Signs of Life, 06. Blues Man, 07. Pride of Man,
 08. I'll Pull The Trigger, 09. Break Jam --(Set2)-- 10. Trouble in the Teepee, 11. Trust Me, 12.
 Dancin' Fool
 Set Two: Disk 2 --(Set 2 cont'd, 9 tracks, 66:23)-- 1. Don't Come to My Party, 2. Keep on
 Running, 3. Hot Rods and Cool Woman, 4. Six Weeks in Reno, 5. Lucille, 6. Buried Alive in the Blues
 --Encores-- 7. Who Do You Love > Mona, 8. DeKalb Blues, 9. Old Smokie
 
10/17/82 Berlin, Germany S:C>C>D>CD  130 
 *Gravenites/Cipollina*
 Sbd:Master Cassette>cassette>dat>cd>Sound Forge>cd. Personnel: John Cipollina Guitar ; Nick
 Gravenites Guitar, vocals ; Greg Elmore Drums; Al Staehely Bass, vocals.
  Set One: Disc One (9) 54:31, 1 Blues in My Bottle 5:39 (Nick Gravenites) , 2 Down in the
 Bottom 5:51, 3 Six Weeks in Reno 5:22 (Nick Gravenites) , 4 Trust Me 6:11 (Al Staehely) , 5 Tuning >
 Southside 4:52 , 6 Signs of Life 4:37 (Al Staehely) , 7 Born in Chicago 6:41 (Nick Gravenites) , 8
 Bigelow 6-9000 3:57 , 9 Going Back to Anna > Small Walk-In Box 11:18
 Set Two: Disc Two (12) 74:27, 1 Bad Luck Baby 8:12 , 2 I'll Change Your Flat Tire, Merle
 5:21 (Nick Gravenites) , 3 Trouble in the Teepee 5:50 , 4 (Tuning) 0:43 , 5 I'll Pull the Trigger 4:43
 , 6 Pride of Man 4:42 (Hamilton Camp) , 7 Walkin' Blues 4:59 , 8 Run Out of West 4:56 , 9 Hot Rods
 and Cool Women 4:03 (Al Staehely) , 10 My Party 8:06 , 11 Buried Alive in the Blues 9:29 (Nick
 Gravenites) , 12 Who Do You Love > Suzie Q (cut) 13:17
10/21/82 Hamburg, Germany S:C>C>D>CD 117 
 *Gravenites/Cipollina*
 Sbd:Master Cassette>cassette>dat>cd>Sound Forge>cd. Personnel: John Cipollina Guitar ; Nick
 Gravenites Guitar, vocals ; Greg Elmore Drums ; Al Staehely Bass, vocals.
 Set One: Disc One, 1 Blues in My Bottle 5:57 (Nick Gravenites) , 2 Down in the Bottom 5:34
 , 3 Six Weeks in Reno 5:45 (Nick Gravenites) , 4 Trust Me 5:28 (Al Staehely) , 5 Southside 4:58 , 6
 Bigelow 6-9000 4:46 , 7 Signs of Life 5:07 (Al Staehely) , 8 Born in Chicago 6:41 (Nick Gravenites)
 , 9 Small Walk-In Box 10:11 (Nick Gravenites) , 10 Bad Luck Baby 8:31 (Nick Gravenites) , 11 I'll
 Change Your Flat Tire, Merle 5:38 (Nick Gravenites) , 12 Trouble in the Teepee 6:59
 Set Two: Disc Two, 1 My Party 7:48 , 2 Band Introductions 1:41 , 3 Buried Alive in the Blues
 5:51 (Nick Gravenites) , 4 Who Do You Love > 11:01 5 Mona 8:14 , 6 You Can't Hurt Me No More (fades)
 6:22
10/22/82 Osnabruck, Germany  S:C>C>D>CD 86 
 *Gravenites/Cipollina*
 Sbd:Master Cassette>cassette>dat>cd>Sound Forge>cd. Personnel: John Cipollina Guitar; Nick
 Gravenites Guitar, vocals ; Greg Elmore Drums ; Al Staehely Bass, vocals
 Set One: Disc One, 1 Blues in My Bottle 4:07 (Nick Gravenites) , 2 Down in the Bottom 6:52
 , 3 Six Weeks in Reno 5:45 (Nick Gravenites) , 4 Trust Me 5:39 (Al Staehely) , 5 Southside 4:37 , 6
 Bigelow 6-9000 4:59 , 7 Signs of Life 6:31 (Al Staehely) , 8 Born in Chicago 6:47 (Nick Gravenites)
 , 9 Going Back to Anna 6:33 , 10 Small Walk-In Box 12:04 (Nick Gravenites)
 Set Two: 1 Bad Luck Baby 7:48 (Nick Gravenites) , 2 I'll Change Your Flat Tire, Merle 6:01
 (Nick Gravenites) , 3 Trouble in the Teepee 7:43
11/21/82 Cotati, CA - Cotati Cabaret MSP>C>D>CD All 174 
 *Dinosaurs*
 Not sure about lineage, but often given as SBD/stage mics matrix > Sony PCM-F1 > cassette > DAT >
 CD, sometimes without the cassette gen. Sounds terrific!
 Set One: Disc One (14) 66:19 01. Banter, More, Who Makes the Move, One Way Out, SOS, 05.
 banter, 07. What Can It Be?, 08. There Ain't No Cars on Me, 09. Love, 10. Jesse James, 11. Colorado
 Town, 12. West LA Fadeaway, 13. I Can't Dance, 14. St. Louis Blues ->
 Set Two: Disc Two (6) 52:47 01. -> @@The Dance [14:00] [1:20], 02. Tricky Dick, 03. Sloop
 John B. -> 04. Love Machine (nice!) [13:37] [0:54], 05. Promontory Rider, 06. Motel Party Baby
 Set Three: Disc Three (10) 54:34, 01. [0:18] San Francisco, 02. Only to Believe, 03. Hokey
  Pokey, 04. Franklin's Tower, 05. Passin' Through --Encore-- 06. Level //With Me [10:#40] -> 07. Who
 Makes the Move --Filler: Gravenites/Cipollina? -- 08. //
12/31/82 Oakland, CA - Oakland Auditorium MAC>CD All  68 
 *Dinosaurs*
 Yahoo Cipollina Group Lil' Onion Tree. Very nice aud recording. t08 Level with Me clips in, not
 much missing. Line up : Barry Melton (guitar, vocals); Robert Hunter (guitar, vocals); John Cipollina
 (guitar); Peter Albin (bass, backing vocals); Spencer Dryden (drums); with * Nicky Hopkins (piano); !
 Country Joe McDonald (guitar, vocals); # Kathi McDonald (vocals); + Steve Douglass (sax).
 Set One: Single Disc (12) 67:48, 01. Bill Graham intro. / Who Makes The Moves?, 02. One Way
 Out *, 03. Got Love *, 04. Promontory Rider *, 05. I Can't Dance *, 06. Save The Whales * !, 07.
 Streetwise, 08. Level With Me *, 09. St. Louis Blues *, 10. How Blue Can You Get? * #, 11. San
 Francisco * # +, 12. D.I.N.O.S.A.U.R. * # +
 
01/09/83 San Francisco, CA - The Saloon A:?>?>CD Partial 14 
 *Gravenites/Cipollina Band*
 Set One: Filler on 1/21/83 d3. (end of show) 7. Tired of Spending Money Blues, 8. DeKalb
 Blues
01/21/83 San Francisco, CA - The Saloon MAC>CD All 166 
 *Gravenites/Cipollina Band: John Waldman, Aiwa HSJ-02*
 Recorded by John Waldman, Aiwa HSJ-02 master cassette > CD. Notes. d1t01 fades in; d2t02 CD skip
 @ 2:24; d2t12-13 riddled w/ bad CD skips.
 Set One: Disc One (11) --Set I-- 1. ... You Can't Hurt Me Anymore (fades in), 2. Walkin'
 Blues, 3. Blues in My Bottle, 4. Baby Please Don't Go, 5. Small Walk In Box, 6. Six Weeks in Reno, 7.
 South Side, 8. Bye Bye Johnny, 9. Linda Lou, 10. Run Out of West, 11. DeKalb Blues
 Set Two: Disc Two (13) --Set II-- 1. Goin' Back to Anna, 2. Just as She Said, 3. Gotta Live
 My Life, 4. Hit Man, 5. On Top of Old Smokey, 6. I'll Pull the Trigger, 7. Lord Have Mercy On Me, 8.
 Down in the Bottom, 9. Pride of Man, 10. Take Pity, 11. Herpes Blues, 12. Unknown Song, 13. Take a
 Break Jam
 Set Three: Disc Three (8) --Set III-- 1. I Should've Been Gone, 2. My Party, 3. Buried Alive
 in the Blues, 4. It's About Time, 5. Born in Chicago, 6. Nick's Highland Tease/Good Night --Filler:
 Saloon, 1/9/83-- 7. Tired of Spending Money Blues, 8. DeKalb Blues
01/22/83 Palo Alto, CA - Keystone Palo Alto MSR>R>CD All 152  
 *Dinosaurs*
 Lineage: MSR>R>CDR. * With Kathy McDonald (vocals). With Greg Elmore, Mark Naftalin (piano), and
 Sebastian (congas).
 Set One: DISC ONE (9 tracks, 74:01), Who Makes The Move?, One Way Out, St. Louis Blues, Got
 Love*, How Blue Can You Get?*, Motel Party Baby, Promontory Rider, Announcements/Set Break, Jesse
 James
 Set Two: DISC TWO (9 tracks, 77:53), Streetwise, Colorado Town, Blindman*, Move It On Over*,
 House of the Rising Sun*, Franklin's Tower, Carry Me Home > Blues jam -ENCORES-- San Francisco,
 DINOSAUR
05/20/83 Santa Cruz, CA - Porter College MSC>C>CD All 137 
 *Dinosaurs*
 MSC>C>Sony TC-WE435> Cool Edit Pro>CD Wave>CD. A little muddy sounding.
 Set One: --Set I-- Who Makes The Moves 07:41, One Way Out 03:06, Stage Banter 01:29, LOVE
 05:13, Stage Banter 00:45, Amagamalin Street 04:08, I Died For Love 08:13, Stage Banter 02:38, Pack It
 In At Night?? 08:03, I Can't Dance 04:20, Blind Man 04:17, Slack String Quartet 07:19, Unknown Song
 04:44, Stage Banter 03:08, Unknown Song 07:31, Total Time: 1:12:35
 Set Two: --Set II-- Unknown Song 02:47, Franklin's Tower 08:17, H Bomb 05:10, I Hate To See
 ?? 04:52, You Got To Say ?? 05:30, Down, Down ?? 08:30, Jack of Diamonds 06:17, Mona 07:51, Unknown
 Song 14:26, Total Time: 1:03:40
12/02/83 Chico, CA - Cabo's  MS?>T>CD All 74 
 JOHN CIPOLLINA, BARRY MELTON, PETER ALBIN, ROBERT HUNTER, SPENCER DRYDEN. 1st generation tape > eq
 > cd > plextor tool pro e. > wav > flac, via Fabio Nosotti ('38f') seed to DIME, 8/2005.
 Set One: DISC ONE. SET ONE. 1. WHO MAKES THE MOVES (early beginning missing fades is), 2.
 SLACK STRING QUARTET, 3. LOVE, 4. BLINDMAN, 5. JACK 'O' DIAMONDS, 6. COLORADO TOWN, 7. WHO DO YOU LOVE
 TEASE > MONA (cut)
 Set Two: DISC TWO. 1. A BOMB ON ME (fragments) > BEGINNING OF SET TWO-- JESSE JAMES (1
 channel missing for few seconds), 2. PASTURES OF PLENTY (beginning missing) , 3. REELIN' AND ROCKIN',
 4. THE DANCE > JAM (fades out and the tape gets a little funny at the end)
 
07/15/84 San Francisco, CA - Golden Gate Park MSC>C>CD All 106 891 
 *Dinosaurs*
 MSC>C>Sony TC-WE435> Cool Edit Pro>CD Wave>CD
 Set One: Who Makes The Moves 09:05, Slack String Quartet 05:41, LOVE 05:12, Blind Man 03:58,
 Independence Day 09:00, Mojo Navigator 07:14, Total Time: 0:40:10
 Set Two: Mona 13:10, Amagamalin Street 04:52, A Blues Tune ?? 06:44, Johnny B. Goode 03:56,
 Promitory Rider 06:46, I Died For Love 14:45, Introductions 01:05, Beau Brummels Tune 1 08:00, Beau
 Brummels Tune 2 03:50, Beau Brummels Tune 3 02:56, Total Time: 1:06:04
08/28/84 San Francisco, CA - Wolfgang's MSC>C>CD All 82 892 
 *Dinosaurs*
 MSC>C>Sony TC-WE435> Cool Edit Pro>CD Wave>CD. From Steve Keyser's collection -Disc two tracks 3-5
 are part of an all star jam with Micheal Wilhelm (The Charlatans) doing vocals. Weird muffled SQ ...
 NR?
 Set One: Introduction > Who Makes the Moves? 08:55, Good Ol Rock N Roll 03:22, Boogie on
 Reggae Woman 08:27, Ain't It Good To Be Alive 05:50, Blind Man 04:11, Motel Party Baby 05:19, David
 LaFlame Intro/Rap 03:49, Who's Gonna Love Me Now? 04:39, Total Time: 0:44:32
 Set Two: The Dance 11:36, Promontory Rider 05:57, Howard Hughes Blues 08:02, Rock And Roll
 Music 05:53, Unknown 05:37, Total Time: 0:37:05
08/28/84 San Francisco, CA - Wolfgang's MAC>CD Most 56 
 *Dinosaurs: Unknown taper ("greeney52"?, unknown mics > Sony D6*
 The Dinosaurs: John Cipollina - guitar,vocals; Barry Melton - guitar,vocals; Peter Albin -
 bass,vocals; Spencer Dryden - drums; Robert Hunter - guitar,vocals; Merle Saunders - keyboards,vocals;
 David LaFlamme - violin.
 Set One: Single Disc (7) 56:26, 01.who makes the moves, 02.good old rock and roll, 03.boogie
 on reggae woman, 04.better bad luck, 05.blindman, 06.looks like a party, 07.someone to love me>do the
 dance
10/26/84 San Francisco, CA - Chi Chi Club partial n/a 
12/26/84 San Francisco, CA - The Stone MAC>D>CD All 63 
 *Zero: Bob Menke, Nak 700s > Sony D5*
  MAC (Recorded by Bob Menke, Nak 700s > Sony D5) > DAT (Tascam DA-20) > HHB 850 > CDRW > EAC > Cool
 Edit Pro > CD. Sounds terrific. One Set Only. Opening for Kingfish, this show was right before Martin
 joined the band. t01 digi-blip @ very end (during tuning)
 Set One: Single Disc (9) 63:07, 1. [0:17] Baby Baby [6:19] [0:26], 2. Tear Tags [6:45]
 [1:25], 3. Tangled Hangers [5:41] [0:22], 4. Higher Ground [7:23] [1:04], 5. Smells Like Girls [4:02]
 [2:04], 6. Severe Tire Damage [8:31] [0:22], 7. Let's Get it On [4:21] [0:17], 8. Straight Jackets
 [7:04] [1:07], 9. Try a Little Tenderness [4:53] [0:29]
 
03/30/85 San Francisco, CA - Chi Chi Club S:C>D>CD All n/a  
 *Thunder & Lightning*
 SBD>Cassette Master>DAT>CD 3audio
07/17/85 San Rafael, CA - New George's MSC>D>CD All 55 
 *Zero*
 DAT label says "Aud-Master Cassette>DAT (Sounds like a soundboard recording to me. wjlp 5-22-02 ).
 Transfer/SHN Info: Tascam DA20MKII > RME 98/6 PST > Sound Forge 5.0 (Resampled from 48 kHz to 44.1 kHz
 at 4/4 highest setting with anti-alias filter) > CDWAVE > mkwACT > SHN. Transfer/SHN done by William
 LaPier wjlapier@charter.net. Notes: This has to be a sbd. It sounds beautiful. Note added 3/7/2003:
 indeed, I have just picked up a second copy of this with the more plausible lineage of MSC>D>CD.
 Set One: Single Disc (7) 54:49, 01. //Baby Baby [#6:40] [0:09], 02. Tangled Hangers [5:33]
 -> 03. Higher Ground [9:32] [0:07], 04. Gomorrah [8:36] -> 05. Little Wing [5:36] [0:02], 06. Tear
 Tags Off Mattresses [8:40] -> 07. Golden Road [9:42] [0:08]
 
09/06/86 Guerneville, CA - River Theater MAP>?>D>CD All n/a 
 *Zero*
  Source Nak CM300 Shotguns > 14bit PCM > Analog Dub > DAT. Transfer Info: Tascam DA20MKII > RME 96/8
 PST > Sound Forge 5.0 (resampled from 48kHz to 44.1kHz with anti-alias filter and 4 of 4 setting) >
 CDWAVE > mkwACT > SHN by William LaPier wjlapier@charter.net. *spot of diginoise
 Set One: Set 1: d1t01 Rigor Mortis, d1t02 Baby Baby*, d1t03 Tear Tags Off Mattresses, d1t04
 Gomorrah. Set 2: d1t05 Tangled Hangers, d1t06 Try A Little Tenderness, d1t07 Straight Jackets, d1t08
 Goin' Down, d1t09 Severe Tire Damage, d1t10 Little Wing, d1t11 E: Higher & Higher
09/07/86 Pyramid Lake, NV - Ranch Rock MSR>CD All 64 
 *Zero*
 Zero: steve kimock, john cipollina, bobby vega, greg anton, banana, martin fierro. * greg elmore on
 drums; ** with wavy gravy, david tennenbaum & frank vinnemucca. Third step of festival of 5.
 Sounboard: Master reel to reel > behringer pro equalizer > tascam cd b. > cd >wav > flac.
 Set One: Single Disc (7 tracks, 64:05) 1. Baby Baby, 2. Tangled Hangers, 3. Higher Ground *,
 4. Tear Tags Off Mattresses, 5. Little Wing, 6. Straight Jackets, 7. Golden Road **
 
02/27/87 Philadelphia, PA - Empire Rock Club MSC>D>CD All n/a 
 *Zero*
 MSC > DAT > Tascam DA20MKII playback > RME 96/8 PST > Sound Forge 5.0 ( Resampled from 48kHz to
 44.1kHz with anti-alias filter and 4 of 4 setting) > CDWAVE > mkwACT > SHN > mkwACT > CD. D>SHN by
 William LaPier wjlapier@charter.net. Notes: - w/ Hadi al-Saadoon on trumpet, sitting in for Martin
 Fierro, who was ill.
 Set One: Baby Baby, Tangled Hangers, The Core, Little Wing, Tear Tags Off Mattresses, Try a
 Little Tenderness, Going Down, Strait Jackets, Golden Road, Pride of Man
03/01/87 Boston, MA - Molly's MSC>D>CD All n/a 
  *Zero*
 MSC > DAT > Tascam DA20MKII playback > RME 96/8 PST > Sound Forge 5.0 ( Resampled from 48kHz to
 44.1kHz with anti-alias filter and 4 of 4 setting) > CDWAVE > mkwACT > SHN > mkwACT > CD. D>SHN by
 William LaPier wjlapier@charter.net. Notes: - w/ Hadi al-Saadoon on trumpet, sitting in for Martin
 Fierro, who was ill.
 Set One: Little Wing, Try a Little Tenderness > Drums > Straight Jackets > Rigor Mortis,
 Severe Tire Damage, Bass Solo > Higher & Higher, Gomorrah, Mona, E: Golden Road
05/24/87 Bolinas, CA - Bolinas Community Center MS?>?>CD All n/a 
 *Zero*
 Set One: Intro Jam -> Rigor Mortis, Baby Baby, Tangled Hangers, Riding With The King, Severe
 Tire Damage -> Little Wing
 Set Two: Little Martha, Tear Tags Off Mattresses, Try A Little Tenderness, Goin' Down
 --Encore-- Wonderin' Where You Are
06/27/87 Baltimore, MD - Johns Hopkins University  MS?>?>D>CD 52 
 *Zero*
 "SBD>DAT>CD". Sounds very nice.
 Set One: Single Disc (51:57): The Core, Many Rivers to Cross -> @@ Rigor Mortis -> Tear Tags
 Off Mattresses -> Little Wing, Golden Road
 
05/25/88 Philadelphia, PA - Chestnut Cabaret MSP?>D>CD All n/a 
 *Zero*
 MSP? > DAT > Tascam DA20MKII playback > RME 98/6 PST > Sound Forge 5.0 > CDWAVE > mkwACT > SHN >
  mkwACT > CD.
05/26/88 Philadelphia, PA - Chestnut Cabaret MSR>P>D>CD n/a 896-897 
 *Zero*
07/16/88 San Francisco, CA - Golden Gate Park A:C>D>CD All 42  
 *Zero*
 Comment: *with Jerry Garcia, Merl Saunders, Mickey Hart, Norton Buffalo and Marc Beno. John
 Cipollina's last Zero Show. Source/Transfer: Audience Cassette Master > DAT > CD... Sennheiser 441
 Mic's > Sony D5M Cassette Master (Maxell MX 90). Playback on Nakamichi DR-2 Cassette Deck > Sony D100
 DAT. Playback on Panasonic SV-3800 DAT Recorder > Digital Coaxial Cable > Tascam CD-RW 700 CD Recorder
 > EAC > SHN. Originally Recorded by Chris Olson.
 Set One: 1 set, 1 disc total, Set 1: Total Time: 42:19, 1. Wavy Gravy's Zero introduction,
 2. Golden Road , 3. Little Wing, 4. Wavy Gravy's Guests introduction, 5. Think* , 6. Knockin' On
 Heaven's Door* , 7. Goodnight Irene*

[ Contents | List Info | Contact Info | Artist Index | John Cipollina ]

---

CLARKE, STANLEY

 
09/02/77 Los Angeles, CA - The Roxy MA?>?>C>CD All 93 
 aud, low gen cass>CD>EAC>FLAC 8. Seeder's notes: "I don't think this show circulates much. This is
 the tour with the big ensemble including Ray Gomez and Gerry Brown. The band is smoking hot-IMO.
 Sound? I think it sounds great for a 77'aud recording. Gomez is a little out front in the mix,
 though." - d1t08 variable speed problems @ end
  Set One: Disc One (8 tracks, 48:14): no tracklist
 Set Two: Disc Two (6 tracks, 45:09): 01. trumpet solo

[ Contents | List Info | Contact Info | Artist Index | Stanley Clarke ]

---

CLIFF, JIMMY

 
08/26/89 Berkeley, CA - Greek Theatre, U. Of California MAP>D>CD All 59 
 *possibly Schoeps cardioids > Sony PCM-F1*
 Opened for JGB. possible source : Schoeps cardioids-> Sony PCM F1, FOB, transfer by Rich Gastwirt
 from Dat.
 Set One: (11 tracks, 59:15) 01. You Can Get It If You Really Want, 02. Reggae Down Babylon,
 03. Keep Up The Pressure, 04. Hit Them With Music, 05. Ever Livin Love, 06. Treat Jah Youths Right,
 07. Rub-a-Dub, 08. Many Rivers To Cross, 09. Save Our Planet Earth, 10. Wonderful World Beautiful
 People, 11. Johnny Too Bad

[ Contents | List Info | Contact Info | Artist Index | Jimmy Cliff ]

---

COBHAM, BILLY

Available Years: 1968, 1969, 1974, 1975, 1976, 1982, 1983

 
11/03/68 *see Silver, Horace* n/a 
11/10/68 *see Silver, Horace* n/a 
 
07/26/69 *see Silver, Horace* n/a 
 
07/??/74 Kongsberg, Norway  MFR>CD partial 34 
 SOURCE: FM Broadcast > Reel Master > CD transfer > trade > CD > EAC Secure Modus > Flac Frontend
 Level 6 > Flac. Seeded to DIME by ricola. Lineup: Billy Cobham: drums; John Abercrombie: el-guitar;
 Randy Brecker: trumpet; Michael Brecker: ten-sax; Glenn Ferris: trombone; Milcho Leview: keyboards;
 Alex Blake: el-bass, bass. JJ: - Nice, but badly oversaturated.
 Set One: Tracks (34:23): (MISSING: Pleasant Pheasant) 1. Red Baron 17.38 2. Band intros &
 tuning -3:08, Tenth Pin
07/13/74 London, England - Rainbow Theatre MTR>CD partial 34 
 *Billy Cobham All-Stars*
 SOURCE: TV Broadcast > Reel Master > CD transfer > trade > CD >EAC Secure Modus > Flac Frontend
 Level 6 > Flac > DIME (seeded by ricola). SOUND: A. Seeder's notes: "This is a amazing concert
 fragment with early Superstars. Very interesting is to hear the very young french Glenn Ferris...who
 ist playing with Henri Texier, Sclavis, Portal, etc....and Alex Blake who played a lot with Pharoah
 Sanders in the last Time. Very great...like usual the Brecker Brothers and Abercrombie!!" Lineup:
 Billy Cobham: drums; John Abercrombie: el-guitar; Randy Brecker: trumpet; Michael Brecker: ten-sax;
 Glenn Ferris: trombone; Milcho Leview: keyboards; Alex Blake: el-bass, bass. JJ: - Pretty good, didn't
 amaze me. - DJ says filmed "last June" ... hmmm.
 Set One: Tracks (33:50): 01. Introduction 0.33, 02. Shabazz 13.10, 03. Tenth Pinn 20.09
11/03/74 San Francisco, CA - Great American Music Hall MF?>?>CD All 98 
  Billy Cobham: drums; John Abercrombie: guitar; Doug Rauch: Bass; keys:??(Not G.Duke); M. Brecker:
 sax; R Brecker: Trumpet; plus other unknown brass & woodwinds. KRE FM Radio Broadcast of the
 "Crosswinds" Tour. Seeder's Notes: "This is rare BC Show, I think, at least of this low gen source and
 completeness. Some FM transmission static is evident in quieter passages but overall an enjoyable FM
 recording. John Abercrombie plays his ass off. There are a couple radio DJ breaks mostly showing
 astonishment at B.C.'s setup/playing. This is a high energy show with what WERE progressive keyboard
 patches at the time." *Track one cuts in abrubtly.
 
05/25/75 Hannover, Germany - Funkhaus  MF?>?>C>CD All 62 
 Walt Fowler: Trumpet; Tom Malone: Bari Sax; Larry Schneider:sax; Alex Blake: Basses; John Scofield:
 Guitar; Milcho Leviev: Keys. FM>fairly low gen cass?>CD>EAC>FLAC *This sounds pretty damm good (IMO)
 but it includes some slight channel wackiness (just in the beginning) and some minor hiss- both due to
 its gen(s) as cassette, I'm sure. Notes: "I had persistant requests for some more BC & thought that
 this one, in particular, had not seen too much light. It's a nice German FM of a kind of interesting
 band line-up. The Brecker Bros are not on board here but, as most of you know, Fowler & Malone are
 heavyweights, themselves. This is surely not the whole set as the last track is a mellow tune with a
 long bass solo- not the way to close things. Overall, this recording shows Cobham's mellow side as
 much as his firey fusion."
 Set One: 1)Intro by DJ 0:19, 2)Light at the end of the tunnel 6:30, 3)Taurian Matador
 24:42, 4)Another Intro by DJ 0:35, 5) ? 14:30, 6) ? 15:14, = 61:52
 
??/??/76 Cleveland, OH - Agora Theatre MF?>?>C>CD All 54 
 *Cobham/Duke Band*
 FM > unknown gen cass > CD > EAC > FLAC . Sound is a typical FM from the era. A little compressed &
 muddy but good. This comes from a broadcast on Boston's WCOZ's "New World Of Jazz" Show. JJ: quite
 hissy, but FONKY! *Uncle Remus cuts off but is still really beautiful.
 Set One: Single Disc (7 tracks, 54:27), Track 01: (radio host intro) (1:10), Track 02:
 Prelude (Tryin'and Cryin') > unnamed instrumental (same as 760218 New Orleans show intro love song) >
 Panhandler > Floop de Loop > East Bay (total 26:18), Track 03: (radio station message) (1:12), Track
 04: Red Baron (10:10), Track 05: (radio station message) (0:19), Track 06: @@Uncle Remus (incomplete)
 (4:49), Track 07: Involuntary Bliss (10:24)
02/18/76 New Orleans, LA MS?>?>CD All 74 
 *Cobham/Duke Band, a.k.a. Spectrum*
 Billy Cobham-Drums; George Duke-Keys; Alphonso Johnson-Bass; John Scofield-Guitar. DAD user
 'freezer': "If it starts in the middle of the first song, its a copy of the pre-FM tape recorded in
 the WTUL studio B. The name of the band was SPECTRUM." TAO.
 Set One: 8 Tracks, 74:23: 01. starts middle of a vocal pc. - most likely a George Duke song?
 > Panhandler, 02. Floop De Loop, 03. East Bay, 04. introductions etc, 05. Heather, 06. Earthlings >
 drum solo > Echidna's Arf (fade-out), 07. George Duke's improv's inc. Feel (bad cut) ... >Tzina
 (ActII,SceneII) > Uncle Remus > Involuntary Bliss, 08. That's What She Said > Stratus
07/06/76 Montreux, Switzerland - Montreux Jazz Festival pro-shot DVD All 80 
 *Cobham/Duke Band*
 Billy Cobham - Drums; George Duke - Keyboards, Vocals; John Scofield - Guitar; Alphonso Johnson -
 Bass, Chapman Stick, Vocals. DVD - NTSC; Video: Mpeg; Resolution: 720 x 480; Audio: Dolby AC3 Stereo
 256Kbits TT: 1'20"; Quality - very good (A-); Lineage: DVD-R trade>DVD Decryptor>you; Appears to be a
 Japanese Broadcast.
 Set One: 01 Panhandler, 02 Juicy, 03 Red Barron, 04 Almustafa The Beloved, 05 Ivory Tattoo,
 06 Some Day, 07 Hip Pockets, 09 Sweet Wine, 10 Life and Time, 11 Stratus, 12 That's What She Said
07/15/76 Bologna, Italy MA?>?>CD All 78 
  *Cobham/Duke Band* *speed corrected*
 Info: previously seeded by mr_mags: .
 Here's a fixed version of that seed: - speed corrected (+110cts to +80cts), plus two versions of
 Stratus (see nelow); - re-tracked along individual song titles; - most digital glitches removed,
 traces of a bad one still audible in Someday; - total time now under 79 min, nicely fitting onto one
 Audio cD. no further audio modification. Lineage: old seed: aud>trade cd>eac>flac. plus: flac > wav >
 Soundforge 5 (fixing as above) > FLAC FFE lvl7 w/SBA. Seeder's Notes: "As pitch level of track
 14-Stratus in previous seed was totally different from the rest of the show (cut in recording between
 main show and encore), I had no means to determine in what key this tune was actually being played at
 this show, and what key this would have to be adjusted to. So, I'm hesitating between these two
 options: +40cts to Bb - as in the Cobham/Duke 1976 02 18 New Orleans show, or +130cts to B - as in the
 official Billy Cobham "Spectrum" album release. Both sound equally good to me. So I'm seeding both of
 them here. Feel free and take your pick!! Credits: Special thanks go to mr_mags for sharing this show
 with us in the first place, and to Samuel87 and Dukecobman for their setlist input." -- flambay. JJ:
 this stuff is amazing!
 Set One: Track List: 01 - Intro~Crosswinds [3:12], 02 - On A Natural High [5:15], 03 - Juicy
 [7:58], 04 - East Bay [7:29] °°° cuts off at begin Band introductions, no music missing, 05 - Heather
 [11:56] °°° cut at end, no music missing, 06 - Up From The Cellar [9:49], 07 - Drum Solo [5:36], 08 -
 Ivory Tattoo [5:15], 09 - Echidna's Arf [0:29], 10 - Space Lady (incl.short hints at Rokkinrowl &
 Tzina) [3:24], 11 - Someday [3:55] °°° digi-flaw at 0.23, 12 - Involuntary Bliss pt.1 [5:49], 13 -
 Involuntary Bliss pt.2 [4:02], Encore: °°° cuts twice in applause to encore, plus beginning of Stratus
 missing 14 - Stratus (in Bb) [4:08], 14alt - Stratus (in B) [3:55]; Total time: 78.17 min (78.04 with
 alt.Stratus version)
 
06/16/82 *see Jerry Garcia* n/a 
 
07/23/83 *see Hubbard, Freddie* n/a 

[ Contents | List Info | Contact Info | Artist Index | Billy Cobham ]

---

COLEMAN, GEORGE

 
02/10/77 Laren, Netherlands - Nick's Jazzcafe MF?>?>CD All 54 
 *venue uncertain*
 George Coleman Quartet: George Coleman - tenor sax; Tete Montoliu - piano; Burt Thompson - bass;
 Ray Appleton - drums. Sound: A-, Source: radio broadcast. Lineage: Radio > ? > CDR in trade > EAC
 (secure) > Cool Edit Pro > FLAC (8,asb,verify). Seeded to DIME by ubu. Edits: - added fade-in at
 beginning of #1 - added fade-out at end of #1 and #2, - deleted short noise at beginning of #3 -
 deleted silence at end of #5. JJ: this is nice stuff. I especially like this bassist, who takes a
 number of tasty solos.
 Set One: 1. Four (Miles Davis) 13:20, 2. Lover (17:35), 3. Body and Soul
 (Green-Sour-Heyman-Eaton) 14:57, 4. unknown (7:41) [inc], 5. FM Announcement (0:08) [#4 continues
 below], TT 53:43

[ Contents | List Info | Contact Info | Artist Index | George Coleman ]

---

COLEMAN, ORNETTE

 
05/22/59 "THE SHAPE OF JAZZ TO COME"  OFFICIAL All n/a 
 OFFICIAL RELEASE - NFT
 Ornette Coleman: The Shape Of Jazz To Come. Ornette Coleman: Alto Saxophone; Don Cherry: Cornet;
 Charlie Haden: Bass; Billy Higgins: Drums. Recorded on May 22, 1959 at Radio Recorders, Los Angeles,
 California. © 1959 ATLANTIC Recording Corporation
 Set One: 1. Lonely Woman 4:59, 2. Eventually 4:20, 3. Peace 9:04, 4. Focus On Sanity 6:50,
 5. Congeniality 6:41, 6. Chronology 6:05
 
10/30/65 Berlin, Germany - Sportpalast MF?>?>CD partial 16 
 Ornette Coleman Trio, 30 October 1965, Berlin Jazz Festival, Sportpalast, Berlin, Germany. fm > ? >
 cdr > eac (secure mode) > flac (level 6). Ornette Coleman-alto saxophone, trumpet, violin; David
 Izenzon-bass; Charles Moffett-drums. JJ: SQ is decent, not great.
 Set One: 01. introduction 1:24, 02. Sadness 3:47, 03. Falling Stars 10:38
11/30/65 Copenhagen, Denmark - Tivoli Koncertsal MS?>?>CD All 53 
 Ornette Coleman: saxophone, trumpet, violin; David Izenzon: bass; Charles Moffett: drums.JJ: Sounds
 great!
 Set One: Single Disc (5 tracks, 53:28), 01. Lonely Woman, 02. Clergyman's Dream, 03.
 Sadness, 04. Falling Star, 05. Interview
12/03/65 Stockholm, Sweden - Gyllende Cirklen MF?>?>CD partial 23 
 *originally given as Bremen, Germany*
 Ornette Coleman Trio, 3 December 1965, Bremen, Germany. fm > ? > cdr > eac (secure mode) > flac
 (level 6). Ornette Coleman-alto saxophone,violin; David Izenzon-bass; Charles Moffett-drums. Corrected
 listing from a DIME user: "1965-12-03 is the Golden Circle live : "Gyllende Cirklen", Stockholm,
 Sweden." JJ: great SQ.
 Set One: 01. Lonely Woman 16:30, 02. Snowflakes and Sunshine (inc) 6:40
 
03/27/66 San Remo, Italy - San Remo Jazz Festival MF?>?>CD partial 24 
 Ornette Coleman Trio, 27 March 1966, San Remo Jazz Festival, San Remo, Italy. fm > ? > cdr > eac
 (secure mode) > flac (level 6). Ornette Coleman-alto saxophone,violin; David Izenzon-bass; Charles
 Moffett-drums.
 Set One: 01. Atavism 11:10, 02. Snowflakes and Sunshine 13:10
 
11/02/71 Belgrade, Yugoslavia MS?>?>CD All 49 
  Lineage: sbd > unknown transfer > silver CD > EAC(secure mode) > Wav >Flac Frontend (level8) > Flac
 (> thetradersden > YOU). Title: The Belgrade Concert. Personnel: Ornette Coleman: Alto Saxophone,
 Trumpet, Violin; Dewey Redman: Tenorsaxophone, Musette; Charlie Haden: Bass; Ed Blackwell: Drums.
 Seeded to DIME by Axel(a.k.a. RoryGallagher), Friesland, Germany.
 Set One: 01) Announcement, 02) Street Woman, 03) Who Do You Work For?, 04) Written Word, 05)
  Song For Ché, 06) Rock The Clock,TT - 49:04
 
02/23/93 Oakland, CA - Oakland-Alameda County Coliseum MAD>D>CD All 56 
 OC and Prime Time. Opened for the Grateful Dead. Source: Aud > DATs. taper and gear unknown.
 Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac; transfer jbraveman@hotmail.com August 2005,
 seeded DaD August 2005. Seeder's Notes: Average sounding audience recording. Most likely from
 taper-section, which was behind the soundboard. I guessed at the tracking based on the audience
 applause. No obvious digital glitches noted. Any help with setlist is appreciated."
 Set One: Single Disc (8 tracks, 56:01): 1., 2., 3., 4., 5., 6., 7., 8. ** ** with Jerry
 Garcia

[ Contents | List Info | Contact Info | Artist Index | Ornette Coleman ]

---

COLLINS, ALBERT

 
09/04/93 Washington, DC - Warner Theater MSD>CD All 52 
 Lineage: SBD > DAT > CDR > EAC > FLAC. Performers: Albert Collins- Vocals, Guitar; Pete Thoennes-
 Guitar; Jon Smith- Tenor Sax; Jeff Robbins- Tenor Sax; Steve Howard- Trumpet; Bobby Alexis- Organ;
 Johnny B. Gayden- Bass; Marty Binder- Drums. Additional Notes for the Albert Collins and Buddy Guy
 sets: Nothing like a fantastic set of Chicago Blues by two of the great Chicago blues masters of our
 time. Each set shows a different side of Chicago Blues, with the Albert Collins set featuring brass
 and Buddy Guy's set featuring both rock and blues tunes. The guitar work is blistering, mixed with
 funk, scorching leads, traditional blues and a nod to SRV. If you are a fan of the blues, you'll want
 this great double set.
 Set One: Disc 1 Albert Collins and the Icebreakers (52:17), 01. Trying to Work my way back
 home- 4:18, 02. If Trouble Was Money- 9:22, 03. Put Your Shoe On The Wrong Foot- 5:47, 04. Same Old
 Thing- 7:03, 05. Things I Used To Do- 6:09, 06. Head Rag- 9:58, 07. I Ain't Drunk- 5:48, 08. You Talk
  Too Much- 3:47

[ Contents | List Info | Contact Info | Artist Index | Albert Collins ]

---

COLTRANE, JOHN

Available Years: ????, 1951, 1955, 1956, 1957, 1958, 1959, 1960, 1961, 1962, 1963, 1965, 1966, 1967

 
 John Coltrane DVD Collection TV All n/a 
 John Coltrane DVD Collection: Video Source: VHS > Panasonic DMR-E50S Stand-alone > Roxio Toast
 Titanium (author) > DVD. Tv Sytem: NTSC, Aspect Ratio: 4:3, System Bitrate: 5000kbs, 29.97fps. Audio
 Source: Audio track run through Behringer Ultarfex Pro, Audio Coding Rate: 48kHz, Bit Rate: 224kbs.
 Compiled by CEddy10165 11/04. "There are a few small spots of pixelation due to limitations in Toast's
 encoding abilities."
 Set One: --Miles Davis Quintet w/ Gil Evans Orchestra: April 2, 1959, CBS Studios 61, New
 York, NY-- So What 10:29, The Duke 3:29, Blues For Pablo 5:46, New Rhumba 4:27, So What (reprise) :34,
  So What (reprise) :16 --John Coltrane Quintet: November 24, 1961, Baden-Baden, Germany-- My Faviorite
 Things, Everytime We Say Goodbye, Impressions [Lineup: John Coltrane - Sax; McCoy Tnyer - Piano; Jimmy
 Garrison - Bass; Elvin Jones - Drums; Eric Dolphy - Sax.] --John Coltrane Quartet: November 19, 1962,
 Koncethuset, Stockholm, Sweden-- I Want To Talk About You 6:45 [Lineup: John Coltrane - Sax; McCoy
 Tyner - Piano; Jimmy Garrison - Bass; Elvin Jones - Drums.] --John Coltrane Quartet: July 27, 1965,
 Juan Les Prins Jazz Festival, Antibes, France-- Naima 7:08, Blue Waltz 15:00 [Lineup: John Coltrane -
 Sax; McCoy Tnyer - Piano; Jimmy Garrison - Bass; Elvin Jones - Drums.] --John Coltrane Quartet:
 August 1, 1965, Combalin-La-Tour, Belgium-- Untitled 9:09, Naima 7:29, My Favorite Things 21:10
 [Lineup: John Coltrane - Sax; McCoy Tnyer - Piano; Jimmy Garrison - Bass; Elvin Jones - Drums.]
 
01/06/51 New York, NY - Birdland  MF?>?>CD partial 19 
 *Dizze Gillespie Septet*
 Dizzy Gillespie Septet: Dizzy Gillespie trumpet; John Coltrane alto sax; Milt Jackson vibraphone;
 Billie Taylor, piano; Percy Heath bass; Art Blakey drums; Joe Carroll voc on Ooh-Pa-Pa-Dah. BACKGROUND
 INFO: The 1951 Birdland Radio Broadcasts. In September 1949 John Coltrane joined the Dizzy Gillespie
 big band, clearly a major boost at this stage of his career. This was his first move into a major
 national band, following stints that mostly drew on his Philadelphia basis - such as his tenure with
 the Jimmy Heath bands in 1947-48. At this stage Coltrane was turning 23 years old, and had as yet no
 record output. Joining Gillespie's band he rapidly participated in his first recording session - at
 November 21 of 1949. However, the time of the big bands was over, and Gillespie soon dissolved his
 innovative be bop oriented bands, keeping only smaller groups of six to eight musicians. Coltrane was
 invited to stay on. Following two recording sessions in 1950 (9 Jan and 16 Sep - at the last one
 Coltrane had sick leave), the smaller groups did not go into studio, apart from an off-hand recording
 session in Detroit March 1 1951. This makes the present radio broadcasts all the more important as
 historical documents of a time of change in the history of jazz. Be bop was now out, R&B would soon
 take over as the pubic fad. By early 1951 it was just over a year since Miles Davis had launched the
 Cool innovation, with no visible impact on contemporary jazz. This period - the first few years of the
 second half of the 20th century - was confusing, noone seemed to be able to see which way to take jazz
 after the crazy period of 1945-48. But one man was documenting the history of Dizzy Gillespie's groups
 as they were performing at Birdland in early 1951. Boris Rose is a central figure in the documentation
 of post war jazz history through his continual taping of radio transmissions from the various jazz
 clubs, primarily in New York, in a series of weekly shows that were introduced by the different radio
 stations with a jazz profile. Symphony Sid was the first widely known and style setting MC in the late
 1940s and early 1950s. Thanks to Boris Rose, we may still listen to the jazz story as it enfolds.
 These shows were broadcast live from the club generally just before midnight on Saturdays. The band
 had often a contract for the preceding week, at times for several weeks in succession, and with
 Saturday the big day for night life, this promised well for the music.
 Set One: 1. Congo Blues (3:15), 2. Yesterdays (3:30), 3. Night in Tunisa (7:00), 4.
 Ooh-Pa-Pa-Dah (5:30) into Jumpin with Symphony Sid (0:03)
01/13/51 New York, NY - Birdland  MF?>?>CD partial 15 
 *Dizze Gillespie Septet*
 Dizzy Gillespie Septet: Dizzy Gillespie trumpet; John Coltrane alto sax; Milt Jackson vibraphone;
 Billie Taylor piano; Percy Heath bass; Art Blakey drums; Joe Carroll voc on Wow. Symphony Sid ann.
 between each tune. See 1/6/51 for background notes.
 Set One: --1951 broadcasts CD1 con't-- 5. Good Groove (3:58), 6. Tin Tin Daeo (No. 1)
 (3:15), 7. Birk's Works (3:48), (MISSING Wow (3:15)), 8. Good Bait (3:52) into Jumpin' with Symphony
 Sid (Inc) (0:02)
01/20/51 New York, NY - Birdland MF?>?>CD partial 16 
 *Dizze Gillespie Septet*
  Dizzy Gillespie Septet: Dizzy Gillespie trumpet; John Coltrane alto sax; Milt Jackson vibraphone;
 Billie Taylor piano; Percy Heath bass; Art Blakey drums; Joe Carroll voc on Ohh-Pa-Pa-Dah. Symphony
 Sid ann. between each tune. See 1/6/51 for background notes.
 Set One: --1951 broadcasts d1 con't-- 9. Groovin High (5:00), (MISSING I Can't Get Started
 (3:00)), 10. Night in Tunisia (5:30), 11. Ooh-Pa-Pa-Dah (5:30) (BluPe 100), 12. Jumpin' with Symphony
 Sid (0:13)
02/03/51 New York, NY - Birdland MF?>?>CD partial 18 
 *Dizze Gillespie Octet*
 Dizzy Gillespie Octet:Dizzy Gillespie trumpet, voc on Birks Works, I Can't Get Started & LBG; J. J.
 Johnson trombone, omit on LBG; John Coltrane alto sax; Milt Jackson vibraphone; Billie Taylor piano;
 Percy Heath bass; Art Blakey drums; Joe Carroll voc on LBG; Symphony Sid ann. between each tune. See
 1/6/51 for background info.
 Set One: --1951 broadcasts d2-- 01. Birks Works (5:30), 02. I Can't Get Started (3:00),
 (MISSING: Lady Be Good (2:30)), 03. Good Bait (6:15), 04. Jumpin' with Symphony Sid -> The Extended
 Version (3:07)
03/17/51 New York, NY - Birdland MF?>?>CD partial 18 
 *Dizze Gillespie Octet*
 Dizzy Gillespie Octet:Dizzy Gillespie trumpet, vocal on LBG; J.J. Johnson trombone; John Coltrane
  alto sax, tenor sax; Milt Jackson vibraphone; John Lewis piano; Percy Heath bass; Kansas Fields,
 drums; Joe Carroll vocal on LBG; Symphony Sid announcements between each tune. See 1/6/51 entry for
 more info.
 Set One: --1951 broadcasts d2 con't-- 05. Birk's Works (5:30), 06. Tin Tin Daeo (5:30),
 (MISSING Lady Be Good (2:30)), (MISSING I Can't Get Started (3:30)), 07. The Champ, (6:15), 08.
 Jumpin' with Symphony Sid (0:28)
 
11/17/55 see Davis, Miles  n/a 
 
02/18/56 see Davis, Miles n/a 
12/08/56 see Davis, Miles  n/a 
 
02/16/57 see Davis, Miles n/a 
02/23/57 see Davis, Miles  n/a 
 
05/17/58 see Davis, Miles n/a 
08/01/58 New York, NY - The 5 Spot MA?>?>CD All 42  
 Thelonious Monk/John Coltrane
 Audience (supposedly recorded on a wire recorder). This stuff is great!!
 Set One: (5) 42:17, 01. //Tinkle Tinkle, 02. ???, 03. ?//? (splice @ 9:44), 04. Epistrophy,
 05. Ruby Ruby
08/09/58 see Davis, Miles n/a 
09/09/58 see Davis, Miles n/a 
09/25/58 Detroit, MI - Joe Brazil's basement M??>?>CD All 54 
 Private jam in Joe Brazil's basement, Detroit, 25 September 1958. John Coltrane tenor sax; Joe
 Henderson tenor sax; Joe Brazil alto sax; Sonny 'Red' Kyner alto sax; Hugh Lawson piano; Erni Farrow
 bass; Roy Brooks drums. Private tape recorded by Joe Brazil. Timing source Fujioka (1995), p 117. He
 also provides the following analysis of the contents. "After each tune there are a few seconds of
 talking and practising; on 2 Coltrane does not solo; on 3 Joe Henderson solos first, followed by
 Coltrane and on 4 Coltrane solos first followed by Henderson, and it is at a very fast tempo. Joe
 Henderson found a copy of this tape in his basement in his house in San Francisco on September 28,
 1991, the day Miles Davis died. There's a pic of Joe H with the cassette tape of this jam in Fuji."
 JJ: sound is muffled.
 Set One: Single Disc (4 tracks, 54:15) 1. Untitled blues jam, ending with Now's the Time
 (18:46), 2. Woody'n You (7:25), 3. Paul's Pal (12:20), 4. Sweet Georgia Brown (11:40)
11/01/58 see Davis, Miles n/a  
 
01/03/59 see Davis, Miles n/a 
04/02/59 *see John Coltrane DVD Collection* n/a 
08/25/59 see Davis, Miles n/a 
 
03/??/60 See Davis, Miles n/a 
03/21/60 See Davis, Miles  n/a 
03/22/60 See Davis, Miles n/a 
03/24/60 See Davis, Miles  n/a 
03/28/60 Dusseldorf, Germany - Rheinhalle MS?>?>CD All 80 
 Coltrane with Stan Getz, among others. Absolutely incredible stuff! The info file is voluminous
 with notes and reflections on what's here.
03/30/60 See Davis, Miles n/a 
04/08/60 See Davis, Miles  n/a 
04/09/60 See Davis, Miles n/a 
07/??/60 New York, NY - Jazz Gallery MA?>?>CD All 85  
 Source /quality : AUD (B-) CDr from Trade > eac > Flac 8. John Coltrane - Tenor and Soprano
 saxophones; McCoy Tyner - piano; Steve Davis - bass; Pete la Roca - drums.
 Set One: Disc One (6 tracks, 67:11) 1. Liberia (Coltrane) 30:13, 2. Every Time We Say
 Goodbye (Porter) 6:35, 3. The Night Has a Thousand Eyes (Bernier -Brainin) 6:26, 4. Summertime
 (Gershwin) 9:58, 5. Exoitca (based on "I Can't Get Started" by Duke - Gershwin) inc. 6:25, 6. Body and
 Soul (Green) 7:31
 Set Two: Disc Two (1 tracks, 18:04) 1. But Not For Me (Rodgers - Hart) 17:54
 
??/??/61 Chicago, IL - Southland Hotel M??>?>CD partial 25 
 Source: unknown gen tape > soundblaster 24bit > cooledit > flac.
 Set One: Single Disc: 01. Bluetrane
03/01/61 Chicago, IL - Sutherland Hotel Lounge MF?>?>CD All 119 
 *from three sources*
 John Coltrane (ss, ts); McCoy Tyner (p); Reggie Workman (b); Raphael Don Garrett (b); Elvin Jones
 (d); Unknown (ann). Some Notes: This Tracks come from 3 different sources so I suggest that you burn
 the CDs with the option of optimizing the volume among tracks. Track 4 5 and 6 CD 2 are 1962-0000
 venue unknown. JJ: massive, copious notes were posted at DIME about questions surrouding this
 material, these shows, etc. Too much for me to handle. Just enjoy the music. source one is first
 three tracks.
 Set One: Disc 1 (65:51): 1 Liberia (J. Coltrane) (inc) 10:55, 2 Vierd Blues (M. Davis) (inc)
 16:17, 4 Equinox (J. Coltrane) (inc) 17:11, 5 Cousin Mary (J. Coltrane) (inc) 3:32, 6 Greensleeves
  (Traditional) 17:54
 Set Two: Disc 2 (53:08): 1 Bye Bye Blackbird (R. Henderson-M. Dixon) 10:43, 2 My Favorite
 Things (R. Rodgers-O. Hammerstein) (fragment) 0:09, 3 Mr PC (inc) 7:36, --Filler: Unknown '62-- 4 Blue
 Train (J. Coltrane) (beginn. truncated) 24:38, 5 Introduction (inc announcer says 'Giant steps') 0:04,
 6 Impressions (J. Coltrane) 9:58
10/??/61 Chicago, IL - "Sutherland" Hotel M??>?>CD partial 84  
 John Coltrane Quintet. "Sutherland", Chicago, IL. October 10-15, 1961. Donald Garrett (bcl,
 ts-prob. only on cd 1 and on cd 2, track 2) John Coltrane (ss, ts) McCoy Tyner (p) Reggie Workman (b)
 Elvin Jones (d). Notes from the seeder: "Probably Incomplete. Rare private tape probably never on cd.
 But the music is not only for collectors... Unfortunaly we haven't got the time for remastering. The
 tape (original probably from radio broadcast) was lost for too long time in the basement of one of our
 friends, a great but foolish collector, and we have simply transferred on cd the tapes to preserve
 the music and posted to share with others Trane lovers. Add informations and remastering are
  welcome."
 Set One: CD one: 1.Liberia 11.01, 2.Vierd Blues 16.16, 3.Equinox 17.13
 Set Two: CD two: 1.Cousin Mary 3.32, 2.Greensleeves 17.50, 3.Bye Bye Blackbird 10.20, 4.My
 Favorite Things (only 8 seconds)+ unknown title 7.36
11/01/61 New York, NY - The Village Vanguard S:?>?>CD ? 71 
 Eric Dolphy- Clarinet (Bass), Sax (Alto) Elvin Jones- Drums Jimmy Garrison- Bass McCoy Tyner- Piano
 Ahmed Abdul-Malik- Oud Garvin Bushell- Oboe, Contrabassoon John Coltrane- Sax (Soprano), Sax (Tenor)
 Roy Haynes- Drums Reggie Workman- Bass.
 Set One: 6 tracks, 70:30, Online listing gives these tracks, but I don't know them well
 enough to verify: 1. Chasin the Train, 2. Impressions, 3. Spiritual, 4. The Red Planet, 5. Brasilia
11/02/61 New York, NY - The Village Vanguard MS?>?>CD All? 73 
 Wonderful stuff!! John Coltrane - Sax (Soprano), Sax (Tenor); Eric Dolphy - Clarinet (Bass), Sax
 (Alto); Elvin Jones - Drums; Jimmy Garrison - Bass; McCoy Tyner - Piano, Ahmed Abdul-Malik - Oud;
 Garvin Bushell - Oboe, Contrabassoon; Roy Haynes - Drums; Reggie Workman - Bass
  Set One: (6) 73:19, India, Brasilia, Softly as in a Morning Sunrise, Chasin' the Trane,
 Greensleeves, Impressions
11/03/61 New York, NY - The Village Vanguard MS?>?>CD ? 48 
 Eric Dolphy - Clarinet (Bass), Sax (Alto), Elvin Jones - Drums , Jimmy Garrison - Bass , McCoy
 Tyner - Piano , Ahmed Abdul-Malik - Oud , Garvin Bushell - Oboe, Contrabassoon , John Coltrane - Sax
 (Soprano), Sax , Tenor , Roy Haynes - Drums , Reggie Workman - Bass
 Set One: (4) 47:35, 1. Spiritual, Naima, Impressions, India, 4. Greensleeves [4:51] [0:09].
 (I am not sure of the song names, but there are only four tracks on the discs.)
11/05/61 New York, NY - The Village Vanguard MS?>?>CD partial 36 
 John Coltrane - Sax (Soprano), Sax (Tenor); Eric Dolphy - Clarinet (Bass), Sax (Alto); Elvin Jones
 - Drums; Jimmy Garrison - Bass; McCoy Tyner - Piano, Ahmed Abdul-Malik - Oud; Garvin Bushell - Oboe,
 Contrabassoon; Roy Haynes - Drums; Reggie Workman - Bass
 Set One: 2 tracks, 35:56: India, Spiritual
11/18/61a Paris, France - Olympia Theatre  M??>?>CD All 69 
 Live 'Trane Underground #2/12
 John Coltrane Quintet. Olympia Theatre, Paris, Nov. 18, 1961. First concert (6:30 pm): John
 Coltrane (tenor sax, soprano sax), Eric Dolphy (alto sax), McCoy Tyner (piano), Reggie Workman (bass),
 Elvin Jones (drums).
 Set One: (6 tracks, 69:00, 1. Impressions (10:53), 2. I Want to Talk About You (6:52), 3.
 Blue Train (16:07), 4. My Favorite Things (22:33), 5. announcement by Norman Granz (1:41), 6.
 Impressions (same as track 1, different source (10:54)
11/18/61b Paris, France - Olympia Theatre M??>?>CD All 48 
 Live 'Trane Underground #3/12
 Olympia Theatre, Paris, Nov. 18, 1961, Second concert (11:30 pm): John Coltrane (tenor sax, soprano
 sax), Eric Dolphy (alto sax, flute), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones
 (drums)
 Set One: LTU version: 1. Blue Train (12:47), 2. I Want to Talk About You (9:38), 3. My
 Favorite Things (25:35)
 Set Two: Alt. Version: Single Disc (4) 70:57 --From Early Show-- 1. My Favorite Things
 --From Late Show-- 2. Blue Trane, 3. I Want to Talk About You, 4. My Favorite Things
11/20/61 Copenhagen, DK - Falkonercentret M??>?>CD All 72 
 Live 'Trane Underground #4/12; runs fast?
 John Coltrane (soprano sax, tenor sax), Eric Dolphy (bass clarinet, alto sax, flute), McCoy Tyner
 (piano), Reggie Workman (bass), Elvin Jones (drums). SQ is so-so, but the perforance is very nice. I
 especially like Delilah and this version of MFT. drop at 6:24 of Impressions.
 Set One: 9 tracks, 72:02 1. announcement by Norman Granz (2:24), 2. Delilah (12:03), 3.
 Every Time We Say Goodbye (5:11), 4. Impressions (14:16), 5. Naima (7:40), 6. My Favorite
 Things--false start 1 (0:40), 7. My Favorite Things--false start 2 (0:08), 8. announcement by John
 Coltrane (0:39), 9. My Favorite Things (28:54)
 Set Two: ALT. copy via selim: (7) 79:31, 01. introductions, 02. Delilah , Everytime We Say
 Goodbye, Impressions, Naima, My Favorite Things, My Favorite Things
11/20/61 Copenhagen, Denmark - Falconercentret MFR>2R>CD All? 69 
 *speed corrected*
 John Coltrane: tenor & soprano sax; Eric Dolphy: alto sax, bass clarinet, flute; McCoy Tyner:
 piano; Reggie Workman: bass; Elvin Jones: drums. FM > reels [1-track 3¼ ips, probably 2nd generation
 copy] > Revox A-77 > Soundblaster AWE-64 > CDR > EAC > FLAC. 68 min. Transfer by Mr. Grumpy. Speed
 Correction: FLAC > WAV > Adobe Audition (Pitch Bender: -25 cents) > FLAC. Originally upped by
 Carville; Reseed by Nocturnal_n productions© 11:21 PM, 10/12/2005; Pitch was approximately 25 cents
  sharp. Corrected by goody - 12/16/05. JJ: absolutely love this performance -- Delilah is wonderful,
 and MFT is a great version.
 Set One: 7 tracks, 69:01, 1. intro by Norman Granz, 2. @@Delilah, 3. Every Time We Say
 Goodbye, 4. Impressions , 5. Naima, 6. My Favorite Things (false start), 7. @@My Favorite Things
 Set Two: OLD COPY: sdb>>?>>PCM>>CD. John Coltrane (ss, ts); Eric Dolphy (as, bcl, fl); McCoy
 Tyner (p); Reggie Workman (b); Elvin Jones (ds)
11/22/61b Helsinki, Finland - Kulttuuritalo M??>?>CD All 44 
 Live 'Trane Underground #5/12
 John Coltrane (tenor sax, soprano sax), Eric Dolphy (alto sax, flute), McCoy Tyner (piano), Reggie
 Workman (bass), Elvin Jones (drums).
 Set One: 1. Blue Train (8:58), 2. I Want to Talk About You (6:58), 3. Impressions (7:59), 4.
 My Favorite Things (20:20) --followed by 11/24/61 Baden-Baden--
11/23/61 Stockholm, Sweden - Konserthuset M??>?>CD IIp 3 
 Live 'Trane Underground #3/12
 vinyl crackling
 Set One: --continued from LTU#3, 11/18/61b-- 4. Naima (incomplete) (2:34)
11/23/61a Stockholm, Sweden - Konserthuset MF?>?>CD ? 41 
 Musicians: John Coltrane Quintet: John Coltrane soprano sax, tenor sax, Eric Dolphy alto sax, bass
 clarinet, flute, McCoy Tyner piano, Reggie Workman bass, Elvin Jones drums. Recording: Private Tape
 from Radio Broadcast. Primary Source: John Coltrane Live in Stockholm 1961, for items 1 - 4. Times
 from that source. Sounds very nice.
 Set One: (4 tracks, 40:50), 1. Blue Train (Coltrane) (8:53), 2. Naima (Coltrane)
 (Incomplete) (3:59), 3. Impressions (Coltrane) (7:16), 4. My Favorite Things (Rodgers & Hammerstein
 II) (20:20)
11/24/61 *see John Coltrane DVD Collection*  n/a 
11/24/61 Baden-Baden, West German - Sudwestfunk TV Studio M??>?>CD ? n/a 
 Live 'Trane Underground #5/12
 John Coltrane (tenor sax, soprano sax), Eric Dolphy (alto sax, flute), McCoy Tyner (piano), Reggie
 Workman (bass), Elvin Jones (drums).
 Set One: --continued from 11/22/61 Helsinki-- 5. announcement (2:16), 6. My Favorite Things
 (10:37), 7. announcement (0:58), 8. Every Time We Say Goodbye (5:13), 9. announcement (0:50), 10.
 Impressions (7:15), 11. untitled blues (trio) (1:28)
 Set Two: ALT COPY: Impressions, Every Time We Say Goodbye, My Favorite Things
11/27/61 Frankfurt am Main, West Germany - Kongresshalle M??>?>CD partial 43 
 Live 'Trane Underground #6/12
 NOTE: Every Time We Say Goodbye is actually from Baden-Baden, Nov. 24, 1961. (i.e., disc 6, track
 2 is the same as disc 5, track 8). My Favorite Things opened the concert. John Coltrane (tenor sax,
 soprano sax), Eric Dolphy (alto sax, flute), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones
 (drums).
 Set One: 1. Impressions (17:29--beginning cut off), 2. Every Time We Say Goodbye (5:15), 3.
 My Favorite Things (19:14--beginning cut off) --continues with Stuttgart 11/29/61--
11/29/61 Stuttgart, West Germany - Liederhalle M??>?>CD partial 30  
 Live 'Trane Underground #6/12
 John Coltrane (tenor sax, soprano sax), Eric Dolphy (alto sax, flute), McCoy Tyner (piano), Reggie
 Workman (bass), Elvin Jones (drums). Love Dolpy's flute here!
 Set One: --continues from 11/27/61 Frankfurt-- 4. Impressions (9:12), 5. Every Time We Say
 Goodbye (5:28), 6. My Favorite Things (14:39--ending cut off)
12/02/61 Berlin, West Germany - Freie University M??>?>CD partial 13  
 Live 'Trane Underground #3/12
 Auditorium Maximum, Freie University, Berlin, West Germany. John Coltrane (tenor sax), Eric Dolphy
 (alto sax), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums).
  Set One: 5. Impressions (13:05)
 
??/??/62 Possibly Paris 11/17/62, first show MF?>?>CD All 44 
 *From disc "Rarities 56/62/63"*
 Set One: Impressions, Mr. PC, Everytime We Say Goodbye
02/09/62 New York, NY - Birdland M??>?>CD ? n/a 
 a.k.a 2/10/62
 Set One: (on 11/24/61 disc) Mr. P.C., Miles Mode, My Favorite Things
02/16/62 Chicago, IL - Birdland  MF?>?>CD All n/a 
 *on "Birdland 1962-63" CD*
 February 16, 1962 (5 items; TT = 28:57): Birdland, New York. Source/Quality: RB (B). John Coltrane
 (ss, ts); Eric Dolphy (as, fl); McCoy Tyner (p); Jimmy Garrison (b); Elvin Jones (d); Symphony Sid
 Torin (ann) [NB: could be Alan Grant]. User notes: "serious glitch in My Favorite Things (February 16,
 1962 - 5th track), at around 5:05-5:10." Says DIME user goody: "The glitch isn't the big problem with
 this date (620216), although I confirm it as well. It's rather minor, and acceptable if this is the
 best known version. However, the hum in 620216 is so prevalent that it drowns out the music, making it
 largely unlistenable. (For me - YMMV.) How was this overlooked in any comments, and this gets a
 rating of 'B'? As in BAD, perhaps?? In addition, this date appears to be running a bit slow, but the
 low hum makes it difficult to try and fix the pitch. This could be the rare instance where the skills
 of someone with a good knowledge of noise reduction as it applies to preserving the music could come
 in handy. Generally I'd rather there was no noise reduction, as do most of us, but perhaps judicious
 application of some would make this worthwhile for those outside of the completists among us. It
 seems to be approximately 25 cents flat or so."
 Set One: 1 Introduction (Symphony Sid Torin) 0:59, 2 The Inchworm (F. Loesser) 7:09, 3 Mr.
 P.C. (J. Coltrane) 7:23, 4 Introduction (Symphony Sid Torin) 0:52, 5 My Favorite Things (R. Rodgers-O.
 Hammerstein) 13:14
06/02/62 Chicago, IL - Birdland MA?>?>CD All n/a 
 *on "Birdland 1962-63" CD* *w/ "Cousin Mary"*
 John Coltrane (ss, ts); McCoy Tyner (p); Jimmy Garrison (b); Elvin Jones (d); William Crayton "Pee
  Wee" Marquette (ann); Unknown (ann).
 Set One: 1 My Favorite Things (R. Rodgers-O. Hammerstein) 14:01, 2 Body and Soul (J.W.
 Green-E. Heyman-R. Sour-F. Eyton) 9:57, 3. Cousin Mary (Coltrane)/announcement 4:47
11/19/62 *see John Coltrane DVD Collection* n/a 
11/19/62a Stockholm, Sweden - Koncerthaus M??>?>CD All 92 
 Early Show. John Coltrane Quartet: John Coltrane tenor sax, ss; McCoy Tyner piano; Jimmy Garrison
 bass; Elvin Jones drums. Source: Private tape > bootleg > flac. This is very nice. I really like
 'Traneing In'.
 Set One: Disc One (4 tracks, 44:54): 1. Bye Bye Blackbird (14:24), 2. The Inchworm (5:42),
 3. Mr. P. C. (J. Coltrane) 15:20, 4. Naima (9:25)
 Set Two: Disc Two (3 tracks, 47:15): 1. Traneing In (18:39), 2. Impressions (7:21), 3. My
 Favorite Things (21:14)
11/19/62b Stockholm, Sweden - Koncerthaus M??>?>CD partial 78 
 John Coltrane Quartet: John Coltrane/McCoy Tyner/Jimmy Garrison/Elvin Jones.
 Set One: (6 tracks, 78:10), Naima, I Want To Talk About You, Every Time We Say Goodbye, Mr
 P.C., My Favorite Things, Tranein' In
11/20/62 Helsinki, Finland - Kultuuritalo M??>?>CD All 81 
 From Losin's entry: November 20, 1962 (6 items; TT = 80:53). Kulttuuritalo, Helsinki.
 Source/Quality: aud [Seeder: I tend to disagree here, I think this is in fact from a TVB]. John
 Coltrane (ss, ts); McCoy Tyner (p); Jimmy Garrison (b); Elvin Jones (d). Overall very good sound.
 Sonic B/A. ?? > CD-R > EAC Sec mode > FLAC frontend l=8/ASB/Verify.
 Set One: Disc 1: Chasin' the Trane (J. Coltrane) 20:06, Bye Bye Blackbird (R. Henderson-M.
 Dixon) 20:45, Mr. P.C. (J. Coltrane) 16:15, 3 tracks/57:09
 Set Two: Disc 2: The Inchworm (F. Loesser) 7:44, I Want to Talk About You (B. Eckstine)
 5:19, My Favorite Things (R. Rodgers-O. Hammerstein) (inc) 10:44, 3 tracks/23:53
11/22/62 Copenhagen, DK - Falkonercentret M??>?>CD All  126 
 Live 'Trane Underground #7-8/12
 John Coltrane (soprano sax), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)
 Set One: 5 tracks, 62:58: 1. Bye Bye Blackbird (21:03), 2. Chasin' the Trane (7:30), 3. The
 Inchworm (9:10), 4. Every Time We Say Goodbye (5:44), 5. Mr. P.C. (19:28)
 Set Two: 1. I Want to Talk About You (11:11), 2. Traneing In (23:23), 3. Impressions (8:59),
 4. My Favorite Things (19:20--incomplete) --continues with 11/28/62 Graz-- 5. Autumn Leaves (10:33)
11/28/62 Graz, Austria - Stefaniensall M??>?>CD Partial 11 
 *missing second disc*
 FM, 2CD. Personnel: Coltrane, ss, ts; McCoy Tyner, p; Jimmy Garrison, b; Elvin Jones, dr
 Set One: 1. "The Inchworm" (F. Loesser) 11:50, 2. "Everytime We Say Goodbye" (C. Porter)
 5:47, 3. "Impressions" (J. Coltrane) 20:59
 Set Two: From Live 'Trane Underground #8/12 (11/22/62 Copenhagen): 5. Autumn Leaves
 (10:33)
12/02/62 Milan, IT - Teatro dell'Arte M??>?>CD partial 34 
 John Coltrane Quartet: John Coltrane, ts & ss; McCoy Tyner, p; Jimmy Garrison, b; Elvin Jones, d.
 Seeder notes: "Private Tape (TVB?) > ? > Silver Bootleg CD "Everytime We Say Goodbye" > cdparanoia >
 flac. The CD this is taken from wrongly places the show as "Denmark Summer 1962," it doesn't match
 the one Copenhagen show from 62 (11/22) and Coltrane was in NY recording in the Summer of 62.
 Independent research (confirmed on the Coltrane-L list) positively identifies this as the Milan show.
 Sound quality is poor in spots, tape flutter at the beginning of track 2 exists on the silver CD. The
 original CD has the same cuts and fades. No version of this show indicates a complete "Chasin' the
 Trane," and here the last 4 minutes is presented. Better recordings than this CD may exist. While it
 was broadcast on TV, and that ultimately may be the source, no known video exists."
 Set One: 4 tracks, 34:20: 1. Everytime We Say Goodbye 4:50, 2. The Inchworm 8:29, 3. Mr.
 P.C. 16:44, 4. //Chasin' the Trane 4:14
 
??/??/63 Montreal, Quebec, Canada - Tete de l'Art MS?>?>CD partial 16 
 *From disc "Rarities 56/62/63"*
 Set One: --on "Coltrane Rarities"-- 6. Up 'Gainst the Wall (7:42), 7. Impressions # (cut)
 (7:57)
02/23/63 New York, NY - Birdland MF?>?>CD partial 29 
 FM Broadcast > ? (Boris Rose tape?) > Yadeon 501 "A Night in Birdland, Vol 2" > cdparanoia -B >
 wavsplit > flac -8. The newer copy is oversaturated, with a high-pitched whine throughout.
 Set One: NEWER COPY 1. Introduction (0:17), 2. I Want To Talk About You (10:34), 3. One Up
 and One Down (14:53), 4. Band Introduction / Station ID (0:41), 5. The Inchworm [inc.] (1:44) (John
 Coltrane, ts & ss; McCoy Tyner, p; Jimmy Garrison, b; Elvin Jones, d; & "Symphony" Sid Torin, ann)
 --continues with 3/2/63--
 Set Two: INITIAL COPY (said to be from the Half Note, NYC): I Want To Talk About You
 [10:54], Brazilia [19:58], Song Of Praise [19:25], One Up, One Down [7:23]
03/02/63 New York, NY - Birdland MF?>?>CD All? 25 
 John Coltrane Quartet: Coltrane soprano sax, ts; McCoy Tyner, p; Jimmy Garrison, b; Elvin Jones dr;
 Announcer is Allan Grant. Private tape by Boris Rose from radio broadcast: Item 1 & 3 Alto 724; Item 2
 private tape. Miles is at the bar. BBB is Trane's welcome to Miles. Unknown lineage: WBAO RB > ?? >
 .... > CD-R > EAC secure mode > FLAC frontend lev8/ASB/Verify. "Quality is so&so, sonic = B+, but who
 cares? There is some "hickupping" at the end of a couple of tracks - but everything's there."
 Set One: --continues from 2/23/63 Birdland-- 6. Mr. P. C. (12:50), 7. Announcement (0:44) +
 Bye Bye Blackbird (0:04), 8. My Favorite Things (10:24) INC
06/??/63 Philadelphia, PA - Showboat MA?>?>CD partial 84 
 Showboat, Philadelphia, June (possibly 10, 17, or 24) 1963. John Coltrane (tenor sax, soprano sax),
 McCoy Tyner (piano--only on "Impressions" and the last few minutes of "The Inchworm"), Jimmy Garrison
 (bass), Roy Haynes (drums). Mediocre SQ, sounds like an aud tape.
 Set One: NEW COPY, DISC ONE (7 tracks, 53:26) 1. Chasin' the Trane 10:50 2. Easy to Remember
 6:42 3. Up Against the Wall 5:40 4. The Inchworm 8:34 5. Impressions (incomplete) 13:27 6. Audience
 Noise 0:24 7. I Want to Talk About You 7:49
 Set Two: NEW COPY, DISC TWO (5 tracks, 30:40) 8. Mr. P.C. 8:54 9. After the Rain 5:41 10.
 Chasin' the Trane (Ravi Coltrane source) 6:47 11. Ravi Coltrane interview 2:15 12. Easy to Remember
 (Ravi Coltrane source) 7:03
 Set Three: ORIGINAL COPY (via Live 'Trane Underground, disc 9) 1. Chasin' the Trane (10:50),
 2. It's Easy to Remember (6:42), 3. Up 'Gainst the Wall (5:40--incomplete), 4. The Inchworm (8:34),
 5. Impressions (13:27--incomplete), 6. audience noise (0:24) --Filler 10/25/63-- Mr. PC
07/??/63 Philadelphia, PA - Showboat MA?>?>CD partial 111 
 John Coltrane (ss, ts); McCoy Tyner (p); Jimmy Garrison (b); Roy Haynes (d). ?(trade
 CDs}>EAC>HD>FLAC Frontend (level 8)>Azureus>Dimeadozen. Quality: B. JJ: SQ is just OK, but the
 material is magnificent! I especially like "The Promise"
 Set One: Disc One (3 tracks, 63:03) Good Bait 19:31, Out of This World 24:46, 15. Mr. P.C.
 (incomplete) 18:46
 Set Two: Disc Two (3 tracks, 47:58) unknown title 0:37, @@The Promise (mistitled Afro Blue)
 11:45, Impressions 35:36
07/07/63 Newport, RI - Newport Jazz Festival M??>?>CD All 41 
 John Coltrane - Soprano Sax, Tenor Sax; McCoy Tyner - Piano ; Jimmy Garrison - Bass; Roy Haynes -
 Drums. JJ: sounds great.
 Set One: (4 tracks, 56:56) I Want To Talk About You [8:13], My Favorite Things [17:24],
 Impressions [15:41] --Filler - 11/02/61 61 Village Vanguard-- Chasin’ Another Trane [15:35]
10/22/63 Stockholm, Sweden - Koncerthusen F:?>?>CD All 42 
 FM 1 CD. Sounds terrific!
 Set One: with 10/25/63 II, tracks 2-4, 42:12
10/25/63 Copenhagen, DK - Tivoli Koncertsal All? 93 
 *Live 'Trane Underground, disc 10*
 John Coltrane (tenor sax, soprano sax), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones
 (drums). I really like "The Promise" and "Afro Blue" here.
 Set One: --from 6/??/63-- 07. Mr. PC
 Set Two: (6 tracks, 68:35) 1. Impressions (19:27--incomplete), 2. The Promise (10:01), 3.
 Afro Blue (8:43), 4. Naima (7:46), 5. My Favorite Things (17:15) --Filler: Date and location uncertain
 (sometimes attributed to Paris, Nov. 1, 1963, but this probably is incorrect; may be from 1962) -- 6.
 Chasin' the Trane (5:21) ; John Coltrane (tenor sax), Jimmy Garrison (bass), Elvin Jones (drums).
10/26/63 Copenhagen, Denmark - Tivoli Koncertsal MpF?>?>CD All n/a 
 John Coltrane Quartet: Tivoli Koncertsal, Copenhagen, Denmark, October 26, 1963. J Coltrane - sax;
 M Tyner - Piano; J Garrison - Bass; E Jones - drums. MAG SilVers (Magnetic #137) > xAct-Flac. Recorded
 for Denmark Radio. This is pre-FM source. Excellent quality!
 Set One: cd1 (43:22): Mr. P.C., Impressions (inc.)
 Set Two: cd2 (44:37): The Promise, Afro Blue, Naima, My Favorite Things
11/01/63 Paris, France - Salle Pleyel M??>?>CD partial 29  
 John Coltrane - Tenor, McCoy Tyner - piano, Jimmy Garrison - bass, Elvin Jones - drums. Source
 /quality : ? B CDr from Trade > eac > Flac 8. JJ: track 2 has completely different (better) SQ ... not
 sure if these are from the same night.
 Set One: 1. Chasin The train 5:20, 2. My Favorite Things 23:53, TT 29:15
11/02/63 Berlin, FRG - Free University Auditorium Maximum MS?>?>CD All n/a 
 Set One: Lonnie's Lament, Naima, Chasin' the Trane, Afro Blue, Cousin Mary, I Want to Talk
 About You
11/04/63 Stuttgart, Germany - Liederhalle MF?>?>CD All 115 
 *Live 'Trane Underground, discs 11-12* *see also partial upgrade*
 John Coltrane (soprano sax, tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones
 (drums). JJ: love this. The Promise is nice and jazzy. Afro Blue is terrific -- especially like
  JC's long sustain at the end. Very pleasant stuff, sounds great. d2t01 MFT is very nice, has a
 digi-scratc @ 0:49; d2t03 Mr. P.C. has a weird repeated section in the 17:40 range.
 Set One: Disc One (4, 54;00) 1. @@The Promise (7:32), 2. @@Afro Blue (6:48), 3. I Want to
 Talk About You (10:42), 4. Impressions (28:52)
 Set Two: Disc Two (3 tracks, 61:15) 1. My Favorite Things (18:51), 2. Every Time We Say
 Goodbye (6:11), 3. Mr. P.C. (35:52)
11/04/63 Stuttgart, Germany - Liederhalle MF?>?>CD partial 64 
 partial upgrade
 Partial upgrade. . John Coltrane (soprano sax, tenor sax); McCoy Tyner (piano); Jimmy Garrison
 (bass); Elvin Jones (drums). lineage: fm/sbd > ? >cd-r> eac(secure mode)> wav> flac(7)(asb). Tracks
 1-3 originally available on Live Trane Underground Disc 11 (as tracks 2,3,4) Track 4 originally
 available on Live Trane Underground Disc 12 (as track 1). Sound quality goes from the original B
 quality to upgraded A+. 388 MB TT: 65:13. Nocturnal_n productions© 10:58 PM 21/02/2005. Very nice SQ
 on this.
 Set One: (4 tracks, 64:15), 1. @@Afro Blue (6:48), 2. I Want to Talk About You (10:42), 3.
 Impressions (28:52), 4. @@My Favorite Things (18:51)
 
03/19/65 New York, NY - The Half Note M??>?>CD partial 41 
 *John Coltrane '65-'67 Tree, disc 01*
 John Coltrane Quartet: John Coltrane: soprano, tenor sax; McCoy Tyner: piano; Jimmy Garrison: bass;
 Elvin Jones: drums.
 Set One: 2 tracks, 40:35: 1. Chim Chim Cheree 19:39, 2. Impressions 20:55
03/26/65 New York, NY - The Half Note M??>?>CD partial 41 
 *John Coltrane '65-'67 Tree, disc 02*
 John Coltrane Quartet: John Coltrane: soprano, tenor sax; McCoy Tyner: piano; Jimmy Garrison: bass;
 Elvin Jones: drums.
 Set One: 2 tracks, 40:55, 1. One Up, One Down (inc.) 28:13, 2. Afro Blue (inc.) 12.40
04/02/65 New York, NY - The Half Note M??>?>CD partial 24 
 *John Coltrane '65-'67 Tree, disc 03*
 John Coltrane Quartet: John Coltrane: soprano, tenor sax; McCoy Tyner: piano; Jimmy Garrison: bass;
 Elvin Jones: drums.
 Set One: OLD SOURCE 1. Alan Grant announcement ("Portraits in Jazz") 1:07, 2. Untitled
 Original (aka Creation) 23:27, 3. I Want To Talk About You 15:42, 4. Afro- Blue (inc.) 6:21
 Set Two: NEW SOURCE: (1) 23:42, 1.Untitled Original. Notes for this source: Source:
 "Liberated bootleg" Silver CD (Coast To Coast) > EAC (Secure) > SHN. MooN records MCD 035-2. John
 Coltrane-tenor saxophone; McCoy Tyner-Piano; Jimmy Garrison-Bass; Elvin Jones-Drums. Some Bootleg
 Albums Have This Piece Titled As "Creation". This Is All That Circulates From this show. The Coltrane
 Quartet Appeared At The Half Note From March 29 To April 4.
05/07/65 New York, NY - The Half Note M??>?>CD partial 45 
 *John Coltrane '65-'67 Tree, disc 04*
  John Coltrane Quartet: John Coltrane: soprano, tenor sax; McCoy Tyner: piano; Jimmy Garrison: bass;
 Elvin Jones: drums.
 Set One: 1. Alan Grant "Portraits in Jazz" Intro, Song Of Praise 20:55, 2. My Favorite
 Things 23:51, TT 44:48
07/26/65 Juan-les-Pins Jazz Festival, Antibes MS?>?>CD All 69 1050 
 John Coltrane Quartet, 65-07-27: Juan Les Pins Jazz Festival, Antibes. John Coltrane: tenor sax;
 Jimmy Garrison: Bass; Mcoy Tyner: piano; Elvin Jones: drums. JJ: sounds beautiful
 Set One: 2 tracks, 69:19: A Love Supreme 48:19, Impressions 21:09
07/27/65 *see John Coltrane DVD Collection* n/a 
07/27/65 Juan-Les-Pins Jazz Festival MSR>D>CD All 68 
 Impressions and Afro Blue from 7/28/65?
 Set One: 1. Intro [0:58], Naima [7:00] [0:06], Blue Waltz [14:59] -> 2. My Favorite Things
 [17:36] [0:18], 3. Impressions [15:44] [0:11], 4. Afro Blue [10:10] [0:40], Total Time 67:46
07/28/65 Paris, France - Salle Pleyel M??>?>CD partial 50 
 *John Coltrane '65-'67 Tree, disc 06*
 John Coltrane - Soprano Sax, Tenor Sax; McCoy Tyner - Piano ; Jimmy Garrison - Bass; Elvin Jones -
 Drums
 Set One: Single Disc (3) 49:48, 1. Afro-Blue (inc.) 11:00, 2. Impressions 16:17, 3. Blue
 Valse 22:33
08/01/65 *see John Coltrane DVD Collection* n/a 
08/01/65 Comblain-la-Tour, Belgium MF?>?>CD All 39 
 John Coltrane - Soprano Sax, Tenor Sax; McCoy Tyner - Piano ; Jimmy Garrison - Bass; Elvin Jones -
 Drums. JJ: wonderful sound quality.
 Set One: 1. Untitled Original [9:13], 2. Naima [7:31] , 3 My Favorite Things [21:04]
 --Filler: Miles Davis, 9/9/58--
08/15/65 Chicago, IL - Soldier Field M??>?>CD partial 37 
 *John Coltrane '65-'67 Tree, disc 07*
 Down Beat Jazz Festival. John Coltrane Quartet plus Archie Shepp: tenor sax.
 Set One: (1) 36:53, Nature Boy > Blue Valse
08/26/65 Sun Ship Sessions MF?>?>CD All 47 
 John Coltrane: soprano, tenor sax; McCoy Tyner: piano; Jimmy Garrison: bass; Elvin Jones: drums.
 Notes: "sounds like copy of studio masters or possibly a radio broadcast (listen to track 8)." JJ:
 numerous drops, but nice material. There is FM identification.
  Set One: 8 tracks, 47:08, 1) Dearly Beloved (inc) 4:27, 2) Dearly Beloved take 3 8:02, 3)
 Attaining take 1 14:21, 4) Attaining take 2 false start 1:06, 5) Attaining take 3 org issue 10:55, 6)
 Attaining insert 4:56, 7) Sun Ship take 1 1:06, 8) Sun Ship take 2
09/30/65 Seattle, WA - The Penthouse MF?>?>CD All 133 
 John Coltrane- Sax (Soprano), Sax (Tenor) , Elvin Jones- Drums , Jimmy Garrison- Bass , McCoy
  Tyner- Piano , Donald Rafael Garrett- Bass, Clarinet (Bass) , Pharoah Sanders- Sax (Tenor). JJ: @@
 wow, wow, wow!! This is some incredible stuff. The SQ is wonderful and the music is fantastic. d1t02
 is a little bit crazy for me, but d1t02 is gorgeous, d1t03 is great. d1t04 is a bass solo. Evolution
 has vocalizations in the 20-min mark. Simply amazing. A Desert Island Disc, for sure.
 Set One: From '65-'67 Coltrane Tree: 4 tracks, 68:28, 1. Untitled original 29:53, 2. Afro
 Blue(inc.) 18:30, 3. @@Lush Life 9:52, 4. My Favorite Things (inc.) 10:09
 Set Two: Previous Copy: Disc One (4 tracks, 61:56) Cosmos, Out Of this World, Body and
 Soul, Tapestry in Sound, Disc Two (2 tracks, 70:41) Evolution, Afro Blue 18:26 -> interlude -> uptemp
 original ... (fades out)
 
??/??/66 Philadelphia, PA - Temple University MF?>?>CD partial 7 
 John Coltrane Ensemble: Temple University, Philadelphia, PA, 1966. John Coltrane - tenor saxophone,
 vocals; Alice Coltrane - piano; Rashied Ali - drums, percussion; Unknown others. Broadcast on WKCR-FM,
 New York
 Set One: 1. Ravi Coltrane interview 5:29, 2. Leo (excerpt) 7:05, 3. Ravi Coltrane interview
 2:53
05/28/66 New York, NY - Village Vanguard MS?>?>CD All? n/a 
 *Official release?*
 Sounds fantastic!
 Set One: (3) 41:43, 1. Naima, 2. Intro , 3. My Favourite Things
07/02/66 Newport, RI - Newport Jazz Festival M??>?>CD All 55 
 *John Coltrane '65-'67 Tree, disc 09*
  John Coltrane Quintet: John Coltrane: soprano, tenor sax, percussion; Pharoah Sanders: tenor sax;
 Alice Coltrane: piano; Jimmy Garrison: bass; Elvin Jones: drums.
 Set One: NEWER VERSION: 1. My Favorite Things (inc.) 21:22, 2. Peace On Earth 11:02, 3. Leo
 23:11
 Set Two: OLDER VERSION: 1) My Favorite Things 21:29, 2) Welcome 11:06, 3) Leo 22:55, with
 this lineup given: John Coltrane, Pharoah Sanders: sax; Alice Coltrane: piano; Jimmy Garrison: bass;
  Rashied Ali: drums.
07/11/66 Tokyo, Japan - Sankei Hall MS?>?>CD All 120 
 This is some amazing stuff, all of it is good. Disc two has a long bass solo, including bowing,
  and Trane doesn't come in until 13:12. Wonderful.
 Set One: Disc One (2 tracks, 65:14), 1. Afro Blue, 2. Peace On Earth
 Set Two: Disc Two (1 track, 54:35), Crescent, Leo
07/18/66 Tokyo, Japan - Prince Hotel (Interview)  M??>?>CD partial 12 
 *Coltrane '65-'67 Tree, disc 10*
07/22/66 Tokyo, Japan - Sankei Hall official All 127 
 *official release, Impulse GRD4-102, "Live in Japan" -- NFT*
08/14/66 Deer Park, Long Island (Interview by Frank Kosky) M??>?>CD All 61 
 *Coltrane '65-'67 Tree, disc 10*
 
??/??/67 John Coltrane's Funeral M??>?>CD  partial 18 
 *Coltrane '65-'67 Tree, disc 09*
 Set One: John Coltrane's Funeral: 4. unknown 9:10; Albert Ayler: tenor sax; Donald Ayler:
 trumpet; Richard Davis: bass; Milford Graves: percussion; 5. Truth Is Marching In 6:08; Ornette
 Coleman: alto sax; David Izenzon and Charlie Haden: bass; Charles Moffatt: drums; 6. Holiday for
 Graveyard 2:58
04/23/67 NYC, NY - Olatunji Center of African Culture MSR>D>CD All 64  
 *last known live performance*
 7-minute bass solo in MFT is good. But I honestly cannot listen to Ogunde ... way too painful and
 dissonant for my ears.
 Set One: (3 tracks, 63:42) 01. Introduction (Billy Taylor) & band warmups, 02. Ogunde, 03.
 My Favorite Things

[ Contents | List Info | Contact Info | Artist Index | John Coltrane ]

---

COREA, CHICK

 
10/28/68 New York, NY MS?>?>C>CD partial n/a 
 Corea, McLaughlin, Holland & DeJohnette *date questionable*
 Corea, McLaughlin, Holland and DeJohnette, October 28th, 1968 (arguable), Unknown sbd recording,
 New York City, NY. Quality A. Source: cassette (unk gen) > wav > soundforge (delicate NR & normalize)
 > Wav > Flac. Chick Corea, piano and wurlitzer piano; John McLaughlin, guitar; Dave Holland, bass;
 Jack DeJohnette, drums. Notes: All the information given here is sketchy and second hand. There are
 some major contradictions regarding the information that came with this tape (most notably the fact
 that McLaughlin didn't come to America until February 1969.) If anyone can help, please provide more
 info!!!!!!!! JJ: really cool stuff.
 Set One: Track Listing: 1. Les Catacombes (take 1) 8:09, 2. Les Catacombes (take 2) 7:23, 3.
 Gordies Boots 10:15 , TT: 25:48
 
09/12/71 Warsaw, Poland - Summer Jazz Days OFFICIAL All n/a 
 
11/22/75 see Return to Forever  n/a 
 
02/15/78 Tokyo, Japan - Budokan MF?>?>R>CD All? 37 
 Chick Corea & Herbie Hancock
 FM LINEAGE UNKNOWN > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC, via Dave
 Tamarkin.
 Set One: 3 tracks, 37:17, 1-SOMEDAY MY PRINCE WILL COME/ 2-?, 3-HOMECOMING

[ Contents | List Info | Contact Info | Artist Index | Chick Corea ]

---

CORYELL, LARRY

 
10/27/74 New Orleans, LA - McAlister Aud., Tulane U. MSC>R>CD All 130 
 LARRY CORYELL AND THE 11TH HOUSE: MCALISTER AUDITORIUM,TULANE UNIVERSITY, NEW ORLEANS, OCT.27,1974.
 LARRY CORYELL-GUITAR; MIKE LAWRENCE-TRUMPET,FLUGELHORN; MIKE MANDEL-KEYBOARDS; DANNY TRIFAN-BASS;
 ALPHONSE MOUZON-DRUMS. Seeded by Dave Tamarkin: CASSETTE SB MASTER > REEL > M-AUDIO TRANSIT > COOL
 EDIT > CD WAVE EDITOR > FLAC. JJ: not my cuppa, though I do like "Joy Ride".
 Set One: Disc One (8 tracks, 67:03) CD1: 1-INTRO/TUNING, 2-TAMARI, 3-SONG FOR A NEW YORK
 RAINMAKER, 4-ADAM SMASHER, 5-UNTITLED, 6-THE FUNKY WALTZ, 7-ISM - EJERCICIO, 8-JOY RIDE
 Set Two: Disc Two (7 tracks, 62:33) CD2: 1-YIN, 2-THE EYES OF LOVE, 3-UNTITLED THOUGHTS,
 4-TALK, 5-WHERE I'M DRUMMING FROM (DRUM SOLO), 6-THE 11TH HOUSE BLUES, 7-?

[ Contents | List Info | Contact Info | Artist Index | Larry Coryell ]

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COTTEN, ELIZABETH

 
02/19/75 Portland, OR - Euphoria Tavern MpFR>CD All 90 
 KBOO Pre-FM Reel > DAT > SoundStudio > AIF > Flac level8. Seeder's notes: "Here's the show as
 promised from the original radio station master reel. I adjusted some volume fluctuations, normalized
 and retracked the songs and stories."
 Set One: Disc One (17 tracks, 48:17) : 01. Oh How I Love Jesus (beg. cut) (00:55) 02.
 instrumental tune (2:11) 03. Elizabeth's introduction (00:50) 04. Freight Train (3:31) 05. Happy New
 Year story (3:26) 06. New Year's Eve (3:07) 07. Guitar story (4:19) 08. Wilson Rag (3:21) 09. Going
 Down The Road Feeling Bad 4:26) 10. Blues/Church story (1:08) 11. Ball The Jack (2:40) 12. Banjo Story
 (1:57) 13. Georgie Buck (3:23) 14. Here Old Rattler Here (2:50) 15. Nearer My God To Thee>What A
 Friend We Have In Jesus (instrumental) 2:24) 16. What A Friend We Have In Jesus (2:41) 17. Shake
 Sugaree (4:54)
 Set Two: Disc Two: 01. Sass story 2:10) 02. Oh, Babe It Ain't No Lie (4:35) 03. When I Lay
 My Burdon Down (2:11) 04. Washington Blues (3:36) 05. Gaslight Blues (4:27) 06. Naming story/Seeger
 Family story (6:24) 07. Vestpool (4:12) 08. Turkey story (3:19) 09. Traveler story (1:56) 10. Spanish
 Flang Dang (4:23) 11. instrumental tune (1:21) 12. KBOO radio announcement/tune-up (2:37) 13. Honey
 Baby, Your Papa Cares For You (3:18) 14. Jesus Lifted Me (end cut) (2:42)

[ Contents | List Info | Contact Info | Artist Index | Elizabeth Cotten ]

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COUNTRY JOE & THE FISH

 
??/??/68 San Francisco, CA - Fillmore West MS?>?>CD n/a  
 *see Compilation: San Franciscan Nights #1, vol. 7* *1/10/69?*
 Set One: Country Joe & The Fish w/J. Casady, M. Hart, & D. Getz -Fillmore West [1968] , 3
 Flying High , 4 Jam
02/14/68 San Francisco, CA - Carousel Ballroom MS?>?>CD All n/a 
 *see San Franciscan Nights #2, Disc III*
 
04/16/70 *see Playboy After Dark* n/a 

[ Contents | List Info | Contact Info | Artist Index | Country Joe & The Fish ]

---

CREAM

 
03/??/67 n/a 
 Set One: Filler on 10/15/67 d2
08/??/67 San Francisco, CA - Fillmore West MS?>?>R>D>CD All 76  
 *Other Nights Other Vaults, vol. 4*
 Set One: (acquired from reel source) (Stereo), 01 Sunshine Of Your Love (06:07), 02 N.S.U.
 (09:26), 03 Steppin' Out (11:05) , 04 Traintime (08:47), 05 Toad (intro) (00:48), 06 Tales Of Brave
 Ulysses (04:21), 07 Spoonful (15:38), 08 Crossroads (03:51), 09 We're Going Wrong (06:22), 10 Sweet
 Wine (11:05), [Total Time 76:10]
10/15/67 n/a 
 2 CDs
 
10/04/68 Oakland, CA - Oakland-Alameda County Coliseum MS?>?>CD All 60 
 
* released on Live Cream II.
 Set One: Single Disc (8 tracks, 59:34): White Room*, Politician*, Crossroads, Sunshine of
 Your Love, Spoonful, Deserted Cities of the Heart*, Passing the Time (with drum solo) -> Toad, I'm So
 Glad

[ Contents | List Info | Contact Info | Artist Index | Cream ]

---

CREEDENCE CLEARWATER REVIVAL

 
??/??/69 Memphis, TN MA?>?>CD All 40  
 AUD UKNOWN LINEAGE > CD > SOUNDFORGE EXTRACTION > COOL EDIT > CD WAVE EDITOR > FLAC. Seeded to DAD
 8/2005 by Dave Tamarkin. Sound is just so-so.
 Set One: 9 tracks, 39:52, 1-BORN ON THE BAYOU, 2-WALK ON THE WATER, 3-BOOTLEG, 4-LODI, 5-BAD
 MOON RISING, 6-PROUD MARY, 7-99 AND A 1/2, 8-I PUT A SPELL ON YOU, 9-KEEP ON CHOOGLIN'
03/13/69 San Francisco, CA - Fillmore West MA?>?>R>CD All 30 
 * The CD is capped and tailed with this short radio promo for "Crazy Autos", which was most likely
 a car dealership in the Bay area. Audience source, Reel -> CD-R -> Easy CD-DA Extractor -> WAV ->
 FLAC (Level 8) -> your eardrums.
  Set One: 1. Guitar Jam*, 2. Ninety-Nine And A Half (Wont Do), 3. I Put A Spell On You, 4.
 Keep On Chooglin --continues with 5/22-25/69--
03/14/69 San Francisco, CA - Fillmore West MST>P>D>CD partial 34  
 BGP SBD 1"video Ampex Tape>Sonic Solutions Bake>PCM>DSP>Otari PCM>DAT>?>CDR>EAC>Flac (Equipment is
 uncorroborated). Seeder: "This is as far as I know the only circulation of this show I had to list it
 at etree There are other audience sources of this run but not SBD. This is about as rare as it gets...
 " t04 instrumental drop @ 10:34.
 Set One: 6 tracks, 33:33, //Bootleg, Proud Mary, Suzy Q, Instrumental Blues Jam, 99 1/2
 Won't Do, I Put A Spell On You//
05/??/69 San Francisco, CA - Fillmore West MA?>?>R>CD All 30 
 *5/22-25/69*
 digi-scratches @ 2:30 in Born on the Bayou
 Set One: --continues from 3/13/69-- 5. Born On The Bayou, 6. Walkin On The Water, 7.
 Bootleg, 8. Lodi, 9. Bad Moon Rising, 10. Proud Mary, 11. Ninety-Nine And A Half (Wont Do), 12. I Put
 A Spell On You, 13. Transportation Automatic*
08/16/69 Woodstock  MS?>?>CD All? 46 
 hissy sbd
 Set One: Single Disc (9) 46:21, Green River, 99 1/2, Bottleg, Commotion, Bad Moon Rising,
 Proud Mary, I Put a Spell on You, Keep on Chooglin' --Encore-- Suzie Q
 
01/30/70 Berkeley, CA - Fantasy Studios MS?>?>CD All 58 
 CCR w/ Booker T. Great stuff! t02 drop/splice @ 4:48
 Set One: Single Disc (7) 57:39 01. Jam [11:34] [1:39], 02. 99 1/2 (Won't Do) [7:08] [1:26],
 03. , 04. Jam// [3:57#], Proud Mary, 05. , 06. , 07.
04/14/70 London, UK - Royal Albert Hall M??>?>CD All 45 
 ? - ? - traded cdr - EAC - pc - flac8 - md5 - DIME. JJ: low levels, a bit of an odd quality, but
 very little hiss and basically very good -- almost certainly an FM or a SBD.
 Set One: (11 tracks, 45:22) 1 Born on the Bayou, 2 Green River, 3 ??, 4 Travelin' Band, 5
 Fortunate Son, 6 Midnight Special, 7 Bad Moon Rising, 8 Proud Mary, 9 ??, 10 Good Golly Miss Molly, 11
 Keep on Chooglin'
08/29/70 Los Angeles, CA - The Forum MA?>?>CD All 33  
 I wonder if this isn't from a Kaslow-Todd master?
 Set One: (10) 33:10, Run Through The Jungle, I Heard It Through The Grapevine, Tombstone
 Shadow, Fortunate Son, Commotion, The Midnight Special, Bad Moon Rising, Proud Mary, Ooby Dooby, Up
 Around The Bend
 
07/04/71 San Francisco, CA - Fillmore West MF?>?>CD All 60 
 From seeder: "lineage unknown but a lot of effort was made to locate the best possible circulating
 source. Probably from KSAN-FM broadcast but sounds good enough to be pre-broadcast! This version is
 completely unedited and over 15 minutes longer that the previous version that was uploaded a few days
 ago. CD -> Macintosh Pro Tools -> CD. A few minor dropouts and transient noises were removed with Pro
 Tools. Sector boundaries verified & Flac files created with xACT."
  Set One: 18 tracks, 59:51, 01) intro before 1st song 1:47, 02) Born On The Bayou 5:22, 03)
 Green River 3:55, 04) It Came Out Of The Sky 3:31, 05) Door To Door 3:26, 06) Travelin' Band 3:29,
 07) Fortunate Son 2:20, 08) Commotion -> 4:13 09) Lodi 2:11, 10) Bad Moon Rising 2:11, 11) KSAN
 station ID 0:06 , 12) Proud Mary 4:08 , 13) Up Around The Bend 3:32, 14) Hey, Tonight , 15)
 Sweet Hitchhiker, 16) John Fogerty talks about Fillmore West closing night 0:35, 17) Keep On
 Chooglin' 9:53, 18) Bill Graham outro 0:48

[ Contents | List Info | Contact Info | Artist Index | Creedence Clearwater Revival ]

---

CROCE, JIM

 
08/25/73 Schwenksville, PA - Philadelphia Folk Festival MSR>D>CD All 30 
 SB MASTER REEL > DAT > CD > SONY SCREENBLAST EXTRACTION > COOL EDIT > CD WAVE EDITOR > FLAC, seeded
 to DIME by Dave Tamarkin.
 Set One: Single Disc (14 tracks, 30:20), 1-Introduction, 2-Rapid//Roy, 3-Talk, 4-Working at
 The Carwash Blues, 5-Operator, 6-Talk, 7-He's Got A Way With Women , 8-Talk, 9-Lovers Cross, 10-Talk,
 11-Speedball Tucker , 12-Talk, 13-The Ball Of Kerrymuir// 14-//Bad Bad Leroy Brown

[ Contents | List Info | Contact Info | Artist Index | Jim Croce ]

---

CROW, SHERYL

 
10/25/94 San Francisco, CA - Warfield Theater MS?>?>CD All 72  
 Set One: Single Disc (12 tracks, 72:20): Reach Around Jerk, Can’t Cry Anymore, Love is a
 Good Thing, Leaving Las Vegas, Run, Baby, Run, Standing on the Outside, The Na-Na Song, Strong Enough,
 Rodeo (also known as Angel), I Feel Happy, All I Wanna Do, I Shall Believe

[ Contents | List Info | Contact Info | Artist Index | Sheryl Crow ]

---

CSNY AND VARIANTS THEREOF

Available Years: ????, 1969, 1970, 1971, 1972, 1974, 1975, 1985, 1988

 
 "CSNY Rarities" (discs 1-3 of 5) mixed All 236 
 Essential compilation by The Chief with many hard-to-find rarities. No alterations were made.
 Set One: CROSBY, STILLS, & NASH: Rarities - Disc One, 1967-1971: 01. Wooden Ships 02. Lady
 Friend 03. 49 Bye Byes 04. Guinnevere 05. Long Time Gone 06. Laughing 07. Mr. Soul 08. I've Loved Her
 So Long 09. Bluebird Revisited 10. So Begins The Task 11. Little Miss Bright Eyes 12. Kids And Dogs
 13. The Wall Song 14. Is It Really Monday? 15. You Sit There 16. Over Jordan / Wayfaring Stranger 17.
 Walking In The Mountains 18. The Wall Song 19. Cowboy Movie TT: 78:49
 Set Two: CROSBY, STILLS, & NASH: Rarities - Disc Two, 1970-1974: 01. Dancer 02. Tamalpais
  High (At About 3) 03. Everybody's Been Burned 04. The Wall Song 05. Daylight Again / Find The Cost Of
 Freedom 06. Rolling My Stone 07. Throughfare Rap - Version One 08. Throughfare Rap - Version Two 09.
 Witching Hour 10. White Nigger 11. So You Want To Be A Rock'n'Roll Star 12. Your Life Is What You
 Fill Your Day With 13. Human Highway 14. Prison Song 15. See The Changes 16. And So It Goes 17. Little
 Blind Fish 18. Traces TT: 77:54
 Set Three: CROSBY, STILLS, & NASH: Rarities - Disc Three, 1974-1980: 01. Black Queen 02.
 Love Art Blues 03. Pushed It Over The End 04. Time After Time 05. Hawaiian Sunrise 06. See You In The
 Spring 07. On The Beach 08. Suite: Judy Blue Eyes 09. Taken At All 10. One Moment At A Time 11. @@
 Colorado 12. Take Me Back To The Ohio Valley 13. Cherokee 14. Uncle James 15. Come On In My Kitchen
 16. Samurai 17. Kids And Dogs TT: 78:30
 "Five Way Street" various All 150 
 CROSBY, STILLS, NASH & YOUNG -- Five Way Street -- (The Third Eye liberated boot). Pink Robert
 torrent. Truly essential CSNY collection of 1968-70 rarities not to be missed.
 Set One: DISC ONE, 1. Long Time Gone - Crosby & Stills (pre-Nash) Frozen Noses Demos - 1968;
 2. 49 Bye-Byes - Frozen Noses Demos - 1968; 3. Instrumental - Deja Vu sessions, Record Plant, January
 7, 1970; 4. Instrumental - Deja Vu sessions, Record Plant, January 7, 1970; 5. Instrumental - Deja Vu
 sessions, Record Plant, January 7, 1970; 6. Woodstock (take 1) - Deja Vu sessions, Record Plant,
 January 7, 1970; 7. Woodstock (take 2) - Deja Vu sessions, Record Plant, January 7, 1970; 8. Guinevere
 - Fillmore West, January 12, 1970 (Wrong date!); 9. Simple Man - Fillmore West, January 12, 1970
 (Wrong date!); 10. Black Queen - Fillmore West, January 12, 1970 (Wrong date!); 11. Our House -
 alternate take from Deja Vu sessions; 12. Almost Cut My Hair - alternate take from Deja Vu sessions;
 13. You Don't Have To Cry - This Is Tom Jones, ABC TV Studios, September 6, 1969; 4. Long Time Gone -
 This Is Tom Jones, ABC TV Studios, September 6, 1969
 Set Two: DISC TWO, 1. Wasted On The Way - Bridge Benefit 3, Mountain View, CA, October 28,
 1989 (soundcheck); 2. Lee Shore - Bridge Benefit 3, Mountain View, CA, October 28, 1989 (soundcheck);
 3. Wooden Ships - Bridge Benefit 3, Mountain View, CA, October 28, 1989 (soundcheck); 4. Helplessly
 Hoping - Bridge Benefit 3, Mountain View, CA, October 28, 1989 (soundcheck); 5. Helpless - Bridge
 Benefit 3, Mountain View, CA, October 28, 1989 (soundcheck); 6. Got It Made - Bridge Benefit 3,
 Mountain View, CA, October 28, 1989 (soundcheck); 7. Everything's Broken - Bridge Benefit 3, Mountain
 View, CA, October 28, 1989 (soundcheck); 8. Simple Man - CROSBY & NASH, BBC TV, November 9, 1970; 9.
 Marakesh Express - CROSBY & NASH, BBC TV, November 9, 1970; 10. Guinevere - CROSBY & NASH, BBC TV,
 November 9, 1970; 11. Tree With No Leaves - CROSBY & NASH, BBC TV, November 9, 1970; 12. Teach Your
 Children - CROSBY & NASH, BBC TV, November 9, 1970; 13. Right Between The Eyes - CROSBY & NASH, BBC
 TV, November 9, 1970; 14. The Lee Shore - CROSBY & NASH, BBC TV, November 9, 1970; 15. Traction In The
 Rain - CROSBY & NASH, BBC TV, November 9, 1970 ; 16. 4+20 - STEPHEN STILLS, BBC, 1970; 17. Who Do You
 Love - STEPHEN STILLS, BBC, 1970; 18. Blues Jam - STEPHEN STILLS, BBC, 1970; 19. You Can't Catch Me -
 STEPHEN STILLS, BBC, 1970; 20. Got To Run - STEPHEN STILLS, BBC, 1970; 21. Hot Dusty Roads - STEPHEN
 STILLS, BBC, 1970; 22. For What It's Worth - STEPHEN STILLS, BBC, 1970; 23. A Man Needs A Maid - NEIL
 YOUNG, American Shakespeare Theatre, Stratford, January 22, 1971, early show; 24. Heart Of Gold - NEIL
 YOUNG, American Shakespeare Theatre, Stratford, January 22, 1971, early show
 "CSNY Rarities" (discs 3-4 of 5) mixed All n/a 
 Essential compilation by The Chief with many hard-to-find rarities. No alterations were made.
 Set One: CROSBY, STILLS, & NASH: Rarities - Disc Four, 1979-1990: 01. Precious Love 02.
 Melody 03. Flying Man 04. Turn Your Back On Love 05. Unknown backing track 06. Southern Cross 07.
 Susie Jane 08. Dangerous Woman On The Loose 09. "Paris Song" 10. Vote 11. Lonely Man 12. Unconditional
 Blues 13. He's An American 14. "65 + Jeans" 15. Soldiers Of Peace 16. The Money And The Underdog 17.
 I'm Flying 18. America
  Set Two: CROSBY, STILLS, & NASH: Rarities - Disc Five, 1989-2002: 1. Silver And Gold 2. As
 Much As I Understand 3. The Shell 4. A Case Of You 5. On The Other Side Of Town 6. Try To Find Me 7.
 Born In Chicago 8. Treetop Flyer 9. Turn! Turn! Turn! 10. Acadienne 11. Mr. Soul 12. Live On 13. Out
 Of Control 14. The Dolphins 15. Eight Miles High 16. Man Of Constant Sorrow 17. Feed The People 18.
 Old Man Trouble 19. Half Your Angels 20. chat mix
 
??/??/69 "Studio Archives 1969" mixed studio All n/a 
 "Essential CSNY collection of unreleased 1969 studio rarities not to be missed."
 Set One: 01. Everybody's Talkin', 02. How Have You Been, 03. Black Queen riff / dialogue,
 04. Triad (Acoustic Studio Take), 05. Almost Cut My Hair (Acoustic Take) - Wally Heider's, San
 Francisco, 06. Everyday We Live - Wally Heider's, San Francisco, 07. Sea Of Madness - Wally Heider's,
 San Francisco, 08. @@ The Lee Shore - Stephen Stills Home Studio, 09. Everybody I Love You - Wally
 Heider's, San Francisco, 10. I'll Be There - Wally Heider's, San Francisco, 11. Blackbird - Wally
 Heider's, San Francisco, 12. Ivory Tower - Wally Heider's, San Francisco, 13. 30 Dollar Fine - Wally
 Heider's, San Francisco, 14. Everybody's Been Burned, 15. You're Wrong Baby - Wally Heider's, San
 Francisco, 16. Everybody's Alone - Wally Heider's, San Francisco
??/??/69 "Sessions" (Wally Heider's, LA) MS?>?>CD partial n/a 
 Demos, outtakes, alternate recordings from the sessions for the first LP. Liberated Aurora Borealis
 bootleg. Excellent quality of essential material, via Pink Robert. From the multi-disc set "Sessions"
 that never saw the light of day.
 Set One: 01. Suite: Judy "Goddamn" Blue Eyes - instrumental with studio chat 02. Marrakesh
 Express - alternate vocal 03. Marrakesh Express - instrumental 04. Guinnevere - vocal, electric 05.
 Guinnevere - vocal, acoustic 06. "David?" (Come in My Kitchen, three times) 07. Black Queen -
 alternate vocal 08. Pre-Road Downs - workout jam 09. Pre-Road Downs - alternate vocal 10. Wooden Ships
 - alternate vocal 11. Lady Of The Island - alternate vocal 12. Helplessly Hoping - instrumental 13.
 Helplessly Hopiing - alternate vocal 14. 49 Bye-Byes - jam with vocals 15. Cinnamon Girl -
 instrumental 16. Blackbird - alternate vocal Total Time - 70:11
08/18/69 Woodstock MSR>?>CD partial 39 
 Set One: Single Disc (9) 38:57, 01. Talk [0:39], Suite: Judy Blue Eyes, 02. Blackbird, 03.
 Guinevere, 04. Marrakesh Express, 05. 4 + 20, 06. Mr. Soul /, 07. Sea of Madness, 08. Wooden Ships,
 09. Find The Cost Of Freedom
08/26/69 Los Angeles, CA - Greek Theater M??>?>CD All 73 
 Seeder's Notes: "THE EARLIEST COMPLETELY RECORDED CSNY CONCERT. The best quality version ever
 circulated, superior to Bring Me Sadness and Bring Me Gladness. Re-pitched, de-hummed and remastered
 from master recording by Captain Acid and Pink Robert." Quite hissy, for completists only.
 Set One: (16 tracks, 73:25) 1. Suite: Judy Blue Eyes, 2. Blackbird, 3. Helplessly Hoping, 4.
 Guinnevere, 5. Lady Of The Island, 6. Black Queen, 7. Birds, 8. I've Loved Her So Long, 9. You Don't
 Have To Cry, 10. So Begins The Task, 11. Pre-Road Dawns, 12. Long Time Gone, 13. Bluebird Revisited,
 14. Sea Of Madness, 15. Wooden Ships, 16. Down By The River
09/13/69 see Celebration at Big Sur (DVD) n/a 
09/13/69 Big Sur Folk Festival MS?>3R>D>CD All? 93 
 Source: SBD > 3rd gen Reel > DATs. Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac.
 Transfer - jbraveman@hotmail.com - September 2004. Seeded DaD July 2005. * with Dave Mason. Notes -
 great performance. Sound quality is B+. There is some hiss and some minor distortion, especially in
 the electric sets. The sound seems somewhat compressed. I know this is widely circulated in various
 forms, none of which I've heard. I can't tell you how it compares to the other sources. I suspect
 that this is a cleaner version. Track notes- d1t04 first few notes missing; d1t05 small subsecond blip
 at 18:07; d1t07 reel flip before stage announcement; d1t08 small subscecond static at 25:05; d2t03
 Fades in.
 Set One: Disc 1 (14 tracks, 44:54), Set I, 01 Helplessly Hoping, 02 Banter, 03 Guinnevere,
 04 Lady of the Island, 05 banter, 06 Birds, 07 banter, stage announcement "There's a Whale", 08 4 +
 20, 09 Banter/tuning, 10 You Don't Have to Cry, 11 intro for Dave Mason, 12 World in Changes *, 13
 Only You Know and I Know *, 14 Suite: Judy Blue Eyes
 Set Two: Disc 2 (9 tracks, 47:53), Set 2, 01 Pre Road Downs, 02 Tuning, 03 Long Time Gone,
 04 Bluebird Revisited, 05 Sea of Madness One and Two, 06 Tuning, 07 Wooden Ships, 08 Banter/tuning, 09
 Down By The River
 Set Three: ALTERNATE SOURCE: (14) 71:40: 1. Ohio (Deja Vu Studio Outtake), 2. Guinevere,
 3. Birds, 4. 4+20, 5. You dont Have to Cry, 6. Suie Judy Blue Eyes, 7. Listen to My Blue Bird, 8.
 Sea Of Madness, 9. Down By The River, 10. Blue Bird, 11. Long Time Gone, 12. Wooden //Ships (splice @
 3:35, 3:37), 13. Baby Dont Scold Me, 14. Find The Cost Of Freedom. Wonderful material! Some
 digi-errors here and there, digi-ticks in t13. Last few tracks different source, or from different
 night?
09/20/69 New York, NY - Fillmore East MA?>?>C>CD  All 43 
 AUDIENCE RECORDING: Unknown gen cassette -- Pro Tools - CDR - EAC - Wav - flac. Nice stuff,
 listenable SQ.
 Set One: Single Disc (15 tracks, 43:18), 01. (fades in) Suite: Judy Blue Eyes, 02.
 Blackbird, 03. Helplessly Hoping, 04. Guinnevere (inc), 05. Lady Of The Island, 06. Go Back Home, 07.
 4 + 20, 08. On The Way Home, 09. Broken Arrow, 10. I've Loved Her So Long, 11. You Don't Have To Cry,
 12. Pre-Road Downs, 13. Long Time Gone, 14. Bluebird Revisited, 15. Sea Of Madness (inc)
11/26/69 Denver, CO - Coliseum MA?>?>CD All 105 
 Source: unknown low gen analog audience recording > CDR > FLAC. Seeder's notes: "This seems to be
 one of the few shows from this tour that is all complete, nothing is edited from between the songs, so
 there is lots of tuning and talking. A 25 minute DBTR to end the show too!! Ed's Stuff: NAK BX-300
 cassette deck; Sony M1 DAT Walkman portable; HHB 830 stand-alone burner; Macintosh Emac with Bias Peak
 4.0 for editing; xACT 1.4 for cd extraction & flac encoding." JJ notes: this sounds pretty darn
 terrible. Disc 2 is better, but this is definitely completist-quality stuff. May run a touch
 fast.
 Set One: Disc One (10 tracks, 48:28), 1. Suite: Judy Blue Eyes, 2. Blackbird, 3.
 Helplessly Hoping, 4. Guineverre, 5. Lady Of The Island, 6. Black Queen, 7. 49 Reasons/For What
 It's Worth, 8. On The Way Home, 9. Expecting To Fly, 10. You Don't Have To Cry
 Set Two: Disc Two (6 tracks, 57:06), 11. Pre-Road Downs, 12. And So Begins The Task, 13.
 Long Time Gone, 14. Woodstock, 15. Wooden Ships, 16. Down By The River
11/28/69 Dallas, TX - Memorial Auditorium MA?>?>CD All 106 
 runs fast and thus unlistenable
 Seeder Notes. notes: has hiss and runs a tad fast (IMHO) but complete show with interesting
 between song banter. Worth the download for "I've Loved Her So Long" alone ;-) Ed's Stuff: NAK
 BX-300 cassette deck; Sony M1 DAT Walkman portable; HHB 830 stand-alone burner; Macintosh Emac with
 Bias Peak 4.0 for editing; xACT 1.4 for cd extraction & flac encoding. Thus runs intolerably fast.
 Set One: (8 tracks, 38:37) Disc One 1. Suite: Judy Blue Eyes, 2. Blackbird, 3. Helplessly
  Hoping, 4. Guinnevere, 5. Teach Your Children, 6. Lady Of The Island, 7. Black Queen, 8. 49
 Bye-Byes/For What It's Worth
 Set Two: Disc Two (11 tracks, 67:09) 9. I've Loved Her So Long, 10. Helpless, 11. On The Way
 Home, 12. You Don't Have To Cry, 13. Pre-Road Downs, 14. And So Begins The Task, 15. Long Time Gone,
 16. Woodstock, 17. Wooden Ships, 18. Down By The River, 19. Almost Cut My Hair
12/06/69 Livermore, CA - Altamont Speedway MA?>?>CD  partial?14 
 Audience recording, speed corrected. Seeder's notes: These are the FLAC files I've downloaded from
 the recently banned "Altamont Festival Upgrade" torrent
 http://www.dimeadozen.org/torrents-details.php?id=37942. I have just renamed them. Here is the only
 lineage info from neuthorduo's banned torrent: "This upgraded version was compiled from two sources.
 The various artist bits come from a STG seed by woodstockfan which was the best available source for
 the various artists although the speed was too fast. Included here is my own uncircualting speed
 corrected version of the var. artist portion. More on this show at
 http://www.woodstockproject.com/altamont. The sound is surprisingly good for an audience tape from
 1969." Crosby, Stills, Nash & Young, Line Up 1: Neil Young - vocals, guitar, keyboard; David Crosby -
 vocals, guitar; Stephen Stills - vocals, guitar, keyboards; Graham Nash - vocals, guitar, organ;
 Gregory Reeves - bass; Dallas Taylor - drums. Info taken from the amazing Sugar Mountain site
 http://members.cruzio.com/~tah/sets/19691206e.html. Torrented on DIME, April 2005, by 1crazyhorse.
  Set One: Disc 1 (4) 14:28, 01. Black Queen, 02. Pre-Road Downs, 03. Long Time Gone, 04.
 Down By The River (incomplete)
12/13/69 Chicago, IL - Auditorium Theatre -- see 12/14/69 partial n/a 
12/14/69 Detroit, MI - Masonic Temple MS?>?>CD partial 76 
 "Detroit Experience" Bootleg: 12/14/69, 12/18/69, 12/13/69
 Crosby, Stills, Nash, and Young, "Detroit Experience" original silver. 12/14/69 Masonic Temple -
 Detroit, MI; -Hofheinz Pavillion - Houston, TX, 12/18/69; -Theatre - Chicago, IL, 12/13/69. source:
 SBD. transfer: original silver> EAC > WAV > Flac 8.
 Set One: (14 tracks, 76:19) --12/14/69: Masonic Temple, Detroit, MI-- 1. Suite: Judy Blue
 Eyes (3:41), 2. Blackbird (4:29), 3. On the Way Home (3:57), 4. Teach Your Children (4:25), 5.
 Triad (7:36), 6. Guinnevere (6:48), --12/18/69: Hofheinz Pavilion, Houston, TX-- 7. Our House
 (4:43), 8. Country Girl (8:36), 9. Helpless (3:30), 10. Black Queen (8:26), --12/13/69: Auditorium
 Theatre, Chicago, IL--11. Pre-road Downs (4:13), 12. I Must Learn to Live (5:36), 13. Long Time Gone
 (5:51), 14. Woodstock (4:25)
12/18/69 Houston, TX - Hofheinz Pavilion--see 12/14/69 partial n/a 
12/21/69 San Diego, CA - Balboa Stadium MA?>?>CD All-1 73 
  This is a very nice aud for the era, and a thoroughly enjoyable performance. I enjoy the fast
 Helplessly Hoping and the very long (19 1/2 minute) Down by the River. One can occasionally hear
 airplanes flying into San Diego overhead -- very neat ambience to the recording. The SQ seems to
 change for t12.
 Set One: Single Disc (12) 72:34, 1. Suite: Judy Blue Eyes, 2. Blackbird, 3. On The Way Home,
 4. Helplessly Hoping, 5. Helpless, 6. Black Queen, 7. 49 Bye-Byes/For What It's Worth/ America's
 Children, 8. Pre-Road Downs, 9. And So Begins The Task, 10. Long Time Gone, 11. Wooden Ships, 12.
 Down By The River, (MISSING Find The Cost Of Freedom)
 
01/11/70 Copenhagen, Denmark - Falkonercentret MA?>?>C>CD All 129 
 Additional musicians: Greg Reeves: bass; Dallas Taylor: drums. Lineage: Unknown(low) Gen
 cassettes-NAK Dragon-PDR-05-EAC-Cool edit-Flac. Transferred & uploaded to DAD by Doc Tinker! Sound
 was characterized as "great", but it's just o.k.
 Set One: CD1: Accoustic Set (14 tracks, 74:41) 01 suite: judy blue eyes, 02 blackbird, 03
 you don't have to cry, 04 on the way home, 05 teach your children, 06 triad, 07 guinnevere, 08
 our house, 09 crowd 10 helpless, 11 country girl, 12 black queen, 13 49 bye byes, Encore: 14
 helplessly hoping
 Set Two: CD2: Electric Set (7 tracks, 54:11) 01 intro, 02 pre-road downs, 03 so begins
 the task, 04 long time gone, 05 the loner, 06 wooden ships, 07 down by the river (cut after 23
 mins), not on this tape but probably played: find the cost of freedom
05/29/70 Boston, MA  MA?>C>CD All n/a 
 Audience recording: 1st gen cassette --> Pro Tools --> CD --> EAC --> wav --> flac.
 Set One: 01 Suite Judy Blue Eyes, 02 On the Way Home, 03 Teach Your Children, 04 Tell Me
 Why, 05 Triad, 06 Guinneverre, 07 Simple Man, 08 Man in the Mirror, 09 Don't Let It Bring You Down, 10
 Only Love Can Break Your Heart, 11 Black Queen, 12 49 Bye Byes/America's Children, 13 Love the One
 You're With, 14 Pre Road Downs, 15 Long Time Gone, 16 Helplessly Hoping, 17 Ohio, 18 As I Come of Age,
 19 Southern Man, 20 Carry On, 21 Find the Cost of Freedom
05/29/70 Boston, MA - Boston Garden MAR>CD All n/a  
 *Joe Maloney master*
 JOE MALONEY MASTER RECORDING: AUDIENCE REEL MASTER > CDR > EAC > FLAC. Master reels recorded on
 Sunset 600 foot reel tapes. Transferred using an Akai X150D reel deck.
 Set One: DISC ONE: 01: SUITE JUDY BLUE EYES 02: ON THE WAY HOME 03: TEACH YOUR CHILDREN 04:
 TELL ME WHY 05: TRIAD 06: GUINNEVERE 07: SIMPLE SONG 08: UNKNOWN 09: DON'T LET IT BRING YOU DOWN 10:
 ONLY LOVE CAN BREAK YOUR HEART 11: BLACK QUEEN 12: 49 BYE BYES (INCLUDES FOR WHAT IT'S WORTH) 13:
 AMERICA'S CHILDREN
 Set Two: DISC TWO: 01: LOVE THE ONE YOU'RE WITH 02: PRE ROAD DOWNS 03: LONG TIME GONE 04:
 HELPLESSLY HELPING 05: OHIO 06: AS I COME OF AGE 07: SOUTHERN MAN 08: CARRY ON 09: FIND THE COST OF
 FREEDOM
06/??/70 Halverson Tapes MS?>?>CD All 117 
 Notes from etree: "CSNY 1970 - The Halverson Tapes. The Halverson Tapes are concert recording of
 CSNY in June 1970 taken from several different performances, They were compiled by engineer Bill
 Halverson from the mixing deck tapes which formed the basis of the "4 Way Street" album. Although the
 Halverson Tapes and "4 Way Street" share many of the same songs, only two songs from the Halverson
 Tapes ended up on the "4 Way Street" album. The source for this material is the "Another 4 Way Street"
 2 cd bootleg."
 Set One: 1 - Suite: Judy Blue Eyes, 2 - Blackbird, 3 - On The Way Home, 4 - Teach Your
 Children, 5 - Tell Me Why --(28th June 1970 LA Forum Inglewood, CA)-- 6 - The Loner / Cinnamon Girl /
 Down By The River, 7 - Black Queen, 8 - 49 Bye-byes / America's Children, 9 - Love The One You're With
 --(7th June 1970 Fillmore East New York City, NY)--
 Set Two: 1 - Pre-Road Downs, 2 - Long Time Gone, 3 - Helplessly Hoping, 4 - Southern Man, 5
 - As I Come Of Age, 6 - Ohio, 7 - Carry On, 8 - Woodstock, 9 - Find The Cost Of Freedom --(26th June
 1970 LA Forum Inglewood, CA)--
06/03/70 New York, NY - Fillmore East MA?>?>CD All 132 969 
 Audience recording re-pitched and de-hummed by Pink Robert. JJ: d1 sounds to me like it is still
 running fast. d2 is better. Great performance.
 Set One: Disc 1 (17 tracks, 75:23): 1. Suite: Judy Blue Eyes, 2. On The Way Home, 3. Teach
 Your Children, 4. Tell Me Why, 5. Triad, 6. Guinnevere, 7. Simple Man, 8. Man In The Mirror, 9. Down
 By The River, 10. Don't Let It Bring You Down, 11. Bluebird Revisited, 12. Black Queen, 13. 4+20, 14.
 49 Bye-Byes , 15. For What It's Worth, 16. America's Children, 17. Love The One You're With
 Set Two: Disc 2 (9 tracks, 56:44): 1. [2:00] Pre-Road Dawns, 2. Long Time Gone, 3.
 Helplessly Hoping, 4. Ohio, 5. As I Come Of Age, 6. Southern Man, 7. Carry On, 8. Find The Cost Of
 Freedom, Woodstock
06/04/70 New York, NY - Fillmore East MSR>?>CD All 142 
 Fabulous stuff! Almost certainly from the surreptitious under-the-stage reels recorded by
 enterprising Fillmore East crew. d1 notes: Minigap at Tr. 6, 2:18 min, Minigap at Tr. 6, 3:56 min.
 Set One: Disc One (79:30 min) : 01. [0:37] Suite: Judy Blue Eyes , 02. On The Way Home ,
 03. Teach Your Children , 04. Tell Me Why , 05. Triad , 06. Guinnevere , 07. Simple Man , 08. Man In
 The Mirror , 09. Cinnamon Girl , 10. Down By The River , 11. Only Love Can Break Your Heart , 12.
 Black Queen , 13. 49 Bye-Byes , 14. America's Children , 15. Love The One You're With
 Set Two: Disc Two (62:26 min) : 01. Pre-Road Downs , 02. Long Time Gone , 03. Helplessly
 Hoping , 04. Ohio , 05. As I Come Of Age , 06. Southern Man , 07. Carry On , 08. Find The Cost Of
 Freedom
06/05/70 New York, NY - Fillmore East MS?>?>CD Most 125 
 Mono Soundboard recording via Pink Robert.
 Set One: Disc 1 (12 tracks, 61:13), (MISSING: Suite: Judy Blue Eyes, Blackbird, On The Way
 Home and Teach Your Children) 01. Tell Me Why, 02. Laughing, 03. The Lee Shore, 04. Simple Man, 05.
 Man In The Mirror, 06. Cinnamon Girl, 07. Down By The River, 08. Only Love Can Break Your Heart, 09.
  Black Queen, 10. 49 Bye-Byes , 11. America's Children, 12. Love The One You're With
 Set Two: Disc 2 (9 tracks, 64:17), 01. Pre-Road Dawns, 02. Long Time Gone, 03. Helplessly
 Hoping, 04. Ohio, 05. As I Come Of Age, 06. Southern Man, 07. Carry On, 08. Woodstock, 09. Find The
 Cost Of Freedom
06/06/70 NYC, NY - Fillmore East MSR>CD All 160 
 SBD MR (mono) > Alesis Masterlink > CD > (subsequent lineage unknown), CDR (tree source) > (EAC
 secure w.offsets) > CoolEdit Pro > FLAC > SHN > FLAC. Notes: 1 - Noise at 2:51 & 2:54 from the guys
 goofing around. 2 - Skip at 0:32 during Graham's ramblings. 3 - Remains of static at 0:05-0:08 &
  0:15-0:16; 4 - Sound levels have some low moments. This stuff is simply wonderful!!
 Set One: *** Disc One (49:01) *** 1. Suite: Judy Blue Eyes, 2. Blackbird, 3. On The Way
 Home, 4. Teach Your Children [1], 5. Tell Me Why, 6. Triad, 7. Guinnevere, 8. Simple Man
 Set Two: *** Disc Two (37:57) *** 1. King Midas In Reverse [2], 2. The Loner>Cinnamon
 Girl>Down By The River, 3. Black Queen, 4. 4 + 20, 5. 49 Bye-Byes/America's Children [3], 6. Love The
 One You're With (incomplete/fade-out)
 Set Three: *** Disc Three (73:17) *** 1. Pre-Road Dawns, 2. Long Time Gone, 3. Helplessly
 Hoping, 4. Ohio, 5. As I Come Of Age [4], 6. Southern Man, 7. Carry On, 8. Woodstock, 9. Find The Cost
 Of Freedom [4]
06/07/70 New York, NY - Fillmore East MS?>?>CD Most 96 
 Soundboard recording re-pitched, de-hummed and remastered by Pink Robert. The missing songs are:
 (after Tell Me Why) Triad, Guinnevere, Sleep Song and Man In The Mirror; and the last three songs:
 Carry On, Woodstock and Find The Cost Of Freedom.
 Set One: Disc 1 (9 tracks, 59:52), 1. Suite: Judy Blue Eyes, 2. Blackbird, 3. On The Way
 Home, 4. Teach Your Children, 5. Tell Me Why, 6. The Loner / Cinnamon Girl / Down By The River, 7.
 Black Queen, 8. 49 Bye-Byes / America's Children , 9. Love The One You're With
 Set Two: Disc 2: (6 tracks, 35:39), 1. Pre-Road Dawns, 2. Long Time Gone, 3. Helplessly
 Hoping, 4. Southern Man, 5. As I Come Of Age, 6. Ohio
06/16/70 Portland, OR - Memorial Coliseum MAC>2C>CD partial 45 
 CASSETTE AUDIENCE MASTER > CASSETTE > CASSETTE > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR >
 FLAC, via Dave Tamarkin.
 Set One: (44:57) 1-TUNING > WARMUP JAM, 2-PRE-ROAD DOWNS, 3-LONG TIME GONE, 4-HELPLESSLY
 HOPING, 5-TALK/TUNING, 6-SOUTHERN MAN, 7-AS I COME OF AGE, 8-TALK/TUNING, 9-OHIO//
06/19/70 Oakland, CA - Oakland-Alameda County Coliseum MA?>?>CD All 147 
 bad NR applied -- not recommended
 Audience recording re-pitched, de-hummed and remastered by Pink Robert. Probably the last song
 (Find The Cost Of Freedom) is missing. Horrible metallic artifacts -- avoid this.
 Set One: Disc 1 (13 tracks, 77:28), 1. Suite: Judy Blue Eyes, 2. On The Way Home, 3. Teach
 Your Children, 4. Tell Me Why, 5. Triad, 6. Guinnevere, 7. Simple Man, 8. The Loner / Cinnamon Girl /
 Down By The River, 9. Only Love Can Break Your Heart, 10. 4+20, 11. Black Queen, 12. 49 Bye-Byes /
 America's Children, 13. Love The One You're With
 Set Two: Disc 2 (8 tracks, 69:30), 1. Pre-Road Dawns, 2. Long Time Gone, 3. Helplessly
 Hoping, 4. Southern Man, 5. As I Come Of Age, 6. Ohio, 7. Carry On, 8. Woodstock
06/26/70 Los Angeles, CA - The Forum aud+sbd Most n/a 
 Disc 1 re-pitched, de-hummed and remastered from Live At L.A. Forum vynil. Disc 2 (electric set)
 from Bil Halverson Tapes. The missing songs: Triad, Simple Man and Black Queen.
 Set One: Disc 1 (audience): 1. Suite: Judy Blue Eyes, 2. On The Way Home, 3. Teach Your
 Children, 4. Tell Me Why, 5. Guinnevere, 6. Don't Let It Bring You Down, 7. 49 Bye-Byes / America's
 Children, 8. Love The One You're With
 Set Two: Disc 2 (soundboard): 1. Pre-Road Dawns, 2. Long Time Gone, 3. Helplessly Hoping, 4.
 Southern Man, 5. As I Come Of Age, 6. Ohio, 7. Carry On, 8. Woodstock, 9. Find The Cost Of Freedom
11/09/70 BBC  All n/a 
 David Crosby/Graham Nash, 1970-11-09: BBC, UK ARENA, NTSC, From Trio rebroadcast. GSpot analysis:
 MPEG-2 Program Stream << { 1vid, 1 aud}; Sys Bitrate: 10080 kb/s VBR; Video: 4250 kbps; Audio: MPEG-1
 Layer 2 256 kpbs. MPEG-2 files (rec'd in trade on data DVD)>DVD AUTHOR (Menu and
 Chapters)>Video_TS.
 Set One: Simple Man, Marrakech Express, Guinnevere, Song With No Words, Teach Your Children,
 Right Between The Eyes, Lee Shore, Traction In The Rain
 
10/14/71 Berkeley, CA - Berkeley Community Theater MA?>?>C>CD All 94 
 *speed corrected*
 Crosby/Nash with Neil Young. AUDIENCE RECORDING: Unk. gen cassette -- Pro Tools -- CD -- EAC --
 WAV -- flac. Neil comes in before Helpless. Some L-channel light pops in Laughing. Remasterer's
 notes: "I applied speed correction and noise reduction. Sound notes: The sound turned out very good.
 This is a very enjoyable audience recording."
 Set One: Disc One (9 tracks, 46:45), Deja Vu, Wooden Ships, Man In The Mirror, Orleans, I
 Used To Be King, The Lee Shore, Southbound Train, Traction In The Rain, Laughing
 Set Two: Disc Two (9 tracks, 47:01), Games, Triad, Stranger's Room, Immigration Man,
 Helpless, Alabama, Teach Your Children, Ohio, Military Madness, Chicago
 
03/26/72 San Francisco, CA - Winterland Arena  MFC>D>CD All 66 
 *Crosby, Nash & Young*
 FM>MC>DAT>CD>Cool Edit>SHN>CD. Prisoner's Welfare Fund Benefit.
 Set One: Wooden Ships, Used to Be a King, Lee Shore, Harvest, Only Love Can Break Your
 Heart, Southbound Train, Almost Cut My Hair, Page 43, And So it Goes, Immigration Man, Heart of Gold,
 Needle & Damage Done, Teach Your Children, Military Madness, Chicago, Total Time 65:38
03/26/72 San Francisco, CA - Winterland Arena MF?>?>CD All 72 
 *Crosby, Nash & Young*
 CROSBY, NASH & YOUNG, Water Brothers Revisited. Prison Benefit Concert, Winterland, San Francisco,
 March 26, 1972. FM stereo broadcast in the best quality around. This is the longest version of this
 concert in wide stereo. The original Water Brothers and the most of other torrent versions in
 circulation were mono. JJ: yes, this sounds much better than the other copy -- clean as a whistle!
 Set One: 16 tracks, 71:52, 1. Wooden Ships, 2. I Used To Be A king, 3. The Lee Shore --Neil
 joins-- 4. Harvest, 5. Only Love Can Break Your Heart, 6. Southbound Train, 7. Almost Cut My Hair, 8.
 Page 43, 9. And So It Goes, 10. Immigration Man, 11. Heart Of Gold, 12. The Needle And The Damage
 Done, 13. speech 14. Teach Your Children, 15. Military Madness, 16. Chicago / Outro by Bill Graham
 
03/16/74 Madison, NJ - Farley Dickinson University  MA?>?>CD All-1 70 
 *David Crosby solo*
 "Live & Alone 1974": The earliest David Crosby live solo recording. Audience recording.
 Set One: (11 tracks, 69:57) 01. Deja Vu 02. The Lee Shore 03. Triad 04. Laughing 05. King Of
 The Mountain 06. Almost Cut My Hair 07. For Free 08. Page 43 09. Guinnevere 10. Long Time Gone 11.
 Wooden Ships (MISSING: What Are Their Names)
09/14/74 London, England - Wembley Stadium  DVD All n/a 
 CSNY, Live In London 1974. The complete Wembley Stadium, London, September 14, 1974. Liberated
 Aurora Borealis bootleg DVD. Great stuff!
 Set One: DVD 1: backstage/ introduction, Love The One You're With, Wooden Ships, Immigration
 Man, Helpless, Military Madness, Johnny's Garden, Traces, Almost Cut My Hair, Teach Your Children,
 Only Love Can Break Your Heart, The Lee Shore, Time After Time, It's Alright, Another Sleep Song, Our
 House, Hawaiian Sunrise, Star Of Bethlehem, Love Art Blues, Old Man
 Set Two: DVD 2: Change Partners, Blackbird, Myth Of Sysyphus, You Can't Catch Me / Word
 Game, Suite: Judy Blue Eyes, Deja Vu, First Things First, Don't Be Denied, Black Queen, Pushed It Over
 The End, Pre-Road Downs, Carry On, Ohio
 
11/24/75 Berkeley, CA - Zellerbach Hall MS?>?>CD II n/a 
 *Crosby & Nash*
  Stereo soundboard, via Pink Robert.
 Set One: 01. King Of The Mountain 02. Triad 03. Carry Me 04. High Out In Time 05. Wind On
 The Water 06. I'll See You In The Spring 07. Take The Money And Run 08. And So It Goes 09. Low Down
  Payment 10. Military Madness 11. Wooden Ships
 
08/01/85 Cuyahoga Falls, OH - Blossom Music Center MS?>?>CD All 121 
 *Crosby, Stills & Nash*
 Source: SBD > ? > CDR > Trade > EAC > FLAC. Sounds very nice.
 Set One: Disc 1 (14 tracks, 69:05), 1-Love The One You're With, 2-Pre-Road Downs, 3-Just A
 Song Before I Go, 4-The Lee Shore, 5-Stranger, 6-Clear Blue Skies, 7-Lonely Man, 8-Can't Let Go,
 9-50/50, 10-Wind On The Water, 11-Magical Child, 12-Our House, 13-Word Games/Crossroads, 14-Treetop
 Flyer
 Set Two: Disc 2 (9 tracks, 51:45), 1-Daylight Again -> Find the Cost of Freedom,
 2-Blackbird, 3-Delta, 4-Wasted On The Way, 5-Suite: Judy Blue Eyes, 6-Southern Cross, 7-Long Time Gone
 --Encore-- 8-Carry On, 9-Teach Your Children
 
08/21/88a Houston, TX - Rockefeller's MS?>?>CD All 69 
 *Graham Nash Band w/ Crosby guest*
 "Back To The Nest". Excellent soundboard remastered. The first live appearance of David Crosby
 after prison.
 Set One: Single Disc (16, 69:12) GRAHAM NASH BAND 1. Military Madness 2. Pre-Road Downs 3.
  Chippin' Away 4. Over The Wall 5. Keep Away From Me 6. I Used To Be A King 7. Glass And Steel CROSBY &
 NASH WITH THE BAND 8. Critical Mass 9. Wind On The Water 10. Just A Song Before I Go 11. Carry Me 12.
 Compass 13. Guinnevere 14. Our House 15. Teach Your Children BONUS - LATE SHOW 16. Chicago

[ Contents | List Info | Contact Info | Artist Index | CSNY and variants thereof ]

---

DAVIS, MILES

Available Years: ????, 1950, 1952, 1955, 1956, 1957, 1958, 1959, 1960, 1961, 1963, 1964, 1966, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1974, 1975

 
 "The Making of Round About Midnight" All 66 
 Set One: Miles Davis Quintet: "The Making of Round About Midnight" [Kind of Blue - KOB 004].
 Details: October 26, 1955; June 5, 1956; September 10, 1956; Session of "'Round About Midnight" Sep
 10, 1956 7:06; Session of "Ah-Leu-Cha" Oct 26, 1955 20:02; First Session of "Billy Boy" [Davis out]
 Oct 26, 1955 12:07; Session of "Dear Old Stockholm" Jun 5, 1956 26:54; Musicians: October 26, 1955:
 Miles Davis (tpt) John Coltrane (ts) William "Red" Garland (p) Paul Chambers (b) Philly Joe Jones (d);
 June 5, 1956: Miles Davis (tpt) John Coltrane (ts) William "Red" Garland (p) Paul Chambers (b) Philly
 Joe Jones (d); September 10, 1956: Miles Davis (tpt) John Coltrane (ts) William "Red" Garland (p) Paul
 Chambers (b) Philly Joe Jones (d)
 
02/18/50 New York, NY - WNYC Studios radio Partial n/a 
 Source: Liberated bootlegs? Radio broadcasts? > ?? > CD-R. Conversion: CD-R > WAV (extracted with
  EAC) > mkwACT 0.97 b1 > SHN. Digital Audio Extraction and SHN encoding performed by Mike Vescovo
 (db.etree.org/shackaholic). Miles Davis (tpt); J.J. Johnson (tb); Stan Getz (ts); Tadd Dameron (p);
 Gene Ramey (b); Art Blakey (d).
  Set One: 01. Conception (G. Shearing) 4:07 02. Ray's Idea (R. Brown-W.G. Fuller) 5:54 03.
 That Old Black Magic (J. Mercer-H. Arlen) 2:16 04. Max is Making Wax (O. Pettiford) 3:59 05. Woody 'n'
 You (D. Gillespie) 5:40
 
04/25/52 New York, NY - Birdland MF?>?>CD Partial n/a 
 *Beryl Booker Quintet* LL25
 Beryl Booker Quintet (w/ Miles Davis): 04-25-1952, Birdland, New York, New York. Project ID - LL25.
  Source: FM Broadcast. Lineage: WJZ Radio Broadcast > unknown transfer > "Rare Miles Vol3" > wav > shn.
 Miles Davis (tpt); Don Elliot (vb, mellophone); Chuck Wayne (g); Beryl Booker (p); Clyde Lombardi (b);
 Connie Kay (d). Notes: - A fine and continuous if all-to-brief FM recording with beautiful versions of
 three of the great jazz classic standards.
 Set One: d1t01. Announcer's Introduction and Opening Theme d1t02. Rifftide d1t03. All the
 Things You Are d1t04. The Squirrel
05/02/52 New York, NY - Birdland MF?>?>CD Partial n/a 
 Project ID - LL26. Source: FM Broadcast. Lineage: WJZ Radio Broadcast > unknown transfer > "Rare
 Miles Vol3" > wav > shn. Miles Davis (tpt); Jackie McLean (as); Don Elliot (vb, mellophone); Gil
 Coggins (p); Connie Henry (b); Connie Kay (d). Notes: - Very nice sound. Another very good quality
 brief WJZ radio recording from Birdland. - This is a stellar performance. Very short, but very, very
 sweet. Track two is absolutely phenomenal. Jackie McLean and Miles really complement each other very,
 very well here. - There is a burst of static at 3:53 that lasts for a little less than 2 seconds. -
 Peter Losin notes: "Davis's first live date as a leader since the October Birdland broadcast. His
 All-Star group was booked at Birdland for one week, May 1-7. Two nights were broadcast on WJZ.
 Presumably there was more from this night, but so far this is all that has surfaced.-Credit to Peter
 Losin http://www.plosin.com/
 Set One: d1t01. Confirmation d1t02. Out of the Blue
05/03/52 New York, NY - Birdland  MF?>?>CD Partial n/a 
 Project ID - 49. Source: FM Broadcast. Lineage: WJZ Radio Broadcast> ? > wave > ? > flac. Miles
 Davis (tpt); Jackie McLean (as); Don Elliot (vb, mellophone); Gil Coggins (p); Connie Henry (b);
 Connie Kay (d). Notes: - This recording from Birdland is a bit muffled with a little more hiss and
 crackle then some of the other Birdland recordings of the era, but the setlist is unusual and it is
 still a very enjoyable show.
 Set One: d1t01. Wee Dot d1t02. The Chase d1t03. It Could Happen to You d1t04. Out of the
 Blue
 
02/??/55 Boston, MA - Hi-Hat Club MA?>?>CD All n/a 
 *Hi-Hat All-Stars*
 Hi-Hat All-Stars ( W/ Miles Davis), 02-XX-1955, Hi-Hat Club, Boston , Massachusets. Project ID -
 LL50. Source: Audience Recording. Lineage: Audience Recording > ?? > wav > silver CD > unknown ripping
 software > wave > cd > EAC > wav > flac. Miles Davis (tpt); Jay Migliori (ts); Al Walcott (p); Bob
 Freeman (p); Jimmy Woode (b); Jimmy Zitano (d). Notes: - d1t01 is incomplete. - A superb audience
 recording for the time. There is, as expected, some amount of hiss, however the music really shines
 through and as a result is a very pleasant listen. - "Although the tunes performed (especially
 "Jumpin' with Symphony Sid," "Ray's Idea," and "Wee Dot") would suggest an earlier date, the customary
 date for this set is pretty close to correct. Davis was booked as a single at the Hi-Hat Club for two
 consecutive weeks in February 1955, joined by Boston locals Migliori, Walcott, Woode, and Zitano.
 According to Down Beat, a Davis engagement advertised in Detroit for February 11-13 had to be canceled
 "because of a prior commitment in Boston... Davis was held over at the Hi-Hat for an extra week to
 share the stand with an R & B group called The Chords" (DB March 23, 1955). My guess is that the
 Hi-Hat engagement began in early February". - Credit to Peter Losin,http://www.plosin.com/ -"Jumpin'
 with Symphony Sid," performed here at a very slow tempo, is clearly a set-closer, and the music may be
 from more than one night. - QC done by ratmice.
 Set One: d1t01. A Night in Tunisia d1t02. Digd1t03. Darn That Dream d1t04. Jumpin' with
 Symphony Sidd1t05. Ray's Idea d1t06. Nice Work if You Can Get It d1t07. Wee Dot d1t08. Tune Up d1t09.
 Alone Together d1t10. Well, You Needn't d1t11. Jumpin' with Symphony Sid
07/17/55 Newport, RI - Festival Field MF?>?>CD All? 24 
 Miles Davis All-Stars. Musicians: Miles Davis - trumpet; Zoot Sims - tenor saxophone; Gerry
 Mulligan - baritone saxophone, announcements; Thelonious Monk - piano; Percy Heath - bass; Connie Kay
 - drums; Duke Ellington - announcer. Source: Voice of America (VOA) broadcast >? >DAT at 48 kHz.
 Lineage: -DAT >HDD via coax and Midiman Dio 2448 digital soundcard -Resampled to 44.1 kHz at highest
 accuracy, DC offset corrected, and wav edits with SoundForge 6.0 -Tracks split with CD Wave -FLAC
 Frontend (level 8) -No digital treatment such as noise reduction or EQ was applied. Notes: This
 performance has been given a lot of hype as helping launch Miles's post-heroin "comeback." Milesian,
 January 2005. - t03 drop @ 4:32
 Set One: Track Listing (23:51): 1. Introduction by Duke Ellington - 1:19, 2. Hackensack -
 7:54, 3. Round About Midnight - 6:06, 4. Now's the Time - 8:32
10/26/55 see "Making of Round About Midnight" n/a 
11/17/55 New York, NY - Hudson Theater M??>?>CD Partial 10 
 November 17, 1955 (4 items; TT = 9:47), Hudson Theatre, New York NY, NBC-TV broadcast, Miles Davis
 Quintet: Miles Davis (tpt); John Coltrane (ts); William "Red" Garland (p); Paul Chambers (b); Philly
 Joe Jones (d); Steve Allen (ann). (1) "Because there's a wee bonnie chap named Miles McDavis who's
 McGoing to McGroove it up for you here... Some of you people watching now don't know who Miles Davis
 is. Some of you don't know who I am, or who anybody is, so that's all right. Not important in itself,
 but I'll tell you -- Miles Davis is considered by quite a few authorities to be just about the best
 trumpet player playing today. For you record fans, as we are accustomed to do here, I'll show you one
 of the covers, one of Miles' latest albums. This one's called The Musings of Miles. You'll find Miles
 on the trumpet, Red Garland at the piano, Philly Joe Jones on the drums, Paul Chambers playing, ah,
 tenor... ah no, on the bass -- well, we'll straighten out the names in just a few moments. The fellas
 appear tonight through the courtesy of, ah, Birdla..., wait a minute here now, I'll get this straight
 -- Basin Street: B - A - S - I - N - S - T - R - E - E - T, Basin Street. And, uh, this is very modern
 music. Some of you folks who are Guy Lombardo fans will be very puzzled by the first number you hear.
 I will pause only to say that that they are not, as your grandmother might tell you, "just blowing a
 lot of notes." I'm serious about this -- every note has a precise musical meaning and, uh, you could
 prove it with mathematics if need be. Uh, as this type of music goes, you will hear none better. Let's
 welcome, therefore -- John Coltrane, incidentally, is playing the sax -- let's welcome the Miles Davis
 Quintet. Here they are..." [Yadeon includes the last 0:10]. (2): "That's beautiful. Pardon me for
 chewing, but, uh, I have something in my mouth, and if I just let it hang there it'll be ridiculous.
 Oh excuse me. Were you here when I got this, Miles? If not, you must be rather puzzled. (Laughter.) We
 just had Miss Scotland on and she laid this on me. Miles, what's your home town? Davis (coughs): St.
 Louis. Allen: Hmm? Davis: St. Louis. Allen: Got a cold? Davis: No, I had an operation on my throat.
 Allen: Oh really? Oh, that's too bad, I didn't know about that. Well then, we won't put you through
 the trouble of a lengthy interview here. You'd probably just rather save your breath to blow a little
 bit more, and the folks I'm sure would be very anxious to hear you. Miles, I have a little surprise
 for you right now. I was explaining to a lot of our viewers just the other night the great importance
 of the publication Down Beat to those who are interested in popular and jazz music. And once a year
 the editors and readers of Down Beat sort of put their heads together and, uh, take a poll as to just
 who is doing the best work in the various corners of the field of jazz. And, uh, it gives me great
 pleasure, as the saying goes -- and indeed it does -- to present the plaque to Miles Davis for winning
 first place in the trumpet division in the Down Beat award for 1955... (Applause.) Uh, as I was saying
 earlier, and Miles a lot of folks who probably like Guy Lombardo, as a great many of us do for that
 matter, might have been puzzled by what you just played. What was the name of it? Davis: "Max is
 Makin' Wax." Allen: "Max is Makin' Wax"... That doesn't clear up a great deal, but at least now you
 know what you didn't know about. Ah, however, now as a kind of a little exercise, uh, to see how
 clearly you can follow the chord changes, uh, whaddya say we take something slow and old and familiar
 like "It Never Entered My Mind" and, uh, you wanna play it fairly straight for the first few bars just
 to tease them into thinking they know what's going to happen, and then, then be my guest. Here it
 is..." SOURCE INFORMATION: Introduction (Steve Allen)--CD: Yadeon 502; Max is Making Wax--CD: Yadeon
 502; It Never Entered My Mind--CD: Yadeon 502. OTHER NOTES: Broadcast on The Tonight Show with Steve
 Allen. According to Lewis Porter and Steve Allen, NBC destroyed the videotape of this broadcast, so
 only the audio survives. The Davis Quintet was the musical guest on the November 17th Tonight Show --
 but at this point in time the show was broadcast from the Hudson Theater on the west side of Broadway.
 During this time the Quintet was booked at the Basin Street Club for two nights, November 18-19
 (Friday and Saturday). So my guess is that the correct date and venue for this music is November 17,
 1955, Hudson Theater, New York. Many thanks to Chris DeVito for his careful research here.
 Set One: TT 9:47, Introduction (1) (Steve Allen) 1:51, Max is Making Wax (O. Pettiford)
 3:02, Introduction (2) (Steve Allen) 2:03, It Never Entered My Mind (R. Rodgers-L. Hart) 2:51
 Set Two: alt copy downloaded from DIME 20060619.
 
02/18/56 Pasadena, CA - Pasadena Civic Center  MA?>?>CD All 32 
 Miles Davis Quintet: Miles Davis (tpt); John Coltrane (ts); William "Red" Garland (p); Paul
 Chambers (b); Philly Joe Jones (d); Gene Norman (ann). Absolutely fantastic stuff, and sounds great.
 No way this is an aud tape, at least not to my ears.
 Set One: Single Disc (8) 32:23, 01. Introduction (Gene Norman) 1:33, 02. Max is Making Wax
 (O. Pettiford) 4:32, 03. Walkin' (R. Carpenter) 9:21, 04. IIntroduction 1:02, 05. It Never Entered My
 Mind (R. Rodgers-L. Hart) 5:15, 06. Woody 'n' You (D. Gillespie) 5:44, 07. Salt Peanuts (D.
 Gillespie-K. Clarke) 4:32, 08. he Theme (M. Davis) (incomplete, with voiceover) 0:22
06/05/56 see "Making of Round About Midnight" n/a 
09/10/56 see "Making of Round About Midnight" n/a 
11/02/56 Paris, France - Salle Pleyel  MF?>?>CD Partial n/a 
 *Birdland All-Stars* LL29
 Source: FM Broadcast. Lineage: ORTF radio broadcast > ?? > unknown transfer(s) > wav > ?? > shn.
 Miles Davis (tpt); Lester Young (ts);René Urtreger (p); Pierre Michelot (b); Christian Garros (d).
 Notes: - One of the few surviving fragments of the Birdland All-Stars 23 show tour of Europe in
 November 1956. This recording suffers from Significant line hum and hiss, but is still a worthy
 recording featuring a lively performance by Miles Davis. The line hum exists both of two different
 sources obtained for this show. - The Birdland All-Stars also featured the great Lester Young, who was
 enjoying a brief comeback after a hospital stay in November 1955. However, his health was still poor,
 reportedly due to liver disease and malnutrition, which would contribute to his passing away less than
 three years from the date of this show. - QC done by guygee
 Set One: d1t01. Lady Be Good
11/19/56 Zurich, Switzerland - Kongresshaus MF?>?>CD partial 10 
 Birdland All-Stars in Europe: November 19, 1956 Kongresshaus, Zürich. Deutsche und Rätoromanische
 Schweiz radio broadcast. Miles Davis (tpt); Lester Young (ts); René Urtreger (p); Pierre Michelot (b);
 Christian Garros (d).
 Set One: 1)Four (M. Davis) 2:45, 2)Walkin' (R. Carpenter) 2:30, 3)Lady Be Good (G.
 Gershwin-I. Gershwin) 4:25 --Filler: Miles Davis, 12/8/56--
12/08/56 Philadelphia, PA - Blue Note Club MF?>?>CD partial 10  
 Miles Davis Quintet: Miles Davis (tpt); John Coltrane (ts); William "Red" Garland (p); Paul
 Chambers (b); Philly Joe Jones (d). "Coltrane Rarities" lists the first item as "Solar".
 Set One: --on 11/19/56 disc-- 4)Tune Up (M. Davis) 4:25, 5)Walkin' (R. Carpenter) 5:1
 
02/16/57 St. Louis, MO - Peacock Alley Lounge AMradio>?>CD All 32 
 The Miles Davis Quintet: Peacock Alley Lounge, St. Louis, February 16 & 23, 1957, Presided Over by
 the lengendary Spider Burks. KSTL-AM Broadcast > Spider's Archives? > Original Silver of Soulard CD
 (VGM-SOU 1997) > cdparanoia -B > flac -8. Miles Davis, tp; John Coltrane, ts; Red Garland, p; Paul
 Chambers, b; Philly Joe Jones, d; Jesse "Spider" Burks, ann. Extensive info file notes not included
 here.
 Set One: --February 16, 1957-- 1. Intro (0:41), 2. Ah-leu-cha (5:53), 3. A Foggy Day (5:19),
 4. All of You (6:35), 5. Woody 'n' You (5:13), 6. Walkin' (7:27), 7. Sign Off/The Theme (1:16)
 --Filler: 2/23/57--
02/23/57 St. Louis, MO - Peacock Alley Lounge AMradio>?>CD All 41 
 The Miles Davis Quintet: Peacock Alley Lounge, St. Louis, February 16 & 23, 1957, Presided Over by
 the lengendary Spider Burks. KSTL-AM Broadcast > Spider's Archives? > Original Silver of Soulard CD
 (VGM-SOU 1997) > cdparanoia -B > flac -8. Miles Davis, tp; John Coltrane, ts; Red Garland, p; Paul
 Chambers, b; Philly Joe Jones, d; Jesse "Spider" Burks, ann. Extensive info file notes not included
 here. JJ: I like the last track (Airegin)
 Set One: -- from 2/16/57-- 1. Two Bass Hit (5:16), 2. Well You Needn't (7:39), 3. Billy Boy
 (4:23), 4. All of You (11:03), 5. Oleo (6:07), 6. @@Airegin / The Theme (7:01)
07/13/57 New York, NY - Cafe Bohemia M??>?>CD partial 16 
 See info files for more details. Mutual Network radio broadcast. Miles Davis Quintet: Miles Davis
 (tpt); Sonny Rollins (ts); William "Red" Garland (p); Paul Chambers (b); Arthur Taylor (d); Guy
 Wallace (ann). (1) Issued as "Four Squared" on Ozone and Black Label, and as "Roy's Romp" on Ozone;
 (2) Voiceover 3:56-4:31. Guy Wallace: "They're wailin', they're wailin' down at the Bohemia tonight,
 don't you think so, Gene?" Gene Lees: "Yeah, yeah." Wallace: "What d'you think of Miles? D'you like
 him?" Lees: "Oh, he's fine." Wallace: "Do you think he's as controversial as legend goes?" Lees:
 "Con...? I don't think he's controversial, no." Wallace: "I don't either, I think he plays with a lot
 of fine, delicate taste." Lees: "Although I will say this, that anybody who is an artist, who is truly
 a creative artist, must be controversial to certain people. It's almost part of the word." Wallace:
 "That's right, I'm quite in accord with you on that. Sonny Rollins, that's featured with Miles down
 there, is so very very great too." (cut off); (3) "Here's Miles Davis again, from the Bohemia..." (4)
 Rollins out; (5) Issued as "Rollin', Blowin', Walkin'" on Rarelp and as "Roy's Nappin' Now" on Chakra.
 Voiceover 1:18-1:22: "The great and unique Miles Davis, and his horn and his quintet..."
 Set One: Four (M. Davis) 6:11 (1), Bye Bye Blackbird (R. Henderson-M. Dixon) 4:31 (2),
 Introduction (Guy Wallace) 0:02 (3), It Never Entered My Mind (R. Rodgers-L. Hart) (incomplete) 3:54
 (4), Walkin' (R. Carpenter) (incomplete) 1:22 (5)
07/20/57 New York, NY - Cafe Bohemia M??>?>CD partial 12  
 Mutual Network radio broadcast. Miles Davis Quintet: Miles Davis (tpt); Sonny Rollins (ts); William
 "Red" Garland (p); Paul Chambers (b); Arthur Taylor (d); Guy Wallace (ann). (1) "Bandstand USA...
 Hey, come aboard, everyone. We're glad to have you with us. From Manhattan, coast to coast on Mutual
 we bring you Bandstand USA, the only live jazz show in radio today. The show that brings you the live
 inspired performances of the world's great jazzmen. You see, the Bandstand microphones are taken into
 the very spots where these jazzmen are performing in person. We can bring it to you live because we
 have the cooperation of the American Federation of Musicians, James C. Petrillo, President. My name is
 Guy Wallace, and listen to what we have lined up for you tonight. From the Café Bohemia, 15 Barrow
 Street in Greenwich Village here in New York, Miles Davis; from the Village Vanguard, the Modern Jazz
  Quartet. And so, let's get the show on the road, shall we, as Bandstand USA takes you direct to the
 Café Bohemia, where Jimmy Garrifolo is presenting Miles Davis..." (2) Voiceover interview begins at
 2:30: "That's the Miles Davis Group, playing for you from Café Bohemia. We hate to interrupt a
 sterling performance, but we have some real news for you tonight. Maynard Ferguson, one of the
 outstanding exponents of modern swing jazz, is standing by ready to answer a question submitted by a
 listener..." (3) Voiceover continues. Wallace: "Maynard, welcome to the bandstand, we've heard your
 music many, many times on the show, and we broadcast it coast to coast, and it's so wonderful, and
 we're so happy to have you with us in person tonight." Ferguson: "Thank you, Guy, it's a real pleasure
 to be here." Wallace: "Ah, the question we have for you to answer tonight comes from Leo G. Sanchez,
 he's a radar technician at the Palm Beach Air Force base, West Palm Beach in Florida, and it goes like
 this: How, or was, modern jazz derived from Dixieland jazz? Well, that's the question -- how're you
 gonna answer that?" Ferguson: "Well, uh, when you say derived from, it was not an absolute thing that
 suddenly happened, where a whole bunch of people suddenly said we're gonna stop playing Dixieland and
 play modern jazz. I think that probably it was more of a case of, uh, oh, you can take for instance
 your difference between Harry Edison of the Count Basie Band as opposed to Louie Armstrong, and, uh,
 in other words, and I'm sure you can get much closer people than that. But, uh, what I'm tryin' to say
 is, it was a gradual change, just as automobiles change and things like that, but however there's
 still very many good arguments about how that the..., they don't build automobiles like they used to,
 and that's where the Dixielander, the Dixieland crowd can shout and wave their banners, and, uh, it's
 all jazz so as far as I'm concerned it's all wonderful." Wallace: "Well, I think to elucidate a little
 bit more, you mean that was really no actual flipover switch. It started in the back rooms among the
 musicians, although the public probably first became aware of the big switch when Diz started playin'
 as opposed to Louie's horn. Right?" Ferguson: "Yes, I would say that, uh, that's a very very good
 explanation. In other words, uh, I'm sure that there was a young guy listening to Louie Armstrong,
 many of them, when he was also fairly young, and, uh, loved the way Louie played, and yet didn't
 completely imitate him. I don't think anybody ever should, and I think that, uh, music is not...
 modern jazz is always changing and, uh, the modern jazz that we hear today, uh, will not be as modern
 five or ten years from today." Wallace: "Or twenty years from today... There you are, Leo, that
 answers your question, and I don't blame you for not being able to find the switch from Dixie to
 progressive in any book that, ah, you picked up, because I don't know of any book that it's written
 in. But right now, let's listen, shall we, as Bandstand USA takes you direct to the Village Vanguard
 and the Modern Jazz Quartet..." (fade out)
 Set One: Introduction (Guy Wallace) 1:00 (1), Bags' Groove (M. Jackson) (incomplete) 2:45
 (2), How Am I to Know? (D. Parker-J. King) (incomplete) 2:15 (3)
07/27/57 New York, NY - Cafe Bohemia M??>?>CD partial 13  
 Mutual Network radio broadcast. Miles Davis Quintet: Miles Davis (tpt); Sonny Rollins (ts); William
 "Red" Garland (p); Paul Chambers (b); Arthur Taylor (d); Guy Wallace (ann). (1) "Bandstand USA... Hi
 there, come on along and listen to the sounds of America's newest and, we think, greatest art form,
 the sounds of jazz. And welcome aboard, we're very happy to have you with us tonight, this is Guy
 Wallace and Bandstand USA, the only live jazz show on radio today. The sounds of the world's greatest
 jazzmen are performed for you, direct from the spots in which they are currently appearing -- live,
 through the courtesy and cooperation of the American Federation of Musicians, James C. Petrillo,
 President. So if you're set, we are too, and let's not waste any more time as Bandstand USA gets ready
 to take you now to the Café Bohemia, 15 Barrow Street, right in Greenwich Village here in New York,
 for the artistry of the controversial trumpet player that the whole country listens to, Miles Davis.
 Here we go, Bandstand USA takes you direct to Café Bohemia and Miles Davis..." (2) Voiceover
 7:30-8:12. Wallace: "That's Miles Davis and his group, coming to you from the Café Bohemia, 15 Barrow
 Street, in Greenwich Village. A great group it is, too, and a great place to go, incidentally, it's
 really got an international reputation in the jazz field, the Bohemia. Jimmy Garifolo, the owner, is
 one of the nicest guys you'd ever wanna meet. If you're in the vicinity and wanna run down and listen
 to some real fine sounds... Say, our guest today is Bill Coss, the editor of Jazz Today and Metronome
 magazine. Now, Bill, uh, c'mon on board here, see if you can grab yourself a piece of that microphone,
 and answer me a question, not so much for me but for the folks across the country. Why, why do they
 say Miles Davis is the most controversial trumpet player in the business today?" Coss: "You could
 write a book probably about the subject..." (3) Interview continues. Coss: "...and I would like to.
 But there are two things, probably. One is that some people think that Miles is making fun of them
 from the stand. This is one thing. But secondly and most importantly I think, is that Miles, I think
 you could say, is the leader of a whole new school of trumpeters, this so-called soft sound trumpet,
 which is actually much..." (4) Voiceover interview continues until 0:34. Coss: "...more reminiscent
 of a tenor saxophone or an alto saxophone say, than it is a trumpet, and this has led completely away
 from the Dizzy Gillespie out of Roy Eldridge out of Louie Armstrong kind of trumpet playing." Wallace:
 "I see. It's not only a soft sound, it's unusual and distinctive sound, because he gets sounds out of
 a horn that I've never heard before." Coss: "That's right. Barry Ulanov called it an 'eggshelled'
 sound, and I think that's a very good description." Wallace: "Was it Barry that coined the phrase that
 Miles Davis plays like a man walking on eggs?" Coss: "He might of. It certainly is close enough to it,
 yes." Wallace: "Let's get back now and here some more of that wonderful sound of Miles Davis's horn,
 from the Café Bohemia. Let's go." Splice at 0:56 to beginning of ts solo, b solo, closing theme.
 Set One: Introduction (Guy Wallace) 1:03 (1), Bye Bye Blackbird (R. Henderson-M. Dixon) 8:12
 (2), Interview 0:20 (3), Tune Up (M. Davis) (incomplete) 2:58 (4)
10/??/57 New York, NY - Birdland  MF?>?>CD All n/a 
 LL97
 Project ID - LL97. Source: FM Broadcast. Lineage: AFRS radio broadcast > ?? > cd (Peter Losin's
 Archive) > cd duplicated (burner to burner) > eac > flac (lvl8). Miles Davis (tpt); Bobby Jaspar (ts);
 Tommy Flanagan (p); Paul Chambers (b); Philly Joe Jones (d). Notes: - This source has a steady static
 to it, but is the complete recording for the date. The previously released LL38 was missing two
 tracks. - This source does not fade in and out between songs as the previously releases LL38 did. -
 Thanks to Peter Losin for supplying this source. http://www.plosin.com - "I'm unsure of the exact date
 of this recording. Davis was out of commission during September 1957 following surgery. Ken Vail has
 the Davis Quintet with Sonny Rollins, Red Garland, Paul Chambers, and Art Taylor at Café Bohemia for
 four weeks (August 31-September 27), but the first post-surgery engagement was apparently at Café
 Bohemia in mid-October (October 11-16), followed by a two-week stay at Birdland, (October 17-30).
 Thanks to Chris DeVito for help with this date." - Credit to Peter Losin, http://www.plosin.com/ -
 "Sonny Rollins left the Quintet to form his own band, probably during Davis's recovery. Soon
 thereafter Davis fired Taylor and Garland. For replacements he found Bobby Jaspar, Jimmy Cobb, and
 Tommy Flanagan. Cobb soon left, to be replaced by Philly Joe Jones. These tunes, originally issued on
 an AFRS transcription, were probably recorded sometime during the two-week stay at Birdland." - Credit
 to Peter Losin, http://www.plosin.com/ - "According to Chris Sheridan, Cannonball Adderley replaced
 Jaspar in the Quintet in early October, and he was in place for the Café Bohemia and Birdland dates
 (see above). It's possible that Adderley replaced Jaspar during one of these engagements, but the
 saxophonist here is definitely Jaspar. Sheridan also claims that Adderley joined the Davis group for a
 one-night performance at Philadelphia's Convention Hall (October 19). The Davis Quintet (with
 Adderley), along with groups led by George Shearing, Gerry Mulligan, Chico Hamilton, and Helen
 Merrill, then participated in the "Jazz for Moderns" tour which lasted until late November. Some of
 the venues: Carnegie Hall, New York (Nov 2); Kiel Opera House, St. Louis (Nov 12); Kansas City
 Auditorium (Nov 13); Huff Gymnasium, Urbana-Champaign (Nov 14); Orchestra Hall, Chicago (Nov 15);
 Masonic Auditorium, Cleveland (Nov 16); Masonic Temple, Detroit (Nov 17); Carnegie Hall, New York (Nov
 22); National Guard Armory, Washington (Nov 23)." - Credit to Peter Losin, http://www.plosin.com/ - QC
 done by Bgreen.
 Set One: d1t01. Introduction d1t02. All of You d1t03. Four d1t04. Nature Boy d1t05. A Night
 in Tunisia
10/??/57 New York, NY - Birdland MF?>?>CD Partial n/a 
 LL38
 Miles Davis Quintet: 10-XX-57, Birdland, New York, New York. Project ID - LL38. Source: FM
  Broadcast. Lineage: AFRS radio broadcast > Unknown Transfer(s) > ?? > wav > ?? > flac. Miles Davis
 (tpt); Bobby Jaspar (ts); Tommy Flanagan (p); Paul Chambers (b); Philly Joe Jones (d). Notes: - A
 rather thin sounding recording with very little frequency content above 4 KHz. - At the beginning of
 d1t01, an unknown announcer is heard, "...Here we go, with Miles Davis and the Quintet, from Birdland,
 with 'All of Me'..." (Song title is actually "All of You" as noted above). - d1t02 fades out at 4:26
 on this version with the announcer saying, "One Night Stand has come to you through the worldwide..."
 - According to Peter Losin's site, this version is missing 2 tracks known to circulate from this show,
 "Nature Boy" and "A Night in Tunisia". Also, Losin states that the incomplete Track 2 indicates that
 this version most likely contains either the Jazz Band EB 418 bootleg 12" LP or the Jazz Unlimited
 JUCD 2050 CD in its lineage. - "I'm unsure of the exact date of this recording. Davis was out of
 commission during September 1957 following surgery. Ken Vail has the Davis Quintet with Sonny Rollins,
 Red Garland, Paul Chambers, and Art Taylor at Café Bohemia for four weeks (August 31-September 27),
 but the first post-surgery engagement was apparently at Café Bohemia in mid-October (October 11-16),
 followed by a two-week stay at Birdland, (October 17-30). Thanks to Chris DeVito for help with this
 date." Sonny Rollins left the Quintet to form his own band, probably during Davis's recovery. Soon
 thereafter Davis fired Taylor and Garland. For replacements he found Bobby Jaspar, Jimmy Cobb, and
 Tommy Flanagan. Cobb soon left, to be replaced by Philly Joe Jones. These tunes, originally issued on
 an AFRS transcription, were probably recorded sometime during the two-week stay at Birdland. - The
 Armed Forces Radio Service (AFRS) (now known as the Armed Forces Radio and Television Service)
 recorded and archived over 300,000 "electrical transcription discs" dating back to its inception in
 1942. The organization stopped recroding and distributing hard copies of its programming in 1998." -
 Credit to Peter Losin, http://www.plosin.com/. - QC done by guygee
 Set One: d1t01. All of You d1t02. Four
11/??/57 see Monk, Thelonious n/a  
11/30/57 Paris, France - Olympia Theatre M??>?>CD All 37 
 November 30, 1957 (6 items; TT = 36:38). Olympia Theatre, Paris (France). ORTF radio broadcast.
 René Urtreger Quartet with Miles Davis: Miles Davis (tpt); Barney Wilen (ts); René Urtreger (p);
 Pierre Michelot (b); Kenny Clarke (d). Further notes: "Davis flew to Paris at the end of November for
 this concert at the Olympia followed by a three week residency at the Club St. Germain. He also agreed
 to collaborate with Louis Malle on the soundtrack for a new film, and they gathered in Le Poste
 Parisien Studio in early December. Several other concerts were scheduled while Davis is in Paris. This
 music was originally broadcast on AFRS's One Night Stand, but I don't know the date of the original
 broadcast."
 Set One: Bags' Groove (M. Jackson) 6:50, Tune Up (M. Davis) 4:11, Four (M. Davis) 5:56,
 (Missing first chorus on Carlyne), Walkin' (R. Carpenter) 7:18, No Moe (S. Rollins) 7:14, 'Round
 Midnight (B. Hanighen-C. Williams-T. Monk) 5:09
12/??/57 Paris, France - ORTF Studios MT?>?>CD Partial n/a  
 *René Urtreger Quartet* LL32
 Project ID - LL32. Source: TV Broadcast. Lineage: ORTF TV broadcast > unknown transfer(s) > ?? >
 wav > ?? > flac > TLH V1.1.1(Flac V1.1.2) > wav > Samplitude 2496 V6.0 (declipped, default parameters)
 > wav > TLH V1.1.1 (Flac V1.1.2) > flac (level 8). Miles Davis (tpt); Barney Wilen (ts); René Urtreger
 (p); Pierre Michelot (b); Kenny Clarke (d). Notes: - Two versions of this show were available. The
 first version was part of a torrent named "Miles Davis Broadcasts 1955-1959 - the rest" dl'ed in 2005.
 This show from that source is very heavily clipped probably due to careless EQ'ing/boosting. The
 clipping is severe, with 100-200 thousand clipped samples per track. The second version was recently
 obtained in a torrent called "Miles Davis - Paris - 1957, 1963". This second version looks like an
 attempt to fix the first bad version. It is very heavily NR'ed, with almost no frequency content above
 5KHz, except for a few volume-triggered neatly stacked blocks. The heavy NR is much lossier than an
 mp3. After much agonizing, it was decided to simply run the first version through a declipping
  process. Samplitude 2496 V6.0 declipping seemed to work well. There are still problems with distortion
 and the badly-done heavy EQ'ing. One can only hope a better source surfaces! - Barney Wilen sits out
 on d1t02 and d1t03. - There is a interesting article available online regarding Miles Davis and his
 trip to Paris in the winter of 1957. See: "Mighty Miles and His French Band of 1957"
 http://www.iht.com/articles/2001/05/25/miles_ed2_.php - d1t03 is incomplete and cuts out suddenly.
 According to Peter Losin, a complete version circulates. - QC done by guygee.
 Set One: d1t01. Lady Bird d1t02. Four / d1t03. What's New?
12/08/57 Amsterdam, Netherlands - Concertgebouw MF?>?>CD  All 57 
 December 8, 1957 (12 items; TT = 58:32 [Losin]). Concertgebouw, Amsterdam (The Netherlands). VARA
 radio broadcast. René Urtreger Quartet with Miles Davis: Miles Davis (tpt); Barney Wilen (ts); René
 Urtreger (p); Pierre Michelot (b); Kenny Clarke (d). Further notes: "Davis and the René Urtreger
 Quartet made this trip to Amsterdam during the otherwise-uninterrupted stay at Club St. Germain in
 Paris. The Celluloid LP and CD notes do not list either version of "The Theme."" Losin lists this as
 58:32, but this copy is 56:30
 Set One: --First set-- Woody 'n' You (D. Gillespie) 5:11, Bags' Groove (M. Jackson) 7:10,
 What's New? (J. Burke-B. Haggart) 3:42, (Wilen out), But Not for Me (G. Gershwin-I. Gershwin) 6:56, A
 Night in Tunisia (D. Gillespie-F. Paparelli) 7:20, Four (M. Davis) 4:20, The Theme (M. Davis) 0:18
 --Second set-- Walkin' (R. Carpenter) 6:43, Well, You Needn't (T. Monk) 5:31, 'Round Midnight (B.
 Hanighen-C. Williams-T. Monk) 5:44, Lady Bird (T. Dameron-N. Heath) 5:17, The Theme (M. Davis) 0:20
12/18/57 Stuttgart, Germany - Beethovensaal MT?>?>CD Partial n/a 
  *Erwin Lehn Orchestra* LL33
 Project ID - LL33. Source: TV Broadcast. Lineage: Süddeutsher Rundfunk broadcast. Miles Davis
 (tpt); Horst Jankowski (p); Peter Witte (b); Hermann Mutschler (d). Notes: - A good TV broadcast
  recording with minor audible hiss. Tracks are discontinuous and d1t03 is incomplete. There is a small
 splice in d1t01 at 0:051.575 that can be heard as a minor “blip” in the Miles solo. No other notable
 flaws. Tracks d1t02 and d1t03 feature Miles playing some inspired solos interspersed with the big band
 sound of the Erwin Lehn Orchestra.
 Set One: d1t01. Yesterdays d1t02. 'Round Midnight d1t03. Walkin'
 
05/17/58 New York, NY - Cafe Bohemia MF?>?>CD partial 20 
 Café Bohemia, New York NY. Mutual Network radio broadcast. Miles Davis Quintet: Miles Davis (tpt);
 John Coltrane (ts); Bill Evans (p); Paul Chambers (b); Philly Joe Jones (d); Guy Wallace (ann). (1)
 "The controversial Miles Davis... We call him controversial because some people like him, some people
 don't. We love him, and we're trying to get you to love him, and after you hear him tonight, if you're
 hearing him for the first time, we know that you will love him." (2) Issued as "Four Plus One More" on
 Chakra and Black Label. (3) Issued as "Rollin' and Blowin'" on Chakra and Black Label. (4) Incomplete
 on Yadeon 502 (first 0:48) and on Jazz Band EBCD 2101 (last 1:06). Voiceover 0:45-1:37. Guy Wallace:
 "That's the one... Miles Davis, Miles Davis and his horn, playing for you from the Café Bohemia, 15
 Barrow Street in Greenwich Village, Jimmy Garifolo's home of modern jazz. How 'bout the personnel,
 Don, do you know who was with Miles tonight?" Don Cerulli: "Well, there's Miles of course on trumpet,
 and John Coltrane, the very distinctive-sounding tenor sax player, Bill Evans on piano, and if you
 heard in the last tune, that beautiful arco passage, you knew it was Paul Chambers on bass, and Philly
 Joe Jones on drums." Wallace: "Thank you very much Don Cerulli, the New York editor of Downbeat, as
 I'm sure you gathered from that erudite, ah, discussion of who's at the Bohemia. Incidentally, if you
 wanna get down to the Bohemia some Sunday afternoon, it's a great place to go, wonderful place to go.
 They have a jazz concert section down there -- you just go in, pay your admission price, and that's
 all, you don't have to buy anything else." Notes: Broadcast on Mutual's Bandstand USA, which aired
 live on Saturday nights beginning in 1956. The Davis Sextet was booked for two weeks at the Café
 Bohemia April 25-May 18). Bill Evans replaced Red Garland on piano just before this engagement, and
 Philly Joe Jones left the group afterward to form his own group. He was immediately replaced by Jimmy
  Cobb. Adderley was not present on the night this broadcast was made.
 Set One: Introduction (Guy Wallace) 0:14 (1), Four (M. Davis) 4:48 (2), Bye Bye Blackbird
 (R. Henderson-M. Dixon) 6:45, Walkin' (R. Carpenter) 6:26 (3), Two Bass Hit (J. Lewis-D. Gillespie)
 1:36 (4)
 Set Two: ALT. VERSION 1. Intro/Four, 2. Bye Bye Blackbird, 3. Walking/Two-Bass Hit
 (incomplete)
08/09/58 Washington, DC - Spotlite Lounge MF?>?>CD partial 20  
 August 9, 1958 (3 items; TT = 18:37). Spotlite Lounge, Washington DC. Mutual Network radio
 broadcast. Miles Davis Sextet: Miles Davis (tpt); Julian "Cannonball" Adderley (as); John Coltrane
 (ts); Bill Evans (p); Paul Chambers (b); Jimmy Cobb (d)
 Set One: Walkin' (R. Carpenter) 6:41, All of You (C. Porter) 6:46, (Adderley out), 'Round
 Midnight (B. Hanighen-C. Williams-T. Monk) 5:10
09/09/58 New York, NY - Persian Room, Plaza Hotel  MF?>?>CD All 40 
 Miles Davis - Trumpet; Julian "Cannonball" Adderley - Alto Sax; John Coltrane - Tenor Sax; Bill
 Evans - Piano ; Paul Chambers - Bass; Jimmy Cobb - Drums
 Set One: --Filler on Coltrane 8/1/65-- 4. If I Were a Bell [8:31], 5. Oleo [10:38], 6.My
 Funny Valentine [10:18], 7. Straight, No Chaser [10:58]
11/01/58 Washington, DC - Spotlight Lounge MF?>?>CD All 19 
  Mutual Network radio broadcast Miles Davis All-Stars Miles Davis (tpt); Julian "Cannonball"
 Adderley (as); John Coltrane (ts); William "Red" Garland (p); Paul Chambers (b); Jimmy Cobb (d). (1)
 "...House That Jazz Built in Washington DC, Jazz Limited, presents Miles Davis..." (2) "We're hear
 earlier, and we're here bright. Miles Davis bright, through the Mutual Network. A salute to Miles
 Davis and the All-Stars. Let's run down the line-up briefly. Miles Davis, trumpet; Cannonball
 Adderley, alto; John Coltrane, tenor; Paul Chambers, bass, Red Garland, piano; Jimmy Cobb, drums. That
 opener was a Miles Davis original, 'Sid's Ahead'. Now 'Bye Bye Blackbird'..." (3) "Now that blackbird
  was flyin' waaay out there. Home base, though, was the Spotlite, the House That Jazz Built, Jazz
 Limited, in Washington DC. Motivating power, Miles Davis and the All-Stars. We have time, so we'll go
 right into a Thelonious Monk original, 'Straight, No Chaser'..." (4) Voiceover 3:05-3:29: "'Tis indeed
 a sad thing to interrupt Miles Davis, but 'tis indeed time -- clock on the wall says so. Miles Davis
 All-Stars, coming to you live from the Spotlite, Jazz Limited in Washington. Miles Davis, Cannonball
 Adderley, John Coltrane, Paul Chambers, Red Garland, Jimmy Cobb making up the Miles Davis
 All-Stars..."
 Set One: Introduction 0:05 (1), Sid's Ahead (M. Davis) [Weirdo] 8:32, Introduction 0:31 (2),
 Bye Bye Blackbird (R. Henderson-M. Dixon) 6:19, Introduction 0:24 (3), Straight, No Chaser (T. Monk)
 (incomplete) 3:28 (4)
 Set Two: ALT COPY: From 5/17/58 disc ... 5. Sid's Ahead 6. Bye Bye Blackbird 7. Straight,
  No Chaser/ Voiceover last 0:22.
 
??/??/59 NYC, NY - Columbia 30th St. Studio S:?>?>CD All 74 
 "3/2/1959-4/22/1959 Making of Kind of Blue"
 Set One: (2) 73:49
01/03/59 New York, NY - Birdland MF?>?>CD partial 20 
 January 3, 1959 (3 items; TT = 19:41), Birdland, New York NY. Mutual Network radio broadcast. Miles
 Davis All-Stars: Miles Davis (tpt); Julian "Cannonball" Adderley (as); John Coltrane (ts); Wynton
 Kelly (p); Paul Chambers (b); Jimmy Cobb (d); Guy Wallace (ann). (1) "From the jazz corner of the
 world, uninterrupted, from Birdland at Broadway at 52nd Street, Bandstand USA presents Miles Davis..."
 (2) Voiceover 5:07-5:18: "The great Miles Davis and his group playing for you from Birdland, Broadway
 at 52nd Street, on Bandstand USA, live through the courtesy and cooperation of the American Federation
 of Musicians..." (fade out)
 Set One: Introduction (Guy Wallace) 0:10 (1), @@Bags' Groove (M. Jackson) 14:13, All of You
 (C. Porter) (incomplete) 5:18 (2)
 Set Two: also have it following 11/1/58 (on 5/17/58 disc): 8. Bags' Groove 9. All of
 You
04/02/59 *see John Coltrane DVD Collection* n/a 
08/07/59 Chicago, IL - Chicago Stadium MF?>?>CD partial 12 
  AFRS radio broadcast, Quality B-. Miles Davis (tpt); Julian "Cannonball" Adderley (as); Wynton
 Kelly (p); Paul Chambers (b); Jimmy Cobb (d). The intro is missing. Sound Quality is not great, but
 here it is for the completists. The highlight is Cannonball taking a long solo in the middle with
 Coltrane not present. Since Cannon missed the Robert Herridge Theater TV show, this appears to be the
 first time he played "So What" with Miles for an live audience since the KOB sessions. Losin says:
 Taped at the first Playboy Jazz Festival for AFRS's This is Jazz. Broadcast on AFRS January 22, 1960.
 This broadcast also included several tunes by David Allyn (voc). Jimmy Heath, member of the Davis
  Sextet after Coltrane left in early July, couldn't travel to Chicago because he was on parole, so
 although the "Miles Davis Sextet" was booked at the Playboy Jazz Festival, only the Quintet
 performed.
 Set One: So What (M. Davis) 12:10
08/25/59 New York, NY - Birdland MF?>?>CD All? 24 
 Miles Davis Sextet, Birdland New York City, AFRS (Armed Forces Radio Service) radio broadcast,
 August 25, 1959 (recorded the night Miles got beaten and arrested). Miles Davis (tpt); Julian
 "Cannonball" Adderley (as); John Coltrane (ts); Wynton Kelly (p); Paul Chambers (b); Jimmy Cobb (d);
 Ray Barrett (ann).
 Set One: Single Disc (5 tracks, 24:27), 1 Introduction 0:48, 2 Announcement 0:53, 3 So What
 13:04, 4 The Theme 8:15, 5 Lullaby of Birdland 1:24
08/25/59 New York, NY - Birdland MF?>?>CD partial 22  
 August 25, 1959 (4 items; TT = 22:01). Birdland, New York NY. AFRS radio broadcast. Miles Davis
 Sextet: Miles Davis (tpt); Julian "Cannonball" Adderley (as); John Coltrane (ts); Wynton Kelly (p);
 Paul Chambers (b); Jimmy Cobb (d); Ray Barrett (ann). (1) Voiceover 0:00-0:35: "Your Treasury of
 Music... From New York's National Broadcasting Company and the American Federation of Musicians by the
 contributions of the United States Treasury Department, we present your Treasury of Music, featuring
 tonight from Birdland, jazz corner of the world, the music of the Miles Davis Sextet..." (2) "Before
 we get into the music, may I pass along a message? You know, the greatest gift you can give a child,
 give anyone, is peace -- a peaceful world in which to grow and live. And you can help do this, simply
 by investing in America's Peace Power, our country's ability to keep the peace and make it lasting.
 You can do this very easily, very simply -- just invest in United States Savings Bonds. United States
 Savings Bonds are a safe spot for your money, too. They're guaranteed against loss by theft, against
 fire or market fluctuation; their cash value can never drop, it can only grow, grow to provide for you
 future, the future security of your family. Doesn't it make sense to invest in America, in America's
 Peace Power? Why not make it a point to start buying United States Savings Bonds where you work or
 where you bank first thing tomorrow morning? Now from Birdland, the jazz corner of the world, the
 Miles Davis Sextet and 'So What'..." (3) Voiceover 7:25-8:20: "From Cloud Nine, otherwise known as
 Birdland, the jazz corner of the world, you've been listening to your Treasury of Music, as a
 contribution of the National Broadcasting Company and the American Federation of Musicians to the
 United States Savings Bonds and the Treasury Department. Our artists tonight have been the wonderful
 Miles Davis Sextet. We wish to thank the American Federation of Musicians. Remember, there is no finer
 investment than United States Savings Bonds. Your Treasury of Music reminds you to invest in Bonds
 tomorrow and keep on buying them regularly. It's an investment in your country, and in your own future
 security. So, until we meet again, speaking for the wonderful Miles Davis Sextet, this is Ray Barrett
 saying goodnight... Treasury of Music has come to you through the worldwide facilities of the Armed
 Forces Radio and Television Service."
 Set One: The Theme (M. Davis) (with voiceover) 0:43 (1), Announcement 0:52 (2), So What (M.
 Davis) 12:05, The Theme (M. Davis) (incomplete) 8:21 (3)
 
03/??/60 West Germany M??>?>CD partial 39 
 Live 'Trade Underground #1/12
 Miles Davis Quintet, 1960: Unknown venue, probably West Germany between March 21 and April 10,
 1960. Miles Davis (trumpet), John Coltrane (tenor sax), Wynton Kelly (piano), Paul Chambers (bass),
 Jimmy Cobb (drums)
  Set One: 1. So What (10:36--beginning cut off) , 2. 'Round Midnight (5:46) , 3. Walkin'
 (11:01--incomplete), 4. So What (10:17) --continues with 3/30/60--
03/21/60 Paris, France - Olympia Theatre MSR>R>C>D>CD All  86 
 PreRadio (Europe-1 radio broadcast) MR-->Reel to Reel 1/2" Tape 15ips->Cassette->SHN->DAT->CDR
 Set One: All of You (C. Porter), So What (M. Davis) , On Green Dolphin Street (N.
 Washington-B. Kaper)
  Set Two: Walkin' (R. Carpenter), Bye Bye Blackbird (R. Henderson-M. Dixon), 'Round Midnight
 (B. Hanighen-C. Williams-T. Monk), Oleo (S. Rollins), The Theme (M. Davis)
03/22/60 Stockholm, Sweden - Konserthuset MF?>?>CD All 71 
 Sveriges Radio broadcast. Original Session Track Order: First concert: So What (missing), 4. Fran
 Dance (7:19), 5. Walkin' / The Theme (17:19). Second concert: 3. So What (15:18) , 1. On Green
 Dolphin Street (13:41) , 2. All Blues / The Theme (17:08). Miles Davis - trumpet; John Coltrane -
 tenor sax; Wynton Kelly - piano; Paul Chambers - bass; Jimmy Cobb - drums
 Set One: (5) 70:42, 1. On Green Dolphin Street (13:41) , 2. All Blues / The Theme (17:08),
 3. So What (15:18), 4. Fran Dance (7:19), 5. Walkin' / The Theme (17:19)
03/24/60 Copenhagen, DK - Tivoli Konsertsal MF?>?>CD All? 44  
 *Miles LX Tree*
 TREE NOTES: Miles Davis (tp); John Coltrane (ts); Wynton Kelly (p); Paul Chambers (b); Jimmy Cobb
 (d). Restoration Notes: gain normalized across all 3 tracks; = quantized track lengths for CD Audio.
 Track 1: = added 4s lead in; = manual crackle removal and digi-noise masking 1:32, 2:28, 3:15, 9:55,
 10:03, 10:51, 11:07, 11:23, 13:38, 14:10; signal repair = repair drop outs at 14:10 (1.9 and 3.2 ms).
 Track 2: = clean up all digi-glitches; = manual crackle removal and digi-noise masking 0:17, 0:19,
 0:23, 0:27, 0:28, 0:35, 0:42, 0:44, 1:15, 1:23, 1:38, 2:01, 5:32, 6:06, 11:34; signal repair = removed
 10.3 ms drop out (micro gap) at track 2 marker. Track 3: = gain correction 0:14-0:16; = signal repair:
 R channel gain fades at 0:14 and 3:00; = repair drop outs 5:38 (6.1 ms),8:57 (36.6 ms); = added 1s
 mute lead out; = edited length of mute lead out so disc length is 44:14.000. * FINAL REVIEW. JJ:
 great stuff!
 Set One: Total Running Time - 44:14.000, 1. So What (M. Davis) 14:22, 1 On Green Dolphin
 Street (N. Washington-B. Kaper) 14:21 2. All Blues/The Theme (M. Davis) 15:29
03/30/60 Frankfurt am Main, Germany - Kongreshalle M??>?>CD partial 23 
 Live 'Trane Underground #1/12
 Miles Davis Quintet: Miles Davis (trumpet), John Coltrane (tenor sax), Wynton Kelly (piano), Paul
 Chambers (bass), Jimmy Cobb (drums).
 Set One: --continues from 3/??/60-- 5. announcement (0:15) , 6. So What (12:57) , 7. All of
 You (9:50--incomplete)
04/08/60 Zurich, Germany - Kongressal MpfR>D>CD All 58  
 SBD (pre-fm):R>D>CD. Miles Davis (tpt), John Coltrane (ts), Wynton Kelly (p), Paul Chambers (b),
 Jimy Cobb (d)
 Set One: If I Were A Bell, Fran Dance, So What, All Blues -> The Theme, Total Time 58:09
 Set Two: also via Miles LX tree with lots of little fixes undertaken
04/09/60 Zurich, Germany - Kongressal MSR>D>CD All 46 
 SBD (pre-fm):R>D>CD. Miles Davis (tpt), John Coltrane (ts), Wynton Kelly (p), Paul Chambers (b),
 Jimy Cobb (d). Sounds fantastic! via Miles LX tree with lots of little repairs undertaken.
 Set One: So What, Round Midnight, On Green Dolphin Street, Walkin', The Theme, Total Time
 45:50
09/27/60 Manchester, England - Free Trade Hall MA?>?>CD All 98 
 W/ Wynton Kelly, Paul Chambers, Jimmy Cobb & Sonny Stitt. "Great show, but "Walkin'" fades out
 rather abruptly in the middle of the song. It's as if the tape ran out. The rest of the show appears
 to be intact."
 Set One: --Fragment from start of First Concert (5 tracks, 52:29)-- 1. Four (M. Davis)
 10:54, 2. All of You (C. Porter) 14:14, 3. Walkin' (R. Carpenter) [incomplete, end cut] 4:23
 --Fragments from start of the Second Concert-- 4. Four (M. Davis) [incomplete, start cut] 8:09, 5. All
 Blues (M. Davis) 14:44
 Set Two: --Second Concert continued [46:05.000]-- 1. Well, You Needn't (T. Monk) 13:12, 2.
 Autumn Leaves (J. Prevert-J. Mercer-J. Kosma) 17:23, 3. So What (M. Davis) 10:32, 4. Stardust (H.
 Carmichael-M. Parish) 4:15, 5. The Theme (M. Davis) 0:41
10/11/60 Paris, France - Olympia Theatre  MS?>?>CD All 118 
 S:?>?>CD >EAC >shn; liberated french bootleg (Trema - En Concert Avec Europe1). Miles Davis -
 trumpet Sonny Stitt - tenor sax Wynton Kelly - piano Paul Chambers - bass Jimmy Cobb - drums.
 Amazing, wonderful stuff here.
 Set One: Disc One (7 tracks, 59:54), 1.Walkin', 2.Autumn Leaves, 3.Four, 4.(unknown),
 5.'Round Midnight, 6.No Blues, 7.The Theme
 Set Two: Disc Two (7 tracks, 58:24), 1.Walkin', 2.If I Were a Bell, 3.Fran Dance, 4.Two Bass
 Hit, 5.The Theme, 6.All of You, 7.So What, 8.The Theme
10/13/60 Stockholm, Sweden - Konserthuset M??>?>CD All 178 
 Musicians: Miles Davis – Trumpet; Sonny Stitt - Tenor Sax ; Wynton Kelly - Piano; Paul Chambers -
 Bass; Jimmy Cobb - Drums. This is absolutely incredible, wonderful stuff. Sounds terrific, and
 wonderful performance.
 Set One: Disc I (51:14): Autumn Leaves [13:41], 'Round Midnight [6:10], The Theme [1:02], On
 Green Dolphin Street [13:53], The Theme [0:45], All Of You [15:40]
 Set Two: Disc II (54:43): Walkin' [14:35], Autumn Leaves [13:51], The Theme [0:57], If I
 Were A Bell [11:12] , No Blues [13:19], The Theme [0:46]
 Set Three: Disc III (72:28): /Walkin' [13:06], Autumn Leaves [13:18], June Night [10:29],
 Softly As In A Morning Sunrise [8:11] , Makin' Whoopie [7:50], Lover Man [4:19], Stardust [4:13], So
 What [10:59]
 
04/21/61 LIVE AT THE BLACKHAWK, V1 (OFFICIAL) OFFICIAL All n/a 
 Personnel: Miles Davis (trumpet); Hank Mobley (tenor saxophone); Wynton Kelly (piano); Paul
  Chambers (bass); Jimmy Cobb (drums). Recorded live at the Blackhawk, San Francisco, California on
 April 21 & 22, 1961. Includes liner notes by Ralph J. Gleason. VOL. I: Miles Davis' first live
 presentation of his working band took place at the noted San Francisco nightclub, the ambience of
 which may best be summed up by the proud words of its owner, Guido Caccienti: "I've worked and slaved
 for years to keep this place a sewer." "Walkin'" is taken at the kind of jaunty tempo that
 distinguished the Wynton Kelly-Paul Chambers-Jimmy Cobb rhythm axis. Paul Chambers' buoyant,
 effortless beat, his sure sense of harmony and swing, and his resounding brand of melodic bass (dig
 his little bowed break at the conclusion of "Walkin'") are the glue which hold these performances
 together. On "Walkin'" he and Jimmy Cobb lock up the groove as if swinging were the same as breathing,
 allowing Kelly to engage the trumpeter in a continual dialogue, feinting counterpoint and feeding him
 his favorite chords, then dropping away to allow Miles to stroll for a taste. Kelly's joy is
 infectious on the band's old warhorse "Bye Bye Blackbird" and the easy-going ballad "All Of You,"
 where he seems to particularly inspire a laid back bluesy Hank Mobley tenor solo. Mobley, never a
 Davis favorite, is not the fiery foil he relished, but his buttery tone and imperturbable lyric charm
 suit the slightly conservative tone of these performances. But in a long reading of "No Blues," Miles
 pointedly has Wynton Kelly testify briefly in response to his own, almost down home reading of a
 blues, before engaging Cobb in some talking rhythm exchanges. However, Kelly is capable of a gorgeous
 romantic approach, as in the lush chording which enlivens the closing "Love I've Found You."
04/22/61 LIVE AT THE BLACKHAWK, V2 (OFFICIAL) OFFICIAL All n/a  
 VOL. II: Much of the greatest live jazz has been recorded in homey dens of iniquity such as San
 Francsico's own Blackhawk, and from the opening blast of Monk's classic "Well You Needn't," through
 the dynamic overdrive of "Oleo," it's clear that the band and this Saturday night crowd are locked
 into the kind of positive, self-generating vibe that encourages vivid, risky improvisations. Prior to
 the departure of the classic Kelly-Chambers-Cobb rhythm section (the KIND OF BLUE team) in 1963, Miles
 was in the midst of his so-called show tune period, which consisted of jazz classics and pop tunes
 taken at brisk, swinging tempos, suffused in the same funky hard bop bluesiness of Mingus, Cannonball
 and Blakey's Messengers. The harmonic sophistication of his collaborations with Gil Evans
 notwithstanding, the more modern advances of Coltrane, Coleman and Taylor would have to wait for the
 arrival of the Hancock-Carter-Williams rhythm axis. SATURDAY NIGHT AT THE BLACKHAWK features some of
 this band's most engaging repertoire (plus some solos edited out of the original release). After the
 coy, teasing lyricism of "Fran Dance," the band worked itself into a fine lather, and Miles really
 stretches out over the tight, passionate groove on "So What." Cobb's brushes, Chambers' translucent
 bass lines and Kelly's funky understatement give "Oleo" its epic power, and "If I Were A Bell" its
 charm. Miles' rocking "Neo" moves confidently from a mannered soul waltz through a chanting minor
 blowing section which anticipates Coltrane's Spanish tinge on "Ole," inspiring Mobley's most yearning,
 hazardous solo, bold orchestral flourishes from Kelly, and a pair of magnificent Davis arias, full of
 bent notes and crying smears.
05/19/61 New York, NY - Carnegie Hall OFFICIAL?  All n/a 
 w/ Gil Evans & 24 Piece Orch.+ Quintet SBD 2CD
 
05/??/63 St. Louis, MO - Jazz Villa MA?>?>CD All n/a 
 LL111
 Project ID - LL111. Source: Audience Recording. Lineage: Audience Recording > Jazzview CD >
 EAC(secure) > wav > shn. Miles Davis (tpt); George Coleman (ts); Herbie Hancock (p); Ron Carter (b);
 Tony Williams (d). Notes: - d1t01: This track starts with crowd appluase, then jumps right into "seven
 steps of heaven" mid song. Slight drop out at 1:08. There are multiple occurances of slight static
 throughout this track. - d1t02: This track also has multiple occurances of static throughout the
  track. Slight drop out at :24. - d1t03: There is a level change at 3:13. There is another major level
 change preceeded by a slight drop out at 7:36. - d1t04: this track is not listed on Peter Losins
 site, possibly because Miles didn't play on it. It sounds to me as though this was certainly part of
 the performance that night so I opted to leave it. - A decent sounding recording. Some very slight
 distortion and static, with a few level changes, but overall, a very pleasant listen. This version is
 a little more distant than LL112, but overall a better quality recording. I would choose to archive
 this version over LL112. - "The Davis Quintet was booked for nine days at the Jazz Villa, May 27-June
 4 (Monday-Tuesday). The contract called for three sets per night, plus weekend matinees. Beyond that,
 I don't know when this music was recorded. During this period the Quintet also played the Sutherland
 Lounge, Chicago (June 5-16) and the Jazz Temple, Cleveland (June 20-23 -- listed as the Miles Davis
 Sextet). - Credit to Peter Losin, http://www.plosin.com/ - "A review of the June 6 show (Davis was
  booked alongside Redd Foxx) was effusive: There is a giant in our midst. More specifically, Miles
 Davis is at the Sutherland Lounge. He has a completely new group to play with on this trip (Tony
 Williams, drums; George Coleman, tenor; Herbie Hancock, piano; Ronald Jarrett, bass) but Miles'
 artistry remains at the same high level. Caught during two sets Thursday, he romped through "Straight,
 No Chaser," "Autumn Leaves," "So What," "If I Were a Bell," and "Milestones" with more bubbling energy
 than we've heard in a long time. If, in the last few years, Miles has played with an economy of sound,
 building inner tensions with tone coloration, then the vault was opened Thursday and all those saved
 up notes, searing runs and pulsating rhythmic figures came flooding out. The tempos were more torrid
 than remembered ... "Ronald Jarrett" is probably a mangled reference to Ron Carter, though of course
 Donald Garrett was a well-known Chicago bassist. But Carter appears to have been with the group
 throughout this period."- Credit to Peter Losin, http://www.plosin.com/ - QC done by Bgreen.
 Set One: d1t01. /Seven Steps to Heaven d1t02. I Thought About You d1t03. All Blues > The
 Theme d1t04. Like Someone In Love
05/??/63 St. Louis, MO - Jazz Villa MA?>?>CD Partial n/a 
 *May-June: uncertain date*
 Miles Davis Quintet: May-June 1963, Jazz Villa, St. Louis. Audience Recording. Miles Davis (tp);
 George Coleman (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d)
 Set One: 1. Seven Steps to Heaven (nc) (10:32) 2. I Thought About You (08:01) 3. All Blues
  (12:34) 4. Theme (00:06)
07/25/63 Paris, FR - Theatre des Champs-Elysees MF?>?>CD All 26 
 July 25, 1963 Théâtre des Champs-Élysées, Paris Europe-1 radio: Miles Davis (tpt); George Coleman
  (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d). Saith the seeder: "More music from the
 hot summer 1963!!!! Joshua (fragment) prob. unissued in LP and CD, prob. better sound (bootleg)
 available for 1) and 2)." Radio broadcast> private tape, many copies..> Cd r with philips cd recorder>
 flac. Nice stuff!
 Set One: 1) Stella by Starlight (N. Washington-V. Young) 13:58, 2) So What (M. Davis) 8:59,
 3) Joshua (V. Feldman) (incomplete) 3:14
07/26/63 Antibes, France - Juan-les-Pins MF?>?>CD All? 47 
 Festival Mondial du Jazz Antibes, La Pinède, Juan les Pins, France. Miles Davis: trumpet; George
  Coleman: tenor saxophone; Herbie Hancock: piano; Ron Carter: bass; Tony Williams: drums. ORTF radio
 broadcasts. Issued as a bootleg: Cote Blues (JMY 1010-2). The date given on JMY 1010-2 as July 26,
 1963 only. The dates shown here are from Pete Losin's Miles Ahead site. The first 'So What' was
 incorrectly issued as 'All Blues'; 'Seven Steps to Heaven' and 'Walkin'' were issued as a single track
 under the title 'Seven Steps to Heaven' . FM> ?> CD> Sound Forge (rebanding of tracks)> WAV>
 dBpowerAMP converter > FLAC (level 6)> DIME> Your ears.
 Set One: 1 So What 9'54, 2 Stella by Starlight 14'16, 3 Seven Steps to Heaven 10'54, 4
 Walkin' 10'38 --continues with 7/28/63--
 Set Two: OLDER COPY: 5 tracks, 74:04. So What, Stella by Starlight, Seven Steps to
 Heaven/Walkin', If I Were a Bell, So What. Lost the info file. Ticks @ track markers. I think the
 last two tunes are from 7/28.
07/28/63 Antibes, France - Juan-les-Pins MF?>?>CD partial 25 
 Festival Mondial du Jazz Antibes, La Pinède, Juan les Pins, France. Miles Davis: trumpet; George
 Coleman: tenor saxophone; Herbie Hancock: piano; Ron Carter: bass; Tony Williams: drums. ORTF radio
 broadcasts. Issued as a bootleg: Cote Blues (JMY 1010-2). The date given on JMY 1010-2 as July 26,
 1963 only. The dates shown here are from Pete Losin's Miles Ahead site. The first 'So What' was
 incorrectly issued as 'All Blues'; 'Seven Steps to Heaven' and 'Walkin'' were issued as a single track
 under the title 'Seven Steps to Heaven' . FM> ?> CD> Sound Forge (rebanding of tracks)> WAV>
 dBpowerAMP converter > FLAC (level 6)> DIME> Your ears.
 Set One: --continues from 7/26/63-- 5 If I Were a Bell 12'44, 6 So What 12'38
09/20/63 Monterey, CA - Monterey Fairgrounds MS?>?>CD All 51 
 Band: Miles Davis (tpt), George Coleman (ts), Herbie Hancock (p), Ron Carter (b), Tony Williams
 (d). Extensive notes from Losin included in info file.
 Set One: 1 Intro 0:09 , 2 Autumn Leaves (J. Prevert-J. Mercer-J. Kosma) 11:11 , 3 So What
  (M. Davis) 11:15 , 4 Stella by Starlight (N. Washington-V. Young) 14:15 , 5 Walkin' (R. Carpenter)
 12:36 , 6 The Theme (M. Davis) (with applause) 1:18, TT 50:46
 
07/12/64 Tokyo, Japan - Hibaya Yagai Ongaku-do Hall M??>?>CD Partial 40 
 Miles Davis, tp; Sam Rivers, ts; Herbie Hancock, p; Ron Carter, b; Tony Williams, d. Known flaws:
 Digi-Noise, t4-6:09-6:12 JJ: extremely nice recording. @@
 Set One: (5 tracks, 40:25), Autumn Leaves 11:03, So What 8:40, Stella by Starlight 10:53,
 Walkin/Theme 9:33, Announcement/applause 0:11
07/15/64 Kyoto, Japan - Maruyama Ongaka-do Hall M??>?>CD partial 45 
 *speed corrected*
  Miles Davis (tpt); Sam Rivers (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d).
 orig.seed lineage: ?? > CDR > EAC > FLAC (level 8 - align on sector boundaries). add. lineage: FLAC >
 WAV > Soundforge 5: speed correction, removing glitches, volume level adjustments > FLAC FFE lvl7
 w/SBA. "speed correction: side 1 (tracks 1.-3.) needed to be sped up gradually 130 to 160 cts, side 2
 between 70 and 100 cts, with lots of local fluctuations to be worked away, I may have overlooked some
 ... - that much discussed diginoise glitch in track 2 at around 5.47 is removed, you'll be hearing a
 mere plop ... - overall volume adjustment, to make it all sound more even in both channels."
 Set One: 1. If I Were A Bell 10:41, 2. Oleo 5:23, 3. Stella By Starlight 8:58, 4. Walkin'
 7:21, 5. All Of You 10:01, 6. Seven Steps To Heaven (inc.) 2:38TT 45:04
 Set Two: INCORRECT SPEED VERSION: (6 tracks, 48:44), If I Were a Bell 11:19, Oleo 6:10,
 Stella By Starlight 9:52, Walkin' 7:43, All of You 10:51, Seven Steps to Heaven [cut] 2:45. Miles
 Davis, tp; Sam Rivers, ts; Herbie Hancock, p; Ron Carter, b; Tony Williams, d. Hancock's solo on t1 is
 quite low in the mix; Known flaws: Digi-noise, t2--5:47-5:48; Several cuts and noise during the last
 1.5 minutes of t5.
09/10/64 Los Angeles, CA - Unknown TV Studio MT?>?>DVD partial n/a 
 Project ID - LL183. Source: TV Broadcast. Lineage: TV Broadcast > ?? > NTSC. Miles Davis (tpt);
 Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d); Steve Allen (ann). - The
 quality is what you would expect from a recording of a 1964 TV broadcast. It is very interesting to
 see Miles in action at this stage in his career. It's a short video, well worth a watch if you don't
 have it. - "This is the probably the earliest extant recording of Wayne Shorter with the Davis
 Quintet. Shorter joined the Quintet in Los Angeles on September 4." - "Broadcast on The Steve Allen
 Show. Installments of the show were pre-recorded. According to the UCLA Film Archive, the show with
 Debbie Reynolds (and "No Blues") was recorded on September 10 and broadcast on September 22; the show
 with Burt Reynolds (and "So What" and "All Blues") was recorded on September 11 and broadcast on
 September 25." - Credit to Peter Losin, http://www.plosin.com/.
 Set One: Intro, No Blues
09/11/64 Los Angeles, CA - Unknown TV Studio MT?>?>DVD Partial n/a 
 Project ID - LL183. Source: TV Broadcast. Lineage: TV Broadcast > ?? > NTSC. Miles Davis (tpt);
 Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d); Steve Allen (ann). - The
 quality is what you would expect from a recording of a 1964 TV broadcast. It is very interesting to
 see Miles in action at this stage in his career. It's a short video, well worth a watch if you don't
 have it. - "This is the probably the earliest extant recording of Wayne Shorter with the Davis
 Quintet. Shorter joined the Quintet in Los Angeles on September 4." - "Broadcast on The Steve Allen
 Show. Installments of the show were pre-recorded. According to the UCLA Film Archive, the show with
 Debbie Reynolds (and "No Blues") was recorded on September 10 and broadcast on September 22; the show
 with Burt Reynolds (and "So What" and "All Blues") was recorded on September 11 and broadcast on
 September 25." - Credit to Peter Losin, http://www.plosin.com/.
 Set One: So What, No Blues
10/01/64 Paris, France - Salle Pleyel S:?>?>CD All 46 
 Miles Davis Quintet: Miles Davis (tpt); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b);
 Tony Williams (d). I hear very light CD tracking in the background, not terrific SQ.
 Set One: (5) Total Time 45:31. 1. Autumn Leaves [11:11] -> 2. All of You [9:36] [0:12], 3.
 Stella By Starlight [12:24] [0:03], 4. So What?// [8:47]#] [0:04] (fades out), 5. Walkin'// [3:11#]
 (fades out)
10/01/64a Paris, France - Salle Pleyel MF?>?>CD All 42 
 MILES DAVIS, October 1, 1964 -- Salle Pleyel, Paris, France, First Concert. Musicians: Miles Davis
 - trumpet; Wayne Shorter - tenor saxophone; Herbie Hancock - piano; Ron Carter - bass; Tony Williams -
 drums. Source: ORTF radio broadcast >? >bootleg CD (Moon Records MCD 021-2). Lineage: -Silver bootleg
  CD extracted track by track with EAC (secure); -Tracks re-arranged in proper order, gaps reduced
 and/or smoothed, and levels matched with CoolEdit Pro 2.0; -Tracks split with CD Wave; -FLAC Frontend
 (level 8, aligned on sector boundaries). Notes: "All of You" (12:15 according to Losin, 12:50 running
 time according to Lohmann) was not broadcasted. Additional notes: "The bootleg CD, simply titled
 "Paris, France," had the wrong running order and a fragment from 3 October 1964 appended and mistitled
 as the last track. In addition, "Stella" and "Autumn Leaves" appear to be from the same source, while
 "Walkin'" and "So What" seem to be from a different source, which is probably why the running order of
 the bootleg CD paired them that way, with gaps between tracks. Milesian, January 2005. JJ: extremely
 enjoyable listen!
 Set One: Track Listing (42:03): 1. Autumn Leaves - 12:24, 2. Stella By Starlight - 11:09, 3.
  So What - 8:47, 4. Walkin' - 9:06, 5. The Theme - 0:36
10/01/64b Paris, France - Salle Pleyel MF?>?>C>D>CD All 46 
 Musicians: Miles Davis - trumpet; Wayne Shorter - tenor saxophone; Herbie Hancock - piano; Ron
 Carter - bass; Tony Williams - drums. Source: ORTF radio broadcast >? >cass >DAT @ 48 kHz. Lineage:
 -DAT >HDD via coax and Midiman Dio 2448 digital soundcard; -Resampling to 44.1 kHz at highest accuracy
 with anti-alias filter and digital splicing with SoundForge 6.0; -Tracks split and saved with CD Wave;
 -FLAC Frontend (level 8). Notes: This is the LATE show. The early show can be found on the bootleg CD
 simply titled "Paris, France" (Moon Records, MCD 021-2). Sound is similar, suggesting the same source,
 but the Moon actually sounds thinner. -Milesian, December 2004. JJ notes: low levels.
 Set One: Track Listing (46:09), 1. All of You (inc.) - 10:02, 2. Joshua (inc., fade-out
 during piano solo) - 8:36, 3. My Funny Valentine - 12:46, 4. No Blues - 13:59, 5. The Theme / DJ Outro
 - 0:41
10/03/64 Stockholm, Sweden - Johanneshovs Isstadion MF?>?>CD All n/a 
  *pitch corrected*
 SR Radio Broadcast. Post Production: FLAC > TLH > WAV > Adobe Audition (Pitch Bender: -91 cents;
 Quality Level: Perfect [Slowest]) > CD Wave > TLH > FLAC. Miles Davis (tp); Wayne Shorter (ts); Herbie
 Hancock (p); Ron Carter (b); Tony Williams (d).
 Set One: 1. Autumn Leaves (12:27), 2. So What (11:57), 3. Stella by Starlight (10:20), 4.
 Joshua (10:34), 5. Theme (cut) (00:07), TT - 45:25
10/03/64 Stockholm, Sweden - Johanneshov Isstadion MF?>?>D>CD All 46 
 Musicians:Miles Davis - trumpet; Wayne Shorter - tenor saxophone; Herbie Hancock - piano; Ron
 Carter - bass; Tony Williams - drums. Source: Sveriges Radio broadcast >? >DAT @ 48 kHz. Lineage: -DAT
 >HDD via coax and Midiman Dio 2448 digital soundcard; -Resampled to 44.1 kHz at highest accuracy with
 anti-alias filter and digital splicing with SoundForge 6.0; -Tracks split and saved with CD Wave;
 -FLAC Frontend (level 8, aligned on sector boundaries). Notes: There is some static present during the
 first section of "Autumn Leaves" that could not be removed. It clears up around the time Wayne Shorter
  begins his solo and does not intrude again. Milesian, December 2004. JJ notes: muffled SQ
 Set One: Track Listing (5 tracks, 46:24): 1. Autumn Leaves - 12:35, 2. So What - 12:14, 3.
 Stella By Starlight - 10:35, 4. Joshua - 10:51, 5. The Theme (cut) - 0:07.5
10/04/64 Copenhagen, DK - KB Hallen MF?>?>CD All n/a 
 Miles Davis Quintet: Miles -trumpet; Wayne Shorter -tenor saxophone; Herbie Hancock - piano; Ron
  Carter -bass; Tony Williams -drums. NEW COPY INFO: This torrent is from Megadisc "Copenhagen 1964",
 not from Magnetic lebel disc. Sound quality is better than Magnetic lebel. Ron's bass is more clear.
 Track 4 is highlight of this show. On "Autumn leaves", Miles's solo is so excellent and Tony's
 abstract backing is too hot.
 Set One: NEW COPY: 1 So What (11:26), 2 Stella By Starlight (13:35), 3 Walkin' (9:08), 4 All
 Of You~Autumn leaves (23:46), 5 Joshua (7:21), 6 The Theme (0:51)
 Set Two: OLD COPY: 1. So What, 2. Stella By Starlight , 3. Walkin' , 4. All Of You >> Autumn
 Leaves, 5. Joshua >> The Theme
10/06/64 Helsinki, Finland - Messuhalli MF?>?>CD Partial n/a 
 Project ID: LL56. Source: FM Broadcast. Lineage: HNK Radio Broadcast > ?? > wave > disc 2 of 1964
 tree @ milestrees > ripped with unknown software > wave > flac. Miles Davis (tp); Wayne Shorter (ts);
  Herbie Hancock (p); Ron Carter (b); Tony Williams (dr). Notes: - There is a slight amount of hiss and
 a very minor amount distortion present, but overall this is a nice specimen. - d1t02: The recording
 ends with a few seconds of announcer comments that are cut. - Original source and seed by Jan Keisers
 - QC done by Bgreen.
 Set One: d1t01. Autum Leaves, d1t02. So What
10/08/64 Singelfingen, Germany - Stadthalle F:?>?>CD All n/a  
 1 CD
10/08/64 Singelfingen, Germany - Stadthalle MpFR>?>D>CD All 86 
 *early and late shows*
 Musicians: Miles Davis - trumpet; Wayne Shorter - tenor saxophone; Herbie Hancock - piano; Ron
 Carter - bass; Tony Williams - drums. Source: Suddeutscher Rundfunk (SDR) station reel >? >DAT.
 Lineage: Station reel >? >DAT >.wav via S/PDIF and Midiman Dio 2448 digital soundcard at 48 kHz
 >CoolEdit Pro 2.0 >CD Wave >MKW >SHN >.wav (checksums verified before decoding) >CoolEdit Pro 2.0
 (tracks re-sequenced) >CD Wave >Trader's Little Helper >FLAC (Level 6, ASB). No noise reduction or
 equalization applied. Seeder's Notes:"The source DAT was received with tracks in a slightly different
 order, in an unknown generation but with a very full frequency spectrum showing little or no high-end
 generational loss. Frequency analysis is also free from the distinct spike at around 16,000 Hz
 characteristic of FM broadcasts. Consequently, it is my view that this particular recording comes
 directly from the station and not from a capture of a broadcast over the air. Lohmann lists "Stella
 By Starlight" after "Oleo"; a nicely done crossfade hides a possible splice. The set was likely edited
 for broadcast to remove the ballad and bass solo, keeping the tempo up and fitting running time under
 90 minutes. Peter Losin conjectures that one additional tune, perhaps "If I Were a Bell," was
 performed at the beginning of the second concert. Recording quality is not flawless, the main issue
 being fluctuation of the cymbals between clarity and saturation at irregular intervals. Either mixing
 or mic feed moves around a bit as well, which calls into question whether this was actually ever aired
 or kept archived until getting leaked out. No fades were applied between sets so as to preserve
 everything on the source tape and allow continuous play. FLAC encoding was done with sectors aligned
 as one complete set, not two separate discs." -Milesian; SHN set June 2002; Track re-sequencing and
 FLAC encoding August 2006
 Set One: First Concert (46:20): 1. Autumn Leaves - 10:37, 2. So What (incomplete; bass
 solo edited out) - 9:00, 3. All Blues - 12:28, 4. Oleo - 6:01, 5. Walkin' - 7:06, 6. The Theme
 (with applause) - 1:08
 Set Two: Second Concert (39:36): 7. Milestones - 7:00, 8. No Blues - 9:55, 9. All of You
 - 12:25, 10. Joshua - 9:14, 11. The Theme (with applause) - 1:01
10/11/64 Milan, Italy - Teatro dell'Arte MT?>?>CD All n/a  
 *Fall '64 tree, disc 7*
 The Miles Davis Quintet: Miles Davis - trumpet; Wayne Shorter - tenor saxophone; Herbie Hancock -
 piano; Ron Carter - bass; Tony Williams - drums. Source: Radio Televisione Italian (RAI) TV broadcast
 (acc. to plosin). Lineage: ??? Miles Trees -> CDR -> CDR -> EAC secure -> FLAC. This is disc 7 of the
 Fall '64 Tree, The European Tour of 1964. Source, seed & thanks: Jan Keisers.
 Set One: d07t01 Autumn Leaves (13:55) d07t02 My Funny Valentine (11:48) d07t03 All Blues
 (13:40) d07t04 All of You (10:38) d07t05 Joshua (08:51) d07t05 Theme (00:21) Total time: 59:12
 
05/21/66 Portland, OR - Oriental Theater MS?>?>C>CD All 91  
 Miles Davis Quintet. Oriental Theatre, Portland OR (Portland State College?). 1966-05-21. SBD?
 Quality A. Cassette ?gen -> Nak DR-1 -> Audiophile2496 - > Soundforge -> wav -> flac. Miles Davis
 (tpt), Wayne Shorter (ts), Herbie Hancock (p), Richard Davis (b), Tony Williams (d). Losin calls this
 an audience recording, but it sounds more like a board.
 http://www.plosin.com/milesAhead/Sessions.aspx?s=660521 JJ notes: - sounds quite nice, and is
 wonderful material.
 Set One: Disc 1 (6 tracks, 51:33), Introduction :39, Autumn Leaves (J. Prevert-J. Mercer-J.
 Kosma) 9:46, Agitation (M. Davis) (incomplete from start) 9:20, Stella by Starlight (N. Washington-V.
  Young) 10:35, Gingerbread Boy (J. Heath) 11:40, No Blues (M. Davis) (incomplete) 9:28
 Set Two: Disc 2 (4 tracks, 39:22), All Blues (M. Davis) 9:41, Who Can I Turn To? (L.
 Bricusse-A. Newley) 8:51, So What (M. Davis)/The Theme (M. Davis) (with applause) 9:06, My Funny
 Valentine (R. Rodgers-L. Hart) 11:40
07/04/66 Newport, RI - Festival Field MF?>?>CD partial 26 
 *speed corrected*
 Musicians: Miles Davis - trumpet; Wayne Shorter - tenor saxophone; Herbie Hancock - piano; Ron
 Carter - bass; Tony Williams - drums. Source: Voice of America (VOA) broadcast >? >DAT at 48 kHz;
 Lineage: -DAT >HDD via coax and Midiman Dio 2448 digital soundcard -Resampled to 44.1 kHz, DC offset
 corrected, and wav edits with SoundForge 6.0 -Tracks split with CD Wave -FLAC Frontend (level 8 with
 sector alignment). Milesian, January 2005. SPEED CORRECTED BY +123 CENTS.
 Set One: Track Listing (26:03): 1. Introduction / Gingerbread Boy - 8:33, 2. All Blues -
 10:30, 3. Stella by Starlight (cut off during piano solo) - 7:00
 Set Two: ORIGINAL TRACKLIST (via EZT seed, entered here on 1/20/05): : Track Listing
  (27:59): 1. Introduction / Gingerbread Boy - 9:10, 2. All Blues - 11:17, 3. Stella by Starlight (cut
 off during piano solo) - 7:32
 
04/07/67 Berkeley, CA - Harmon Gym, U.C. Berkeley MF?>?>CD All 56  
 KALX Radio broadcast (see notes below). Quality A-/B++ extremely listenable. This probably came
 from the bootleg cd, see Losins website for more details. Miles Davis (tpt); Wayne Shorter (ts);
 Herbie Hancock (p); Albert Stinson (b); Tony Williams (d). Losin: "There appear to be two masters for
 these tunes. The first tape, an audience recording, lacks the opening and closing disk jockey chatter
 but includes the whole concert, beginning with a brief introduction from the stage. The second is a
 broadcast of the Cabinet Tapes show on KALX-FM, the University of California student radio station. It
 does not include the stage introduction or "Agitation." The latter tape is about 3% slower than the
 former." Absolutely wonderful stuff!!
 Set One: 1 Gingerbread Boy 9:24, 2 Stella by Starlight 10:24, 3 Dolores 7:14, 4 Round
 Midnight 9:49, 5 So What 8:54, 6 Walkin/The Theme 9:52, TT = 55:37
07/02/67 Newport, RI - Festival Field MF?>?>CD partial 21 
 *speed corrected*
 Musicians: Miles Davis - trumpet; Wayne Shorter - tenor saxophone; Herbie Hancock - piano; Ron
 Carter - bass; Tony Williams - drums. Source: Voice of America (VOA) broadcast >? >DAT at 48 kHz;
 Lineage: -DAT >HDD via coax and Midiman Dio 2448 digital soundcard -Resampled to 44.1 kHz, DC offset
 corrected, and wav edits with SoundForge 6.0 -Tracks split with CD Wave -FLAC Frontend (level 8 with
 sector alignment). Milesian, January 2005. SPEED CORRECTED BY +55 CENTS
 Set One: Track Listing (20:46): 1. Gingerbread Boy - (8:43), 2. Footprints - 7:55, 3. Round
 About Midnight 4:08 (faded out)
 Set Two: ORIGINAL TRACKLIST (via EZT seed, entered 1/20/05): Track Listing (21:27): 1.
 Gingerbread Boy - (9:00), 2. Footprints - 8:11, 3. Round About Midnight 4:16 (faded out)
10/28/67 Antwerp, Belgium  S:?>?>CD All n/a 
10/28/67 Antwerp, Belgium - Konigin Elisabethsaal M??>?>CD All 60 
 Musicians: Miles Davis (tpt), Wayne Shorter (ts), Herbie Hancock (p), Ron Carter (b), Tony Williams
 (d).
 Set One: Single Disc (11) 72:04 w/ filler: 1. Agitation (M. Davis) [5:22], 2. Footprints (W.
 Shorter) [9:27], 3. 'Round Midnight (B. Hanighen-C. Williams-T. Monk) [7:27], 4. No Blues (M. Davis)
 [11:18], 5. Riot (H. Hancock) [3:12], 6. On Green Dolphin Street (N. Washington-B. Kaper) [7:56],
 7.Masqualero (W. Shorter) [8:48], 8. Gingerbread Boy (J. Heath) [5:45] , 9. The Theme (M. Davis)
 [0:52] --Filler-- 10.[6:33], 11. [5:06]
10/30/67 Rotterdam, Netherlands - De Doelen MF?>?>CD All 48 
 Miles Davis Quintet: Miles Davis (tp), Wayne Shorter (ts), Herbie Hancock (p), Ron Carter (b), Tony
 Williams (dr). From re-broadcast by Dutch radio station VARA in 2005. Exact lineage unknown. The first
 track was broadcast in this incomplete form. Terrific SQ!
 Set One: (6 tracks, 47:36) 1 Footprints (not complete/ fade-in), 2 'Round Midnight, 3 No
 Blues, 4 On Green Dolphin Street, 5 Riot, 6 Masqualero
10/31/67 Stockholm, Sweden - Konserthuset DVD All n/a 
 Musicians: Miles Davis - trumpet; Wayne Shorter - tenor saxophone; Herbie Hancock - piano; Ron
 Carter - bass; Tony Williams - drums. Source: Sveriges Radio TV broadcast. Lineage: TV >VHS >Sampo
 standalone DVD recorder in HQ mode (max. one hour) >DVD Decrypter >TMPGEnc DVD Author >DVD >DVD
  Decrypter. Video Attributes: Video compression mode: MPEG-2; TV system: 525/60 (NTSC); Aspect Ratio:
 4:3; Source picture resolution: 720x480 (525/60); Frame Rate: 30.00; Bitrate: 8.99Mbps. Audio
 Attributes: Sampling Rate: 48kHz; Number of Audio channels: 2; Bitrate: 384 Kbps. Seeder Notes: "I
 received this many years ago on VHS and was always impressed with the quality. It has since remained
 my favorite jazz music video and it was one of the first items I transferred to DVD when I acquired a
 standalone DVD burner. I made a simple menu to enable moving front and back among the tracks. I have
 not compared this item, acquired via trade, with other "commercial bootleg" issues, but am sure it
  would compare favorably to nearly anything that was copied directly from the station master, as
 picture and sound degradation is minimal. Milesian, November 2005." JJ: very nice!
 Set One: 1. Introduction (George Wein), 2. Agitation, 3. Footprints, 4. Round About Midnight
 , 5. Gingerbread Boy, 6. The Theme
11/01/67 Helsinki, Finland - Kulttuuritalo MF?>?>CD Partial 16 
 *LL124*
 Project ID - LL124. Source: FM Broadcast; Lineage: Yleisradio (YLE) broadcast > ?? > wave > flac.
 Miles Davis (tpt); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d). Notes: -
 d1t01: The announcements are cut at both the beginning and end of the track during applause. There is
 a bad skip at 9:27 through 9:37. I've reviewed four different sources of this show and this skip
 exists in all of them. I would love to find a source that doesn't have this. - d1t02: There is a four
 second gap between d1t01 and d1t02. Levels fade to a almost nothing at 2:14 through 2:20. The end of
 the track fades out during the announcers voiceover with the music still playing. - A very nice,
  short recording. The quality is very good, and the playing leaves you wanting more. - QC done by
 Bgreen.
 Set One: d1t01. Announcments > Footprints d1t02. 'Round Midnight/
11/02/67 Copenhagen, Denmark - Tivoli Koncertsal  MF?>?>CD All 47 
 *TAO*
 DR Radio Broadcast. Miles Davis (tp); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony
 Williams (d). TAO -- needs fixing.
 Set One: Agitation (06:27) Footprints (09:16) 'Round Midnight (07:11) No Blues (14:50)
 Masqualero (09:40), (Total time 47:23)
11/04/67 Berlin, Germany - Philharmonie MF?>?>CD All 43 
 FM broadcast > Philips CDR765 > Adobe Audition > dBpowerAMP Music Converter 11.0. Personnel: Miles
 Davis (tp); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d). JJ; this
 sounds great. I noted a fade/splice @ 1:12 of Agitation.
 Set One: Tracklist: 1. Agi//tation 5:23, 2. Footprints 8:53, 3. 'Round midnight 7:55 / No
 Blues 10:48, 4. Masqualero 9:48, TT 42:47
11/06/67 Paris, France - Salle Pleyel S:?>?>CD All 72  
 The show is most likely this: Title: No Blues; Label: Jazz Music Yesterday JMY 1003; Musicians:
 Ron Carter (b), Miles Davis (tpt), Herbie Hancock (p), Wayne Shorter (ts), Tony Williams (d)
 Set One: 01 'Round Midnight (B. Hanighen-C. Williams-T. Monk) 08:07, 02 No Blues (M. Davis)
 13:01, 03 Masqualero (W. Shorter) 10:42, 04 I Fall in Love Too Easily (S. Cahn-J. Styne) 07:54, 05
 Riot (H. Hancock) 06:07, 06 Walkin' (R. Carpenter) 09:10, 07 On Green Dolphin Street (N. Washington-B.
 Kaper) 09:04, 08 The Theme (M. Davis) 08:23, Total Time 72:28
11/07/67 Karlsruhe, Germany - Stadthalle DVD All n/a 
 Source: Proshot - TV. MPEG2 720x480 29.97fps 4:3 6000.00kb/s MPEG1-LayerII 48.00kHz 256.00kb/s CBR
 Stereo (NTSC format). Lineage: Trade DVD > DVD Decrypter. Movie Quality is B+ or B- and sound
  quality is very clean. JJ: video is somewhat degraded relative to 10/31/67. Notes: This show appears
 to be a broadcast from a foreign television station, possibly from Germany or Italy. The video footage
 is black and white, but very clear, and of very high quality. The audio sounds fantastic. The band
 lineup is: Trumpet: Miles Davis; Bass: Ron Carter; Piano: Herbie Hancock; Tenor Sax: Wayne Shorter;
 Drums: Tony Williams.
 Set One: single track: Agitation, Footprints, Round Midnight, No Blues, Masqualero, I Fall
 in Love Too Easily, Riot, Walkin'
11/07/67 Karlsruhe, Germany - Stadthalle MS?>?>CD All 86 
 Südwestfunk TV broadcast. Miles Davis (tpt); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter
 (b); Tony Williams (d). I like this Masqualero.
 Set One: CD1 (5 tracks, 45:31): Agitation (M. Davis) 6:31, Footprints (W. Shorter) 5.52,
 'Round Midnight (B. Hanighen - C. Williams - T. Monk) 7:44, No Blues (M. Davis) 14.55, @@Masqualero
 (W. Shorter) 10:26
 Set Two: CD2 (5 tracks, 39:38) : I Fall in Love Too Easily (S. Cahn-J. Styne) 11.12, Riot
 (H. Hancock) 3:52, Walkin' (R. Carpenter) 8.53, On Green Dolphin Street (N. Washington-B. Kaper) 9:19,
 Gingerbread Boy (J. Heath) + 6:17, The Theme (M. Davis) (with applause)
 
12/??/68 Boston, MA - Jazz Workshop MA?>?>CD fragmentn/a  
 Miles Davis (tp); Wayne Shorter (ss, ts); Chick Corea (p); Stanley Cowell (p); Dave Holland (b);
 Tony Williams (d); Wynton Kelly (possibly) (p on 'Round Midnight, 2nd show, 2nd fragment).
 Set One: First show: First fragment: 'Round Midnight 11:07, Theme 00:09; Second fragment: So
 What (nc) 10:44; Third fragment: Agitation 06:56, Walkin' 07:30; Second show: First fragment: Walkin'
 (nc) 12:54; Second fragment: 'Round Midnight 14:19, Directions (nc) 06:17; Total time: 70:28
 
03/??/69 Rochester, NY - Duffy's Tavern MA?>?>CD All 83 
 Lost Quintet Tree discs 1-2
 Set One: First set, 43:01: On Green Dolphin Street (N. Washington-B. Kaper) (incomplete)
 12:59, So What (M. Davis) 9:32, Nefertiti (W. Shorter) (incomplete) 3:23, Agitation (M. Davis)
 (incomplete) 1:01, No Blues (M. Davis) 15:49, The Theme (M. Davis) (with applause) 0:14
 Set Two: Second set, 40:29: This (C. Corea) (incomplete) 6:34, Paraphernalia (W. Shorter)
 14:39, No Blues (M. Davis) 19:04, The Theme (M. Davis) (with applause) 0:10
04/??/69 New York, NY - Village Gate Club  MA?>?>CD partial 44 
 From Losin: Audience recording. Miles Davis Quintet: Miles Davis (tpt); Wayne Shorter (ss, ts);
 Chick Corea (el-p); Dave Holland (b); Jack DeJohnette (d). "I'm not sure of the date of this music.
 Corea, Holland, and DeJohnette were in Bell Sound Studios on May 11-13 to record the music released on
 Corea's Is (Solid State SS 18055) and Sundance (Groove Merchant GM 2202)." JJ: love "This" and
  "Footprints" on this. Decent SQ.
 Set One: 01. introduction/@@This (C. Corea) 8:25, 02. @@Footprints (W. Shorter) 15:33, 03.
 Miles Runs the Voodoo Down (M. Davis) 15:44, 04. 'Round Midnight (B. Hanighen-C. Williams-T. Monk)
  (incomplete) 4:09 TT 43:50
 Set Two: Also obtained as 5/xx/69 or 6/xx/69
06/??/69 New York, NY - Blue Coronet Club MA?>?>C>CD fragment105 
 *jUNE 21-29, 1969* "show 1" speed corrected
  Source: Audio cassette (unknown gen) -> Nakamichi DR-1 -> Audiophile 2496 -> Soundforge -> CD ->
 EAC -> MKW -> SHN. Additional lineage for this version: SHN > WAV > Cool Edit Pro (speed correction:
 +86 cents) > FLAC(8). Miles Davis (tpt); Wayne Shorter (ss, ts); Chick Corea (el-p); Dave Holland (b);
 Jack DeJohnette (d).
 Set One: "SHOW 1": Track 1 This 10:46 inc. from beginning, Track 2 Agitation 16:53, Track 3
 No Blues 15:49, Track 4 Paraphernalia 0:16 inc. at end, TOTAL 43:45
 Set Two: "SHOW 2": Gingerbread Boy (J. Heath) 14:00, Paraphernalia (W. Shorter) 14:19, Miles
 Runs the Voodoo Down (M. Davis) 17:57, (MISSING Masqualero (W. Shorter) (fragment) 0:03), Walkin' (R.
 Carpenter) (incomplete) 15:16 (TIMINGS FROM LOSIN)
06/??/69 Chicago, IL - Plugged Nickel MA?>?>CD Partial n/a 
 *June 4-14, 1969*
 June 4-14, 1969, Plugged Nickel Club, Chicago, Audience Recording. Miles Davis (tp); Wayne Shorter
 (ss, ts); Chick Corea (p); Dave Holland (b); Jack DeJohnette (d).
 Set One: 1. Gingerbread Boy (13:23) 2. Masqualero (13:27) 3. Agitation (nc) (16:08) 4.
 Milestones (nc) (15:00) (Total time: 57:59)
07/07/69 New York, NY - Central Park ??>CD All n/a 
 Miles Runs the Voodoo Down at central park 1969: 7 July 1969. This is the now liberated Electric
 Blue boot release EB006. Personnel: Miles Davis (tpt), Wayne Shorter (ss, ts), Chick Corea (el-p),
 Dave Holland (b, el-b), Jack DeJohnette (d).
 Set One: Tracklist: 1. No Blues, 2. Miles Runs the Voodoo Down (M.Davis), 3. Masqualero (W.
 Shorter), 4. Spanish Key (M. Davis), 5. Sanctuary (W. Shorter - M. Davis), 6. The Theme (M. Davis)
07/07/69 New York, NY - Central Park MA?>?>CD All? 40  
 Lost Quintet Disc 3
 L5 - The Lost Quintet. 1969 Miles: The Lost Quintet Tree. http://www.miles-trees.org/l5/. Miles
 Davis (tpt); Wayne Shorter (ss, ts); Chick Corea (el-p); Dave Holland (b, el-b); Jack DeJohnette (d).
 July 7, 1969, CENTRAL PARK, NEW YORK--audience recording (1 CD).
 Set One: TT 40:13, No Blues (M. Davis) (incomplete) 0:55, Miles Runs the Voodoo Down (M.
 Davis) 11:27, Masqualero (W. Shorter) 12:16, Spanish Key (M. Davis) 11:47, Sanctuary (W. Shorter-M.
 Davis) 3:21, The Theme (M. Davis) (with applause) 0:25
07/25/69 Antibes, France - Juan-les-Pins S:?>?>CD All 64 
 Miles Davis Quintet: Miles Davis (tpt); Wayne Shorter (ss, ts); Chick Corea (el-p); Dave Holland
 (b, el-b); Jack DeJohnette (d). ORTF radio broadcast. Sounds very nice.
 Set One: (7) 63:56: 1. Directions --> 2. Miles Runs The Voodoo Down --> 3. Milestones --> 4.
  Footprints --> 5. Round About Midnight --> 6. It's About That Time --> 7. Sanctuary/The Theme
07/26/69 Antibes, France - Juan-les-Pins MpFR>?>CD All 63 
 Musicians: Miles Davis - trumpet; Wayne Shorter - tenor and soprano saxophones; Chick Corea -
 electric piano; Dave Holland - bass; Jack DeJohnette - drums. Source: pre-FM station reel. Lineage:
 pre-FM >? >CDR >EAC (secure) > FLAC Frontend (level 6, SBE OK), seeded to DIME by Milesian. Note:
 This does not come from the most widely circulated bootleg of this performance (Stardust 003), as that
 issue contained an introduction at the beginning, splices, and a voiceover during an abbreviated
 "Sanctuary." JJ: this is terrific! I really like the No Blues, which has a great bass solo.
 Set One: Track List (1:03:26): 1. Directions - 6:22, 2. Spanish Key - 10:37, 3. I Fall In
 Love Too Easily - 2:54, 4. Masqualero - 8:34, 5. Miles Runs The Voodoo Down - 8:41, 6. @@ No Blues -
 13:34, 7. Nefertiti - 8:50, 8. Sanctuary / The Theme - 3:50
07/27/69 New Brunswick, NJ - Rutgers U. Stadium MA?>?>CD partial 19 
 *speed corrected*
 Audience Recording. Miles Davis (tp); Wayne Shorter (ss, ts); Chick Corea (p); [Corea on acoustic
 piano]; Dave Holland (b); Jack DeJohnette (d). Seeder's notes: "Previously seeded by jkeisers ...
 unfortunately banned subsequently for not having been "properly" tracked. Here we have his seed again,
 now tracked following P.Losin setlist nomenclature, and also speed corrected in the process (-130cts
 to -110cts). Lineage: Source: reel-to-reel tape > ... > flac (previous seed) > wav > Soundforge 5
 (Speed correction & tracking) > flac Frontend lvl7 w/SBA. Special thanks to jkeisers for sharing this
 rarity with us in the first place. Enjoy !!! -- flambay"
 Set One: 01 Miles Runs the Voodoo Down 09:26, 02 Masqualero~The Theme 09:49 °°° cuts/flaws@
 09:21,09:25 & 09:29, 03 The Theme 00:14, Total time: 19:29
08/??/69 New York, NY - Columbia Studio B studio partial n/a 
  *August 18-19* *Deep Brew vol. 1, BB outtakes, not official* *LL150*
 Project ID - LL150. Source: Soundboard; Lineage: Soundboard > ?? > Mega disc > wave > flac. Miles
 Davis (tpt); Wayne Shorter (ss); Bennie Maupin (bcl); John McLaughlin (g); Chick Corea (el-p); Josef
 Zawinul (el-p); Dave Holland (b); Harvey Brooks (el-b); Jack DeJohnette (d); Lenny White (d); Charles
 Don Alias (d, perc); Jumma Santos [Jim Riley] (perc). Notes: - This circulates as Deep Brew Volume 1.
 From my listening, I can't find any material that is released officially. As stated by Peter Losin
 below, these are the outtakes that didn't make it through to the official release. - Great quality, as
 to be expected. It's very interesting to get a peak at the behind the scenes action. - "The music
 that does not appear on Bitches Brew has now been issued on Deep Brew, Volume 1 and Deep Brew, Volume
 2 (Mega Disc), and on Unreleased Bitches Brew Session (So What (CDR) SW-146/47), though it is indexed
 differently." - Credit to Peter Losin, http://www.plosin.com/ - QC done by Bgreen.
 Set One: d1t01. Bitches Brew (rehearsal 01, Fragment) d1t02. Bitches Brew (rehearsal 02,
 Fragment) d1t03. Bitches Brew (rehearsal 03, Fragment) d1t04. Bitches Brew (rehearsal 04, Fragment)
 d1t05. Bitches Brew (rehearsal 05, Fragment) d1t06. Bitches Brew (rehearsal 06, Fragment) d1t07.
 Bitches Brew (rehearsal 07, Fragment) d1t08. Bitches Brew (rehearsal 08, Fragment) d1t09. Bitches Brew
 (rehearsal 09, Fragment) d1t10. Bitches Brew (rehearsal 10, Fragment) d1t11. Bitches Brew (part 2 of
 Co 103745 take 1) d1t12. Studio Chatter d1t13. Bitches Brew (part 2, take 2) d1t14. John McLaughlin
 (part 3, take 1) d1t15. John McLaughlin (rehearsal 01, Fragment) d1t16. John McLaughlin (rehearsal 02,
 Fragment) d1t17. John McLaughlin (part 3, take 2) d1t18. John McLaughlin (rehearsal 01, Fragment)
  d1t19. John McLaughlin (part 4, take 1) d1t20. John McLaughlin (part 4, take 2) d1t21. Pharoah's Dance
 (rehearsal 01, Fragment) d1t22. Pharoah's Dance (rehearsal 02, Fragment) d1t23. Pharoah's Dance (Co
 103747, take 1) d1t24. Pharoah's Dance (rehearsal 03, Fragment) d1t25. Pharoah's Dance (rehearsal 04,
 Fragment) d1t26. Pharoah's Dance (rehearsal 05, Fragment) d1t27. Pharoah's Dance (rehearsal 06,
 Fragment) d1t28. Pharoah's Dance (rehearsal 07, Fragment) d1t29. Pharoah's Dance (rehearsal 08,
 Fragment) d1t30. Pharoah's Dance (rehearsal 09, Fragment) d1t31. Pharoah's Dance (rehearsal 10,
 Fragment) d1t32. Pharoah's Dance (rehearsal 11, Fragment) d1t33. Orange LAdy (rehearsal 01, Fragment)
  d1t34. Orange LAdy (rehearsal 02, Fragment) d1t35. Orange LAdy (rehearsal 03, Fragment) d1t36. Miles
 Runs The Voodoo Down (Co 103749 take 1) d1t37. Miles Runs The Voodoo Down (rehearsal 01, Fragment)
 d1t38. Miles Runs The Voodoo Down (take 2) d1t39. Miles Runs The Voodoo Down (take 3) d1t40. Miles
 Runs The Voodoo Down (rehearsal 02, Fragment) d1t41. Miles Runs The Voodoo Down (rehearsal 03,
 Fragment) d1t42. Miles Runs The Voodoo Down (rehearsal 04, Fragment) d1t43. Miles Runs The Voodoo Down
 (rehearsal 05, Fragment) d1t44. Miles Runs The Voodoo Down (take 5) d1t45. Miles Runs The Voodoo Down
 (rehearsal 06, Fragment) d1t46. Miles Runs The Voodoo Down (rehearsal 07, Fragment) d1t47. Studio
  Chatter (take 6) d1t48. Miles Runs The Voodoo Down (take 6) d1t49. Studio Chatter (take 7) d1t50.
 Miles Runs The Voodoo Down (take 7) d1t51. Miles Runs The Voodoo Down (take 8)
08/??/69 New York, NY - Columbia Studio B studio partial n/a 
 *August 20-21* *Deep Brew vol. 2, BB outtakes, not official* *LL151*
 Project ID - LL151. Source: Soundboard. Lineage: Soundboard > ?? > Mega disc > wave > flac. Miles
 Davis (tpt); Wayne Shorter (ss); Bennie Maupin (bcl); John McLaughlin (g); Chick Corea (el-p); Josef
 Zawinul (el-p); Dave Holland (b); Harvey Brooks (el-b); Jack DeJohnette (d); Lenny White (d); Charles
 Don Alias (d, perc); Jumma Santos [Jim Riley] (perc). Notes: - This circulates as Deep Brew Volume 2.
 From my listening, I can't find any material that is released officially. As stated below by Peter
 Losin these are the outtakes that didn't make the cut for the official release. - Great quality, as to
 be expected. It's very interesting to get a peak at the behind the scenes action. - "The music that
 does not appear on Bitches Brew has now been issued on Deep Brew, Volume 1 and Deep Brew, Volume 2
 (Mega Disc), and on Unreleased Bitches Brew Session (So What (CDR) SW-146/47), though it is indexed
 differently." - Credit to Peter Losin, http://www.plosin.com/ - QC done by Bgreen.
 Set One: d1t01. Miles Runs The Voodoo Down (take 8) d1t02. Miles Runs The Voodoo Down (take
 9 inc) d1t03. Spanish Key (Co103750 take 1) d1t04. Spanish Key (Co103750 take 2) d1t05. Spanish Key
 (Co103750 take 3) d1t06. Spanish Key (Co103750 take 4) d1t07. Spanish Key (Co103750 take 4 inc)
 d1t08. Pharoah's Dance (Co103313 part 1, take 1) d1t09. Pharoah's Dance (take 1 inc) d1t10. Pharoah's
 Dance (part 1, take 2) d1t11. Pharoah's Dance (part 1, take 2 inc) d1t12. Pharoah's Dance (part 2,
 take 1) d1t13. Pharoah's Dance (part 2, take 2) d1t14. Pharoah's Dance (part 2, take 1 fs) d1t15.
 Pharoah's Dance (part 2, take 2 fs) d1t16. Pharaoh's Dance(Part 2, Take 2 Fs3) d1t17. Pharaoh's
 Dance(Part 2, Take 2 Fs4) d1t18. Pharaoh's Dance(Part 2, Take 2 Fs5) d1t19. Pharaoh's Dance(Part 2,
 Take 2 Fs6) d1t20. Pharaoh's Dance(Insert Take 1) d1t21. Pharaoh's Dance(Insert Take 2) d1t22.
 Pharaoh's Dance(Insert Take 2 Fs) d1t23. Pharaoh's Dance(Insert Take 3) d1t24. Pharaoh's
 Dance(Insert Take 3 Fs1) d1t25. Pharaoh's Dance(Insert Take3 Rehearsal) d1t26. Pharaoh's
 Dance(Insert Take 3 Fs2) d1t27. Pharaoh's Dance(Insert Take 3 Fs3) d1t28. Pharaoh's Dance(Insert Take
 3 Fs4) d1t29. Pharaoh's Dance(Insert Take 3-2)
10/26/69 Milan, Italy - Teatro Lirico MA?>?>CD All 132 
 *speed corrected* *1st and 2nd concerts*
 The Miles Davis Quintet: October 26, 1969, Teatro Lirico, Milan, Audience Recording. First and
 second concert. Miles Davis (tp); Wayne Shorter (ss, ts); Chick Corea (p, fl); Dave Holland (b); Jack
 DeJohnette (d). Chick Corea plays drums during Shorter solo on "Spanish Key". Originally seeded by
 jkeisers: http://www.dimeadozen.org/torrents-details.php?id=115772. Here's a fixed version of that
 seed: - speed correction (on tracks as named in previous seed); MD_Milan_102669_1_01&02.flac: -170 to
 -150cts; MD_Milan_102669_1_03&04.flac: -90cts plus local fine tuning; MD_Milan_102669_1_05.flac: -90
 to -110cts; MD_Milan_102669_2_01~04.flac: various, between -90 and -110cts plus local fine tuning; -
 several overlaps, clicks and drop-outs removed; - volume level overall adjusted to -3dB max. level,
 both channels; - both sets re-tracked along individual titles (following P.Losin setlist nomenclature)
 http://www.plosin.com/milesAhead/Sessions.aspx?s=691026. No further audio modification. Lineage:
 orig.seed flac > wav > Soundforge 5 (fixing as above described) > flac Frontend lvl7 w/SBA
 Set One: First concert: 1_01 Bitches Brew 14:43, 1_02 Directions 09:56 °°°
  digi-glitches@{2:10-2:40}&{4:20-5:00}, 1_03 Miles Runs the Voodoo Down 16:33, 1_04 Masqualero 12:55
 °°° cuts@ 06:57,051 & 11:58,280 & 12:50,215, 1_05 I Fall in Love Too Easily 02:49, 1_06 Sanctuary
 03:46, 1_07 The Theme 00:16; Total set 1: 60:58
 Set Two: Second concert: 2_01 Bitches Brew 14:26, 2_02 It's About That Time 14:16, 2_03
 Nefertiti 10:31 °°° cut @ 10:02,897, 2_04 'Round About Midnight 09:56 °°° cut @ 09:41,374, 2_05 I Fall
 in Love Too Easily 01:16, 2_06 Masqualero 10:48 °°° cut @ 10:04,692, 2_07 Sanctuary 00:06, 2_08
 Spanish Key 09:48, 2_09 The Theme 00:21; Total set 2: 71:28
10/27/69 Rome, Italy - Teatro Sistina S:?>?>CD All n/a  
 Miles Davis Quintet: Miles Davis (tpt); Wayne Shorter (ss, ts); Chick Corea (el-p, wood fl); Dave
 Holland (b, el-b); Jack DeJohnette (d).
10/27/69 Rome, Italy - Teatro Sistina pro-shot Partial 28  
 Miles Davis Quintet: Teatro Sistina, Rome, Italy, October 27, 1969. Miles Davis (tpt); Wayne
 Shorter (ss, ts); Chick Corea (el-p, wood fl); Dave Holland (b, el-b); Jack DeJohnette (d). Unknown
 VHS > panasonic DMR ES15 > you; B / W; MPEG-2 NTSC Video, 4:3 Format, 720x480; 2 Ch 48 kHz, 16bits.
 Seeder's Notes: "I have been going through my Miles video seeing if I had things that had not been
 included here or at the great collection of Miles stuff at TTD. When I saw this performance pop up on
 audio I remembered having this video. Hope this un-muddies the waters a bit and helps shed some light
 on what is a FANTASTIC performance from Miles' oft-forgotten Great Quintet."
  Set One: "Bitches Brew" (two fragments, 4:00 + 3:12); "Miles Runs the Voodoo Down" (7:53);
 "I Fall in Love Too Easily" (2:57) + "Sanctuary" (4:00) + "The Theme" (0:11); "Directions" (4:23) +
 "Masqualero" (1:21)
10/31/69 Vienna, Austria - Stadthalle MtvR>CD All 49 
 TV > reel-to-reel tape > CD > flac 8. Miles Davis (tp), Wayne Shorter (ts, ss), Chick Corea (el-p),
 Dave Holland (b), Jack DeJohnette (dr). Bitches Brew is great here.
 Set One: Single Disc, 48:45: 1 Announcements, 2 @@Bitches Brew, 3 Agitation, 4 Miles Runs
 The Voodoo Down, 5 I Fall In Love Too Easily, 6 Sanctuary, 7 The Theme
11/01/69 Hammersmith Odeon  S:?>?>CD All 69 
 Set One: (4) 68:57
11/01/69b London, England - Hammersmith Odeon MA?>?>CD All 66 
 Miles Davis Quintet Hammersmith Odeon, London, UK, 1969-11-01 late show. Audience recording >
 [unknown] > trade CD > EAC > Sound Forge (retracking) > shntool (fix SBEs) > FLAC > MP3tag (add
 tags). Miles Davis (tpt); Wayne Shorter (ss, ts); Chick Corea (el-p); Dave Holland (b, el-b); Jack
 DeJohnette (d).
 Set One: 8 tracks, 66:22, 01 Directions (7:25), 02 Bitches Brew (14:48), 03 It's About That
 Time (17:54), 04 I Fall in Love Too Easily (3:18), 05 Sanctuary (3:54), 06 No Blues (4:53), 07
  Paraphernalia (0:47), 08 Masqualero (13:18)
11/02/69 London, England - Ronnie Scott's Club MT?>?>CD partial 37 
 Lost Quintent disc #6
 L5 - The Lost Quintet. 1969 Miles: The Lost Quintet Tree. http://www.miles-trees.org/l5/. Miles
 Davis (tpt); Wayne Shorter (ss, ts); Chick Corea (el-p, wood fl); Dave Holland (b, el-b); Jack
 DeJohnette (d). DISC SIX 36:33: November 2, 1969, RONNIE SCOTT'S CLUB, LONDON--BBC-TV broadcast (1 CD
 ).
 Set One: TT 36:33, Bitches Brew (M. Davis) (incomplete) 2:11, It's About That Time (M.
 Davis) 13:00, No Blues (M. Davis) 8:01, This (C. Corea) 5:07, I Fall in Love Too Easily (S. Cahn-J.
 Styne) 3:41, Sanctuary (W. Shorter-M. Davis) 4:07, The Theme (M. Davis) (with applause) 0:24
11/03/69 Paris, France - Salle Pleyel MF?>?>CD All 120 
 *Lost Quintet Discs 7 & 8*
 L5 - The Lost Quintet. 1969 Miles: The Lost Quintet Tree. http://www.miles-trees.org/l5/. Miles
 Davis (tpt); Wayne Shorter (ss, ts); Chick Corea (el-p, wood fl); Dave Holland (b, el-b); Jack
 DeJohnette (d). November 3, 1969. SALLE PLEYEL, PARIS--ORTF radio broadcast (2 CD). JJ: sounds
 wonderful!
 Set One: TT 64:28, First set, Directions (J. Zawinul) 8:00, Bitches Brew (M. Davis) 14:16,
 Paraphernalia (W. Shorter) 12:56, Riot (H. Hancock) 2:51, I Fall in Love Too Easily (S. Cahn-J. Styne)
 2:07, Sanctuary (W. Shorter-M. Davis) 4:12, Miles Runs the Voodoo Down (M. Davis) 19:17, The Theme (M.
 Davis) (with applause) 0:47
 Set Two: TT 56:19, Second set, Introduction :09, Bitches Brew (M. Davis) (incomplete) 12:24,
 Agitation (M. Davis) 9:02, I Fall in Love Too Easily (S. Cahn-J. Styne) 3:12, Sanctuary (W. Shorter-M.
 Davis) 4:00, Masqualero (W. Shorter) 12:41, It's About That Time (M. Davis) (incomplete) 14:49
 Set Three: OLD COPY: Bitches Brew, Paraphanalia, Riot, I Fall In Love Too Easily, Sanctuary,
 Miles Runs The Voodoo Down, The Theme, Total Time 64:32
11/04/69 Copenhagen, Denmark - Tivoli Koncertsal prot-shot All 54 
 Video: Tv > Low Gen VHS > TMPGEnc > DVD. NTSC 4:3, 6224 kbs, 720X480 29.97 fps. Audio: SBD, AC3,
 384 kbs (2-chnls), 48 kHz. Megavision "67 & 69" DVD. Lineup: Miles Davis - Trumpet; Wayne Shorter -
 Sax; Chick Corea - Keys; Dave Holland - Bass; Jack Dejohnette - Drums.
 Set One: Bitches Brew, Agitation, I Fall In Love Too Easily, Sanctuary, It's About That
 Time, The Theme, 00:54:07
11/04/69 Copenhagen, Denmark - Tivoli Konserthal MS?>?>CD All 68 
 Miles Davis Quintet: Miles Davis (tpt); Wayne Shorter (ss, ts); Chick Corea (el-p); Dave Holland
 (b, el-b); Jack DeJohnette (d).
 Set One: Single Disc (8) 68:10, Directions, Miles Runs The Voodoo Down, Bitches Brew,
 Agitation, I Fall In Love Too Easily, Sanctuary, It's About That Time, The Theme
11/05/69 Stockholm, Sweden - Folkets Hus MF?>?>CD All 91 
 *Lost Quintet Tree, Discs 10-11*
 L5 - The Lost Quintet. 1969 Miles: The Lost Quintet Tree. http://www.miles-trees.org/l5/. Miles
 Davis (tpt); Wayne Shorter (ss, ts); Chick Corea (p, el-p); Dave Holland (b, el-b); Jack DeJohnette
 (d). FOLKETS HUS, STOCKHOLM--Sveriges Radio broadcast (2 CD). Sounds very nice. A few snits first
 few minutes of second show "Directions".
 Set One: Disc One (5) 42:17, First set, Introduction (George Wein from stage) 0:30, Bitches
 Brew (M. Davis) 14:16, Paraphernalia (W. Shorter) 9:19, Nefertiti (W. Shorter) 10:06, Masqualero (W.
 Shorter) (incomplete) 8:04
 Set Two: Disc Two (5) 46:57, Second set, Directions (J. Zawinul) 8:54, Bitches Brew (M.
 Davis) 15:49, This (C. Corea) 6:30, It's About That Time (M. Davis) 12:29, No Blues (M. Davis) 3:13
 (NOTE ADDED 4/29/2005: NOW HAVE A VERSION WITH THE COMPLETE NO BLUES AND THE SET-ENDING THEME)
 Set Three: OLD COPY: 1. Introduction (00:29), 2. Bitches Brew (14:22), 3. Paraphernalia
 (09:28), 4. Nefertiti (10:16), 5. Masqualero (08:43), TOTAL: (43:20). Miles Davis (tpt), Wayne
 Shorter (ss, ts), Chick Corea (p, el-p), Dave Holland (b, el-b), Jack DeJohnette (d). Corea begins on
 el-p; about 3:00 into "Directions" the el-p malfunctions, and for the remainder of the concert he
 plays acoustic p. DAE done by Pete Rocco (pete@jojosarfo.org) using a Plextor 40Max Ultraplex (secure
 mode, C2) with EAC, and tracking (with help from Miles Ahead) was done using CDWave.
11/07/69 Berlin, Germany - Philharmonie MFT>CD All 46 
 Miles Davis (tp), Wayne Shorter (ts, ss), Chick Corea (el-p), Dave Holland (b), Jack DeJohnette
 (dr). [radio station master tape>CD-R]. JJ: sounds absolutely wonderful.
 Set One: (6 tracks, 45:46) 1 Announcements, 2 Directions, 3 Bitches Brew, 4 It's About That
 Time, 5 I Fall In Love Too Easily, 6 Sanctuary/ The Theme
11/09/69 Rotterdam, Netherlands - De Doelen 192k DAB>CD  All 63 
 Band: Miles Davis - Trumpet; Wayne Shorter - tenor / soprano sax; Chick Corea - electric piano;
 Dave Holland - bass; Jack de Johnette - drums & marimba. Source: BBC DAB (192khz) broadcast > HD
  recorder (Yamaha CDR-HD1300)> AMQR CD-R80; Editing: None other than Fade in / out before writing to
 CD-R; Transfer >wav (Nero 7 with jitter reduction) > Flac Frontend (level 6)> flac. Quality: Digital
 all the way to you, so EX+ (?). Seeder's Notes: "A great performance from the under-recorded legendary
 group, broadcasted by the BBC for Miles' 80th anniversary from the archives of Netherlands Public
 Radio (NOS) archive, supposedly not broadcast before. Not much more I can say that Miles fans don't
 already don't know more. Some may question the quality of DAB transmission, but the BBC broadcasts at
 192kHz (as permitted by Dime) and I have had the opportunity to record broadcasts from FM and then the
 repeats from DAB. Digital quality was substantially better than FM and with noticeable reduction of
 background FM hiss and implusive noise that enable lower levels of musical detail and ambience to be
 heard." JJ: sounds very good. Love "Masqualero" here.
 Set One: Set list: 01 - Intro (00:48) stage announcer (Joachim-Ernst Berendt) , 02 -
 Directions (10:01), 03 - Bitches Brew (19:33), 04 - Sanctuary (16:58), 05 - @@Masqualero (14:56), 06 -
 Outro (00:46) station announcer, Total time: 63:04 min
11/09/69 Rotterdam, Netherlands - De Doelen MF?>?>CD All 58 
 *Lost Quintet, Disc 12"
 L5 - The Lost Quintet. 1969 Miles: The Lost Quintet Tree, http://www.miles-trees.org/l5/. Miles
 Davis (tpt); Wayne Shorter (ss, ts); Chick Corea (el-p); Dave Holland (b, el-b); Jack DeJohnette (d).
 DISC TWELVE 58:24: November 9, 1969, DE DOELEN, ROTTERDAM--VARA radio broadcast (1 CD). JJ: love this
 Masqualero!
 Set One: TT 58:24: Introduction (Michiel de Ruyter) 0:17, Directions (J. Zawinul) 9:52,
 Bitches Brew (M. Davis) 9:45, I Fall in Love Too Easily (S. Cahn-J. Styne) 2:38, Sanctuary (W.
 Shorter-M. Davis) 3:55, It's About That Time (M. Davis) 17:04, @@Masqualero (W. Shorter) (with
 applause) 14:51
 
02/21/70 Ann Arbor, MI - Hill Auditorium MAT>?>CD All 51 
 Source: Audience tape (unk gen) -> Wav -> Soundforge remastering -> CD -> EAC -> Flac. Band: Miles
 Davis (tpt); Wayne Shorter (ss, ts); John McLaughlin (g); Chick Corea (el-p); Dave Holland (b); Jack
 DeJohnette (d); Airto Moreira (perc). Seeder's notes: "This is almost the complete show, some of the
 beginning was missed originally, and the first couple of minutes had a lot of dropouts and sound
 problems. Thus, my version is slightly shorter than Losins because I had to lose some music to smooth
 out the problems during the very worst parts. The fade-in at the beginning was done by me. As usual,
 my track times do not match Losin."
 Set One: 1 /It's About That Time (M. Davis) (incomplete) 11:24 , 2 I Fall in Love Too Easily
 (S. Cahn-J. Styne) 3:55, 3 Sanctuary (W. Shorter-M. Davis) 6:38 , 4 Bitches Brew (M. Davis) 13:30 , 5
 Masqualero (W. Shorter) 14:07 , 6 The Theme (M. Davis) (with applause) 1:23 , TT 50:59
03/06/70 NYC, NY - Fillmore East sbd Most 83 
 Miles Davis, Wayne Shorter, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira. Sounds
 great.
  Set One: --First Show (4, 42:13)-- 1. (band warming up)/ Directions 8:29, 2.  Miles Runs the
 Voodoo Down 13:08, 3.  I Fall in Love Too Easily/Sanctuary 5:56, 4. It's About That Time/The Theme
 (appl) 14:39
 Set Two: --Second Show (3, 41:06)-- 1. (band warming up)/ Directions 9:58, 2.  Miles Runs
 the Voodoo Down 10:16, 3.  Miles Runs the Voodoo Down (concl) 4:32, 4. It's About That Time/The Theme
 (appl) 16:19, (I Fall in Love Too Easily and Sanctuary are omitted)
04/09/70 San Francisco, CA - Fillmore West MFR>C>CD All 67 
 Miles, Steve Grossman, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira
 Set One: NEWEST VERSION Track Listing (1:07:34): 1. Directions (J. Zawinul) - 7:10, 2. Miles
 Runs the Voodoo Down (M. Davis) - 10:24, 3. This (C. Corea) - 4:39, 4. It's About That Time (M. Davis)
 - 12:18, 5. I Fall in Love Too Easily (S. Cahn-J. Styne) - 2:02, 6. Sanctuary (W. Shorter-M. Davis) -
 3:24, 7. Spanish Key (M. Davis) - 13:23, 8. Bitches Brew / The Theme (M. Davis) - 14:11
 Set Two: v2 1. Directions 6:41, 2. Miles Runs the Voodoo Down 9:21, 3. This (Corea) 5:46, 4.
 It's About That Time 11:41, 5. I Fall in Love Too Easily 2:13, 6. Sanctuary 3:32, 7. Spanish Key  
 13:22, 8. Bitches Brew 13:24, 9. The Theme/Applause :13
 Set Three: also v3 from a different bootleg source
04/10/70 San Francisco, CA - Fillmore West NFT All 79 
 *Not for trade: Columbia release Black Beauty (C2K65138)*
 Miles, Steve Grossman, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira
 Set One: (9) 79:20, 1. Directions 10:46 2. Miles Runs The Voodoo Down 12:22 3. Willie Nelson
 6:23 4. I Fall In Love Too Easily 1:35 5. Sanctuary 4:01 6. It's About That Time 9:59 7. Bitches Brew
 12:53 8. Masqualero 9:07 9. Spanish Key/The Theme 12:14
04/11/70 San Francisco, CA - Fillmore West MS?>?>CD All 76 
 Miles, Steve Grossman, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira. Sounds fantastic!
 Great, amazing performance.
 Set One: (8) 66:24, 1. Directions 9:29, 2. Miles Runs the Voodoo Down 13:33, 3.
 Paraphernalia 10:12, 4. Footprints 12:02, 5. I Fall in Love Too Easily 2:36, 6. Sanctuary 3:41, 7. 
 It's About That Time 10:22, 8. Willie Nelson/The Theme (applause) 4:24
 Set Two: Also have a version that is 76:22.
04/12/70 San Francisco, CA - Fillmore West MS?>?>CD All 74 
 Miles, Steve Grossman, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira. Source:
 Soundboard. Lineage: SBD >? >DAT @ 48 kHz >.wav via S/PDIF and M-Audio Audiophile 2496 digital
  soundcard >SoundForge 6.0 >CD Wave > FLAC Frontend (level 8, SBE OK). Technical Note: During the
 transfer from DAT to hard drive the source DAT snapped. The portion remaining after the break was then
 copied to hard drive and 1:58 from the Miles Trees source was spliced in to complete the recording.
 Channels were swapped and pitch adjusted on the Miles Trees portion to minimize differences in
 acoustic character. Milesian, June 2005.
 Set One: NEWER VERSION: Track List (74:20): 1. It's About That Time - 10:38, 2. Directions
 - 11:58, 3. I Fall in Love Too Easily - 1:46, 4. Sanctuary - 3:46, 5. Footprints - 10:23, 6.
 Agitation - 1:46, 7. No Blues - 7:40, 8. Bitches Brew - 14:20, 9. Spanish Key - 11:11, 10. The
 Theme - 0:46
 Set Two: OLDER VERSION: 1. It's About That Time 10:59, 2. Directions 12:17, 3. I Fall in
 Love Too Easily 1:47, 4. Sanctuary 3:56, 5. Footprints 10:40, 6. Agitation 1:49, 7. No Blues 4:28, 8. 
 Bitches Brew 13:31, 9. Spanish Key 11:47, 10. The Theme/Applause :51
06/20/70 NYC, NY - Fillmore East MSR>D>CD All 57 
 Soundboard > Master Reel > DAT > CD
 Set One: This is one continuous piece of music. Whomever tracked the source CD randomly
 placed track markers every 5 minutes, so that tracks 1 - 11 are all 5:00 or 4:59 and the last track is
 2:27. The source information is accurate, though. One listen will confirm it for the listener.
 Setlist from etree: 1. The Mask, 2. It's About That Time, 3. I Fall in Love Too Easily , 4. Sanctuary,
 5. Bitches Brew, 6. Willie Nelson , 7. The Theme;
 http://db.etree.org/lookup_show.php3?shows_key=70984
07/06/70 New York, NY - Central Park MA?>?>CD All n/a 
 Schaefer Music Festival in the Park; Wollman Rink, Central Park, New York; 1st show (7:00 pm);
 Audience Recording. Miles Davis (tp); Steve Grossman (ss); Chick Corea (p); Keith Jarrett (kb); Dave
 Holland (b); Jack DeJohnette (d); Airto Moreira (pc). "Eric Nisenson told Enrico Merlin that at the
  end of the second show, with Miles offstage, Keith Jarrett picked up his soprano and the band began to
 play completely free. After a few minutes, Miles appeared on stage and started to play 'Round
 Midnight. He played one chorus of the tune, completely unaccompanied."
 Set One: first source: Directions (nc?)(08:58), Bitches Brew (09:26), It's About That Time
 (09:57), Sanctuary (04:03), Spanish Key (08:50), Theme (00:35); second source: Sanctuary (nc) (03:09),
  Spanish Key (08:33), Theme (00:43), Total time: 54:10
07/25/70 New York, NY - Madison Square Garden MA?>?>CD All n/a 
 Audience recording. Miles Davis Septet: Miles Davis (tpt); Steve Grossman (ss, ts); Chick Corea
 (el-p); Keith Jarrett (org); Dave Holland (el-b); Jack DeJohnette (d); Airto Moreira (perc). Sound
 quality is B-/C. Commenter says: "BTW, this runs a half-step slow."
 Set One: 1. Introduction 00:18, 2. Directions (J. Zawinul) 08:04, 3. Bitches Brew (M. Davis)
 08:05, 4. Paraphernalia (W. Shorter) 09:33, 5. Sanctuary (W. Shorter-M. Davis) 00:40, 6. It's About
 That Time (M. Davis) 02:25, 7. Miles Runs the Voodoo Down (M. Davis) 07:12, 8. Spanish Key (M. Davis)
 (incomplete) 08:35
08/18/70 Tanglewood, MA - Berkshire Music Center MS?>?>CD All n/a 
 *"Tanglewood Storm"* *audio only*
 Miles Davis Septet: Berkshire Music Center, Tanglewood MA, August 18, 1970. "Tanglewood Storm"
 [Mega Disc, no number] [TT = 43:24] Miles Davis (tpt); Gary Bartz (ss, as); Chick Corea (el-p); Keith
 Jarrett (org); Dave Holland (b, el-b); Jack DeJohnette (d); Airto Moreira (perc.)
 Set One: Directions 8:18, Bitches Brew 9:15, The Mask 3:49, It's About That Time 7:45,
 Sanctuary 1:36, Spanish Key 7:47, Miles Runs the Voodoo Down 4:54
08/18/70 Tanglewood, MA - Berkshire Music Center DVD All n/a 
 Berkshire Music Center, Tanglewood, MA, August 18, 1970. Source: Pro-shot, SBD audio. Mega Vision
 DVD >TMPG DVD Author (Re-Build VOBs,Create Menu). Miles Davis (tpt); Gary Bartz (ss, as); Chick Corea
 (el-p); Keith Jarrett (org); Dave Holland (b, el-b); Jack DeJohnette (d); Airto Moreira (perc).
 Set One: Directions-> Bitches Brew-> The Mask-> It's About That Time-> Sanctuary-> Spanish
 Key-> The Theme (with applause)-> Miles Runs the Voodoo Down(encore?)-> The Theme
10/04/70 Seattle, WA - Seattle Center Arena MA?>?>CD All n/a 
 Audience recording. Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael
 Henderson (el-b); Jack DeJohnette (d); Airto Moreira (perc); Jumma Santos [Jim Riley] (perc).
 Set One: 1 Directions (J. Zawinul), 2 Yesternow (M. Davis), 3 What I Say (M. Davis), 4
 Sanctuary (W. Shorter-M. Davis), 5 Honky Tonk (M. Davis), 6 Bitches Brew (M. Davis), 7 The Theme (M.
 Davis) (incomplete) --bonus-- 8 Jabali Jun 12, 1972 - "On the Corner" outtake
10/15/70 San Francisco, CA - Fillmore West MF?>?>CD Most 64 
 October 15, 1970, Fillmore West Auditorium, San Francisco CA. KPFA-FM radio broadcast. Miles Davis
 Septet: Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael Henderson (el-b);
 Jack DeJohnette (d); Airto Moreira (perc); Jumma Santos [Jim Riley] (perc). Notes: - This is not taken
 from the Fillmore Tree. The Fillmore Tree version is about 25 mns. This here is almost the complete
 show, only "Directions", the set-opener is missing: total time is about 64 mns. This FM source sounds
 great. - According to P.Losin: "The Davis Septet opened for Leon Russell and Sea Train for four nights
 at the Fillmore West, October 15-18 (Thursday-Sunday). Columbia probably recorded these shows, and the
 Fillmore certainly did. None of the recordings of this show that I have heard includes "Directions,"
 the standard set-opener..." Lineage: soundboard > KPFA-FM radio broadcast > ? > CD > EAC (secure mode)
 > Cubase SX2 (minor re-tracking, no sound processing applied) > flac 1.1.2 [-8, -V, sector aligned]
 Set One: 01-honky tonk, 02-what i say (incl. radio broadcast voiceover announcement),
 03-sanctuary, 04-yesternow, 05-bitches brew, 06-funky tonk-the theme, total time: 63:49 mns
 Set Two: Also have a partial copy (24 mins): Yesternow 6:18, Bitches Brew 9:19, Funky Tonk
 8:58
 Set Three: Also have another partial copy 24:31
10/17/70 San Francisco, CA - Fillmore West MA?>?>CD? All 72 
 Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael Henderson (el-b); Jack
 DeJohnette (d);Airto Moreira (perc); Jumma Santos [Jim Riley] (perc). EDITED VERSION seeder's notes:
 "Miles Davis Septet, October 17, 1970, Fillmore West Auditorium, San Francisco CA. ("Densetsu").
 Audience recording (as per source - did aud. member have a stereo recorder?). Feb. 2005 Easytree seed,
 **with my edits**. I obtained this through a seed that ran in February. (I think.) I'm not sure if
 this is the same source as the current (May) Fillmore seeds. This includes my edits and is not,
 strictly speaking, a re-seed. While the Feb. seed sounds better than I initially thought, I wanted to
 correct the balance as much as I could (for some reason, I'm a little sensitive about this). I also
 wanted to make some corrections where the track splits occur. I'm not sure if I made much of an
 improvement in either case (for one thing, I wish the trumpet stayed in the center for the entire
 duration; not much I could do about this), but I'm personally happier with it now. Also there was a
 "pop" at the beginning of each track, all of which I have corrected. Because of my edits, these sound
 files are now "n" steps further away from the original source. I realize this is of major concern to
 many people, so I'm telling you now. If you think my edits might be helpful, then here you go.
 Otherwise, there's always the current Fillmore seed:
 http://www.dimeadozen.org/torrents-details.php?id=38766. (I no longer have my February .flac files.).
 Lineage: February FLAC files -> xAct -> .aiff. * Using Sound Studio, I removed the pop at the start of
 each track (using "Interpolate"), and combined the 7 tracks into 1 file. I then saved this file as two
 monophonic tracks. * I imported these mono tracks into Azureus (which unlike Sound Studio has balance
 control). I fiddled with balance until I decided I liked the sound: L track panned 40 % to the L, R
 track +2db gain and panned 40 % to the R. I saved the results as one big stereophonic track. * I did
 NOT do an A - B sound comparison between my changes and the original files. * Back to Sound Studio,
 where I split up the big file back into individual tracks. .aiff -> xAct using FLAC level 8. Again,
 there is nothing scientific about the way I made these edits. This was done in an attempt to please
 my own ears. I have not made any other attempts to improve the sound of this recording (no
 normalization, no compression, etc.)."
 Set One: 1. Directions 9:40, 2. Honky Tonk 11:38, 3. What I Say (or Funky Tonk) 11:27, 4.
 Sanctuary 2:46, 5. Yesternow 9:32, 6. Bitches Brew 13:23, 7. Funky Tonk (or Inamorata) 13:36
 Set Two: EDITED VERSION: Song list: Directions (J. Zawinul) 9:32; Honky Tonk (M. Davis)
 13:00; What I Say (M. Davis) (incomplete; fade-out) 10:12; Sanctuary (W. Shorter-M. Davis) 2:38;
 Yesternow (M. Davis) 9:14; Bitches Brew (M. Davis) 13:33; Funky Tonk (M. Davis)/The Theme (M. Davis)
 13:49, TT = 71:49 (actually 72:03)
10/18/70 San Francisco, CA - Fillmore West MS?>?>CD Partial n/a 
 *MD Fillmore West tree, disc 8*
 Miles Davis (trumpet); Gary Bartz (soprano & alto sax); Keith Jarrett (electric piano & organ);
 Michael Henderson (bass); Jack De Johnette (drums); Airto Moreira (percussions); Jumma Santos
 (percussions).
 Set One: 1. Directions - 9:58 2. Honky Tonk - 15:14 3. What I Say - 11:02 4. Sanctuary -
 2:44 5. Yesternow (incomplete) - 1:13
11/17/70 Philadelphia, PA - Electric Factory MS?>?>CD All n/a 
 November 17, 1970, Electric Factory, Philadelphia PA, Soundboard recording (?). Miles Davis Sextet:
 Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael Henderson (el-b); Jack
 DeJohnette (d); Airto Moreira (perc). Seeder notes: "Notes: -- According to P. Losin : "The original
 tape consists of three fragments"... audience recording" -- Original material was indeed consisting of
 3 fragments in the wrong order. Some slight tracking was necessary in order to put it back together.
 No sound processing applied. This sounds more like a soundboard than an audience recording... Lineage:
 sbd recording(?) >?> CD > EAC (secure mode) > tracking (Cubase SX2) > flac 1.1.2 [-8, -V, sector
 aligned]."
 Set One: Band warming up , Directions (splice at 08:46), Honky Tonk , What I Say (splice at
 10:15) , Sanctuary , It's About That Time (Cut off at 04:57), Funky Tonk , The Theme, total time:
 64:09
12/16/70 Washington, DC - Cellar Door Club  M??>?>CD 58 
 Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael Henderson (el-b); Jack
 DeJohnette (d); Airto Moreira (perc, voc)
 Set One: Single Disc (7) 57:40 --First set-- Directions (J. Zawinul) (incomplete) 8:55 ,
 Theme stated at 2:19. , Yesternow (M. Davis) 17:05 , What I Say (M. Davis) 12:33 , Sanctuary (W.
 Shorter-M. Davis) (closing theme, applause) 0:37 --Second set-- Funky Tonk (M. Davis) (incomplete)
 17:47 , Sanctuary (W. Shorter-M. Davis) (closing theme, applause, announcement) 0:41
12/17/70 Washington, DC - Cellar Door Club M??>?>CD II 70 
 Miles Davis Sextet: Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael
 Henderson (el-b); Jack DeJohnette (d); Airto Moreira (perc, voc). Fantastic material!!! Splice in
 Honky Tonk @ 19:25
 Set Two: (4) 69:42 --Second set-- What I Say (M. Davis) 13:33 , Honky Tonk (M. Davis) 19:54
 , It's About That Time (M. Davis) 14:20 , Funky Tonk (M. Davis) 21:32
12/18/70 Washington, DC - Cellar Door Club M??>?>CD II,III 113 
 Miles Davis Sextet: Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael
 Henderson (el-b); Jack DeJohnette (d); Airto Moreira (perc, voc). Wonderful sound and amazing
 performance.
 Set Two: (5 tracks, 46:39) --Second set-- Band warming up 0:27 , Directions (J. Zawinul)
 12:27 , Theme stated at 2:53, 4:08. , Honky Tonk (M. Davis) 18:45 , What I Say (M. Davis) 14:26 ,
 Sanctuary (W. Shorter-M. Davis) (closing theme, applause) 0:43
 Set Three: (8 tracks, 65:37)--Third set-- Band warming up 0:30 , Directions (J. Zawinul)
 11:14 , Theme stated at 1:57, 2:45, Honky Tonk (M. Davis) 17:08 , What I Say (M. Davis) 14:13 ,
 Sanctuary (W. Shorter-M. Davis) 2:03 , Funky Tonk (M. Davis) 18:53 , Sanctuary (W. Shorter-M. Davis)
 (closing theme, applause, announcement) 1:23
12/19/70 Washington, DC - Cellar Door Club MS?>?>CD All n/a  
 1 CD
 
03/??/71 Peabody, MA - Lennie's on the Turnpike MA?>?>CD All 73 
 Seeder's notes: "An audience recording I received on cassette via trade. cassette unk gen -> Nak
  DR-1 -> Audiophile2496 -> soundforge -> wav -> flac. My track markings are different than Losin,
 probably because my "fragments" are in a different order. This is not the version off the Minotauro
 bootleg box. This show is notable for the "trumpet incident"." Interest tempo changes in Directions
 around 2:45.
 Set One: Losin's Notes: March 11-14, 1971 (12 items; TT = 85:04) . Lennie's on the Turnpike,
 Peabody MA. Audience recording. Miles Davis Sextet: Miles Davis (tpt); Gary Bartz (ss, as); Keith
 Jarrett (el-p, org); Michael Henderson (el-b); Jack DeJohnette (d); Airto Moreira (perc) --First
 fragment-- Directions (J. Zawinul) 12:38 ; Theme stated at 2:32. ; What I Say (M. Davis) 16:28 ; Honky
 Tonk (M. Davis) (incomplete) 4:42 --Second fragment-- What I Say (M. Davis) (incomplete) 12:20 ;
 Sanctuary (W. Shorter-M. Davis) (closing theme, applause) 0:26 --Third fragment-- Funky Tonk (M.
 Davis) (incomplete) 11:17 ; This fragment begins with Davis stating the theme for "Funky Tonk," then
 Jarrett's solo; as the group is building towards the rest of "Funky Tonk" someone announces "Does
 anybody in this audience own a trumpet, and do they have one with them?" ; Announcement 0:28 ; From
 the stage: "Does anybody in this audience own a trumpet, and do they have one with them?" Members of
 the audience: "I decided to bring mine" -- "I left mine at home" -- "Is it in tune?" --Fourth
 fragment-- Funky Tonk (M. Davis) (incomplete) 12:22 Begins in the middle of Bartz solo. ; Sanctuary
 (W. Shorter-M. Davis) 3:01 ; It's About That Time (M. Davis) (incomplete) 3:46 --Fifth fragment-- It's
 About That Time (M. Davis) (incomplete) 7:04; Sanctuary (W. Shorter-M. Davis) (closing theme,
 applause) 0:32 (7 tracks, 72:40)
05/??/71 San Francisco, CA - Fillmore West MS?>?>CD All n/a 
 *May 6-9*
  May 6-9, 1971: Fillmore West, San Francisco; Soundboard Recording. Miles Davis (tp); Gary Bartz
 (ss, as); Keith Jarrett (kb); Michael Henderson (b); Jack DeJohnette (d); Airto Moreira (pc)
 Set One: Honky Tonk (nc) 07:45, What I Say? 14:17, Sanctuary 03:28, It's About That Time
 19:20, Funky Tonk 21:26, Sanctuary 00:43
10/21/71 Milan, IT - Conservatorio Giuseppe Verdi mixed All 73 
 FM source (RAI) + audience source > ? > CD > EAC secure mode > tracking (Cubase SX2) > flac
 encoding [1.1.1, -V, -8, sector aligned]. Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett
 (el-p, org); Michael Henderson (el-b); Ndugu Leon Chancler (d); Charles Don Alias (cga, perc); James
 Mtume Foreman (cga, perc). Notes: "Golden Age of Jazz JZCD 314 silver cd consists of an incomplete
 RAI broadcast of the Milan show. The source here sounds better than the one used on JZCD 314. However
 it also consists of the same incomplete RAI broadcast. An audience source was used from about 2
 minutes into "It's about that Time" until the end in order to complete the show. Golden Age of Jazz
 JZCD 314 is about 47 minutes. The complete Milan 71 show here is about 74 minutes."
 Set One: (6 tracks, 73:25) 01-Directions, 02-Yesternow, 03-What I Say, 04-Sanctuary, 05-It's
 About That Time, 06-Funky Tonk/Sanctuary
10/22/71b Dietikon, Switzerland - Neue Stadhalle MF?>?>CD Most 75 
 ----This is the November 2001 DRS3 Radio re-broadcast---- -From Losin's site: "Most of the second
 concert was re-broadcast on DRS3 in November 2001 ("Funky Tonk" is faded out) " Notes: -radio jingles
 removed. -radio host intro and radio host outro removed. -After the radio host intro, the show began
 with the first track fading in. That fade-in is preserved here. -The actual broadcast didn't include
 the ending of the last track as the host started speaking over a fade-out. Therefore even if the last
 track in this set of files fades out, no music is really missing from the original 2001 re-broadcast.
 -No sound processing applied. FM Broadcast (DRS3 Swiss Radio) > ? > CD > EAC v0.95 prebeta 5 (secure
 mode)> tracking, fades, see above notes (Cubase SX 2) > flac encoding [v1.1.1, -8, -V, sector
 aligned]
 Set One: cd1 (6 tracks, 75:27): 01-Directions ; 02-Honky Tonk ; 03-What I Say ; 04-Sanctuary
 ; 05-It's About That Time ; 06-Yesternow
 Set Two: MISSING cd2: 01-Funky Tonk (incomplete)
10/23/71 Paris, France - Theatre National Populaire MA?>?>CD  All 114 
 Miles Davis Septet: October 23, 1971, Théâtre Nationale Populaire, Paris (France), audience
 recording. Band: Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael Henderson
  (el-b); Ndugu Leon Chancler (d); Charles Don Alias (cga, perc); James Mtume Foreman (cga, perc). total
 time: 113:46. Seeder Notes: "Not sure about whether this was really broadcasted by the ORTF (as
 indicated by P.Losin) but this is probably one of the finest audience recordings of the European Tour
 71." Lineage: audience recording>?>reel to cdr>eac secure>Cubase SX2 (minor editing, indexing, no
 sound processing applied)>flac 1.1.2 [-8, -V, sector alignement]. JJ: not my favorite.
 Set One: cd1 (6 tracks, 75:14): 01 - directions, 02 - what i say, 03 - sanctuary, 04 - it's
 about that time, 05 - yesternow, 06 - bitches brew
 Set Two: cd2 (3 tracks, 38:35): 01 - honky tonk, 02 - funky tonk, 03 - sanctuary (closing
 theme, applause)
10/26/71 Brussels, Belgium - Palais des Beaux Arts All 80 
 Miles Davis, Palais des Beaux Arts, Salle Henri Leboeuf, Bruxelles Belgium, 10-26-1971: Miles Davis
 - trumpet; Gary Bartz - saxophone; Keith Jarrett - keyboards; Michael Henderson - electric bass; Ndugu
 Leon Chancler - drums; Charles Don Alias - percussion; James Mtume Foreman - hand drums
 Set One: (9) 79:50, 1. Directions 10:53, 2. Honky Tonk 11:46, 3. Sivad 02:04, 4. What I
 Say 10:28, 5. Sanctuary 02:57, 6. It's About That Time 12:07, 7. Yesternow 10:58, 8. Funky Tonk
 18:19, Miles Talks - Friends 00:09
10/27/71a Paris, France - Theatre National Populaire MF?>?>CD All 85 
 *speed corrected*
 ORTF radio broadcast. Seeder's notes: Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p,
 org); Michael Henderson (el-b); Ndugu Leon Chancler (d); Charle sDon Alias (cga, perc); James Mtume
 Foreman (cga, perc). - The original torrent seemed very slow in parts, notably Directions which came
 out in D rather than the correct key of E. - I made the following modifications: - Separated tracks
 using CDWav (the original torrent has two long tracks); - Speed corrections using Goldwave; -
 Reconverted to FLAC using FLAC Frontend 8 w/sector alignment. JJ: lots of little warts, possibly
 analog.
 Set One: Disc One (4, 38:14): 1. Directions, 2. Honky Tonk, 3. What I Say, 4. Sanctuary 1
 Set Two: Disc Two (6, 46:47): 1. Sanctuary 2, 2. It's About That Time, 3. Yesternow, 4.
 Prelude to Funky Tonk, 5. Funky Tonk, 6. Sanctuary Outro
10/27/71b Paris, France - Theatre National Populaire MF?>?>D>CD All 89 
 Musicians: Miles Davis - trumpet; Gary Bartz - soprano and alto saxophones; Keith Jarrett -
 electric piano, organ; Michael Henderson - electric bass; Ndugu Leon Chancler - drums; Don Alias,
 James Mtume Foreman - congas, percussion. Source: ORTF radio broadcast >? >DAT @ 48 kHz. Lineage: -DAT
 >S/PDIF and M-Audio Audiophile 2496 digital soundcard to .wav >SoundForge 6.0 CD Wave >FLAC Frontend
 (level 8, aligned on sector boundaries). Notes: Received as "Unknown, Europe - November 1971" on DAT
 before the era of CDR burners and commercial CDR bootlegs. Peter Losin identifies it as the late show
 from October 27, noting: "The music I have listed as the second concert has circulated widely as
 "Unknown November 1971," but I'm convinced that it is the second concert on this date. Most of the
  tapes purporting to contain the second Paris concert are spliced and include the first three tunes
 listed here plus the last 53 minutes from the first concert (from "Sanctuary" until the end)." JJ:
 bass heavy, a little muffled, but the bass is really good. I enjoy this more than most of the late
 '71 stuff. Bad digi issues @ 18:15 of d2t02 (Funky Tonk)
 Set One: Disc One (52:23): 1. Directions - 11:47, 2. Honky Tonk - 10:57, 3. What I Say -
 13:40, 4. Sanctuary - 3:56, 5. It's About That Time - 12:01
 Set Two: Disc Two (37:27): 1. Yesternow - 15:52, 2. Funky Tonk - 20:00, 3. Sanctuary -
 1:33
10/29/71 Rotterdam, NL - De Doelen Hal MF?>?>CD All 60  
 This is the complete broadcast. The tracks that are marked as incomplete were broadcasted that way.
 Still, an exceptional show with outstanding sound quality. Miles Davis - Trumpet; Gary bartz - Saxes;
 Michael Henderson - Bass; Keith Jarrett - Keyboards; Don Alias - Percussions; Mtume - Percussions;
 Leon Chancler - Drums. JJ: sounds great, digi-ticks in t06 (Agout That Time).
 Set One: (10 tracks, 60:05) Speaker Intro, Directions (incomplete), Honky Tonk, What I Say
 (incomplete), Sanctuary, It's About That Time, Yesternow (incomplete), Funky Tonk, Sanctuary, Closing
 Theme / speaker Outro
11/03/71 Belgrade, Yugoslavia MS?>?>CD All  67 
 Miles Davis Septet: Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael
 Henderson (el-b); Ndugu Leon Chancler (d); Charles Don Alias (cga, perc); James Mtume Foreman (cga,
 perc)
 Set One: 1. Directions (10:24), 2. Honky Tonk (13:19), 3. What I Say (14:11), 4. Sanctuary
 (02:56), 5. It's About That Time (14:44), 6. Yesternow (incomplete) (11:46), Total Time 67:22
11/05/71 Vienna, Austria - Koncerthaus  MS?>?>CD All 101 
 Miles Davis - Trumpet; Gary Bartz - Soprano and Alto Saxophone; Keith Jarrett - Electric Piano,
 Organ; Michael Henderson - Electric Bass; James Mtume Foreman - Conga, Percussion; Ndugu Leon Chancler
 - Drums
 Set One: Disc One: 1. Directions 15:25, 2. Honky Tonk 13:05, 3. What I Say 16:37, 4.
 Sanctuary 03:21, 5. It's About That Time (Pt.1) 03:37, TOTAL: 52:08
 Set Two: Disc Two: 1. It's About That Time (cont) 13:45, 2. Yesternow 14:19, 3. Funky Tonk
 19:33, 4. Sanctuary (closing theme) 01:15, TOTAL: 48:52
11/06/71 Berlin, Germany - Philharmonie MF?>?>CD All 84 
 *pitch-corrected*
 Miles Davis, November 6, 1971, Philharmonie, Berlin, Germany. NDR Radio Broadcast. Post
 Production: FLAC > WAV > Adobe Audition (Pitch Bender: +60 cents, Fade Out: d1t08) > CD Wave
 (Re-Tracked & removed gaps) > TLH > FLAC. Miles Davis (tp); Gary Bartz (ss, as); Keith Jarrett (kb);
 Michael Henderson (b); Ndugu Leon Chancler (d); Charles Don Alias (pc); James Mtume Foreman (pc).
 Note: Sounds like there is a little jump or skip at 2:54 in d1t05. It is in the original track,
 also.
 Set One: Disc 1 (8 tracks, 46:01) 1. Introduction / Band Warming Up 00:51, 2. Directions
 14:21, 3. Honky Tonk 02:31, 4. Funky Tonk 01:37, 5. Honky Tonk 06:36, 6. Honky Tonk 06:48, 7. What
 I Say? 08:28, 8. Sanctuary (inc.) 04:46
 Set Two: Disc 2 (2 tracks, 37:57) 1. It's About That Time 16:29, 2. Funky Tonk / Sanctuary
 21:27
11/06/71 Berlin, Germany - Philharmonie MF?>?>CD All n/a 
 *pitch-corrected w/ additional fixing*
 Source: Dime post by 'twat': http://www.dimeadozen.org/torrents-details.php?id=86687, NDR Radio
 Broadcast: Post Production: FLAC > WAV > Adobe Audition (Pitch Bender: +60 cents, Fade Out: d1t08) >
 CD Wave (Re-Tracked & removed gaps) > TLH > FLAC. Changes made (Nero 7): Reduced RH channel to 70%.
 Cross faded L&R channels (80:20 ratio) to fix headphone unfriendly mix. Fixed glitch 8.22 in Honky
 Tonk. Fixed glitches 3.37 3.52 & 4.30 in Sanctuary. Fixed glitch at 0.41 in It's about that time.
 Combined the split Honky Tonk tracks (inc. short Funky Tonk fragment). Fixed the Fade out / in between
 Sanctuary & It's about that time. Now it is a continuous set. Miles Davis (tp); Gary Bartz (ss, as);
 Keith Jarrett (kb); Michael Henderson (b); Ndugu Leon Chancler (d); Charles Don Alias (pc), James
 Mtume Foreman (pc).
 Set One: Set List (83.52): 00.51 Introduction / Band Warming Up, 14.21 Directions, 17.33
 Honky Tonk (inc. Funky Tonk fragment), 08.28 What I Say?, 04.41 Sanctuary (inc.) > 16.26 It's About
 That Time, 21.27 Funky Tonk > Sanctuary
11/07/71 Uppsala, Sweden - Universitets Aula MF?>?>CD All 77 
 Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael Henderson (el-b); Ndugu
 Leon Chancler (d); Charles Don Alias (cga, perc); James Mtume Forman (cga, perc).
 Set One: 1) Directions 12:08.00, 2) Honky Tonk 9:22.73, 3) Intro To What I Say 5:36.51, 4)
 What I Say 7:19.46, 5) Conga Solo -> Sanctuary 5:41.52, 6) It's About That Time 13:11.02, 7)
 Yesternow -> Jarrett Solo 10:34.01, 8) Funky Tonk (w/Sanctuary Outro) 13:18.74; TT 77:12.74
11/08/71 Copenhagen, Denmark - Tivoli Koncertsal MF?>?>CD All 92 
 Set One: Disc One (6 tracks, 72:32) Directions, Honky Tonk, What I say, Sanctuary, It's
 About That Time, Yesternow
 Set Two: Disc Two (2 tracks, 18:50) Funky Tonk, Sanctuary / The Theme
11/09/71 Oslo, Norway - Chateau Neuf MA?>?>CD All 79 
 Miles Davis Septet, November 9, 1971 (8 items; TT = 79:31), Chateau Neuf, Oslo (Norway). audience
 complete. Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael Henderson (el-b);
 Ndugu Leon Chancler (d); Charles Don Alias (cga, perc); James Mtume Foreman (cga, perc). JJ: very
 nice aud.
 Set One: (8 tracks, 78:57) 1. //Directions (J. Zawinul) 11:38 (Theme started at 2:55, 3:46),
 2. Honky Tonk (M. Davis) at 11:15 What I Say (M. Davis) 15:26, 3.Sanctuary (W. Shorter-M. Davis)
 (start at 1.20) 4.35, 5.It's About That Time (M. Davis) 12.51, 6. Yesternow (M. Davis) 11:45, 7.Honky
 Tonk (M. Davis) 5.04, 8.Funky Tonk (M. Davis) Sanctuary (W. Shorter-M. Davis) (closing theme,
 applause) (start at 9.45) 10.29
11/09/71 Oslo, Norway - Chateau Neuf MF?>?>CD All n/a 
 *LL178*
 Project ID - LL178. Source: FM Broadcast. Lineage: Norsk Rikskringkastning radio broadcast > ?? >
 Maxell XLII 90 (Low Gen ??) > DR-1 > Lunatec v2 > Kork MR-1000 > DSD-DFF 1bit 5.64MHz > Audio Gate >
 24/44.1 > audiophile enginering Sample Manager Izotpe/ src > 16/44.1 > cd wave (split tracks > flac
 lvl8. Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael Henderson (el-b);
 Ndugu Leon Chancler (d); Charles Don Alias (cga, perc); James Mtume Forman (cga, perc). Notes: - Big
 thanks to Freekjazz for the cassettes and D. McCabe for transfering and mastering. This source is
 comparable to the other audience source out there. The sound is a bit crisper, levels are a bit
 brighter, and the mix is a lil easier on the ears. The Electric Blue bootleg EB005 has better sound,
 but is incomplete. This source is still a bit low end heavy, distant and with a slight hiss in the
 quiet parts but with both sonic value and completeness accounted for a definite improvement IMO. - QC
 done by Bgreen
 Set One: d1t01. Directions, d1t02. Honky Tonk, d1t03. What I Say, d1t04. Sanctuary, d1t05.
 It's About That Time, d1t06. Yesternow, d1t07. Funky Tonk, d1t08. Sanctuary
11/12/71 Cologne, Germany - Sartory-Festsaal MF?>?>CD All 59 
 Westdeutscher Rundfunk (WDR) FM Radio Broadcast. Miles Davis (tp); Gary Bartz (ss, as); Keith
 Jarrett (kb); Michael Henderson (b); "Ndugu" Leon Chancler (d); Charles Don Alias (pc); James "Mtume"
 Foreman (pc). There is a glitch between "Yesternow" and "Funky Tonk" (audio cassette flip) and some
 distortion during the first few minutes.
  Set One: (8 tracks, 59:12) Introduction (00:21) , Directions (11:10), Honky Tonk (09:21),
 What I Say? (nc) (05:51), Voice-over, It's About That Time (nc) (03:25), Yesternow (11:49), Funky Tonk
 (16:33), Sanctuary (00:43)
11/13/71b London, England - Royal Festival Hall M??>?>CD All n/a 
 November 13, 1971, Royal Festival Hall, London. Private recording. Miles Davis (tp); Gary Bartz
 (ss, as); Keith Jarrett (kb); Michael Henderson (b); "Ndugu" Leon Chancler (d); Charles Don Alias
 (pc); James "Mtume" Foreman (pc). Notes: "This is something special: an excellent recording of the
 best show of the 1971 European tour. Not in general circulation. Source/lineage: Audio cassette.
 Unknown generation. I don't think that this is an audience recording, but I'm not sure. Remastered by
 me. One or two glitches. Audible tape flip that I didn't try to fix." Consensus on DIME seems to
 suggest that this is the late show.
 Set One: 1. Directions (11:15) 2. What I Say? (15:24) 3. Sanctuary (03:51) 4. It's About
 That Time (15:55) 5. Honky Tonk (14:25) 5. Funky Tonk (15:45) 6. Sanctuary (01:35) total time:
 78:11
11/16/71 Torino, Italy - Palazzo dello Sport M??>?>CD All n/a 
 November 16, 1971: Palazzo dello Sport/Palasport, Torino (Turin), Italy, RAI-TV. Miles Davis (tp);
 Gary Bartz (ss, as); Keith Jarrett (kb); Michael Henderson (b); "Ndugu" Leon Chancler (d); Charles Don
 Alias (pc); James "Mtume" Foreman (pc).
 Set One: Directions (13:33), What I Say? (14:07), Sanctuary (04:02), It's About That Time
 (13:32), Honky Tonk (17:60), Funky Tonk (15:13), Sanctuary (00:47); total time: 79:47 ((wrongly
 indexed))
11/20/71 Cascais, Portugal - Sports Pavilion MA?>?>CD All 64 
 Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael Henderson (el-b); Ndugu
 Leon Chancler (d); Don Alias (cga, perc); Mtume Foreman (cga, perc). JJ: SQ is pretty poor. Funky
 Tonk is hot.
 Set One: (7 tracks, 64:12) Directions (J. Zawinul) 11.43, What I Say (M. Davis) 15.25,
 Sanctuary (W. Shorter-M. Davis) 2.43, It's About That Time (M. Davis) (incomplete) 1.51, Honky Tonk
 (M. Davis) (incomplete) 17.04, @@Funky Tonk (M. Davis) 14.58 , Sanctuary (W. Shorter-M. Davis)
11/26/71 New York, NY - Lincoln Center MA?>?>CD partial n/a 
 Miles Davis Septet: November 26, 1971, Philharmonic Hall - Lincoln Center, New York City, Audience
 Recording. Miles Davis (tp); Gary Bartz (ss, as); Keith Jarrett (kb - damaged); Michael Henderson (b);
 Jack DeJohnette (d); Charles Don Alias (pc); James "Mtume" Foreman (pc). >From the LP "Bwongo/Ananka"
 (Session LP 123).
 Set One: Part I ("Bwongo") (22:53): Directions, What I Say?; Part II ("Ananka") (23:33):
 What I Say (cont), Sanctuary (nc), It's About That Time, Honky Tonk (nc) (total time: 46:28)
 
09/10/72 Ann Arbor, MI - Otis Spann Memorial Field MF?>?>CD partial 42 
 WCBN radio broadcast, Quality A-. Miles Davis (tpt); Carlos Garnett (ss); Reggie Lucas (g); Khalil
 Balakrishna (sitar); Cedric Lawson (keyb); Michael Henderson (el-b);Al Foster (d); James Mtume Foreman
  (cga, perc); Badal Roy (tabla). Seeder: "This is from the Mega Disc Bootleg. If anyone has the
 complete unedited broadcast that would be much appreciated."
 Set One: 1 Introduction (from stage) :12, 2 Rated X (M. Davis) 22:05, 3 Honky Tonk (M.
 Davis) (incomplete) 12:19, 4 Black Satin (M. Davis) (incomplete) 7:34, TT = 42:10
09/14/72 Boston, MA - Paul's Mall MFR>R>CD All n/a 
 Personnel: Miles Davis: Trumpet; Carlos Garnett: Soprano Saxophone; Cedric Lawson: Keyboard; Reggy
 Lucas: Guitar; Khalil Balakrishna: Electric Sitar; Michael Henderson: Bass Guitar; Al Foster: Drums;
 James Mtume Forman (Heath): Percussion; Badal Roy: Tablas. Lineage: FM > Master reel > reel > CDR >
 EAC secure > HD > remastered with WaveLab 4.0 > CD Wave Tracking > CDR > xACT Flac level 8
 Set One: Radio Announcer/Band Warming Up, Black Satin, Rated X, Honky Tonk, Right Off, The
 Theme
09/14/72 Boston, MA - Paul's Mall MF?>?>CD All 45 
 WBCN radio broadcast. Lineage: cassette(2/3 gen) -> nak dr-1 -> audiophile2496 -> soundforge
 remastering -> wav -> flac (sector align/verify). Miles Davis (tpt); Carlos Garnett (ss); Reggie
 Lucas (g); Khalil Balakrishna (sitar); Cedric Lawson (keyb); Michael Henderson (el-b); Al Foster (d);
 James Mtume Foreman (cga, perc); Badal Roy (tabla). Notes from seeder: "Probably the shortest musical
 "era" in Miles' career, this concept only lasted 6 months or so, and was heavily influenced by
 Karlheinz Stockhausen, Sly Stone and James Brown. Not for everyone. If you liked Bill Laswells
  "Panthalassa" remixes, you will like this." Losin says: "This set was broadcast live on WBCN-FM radio.
 The closing announcement mentions that the Davis Nonet is at Paul's Mall "for the rest of the weekend"
 -- probably from Thursday the 14th through the following Sunday, the 17th. Another set, probably from
 a different night, was recorded by someone in the audience and is sonically inferior. See the listing
 for September 15-17, 1972 for details. Super Sonic wrongly lists this music as recorded "live at the
 Quaker Jazz Festival, Philadelphia, NJ / September 24, 1972." In addition, the track indexes are
 wrong: 1. Black Satin (9:31); 2. Rated X (15:13); 3. Honky Tonk (9:34); 4. Right Off (11:45). The
  Davis Nonet was busy during this period: Paul's Mall, Boston (September 14-17); Spectrum, Philadelphia
 (September 23); Lincoln Center, New York (September 29); Stanford University Amphitheater, Palo Alto
 (October 1); Civic Theatre, San Diego (October 8)." JJ: sounds quite nice.
 Set One: 45:10, 1 Black Satin (inc.) 9:42, 2 Rated X 16:48, 3 Honky Tonk/Right Off (inc.)
 18:40
10/01/72 Stanford, CA - Frost Amphitheatre MF?>?>T>CD All  n/a 
 SOURCE: FM > Analog Audio Tape > CD transfer for trade > CDR > EAC SECURE MODUS > FLAC FRONTEND,
 LEVEL 6 FLAC.
10/01/72 Stanford, CA - Frost Amphitheatre MF?>?>CD Partial n/a  
 *LL190*
 Project ID - LL190. Source: FM Broadcast. Lineage: DR-1 > Lunatec v2 > Korg MR-1000 > DSD-DFF 1bit
 5.64MHz > Audio Gate > 24/44.1 > wavelab 5 > plugins > 16/44.1 > cd wave > flac lvl 8. Miles Davis
  (tpt, org); Carlos Garnett (ss); Reggie Lucas (g); Khalil Balakrishna (sitar); Cedric Lawson (keyb);
 Michael Henderson (el-b); Al Foster (d); Badal Roy (tabla); James Mtume Forman (cga, perc). Notes: -
 d1t01: Track starts mid song, music lost. - d1t05: Track ends mid song, music lost. - I worked at
 getting the mud out of this source for quite a while. This is about the best I could get it. I
 compared it to a circulating version and this source has doesn't have the drop out the others had in
 the first 10 seconds. The distortion I heard in the other source is not present here, and the overall
 source is just clearer. Great show. This source does have a slight hiss and a few instances of a very
  faint crackle that I couldn't remove without stripping the warmth from the source. Enjoy. - Big thanks
 to JAson (Freekjazz) For the sources and derek M for the transfer. - Opener for the New Riders Of The
 Purple Sage - "Ife" evolved as it was performed during this period: the jaunty ten-note
 ascending-descending vamp that was the basis of the studio version of the tune was supplemented (and
 soon replaced) by a simpler four-note riff. In 1972 live performances, the tune typically begins with
 the slower riff and shifts to the quicker (here the shift occurs at 9:46). By early 1973 the simpler
 slower riff replaced it completely."- Credit to Peter Losin, http://www.plosin.com/ - Edit and QC by
  Bgreen
 Set One: d1t01. /Rated X d1t02. Honky Tonk d1t03. Right Off d1t04. Black Satin d1t05.
 Ife/
 
04/05/73 Seattle, WA - Paramount Northwest Theater MA?>?>CD II n/a 
 Miles Davis Band: Paramount Northwest Theater, Seattle, WA, April 5, 1973. Audience Recording.
 Miles Davis (tp); Dave Liebman (ss); Pete Cosey (g, pc); Reggie Lucas (g); Khalil Balakrishna
 (sitar); Lonnie Liston Smith (kb); Michael Henderson (b); Al Foster (d); James "Mtume" Foreman (pc);
 Badal Roy (tabla). Notes: "This recording has the first known version of a tune based on the bass vamp
 of J.B.'s "My Brother" (1971)."
 Set One: 1. Ife 25:12, 2. Zimbabwe ("My Brother") (nc) 09:41
06/19/73 Tokyo, JP - Shinjuku Kohseinenkin Hall MFC>?>CD All 89 
 lineage: fm> cass> ?> cd-r> wav> flac(8) (received as a vine). Miles Davis (tpt, org); Dave Liebman
 (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James
 Mtume Foreman (cga, perc). Drops at track markers.
 Set One: CD1 (5, 44:09): Turnaroundphrase 12:25, Tune in 5 9:16, Right Off 3:33, Funk
 [Prelude, part 1) 8:07, Tune in 5 10:28
 Set Two: CD2 (3, 44:44): Ife 21:46,Agharta Prelude 9:41, Zimbabwe 13:16
07/10/73 London, England - Rainbow Theater MS?>?>CD All n/a 
 Miles Davis - trumpet and organ; Dave Liebman - soprano and tenor saxophone and flute; Pete Cosey -
 guitar and percussion; Reggie Lucas - guitar; Michael Henderson - electric bass; Al Foster - drums;
 James Mtume Forman - congas and percussion. Probable stage recording by Dave Leibman.
 Set One: 1. Turnaroundphrase 11:54, 2. Tune in 5 10:24, 3. Unknown Title 730620 21:29
 Set Two: 1. Right Off 13:38, 2. Ife 20:49, 3. Calypso Frelimo 12:19
07/11/73 Paris, FR - Olympia Theater MF?>?>CD All 71 
 *commercial release - NFT*
 FM> ?> CD> Sound Forge> WAV> dBpowerAMP converter> FLAC (level 6)> DIME> Your ears. Miles Davis:
 trumpet, possibly organ*; David Liebman: tenor and soprano saxophones, flute; Pete Cosey: guitar,
 percussion; Reggie Lucas: guitar; Michael Henderson: electric bass; Al Foster: drums; M'Tume: congas,
 percussion. Radio broadcast by Europe 1. Seeder: "Issued as a bootleg: 'Miles Davis: En Concert avec
 Europe 1- Olympia, 11 Juillet, 1973', Trema 710460. *Miles is credited with organ on this date (as was
 usual at the time) but none appears to be audible except a brief burst five minutes into 'Ife'. Tracks
 1- 3 and the opening six minutes of track 4 were issued on Trema as a single track 'Medley:
 Turnaroundphrase/ Tune in 5/ unidentified/ unidentified'. The remainder of track 4 and track 5 were
 issued with the incorrect title 'Ife'. Tracks 6 and 7 were issued as a single track, 'Unidentified'.
 Tracks 1 & 2 are listed by Pete Losin as a single title, "Turnaroundphrase'. At 8'03 a second theme is
  introduced (cued in by Foster's extended drum roll). These clearly seem to be two different pieces and
 I have seperated them as such. Enrico Merlin refers to these two pieces as 'Moja' and 'Nne', based on
 their appearances in medleys by those titles on the album 'Dark Magus'. See Mr. Merlin's
 sessionography in Paul Tingen's book 'Miles Beyond' for further explanation. Track 5 is listed by
 Losin as 'unknown title 730620' (it makes its first appearance at a concert on June 20, 1973 in
 Tokyo). The only officially released version of this tune is on Warners' mammoth Miles in Montreux
 boxed set, where it was titled 'Miles in Montreux '73 #3'. OFFICIAL RELEASE: DIME moderators:
 "According to the uploader this was, "Issued as a bootleg: 'Miles Davis: En Concert avec Europe 1-
 Olympia, 11 Juillet, 1973', Trema 710460". Sorry, but Trema is not only not a bootleg label, it's a
 former independent French label now owned by Universal Music (France), which in turn is owned by the
 Universal Music Group."
 Set One: 1. Turnaroundphrase [part 1: Moja] 8'03, 2. Turnaroundphrase [part 2: Nne] 6'12, 3.
 Tune in 5 10'44, 4. Zimbabwe 11'29, 5. unknown title 730620 ['Miles in Montreux '73 , 3'] 11'41, 6.
 Ife 17'03, 7. Tune in 5 6'09, Total time: 71'21
07/17/73 Verona, Italy - Teatro Romano MA?>?>CD I,IIp n/a 
 Audience Recording. Miles Davis (tp, kb); Dave Liebman (ss, ts, fl); Pete Cosey (g, pc); Reggie
 Lucas (g); Michael Henderson (b); Al Foster (d); James "Mtume" Foreman (pc).
 Set One: first set: Turnaroundphrase (Moja/Nne) (11:59), Tune in 5 (07:44), Unknown (Unknown
 G, Untitled #10, Unknown 730620) (16:52)
 Set Two: second set: Ife (nc) (32:20) (MISSING: Zimbabwe)
07/20/73 Juan-les-Pins, France - La Pinede MS?>?>CD All 90  
 Band recording. Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie
 Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc). Trade CDR ->
 Extracted to WAV w/ XACT v1.58 -> FLAC(8). JJ: - Nice sounding tape. I like this stuff a lot. I
 especially like "Zimbabwe". - light ticks @ ca. 9:02, 9:05 of t05, Ife.
 Set One: First set: 1 Turnaroundphrase (M. Davis) 16:00, 2 Tune in 5 (M. Davis) 06:13, 3
  Unknown Title 730620 (M. Davis) 08:24, 4 @@Zimbabwe (M. Davis) (with applause) 14:15
 Set Two: Second set: 5 Ife (M. Davis) 26:41, 6 Tune in 5 (M. Davis) (with applause) 18:08
10/17/73 Boston, MA - Paul's Mall MFR>C>CD All 62 
 Untitled compositions refer to Jan Lohmann's "The Sound Of Miles Davis; The Discography 1945-1991".
 Line up: Miles Davis: trumpet, Yamaha organ; David Liebman: tenor & soprano saxofones, flute; Pete
 Cosey: guitar, table percussion; Reggy Lucas: guitar; Michael Henderson: bass guitar; Mtume Heath:
 percussion; Al Foster: drums. Lineage: FM>Master Reel (3 3/4 ips)>CAS (play back: Nakamichi LX-3, no
  dolby, JH 88 coaxial wires) > Marian Marc 2 (setting: 24 bit/44.1 Khz) > HD > remaster with Wavelab
 5.0 using digital noise reduction, shuffle imager, linear phase multiband compressor (upward expander
 mode), linear phase equalizer and valve preamp warmyfier plug ins at 32, 48 and 64 bit solution (with
 dithering) > 16 bit/44.1 Khz downsampling > normalisation to -0.022 db>CD Wave tracking>Flac Frontend
 (level 8). Due to the strong hiss of the master reel recorded from airplay, it wasn't possible to
 remove more tape hiss and FM noise without removing too much music signal. The dynamic reconstruction
 restored up to 5.5 db wider signal amplitude. JJ: sounds quite nice, and very cool music.
  Set One: Tracklist (5 tracks, 62:28): 1. Radio Announcer, 2. Ife, 3. Untitled Original "B"
 (aka Agharta Prelude), 4. Unknown "C", 5. Radio Announcer
11/01/73 Berlin, Germany - Philharmonie MS?>?>CD All 49  
 *Liberated bootleg: "Complete Berlin 1973"*
 Miles Davis (tpt, org), Dave Lieberman (ss, ts, fl), Pete Cosey (g, perc), Reggie Lucas (g),
 Michael Henderson (el-b), Al Foster (d), James Mtume Foreman (cga, perc)
 Set One: (5 tracks, 48:32) Setlist: 01. Turnaroundphrase (11:59), 02. Tune in 5 (04:22), 03.
 Ife (14:10), 04. Unknown title 730620 (11:43), 05. Tune in 5 (06:13)
11/02/73 Ludwigsburg, Germany - Ludwighalle MAC>C>CD All n/a 
 Miles Davis, Ludwigshalle, Ludwigsburg, Germany, November 2, 1973, aka Friederich-Ebert-Halle,
 Ludwigshafen, Ger. same date. Seeder's notes: "I received this copy from a collector who is a friend
 of the taper of this recording (Heribert B.). He has loaned the masters from this guy to make a first
 generation for me (1st gen recorded on Nakamichi Dragon). This guy mentioned that Heribert B. has
 misslabled the recording by joke. As he said, the Miles Davis show of 1973-11-2 was at
 Friederich-Ebert-Halle, Ludwigshafen, Ger. This venue in Ludwigshafen, a city in the small urban
 center including Heidelberg, Mannheim and Ludwigshafen, was a regular place for concerts in those
 days. Often, when US acts performed in the former West-Germany for only one, or just a few date(s),
 they usually played in US garnison citys/areas. This usually was in bigger citys, not in small citys
 like Ludwigsburg, which is close to Stuttgart. Another guy I know has been at the show. Then he lived
 in Frankfurt. He couldn't remember clearly, but he reminded for the time it took about, to drive by
 car to the concert. Because of this, it seems like the show was in Ludwigshafen, not in Ludwigsburg.
 Maybe someone knows somebody who has been at the show, to confirm one, or the other place." Set list
 as released in Jan Lohmann’s “The Sound Of Miles Davis”. Personnel: Miles Davis: Trumpet, Yamaha
 Organ; Dave Liebman: Tenor & Soprano Saxophones, Flute; Pete Cosey: Guitar; Reggy Lucas: Guitar;
 Michael Henderson: Bass Guitar; Mtume Heath: Percussion; Al Foster: Drums. Lineage: AUD > MCA > CAS
 (REC: Nak. Dragon PB: Nak LX-3 > Marian Marc 2 (setting: 24 bit/64 Khz) > HD > remaster with WaveLab
 5.0, using 32, 48 & 64 bit solution plug ins 16 bit/64 Khz downsampling > normalisation to -0.01 db >
 CD Wave tracking > Flac Frontend level 8.
 Set One: CD 1/2: 1.Turnaroundphrase; 2.Tune In 5; 3.Unknown G; 4.Ife
 Set Two: CD 2/2: fs1.Right Off, 2.Untitled Original C, 3.Calypso Frelimo, 4.For Dave
 (slow)
11/07/73 Belgrade, Yugoslavia  MF?>?>CD All 44 
 Unknown radio broadcast > ? > CDR > EAC > CD Wave (tracking) > FLAC. Miles Davis Septet: Miles
 Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson
 (el-b); Al Foster (d); James Mtume Foreman (cga, perc). JJ: terrific sound quality and cool material
 that would merit another (and closer) listen.
 Set One: (44:26) Turnaroundphrase (M. Davis) 8:56, Tune in 5 (M. Davis) 4:24,
 Turnaroundphrase (M. Davis) 10:29, Calypso Frelimo (M. Davis) 15:32, Tune in 5 (M. Davis) (with
 applause) 5:05
11/15/73 Paris, France - Palais Des Sports MF?>?>CD All n/a  
 ORTF Radio Broadcast. Miles Davis (tp, kb); Dave Liebman (ss, ts, fl); Pete Cosey (g, pc); Reggie
 Lucas (g); Michael Henderson (b); Al Foster (d); James "Mtume" Foreman (pc).
 Set One: Turnaroundphrase (Moja)(nc)(08:25), Tune in 5 (06:36), Turnaroundphrase (Nne)
 (07:52), Ife (nc) (14:55), For Dave (16:30), Tune in 5 (01:20), Calypso Frelimo (15:31), Total time:
 79:15 ((Tracks are wrongly indexed.))
11/17/73 Verona, Italy - Teatro Romano  MA?>?>CD I,IIp n/a 
 Audience Recording. Miles Davis (tp, kb); Dave Liebman (ss, ts, fl); Pete Cosey (g, pc); Reggie
 Lucas (g); Michael Henderson (b); Al Foster (d); James "Mtume" Foreman (pc). Seeder's Notes: "A
 private recording of the complete second set seems to exist. The second tune of the second set was
 "Zimbabwe". Miles played on the second night of the Verona Jazz Festival, after 'Idea' led by Massimo
 Urbani and Gaetano Liguori."
 Set One: first set: Turnaroundphrase (Moja/Nne) (11:59), Tune in 5 (07:44), Unknown
 (Unknown G, Untitled #10, Unknown 730620) (16:52); second set: Ife (nc) (32:20)
 
01/26/74 Willimantic, NY - Shaboo Inn MS?>?>CD fragmentn/a 
 Miles Davis Septet: Miles Davis - trumpet, organ; Dave Liebman - soprano & tenor sax, flute; Pete
  Cosey - guitar, percussion; Reggie Lucas - guitar; Michael Henderson - electric bass; Al Foster -
 drums; James Mtume Foreman - conga, percussion.
 Set One: FIRST FRAGMENT: 1. For Dave (M. Davis) (incomplete), 2. Turnaroundphrase (M.
 Davis), 3. Tune in 5 (M. Davis), 4. Agharta Prelude (M. Davis) (with applause), Total time: 49:17
 Set Two: SECOND FRAGMENT: 1. Ife (M. Davis) 21:54, 2. Turnaroundphrase (M. Davis) 16:52, 3.
 For Dave (M. Davis) 18:07, 4. Calypso Frelimo (M. Davis) (incomplete) 13:04, TOTAL 69:57
01/27/74 Toronto, ON (Canada) - Massey Hall MA?>?>2C>CD All n/a 
 Audience Recording. Cassette (from Jan Lohmann Collection) > Cassette > Creative > CDWave to split
 tracks > FLAC. Seeder's notes: "THANKS TO FREEKJAZZ (Jason) for supplying these tapes. There will be 2
 more early 70's Miles shows coming soon. Audience tape, unknown gen. Sound samples provided. Jan L.
 has many sources and so it is safe to presume this is the best circulating. If you have a better
 source, now would be the time to share! :) Despite its limitations, if you are reading this you
 already know how hard it is to get Miles from this era! " Musicians: Miles Davis, tpt, organ; Dave
 Liebman: ss, ts, fl; Pete Cosey: Guitar, perc; Reggie Lucas: Guitar; Michael Henderson: Bass; Al
 Foster: Drums; James Mtume Forman: conga, perc.
04/??/74 San Francisco, CA - Keystone Korner MA?>?>CD All n/a 
 *April 16-21*
 audience recording. Miles Davis (tp, kb); Dave Liebman (ss, ts, fl); Pete Cosey (g, pc); Reggie
 Lucas (g); Dominique Gaumont (g); Michael Henderson (b); Al Foster (d); James "Mtume" Foreman (pc).
 Set One: 1. Turnaroundphrase [Moja] (07:58), 2. Tune in 5 (06:02), 3. Turnaroundphrase [Nne]
 (18:11), 4. Ife (nc) (19:39)
05/28/74 Sao Paulo, Brazil - Theatro Municipal  M??>?>CD I 37 
 *fixed copy*
 Miles Davis Octet: Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie
 Lucas (g); Dominique Gaumont (g); Michael Henderson (el-b); Al Foster (d); James Mtume Foreman (cga,
 perc). FIX NOTES BY SEEDER 'rafa': "TRACK 1, FUNK: I edited this so it transitions into 'Ife'
 smoothly as it should. This timing now matches Losin's timing of 12:49. The original seed had this
 marked at 12:14 (including the 2 second gap) and it ended abruptly. TRACKS 2, Ife (originally tracks 2
 & 3): I edited these together as they should be. Also, what was originally "Ife" had a loud "POP!" at
 the very end of the track in the middle of the end of Liebman's solo. I have removed this in the
 joining of these two tracks. Losin says that "One version of this set in circulation has an incomplete
 "Ife" with about a minute missing at 15:58." Well, this seems to have even more missing. I haven't
 heard any other version of this show, but there is only so much audio present that to get to Losin's
 timings, there has to be a considerable amount missing than what he mentions (see the timing for 'Tune
 In 5' and compare it to Losin's timings and also compare where he says there is applause as Miles
 leaves the stage. It seems there is about 53 seconds missing here, too). TRACK 3, TURNAROUNDPHRASE
 (originally the first part of Track 4): The beginning "Medley" of the original seed really sounded
 like the end of Ife. But, since the part between the end of Miles's solo on 'Ife' and the end of the
 vamp out was missing, I faded these into each other which creates a clean transition into
 'Turnaroundphrase'. This song now matches Losin's timing. Now please, before you protest the edit
 between the two tunes, I realize that there me be some objections to this. For me, it sounds better
 than having Miles's solo fade out on 'Ife' and the next track beginning with the end of 'Ife'. I don't
 think I am hurting the integrity of the audio by doing this. If you do think I am, then you're
 probably happy with the original seed and that's fine, too. TRACK 4, TUNE IN 5 (originally the second
 part of Track 4): I edited the spot where 'Tune In 5' begins to make this a separate track. The timing
 does not match Losin's so I can only think that there is about 53 seconds missing from the bootleg CD
 that Rafa ripped this from. If you try to edit 'Turnaroundphrase' and 'Tune In 5' to BOTH match
 Losin's timings, then 'Turnaroundphrase' ends in a weird spot and 'Tune In 5' begins in a weird spot
 (in the middle of Liebman's solo) so I can only think this as the logical conclusion."
 Set One: (4 tracks, 37:24) First Set: 1 Funk (M. Davis) [Prelude, part 1) 12:49, 2 Ife (M.
 Davis) 15:51, 3 Turnaroundphrase (M. Davis) 3:04, 4 Tune In 5 (M. Davis) 5:37
 Set Two: UNFIXED COPY Single Disc (4) 37:51, 1-Funk (M. Davis) [Prelude, part 1] 12:05 ,
 2-Ife(M.Davis) 09:40, 3-Ife(Cont.) 05:49, 4-Medley (Turnaroundphrase (M. Davis) 3:04 - Tune in 5 (M.
 Davis) 6:30)
08/02/74 Boston, MA - Paul's Mall MA?>?>2C>CD partial n/a 
 Cassette (from Jan Lohmann Collection) > Cassette > Creative > CDWave to split tracks > FLAC.
 THANKS TO FREEKJAZZ (Jason) for supplying these tapes. There will be 3 more early 70's Miles shows
 coming soon (and maybe more if freekjazz is happy with these).
08/03/74 Boston, MA - Paul's Mall  MA?>?>2C>CD partial n/a 
 Cassette (from Jan Lohmann Collection) > Cassette > Creative > CDWave to split tracks > FLAC.
 THANKS TO FREEKJAZZ (Jason) for supplying these tapes. There will be 3 more early 70's Miles shows
 coming soon (and maybe more if freekjazz is happy with these).
08/03/74 Boston, MA - Paul's Mall MA?>?>CD partial n/a 
 Miles: August 3, 1974, Paul's Mall, Boston, MA, Audience Recording. Miles Davis (tp, kb); Sonny
 Fortune (ss, as, fl); Pete Cosey (g, pc); Reggie Lucas (g); Dominique Gaumont (?)(g); Michael
 Henderson (b); Al Foster (d); James "Mtume" Foreman (pc)
 Set One: 1. Funk (Prelude, part 1, Tatu) (nc?) (19:36), 2. Unknown (Unknown Original D,
 Untitled #15, Untitled Original 741106a) (11:35), 3. Calypso Frelimo (25:01), 4. Unknown (Unknown L,
 Untitled #16, Maiysha) (10:06), Total time: 66:17
11/01/74 Cleveland, OH - Allan Theater MA?>?>C>CD II n/a 
 *LL181*
 Project ID - LL181. Source: Audience Recording. Lineage: Audience recording > ?? > Maxell XL II >
 Nakamichi DR-1 > Grace Designs Lunatec V3> 24/96 WAV > AES > Sound Devices SD722 > HD WAV > iZotope
 Ozone > r8brain > 16/44.1 WAV > cd wave (tracked) > flac lvl 8. Miles Davis (tpt, org); Sonny Fortune
 (ss, as, fl); Pete Cosey (g, perc); Reggie Lucas (g); Dominique Gaumont (g); Michael Henderson (el-b);
 Al Foster (d); James Mtume Forman (cga, perc). Notes: - d1t02: There is an odd whooshing from 4:19 to
 4:21 that sounds to be an external flaw. - This is the second set only. Also played on this date were
 "Right Off", "Mtume", "Ife", "Calypso", and "For Dave". These tracks make up the first set. I recieved
 this Tape labeled as "4/75 Smiling DogSaloon, Cleveland" (See Peter's notes below). - Big thanks to
 Jason (Freekjazz) for the tapes, Adam (Aegert) for the transfer, and Mick (Sir Mick) for the edit. -
 There are two other sources for this show. I've heard samples of one, the second set source. On the
 partial show source, the levels on the other source are brighter, but not quite as clean . The lineage
 from the samples I have heard do list an eac gen where this does not. This is listener preference of
 course so if you already have it, grab this and make your own choice. The complete source as listed by
 Peter Losin, I have yet to hear so I can't make a comparison. - Editing Notes from SIRMick: boosted
 left channel by 1.4 decibels, eliminated some of the noise from mic being knocked in the first few
 seconds, repaired numerous small dropouts, made a number of small level changes, Crossfaded Cuts, EQ
 and NR entire show as needed. - "Tapes of the second set circulate separately, wrongly listed as
 "Cleveland Smiling Dog Saloon, April 1975." The version issued on a So What CDR is slightly off-speed,
 about a quarter-tone sharp. Davis was booked at the Smiling Dog Saloon from December 12-15, 1974, but
 the music on the circulating tape is from this show at the Allen Theater. Sam Morrison is sometimes
 listed as the saxophonist on this date, but this is wrong as well. He joined Davis in April 1975, and
 the group never played in Cleveland while he was a member."- Credit to Peter Losin,
  http://www.plosin.com/ - QC done by Bgreen
 Set One: d1t01. Funk [Prelude, part 1], d1t02. Turnaroundphrase (Tune in 5 interlude),
 d1t03. Maiyshafs
11/08/74 New York, NY - The Bottom Line MA?>?>D>CD All  83 
 Musicians: Miles Davis - trumpet, organ; Sonny Fortune - alto and soprano saxophones, flute; Pete
 Cosey - guitar, percussion; Reggie Lucas - guitar; Dominique Gaumont - guitar; Michael Henderson -
 electric bass; James Mtume Foreman - percussion; Al Foster - drums. Source: Audience recording;
 possibly open-air microphones on or near stage. Lineage: AUD >? >DAT at 32 kHZ >S/PDIF via M-Audio
 Audiophile digital soundcard >SoundForge 6.0 and Wavelab 5.0 >CD Wave >FLAC (level 8). Seeder's Notes:
 "Received erroneously dated November 18. According to Losin, the Davis Octet played the Bottom Line on
 two nights, November 8-9 (Friday-Saturday). This could be from either night. Technical Note: Track
 titles have been named by set, not disc, but as total time (83:04) exceeds the standard 80-minute CD-R
 length it is advisable to burn to audio as two discs or use longer, non-standard blank media. Losin
  gives the total time as 81:31. Slower playback speed could account for the slightly longer track times
 on this set (or faster playback on Losin's source). Intermittent flaws in the left channel were
 replaced with content from the right channel, resulting in short interruptions to the stereo signal.
 As none of these patches is very long, nor was the stereo separation of the original source very good
 to begin with, these will not likely detract from the listening experience. Although the same
 performance has been released on commercial bootlegs, this particular set comes directly from
 collectors' trading circles and may differ in sound quality or other aspects." -Milesian, May 2006.
 Set One: First Set (45:09): 1. Mtume - 19:40, 2. Funk - (Prelude, part 1) -10:29, 3. Maiysha
 - 14:57
 Set Two: Second Set (37:59): 1. Band warming up - 0:30, 2. Turnaroundphrase - 8:32, 3. Tune
 in 5 - 5:12, 4. Untitled Original - 13:40, 5. Tune in 5 - 10:01
 
01/??/75 Los Angeles, CA - Troubador Club MA?>?>CD partial n/a 
 Audience Recording. Miles Davis (tp, kb); Sonny Fortune (ss, as, fl); Pete Cosey (g, kb); Reggie
 Lucas (g); Michael Henderson (b); Al Foster (d); James "Mtume" Foreman (pc).
 Set One: Band warming up (00:16), Turnaroundphrase (Moja/Nne) (16:43), Ife (16:20), Willie
 Nelson/Tune in 5 (12:17)
01/14/75 San Francisco, CA - Keystone Korner MA?>?>CD partial n/a 
 January 14, 1975 (probably), Keystone Korner, San Francisco. Audience Recording. Miles Davis (tp,
 kb); Sonny Fortune (ss, as, fl); Pete Cosey (g, kb); Reggie Lucas (g); Michael Henderson (b); Al
 Foster (d); James "Mtume" Foreman (pc). According to Mr. Losin, the last two fragments are probably
 from another date. Sound quality is B/B-.
 Set One: 1. Ife (17:42), 2. Mtume - Right Off - It's About That Time (10:09), 3. Maiysha
 (nc) (19:55), 4. Turnaroundphrase [Moja] (nc) (01:16), 5. Tune in 5 [Nne] (nc) (02:54]
01/22/75 Tokyo, Japan - Koseinenkin Hall MF?>?>D>CD All 80 
 *professional-quality remaster*
 Shinjuku Kosei Nenkin Hall. Untitled compositions named with reference to Jan Lohmann's "The Sound
 Of Miles Davis: The Discography 1945-1991". Personnel: Miles Davis: trumpet, organ; Sonny Fortune:
 alto & soprano sax, flute; Pete Cosey: guitar, Synthesizer, kalimba, table percussion; Reggy Lucas:
 guitar; Michael Henderson: bass guitar; James "Mtume" Heath (aka Forman): percussion, rhythm box; Al
 Foster: drums. Lineage: FM>? (probably master) > DAT > CDR > EAC > SHN > WAVE > FLAC > TORRENT > WAVE
 > remaster with WaveLab 5.0, using clipped peak restoration, image shuffler, phase linear MB dynamic
 expander, and other 32, 48 & 64 bit solution plug ins > normalisation to -0.01 db > CD Wave tracking >
 Flac Frontend (level 8). "The source material for this re-master seems to be the best copy of that
 show in circulation, but the digital transfer shows a lot of digital clipping, so that the FM
 broadcast which ever include clear cut compression, lost extra dynamic in the range of aprox. 2-3 db.
 The clipped peak restauration restaured around 1.7 db. The re-master includes a amplitude
 reconstruction of 7 db." JJ: fabulous stuff, nice fat bass, terrific!
 Set One: (7 tracks, 79:41) --1st set-- Untitled Original C (Argartha Prelude Pt. 1),
 Maiysha --2nd set-- Ife, Mtume, Turnaroundphrase, Tune In 5, Unknown M
01/23/75 Tokyo, Japan - Shinjyuku National Trust Hall MA?>?>CD All n/a 
 Audience Recording. Miles Davis (tp, kb); Sonny Fortune (ts, ss, fl); Pete Cosey (g, pc); Reggie
 Lucas (g); Michael Henderson (b); Al Foster (d); James "Mtume" Foreman (pc).
 Set One: Disc-1: 1 Ife(incomplete) 17:15, 2 Maisya 13:39, 3 Right Off 12:58
 Set Two: Disc-2: 1 Prelude 11:38, 2 Mtume 15:27, 3 For Dave 9:03, 4 Calypso Frelimo 25:14
01/30/75 Kokura, Japan - City Hall M??>?>CD All n/a 
 Miles Davis (tp, org); Sonny Fortune (ss, as, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael
 Henderson (el-b); Al Foster (d); James Mtume Foreman (cga, perc)
 Set One: Funk [Prelude] (part 1) [15:53] Ife [15:54] Maiysha (with applause) [13:40]
 Set Two: Right Off [14:23] For Dave [11:26] Mtume [12:35] Agharta Prelude (with applause)
 [17:29]
03/22/75 Hempstead, NY - The Playhouse (Hofstra University) MA?>?>CD All n/a 
 Miles Davis (tpt, org); Sonny Fortune (ss, as, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael
 Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc). Trade 2CDR -> Fission (split tracks)
 -> XACT -> FLAC (8). Matched as closely to Losin timing as possible. For additional details and
 splice info: http://www.plosin.com/milesahead/Sessions.aspx?s=750322
 Set One: First concert 1 Funk (M. Davis) [Prelude, part 1] 15:41 2 Maiysha (M. Davis) 18:11
 3 Right Off (M. Davis) 12:42 4 Right Off (cont) (M.Davis) 2:31 5 Ife (M. Davis) (with applause)
 8:37
 Set Two: Second concert 5 Calypso Frelimo (M. Davis) 19:24 6 For Dave (M. Davis) 13:20 7
 Turnaroundphrase (M. Davis) 2:40
05/??/75 Philadelphia, PA - Just Jazz MA?>?>CD partial n/a 
 *May 12-17*
 May 12-17, 1975, Just Jazz Club, Philadelphia, PA, Audience Recording. Miles Davis (tp, kb); Sam
 Morrison (ts, ss, fl); Pete Cosey (g, pc); Reggie Lucas (g); Michael Henderson (b); Al Foster (d);
 James "Mtume" Foreman (pc)
 Set One: 1. Band warming up (00:32), 2. Funk [Prelude, part 1] (Tatu) (19:37), 3. Ife (cut
 in the middle?) (19:38), 4. Unknown (Untitled Original F, Untitled #19, Untitled Original 750505)
 (03:38)
05/17/75 Philadelphia, PA - Just Jazz MAC>CD All n/a 
 *Michael Mee*
 Miles Davis; Sam Morrison – Saxophones; Pete Cosey – Guitar; Reggie Lucas – Guitar; Michael
 Henderson – Bass; James Mtume – Percussion; Al Foster – Drums. note: The right channel has a higher
 level than the left. Cassette recorder/JVC cdr recorder/Flac/You.
 Set One: 1. Band warming up (01:15), Funk [Prelude, part 1] (Untitled Original C, Tatu)
 (22:43), 2. Ife (14:31), 3. Unknown (Untitled Original F, Untitled #19, Untitled Original (with
 heckler)
06/10/75 New York, NY - Bottom Line MAC>2R>CD a & 96 
 AU > MCA > RR > RR > CDR (Philips Standalone) > CDR > EAC > HD > WaveLab Remaster (using Sonic
 Foundry Noise Reduction, Paragraphic EQ, and Steinberg Q eq, normalisation to -0.007 db > CD WAVE
 (tracking) > FLAC (and wave MCDR). Band: Miles Davis: Trumpet, Yamaha Organ; Sam Morrison: Tenor &
 Soprano Saxophones, Flute; Pete Cosey: Guitar, Synthesizer, Table Percussion; Reggie Lucas: Guitar;
 Michael Henderson: Bass Guitar; James “Mtume” Heath: Congas, Rhythm Box, African Percussion; Al
  Foster: Drums.
 Set One: Disc One (6 tracks, 58:14): --First Show, First Set TT 24:35-- Funk, Latin,
 Untitled Original 750505 --First Show, Second Set TT 33:33-- For Dave, Ife (nc), Right Off
 Set Two: Disc Two, Second Show, First Set TT 37:53: Maiysha, Latin, Untitled Original
 741106a, Untitled Original 750505
06/11/75 New York, NY - Bottom Line MA?>?>CD All n/a 
 audience recording or radio broadcast. Miles Davis (tp, org); Sam Morrison (ts, ss, fl); Pete Cosey
 (g, pc, synth); Reggie Lucas (g); Michael Henderson (b); Al Foster (d); James "Mtume" Foreman (pc).
 Source/lineage: unknown. Received in trades. Sound is decent for an audience recording from this
 period. According to Enrico Merlin this comes from a radio broadcast. I had two nearly complete
 versions of this, and a version with large parts of the first and second set. This seed is a
 compilation of the best of what I have. There are some problems with the first une of the second set.
 It has a few cuts and gaps, and I have made no attempts to correct this. I have another version
 without the cuts and gaps, but because of the lesser sound quality I did not include that one. This
 seed has the complete show. It is one of my personal favorites--one of the highlights of the period
 between 1972 and 1975."
 Set One: First set: 1. Turnaroundphrase [Moja] (14:05) --> Willie Nelson --> Tune in 5 -->
 Turnaroundphrase [Nne} 2. For Dave [Will, Unknown L] (16:26) 3. Untitled original 750505 [Untitled
 #19, Untitled original F] (04:31) --> applause
 Set Two: Second set: 1. Funk [Prelude part 1, Tatu, Untitled original C] (13:40) 2. Ife
 (17:25) 3. Maiysha (08:40) 4. Right Off (15:55) --> applause
06/12/75 New York, NY - Bottom Line MA?>?>CD partial n/a  
 http://www.plosin.com/milesAhead/Sessions.aspx?s=750612. "I'm unsure of the date of this
 performance. The Davis group was booked for three nights at the Bottom Line, June 10-12, and they
 apparently played two two-set shows (8:30 and 11:00 pm) each night. Given the fragmentary nature of
 these items, they could be from a missing set from June 10 or 11, or from one of the June 12 sets.
 Davis suffered from serious health problems (hips, ulcers, drug use) throughout the summer, but the
 Septet continued to tour: Paul's Mall, Boston (April 28-May 3); Just Jazz, Philadelphia (May 12-17);
 Bottom Line Club, New York (June 10-12); Avery Fisher Hall, New York (July 1); Central Park, New York
 (September 5)."
 Set One: Latin - Mtume - Untitled Original 741106a - Zimbabwe - Turnaroundphrase
 (incomplete)
07/01/75 New York, NY - Avery Fisher Hall MS?>?>CD All n/a  
 Miles Davis (tp, kb); Sam Morrison (ts, ss, fl); Pete Cosey (g, pc); Reggie Lucas (g); Michael
 Henderson (b); Al Foster (d); James "Mtume" Foreman (pc).
 Set One: First Set: Warming Up/Turnaroundphrase (Moja/Nne) (16:16), Tune in 5 (04:22),
 Maiysha (18:54), Unknown (Untitled original F, Untitled #19, Untitled original 750505) (03:11)
 Set Two: Second Set: Right Off (13:24), Mtume (07:04), Latin (Lovin' You) (06:47), Ife (nc)
 09:54

[ Contents | List Info | Contact Info | Artist Index | Miles Davis ]

---

DAVIS, REVEREND GARY

 
07/08/67 Seattle, WA - Friends' Center MS?>?>CD I 71 
 Set One: Single Disc (16 tracks, 71:15) --Set 1-- Introduction , Old Time Religion , Let Us
 Get Together , I'm Gonna Sit Down on the Banks of the River, The Reverend Speaks I , Feel Like My Time
 Ain't Long, The Reverend Speaks II , Teaching the audience the next song, Come Down to See Me Sometime
 , The Reverend Speaks III , She's Just Funny That Way , Make Believe Stunt , Cincinnati Flow Rag
 --Filler: July 7, 1967-- The Reverend Speaks IV, I Heard the Angels Singing, Samson and Delilah

[ Contents | List Info | Contact Info | Artist Index | Reverend Gary Davis ]

---

DEJOHNETTE, JACK

 
??/??/76 Copenhagen, Denmark M??>?>CD All 101 
 "Directions"
 Jack DeJohnette's "Directions", Copenhagen, 1976 (exact date unknown). Jack DeJohnette - drums,
 piano; John Abercrombie - guitar, mandolin; Alex Foster - tenor and soprano saxes; Mike Richmond -
 bass, electric bass. Originally posted to DIME without any titles. User "mendali" reported the
 following on 4/28/2006: Disc 1 track 3 is called "Flying Spirits" and it's from the group's album
 called "Untitled". Disc 2 track 2 is called "Ralph's Piano Waltz" and it's from John Abercrombie's
 trio album "Timeless". "yorick" reports: The first track - the beginning of which is clearly missing -
  sounds like the final part of "New Rags". "billjen" reports: Disc two Track 4 is Steppin' Thru from
 the 'New Rags' ECM recording. "rlouk" reports: I think Disc 1 track 2 is Fantastic from their first
 album (side 1, track 3). It gets pretty far away from there but it starts out sounding like it.
 Set One: DISC1: 1 //New Rags (?) 6:52, 2 Fantastic (?) 15:25, 3 Flying Spirits 17:11, TT =
 39:28
 Set Two: DISC2: 1 24:45, 2 Ralph's Piano Waltz 16:29, 3 3:56 (inc.), 4 Steppin' Thru 17:17,
 TT = 62:27

[ Contents | List Info | Contact Info | Artist Index | Jack Dejohnette ]

---

DIGA RHYTHM BAND

 
05/04/75 Novato, CA - Mickey's Barn MSR>2C>R>CD All 59 1103 
 rehearsals
 Set One: 58:41
05/25/75 San Francisco, CA - Winterland Arena MSR>R>C>R>CD partial 40 1109 
 Zakir Hussain; Ray (vibraphone); Jim Nablus (marimba); Jordan (congas); Mickey Hart (percussion);
 ensemble of the Ali Akbahr College of Music. May run fast. The first tune is introduced as "another
 piece", so this is incomplete.
 Set One: (3 tracks, 40:26) 1. Talmala (Mickey Hart), 2. "The Sevens", 3. ??? (cuts in0
05/30/75 San Francisco, CA - Golden Gate Park  MSR>C>R>CD All n/a 
 w/Garcia & Freiberg
 
11/12/76 Novato, CA - Mickey's Barn MSR>2C>R>CD All 59 1108 
 supposedly w/ D. Crosby (inaudible)
  Set One: 5 tracks

[ Contents | List Info | Contact Info | Artist Index | Diga Rhythm Band ]

---

DIRE STRAITS

 
02/16/79 Rockpalast MS?>?>CD All 73 
 Set One: (16 tracks, 73:17), 01 - Introduction, 02 - Down To The Waterline, 03 - Six Blade
 Knife, 04 - One Upon A Time In The West, 05 - Lady Writer, 06 - Single Handed Sailor, 07 - Water Of
 Love, 08 - In The Gallery, 09 - Follow Me Home, 10 - News, 11 - What's The Matter Baby ?, 12 - Lions,
 13 - Sultans Of Swing, 14 - Wild West End, 15 - Where Do You Think You're Going ?, 16 - Eastbound
 Train
03/31/79 San Francisco, CA - Old Waldorf SBD/FM All 71 
 This bootleg, created by Button Recordings, has all available songs, with best available sound
 (soundboard/FM), mixed together from several sources in the right order. Tracks # 1, 2, 5, 6, 8, 10,
 11, 13 are taken from the new source; Track # 3 beginning from the bootleg On the road to
  Philadelphia, rest from Old Waldorf 1979; Track # 4 is taken from the bootleg Old Waldorf 1979; Tracks
 # 7, 12, 14 are taken from the bootleg Bijou; Track # 9 is taken from the bootleg On the road to
 Philadelphia. Additional comments: After having the bootlegs Bijou, Old Waldorf 1979 and On the road
 to Philadelphia, 8 tracks of this concert appeared in perfect sound quality, better than any of these
 previous bootlegs. All the songs are combined to make one complete bootleg of it which resulted in "
 The new Old Waldorf ". Really a great one with the best available sound on all tracks. JJ: very nice
 stuff, performance and SQ-wise, though the sound is a bit compressed.
 Set One: (70:54) 01 - Noodling 02 - Down to the waterline 03 - Six blade knife 04 - Once
 upon a time in the west 05 - Lady writer 06 - Water of love 07 - In the gallery 08 - News 09 -
 What´s the matter baby 10 - Lions 11 - Sultans of swing 12 - Wild west end 13 - Where do you think
 you´re going? 14 - Eastbound train, 15 - Southbound again
04/01/79 San Francisco, CA - The Boarding House MSR>D>CD All 43 
 Source: SBD > master reel > DAT(s); Conversion: Tascam DA-20 @ 48.0 kHz > ZA-2 resample to 44.1kHz
 on the fly > HD using Cool Edit > CDWave > track waves > CD-R master using CDRWin; Extraction: CD-R
 master > EAC > HD > MKW shorten > .shn. Sounds a little compressed, but terrific!
 Set One: (9 tracks, 43:26), 1) Down to the Waterline Intro > 2) Down to the Waterline, 3)
 Six Blade Knife, 4) In the Gallery, 5) Whats the Matter Baby, 6) Water of Love, 7) Sultans of Swing,
 8) Wild West End, 9) Eastbound Train

[ Contents | List Info | Contact Info | Artist Index | Dire Straits ]

---

DOLPHY, ERIC

 
11/24/61 *see Coltrane, John* n/a 
12/01/61 Munich, Germany M??>?>CD All 70 
  *speed corrected*
 DIME seed by flambay. Magnetic Records MRCD 130 "Live in Germany" - speed corrected. Contrast
 clause:
Different, much superior sounding version imho from that one seeded earlier by entmoot and
 flambay. Seeder's notes: "Drums (cymbals) and also bass clarinet are much more prominent here than in
 the other version. Track order is different from the other release, also a few of the tracks are more
 complete here. All credit should go to peterw for pointing out this version and for posting a link in
 the comments thread around my earlier seed to his upload of this version on the mininova tracker. I
 took it from there, did the necessary speed corrections on each track, and here we go." Line-up: Eric
 Dolphy (bcl) McCoy Tyner (p) Reggie Workman (b) Mel Lewis (d), per
 http://www.jazzdisco.org/dolphy/dis/c/). Lineup according to
 http://adale.org/Discographies/LiveinGermany.html: Eric Dolphy (bc); Mc Coy Tyner (p); Bob Cunningham
 (b); Mel Lewis (d). Lineage: MRCD 130 > EAC > FLAC > mininova seed > wav > Soundforge 5: speed
 correction > flac FFE lvl7 w/SBA (381 MB). speed correction (on mininova upload version): track 01:
 first 1:05 OK; remainder -10cts; track 02: +30cts to 0cts pitch bend; track 03: -5cts; track 04~05:
 -5 to -25cts pitch bend.
 Set One: Setlist: 01 - Softly As In A Morning Sunrise (15:00) 02 - Oleo (18:10) 03 - On
 Green Dolphin Street (24:10) 04 - The Way You Look Tonight (12:17) 05 - The Theme (0:16) Total
 running time (after speed corr.): 69:55 minutes
 Set Two: OLD VERSION, RUNS FAST: TT 67:54, Softly As In A Morning Sunrise, Oleo, On Green
  Dolphin Street, The Way You Look Tonight; lineup: Eric Dolphy Quartet: Eric Dolphy, bass-clarinet,
 McCoy Tyner, piano, Reggie Workman, double-bass, Mel Lewis, drums. Simply wonderful.
 
10/07/62 New York, NY - Gaslight Inn  MF?>?>CD All? 52 
 Eric Dolphy: as,b cl.,f; Ed Armour: flugelhorn; Herbie Hancock: p; Richard Davis: b; Edgar Bateman
 : d; *Joe Carrol : vocals.
 Set One: Single Disc (6) 52:16, 01. Radio announcer-> Miss Ann (Dolphy), 02. Left Alone
 (Holiday/Waldron), 03. G.W. (Dolphy), 04. 245 (Dolphy), 05. I Got Rhythm* (Gershwin), 06. Oh, Lady Be
 Good!* (Gershwin)
 
04/10/64 see Mingus, Charles  n/a 
04/12/64 see Mingus, Charles n/a 
04/13/64 see Mingus, Charles  n/a 
04/14/64 see Mingus, Charles n/a 
04/16/64 see Mingus, Charles n/a 
04/17/64 see Mingus, Charles n/a 
04/19/64 see Mingus, Charles n/a 
04/28/64 see Mingus, Charles n/a 
06/02/64 "LAST DATE" - OFFICIAL RELEASE, NFT NFT All n/a 
06/11/64 Paris, France - Le Chat Qui Peche MS?>?>CD partial?40 
 Lineage: sbd > unknown transfer > silver CD > EAC (secure mode) > Wav > Flac Frontend (level8) >
 Flac (> thetradersden > YOU). Bootleg Title: Naima (West Wind #2063). Personnel:Eric Dolphy: Bass
 Clarinet, Alto Saxophone; Donald Byrd: Trumpet; Nathan Davis: Tenor saxophone; Jacques Dieval: Piano;
 Jacques B. Hess: Bass; Franco Manzecchi: Drums; Jacky Bambou: Percussion. Uploaded by Axel (a.k.a.
 RoryGallagher), Friesland, Germany, to TTD.
 Set One: Tracklist: 01) @@Naima, 02) Ode To Charlie Parker, 03) @@Springtime. Length:
 40:09min

[ Contents | List Info | Contact Info | Artist Index | Eric Dolphy ]

---

DOORS, THE

 
03/07/67 San Francisco, CA - The Matrix MSR>?>CD All 110 
 "Complete Matrix Tapes" compilation. Notes: "After The Doors had returned from their two day
 concert at Chet Helm's Avalon Ballroom in San Francisco, they were booked in to play at the Matrix
 Club, situated at 3138 Fillmore Street, San Francisco. The Doors played there from Tuesday, March 7
 until Saturday, March 11 performing three sets a night with fifteen minute breaks in between each set.
 The Doors were scheduled to play at the Matrix Club from "9.30 p.m - 2a.m." with "Minors welcome", as
 advertised in the San Francisco Chronicle. The owner of this club, Marty Balin, vocalist of Jefferson
 Airplane, had installed a reel to reel tape recorder to tape his own group, but The Doors took up the
 opportunity and decided to record their own performances as well. All of the three sets that were
 played on Tuesday night were recorded. Unfortunately on Friday night, after The Doors had completed
 their second set and returned to play the third set, the sound engineer had apparently forgotten to
 turn on the tape recorder and only got to record the last portion of "The End". These recordings at
 present are the most complete recordings available in their entirety with no over dubbing or shoddy
 recordings, just in the same way The Doors had played them during their one week performance in
 March. By far, these shows are one of the best live recordings that The Doors have ever recorded."
 Set One: Disc One 55:53 --Set I-- Back Door Man , My Eyes Have Seen You , Soul Kitchen , Get
 Off My Life, Woman, When The Music's Over --Set II-- Close To You , Crawling Snake King , I Can't See
 Your Face In My Mind , People Are Strange , Who Do You Love , Alabama Song , Crystal Ship
 Set Two: Disc Two 53:53 --Set II (Con't)-- Twentieth Century Fox , Moonlight Drive ,
 Summer's Almost Gone , Unhappy Girl --Set III-- The Devil Is A Woman > Sittin' Round Thinkin' > Rock
 Me , Break On Through , Light My Fire , The End
03/10/67 San Francisco, CA - The Matrix MSR>?>CD II,III 87 
  "Complete Matrix Tapes" compilation. Notes: "After The Doors had returned from their two day
 concert at Chet Helm's Avalon Ballroom in San Francisco, they were booked in to play at the Matrix
 Club, situated at 3138 Fillmore Street, San Francisco. The Doors played there from Tuesday, March 7
 until Saturday, March 11 performing three sets a night with fifteen minute breaks in between each set.
 The Doors were scheduled to play at the Matrix Club from "9.30 p.m - 2a.m." with "Minors welcome", as
 advertised in the San Francisco Chronicle. The owner of this club, Marty Balin, vocalist of Jefferson
 Airplane, had installed a reel to reel tape recorder to tape his own group, but The Doors took up the
 opportunity and decided to record their own performances as well. All of the three sets that were
 played on Tuesday night were recorded. Unfortunately on Friday night, after The Doors had completed
 their second set and returned to play the third set, the sound engineer had apparently forgotten to
 turn on the tape recorder and only got to record the last portion of "The End". These recordings at
 present are the most complete recordings available in their entirety with no over dubbing or shoddy
 recordings, just in the same way The Doors had played them during their one week performance in
 March. By far, these shows are one of the best live recordings that The Doors have ever recorded."
 JJ: zzzzzzzzzzzz.
 Set One: Disc One (42:53) --Set II-- My Eyes Have seen You, Soul Kitchen, I Can't See your
 Face In My Mind, People are Strange, When The Music's Over --Set III-- Money, Who Do You Love,
  Moonlight Drive
 Set Two: Disc Two (44:24) --Set III (con't)-- Summer's Almost Gone, I'm a King Bee, Gloria,
 Break On Through, Summer Time, Backdoor Man, Alabama Song, The End

[ Contents | List Info | Contact Info | Artist Index | Doors, The ]

---

DORHAM, KENNY

 
05/08/67 New York, NY - Club Morocco  MF?>?>CD All 41 
 Source: Radio. Sound: B. Kenny Dorham- trumpet; David 'Fathead' Newman- tenor sax; Ronnie Matthews-
 piano; Paul Chambers- bass; Candy Finch- drums. JJ: - hissy recording, but delightful jazz. - there is
 a flute on t01.
 Set One: 01. @@I Love You 17:40, 02. Straight Ahead 8:16, 03. Walkin' 14:53 Total 40:49

[ Contents | List Info | Contact Info | Artist Index | Kenny Dorham ]

---

DUNCAN, GARY

 
10/24/97 Live Oak, FL - Suwanee Music Park MA?>?>CD All 111 
 *Gary Duncan's Quicksilver*
 The band was apparently: Gary Duncan - guitar, John Bird - guitar, Michael Lewis - keyboards, Jimmy
 Guyette - bass, Tony Menjivar - latin percussion, Greg Errico - drums. Setlist uncertain. But this is
 a great recording, and the music is pretty hot.
 Set One: Disc One (4) 69:39, Close Enuff For Jazz, 02. Inner City Blues -> Bubba Jeans, 03.
 Maiden Voyage -> ??, Boogie Thang (a.k.a. Voodoo Boogie?)
  Set Two: Disc Two (5) 41:19, Pool Hall Chili, Round Midnight > Orango Tango, Little Red Ride
 Out, Crowd, Senor Blues
 
07/25/00 Providence, RI - Lupo's Heartbreak Hotel MAC>CD All 55 
  Audience Recording: Sony Wmd3 > Master Cassette > Technics rs- t60r > Phillips cdr 760 > EAC >
 Traders Helper > Flac 8. Opening For Jefferson Starship. Gary Duncan, David Freiberg, ??? JJ: - was
 listed as an "EX-" aud, but I find it to be overloaded and far from excellent.
 Set One: (6 tracks, 55:00) 01. ?? 02. Close Enough for Jazz 03. ?? 04. Pride of Man -> 05.
 Pool Hall Chili? [ca. 9:00] -> Who Do You Love [1:30] -> Willie and the Hand Jive 06. ??

[ Contents | List Info | Contact Info | Artist Index | Gary Duncan ]

---

DYLAN, BOB

Available Years: ????, 1962, 1965, 1966, 1969, 1974, 1975, 1976, 1980, 1988, 1989, 1992, 1994, 1995

 
 1965-66 Studio Outtakes: "Thin Wild Mercury Music" mixed sbd All 68 
 Bob Dylan: "Thin Wild Mercury Music: (1965-66 Studio Outtakes). Manufacturer / Catalog # Spank /
 SP-105. Original Silver > EAC > FLAC LEVEL 8. Information: 
Source / Venue: (1) Bringing It All Back
 Home sessions Studio A, NYC January 13-15, 1965; (2) CBS Music Row, Nashville, TN January 21, 1965;
 (3) Highway 61 Revisited sessions, NYC July 30, 1965; (4) Highway 61 Revisited sessions, NYC June 16,
 1965; (5) Hawks sessions (The Band) CBS studios, NYC Nov. 30-Dec. 1, 1965; (6) Hawks sessions (The
  Band) New York, NYC January 21, 1966; (7) Levy's Recording Studio, London May 12, 1965. Review:
 "Nice package, incredible material, and great sound. There is a 'vinyl noise' apparent at times, but
 this is surface noise from the alternate acetate, rather than a vinyl boot. The random song order
 could have been chosen better and put into a more chronological order. The photos and information are
 as good as any bootleg ever produced. Also see "The Lonesome Sparrow Sings". The track listing on the
 back uses the working titles of the songs as they appear on the vault masters. This can be a little
 misleading, as the songs were released under a different title. Some, however, are so different from
 the release version as to deserve a different title."
 Set One: Tracks (67:32): 01. If You Gotta Go, Go Now (1) 02. She Belongs To Me (1) 03.
 Visions Of Johanna (Seems Like A Freezeout) (2) 04. From A Buick 6 (3) 05. It's All Over Now, Baby
 Blue (1) 06. Medicine Sunday (Temporary Like Achilles) (5) 07. I Wanna Be Your Lover (5) 08. I'll Keep
 It With Mine (instr) (1) 09. Love Minus Zero/No Limit (1) 10. Can You Please Crawl Out Your Window (4)
 11. Number One (instr) (5) 12. She's Your Lover Now (Glass Of Water) (6) 13. Jet Pilot (5) 14. Can You
 Please Crawl Out Your Window (5) 15. Visions Of Johanna (Seems Like A Freezeout) (5) 16. She's Your
 Lover Now (Glass Of Water) (6) 17. Miami Sales Message (7) 18. If You Gotta Go, Go Now (7)
 1965-1966 Studio: Lonesome Sparrow Sings studio All 75 
  BOB DYLAN: THE LONESOME SPARROW SINGS (1965-66 studio outtakes).
 Set One: --Bringing It All Back Home sessions-- 01. You Don't Have To Do That, 02. It's All
 Over Now Baby Blue, 03. If You Gotta Go Go Now, 04. She Belongs To Me, 05. Love Minus Zero (No Limit)
 --Levy's Recording Studio-- 06. Miami Conference Sales Message, 07. If You Gotta Go Go Now --Highway
 61 Revisited sessions-- 08. Sitting On A Barbed Wire Fence , 09. Can You Please Crawl Out Your Window
  . 10. Can You Please Crawl Out Your Window , 11. From A Buick 6 , 12. Desolation Row , 13. Can You
 Please Crawl Out Your Window , 14. I Wanna Be Your Lover , 15. Jet Pilot --Blonde On Blonde sessions--
 16. Visions Of Johanna , 17. Medicine Sunday , 18. Visions Of Johanna, 19. She's Your Lover Now
 --Total Time 74:40--
 Dylan & Band 1969-70 DVD Compilation DVD All n/a 
 Seeder's Notes: "VIDEO: NTSC (29.97), 720x480, 10080 kb/s VBR; AUDIO: AC3, 256 kb/s, 2 chnls. NOTES
 : Here is the DVD of Bob Dylan live at the Isle Of Wight in 1969. Remarkable footage, thought never to
 have existed, this DVD captures part of Dylan’s performance that day, as well as some other
 appearances that year beginning with Dylan’s spot on The Johnny Cash Show on May 1st, 1969, performing
 “I Threw It All Away”, “Living the Blues” and dueting with Cash on “Girl From the North Country”. Then
  comes the all-important Isle Of Wight footage. In 1969, the Isle of Wight pop festival was Bob Dylan’s
 festival. This amazing footage is all that we have of Dylan’s performance that day, and features the
 following tracks: The Weight (The Band), I Threw It All Away, Highway 61 Revisited, One Too Many
 Mornings, I Pity The Poor Immigrant, Minstrel Boy (cut). Rumor has it that this black and white
 footage was shot by a friend of John Lennon’s who sat between him and Yoko at the foot of the stage.
 Whether this is true or not, the picture and sound are remarkably good. The DVD continues with a
 handful of newsreels from the Isle Of Wight Festival, featuring still more footage of Dylan that day.
  The DVD rounds off with some footage of The Band live at the Syria Mosque in Pittsburgh in November
 1970, shot in color for Dutch television: Time To Kill, The Weight, This Wheel’s On Fire and Up On
 Cripple Creek."
 Set One: TRACKLIST--Johnny Cash Show ABC TV 01-05-69-- I Threw It All Away, Living The
 Blues, Girl From The North Country --I.O.W. Festival Sunday 31-08-69-- The Weight (The Band), I Threw
 It All Away, Highway 61 Revisited, One Too Many Mornings, I Pity The Poor Immigrant, Minstrel Boy
 (cut) --I.O.W. Festival-- Newsreels --The Band, Syra Mosque Pittsburgh November 1970 From Dutch TV--
 Time To Kill, The Weight, This Wheels On Fire, Up On Cripple Creek
 
??/??/62 Freewheelin' Sessions Outtakes MS?>?>CD All 72 
 Bob Dylan: Freewheelin' BD Outtakes; source: Freewheelin' Sessions outtakes NY April- Nov 62.
 *Adapted from Solid Road by Brownie McGee and Alabama Woman by Leroy Carr. **Adapted from Sally Don't
 You Grieve by Woodie Guthrie. Review: The recordings are clear, crisp, and right off of the mix down
 board. This CD belongs in every collection. It was re-released in 1999 by an unknown Label, and again
 in 2001 by OMR. JJ: - Amazing SQ, wonderful material. - some strange artifacts on t12, almost sounds
 vinyl.
 Set One: Tracks (71:48): 01. Baby Please Don't Go 02. Corrina Corrina 03. @@The Death Of
  Emmett Till 04. Mixed Up Confusion 05. Lonesome Whistle (H.Williams/J.Davies) 06. Talkin' John Birch
 Paranoid Blues 07. Milk Cow's Calf's Blues I (Robert Johnson) 08. That's Alright Mama (A. Crudup) 09.
 Rocks And Gravel (Adapted*) 10. Going To New Orleans (Trad) 11. Let Me Die In My Footsteps 12. The
 Ballad Of Hollis Brown 13. Wichita Blues (Going to Louisiana) I (Trad) 14. Sally Gal (Adapted**) 15.
 Whatcha Gonna Do Bonus Alternate takes: 16. Mixed Up Confusion 17. Rocks And Gravel (Adapted*) 18.
 That's Alright Mama (A. Crudup) 19. Mixed Up Confusion 20. Corrina Corrina 21. Milk Cow's Calf's Blues
 II (Robert Johnson) 22. Wichita Blues (Going to Louisiana) II (Trad) 23. Whatcha Gonna Do 24. Baby
 I'm In The Mood For You , 25. Sally Gal (Adapted**)
 
??/??/65 "Highway 61 Revisited Again" studio All 70 
 *6/15/65-8/2/65*
 Bob Dylan: "HIGHWAY 61 REVISITED AGAIN": Wild Wolf 6506 [T-174]. Highway 61 Revisited sessions,
 June 15-August 2, 1965. Silvers > EAC > FLAC LEVEL 5. DEEP: Another reissue from the Scorpio folks,
 this one presenting the Highway 61 Revisited acetate tracks, including different mixes, mono mixes,
 outtakes and alternate/single versions (most notably the "Desolation Row" outtake). Quality is
 excellent but do expect the flaws in the acetate to cause some pops and clicks, and there are short
 periods where a buzzing noise is evident. A nice collection of things you may or may not have
 elsewhere. The package features some wild color pics of Bob from this period and many B&W pics from
 1965 inside the studio. NOTE: The CD packaging identifies this disc as "Highway 61 Revisted [sic]
 Again." Although the disc is most often reported as taken from Highway 61 Revisited acetates, the
 source for most tracks is apparently a reel-to-reel compilation of session mixes made in early August
 1965 for copyright/publishing purposes."
 Set One: (69:56) Can You Please Crawl Out Your Window, Sitting On A Barbed Wire Fence, Like
 A Rolling Stone, Ballad Of A Thin Man, Just Like Tom Thumb's Blues, Highway 61 Revisited, Positively
 Fourth Street, It Takes A Lot To Laugh, Tombstone Blues, Can You Please Crawl Out Your Window,
 Desolation Row, Queen Jane Approximately, From A Buick 6
05/07/65 Manchester, England, UK - Free Trade Hall MS?>?>CD All-2 68 
 The Swingin' Pig TSP-CD-057. http://bobsboots.com/CDs/cd-n37.html. "Now Ain't The Time For Your
 Tears". Review: This is a near perfect soundboard recording that is good enough quality to be an
 official release. The show is amazing and deserves a place in even the smallest Dylan collection. If
 one should pick it apart for the minor irregularities, it would be that the cover photo could have
 been color corrected a little better. It's washed out in yellow. Also, Swingin' Pig used the digital
 filtering NoNoise system to produce this 'pin-drop' quiet recording. To some trained ears, there is
 the 'something's missing in the high-end' feeling*. These are the same folks who argue the benefits of
 analog recording over digital. The problem was corrected five years later with the release of 'Now's
 the Time for Your Tears'." JJ: SQ is phenomenal
 Set One: (68:03 w/o SBTM) 01 The Times They Are A-Changin' 02 To Ramona 03 Gates Of Eden 04
 If You Gotta Go, Go Now [Official Track Removed] 05 It's Alright Ma (I'm Only Bleeding) 06 Love Minus
 Zero No Limit 07 Mr Tambourine Man 08 Talkin' World War III Blues 09 Don't Think Twice It's Alright 10
 With God On Our Side 11 She Belongs To Me (CORRUPT FILE - CANNOT DECODE)12 It Ain't Me Babe 13
 Lonesome Death Of Hattie Carroll 14 All I Really Want To Do 15 It's All Over Now Baby Blue
09/03/65 Hollywood, CA - Hollywood Bowl MS?>?>CD All 72 
 Source: "Back in Hollywood Bowl" Silver CD > WAV > FLAC Label: Bell Bottom BB036. CD to FLAC
 conversion by nydoll. Bad digi-static @ 7:41, 7:55 of Desolation Row. From the Bobsboots.com web site:
 "Review: A great sounding recording directly from the soundboard. The Show: The newly surfaced
 Hollywood Bowl tape is every bit as fascinating as had been rumored. The acoustic set is breath-taking
 perfection. The electric set doesn't 'roar' quite as loud as it will in the year to follow, but that's
 what makes it so wonderful. It shows an artist testing the waters for the onslaught to come. This show
 is both historic, and wonderful listening. There is a slight noise on `Desolation Row`, but this is
 from the master source."
 Set One: (13 tracks, 72:14) --Acoustic-- 01. She Belongs To Me , 02. To Ramona , 03. Gates
 Of Eden , 04. It's All Over Now Baby Blue , 05. Desolation Row , 06. Love Minus Zero , 07. Mr.
 Tambourine Man --Electric-- 08. I Don't Believe You , 09. Just Like Tom Thumb's Blues , 10. From A
 Buick 6 , 11. Maggie's Farm, 12. Ballad Of A Thin Man, 13. Like A Rolling Stone
 
04/13/66 Sydney, Australia - Stadium MS?>?>CD All 99 
  *"Jewels & Binoculars" bootleg, discs 7 & 8*
 From "Jewels & Binoculars," 26 CD bootleg box set from the Vigotone "label". Line recording. JJ:
 really nice performance, high energy.
 Set One: Disc One (52:01) 1. She Belongs To Me (3:31), 2. 4th Time Around (4:52), 3. Visions
 Of Johanna (8:17), 4. It's All Over Now, Baby Blue (6:22), 5. Desolation Row (10:52), 6. Just Like A
 Woman (5:34), 7. Mr. Tambourine Man (8:20), 8. interval (4:20)
 Set Two: Disc Two (47:14) 1. Tuning (2:12), 2. Tell Me, Momma (5:30), 3. I Don't Believe You
 (She Acts Like We Have Never Met) (6:14), 4. Baby, Let Me Follow You Down (6:01), 5. Just Like Tom
 Thumb's Blues (6:03), 6. Leopard-Skin Pill-Box Hat (4:47), 7. One Too Many Mornings (3:38), 8. Ballad
 Of A Thin Man (7:21), 9. Positively 4th Street (5:36)
04/20/66 Melbourne, Australia - Festival Hall MS?>?>CD All 56  
 *"Jewels & Binoculars" bootleg, disc 9*
 From "Jewels & Binoculars," 26 CD bootleg box set from the Vigotone "label". Line recording. She
 Belongs to Me and Tell Me Momma both cut in.
 Set One: Single Disc (9 tracks, 56:15) 1. //She Belongs To Me (3:05), 2. 4th Time Around
 (5:35), 3. Visions Of Johanna (10:23), 4. It's All Over Now, Baby Blue (6:54), 5. Desolation Row
 (12:26), 6. Just Like A Woman (6:02), 7. //Tell Me, Momma (1:41), 8. Baby, Let Me Follow You Down
 (3:25), 9. Just Like Tom Thumb's Blues (6:58)
04/29/66 Stockholm, Sweden - Koncerthuset MA?>?>CD partial 45 
 *"Jewels & Binoculars" bootleg, disc 10*
 From "Jewels & Binoculars," 26 CD bootleg box set from the Vigotone "label". Audience recording.
 Set One: 01. She Belongs To Me (3:15), 02. 4th Time Around (4:09), 03. Visions Of Johanna
 (7:25), 04. It's All Over Now, Baby Blue (5:14), 05. Desolation Row (4:32 - incomplete), 06. I Don't
 Believe You (She Acts Like We Have Never Met) (5:09), 07. Baby, Let Me Follow You Down (3:31), 08.
 Just Like Tom Thumb's Blues (0:38 - incomplete), 09. Leopard-Skin Pill-Box Hat (3:10), 10. One Too
 Many Mornings (2:16 - incomplete), 11. Ballad Of A Thin Man (6:04) TT 45:07
05/05/66 Dublin, Ireland - Adelphi Theatre MS?>?>CD partial 33 
 *"Jewels & Binoculars" bootleg, disc 11*
 From "Jewels & Binoculars," 26 CD bootleg box set from the Vigotone "label". Line recording.
 Set One: 1. Visions Of Johanna (7:28), 2. 4th Time Around (4:45), 3. It's All Over Now, Baby
 Blue (5:15), 4. Desolation Row (10:28), 5. Just Like A Woman (5:51), 6. Mr. Tambourine Man (8:49) TT:
 32:53
 
08/31/69 Isle of Wight optimal? All 57 
 Dylan & The Band
 "Bob Dylan & The Band, Isle of Wight, August 31, 1969. This is the complete concert compiled from
 the best circulating sources. You won't find this historic concert in better quality than this.
 Conversion: CDR>EAC(secure)>MKW Audio Compression Tool>shn."
 Set One: (17) 56:42, 1. She Belongs To Me, 2. I Threw It All Away, 3. Maggie's Farm , 4.
 Wild Mountain Thyme , 5. It Ain't Me Babe , 6. To Ramona , 7. Mr Tambourine Man , 8. I Dreamed I Saw
 St Augustine , 9. Lay Lady Lay , 10. Highway 61 Revisited , 11. One Too Many Mornings , 12. I Pity The
 Poor Immigrant , 13. Like A Rolling Stone , 14. I'll Be Your Baby Tonight , 15. Quinn The Eskimo (The
 Mighty Quinn) , 16. Minstrel Boy , 17. Rainy Day Women # 12 & 35
 
01/14/74a Boston, MA MS?>?>CD Most 87 
 Dylan & The Band
 Bob Dylan & the Band, Boston, MA, January 14, 1974 afternoon show. Bootleg "Love songs for
 America," Swingin' Pig records 1990. Very nice sound!
 Set One: Cd1 (10 tracks, 43:39), Rainy day woman 12 & 35, Lay lady lay, Just like Tom
 Thumb's blues, It ain't me babe, I don't believe you ,Ballad of a thin man, Stage fright, The night
 they drove old dixie down, King harvest, This wheels' on fire
 Set Two: Cd2 (10 tracks, 42:54), I shall be released, Up on cripple creek, All along the
 watchtower, Ballad of Hollis Brown, Knockin' on heaven's door, The times they are a-changin', Don't
 think twice,it's all right, Gates of eden, Just like a woman, It's all right ma, I'm only bleeding
09/??/74 Blood on the Tracks - NY Studio Sessions  studio All 54 
 Bob Dylan: BLOOD ON THE TRACKS - NEW YORK SESSIONS, Columbia Records Studio A (New York, NY),
 September 1974. Scorpio 1CD [T-556]. Silvers>EAC>FLAC LEVEL 5. Notes: "DEEP: The legendary album as it
 was originally intended to be heard. Carefully mastered off a clean, original test pressing, it has
 never sounded better. This is a dynamic listening experience; the only way to describe it is to say
 it's like listening in 3-D, far superior to what was previously available. A beautifully done package,
 including two rare and contemporaneous photos gracing a booklet with the original, Grammy Award
 winning Pete Hamill essay, plus some nice original artwork." rmd: "Great, stupendous, wonderful,
 magical, etc. Only upon listening to this disc can one appreciate the original BOTT. The sound is
 spectacular -- warm, crisp, clear, and possessing a unity of "feel" which the Biograph/Bootleg Series
 mixes do not."
 Set One: Tracklist (53:47): 01. Tangled Up In Blue, 02. Simple Twist Of Fate, 03. You're A
 Big Girl Now, 04. Idiot Wind, 05. You're Gonna Make Me Lonesome When You Go, 06. Meet Me In The
  Morning, 07. Lily Rosemary And The Jack Of Hearts, 08. If You See Her Say Hello, 09. Shelter From The
 Storm, 10. Buckets Of Rain
 
11/11/75 Waterbury, CT - The Palace Theater MS?>?>CD partial 73  
 Ripped from silver disc "Satisfied Man" (BER 002) (SBD) > EAC > TLH.
 Set One: (72:58) 01. A Hard Rain's A-Gonna Fall 02. Romance In Durango 03. Isis 04. Blowin'
 In The Wind 05. The Water Is Wide 06. I Dreamed I Saw St. Augustine 07. Never Let Me Go 08. I Shall Be
 Released 09. Simple Twist Of Fate 10. Oh Sister 11. Hurricane 12. One More Cup Of Coffee 13. Sara 14.
 Just Like A Woman 15. Knockin' On Heavens Door 16 This Land Is Your Land
12/08/75 NYC, NY - Madison Square Garden S:?>?>CD All 103 
 *"Hurricane" Carter Benefit*
 ^ w/ Joan Baez
 Set One: Set I, 1. When I Paint My Masterpiece, 2. It Ain't Me Babe, 3. Lonesome Death Of
 Hattie Carroll, 4. Tonight I'll Be Staying Here With You, 5. It Takes A Lot To Laugh, A Train To Cry,
 6. Romance In Durango, 7. Isis, set II, 8. The Times They Are A-Changin' ^, 9. Dark As A Dungeon ^,
 10. Mama You've Been On My Mind ^, 11. Never Let Me Go ^, 12. I Dreamed I Saw St. Augustine, Total
 Time 51:25
 Set Two: 1. I Shall Be Released ^, 2. Love Minus Zero/ No Limit, 3. Simple Twist Of Fate, 4.
 Oh, Sister, 5. Hurricane, 6. One More Cup Of Coffee, 7. Sara, 8. Just Like A Woman, 9. Knockin' On
 Heaven's Door, 10. This Land Is Your Land, Total Time 51:25
 
??/??/76 BD and RTR: 1975-1976 Video Anthology DVD All n/a 
 BOB DYLAN & ROLLING THUNDER REVUE, 1975-1976 Video Anthology (DVD). Essential excellent quality
 pro-shot compilation. Liberated Watchdog bootleg DVD. Seeded by mrskin. Mpeg 2 Program Stream File
 [Video/Audio]; Muxrate : 10.08 Mbps, Aspect ratio 4/3 (TV); Interlaced, chroma format: 4:2:0; Video
 Format: NTSC; Display Size [720 x 480]; Size [704 x 480] 29.97 fps 9.55 Mbps; Audio : Mpeg 1 layer 1;
 256 kbps 44100 Hz; Stereo, No emphasis. JJ: only grabbed d2 -- wonderful stuff!
 Set One: --Renaldo And Clara unreleased concert footage, November/December 1975-- - A Hard
 Rain's Gonna Fall, - It Ain't Me Babe, - Knockin' on Heaven's Door, - It Takes a Lot to Laugh, -
 Romance in Durango, - One More Cup of Coffee, - Sara, - Never Let Me Go, - Just Like a Woman, -
 Knockin' on Heaven's Door; --Hard Rain Japanese TV version, Fort Collins, May 23, 1976-- - A Hard
 Rain's Gonna Fall, - Blowin' in the Wind, - Deportee, - I Pity the Poor Immigrant, - Shelter From the
 Storm, - Maggie's Farm, - One Too Many Mornings, - Mozambique, - Idiot Wind, - Knockin' on Heaven's
 Door; --World Of John Hammond, WTTW-TV, Chicago, September 10, 1975-- - Hurricane, - Simple Twist of
  Fate, - Oh Sister
05/03/76 New Orleans, LA - The Wharehouse All 127 
 Set One: 1. Mr Tambourine Man , 2. Love Minus Zero / No Limit , 3. Vincent Van Gogh , 4.
 Maggies Farm , 5. Mozambique , 6. Diamonds and Rust , 7. Railroad Boy , 8. I Pity The Poor Immigrant ,
 9. Shelter From The Storm , 10. Stuck Inside Mobile , 11. You're a Big Girl Now , 12. Rita May , 13.
 Lay Lady Lay, Total Time 65:40
 Set Two: 1. Idiot Wind, 2. Knocking On Heavens Door, 3. Gotta Travel On, Bonus Tracks: 4.
 Hurricane, 5. Oh Sister, 6. Simple Twist of Fate, Tracks 7-9 Lou Reed Encore Hummingbird Center,
 Toronto, Ontario, Total Time 60:42
 
11/16/80 *see Jerry Garcia* n/a 
 
09/04/88 Bristol, CT - Lake Compounce Festival Park S:D?>?>CD All 75 
 Sndbrd>Bootleg Cd "Wanted Man">CDR
 Set One: 1. Subterranean Homesick Blues, 2. I Don’t Believe You (She Acts Like We Never Have
 Met), 3. Just Like Tom Thumb’s Blues, 4. Ballad Of A Thin Man, 5. Had A Dream About You Baby, 6.
 Simple Twist Of Fate, 7. Highway 61 Revisited, (To Ramona), 8. Rank Strangers To Me, Total Time
 34:59
 Set Two: 1. Don’t Think Twice Its All Right, 2. Knockin’ On Heaven’s Door, 3. Sylvio, 4. I
 Shall Be Released, 5. Like A Rolling Stone, 6. It Ain’t Me Babe, 7. Masters Of War, 8. Maggie's Farm,
 Total Time 39:38
 
02/12/89 *see Grateful Dead* n/a 
 
05/05/92 *see Jerry Garcia*  n/a 
 
11/17/94 NYC, NY - Sony Studios (MTV Unplugged) S:?>?>CD All 66 
 Set One: 1. Tombstone Blues, 2. I Want You, 3. Don't Think Twice It's Alright, 4. Desolation
  Row, 5. Hazel, 6. Everything Is Broken, 7. The Times They Are A-Changin', 8. Love Minus Zero / No
 Limit, 9. Dignity, 10. With God On Our Side, Filler: 11/18/94, 11. Absolutely Sweet Marie, Total Time
 65:59
11/18/94 NYC, NY - Sony Studios (MTV Unplugged) S:?>?>CD All 79 
 Set One: 1. Shooting Star, 2. All Along The Watchtower, 3. My Back Pages, 4. Rainy Day Women
 # 12 & 35, 5. John Brown, 6. The Times They Are A-Changin', 7. Dignity, 8. Knockin' On Heaven's Door,
 9. Like A Rolling Stone (Take 1), 10. Like A Rolling Stone (Take 2), 11. Tonight I'll Be Staying Here
 With You, 12. Desolation Row, 13. I Want You, Total Time 78:59
 
06/25/95 see Jerry Garcia n/a 

[ Contents | List Info | Contact Info | Artist Index | Bob Dylan ]

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ELECTRIC FLAG, THE

 
06/??/67 Monterey partial n/a 
 *see Compilations: Monterey Pop Festival, 2/5*
 Set One: 7. Groovin' Is Easy - The Electric Flag, 8. Wine - The Electric Flag
 
??/??/68 Philadelphia, PA - Electric Factory MA?>?>CD partial 18 
 via Dave Tamarkin. AUD UKNOWN LINEAGE > CD > SOUNDFORGE EXTRACTION > CD WAVE EDITOR > FLAC.
 Set One: (3 tracks, 18:07) 1-/HEY JOE, 2-??, 3-HIGHER AND HIGHER
04/??/68 San Francisco, CA - Carousel Ballroom MSR>CD All 82 1319  
 w/ Irma Franklin
 SB MASTER REELS > AUDIO CD > EAC > FLAC. Seeded by Dave Tamarkin to DIME. JJ: d1t05 is incredible.
 No idea what this stuff really is, but it's great.
 Set One: CD1 (7 tracks, 47:39): 1- Uptight Outta Sight > 2- Day Tripper > 3- Drivin' Wheel >
 4- Drivin' Wheel (con't), 5- @@The Theme (JJ: incredible!! Not sure it's The Theme, though), 6- Goin'
 Down Slow// (Don Nix), 7- @@Jam (yeah!!), Big Boss Man
 Set Two: CD2 (6 tracks, 33:50): 1- Doctor Feelgood, 2- I HEARD IT THROUGH THE GRAPEVINE >
 MERCY > TELL MAMA > CHAIN OF FOOLS, 3- PIECE OF MY HEART, 4- HOLD ON I'M COMING, 5- EVERYDAY I HAVE
 THE BLUES> 6- KILLING FLOOR//
05/??/68 San Francisco, CA - Carousel Ballroom MSR>CD All 87 
 *Longer version than on Compilation: SF Nights #2, disc V*
 ELECTRIC FLAG CAROUSEL BALLROOM,S.F. MAY 18 OR 19,1968. SB MASTER REELS > AUDIO CD > EAC > FLAC.
 Set One: CD1 (6 tracks, 29:57), SET1 -- 1-SOUL SEARCHIN', 2-TUNING, 3-MILK COW BLUES,
 4-TUNING, 5-I'D RATHER DRINK MUDDY WATER, 6-GROOVIN' IS EASY
 Set Two: CD2 (13 tracks, 57:07), SET2 -- 1-INSTRUMENTAL, 2-INSTRUMENTAL, 3-TEXAS, 4-HEY JOE,
 5-IT TAKES TIME, 6-TUNING, 7-I'VE BEEN LOVING YOU, 8-ANOTHER COUNTRY//, 9-//AINT NO DOCTOR, 10-TUNING,
 11-DON'T LIE TO ME, 12-TUNING, 13-SOUL SEARCHIN'
 Set Three: Also have shorter version, from SF Nights #2, disc V. --The Electric Flag
 (Carousel Ballroom 5/68)-- 1. Instrumental, 2. Instrumental, 3. Texas, 4. Hey Joe, 5. ?, 6. I've Been
 Loving You Too Long, 7. Another Country, 8. ?, 9. Don't You Lie To Me, 10. Soul Searching
05/19/68 San Jose, CA MA?>?>CD partial 40 
 AUD > ? > CDr > EAC > FLAC . Doesn't sound very good. Mike Bloomfield, guit. ; Nick Gravenites,
 voc. ; Buddy Miles, drums ; Barry Goldberg, key. ; Harvey Brooks, bass ; Peter Strazza, horn ; Marcus
 Doubleday, horn ; Herbie Rich, guit. Truly awful sounding.
 Set One: (8 tracks, 40:23) 1) Soul Survivor , 2) Groovin Is Easy , 3) Hey Joe , 4) Sweet
 Home Chicago , 5) Killin' Floor , 6) Texas / Another Country , 7) Wine , 8) Outro

[ Contents | List Info | Contact Info | Artist Index | The Electric Flag ]

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ELECTRIC MASADA

 
12/23/93 New York, NY - CBGBs MFC>CD All 45 
 John Zorn: alto sax; Marc Ribot: guitar; John Medeski: organ; Kenny Wollesen: drums. cass master >
 Tascam CDRw 700 > CDR(2) > EAC > FLAC.
 Set One: (4 tracks, 45:06), 1. ... Lebaoth, 2. Hadasha, 3. Piram, 4. Bith Aneth
 (incomplete)

[ Contents | List Info | Contact Info | Artist Index | Electric Masada ]

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ERVIN, BOOKER

 
02/18/66 Hilversum, Netherlands - VARA Studio 7 MFT>CD All 27 
 Booker Ervin Quartet: Live in VARA Studio 7, Hilversum-NL, February 18, 1966. Source: FM (Mono) >
 MASTER Audio Tape copy > CD > trade > EAC Secure > Flac frontend > flac level 6, seeded to DIME by
 ricola. Lineup: Booker Ervin -ts; Pim Jacobs -p; Ruud Jacobs -b; Han Bennink -d. JJ: - Wonderful SQ
 and nice material. I really like the last tune ... spooky and sad. About four minutes in it shifts
 (new song?) to a march with some absolutely wailing, mournful sax. Nice.
 Set One: 1 BLUESETTE (not by Thielemans!) 9.03 2 YOU DON'T KNOW WHAT LOVE IS 8.13 3 BE
 talk, DAY TO MOURN 9.55 Total time: 27.11

[ Contents | List Info | Contact Info | Artist Index | Booker Ervin ]

---

EVANS, BILL

 
05/17/58 see Davis, Miles n/a 
08/09/58 see Davis, Miles n/a 
09/09/58 see Davis, Miles n/a 
 
??/??/60 1960 Birdland Broadcasts MF?>?>CD mixed 73 
 The Legendary Bill Evans Trio: The 1960 Birdland Sessions: Bill Evans - Piano; Scott LaFaro - Bass;
 Paul Motian - Drums; Symphony Sid - MC. Bill Evans Trio at Birdland 1960. Symphony Sid Show at
 Birdland on Fridays. (These are Saturdays, the concerts were Friday night, but air time was
 immediately after midnight into Saturday). I presume the radio shows are in chronological order. Then
 dating is as indicated. This is confirmed by the discography. NOTE: This seems to correspond to the
 following performances at the Bill Evans Memorial Library (http://home.btconnect.com/beml/index.html)
 6001: LIVE AT BIRDLAND - a noisy visit featuring La Faro and Motian. Bootleg Editions: [Cool?n Blue
 C&B-CD 106]; [Fresh sounds (2005)]. JJ note: Fresh Sounds is not a bootleg label -- this is an
 official release and is not for trade.
 Set One: 60-0311: 01. Autumn Leaves (Kosma/Mercer/Prevert) - 4:56, 02. Our Delight (Dameron)
 - 6:38, 03. Beautiful Love/Five (Theme) (Evans/Van Alsytne/Young) - 5:24; 60-0318: 04. Autumn Leaves
 (Kosma/Mercer/Prevert) - 6:48, 05. Come Rain or Come Shine/Five (Theme) (Arlen/Mercer) - 5:08;
 60-0429: 06. Come Rain or Come Shine (Arlen/Mercer) - 4:55, 07. Nardis (Davis) - 7:26, 08. Blue in
 Green (Davis/Evans) - 6:14, 09. Autumn Leaves (Kosma/Mercer/Prevert) - 7:09; 60-0506: 10. All of You
 (Porter) - 6:58, 11. Come Rain or Come Shine (Arlen/Mercer) - 4:39, 12. Speak Low (Nash/Weill) -
 6:48
03/11/60 *see 1960 Birdland Broadcasts* 17 
03/18/60 *see 1960 Birdland Broadcasts* 12  
04/29/60 *see 1960 Birdland Broadcasts* 26 
05/06/60 *see 1960 Birdland Broadcasts* 18 
 
02/??/65 France  MF?>?>CD ?? 21 
 Bill Evans Trio: Bill Evans (p); Chuck Israels (b); Larry Bunker (d). OFFICIAL RELEASE, NFT.
 Set One: --continues from 2/13/65 Paris-- 09. Nardis 6:09, 10. Stella by Starlight 4:43, 11.
 Someday My Prince Will Come 2:53, 12. Round Midnight 7:17
02/13/65 Paris, France - Maison de l'ORTF MF?>?>CD ?? 47 
 Bill Evans Trio: Bill Evans (p); Chuck Israels (b); Larry Bunker (d). Seeder (Johan)'s notes re:
 sources: "The Paris tracks were acquired in trade. Unfortunately the disc was TAO'd. All gory details
 of correcting for this is given in the complete info file in the folder. The four remaining tracks are
 taken from: folio collection EF (S) 20013 (Spanish bootleg). As you may know these are notorious in
 the complete lack of information. The identification with the 65-0200 session was done on the basis of
 track length, ambience on the tracks, and the identification with the track list of UJ024 for almost
 the complete disc. The brief, 2:53 - but complete Someday My .... is by itself almost a dead
 give-away. Also issued on Unique Jazz 024/Century 107/Venus TKCZ 79045." TORRENT BANNED FROM DIME! It
 appears the second portion recorded in France 1965 was commercially released as part of "Live in
 Europe".
 Set One: 01. Elsa 5:59, 02. I Should Care 5:55, 03. Time Remembered (Bill Evans) 6:25, 04.
 Come Rain or Come Shine 5:29, 05. Some Other Time (Bernstein) 7:18, 06. Nardis 6:43, 07. How Deep is
 the Ocean 6:20, 08. Israel INC (fade out) 1:59 --FILLER: France, 2/??/65-- 09. Nardis 6:09, 10. Stella
 by Starlight 4:43, 11. Someday My Prince Will Come 2:53, 12. Round Midnight 7:17
 
05/12/66 Seattle, WA - The Penthouse  MFR>C>CD All 29 
 Bill Evans Trio, The Penthouse, Seattle, WA, May 12, 1966. Bill Evans, p; Joe Hunt, d; Eddie
 Gomez, b. FM broadcast>reel tape>cassette>cdr>wav>flac. In 1965-66, The Penthouse would allow the
 first half hour of one evening's sets to be broadcast locally, which is the source of this broadcast.
 This was recenty discovered by a collector, who had hoped a record company would pick it up for
 release, but unfortunatly it's too short for a cd release. JJ: fabulous stuff! Bassist is especially
 good.
 Set One: 5 tracks, 29:17, 1. Very Early (someone else claimed it is "How My Heart Sings"),
 2. Round Midnight, 3. Come Rain Or Come Shine, 4. If You Could See Me Now, 5. Who Can I Turn To
 
02/14/72 Hamburg, Germany - Funkhaus Hamburg MFC>CD All 53 
 Bill Evans Trio, "Studio 10/ Funkhaus Hamburg", Hamburg, Germany, February 14, 1972. Bill Evans
 (p), Eddie Gomez (b), Marty Morell (dr), Herb Geller (fl)*. lineage: FM (analog cable) > Telefunken
 HT 870 tuner > Telefunken HA 870 amplifier > Denon DR-M 24HX three head tape deck w/ Dolby C HXpro >
 Sony UX-S cassette > Terratec DMXFire 1024 soundcard > WaveLab Lite > harddisk > CDR > wav > FLAC
 level 8. JJ: I really like Sao Paulo and Nardis.
 Set One: (8 tracks, 53:21) 1 Introduction by Michael Naura, 2 Re: Person I Knew, 3 Turn Out
  The Stars, 4 Gloria's Step, 5 The Two Lonely People, 6 @@São Paulo*, 7 Stockenhagen*, 8 @@Nardis (not
 complete)

[ Contents | List Info | Contact Info | Artist Index | Bill Evans ]

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EYE R US

 
02/24/07 San Francisco, CA - Connecticut Yankee MAD>CD All 122 
 *Bob Wagner, 2x Nak 700s > Sony D7*
 Master: Bob Wagner, 2 Nak 700's on stage > Sony D5M as preamp > SBM-1 > Sony D7; Transfer: master
 DAT > CD. Performers: Jessica Lurie, saxophone; Dale Fanning, drums; Todd Sickafoose, standup bass;
 Will Bernard, guitar; Steve Moore, trombone & keys.
 Set One: Disc One (14 tracks, 67:24)
 Set Two: Disc Two (8 tracks, 55:26)

[ Contents | List Info | Contact Info | Artist Index | Eye R Us ]

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FERRER, IBRAHIM

 
04/02/03 Los Angeles, CA - Royce Hall, UCLA M??>?>CD All 115 
  IBRAHIM FERRER-VOCALS; MANUEL GALBAN -GUITAR AND ORGAN; CACHITO LOPEZ -DOUBLE BASS; GUARIRO
 MIRABAL-TRUMPET; AGUAJE RAMOS-TROMBONE; DEMETRIO MUNIZ-TROMBONE; ROBERTO FONSECA-TRUMPET; TONI
 JIMENEZ-TENOR SAX; VENTURA GARCIA-BARITONE SAX; ALFRED THOMPSON-ALTO SAX; ANGEL TERRY-CONGAS;
 FILIBERTO Sanchez--TIMBALES; ROBERTICO MILLONARIO-PERCUSSION; JAVIER ZALBA-FLUTE,ALTO SAX,BARITONE;
 LAZARO VILLA-BACKING VOCALS; JIMMY JENKS-TENOR SAX; IDANIA-BACKING VOCALS; ALBERTO LA NOCHE-BONGOS.
 Set One: Disc One (10 tracks, 51:08) ? (Without I. Ferrer), Bruca Manigua, No Tiene
 Telara?a, Boliviana, Naufragio, Hay Que Entrarle A Palos A ?se, Perfume De Gardenias, Isora Club
 (Without I. ferrer), Piano Solo > Choco's Guajira (Without I.Ferrer)
 Set Two: Disc Two (8 tracks, 63:49) Buenos Hermanos, La Musica Cubana, Coma El Arrullo De
 Palma, Oye El consejo, Boquinene --ENCORES-- Mil Congojas, Candela
07/13/03 Juan-les-Pins, France - Festival de Jazz d'Antibes FM>CD All 57 
 Buena Vista Social Club presents: Ibrahim Ferrer, 43è Festival de Jazz d'Antibes Juan-les-Pins,
 July 13, 2003. FM > CD-R > Wav w/EAC > Flac w/Flac Frontend (Align onSector boundaries-Level 6).
 Musicians: Ibrahim Ferrer (vocals); Manuel Galban (guit-keyboards); Cachaito Lopez (bass); Aguaje
 Ramos (trumpet); Demetrio Muniz (tromb); Roberto Fonseca (tromb); Yaure (trumpet); Toni Jimenez (ts);
  Ventura Garcia (bs); Alfredo Thomson (as); Angel Terry (cga); Filiberto Sanchez (timbales); Roberto
 Molinaro (drums); Javier Zalba (jl-as-bs); Lazaro Villa (vocals); Jimmy Jenk (ts); Idana (vocals);
 Alberto La Noche (bongos). Seeder's comments: "Tonight, a great show from a legend in Cuba and in
 memory of Ibrahim Ferrer (20 février 1927- 6 août 2005), I present to you this wonderfull french show.
 I hope you'll like it. The sound is perfect. ... Enjoy -- lolita" JJ: - Yeah!!!
 Set One: (56:51) 1. @@La Musica Cubana, 2. Como El Arillo De Palma, 3. Oye El Consejo, 4.
 Boquinene, 5. Mil Congoras, 6. Candela

[ Contents | List Info | Contact Info | Artist Index | Ibrahim Ferrer ]

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FINAL SOLUTION, THE

 
??/??/66 San Francisco, CA - The Matrix MSR>?>CD n/a 
 *see Compilation: It Crawled From the Vaults of KSAN, vol. 6*
 Set One: --THE FINAL SOLUTION (Soundboard Reel) The Matrix 1966 (SBD)-- 1.
 Announcements/Intro (0:44), 2. Tell Me Again (6:01), 3. Bleeding Rose (8:22), 4. If You Want (4:14),
 5. You Say You Love Me -> (4:23), Got My Mojo Workin', 6. Time Is Here And Now (2:58), 7. Bo Diddley
 Meets Sandy Nelson (5:07), 8. Truck Drivin Son Of A Gun (4:05), 9. Just Like Gold (7:04), 10. Misty
 Mind (6:12), 11. So Long Goodbye -> (0:39), 12. America The Beautiful (0:47)

[ Contents | List Info | Contact Info | Artist Index | The Final Solution ]

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FITZGERALD, ELLA

 
01/25/67 East Berlin, GDR - Friedrichsstaat Palast MF?>?>CD  All 69 
 *Ella w/ Jimmy Jones Trio*
 ELLA FITZGERALD + JIMMY JONES TRIO: Friedrichsstadt Palast, East Berlin, East Germany, January 25,
 1967. SOURCE: FM > low gen, unknown lineage > trade > CDR > EAC Secure Rip >Flac Frontend, level 6.
 LINEUP Ella Fitzgerald, voc; Jimmy Jones, p; Bob Cranshaw, b; Sam Woodyard, dr. JJ: - Not great sound
 (though not bad) and not my cuppa tea.
 Set One: 01 You’ve Changed (incomplete) 0:50 02 Let’s Do It 4:13 03 These Boots Are Made For
 Walkin’ 4:00 04 Here’s That Rainy Day 4:25 05 Summertime 3:32 06 It Don’t Mean A Thing 5:18 07 Jazz
 Samba 8:17 08 Mack The Knife 4:33 09 The Midnight Sun Never Sets 4:35 10 You Go To My Headgoin’ Out
 Of My Head 3:17 11 Sweet And Lovely 4:06 12 Misty 3:59 13 It‘s Wonderful 2:53 14 St. Louis Blues
 6:50 15 How High The Moon 8:36, Total Time: 69:24 min

[ Contents | List Info | Contact Info | Artist Index | Ella Fitzgerald ]

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FLATT & SCRUGGS

 
12/08/62 New York, NY - Carnegie Hall  MSR>D>CD All 77 
 Source: Soundboard Master Reels > DAT; Transfer: Panasonic SV-3700 > M-Audio 24/96 > Wavelab 5.0
 (L3 multimaximizer) > CD WAVE > FLAC. Lester Flatt – Guitar; Earl Scruggs – Banjo; Josh Graves -
 Dobro; Billy E. Powers – Guitar; Paul Warren – Fiddle; English P. Tullock, Jr – Bass; Guest: Merle
 Travis. Seeder's Notes: "Widely accepted as *the* finest - and therefore most important - Bluegrass
  performance ever."
 Set One: 01. Salty Dog 02. Band Intros 03. Durham Reel 04. Down The Road 05. Rainbow 06. Big
 Bill in Brooklyn 07. Flint Hill Special 08. Dig A Hole In The Meadow 09. I Hung My Head and I Cried
 10. Hot Corn, Cold Corn 11. Little Darlin' Pal of Mine 12. You Can't Stop Me From Dreaming 13.
 Footprints in the Snow 14. Martha White Theme 15. I Wonder Where You Are Tonight 16. Old MacDonald Had
 A Farm 17. He Will Set Your Fields On Fire 18. Let The Church Roll On 19. The Wildwood Flower 20. Hear
 The Whistle Blow 21. Fiddle and Banjo 22. Old Leather Britches 23. The Ballad of Jed Clampett 24.
 Little Maggie 25. Reuben 26. Mama Blues 27. I Know What It Means To Be Lonesome 28. Foggy Mountain
 Rock 29. Take This Hammer 30. McKinley's Gone (White House Blues) 31. Encore Call 32. Rollin' In My
 Sweet Baby's Arms 33. Introducing Merle Travis - 34. Gotta Travel On 35. Mountain DewTotal Time:
 76:30

[ Contents | List Info | Contact Info | Artist Index | Flatt & Scruggs ]

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FLEETWOOD MAC

 
??/??/?? "Live", Unknown date & venue (Peter Green era) MS?>?>CD All 72 
 For some reason, this bored me to tears. Lineage: Silver Disc > EAC >Flac 8. Bootleg Title:
 LIVE.
 Set One: 13 tracks, 72:28, 01 - Keep A Knocking, 02 - Red Hot Mama, 03 - Green Manalishi, 04
 - Madison Blues, 05 - Sandy Mary, 06 - Stranger Blues, 07 - Great Balls Of Fire, 08 - Jenny Jenny, 09
 - Got To Move, 10 - Oh Baby, 11 - Teenage Darling, 12 - Loving Kind, 13 - Tutti Frutti
 
06/09/68 San Francisco, CA - Carousel Ballroom MSC?>C>D>CD All 117 
 set II w/ Paul Butterfield *had been mislabeled 6/23/68*
 sounds fantastic! Setlist is not quite correct.
 Set One: Disc One (10) 61:06 Set One: Madison Blues, Something Inside of Me, Instrumental,
 ?, Dust My Broom, Got to Move, ?, Instrumental, Need Your Love So Bad, Lazy Poker Blues
 Set Two: Disc Two (12) 55:51, Set Two: Stop Messin' Round*, I Love Another Woman*, Go Back
 Home*, Raining in My Heart*, Long Tall Sally*, Willie and the Hand Jive, Tutti Frutti, I'm Ready,
 (*W/Paul Butterfield) --?Different Night?-- // Need Your Love So Bad, Go Back Home, Shake Your Money
 Maker, I'm Ready
06/09/68 San Francisco, CA - Carousel Ballroom MS?>?>CD All 117 
 w/ Paul Butterfield
  Excellent stereo soundboard recording from low gen. source . Peter Green - guitar, vocals; John
 McVie - bass; Mick Fleetwood - drums ; Jeremy Spencer - guitar, vocals; Paul Butterfield - harp (where
 noted) . There are minor channel fluctuations in a few spots but this mostly sounds spectacular with a
 very 60's sounding mix (vocals in one channel and guitars in the other). To be able to hear Paul
 Butterfield with Fleetwood Mac is a highlight but Peter Green sounds really great too! From Peter
 Green's stage comments, this is from one week into Fleetwood Mac's first U.S. tour and he sounds like
 he's having a really good time on the last night of a 3 show run with Grateful Dead and Jefferson
  Airplane. This is presumed to be the last night because Peter Green makes a comment about how they'll
 be back in 2 weeks (not the following night). I think that they returned to the Carousel on the 22nd
 or 23rd of June. Transfer info: unspecified lineage CD's received in trade // CD extraction with Toast
 Titanium > Macintosh Pro Tools (minor edits, normalization & retracking) > AIFF > FLAC > CD.
 Set One: CD#1 60:55 --June 9, 1968 first set-- 01 [cuts in] Madison Blues 4:31 , 02 My
 Baby’s Gone 6:00 , 03 My Baby’s Skinny 4:48 , 04 Worried Dream 9:57 , 05 Dust My Broom 4:32 , 06 Got
 To Move 3:00 , 07 Worried Mind 4:41 , 08 instrumental 10:29 , 09 Have You Ever Loved A Woman? 7:58 ,
 10 Lazy Poker Blues 4:49
 Set Two: CD#2 55:38 --June 9, 1968 second set 36:44-- 01 [cuts in] Stop Messin’ ‘Round
 [with Paul Butterfield] 2:12 , 02 I Loved Another Woman [with Paul Butterfield] 7:03 , 03 I Believe
 [with Paul Butterfield] 5:17 04 The Sun Is Shining [with Paul Butterfield] 6:27 05 Long Tall Sally
 [with Paul Butterfield] 4:53 06 Willie & The Hand Jive 4:04 07 > Tuti Frutti 3:02 , 08 thanks by Peter
 Green, announcer band intros + crowd noise before encore 0:32 , 09 Ready Teddy [cut] 3:16 --June 7 or
 8, 1968 S.F. Carousel Ballroom 18:52-- 10 [cuts in] I Need Your Love So Bad 1:46 , 11 I Believe 4:59 ,
 12 Shake Your Moneymaker 9:12 , 13 Ready Teddy 2:30 , 14 Peter Green says thanks, announcer outro +
 crowd noise 0:19
 
01/08/70 *see Playboy After Dark* n/a 
01/29/70 New Orleans, LA - The Wharehouse MSR>C>D>CD  All 60 
 Probable MSR>C>D>CD>eac secure mode>shn.
 Set One: 1.How many times, 2.It takes time, 3.Like it this way, 4.Only You, 5.Madison Blues,
 6.Oh Baby, 7.Albatross, 8.The Green Manalishi, 9.World in Harmony, 10.Stranger Blues --Filler: Unknown
 GD-- 11. Feedback -> 12. And We Bid You Goodnight.
01/31/70 New Orleans, LA - The Wharehouse MS?>?>CD All 87 
 What I like here: Mind to Give Up Living, Only You, Rattlesnake Shake, Coming Your Way.
 Set One: Disc One (8 tracks, 42:00): Sandy Mary, I've Got A Mind To Give Up Living, Only
 You, World In Harmony, Stranger Blues, I Can't Hold Out, Oh Well
 Set Two: Disc Two (4 tracks, 44:54): Rattlesnake //Shake (splice @ 20:54), Coming Your Way
 (w/ drum solo), Like A Tiger, Twist And Shout

[ Contents | List Info | Contact Info | Artist Index | Fleetwood Mac ]

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FLYING BURRITO BROTHERS

 
04/06/69 San Francisco, CA - Avalon Ballroom MFR>D>CD All 62  
 FM (KPFA/B Berkeley) > reel > DATx2 > CD-R > EAC > flac. From the collection of Rob Berger.
 Set One: 01. Close Up The Honky Tonks 02. Dark End Of The Street 03. Undo The Right> 04.
 Somebody's Back In Town 05. She Once Lived Here 06. Mental Revenge 07. We've Got To Get Ourselves
 Together 08. Lucille 09. Sin City 10. You Win Again 11. Hot Burrito #1 12. Hot Burrito #2 13.
 You're Still On My Mind 14. Train Song 15. Long Black Limousime 16. Dream Baby 17. Do Right Woman
 tt 61:35

[ Contents | List Info | Contact Info | Artist Index | Flying Burrito Brothers ]

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FORTUNE, SONNY

 
01/09/81 Washington, DC - Blues Alley MmtxC>R>CD All 144 
 SB/AUD MIX CASSETTE MASTER > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC, via Dave
 Tamarkin. SONNY FORTUNE - ALTO & SOPRANO SAX,FLUTE; BEN RILEY - DRUMS; KENNY BARRON - PIANO; BUSTER
 WILLIAMS - BASS. JJ: nice SQ with a little bit of hiss. Stuff is good, but doesn't move me a whole
 lot.
 Set One: CD1: 1-SURREY WITH A FRINGE ON TOP, 2-REVELATION, 3-TALK (TT: 36:28)
 Set Two: CD2: 1-COME IN OUT OF THE RAIN, 2-? //, 3-? (TT: 47:41)
 Set Three: CD3: 1-?, 2-?, 3-? (TT: 59:56)
 
11/06/87 *see Hubbard, Freddie* n/a 

[ Contents | List Info | Contact Info | Artist Index | Sonny Fortune ]

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FREEMAN, CHICO

 
05/28/84 Berlin (Ost), GDR - Kammerspiel MFR>CD All 95 
 Lineage: fm> reel-to-reel > cdr trade > flac > dime. Chico Freeman: ts,ss; Mark Thompson: p; Cecil
 McBee: b; Freddie Waits: dr. JJ: - Really like this a lot. Sound was given as B+/A-, but it sounds
 quite good to me. And the music is really good. - d2t02 is delightful.
 Set One: CD1: 45:13 1 Fifty 190th Street 11:57 2 Sir Tachi (fade-out) / Announcement
 Speaker (in between 9:54) 10:40 3 Undercurrents / Announcement ChF 22:35
 Set Two: CD2: 49:40: 1 Ballad For Hakima (ChF,ss-MT-p-duo) 3:43 2 @@Amour Sonada /
 Announcement ChF 20:37 3 Tribute To Our Fathers 25:19

[ Contents | List Info | Contact Info | Artist Index | Chico Freeman ]

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FUNK FILHARMONIK

 
07/29/94 Hempstead, NY - Kennedy Park MSD>CD All 84 
 Seeded to DIME by Dave Tamarkin: SONY D-7 DAT SB MASTER DENON K-90DS > M-AUDIO TRANSIT > COOL EDIT
 > CD WAVE EDITOR > FLAC.
 Set One: CD1: 1-INTRO, 2-?, 3-JUPITER, 4-LITTLE KNOWLEDGE IS A DANGEROUS THING, 5-DOWN TO
 THE NIGHT CLUB, 6-YOU GOT THE LOVE, 7-?, 8-WHAT IS HIP?
 Set Two: CD2: 1-THE SKUNK,THE GOOSE AND THE FLY, 2-IN THE STONE, 3-I'M A WOMAN I'M A
 BACKBONE, 4-CAN'T YOU SEE YOU DOIN'ME WRONG, 5-DON'T CHANGE HORSES, 6-YOU ARE A WINNER > 7-SOUL
 VACCINATION > 8-YOU GOT TO FUNKIFIZE

[ Contents | List Info | Contact Info | Artist Index | Funk Filharmonik ]

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GARBAREK, JAN

 
07/08/69 Oslo, Norway - Jazzclub Sogn MF?>?>T>CD All n/a 
 SOURCE: FM > tape (unknown generation) > CD Transfer Phillips CDR 560 > trade >AUDIO CD > EAC
 Secure Modus > Flac Frontend Level 6. LINEUP: Jan Garbarek: ts, cl; Terje Rypdal: el-guitar; Arild
 Anderson: double bass; Jon Christensen: drums. DIME user briggY: "I believe this band was named
 "Esoteric Circle", same as their album of the same year, not the Jan Garbarek Quartet (interestingly
 enough, none of the songs here are included on the album). The great George Russell produced
 "Esoteric Circle" and -- with Stanton Davis added on trumpet -- the band backed Russell on "Trip To
 Prillarguri", recorded live in Sweden in March 1970. MartinR: Another one from the "Esoteric Circle"
 album is "SAS 644" which is included in the third track here (the theme starting at 3:02). ...I don't
  know about a jazz tune (neither by Jan Garbarek or anyone else) entitled "Smoog". Any suggestions? And
 what about that all too familiar melody starting at 6:29?" seeded by ricola. JJ: - I like this. t02
 swings very nicely. t03 bores me, though.
 Set One: Tracks (34:18) 1. Karin's Mode/Daydream (B. Strayhorn) 2. Upper Egypt/Capricon
 Rising 3. Smoog

[ Contents | List Info | Contact Info | Artist Index | Jan Garbarek ]

---

GAYE, MARVIN

 
01/06/74 Japan pro-shot DVD All n/a 
  Video: Tv > Low Gen VHS > Panasonic DMR-ES40V > NERO 6 > SA > TMPGEnc (Uncompressed) > DVD [Menu &
 Song Select]; NTSC 4:3; 8000 kbs; 720X480; 29.97 fps; Audio: SBD; AC3; 256 kbs (2-chnls); 48 kHz
 Set One: Tracklist: What's Goin' On, Let's Get It On, How Sweet It Is, Innercity Blues, I'll
 Be Doggone (Medley), Try It Baby, Can I Get A Witness, You're A Wonderful One, Stubborn Kind Of
 Fellow, How Sweet It Is, Trouble Man, Let's Get It On, Come Get To This, Interview, Jan
 
11/13/79 Tokyo, Japan - Budokan Hall MF?>?>CD All 64 
 Source: Excellent Broadcast or Soundboard (But the Presence of Crowd Noise Would Seem to Indicate a
 Broadcast.) Lineage: CDR > EAC (secure) > mkw > SHN > mkw > WAV > CoolEdit 2000 > CDWav 1.95.1 > WAV
 > Trader's Little Helper > FLAC. JJ: zzzzz.
 Set One: (TT: 64:03) 01: Got to Give It Up, 02: When I First Saw You, 03: What's Going On
 > 04: Who Is To Blame, 05: Inner City Blues, 06: Funky Space Reincarnation, 07: How Sweet It Is,
 08: Band Intro/Trouble Man, 09: Ain't That Peculiar > 10: Yeah Yeah Yeah > 11: Pride and Joy > 12:
 Darlin' I Love You > 13: Heard It Through the Grapevine, 14: Going To Chicago > 15: Need You Baby >
 16: Too Busy Thinking About My Baby, 17: Distant Lover, 18: Thank You, 19: Japanese Announcer
 Outro

[ Contents | List Info | Contact Info | Artist Index | Marvin Gaye ]

---

GETZ, STAN

 
07/03/61 Newport, RI - Newport Jazz Festival  M??>?>CD partial 25 
 Stan Getz Quartet: Newport Jazz Festival, Newport, RI, July 3, 1961. Lineage: liberated bootleg >
 EAC secure mode > flac frontend > flac 16 roxio> CDR> EAC> flac frontend.
  Bootleg title: Miles Davis/Stan Getz, Tune Up (Natasha 4008). Personnel: Stan Getz (ts); Steve Kuhn
 (p); Scott LaFaro (b); Roy Haynes (d). Seeder's Notes: "Here's a good one from "The Sound," Stan Getz.
 This set has appeared in many bootlegged forms, which average over $40 a pop on www.gemm.com. It
 normally has appeared with four tracks from 11/12/1956 featuring Miles Davis and, on two of them,
 Lester Young. The Getz show has historical significance because it represents the last recorded
 performance of the exceptional bassist Scot LaFaro, who died a couple of days later in an automobile
 accident. His playing here is outstanding. Finally, some convincing sources give the date of this
 show as July 2 rather than July 3, but because the latter is in more widespread use I have used
 it."
 Set One: Single Disc (3 tracks, 25:03), 1. Baubles, Bangles and Beads (8:18), 2. Where Do
 You Go? (8:16), 3. Airegin (8:26)
 
07/16/78 *see Tenor Battle* n/a 
 
08/31/88 Chicago, IL - Chicago Jazz Festival MFC>CD All 42 1309  
 *Stan Getz-J.J. Johnson Quintet*
 FM cassette > AIFF > CD > Xact > FLAC (level 8). Fantastic stuff!!
 Set One: 42:25: 1. Billie's Bounce 7:09, 2. Yesterdays 11:44, 3. My Funny Valentine 8:32, 4.
 Soul Eyes 4:47, 5. Blues In The closet 10:03

[ Contents | List Info | Contact Info | Artist Index | Stan Getz ]

---

GORDON, DEXTER

Available Years: 1964, 1965, 1967, 1969, 1973, 1976, 1977, 1979, 1982

 
07/30/64 Molde, Norway MF?>?>CD partial 20 
 Dexter Gordon Quartet: Molde (Norway), Molde Kino, Jazz Festival, July 30, 1964. Dexter Gordon -
 tenor sax; Tete Montoliu - piano; NHOP - bass; Alex Riel - drums. Sound: B/B+ Source: radio broadcast
 Lineage: Radio > CDR in trade > EAC (secure) > Cool Edit Pro > FLAC (8,asb,verify). Edit: deleted a
 bit of noisy silence at end of #1. JJ: recording is a bit flat ... not a lot of clarity on the top or
 the bottom.
 Set One: 1. It's You Or No One (Styne-Cahn) 9:53 2. Ann DG > Blues Up and Down (Gene Ammons)
 10:22 TT: 20:16
 
08/19/65 Copenhagen, Denmark - Jazzhus Montmartre MA?>?>CD  All 63 
 *NFT: Dexter Gordon/Donald Byrd "Lady Bird"*
 Dexter Gordon: August 19, 1965, Jazzhus Montmartre, Copenhagen. Source audience. Sound B/B+.
 NFT
Commercially released on CD as Dexter Gordon/Donald Byrd "Lady Bird": Players: Dexter Gordon
 (ts), Donald Byrd (tpt), Kenny Drew (p), NHØP (b), Alex Riel (d).
 Set One: 01. Lady Bird 21:10, 02. Danish presentation 0:21, 03. So What? 18:28
 (spliced), 04. Who Can I Turn to? 5:38, 05. Blues by Five 4:21 (inc), 06. Unknown ballad 13:12
 Time 63:15
 
07/21/67 Copenhagen, Denmark - Jazzhus Montmartre MF?>?>CD All 38 
 *July 21 or 22*
 Dexter Gordon Quartet: Jazzhus Montmartre, Copenhagen, Denmark, July 21*, 22**, 1967. Personnel:
 Dexter Gordon - tenor saxophone; Kenny Drew - piano; Niels-Henning Ørsted Pedersen - bass; Albert
 "Tootie" Heath - drums. FM broadcast (cable) > Philips CDR765 > Adobe Audition 2.0 > dBpowerAMP Music
 Converter (Reference) 12.0. *Taped & Transferred by peterw. JJ: @@YEAH!!!
 Set One: 1. @@Devilette* 10:47 2. I'll guess I'll hang my tears out to dry* 6:10 3. Lover
 man** 9:48 4. Cheese cake** 11:32 TT 38:18
11/11/67 Berlin, Germany - Blue Note MF?>?>CD All 46 
 *speed corrected*
 Radio Broadcast. Post Production: FLAC > TLH > WAV > Adobe Audition (Pitch Bender: -68 cents;
 Quality Level: Perfect [Slowest]) > CD Wave > TLH > FLAC. Dexter Gordon (ts), Hampton Hawes (p), Palle
 Danielsson (b), Rune Carlsson (d). Seeder Notes: -Applied Fade to end of t03 in Audition -Deleted 4.2
  seconds of dead air from beginning of t01 & 1.4 seconds from the end of t03 in CD Wave -Deleted 1.2
 second of tape warble from the tape being paused or stopped & started from the end of t02 in CD Wave.
 -Boosted Left Channel in Audition: t01 - +3 dB t02 - +4 dB t03 - +6 dB -Originally seeded by
 bluenote2005 - Thank You! -Speed Analysis & Correction Specs by goody - Thanks PervFessor!
 Set One: 1. All The Things You Are (15:57), 2. Doxy (15:14), 3. Bag’s Groove (15:13), TT
 46:24
 
07/28/69 Copenhagen, Denmark - Montmartre MF?>?>CD All 37 
 *Konitz-Gordon-Webster Jam*
 Lee Konitz, Dexter Gordon and Ben Webster Jam: Montmartre, Copenhagen, Denmark, July 28, 1969.
 Source: Radio. Sound: A- (JJ: B or B+). Lee Konitz, as; Dexter Gordon, ts; *Ben Webster, ts; Kenny
 Drew, p; NHOP, b; Jimmy Hopps, dr; *Makaya Ntshoko, dr. JJ: pretty good, doesn't blow me away. I'd
 give the SQ a B or B+.
 Set One: 01. Half Nelson 18:39, 02. * Sunday/Sunnymoon For Two (MN,dr-feat) 18:12, Total
 time 36:51
 
07/18/73 Laren, Netherlands - De Boerenhofstee MF?>?>CD  All 33 
 *Dexter Gordon Quartet w/ Gene Ammons*
 Musicians: Dexter Gordon; Gene Ammons - tenor saxophones; Rob Agerbeek - piano; Rob Langereis -
 bass; Eric Ineke - drums. Source: FM broadcast, unknown lineage. JJ: @@great SQ, very nice stuff.
 Set One: Track Listing (33:19): 1. There Will Never be Another You - 10:28, 2. The Shadow Of
 Your Smile (DG,ts-solo) / Lover Man (GA, ts-solo) - 11:52, 3. The Blues Up and Down - 10:51
 
06/12/76 Wilhelmshaven, Germany - Blue Note MA?>?>CD All 108 
 Dexter Gordon,ts; Rein de Graff,p; Earl May,b; Joe Curtis,dr. Lineage: AUD > cd on trade > flac >
 dime. Sound Rating: A-.
  Set One: CD1 (53:12): --Set I-- 1 Announcement DG 1:27, 2 On Green Dolphin Street 20:00 , 3
 Atmo 1:29 , 4 Announcement DG , 5 Wave 16:58 , 6 Atmo 0:26 , 7 Announcement DG / Darn That Dream
 12:33
 Set Two: CD2: 54:59 --Set I con't-- 1 Announcement DG 0:46, 2 Tenor Madness 16:25 , 3
 Announcement DG 1:00 --Set II-- 4 Atmo 1:31, 5 Second Balcony Jump 19:24 , 6 Announcement DG 1:05 , 7
 Now's The Time// 14:46
06/20/76 see Stitt, Sonny  n/a 
 
09/14/77 Frankfurt, Germany - Sinkkasten MA?>?>CD All 140 
 Dexter Gordon,ts Tete Montoliu,p Rob Langereis,b Eric Inneke,dr. Lineage: audience > cd on trade >
 flac > dime. Pretty nice SQ, B/B+. Nothing noteworthy, IMO.
 Set One: CD1: 68:26: 1 Title (TM,p-trio) 9:04, 2 What's New (fade-in) 12:04, 3 Announcement
 DG 1:47, 4 Stella by Starlight 14:13, 5 Lady Bird (fade-in) 14:19, 6 Laura 16:59
 Set Two: CD2: 71:34: 7 Oleo (fade-out) 11:49, 8 Theme 0:44, 9 A la modal 19:28, 10 Round
 Midnight 18:05, 11 Title 14:34, 12 Body And Soul 6:59
 
07/15/79 The Hague, Netherlands - North Sea Jazz '79  FM>CD All n/a 
 Dutch Radio Broadcast - Vintage (4FM) - december 23, 2005: Dexter Gorden (s); George Cables (p);
 Rufus Reid (b); Eddie Gladden (d). Lineage: FM => Cinergy 600 TV/Radio Capture direct to HD =>
 Creative Wave Studio (Tracking) => FLAC.
 Set One: 1. In Your Own Sweet Way 13:43, 2. Intermezzo 1 0:19, 3. It's You Or No One 12:21,
 4. Intermezzo 2 1:12, 5. More Than You Know 20:47, 6. Intermezzo 3 0:38, 7. Backstairs - Incomplete.
 8:03, TT: 57:06
 
08/05/82 Seattle, WA - Moore Theater MAC>CD All 68 
 *Pat Lee, Sony ECM-270s > Sony D5M*
 **with guest Woody Shaw - trumpet. Taped by Pat Lee AUD:MC (Sony D5M w/ECM 270's on pole, 5th row
 center) > CDR > EAC (secure) > FLAC. Dexter Gordon:ts; Kirk Lightsey:p; David Eubanks:b; Eddie
 Gladden:d
 Set One: 1. Soy Califas [12:20], 2. High Fly (Randy Weston) [20:00], 3. Skylark (Hoagy
 Carmichael/Johnny Mercer) [16:59] --encore-- 4. Gingerbread Boy (Jimmy Heath) [18:47]** TT 68:06

[ Contents | List Info | Contact Info | Artist Index | Dexter Gordon ]

---

GRAPPELLI, STEPHANE

 
??/??/76 Unknown Location MTR>CD partial 20 
  Reel-to-Reel Fragment SBD (Oven-baked, tasty and cooked just right for you!). This 20 minute
 jaw-dropping performance was taped live as it happened and off the air sometime in April or May of
 1976 on a then brand-new first-generation Sony Trinitron 13" TV. The Trinitron was notable for not
 only being a stereo TV, but for also being equipped with a headphone jack. Unfortunately, the Ampex
 456 mastering tape being used has not stood the test of time. It needed to be baked in order for it to
 be playable. If you know this style of music, certainly you will instantly recognise the last two
 tracks. Whether or not you can name them is another matter; they are heavily improvised. Please
 provide any corrections. Sadly, I have no records of which stellar cast was playing as backup, where
 this was recorded, or how long the original broadcast was. Lineage: Ampex 456 mastering reel -> Oven
 baking 12 hrs -> Sound Forge 6.0 -> Mono to Stereo conversion -> 60hz and 129hz hum removal -> CD
 Architect -> cdr -> Nero 6.6 -> FLAC. Enjoy! A DoinkerTape.
 Set One: Tea For Two (cut), You Took Advantage Of Me, Nuages, ?, ? TT 19:42

[ Contents | List Info | Contact Info | Artist Index | Stephane Grappelli ]

---

GRATEFUL DEAD

Available Years: ????, 1966, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1974, 1975, 1976, 1977, 1978, 1979, 1980, 1981, 1982, 1984, 1985, 1986, 1987, 1988, 1989, 1990, 1991, 1995

 
 Grateful Dead Documentary (1969) n/a 
 
??/??/66 "Uncirculated Primal GD GEMS" MSRs>D>CD All n/a enter enter 
 Uncirulated Primal GD GEMS - Assorted 1966 Grateful Dead. SMRs > DAT 3x > Delta DiO 2496 >
 Soundforge 7.0 > WAV > CD Wave Editor > FLAC, via "Alligator". There are also a couple of short digi
 noises during the blues jam. The dates and locations are as marked on the boxes of master reels.
 Let's leave it to the Deadhead historians to figure it all out for accuracy. A GEMS production -+-+-
 www.shnflac.net -+-+- December 2006.
 Set One: CD #1: --Possibly 2/12/66 - 7"reel 1/2 track at 7.5 IPS-- Viola Lee Blues, Don't
 Ease Me In, Tastebud, --"Longshoreman's Hall 1st Night" - 7" Reel 1/2 Track @ 15IPS-- Beat It On Down
 The Line, Schoolgirl > You Don't Love Me > Schoolgirl (original reel cuts) --Unlabeled Reel-- Pigpen
  Raps, Billy, Bobby, and Pigpen > New Orleans (sort of an attempt), Twist and Shout
 Set Two: CD #2: --"Longshoreman's Hall 3rd Night" - 10" Reel 1/2 Track @ 15IPS-- It's A
 Sin, Viola Lee Blues, Midnight Hour, Beat It On Down The Line, Blues Jam (with Jorma and Jack) Note:
 reel runs out before the end --Pauley Ballroom #2 (no date) - 10" Reel 1/2 Track @ 15IPS-- You Don't
 Have To Ask - Phil Talks About The Move To L.A., Viola Lee Blues (some static at start of song), I
 Know You Rider, Midnight Hour (plug pulled)
??/??/66 XX, XX - Unknown location S:?>?>CD Partial 3 
 Late Summer 1966, filler on "2/25/66"
 Set One: Stealin'// [2:58#] [0:05]
??/??/66 XX, XX - Unknown location S:?>?>CD Partial 19 
 Mid- to Late-1966, filler on "2/25/66"; cd skip GMLS reprise @ 5:33
 Set One: Good Morning Little Schoolgirl [7:40] -> You Don't Love Me [5:42] -> Good Morning
 Little Schoolgirl// [6:24#] [0:13]
01/08/66 San Francisco, CA - Fillmore Auditorium Unknown ? 34 
 *Fillmore Acid Test*
 Most tunes clip in and out.
 Set One: 1. AT banter [2:57], 2. King Bee [6:41], 3. Hog For You Baby [3:07], 4. Caution
 [7:48], 5. Death Don't Have No Mercy [8:59], 6. AT craziness [4:27], Total Time 34:01
02/12/66 Compton, CA - Youth Opportunities Center S:R>P>D>CD ? 6 
 MSR>PCM>DAT>ZA2>CDR
 Set One: (first song on 3/12(19?)/66 Danish Center disc), 1. Who Cares Rap [6:20]
02/25/66 Los Angeles, CA - Ivar Theater  S:R>D>CD ? 34 37 
 reel master>DAT>Sonic Solutions workstation>CD>circulation; actual date uncertain; downloaded
 gdlive.com late 12/2000; d1t08 Stealin' cuts; d1t09 Stealin' cuts last sec. or so; d1t12 GMLS
 cutsd1t10 GMLS cd skip @ 5:33
 Set One: 1. She's on the Road Again [2:40] [0:07], 2. Next Time You See Me [3:18] [0:16], 3.
 I Know You Rider [2:50] [0:03], 4. Hey Little One [5:01] [0:15], 5. Cold Rain & Snow [3:07] [0:02], 6.
 King Bee [6:04] -> 7. Caution [8:32] [0:04], 8. Stealin'// [1:09#] [0:04], Filler: Summer '66 9.
 Stealin'// [2:58#] [0:05]; Filler: Mid- to Late-1966 10. Good Morning Little Schoolgirl [7:40] -> 11.
 You Don't Love Me [5:42] -> 12. Good Morning Little Schoolgirl// [6:24#] [0:13]; Filler: 10/22/67 13.
 Morning Dew [7:09] [0:04], Total Time 63:55
03/19/66 Los Angeles, CA - Danish Center S:?>?>CD All 68  
 *Pico Acid Test* *previously circulated as 3/12/66*
 t02 VLB cuts in; t03 One Kind Favor cuts in; t11 DDHNM cuts in on "take no vacation"
 Set One: (2/12/66) 1. Who Cares Rap [6:11], (3/19/66 set I), 2. //Viola Lee Blues [11:10#]
 [0:44], 3. //One Kind Favor [3:33#] [0:46], 4. I Know You Rider [2:28] [0:13], 5. You See A Broken
 Broken Heart [3:14] [0:04], 6. It's A Sin [3:19] ["Tasting," 1:28], 7. Beat It On Down The Line [2:53]
 [1:13], 8. Heads Up [4:01] [2:16], 9. Next Time You See Me [2:53] [2:11], (3/19/66 set II), 10. Stormy
 Monday Jam [7:10] [1:05], 11. //Death Don't Have No Mercy [5:58#] [0:05], 12. In The Midnight Hour
 [10:45], Show Time 68:01, Total Time 74:12
03/25/66 Los Angeles, CA - Trouper's Club S:R>D>CD ? 34 None 
 DNC Route 66 tree; lineage per Dank Star; w/ 7/3/66
 Set One: 1. //Stealin' [1:46#] [0:40], 2. C Instrumental [8:26] [0:52], 3. Hey Little One
 [5:14] [0:09], 4. Hog For You Baby [3:04] [0:08], 5. You Don't Have To Ask [6:32] [0:09], 6. Cold Rain
 & Snow [3:46], 7. Next Time You See Me// [2:44#]
05/19/66 San Francisco, CA - Avalon Ballroom  S:R>D>SS>CD All 66 
 SBDMR>DAT>Sonic Solutions>CD; d1t01 BIODTL cuts in; d1t11 anomaly (analog?) @ 1:34; d1t17 fades
 out
 Set One: 1. //Beat it on Down the Line [2:24#] [0:03], 2. Standing on the Corner [3:37]
 [0:02], 3. Mindbender [2:57] [0:06], 4. It Hurts Me Too [3:54] [0:02], 5. Viola Lee Blues [7:42]
 [0:02], 6. I Know You Rider [2:47] [0:04], 7. It's a Sin [3:05] [0:05], 8. Sick and Tired [3:35]
 [0:02], 9. Cream Puff War [3:52], tuning ditty [0:27], 10. Sittin' on Top of the World [2:17] [0:05],
 11. Minglewood Blues [3:40] [0:50], 12. Cold Rain & Snow [3:14] [0:08], 13. Come Back Baby [6:10]
 [0:09], 14. Silver Threads and Golden Needles [2:32] [0:08], 15. It's All Over Now Baby Blue [4:25]
 [0:40], 16. Good Lovin' [3:26] [0:11], 17. You Don't Have to Ask// [2:58#], Total Time 65:48
07/03/66 San Francisco, CA - Fillmore Auditorium S:R>D>CD ? 33 None 
 MSR > DAT > Sonic Solutions > CD; Hamilton's site gives MSR > RR? > DAT > CDR; DNC Route 66 tree;
 w/ 3/25/66
 Set One: 8. Dancin' In The Street [7:12] [0:08], 9. I Know You Rider// [2:26#], 10. //He Was
 a Friend of Mine [3:53#] [0:24], 11. Next Time You See Me [2:55] [0:14],12. Banter [0:26], 13. Viola
 Lee Blues [7:12] [0:42], 14. Big Boss Man [3:24] [0:33], 15. Sitting On Top Of The World// [2:28#]
07/16/66 San Francisco, CA - Fillmore Auditorium S:?>?>CD ? 25 None 
 DNC Route 66 Tree #1, w/ 7/17/66
 Set One: 1. Big Boss Man [4:45], 2. Standing On The Corner [3:26], 3. Beat It On Down The
 Line [2:32], 4. In the Pines [4:53], 5. Cardboard Cowboy [2:28], 6. Nobody's Fault But Mine [4:06], 7.
 Next Time You See Me [2:40]
07/17/66 San Francisco, CA - Fillmore Auditorium S:?>?>CD ? 46 None 
 DNC Route 66 Tree #1, with 07/16/66
 Set One: 8. Introduction > Viola Lee Blues [9:14], 9. Don't Ease Me In [2:33], 10. Pain In
 My Heart [4:17], 11. Minglewood Blues [3:16], 12. Sitting On Top Of The World [3:23], 13. You Don't
 Have To Ask [4:12], 14. Cold Rain & Snow [2:58], 15. Good Morning Little Schoolgirl [10:23], 16. It's
 All Over Now Baby Blue [5:23]
07/29/66 Vancouver, BC - PNE Garden Auditorium S:R>D>CD All 38 None 
 10" Master Reels @7.5ips 1/2trk->Panasonic SV3700 Dat x 0->Panasonic SV3700 x 1 > CDR; DNC Route 66
 tree #4
 Set One: 1. Microphonicus Rex [0:44], 2. Dancing in the Street [8:20], 3. Quivering
 ethnomusicologists [0:30], 4. [0:08] King Bee [7:27] -> 5. See That My Grave is Kept Clean [3:47]
 [0:10], 6. Coat Banter [0:14], Hey Little One [5:15] [0:11], 7. Minglewood Blues [3:03] [0:15]
07/29/66 Vancouver B.C., CA - P.N.E. Garden Auditorium MSR>D>CD All 55  
 SBD 10" 1/2 track 15ips MR > DAT 3x > Delta DiO 2496 > Soundforge 7.0 > WAV > cdwave > Flac. This
 is an upgrade over previously circulated copies of this show. The dates and song lists for 7/29 & 7/30
 come directly from the boxes that the master reels are stored in. A GEMS production.
 Set One: (55:09) 01. Dancin' In The Street 02. Cold Rain and Snow 03. King Bee 04. One Kind
 Favor 05. You Don't Have To Ask 06. Hey Little One 07. Beat It On Down The Line 08. Schoolgirl
 09. New, New Minglewood Blues
07/30/66 Vancouver, BC - PNE Garden Auditorium S:R>D>CD All 63 None 
 10" Master Reels @7.5ips 1/2trk->Panasonic SV3700 Dat x 0->Panasonic SV3700 x 1 > CDR; DNC Route 66
 tree #2
 Set One: 1. Tuning [0:20], 2. Introduction [0:15]; Standing on the Corner [2:53] [0:14], 3.
 I Know You Rider [3:03] [0:12], 4. Next Time You See Me [3:23] [0:33], 5. Sitting on Top of the World
 [3:33] [0:48], 6. You Don't Have to Ask [4:52] [0:18], 7. Big Boss Man [4:09] [0:31], 8. Stealin'
 [3:01] [0:35], 9. Cardboard Cowboy [2:34] [0:44], 10. It's All Over Now, Baby Blue [5:02] [0:45], 11.
 Cream Puff War [7:30] [0:26],* 12. Viola Lee Blues [9:23] [0:05], 13. Microphonicus Rex Banter >
 Dancing in the Street [9:36]
07/30/66 Vancouver B.C., CA - P.N.E. Garden Auditorium MAC I,IIp 65 
 SBD 10" 1/2 track 15ips MR > DAT 3x > Delta DiO 2496 > Soundforge 7.0 > WAV > cdwave > Flac. This
 is an upgrade over previously circulated copies of this show. The dates and song lists for 7/29 & 7/30
 come directly from the boxes that the master reels are stored in. A GEMS production.
 Set One: (64:39) --Set I-- Standing On The Corner, I Know You Rider, Next Time You See Me,
 Sitting On Top Of The World ,You Don't Have To Ask, Big Boss Man, Stealin', Cardboard Cowboy, Baby
 Blue, Cream Puff War --Set II-- Viola Lee Blues, Beat It On Down The Line, Schoolgirl (the tape
 runs out)
09/16/66 San Francisco, CA - Avalon Ballroom S:?>?>CD All 69 None 
 d1t04 and d1t05 beginnings clipped; DNC Route 66 tree
 Set One: 1. I Know You Rider [4:20] [0:07], 2. It Hurts Me Too [4:21] [0:11], 3. It's All
 Over Now Baby Blue [4:50] [0:12], 4. //Good Morning Little Schoolgirl [11:09#] [0:07], 5. //Lindy
 [2:50#], 6. Dancin' In The Streets [6:34] [0:28], E: In the Midnight Hour [17:41] [0:47], - Plus:
 Stealin, Same Thing from Matrix 11/29/66
10/07/66 San Francisco, CA - Winterland Arena S:?>?>CD Partial 19 
 "San Franciscan Nights vol. 4" CD
 Set One: Cream Puff War, Good Morning Little Schoolgirl, Stealin'
11/19/66 San Francisco, CA - Fillmore Auditorium S:?>?>CD All 71  None 
 DNC Route 66 tree #1; track timings
 Set One: 1. Hi-Heel Sneakers [4:24], 2. Pain In My Heart [3:05], 3. Cold Rain & Snow [3:50],
 4. Beat It On Down The Line [2:40], 5. Cream Puff War [8:50], 6. The Same Thing [10:52], 7. He Was A
 Friend Of Mine [4:51], SECOND SET, 8.Smokestack Lightning [8:53] -> 9. I'm a King Bee [5:48],10. In
 the Midnight Hour [19:05], Total Time 71:26
11/29/66 San Francisco, CA - The Matrix Unknown ? 74 
 *11/29/66-12/1/66*
 VLB tracked over two tracks, w/ drop @ marker, cut/splice @ 5:08 of track 9; t10 Down So Long cuts
 in; t13 GMLS start clipped
 Set One: 1. Me And My Uncle 4:11, 2. The Same Thing 12:08, 3. Stealin' 3:24, 4. Big Boy Pete
 4:21, 5. See That My Grave Is Kept Clean 6:31, 6. Early Morning Rain 3:17, 7. Cold Rain And Snow 4:22,
 8 & 9. Viola Lee // Blues 10:35, 10. //Down So Long 3:33, 11. Something On Your Mind 4:48, 12. Lindy
 2:48, 13. //Good Morning, Little Schoolgirl 10:40, 14. I Just Want To Make Love To You 3:26, Total
 Time 74:24
12/01/66 San Francisco, CA - The Matrix Unknown All 133 
 *11/29/66-12/1/66*
 Set One: 1. New, New Minglewood Blues 3:40, 2. Betty And Dupree 5:43, 3. Next Time You See
 Me 3:40, 4. I Know You Rider 3:58, 5. Big Boss Man 3:56, 6. See That My Grave Is Kept Clean 5:24, 7.
 Alice D. Millionaire 3:32, 8. Me And My Uncle (inc.) 1:52, 9. Me And My Uncle 3:09, 10. Cream Puff War
 9:18, 11. Dancin' In The Street 10:33, 12. Me And My Uncle 4:20, Total Time 59:09
 Set Two: 1. // You Don't Love Me 4:22, 2. BIODTL 3:41, 3. It Hurts Me Too 4:50, 4. She's On
 The Road Again 2:31, 5. Look Over Yonder's Wall * 3:06, 6. It's My // Own // Fault * 7:22, 7. Down So
  Long // 3:30, 8. // Cold Rain // & Snow 2:33, 9. Viola Lee Blues // 15:18, 10. Deep Elem Blues 4:57,
 11. Something On Your Mind 5:30, 12. Big Boy Pete 3:09, 13. Death Don't Have No Mercy 9:22, 14. Lindy
 3:40, Total Time 73:57
 
01/14/67 San Francisco, CA - Polo Field, Golden Gate Park S:R>2C>D>CD All 30 
 Here are the Serafin Station Notes: Grateful Dead 01/14/67 Polo Field, Golden Gate Park, All, AR4,
 A-SBD, LINEAGE: SBD > RTR > PCM > ? > D > SSSB; *=w/Charles Lloyd; any and all NR and/or EQ processes
 were performed using 80-100% digital realm outboard processing equipment and/or editing software at
 Serafin Station Studio B [this show was released in 04/98].
  Set One: 1. //Morning Dew [9:03#] [0:03], 2. //Viola Lee Blues [10:49#] [0:02], 3. Good
 Morning Little Schoolgirl* [10:07], Total Time 30:06
01/27/67 San Francisco, CA - Avalon Ballroom A:C>C?>CD All 78  
 Source: MAC>C?>Sony TC-WE435> Cool Edit Pro>CD Wave>CD.
 Set One: Morning Dew 07:09, New Minglewood Blues 08:40, Viola Lee Blues 21:57, Cold Rain
 and Snow 02:58, Alligator 17:20, Caution (Don't Stop on the Tracks) 20:01, Total Time: 1:18:05
03/18/67 San Francisco, CA - Wintertand Arena MSR>R>D>CD All 87 
 SBDMR>R>DAT>CD; d1t01 MAMU fades in; d2t01 Golden Road cuts in; d2t06 DDHNM cuts out
 Set One: 1. //Me & My Uncle [2:49#] [0:06], 2. Next Time You See Me [2:54] [0:51], 3. He Was
 A Friend Of Mine [4:33] [0:03], 4. Smokestack Lightning [8:45] [0:03], 5. [0:04] Morning Dew [5:04]
 [0:02], 6. It Hurts Me Too [3:48], 7. Beat It On Down The Line [2:17] [0:49], 8. Dancin' In The
 Streets [9:56] [0:05], Total Time 42:12
 Set Two: 1. //Golden Road To Unlimited Devotion [1:50#] [0:07], 2. [0:17] Cream Puff War
 [5:57] [0:07], 3. The Same Thing [11:18] [0:47], 4. Cold Rain & Snow [2:56] [0:44], 5. Viola Lee Blues
 [13:38] [0:01], 6. Death Don't Have No Mercy// [6:12#] [0:09], total time 44:05
04/??/67 Phil & Jerry's KMPX Radio Show PFMR>R>D>CD All 106 513  
 Jerry Garcia, Phil Lesh, Tom Donahue. KMPX Radio Show. April - XX - 1967Source:
 Pre-FM-MR>R>DAT>CDR; Conversion: CDR > EAC(secure) > Cool Edit(remove gaps) > CDWav (retrack) >
 mkwact(seekable). Matt Vernon found the following on the internet: "Here is a description of this
 show I found on the internet: "THE CELESTIAL JUKEBOX (Special Radio Flashback Edition "The Phil 'n'
 Jerry Show" April 1967): A long, long time ago -- before many of you were born -- there was a wondrous
 thing called "progressive" or "free-form" radio. These were the days when rock radio stations were
 programmed by people who actually knew and loved music, rather than the accountants and marketing
 analysts who now control the airwaves. During this time it was possible to hear, in a single program,
 music by artists as diverse as the Beatles, Ravi Shankar and Miles Davis, to name but a few, picked
 and played by DJs who spoke to, rather than at, their audience. One of the pioneering stations in this
 adventurous era of radio was KMPX-FM in San Francisco, which was instrumental in letting the world
 know about the explosion of great music in the Bay Area in the late 60s. One fine April evening in
 1967, the station's co-founder, the legendary Tom "Big Daddy" Donahue, invited Phil Lesh and Jerry
 Garcia to play guest DJ on his nightly KMPX show. Phil and Jerry discussed the Grateful Dead's
 then-brand-new debut album (they promised the next one would be much better!), as well as such arcane
 topics as a top-secret military project to develop a "sound gun" that could kill or maim everyone for
 miles around with super-low-frequencies. Best of all, they brought along some of their favorite
 records to play on the air. As you might expect, it was a most unpredictable batch of tunes indeed.
 The [above] is a playlist from Phil and Jerry's guest DJ shift, as broadcast on KMPX-FM in San
 Francisco, sometime during the last week of April, 1967." Notes: 1. shntool confirms tracks on sector
 boundaries; 2. Cool Edit used to remove gaps from tracks not cut on sector bundaries, fix some pops
  related to the digital transfers; 3. Flaws: d1t02 00:35 brief diginoise; d1t02 03:19 brief diginoise;
 d1t13 02:56 brief diginoise.
 Set One: Disk 1 [69:23], [Missing] SWAN SILVERTONES - (Song title unannounced), 01. [03:23]
 Talk, 02. [05:38] CHARLES MINGUS - Wednesday Night Prayer Meeting, 03. [03:59] Talk, 04. [02:54] BLIND
 WILLIE JOHNSON - Lord I Can't Keep From Crying Sometimes, 05. [01:05] Talk, 06. [02:25] RAY CHARLES -
 I Don't Need No Doctor, 07. [01:06] Talk, 08. [02:43] JAMES BROWN - It's A Man's Man's Man's World,
 09. [00:22] Talk, 10. [03:25] JAMES BROWN - Ain't That A Groove, 11. [01:39] Talk, 12. [03:51] BOB
 DYLAN - Maggie's Farm, 13. [03:20] Talk, 14. [01:30] ENSEMBLE OF THE BULGARIAN REPUBLIC - The Moon
 Shines, 15. [00:51] Talk, 16. [11:25] CHARLES LLOYD QUARTET -Dream Weaver, 17. [00:08] Talk, 18.
 [00:30] Station Ads - Avalon Ballroom, 19. [00:42] Talk, 20. [04:03] JUNIOR WELLS - Ships On The
 Ocean, 21. [00:59] Talk, 22. [11:37] LEOPOLD STOKOWSKI/AMERICAN SYMPHONY ORCH. - Charles Ives:
 Symphony # 4 (2nd Movement), 23. [01:37] Talk
 Set Two: Disk 2 [37:24], 01. [02:51] IAN & SYLVIA - Jealous Lover , 02. [00:04] Talk, 03.
  [02:35] IAN & SYLVIA Four Rode By, 04. [00:47] Talk, 05. [03:18] SKIP JAMES - Hard Time Killin' Floor
 Blues, 06. [02:36] ARETHA FRANKLIN - I Never Loved A Man (The Way I Love You), 07. [01:29] Talk, 08.
 [03:39] RIGHTEOUS BROTHERS - You've Lost That Lovin' Feelin', 09. [01:24] Talk, 10. [03:33] IKE & TINA
 TURNER - River Deep, Mountain High, 11. [00:56] Talk, 12. [02:16] LOU RAWLS - Trouble Down Here Below,
 13. [00:09] Talk, 14. [02:06] ROLLING STONES - Gotta Get Away, 15. [01:16] Talk, 16. [02:26] OTIS
 REDDING - Day Tripper, 17. [00:15] Talk, 18. [02:25] GRATEFUL DEAD - Cold Rain And Snow, 19. [00:39]
 Talk, 20. [02:32] GRATEFUL DEAD - New, New Minglewood Blues
04/08/67 San Francisco, CA - KPIX-TV Studios TV:?>?>C>CD All? 19 
 *"The Maze" TV program*
 Set One: Filler on d2 of 4/??/67 radio program: 1. The Wildflowers - Please Come Home
 (3:41), 2. announcer's intro (0:23), 3. Ralph Gleason interviews Jerry Garcia (4:30), 4. Grateful Dead
 - Cream Puff War (3:52), 5. QMS - Pride Of Man (3:57), 6. QMS & Dead composite - Walkin' Blues (2:24),
 7. announcer's outro (0:23), Total Time 19:12
05/05/67 San Francisco, CA - Fillmore Auditorium S:C>C>D>CD All 31 
 SBDMC>C>DAT>CD; d1t01 cuts out
 Set One: 1. Banter [0:59], He Was A Friend Of Mine// [4:42#], 2. Dosed Banter [2:05] -> 3.
 Golden Road To Unlimited Devotion [2:12] -> 4. New Potato Caboose [9:32] [0:40], 5. Alligator [10:38]
 [0:14], Total Time 31:05
06/18/67 Monterey, CA - Monterey Fairgrounds S:R>C>D>CD All 35  
 SMR > Cass. > DAT > ZA2 > CD, Alligator > Caution has no cassette gen.
 Set One: 1. Bob Weir thing [0:18], Cold Rain & Snow [3:17] [0:03], 2. [0:28] Viola Lee Blues
 [10:23] [0:12], 3. Alligator [8:19] -> 4. Caution [11:27] [0:24], Total Time 34:53
08/04/67 Toronto, CA - O'Keefe Center S:R>D>CD Partial 26 None 
  DNC Route 66 Tree #2; track timings
 Set One: 1. New Potato Caboose [6:38], 2. Viola Lee Blues [19:46]
08/05/67 Toronto, CA - O'Keefe Center S:R>D>CD Partial 18 None 
 DNC Route 66 Tree #2
 Set One: 3. Turn On Your Lovelight [7:23], 4. Alligator [11:08]
09/03/67 Rio Nido, CA - Dance Hall S:R>C>D>CD All 71 None 
 track timings
 Set One: 1. Dancin' in the Street [10:38], 2. It Hurts Me Too [4:33], 3. Cold Rain and Snow
 [3:23], 4. Good Morning Little Schoolgirl [10:36], 5. //Viola Lee Blues [22:50#], 6. Big Boss Man
 [4:21], 7. Alligator [14:40]
09/15/67 Hollywood, CA - Hollywood Bowl A:C>R>R>D>CD ? 68 
 Aud>MC>R>R>DAT>NR>CD; t01 VLB reel warble @ 13:49-13:53; t05 Dew first few notes clipped; t06
 'Gator drop @ 7:08
 Set One: 1. Viola Lee Blues [15:15] [0:07], 2. Cold Rain & Snow [3:20] [0:18], 3. Beat It On
 Down The Line [2:32] [0:03], 4. Good Morning Little Schoolgirl [10:38] [0:07], 5. //Morning Dew
 [5:52#] [0:08], 6. Alligator [11:07] -> 7. Caution [15:31] -> 8. Feedback [1:16], 9. Circus Finale
 [0:39] [0:08], Total Time 67:08
10/20/67  Rehearsal MSR>CD All 45 
 1 CD Hunter's Reel >CDR. t02 Gator cuts in; t05 Cryptical cuts in; t06 VLB @ 3:37, Weir: "Bill ...
 Bill, slow (?) it down"; t06 VLB @ 4:28: "testing"; t06 VLB cut/splice @ 5:35, cuts out
 Set One: Single Disc (6) 44:48, 01. Lovelight [11:18], 02. //'Gator [3:22] -> 03. 'Gator Jam
 [7:45] -> Caution [3:57] -> 04. Caution (con't) -> Feedback, 05. //Cryptical [#1:25] -> The Other One
 [2:29] -> Cryptical [3:45], 06. Viola// Lee Blues// [6:#14#] [0:08]
10/22/67 San Francisco, CA - Winterland Arena S:?>?>CD All 55 
 S:R > C > D > Sonic Solutions via David Gans > CD; d1t02 NPC first few notes clipped; d1t05 cuts
 out
 Set One: 1. Morning Dew [7:09] [0:04], 2. // New Potato Caboose [9:38] [0:03], 3. It Hurts
 Me Too [4:04] [0:11], 4. Cold Rain & Snow [3:11] [0:08], 5. Turn on Your Lovelight// [12:25#] [0:14],
 6. Beat it on Down the Line [2:31], 7. Cryptical Envelopment [1:22] -> 8. The Other One [4:42] -> 9.
 Cryptical Envelopment [8:38] [0:04], Total Time 54:28
11/10/67 Los Angeles, CA - Shrine Auditorium S:R>R>R>D>CD All 94 
 d1t01 VLB cuts in, cut/splice @ 8:35; d1t01 contains :02 of Hurts Me Too; d1t02 contains :02 of
 Dew; d1t05 contains :02 of Cryptical; d1t07 contains :02 of Cryptical reprise
 Set One: 1. //Viola Lee// Blues [14:55#] [0:30], 2. It Hurts Me Too [4:04] [0:27], 3.
 Morning Dew [6:33] [0:05], 4. "Hoot, Jeer!" [0:48], 5. Good Morning Little Schoolgirl [10:33] [0:06],
 6. Cryptical Envelopment [1:26] -> 7. The Other One [3:47] -> 8. Cryptical Envelopment [5:58] [0:11],
 Filler: Straight Theater 9/23/67, 9. Casady rap and Lovelight jamming [8:13] [0:04], Total Time
 57:43
 Set Two: 1. Alligator [3:20] -> 2. Drums [0:37] -> 3. Alligator [7:12] -> 4. Caution [22:15]
 -> 5. Feedback [1:40] [0:27], Total Time 35:32
11/11/67 Los Angeles, CA - Shrine Auditorium S:R>R>R>D>CD All 58 
 d1t01 Lovelight fades in, unknown missing; d1t02 DDHNM drop @ 6:08; d1t07 NPC cuts in
 Set One: 1. //Turn On Your Lovelight [11:33#] [0:20], 2. Death Don't Have No Mercy [7:38]
 [0:04], 3. Good Morning Little Schoolgirl [12:05] [0:06], 4. Cryptical Envelopment [1:24] -> 5. The
 Other One [2:34] -> 6. Cryptical Envelopment [10:40] [0:05], 7. //New Potato Caboose [10:53#] [0:09],
 Total Time 57:34
 
??/??/68a XX, XX - Unknown location S:R>D>CD ? 79 
 DNC Route 66 Round 5, Disc Two
 Set One: 1. //Cryptical Envelopment [0:25] -> Drums [0:11+:02] -> 2. The Other One
 (-:02+5:24+:02] -> 3. Cryptical Envelopment [-:02+9:35-:02] -> 4. Good Morning Little Schoolgirl
 [:02+14:56] [0:22], 5. [0:05] //Dark Star [13:32+:01] -> 6. St. Stephen [-:01+3:33+:02] -> 7. The
 Eleven [-:02+12:10] -> 8. Death Don't// Have No Mercy [7:43#] [0:23], 9. [0:07] Turn on Your Lovelight
 [9:31] [0:21], Total Time 78:22
??/??/68b XX, XX - Unknown location S:R>D>CD ? 16 
 DNC Route 66 tree Round 5, Disc One, segment one
 Set One: 1. //Drums [1:28] -> 2. Alligator Jam [12:59] -> 3. Caution// [0:52, fades out]
 [0:03]
??/??/68c XX, XX - Unknown location S:R>D>CD ? 24 
 DNC Route 66 tree Round 5, Disc One, segment two;
 Set One: 3. [0:05] //Cryptical Envelopment [1:02#+:02] -> 4. The Other One [-:02+2:31+:08]
 -> 5. Cryptical Envelopment [-:08+3:30+:03] -> 6. New Potato Caboose [-:03+8:42], 7. //It Hurts Me Too
  [3:59#] [0:05], 8. [0:15] Born Cross-Eyed [2:53] [0:09]
??/??/68d XX, XX - Unknown location S:R>C>D>CD ? 5 
 DNC Route 66 tree Round 5, Disc One, segment three
 Set One: 9. [0:03] //Dark Star [4:00#+:02] -> 10. St. Stephen// [-:02+0:08#] [0:15], Total
 Time 4:28
??/??/68e XX, XX - Unknown location S:R>C>D>CD ? 47 
 *also listed and circulates as 5/xx/68*
 Route 66 tree Round 5, Disc Four
 Set One: 1. //St. Stephen [2:39#] -> 2. Cryptical Envelopment [:02+1:41] -> Drums [0:09+:03]
 -> 3. The Other One [-:03+4:31] -> 4. Cryptical Envelopment [:02+6:03] -> 5. New Potato Caboose
 [:02+10:43] -> 6. Alligator [:01+3:21] -> Drums [3:12] -> Jam [0:31] -> 7. Jam (con't) [7:05] ->
 Caution// [4:22]
??/??/68f XX, XX - Unknown location S:R>C>D>CD ? 28 
 Route 66 tree Round 5, Disc Three, segment one; Weir sings substantial portions of Lovelight
 Set One: 1. [0:02] //St. Stephen [7:32#] -> 2. Cryptical Envelopment [1:46+:01] -> 3. Drums
 [-:01+0:14] -> The Other One [4:27] +:03] -> 4. Cryptical Envelopment [-:03+4:24] -> 5. Turn on Your
 Lovelight// [10:14#] [0:04]
??/??/68g XX, XX - Unknown location S:R>C>D>CD ? 48 
 Route 66 tree Round 5, Disc Three, segment 2
 Set One: 6. [0:08] //Morning Dew [6:04#] [0:11], 7. [0:02] //It Hurts Me Too [3:37#] [1:08],
 8. [0:13] Dark// Star [16:05+:02#]-> 9. Saint Stephen [-:02+8:20] -> 10. Turn on Your Lovelight//
 [10:55#] [0:12]
01/17/68 San Francisco, CA - Carousel Ballroom S:R>C>D>CD All 86 
 MSR>cass>dat>cdrx?>eac>wav>cooledit2000>wav>shn; Notes: d1t03 Dark Star first few notes clipped;
 d1t05 Eleven cut/splice @ 7:00; d2t01 contains :03 of TOO; d2t02 contains :02 of Cryptical reprise;
 d2t03 contains :02 of GMLS; d2t04 GMLS cuts/splices @ 10:59-11:01
 Set One: 1. [0:03] Turn on Your Lovelight [11:56] [0:13], 2. Tuning/Banter [3:10], 3. //Dark
  Star [4:48#] -> 4. China Cat Sunflower [3:21] -> Jam [0:43] -> 5. The // Eleven [8:49#] -> 6.
 Feedback// [1:10#] [0:02], 7. //New Potato Caboose [8:30#] -> 8. Born Cross-Eyed [2:34] -> 9. Feedback
 [0:37] -> 10. Spanish Jam [12:32] -> Feedback [2:30] [0:03], Total Time 61:06
 Set Two: 1. [0:07] Cryptical Envelopment [1:46] -> 2. The Other One [3:15] -> 3. Cryptical
 Envelopment [5:04] -> 4. Good Morning Little // Schoolgirl [13:40#] [0:06], Total Time 23:59
01/20/68 Eureka, CA - Eureka Municipal Auditorium S:R>D>CD Partial 30 None 
 filler on 4/21/69 d1
 Set One: 3. //Clementine -> 4. New Potato Caboose -> 5. Born Cross-Eyed -> 6. Spanish Jam ->
 7. Caution Jam//
01/22/68 Seattle, WA - Eagle's Auditorium S:R>C>D>CD ? 73 
 t03 Cryptical cuts in; t03-05 some static; t05 Born Cross-Eyed cut/splice @ 1:18; t11-t12
 fade/splice to different source.
 Set One: 1. [0:09], 2. Alligator [3:30] -> Drums [1:02] -> 'Gator chant [1:14] -> 'Gator Jam
 [8:37] -> 'Gator chant [0:42] -> Caution hints [0:24] -> Feedback [0:22] [0:02], 3. //Cryptical
 Envelopment [1:42#] -> The Other One [2:37] -> Cryptical Envelopment [3:20] -> 4. New Potato Caboose
 [7:53] -> 5. Born// Cross-Eyed [1:57#] -> 6. Feedback [4:49] -> 7. Spanish Jam [8:20] -> 8. Dark Star
 [5:46] -> 9. China Cat Sunflower [4:15] -> 10. The Eleven [6:38] -> 11. Caution [3:17] -> 12. Jam
 [3:13] -> Feedback [2:33] [0:11], Total Time 72:48
01/23/68 Seattle, WA - Eagle's Auditorium S:R>C>D>CD Partial 38 
 Set One: 1. //Cryptical Envelopment [1:41#] -> 2. The Other One [2:56] -> 3. Cryptical
 Envelopment [3:26] -> Clementine Jam [2:42] -> 4. Clementine [6:01] -> 5. New Potato Caboose -> 6.
 Born Cross-Eyed -> 7. Spanish Jam//
02/02/68 Portland, OR - Crystal Ballroom S:R>D>CD All 46 
 Set One: 1. Viola Lee Blues [13:08] -> Feedback [0:55] -> 2. Cryptical Envelopment [1:46] ->
 3. The Other One [3:12] -> 4. Cryptical Envelopment [3:51] -> 5. Clementine [7:50] -> 6. Good Morning
 Little Schoolgirl [15:20] [0:13], Total Time 46:18
02/03/68 Portland, OR - Crystal Ballroom S:R>D>CD All 40 
 t03 Eleven blip/drop @ 1:22
 Set One: 1. //Dark Star [5:28#] -> 2. China Cat Sunflower [3:50] -> 3. The Eleven ->
 Feedback [10:12], 4. //Cryptical Envelopment [1:43#] -> 5. The Other One [2:40] -> 6. Cryptical
 Envelopment [3:13] -> 7. New Potato Caboose [8:49] [0:03], 8. Born Cross-Eyed [2:27] ->
 Spanish-flavored Jam// [1:07#], Total Time 39:35
02/14/68 San Francisco, CA - Carousel Ballroom S:R>D>CD All 124 None 
 S:R>D>D>D>CD; d1t01 first few notes of Dark Star cut; d2t01 first few seconds of Dew cut; d2t02
 fades in, first few seconds of GMLS cut; d2t04 CD skip @ 6:46 of Alligator; d2t04 cut/splice at 11:42
 of Alligator, comes in with different source?; d2t07 Midnight Hour cuts at 13:31
 Set One: 1. //Dark Star [5:55#] -> 2. China Cat Sunflower [3:40] -> 3. The Eleven [5:40] ->
 4. Turn On Your Lovelight [8:52] [0:15], 5. Intro/Banter/Dedication [0:39], Cryptical Envelopment
 [1:44] -> 6. The Other One [3:08] -> 7. Cryptical Envelopment [3:46] -> 8. New Potato Caboose [8:56]
 -> 9. Born Cross-Eyed [2:24] -> 10. Jam [1:52] -> 11. Spanish Jam [10:25] [0:09], Total Time 57:29
 Set Two: 1. //Morning Dew [6:24#] [0:01], 2. //Good Morning Little Schoolgirl [12:26#]
 [0:06], 3. Stage Banter [3:01], 4. Alligator [3:15] -> Drums [1:13] -> Alli//gator [13:40#] -> 5.
 Caution [11:50] -> 6. Feedback [4:15] [0:15], E: 7. [3:49] In the Midnight Hour// [13:31#] [0:01],
 Total Time 65:36
02/23/68 Lake Tahoe, CA - King's Beach Bowl GDM All 147 
 Dick's Picks vol. 22 -- BUY IT
03/03/68 San Francisco, CA - Haight Street A:R>D>CD All 60 
 Aud: Uher RtoR> DAT> DAL Card Deluxe> WAV> CDR. "This is NEW, REMASTERED OWEN BROTHERS VAULT
 VERSION Of 03/03/68 (( with Corrected Speed)) by THE CHIEF WIZARD (Himself, Michael) ..." t04
 Smokestack fade/splice 5:37-5:39, unknown amount of music missing; Weir sings Lovelight verse starting
 ca. 13:00; Cryp already having speed problems, cuts when batteries die. Here are the remastering
 notes: "Editing and CD mastering by the Chief Wizard - Michael@looncove.com. All editing done on a
 Dell Optiplex GX300 - PIII(800) using Diamond Cut Millennium. When I recieved this DAT, it was mono
 left channel with some Led Zep that Steve had taped bleeding into the RC for the last third of the
 tape. I converted this to mono to get rid of the right channel bleed and converted to mono two channel
 to keep the cd players happy. This is the "Original" that I mastered to CD. Then I addressed the
 speed change in Hurts Me Too by building a speed adjustment curve that approximated the battery death
 and tape slowdown. It is a fair fit but not perfect as there were fluctuations in the death that are
 impossible to duplicate. The result is very listenable. The bit of Cryptical on the end was corrected
 with a straight line adjustment but it was pretty far gone... Next, I used a very narrow notch filter
 around 3055 hz to remove an annoying whine. Then I used a light Continuous Noise filter to reduce some
 of the hiss from the Uher. Assorted other gliches and problems were corrected to produce what I feel
 is the most listenable and complete version of this historic show yet. All comments are welcome!"
  Set One: 1. Tuning [1:26], 2. Viola Lee Blues [21:05] [0:01], 3. Announcements [0:58], 4.
 Smokestack //Lightning [12:04#] [0:01], 5. Politics [1:52], 6. //Turn On Your Lovelight [14:11#]
 [0:02], 7. Announcements [0:47], 8. //It Hurts Me Too [5:04#] [0:13], 9. //Crytical Envelopment//
 [1:16#] [0:03], Total Time 59:09
03/16/68 San Francisco, CA - Carousel Ballroom S:R>C>D>CD All 84 
  d1t01 contains :02 of China Cat; d1t08 Cryp reprise fades out; d2t01 'Gator cuts in; d2t02 Caution
 cuts out; d1t05 Dew unknown filler cuts in
 Set One: 1. Dark Star [7:24] -> 2. China Cat Sunflower [3:32] -> 3. The Eleven [14:37] -> 4.
 Good Morning Little Schoolgirl [10:02] [0:13], 5. [0:08] It Hurts Me Too [4:04] [0:07], 6. Cryptical
 Envelopment [1:48] -> 7. Drums [0:05] -> The Other One [3:20] -> 8. Cryptical Envelopment// [0:56#]
  (fades out] [0:15], Total Time 46:35
 Set Two: 1. //Alligator [2:07#] -> Drums [1:51] -> Alligator [10:06] -> 2. Caution//
 [11:25#], 3. Feedback [2:31], 4. And We Bid You Goodnight [1:20] [0:02], Encore, 5. //Morning Dew
 [6:59#] [0:19], Total Time 36:41
03/26/68 Unknown City, XX - Unknown Location S:R>R>C>D>CD Partial 29 
 Needs re-tracking, Dark Star starts on t03. d1t01 GMLS cuts in; d1t01 GMLS brief splice @ 0:40,
  drop @ 9:06; d1t02 DDHNM cuts in; d1t02 DDHNM bad pops @ 0:04, 0:06; d1t03 SOTOTW first few notes
 clipped, pops @ start; d1t04 Star cuts in, pop @ 0:02
 Set One: 1. //Good Morning Little Schoolgirl [#9:55] [0:56], 2. [0:054] //Death Don't Have
 No Mercy [#7:09] [0:07], 3. [0:20] // Sitting On Top Of The World [#2:44] [0:11], 4. //Dark Star
 [#0:__+7:24], Total Time 29:05
03/29/68 San Francisco, CA - Carousel Ballroom A:?>?>CD Partial 33  
 t05 Dew scratch @ 2:39; BW sings a verse of LL (ca. 6:30), and nice LL > Cryp segue! t11 Born
 Cross-Eyed Cut of Death.
 Set One: From 3/26/68, 5. [0:05] //Morning Dew [6:13#] [0:16], 6. //Turn on Your Lovelight
 [7:37#] -> 7. Cryptical Envelopment [1:47] -> 8. Drums [0:06] -> The Other One [4:25] -> 9. Cryptical
 Envelopment [4:28] -> 10. New Potato Caboose [9:18] -> 11. Born Cross-Eyed// [0:20#], Total Time ca.
 32:44
03/30/68 San Francisco, CA - Carousel Ballroom MAR>D>P>D>CD All 59 
 AUD>MR>D>PCM>D>CD
 Set One: (9) 58:40, Cryptical > Drums > The Other One > Cryptical > Dark Star > China Cat >
 The Eleven > Lovelight, Born Cross-Eyed > Feedback/Spanish Jam
05/??/68 Unknown City, XX - Unknown Location MSR>D>CD All 47 5427 
 *also listed as ??/??/68e with slightly different tracking*
 Needs retracking. t01 cuts in; t06-07 tick @ marker? t07 cuts out
 Set One: 1. //St. Stephen [2:38#] -> 2. Cryptical Envelopment [:01+1:42] -> Drums [0:08+:03]
 -> 3. The Other One [-:03+4:31] -> 4. Crypitical Envelopment [:02+6:04] -> 5. New Potato Caboose
 [:02+10:43] -> 6. Alligator [:01+9:38] -> 7. Caution// [:03+11:28#], Total Time 47:03
05/18/68 San Jose, CA - Santa Clara County Fairgrounds S:R>C?D>CD ? 42 
 AJL lists MAR>DAT>CDR; BTH lists MAR>?>CD (1 cd) B+ *Recorded by Jorma Kaukonen*; possible MP3
 generation? t02 'Gator first few notes clipped; t04 Mountain theme @ ca. 10:00; t04-05 marker gap,
 comes back in w/ diff. SQ? t05-06 blip @ marker
  Set One: 1. Babble [0:11], 2. //Alligator [3:15#] -> 3. Drums [2:50] -> 4. Alligator [13:39]
 -> 5. Caution [3:10] -> 6. Caution [0:38] -> 7. Caution [11:20] -> 8. Feedback [4:05] [0:44], 9. "Fuck
 the Proletariat" [1:36], Total Time 41:35
06/14/68 NYC, NY - Fillmore East A:C>R>R>P>CD All 63 
 Audience MCass>R>R>PCM>ZA2>SF Normalized>CD SoundForge was used for Normalizing, not for noise
 reduction. t04 'Gator first few beats cut; t08 Caution cut/splice @ 3:10-3:11 (cassette flip);
 Set One: 1. [0:02] Feedback [3:51] -> 2. The Eleven [7:41] -> 3. St. Stephen [6:55], 4.
 //Alligator [3:32#] -> 5. Turn on Your Lovelight [11:34] -> 6. Caution [4:09] -> 7. Drums [2:28] -> 8.
 Caut // ion-> [17:41#] -> 9. Feedback [4:24] [0:06], Total Time 62:28
06/19/68 San Francisco, CA - Carousel Ballroom MSC>D>CD All 108 762 None 
 Bear's Ampex C-90 cassette master > D > CD; this is marred by sound problems, especially during
 Lovelight; d1t01 fades in, ca. 10 seconds missing? I would track d2 differently
 Set One: 1. //Turn on Your Lovelight [20:20#] -> 2. Not Fade Away [4:39] -> 3. Turn on Your
 Lovelight [9:36], 4. "Ohm on the Range" Chant [25:37]
 Set Two: 1. Bobby's Psychedlic Blues Jam [11:08] -> 2. The Main Ten [6:35] -> 3. Primal Jam
 [17:43] -> 4. The Other One Jam [12:38]
08/21/68 San Francisco, CA - Fillmore West MSR>C>D>CD All n/a 17355 
 Set One: //Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment, Good
 Morning Little Schoolgirl, Alligator > drums > Jam > Alligator > Feedback
 Set Two: //Dark Star-> St. Stephen-> The Eleven -> Death Don't Have No Mercy% Turn On Your
 Lovelight//, E: Midnight Hour
08/22/68 San Francisco, CA - Fillmore West S:?>?>CD All 95  
 d2 sounds infinitely cleaner; d1t01 Stephen cut first few secs.; d1t01 Stephen static 3:03; d1t02
 tracked 1 sec. late; d1t07 TOO cut @ 3:41 unknown duration; d2t01 'Gator first few beats clipped;
 d2t01 'Gator wobble @ 0:37; d2t03 drop (splice?) @ 2:27;
 Set One: 1. //St. Stephen [3:23#] -> 2. William Tell [1:02] -> 3. The Eleven [13:56] -> 4.
 Death Don't Have No Mercy [8:10] [0:06], 5. Bill Graham Intro [0:09] -> Dark Star [12:01] [0:11], 6.
 Cryptical Envelopment [1:49] -> 7. The //Other One [4:00#] -> 8. Cryptical Envelopment [5:37] -> 9.
 New Potato Caboose [13:45] [0:19], Total Time 64:33
 Set Two: 1. //Alligator [3:31#] -> 2. Drums [5:53] -> 3. Alligator [8:38] -> 4. Caution
 [8:02] -> 5. Feedback [2:27] -> 6. And We Bid You Goodnight [0:54] [0:14], Total Time 29:42
08/23/68 Los Angeles, CA - Shrine Auditorium S:R>D>CD All 86 
 8 Track MR>"Sonic Wizardry">DAT>CD. d1t04 Dark Star light static @ 1:56-1:59; d1t04-05 light pop @
 marker; d1t06 Eleven fades out; d2t01 Alligator static @ 12:53-12:55
 Set One: 1. Cryptical Envelopment [1:53] -> Drums [0:10] -> 2. The Other One [4:09] -> 3.
 Cryptical Envelopment [6:36] [0:02], 4. [0:03] Dark Star [15:28] -> 5. St. Stephen [:03+3:29] ->
 William Tell [1:01] -> 6. The Eleven// [10:53#] [0:01], 7. Death Don't Have No Mercy [7:53] [0:08],
 Total Time 52:00
 Set Two: 1. Alligator [3:40] -> 2. Jam [15:00] -> Caution [12:25] -> 3. Feedback [2:50]
 [0:13], Total Time 34:09
08/24/68 Los Angeles, CA - Shrine Auditorium GDM All n/a 
  "Two From the Vault" -- BUY IT
 Set One: Good Morning Little Schoolgirl, Dark Star-> St. Stephen-> The Eleven-> Death Don't
 Have No Mercy,
 Set Two: Cryptical Envelopment-> The Other One-> Cryptical Envelopment-> New Potato
 Caboose-> Turn On Your Lovelight, E: Morning Dew
08/28/68 San Francisco, CA - Avalon Ballroom S:?>R>P>CD All 45 549 
 Source: SBD:?>Latvala's reel>PCM>CDR>EAC>CDR. Conversion: CDR > EAC (secure) > Cool Edit (minor
 fix) > CDWav(tracking) > mkwact(seekable) > shn by mvernon54@attbi.com 5/29/2002. Shntool confirms
 tracks on sector boundaries. NOTES: 1. Mastered to CDR by Steve Martin: "I transfered Dicks reel on
  a revox A77 onto a Sony F2 PCM unit. My Beta Pcm I transfered to CD-R directly Using Cardas cables."
 Hiss predominant through first 28 seconds of d1t1 then improves considerably. 2. flaws noted by
 mvernon: d1t2 - drop out ~2:44 - 2:47; d1t3 ~ initial vocals extremely weak, barely audible spectral
 analysis shows almost no frequencies higher than ~5khz, imparting a distant, slightly "tunnel" sound.
 Nevertheless, it is quite listenable. 3. Vol. 1 of the Taper's Compendium lists a "Schoolgirl" as the
 first number along with a Bill Graham introduction. At this time these are no longer associated with
 this date.
 Set One: Single Disc (5) 44:37, 1. //Dark Star [#10:23] -> 2. St. Stephen [3:24] -> William
 Tell [10:01] -> 3. The Eleven [9:41] -> 4. Death Don't Have No Mercy// [7:45#], 5. [0:20] Turn On Your
 Lovelight [11:50] [0:06]
09/02/68 Sultan, WA - Betty Nelson's Organic Raspberry Farm  S:R>D>CD All 70 
 SBD:Reel>DAT>WAV via ZA2>CD>EAC>SHN; d1t05 Cryptical cuts in; d1t13 cut/splice toward end
 Set One: 1. [0:42] Dark Star [14:04] -> 2. St. Stephen [3:19] -> 3. The Eleven [13:07] -> 4.
 Death Don't Have No Mercy// [0:38#], 5. //Cryptical Envelopment [1:22#] -> 6. Drums [0:13] -> 7. The
 Other One [3:41] -> 8. Cryptical Envelopment [5:20] [1:59], 9. Alligator [3:24] -> 10. Drums [3:19] ->
 11. Jer & Drums [2:38] -> 12. Power Jam [4:17] -> 13. Cau//tion [7:37#] -> 14. Feedback [3:18], 15.
 Closing [0:43], Total Time 69:47
09/02/68 Sultan, WA - Betty Nelson's Organic Raspberry Farm MSR>D>CD All n/a 
 Charlie Miller 2004 upgrade
 Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) ->
 Dat (Tascam DA30/44.1k). Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude
 v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN). Transfered and Edited By
 Charlie Miller, charliemiller87@earthlink.net, 2/5/04.
 Set One: Intro, Dark Star -> St. Stephen -> The Eleven -> DDHNM//, Cryptical Envelopment->
 drums -> The Other One-> Cryptical Envelopment-> Alligator-> Caution -> Feedback, stage
 announcements
09/20/68 Berkeley, CA - Berkeley Community Theater S:R>C>D>CD ? 46 
 t01 Schoolgirl cuts in; t05 Drums snaps, crackles, pops, or drops @ 3:54, 4:34, 4:35, 4:36, 5:28,
 5:39; t05 Drums CD skips @ 5:51, 5:58, 6:04, 6:15, 7:03, 7:05, 7:06; t05 Drums considerable
 static/distortion from 9:19-9:54
 Set One: 1. //Good Morning Little Schoolgirl [6:26#] -> 2. Feedback [00:37], 3. Stage
 Craziness [03:36], 4. St. Stephen [03:40] -> 5. The Eleven [04:21] -> 6. Drums [25:23], 7. Applause
 [01:12], Total Time [45:18]
10/12/68 San Francisco, CA - Avalon Ballroom S:R>D>CD All 79 
 This from version shortened by Dave Winters 10/2001. t01 Dark Star L channel clicks in the 2-min.
 range; t03 11 > DDHNM Garcia: "sorry, we were gonna do Alligator, weren't we?" t04 DDHNM some crackles
 in the 1st minute; t04 DDHNM cut/splice @ ca. 0:16; t05 Cryptical cuts in, not much missing; t08 NPC
 blip/tick @ 0:51.
 Set One: 1. [0:37] Dark Star [14:52] -> 2. St. Stephen [3:46] -> William Tell [1:03] -> 4.
 The Eleven [9:53] -> 4. Death// Don't Have No Mercy [0:16+7:40#] [0:32], 5. //Cryptical Envelopment
 [1:29#] -> Drums [0:10] -> 6. The Other One [7:10] -> 7. Cryptical Envelopment [8:30] -> 8. New Potato
 Caboose [6:37] -> 9. Drums [1:33] -> 10. Jam [7:17] -> 11. Feedback [7:04] [0:06], Total Time 78:41
10/12/68 San Francisco, CA - Avalon Ballroom MSR>D>CD All 79 enter 86759 
 *Charlie Miller source*
 Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Behringer
 Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC (1 Disc Audio / 1 Disc FLAC). All
 Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, August 1, 2007. Notes: --
 Pigpen was absent -- First notes of 2nd Set missing.
 Set One: Set 1: d1t01 - Introduction d1t02 - Dark Star -> d1t03 - Saint Stephen -> d1t04 -
  The Eleven -> d1t05 - Death Don't Have No Mercy Set 2: d1t06 - Cryptical Envelopment -> d1t07 - Drums
 -> d1t08 - The Other One -> d1t09 - Cryptical Envelopment -> d1t10 - New Potato Caboose -> d1t11 -
 Drums -> d1t12 - Jam ->d1t13 - Feedback (TT--78:35)
10/13/68 San Francisco, CA - Avalon Ballroom S:R>D>CD All 76 
 MSR>DAT>CDR>EAC>SHN; d1t01 Star fades in (-few secs); d1t01 0:02-0:04 - fluttering ticks (Dark
 Star); d1t01 0:58-1:00 - left channel dropout; d1t01 1:00-1:01 - right channel dropout; d1t01
 1:00-2:42 - slightly degraded sound?; d1t01 8:44-9:19 - intermittent quiet noise in left channel;
 d1t01 10:23, 10:27 - static in left channel; d1t02 0:00 - pop in right channel (Stephen); d1t02 0:03,
 0:04 - click in right channel; d1t02 0:08 - quiet static in left channel ; d1t02 2:59 - quiet static
 in left channel; d1t02 3:16 - splice; d1t03 Eleven splice @ 12:28; d1t05 Cryp static @ 1:21; d1t08 NPC
 cut/splice @ 2:59, most missing; d1t11 1:23 - pop (not part of the feedback?)
 Set One: 1. //Dark Star [13:32#] -> 2. St. Stephen [3:49] -> William Tell [1:04] -> 3. The//
 Eleven [13:09#] -> 4. Death Don't Have No Mercy [9:14] [0:09], 5. Cryptical Envelopment [1:57] -> 6.
 The Other One [7:45] -> 7. Cryptical Envelopment [8:37] -> 8. New// Potato Caboose [3:15#] -> 9. Drums
 [4:29] -> 10. Caution [2:11] -> 11. Feedback [5:23] [0:22], Total Time 75:01
10/13/68 San Francisco, CA - Avalon Ballroom MSR>D>CD All n/a enter 86761 
 *Charlie Miller source*
 Recording Info: SBD -> Master Reel -> Dat (44.1k). Transfer Info: Dat (Sony R500) -> Samplitude
 Professional v9.11 -> FLAC (1 Disc Audio / 1 Disc FLAC). All Transfers and Mastering By Charlie
 Miller, charliemiller87@earthlink.net, August 1, 2007. Notes: -- Pigpen was absent -- Beginning of
 Dark Star missing -- Cut in The Eleven at 13:31 -- Cut in New Potato Caboose at 2:57.
 Set One: Set 1: d1t01 - Dark Star -> d1t02 - Saint Stephen -> d1t03 - The Eleven -> d1t04 -
 Death Don't Have No Mercy
 Set Two: Set 2: d1t05 - Cryptical Envelopment -> d1t06 - Drums -> d1t07 - The Other One ->
 d1t08 - Cryptical Envelopment -> d1t09 - New Potato Caboose -> d1t10 - Drums -> d1t11 - Caution Jam ->
 d1t12 - Feedback
10/20/68 Berkeley, CA - Greek Theatre, U. Of California S:R>D>CD All 37 
 *Gans SBD>Rm>Dat>CD>Sonic Solutions>CD version*
 NOTS FROM OLD (NON-GANS) COPY: t01 Star fades in; t01 Star sound anomaly @ 5:05-5:12; t02 Stephen
 sound anomaly @ 3:08-ca. 3:30; t03 Eleven drop @ 3:11; t05 Feedback cut/splice @ 1:41
 Set One: 1. //Dark Star [10:22#] -> 2. St. Stephen [3:41] -> William Tell [1:04] -> 3. The
 Eleven [6:35] -> 4. Caution [10:16] -> 5. Feed//back [4:25#] [0:51], Total Time 37:16
11/01/68 Chico, CA - The Silver Dollar Fair MSR>C>D>CD II 53 549 
 Jim Powell upgrade, minus the attenuated portions
 Set One: Single Disc (7) 53:14, Dark Star > Cryptical > Drums > The Other One > Cryptical >
 New Potato Caboose//, //Caution > Feedback > AWBYG
12/07/68 Louisville, KY - Bellarmine College S:C>C>D>CD All 89 None 
 Set One: 1. //Dark Star -> 2. St. Stephen -> 3. The Eleven -> 4. Death Don't Have No Mercy,
 5. //The Other One -> 6. Cryptical Envelopment -> 7. New Potato Caboose, Total Time 58:12
 Set Two: 1. Rosemary, 2. He Was a Friend of Mine//, 3. //It Hurts Me Too, 4. Morning Dew ->
  5. And We Bid You Goodnight, Total Time 29:38
12/10/68 San Francisco, CA - Alembic Studios Unknown ? 30 
 Source: SBD:MR>C?>Sony TC-WE435> Cool Edit Pro>CD Wave>CD.
12/20/68 Los Angeles, CA - Shrine Auditorium S:C>C>D>CD All 32 408 
 t02 MOTM lite pop @ 0:02
 Set One: 1. [0:02] //The Eleven// [7:28#], 2. MOTMTuning/Noodling [1:47], Mountains of the
 Moon [4:29] [1:03], 3. [0:48] Turn on Your Lovelight [15:49] [0:15], Total Time 31:43
12/20/68 Los Angeles, CA - Shrine Auditorium MSC>D>CD partial 30 enter 89663 
 *Charlie Miller 2007 source*
 Recording Info: SBD -> Cassette Master -> Dat -> CD. Transfer Info: CD -> Samplitude Professional
 v10.02 -> FLAC (1 Disc Audio / 1 Disc FLAC). All Transfers and Mastering By Charlie Miller,
 charliemiller87@earthlink.net, January 26, 2008. Notes: -- Numerous flaws cleaned up -- Levels are
 better but still not perfect.
 Set One: Setlist: d1t01 - //The Eleven d1t02 - Mountains Of The Moon d1t03 - Turn On Your
 Lovelight
12/21/68 Los Angeles, CA - Shrine Auditorium S:C>C>D>CD All 86 408 
 needs re-tracking; d1t01 Lovelight fades in; d1t01 power out @ 13:04? d1t04 power out @ 2:21-2:26,
 4:42ff; d2t01 'Gator first few beats clipped; d2t01 'Gator clipped @ end, very little missing; d2t03
 inferior sounding, more hiss; d2t04 Caution gap/drop @ 3:08
 Set One: 1/ //Turn on Your Lovelight [15:56#] [0:11], 2. [0:04] Cryptical Envelopment [2:02]
 -> 3. Drums [0:12] -> 4. The Other One [7:05] -> 4. Cryptical Envelopment [7:03] -> 5. It Hurts Me Too
 [5:09] [0:29], Total Time 38:07
 Set Two: 1. Tuning [2:57], //Alligator// [3:50#], 2. Drums// [3:07], 3. //Power Jam [9:27#]
 -> 4. Alligator [1:08] -> Caution [16:11] -> 5. Feedback [5:08] -> 6. And We Bid You Goodnight [5:01]
 [0:11], Total Time 47:01
12/21/68 Los Angeles, CA - Shrine Auditorium MSC>D>CD All 81 enter 89718 
 *Charlie Miller source*
 Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional
 v10.02 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller
 charliemiller87@earthlink.net January 28, 2008 Notes: -- Disc change is seamless -- Can fit show on
 one disc with a slight overburn -- Dozens of flaws cleaned up -- Levels are better but still not
 perfect -- Power seems to keep going out on stage -- Tape flip at end of Drums -- Thanks to Joe B.
 Jones with his help on the pitch correction
 Set One: Setlist: d1t01 - Turn On Your Lovelight d1t02 - That's It For The Other One ->
 d1t03 - It Hurts Me Too d2t01 - Alligator -> d2t02 - Drums -> d2t03 - Alligator -> d2t04 - Caution (Do
 Not Stop On Tracks) -> d2t05 - Feedback -> d2t06 - And We Bid You Good Night
12/29/68 Hallandale, FL - Gulfstream Park Racetrack S:R>C>D>CD All 57 
 Sound pretty nice, lots of Jerry, not enough Phil. d1t01 LL cuts in before first verse; d1t01 mix
 and level problems @ start; d1t02 drop @ 7:21; d1t03 drop @ 7:13 (track); d1t06 tape ends/breaks @
 2:51-2:53, gap @ 2:53-2:57
 Set One: 1. //Turn on Your Lovelight [11:52#] [0:07], 2. Batner [0:23], Dark Star [10:27] ->
 3. St. Stephen [3:42] -> William Tell [1:04] -> Eleven (first part) [2:41] -> 4. The Eleven [8:47] ->
 5. Drums [3:05] -> 6. The //Other One [6:08#] -> 7. Cryptical Envelopment [6:40] -> Feedback [0:50] ->
 And We Bid You Goodnight [0:53] [0:09], Total Time 56:54
12/29/68 Hallandale, FL - Gulfstream Park Racetrack MSC>D>CD All n/a enter 80197 
 Recording Info: SBD -> Cassette Master -> Dat -> CD. Transfer Info: CD -> Samplitude Professional
 v8.01 -> FLAC (1 Disc Audio / 1 Disc FLAC). All Transfers and Mastering By Charlie Miller,
 charliemiller87@earthlink.net, November 22, 2006. Notes: -- Lovelight fades in, very little missing;
 -- Cleaned up cuts in Dark Star, St. Stephen and The Other One; -- I also worked on the levels a
 bit.
 Set One: d1t01 - Turn On Your Lovelight, d1t02 - Dark Star -> d1t03 - Saint Stephen -> d1t04
  - The Eleven -> d1t05 - Drums -> d1t06 - The Other One -> d1t07 - Cryptical Envelopment -> d1t08 - And
 We Bid You Good Night
 
01/17/69 Santa Barbara, CA - Unknown Location MSR>C>D>CD All 86 
 d1t01 Lovelight cuts in before first verse; d1t01 Lovelight cuts @ 2:35, much missing; d1t01
 Lovelight (reel?) warble @ 10:28; d1t03 Stephen cut/splice @ 3:00; d2t01 Cryptical cuts in (-<1 min);           d1t10 Feedback cuts, reel runs out>
 Set One: Disc One (6) 58:44, 01. [0:03] /Turn on Your //Lovelight [16:34#] [0:42], 02. Dark
 Star [13:20] -> 03. St. //Stephen [3:28#] -> 04. William Tell [1:10] -> 05. The Eleven [12:21] -> 06.
 Death Don't Have No Mercy [10:23] [0:44]
 Set Two: 1. //Cryptical Envelopment [1:29#] -> 2. Drums [0:10] -> 3. The Other One [11:28]
 -> 4. Cryptical Envelopment [5:31] -> 5. Cosmic Charlie [7:20] [0:45], Filler: 2/12/69b, 6. [0:12]
 Alligator [3:52] -> 7. Drums [4:45] -> 8. Alligator [6:08] -> 9. Caution [9:31] -> 10. Feedback//
 [2:12#] [0:14], Total Time 53:42
01/24/69 San Francisco, CA - Avalon Ballroom S:R>C>D>CD 1 42 
  possibly a partial set; downloaded gdlive 2/2001.
 Set One: 1. Introduction [0:11] -> Cryptical Envelopment [1:51] -> 2. Drums [0:10] -> The
 Other One [7:13] -> 3. Cryptical Envelopment [7:20] -> 4. New Potato Caboose [13:25] [0:12], 5. [0:13]
 Dupree's Diamond Blues [3:55] [0:14], 6. Doin' That Rag [6:34] [0:03], Total Time 41:21
01/25/69 San Francisco, CA - Avalon Ballroom S:R>C>D>CD Partial 40 None 
 Set One: 1. Dupree's Diamond Blues > 2. Doin' That Rag > 3. Cosmic Charlie; 4. Alligator >
 5. Durms > 6. Alligator > Caution > 7. Feedback > 8. And We Bid You Goodnight//
01/26/69 San Francisco, CA - Avalon Ballroom S:R>C>D>CD All 79 
  This is the version fixed by Leigh Orf to place track markers on sector boundaries; t02 Cryp SBD
 adjustments; t07 Star splice @ 8:12
 Set One: set I, 1. Introduction [0:51], 2. Cryptical Envelopment [1:58] -> 3. The Other One
  [7:55] -> 4. Cryptical Envelopment [6:15] -> 5. Clementine [10:57] -> 6. Death Don't Have No Mercy
 [9:39] [0:12], set II, 7. Dark //Star [9:43#] -> 8. St. Stephen [5:36] -> 9. William Tell Bridge
 [1:07] -> 10. The Eleven [9:19] -> 11. Turn on Your Lovelight [14:41] [0:39], Total Time 78:57
02/02/69 Minneapolis, MN - Labor Temple S:R>?>D>CD All 84 
 SBD>MR>?>D>CD>EAC>SHN. Notes: --first few notes clipped off Schoolgirl; --small splice @ 2:02 in
 Schoolgirl; --tiny left channel dropout @ 3:07 in Schoolgirl; --digisnit @ 6:30 in Dark Star; --@ 7:01
 in Dark Star: increased hiss in left channel due to low original levels; --@ 2:46 in Eleven: left
 channel loses amplitude for several seconds; --cut near the end of Eleven; several minutes of Death
 Don't are lost; --splice in Lovelight @ 16:51; --some degradation for the last few minutes of
 Lovelight; Sound Forge was used to normalize, correct the pitch, and remove or lessen a number of
 blemishes. Some small blemishes remain, though none are offensive. Although the exact lineage of this
 recording is unknown, the sound indicates no more than two analog generations before the transfer to
 digital. Part of The Music Never Stopped Project 2002. Thanks to David Litfin. edits/encoding by J.
 Cotsman
 Set One: Disc 1 (48:57), 1. //Good Morning, Little Schoolgirl% (10:54) 2. Stage Banter
 (1:12) 3. Dark Star--> (15:20) 4. St. Stephen--> (6:20) 5. The Eleven//(-->) (8:35) 6. //Death Don't
 Have No Mercy (6:33)
 Set Two: Disc 2 (35:21), 1. Cryptical Envelopment--> (1:53) 2. The Other One--> (7:37) 3.
 Cryptical Envelopment--> (7:18) 4. Lovelight% (18:31)
02/04/69 Omaha, Nb - The Music Box S:C>C>D>CD All 94 
 sound quality leaves something to be desired; d1t01 GMLS fades in; d1t03 Star crackles @ 7:38-7:39;
 d1t03 Star cut/splice @ 7:40; d1t03-04 pop @ track marker; d1t05 arguably contains :07 of DDHNM; d2t06
 Caution static @ 3:58, 4:00, drop @ 4:01, light click @ 7:58; d2t06 Feedback cuts out after 2:34
 Set One: 1. //Good Morning Little Schoolgirl [8:57#] [2:15], 2. Morning Dew [9:01] [0:15],
 3. Dark //Star [13:13#] -> 4. St. Stephen [5:15] -> 5. The Eleven [11:41] -> 6. Death Don't Have No
 Mercy// [7:08#], Total Time 57:48
 Set Two: 1. Cryptical Envelopment [2:05] -> 2. Drums [0:11] -> The Other One [9:28] -> 3.
 Alligator [3:43] -> 4. Drums [2:39] -> 5. Jam [6:43] -> 6. Caution [8:33] -> Feedback// [2:34#],
 Filler: 7/5/69 Chicago, 7. Dark Star [18:19] -> 8. St. Stephen [5:44] -> 9. The Eleven [11:10] -> Baby
 Blue// [0:24#], Total Time 71:47
02/05/69 Omaha, Nb - The Music Box S:?>?>CD All 57  
 t03 Cryptical fades out; t04 Star fades in; t07 Caution cut/splice @ 0:55, could be huge!; t07
 Caution anomalies @ 5:08-5:09
 Set One: Single Disc (9) 57:08, 1. Cryptical Envelopment [1:56] -> 2. Drums [0:10] -> The
 Other One [5:58] -> 3. Cryptical Envelopment// [5:14#] [0:03], 4. //Dark Star [#11:40] -> 5. St.
 Stephen [5:06] -> High Green Chilly [1:07] -> 6. The Eleven [9:53] -> 7. Cau//tion [7:#54] -> 8.
 Feedback [3:52] -> 9. And We Bid You Goodnight [3:30] [0:38]
02/06/69 St. Louis, MO - Kiel Auditorium S:C>D>CD All 88 
 SBD>MC>D>CD>EAC>SHN. Sound Forge was used (by Jeff Cotsman) to adjust the pitch for portions of
 the recording and to remove several small pops. d1t01 Dew cuts in; d1t02 Star cut/splice @ 8:51;
 d1t04 Eleven cut/splice @ 8:13, crackle @ 8:14; d2t04-05 cassette flip (?) @ transition, not much
 missing; d2t04 Feedback pop @ 0:30.
 Set One: Disc One (5) 63:57, 1. //Morning Dew [#8:52] [1:10], 2. Dark// Star [14:#03] -> 3.
 St. Stephen [5:19] -> High Green Chilly [1:06] -> 4. The// Eleven [10:#54] -> 5. Lovelight [4:56] ->
  Drums [2:22] -> Lovelight [11:51] [3:39]
 Set Two: Disc Two (5) 23:29, 1. [0:05] Cryptical Envelopment [2:00] -> 2. Drums [0:12] ->
 The Other One [7:05] -> 3. Cryptical Envelopment// [7:42#] -> 4. //Feedback [4:02] -> 5. We Bid You
  Goodnight [1:42] [0:39]
02/07/69a Pittsburgh, PA - Stanley Theater MSC>D>CD All 49 793 
 Notes: "Recorded by Bear (Owsley) on a "Concord" cassette deck model unknown...laid on an Ampex
  90-minute cassette. Restoration & Preservation by Rob Eaton. Playback on a Tascam 122 mk111 (azimuth
 adjusted) > db 926 a/d converter > db 3000 s sample rate converter (variable speed) > panasonic 3800
 DAT @ 44.1 kHz By Rob Eaton, DAT > HHb > CDR by Jim Wise. Rob Eaton's list reads this (4.5, 048min,
 Sbd, A0D0, Cass M-> Dat 0, 48k, Ampex C-90 Master Cass/no dolby->3800 x 0). Yes these disks I ripped
 with EAC are the actual CDRS that Jim Wise made. D1t01(Dark Star) Pops @ :20 both channels removed,
 Pop @ :54 both channels removed, Pop @ 1:01 both channels removed. D1t04(Lovelight) Digi Zaps @ 1:46
 filtered , Also from 1:49-1:53 filtered as well no more zaps present, Nasty pops from 7:45-7:50 on
 different channels at random deleted and replaced with opposite channel the ones that were on both
 channels were filtered, At 7:48 a cut (some music is missing)."
 Set One: CD 1 {49:01.17}, 01. Intro.-> {0:30.57} 02. Dark Star-> {14:07.03} 03. St.
 Stephen-> {5:21.53} 04. William Tell Bridge {5:00.37} 05. The Eleven-> {10:30.33} 06. Lovelight
 {13:30.59}
02/07/69b Pittsburgh, PA - Stanley Theater MSC>D>CD All 62 793  
 Notes: "Recorded by Bear (Owsley) on a "Concord" cassette deck model unknown ...laid on an Ampex
 90-minute cassette. Restoration &Preservation by Rob Eaton. Playback on a Tascam 122 mk111 (azimuth
 adjusted) > db 926 a/d converter > db 3000 s sample rate converter (variable speed) > panasonic 3800
 DAT @ 44.1 kHz By Rob Eaton. DAT > HHb > CDR By Jim Wise. Rob Eaton's list reads(4.5, 067min, Sbd,
 A0D0, Cass M->Dat 0, 48k, Ampex C-90 Master Cass/no dolby->3800 x 0). Yes these disks I ripped with
 EAC are the actual CDRS that Jim Wise made. I re tracked this one it came to me as 3 tracks.
 D1t04(Cryptical Envelopment) Minor static @ :48 filtered to remove static, Pop @ 3:35 filtered to
 remove the pop. I had trouble tracking this one so if I tracked it wrong please correct it and lmk and
 give me a better tracked copy."
 Set One: CD 1 {61:40.22}, 01. George Washington Story {1:24.45} 02. Cryptical Envelopment->
 {1:54.64} 03. The Other One-> {7:27.06} 04. Cryptical Envelopment-> {9:04.20} 05. Death Don't Have No
 Mercy {11:32.61} 06. Alligator-> {3:45.63} 07. Drums-> {3:51.06} 08. Jam-> {1:04.09} 09. China Cat
 jam-> {1:15.51} 10. Primal Alligator Jam-> {7:34.62} 11. Caution (Do Not Stop On Tracks)-> {6:32.65}
 12. Feedback-> {4:24.13} 13. And We Bid You Good Night {1:48.07}
02/11/69 NYC, NY - Fillmore East GDM All n/a  
 Set One: VAULT RELEASE--BUY IT.
02/12/69b NYC, NY - Fillmore East MSC>D>CD All 57 
 d1t01 Dark Star cuts in, most missing; d1t04 DDHNM pop @ 0:46; d1t07 cut/splice @ 0:37
 Set One: 1. //Dark Star [4:58#] -> 2. St. Stephen [5:53] -> 3. The Eleven [15:43] -> 4.
 Death Don't Have No Mercy [8:02] [0:20], 5. [0:08] Alligator [3:49] -> 6. Drums [4:18] -> 7. 'Gator
 Chant [0:11] -> Drum Intro [0:10] -> Post 'Gator Power Jam// [0:15], //Caution Jam [3:47#] -> Feedback
 [4:43] -> 8. And We Bid You Goodnight [3:03] [1:46], Total Time 57:13
02/14/69 Philadelphia, PA - Electric Factory S>C>2C>D>CD All 111  
 SBD>MC>C>C>D>CD>SHN. It is possible that there is one less analog generation in the lineage (as
 listed at Deadlists). The sound quality is rather ragged despite fairly low levels of hiss, so this
 may simply be from old and degraded cassettes with only one analog generation. There is a minor
 splice just before the 7:00 mark in Schoolgirl from what sounds like a cassette recording overdub. It
 has been cut out and smoothed over with Sound Forge.  There is a minor dropout in Dark Star roughly 18
 minutes in. The splice in Lovelight occurs just after the 6:00 mark. The quality of the recording
 diminishes during the Cryptical Reprise where tape (not from the master) ran out. Overlapping tape
 segments were spliced seamlessly at this point using Sound Forge. Therefore, no music is lost
 although there is diminishing sound quality for the first half of the reprise. Alligator > Caution >
 Feedback > AWBYGN often mistakenly circulates at the end of this show, but is actually from 8-22-68.
 This show may or may not be complete. Edits, tracking, and pitch correction for various portions were
 performed using Sound Forge and CDWave.
  Set One: 1. //Good Morning, Little Schoolgirl%, 2. Stage Banter, 3. //Dark Star--> 4.
 St. Stephen--> 5. The Eleven--> 6. Lovelight%, Total Time 64:16
 Set Two: 1. Morning Dew, 2. Cryptical Envelopment--> 3. The Other One--> 4. Cryptical
 Envelopment--> 5. Death Don't Have No Mercy, Total Time 46:56
02/15/69 Philadelphia, PA - Electric Factory MSR>C>D>CD All n/a 
 DAT conversion by Aoxoa: 7 inch master reel @ 7.5 ips 1/2 track > tascam 122mkIII cassette ....nak
 dragon > wav > cd via sony pcm r-700 dat > za2 > hard disc ... sound forge & cd architect was the
 software ... Notes: - The beginning of Doin That Rag is cut - no vocals are missing. - Lovelight
 has a cut near the end at 15:54. - The Eleven cuts off at 7:04. - The first half of Death Don't is
 missing - it cuts in during Jerry's solo. - Caution has a cut at 7:43. - The track marker at the
 start of The Eleven was adjusted. - TIFTOO and Gator Jam>AWBYG each came as one long track and were
 retracked with CDWave. - A few small clicks were removed with Cool Edit 2000. EAC test & copy in
 secure mode, offset corrected. Sector boundaries verified with shntool. Seekable shorten encoding
 with MKW. By D.Winters 01/25/03.
 Set One: Disc 1: 1) //Doin' That Rag 2) Cryptical Envelpoment > 3) Drums > 4) The Other
 One > 5) Cryptical Envelopment Reprise 6) The Morning Dew > 7) Turn On Your Lovelight
 Set Two: Disc 2 1) Tunning 2) Dupree's Diamond Blues 3) Mountains Of The Moon > 4) Dark
 Star > 5) Saint Stephen > 6) The Eleven// > 7) //Death Don't Have No Mercy 8) Cosmic Charlie
 Set Three: Disc 3 1) Alligator > 2) Drums > 3) Alligator Jam > 4) Caution > 5) Feedback
 > 6) Goodnight
02/21/69 Vallejo, CA - Dream Bowl S:C>R>R>D>CD All 105 
 S:C>R>R>DAT>CD>speed correction>CD>EAC>SHN; More details available in etree info file; d1t01 GMLS
 fades in, not much missing; d1t02 Rag "you motherfuckers!" ending; d2t04 Lovelight @ 0:16-0:22: Lesh:
 "Hey Pig! Hey! Let us get a grip on it!" Pig: "What?" Lesh: "Let us get a grip on it!"; d2t04
 Lovelight two drum interludes (8:33-9:09, 19:20-20:01); d2t05 Dew cuts in?
 Set One: 1. //Good Morning Little Schoolgirl [11:55#] [0:18], 2. Doin' That Rag [6:24]
 [0:16], 3. Dark Star [20:50], Total Time 39:44
 Set Two: 1. St. Stephen [5:46] -> William Tell [1:10] -> 2. The Eleven [20:58] -> 3. Turn On
 Your Lovelight [25:16] [0:17], 4. E: //Morning Dew [11:09#] [0:05], Total Time 64:43
02/22/69 Vallejo, CA - Dream Bowl S:R>2R>D>CD All 111 
 d1t01 Dupree's cuts in; d1t07 DDHNM cut/splice @ 2:50; d2t01 Rag pop @ 0:00; d2t02 Stephen
 cut/splice @ 4:12; d2t03 Eleven digi-tick @ 9:03, 10:46; d2t03 Eleven drop @ 16:45
 Set One: 1. [0:14] //Dupree's Diamond Blues [3:49#] -> 2. Mountains Of The Moon [3:33] -> 3.
 Jam [1:40] -> 4. Dark Star [21:10] -> 4. Cryptical Envelopment [1:53] -> 5. Drums [0:10] -> The Other
 One [8:05] -> 6. Cryptical Envelopment [9:22] -> 7. Death Don't// Have No Mercy [6:38] [0:09], Total
 Time 56:47
 Set Two: 1. [0:25] //Doin' That Rag [7:01#] -> 2. St.// Stephen [5:25#] -> William Tell
 [1:09] -> 3. The Eleven [17:43] -> 4. Turn On Your Lovelight [21:43] [0:28], Total Time 53:32
02/27/69 San Francisco, CA - Fillmore West S:R>D>CD All 119 
 16-Track Master Reel > Rough Mix DAT > DATx3 > Sony PCMR500 DAT Machine > Monster Cable Coax >
 Turtle Beach Montego II Sound Card with Digi I/O > Wav > CDWav > Wavs > SHNs > WAVs > Cool Edit > Wav
 > CDWAV > Wavs > SHNs; this is the version patched and fixed by Seth Kaplan. d1t05 Banter drop @
 1:18? d2t07 Eleven cut/splice @ 9:50. The following edits were performed: 24:865 seconds (the 00:10
 second Bill Graham Intro and 14:865 seconds of GMLSG) were patched from a previously circulating
 alternate SBD source with lineage of SBD > ? > C > CD. The multi-track volume was sampled where the
 track fades in and the patch was normalised and pitch corrected to match the multi-track's levels.
 The Eleven has a brief splice in which 1) a 9.5 second silent gap was removed and 2) the volume on the
 section following the splice was normalised to match the levels of the sampled section preceding the
 splice. The show was then re-tracked as indicated by the track timings per the setlist.
  Set One: 1. Bill Graham Introduction [0:10] -> 2. Good Morning Little Schoolgirl [9:28]
 [0:12], 3. Tuning [2:13] -> 4. Doin' That Rag [6:18] [0:09], 5. "Beyond the Pale" [2:28] -> 6.
 Cryptical Envelopment [1:55] -> 7. Drums [0:11] -> 8. The Other One [8:32] -> 9. Cryptical Envelopment
 [9:03] [0:02], 10. Banter [0:54], Total Time 41:40
 Set Two: 1. [0:05] Dupree's Diamond Blues [3:57] -> 2. Mountains Of The Moon [4:35] -> 3.
 Prelude [1:22] -> 4. Dark Star [21:44] -> 5. St. Stephen [5:22] -> 6. William Tell [1:08] -> 7. The//
 Eleven [14:21#] -> 8. Turn On Your Lovelight [17:36] [0:17], Encore: 9. [0:22] Cosmic Charlie [5:44]
 [0:21], Total Time 76:56
02/28/69 San Francisco, CA - Fillmore West S:R>D>CD All 167 
 Soundboard 16-track master reels > DAT > CD; the online info file contains extensive technical
 notes.
 Set One: 1. Bill Graham Introduction [0:12] -> 2. Morning Dew [10:20] [0:23], 3. Good
 Morning Little Schoolgirl [10:37] [0:13], 4. Doin' That Rag [5:58] [0:06], 5. I'm A King Bee [7:08]
 [0:09], 6. Turn On Your Lovelight [18:56] [0:34], Total Time 54:39
 Set Two: 1. Bill Graham Introduction [0:05] -> 2. Cryptical Envelopment [1:57] -> 3. Drums
 [0:14]-> 4. The Other One [8:01] -> 5. Cryptical Envelopment [8:31] -> 6. Dark Star [19:55] -> 7. St.
 Stephen [5:05] -> 8. William Tell [1:08] -> 9. The Eleven [16:49] -> 10. Death Don't Have No Mercy
 [9:47] [0:13], Total Time 71:50
 Set Three: 1. "Crocodile" Banter [0:44] -> 2. Alligator [3:39] -> 3. Drums [4:14] -> 4.
 Power Jam [12:29] -> 5. Caution [11:23] -> 6. Feedback [5:25] -> 7. And We Bid You Goodnight [0:51,
 "goodnight from all the electronic mice" [0:49], Total Time 39:38
03/01/69 San Francisco, CA - Fillmore West S:R>D>CD All 126  
 SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000
 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth
 Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for
 banter and tuning.
 Set One: Set One, 1. Banter and Introduction [1:07] -> 2. Cryptical Envelopment [1:57] -> 3.
 Drumz [0:11] -> 4. The Other One [10:05] -> 5. Cryptical Envelopment Reprise [8:41] -> 6. New Potato
 Caboose [11:42] -> 7. Doin' That Rag [5:57] -> 8. Cosmic Charlie [5:30] [0:28], Total Time 45:41
 Set Two: Set Two, 1. Banter and Introduction [0:56] -> 2. Dupree's Diamond Blues [3:58] ->
 3. Mountains of the Moon [3:56] -> 4. Dark Star [23:22] -> 5. St. Stephen [5:36] -> 6. William Tell
 [1:09] -> 7. The Eleven [7:07] -> 8. Turn On Your Lovelight [17:54] [0:20], 9. Banter [6:34] ->
 Encore: 10. Hey Jude [7:30] [0:23], Total Time 79:49
03/01/69 San Francisco, CA - Fillmore West A:?>?>CD Ip,IIp 57 
 Not a bad audience recording for the era, and truly historic! Numerous periods of muffled sound,
 etc., get it for the significance. t05 Rag cuts ou; t06 Star cuts in; t08 Eleven cuts out
 Set One: Single Disc (8) 56:59, --From Set I-- 1. Intro [0:07] -> Cryptical Envelopment
 [1:55] -> 2. Drums [0:11] -> The Other One [10:06] -> 3. Cryptical Envelopment [:02+8:39] -> 4. New
 Potato Caboose [11:48] -> 5. Doin' That Rag// [1:13#],--From Set II-- 6. //Dark Star [#15:23] -> 7.
 St. Stephen [5:39] -> 8. The Eleven// [:02+1:45#] [0:02]
03/02/69 San Francisco, CA - Fillmore West S:R>D>CD All 166 None 
 Notes: d3t03 Jam blip at 5:44, warble at 7:33, fade/cut of unknown duration @ 8:42
 Set One: 1. [0:24] Dark Star [20:05] -> 2. St. Stephen [5:36] -> 3. The Eleven [15:28] -> 4.
 Turn On Your Lovelight [15:30] [0:36], Total time 57:41
 Set Two: 1. [0:25] Doin' That Rag [6:37] -> 2. Cryptical Envelopment [2:01] -> 3. The Other
 One [9:59] -> 4. Cryptical Envelopment [10:32] -> 5. Death Don't Have No Mercy [10:30] [0:55], 6.
 [0:20] Morning Dew [10:03] [0:59], Total Time 52:02
 Set Three: 1. [0:35] Alligator [4:07] -> 2. Drums [6:26] -> 3. Jams [23:45#] -> 4. Caution
 [10:32] -> 5. Feedback [7:54] -> 6. And We Bid You Goodnight// [0:40#], Total Time 54:02
03/15/69 San Francisco, CA - Hilton Hotel S:?>?>CD most 68 
 Set One: 1. [0:05] Hard To Handle [4:45] [0:12], 2. Good Morning Little Schoolgirl [8:16]
 [0:07], 3. Dark Star [19:15] -> 4. St. Stephen [:22+5:07] -> William Tell [1:08] -> Eleven first
 part// [1:12#], 5. The Eleven [10:27] -> 6. Turn On Your Lovelight [16:59] [0:07], Total Time 68:06
03/22/69 Pasadena, CA - Rose Palace S:C>C>D>CD Partial 74 
 May need pitch/speed correction? t01 GMLS fades in, not much missing; t01 GMLS vocals distortion;
 t03 Stephen cuts out; t04 Eleven cuts in, most missing; t05 Lovelight cuts out
 Set One: 1. //Good Morning Little Schoolgirl [12:04#] [0:07], 2. [0:43] Dark Star [15:25] ->
 3. St. Stephen// [5:23#], 4. //The Eleven [4:55#] -> 5. Turn on Your Lovelight// [12:45#], Filler:
 6/22/69, 6. [0:11] Dancin' in the Streets [11:24] [0:08], 7. [1:52] Casey Jones [8:53] [0:01], Total
 time 73:55
03/28/69 Modesto, CA - Student Center, Modesto Jr. College S:C>C>D>CD  All 115 
 d1t01 GMLS cuts in (-<1 min); d1t01 brief gap @ 2:40; d1t02 Star pop @ 8:26; d1t02 Star louder pops           @ 21:58-59; d1t04 Eleven cuts out @ 14:03, not much missing>
 Set One: 1. //Good Morning Little Schoolgirl [11:48#] [1:16], 2. Dark Star [23:13] -> 3. St.
 Stephen [6:14] -> William Tell Bridge [1:11] -> 4. The Eleven// [14:03#] [0:02], 5. //Death Don't Have
 No Mercy [8:54#] [0:03], Total Time 66:46
 Set Two: 1. Turn on Your Lovelight [22:28] [2:21], 2. Cryptical Envelopment [2:08] -> Drums
 [0:17] -> 3. The Other One [8:55] -> 4. Cryptical Envelopment [10:07] -> Feedback [0:52] [0:23], Total
 time 47:33
03/28/69 Modesto, CA - Student Center, Modesto Jr. College MSR>C>D>CD All 112 enter 81543 
 *Charlie Miller source*
 Recording Info: SBD -> Master Reel -> Cassette -> Dat. Transfer Info: Dat -> Samplitude
 Professional v8.01 -> FLAC (2 Discs Audio / 1 Disc FLAC). All Transfers and Mastering By Charlie
 Miller, charliemiller87@earthlink.net, January 11, 2007. Patch Info: SBD -> Cassette Master -> Dat ->
 CD supplies; The Eleven (5:54 - 6:09);All of Set 2. Notes: -- Disc change is seamless; -- Thanks to
 Rob Bertrando for the patch source; -- The start of Schoolgirl is clipped, not too much is missing.
 Set One: Set 1: d1t01 - //Good Morning Little Schoolgirl d1t02 - Dark Star -> d1t03 - St.
 Stephen -> d1t04 - The Eleven -> d1t05 - Death Don't Have No Mercy d2t01 - Turn On Your Lovelight
 Set Two: Set 2: d2t02 - Cryptical Envelopment -> d2t03 - Drums -> d2t04 - The Other One ->
 d2t05 - Cryptical Envelopment
03/29/69 Las Vegas, NV - Ice Palace S:?>?>CD All n/a 
 SBD > BOOTLEG CD > CD
 Set One: Morning Dew, Good Morning Little Schoolgirl, Doin' That Rag, Dark Star-> St.
 Stephen-> The Eleven-> Turn On Your Lovelight
04/04/69 San Francisco, CA - Avalon Ballroom S:R>C>D>CD All 110 
 d1t07 DDHNM cuts out; d2t03 Stephen harsh cut/splice @ 3:16
 Set One: 1. Introduction [0:44], Good Morning Little Schoolgirl [10:01] [0:04], 2. [0:22]
 Doin' That Rag [6:17] [0:05], 3. [0:12] Cryptical Envelopment [1:53] -> 4. Drums [0:17] -> 5. The
  Other One [8:54] -> 6. Cryptical Envelopment [8:57] -> 7. Death Don't Have No Mercy// [7:46#] [0:10],
 Total Time 45:46
 Set Two: 1. Introduction [0:22], Turn on Your Lovelight [22:19] [0:15], 2. [0:18] Dark Star
 [20:03] -> 3. St. //Stephen [5:08#] -> 4. The Eleven [11:31] -> 5. Feedback [2:39] [0:30], Total Time
 63:07
04/05/69 San Francisco, CA - Avalon Ballroom S:R>R>D>CD All 132 
 SBD:R>R>DAT>SP/DIF>HD>SHN; downloaded from gdlive.com late 12/2000; d1t03 distortion at 4:02 of
 Dark Star; d1t06 first few seconds of HTH cut; d2t05 cut/splice unknown duration at 5:28 Cryptical;
 d2t07 5:44-5:58 WRS Prelude sequence; d2t08/09 blip at track marker
 Set One: 1. Introduction [0:07], Dupree's Diamond Blues [3:50] [0:07], 2. Mountains of the
 Moon [6:16] -> 3. Dark Star [17:34] -> 4. St. Stephen [5:39] -> William Tell Bridge [1:10] -> 5. Turn
 On Your Lovelight [17:17] [0:25], Set II, 6. //Hard to Handle [5:44#] [0:02], 7. Cosmic Charlie [6:52]
 [0:12], Total Time 65:21
 Set Two: 1. China Cat Sunflower [5:47] -> 2. Doin' That Rag [7:39] [0:11], 3. Cryptical
 Envelopment [2:01] -> Drums [0:22] -> 4. The Other One [9:23] -> 5. Cryptical // Envelopment [5:51#]
 -> 6. The Eleven [9:04] -> 7. It's a Sin [4:50] [1:10], 8. Alligator [3:53] -> Drums [4:58] -> 9.
 Feedback [8:03] -> 10. And We Bid You Goodnight [2:55] [0:10], Total Time 66:03
04/05/69 San Francisco, CA - Avalon Ballroom MSR>D>CD All n/a 
 charlie miller 2003 upgrade
 Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat. Transfer Info: Dat ->
 Sonic Solutions -> CD -> EAC -> Samplitude -> SHN (2 Discs Audio / 1 Disc SHN). Conversion By Charlie
 Miller, charliemiler87@earthlink.net, 7/29/03. Notes: Samplitude v6.0 was used to re-track the
 complete show.
 Set One: Set One: d1t01 - Dupree's Diamond Blues -> d1t02 - Mountains Of The Moon -> d1t03 -
 Dark Star -> d1t04 - St. Stephen -> d1t05 - The Eleven -> d1t06 - Turn On Your Lovelight
 Set Two: Set Two: d2t01 - Hard To Handle -> d2t02 - Cosmic Charlie, d2t03 - China Cat
 Sunflower -> d2t04 - Doin' That Rag, d2t05 - Cryptical Envelopment -> d2t06 - Drums -> d2t07 - The
 Other One -> d2t08 - Cryptical Envelopment -> d2t09 - The Eleven -> d2t10 - It's A Sin, d2t11 -
 Alligator -> d2t12 - Drums -> d2t13 - Feedback -> d2t14 - And We Bid You Good Night
04/06/69 San Francisco, CA - Avalon Ballroom S:R>C>D>CD All 101  
 lineage given as FM-SBD > MR > Cassette > DAT > CD; d1t01 GMLS cuts in, most missing; d1t01 gap @
 1:22-1:27; d1t04 radio id; d1t05 Cryptical cuts in, few secs. missing; d1t06 DDHNM digi-scratch @
 3:10; d2t06 VLB plug pulled, a capella finish
 Set One: set I, 1. //Good Morning Little Schoolgirl [5:41#] [1:02], 2. [0:03] Beat It On
 Down The Line [2:45] [0:45], 3. It's All Over Now Baby Blue [7:07] [0:27], 4. [0:21] I'm A King Bee
 [7:00], set II, 5. //Cryptical Envelopment [1:56] -> Drums [0:14] -> The Other One [10:47] ->
 Cryptical Envelopment [10:04] -> 6. Death Don't Have No Mercy [11:19] [0:33], Total Time 61:17
 Set Two: set II (con't), 1. [0:32] Turn On Your Lovelight [22:51] [1:08], 2. [1:01] Viola
 Lee Blues [12:16] [0:26], Total Time 38:14
04/11/69 Tucson, AZ - University Auditorium S:C>C>D>CD Partial 74 
 lineage from Tiedrich's site; d1t04 Dark Star has Main Ten Jam @ 9:53-11:05; d1t05 St. Stephen
 cut/splice @ 3:17; d1t06 Eleven cut @ 1:36-1:38; d1t07 Lovelight cut/splice (drop?) @ 14:16
 Set One: 1. //Cryptical Envelopment [8:48#] -> 2. It's a Sin [5:40] [1:26], 3. Hard to
 Handle [5:28] [1:08], 4. Dark Star [20:23] -> 5. St. //Stephen [3:42#] -> William Tell Bridge [1:04]
 -> Eleven First Hot Part [1:14] -> 6. The //Eleven [3:39#] -> 7. Turn on Your Lovelight [19:30]
  [0:16], Total Time 73:20
04/12/69 Salt Lake City, UT - Student Union Ballroom, U. of U. S:C>C>D>CD All 109 None 
 d1t07 cut at least several minutes of music missing; d1t08 cuts in; d1t08: BW: "That's all the time
 we have, so we're gonna knock off." Suggests that this is the end of the show?; d2t01 Star cuts in,
 10-15 seconds clipped?; d2t01 Star drop @ 19:17; d2t02 includes two seconds of "The Eleven"
 (incorrectly tracked)
  Set One: 1. Introduction [0:40], Morning Dew [9:43] [0:18],2. Yellow Dog Story part I
 [0:56], 3. Good Morning Little Schoolgirl [9:10] [2:05], 4. Yellow Dog Story part II [1:15], 5. Doin'
 That Rag [6:57] [0:19], 6. He Was a Friend of Mine [13:20] [0:19], 7. Cryptical Envelopment// [1:11#],
 8. //Cryptical Envelopment Reprise [5:38] [0:24], Total Time 52:30
 Set Two: 1. //Dark Star [22:25#] -> 2. St. Stephen [6:03] -> 3. The Eleven [11:36] -> 4.
 Turn on Your Lovelight [15:04] -> 5. Feedback// [0:57#], Total Time 56:07
04/13/69 Boulder, CO - Ballroom, U. of Co. S:R>C>D>CD All 119 1309 6287 
 SBD: 7" reel masters > C > D > CD (per Jack Warner, DNC "Great 1960 Shows", 1/10/2001); d1t02 cuts
 in at "you needn't gild the lily", several minutes missing;d2t01 cut/splice at 10:06 and 21:26 of
 unknown duration;JG: "we're gonna take a break for a little while" after Death Don't Have No Mercy;
 d2t05 first few drum beats of Alligator missing; d2t05 Garcia stays with drummers for 1:13, rejoins at
 1:57-3:20; d2t07 AWBYG theme 4:04, ongoing when music cuts
 Set One: 1. Turn On Your Lovelight// [24:52#], 2. //Doin' That Rag [4:16#] [0:26], 3. [0:19]
 Good Morning Little Schoolgirl [8:10] 0:57], 4. Morning Dew [11:09] [0:13], Total Time 50:23
 Set Two: 1. Dark Star [24:00#] -> 2. St. Stephen [7:50] -> 3. The Eleven [13:01] -> 4. Death
 Don't Have No Mercy [9:54], Set II, 5. Alligator [3:44#] -> 6. Jam/Drums [4:49] -> 7. Jam// [5:44#],
 Total Time 69:13
04/13/69 Boulder, CO - Ballroom, U. of Co. MSR>C>D>CD All 119 enter 87378 
 *Charlie Miller sbd*
  Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude
 Professional v7.02 -> FLAC (2 Discs Audio / 1 Disc FLAC). All Transfers and Mastering By Charlie
 Miller, charliemiller87@earthlink.net, September 21, 2007. Notes: -- Disc change is seamless -- End of
 Lovelight is cut -- Start of Doin' That Rag is cut -- Splice in Dark Star at approx 10 min -- Jam at
 end of show is cut -- Did some minor clean up and worked on the levels.
 Set One: Disc One (50:16): Set 1: d1t01 - Turn On Your Love Light d1t02 - Doin' That Rag
 d1t03 - Good Morning Little Schoolgirl d1t04 - Morning Dew
 Set Two: Disc Two (69:04): d2t01 - Dark Star -> d2t02 - St. Stephen -> d2t03 - The Eleven ->
 d2t04 - Death Don't Have No Mercy Set 2: d2t05 - Alligator -> d2t06 - Drums -> d2t07 - Jam
04/15/69 Omaha, Nb - The Music Box S:C>?>CD Partial 30 
 For Completists Only.
 Set One: 1. [0:06] Morning Dew [10:29] [0:32], 2. It Hurts Me Too [5:36] [0:08], 3. China
 Cat Sunflower [3:32] -> Jam [2:07] -> 4. Doin' That Rag [7:03] [0:01], Total Time 29:36
04/17/69 St. Louis, MO - Washington University  GDM All n/a 
 *Download Series #12 -- NFT*
 Grateful Dead Official Download: Vol. 12 - 04/17/69 Washington University, St. Louis, MO. This
 two-disc release features a complete show from April 17, 1969 at the Washington University in St.
 Louis, MO. Disc two is supplemented by two songs from a rehearsal at the Avalon Ballroom on January
 23, 1969.
 Set One: DISC 1: Hard To Handle, Morning Dew, Good Morning Little Schoolgirl, Dark Star ->
 St. Stephen -> I Know It's a Sin -> St. Stephen -> Turn On Your Lovelight
 Set Two: DISC 2: That's It For The Other One -> Caution (Do Not Stop On Tracks), The Eleven,
 Dupree's Diamond Blues
04/18/69 Lafayette, IN - Memorial Union Ballroom, Purdue U. S:C>C>D>CD All 97 
 d1t09 Doin' That Rag cut/splice @ 7:19; d2t01 Lovelight cuts in
 Set One: 1. [0:12] Hard To Handle [5:01] [0:03], 2. [1:24] Morning Dew [10:32] [1:04], 3.
 [0:29] Cryptical Envelopment [1:57] -> 4. Drums [0:16] -> 5. The Other One [9:41] -> 6. Cryptical
 Envelopment [6:51] -> 7. Sitting On Top Of The World [2:56] -> 8. I'm A King Bee [7:59] [1:10], 9.
  Doin'// That Rag [7:41#] [0:10], Total Time 57:43
 Set Two: 1. [0:12] //Turn On Your Lovelight [27:03#] [0:14], 2. [0:12] Cosmic Charlie [6:28]
 [1:11], 3. [0:31] Beat It On Down The Line [2:33] [0:21], Total Time 38:50
04/20/69 Worcester, MA - Clark University S:C>C>D>CD 1P 37 None 
 Set One: 1. Dark Star -> 2. St. Stephen//, 3. Dupree's Diamond Blues -> 4. Mountains of the
 Moon, Total Time 36:22
04/21/69 Boston, MA - The Ark S:R>D>CD All 148 None 
 Set One: Hard To Handle, Morning Dew, Cryptical Envelopment-> Drums-> The Other One->
 Cryptical Envelopment-> Sitting On Top Of The World, Alligator-> Drums-> Jam*-> Alligator-> Doin' That
 Rag, 57:14
 Set Two: Foxy Lady Jam, Dark Star-> St. Stephen-> The Eleven-> Turn On Your Lovelight,
 67:59
 Set Three: E: 1. Viola Lee Blues -> 2. Feedback//, Plus:1/20/68 filler,
04/21/69 Boston, MA - The Ark MSR>D>CD All 153 enter 88465 
 *Charlie Miller source*
 Recording Info: SBD -> Master Reel -> Dat -> CD. Transfer Info: CD -> Samplitude Professional v9.12
 -> FLAC (3 Discs Audio / 2 Discs FLAC). All Transfers and Mastering By Charlie Miller,
 charliemiller87@earthlink.net, November 13, 2007. Patch Info: Alternate SBD source provides:
 Introduction (complete track); 2nd Cryptical Envelopment (1:21 - 6:19); Dark Star (14:52 - 16:36);
 Turn On Your Lovelight (23:56 - end of track). Notes: -- Cleaned up numerous flaws and fixed the
 levels -- Alligator has a false start -- Tape runs out during Feedback.
  Set One: (61:48) Set 1: d1t01 - Introduction d1t02 - Hard To Handle d1t03 - Morning Dew
 d1t04 - Cryptical Envelopment -> d1t05 - Drums -> d1t06 - The Other One -> d1t07 - Cryptical
 Envelopment -> d1t08 - Sittin' On Top Of The World d1t09 - Alligator -> d1t10 - Drums -> d1t11 - Jam
 -> d1t12 - Doin' That Rag
 Set Two: (69:20) Set 2: d2t01 - Foxy Lady Jam d2t02 - Dark Star -> d2t03 - St. Stephen ->
 d2t04 - The Eleven -> d2t05 - Turn On Your Lovelight
  Set Three: d3 (21:53) Encore: d3t01 - Tuning d3t02 - Viola Lee Blues -> d3t03 - Feedback
04/22/69 Boston, MA - The Ark S:C>R>D>CD All 151 None 
 Set One: // Sitting On Top Of The World, Morning Dew, Beat It On Down The Line, Good Morning
 Little Schoolgirl, Doin' That Rag, Cryptical Envelopment-> Drums-> The Other One-> Cryptical
 Envelopment-> Death Don't Have No Mercy, 62:07
 Set Two: Dupree's Diamond Blues-> Mountains Of The Moon-> Dark Star-> St. Stephen-> The
 Eleven, 57:52
 Set Three: Turn On Your Lovelight-> Caution Jam-> Turn On Your Lovelight, 29:55
04/22/69 Boston, MA - The Ark MSC>R>D>CD All  n/a enter 88466 
 Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD. Transfer Info: CD -> Samplitude
 Professional v9.12 -> FLAC (2 Discs Audio / 2 Discs FLAC). ll Transfers and Mastering By Charlie
 Miller, charliemiller87@earthlink.net, November 13, 2007. Notes: -- Disc change is seamless -- First
 few notes of Sittin' On Top Of The World missing -- Tape flips during The Other One and Dark Star --
 Lovelight contains a Caution Jam.
  Set One: Set 1: d1t01 - Sittin' On Top Of The World d1t02 - Morning Dew d1t03 - Beat It On
 Down The Line -> d1t04 - Good Morning Little Schoolgirl d1t05 - Doin' That Rag d1t06 - Cryptical
 Envelopment -> d1t07 - Drums -> d1t08 - The Other One -> d1t09 - Cryptical Envelopment -> d1t10 -
 Death Don't Have No Mercy Set 2: d1t11 - Monitor Levels d1t12 - Dupree's Diamond Blues -> d1t13 -
 Mountains Of The Moon ->
 Set Two: d2t01 - Jam -> d2t02 - Dark Star -> d2t03 - St. Stephen -> d2t04 - The Eleven ->
 d2t05 - Turn On Your Lovelight
04/23/69 Boston, MA - The Ark S:R>C>D>CD All 166 None 
 Set One: He Was A Friend Of Mine, Dark Star-> St. Stephen-> Cryptical Envelopment-> Drums->
 The Other One-> Cryptical Envelopment-> Sitting On Top Of The World-> Turn On Your Lovelight, 78:51
 Set Two: 1. Morning Dew, 2. Tuning, 3. Hard To Handle, 4. Tuning, 5. Doin' That Rag, 6.
  Tuning, 7. Alligator -> 8. Drums ->
 Set Three: 1. Drums -> 2. Jam -> 3. The Eleven// Jam -> 4. Jam -> 5. Caution// ->//Feedback
 -> 6. And And We Bid You Goodnight, E: 7. NFA tease -> 8. It's All Over Now Baby Blue, 54:39
04/23/69 Boston, MA - The Ark MSR>C>D>CD All n/a enter 88501 
 *Charlie Miller source*
 Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD. Transfer Info: CD -> Samplitude
 Professional v9.12 -> FLAC (3 Discs Audio / 2 Discs FLAC). All Transfers and Mastering By Charlie
 Miller, charliemiller87@earthlink.net, November 14, 2007. Notes: -- Seamless disc change between discs
 2 and 3 -- Brutal tape flip between St. Stephen and It's A Sin -- Tape flip during The Eleven -- Tape
 flip between Caution and Feedback
 Set One: Set 1: d1t01 - Introduction d1t02 - He Was A Friend Of Mine d1t03 - Dark Star ->
 d1t04 - St. Stephen -> d1t05 - It's A Sin -> d1t06 - St. Stephen -> d1t07 - Cryptical Envelopment ->
 d1t08 - Drums -> d1t09 - The Other One -> d1t10 - Cryptical Envelopment -> d1t11 - Sittin' On Top Of
 The World -> d1t12 - Turn On Your Lovelight
 Set Two: Set 2: d2t01 - Morning Dew d2t02 - Hard To Handle d2t03 - Doin' That Rag d2t04 -
 Alligator -> d2t05 - Drums -> d2t06 - Jam -> d2t07 - The Eleven -> d2t08 - Caution (Do Not Stop On
 Tracks) -> d2t09 - Feedback -> d2t10 - And We Bid You Good Night
 Set Three: Encore: d3t01 - Not Fade Away tease d3t02 - It's All Over Now, Baby Blue
04/25/69 Chicago, IL - Electric Theater S:R>D>SS>CD All 61 
 d1t02 Rag static @ 3:36
 Set One: 1. Introduction [0:06], Hard To Handle [4:12] [0:11], 2. Doin' That Rag [7:20]
 [0:16], 3. Good Morning Little Schoolgirl [11:15] [0:17], 4. [0:03] Morning Dew [7:18] [0:16], 5.
 Yellow Dog Story [2:02], 6. Sitting On Top Of The World [3:40] [0:10], 7. Turn On Your Lovelight
 [22:57] [0:26], Total Time 60:33
04/26/69 Chicago, IL - Electric Theater S:C>C>D>CD All 169 
 S:C>C>D>CD; contrary to many mis-labelings, the Reel Master copies of this show do not circulate
 (Tiedrich, BUDD Digest #557, 8/18/2001). d1t01 Rag digi-snits @ 2:55; d2t01 SOTOTW digi-snit @ 2:00;
 d2t04 Baby Blue drop @ 5:53; d3t01 VLB static @ 2:10, drops @ 3:42, 10:14, 14:01; d3t02 Feedback
 static @ 1:23; d3t02 WBOTB palyed over P.A. @ ca. 4:00; d3t06 SOTOTW digi-static @ 0:32
 Set One: 1. Introduction [0:15], Dupree's Diamond Blues [4:01] -> 2. Mountains Of The Moon
 [6:47] -> 3. China Cat Sunflower [3:51] -> Jam [2:03] -> 4. Doin' That Rag [6:39] [1:14], 5. It Hurts
 Me Too [5:46] -> 6. Hard To Handle [4:30] [0:10], 7. [0:11] Cryptical Envelopment [2:09] -> 8. Drums
 [0:54] -> 9. The Other One [8:02] -> 10. The Eleven Jam [3:53] -> 11. The Other One [1:08] -> 12. It's
 A Sin [4:15] [1:12], 13. Morning Dew [9:28] [0:45], Total Time 67:19
 Set Two: 1. Sitting On Top Of The World [3:39] [1:06], 2. [0:06] Minglewood Blues [3:47]
 [0:59], 3. Silver Threads [3:26] [0:24], 4. It's All Over Now Baby Blue [7:50] [0:26], 5. [0:17] St.
 Stephen [5:50] -> 6. Turn On Your Lovelight [32:42] [0:33], Total Time 60:57
 Set Three: Encore, 1. [0:42] Viola Lee Blues [19:41] -> 2. Feedback [15:13] -> 3. And We Bid
 You Goodnight [3:41] [0:24], Show Time ca. 39:51, plus filler: 4/27/69, 4. Turn on Your Lovelight
 [21:09] -> 5. Me and My Uncle [3:40] -> 6. Sitting on Top of the World [3:24] [0:09], Total Time
  68:07
04/27/69 Minneapolis, MN - Labor Temple S:R>C>D>CD All 99 
 Sbd, A1D0, Reel M->Cass 1->Dat 0, 44k, 7" Master Reels @ 7.5ips 1/2trk->Tascam 122mkIII Cass 1st
 Gen->3800 x 0; SOTOTW digi-static @ 0:32; d1t01 first note or two clipped
 Set One: from 4/26/69 d3, 4. Turn on Your Lovelight [21:09] -> 5. Me and My Uncle [3:40] ->
 6. Sitting on Top of the World [3:24] [0:09], Show Time ca. 28:22
 Set Two: 1. //Dark Star [25:38#] -> 2. St. Stephen [6:06] -> 3. William Tell [1:12] -> 4.
 The Eleven [12:22] -> 5. Turn On Your Lovelight [13:56] [0:14], Encore: 6. Morning Dew [9:59] [0:07],
 Total Time 69:37
05/03/69 San Francisco, CA - Winterland Arena A:R>R>CD 1 42 
 05/03/69b I 1disc aud>mr>r>cdr, sony condenser mic's @ front of stage near keyboards>sony 770@
 7.5ips, .25 track, George Jackson recording
 Set One: 1. Introduction [1:41], He Was A Friend Of Mine [9:02] [0:20], 2. Cryptical
 Envelopment [1:59] -> 3. Drums [0:35] -> 4. The Other One [11:46] -> 5. Cryptical Envelopment//
 [6:57#] [0:04], 6. //Doin' That Rag [6:51#] [0:15], 7. [0:05] Me & My Uncle [3:21] [0:14], Plus:
 5/23/69, 8. [0:14] Dark Star [18:54] -> 9. St. Stephen [6:06] -> 10. The Eleven// [4:05#] [0:09],
 Total Time 72:42
05/07/69 San Francisco, CA - Polo Field, Golden Gate Park S:R>C>D>CD All  94 
 d1t01 MAMU cuts in; d1t01 MAMU unique long intro; d1t03 Instrumental is unique; d1t03 Instrumental
 cuts out; d1t04 TOO cuts in; d1t06 Good Lovin' Garcia vocals; d2t02 Main Ten theme @ ca. 11:09; d2t02
  Star drop @ 15:04
 Set One: 1. //Me & My Uncle [5:30#] [0:22], 2. Banter [4:03], 3. Instrumental// [3:41#]
 [0:03], 4. //The Other One [10:10#] -> 5. Smokestack Lightning [3:29] [0:20], 6. [0:06] Good Lovin'
 [6:35] [0:12], Total Time 34:34
 Set Two: 1. Tuning/Banter [2:43] -> 2. Dark Star [22:30] -> 3. Drums [5:15] -> 4. Turn on
 Your Lovelight [27:30] [0:40], Total Time 58:40
05/10/69 Pasadena, CA - Rose Palace S:C>C>D>CD All 108 
 mC> C> DAT> Sonic Solutions> CDR; d1t01 contains :02 of HTH; d1t02 HTH last minute w/o instruments
 (power); d1t02 contains :01 of MAMU; d1t05 Dew power out again; d1t07 Rag cut/splice @ 3:33; d2t04
 Lovelight cut/splice @ 0:15?
 Set One: 1. "Let it Out" [4:29], 2. Hard To Handle [5:33] [0:12], 3. [0:52], 4. Me & My
 Uncle [3:29] [0:48], 5. [0:05] Morning Dew [8:17] [0:11], 6. Yellow Dog Sto-ray [2:05], 7. Doin'//
 That Rag [6:33#] [0:13], 8. Tuning [2:07], Total Time 35:08
 Set Two: 1. Dark Star [20:59] -> 2. St. Stephen [6:07] -> William Tell [1:14] -> 3. The
 Eleven [14:36] -> 4. Turn// On Your Lovelight [29:06#] [0:38], Total Time 72:41
05/16/69 Moraga, CA - Campolindo High School MSC>C>D>CD All 50 
 *Cotsman speed-corrected version*
 My alma mater! Doin' That Rag is an unqualified train wreck. Says Cotsman: There is a splice in
 Lovelight at 2:18. Sound Forge was used to normalize, correct the pitch, and retrack in conjunction
 with CD Wave.
 Set One: 1. Good Morning Little Schoolgirl, 2. Doin' That Rag, 3. Me & My Uncle, 4. Hard To
 Handle, 5. Lovelight%
05/23/69 Hollywood, FL - Seminole Indian Village S:R>P>D>CD Partial 30 
 Reel > PCM > Dat > Tascam DA20 > Audio Magic Presto > Prodif Plus > Soundforge > cdwav > shn > CDR;
 filler on 5/3/69
 Set One: 8. [0:14] Dark Star [18:54] -> 9. St. Stephen [6:06] -> 10. The Eleven// [4:05#]
 [0:09]
05/24/69 Hollywood, FL - Seminole Indian Village S:R>2R>D>CD All 87 
  *ISO upgrade*
 Need an upgrade! Blips at nearly every track marker; d1t04 sub-second fold @ 5:15
 Set One: 1. [0:23] Turn On Your Lovelight [26:35] [0:12], 2. Doin' That Rag [6:38] -> 3. He
 Was A Friend Of Mine [8:02] -> 4. China Cat Sunflower [3:09] -> Jam [2:03] -> Eleven Intro [0:43] ->
 5. The Eleven [8:13] -> 6. Death Don't Have No Mercy [6:46] [0:13], Total Time 63:00
 Set Two: 1. Dog Joke [3:27], 2. Alligator [4:00] -> 3. Drums [7:31] -> 4. St. Stephen [5:44]
 -> 5. Feedback [2:52] -> 6. And We Bid You Goodnight [3:03] [0:11], Show Time ca. 24:00; Filler:
 6/17/75 ca. 41 minutes, Total time 65:52
05/29/69 Santa Barbara, CA - Robertson Gym, U.C.S.B. A:?>?>CD All 74 
 needs re-tracking; d1t05 loose cable (?) @ 5:24-5:30; d1t05 cut/splice @ 7:51, not much missing;
 d1t05 radio interference; d1t05 reel warble @ 8:10-8:12; d1t06 GMLS reel warble first 0:30; d1t07
 radio DJ talk at start; d1t07 fades out at end; d1t08 'Gator cuts in
 Set One: 1. [0:03] Morning Dew [9:16] [0:27], 2. [0:40] Cryptical Envelopment [1:57+:02] ->
 3. Drums [-:02+0:47] -> 4. The Other One [9:02+:02] -> 5. Cryptical// Envelopment [-:02+8:25#] -> 6.
 Good Morning Little Schoolgirl [9:09], 7. //Me & My Uncle// [2:54#] [0:08], 8. //Alligator [3:17#] ->
 Drums [10:34] -> 9. Turn On Your Lovelight [16:56] [0:06], Total time 74:01
05/30/69 Portland, OR - Springer's Inn MSC>D>CD All 92 1320 87516 
 *Charlie Miller source*
 Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (48k). Transfer Info: Dat -> Behringer
 Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC (2 Discs Audio / 1 Disc FLAC). All
 Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, July 12, 2007. Notes: --
 Disc change is seamless -- There are a few minor tape problems in Morning Dew -- Missing first few
 seconds of Me And My Uncle -- Short spot of diginoise in Doin' That Rag -- Tape flip in Cosmic Charlie
 (not too bad) -- Turn On Your Lovelight is cut
 Set One: d1t01 - Morning Dew d1t02 - Me And My Uncle d1t03 - Doin' That Rag d1t04 - I'm A
 King Bee d1t05 - Dark Star -> d1t06 - Cosmic Charlie
 Set Two: d2t01 - St. Stephen -> d2t02 - The Eleven -> d2t03 - Turn On Your Lovelight (fades
 out)
05/31/69 Eugene, OR - McArthur Court, University of Oregon S:?>?>CD All 142 
 downloaded from gdlive.com late 12/2000; d1t1 41:47 - static in right channel (in last words of
 o1); d1t1 43:27-43:34 - right channel fades out (cryp reprise); d1t1 43:35 - splice?; d1t1 43:37-43:41
 - right channel fades out; d1t1 45:24 - back ground static start of sittin); d1t1 46:23 - little
 static in right channel; d2t1 3:40 - static in right channel (lovelight); d2t1 4:14 - brief static in
 left channel; d2t1 4:44 - quiet background static in right channel?; d2t1 4:54 - brief background
 static in right channel; d2t1 8:15 - static in right channel; d2t1 9:28 - brief static in right
 channel; d3t1 0:00- - right channel very faint (friend of mine) (-1:56?) (dark star); d3t1 0:54-0:57 -
 left channel dropout; d3t1 43:03 - splice (Rag/Cosmic); d3t1 45:23 - left channel dropout; d3t1
 45:42-45:53 - left channel very faint; d3t1 47:32-47:37 - left channel very faint
 Set One: 1. [0:03] Hard to Handle [3:59] [0:52], 2. Cold Rain and Snow [4:15], 3.
 Tuning/Babbs Babble/Yellow Dog [10:26], 4. Green Green Grass of Home [4:11] [1:00], 5. Me and My Uncle
 [3:00] [0:43], 6. Cryptical Envelopment [1:58] -> 7. Drums [0:51] -> 8. The Other One [10:40] -> 9.
 Cryptical Envelopment [3:06] -> 10. Sittin' On Top of the World [3:31] [0:57], 11. It Hurts Me Too
 [5:33] [0:51], E: 12. Baby Blue [8:55] [0:09], 13. And We Bid You Goodnight [2:57] [0:41], Total Time
 68:45
 Set Two: End Set I, 1. Turn on Your Lovelight [28:58] [0:14], Set II, 2. He Was a Friend of
 Mine [14:26] [0:09], 3. [0:03] Dark Star [23:49] -> 4. Doin' That Rag// [4:35#], 5. //Cosmic Charlie
 [0:25#] [0:13], Total Time 72:55
06/??/69 San Rafael, CA - Hunter's Home Recordings Unknown ? 29  
 Set One: GD - Home Recordings, Summer, 1969, AUD (portable recorder and cheap mic): 1.
 Friend Of The Devil (with other lyrics and John "Marmaduke" Dawson singing lead) [4:45], 2. Trumpet
 Solo - Robert Hunter? [0:50], 3. Dead Or Alive (Robert Hunter vocal, undocumented song) [1:09], 4.
 Train Song (Robert Hunter vocal, undocumented song) [2:24], 5. No Eggs Today (Robert Hunter vocal,
 undocumented song) [0:35], 6. Jam - "Feeling Groovy" and Uncle John's Band riffs [7:43], 7. Uncle
 John's Band Jam [8:56], 8. ...baby crying?... [2:03], 9. unidentified guitar [0:28] / end of tape,
 Total time = 28.55
06/05/69 San Francisco, CA - Fillmore West S:C>C>D>CD All 146 
 7-minute gap in Cryptical patched w/ SBD MR>R>C>D>CD; d2t06 Lovelight cut/splice @ 8:11; d2t06
 Lovelight R channel low 8:11-8:47; d2t06 Lovelight L channel low 8:47-10:01
 Set One: 1. Morning Dew [9:37], 2. [0:21] Me & My Uncle [3:03] [0:13], 3. [0:08] Doin' That
 Rag [7:05] -> 4. He Was A Friend Of Mine [10:26] [0:49], 5. [0:36] Hard To Handle [5:00] [0:17], 6.
 [0:23] Cosmic Charlie [6:23] [0:09], 7. Cryptical Envelopment [2:17] -> 8. Drums [1:30] -> 9. The
 Other One [8:35] -> 10. Cryptical Envelopment [12:01] [0:19], Total Time 69:21
 Set Two: 1. [0:03] //China Cat Sunflower [3:05#] -> Jam [1:24] -> 2. Sitting On Top Of The
 World [3:32] -> 3. Dark Star [21:11] -> 4. St. Stephen [5:53] -> 5. The Eleven [12:57] -> 6. Turn on
 //Your Lovelight [26:39#] [0:19], Total Time 75:07
06/06/69 San Francisco, CA - Fillmore West S:C>C>D>CD All 80  
 d1t01 Smokestack fades in; d1t02 >> d1t05 w/ Elvin Bishop; d1t04 cut/splice @ 2:03; d2t01 Lovelight
 cut/splice @ 35:03
 Set One: 1. //Smokestack Lightning [12:25#] [0:28], 2. [0:18] Green Green Grass of Home
 [4:19] [0:07], 3. Me and My Uncle [2:58] [0:15], 4. Checkin' Up on my// Baby [5:05#] [0:05], 5. [0:26]
 Beat it on Down the Line [2:36] [0:13], total Time 30:05
 Set Two: 1. [0:08] Turn on Your// Lovelight [48:27#] [0:44], Total time 49:18
06/07/69 San Francisco, CA - Fillmore West S:C>C>D>CD All 99 None 
 d1t01 Dire Wolf Weir vocals; d1t01 Dire Wolf cuts in; d1t06 ends w/ :06 fragment of DDHNM, cuts
 out; d2t02 Lovelight cuts in; d2t02 Lovelight w/ Janis Joplin
 Set One: 1. //Dire Wolf [2:49#] [0:04], 2. Dupree's Diamond Blues [4:08] [0:07], 3.
 Mountains Of The Moon [5:57] -> 4. Dark Star [21:49] -> 5. St. Stephen [7:00] -> William Tell [1:14]
 -> Eleven first part [1:58] -> 6. The Eleven [12:26] -> Death Don't Have No Mercy// [0:06], 7. Sitting
 On Top Of The World [3:36] -> 8. Cold Rain & Snow [2:58] -> 9. Doin' That Rag [7:59] [0:21], 72:37
 Set Two: 1. [0:06] Me & My Uncle [3:25] [0:07], 2. //Turn On Your Lovelight [21:30#] [0:25],
 Total Time 25:34
06/08/69 San Francisco, CA - Fillmore West S:C>C>D>CD All 121 
 (1) Wayne Ceballos on vocals; (2) Elvin Bishop guitar and vocals; d2t01 Lovelight some distortion;
 d2t01 Lovelight light click @ 18:22; d2t01 Lovelight static, click @ 19:29-:30, 28:42, 28:44, 28:29;
 d2t02 TTIUTD light click @ 4:43; d2t02 TTIUTD crackles @ 5:29, 5:31, 6:10
 Set One: 1. [0:16] Dancin' in the Street [12:41] -> 2. He Was a Friend of Mine [12:10] -> 3.
 China Cat Sunflower [4:14] -> 4. New Potato Caboose [13:14] 0:18], 5. [0:24] Me & My Uncle [3:01]
 [0:39], Total Time 47:00
 Set Two: 1. [0:22] Turn on Your Lovelight (1) [35:47] [0:20], 2. [0:45] The Things I Used to
 Do (2) [6:46] [0:22], 3. Who's Loving You Tonight? (2) [6:08] [0:13], 4. [0:23] Cryptical Envelopment
 [2:07] -> 5. Drums [1:00] -> 6. The Other One [11:30] -> 7. Cosmic Charlie [6:26] [1:36], Total Time
 73:38
06/13/69 Fresno, CA - Fresno Convention Center S:C>C>D>CD All 89 
 sbdmc>c>dat>za2>soundforge>cd; d1t03 dropout 1:15; d1t06 with Ronnie Hawkins; d2t01 drop out at
 0:35, comes in sounding a bit thinner after that?; d2t02 10:56 reel warble, cuts at 10:58?; d2t03 w/
 flutist (Charles Lloyd?) after 7:37; d2t03 w/ guest vocals (Lloyd or Hawkins) after ca. 16:15; NG:
  "Franklin Jones" (cathcurtis@worldnet.att.net) made an offer to BUDD 1/12/2001 with the following
 notes: "S:MCass>Cass>DAT>ZA2>SF>CD; Pitch shifted in SoundForge up 70 cents on highest accuracy with
 anti-alias filter. Normalized prior to doing the pitch shift."
 Set One: 1. Introduction [0:12], Hard To Handle [5:42] [0:04], 2. Yellow Dog Story [2:36],
 3. Me & My Uncle [3:03] [0:45], 4. Sitting On Top Of The World [3:53] [0:08], 5. Beat It On Down The
 Line [2:30] [0:12], 6. Good Morning Little Schoolgirl* [12:36] [0:09], 7. China Cat Sunflower [3:01]
 -> Jam [2:38] -> 8. Morning Dew [9:08], Total Time 46:33
 Set Two: 1. St. Stephen [5:43] -> The Eleven first part [4:17] 2. The Eleven hot part
 [11:29] -> 3. Turn On Your Lovelight** [20:43] [0:08], Total Time 42:18
06/14/69 Monterey, CA - Monterey Peninsula College S:C>C>D>CD All 105 
 sbdmc>c>dat>za2>soundforge>cd; d2t05 (Dire Wolf) Garcia vocals; d2t04 (Lovelight) guest vocals from
 3:45-ca. 4:00; d2t06 (Lovelight III) guest vocals 0:14-0:25; Hamilton's site
 (http://research.umbc.edu/~hamilton/Sources/gd690614gsh.txt): "Normalized in SoundForge, then pitch
  shifted down 89 % on highest accuracy."
 Set One: 1. Introduction [0:07], Turn On Your Lovelight [26:20] -> 2. Me & My Uncle [3:12]
 -> 3. Doin' That Rag [7:14] -> 4. He Was A Friend Of Mine [9:35] -> China Cat Sunflower false start
  [0:15] [0:10], 5. Dire Wolf [3:13] -> China Cat Sunflower false start [0:15], Total Time 50:24
 Set Two: 1. [0:22] Dark Star [15:11] -> 2. St. Stephen [5:57] -> The Eleven first verse
 [1:09] -> The Eleven first jam [2:36] -> 3. The Eleven [10:55] -> 4. Turn On Your Lovelight [4:11] ->
 5. Drums [5:17] -> 6. Turn On Your Lovelight [7:15] [0:10], Total Time 53:06
06/21/69a NYC, NY - Fillmore East A:R>C>3R>D> All n/a  
 AUD Master Reel>Cass1>RR@3>DAT>CDR The recording is pretty rough.
 Set One: Green Green Grass Of Home, Me & My Uncle, High Time, China Cat Sunflower-> Morning
 Dew, Alligator-> Drums-> The Other One-> Cryptical Envelopment-> Slewfoot, Cosmic Charlie
06/21/69b NYC, NY - Fillmore East S:C>C>D>CD All 91 None 
 d1t04 (Dire Wolf) Weir vocals, drop at track 1:08; d2t02 (Dark Star) change in sound quality 5:10:
  splice?; d2t05 (Lovelight) JG acoustic 16:43-ca. 17:48 ;d2t05 (Lovelight) splice to different, hissier
 source @ 23:33; originally seeded by Tommy Banjo
 Set One: 1. Introduction [0:19] His Head is Bound in Memories [3:57] [0:06], 2. [0:23];
 Sitting on Top of the World [3:51], [0:09], 3. [0:22] King Bee [7:52] [0:11], 4. [0:43] Dire Wolf (1)
 [2:37] [0:27], 5. [0:13] Mama Tried [2:58] [0:02], 6. [0:12] High Time [5:38] [0:25], 7. [0:16]
 Dupree's Diamond Blues [3:47] [0:33], 34:57
 Set Two: 1. Yellow Dog Story [2:16], 2. Dark Star [7:46] -> 3. St. Stephen [5:59] -> 4. The
 Eleven [11:13] -> 5. Turn on Your Lovelight (3, 4) [26:13] [1:50], 55:21
06/22/69 NYC, NY - Central Park  S:C>C>D>CD Partial 22 
 Set One: Filler on 3/22/69, 6. [0:11] Dancin' in the Streets [11:24] [0:08], 7. [1:52] Casey
 Jones [8:53] [0:01], Total Time ca. 22:29
06/27/69 Santa Rosa, CA - Veterans Auditorium S:R>C>D>CD All 106 None 
 SBD Reel > ? > cassette (Latvala) > CDR, transfer by D. Finney; d1t01 (Slewfoot) distortion at
 beginning (from master); d1t06 (Dire Wolf) tape noise from master; missing It's All Over Now Baby Blue
 at end of show
 Set One: Slewfoot (1) , Mama Tried -> High Time, Dupree's Diamond Blues, Me & My Uncle,
 Casey Jones, Dire Wolf (2,3), Sittin' on Top of the World, Big Boss Man, Total Time 41:52
 Set Two: 1. Dark Star [26:08] -> 2. St. Stephen [6:54] -> 3. The Eleven [2:35] -> 4. Green
 Green Grass Of Home [6:14], Total Time 63:20
06/28/69 Santa Rosa, CA - Veterans Auditorium S:R>C>D>CD All 70 
 High Time split over two tracks; t08 Lovelight cut/splice @ 20:03
 Set One: 1. [0:47] Slewfoot [3:10] [0:20], 2. [0:28] Silver Threads [3:36] [0:07], 3. [0:09]
 Mama Tried [3:24] [0:28], 4. [0:44] Me & My Uncle [3:14] [0:07], 5. [0:05] Doin' That Rag [6:46] ->
 High Time [0:53] -> 6. High Time (con't) [5:11] [0:16], I'm A King Bee [7:34] [0:07], 7. [0:03]
 Sitting On Top Of The World [4:23] [0:07], 8. Turn On Your// Lovelight [27:18] [0:50], Total Time
 70:07
07/04/69 Chicago, IL - Electric Theater S:C>C>D>CD All 113 
 d1t03 Bob's sto-ray cuts out, Slewfoot cuts in; d1t03 Slewfoot firecrackers after track 3:00; d1t11
 joke cuts out; d1t12 MAMU cuts out; the levels and quality after the cut in MAMU are terrible,
 consistent with Deadlists' notation. These are probably due to degradation of the master. d1t13 Rag
 cuts in "//sitting in mangrove .."; d1t13 Rag serious level fluctuations after 1:00, almost inaudible;
 d2t01 Dire Wolf Bob vocals; d2t03 Lovelight digi-tick @ 16:51
 Set One: 1. [0:15] Hard to Handle [4:33] [0:08], 2. [0:17] Mama Tried [2:57] [0:08], 3.
 Sto-ray// [0:22], //Slewfoot [3:01#] [0:06], 4. [0:56] Silver Threads and Golden Needles [3:13]
 [0:10], 5. [1:05] Cryptical Envelopment [2:01] -> 6. Drums [0:35] -> 7. The Other One [12:03] -> 8.
 Hight Time [6:20] -> 9. Casey Jones [6:04] [0:16], 10. [0:22] King Bee [7:43] [0:13], 11. Joke//
 [1:40#] [0:04], Sittin' on Top of the World [3:00] -> 12. Me & My Uncle [1:57#] [0:01], 13. //Doin'
 That Rag [6:30#] [0:08], 14. [2:06] 83968 Let Me In [3:51] [2:34], Total Time 73:48
 Set Two: 1. Tuning [2:45], Dire Wolf [2:38] [0:06], 2. [1:35] St. Stephen [5:44] -> 3. Turn
 on Your Lovelight [25:21] [0:55], Total Time 39:05
07/05/69 Chicago, IL - Electric Theater S:C>C>D>CD All 116 
 Needs re-tracking. d1t01 Dew cuts in, missing ca. 15 secs.; d1t01 Dew digi-scratch @ 0:09; d1t05
 Baby Blue gap @ track 0:07-0:08; d1t05 Baby Blue severe mix problems @ ca. 2 minute mark; d2t05 Casey
 Jones cuts out; d2t06 Lovelight cuts in, unknown missing; d2t06 Lovelight NFA hints @ ca. 12 min.
 mark.
 Set One: Disc One -Set I- 1. //Morning Dew [#10:07] [0:08], 2. [0:07] Dark Star [18:18] ->
 3. St. Stephen [:22+5:23] -> 4. Williem Tell [:05+1:05] -> The Eleven [9:59] -> 5. It's All Over Now
 Baby Blue [:01+9:00] [0:08], Total Time 54:47
 Set Two: Disc Two -Set II- 1. [0:13] China Cat Sunflower [3:13] -> Jam [1:45] -> High Time
 [:02+6:28] -> 3. Mama Tried [2:54] [0:15], 4. [1:01] Hard to Handle [5:19] [0:04], 5. Casey Jones//
 [4:46#], 6. //Turn on Your Lovelight [#34:10] [0:45], Total Time 61:02
07/07/69 Atlanta, GA - Piedmont Park S:C>C>D>CD All 115 
 From Bear's cassette master; numerous zits throughout the recording; d1t01 Dew first few secs.
 missing; d2t01 Star sm. click @ 13:30; d3t01 LL levels drop @ 0:45, return higher; d3t01 LL cut of
 unknown duration @ 17:52
 Set One: 1. //Morning Dew [10:10#] [0:16], 2 Mama Tried [3:15] -> 3. High Time [6:14] -> 4.
 Casey Jones [6:17] [2:46], Total Time 28:59
 Set Two: 1. [0:11] Dark Star [26:51] -> 2. St. Stephen [6:02] -> William Tell Intro [1:13]
 -> 3. The Eleven [13:19] ... [0:13], Total Time 47:49
 Set Three: 1. [0:03] Turn on Your// Lovelight [36:44# [0:38], Total Time 37:25
07/11/69 Queens, NY - NY State Pavilion, Flushing Meadow Park aud+sbd All 98 526 
 *Hanno Bunjes patched version*
 SBD MC>C>D>CD + patch (Alligator > Drums) from AUD master > low-gen reel > cassette > CD.
 Deadlists comments: "The soundboard cassette tape breaks off during High Time at the end of Side A;
 Side B cuts in during the drums after Alligator and breaks off during Lovelight. The audience tape in
 circulation runs from Alligator into The Other One before breaking off." Patch by H.B., 7/01, who
 says: "Thanks to Uli for the AUD and Julian for the SBD." The aud is used to patch all of Alligator
 and the first 1:38 of Drums. d1t07 High Time cuts out; d2t04 TOO crackels @ 0:06, 0:14; d2t06
 Lovelight cuts out
 Set One: Disc One (10) 46:28, 1. Banter [4:42], 2. Dupree's Diamond Blues [4:06] -> 3. Dire
 Wolf [3:10] [1:58], 4. Hard To Handle [4:04] [0:49], 5. Silver Threads & Golden Needles [3:19] [0:54],
 6. Casey Jones [6:02] [0:05], 7. Sittin' On Top Of The World [3:23] -> 8. Big Boss Man [5:20] [1:25],
 9. Mama Tried [2:47] [1:06], 10. High Time// [2:13#]
 Set Two: Disc Two (6) 51:51, 1. Alligator [3:41] -> 2. Drums [6:03] -> 3. Power Jam [14:19]
 -> 4. The Other One [8:10] -> 5. Death Don't Have No Mercy [11:02] -> 6. Lovelight// [8:34#]
07/12/69 Queens, NY - NY State Pavilion, Flushing Meadow Park aud+sbd All 103 527 
 *Hanno Bunjes patched version*
 CD 1: low-gen AUD; CD 2: SBD MC>C>D>CD. This is the complete show as per Deadlists. d1t03 MOTM
 drop @ 5:38; d1t07 High Time cuts out; d2t01 Star fades in
 Set One: Disc One (7) 42:12, 1. Green Green Grass Of Home [3:50] [0:48], 2. Slewfoot [3:10]
 [0:34], 3. Mountains Of The Moon [8:55] [0:21], 4. Doin' That Rag [8:14] -> 5. China Cat Sunflower
 [8:01] -> 6. Mama Tried [2:46] -> 7. High Time// [5:29#]
 Set Two: Disc Two (5) 61:12, 1. //Dark Star [#10:08] -> 2. The Other One [5:37] -> 3. St.
 Stephen [6:08] -> William Tell [1:10] -> 4. The Eleven [13:57] -> 5. Lovelight [23:04] [1:05]
08/02/69 San Francisco, CA - Family Dog at the Great Highway MSC>D>CD All 85 
 Set One: Casey Jones, Hard To Handle, Mama Tried -> High Time, Seasons, Slewfoot, Big Boss
 Man//
 Set Two: //Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> Turn On
 Your Lovelight
08/03/69 San Francisco, CA - Family Dog at the Great Highway MSC>D>CD All 102 1329 30652 
 *Charlie Miller sbd*
 This has the violin and saxophone on Dark Star, among others. Amazing stuff. HBob speculates re:
 violin as follows: "i've gotta go with David LaFlamme...the playing shows some of his characteristic
 classical technique idiosyncrasies as well as his basic lack of any country-music technique to speak
 of. after a few listens, i don't thinkl that it sounds like a viola so much as someone playing way in
 the bottom of the violin range, which David also liked to do." Also, this sax player is *right* on
 the ball, almost Branford-esque. This is definitely someone who knows Dark Star and/or has really
 "good ears" (per HBob).
 Set One: Hard To Handle, Beat It On Down The Line, Hi-Heel Sneakers, High Time, Mama
 Tried,
 Set Two: Dark Star-> Alligator-> Drums-> Other One-> Caution-> And We Bid You Goodnight
08/16/69 Bethel, NY - Max Yasgur's Farm S:R>C>D>CD All n/a 
 Set One: St. Stephen-> Mama Tried, Dark Star-> High Time, Turn On Your Lovelight
08/21/69 Seattle, WA - Aquatheatre S:C>C>D>CD All 50 
 Charles Lloyd plays flute on China Cat -> Jam; d1t02 Rag drop/gap @ 0:01; d1t02 Rag cuts ou; d1t03
 BBM cuts in; d1t10 Cosmic Charlie ca. last 5 secs. messed up
 Set One: 1. [0:03] China Cat Sunflower [4:09] -> Jam [2:33] -> 2. Doin' That Rag// [5:39#],
 3. //Big Boss man [3:03#] [0:07], 4. [0:10] Sitting on Top of the World [3:52] [0:15], 5. [0:07]
 Cryptical Envelopment [2:03] -> 6. Drums [1:41] -> 7. The Other One [11:15] -> 8. Cryptical
 Envelopment [1:40] -> 9. Dark Star [6:55] -> 10. Cosmic Charlie// [5:48#] [0:07], Total Time 49:35
08/23/69 St. Helens, OR - Pelletier Farm S:C>C>D>CD All 119 None 
 d1t01 (HTH) fades in, several minutes missing; d1t01 (HTH) dedicated by Pigpen to "Calypso Joe from
 New York"; d1t05 (Easy Wind) left channel drop 6:22-6:23; d2t04 (Lovelight) Charles Lloyd guest vocals
 17:06-21:45; d2t04 (Lovelight) cut at 24:35, unknown duration
 Set One: 1. //Hard to Handle (1, 2) [9:06#] [0:10], 2. [0:26] Mama Tried [2:34] -> 3. High
 Time [6:33], 4. [0:10] Casey Jones [5:44] [0:04], 5. [0:06] Easy Wind (3) [10:31] [0:17], 6. [0:26]
 Sitting on Top of the World [3:44] [0:24], Total Time 40:19
 Set Two: 1. Dark Star [26:44] -> 2. St. Stephen [6:05] -> 3. The Eleven [13:01] ->4. Turn on
 Your //Lovelight [27:02#] [0:07], E: 5. "These cats are beautiful" [0:11], And We Bid You Goodnight
 [3:32] [0:24], Total Time 77:09
08/29/69 San Francisco, CA - Family Dog at the Great Highway S:R>C>D>CD All 80 
 Set One: Single Disc (10) 79:51, 1. [0:08] Casey Jones [5:07] [0:09], 2. Easy Wind [7:58]
 [0:12], 3. MAMU [3:11] -> 4. High Time [:02+7:02], "Hey Jude's a lost cause" [0:54], 5. New Orleans
 [3:31] -> 6. Searchin' [3:18] -> 7. Good //Lovin' [4:#29] [0:14], 8. Dire Wolf [4:40] [0:05], 9. King
 Bee [7:39] [0:12], 10. Lovelight [30:08], "thanks for keepin' us high" [0:47]
08/30/69 San Francisco, CA - Family Dog at the Great Highway S:R>C>D>CD All 88 
 Set One: 1. [0:05] China Cat Sunflower [3:15] -> Jam [2:11] -> 2. Doin' That Rag [7:41]
 [0:41], 3. [0:03] Morning Dew [10:50] [0:04], 4. [0:16] Easy Wind [8:22] [0:09], Total Time 33:49
 Set Two: 1. [0:03] Dark Star [28:51] -> 2. St. Stephen [6:23] -> 3. The Eleven Jam [6:33] ->
 4. Drums [5:12] -> 5. High Time [5:40] [1:01], Total time 53:53
09/01/69 Prairieville, LA - Baton Rouge Int. Speedway S:C>D>CD All n/a 
 Set One: Casey Jones, Morning Dew-> Mama Tried-> High Time, Easy Wind, Dark Star-> St.
 Stephen-> The Eleven-> Turn On Your Lovelight
09/06/69 San Francisco, CA - Family Dog at the Great Highway S:R>C>D>CD All 45 
 Set One: 1. [0:02] Good Morning Little Schoolgirl [12:16] [0:14], 2. Doin' That Rag [6:43]
 [0:07], 3. He Was A Friend Of Mine [12:50] [0:42], 4. Big Boy Pete [3:16] -> 5. Good Lovin' [:03+4:00]
 [0:53], 6. It's All Over Now [4:13] [0:09], Filler: 9/7/69 (all one track), Total Time 73:37
09/07/69 San Francisco, CA - Family Dog at the Great Highway S:R>D>CD Partial 28 
 *w/ members of Jefferson Airplane*
 SBD (pre-fm):Reel >DAT>CD
 Set One: 1. Peggy Sue [3:22] [0:09], 2. That'll Be The Day [3:35] [0:19], 3. Johnny B. Goode
 [3:41] [0:08], 4. Baby What You Want Me To Do [4:39] [0:05], 5. [0:12] Wipe Out [4:01] -> 6. Big
 Railroad Blues [1:18] [0:01], 7. Louie Louie [2:46] -> 8. Twist and Shout [1:21] -> 9. Blue Moon
 [1:47], Gans talk [0:42], Filler: Unknown reggae, Total Time 73:03
09/26/69a NYC, NY - Fillmore East A:?>?>R>CD Partial 48 
 For completists only, as the recording is quite rough; t01 Dark Star fades in, unknown missing;
 t01-02 pop @ track marker; t04 Eleven cut/splice @ 0:58, not much missing; t04 Eleven reel warble @
 3:00; t06 DDHNM cuts out just before end
 Set One: Single Disc (6) 47:55, 1. [0:05] //Dark Star [17:46#] -> 2. St. Stephen [6:27] ->
 3. William Tell [1:13] -> 4. The //Eleven [9:47#] -> 5. King Bee [4:46] -> 6. Death Don't Have No
 Mercy// [7:41#] [0:07]
09/27/69a NYC, NY - Fillmore East A:?>?>C>CD  Partial 46 
 t05 Casey Jones (master?) anomaly @ 3:01; t06 Jam out of China Cat warbles @ 4:54-5:05; t08 Dire
 Wolf fades in; t08 Dire Wolf disruption @ 5:12; t10 starts with Take Me Out to the Ballgame Tuning
  Set One: 1. Banter and Bill Graham Introduction [0:18] -> 2. Morning Dew [10:00] [0:40]; 3.
 Mama Tried [2:37] [0:09]; 4. Next Time You See Me [3:28] [0:10]; 5. Casey Jones [4:29] [0:11]; 6.
 China Cat Sunflower [3:09] -> Jam [3:11] -> 7. High Time [7:20] [0:02]; 8. //Dire Wolf [5:24#] [0:09];
 9. Me and My Uncle [3:10] [0:09]; 10. Various Tunings [1:39], Total Time 46:20
09/29/69a NYC, NY - Cafe au Go-Go A:?>R>D>CD Partial 37  
 A:? > R > D > ZA2 > DiamondCut Noise Reduction > CD; on disc w/ 9/30/69; d1t01 Rag anomaly (drop?)
 @ 1:19; d1t02 Seven anomaly (drop?) @ 0:49; d1t06 Stephen cut/splice @ 0:15, not much missing
 Set One: 1. Doin' That Rag [7:54] -> 2. The Seven [7:15] -> 3. Good Lovin' [1:28] -> 4.
 Drums [6:35] -> 5. Good Lovin' [2:23] -> 6. St. //Stephen [6:33] -> William Tell Bridge [1:16] -> 7.
 The Eleven// [9:24#] [0:01]
09/30/69a NYC, NY - Cafe au Go-Go  A:?>C>C>CD All 41 
 A:? > C > C > XLR into SV-3700 > ZA2 > SoundForge Noise Reduction > CD; on disc w/ 9/29/69a; d1t01
 China Cat missing first few notes; d1t04 Alligator missing first few beats
 Set One: 1. //China Cat Sunflower [2:49#] -> Jam [1:18] -> 2. I Know You Rider [4:43]
 [0:01], 3. Merry-Go-Round Broke Down [0:37] -> Take Me Out To The Ballgame tuning [0:12] [0:08], 4.
 //Alligator [4:18] -> 5. Drums [8:32] -> 6. The Other One// [11:32#]
10/25/69 San Francisco, CA - Winterland Arena S:R>D>CD Partial 60 None 
 Set One: 1. Dark Star [22:01] -> 2. St. Stephen [6:06] -> 3. The Eleven [9:19] -> 4. Turn On
 Your Lovelight (1) [21:52]
10/26/69 San Francisco, CA - Winterland Arena S:R>C>D>CD Partial 48 
 d1t01 Instrumental L channel out @ 1:10-2:14; d1t04 MAMU brief drop @ 1:33; d1t05 NTYSM cuts in
 just before first verse; d1t06 Dire Wolf "dedicated to the zodiac and to paranoid fantasies
 everywhere"; d1t07 JG: "It's been a long, weird weekend."
 Set One: 1. Instrumental [3:46], 2. [0:13] Hard To Handle [6:38] [0:05], 3. [0:18] Cold Rain
 & Snow [5:21] [0:07], 4. Me & My Uncle [3:29] [0:01], 5. //Next Time You See Me [3:40#] [0:42], 6.
 [1:00] Dire Wolf [5:35] [0:14], 7. [0:56] Casey Jones [4:36] [0:18], 8. [0:36] Easy Wind [10:03]
 [0:10], Total Time 48:07
10/31/69 San Jose, CA - San Jose State University S:R>2C>D>CD All 102 
 My source lists S:R>C>D>CD, but the lineage I give above reflects Jack Warner's list and is more
 consistent with the sound quality. d1t02 Yellow Dog contains :34 of Dire Wolf; d1t05-06 pop @ marker;
 d1t09-10 cuts may just be a gap, possibly patchable? d2t05 Lovelight cuts out
 Set One: 1. [0:11] Casey Jones [4:10] [0:12], 2. Yellow Dog Story [2:59], 3. Dire Wolf
 [0:34+4:03] [0:09], 4. [0:26] It Hurts Me Too [6:01] [0:10], 5. [0:03] Cryptical Envelopment [2:00] ->
 6. Drums [4:31] -> 7. The Other One [10:24] -> 8. Cryptical Envelopment [7:12] -> 9. China Cat
 Sunflower [3:34] -> Jam// [3:31#], 10. [0:03] //I Know You Rider [3:48#] [0:18], Total Time 54:26
 Set Two: 1. High Time [7:19] [0:10], 2. [0:26] Sitting On Top Of The World [3:30] [0:07], 3.
 Next Time You See Me [3:20] -> 4. Easy Wind [5:59] [0:06], 5. Turn On Your Lovelight// [26:54#]
 [0:02], Total Time 47:54
11/01/69 San Francisco, CA - Family Dog at the Great Highway S:C>C>D>CD All 118 
 d1t09 Good Lovin' pop @ 3:39; d1t10 Easy Wind cut/splice @ 0:52; d2t08 Lovelight major cut/splice @
 1:08; d2t08 Lovelight CD chirp @ 11:02
 Set One: 1. Morning Dew [11:03] [0:07], 2. [0:09] Dire Wolf [8:07] [0:02], 3. Cold Rain &
 Snow [5:21] [0:06], 4. [1:13] Hard To Handle [6:13] [0:11], 5. [0:05] Mama Tried [2:42] -> 6. High
 Time [8:00] [0:04], 7. [0:18] Good Lovin' [1:38] -> 8. Drums [4:09] -> 9. Good Lovin' [4:33] [0:01],
 10. Easy// Wind [4:50#] [0:09], Total Time 59:06
 Set Two: 1. [0:03] He Was A Friend Of Mine [14:28] -> 2. China Cat Sunflower [3:20] -> Jam
 [1:24] -> 3. I Know You Rider [3:42] [0:04], 4. Casey Jones [4:36] [0:12], 5. Alligator [15:25] -> 6.
 AWBYG/GDTRFB Theme [1:27] -> 7. Uncle John's Band Instrumental [1:51] -> 8. Turn// On Your Lovelight
 [12:06#] [0:23], Total Time 59:07
11/02/69 San Francisco, CA - Family Dog at the Great Highway MSR>C, MSR>D All 112 
 charlie miller 2006 upgrade
 Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k); Disc 2: SBD -> Master Reel
 -> Dat (44.1k). Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional
 -> FLAC (2 Discs Audio / 1 Disc FLAC). Transferred and Edited By Charlie Miller,
 charliemiller87@earthlink.net, February 1, 2006. Notes: -- This has the fixed Dark Star. -- Seamless
 transition between discs. -- Master Reel source starts at 0:36 of Dark Star. JJ notes: d1 should be
  pigalicious, but Pigpen is very subdued.
 Set One: 9, 52:21 -- d1t01 - Cold Rain And Snow, d1t02 - In The Midnight Hour, d1t03 -
 Seasons, d1t04 - Mama Tried, d1t05 - Next Time You See Me, d1t06 - Good Lovin', d1t07 - Big Boss Man,
  d1t08 - Casey Jones, d1t09 - Dancin' In//The Streets
 Set Two: 4, 60:04 -- d2t01 - Dark Star -> d2t02 - St. Stephen -> d2t03 - The Eleven -> d2t04
 - Death Don't Have No Mercy
11/02/69 San Francisco, CA - Family Dog at the Great Highway S:R>C>D>CD Partial 65 None 
 7" reel masters @ 7.5 ips 1/2 track (master) > Latvala's cassette > D; t4 tracked a second or two
 late; t5 tracked two seconds late; t7 tracked two seconds late
 Set One: 1. //Cold Rain and Snow [5:45#] [0:12] 2. In the Midnight Hour [7:59] [0:11] 3.
 Dark Star [30:09] -> 4. St. Stephen [6:17] -> 5. The Eleven verse one [3:12] -> 6. The Eleven hot part
 [9:07] -> 7. Death Don't Have No Mercy [11:02] [0:08]
11/07/69 San Francisco, CA - Fillmore Auditorium S:R>C>D>CD? All 120 
 d1t01 Dew cuts in; d2t01 Star drop @ 15:44; d2t02 UJB Jam scrape @ 1:15; d2t02 UJB Jam cuts out,
 :04 of silence
  Set One: 1. [0:05] //Morning Dew [10:45#] [0:02], 2. Hard To Handle [5:15] [0:04], 3. Casey
 Jones [4:27] [0:03], 4. [0:16] Mama Tried [2:41] [0:05], 5. Banter [1:04], 6. Star Spangled Banner
 Tuning [1:09], 7. Looney Tunes Tuning [0:41], 8. Merry Round Tuning [0:28], 9. Take Me Out to the
 Ballgame Tuning [0:34], 10. Next Time You See Me [4:20] [0:03], 11. [0:05] Good Lovin' 1:42] -> 12.
 Drums [2:41] -> 13. Jam [3:29] -> 14. Good Lovin' [1:52] [0:13], 15. [0:26] China Cat Sunflower [3:36]
 -> Jam [1:19] -> 16. I Know You Rider [4:05] [0:02], Total Time 51:41
 Set Two: 1. Dark Star [17:58] -> 2. Uncle John's Band Jam// [1:44] [0:04], 3. Dark Star
  [5:40] -> 4. Cryptical Envelopment [1:44] -> 5. Drums [4:52] -> 6. The Other One [9:44] -> 7. Turn On
 Your Lovelight [24:50] [0:44], Total Time 67:23
11/08/69 San Francisco, CA - Fillmore Auditorium GDM All n/a  
 Set One: DICK'S PICKS VOL. 16--BUY IT.
11/15/69 Crockett, CA - Lanai Theater S:C>P>CD All 120 
 SBD cassette master > PCM > CDR > iMac > SHN. Editing by Jeff Tiedrich via Sound Studio for
 Macintosh, March 29 2002. Conversion by Jeff Tiedrich via Shorten for Macintosh, 30 March 2002.
 Sector boundary errors subsequently fixed.
 Set One: Casey Jones, Me & My Uncle, Easy Wind, Cumberland Blues-> China Cat Sunflower-> I
 Know You Rider, High Time, Next Time You See Me, Mama Tried, Big Boss Man, Cosmic Charlie, Dire Wolf,
 Cold Rain & Snow,
 Set Two: Good Lovin' -> Drums -> Good Lovin', Turn On Your Lovelight
11/21/69 Sacramento, CA - Cal Expo, Building A S:R>D>CD 2 n/a 
 MAW; S:R>D>CD
 Set One: Good Lovin'-> Drums-> Good Lovin', China Cat Sunflower-> I Know You Rider, High
 Time, Me & My Uncle, Turn On Your Lovelight
12/04/69 San Francisco, CA - Fillmore West S:C>?>CD All 121 439 
 MSC > ? > CD > EAC > Jeff Cotsman processing > SHN. For Completists Only. A very rough recording,
 but a truly stellar Dark Star. *first known rendition of Black Peter; **first known rendition of
 Uncle John's Band (with lyrics); Jeff Cotsman's notes: "This is one of the more muffled and hissy
 master cassette SBDs from the '69 era. It sounds like there could be several analog generations in the
 lineage, though the lack of crisp sound quality might mostly be attributed to the master, which is
 reportedly degraded. Many analog related crackles and blemishes were embedded in the recording. Sound
 Forge was used to smooth or reduce most of the glitches, though many minor blemishes remain. Sound
 Forge was also used to normalize and correct the pitch. Notes: --Dire Wolf cuts out shortly after one
 minute; --splice in Schoolgirl @ 7:29; --tape damage in China Cat @ 0:44; --other blemishes are
 frequent, though not offensive.
 Set One: Disc One (10) 76:51 --Set I-- 1. Introduction (1:36), 2. Casey Jones (4:58), 3.
  Black Peter (13:05)*, 4. Big Boss Man (2:49), 5. Announcements (2:49), 6. Me And My Uncle (4:45), 7.
 Cumberland Blues (4:21), 8. Dire Wolf// (1:25), 9. Dark Star--> (30:22) 10. High Time (7:29)
 Set Two: Disc Two (7) (42:35) --Set II-- 1. Good Morning Little Schoolgirl% (12:30), 2. Good
 Lovin'--> (1:52) 3. Drums--> (5:22) 4. Good Lovin' (5:32), 5. China Cat Sunflower--> (5:52) 6. I Know
 You Rider (4:36), 7. Uncle John's Band** (6:33)
12/05/69 San Francisco, CA - Fillmore West A:C>?>CD All 111 
 Recorded by Harry Ely, Sony F995 > Sony TC-124. Most songs cut in and come close to cutting out.
 Needs to be re-tracked. d1t01 riddled with digital errors; d1t04 warbles @ 4:28-4:31; d1t08
 cut/splice @ 2:10, 3:56; d1t09 cuit/splice @ 7:08; d1t11 cut/splice @ 2:19.
 Set One: 1. //Me & My Uncle [3:20#] [0:49], 2. //Casey Jones [4:30#] [0:01], 3. [0:06] Black
 Peter [9:14#], 4. [0:03] //Mama Tried// [2:34#], 5. //It Hurts Me Too [5:20#], 6. Cumberland Blues
 [7:00], 8. Cryptical Envelopment [2:06] -> 8. Drums// [4:48#] -> 9. The //Other One [12:17#] -> 10.
 Cryptical Envelopment [2:01] -> 11. Cosmic// Charlie [6:13#] [0:30], Total Time 61:29
 Set Two: 1. [0:05] Dancin' In The Streets [8:45] [0:05], 2. //Carnival Music Tuning [0:07#],
 //Dire Wolf [5:45#], 3. China Cat Sunflower [3:25] -> Jam [4:03] -> 4. I Know You Rider [5:00] -> 5.
  High Time [7:13], 6. Uncle John's Band// [0:39#], ? [0:08] -> 7. The Main Ten [2:39] -> 8. It's All
 Over Now Baby Blue [11:30], Total Time 48:27
12/07/69 San Francisco, CA - Fillmore West S:R>C>D>CD All 106  
 d1t01 Peter cuts in, not much missing; d1t01 Peter several bad tape warbles (@ 3:23-3:26,
 3:48-3:49, 8:27-8:29); d1t06 Dancin' cuts out; d1t07 Good Lovin' cuts in, not much missing; d2t05
 Lovelight cut/splice @ 7:21, unknown missing
 Set One: 1. //Black Peter [9:23#] [0:12], 2. Hard To Handle [5:42] [0:09], 3. Cumberland
 Blues [5:06] [0:06], 4. Mama Tried [2:33] -> 5. Easy Wind [8:02] [0:17], 6. Dancin' In The Streets//
 [7:43#] [0:05], 7. [0:02] //Good Lovin [7:22#] [0:09], Total Time 46:54
 Set Two: 1. [0:14] China Cat Sunflower [3:07] -> Jam [2:32] -> 2. I Know You Rider [3:48] ->
 3. St. Stephen [6:33] -> 4. The Eleven [14:19] -> 5. Turn On// Your Lovelight [27:34#] [0:35], Total
 Time 58:44
12/10/69 Los Angeles, CA - Thelma Theater S:R>C>D>CD 1 90 
 *previously circulating version*
 Eaton: 7inch Master Reels@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0; * w/ Stephen
 Stills; d1 is very staticky, though this version has less than my previous copy. It remains
 listenable, but the static is frequent enough that I have not tried to note every occurrence; d2t02
 GMLS pop @ 0:25 (track).
 Set One: [China Cat Sunflower ->], 1. [0:02] //I Know You Rider [4:37#] [2:18], 2. [0:06]
 //Black Peter [10:56#] [0:05], 3. [1:07] Me & My Uncle [3:15] [0:11], 4. [0:08] Cold Rain & Snow
  [4:43] [0:07], 5. Mama Tried [2:43] -> 6. High Time [7:17] [0:09], 7. [0:45] Easy Wind [6:11] [0:11],
 [Dire Wolf], Total Time 44:53
 Set Two: 1. [1:28] Casey Jones [4:33] [0:08], 2. [0:15] Good Morning Little Schoolgirl*
  [11:16] [0:09], 3. [2:22] Morning Dew* [10:02] [0:10], 4. [0:39] Black Queen* [11:06] -> 5. Turn On
 Your Lovelight*// [2:43#] [0:12], Total Time 45:06
12/10/69 Los Angeles, CA - Thelma Theater AUD+SBD All 118  
 *Cotsman fixed version*
 SBD>MR>D>CD>EAC>SHN (set 1); AUD>MR>R>D>CD>EAC>SHN (set 2); *with Stephen Stills; dropout @ 0:11 of
 I Know You Rider; crackle @ 0:02 of Schoolgirl (sounds like equipment); Lovelight cuts out after just
 over two minutes; Cosmic Charlie cuts out after just 50 seconds. The audience recording that supplies
 set 2 matches the timings of deadlists for what is speculated to be the 12-10-69 2nd set. It typically
 has circulated with the beginning of the 12-11 show (which has a nearly identical ambience) under the
 name of either the 10th or 11th. This "That's It>Charlie" clearly does not match the SBD recording for
 these songs on 12-11-69. Therefore, the case is strong that 12-10-69 is an accurate date for this
 portion, though the placement of it may be uncertain. Sound Forge and CDWave were used to edit a few
 minor blemishes and for retracking, track boundary corrections, etc. Thanks to Andrew Clarke & Jack
 Warner; edits/encoding by J. Cotsman.
 Set One: Set 1 (missing China Cat Sunflower) 1. //I Know You Rider 2. Stage Banter 3.
 //Black Peter 4. Me & My Uncle 5. Cold Rain & Snow 6. Mama Tried--> 7. High Time 8. Easy Wind
 Set Two: Set 1 continued 1. Tuning* 2. Casey Jones* 3. Good Morning, Little Schoolgirl* 4.
 Tuning* 5. Morning Dew* 6. Black Queen-->* 7. Lovelight//* Set 2 8. Cryptical Envelopment--> 9.
 Drums--> 10. The Other One--> 11. Cryptical Envelopment--> 12. Cosmic Charlie//
12/11/69 Los Angeles, CA - Thelma Theater AUD+SBD All n/a 
 *Cotsman fixed version*
 AUD > MR > R > D > CD > EAC > SHN (intro through last verse of Dark Star); SBD > MC > C? > Beta >
 PCM > D > CD > EAC > SHN (?) (last verse Dark Star>end of show). Jeff Cotsman's notes on this source:
 A very good mono audience recording supplies the first ~75 minutes of this show, up until the final
 verse of Dark Star. The recording was stopped in between most songs, and only the first few notes of a
 few songs are clipped. A somewhat degraded SBD supplies the rest of the show. There are several small
 portions of this SBD that have level/channel problems. Sound Forge was used for editing: slight pitch
 correction for both sources, smoothing cuts, patching dropouts, normalizing, and removal of many pops
 that were present on the SBD portion, presumably from a PCM transfer. Notes: ---d/o @ 0:55 in Me & My
 Uncle patched with SBD; ---d/o @ 3:36 in Dark Star patched with SBD; ---splice @ 5:20 of The Eleven;
 ---splice in Good Lovin' @ 5:45 during drum solo; ---channel fluctuations at end of Good Lovin';
 ---channel problems for first 2:39 of Easy Wind; ---right channel fluctuates at end of drums, just
 before O1 intro; ---splice @ 5:30 of The Other One. I believe the SBD was mastered on cassette,
 though most lineages seem to be listed as a reel master. The frequent mix problems, varying
 pitch/speed, and lack of trademark reel-to-reel zip-outs during cuts strongly support this being a
 cassette master. Tthanks to Paul Bottiglio & Jack Warner; edits/encoding by J. Cotsman
 Set One: set 1 (or early show) 1. Introduction 2. Casey Jones 3. //Cold Rain & Snow 4. Mama
 Tried 5. T.C. plays Bach 6. Yellow Dog Joke 7. Dire Wolf 8. //Hurts Me Too 9. //China Cat Sunflower-->
 10. I Know You Rider 11. Black Peter--> 12. Me & My Uncle 13. Hard To Handle
 Set Two: Set 1 continued 1. Dark Star--> 2. St. Stephen--> 3. The Eleven%--> 4. Cumberland
 Blues Set 2 (or late show) 5. Morning Dew 6. Next Time You See Me--> 7. Sittin' On Top Of The World
 Set Three: Set 2 continued 1. Stage Banter 2. Beat It On Down The Line 3. Big Boss Man 4.
 Good Lovin'% 5. High Time 6. Dancin' In The Streets 7. Easy Wind 8. Cryptical Envelopment--> 10. The
 Other One%--> 11. Cryptical Envelopment--> 12. Cosmic Charlie
12/12/69 Los Angeles, CA - Thelma Theater MSR>R>D>CD IIp 66 enter 10988 
 "Jam Disc". MSR > R > D > CD. Many people gave help on the way to creating this set of CDs. Dave
 Greenberg did the final masters. Jack Warner was instrumental in providing the difficult composite
 for the 2nd disc of 12/11/69, which was first mastered by Scott Clugston. RB, KW, JN and HB also
 provided important assistance. Jim Powell instigated the project and writes these notes. SHN
 conversion by Jay Gerland.
 Set One: Disc #3 66:11: Second Set, Part 2: Uncle John's Band > He Was a Friend of Mine >
 Alligator > Drums > Caution (Do Not Stop On Tracks) > Feedback > And We Bid You Good Night
12/12/69 Los Angeles, CA - Thelma Theater S:R>D>CD Ip,II 151 
 Needs re-tracking. d1t02 China Cat static @ 3:11; d1t04 Lovelight statis @ 26:22, reel prob. @
 28:29; d1t07 contains :05 of High Time; d1t08 High time static @ 3:57; d1t10 Good Lovin' cut/splice @
 4:58; d2t02 UJB first few notes clipped; d2t02 drop @ 0:09-0:10; d2t04 contains 106 of Drums; d2t05
 contains 0:14 of 'Gator reprise; d2t06 Caution cut/splice @ 20:12; d2t07 static @ 23:50-23:51; d2t08
 Feedback static first 0:10.
 Set One: end set I, 1. Next Time You See Me [5:25] [0:19], 2. [0:06] China Cat Sunflower
 [3:41] -> Jam [2:32] -> 3. I Know You Rider [5:00] [0:57], 4. [0:26] Turn On Your Lovelight [29:47]
 [0:08], set II, 5. Hard To Handle [4:24] [0:10], 6. [0:02] Casey Jones [4:40] [0:16], 7. Mama Tried
  [2:39] -> 8. High Time [:05+7:22] [0:07], 9. Dire Wolf [4:39] [0:09], 10. [0:02] Good Lovin' [1:59] ->
 Drums [1:17] -> Good Lovin'// [2:17#] [1:16], Total Time 78:46
 Set Two: set II (con't), 1. I'm A King Bee [7:35] [0:05], 2. //Uncle John's Band [8:38#] ->
 3. He Was A Friend Of Mine [3:16] [0:06], 4. [0:05] Alligator [4:46] -> Drums [1:06] -> 5. Drums
 [2:58] -> 6. Alligator [:14+8:49] -> 7. Cau//tion -> 8. Feedback [6:35] -> 9. And We Bid You Goodnight
  [2:28], Total Time 71:34
12/13/69 San Bernardino, CA - Swing Auditorium S:R>C>D>CD All 92 
 7" Master Soundboard Reels>Cassette>DAT>CD; Sounds very nice, but needs re-tracking. d1t03 Peter
  cut/splice @ track 6:13 (ca. 6:23 song); d2t06 Lovelight pop @ 18:16; d2t06 Lovelight ends when the
 plug is pulled. Great Lovelight!
 Set One: 1. Introduction [0:08], Casey Jones [4:25] [0:10], 2. Hard To Handle [4:45] [0:08],
  3. Black// Peter [0:10+10:38#] [0:24], 4. [1:28] Mama Tried [2:30+:01] -> 5. China Cat Sunflower
 [-:01+3:30] -> Jam [2:18+:22] -> 6. I Know You Rider [-:22+4:46+:01] -> 7. High Time [-:01+7:23]
 [0:06], 8. [0:46] Good Lovin' [1:48+:03] -> 9. Drums ... // [-:03+3:09#], Total Time 48:38
 Set Two: 1. // ... Drums [0:08] -> Good Lovin' Jam [2:47] -> 2. Good Lovin' [1:43] -> 3.
 Cumberland Blues [6:10+:01], 4. Tuning [-:01+1:53], 5. St. Stephen [5:58] -> 6. Turn On Your Lovelight
 [22:48] [1:53], Total Time 43:17
12/19/69 San Francisco, CA - Fillmore Auditorium S:R>C>D>CD All 117 
 7" Master Soundboard Reels>Cassette>DAT>CD. d1t09 Casey Jones cuts out
 Set One: Acoustic, 1. Banter [1:25], Monkey & The Engineer [1:43] [0:43], 2. Little Sadie
 [3:33] [0:08], 3. Long Black Limousine [3:25] [0:56], 4. I've Been All Around This World [3:49]
 [0:31], Electric, 5. Mason's Children [6:28] [0:39], 6. Black Peter [9:19] [0:42], 7. Hard to Handle
 [4:10] [1:28], 8. Cumberland Blues [5:05] [1:10], 9. Casey Jones// [1:07#] [0:51], 10. Good Lovin'
 [1:42] -> Drums [1:16] -> Good Lovin' [5:31] [0:13], Total Time 56:01
 Set Two: 1. [0:13] Cryptical Envelopment [2:10] -> 2. Drums [5:24] -> 3. The Other One
 [9:04] -> 4. Cryptical Envelopment [4:34] -> 5. Uncle John's Band [5:12] [0:06], 6. Turn On Your
 Lovelight [30:08] [1:03], Total Time 60:57
12/20/69 San Francisco, CA - Fillmore Auditorium S:R>C>D>CD Partial 69 
 This material comes from reels #1 (//Mason's Children >> High Time//) and #3 (//The Eleven >>
 Lovelight//). The sound on this is good, more like 12/13 than 12/7 and other muddier, hissier boards
 from this month. This is (I believe) the 2nd Mason's and the 1st New Speedway (complete with cheesy
 backup vocals--"On the Hill!"). t01 Mason's cuts in; t04 High Time cuts out; t05 Eleven cuts in; t07
 Lovelight cuts out. From ca. 19:00-20:25 Pigpen's rap takes a detour (Garcia @ 19:03: "Where we
 goin'?"; @ 19:30: "Where ya goin', Pig?") into some not-suitable-for children, but very original
 rapping material.
 Set One: 1. //Mason's Children [6:18#] [0:09], 2. [0:57] China Cat Sunflower [3:32] -> Jam
 [3:26] -> 3. I Know You Rider [4:42] -> 4. High Time// [6:08#] [0:08], 5. [0:03] //The Eleven [11:42#]
  -> 6. New Speedway Boogie [8:22] -> 7. Turn on Your Lovelight// [22:54#] [0:09], Total Time 68:36
12/21/69 San Francisco, CA - Fillmore Auditorium S:R>C>D>CD Partial 49 
 t01 IKYR fades in, couple of minutes missing; t03 nice protean NFA, nice Pig harp; t05 Drums
 cut/splice @ 2:43
 Set One: 1. [0:06] //I Know You Rider [3:39#] -> 2. Black Peter [9:13] [0:09], 3. Not Fade
 Away [8:58] [0:20], 4. [0:05] Good Lovin' [1:54] -> 5. Dru//ms [6:45#] -> 6. The Other One [13:04] ->
 7. Cumberland Blues [4:29] [0:10], Total Time 48:56
12/26/69 Dallas, TX - McFarlin Auditorium, S.M.U. S:R>C>D>CD All 117 
 D > Sonic Solutions > CD; d1t14 (Cold Rain & Snow) fades out at 4:06; d2t01 (China Cat Sunflower)
 fades in unknown amount (>1 minute?) missing;d2t01 should be broken into at least three tracks; d2t05
 cuts in after several minutes; d2t03 JG: "Man, this place is really quiet. No kiddin'. Are you
 people all sittin' in the dark watchin' us goof around up here? It's not like we were doin' something
 important, you know. It's not that important, man. If it was that important, we wouldn't do it." ;
 d2t06 BW: "Well we done lost track and when we came to we found out we only had ten minutes left, so
 we're gonna do something." d2t06 slide guitar after 8:52 track mark, Stephen Stills?
 Set One: Set I acoustic, 1. Banter [1:02], 2. Monkey & The Engineer [1:40] [0:10], 3. Little
 Sadie [3:30] [0:18], 4. Long Black Limousine [4:40] [0:11], 5. Tuning/Banter [1:17], 6. I've Been All
 Around This World [3:50] [0:15], 7. Tuning/Banter [1:17], 8. The Master's Bouquet [2:45] [0:13], 9.
 Black Peter [9:45] [0:11], 10. Tuning/Banter [1:14], 11. Uncle John's Band [6:16] [0:06], Set II
 electric, 12. Casey Jones [4:33] [0:06], 13. Hard to Handle [4:33] [0:09], 14. Cold Rain & Snow//
 [4:06#], Total Time 52:13
 Set Two: 1. //China Cat Sunflower [1:45#] -> Transition Jam [2:54] -> I Know You Rider
 [5:00] -> High Time [7:25] [0:07], 2. Me & My Uncle [3:15] [0:16], 3. Banter [0:32], 4. Dark Star, 5.
 //New Speedway Boogie [3:39#] [0:20], 6. Weir Banter [0:05], Turn On Your Lovelight [14:22] [0:22],
 Total Time 64:12
12/28/69 Hollywood, FL - International Speedway SBD mix Most 92 
 *Cotsman fixed version*
 SBD>MC>D>CD>EAC>SHN (for B. Peter>Good Lovin'// & end of Lovelight); SBD>MR>C>D>CD>EAC>SHN (for
 //Good Lovin'>most of Lovelight). This is a composite of two sources. A master cassette provides the
 portion from Black Peter up to the drum solo of Good Lovin' as well as the last couple minutes of
 Lovelight. Possibly a monitor mix, the master cassette portion varies in quality, most notably
 degrading in Black Peter and the end of Lovelight. A reel recording provides the end of Good Lovin'
 through most of Lovelight. It is possible that this is not the complete show, though it would be
 likely that only one or two songs may have preceded Black Peter. Sound Forge was used to normalize,
 correct the pitch of the master cassette portion, and patch together the different sources. This is a
 loud and very rowdy show, prompting some priceless banter from the band. Thanks to David Litfin & Jay
 von Lehe; edits/encoding by J. Cotsman.
 Set One: Disc One (8) 43:29, 1. //Black Peter 2. Me & My Uncle 3. Tuning 4. China Cat
 Sunflower--> 5. I Know You Rider--> 6. High Time 7. Cumberland Blues 8. Good Lovin'%
 Set Two: Disc Two (5) 47:24, 1. Cold Rain & Snow 2. Stage Banter 3. Hard To Handle 4.
 Mason's Children 5. Lovelight
12/29/69 Boston, MA - Boston Tea Party S:R>C>D>CD All 134 
 Nice sound! d1t01 CR&S cuts in; d1t02 Mama Tried cuts in, not much missing; d1t03 pop @ 3:47; d1t03
 @ ca. 10:30 nice JG scream; d1t08 cut/splice @ 2:38, ca. 1 min. missing? d2t01 Cumberland cuts in, not
 much missing; d2t05 "I'll get the fucking microphone" @ 0:35; d2t05 very brief splice @ 2:43; d2t06
 drop @ 5:06, brief drops @ 8:11-8:12; d2t08 Stephen first few notes clipped
 Set One: 1. //Cold Rain & Snow [4:34#] [0:03], 2. Banter [0:55], //Mama Tried[ [2:43#]
 [0:08], 3. Banter [1:17], Black Peter [11:09] [0:10], 4. [0:10] Easy Wind [8:45] [0:14], 5. [0:33] Me
 & My Uncle [3:19] -> 6. China Cat Sunflower [3:28] -> Jam [2:52] -> 7. I Know You Rider [4:21] -> 8.
 High //Time [6:59#] [0:27], 9. [0:09] Hard To Handle [8:28] [0:05], 10. [0:47] Mason's Children [9:37]
 [0:12], Total Time 71:51
 Set Two: 1. //Cumberland Blues [5:57#] [0:08], 2. [0:07] Casey Jones [4:46] [0:08], 3. Good
 Lovin' [2:10] -> 4. Drums [2:56] -> 5. Good// Lovin' [7:50#] [0:10], 6. [0:03] Dancing in the Streets
 [14:29] [0:20], 7. [0:06] Dire Wolf [4:27] [0:07], 8. [0:39] //St. Stephen [6:32#] -> 9. Not Fade Away
 [10:54] [0:14], Total Time 62:07
12/30/69 Boston, MA - Boston Tea Party  S:C>C>D>CD All 175 
 Eaton: Ampex C-90 Master Cass/no dolby->Tascam 122mkIII Cass 1st Gen->3800 x 0. It would really
 surprise me to know that there is only one extra cassette gen in this copy. It is quite hissy. Lite
 pops @ numerous track markers. d1t02 digi-scratch @ 0:28; d1t03 drop/snap @ 2:02; d1t04 drop @ 3:43;
 d1t04 NSB sounds a lot like Spoonful, but pretty bad; d1t07 digi-scratch @ 0:19; d1t08 brief drop @
 1:42; d2t01 bad loud pop @ 0:00; d2t01 Cryp somnambulent; d2t02-03 pop @ marker; d2t03 brief drop #
 10:46; d2t03 cuts out harshly; d2t04 cuts in; d2t05 chirp @ 0:29; d3t01 brief drop @ 18:17; d3t01 cuts
 out; d3t02 cuts in; d3t04 crackle @ 14:58
 Set One: set I, 1. Introduction [0:13] -> Good Lovin' [1:50] -> Drums [1:12] -> Good Lovin'
 [6:42] [0:09], 2. Stage Banter [1:22], 3. Mama Tried [2:42] [0:20], 4. New Speedway Boogie [9:14]
 [1:04], 5. Casey Jones [4:17] [0:21], 6. Black Peter [13:48] [0:32], 7. Me & My Uncle [3:16] [1:03],
 8. Midnight Hour [10:46] [1:03], 9. Cumberland Blues [5:23] [1:22], Total Time 66:46
 Set Two: set I (con't), 1. Cryptical Envelopment [2:14] -> 2. Drums [5:14] -> 3. The Other
 One// [14:06#], 4. //Cosmic Charlie [6:59#] [0:15], set II, 5. Introduction & Tuning [1:03], Uncle
 John's Band [8:07] -> 6. Mason's Children [7:44] -> 7. China Cat Sunflower [3:19] -> Jam [2:00] -> 8.
 I Know You Rider [4:55] [4:16], Total Time 60:17
 Set Three: set II (con't), 1. [0:05] Dark Star// [20:29#], 2. //Alligator [0:23#] -> 3.
 Drums [2:28] -> 4. The Eleven [18:47] -> 5. Alligator Reprise [2:22] -> Feedback [1:33] -> 6. And We
 Bid You Goodnight [0:50] [0:53], Total Time 47:43
12/30/69 Boston, MA - Boston Tea Party MSC>C>D All 162 
 charlie miller 2003 upgrade
 Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass
 1st Gen) -> Dat (Technics 3800/44.1k). Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude
 v6.0 -> SHN. Transfered By Charlie Miller - 01/29/03, Uploaded to Tol by D.Winters - 03/05/05.
 Set One: Set 1 (9, 64:05) d1t01 - Intro, d1t02 - Good Lovin' , d1t03 - Mama Tried , d1t04 -
 New Speedway Boogie , d1t05 - Casey Jones, d1t06 - Black Peter , d1t07 - Me And My Uncle, d1t08 - In
  The Midnight Hour, d1t09 - Cumberland Blues
 Set Two: set 1 con't (8, 52:36) d2t01 - Cryptical Envelopment -> d2t02 - Drums -> d2t03 -
 The Other One -> MISSING Cryptical Envelopment -> d2t04 - Cosmic Charlie Set 2: d2t05 - Uncle John's
 Band -> d2t06 - Mason's Children -> d2t07 - China Cat Sunflower -> d2t08 - I Know You Rider
 Set Three: set 2 con't (9, 45:19) d3t01 - Dark Star// d3t02 - //Alligator -> d3t03 - Drums
 -> d3t04 - The Eleven -> d3t05 - Bid You Goodnight Jam -> d3t06 - Alligator Reprise -> d3t07 - Caution
 Jam -> d3t08 - Feedback -> d3t09 - And We Bid You Good Night
12/31/69 Boston, MA - Boston Tea Party S:R>C>D>CD? All 169 
  "SBD->DAT->Cass->DAT->Sonic Sense->CD-R", but more likely S:R>C>D>CD (per Deadlists) or even more
 analog gens ... d2t01 chirp @ track 3:58; d2t05 digi-static @ 4:48; d2t09 cut/splice @ 11:07; d3t08
 Silver Threads cut/splice @ 1:00
 Set One: 1. Introduction [0:37], China Cat Sunflower [3:19] -> Jam [2:18] -> 2. I Know You
 Rider [4:57] [2:00], 3. Mama Tried [2:36] [1:20], 4. Next Time You See Me [3:46] [0:20], 5. Cold Rain
 & Snow [5:06] [0:11], 6. [0:10] Black Peter [8:53] [0:10], 7. Hard To Handle [6:14] [0:25], 8. Me & My
 Uncle [3:13] [0:14], 9. Mason's Children [8:00] [0:17], 10. Dire Wolf [4:57] [0:38], 11. Uncle John's
 Band [7:18] [0:23], Total Time 67:27
 Set Two: 1. "Looks like the 70s are gonna be weird" [0:22], Alligator [4:55] -> 2. Drums
 [1:56] -> 3. Jam [12:19] -> 4. Alligator Reprise [1:43] -> 5. Caution [6:14] -> 6. Feedback [3:02] ->
 7. Good Lovin' [1:53] -> 8. Drums [1:23] -> 9. The //Eleven [12:58#] [0:46], Total Time 47:35
 Set Three: 1. [0:06] High Time [8:11] [1:15], 2. Cumberland Blues [6:54] [0:20], 3. Big Boy
 Pete [3:30] -> 4. Not Fade Away [8:23] [0:02], 5. Merry-Go Round Broke Down Tuning [0:53] [0:11], 6.
 Seasons [4:18] [0:17], 7. The Race is On [2:51] [0:45], 8. Silver// Threads [1:52#] [0:21], 9.
 Slewfoot [3:33] [0:33], 10. Dancin' In The Streets [7:33] [0:54], Total Time 53:41
 
01/02/70a NYC, NY - Fillmore East  S:R>C>D>CD All 119 None 
 NEEDS RE-TRACKING. d1t01 UJB cuts in; d1t02 High Time pop @ track 0:26; d1t03 Dire Wolf pop @
 track 3:32; d1t04 Easy Wind cuts in, < 1 min. missing? d1t05 C>R transition cuts out, most of IKYR
 missing; d1t05 drop @ track 4:22; d1t06 Good Lovin' cuts in, < 15 secs. missing? d2t01 pop @ track
 17:19; d2t04 Lovelight cut/splice @ track 15:56 (ca. song 14:33)
 Set One: 1. //Uncle John's Band [7:25#] -> 2. High Time [:02+7:12] [0:08], 3. [0:07] Dire
 Wolf [4:19] [0:02], 4. //Easy Wind [:02+7:13#] [0:08], 5. [0:04] China Cat Sunflower [3:31] -> Jam//
 [0:09#] -> //I Know You Rider [1:39#] [0:22], 6. //Good Lovin [1:41] -> Drums [0:18] -> Good Lovin'
 [4:50] [0:27], 7. [0:21] Me & My Uncle [3:09] [0:09], 8. Batner [1:28] -> Monkey & the Engineer [1:44]
 [0:08], Total Time 46:45
 Set Two: 1. [0:32] Dark Star// [30:27#], 2. //St. Stephen [:03+4:01] -> 3. The Eleven
 [12:25] -> 4. The Eleven (con't) [1:22] -> Turn on Your //Lovelight [22:56#] [0:15], Total Time
 72:04
01/02/70b NYC, NY - Fillmore East S:R>C>D>CD All 63 
  NEEDS RE-TRACKING. d3t01 Mason's cuts in; d3t06 Cumberland PL does the Caution note progression!
 d3t06 Cumberland train wreck @ ca. 3:30; d3t08 Drums begins w/ cymbals crashing; d3t09 TOO cut/splice
 @ 0:46, probably not much missing; d3t11 Cosmic Charlie cuts out, < 15 seconds missing?
 Set One: 1. //Mason's Children [5:58#] [0:10], 2. Casey Jones [:02+4:25] [0:06], 3. Black
 Peter [11:04] [0:08], 4. Baner [1:39], Mama Tried [2:36] [0:01], 5. [0:04] Hard To Handle [4:49]
 [0:10], 6. Cumberland Blues [5:48] [0:04], 7. Cryptical Envelopment [2:04] -> 8. Drums [3:59] -> 9.
 The Other// One [:01+10:19#-:01] -> 10. Cryptical Envelopment [:01+1:59] -> 11. Cosmic Charlie//
 [:02+6:49#] [0:04], Total Time 62:28
01/03/70a NYC, NY - Fillmore East S:R>2C>D>CD All n/a 
01/03/70b NYC, NY - Fillmore East  S:R>2C>D>CD All n/a 
 Set One: Casey Jones, Mama Tried, Big Boss Man, China Cat Sunflower-> I Know You Rider,
 Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> Cosmic Charlie, Uncle John's
 Band, Mason's Children, Black Peter, Dire Wolf, Good Lovin'-> Drums-> Good Lovin', Dancin' In The
 Streets, E: Midnight Hour
01/10/70 San Diego, CA - Golden Hall Community Concourse S:R>R>D>CD All n/a 
 Set One: China Cat Sunflower-> I Know You Rider, Me & My Uncle, Dire Wolf, Hard To Handle,
 Casey Jones, Mason's Children-> Black Peter,
 Set Two: Good Lovin'-> Drums-> Good Lovin', Cold Rain & Snow, Turn On Your Lovelight
01/16/70 Portland, OR - Springer's Inn Portland S:R>D>CD All 141 
 d1t02 Casey Jones mix & level issues at start; d1t02 Casey Jones digi-snits @ 1:23, 1:31, 1:33,
  1:38; d1t09 Good Lovin' cuts in, level fluctuations; d2t07 Cumberland cuts in, cuts out harshly; d2t08
 MAMU cuts in on "West Texas bound"; d3t06 Cosmic Charlie cut/splice @ 5:00
 Set One: Set I, 1. Banter & Tuning [1:47], 2. Casey Jones [4:34] [0:18], 3. [0:17] Mama
 Tried [2:31] [0:12], 4. [0:15] Black Peter [8:03] [0:35], 5. [1:58] Hard To Handle [7:05] [0:15], 6.
 [0:12] China Cat Sunflower [3:19] -> Jam [1:48] -> 7. I Know You Rider [4:23] [0:12], 8. [0:36] High
  Time [7:14] [0:10], 9. //Good Lovin' [6:38#] [0:11], Total Time 52:39
 Set Two: Set I (con't), 1. Banter & Tuning [1:35], 2. [0:04] Dancin' In The Streets [6:27]
 [0:14], 3. [0:19] Alligator [3:44] -> 4. Drums [4:58] -> 5. The Eleven Jam [:04+8:04] -> 6. Death
 Don't Have No Mercy [:15+8:13] [0:06], Set II, 7. //Cumberland Blues// [4:15#] [0:02], 8. //Me & My
 Uncle [2:52#] -> 9. Dire Wolf [4:21] [0:03], 10. [0:54] Uncle John's Band [6:55] [0:06], Total Time
  53:35
 Set Three: Set II (con't), 1. Easy Wind [8:02] [0:32], 2. [1:17] Cryptical Envelopment
 [1:50] -> 3. Drums [5:27+:10] -> 4. The Other One [-:10+8:44] -> 5. Cryptical Envelopment [:02+1:14]
 -> 6. Cosmic// Charlie [6:21#] [0:09], Show Time 33:43. Filler (1973/1974): 7. Truckin' -> Nobody's
 Fault Jam [10:24] -> 8. The Other One -> Drums/Bass -> Jam/Space [16:22] [0:03], Total Time 60:32
01/17/70 Corvallis, OR - Oregon State University S:R>D>CD All 112 
 sbdmr>dat>cd>shn>cd; The SQ leaves something to be desired; distortion from Cumberland >> end;
 d1t06 contains first 0:46 of Black Peter; d1t10 contains 0:10 of Mason's; d1t10 listed w/ splice, I
 didn't hear it; d2t01 Star contains 0:09 of Stephen; d2t06-07 pop @ track marker; d2t07 contains 0:02
 of Lovelight; d2t07-08 pop @ track marker
 Set One: 1. //Dire Wolf [3:29#] [0:07], 2. [0:26] //China Cat Sunflower [3:01#] -> Jam
 [2:03] -> 3. I Know You Rider [4:57] [0:10], 4. [0:15] Hard To Handle [5:04] [0:08], 5. [0:12]
 Cumberland Blues [4:54] [0:06], 6. [0:02] Me & My Uncle [3:07] [0:15], 7. Black Peter [9:30] [0:17],
 Total Time 37:40
 Set Two: 1. [0:02] Good Lovin' [7:41] [0:17], 2. [1:19] Mason's Children [6:09] -> 3. High//
 Time [6:33] [0:13], 4. [0:02] Dark Star [20:54] -> 5. St. Stephen [6:48] -> 6. William Tell [2:29] ->
 7. The Eleven [8:44] -> 8. Turn On Your Lovelight// [14:02] [0:04], Total Time 74:02
01/23/70 Honolulu, HI - Honolulu Civic Auditorium All 128 
 *new copy, complete Lovelight, not yet noted*
 Set One: Disc One (12) 66:34
 Set Two: Disc Two (4) 60:42
01/23/70 Honolulu, HI - Honolulu Civic Auditorium S:R>C>D>P>CD Most 99 
 *old copy*
 MSR>C>D>PCM>SHN>CD; d1t01 CCS pops @ 1:37, 5:26 (light); d1t03 Peter light pop @ 5:40, digi-static
 @ 6:03 (track marker); d1t07 GL Pig briefly sings "Searchin'"; d2t01 Cryptical pop @ 0:20; digi-blip @
 0:43; d2t01 Cryptical contains :06 of Drums (song timings corrected); d2t03 TOO noise @ 0:53; d2t03
 Cryptical spot @ 16:14 of track; d2t04 Star cut/splice @ 11:33, unknown missing; d2t05-06 click @
 track marker; d2t06 Lovelight cuts @ 6:41, missing ~30 minutes.
 Set One: 1. [0:23] China Cat Sunflower [3:19] -> Jam [1:42] -> 2. I Know You Rider [5:26] ->
 3. Black Peter [8:21] [0:05], 4. Yellow Dog Story [3:01], 5. Hard to Handle [5:27] [0:15], 6. Mama
 Tried [2:36] [0:06], 7. Dire Wolf [4:02] [0:30], 8. Good Lovin' [9:37] [0:20], Total Time 45:16
 Set Two: 1. Cryptical Envelopment [2:05] -> 2. Drums [3:03] -> 3. The Other One [11:20] ->
 Cryptical Envelopment [5:27] -> 4. Dark// Star [18:42#] -> 5. St. Stephen [5:02] -> 6. Turn On Your
 Lovelight// [6:41#] [0:09], Total Time 52:22
01/24/70 Honolulu, HI - Honolulu Civic Auditorium S:R>C>D>CD Partial 45 
 t07 Good Lovin' cuts out
 Set One: 1. [0:13] Cumberland Blues [5:05] [0:02], 2. Cold Rain & Snow [5:20] [0:03], 3.
 [0:04] Me & My Uncle [3:12] [0:11], 4. [0:51] King Bee [6:11] [0:06], 5. [0:40] Mason's Children
 [6:36] [0:06], 6. Black Peter [9:31] [0:02], 7. [0:24] Good Lovin'// [6:26#] [0:02], Total Time
  45:09
01/30/70 New Orleans, LA - The Wharehouse S:R>C>D>CD All 93 
 d1t01 KC Jones cuts in, most missing; d1t05 post China Cat jam @ track 4:40 JG hints @ Darkness
 Darkness; d1t07 High Time cut/splice @ 0:58; d2t07 Cosmic Charlie fades out, most missing.
 Set One: 1. //Casey Jones [#1:18] [0:45], 2. Me And My Uncle [3:08] [0:30], 3. Black Peter
 [9:50] [0:15], 4. Hard To Handle [5:26] [0:11], 5. China Cat Sunflower [3:35] -> Jam [1:47] -> 6. I
 Know You Rider [4:38] -> 7. High// Time [:02+6:26#] [0:13], 8. Cumberland Blues [6:22] [0:06], 9. Easy
 Wind [10:12] [0:13], Total Time 55:02
 Set Two: 1. [0:09] Mama Tried [2:36] -> 2. Good Lovin' [7:53] [0:15], 3. Cryptical
 Envelopment [2:16] -> 4. Drums [5:21] -> 5. The Other One [9:41] -> 6. Cryptical Envelopment [9:10] ->
 7. Cosmic Charlie// [0:31#] [0:03], Total Time 37:58
01/31/70 New Orleans, LA - The Wharehouse  S:R>C>D>CD? All 95 
 lineage uncertain; d1t06 Mason's cut/splice @ 4:58, from MR?; d1t09 Long Black Limo includes JG
 verse; d2t06>>d2t07 bad snap @ track marker
 Set One: 1. Introduction [0:15], Cold Rain and Snow [5:31] [0:05], 2. [0:15] Mama Tried
 [2:42] [0:04], 3. Bust Banter, etc. [1:50], Dire Wolf [3:58] [0:04], 4. [0:32] Big Boss Man [4:46]
 [0:05], 5. [0:17] Morning Dew [10:09] [0:07], 6. [0:18] Mason's// Children [6:10#] [0:06], 7. [0:07]
 Me & My Uncle [3:13] [0:05], 8. [0:07] Hard to Handle [6:32] [0:01], 9. [0:50] Long Black Limousine
 [4:58] [0:04], 10. [0:46] Seasons [4:44] [0:02], Total Time 58:48
 Set Two: 1. Sawmill [3:03] [0:09], 2. [0:51] His Head is Bound in Memories [3:40] [0:21], 3.
 [0:06] The Race is On [2:54] [0:07], 4. [0:22] Black Peter [7:13] -> 5. Little Sadie [3:20] [0:04], 6.
 Been All Around This World [3:01] [0:24], 7. Katie Mae [4:24] [2:13], 8. [0:03] Cumberland Blues
 [3:29] [0:03], Total Time 35:40
02/01/70 New Orleans, LA - The Wharehouse S:R>C>D>CD All 136 
 d1t01 BIODTL thru d1d1t03 IKYR @ 5:10 strange mix; d1t03 contains first :29 of Black Peter; d1t06
 Good Lovin' "underwater" sound @ 6:59-7:04; d1t10 Dire Wolf starts w/ chorus (fun stuff); d2t01-02
 light pop @ marker; d2t03 TOO cut/splice @ 7:03 (- ?);d2t04 Lovelight cut/splice @ 15:06 (- ?); d2t04
 Lovelight reel prob @ 20:55, static @ 21:02, level fluctuations, digi-blip @ 21:39, static @ 35:18,
 35:54, 35:55, 35:59, 36:40-41, 37:44-45.
 Set One: 1. [1:36] Beat it on Down the Line [2:46] [0:04], 2. [0:04] China Cat Sunflower
 [3:45] -> Jam [2:30] -> 3. I Know You Rider [5:48] [2:30], 4. Black Peter [10:31] [0:05], 5.
 Cumberland Blues [6:15] [2:18], 6. Good Lovin' -> Drums [3:32] -> Good Lovin'// [4:09#], 7. Me and My
 Uncle [3:09] [0:16], 8. [0:07] Cold Rain and Snow [5:16] -> 9. High Time [7:17] [0:13], 10. Banter
 [3:04], Dire Wolf [5:11] [0:32], Total Time 70:57
 Set Two: 1. [1:18] Cryptical Envelopment [2:17] -> 2. Drums [11:45] -> 3. The //Other One
 [10:33#] -> 4. Turn On Your Love//light [38:29#] [0:34], Total Time 65:00
02/02/70 St. Louis, MO - Fox Theatre S:R>C>D>CD Partial 32 
 t02 Star drop @ 11:50; t02 Star FG Jam @ 12:33-13:00; t04 drummers try for 'Gator, no go.
 Set One: 1. //Cumberland Blues [0:53#] [1:29], 2. Dark Star [21:12] -> 3. St. Stephen [4:15]
 -> 4. Jam [0:45] -> Mason's Children// [3:23#] [0:10], Total Time 32:09
02/04/70 San Francisco, CA - Family Dog at the Great Highway MSR>C>D>CD all 46 
 MSR>Cass.>DAT>CD + VHS>DAT>CD for Hard to Handle and the All Star Jam. Both snippets from the VHS
 source contain numerous drops and a few gaps.
 Set One: Single Disc (8) 46:14, 1. Hard// to //Handle* [6:#26] [0:08], 2. [0:07] China Cat
 Sunflower [3:31] -> Jam [1:52] -> 3. I Know You Rider [4:20] [0:03], 4. [0:05] St. Stephen [2:21] ->
 5. Not Fade Away [7:00] -> 6. St. Stephen [2:22] -> 7. Midnight Hour [8:02] [0:19], 8. ... All-Star
 //Jam* [#9:#27] [0:12]
02/04/70 San Francisco, CA - Family Dog at the Great Highway partial n/a 
 Set One: 3. Hard To Handle - Grateful Dead, 4. China Cat Sunflower > - Grateful Dead, 5. I
 Know You Rider - Grateful Dead
02/05/70 San Francisco, CA - Fillmore West AUD+SBD Partial n/a 
 SBD MR>C>D>CD + low-gen AUD. Tracks 1 to 4 are from the AUD tape. Track 5 is SBD except 7:12
 onwards patched from AUD. Tracks 6 to 12 are SBD. This is all that currently circulates according to
 Deadlists. Pitch correction, EQ'ing & CD mastering by H.B., 4/02.
 Set One: Single Disc (12) 01. Seasons Of My Heart, 02. The Race Is On, 03. Big Boss Man, 04.
 Black Peter, 05. Mason's Children, 06. // The Eleven > 07. Caution jam > 08. Goodnight jam > 09.
 Caution > 10. Not Fade Away > 11. Cumberland Blues, 12. Uncle John's Band
02/06/70 San Francisco, CA - Fillmore West S:R>C>D>CD All 114 
 Set One: Disc One (10) 60:15 Cumberland Blues, Cold Rain & Snow, Dire Wolf, Me & My Uncle,
 Hard To Handle, Uncle John's Band, Dancin' In The Streets, Casey Jones, Mama Tried, Good Lovin'->
 Drums-> Good Lovin' -> High Time,
 Set Two: Disc Two (6) 54:29 //Cryptical Envelopment-> Drums-> The Other One-> Cryptical
 Envelopment-> Black Peter, Turn On Your Lovelight
02/07/70 San Francisco, CA - Fillmore West SBD+AUD All 84 
 *SMR > C > D > CD + MAC > 4C > CD patches*
 SBD MR>C>D>CD + AUD MC>4C>CD patches. The AUD tape supplies: - beginning of GGGOH (before SBD tape
 starts); - end of Saw Mill; - beginning of Seasons Of My Heart; - banter after High Time and beginning
 of Big Boss Man; - all of Hard To Handle; - beginning of Cold Rain & Snow; "Thanks to Uli Teute for
 the source tape! Patches done by H.B. 5/01" The original .shn set lists two track #10s (CR&S and
 UJB), and shntool reports sector boundary errors on the last track of both discs (CR&S and Good
 Lovin'). Good Lovin' cuts out, unknown missing. JG plays pedal steel on the first couple of songs, I
 think. Great banter, as when Pig says BW looks "like a baby hen" just before BBM.
 Set One: Disc One (10) 58:05, 1. //Green Green Grass Of Home [#4:10] [0:31], 2. Saw Mill
 [3:38] [0:32], 3. Seasons Of My Heart [3:43] [1:58], 4. China Cat Sunflower [3:32] -> Jam [1:47] -> 5.
 I Know You Rider [4:39] -> 6. High Time [6:58] [3:25], 7. Big Boss Man [5:00] [0:27], 8. Me & My Uncle
 [3:14] [0:31], 9. Hard To Handle [7:55] [0:24], 10. Cold Rain & Snow [5:27] [0:07]
 Set Two: Disc Two (3) 26:21, 1. Uncle John's Band [10:06] -> 2. Black Peter [9:56] [0:22],
 3. Good Lovin'// [5:56#]
02/08/70 San Francisco, CA - Fillmore West A>C>R>P>D>CD All 135 
 The soundboard portion kicks in at the end of Dark Star through the middle of Lovelight. d1t01 pop
 @ 0:50, buzz @ 1:23, light pop @ 1:44; d1t02 buzz/crackles @ 5:55-5:56, 7:26-7:28, 7:42-7:43,
 7:47-7:50; d1t03 buzz/crackle @ 0:09-0:10; d2t01 inferior aud patch @ 17:48-22:09? d2t01 sbd soruce
 in @ 22:10; d2t01 gap @ 23:35-23:38; d2t05 static/drop @ 4:48-4:49; d2t05 aud patch @ 14:59-end.
 d2t05 static @ 24:58-25:04; d2t05 burst @ 27:06 (analog?)
 Set One: 1. Introduction [0:25], Smokestack Lightning [14:21] [2:25], 2. Morning Dew [8:50]
 [0:58], 3. Dire Wolf [4:14] [2:55], 4. Me & My Uncle [2:59] [0:47], 5. Sitting On Top Of The World
 [3:16] [0:03], 6. [0:41] China Cat Sunflower [3:19] -> Jam [2:15] -> 7. I Know You Rider [4:10]
 [0:20], 8. [1:32] It Hurts Me Too [6:24] [0:36], (missing Seasons, The Race is On, Big Boss Man, Black
 Peter), Total Time 59:36
 Set Two: 1. [0:05] Dark Star [25:50] -> 2. St. Stephen [2:34] -> 3. Not Fade Away [9:13] ->
 4. St. Stephen [2:14] -> 5. Turn On Your Lovelight [34:17] [0:42], Total Time 74:58
02/11/70 NYC, NY - Fillmore East S:R>D>CD Partial 118 
 d2t01 Star abrupt cut/splice @ 6:57; d2t03 Lovelight cut/splice @ 30:16 (possible source changes
 to/from "15ips Revox reel"?)
 Set One: EARLY SHOW, 1. //The Other One -> 2. Cryptical Envelopment, 3. Dire Wolf, 4. Casey
 Jones, LATE SHOW, 5. Intro by Keeva Krystal -> Not Fade Away, 6. Cumberland Blues, 7. Cold Rain &
 Snow, 8. High Time, 9. Me & My Uncle
 Set Two: 1. Dark Star -> 2. Spanish Jam -> 3. Turn on Your Lovelight, E: 4. Uncle John's
 Band (acoustic)
02/13/70a NYC, NY - Fillmore East S:R>D>SS>CD All 57  
 SBDMR>DAT>Sonic Solutions Remaster>CD; d1t01 CR&S fades in
 Set One: 1. //Cold Rain & Snow [5:28#] [0:07], 2. Beat it on Down the Line [2:38] [0:05], 3.
 Good Lovin' [1:45] -> Drums [2:06] -> Good Lovin' [5:01] [0:05], 4. Mama Tried [2:38] -> 5. Black
 Peter [9:09] [0:05], 6. Hard to Handle [6:29] [0:08], 7. St. Stephen [6:40] -> 8. Not Fade Away [9:01]
 [0:16], 9. Casey Jones [4:30] [0:21], Total Time 56:37
02/13/70b NYC, NY - Fillmore East GDM Partial n/a 
 Set One: Dick's Picks volume 4--buy it.
02/14/70a NYC, NY - Fillmore East S:R>D>CD IIp 64  
 SBDMR>DAT>Sonic Solutions Remaster>CDR (via David Gans); t01 lots of small clicks and pops in Dark
 Star; t02 Stephen cuts @ "can you answer//"; t03 Eleven cuts in 1:55 before "no more time," several
 minutes missing; t03 Eleven R channel drop @ 4:49-5:00; t03 contains first :07 of Lovelight (t04
 timing contains this :07)
 Set One: 1. [0:16] Dark Star [23:40] -> 2. St. Stephen// [6:42#], 3. //The Eleven [8:49#] ->
 4. Turn on Your Lovelight [23:35] [0:07], Total Time 63:11
02/14/70b NYC, NY - Fillmore East GDM All n/a 
 Set One: Casey Jones, Mama Tried, Hard To Handle*
 Set Two: Monkey & The Engineer, Dark Hollow*, I've Been All Around This World*, Wake Up
 Little Susie-> Black Peter, Uncle John's Band, Katie Mae
 Set Three: Dancin' In The Streets, China Cat Sunflower-> I Know You Rider-> High Time-> Dire
 Wolf, Alligator-> Drums-> Me & My Uncle-> Not Fade Away-> Mason's Children-> Caution-> And We Bid You
 Goodnight
02/23/70 Austin, TX - The Auditorium MSR>C>D>CD All 68 
 t01 IKYR cuts in on //"the sun will shine"; t05 Monkey major level jump after ca. 0:55; t07 MAMU
 Weir only guitar for most of song (JG broken string); after NFA Weir tries to lead to Good Lovin, Lesh
 leads it into Mason's; t12 Mason's cut/splice @ 0:38, unknown missing.
 Set One: 1. [0:07] //I Know You Rider [2:44#] -> 2. High Time :02+6:36] [0:34], 3. False
 start & PA problems [[1:29], Dire Wolf [3:55] [0:51], 4. Yellow Dog Story [5:12], 5. Monkey & the
 Engineer [1:45] [0:20], 6. Little Sadie [2:48] [0:18], 7. Me & My Uncle [2:53] [1:01], 8. Black Peter
 [8:27] [0:59], 9. Seasons [4:00] -> 10. Uncle John's Band [5:43] [0:17], 11. Not Fade Away [13:40] ->
 12. Mason's //Children [3:39#] [0:07], Total Time 67:35
02/27/70 San Francisco, CA - Family Dog at the Great Highway S:R>C>D>CD All n/a 
02/28/70 San Francisco, CA - Family Dog at the Great Highway S:R>C>D>CD All 118 
 Eaton lists: 7inch Master Reels @ 7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0; Lots of
 zits throughout this recording; d1t01 Lovelight fades in (-<1 min.); d1t04 (M&E) pops @ :09, :18, :36;           d1t04 Sadie pop @ track 3:03, static? @ 4:17, 4:20, 4:33; d1t05 Peter pop @ 6:14, 7:07, 8:31, static @           7:13; d1t06-07 slight glitch in transition, noted by Eaton; d2t01 contains first :05 of BBM (song           timing corrected); d2t02 BBM lots of little pops, etc.; d2t04 Drums contains a few seconds w/JG @           end;>
 Set One: 1. //Turn on Your Lovelight [12:51#] -> 2. Me and My Uncle [3:10] [0:06], 3.
 Cumberland Blues [4:54] [2:03], acoustic, 4. Monkey and the Engineer [1:43] [0:23], Little Sadie
 [2:53] -> 5. Black Peter [8:36], "back to electric world" [0:34], 6. China Cat Sunflower [3:41] -> Jam
 [2:10] -> I Know You Rider [5:01] -> 7. High Time [6:34] -> 8. Dire Wolf [4:29] [0:09], Total Time
 59:19
 Set Two: 1. [0:03] Good Lovin' [1:47] -> Drums [3:05] -> Good Lovin' [8:09] [0:22], 2. Big
 Boss Man [5:13] [0:23], 3. Alligator [3:49] -> 4. Drums [6:27] -> 5. The Other One [9:26] -> Mason's
 Children [5:07] -> Caution Jam [1:05] -> 7. Turn on Your Lovelight [12:14] [0:10], Total Time 57:20
03/01/70 San Francisco, CA - Family Dog at the Great Highway S:R>C>D>CD most 111  
 Eaton lists: 7inch Master Reels@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0; DL etree
 2/11/2001; d1t01 Pete cuts in, few notes missing; d1t07 TOO first :10 is Drums; d1t08 Cryp cut/splice
 @ 4:57-4:58; d2t03 King Bee (reel?) cut/splice @ 5:28
 Set One: 1. //Big Boy Pete [3:57#] [0:11], 2. Morning Dew [9:31] [0:15], 3. [0:03] Hard To
 Handle [5:53] [0:13], 4. [0:03] Me & My Uncle [3:19] [0:08], 5. Cryptical Envelopment [1:57] -> 6.
 Drums [3:36] -> 7. The Other One [10:23] -> 8. Cryptical //Envelopment [8:47#] -> 9. Black Peter
 [9:04] [0:07], 10. [0:14] Beat It On Down The Line [2:41] [0:07], 11. [0:28] Dire Wolf [4:05] [0:16],
 Total Time 65:24
 Set Two: 1. [0:10] Good Lovin' [1:47] -> Drums [3:28] -> Good Lovin' [6:52] [0:13], 2.
 Cumberland Blues [6:15] [0:11], 3. I'm A King// Bee [8:02#] [0:07], 4. [0:06] China Cat Sunflower
 [3:24] -> Jam [1:24] -> 5. I Know You Rider [4:23] [0:08], 6. [0:33] Uncle John's Band [7:50]
 [0:13],Total Time 44:37
03/08/70 Phoenix, AZ - Star Theater MSR>C>D>CD All 93 
 d1t01 CR&S cuts in; d2t01 NFA first few drum beats clipped; d2t02 Lovelight cuts out
 Set One: Disc One (14) 68:38 --Electric-- 1. //Cold Rain and Snow [#3:38] [0:10], 2. Yellow
 Dog Story [2:38], 3. China Cat Sunflower [3:13] -> Jam [1:33] -> 4. I Know You Rider [4:42] -> 5. High
 Time [7:00] [0:39], 6. [0:09] Dire Wolf [3:47] [0:56], 7. [0:12] Hard to Handle [4:50] [0:22],
 --Acoustic-- 8. Tuning & Banter [3:07], 9. Monkey and the Engineer [1:43] [0:03], 10. [0:04] I've Been
 All Around This World [3:49] [0:24], 11. [0:19] Me and My Uncle [3:21] [0:12], 12. [0:03] Black Peter
 [8:32] [1:46], 13. Katie Mae [1:40] -> 14. Impromptu Blues [9:46] [0:06]
 Set Two: Disc Two 53:39, 1. //Not Fade Away [9:40#] -> 2. Turn on Your Lovelight// [13:39#]
 [0:07], Filler: 2/4/70, 3. [0:07] China Cat Sunflower [3:31] -> Jam [1:51] -> 4. I Know You Rider
 [4:19] [0:04], 5. [0:06] St. Stephen [2:20] -> 6. Not Fade Away [7:00] -> 7. St. Stephen [2:22] -> 8.
 Midnight Hour [8:02] [0:24], Total Time 53:39
03/20/70b Port Chester, NY - Capitol Theater S:R>P>CD All 124 
 Intro and first 0:50 of Casey Jones from unknown audience source. The rest of Casey Jones >> IKYR
 @ 3:12 is 2nd generation audience cassette > ZA2 > CD. End IKYR >> end show is SBD:MR>PCM>ZA2>CD.
 Mastered by David Hollister. d1t07 Deep Elem cuts in; d1t10 Black Peter cuts out (<1 min. missing);           d1t11 UJB cuts in, several mins. missing; d1t03 Lovelight cut/splice @ 1:07>
 Set One: 1. Introduction [1:30], 2. Casey Jones [5:03] [0:45], 3. Me & My Uncle [3:20]
 [0:40], 4. China Cat Sunflower [3:08] -> Jam [1:24] -> 5. I Know You Rider [5:19] [1:41], 6. Hard To
 Handle [6:18] [1:47], 7. //Deep Elem Blues [5:40#] [0:13], 8. Friend Of The Devil [3:21] [0:25], 9.
 Don't Ease Me In [2:26] -> 10. Black Peter// [6:07#] [0:02], 11. // Uncle John's Band [2:45#] [0:30],
 12. Katie Mae [3:14] [1:18], 13. Drums -> Good Lovin' [2:00] -> 14. Drums [2:06] -> 15. Not Fade Away
 [5:14] -> 16. Drums [3:02] -> 17. Good Lovin' [2:40] [1:27], Total Time 73:32
 Set Two: 1. Viola Lee Blues [12:13] [1:01], 2. High Time [6:54] [0:33], 3. Turn// On Your
 Lovelight [23:37] [0:07], 4. Applaus [2:11], Encore: 5. And We Bid You Goodnight [2:51] [0:29], Total
 Time 49:49
03/21/70a Port Chester, NY - Capitol Theater A:C>C>D>CDR All 74 None 
 unknown mics into unknown Sony deck from the first row center loge section, mics mounted on rail
 spaced 15' feet apart; playback from a Sony PCM-R700 through Zefiro Acoustics ZA-2, mastered with
 Sonic Foundry CD Architect
 Set One: 1. Walkin' The Dog, 2. Me & My Uncle, 3. Death Don't Have No Mercy, 4. Interlude
 [1:17], 5. Good Lovin' [2:26] -> 6. Drums [2:20] -> 7. Good Lovin', 8. Interlude [0:44], 9. Dire Wolf,
 10. Big Boss Man, 11. Interlude, 12. He Was A Friend Of Mine [10:10] -> 13. Viola Lee Blues-> The
 Seven-> 14. Cumberland Blues [4:32]
03/21/70b Port Chester, NY - Capitol Theater A:C>C>D>CD I, III 105 None 
 unknown mics into unknown Sony deck from the first row center loge section, mics mounted on rail
 spaced 15' feet apart; playback from a Sony PCM-R700 through Zefiro Acoustics ZA-2, mastered with
 Sonic Foundry CD Architect
 Set One: 1. Insults/Friend of the Devil, 2. Deep Elem Blues, 3. Don't Ease Me In [2:33], 4.
 Black Peter, 5. Wake Up Little Susie, 6. Uncle John's Band, 7. Katie Mae, (from electric set), 8.
 Cosmic Charlie, (from 6/24/70 late show), Uncle John's Band
 Set Two: 1. Tuning, 2. Cosmic Charlie, 3. St. Stephen -> 4. Not Fade Away, 5. In the
 Midnight Hour -> 6. Turn on Your Lovelight, E: 7. And We Bid You Goodnight
03/24/70 Dania, FL - Pirates World S:R>C>D>C>D> All 88 
 S:MR>C>D>C>D>ZA2>CDWAV>SHN; Lots of zits on this recording; ticks @ most track markers; d1t02 Mama
 levels rise @ 1:00; d1t02 contains first :10 of Drums; d2t01 Star tape flip @ 4:51-4:56 (- several
 mins.); d2t03 TOO sm. click @ 4:32; d2t03 contains first :02 of Stephen; d2t07 Lovleight sm. drops @
  1:03, 7:11; "COMMENTS The first half of Morning Dew is missing on the circulating tape, and there is a
 tape flip in the Dark Star at 4:51, before the first vocals; the remaining 8:54 fragment cuts in
 during the space following the vocals; probably around 2-4 minutes are lost here. These defects aside
 (and they are likely on the master) this is the complete show. In the pause after Me And My Uncle
 somebody says "Our time's up. See ya' later." Probably there wasn't an encore."
 Set One: 1. //Morning Dew [4:25#] [0:09, 2. [0:36] Mama Tried [2:41] [0:08], 3. Good Lovin'
 [10:57] [0:08], 4. [0:08] Don't Ease Me In [4:05] [0:01], 5. Cold Rain And Snow [6:05] [0:03], 6.
 [0:19] High Time [7:18] [0:10], Total Time 37:12
 Set Two: 1. [0:06] Dark //Star [13:28#] -> 2. Jam [0:16] -> 3. The Other One [4:58] -> 4.
 Saint Stephen [6:07] -> Drums [0:05] -> 5. Drums [0:58] -> Not Fade Away [5:58] -> 6. Turn On Your
 Lovelight [6:59] -> 7. Turn on Your Lovelight [7:37] -> 8. Me And My Uncle [2:44] [0:50], Total Time
 49:58
04/03/70 Cincinnati, OH - Field House, U. of Cincinnati S:R>D>CD All 131 
 SBDMR>DAT>C; there is an intermittent low-pitched buzzing which, according to Rob Eaton (per Jack
 Warner, DNC 1970s folder, 8/11/2001), is coming from the lighting equipment. d1t01 KCJ fades in;
 d1t01-02 pop @ marker; d1t02 cut/splice @ track 7:18 (IKYR 2:42), very little missing; d1t07-08
 tracking problems; d1t08 Deep Elem brief splice @ 2:07; d2t01 GL fades in, most missing; d2t03 GL
 anomaly (master? drop?) @ 0:48
 Set One: 1. [0:07] //Casey Jones [3:51] [0:26], 2. China Cat Sunflower [3:29] -> Jam [1:05]
 -> I Know You Rider [4:18] [0:36], 3. [0:05] Hard To Handle [5:02] [0:29], 4. [0:08] Dancin' In The
 Streets [10:12] [0:11], 5. [0:11], 6. [0:03] Me & My Uncle [3:07] [0:43], 7. Friend Of The Devil
 [3:42] [0:38], 8. Deep// Elem Blues [5:20#] [0:36], 9. Candyman [5:14] [0:11], 10. [0:05] Wake Up
 Little Susie [2:20] -> 11. Black Peter [7:21] -> 12. Uncle John's Band [6:18] [2:51], 13. Katie Mae
 [3:59] [0:11], Total Time 72:58
 Set Two: 1. //Good Lovin' [0:26#] -> 2. Drums [2:17] -> 3. Good Lovin' [4:57] [0:18]-> 4.
 [0:02] Cryptical Envelopment [2:07] -> 5. Drums [3:15] -> 6. The Other One [7:53] -> 7. Cryptical
 Envelopment [5:57] -> 8. Cosmic Charlie [6:51] -> 9. Not Fade Away [5:40] -> 10. Turn On Your
 Lovelight [18:24] [0:10], Total Time 58:22
04/09/70 San Francisco, CA - Fillmore West sbd+aud All 116 494 
 SBD MR>C>D>CD + AUD MC>4C>D>CD. SHN. This is the complete show. The SBD contains //Me & My Uncle
 through Uncle John//, the rest is spliced in from the AUD tape recorded by Harry Ely. Contrary to the
 current Deadlists entry, the Other One drums and the Lovelight in this version are both complete -
 they were spliced in from a very old source which had these segments intact.
 Set One: DISC ONE 9) 47:47 --Electric-- Me & My Uncle, Casey Jones, It's A Man's World,
 Friend Of The Devil, Deep Elem Blues, --Acoustic-- Candyman, Black Peter, Uncle John's Band, Katie
 Mae
 Set Two: DISC TWO (11) 67:55 --Electric-- drums ->Good Lovin' -> drums -> Good Lovin',
 Cowboy Song, Cryptical Envelopment -> The Other One -> Cryptical Envelopment, Not Fade Away -> Turn On
 Your Lovelight
04/09/70 San Francisco, CA - Fillmore West S:R>C>D>CD Partial 44 
 SBD:MR>C>DAT>CD. t01 MAMU cuts in, ca. 10-15 secs. missing; t03 Man's World bad mix problems first
 couple of minutes; t08 UJB cuts out, ca. 15 secs. missing; t10 Jerry Looney Tunes @ 17:00-17:18, a bit
 of a Gloria feel after about 18 minutes.
 Set One: 1st Electric Set: 1. //Me & My Uncle [#3:07] [0:50], 2. Casey Jones [4:28] [0:14],
 3. It’s A Man’s World [7:30] [0:16], Acoustic Set: 4. //Friend of the Devil [#2:35] [0:01], 5. [0:04]
 Deep Elem Blues [5:39] [0:14], 6. Candyman [4:46] [0:15], 7. Black Peter [6:21] -> 8. Uncle John's
 Band// [6:35#] [0:18], Filler: 4/11/70 NFA -> Lovelight, Disc Time 75:13
04/11/70 San Francisco, CA - Fillmore West S:R>C>D>CD Partial 31 
 SBD:MR>C>DAT>CD. t10 Lovelight Jerry Looney Tunes @ 17:00-17:18, a bit of a Gloria feel after
 about 18 minutes.
 Set One: From 4/9/70 disc: 9. //Not Fade Away [#1:59] -> 10. Turn On Your Lovelight [28:50]
 [0:06]
04/12/70 San Francisco, CA - Fillmore West S:R>D, A:C>P All 114 
 Casey Jones >> Deep Elem is AUDMC>PCM>DAT>Sonic Solutions>CD; Rest is SBDMR>Sonic Solutions>DAT>CD;
 AUD taper is believed to be Harry Ely but this is unverified. d2t01 Candyman cuts in at the second
 verse, "with your hair a-hangin' down." High Time is listed in Deadbase and at the end of I Know You
 Rider they start to go into High Time but the AUD tape cuts after one second. After the splice Good
 Lovin' starts. It's conceivable that they didn't actually go on to play High Time (From Deadlists).
 And We Bid You Goodnight encore is missing.
 Set One: 1. BG Intro [0:17] -> Good Morning Little Schoolgirl [17:21] [0:09], 2. Casey Jones
 [4:26] [0:18], 3. [0:05] Mama Tried [2:36] [0:04], 4. [0:13] China Cat Sunflower [4:10] -> 5. I Know
 You Rider [4:08] [0:09], (missing -> High Time), 6. //Drums [0:11] -> Good Lovin' [1:44] -> Drums
 [4:13] -> Good Lovin' [4:39] [0:14], Total Time 44:59
 Set Two: 1. //Candyman [4:16#] [0:09], 2. //Deep Elem Blues [4:47#] [0:08], 3. //Cumberland
 Blues [4:29#] [0:11], 4. [0:03] Dire Wolf [3:59] [0:10], 5. Dancin' in the Street [11:24] [0:09], 6.
  Black Peter [8:20] [0:12], 7. Uncle John's Band [7:09] [0:17], 8. It's A Man's World [7:18] [0:08], 9.
 Viola Lee Blues [13:48] -> Feedback [1:20] [0:30], Total Time 68:51
04/15/70 San Francisco, CA - Winterland Arena S:R>D>CD Partial 77 451 
 Source: SBD>MR>DAT>CD>EAC>SHN (Except Candyman from SBD>MR>Cassette>DAT>CD>SHN). Notes: Slight
 tick in Candyman at 0:53. Dancin' cuts off during the vocal reprise. Lovelight cuts in during an
 instrumental jam. EAC & MKW by D.Winters - 02/02. (Extracted in secure mode with offsets calibrated
 and sector boundaries verified via shntool.)
 Set One: One Disc Partial: 1. It's A Man's World 08:00.72 2. Candyman 05:16.53 3.
 Cryptical > 02:00.29 4. Drums > 03:58.03 5. Jam > 05:54.05 6. Drums > The Other One > 09:11.17 7.
 Cryptical > 03:15.02 8. Dire Wolf 04:35.45 9. Dancin' in The Streets// 12:44.71 10. //Lovelight >
 12:48.31 11. Not Fade Away > 02:13.21 12. Lovelight 07:18.72, Total Time: 77:17.46
04/24/70 Denver, CO - Mammoth Gardens A All n/a 
 Set One: I Know You Rider, Monkey & The Engineer, Friend Of The Devil, Me & My Uncle,
 Candyman, Uncle John's Band
 Set Two: Easy Wind, Cumberland Blues, Dire Wolf, Dark Star-> St. Stephen-> The Eleven->
 Drums
05/01/70 Alfred, NY - Alfred College S:R*>D>SS>CD All 89 
 *Sources: Master Soundboard Reel > DAT > Sonic Solutions > CDR supplies the Acoustic Set and the
 Electric Set thru the middle of "Drums" (d2t04). Master Soundboard Reel > Reel to Reel > DAT > Sonic
  Solutions > CDR supplies the balance of "Drums" (d2t04) thru the end of the show. d2t06 LL fades
 out, unknown missing
 Set One: Acoustic, 1. [0:15] The Race Is On [2:36] [0:07], 2. Wake Up Little Suzie [2:42] ->
 3. New Speedway Boogie [7:57] [2:2], 4. Cold Jordan [2:10] [0:25], 5. Uncle John's Band [6:01] [0:15],
 Electric, 6. Not Fade Away [9:28] [1:15], 7. Hard to Handle [6:47] [0:36], Total Time 42:59
 Set Two: Electric (con't), 1. Cryptical Envelopment [2:04] -> 2. Drums [2:05] -> 3. The
 Other One [9:44] -> 4. Cryptical Envelopment [7:48] [0:19], 5. High Time [6:48] [0:04], 6. Turn on
 Your Lovelight// [16:40#] [0:06], Total Time 45:42
05/02/70 Binghamton, NY - Harpur College  GDM All n/a 
 Set One: DICK'S PICKS VOL. 8--BUY IT.
05/06/70 Cambridge, MA - Kresge Plaza, M.I.T. S:R>D>CD All 89 None 
 1/2 track mono reel master > Digital remastering to CD by David Gans > DNC Tree
 Set One: 1. // Dancin' In The Street, 2. Lost Kid Named Frank, 3. China Cat Sunflower -> 4.
 I Know You Rider, 5. Next Time You See Me, 6. Morning Dew, 7. Tuning [0:38]
  Set Two: 1. Tuning [1:16], 2. Good Lovin'-> Drums-> Good Lovin', 3. Casey Jones, 4. St.
 Stephen -> 5. Not Fade Away
05/07/70 Cambridge, MA - Dupont Gymnasium M.I.T. A:C>?>R>D>CD All 193 
 AudMC > ? > 7" R > DAT > HD > SHN > CD; Taper, mics, and deck unknown; A > D transfer by Noah
 Weiner - noahbw@home.com; Audience Devotional Tree Round 4 - September, 2001. * from alternate
 audience master (MC>C>D>CD): Disc 1: track 01 (Intro), track 12 (New Speedway Boogie) from 7:08 to
 10:40, track 14 (Uncle John's Band) last 14 seconds; Disc 3: track 02 (Cold Rain) first 20 and last 29
 seconds, track 03 (Dire Wolf) first 25 seconds, track 04 (Easy Wind) first 22 seconds, track 05
 (BIODTL) first 1:09, track 06 (High Time) first 39 seconds, track 07 (Cryptical) first 6 seconds; Disc
 4: track 02 (Frozen Logger), track 03 (Drums), track 04 (NFA) first 1:09; ** from a different copy of
 the main recording (MC>?>C): Disc 4: track 05 (Lovelight) from 4:36 through the end of show. Known
 flaws: d1t03 06:31 - static; d1t04 00:15 - static; d1t14 00:48 - tape drop out, 07:17 - tape drop out;
 d2t01 02:29 - tape drop out; d2t06 03:08 - tape drop out, 03:17 - tape drop out; d3t03 01:36 - reel
 thud - level normalized; d3t04 00:47-->00:48 - intermittent static, 01:09-->01:18 - intermittent
 static, 02:31 - reel thud - level normalized, 09:51 - reel thud - level normalized; d3t12 02:54 -
 static, 03:59 - tape warble; d4t04 06:59-->07:02 - tape warble. Note: Soundforge was used for
 normalization and pitch correction. The 7" reel contained many glitches associated with an old tape.
 Most were removed, or subdued. There are, no doubt, occasional reel flaws that have gone unnoted.
 Some digital errors remain as it proved unrealistic to re-transfer the reel due to circumstances
 including the physical condition of the tape itself.
 Set One: Set I acoustic, 1 Intro 0:34*, 2 Don’t Ease Me In 3:30, 3 I Know You Rider 8:14, 4
 level setting 1:42, 5 Friend Of The Devil 3:49, 6 level setting 1:00, 7 Me And My Uncle 3:53, 8 Deep
 Elem Blues 6:39, 9 Candy Man 6:10, 10 banter & jokes 4:23, 11 Cumberland Blues 5:17, 12 New Speedway
 Boogie 11:33*, 13 Black Peter 6:37, 14 Uncle John’s Band 7:32*, Total Time 70:53
 Set Two: Set II electric, 1 Good Lovin’ 8:40, 2 Cold Rain And Snow 6:34*, 3 Dire Wolf 4:40*,
 4 Easy Wind 10:01*, 5 Beat It On Down The Line 3:40*, 6 High Time 7:01*, 7 Cryptical Envelopment*
 [1:58 -> 8 Drums [2:43] -> 9 Other One [9:12] -> 10 Cryptical Envelopment [6:04] -> 11 Cosmic Charlie
 6:59, 12 Casey Jones 4:54, Total Time 72:26
 Set Three: Set II electric (con't), 1 King Bee 8:07, 2 //Frozen Logger* [0:31#], 3 Drums*
 [0:28], 4 Not Fade Away* [8:22] -> 5 Lovelight** [17:43] -> 6 St. Stephen Jam** [1:26] -> 7 Jam **
 [0:42] -> 8 Darkness Jam** [1:24] -> 9 Jam** [2:28] -> 10 China Cat Sunflower Jam** [1:47] -> 11
 Lovelight** [7:01], Total Time 49:59
05/09/70 Worcester, MA - Worcester Polytechnic Institute S:R>?>D>CD Ip 22 
 SBD>MR>?>D>CD>EAC>SHN>CD. These opening songs are all that are known to exist from this show.
 Notes: --unknown lineage; SBD is degraded; --some mix problems with panning back and forth between
 channels; --unknown harmonica player throughout; reportedly Pigpen by deadlists, though the style is
 quite different, possibly Will Scarlet; --digisnit @ 4:57 in Deep Elem; --Sound Forge was used to
  normalize and correct the pitch. Part of the Music Never Stopped Project 2002. Thanks to Matt Vernon
 & Raoul Duke. Edits/encoding by J. Cotsman.
 Set One: Acoustic Set, 1. Introduction (1:04) 2. Deep Elem Blues (6:30) 3. Friend Of The
 Devil (3:38) 4. Silver Threads & Golden Needles--> (3:53) 5. Black Peter (6:48), 6. Announcement
 (0:34), total time: 22:22; Plus - 7/1/70 fragment, total time 39:40
05/14/70 Kirkwood, MO - Merramac Community College  S:R>?>CD All? 106 
 d1t04 Mama Tried barely clips in; d2t01 NSB cuts in before first verse, not a lot missing.
 Set One: Disc One, 1. //Introduction [#0:03], Casey Jones [4:47] [0:03], 2. China Cat
  Sunflower [3:25] -> Jam [0:54] -> I Know You Rider [4:55] [0:02], 4. //Mama Tried [#2:27] -> 5. High
 Time [6:49] [0:03], 6. Drums [0:22] -> Good Lovin' [1:44] -> Drums [2:52] -> Good Lovin' [6:55]
 [0:05], 7. Good Morning Little Schoolgirl [10:51] [0:06], 8. Me & My Uncle [3:22] [0:04], 9. Cold Rain
 & Snow [6:03] [0:12], 10. Attics of My Life [5:15] [0:09], 11. Cumberland Blues [4:15] [0:07], Total
 Time 66:12
 Set Two: Disc Two, 1. [0:02] //New Speedway Boogie [#6:28] -> 2. Nobody's Fault But Mine Jam
 [1:47] -> 3. New Speedway Boogie [0:59] -> 4. St. Stephen [6:29] -> 5. Not Fade Away [6:46] -> 6. Turn
 on Your Lovelight [17:16] [0:17], Total Time 40:05
05/15/70a NYC, NY - Fillmore East  S:R>D>CD All 111 
 MR>D>ZA2>CDR, Leigh Orf applied some "tasteful fades" to cuts and splices w/o NR or other
 processing; * = w/ members of NRPS; d1t01 Don't Ease drop @ 0:12; d2t05 TOO levels jump up @ 5:26,
 ease down; d2t05 TOO levels up again @ 15:23, fluctuate, then back down
 Set One: 1. [1:14] Don't Ease Me In [2:48] [0:43], 2. I Know You Rider [8:07], 3. [0:20] The
 Rub [3:08] [3:06], 4. Friend Of The Devil [3:25] [0:04], 5. Long Black Limousine [4:38] [0:32], 6.
 Candyman [5:37] [0:15], 7. [0:06] Cumberland Blues [4:36] [0:10], 8. New Speedway Boogie* [6:12]
 [0:44], 9. Cold Jordan* [2:19] [0:08], Total Time 48:42
 Set Two: 1. Casey Jones [4:25] [0:14], 2. [0:09] Easy Wind [7:56] [0:18], 3. Attics Of My
 Life [5:30] [0:16], 4. [0:12] St. Stephen [6:03] -> 5. Cryptical Envelopment [1:55] -> Drums [6:53] ->
 The Other One [11:13] -> Cryptical Envelopment [4:23] -> 6. Cosmic Charlie [7:33] [0:43], E: 7. [0:09]
 Minglewood Blues [3:36] [0:12], Total Time 61:24
05/15/70b NYC, NY - Fillmore East S:R>D>CD All 170 
 MR>D>ZA2>CDR, Leigh Orf applied some "tasteful fades" to cuts and splices w/o NR or other
 processing; * = w/ members of NRPS; d1t03 Black Peter pop @ 6:30; d1t06 Candyman cut/splice @ 2:55;
 d2t01 China Cat major cut/splice @ 1:03; d3t02 Stephen major cut/splice @ 2:16; d3t04 Lovelight static
 @ 13:47-13:56; d2t04 Lovelight drop @ 13:56
 Set One: 1. //The Ballad Of Casey Jones [2:20#] [0:41], 2. Silver Threads [3:33] [0:16], 3.
 Black Peter [7:07] [0:09], 4. Friend Of The Devil [4:00] [1:47], 5. Uncle John's Band [6:31] [0:28],
 6. Candy//man [5:06#], 7. She's Mine [4:11] [0:13], 8. Katie Mae [4:04] [1:28], 9. I Hear A Voice
 Callin'* [2:42] [0:16], Total Time 45:45
 Set Two: 1. China //Cat Sunflower [2:44#] -> Jam [1:40] -> 2. I Know You Rider [4:22]
 [0:07], 3. Cumberland Blues [4:50] [0:53], 4. Hard To Handle [5:29] [4:13], 5. Beat It On Down The
 Line [2:47] [0:43], 6. Morning Dew [10:30] [0:27], 7. Good Lovin' [2:48] -> Drums [3:08] -> Good
 Lovin' [7:01] [1:11], 8. Dire Wolf [3:47] [0:35], 9. Next Time You See Me [3:23] [1:27], Total Time
 62:11
 Set Three: 1. Dark Star [19:40] -> 2. St. //Stephen [4:00#] -> Drums [0:23] -> 3. Not Fade
 Away [6:34] -> 4. Turn On Your Lovelight [26:45] [0:15], E: 5. [0:09] Cold Jordan* [2:19] [0:14],
 Total Time 60:22
05/24/70 Newcastle, EN - Newcastle-Under-Lyme S:R>C>D>CD All 138 
 *w/ aud patches, via Hanno Bunjes*
 SBD MR>C>D>CD + AUD MR>C>D>CD patches. From Hanno: "Mastered by H.B., 12/01. Thanks to Uli for
 the AUD source (which is also available complete). The AUD supplies the beginning of the show and the
 middle part of St. Stephen. Both are missing on the SBD."
 Set One: Disc One (13) 70:43, Intro, Casey Jones, China Cat Sunflower > I Know You Rider,
 Hard To Handle, Me & My Uncle, Cryptical Envelopment > Drums > The Other One > Cryptical Envelopment >
 Attics Of My Life, Good Lovin', Cold Rain & Snow
 Set Two: Disc Two (4) 66:51, Dark Star > St. Stephen > Not Fade Away > Lovelight
06/05/70 San Francisco, CA - Fillmore West  S:R>C>D>CD All 113 
 *need replacment disc two*
 Set One: Dire Wolf, I Know You Rider, Silver Threads, Friend Of The Devil, Me & My Uncle,
 Black Peter, //New //Speedway Boogie, //Cold Rain & Snow, Easy// Wind, Mama Tried,
 Set Two: Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> //Attics Of
 My Life, Hard To Handle, It's A Man's World, Uncle John's Band, E: //St. Stephen-> E: Casey Jones
06/06/70 San Francisco, CA - Fillmore West MSR>C>D>CD II 137 enter 86951 
 *charlie miller sbd*
 Tighten Up @ 6-10min mark of Dancin'. Darkness jam @ 11-min mark of the jam.
 Set Two: (62:51) Morning Dew, Me & My Uncle, Casey Jones, Dancin' In The Streets, Next Time
 You See Me, China Cat Sunflower-> I Know You Rider, Good Lovin'-> Drums-> New Orleans-> Good Lovin',
 Attics Of My Life,
 Set Three: (73:44) Dire Wolf -> Alligator -> Drums -> Jam -> Turn On Your Lovelight -> Not
 Fade Away -> Turn On Your Lovelight --Encore-- Uncle John's Band
06/07/70 San Francisco, CA - Fillmore West S:R>C>D>CD  All 135 None 
 d1t08 Cumberland cut/splice @ 2:46
 Set One: set I, 1. Introduction [0:14], Don't Ease Me In [3:04] [0:16], 2. Silver Threads
 and Golden Needles [3:33] [0:06], 3. Banter [0:53], 4. Friend Of The Devil [3:27] [0:30], 5. Candyman
 [5:44] [0:43], 6. Cold Jordan [2:12] [0:57], 7. Swing Low Sweet Chariot [3:02] [2:22], 8. Cumberland//
 Blues [4:12#] [0:59], 9. Me & My Uncle [3:09] [0:28], 10. New Speedway Boogie [8:55] [0:12], Total
 Time 45:05
 Set Two: set II, 1. Introduction [0:14], Cryptical Envelopment [2:07] -> 2. Drums [1:48] ->
 3. The Other One [9:33] -> 4. Cryptical Envelopment [11:12] -> 5. Drums [1:14] -> 6. The Main Ten
 [4:52] -> 7. Sugar Magnolia [5:04] [0:10], Total Time 36:16
 Set Three: set II (con't), 1. Louie Louie Tease [0:33] [0:17], 2. It's A Man's World [7:42]
 [0:31], 3. Mama Tried [2:43] [0:47], 4. Sitting On Top Of The World [3:13] [0:02], 5. Tuning/Banter
 [5:32], 6. Cosmic Charlie [7:09] [0:50], 7. Casey Jones [4:43] [0:37], 8. Drums [0:36] -> Good Lovin'
 [2:06] -> 9. Drums [3:43] -> 10. Good Lovin' [10:38] [0:37], Total Time 52:14
06/13/70 Oahu, HI - Red Vest  S:R>R>D>CD Most 56 
 MSR > reel > DAT > CDR > SHN; Transfer: DAE (Toast Audio Extracter) > Mac (Peak/Waves) > SHN; MR
 missing CR&S set opener; MR missing Casey Jones and Lovelight set closers; d1t02 Easy Wind master mix
 problems ca. first 4:00; d1t03 UJB static @ 0:05, mix problems ca. first 1:00; d1t09 NSB cuts out
 Set One: 1. Tuning/Chatter [1:34], 2. Easy Wind [7:22] [1:22], 3. Uncle John's Band [6:56]
 [0:49], 4. Candyman [5:19] [1:06], 5. Me & My Uncle [3:24] [0:43], 6. Good Lovin' [2:22] -> Drums
 [4:15] -> Good Lovin' [7:04] [0:45], 7. China Cat Sunflower [3:20] -> Jam [1:08] -> 8. I Know You
 Rider [4:42] [0:44], 9. New Speedway Boogie// [2:23] [0:02], Total Time 55:35
06/24/70a Port Chester, NY - Capitol Theater A:R>CD All 76 
 *aka 7/10/70?*
 MAR > CD. I believe it to be this: Marty Weinberg's MAR w/ AKG D190E's>Uher 4000L>1/4 track reel
 player>CDR.
 Set One: 1. Cold Rain & Snow, 2. /Me & My Uncle, 3. /Easy Wind, 4. Minglewood Blues, 5.
 Alligator-> 6. Drums-> 7. The Other One Drum Intro -> 8. The Other One -> 9. Attics Of My Life-> 10.
  The Other One-> 11. Cryptical Envelopment -> 12. Cosmic Charlie, 13. Drums -> 14. Good Lovin'-> 15.
 Drums-> 16. China Cat Sunflower-> 17. I Know You Rider-> 18. Good Lovin'
06/24/70b Port Chester, NY - Capitol Theater A:C>C>D>CD 2 82 None 
 unknown mics into unknown Sony deck from the first row center loge section, mics mounted on rail;
 playback from a Sony PCM-R700 through Zefiro Acoustics ZA-2, mastered with Sonic Foundry CD
  Architect
 Set One: 1. Introduction [0:56], 2. Not Fade Away [11:44] -> 3. Easy Wind [8:16], 4. Bobby
 Broken String [1:58], 5. Me & My Uncle [4:58], 6. "Mickey needs to set up his gong for Dark Star"
 [0:59], 7. Dark Star [9:37] -> 8. Attics Of My Life [6:44] -> 9. Dark Star [7:11] -> 10. Sugar
 Magnolia [2:30] -> 11. Dark Star [3:03] -> 12. St. Stephen [6:17] -> 13. China Cat Sunflower [4:43] ->
 14. I Know You Rider [5:52],
 Set Two: (in 3/21/70 late show disc one) Encore: Uncle John's Band
07/01/70 Winnipeg, CA - Winnipeg Fairgrounds S:?>V>CD Partial 17 
 Notes: --the recording is in mono; --there is a fair amount of distortion/overmodulation during
 most of the recording; --most of HTH is missing; --only the first couple notes are clipped on Easy
 Wind; --there is a warble in Candyman, improving toward the end of the song. This is assumed to be a
 portion taken from the raw video footage shot during the Trans Continental Pop Festival Tour across
 Canada by train. Part of The Music Never Stopped Project 2002. Thanks to Matt Vernon & Raoul Duke.
 Edits/encoding by J. Cotsman
 Set One: 1. //Hard To Handle (3:18), 2. //Easy Wind (8:09), 3. Candyman (5:42), total timing
 17:09; burned with 5/9/70 acoustic fragment
07/10/70 NYC, NY - Fillmore East A:R>CD Partial 12 
  Marty Weinberg's MAR > CD. There is considerable controversy over the precise date of this
 material. t02 NFA (7/10/70) has a short St. Stephen Jam after ca. 3:08 and the AWBYG/GDTRFB theme
 after about 3:53. t11 Man's World (7/11/70) is a bit of a train wreck, and cuts out abruptly
 Set One: 1. Tuning [1:24], Encore: 2. Not Fade Away [9:58] [0:07], Total Time 11:29,
 followed by 7/11/70 material
07/11/70 NYC, NY - Fillmore East A:R>CD Partial 49 
 Marty Weinberg's MAR > CD. There is considerable controversy over the precise date of this
 material. t02 NFA (7/10/70) has a short St. Stephen Jam after ca. 3:08 and the AWBYG/GDTRFB theme
 after about 3:53. t11 Man's World (7/11/70) is a bit of a train wreck, and cuts out abruptly
 Set One: Follows from 7/10/70 material. (NRPS) 3. //The Weight [#6:49] [0:06], (Electric
 GD) 4. Tuning and taper date stamp [0:40], 5. /Easy Wind [#8:42] [0:02], 6. /Mama Tried #2:45] [0:01],
 7. Cold Rain & Snow [5:51] [0:02], 8. Attics of My Life [6:54] [0:02], 9. /China Cat Sunflower [#3:35]
 -> Jam [1:35] -> 10. I Know You Rider [4:38] [0:13], 11. Man’s World// [3:41#] [0:01], (Acoustic GD,
 Encore?) 12. [0:04] Swing Low Sweet Chariot [2:43] [0:06], Show Time 48:34
07/14/70 San Rafael, CA - Euphoria Ballroom S:R>D>CD 1 52 None 
 mastered by Skankweed from source tape via Family Tree Batch #10; no editing apart from the
 48k>44.1k downsampling (via ZA2), d1t1 from 5th gen AUD, d1t5, d1t7, and d1t10 all cut in, d1t6 and
 d1t8 fade in, d1t8 internal cut. * with David Crosby on 12-string guitar.
 Set One: 1. Don't Ease Me In [3:10], 2. Friend Of The Devil [3:23] [2:04], 3. Dire Wolf
 [3:52] [3:37], 4. Dark Hollow [3:02] [0:06], 5. //Candyman [#4:37] [0:08], 6. //Black Peter [#6:36]
 [0:07], 7. //How Long Blues [#3:06] [0:17], 8. Deep //Elem Blues [3:#17] [0:05], 9. Cumberland Blues*
 [4:54] [0:18], 10. New Speedway Boogie [8:58], Plus: From 5.1.70, Race is On, Wake Up Little Susie,
 Uncle John's Band, Total Time 63:17
07/16/70 San Rafael, CA - Euphoria Ballroom MSR>2C>CD Partial 34 
 MSR>Cass. x 2>CDR. * w/ Janis Joplin. The Lovelight also circulates w/ only one cassette
 generation, but I am not sure which flavor I have. It sounds fine, and it is certainly well worth
 having!
 Set One: Single Disc (5) 33:48, 1. //China Cat Sunflower [#0:48] -> Jam [1:11] -> 2. I Know
 You Rider [4:55] -> 3. Candyman [6:50] [0:12], 4. Janis arrives [1:35], 5. Turn On Your Lovelight*
 [17:55] [0:18]
07/30/70 San Francisco, CA - The Matrix MS?>?>CD All 33 809 
 "*with David Nelson, **with John Dawson & David Nelson. Comments: --This short acoustic set seems
 to be all that the Dead played in capping off a couple New Riders sets at the Matrix. --Sound Forge
 was used for a slight pitch correction and minor edits."
 Set One: 1. To Lay Me Down (6:47), 2. Dire Wolf (4:06), 3. Candyman (6:29), 4. stage
 banter (2:42), 5. Rosalie McFall* (5:36), 6. A Voice From On High** (3:55), 7. Swing Low, Sweet
 Chariot** (3:08), total time: 32:46
08/05/70 San Diego, CA - Golden Hall Community Concourse S:?>?>CD Most 54 
 d1t01 Candyman fades in (-few secs.); d1t07 Jordan very light static @ 2:15; d1t09 Deep Elem light
 static @ 5:10? d1t11 FOTD light click @ 0:18; d1t13 TLMD light click @ 3:26
 Set One: set I, 1. //Candyman [6:48#] [0:16], 2. El Paso [5:44] [0:10], 3. Rosalie McFall
 [3:32] [0:04], 4. Cocaine Blues [2:25] [0:16], 5. Drink Up And Go Home [2:44] [0:25], 6. I Hear A
 Voice Callin' [2:58] [0:06], 7. Cold Jordan [2:26] [0:07], 8. Swing Low Sweet Chariot [2:55] [0:16],
 set II, 9. Deep Elem Blues [5:36] [0:02], 10. Dark Hollow [3:19] [0:05], 11. Friend Of The Devil
 [3:56] [0:04], 12. Mama Tried [2:51] [0:04], 13. To Lay Me Down [6:16] [0:17], (missing Dire Wolf and
 The Ballad Of Casey Jones), Total Time 53:53
08/18/70 San Francisco, CA - Fillmore West A:R>R>B>D>CD n/a 
 Set One: Truckin', Dire Wolf, Friend Of The Devil, Dark Hollow, Ripple-> Brokedown Palace,
 Operator, Rosalie McFall, New Speedway Boogie, Cold Jordan, Swing Low Sweet Chariot
 Set Two: Dancin' In The Streets, Next Time You See Me, Mama Tried, Cryptical Envelopment->
 Drums-> The Other One-> Cryptical Envelopment-> Sugar Magnolia, Attics Of My Life, It's A Man's World,
 Not Fade Away, Casey Jones-> Uncle John's Band
08/19/70 San Francisco, CA - Fillmore West MAC>*>CD All 127 enter 81605 
 *Gene Taback> Sony stereo mic > Sony TC-124*
 Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic; Acoustic
 Set: Master; Electric Set: 1st generation cassette. Transfer and FLAC encoding by David Minches:
 Master/1st generation cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe
 oundcard (96Mhz/24 bit)> HD; Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz
 / 16 bit; Flac Encoded. This is a very fine recording of an undercirculated show. The tape deck was
 paused in between songs causing a "whooshing" sound which I partially edited out. The first few notes
 of many of the songs are missing due to the pausing but do not allow that to take away from the
 excellence of the recording. There are other anomalies which I had not listed.
 Set One: (52:17) Monkey & The Engineer, How Long Blues, Friend Of The Devil, Dark Hollow,
  Candyman, Ripple-> Brokedown Palace, Truckin', Cocaine Blues, Rosalie McFall, Cumberland Blues, Wake
 Up Little Susie, New Speedway Boogie, Cold Jordan, Swing Low Sweet Chariot
 Set Two: (75:20) Cold Rain & Snow, Me & My Uncle, Easy Wind, China Cat Sunflower-> I Know
 You Rider, St. Stephen-> Sugar Magnolia, Good Lovin', Minglewood Blues, Casey Jones, Not Fade Away->
 Turn On Your Lovelight
08/19/70 San Francisco, CA - Fillmore West  A:R>R>B>D>CD Ip,II 145 
 Set One: Disc One (15) 68:44 --Acoustic Set-- Monkey & The Engineer, How Long Blues, Friend
 Of The Devil, Dark Hollow, Candyman, Ripple-> Brokedown Palace, Truckin'//, ...Cocaine Blues, Rosalie
 McFall, (missing Cumberland Blues, Wake Up Little Susie, New Speedway Boogie, Cold Jordan, Swing Low
 Sweet Chariot) --Electric Set-- Cold Rain & Snow, Me & My Uncle, Easy Wind, China Cat Sunflower-> I
 Know You Rider
 Set Two: Disc Two (7) 75:34 --Electric Set (con't)-- St. Stephen-> Sugar Magnolia, Good
 Lovin', Minglewood Blues, Casey Jones, Not Fade Away-> Turn On Your Lovelight
08/30/70 San Francisco, CA - KQED Studios F:R>CD All 29 576 
 Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to Reel using "Concert" polyester tape)
 > 3 CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > .shn encoding
 using mkwACT. Proper sector boundaries verified using .shntool. EAC > SHN by Joe Jupille, with thanks
 to Andy Lemieux for the source CDs. Notes: t01 Easy Wind fades in.
 Set One: Single Disc (5) 28:43, 1. ... Easy Wind [7:08], 2. Candyman [7:18], 3. Casey Jones
 [4:49], 4. Brokedown Palace [3:44] -> 5. Uncle John's Band [5:43]
09/17/70 NYC, NY - Fillmore East mixed auds All n/a None 
 *2003 upgrade*
 *Acoustic set, NRPS set, and Sugar Magnolia are MAC>R>C>CD. Recorded by Jack Toner, with a Sony
 TC-110 with built-in microphone. *Dark Star from MAC>?>C>R>CD. Unknown taper/equipment *Saint
 Stephen>Good Lovin' from MAC>?>C>R>R>CD. Unknown taper/equipment NOTE: This supercedes the previous
 copy which was labeled MAC>R>C>D>CD. That copy is a mislabel, and in reality has one more cassette
 generation than this one (the main source for that version derives from the tapes used for this one).
 Additionally, this source includes the NRPS set, and does not have the cuts in Dark Star. ***This is
 an audience tape from 1970, so sound quality is less than ideal. However, great show, and a
  magnificent Dark Star.*** Source tapes from Dwight Holmes. Transfer to digital by David Minches.
 Patches and SHN encoding by Jack Warner (jackmw1@sbcglobal.net). Seeded to tol.etree.org 3/17/2003.
 Set One: DISC ONE --ACOUSTIC SET-- 1  [3:59], 2 Truckin’ [6:05], 3 Monkey and the
 Engineer [1:36], 4 Dark Hollow [3:44], 5 Friend of the Devil [3:44], 6 Ripple [5:55], 7 Brokedown
 Palace [4:45] , 8 Box of Rain [5:44], 9 Rosalie McFall [3:02], 10 Cold Jordan > [2:29] 11 Swing Low
 Sweet Chariot// [0:24] --NRPS SET-- 12 Six Days on the Road [2:58], 13 I Don’t Know You [3:54], 14
 Superman [3:46], 15 Henry [3:37], 16 Portland Woman [5:22], 17 Cecilia [4:17]
 Set Two: DISC TWO --ELECTRIC SET-- 1 Sugar Magnolia [5:01], 2 Dark Star > [26:05] 3 Saint
 Stephen > [6:19] 4 Drums > [0:52] 5 Good Lovin' > [1:56] 6 Drums > [3:34] 7 Good Lovin’ [8:34]
09/18/70 NYC, NY - Fillmore East MSR>R>D>CD Partial 79 413  
 Set One: Single Disc (10) 79:12 --Acoustic-- 01. Tuning & Banter, 02. Truckin', 03. Black
 Peter --Electric-- 04. /Me and My Uncle, 05. Operator, 06. Dancin' In The Streets, 07. St. Stephen ->
 08. Not Fade Away -> 09. Good Lovin' --Encore-- 10. And We Bid You Goodnight
09/19/70 NYC, NY - Fillmore East S:R>C>D>CD IIp 70 442 
 *"Uncensored" SBD version*
 MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete
 than previously etreed versions. t01 S'Mag cuts on, most missing; t02 Star Feelin' Groovy jam ca.
 16:00-17:30; t08 Lovelight brief splice @ 11:25? t08 Lovelight @ 14:00-14:08 JG is playing Rhapsody in
 Red intro.
 Set One: Single Disc (11) 70:24, 1. //Sugar Magnolia > Tuning (02:16), 2. Dark Star >
 (25:23) 3. St. Stephen > (06:18) 4. Not Fade Away > (05:10) 5. Darkness Jam > (01:02) 6. China Cat Jam
 > (01:23) 7. Not Fade Away > (01:48) 8. Turn On Your Lovelight > (21:09) 9. Crowd noise >
 Youngbloods: Get Together... > (03:29) 10. Phil and Pigpen speak > (00:23) 11. Youngbloods: ...Get
 Together> (01:58)
09/19/70 NYC, NY - Fillmore East AUD+SBD Most 110 
 AUD Source: For Completists Only. Master 5" Audience reels (Taped by Marty Weinberg, AKG D190E mic
 > Uher 4000) > playback on Sony TC-366 4 track RTR > Tascam CDRW-700 (transfer by Michael Parrish);
 SBD Source: SBD > Reel (0) > DAT > Mac (via Lucid PCI24) > CDR, DAT from "3 Decades of Dead" Tree; t01
 Feelin' Groovy Jam ca. 16:05-17:30; d1t06 short splice @ 0:16; t07 short splices @ :41, 3:18, 8:12,
 light pop @ 10:51
 Set One: AUD source (filler on 11/??/70): 6. Honky Tonk Woman (NRPS) 4:51, 7. Marty's
 Friends [0:26], 8. /Morning Dew [10:29#] [0:01], 9. /Me & My Uncle/ [3:08#], 10. /Good Morning Little
 Schoolgirl [9:56#] [0:10], 11. /Cold Rain and Snow [5:40#] [0:02], 12. Easy Wind [8:33], 13. Sugar
 Magnolia [4:46] [0:01], time ca. 48:13
 Set Two: SBD source: 1. [0:04] Dark Star [25:27] -> 2. St. Stephen [6:17] -> 3. Not Fade
 Away [4:52] -> 4. Darkness Jam [1:20] -> 5. China Cat Jam [1:24] -> 6. Not Fade Away [1:48] -> 7. Turn
 On Your Lovelight [20:18] [0:27], Total Time 61:53
09/20/70 NYC, NY - Fillmore East S:R>R>R>CDR All 174 None 
 Frank's Picks Round 6. From the original source and documented 2nd generation 7" reels; A > D
 using a Revox A-77 reel-to-reel to an Alesis Masterlink ML-9600 (16-bit sampled @ 44.1k); several
 source reels were used to provide the best-sounding version of each cut. The cuts break down as
 follows--from BASF @ 3.75 ips: UJB>>New Speedway, Casey Jones >> //Good Lovin'; from Scotch 120 @ 7.5
 ips: Brokedown Palace >> Together Again, Big Boy Pete >> MAMU; from Scotch 190 @ 3.75 ips: Easy Wind
 >> Mama Tried, NFA >> Caution/; from Maxell UD @ 7.5 ips: /Caution >> AWBYG. * David Grisman on
  mandolin, ^ David Nelson on mandolin; Candyman fades in at "one less man alive". Good Lovin' fades in
 toward the ending jam, with most of the song missing. As of 12/2000, there is some question as to
 whether this Good Lovin' is indeed from 9/20.
 Set One: Uncle John's Band, Deep Elem Blues, Friend Of The Devil*, Big Railroad Blues*^,
 Dark Hollow*^, Ripple*^, To Lay Me Down, Truckin', Rosalie McFall*^, Cumberland Blues, New Speedway
 Boogie, Brokedown Palace, Together Again (NRPS)
 Set Two: Casey Jones, China Cat Sunflower-> I Know You Rider, //Candyman, Sitting On Top Of
 The World, //Good Lovin', Big Boy Pete, Me & My Uncle, Easy Wind, Sugar Magnolia, Attics Of My Life,
 Mama Tried,
 Set Three: Not Fade Away-> Caution-> And We Bid You Goodnight
10/04/70 San Francisco, CA - Winterland Arena Most n/a 
 Set One: //Till The Morning Comes, Brokedown Palace, Next Time You See Me, Cold Rain & Snow,
 China Cat Sunflower-> I Know You Rider, Good Lovin'-> Drums-> Good Lovin', Sugar Magnolia, Casey
 Jones, Uncle John's Band
10/30/70a Stony Brook, NY - Gym, S.U.N.Y. S:R>C>D>CD All 59 
 t04 NTYSM reel warble @ 2:46; t05 MAMU cut/splice @ 1:52.
 Set One: Cold Rain & Snow, Truckin', Sugar Magnolia, Next Time You See Me, Me// & My Uncle,
 Drums-> Good Lovin'-> Drums-> Cumberland Blues-> Good Lovin', Casey Jones
11/??/70 Unknown City, XX - Unknown Location A:R>CD Partial 28 
 *Autumn 1970, probably 46th Street Rock Palace, 11/12-14/70*
 For Completists Only. Master 5" Audience reels (Taped by Marty Weinberg, AKG D190E mic > Uher
 4000) > playback on Sony TC-366 4 track RTR > Tascam CDRW-700 (transfer by Michael Parrish); t01 drop
 @ 0:24; t03 tracked maybe a second late.
 Set One: 1. //Till the Morning Comes [1:43#] [0:092], reel pause, 2. China Cat Sunflower
 [3:35] -> Jam [2:49] -> 3. I Know You Rider [4:14] [0:03], reel pause, 4. /Mama Tried [2:38#] [0:01],
 reel pause, 5. Good Lovin [12:28] [0:06], show time ca. 27:38, filler 9/19/70 same lineage
11/05/70 Port Chester, NY - Capitol Theater A:C>C>D>CD 2 113 None 
 Usher Tape; d1t01 Hard to Handle reel drop @ 8:16-8:18; d1t05>>t06 lite click @ track marker;
  d1t08-t09 crackle @ track marker
 Set One: 1. [0:03] Drums [0:11] -> Hard To Handle [8:17] [2:51], 2. [0:05] Sitting On Top Of
 The World [3:06] [1:25], 3. [0:06] Mama Tried [2:28] [4:18], 4. Truckin' [6:46] -> 5. Drums [3:23] ->
 6. Drums [0:25] -> The Other One [9:12] -> 7. Dark Star [21:06] -> 8. St. Stephen [6:01] -> 9. Not
 Fade Away ... [0:07], Total Time 69:55
 Set Two: 1. Drums [0:44] -> 2. Not Fade Away [4:32] // 3. Goin' Down the Road Feelin' Bad
 [6:17] -> 4. Not Fade Away [1:48] -> 5. Turn on Your Lovelight// [28:55#] [0:10], Total Time 42:30
11/06/70 Port Chester, NY - Capitol Theater A:C>C>D>CD All 196 
 "Usher Tape": AUD (unknown mics from the center loge):C (Sony T-110 deck) > C > D > remastering >
 CD, taper Ken Leigh; my first copy was riddled with flaws, and I haven't combed through this one yet;
 d2t01 Candyman fades in (- < 1 min); d2t08 Don't Ease fades in; d2t14 El Paso cuts harshly; d2t06
 Lovelight cut/splice @ 7:29
 Set One: 1. [0:27] Casey Jones [4:40] [0:46], 2. Me & My Uncle [3:15] [0:35], 3. [0:26] I'm
 A King Bee [7:08] [0:55], 4. [0:10] China Cat Sunflower [3:20] -> Jam [2:32] -> 5. I Know You Rider
 [4:24] [0:57], 6. Truckin' [7:43] [0:35], 7. [1:18] Candyman [6:57] [0:18], 8. Sugar Magnolia [4:58]
 [1:55], 9. Good Lovin' [2:12] -> 10. Drums [5:01] -> 11. Drums [0:41] -> The Main Ten [3:42] -> Drums
 [0:08] -> 12. Drums [3:48] -> 13. Good Lovin' [8:40] [0:51], Total Time 78:29
 Set Two: ACOUSTIC SOUNDCHECK, 1. [0:06] //Candyman [1:02#] [0:03], 2. Banter/Candyman
  [2:23], 3. Candyman/Banter [3:36], 4. Uncle John's Band [1:26], 5. Uncle John's Band [3:17], 6. Attics
 of My Life [5:32] [0:03], 7. Noodling [7:01], ACOUSTIC SET, 8. //Don't Ease Me In [3:09#] [0:21], 9.
 Deep Elem Blues [5:51] [0:24], 10. Dark Hollow [3:02] [0:42], 11. Friend Of The Devil [3:35] [1:29],
 12. The Rub [2:58] [0:22], 13. [0:14] Black Peter [7:18] [1:27], 14. El Paso// [1:49#] [0:30], Total
 Time 58:37
 Set Three: 1. Alligator [3:35] -> Drums & Jerry [3:12] -> Alligator [7:27] -> 2. Not Fade
 Away [2:45] -> 3. Goin' Down The Road Feelin' Bad [5:21] -> 4. Not Fade Away [2:03] -> 5. Caution
 [14:12] -> 6. Turn On Your //Lovelight [17:22#] [1:04], Total Time 57:08
11/07/70 Port Chester, NY - Capitol Theater S:R>C>D>CD All n/a 
 mastering by Jack Warner. Sources: Ken Leigh’s MAC>C>C>D>CD*, Jack Toner’s MAC>R>C>CD**, Marty
 Weinberg’s MAR>R>D>CD+(12:44 –16:16 of Drums from Toner’s MAC>R>C>CD)
 Set One: DISC ONE ACOUSTIC SET1 1:31 2 Deep Elem Blues 6:54 3 Monkey and the Engineer 5:07
 4 Big Railroad Blues 6:13 5 Operator 4:28 6 El Paso 5:32 7 How Long Blues* 3:29 8 Ripple** 4:13 9
 Brokedown Palace* > 4:22 10 Uncle John’s Band* 5:38, NRPS SET1 11 Truck Drivin’ Man* 2:24, 12 Together
 Again Instrumental* 2:12, 13 Sweet Lovin’ One false start* 1:21, 14 Sweet Lovin’ One* 3:36, 15 Dirty
 Business** 10:44, 16 Henry** 3:37 17 Last Lonely Eagle** 6:21
 Set Two: DISC TWO 1 Connection* 3:55 2 Louisiana Lady** 3:54 3 Honky Tonk Women** 5:01
 ELECTRIC SET ONE 4 //Cumberland Blues 4:47 5 Cold Rain and Snow 8:10 6 It Hurts Me Too 5:17 7 Beat It
 On Down the Line 3:39 8 Truckin’ > 6:55 9 Drums+ > 16:42 10 The Other One > 10:04 11 Casey Jones
 5:46
 Set Three: DISC THREE 1 3:39 2 Attics of My Life 6:46 3 Sugar Magnolia 6:05 4 Big Boss Man
 5:10 5 Mama Tried 2:56 6 /China Cat Sunflower > 6:03 7 I Know You Rider 7:05 8 King Bee 10:31 9 Good
 Lovin’ 10:59
11/08/70 Port Chester, NY - Capitol Theater MAC>CD All n/a 
 *Ken & Judy Lee, unknown mics > Sony TC124* *PCRP#007*
 Technical Notes: The original audience master cassettes (4 Ampex C361-90) were recorded on a Sony
 TC124 with unknown dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee. The
 cassette tape was baked and re-shelled, then transferred via Tascam 122 MK-III > Lucid ADA1000 >
 Tascam DA30-II (DAT) > Tascam CDRW 700 (CDR) by John Jay Hance. Editing By Peter G. via Soundforge. No
 noise reduction was applied. Audio extraction and further editing via Peak 4.0, compressed to .shn
 with xACT 1.3, and seeded by BoldCaptain via Azureus 2.1. Tape flutter in Baby Blue, and in Truckin'.
 Tape flip in Dancin' In The Streets was seemlessly pieced together.
 Set One: Dire Wolf, I Know You Rider, Dark Hollow, Rosalie McFall, El Paso, Operator,
 Ripple, Friend Of The Devil, Wake Up Little Susie, Uncle John's Band
 Set Two: Morning Dew, Me & My Uncle, Mystery Train-> My Babe, Around & Around, New Orleans->
  Searchin', It's All Over Now Baby Blue, Casey Jones, Truckin'-> Dark Star-> The Main Ten-> Dancin' In
 The Streets, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Good Lovin'-> Drums->
 Good Lovin'
11/16/70 NYC, NY - Fillmore East MSR>R>CD All 84 
 *Formerly labeled 11/23/70, Anderson Theater*
 SBDMR > Bill Gadsden R > Revox B77 playback > Alesis Masterlink > CD. * Will Scarlet on harmonica;
 ** Steve Winwood on organ; Ramblin' Jack Elliot vocals on first verse of NFA. d1t02 FOTD cuts in;
 d1t05 cuts in on the transition jam; d1t10 Big RxR Blues cuts in
 Set One: 1. Casey Jones [4:29] [0:06], 2. //Friend Of The Devil [2:04] [0:13], 3. Cold Rain
 & Snow [5:55] [0:11], 4. I'm A King Bee* [7:07] [0:11], 5. // Jam -> I Know You Rider [5:13] [0:03],
 6. [0:08] Mama Tried [2:39] [0:10], 7. Truckin'* [6:02] -> 8. The Other One* [10:55] [0:08], 9. [0:28]
 //Hard To Handle** [7:32#] [0:07], 10. //Big Railroad Blues** [5:08#] [0:05], Total Time 58:55
 Set Two: 1. Not Fade Away** [9:22] -> 2. Goin' Down The Road Feelin' Bad** [5:40] ->3. Not
 Fade Away** [2:44] [0:06], 4. Uncle John's Band [7:00] [0:02], Show Time 24:54, Filler: Traffic
 11/23/70, 5. Medicated Goo, 6. Pearly Queen, 7. Empty Pages, 8. Heaven Is In Your Mind, 9. Forty
 Thousand Headmen, 10. John Barleycorn, 11. Who Knows What Tomorrow May Bring, 12. Every Mother's Son,
 13. Freedom Rider, Total Time 74:05
11/20/70 Rochester, NY - The Palestra, U. of Rochester A:R>R>CD All 168 
 Marty Weinberg AUDMR > R > Jim Wise speed correction, editing and A/D transfer via Sony PCM R-700 >
 ZA-2 > CD; Flaws as follows: d1t06 Sugar Mag gaps @ 1:29-1:32, 3:19-3:21; d2t04 Stephen drop @ 1:01;
 d2t06 GDTRFB gap @ 1:18-1:19; d2t09 Good Lovin' gaps @ 3:53-3:54, 4:20-4:21, 6:13-6:14; d2t09 Good
 Lovin' spots of noise @ 18:21, 18:36, 18:38, 18:45; d3t01 Jam gaps @ 10:02-10:04, noise @ 11:19; d3t02
 Jam2 noise @ 1:20; d3t02 Jam2 static @ 6:33, noise @ 11:21; d3t03 Darling Carey static @ 0:46, noise @
 4:38, gap @ 0:35
 Set One: 1. /NRPS Tune [4:07#] [0:02], 2. /Cold Rain// & Snow// [3:25#] [0:01], 3. Me & My
 Uncle/ [3:12] [0:02], 4. /Next Time You See Me [3:40] [0:07], 5. /China Cat Sunflower [3:27#] -> Jam
  [3:00] -> 6. I Know You Rider/ [4:13] [0:02], 7. /Sugar Magnolia [5:32] [0:06], 8. /Friend Of The
 Devil [3:34#] [0:10], 9. Mama Tried [2:29] [0:06], 10. /Cumberland Blues [4:37#] [0:03], 11. /Candyman
 [7:33#], Total Time 49:33
  Set Two: 1. Truckin' -> Drums [8:00] -> 2. //The Other One [4:22] -> 3. St. Stephen [5:15]
 -> 4. Not Fade Away [4:45] -> 5. Goin' Down The Road Feelin' Bad [6:15] -> 6. Not Fade Away [2:30] ->
 7. I'm A King Bee/ [7:04#] [0:02], 8./Good Lovin'/ [22:05#] [0:03], Casey Jones
 Set Three: 1. //Jam* [11:24#], 2. //Jam* [11:41#], 3. Darling Corey* [5:01] -> 4. Jam*//
 [3:03#] [0:03], 5. Tuning [1:38] -> 6. It's All Over Now* [6:56] [0:02], 7. Jam [1:31] -> 8. Spring
  Song Tuning [0:33] -> 9. Around & Around* [4:08] [0:10], Encore: 10. //Uncle John's Band [5:48#]
 [0:08], Total Time 52:10
12/12/70 Santa Rosa, CA - Santa Rosa Fairgrounds S:R>C>D>CD All 120 
  d1t01 MAMU fades in on "I took the horses"; d1t05 Mama Tried static (master?) @ 1:57-2:00; C>R
 transition jam is just gorgeous; d1t08 Big RxR cuts in; d1t09 King Bee first few notes clipped;
 d1t11Casey Jones fades in on "speed"; d1t11 last few reverbs clipped; d2t01 Dire Wolf first few notes
 clipped; d2t04 TOO great rumble! d2t04 TOO cuts out harshly; d2t05 NFA cuts in
 Set One: 1. [0:04] //Me & My Uncle [2:34] [0:04], 2. Looney Tunes [1:19], Truckin' [7:35]
  [0:07], 3. [0:03] Brokedown Palace [5:57] [0:05], 4. [2:13] Hard To Handle [6:57] [0:07], 5. [0:23]
 Mama Tried [2:30] [0:05], 6. China Cat Sunflower [3:19] -> Jam [2:42] -> 7. I Know You Rider [4:10]
 [0:28], 8. //Big Railroad Blues [4:30] [0:32], 9. //I'm A King Bee [8:06#] [0:07], 10. [0:13] Sugar
 Magnolia [5:44] [0:21], 11. [0:03] //Casey Jones// [4:28#], Total Time 64:53
 Set Two: 1. [0:09] //Dire Wolf [3:44#] [0:01], 2. [0:25] Cryptical Envelopment [2:05] -> 3.
 Drums [1:33] -> 4. The Other One// [8:43#], 5. [0:07] //Not Fade Away [2:11#] -> 6. Jam [2:21] ->
 Goin' Down The Road Feelin' Bad [5:14] -> 7. Darkness Jam [1:47] -> 8. St. Stephen Jam [1:22] -> 9.
 Not Fade Away [1:50] [0:18], Total Time 55:03
12/26/70 El Monte, CA - Legion Stadium S:?>?>P>CD All 128 
 Splice into a hissier and speedier source from d1t04 @ 3:10 >> d1t06 @ 1:10; d2t01 cuts in, not
 much missing; d2t01 cut/splice @ 7:13, ca. 1 min. missing? d2t03 cuts in, ca. 1 sec. missing; d2t06
 cuts out, most missing; d2t07 may cut in, not much missing; d2t08 cuts @ 2:28; Nice Good Lovin'!
 Set One: Set I, 1. [0:15] Cold Rain & Snow [5:45] [0:50], 2. Mama Tried [2:41] [1:11, 3. The
 Frozen Logger [0:55] [0:42], 4. Easy// Wind [9:22#] [0:18], 5. [1:19] Till The Morning Comes [3:02]
 [0:59], 6. [0:16] Truckin' [9:37] [0:11], 7. Friend Of The Devil [3:42] [0:13], 8. [0:02] Me & My
 Uncle [3:14] [0:37], 9. [0:02] Candyman [6:42] [1:27], 10. [0:05] Big Railroad Blues [4:57] [0:16],
 11. Minglewood Blues, [4:24] [0:23], Total Time 63:30
 Set Two: 1. //Black// Peter [7:42#] [0:59], 2. Beat It On Down The Line [3:33] [1:14], Set
 II, 3. //Morning Dew [11:17#] [0:51], 4. Casey Jones [5:20] [0:20], 5. Dire Wolf [3:46] [0:39], 6.
 China Cat Sunflower// [0:30#], 7. //Drums [0:28#] -> Good Lovin' [2:06] -> 8. Drums// [2:28#] -> 9.
 Good Lovin' [:04+15:04] [0:04], 10. Uncle John's Band [7:10] [0:22], Total Time 64:00
12/27/70 El Monte, CA - Legion Stadium MSR>C>D>CD All 145 
 I really enjoyed this show! Pigpen is sloppy, but the Brokedown and Attics are both first-rate.
 Deadlists comments: Before Truckin Bobby & Jerry both urge the audience to "feel free to move around
 -- there's lots of room in here." It Hurts Me Too cuts near the end of the tune. Probably quite a bit
 of Good Lovin' is missing before the SBD cuts in. After Lovelight they start Uncle John's Band and the
 stop immediately; this is followed by cheering and sounds of the band leaving the stage. Probably this
 was the end of the show.
 Set One: Disc One (12) 73:42, 1. Truckin', 2. Mama Tried, 3. Hard To Handle, 4. Deep Elem,
 5. Sugar Magnolia, 6. Brokedown Palace, 7. Cumberland, 8. Hurts Me Too, 9. Me & My Uncle, 10. China
 Cat Sunflower > 11. I Know You Rider, 12. Casey Jones
 Set Two: Disc Two (9) 71:13, 1. //Good Lovin', 2. Midnight Hour, 3. Attics of My Life, 4. Me
 & Bobby McGee, 5. Around & Around, 6. St. Stephen > 7. Not Fade Away > 8. GDTRFB > 9. Turn On Your
  Lovelight
12/28/70 El Monte, CA - Legion Stadium S:?>?>P>CD All 154 
 d1t05 cut/splice @ track 3:17 (tune 1:30); d2t05 cut/splice @ 4:29; d3t02 cut/splice @ track
 4:25
  Set One: 1. [0:03] Cold Rain & Snow [6:00] [0:05], 2. [0:43] Truckin' [8:32] [0:11], 3.
 [0:13] It Hurts Me Too [5:22] [0:07], 4. [2:15] Me & My Uncle [3:08] [0:04], 5. [1:47] Beat //It On
 Down The Line [2:55#] [0:07], 6. [0:31] China Cat Sunflower [3:25] -> Jam [2:31] -> 7. I Know You
 Rider [4:21] [0:03], 8. Tuning/Banter [4:32], Total Time 47:00
 Set Two: 1. [0:43] Cryptical Envelopment [2:02] -> 2. Drums [5:13] -> 3. The Other One
 [8:51] -> 4. Cryptical Envelopment [4:41] -> 5. Sugar// Magnolia [5:21#] [0:09], 6. [0:06] Casey Jones
 [4:49] [0:11], 7. Smokestack Lightning [9:24] [0:07], 8. [0:23] Big Railroad Blues [3:56] [0:06], 9.
 [0:04] Me And Bobby McGee [5:42] [0:04], Total Time 51:56
 Set Three: 1. [0:16] Deep Elem Blues [6:17] [0:07], 2. [0:12] Cumberland// Blues [4:56]
 [0:23], 3. [0:13] Morning Dew [9:49] [0:04] -> 4. Good Lovin' [2:13] -> 5. Drums [8:32] -> 6. Good
 Lovin' [13:56] -> 7. Uncle John's Band [7:35] [0:48], Total Time 55:24
12/31/70 San Francisco, CA - Winterland Arena mixed All n/a 
 SOURCE:* Disc 1 Tracks 1-6: FMS (KSAN) > ?? > Cass > DAT > CDR; Disc 1 Tracks 7-9: SBD MR > Cass >
 DAT > CDR (Pre-FM GDH); Disc 2 Tracks 1-2: FMS (KSAN) > ?? > Cass > DAT > CDR; Disc 2 Tracks 3-4: SBD
 MR > ?? > Cass > DAT > CDR. *Source for the KSAN stuff is questionable. It might be the audience
 taper that is heard being busted for at least the first part of disc 1. There is little audience noise
 throughout, so, it is likely that the KSAN source is correct, although the degradation of the sound is
 enough to make one think that it could be an audience. ** Taper being busted by band was moved by
 Gans to before Sugar Magnolia, but, it belongs before China Cat (both are present).
 Set One: Truckin', Monkey// & The Engineer, Cold Rain & Snow, Easy Wind ... Big Railroad
 Blues, Cumberland Blues, Dire Wolf, Cryptical Envelopment-> Drums-> The Other One-> Cryptical
 Envelopment-> Black Peter, Sugar Magnolia,
 Set Two: China Cat Sunflower-> I Know You Rider, Good Lovin'-> Drums-> Good Lovin' -> Uncle
 John's Band
 
01/24/71 Seattle, WA - Seattle Center Arena S:R>C>D>CD All 91 
 Truckin fades in, start of HTH is clipped, and Good Lovin cuts out
 Set One: CD1 (45:39), 1) //Truckin', 2) China Cat Sunflower > 3) I Know You Rider, 4) It
 Hurts Me Too, 5) Cumberland Blues, 6) Casey Jones, 7) Sugar Magnolia
 Set Two: CD2 (45:10), 1) Hard to Handle, 2) Lovelight > 3) Not Fade Away > 4) GDTRFB > 5)
 Lovelight > 6) Drumz > 7) Good Lovin'//
02/18/71 Port Chester, NY - Capitol Theater S:BR>D>SF>CD All 154 
 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R, remastered by Leigh Orf.
 The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of
 8000 Hz) which was present as interference on the original reels. See
 http://members.home.net/orf/notch.html for details. d1t02 Truckin' static @ 2:22; d3t04 Stephen
 (master?) cuts @ 4:48; Dowloaded gdlive.com late 12/2000.
 Set One: 1. [0:24] Bertha [5:21] [1:28], 2. Truckin' [8:16] [2:46], 3. It Hurts Me Too
 [4:58] [2:46], 4. Loser [5:56] [2:25], 5. Greatest Story Ever Told [3:45] -> 6. Johnny B. Goode [2:31]
 [1:08], 7. Mama Tried [2:46] [0:43], 8. Hard To Handle [7:50] [0:10], Total Time 53:20
 Set Two: 1. Dark Star [7:03] -> 2. Wharf Rat [7:21] -> 3. Dark Star [7:14] -> 4. Me & My
 Uncle [3:19] [0:45], Set II, 5. Lucky Lager Dance Time [2:39], 6. Casey Jones [4:16] [1:46], 7.
 Playin' In The Band [5:09] [1:14], 8. Me And Bobby McGee [5:46] [0:20], Total Time 48:03
 Set Three: 1. Candyman [6:36] [3:10], 2. Big Boss Man [4:40] [1:00], 3. Sugar Magnolia
 [5:32] [2:57], 4. St. //Stephen [5:56#] -> 5. Not Fade Away [4:33] -> 6. Goin' Down The Road Feelin'
 Bad [5:01] -> 7. Not Fade Away [3:59] -> 8. Uncle John's Band [6:01] [0:43], Total Time 50:09
02/19/71 Port Chester, NY - Capitol Theater S:BR>D>CD All 210 
 Set One: Truckin', Loser, Cumberland Blues, It Hurts Me Too, Bertha, Playin' In The Band,
 Dark Hollow, Smokestack Lightning, China Cat Sunflower-> I Know You Rider
 Set Two: Greatest Story Ever Told-> Johnny B. Goode, Bird Song, Easy Wind, Deal, Cryptical
 Envelopment-> Drums-> The Other One-> Wharf Rat, Good Lovin', Casey Jones
03/18/71 St. Louis, MO - Fox Theatre S:R>C>D>CD most 89 
 A gorgeous recording! d1t01 Truckin' cuts in on "//flashing my keys out on Main Street"; d1t03 TOO
 R channel drop @ 0:03; d1t03 TOO reel splice @ 7:50, unknown missing; d2t04 cut/splice @ 2:29-2:30,
 couple of minutes missing; d2t06 Feedback PL hints @ UJB during the nooding after the "song".
 Set One: 1. //Truckin' [6:55#] -> 2. Drums [5:53] -> 3. The// Other One [12:03#] -> 4. Wharf
 Rat [9:35] [2:11], 5. Sugar Magnolia [6:14] [0:16], Total Time 43:09
 Set Two: 1. [2:30] Greatest Story Ever Told [2:38] -> 2. Johnny B. Goode [3:32] [1:55], 3.
 Not Fade Away [6:21] -> 4. Goin'//Down The Road Feelin' Bad [4:17#] -> 5. Caution [14:01] -> 6.
 Feedback [1:40] [0:44], 7. [0:09] Uncle John's Band [6:39] [1:28], Total Time 45:56
03/20/71 Iowa City, IA - University of Iowa S:R>C>D>CD All 135 None 
 SBD 7" master reels > C > D; d1t1 fades in; d1t7 cuts in, d1t10 clipped a moment before the reverb,
 etc., ends
 Set One: 1. Truckin' [7:#51] [0:24], 2. [0:34] Loser [6:26] [0:24], 3. [1:02] Hard to Handle
 [7:37] [0:30], 4. [0:45] Playing in the Band [4:11] [0:33], 5. [0:22] Bertha [5:42] [0:55], 6. [0:19]
 Deal [4:27] [0:03], 7. //Me & My Uncle [2:#44] [0:35], 8. [0:24] Next Time You See Me [3:47] [0:38],
 9. [0:10] Me and Bobby McGee [5:56] [0:45], 10. [1:25] Cumberland Blues [4:14] [0:05]
 Set Two: 1. [0:04] Big Boss Man [5:00] [0:16], 2. [0:33] Good Lovin' [16:45] [0:16], Set
 Break, 3. [0:05] Casey Jones [5:14] [0:15], 4. [0:20] Sugar Magnolia [6:10] [1:14], 5. [0:54] Around &
 Around [3:45] [0:55], 6. [0:09] Uncle John's Band [6:27] [0:28], 7. [0:14] Turn on Your Lovelight
 [21:56] [0:41]
04/04/71 NYC, NY - Manhattan Center A:?>C>SF>CD All 151 
 AUD>?>C>Sound Forge>SHN>CD. *final known rendition of Easy Wind. Caveat: This is a low
 generation recording of what was probably one of the weaker audience masters of that era.
 Recommended only for the completists. Notes: --splice in Truckin' @ 4:36; several minutes missing;
 --splice in Good Lovin' @ 13:17; --Sound Forge was used for a pitch correction, and other minor edits.
 Part of The Music Never Stopped Project 2002. Thanks to Walter Schnell for providing this show.
 Edits/encoding by J. Cotsman
 Set One: Disc 1 (72:02) set 1: 1. Bertha (7:59) 2. Me & My Uncle (3:55) 3. Next Time You
 See Me (3:45) 4. tuning (1:41) 5. Morning Dew (10:48) 6. Playin' In The Band (5:37) 7. Loser
 (7:28) 8. Easy Wind* (11:21) 9. Bobby McGee (7:53) 10. Greatest Story Ever Told--> (2:31) 11. Johnny
 B. Goode (3:48), set 2: 12. Truckin'% (5:10)
 Set Two: Disc 2 (78:45) set 2 continued: 1. Hard To Handle (8:33) 2. Deal (4:46) 3. stage
 banter (3:23) 4. Sugar Magnolia (6:03) 5. Casey Jones (5:20) 6. Good Lovin'% (23:13) 7. tuning
 (3:34) 8. Goin' Down The Road Feelin' Bad--> (6:27) 9. St. Stephen--> (6:15) 10. Not Fade Away-->
 (4:45) 11. Uncle John's Band (6:27)
04/13/71 Scranton, PA - Catholic Youth Center MSR>D>CD II n/a 
04/14/71 Lewisburg, PA - Bucknell University MSR>D>CD All n/a 
 Seth Kaplan's Notes: "4/14/71 suffers from intermittent static throughout much of the show
 confirmed to be present on the master reel. Master reel flaws notwithstanding, the overall sound
 quality and musical merits of this show make for quite an excellent listen."
 Set One: CD1 Set 1: 1. Truckin' 11:20 2. Deal 6:59 3. Me & Bobbie McGee 6:36 4. Next Time
 You See Me 4:17 5. Bertha 7:45 6. Playin in the Band 4:36 7. Sing Me Back Home 10:04 8. Me & My Uncle
 4:02 9. China Cat Sunflower> 6:23 10. I Know You Rider 4:46
 Set Two: CD2 1. I Second That Emotion 7:02 2. Casey Jones 5:52 Set 2 3. Bird Song 12:55 4.
 Sugar Magnolia 7:47 5. Tuning 0:34 6. Cryptical Envelopment > 2:11 7. Drumz > 5:42 8. The Other One >
 16:24 9. Wharf Rat 11:17
 Set Three: CD3 1. Hard to Handle 11:08 2. Not Fade Away> 3:59 3. GDTRFB> 7:25 4. Not Fade
 Away> 2:10 5. Johnny B. Goode 4:32
04/17/71 Princeton, NJ - Dillon Gym, Princeton University MSR>?>D>CD All 155 None 
 Set One: Truckin', Big Railroad Blues, Big Boss Man, Bird Song, Playin' In The Band, Hard To
 Handle, Loser, Mama Tried, Casey Jones, Sugar Magnolia
 Set Two: Good Lovin'-> Drums-> Good Lovin', Me And Bobby McGee, Deal, Beat It On Down The
 Line, I'm A King Bee, Bertha,
 Set Three: Sing Me Back Home, Goin' Down The Road Feelin' Bad-> Turn On Your Lovelight
04/18/71 Cortland, NY - Lusk Field House, S.U.C.N.Y MSR>C>D>CD All 120 
 Set One: Cold Rain & Snow, Me & My Uncle, Bertha, Me And Bobby McGee, Next Time You See Me,
 China Cat Sunflower-> I Know You Rider, Casey Jones
 Set Two: Sugar Magnolia, Second That Emotion, Truckin', Hard To Handle, Loser, Playin' In
 The Band, Around & Around, Good Lovin'-> Drums-> Good Lovin', Uncle John's Band
04/21/71 Providence, RI - Rhode Island Auditorium MSR>R>D>CD All 137 
 Set One: Disc One (10) 69:31 --Set I-- Casey Jones, Mama Tried, Big Boss Man, Loser,
 Truckin'-> Drums-> The Other One-> Wharf Rat, Hard To Handle, Cumberland Blues
  Set Two: Disc Two (10) 66:33 --Set I (con't)-- Bird Song, Me And Bobby// McGee --Set II--
 /Bertha, /Sugar Magnolia, Good Lovin'-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade
 Away, E:Uncle John's Band-> E: Johnny B. Goode
04/24/71 Durham, NC - Wallace Wade Stadium, Duke University MSR>P>CD All 135 
 Set One: Disc One (10) 65:11 Truckin', Deal, Hard To Handle, Me And Bobby McGee, Bertha,
 Playin' In The Band, Cumberland Blues, Next Time You See Me, Loser, Sugar Magnolia,
 Set Two: Disc Two (10) 68:20 Casey Jones, Good Lovin'-> Drums-> Good Lovin', Me & My Uncle,
 Sing Me Back Home, Greatest Story Ever Told-> Johnny B. Goode, Not Fade Away-> Goin' Down The Road
 Feelin' Bad-> Not Fade Away, Uncle John's Band
04/26/71 NYC, NY - Fillmore East S:R>R>D>CD All 136 None 
 Set One: Bertha, Me & My Uncle, Big Boss Man, Loser, Playin' In The Band, Hard To Handle,
 Dark Star-> Wharf Rat, Casey Jones
 Set Two: Sugar Magnolia*, It Hurts Me Too*, Beat It On Down The Line*, China Cat Sunflower->
 I Know You Rider, Deal, Mama Tried, Good Lovin'-> Drums-> Good Lovin', Sing Me Back Home, Not Fade
 Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away
04/27/71 NYC, NY - Fillmore East MSR>CD All 186 2221 
 SBD 7" two-track master reels @ 7.5 ips recorded on a Revox A 77 > Alesis Masterlink> CD-R; via Bob
 Murphy; d1,3 are tracked for 80 min; Errata: Lodi fades in already in progress. Hard To Handle starts
 late and has some sound fluctuations in the first minute or two. Sugar Magnolia fades in already in
 progress. There is a splice in the segue between Uncle John's Band and Lovelight. The faults listed
 above are consistent with previous versions
 Set One: Truckin', Mama Tried, Bertha, Next Time You See Me, Cumberland Blues, Me And Bobby
 McGee, Loser, Hard To Handle, China Cat Sunflower-> I Know You Rider, Casey Jones
 Set Two: Sugar Magnolia, Deal, Me & My Uncle, Bird Song, Playin' In The Band, Dire Wolf,
 Searchin'*, Riot In Ceil Block #9, Help Me Rhonda*, Okie From Muskogee*, Johnny B. Goode*, Sing Me
 Back Home, Uncle John's Band-> Turn On Your Lovelight
04/28/71 NYC, NY - Fillmore East S:R>CD All 185  
 Disk #1 & #2 (up to splice in Bird Song): MSR >Reel >Alesis Masterlink>CD-R; End of Bird Song and
 Disk #3 & #4: SBD 7'' two-track master reels @ 7.5 ips on a Revox A 77 > Alesis Masterlink > CD-R
 Set One: Truckin', Beat It On Down The Line, Loser, El Paso, The Rub, Bird Song, Playin' In
 The Band, Cumberland Blues, Ripple, Me And Bobby McGee, I'm A King Bee, Bertha
 Set Two: Morning Dew, Me & My Uncle, Deal, Hard To Handle, Cryptical Envelopment-> Drums->
 The Other One-> Wharf Rat, Sugar Magnolia, Dark Star*-> St. Stephen*-> Not Fade Away*-> Goin' Down The
 Road Feelin' Bad*-> Not Fade Away*
04/29/71 NYC, NY - Fillmore East S:R>CD All 180 None 
 SBD>MR>CDR>CDR>SHN, as follows:: SBD>MR : Shure line mixers > Sony reel to reel (middle of the line
 model, exact model unknown) @7 1/2 ips onto BASF 90 minute reels; MR>CDR: Revox A77 reel to reel >
  Alesis Masterlink ML9600, sampling at 16 bit, 44.1k; CDR>CDR: ??? > HHB; CDR>SHN : PlexWriter 8/2/20 >
 Exact Audio Copy
 Set One: Disc Two, 5. Truckin' [11:22], 6. Bertha [10:44], 7. Hurts Me Too [6:36], Disc
 Three, 1. Tuning [1:49], 2. Cumberland Blues [4:39], 3. Me & My Uncle [4:13], 4. Bird Song //
 [11:49#], 5. Playin' [7:28], 6. Loser [10:26], 7. Dark Hollow [5:51], 8. Hard to Handle [10:15], Disc
 Four, 1. Ripple [7:52], 2. Me and Bobby McGee [5:12], 3. Casey Jones [5:56]
 Set Two: Disc Four (con't), 4. Morning Dew [10:58], 5. New Minglewood Blues [6:49], 6. Sugar
 Magnolia [7:49], 7. Black Peter [11:20], 8. BIODTL [3:19], 9. Second That Emotion [5:15], Disc Five,
 1. Alligator > [5:30] 2. Drums > [4:09] 3. Jam > [9:42] 4. GDTRFB > [4:28] 5. Cold Rain [6:39] 6.
 China Cat Sunflower // [4:02#] 7. I Know You Rider [5:59] 8. Greatest Story > [2:54] 9. Johnny B.
 Goode [6:25] 10. Uncle John's Band [8:23] 11. Bill Graham Comments [4:42] , E: 2. Midnight Hour
 [9:59], 13. AWBYGN [4:30]
06/21/71 Herouville, FR - Chateau d'HerouvilIe S:R>R>D>CD Ip,II 88 
 d2t04 Wharf Rat digi-snit @ 7:00
 Set One: Disc One (6) 38:19, --From Set I-- 1. [1:11] Playin' In The Band [4:36] [2:22], 2.
 [0:17], 3. Big Boss Man [6:05] [0:16], 4. Black Peter [8:10] [0:55], 5. false start [0:07], Bertha
 [5:43] [2:40], --Set II-- 6. Casey Jones, [5:48] [1:05]
 Set Two: Disc Two (7) 48:40, --Set II (con't)-- 1. [0:46] Cryptical Envelopment [2:04] -> 2.
 Drums [2:15] -> 3. The Other One [12:44] -> 4. Wharf Rat [8:16] [2:19], 5. Sugar Magnolia [6:05]
 [0:42], 6. Sing Me Back Home [9:13] [0:28], 7. Johnny B. Goode [3:36] [0:08]
07/31/71 New Haven, CT - Yale Bowl, Yale University A:R>...>CD All 175 
 Set I: AudMR > CD > EAC > WAV > SHN; Set II: AudMR > C > DAT > CD > EAC > WAV >SHN; Single AKG 190E
 mic > Uher 4000 Report-L 5" Reel deck. Taper: Marty Weinberg. Analog to Digital Transfer: 1/2 track
 tapes on a Revox A-700 (tweaked the head azimuth to match the original recording). Signal fed into
 DigiDesign Pro Tools on a Macintosh with Audio Media III sound card. The only post processing was
 normalization. Final digital version assembled by: Noah Weiner - noahbw@home.com. Note: Weinberg
 recorded each set of this show on its own reel. Both were in very delicate condition at the time of
 the transfer (Summer 2001). The set two reel was degraded so much in sound quality (a tremendous loss
 of high end frequencies) that it proved better to used an older cassette copy of the set two reel for
 this new distribution. Also, Sing Me Back Home, Sugar Magnolia, and Casey Jones had been recorded
 over on the master reel at some point prior to the Summer 2001 digital transfer. Evidence of the
 current state of the set two reel can be heard on the set two intro, the first 23 seconds of Bertha,
 and the set two outro, which do come from the master reel. Also, the track list for set one differs
 from what prior record keeping indicated. However, this new track order is direct off the master
 reel. The old order seems to indicate that songs were possibly rearranged to fit them more
 comfortably onto cassette. d1t09 reel stop/cut @ 12:38; set two switch to AudMR > C > DAT > CD > EAC
 > SHN at 0:23 into Bertha running through JBG. There are some very slight digital ticks on tracks
 d2t12, d2t13 and d3t01. These are confirmed on the DAT that the transfer came from.
  Set One: set one-a: 1 intro 1:41 2 Truckin' 8:17 3 Sugaree 6:44 4 Mr. Charlie 5:16 5 Mama
 Tried 2:48 6 Big Railroad Blues 4:10 7 crowd and stage chatter 0:58 8 Playin' In The Band> 4:31 9
 Dark Star> 21:20* 10 Bird Song 7:54 11 El Paso 5:28, Total Time 69:07
 Set Two: set one-end: 1 Hard To Handle 7:40 2 Loser 6:33 3 crowd and stage chatter 0:42 4 Me
 And Bobby McGee 6:10 set two-a: 5 intro 0:32 6 Bertha 5:57* 7 Big Boss Man 6:40 8 Me And My Uncle 4:23
 9 Deal 5:53 10 China Cat Sunflower> 5:39 11 I Know You Rider 5:46 12 Sing Me Back Home 9:20 13 Sugar
 Magnolia 5:56, Total Time 71:11
 Set Three: set two-end, 1. Casey Jones 5:35, 2. Not Fade Away> 4:48, 3. Goin' Down The Road
 Feelin' Bad> 7:59, 4. Darkness Jam> 2:07 5. Not Fade Away 2:44, 6 Uncle John's Band> 6:42 7. Johnny B
 Goode 3:49, 8. outro 1:10, Total Time 34:54
08/05/71 Hollywood, CA - Hollywood Palladium A:R>R>D>CD All 107  
 AUD>MR>R>D>CD>EAC>SHN. Like the more familiar 8-6-71 show, this is an outstanding audience
 recording made by Rob Bertrando. Notes: --only the first few notes of Truckin' are clipped --splice @
 6:02 in Other One --left channel dropout @ 8:37 in Other One --Sound Forge was used for normalization
 and a slight pitch correction for some portions --there are occasional, minor blemishes.
 Edits/encoding by J. Cotsman.
 Set One: Disc 1 (72:52), Set 1, 1. Introduction (0:51), 2. Bertha (9:43), 3. Me & My Uncle
 (4:00), 4. Mr. Charlie (3:42), 5. Sugaree (6:48), 6. El Paso (5:08), 7. Tuning (1:54), 8. Cryptical
 Envelopment--> (2:02) 9. Drums--> (2:13) 10. The Other// One--> (13:#21) 11. Wharf Rat (10:58), 12.
 Bobby McGee (6:14), 13. Casey Jones (5:51)
 Set Two: Disc 2 (34:18), Set 2, 1. //Truckin' (9:09), 2. Loser (6:39), 3. Sugar Magnolia
 (5:01), (missing Bird Song) (missing Not Fade Away-->) 4. //Goin' Down The Road Feelin' Bad--> (6:41)
 5. Not Fade Away (2:57), 6. Johnny B. Goode (3:54)
08/06/71 Hollywood, CA - Hollywood Palladium A:R>D>CD All 135 
 AKG 330>Sony 770 Reel to Reel (50 ft back from the stage)>Fostex D5>SB Live Digi I/O>Cool Edit
 Pro>SHN>CDR (Rob Bertrando taper). Or is it "Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5
 ips. 40-50 feet back, dead center", as per Deadlists?
 Set One: 1. Introduction [0:06] -> Bertha [5:53] [0:53], 2. Playin' In The Band [4:37]
 [0:28], 3. Loser [6:24] [0:20], 4. Mr. Charlie [3:30] [0:25], 5. Cumberland Blues [5:04] [0:27], 6.
 Brokedown Palace [5:20] [0:22], 7. Me And Bobby McGee [5:54] [0:27], 8. Hard To Handle [7:21] [0:14],
 9. Casey Jones [4:58] [0:17], Set II, 10. St. Stephen [6:30] [0:14], 11. Truckin' [6:57] -> 12. Drums
 [3:52] ->
 Set Two: 1. The Other One [7:53] -> 2. Me & My Uncle [2:54] -> Noodling [0:16] -> 3. The
 Other One [5:30] [0:19], 4. //Deal [5:09#] [0:21], 5. Sugar Magnolia [6:23] [0:25], 6. Morning Dew
 [10:54], 7. Turn On Your Lovelight [23:49], Total Time 63:58
08/14/71 Berkeley, CA - Berkeley Community Theater S:R>C>D>CD All 136 
 d2t01 Truckin' cuts in at "before I travel" (most missing); d2t04 Space has some nice material,
 reminiscent of the Tighten Up from 10/31/71; d2t13 UJB may cut in.
 Set One: Disc One (13) 66:09, 1. Intro [0:08] -> Bertha [5:30] [0:03], 2. MAMU [3:13]
 [0:04], 3. Mr. Charlie [3:16] [0:04], 4. Sugaree [6:20] [0:03], 5. [0:11] El Paso [5:06] [0:03], 6.
 Big Railroad Blues [3:24] [0:02], 7. Big Boss Man [5:05] [0:04], 8. Brokedown Palace [5:26] [0:02], 9.
 PITB [4:37] [0:01], 10. Hard to Handle [7:22] [0:06], 11. Cumberland Blues [5:34] [0:02], 12. [0:22]
 Loser [6:34] [0:02], 13. Promised Land [2:51] [0:06]
 Set Two: Disc Two (13) 70:06, 1. //Truckin' [#3:53] -> 2. Drums [3:40] -> 3. The Oher One
 [5:14] -> 4. Space [7:47] -> 5. The Other One [2:42] [1:25], 6. Me & Bobby McGee [5:48] [1:07], 7.
 Sugar Magnolia [5:50] -> NFA false start [0:09] [1:58], 8. Not Fade Away [5:53] -> 9. GDTRFB [9:54] ->
 10. Not Fade Away [2:45] [0:47], 11. HBD David Crosby [0:43] [0:21], 12. [0:02] Johnny B. Goode [3:36]
 [0:08], 13. //? Uncle John's Band [6:07] [0:12]
08/15/71 Berkeley, CA - Berkeley Community Theater S:R>C>D>CD All 128 
 d1t09 IKYR cut/splice @ 3:40, just before "headlight" verse, ouch; d2t01 Truckin' static @ 6:09;
 d2t05 TOO static @ 2:22-2:35, 2:55; d2t05 TOO skip/SQ change? @ 4:45-4:46; d2t07 Lovelight fades in,
 missing < 30 seconds; d2t07 Lovelight digi-scratch @ 6:05, 14:06
 Set One: Disc One (11) 62:15, 1. Big Railroad Blues, Playin' In The Band, Mr. Charlie,
 Cumberland Blues, Sugaree, Promised Land, Big Boss Man, China Cat Sunflower-> I Know// You Rider, Me
 And Bobby McGee, Casey Jones
 Set Two: Disc Two (9) 64:20, 1. [0:18] Truckin' [7:32] -> 2. Drums [3:12] -> 3. The Other
 One [11:18] -> 4. Me & My Uncle [3:15] -> 5. The Other One [5:38] -> 6. Wharf Rat [9:29] [0:22], 7.
 //Turn On Your Lovelight [#15:25] [0:17], E: 8. [0:13] Johnny B. Goode [3:55] -> 9. And We Bid You
 Goodnight [2:57] [0:26]
08/23/71 Chicago, IL - Auditorium Theatre  A:R>C>R>D>CD All 118 
 AUD>MR>C>R>D>CD>EAC>SHN. Notes: --most of the cuts are a result of stopping the reel to save
 time/batteries, and are therefore very minor in most cases; --dropout @ 1:55 in Bobby McGee; --tape
 warble @ 6:05 in The Other One(1); --tape damage(?) @ 6:39-6:50 in 2nd Other One; --tape warble @ 0:08
 in 2nd Cryptical; --Sound Forge was used for normalization, correction of the pitch, crossfades, and
  smoothing over troubled areas. Comments: This is a decent mono audience recording of seeming moderate
 distance from the source of music. The microphone is often bumped or moved, causing some noise. The
 crowd is relatively quiet. Deadlists comments: This show is usually listed on tapes and in Deadbase
 as 8/24/71. But, according to Dwight Holmes the circulating aud tapes for this show were made by
 Stephen Wade, who says that he only taped the first show (8/23) and not the second (8/24). Additional
 evidence from Jeff Tiedrich also indicates that this is 8/23 and not 8/24. Part of "The Music Never
 Stopped Project" 2002. Thanks to Matt Vernon & Raoul Duke. Edits/encoding by J. Cotsman
  Set One: Disc 1 (44:02), set 1, 1. //Big Railroad Blues (4:18), 2. //Playin' In The Band
 (4:32), 3. Mr. Charlie (3:11), 4. //Sugaree (6:29), 5. //El Paso (5:01), 6. //Next Time You See Me
 (3:45), 7. Bertha (6:08), 8. Bobby McGee (5:51), 9. //Cumberland Blues (4:47)
 Set Two: Disc 2 (73:47), set 2, 1. Big Boss Man (4:19), 2. Loser// (4:51), 3. //Bird Song
 (7:42), 4. //Cryptical Envelopment%--> (1:51) 5. Drums--> (4:25) 6. The Other One--> (11:49) 7. Me &
 My Uncle--> (3:04) 8. The Other One--> (7:17) 9. Cryptical Envelopment--> (4:36) 10. Wharf Rat (8:46),
 11. Deal% (4:31), 12. //Brokedown Palace (5:40), 13. Empty Pages (4:50)
09/30/71 Santa Venetia, CA - Veteran's Memorial Building S:?>?>CD  All 30 
 *Rehearsals*
 Set One: Filler on 4/16/79 6. PITB, 7. Jack Straw, 8. //Deep Elem Blues, 9. //Big RxR Blues,
 10. Promised Land, 11. Attics of My Life, Time 30:19
10/19/71 Minneapolis, MN - Northrop Auditorium, U. of Minn. S:R>D>CD All 183 
 PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston
 Set One: Bertha, Me & My Uncle, Sugaree, Beat It On Down The Line, Cumberland Blues,
 Tennessee Jed, //Black Peter, Jack Straw, //Big Railroad Blues, Brown Eyed Women, Mexicali Blues,
 Comes A Time,
 Set Two: Playin' In The Band, One More Saturday Night, Casey Jones, set II, Truckin', Ramble
 On Rose, Me And Bobby McGee, Brokedown Palace,
 Set Three: Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> Wharf
 Rat, Sugar Magnolia, Uncle John's Band-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade
  Away
10/21/71 Chicago, IL - Auditorium Theatre S:?>?>CD IIp+e 54 
 Tracking problems, all markers ca. 0:02 too late.
 Set One: 1. Dark Star [15:02] -> 2. Sitting On Top Of The World [3:24] -> 3. Dark Star
 [2:09] -> 4. Me And Bobby McGee [5:48], 5. Brown Eyed Women [4:15], 6. Ramble On Rose [5:53] [0:07],
 7. Banter (Louie Louie) [0:17], 8. Sugar Magnolia [6:18] [0:05], Encore: 9. St. Stephen [5:55] -> 10.
  Johnny B. Goode [4:00] [0:15], Total Time 53:34
10/22/71 Chicago, IL - Auditorium Theatre MSR>C>D>CD II 68 
 Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k). Transfer Info: Dat (Sony R500) ->
 Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC (1 Disc Audio / 1 Disc FLAC).
 All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, July 29, 2007. Notes: --
 Tape flip 1:30 into d2t06
 Set Two: d2t01 - Ramble On Rose d2t02 - Cumberland Blues d2t03 - Cryptical Envelopment ->
 d2t04 - Drums -> d2t05 - The Other One -> d2t06 - Cryptical Envelopment -> d2t07 - Deal d2t08 - Sugar
 Magnolia d2t09 - Casey Jones -> d2t10 - Johnny B. Goode TT: 67:53
10/23/71 Detroit, MI - Easttown Theatre F:?>C>SF>CD All 159 
 SBD>FM>?>C>Sound Forge>SHN>CD. Caveat: This is a low gen recording of a live FM broadcast, and
 therefore is somewhat muddy and hissy, though easily listenable. I have not seen this show anywhere
 in digital (June 2002). Sound Forge was used to correct the pitch of the recording. Part The Music
 Never Stopped Project 2002. Thanks to Walter Schnell, for lending me his tapes. Edits/encoding by
 J. Cotsman
 Set One: Disc 1 (61:47) set 1: 1. Introduction (0:45) 2. Bertha (5:58) 3. tuning (1:48)
 4. Playin' In The Band (7:33) 5. Loser (8:06) 6. Mexicali Blues (4:04) 7. Sugaree (8:27) 8. Jack
 Straw (6:05) 9. Big Railroad Blues (3:32) 10. stage banter (1:37) 11. El Paso (6:14) 12. Ramble On
 Rose (7:39)
 Set Two: Disc 2 (51:37) set 1 continued: 1. Bobby McGee (7:17) 2. Cumberland Blues (7:18)
 3. Brokedown Palace (5:46) 4. One More Saturday Night (4:51) set 2: 5. //Casey Jones (6:15) 6. Me
 & My Uncle (3:36) 7. Tennessee Jed (6:31) 8. stage banter (1:56) 9. Sugar Magnolia (8:04)
 Set Three: Disc 3 (45:14) set 2 continued: 1. Comes A Time% (9:18) 2. Truckin' (11:22) 3.
 Brown Eyed Women (5:03) 4. Not Fade Away--> (9:11) 5. Goin' Down The Road Feelin Bad--> (7:38) 6.
  Not Fade Away (2:40)
10/29/71 Cleveland, OH - Allan Theater fm + sbd All 160 
 1st set: SBD>FM>?>C>Sound Forge>SHN>CD. 2nd set: SBD>MR>D>CD>EAC>SHN
 Set One: Disc 1 (44:49) set 1: 1. //Truckin' (8:59) 2. Sugaree (8:17) 3. El Paso (5:40)
 4. Loser (6:23) 5. tuning (2:14) 6. Playin' In The Band (6:45) 7. Brown Eyed Women (6:28)
 Set Two: Disc 2 (39:58) set 1 continued: 1. Beat It On Down The Line (4:38) 2. Brokedown
 Palace (5:29) 3. tuning (1:51) 4. Jack Straw% (5:39) 5. Tennessee Jed (8:32) 6. Mexicali Blues
 (4:24) 7. Big Railroad Blues (3:29) 8. Casey Jones (5:52)
 Set Three: Disc 2 (74:31), set 2: 1. Cryptical Envelopment--> (2:01) 2. Drums--> (6:14) 3.
 The Other One--> (21:00) 4. Me And My Uncle--> (3:14) 5. The Other One--> (3:06) 6. Cryptical
 Envelopment--> (1:37) 7. Deal% (4:55) 8. Sugar Magnolia (6:55) 9. Ramble On Rose (6:39) 10. Not Fade
 Away--> (4:23) 11. Goin' Down The Road Feeling Bad--> (6:58) 12. Not Fade Away (2:54) 13. One More
 Saturday Night (4:31)
10/31/71 Columbus, OH - Ohio Theatre GDM All n/a  
 Set One: DICK'S PICKS VOL. 2--BUY IT.
11/06/71 San Francisco, CA - Harding Theater S:R>C>D>CD All 168 
 Set One: Bertha, 
 Set Two: Cryptical Envelopment-> Drums-> The Other One-> Black Peter
11/07/71 San Francisco, CA - Harding Theater MSR>D>CD All 214 
 SBD pre-fm reels > DAT > CD is the lineage given, though there are enough warts on this to make me
  wonder; d1t03 BEW bad drop @ 0:14; d1t03 BEW drop @ 0:27; d1t03 BEW static @ 3:50; d1t03 BEW bad drops
 @ 4:27, 4:39; d1t04 BIODTL very staticky; d1t08 Jed pop @ 0:27; d2t02 and d2t04 bad distortion; d2t02
 CAT buzz @ 1:39, 3:14; d2t05 Ramble on Rose fades in (few seconds missing); d2t05 Ramble levels
 fluctuate first 0:30; d2t05 distortion and static; d3t04 MAMU staticky; d3t04-05 (MAMU -> TOO) splice
 at track marker; d4t04 (NFA>GDTRFB) splice @ track marker; d4t04-05 (GDTRFB>NFA) pop @ track
 marker.
 Set One: Disc One, 1. Banter [2:01], 2. Truckin' [8:20] [4:26], 3. [0:05] Brown Eyed Women
 [4:44] [2:11], 4. Beat It On Down The Line [3:08] [1:40], 5. Hideaway [3:09] [0:02], 6. Sugaree [6:18]
 [1:08], 7. [0:11] Jack Straw [5:08] [0:47], 8. Tennessee Jed [6:38] [0:51], 9. [0:15] Cumberland Blues
 [5:16] [1:28], 10. [0:42] El Paso [4:38] [0:26], Total Time 63:35, Disc Two, 1. [0:29] Big Railroad
 Blues [3:32] [0:47], 2. Comes A Time [7:52] [2:01], 3. Mexicali Blues [3:25] [0:46], 4. One More
 Saturday Night [4:31] [0:10]
 Set Two: Disc Two (con't) 5. //Ramble On Rose [6:15#] [2:04], 6. Me And Bobby McGee [5:44]
 [1:59], 7. Loser [6:26] [0:04], 8. Sugar Magnolia [6:37] [0:22],Total Time 53:09, Disc Three, 1.
 [1:26] Dark Star [14:01] -> 2. Drums [4:15] -> 3. The Other One [6:11] -> 4. Me & My Uncle// [3:08#]
 -> 5. The Other One [7:46] [1:39], 6. Deal [5:18] [0:36], 7. Brokedown Palace [5:27] [0:19], Total
 Time 50:09, Disc Four, 1. [0:36] Playin' In The Band 6:00] [2:29], 2. [0:04] Casey Jones [5:50]
 [0:20], 3. Not Fade Away// [7:18#] -> 4. Goin' Down The Road Feelin' Bad [8:28] -> 5. Not Fade Away
  [2:52] [0:47], E: 6. Johnny B. Goode [3:50] [0:25], 7. [0:37] Uncle John's Band [6:48] [0:27], Total
 Time 46:50
11/15/71 Austin, TX - Austin Municipal Auditorium S:R>C>SS>CD Partial 56 
 "Big Jam" portion. SBD:MR > Cassette > Sonic Solutions > CDR > EAC > SHN. CD mastering by David
 Gans. Extraction (EAC), re-tracking (CD Wave and WavMerge), and .shn encoding (mkwACT) by Joe Jupille.
 Proper sector boundaries verified using shntool.
 Set One: Single Disc [55:30], 1. Dark Star [12:41] -> 2. El Paso [4:56] -> 3. Jam [7:42] ->
 4. Casey Jones [5:38] [0:07], 5. Not Fade Away [7:31] -> 6. Jam [4:55] -> 7. Goin' Down the Road
 Feelin' Bad [8:25] -> 8. Not Fade Away [3:12] [0:20]
11/17/71 Albuquerque, NM - Albuquerque Civic Auditorium F:C>C>D>CD* All 152 
 Source Notes: "SBD>FM>MC>C>D>CD>EAC>SHN>CD, patched with SBD>FM>MC>?>C>Sound Forge>SHN>CD (higher
  gen than primary source). This is one of the muddier sounding FM broadcasts from the fall tour of '71
 [I actually disagree with this. It is not altogether too bad.]. A higher gen FM patch provides the
 end of the first Other One through most of Wharf Rat. Notes: --first few seconds of Truckin' are
 clipped; --FM announcer near the end of Truckin'; --first few seconds of El Paso are clipped; --splice
 @ 0:11 in El Paso; a couple minutes are missing; --blemish @ 3:12 in Bobby McGee; --dropout @ 3:50 in
 Bobby McGee; --blemish @ 0:18 in You Win Again; --dropout in left channel @ 0:10 in NFA; --the first
 few notes of OMSN are clipped; --OMSN cuts out; most of the song is missing; --minor splice in 2nd O1
 @ 0:11; --first few notes of NFA are clipped; --Ramble On Rose cuts in on 1st verse; --Sound Forge was
 used for normalization, a small excerpt of pitch correction, patching in of 2ndary source, etc. Part
 of The Music Never Stopped Project 2002. Thanks to Jeff Cook & Walter Schnell. Edits/encoding by J.
 Cotsman. There is a really interesting, very short blues riff from about 3:00-3:30 of The Other
 One.
 Set One: Disc 1 (73:18) set 1: 1. //Truckin' (9:16) 2. Sugaree (7:29) 3. Beat It On Down
 The Line (3:15) 4. Tennessee Jed (6:35) 5. //El Paso% (1:49) 6. Big Railroad Blues (4:01) 7. Jack
 Straw (5:37) 8. Deal (5:36) 9. Playin' In The Band (7:29) 10. Cumberland Blues (5:21) 11. tuning
 (3:23) 12. Bobby McGee (6:13) 13. You Win Again (3:16) 14. Mexicali Blues (3:54)
 Set Two: Disc 2 (79:05) set 1 continued: 1. Casey Jones (6:22) 2. //One More Saturday
 Night// (1:37) set 2: 3. Sugar Magnolia (6:55) 4. tuning (1:42) 5. Cryptical Envelopment--> (2:00)
 6. Drums--> (3:35) 7. The Other One--> (10:52) 8. Me & My Uncle--> (3:10) 9. The Other One%-->
 (9:08) 10. Wharf Rat (8:13) 11. //Not Fade Away--> (8:19) 12. Goin' Down The Road Feelin' Bad-->
 (7:51) 13. Not Fade Away (3:17) encore: 14. //Ramble On Rose (5:58)
11/20/71 Los Angeles, CA - Pauley Pavilion, UCLA S:R>C>D>CD 2 71 
 S:R(pre-fm)>C>D>CD. A wonderful One Disc Wonder! t01 Truckin' cuts in, ca. 15 secs. missing?
 Set Two: 1. //Truckin' [#8:06] -> 2. Drums [2:15] -> 3. The Other One [22:40] -> 4. Ramble
 On Rose [6:11] [0:34], 5. DJ Talk [0:30], Sugar Magnolia [6:39] [1:21], 6. [0:08] You Win Again [3:00]
 [0:31], 7. [1:06] Drums [0:11] -> Not Fade Away [4:39] -> China Cat Sunflower Jam [1:02] -> Transition
 Jam [0:29] -> 8. Goin' Down The Road Feelin' Bad [7:43] -> 9. Not Fade Away [2:46], DJ Talk [1:19],
 Total Time 71:21
12/01/71 Boston, MA - Boston Music Hall MSR>D>CD II 54 
 Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC (1 Disc Audio / 1
  Disc FLAC); All Mastering done By Charlie Miller, charliemiller87@earthlink.net, August 10, 2006.
 Notes: -- First 2 tracks patched from SBD->Master Reel->Cass->Dat->Samplitude->WAV; -- Flaw in Big
 Boss Man fixed.
 Set One: d2t01 - Ramble On Rose, d2t02 - Me And Bobby McGee, d2t03 - Big Boss Man, d2t04 -
 Cryptical Envelopment -> d2t05 - Drums -> d2t06 - The Other One -> d2t07 - Me And My Uncle -> d2t08 -
 The Other One, d2t09 - Not Fade Away -> d2t10 - Goin' Down The Road Feeling Bad -> d2t11 - Not Fade
 Away
12/04/71 NYC, NY - Madison Square Garden, Felt Forum S:R>D>C>D>CD Most 132 
 Notes: Missing JB Goode, d2t03 Cumberland fades in at “help you with your trouble”; ticks at disc
 two Jam track markers; d2t10 Casey Jones piano oversaturation
 Set One: Set I, 1. "The food that feeds us all, the Grateful Dead" [0:11] -> Truckin' [8:35]
 [0:12], 2. [0:07] Sugaree [7:28] [0:09], 3. [0:05] Mr. Charlie [3:53] [0:09], 4. [0:09] BIODTL [3:03]
 [0:14], 5. Keith Godchaux Intro [0:38], Tennessee Jed [6:43] [0:12], 6. [0:06] Jack Straw [4:42]
 [0:08], 7. [0:05] Run Run Rudolph [3:31] [0:09], 8. [0:07] You Win Again [3:31] [0:07], 9. [0:05] Me &
 Bobby McGee [5:38] [0:09], 10. [0:05] Comes a Time [6:35] [0:08], 11. [0:05] El Paso [4:22] [0:09],
 Total Time 61:31
 Set Two: Set I (con't), 1. [0:05] Smokestack Lightning [10:31] [0:13], 2. [0:12] One More
 Saturday Night [4:33] [0:08], Set II, 3. //Cumberland Blues [3:43#] [0:09], 4. [0:03] Ramble on Rose
 [6:33] [0:07], 5. [0:02] Me & My Uncle [2:51] -> 6. The Other One [19:05] -> 7. Mexicali Blues [3:36]
 -> 8. The Other One [3:12] -> 9. Wharf Rat [8:54] [0:15], 10. [0:03] Casey Jones [5:33] [0:22], Total
 Time 70:15
12/05/71 NYC, NY - Madison Square Garden, Felt Forum S:R>D>CD  All 184 
 PRE-FM =>MR=>DAT=>CD; Merry Pranksters' Tree
 Set One: Bertha, Beat It On Down The Line, Big Boss Man, Brown Eyed Women, Muddy Water, Jack
 Straw, Mr. Charlie, Tennessee Jed, El Paso, Deal, Playin' In The Band, Next Time You See Me, Comes A
 Time, Casey Jones, One More Saturday Night
 Set Two: Truckin', Ramble On Rose, It Hurts Me Too, Sugaree, Sugar Magnolia, Dark Star Jam->
 Me & My Uncle-> Dark Star Jam-> Sitting On Top Of The World, Me And Bobby McGee, Big Railroad Blues,
 Mexicali Blues, You Win Again, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away, E:
 Johnny B. Goode
12/06/71 NYC, NY - Madison Square Garden, Felt Forum  S:R>D>CD All 167 
 d1t01 Truckin' cut/splice @ 4:07; d1t01 Truckin' weirdness around 4:27, could be performance
 fuck-up; d1t01 Truckin' really staticky after ca. 5:00; d1t02 Loser drop @ 0:50; d1t02 Loser staticky;
 d2t03 Next Time You See Me static/distortion; d2t04 Casey Jones cuts in; d3t04 Bobby McGee last
 reverbs cut out, cutting the guzinta The Other One
 Set One: Disc One (9) 59:45 -Set I- 1. Introduction [0:34] -> Truc//kin' [8:#51] [2:47], 2.
 [0:03] Loser [6:28] [0:31], 3. Mr. Charlie [3:49] [0:23], 4. Jack Straw [4:54] [1:19], 5. China Cat
 Sunflower [3:22] -> Jam [1:31] -> 6. I Know You Rider [4:54] [0:30], 7. Run Rudolph Run [2:50] [1:22],
  8. El Paso [4:32] [0:08], 9. Tennessee Jed [5:30] [1:22]
 Set Two: Disc Two (8) 52:15 -Set I (con't)- 1. [0:58] Mexicali Blues [3:22] [1:06], 2. Black
 Peter [9:24] [1:13], 3. Next Time You See Me [3:40] [0:03], 4. //Casey Jones [#5:28] [1:17] -Set II-
 5. [0:03] Big RxR Blues [4:12] [1:07], 6. [0:05] Me & My Uncle [2:53] [1:03], 7. Ramble on Rose [6:29]
 [1:02], 8. Playing in the Band [6:13] [1:23]
 Set Three: Disc Three (8) 54:56 -Set II (con't)- 1. Cryptical Envelopment [1:59] -> 2. Drums
 [2:04] -> 3. The Other One [7:49] -> 4. Me & Bobby McGee// [5:57#], 5. The Other One [13:52] -> 6.
 Wharf Rat [11:15] [0:03], 7. [0:10] One More Saturday Night [4:38] [0:34], Encore: 8. [0:07] Uncle
  John's Band [6:03] [0:20]
12/07/71 NYC, NY - Madison Square Garden, Felt Forum S:R>D>CD All 150 
 SBD=>MR@ 10 ½ IPS=>DAT=>CD, Merry Pranksters' Tree.
12/10/71 St. Louis, MO - Fox Theatre  S:R>D>C>D>CD All 179 
 this recording bears some markings of an f.m. (radio id d1t11 @ ca. 4:30, audible applause, etc.);
 d1t01 Bertha level fluctuations; d1t01 Bertha static 1:23-1:30, 1:40-1:43; d1t01 Bertha cut/splice @
 4:46; d2t01 Good Lovin' (reel?) splice @ 15:29; d1t08 CAT first few notes clipped? d3t04-05 SOTOTW >
 TOO distortion/static throughout; d3t07 GDTRFB skip or reel warble @ 3:37; d3t07-08 light pop @
  marker
 Set One: 1. Ber//tha [5:55#] [0:16], 2. Me & My Uncle [3:03] [0:14], 3. Mr. Charlie [3:47]
 [0:11], 4. Loser [6:33] [0:35], 5. Beat It On Down The Line [3:06] [0:09], 6. Sugaree [7:19] [0:18],
 7. Jack Straw [4:58] [0:13], 8. Next Time You See Me [4:08] [0:11], 9. Tennesse Jed [7:10] [0:04], 10.
 El Paso [4:24] [0:06], 11. Big Railroad Blues [3:53] [0:56], 12. Casey Jones [5:33] [0:23], Total Time
 63:29
 Set Two: 1. Good //Lovin' [19:00#] [0:36], 2. Brokedown false start [2:08], 3. Brokedown
 Palace [5:37] [0:10], 4. Playin' In The Band [6:38] [0:04], 5. Run Rudolph Run [3:11] [0:10], 6. Deal
 [5:20] [0:02], 7. Sugar Magnolia [7:17] [0:12], 8. //Comes A Time [7:14#], Total Time 58:14
 Set Three: 1. [0:04] Truckin' [8:09] -> 2. Drums [3:11] -> 3. The Other One [13:28] -> 4.
 Sitting On Top Of The World [3:14] -> 5. The Other One [6:04] -> 6. Not Fade Away [5:55] -> 7. Goin'
 Down The Road Feelin' Bad [6:20] -> 8. Not Fade Away [3:17] [0:15], E: 9. One More Saturday Night
 [4:44] [0:20], Total Time 55:06
12/14/71 Ann Arbor, MI - Hill Auditorium S:BR>P>D>CD All 178 
 7" BBD reel>PCM501ES(beta)>PCM501ES analog out>Fostex D5 @ optical out 48KHz>CD; DAT-1 > Soundforge
 4.5 > WAV/SHN mastering by Tim Deibert, via Jace Crouch DNC vine 12/2001.
 Set One: Disc 1: (71:22), (set 1), Truckin', Sugaree, Mr. Charlie, BIODTL, Loser, Jack
 Straw, Next Time You See Me, Tennessee Jed, El Paso, Big R&R Blues, Me & My Uncle, Run Rudolph Run
 Set Two: Disc 2: (40:43), Black Peter, Playin', Casey Jones, (set 2), ...Ramble On Rose,
 Mexicali Blues, Big Boss Man
 Set Three: Disc 3: (65:55), 1. Cryptical [1:53] -> 2. Drums [3:37] -> 3. Other One [18:35]
 -> Wharf Rat, Sugar Magnolia, Stars & Stripes, You Win Again, NFA> GDTRFB> NFA
12/15/71 Ann Arbor, MI - Hill Auditorium S:?>CD Partial 58 
 SBD>?>CDR>EAC>SHN; downloaded from gdlive.com late 12/2000; d1t01 Dark Star static @ 0:24; d1t01
 levels increase audibly @ 0:57; d1t01 Dark Star ticks (or percussion?) @ 12:20-12:24; d1t05 Lovelight
 fades in (- few secs.); d1t05 Lovelight static @ 8:02; d1t08 Lovelight reprise tick @ 2:17; d1t08
 Lovelight reprise cuts @ 4:15, a minute or so missing?
 Set One: 1. Dark Star [20:22] -> 2. Deal [5:21] [0:24], 3. Stars and Stripes Forever Tuning
 [1:10] , 4. Sugar Magnolia 6:28] [0:04], 5. //Turn on Your Lovelight [10:39#] -> 6. King Bee [1:16] ->
 7. I'm a Man [2:37] -> 8. Turn on Your Lovelight// [4:15#], E: 9. One More Saturday Night [4:38]
  [0:02], Total Time 57:35
 
01/02/72 San Francisco, CA - Winterland Arena S:R>R>C>D>CD All 147 
 d3t02 Sugar Mag cuts in (-<1 min.); d3t02 Sugar Mag pop @ 1:26; d3t03-04 light pop @ track marker.           This used to circulate with a lineage lacking the first gen reel, but Gans confirms that only first           gen reels reside in the vault (Via Charlie Miller, BUDD Digest #671, 12/12/2001).>
 Set One: 1. Introduction [0:22] -> Truckin' [9:17] [0:08], 2. [0:32] Sugaree [6:38] [0:07],
 3. [0:06] Mr. Charlie [4:00] [0:05], 4. [0:03] Beat It On Down The Line [2:58] [0:07], 5. [0:57] Loser
 [6:25] [0:06], 6. [0:15] Jack Straw [4:58] [0:02], 7. [0:12] Chinatown Shuffle [2:48] [0:04], 8.
 [0:02] Tennessee Jed [7:01] [0:08], 9. [0:04] El Paso [4:20] [0:06], 10. [0:04] You Win Again [3:31]
 [0:03], Total Time 55:32
 Set Two: set I con't, 1. [0:40] Big Railroad Blues [4:07] [0:11], 2. Mexicali Blues [3:31]
 [0:08], 3. [0:25] Playin' In The Band [6:08] [0:05], 4. [0:03] //Next Time You See Me [4:44#] [0:03],
 5. Brown Eyed Women [4:22] [0:05], 6. [0:28] Casey Jones [4:52] [0:20], set II, 7. Good Lovin' [14:47]
 -> 8. China Cat Sunflower [3:36] -> 9. Good Lovin' [3:24] [0:04], Total Time 52:08
 Set Three: set II con't, 1. [1:16] Ramble On Rose [7:12] [0:07], 2. //Sugar Magnolia [6:51#]
 [0:08], 3. [0:08] Not Fade Away [4:28] -> 4. Goin' Down The Road Feelin' Bad [7:57] -> 5. Not Fade
 Away [3:05] [0:31], E: 6. [2:05] One More Saturday Night [4:31] [0:32], Total Time 37:54
04/08/72 London, EN - Wembley Empire Pool S:R>D>CD All 165 
 SBDMR>DAT>Sonic Solutions Remaster>CD>DAT>SHN>CDR (From David Gans)
 Set One: Bertha, Me & My Uncle, Mr. Charlie, Deal, Black Throated Wind, Next Time You See
 Me, Cumberland Blues, Brown Eyed Women, Beat It On Down The Line, Tennessee Jed, Playin' In The Band,
 Good Lovin', Looks Like Rain, Casey Jones
 Set Two: Truckin', Big Railroad Blues, It Hurts Me Too,
 Set Three: Dark Star-> Sugar Magnolia-> Caution, E: One More Saturday Night
04/08/72 London, EN - Wembley Empire Pool MSR>D>CD All 170 1326 83714 
 *Charlie Miller source*
 Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k). Transfer Info: Dat (Sony R500) ->
 Samplitude Profesional v9.02 -> FLAC (3 Discs Audio / 2 Discs FLAC). All Transfers and Mastering By
 Charlie Miller, charliemiller87@earthlink.net, March 22, 2007. Notes: -- All disc changes are seamless
 -- Thanks to Steve Rolfe for the Dat -- Cumberland Blues patched from shnid=2534 -- Pigpen sings "Who
 Do You Love" during Caution
 Set One: (73:22) Set 1: d1t01 - Bertha d1t02 - Me And My Uncle d1t03 - Mr. Charlie d1t04 -
 Deal d1t05 - Black Throated Wind d1t06 - Next Time You See Me d1t07 - Yellow Dog Story d1t08 -
 Cumberland Blues d1t09 - Brown Eyed Women d1t10 - Beat It On Down The Line d1t11 - Tennessee Jed d1t12
 - Playing In The Band d1t13 - Good Lovin'
 Set Two: (35:42) d2t01 - Looks Like Rain d2t02 - Casey Jones Set 2: d2t03 - Truckin' d2t04 -
 Big Railroad Blues d2t05 - It Hurts Me Too
 Set Three: (60:46) d3t01 - Dark Star -> d3t02 - Sugar Magnolia -> d3t03 - Caution (Do Not
 Stop On Tracks) Encore: d3t04 - One More Saturday Night
04/14/72 Copenhagen, DE - Tivoli Theater S:R>C>D>CD All 206 
 SBD:MR>C>DAT>CD>EAC>SHN
 Set One: Bertha, Me & My Uncle, Mr. Charlie, You Win Again, Black Throated Wind, Chinatown
 Shuffle, Loser, Me And Bobby McGee, Cumberland Blues, Playin' In The Band, Tennessee Jed, El Paso, Big
 Boss Man, Beat It On Down The Line, Casey Jones
  Set Two: Truckin', It Hurts Me Too, Brown Eyed Women, Looks Like Rain,
 Set Three: Dark Star-> Sugar Magnolia, Good Lovin'-> Caution-> Who Do You Love-> Caution->
 Good Lovin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away, E: One More Saturday
 Night
04/14/72 Copenhagen, DE - Tivoli Theater highlights All 73 1324 34552 
 *Charlie Miller source* *d3 only*
 Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k). Transfer Info: Dat (Sony R500) ->
 SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC (4 Discs Audio / 2 Discs FLAC). SBD ->
 Master Reel -> Cassette -> Dat -> CD supplies: d3t01 - Dark Star (patched from 0:00 - 0:43) d3t01 -
 Dark Star (patched from 18:01 - 22:48) d3t03 - Good Lovin' (patched from 14:37 - 15:12)
 Set Three: (72:43) d3t01 - Dark Star -> d3t02 - Sugar Magnolia -> d3t03 - Good Lovin' ->
 d3t04 - Caution (Do Not Stop On Tracks) -> d3t05 - Who Do You Love? -> d3t06 - Caution (Do Not Stop On
 Tracks) -> d3t07 - Good Lovin' d3t08 - Ramble On Rose
04/16/72 Aarhus, DE - Aarhus University sbd mix Most 125  
 source 1: SBD>MR>?>C>Sound Forge>SHN>CD; source 2: SBD>MR>D>CD>EAC>SHN>CD. source 1: provides
 d1t01-->d1t10 & d2t07-->d2t09; source 2: provides d2t01-->d2t06. Caveat: Source 1 is a degraded SBD
 with frequent cuts (all noted at deadlists). There is occasional tape warble throughout this source.
 Notes: --beginning of Greatest Story is clipped; perhaps a minute missing; --first few notes of China
 Cat clipped; --splice @ 0:58 in I Know You Rider; --I Know You Rider cuts out; several minutes
 missing; --first few notes of Mexicali clipped; --Playin cuts in during the minor key jam, at least 5
 minutes are missing; --there is a great deal missing from the O1 Jam->Me & My Uncle->O1 sequence;
 probably 15-20 minutes are gone; --GDTRFB cuts out just as the NFA reprise begins. Part of The Music
 Never Stopped Project 2002. Thanks to Walter Schnell for providing the 1st source. Thanks to Mark
 Sweeney for providing the 2nd source. Edits/encoding by J. Cotsman
 Set One: Disc 1 (58:12) set 1: 1. //Greatest Story Ever Told (6:11) 2. Sugaree (7:54) 3.
 Chinatown Shuffle (4:21) 4. Black Throated Wind (7:25) 5. Tennessee Jed (8:59) (missing Mr. Charlie)
 (missing Beat It On Down The Line) 6. //China Cat Sunflower--> (5:07) 7. I Know You Rider%// (2:03)
 8. //Mexicali Blues (5:02) 9. Loser (7:12) (missing Next Time You See Me) 10. //Playin' In The Band
 (3:54) (missing Dire Wolf)
 Set Two: Disc 2 (67:15) set 2: 1. Good Lovin' (20:15) 2. Cumberland Blues (6:38) 3. El
 Paso (4:46) 4. Deal (5:11) 5. Truckin--> (12:53) 6. The Other One Jam//--> (2:40) (missing Me & My
 Uncle-->) 7. //The Other One--> (2:20) 8. Not Fade Away--> (5:56) 9. Goin' Down The Road Feelin'
 Bad//--> (6:33) (missing Not Fade Away)
04/17/72 Copenhagen, DE - Tivoli Gardens DVD n/a 
04/17/72 Copenhagen, DE - Tivoli Gardens MSR>D>CD IIp n/a 
 Set One: Disc 3, set 2 con't'd, 01 Dark Star-> 02 Sugar Magnolia > 03 Caution (Do Not
 Stop on Tracks), encore: 04 Johnny B Goode
04/21/72 Bremen, GE - Beat Club F:?>?>CD Partial 79 
 Sounds slow. t01 Loser cuts in; d1t01 Loser digi-snit @ 1:52; d1t07 TOO drop @ 2:42
 Set One: Soundcheck, 1. //Loser [5:42#] [0:25], 2. [0:29] Black-Throated Wind [6:31]
 [11:47], Live Set, 3. Bertha [5:53] [0:11], 4. [2:14] Playin' In The Band [9:51] [0:18], 5. [0:31]
 Truckin' [9:33] -> 6. Jam/Drums [2:01] -> 7. The Other One [16:33] -> Jam [6:20] [0:09], Total Time
 78:33
04/26/72 Frankfurt, GE - Jahrhundert Halle GDM Most 143 
 Official Release -- buy it from GDM
 TOO--Clementine Jam from ca. 18:30-22:35.
 Set One: Bertha, Me & My Uncle, Mr. Charlie, He's Gone, Black Throated Wind, Next Time You
 See Me, China Cat Sunflower-> I Know You Rider, Jack Straw, Big Railroad Blues, Playin' In The Band,
 Chinatown Shuffle, Loser, Beat It On Down The Line, You Win Again, Good Lovin', Dire Wolf
 Set Two: Truckin'-> Drums-> The Other One-> Comes A Time-> Sugar Magnolia, El Paso,
 Tennessee Jed, Greatest Story Ever Told, Two Souls In Communion, Casey Jones, Turn On Your Lovelight->
  Goin' Down The Road Feelin' Bad-> One More Saturday Night
05/03/72 Paris, FR - Olympia Theater S:R>D>CD All 212 None 
 SBD>16-track MR>D>CD
 Set One: Bertha, Me & My Uncle, Mr. Charlie, Sugaree, Black Throated Wind, Chinatown
 Shuffle, China Cat Sunflower-> I Know You Rider, Beat It On Down The Line, He's Gone, Next Time You
 See Me, Playin' In The Band, Good Lovin', Sing Me Back Home, Casey Jones
 Set Two: Greatest Story Ever Told, Ramble On Rose, It Hurts Me Too, Truckin'-> The Other
 One-> Drums-> The Other One-> Me And Bobby McGee-> The Other One-> Wharf Rat, Jack Straw, Sugar
 Magnolia-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away, E: One More Saturday Night
 Plus: BIODTL, Dark Star > Dew from 5/18/72
05/04/72 Paris, FR - Olympia Theater All n/a 
 Set One: Greatest Story Ever Told, Deal, Mr. Charlie, Beat It On Down The Line, Brown Eyed
 Women, Chinatown Shuffle, Playin' In The Band, You Win Again, It Hurts Me Too, He's Gone, El Paso, Big
 Railroad Blues, Two Souls In Communion, Casey Jones
 Set Two: Good Lovin', Next Time You See Me, Ramble On Rose, Jack Straw, Dark Star-> Drums->
 Dark Star-> Sugar Magnolia, Sing Me Back Home, Mexicali Blues, Big Boss Man, Uncle John's Band, Not
 Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away, E: One More Saturday Night
05/07/72 Wigan, EN - Bickershaw Festival AUD+SBD All n/a 
 Set One: Truckin', Sugaree, Mr. Charlie, Deal, Beat It On Down The Line, He's Gone,
 Chinatown Shuffle, China Cat Sunflower
 Set Two: Greatest Story Ever Told, Big Boss Man, Ramble On Rose, Jack Straw, DISC THREE (4)
 64:37, 1. Dark Star-> 2. Drums-> 3. The Other One-> 4. Sing Me Back Home, DISC FOUR (7) 43:19, 1.
 Banter [2:56], 2. Sugar Magnolia [7:28] -> Lovelight false start [0:19] [0:11], 3. Turn On Your
 Lovelight -> Goin' Down The Road Feelin' Bad-> Not Fade Away, E: One More Saturday Night
05/07/72 Wigan, EN - Bickershaw Festival S:R>C>D>CD IIp 108 
 Set One: 1. Dark Star [19:29] -> 2. Drums [2:32] -> 3. The Other One [31:04] -> 4. Sing Me
 Back Home [11:21] [0:10], Total Time 64:36
 Set Two: 1. Banter/Tuning [2:56], 2. Sugar Magnolia [7:30] -> Lovelight False Start [0:29],
 3. Turn On Your Lovelight [13:03] -> 4. Goin' Down The Road Feelin' Bad [8:55] -> 5. Not Fade Away
 [3:26] [0:23], E: 6. One More Saturday Night [4:30] [0:13], 7. Banter/Happy Birthday Billy/Banter
 [1:53], Total Time 43:21
05/11/72 Rotterdam, NE - Rotterdam Civic Hall S:R>D>CD All n/a 
 Set One: Playin' In The Band, Sugaree, Mr. Charlie, Black Throated Wind, Deal, Chinatown
 Shuffle, Mexicali Blues, China Cat Sunflower-> I Know You Rider, It Hurts Me Too, Beat It On Down The
 Line, Brown Eyed Women, Jack Straw, Big Railroad Blues, Good Lovin', Casey Jones
 Set Two: Morning Dew, Me & My Uncle, Two Souls In Communion, El Paso, Tennessee Jed, Next
 Time You See Me, Dark Star-> Drums-> Dark Star-> Sugar Magnolia-> Caution-> Who Do You Love->
 Truckin'-> Uncle John's Band, E: One More Saturday Night
05/16/72 Luxembourg, LU - Radio Luxembourg S:R>C>D>CD All 144 
 SBD > Pre-FM 10" Reels > Cassette > DAT > CD. Brief drop out @ 2:17 in Bertha. Skips @ 0:04 & 0:48
  and static @ 2:54 in Hurts Me Too. May need speed correction (too fast?).
 Set One: -Set 1-, 1. Dead Air , 2. Bertha, 3. Me And My Uncle, 4. Mr. Charlie, 5.
 Sugaree, 6. Black Throated Wind, 7. Chinatown Shuffle, 8. China Cat Sunflower > 9. I Know You
 Rider, 10. Beat It On Down The Line, 11. It Hurts Me Too, 12. Tennessee Jed, 13. Playing In The Band,
 Total Time: 71:43
 Set Two: -Set 1 con't- 1. The Promised Land, -Set 2-, 2. Truckin' > 3. Drums > 4. The
 Other One, 5. Sing Me Back Home, 6. Sugar Magnolia, 7. Not Fade Away > 8. Goin' Down The Road
 Feeling Bad > 9. Not Fade Away, 10. Encore: One More Saturday Night, Total Time: 71:56
05/18/72 Muenchen, GE - Kongressaal Deutsches Museum S:R>P>D>SHN All 182 503, 504 
 Gorgeous! Source: "SBD:MR:PCM:DAT">PC>SHN. From Dave Winters: "This is NOT from the gdlive.com.
 It's from my DAT which sounds like it's from the same source as the gdlive.com version minus the piss
 poor digital processing. ... My DAT came labeled as shown above. This was transferred to PC via Sony
 D7-> Audiophile 2496 Soundcard@48kHz. Editing via Cool Edit: Normalized to 99; 44.1kHzSample rate
 conversion @ 350 quality. Tracks inserted via CDWave and SHN conversion via mkwACT; shn files
 verified with shntool. DAT->PC->SHN by Notorious T.I.M. (tsanabria@twmi.rr.com) August 2002.
 Set One: DISC ONE (12) 73:01-- Truckin', Sugaree, Mr. Charlie, Jack Straw, Tennessee Jed,
 Chinatown Shuffle, Black Throated Wind, China Cat Sunflower-> I Know You Rider, El Paso, It Hurts Me
 Too, You Win Again,
 Set Two: DISC TWO (7) 46:18-- Playin' In The Band, Good Lovin', Casey Jones, Sitting On Top
 Of The World-> Me & My Uncle, Ramble On Rose, Beat It On Down The Line
 Set Three: DISC THREE (6) 62:42-- 1. [0:57] Dark Star-> Morning Dew-> Drums-> Sugar
 Magnolia, E: Sing Me Back Home, E: One More Saturday Night*
05/24/72 London, EN - The Strand Lyceum A All n/a 
 Set One: Cold Rain & Snow, Beat It On Down The Line, Mr. Charlie, Deal, Me & My Uncle, It
  Hurts Me Too, Dire Wolf, Black Throated Wind, Chinatown Shuffle, China Cat Sunflower-> I Know You
 Rider, Playin' In The Band, You Win Again, Jack Straw, Casey Jones
 Set Two: Rockin' Pneumonia, Mexicali Blues, Black Peter, Truckin'-> Drums-> The Other One->
 Sing Me Back Home-> Sugar Magnolia, Turn On Your Lovelight, E: One More Saturday Night
05/25/72 London, EN - The Strand Lyceum S:R>2C>D>CD IIp 61 95 
 MSR > two cassette gens > DAT > CD > EAC > SHN
 Set One: 1. Uncle John's Band [8:34] -> 2. Wharf Rat [9:57] -> 3. Dark Star [34:28] -> 4.
 Sugar Magnolia// [7:08#] [0:06], Total Time 60:16
05/25/72 London, EN - The Strand Lyceum  MSR>D>CD Most 184 1324 87682 
 *Charlie Miller source*
 Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k). Transfer Info: Dat/0 (Sony 500)
 -> Samplitude Professional 9.11 -> FLAC. All Transfers and Mastering By Charlie Miller,
 charliemiller87@earthlink.net, October 14, 2007. Notes: -- All disc changes are seamless -- First few
 seconds of Tennessee Jed missing -- Playing In The Band cuts at end of song -- Sugar Magnolia cuts at
 end of song -- Missing Comes A Time through One More Saturday Night -- Thanks to Rob Eaton for letting
 me transfer his Dats. JJ: Feelin' Groovy theme @ 21:15-ca. 25:00 of Dark Star.
 Set One: Set 1: d1t01 - The Promised Land d1t02 - Brown Eyed Women d1t03 - Big Boss Man
 d1t04 - Black Throated Wind d1t05 - Tennessee Jed d1t06 - Mr. Charlie d1t07 - Jack Straw d1t08 - China
 Cat Sunflower -> d1t09 - I Know You Rider d1t10 - Me And Bobby McGee d1t11 - Good Lovin'
 Set Two: d2t01 - Playing In The Band// d2t02 - Brokedown Palace d2t03 - Casey Jones Set 2:
 d2t04 - Tuning d2t05 - Me and My Uncle d2t06 - Big Railroad Blues d2t07 - Chinatown Shuffle d2t08 -
 Ramble On Rose
  Set Three: d3t01 - Uncle John's Band -> d3t02 - Wharf Rat -> d3t03 - Dark Star [34:30] ->
 d3t04 - Sugar Magnolia xxxxx - Comes A Time xxxxx - El Paso xxxxx - Sittin' On Top Of The World xxxxx
 - Goin' Down The Road Feeling Bad -> xxxxx - One More Saturday Night
05/26/72 London, EN - The Strand Lyceum S:R>D>CD All 253 
 I hear pops intermittently on my audio copies, not sure if they are on the .shns.
 Set One: DISC ONE [64:42] Promised Land, Sugaree, Mr. Charlie, Black Throated Wind, Loser,
 Next Time You See Me, El Paso, Dire Wolf, Two Souls In Communion, Playin' In The Band, DISC TWO
 [50:07] He's Gone, Cumberland Blues, Jack Straw, Chinatown Shuffle, China Cat Sunflower-> I Know You
 Rider, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away
 Set Two: DISC THREE [69:49] Truckin'-> The Other One-> Morning Dew-> The Other One-> Sing Me
 Back Home, DISC FOUR [68:06] Me & My Uncle, Ramble On Rose, Sugar Magnolia, Casey Jones, E: One More
 Saturday Night
07/18/72 Jersey City, NJ - Roosevelt Stadium A:C>?>R>D>CD All 176 
 AUDMC>?>R>D>SHN>CDR; A > D transfer by Noah Weiner (noahbw@home.com) May, 2001. Track timings
 given. d2 note: drop out in Dark Star at 17:11; d3 note: Source switches to A:MC>?>C>D where the reel
 ends at 6:17 of GDTRFB. Not Fade Away cuts very near end.
  Set One: DISC ONE, set one-end: (missing: Bertha, Me And My Uncle, Bird Song, Promised,
 Sugaree), 1 Black Throated Wind 5:49, 2 China Cat Sunflower [7:04] -> 3 I Know You Rider 5:33, 4 Jack
 Straw 4:55, 5 Loser 6:27, 6 Beat It On Down The Line 3:15, 7 Stella Blue 7:42, 8 El Paso 4:53, 9 Casey
 Jones 6:53, total time: 52:13
 Set Two: DISC TWO, set two-a: 1 Greatest Story Ever Told 4:44, 2 Playin' In The Band 14:17,
 3 Brown Eyed Women 4:27, 4 Tennessee Jed 7:38, 5 Truckin' [13:25] -> 6 Dark Star [27:33] -> 7 Comes A
 Time 6:50, Total Time 78:44
 Set Three: DISC THREE, set two-end: 1 Sugar Magnolia 8:03, set three:, 2 Ramble On Rose
 6:17, 3 Mississippi Half Step Uptown Toodeloo [6:33] -> 4 Sing Me Back Home 8:57, 5 Not Fade Away
 [6:55] -> 6 Goin' Down The Road Feelin' Bad [7:58] -> 7 Not Fade Away// 2:35, missing: One More
 Saturday Night, Total Time 44:37
07/25/72 Portland, OR - Paramount Theater  S:R>C>D>CD All 197 
 Notes from Jeff Cotsman: "The splice in BIODTL is minor. Only the first few notes of Sing Me Back
 Home are clipped. The Other One contains a short bass solo that follows a thematic jam that I have not
 heard anywhere else. ... I should mention that there is a reel flip @12:35 in The Other One. It is
 very subtle. Also, you can hear some high frequency artifacts due to a noise reduction."
 Set One: Disc One (10) 57:01, 1. Promised Land, 2. Sugaree, 3. Me & My Uncle, 4. Bird Song,
 5. Black Throated Wind, 6. Cumberland Blues, 7. Jack Straw, 8. Big Railroad Blues, 9. El Paso, 10.
 Tennessee Jed, Disc Two (9) 59:37, 1. Playing In The Band, 2. Loser, 3. Beat It On Down The Line%, 4.
 //Casey Jones
 Set Two: Disc Two (con't) 5. He's Gone, 6. Greatest Story Ever Told, 7. China Cat Sunflower
 -> 8. I Know You Rider, 9. Mexicali Blues, Disc Three (5) 54:26, 1. Truckin' -> 2. Jam -> 3. Drums ->
 4. The Other// One -> 5. Wharf Rat, Disc Four (4) 25:45, (missing Sugar Magnolia), 1. //Sing Me Back
 Home, 2. Not Fade Away -> 3. Goin' Down The Road Feelin' Bad -> 4. Not Fade Away
08/12/72 Sacramento, CA - Sacramento Memorial Auditorium S:R>D>CD All 183 
 Set One: Promised Land, Sugaree, Me & My Uncle, Bird Song, Black Throated Wind, Deal, El
 Paso, Tennessee Jed, Playin' In The Band, Big Railroad Blues,
 Set Two: Cumberland Blues, Stella Blue, Jack Straw, Casey Jones, set II, Greatest Story Ever
 Told, Ramble On Rose, Beat It On Down The Line,
 Set Three: He's Gone-> Drums-> The Other One-> Black Peter-> The Other One-> Truckin',
 Mississippi Half Step, Sugar Magnolia, E: One More Saturday Night
08/21/72 Berkeley, CA - Berkeley Community Theater MSR>P>D>CD All 185 
 Set One: Disc One (11) 67:50 --Set I-- Promised Land, He's Gone, Black Throated Wind, Friend
 Of The Devil, Jack Straw, China Cat Sunflower-> I Know You Rider, Me & My Uncle, Sugaree, Beat It On
 Down The Line, Stella Blue,
 Set Two: Disc Two (6) 42:33 --Set I (con't)-- Playin' In The Band, Brown Eyed Women,
 Mexicali Blues, Casey Jones --Set II-- Greatest Story Ever Told, Ramble On Rose,
 Set Three: Disc Three (8) 74:00 --Set II (con't)-- Dark Star-> El Paso-> Jam-> Deal, Sugar
 Magnolia, Mississippi Half Step, Uncle John's Band-> One More Saturday Night
08/22/72 Berkeley, CA - Berkeley Community Theater mixed sbd Most 156 0535-0536 
 *most complete version, all but three songs*
 SBD>MR>?>CD>EAC>SHN: (low gen); (set 1); SBD>MR>PCM>D>CD>EAC>SHN: (set 2). The first set has an
 unknown lineage, though it seems like no more than 3 analog generations could be involved. The 2nd set
 is a re-shn of the previous Kaplan seed, with some minor edits involved. Notes: --first few notes of
 BTW are clipped; --splice @ 4:49 in Tennessee Jed; --splice @ 5:13 in Playin'; --most of He's Gone is
 missing; --first few notes of Promised Land are clipped; --blemish @ 4:20 in BEW; --at least a minute
 or two are missing from the final NFA; --Sound Forge was used to pitch correct the first set. Part of
 The Music Never Stopped Project 2002. Thanks to Mike Dolgushkin for the 1st set & Seth Kaplan for the
 2nd set. Edits/encoding by J. Cotsman.
 Set One: Disc 1 (63:57), set 1: (missing Bertha), (missing Greatest Story Ever Told),
 (missing Loser), 1. //Black Throated Wind (7:54), 2. Bird Song (9:57), 3. tuning (2:03), 4. Beat It On
 Down The Line (4:38), 5. Tennessee Jed% (8:02), 6. Me & My Uncle (3:57), 7. Friend Of The Devil
 (3:53), 8. Playin' In The Band% (16:44), 9. tuning/banter (2:20), 10. He's Gone// (1:24), 11.
 //Promised Land (2:59)
  Set Two: Disc 2 (61:00) set 2: 1. Brown Eyed Women (5:10) 2. Mexicali Blues (4:01) 3.
 Truckin'--> (9:48) 4. Drums--> (2:22) 5. The Other One--> (29:35) 6. Stella Blue (10:01)
 Set Three: Disc 3 (30:45) set 2 continued: 1. El Paso (4:52) 2. Ramble On Rose (7:10) 3.
 Not Fade Away--> (6:00) 4. Goin' Down The Road Feelin' Bad--> (7:33) 5. Hey Bo Diddley--> (3:47) 6.
 Not Fade Away// (1:20)
08/24/72 Berkeley, CA - Berkeley Community Theater S:R>D>CD  All n/a 
 Set One: Promised Land, Sugaree, Jack Straw, China Cat Sunflower-> I Know You Rider, Me & My
 Uncle, Bird Song, Beat It On Down The Line, Tennessee Jed, Playin' In The Band, Casey Jones
 Set Two: Mississippi Half Step, Mexicali Blues, Brown Eyed Women, Truckin', Dark Star->
 Morning Dew, Sugar Magnolia, Sing Me Back Home, One More Saturday Night, E: Uncle John's Band
08/25/72 Berkeley, CA - Berkeley Community Theater S:R>P>D>CD All 71 
 Set1:MSR>PCM>DAT>CD>EAC; Set2:FMSBD>???. t09-10 tick/clip @ track marker; dt10 TOO cuts out just
 at opening chord of WRS Prelude.
 Set One: (10) 71:21, --From Set I, MSR>PCM>DAT>CD>EAC-- 1. BG Introduction [1:00], 2. Cold
 Rain & Snow [5:55] [0:06], 3. [0:07] Black Throated Wind [6:06], 4. [0:13] He's Gone [8:48] [0:17], 5.
 [0:52] Beat It On Down The Line [3:08] [0:14], 6. Loser [6:35] [0:22], 7. The Frozen Logger [0:51]
 [0:04], 8. El Paso [4:41] [0:07], --From Set II, FMSBD>?>?CD-- 9. [0:05] Truckin' [12:54] -> bass solo
 [2:23] -> 10. The Other One// [16:15#] [0:12]
08/27/72 Veneta, OR - Old Renaissance Faire Grounds S:BR>P>D>CD All 203 
 SBD Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN; Set 3 has unknown # of PCM gens; via Jeff
 Tiedrich (DAT seed), David Hollister (transfer> CD), G.S. Hamilton (EAC> SHN). David Hollister's
  comments: Set 3 has unknown # of PCM gens. Disc 3 is an 80 minute disc, but it can fit on a 74 if you
 want to leave off the post-show chatter. I cleaned up pops during Dark Star with SF pencil tool. There
 are still a couple of very small spots of what sounds like static during Dark Star, usually only in
 one channel. I didn't feel they were worth bothering with. Small clicks at 25:34, 26:35 in Dark Star.
 Lots of small zits and stuff all over the place, presumably from the PCM tape.
 Set One: 1. Banter, 2. Promised Land, 3. Sugaree, 4. Me & My Uncle, 5. Deal, 6. Black
 Throated Wind, 7. China Cat Sunflower -> 8. I Know You Rider, 9. Mexicali Blues, 10. Bertha, Total
 Time 64:30
 Set Two: 1. Banter, 2. Playin' In The Band, 3. He's Gone, 4. Jack Straw, 5. Bird Song, 6.
 Greatest Story Ever Told, Total Time 61:45
 Set Three: 1. Dark Star -> 2. El Paso, 3. Sing Me Back Home, 4. Sugar Magnolia, E: 5. Casey
 Jones, 6One More Saturday Night, 7. Banter, Total Time 75:55
08/27/72 Veneta, OR - Old Renaissance Faire Grounds pro-shot All n/a 1302-1303 
 *"BHP" copy of Sunshine Daydream
 Set One: Promised Land, Sugaree, Me & My Uncle, Deal, Black Throated Wind, China Cat
 Sunflower-> I Know You Rider, Mexicali Blues, Bertha
 Set Two: Playin' In The Band, He's Gone, Jack Straw, Bird Song, Greatest Story Ever Told
 Set Three: Dark Star-> El Paso, Sing Me Back Home, Sugar Magnolia, Casey Jones, One More
 Saturday Night
09/17/72 Baltimore, MD - Baltimore Civic Center GDM All 204 
 Dick's Picks volume 23 -- buy it from GDM
  SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN
 Set One: Promised Land, Sugaree, Black Throated Wind, Friend Of The Devil, El Paso, Bird
 Song, Big River, Tennessee Jed, Mexicali Blues, China Cat Sunflower-> I Know You Rider, Playin' In The
 Band, Casey Jones
 Set Two: Truckin', Loser, Jack Straw, Mississippi Half Step, Me & My Uncle, He's Gone-> The
 Other One-> Sing Me Back Home, Sugar Magnolia, Uncle John's Band, E: One More Saturday Night
09/21/72 Philadelphia, PA - The Spectrum S:R>C>D>CD All n/a 
 Set One: Promised Land, Bird Song, El Paso, China Cat Sunflower-> I Know You Rider, Black
 Throated Wind, Big Railroad Blues, Jack Straw, Loser, Big River, Ramble On Rose, Cumberland Blues,
 Playin' In The Band
 Set Two: He's Gone, Truckin', Black Peter, Mexicali Blues, Dark Star-> Morning Dew, Beat It
 On Down The Line, Mississippi Half Step, Sugar Magnolia, Friend Of The Devil, Not Fade Away-> Goin'
 Down The Road Feelin' Bad-> Not Fade Away, E: One More Saturday Night
09/23/72 Waterbury, CT - The Palace Theater S:R>C>D>CD All 202 
 SBDMR>Cass>DAT>CDR>EAC>SHN>CD; d1t01 Big River static @ 2:34-2:44; d1t02 Sugaree phasing/balance
 problems @ 4:39-4:46; d1t07 IKYR cuts @ 1:57, 1 min. missing?; d1 phasing/balance problems end
 IKYR>>end; d2 phasing problems continue; d2t07 A&A cut/splice @ 3:37, < 1 min. missing?; d3t04 Rat cut
 @ 7:12
 Set One: 1. [0:09] Big River [4:35] [0:06], 2. [0:05] Sugaree [7:17] [0:07], 3. [0:11]
 Mexicali Blues [3:27] [0:09], 4. [0:09] Friend Of The Devil [3:20] [0:05], 5. [0:13] Black Throated
 Wind [6:34] [0:09], 6. [0:18] China Cat Sunflower [4:12] -> Transition Jam [3:34] -> 7. I Know You//
 Rider [4:38#], 8. [0:17] Me & My Uncle [2:58] [0:04], 9. [0:19] Tennessee Jed [7:39] [0:15], 10.
 [0:12] Jack Straw [4:49] [0:06], 11. [0:10] Bird Song [10:08] [0:06], 12. [0:13] El Paso [4:28]
 [0:12], Total Time 71:28
 Set Two: 1. [0:22] Deal [4:18] [0:04], 2. [0:10] Playin' In The Band [17:39] [0:21], Set II,
 3. Banter [0:42] -> Promised Land [2:55] -> 4. Bertha [5:43] -> 5. Greatest Story Ever Told [4:58], 6.
 [0:03] Brown Eyed Women [4:56], 7. [0:06] Around & //Around [4:02] [0:13], 8. [0:36] It's All Over Now
 Baby Blue [7:20] [0:08], Total Time 54:41
  Set Three: 1. [0:12] Cryptical Envelopment [1:58] -> 2. Drums [3:19] -> 3. The Other One
 [22:15] -> 4. Wharf// Rat [9:15#] [0:19], 5. Beat It On Down The Line [3:17], 6. [0:06] Ramble On Rose
 [6:23] [0:06], 7. [0:36] Sugar Magnolia [7:45] -> 8. Goin' Down The Road Feelin' Bad [7:42] -> 9. Not
 Fade Away [5:56] -> 10. One More Saturday Night [4:32] [0:14], Total Time 74:12
09/24/72 Waterbury, CT - The Palace Theater S:R>C>D>CD All 174  
 SBD>MR>CASS>DAT>CDR>EAC>SHN; d1t05 Cumberland last 0:19 tracked as negative numbers on d1t06; d1t08
 cut at beginning of Tennessee Jed, cuts into "wake up feeling mean"; d2t01 PITB cut @ ca. 15:00; d3t03
 Jam spots of noise @ 3:45 and 4:05 (track marker); d3t05 IKYR cuts @ 4:17 (rest is missing).
 Set One: 1. [0:15] Big Railroad Blues [3:30] [0:22], 2. Mexicali Blues [3:32] [0:09], 3.
 [0:08] Loser [6:06] [0:25], 4. [0:08] Black Throated Wind [6:20] [0:19], 5. [0:10] Cumberland Blues
 [5:44] [0:05], 6. [0:21] Sugaree [6:31] [0:09], 7. [0:18] El Paso [4:25] [0:04], 8. //Tennessee Jed
 [3:13#] [0:06], 9. [0:19] Beat It On Down The Line [3:11] [0:09], 10. [0:18] Bird Song [8:46] [0:03],
  11. [0:18] Big River [4:31] [0:12], 12. [0:19] Brown Eyed Women [4:40],Total Time 64:39
 Set Two: 1. [0:24] Playin' In The Band [16:04] [0:11], Set II, 2. [0:09] Greatest Story Ever
 Told [4:44] -> 3. Bertha [5:39] -> 4. Promised Land [2:46] [0:18], 5. [0:37] Friend Of The Devil
 [3:24] [0:07], 6. [0:08] Jack Straw [4:36] [0:05], 7. [0:08] Tomorrow Is Forever [5:11] [0:05], 8.
 [0:04] Me & My Uncle [2:56] [0:04], Total Time 47:47
 Set Three: 1. [0:36] Dark Star [27:52] -> 2. Drums [1:58] -> 3. Jam [4:05] -> 4. China Cat
 Sunflower [3:28] -> Jam [3:33] -> 5. I Know You Rider// [4:17#] [0:44], 6. Sugar Magnolia [8:00]
 [1:03], E: 7. One More Saturday Night [4:37] [0:16], Total Time 60:33
09/27/72 Jersey City, NJ - Stanley Theatre GDM All 198 
 Dick's Picks vol. 11 -- buy it from GDM
 Set One: DICK'S PICKS VOL. 11--BUY IT.
10/24/72 Milwaukee, WI - Milwaukee Performing Arts Center MSR>C>D>CD IIp 62 
 A bit flat-sounding, a bit of hiss, *lots* of snaps, crackles, and pops, though few are really
 major.
 Set One: 1. [0:11] Truckin' [11:20] -> 2. Drums [3:00] -> 3. The Other One [8:20] -> 4. Phil
 Stomp [6:09] -> 5. Jam [8:06] -> 6. He's Gone [12:44] -> 7. The Other One [1:10], 8. [0:29] Casey
 Jones [6:04], 9. [0:09] Johnny B. Goode [3:44] [0:08], Total Time 61:40
10/27/72 Columbus, OH - Veterans' Memorial Hall A:R>C>D>CD 2 102 None 
 Bear's AUDMR>C>DAT>CD; d1t03 (Truckin') cut/splice @ 3:32, several minutes missing?;
 Set One: 1. Greatest Story Ever Told [5:13] [0:25], 2. Ramble On Rose [6:08] [2:42], 3.
 Truc//kin' [8:17#] -> 4. Jam [7:34] -> 5. The Other One [10:42] -> 6. Mississippi Half Step [8:40] ->
 7. Morning Dew [11:08] [0:28], Total Time 61:20
  Set Two: 1. Tomorrow Is Forever [5:20] [1:55], 2. Promised Land [2:56] [1:14], 3. Deal
 [4:24] [0:32], 4. Sugar Magnolia [8:35] [0:16], E: 5. Uncle John's Band [7:14] [0:18], E: 6. One More
 Saturday Night [4:42] [1:06], Total time 39:36
10/28/72 Cleveland, OH - Cleveland Public Hall S:C>D>CD IIp 36 
 MSC (Bear's) > DAT > CD
 Set One: 1. Dark Star [16:50] -> 2. Phil Stomp/Jam [10:54] -> 3. Sugar Magnolia [8:17]
  [0:09], Total Time 36:11
11/14/72 Oklahoma City, OK - Oklahoma City Music Hall S:R>C>D>CD 2 89 
 SBDMR>C>DAT>CD; d1t03 Deal skip? @ 0:28; d2t01 He's Gone cut/splice @ 5:38-5:39; d2t04 Jam small
  glitch @ 9:08; d2t07 Sugar Mag cuts in (?)
 Set One: 1. [0:08] Brown Eyed Women [5:08] [0:03], 2. [0:21] Me & My Uncle [2:58] [0:04], 3.
 [0:07] Deal [4:24], 4. Me And Bobby McGee [5:52] [0:03], Total Time 19:10
 Set Two: 1. [0:05] He's //Gone [13:05#] -> 2. Jam [1:34] -> 3. Truckin' [5:09] -> 4. Jam
 [9:41] -> 5. The Other One [9:06] -> 6. Sing Me Back Home [9:55] [0:02], 7. //Sugar Magnolia [8:08#]
 [0:11], 8. [0:07] Uncle John's Band [7:27] [0:03], 9. [0:04] One More Saturday Night [4:42] [0:15],
 Total Time 69:39
11/15/72 Oklahoma City, OK - Oklahoma City Music Hall S:R>3C>D>CD Partial 44 536 
 SBD>MR>C>C>C>D>CD>EAC>SHN. According to Deadlists, this is a portion of the 1st set. However,
 according to Deadbase, this is a portion of the 2nd set. The exact setlist of this show may be/remain
 a mystery. This recording has been pitch corrected using Sound Forge. Part of The Music Never Stopped
 Project 2002. Thanks to Raoul Duke. Edits/encoding by Matt Vernon & J. Cotsman.
 Set One: total time: 44:01, 1. tuning (1:23), 2. Promised Land (3:31), 3. Ramble On Rose
 (7:37), 4. Mexicali Blues (3:55), 5. Brokedown Palace (7:00), 6. Playin' In The Band// (20:32)
11/19/72 Houston, TX - Hofheinz Pavilion n/a 
 Set One: Bertha, Me & My Uncle, Sugaree, Beat It On Down The Line, Bird Song, Black Throated
 Wind, Don't Ease Me In, Mexicali Blues, Box Of Rain, Tomorrow Is Forever, Big River, China Cat
 Sunflower-> I Know You Rider, Playin' In The Band, Casey Jones
 Set Two: Promised Land, Ramble On Rose, El Paso, Stella Blue, Jack Straw, Dark Star->
 Weather Report Suite Prelude-> Mississippi Half Step, Around & Around, Big Railroad Blues, Sugar
 Magnolia-> Goin' Down The Road Feelin' Bad
12/31/72 San Francisco, CA - Winterland Arena S:R>D>CD All 226 
 S:R (pre-fm) > D > CD; upon a single listen d1 seems to sound better than the rest?; d1t09 Candyman
 fades in; d1t10 announcer talk over the first 0:18 of El Paso; d1t11 Tennessee Jed some very strange
 noises from 3:17>>end; d2t01 PITB sub-second L channel drop @ 7:21; d2t06 Sugarree fades in; d3t04-t05
 cut/splice at track marker? d4t02 SMBH fades in; d4t02 SMBH anomaly @ 0:52 and skip @ 1:13
 Set One: Disc One, 1. [0:18] Countdown -> Around & Around [4:23] [0:34], 2. [0:17] Deal
 [4:13] [0:10], 3. Mexicali Blues [3:28] [0:05] , 4. [0:11] Brown Eyed Women [4:42] [0:17], 5. Box Of
 Rain [5:03] [0:09], 6. Jack Straw [4:50] [0:15], 7. Don't Ease Me In [3:50] [0:14], 8. [0:12] Beat It
 On Down The Line [3:29] [0:19], 9. //Candyman [3:06#], 10. [0:11] El Paso [4:12] [0:10], 11. [0:04]
 Tennessee Jed [7:33] [0:14], Total Time 52:34, Disc Two, 1. [0:25] Playin' In The Band [18:53]
 [0:33], 2. [0:26] Casey Jones [6:07] [0:07]
 Set Two: Disc Two (con't), 3. Promised Land [3:00], 4. Mississippi Half Step [9:19], 5. Big
 River [4:24], 6. //Sugaree [6:59#], Total Time 50:16, Disc Three, 1. Truckin' [10:42] -> 2. The Other
 One [10:44] -> 3. Drums [3:23] -> 4. Bill & Phil// [3:05#] -> 5. The Other One* [26:00] -> 6. Morning
 Dew* [13:15] [0:05], Total Time 67:16, Disc Four, 1. Thanks to BG [0:28] -> Sugar Magnolia [8:52]
 [0:04], 2. //Sing Me Back Home 8:20] [0:16], 3. Johnny B. Goode 3:54] [0:13], E: 4. Uncle John's Band
 [7:09] [0:04], 5. One More Saturday Night [4:20] [0:06], Filler: Unknown '77, 6. Dancin' in the Street
 [12:01], Filler: Unknown, 7. Reuben & Cherise [9:11] [0:04], Total Time 55:07
 
02/09/73 Palo Alto, CA - Roscoe Maples Pavilion, Stanford U. S:R>R>D>CD All 196 
 GDLive version. MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR.
 Some cuts between tracks. Sounds quite nice--the best version of this classic show that I have heard.
 Note that there were many technical failures during this show including loss of all tweeters on the
 first note of "Promised". "Casey Jones" has alot of distortion.
 Set One: Disc One (14) 70:30 --Set I-- Promised Land, Row Jimmy, Black Throated Wind, Deal,
 Me & My Uncle, Sugaree, Looks Like Rain, Loose Lucy, Mexicali Blues, Brown Eyed Women, El Paso, Here
  Comes Sunshine,
 Set Two: Disc Two (10) 73:52 --Set I (con't)-- Playin' In The Band, --Set II-- Wavy Gravy
 Rap, China Cat Sunflower-> I Know You Rider, Jack Straw, They Love Each Other, Truckin'-> Eyes Of The
 World-> China Doll
 Set Three: Disc Three (8) 51:14 --Set II (con't)-- Big River, Ramble On Rose, Box Of Rain,
 Wave That Flag, Sugar Magnolia, Uncle John's Band, Around & Around, E: Casey Jones
02/15/73 Madison, WI - Dane County Coliseum  S:R>2R>P>DCD All 205 
 MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD. d1t01 Straw
 (soundcheck) cuts in, ca. 20 seconds missing; d1t01 Straw (soundcheck) drop @ 3:52, not digital? d1t01
 Box of Rain (sound check) cuts into first take, second take missing first few notes; d1t02 Loose Lucy
 cuts in, missing ca. 10-20 seconds; d1t10 Straw last few reverbs clipped;d2t04 KC Jones cuts out;
 d2t07 Woman Enough cuts in; d2t08 TLEO cuts in; d3t08 OMSN cuts out.
 Set One: Disc One (12) 71:40 --Soundcheck-- 1. //Jack Straw [#4:30] [0:25], //Box of Rain
 false start [#0:26] [0:08], //Box of Rain [#2:42] [0:18], --Set I-- 2. //Loose Lucy [#6:22] [0:42], 3.
 Beat It On Down The Line, 4. Brown Eyed Women, 5. Mexicali Blues, 6. Tennessee Jed, 7. Looks Like
 Rain, 8. Box Of Rain, 9. Row Jimmy, 10. Jack Straw, 11. China Cat Sunflower [3:27] -> Jam [2:23] ->
 12. I Know You Rider
 Set Two: Disc Two (9) 56:17 --Set I (con't)-- 1. [0:05] Me & My Uncle, 2. Bertha, 3. [0:06]
 Playin' In The Band, 4. Casey Jones// --Set II-- 5. Here Comes Sunshine, 6. El Paso, 7. //You Ain't
 Woman Enough, 8. //They Love Each Other, 9. Big River
 Set Three: Disc Three (8) 75:11, 1. [0:04] Dark Star [19:16] -> 2. Eyes Of The World [18:29]
 -> 3. China Doll [6:45] [0:07], 4. Promised Land, 5. Sugaree, 6. Sugar Magnolia --Encore-- 7. [0:19]
  Uncle John's Band [6:58] [0:06], 8. One More Saturday Night//
02/17/73 St. Paul, MN - St. Paul Autitorium S:R>C>D>CD Partial 20 
 Filler on 5/7/77 d3
 Set One: 5. Here Comes Sunshine [7:28] -> 6. China Cat Sunflower [3:34] -> Jam [3:56] -> I
 Know You Rider [4:55] [0:10]
02/22/73 Champaign-Urbana, IL - Assembly Hall, U. of Il. S:R>D>C>D>CD Most 136 
 d1t07 LLR fades out, missing ca. 20-30 secs.; d2t03 Star drop @ 4:42; d2t06 GDTRFB significant
 cut/splice @ 1:19
 Set One: Disc One (10) 71:10 --Set I-- 1. //Promised Land, They Love Each Other, El Paso,
 Bird Song, Mexicali Blues, Deal, Looks Like Rain, Tennessee Jed, Box Of Rain, Playin' In The Band
 Set Two: Disc Two (8) 64:50 --Set II-- Wave That Flag, Me & My Uncle, 3. Dark Star [13:45]
 -> 4. Eyes Of The World [:03+16:00] -> China Doll, (missing Around & Around), 6. Goin' Down// The Road
 Feelin' Bad-> One More Saturday Night, E: Casey Jones
02/24/73 Iowa City, IA - University of Iowa S:?>?>CD Ip 37 
 d1t01 El Paso cuts in; d1t04 PITB tiny splice @ 1:24
 Set One: 1. //El Paso [#2:06] [0:18], 2. [0:03] Box Of Rain [4:52] [0:10], 3. Tennessee Jed
 [7:35] [0:18], 4. Playin//' In The Band [20:#40] [0:27], Total Time 36:32
03/19/73 Uniondale, NY - Nassau Coliseum S:R>C>D>CD Ip,II+e 120 
 d1t07 contains first :08 of Straw; d2t092 TOO cut/splice @ 6:49, none missing? d2t04 China Doll
 levels rise @ ca. 5:00; d2t04 China Doll sm. spots of static @ ca. 5:13
 Set One: end set I, 1. [0:28] Playin' In The Band [15:38] [1:24], set II, 2. [0:40] Loose
 Lucy [6:30] [1:04], 3. [0:10] Me & My Uncle [2:56] [0:23], 4. Brown Eyed Women [4:57] [0:25], 5.
 [0:25] Big River [4:17] [0:15], 6. [1:25] Mississippi Half Step [8:42] -> 7. Stella Blue [7:45] -> 8.
 Jack Straw [4:52] [0:24], Total Time 61.46
 Set Two: 1. [2:04] Truckin' [9:16] -> Nobody's Fault But Mine Jam [1:50] -> Jam [1:40] ->
 Drums [2:13] -> 2. The Other One [11:45] -> 3. Eyes Of The World [16:47] -> 4. China Doll [6:23]
 [0:54], 5. [0:30] Johnny B. Goode// [3:26#] [0:10], Total Time 57:01
03/22/73 Utica, NY - Utica Memorial Auditorium S:R>D>CD All 203 
 MSR>DATs>CDRx1>EAC>SHN; d1t08 Straw anomaly @ 3:16 (could be messed up lyrics); d2t01 Jimmy lite
 static in first two mins.; d2t03 China Cat cuts in (-~ 30 secs.); d2t06 Wave That Flag cuts in; d3t02
 TOO cut/splice @ 11:48 unknown missing; d3t02-03 pop @ track marker
 Set One: (Promised Land), 1. [0:11] Sugaree [7:31] [1:13], 2. Mexicali Blues [3:25] [0:37],
 3. They Love Each Other [5:12] [0:11], 4. Looks Like Rain [7:15] [0:50], 5. Deal [4:29] [0:48], 6.
 Beat It On Down The Line [3:08] [0:28], 7. Bird Song [11:21] [1:16], 8. Jack Straw [[4:38] [0:19], 9.
 Fire Aisle Banter [2:06], 10. Box Of Rain [4:39] [0:30], 11. You Ain't Woman Enough [3:02] [0:10], 12.
 The Race is On [2:56] [0:34], Total Time 67:55
  Set Two: 1. [0:03] Row Jimmy [7:44] [0:15], 2. El Paso [4:16] [0:04], 3. //China Cat
 Sunflower [2:58#] -> Jam [2:30] -> Feelin' Groovy [1:29] -> I Know You Rider [5:19] [0:47], 4. Playin'
 In The Band [14:49] [0:06], (Casey Jones), set II, 5. [0:33] Big River [4:26] [0:09], 6. //Wave That
 Flag [5:09#] [1:47], 7. Me & My Uncle [2:57] [0:18], 8. Here Comes Sunshine [9:15] [0:12], Total Time
 64:53
 Set Three: 1. [0:07] Truckin' [13:27] -> 2. The Other //One [19:08#] -> 3. Eyes Of The World
 [15:07] -> 4. China Doll [6:34] [1:21], 5. Sugar Magnolia [8:30] [0:52], E: 6. One More Saturday Night
 [4:32] [0:07], Total Time 69:41
03/24/73 Philadelphia, PA - The Spectrum S:R>C>D>CD All 219 
 Set One: Bertha, Beat It On Down The Line, Don't Ease Me In, The Race is On, Cumberland
 Blues, Box Of Rain, Row Jimmy, Jack Straw, They Love Each Other, Mexicali Blues, Tennessee Jed, Looks
  Like Rain, Wave That Flag, El Paso, Here Comes Sunshine, Me And Bobby McGee, Loser, Playin' In The
 Band
 Set Two: Promised Land, China Cat Sunflower-> I Know You Rider, Big River, Stella Blue, Me &
 My Uncle, He's Gone-> Truckin'-> Spanish Jam-> Jam-> Dark Star-> Sing Me Back Home-> Sugar Magnolia,
 E: Johnny B. Goode
03/26/73 Baltimore, MD - Baltimore Civic Center S:R>D>CD All 257 None 
 d1t01 beginning clipped; d2t09 splice at 7:39; d3t04 drop at 11:49; d3t06 fades out from Bobby
 McGee [0:17]; d4t03 cut at 4:21 into "young man moan this morning"; d4t03 static problems at end;
 d4t04 and filler: static throughout
 Set One: DISC ONE, 1. //Promised Land [2:55]; [0:11]; 2. [0:15]; Mississippi Half-Step
 [7:27]; [0:14]; 3. The Race is On [2:59]; [0:18]; 4. [0:15]; Wave That Flag [5:27]; [0:34]; 5. [0:46];
 Jack Straw [5:34]; [0:19]; 6. Sugaree [7:18] [0:04]; 7. [0:19]; Mexicali Blues [3:14]; [0:22]; 8.
 [0:12]; Box of Rain [4:36]; 9. [0:40]; Row Jimmy [7:42] [0:18]; 10. [0:52]; Beat it on Down the Line
 [3:14]; [0:11]; 11. Brown-Eyed Women [4:58]; [1:05], 12. [0:34]; El Paso [4:20]; [0:22], Disc Time
  66:37, DISC TWO, 1. [0:57]; China Cat Sunflower [3:20] > Jam [1:55] > Feelin' Groovy Jam [1:50] > 2. I
 Know You Rider [4:54]; [0:03]; 3. [0:46]; Looks Like Rain (2) [6:45]; [0:05]; 4. [0:07]; Don't Ease Me
 In [3:15]; [:33]; 5. Playing in the Band [19:24]; [0:06]
 Set Two: DISC TWO (CON'T), 6. Introduction & Wolfman Jack [1:43]; 7. Ramble on Rose [6:25]
 [0:17]; 8. Big River [4:20]; [0:07]; 9. [0:17]; Here Comes Sunshine [7:53]; [0:18]; 10. [0:26];
 Greatest Story Ever Told [4:50]; [0:16], Disc Time 71:12, DISC THREE, 1. [0:25]; Candyman [7:07];
 [0:23]; 2. [2:08]; Me and My Uncle [2:53] ;[0:07]; 3. He's Gone [14:14] > 4. Truckin' [15:21] > 5.
 Weather Report Prelude [2:06] > Jam [6:03] > 6. Wharf Rat [9:51] , Disc time 60:54, DISC FOUR, 1. Me
 and Bobby McGee [5:26] > 2. Eyes of the World [14:11] > 3. Morning Dew (5) (6) [12:34]; 4. One More
 Saturday Night (7) [4:39]; plus filler: 2/17/73
03/28/73 Springfield, MA - Springfield Civic Center mixed All 203 
 Source 1: AUD>MC>R>D>CD>EAC>SHN. Source 2: SBD>MR>D>CD>EAC>SHN. Discs 1 & 2 are from the
 audience source. Disc 3 is provided by the SBD. The audience portion was provided by a reel copy
 (from Bill Degan) and a separate reel>DAT copy of the same master. This well made audience recording
 was mastered by Andy Nourse. Originally, SHNs for the audience recording were encoded by Noah Weiner,
 and only minor edits were added for this SHN set. The SBD portion is a minor edit of a previous SHN
 seed made by Jack Warner & Darrin Sacks. Part of The Music Never Stopped Project 2002. Thanks to all
 mentioned above and Jeff Cook & Charlie Teeple. Edits/encoding by J. Cotsman. Notes: --splice @ 2:36
 in Loser; --minor warble @ 1:00 & 3:50 in Jack Straw; --minor warble @ 0:30 in Box Of Rain; --the 2nd
 set audience portions are in mono
 Set One: Disc 1 (68:56) --set 1-- 1. //Cumberland Blues// (1:35), 2. Here Comes Sunshine
 (8:46), 3. Mexicali Blues (3:40), 4. Wave That Flag (5:32), 5. Beat It On Down The Line (3:24), 6.
 Loser% (6:17), 7. Jack Straw (5:26), 8. Box Of Rain (5:01), 9. They Love Each Other (5:51) , 10. El
 Paso (4:52), 11. Row Jimmy (8:19), 12. //Around & Around (4:54), 13. Brown Eyed Women (5:14)
 Set Two: Disc 2 (66:45) --set 1 continued-- 1. You Ain't Woman Enough (4:10), 2. Looks
 Like Rain (8:07), 3. China Cat Sunflower--> (8:35) 4. I Know You Rider (5:19) --set 2-- 5. Promised
 Land (3:07), 6. Loose Lucy (7:00), 7. Me And My Uncle (4:00), 8. Don't Ease Me In (3:32), 9. The
 Race Is On (3:03), 10. Stella Blue (7:25), 11. Big River (4:43), 12. Mississippi Half Step (7:38)
 Set Three: Disc 3 (66:52) --set 2 continued-- 1. Weather Report Suite Prelude--> (2:04) 2.
 Dark Star--> (32:07) 3. Eyes Of The World--> (12:55) 4. Playin' In The Band (15:56), 5. Johnny B.
 Goode (3:47)
03/28/73 Springfield, MA - Springfield Civic Center MSR>D>CD All n/a enter 86459 
 *Charlie Miller sbd*
 Recording Info: SBD -> Master Reel -> Dat (44.1k). Transfer Info: Dat (Sony 500) -> Samplitude
 Professional 9.11 -> FLAC. All Transfers and Mastering By Charlie Miller,
 charliemiller87@earthlink.net, July 13, 2007. Notes: -- All disc changes are seamless -- Minor
 diginoise in first part of Cumberland Blues -- Quality improves for disc 3
 Set One: --Set I-- d1t01 - Cumberland Blues d1t02 - Here Comes Sunshine d1t03 - Mexicali
 Blues d1t04 - Wave That Flag d1t05 - Beat It On Down The Line d1t06 - Loser d1t07 - Jack Straw d1t08 -
 Box Of Rain d1t09 - They Love Each Other d1t10 - El Paso d1t11 - Row Jimmy d1t12 - Around And Around
 d1t13 - Brown Eyed Women
 Set Two: --Set I con't-- d2t01 - You Ain't Woman Enough d2t02 - Looks Like Rain d2t03 -
 China Cat Sunflower -> d2t04 - I Know You Rider --Set 2-- d2t05 - The Promised Land d2t06 - Loose
 Lucy d2t07 - Me And My Uncle d2t08 - Don't Ease Me In d2t09 - The Race Is On d2t10 - Stella Blue d2t11
 - Big River d2t12 - Mississippi Half-Step Uptown Toodeloo
 Set Three: --Set II con't-- d3t01 - Weather Report Suite Prelude -> d3t02 - Dark Star ->
 d3t03 - Eyes Of The World -> d3t04 - Playing In The Band d3t05 - Johnny B. Goode
03/31/73 Buffalo, NY - Buffalo War Memorial MSC>C>D>CD All n/a 
 Set One: disc 1 --set I-- 01. Mississippi Half-Step, 02. The Race Is On, 03. Suga//ree, 04.
 Mexicali Blues, 05. Box of Rain, 06. Tennessee Jed, 07. Jack Straw, 08. Big Railroad Blues, 09. El
 Paso, 10. //Row Jimmy, 11. Looks Like Rain, 12. They Love Each Other
 Set Two: disc 2, 01. Playing in the Band --set II-- 02. Promised Land > 03. Bertha > 04.
 Greatest Story Ever Told
 Set Three: disc 3, 01. He's Gone > 02. Truckin' > 03. Jam > 04. Drums > 05. The Other One >
 06. Jam > 07. I Know You Rider, 08. Sugar Magnolia --encore-- 09. Casey Jones
04/02/73 Boston, MA - Boston Garden  MSR>D>CD All 210 842-843 
 *2003 upgrade*
 d1t12 IKYR cut/splice @ 0:46 (- few secs.); d2t04 MAMU inferior SQ; d2t06 GSET static @ :01-:02,
 :32, :33, drop @ 2:39; d3t01 HCS blip @ 11:46 (track marker); d3t05 contains :01 of Eyes; d3t06 Eyes
 light pop @ 0:23; d3t08 Sugar Mag cuts in (- few secs.)
 Set One: Disc One --Set I-- d1t01 - Promised Land, d1t02 - Deal, d1t03 - Mexicali Blues,
 d1t04 - Brown-Eyed Women, d1t05 - Beat It on Down the Line, d1t06 - Row Jimmy, d1t07 - Bobby's Spider
 Rap, d1t08 - Looks Like Rain, d1t09 - Wave That Flag, d1t10 - Box of Rain, d1t11 - Big River, d1t12 -
 China Cat Sunflower-> d1t13 - I Know You Rider, d1t14 - You Ain't Woman Enough, d1t15 - Jack Straw
 Set Two: Disc Two --Set I (con't)-- d2t01 - Don't Ease Me In, d2t02 - Playing in the Band
 --Set II-- d2t03 - Stage Banter, 
d2t04 - Ramble On Rose, d2t05 - Me and My Uncle, d2t06 -
 Mississippi Halfstep, d2t07 - Greatest Story Ever Told, d2t08 - Loose Lucy, d2t09 - El Paso, d2t10 -
 Stella Blue
 Set Three: Disc Three --Set II (con't)-- d3t01 - Here Comes Sunshine -> d3t02 - Me and Bobby
 McGee -> d3t03 - Weather Report prelude -> d3t04 - Eyes of the World -> d3t05 - China Doll, d3t06 -
 Sugar Magnolia, d3t07 - Casey Jones --ENCORE-- d3t08 - Stage Banter, d3t09 - Johnny B. Goode-> d3t10 -
 We Bid You Good Night
05/20/73 Santa Barbara, CA - Stadium, U.C Santa Barbara MAC>R>C>D>CD All 232 0226-0228 enter 
 Audience Devotional Tree Round 1. "Sets I and II were taped from mid-field, and there is some wind
 noise --evident on the first song, especially. Also some airplane noises at times. Set III we moved
 closer, and the recording quality improves .... and that is an excellent jam, one of the seminal
 trucking/other one's in my personal experience. :) ... 5/20/73 was recorded using a sony Condensor
 mike and a small mono Sony -- possibly a TC-3 -- onto BASF casettes. My copy was from the casette
 masters, playback deck unknown, recorded onto a reel of Sony tape upon my Sony TC-366, at 3-3/4 IPS
 single-track. Your copy was made by playing back said reel on my Revox A77, recording upon a Denon
 3-head deck." Notes: d1t01 Bertha first few notes clipped; d3t02 GSET last reverbs clipped; d4t01
 Truckin' first few notes clipped.
 Set One: DISC ONE 67:36, 1. //Bertha [5:49#] [0:10], 2. [0:42] Me & My Uncle [3:01] [1:02],
 3. Box Of Rain [4:57] [1:18], 4. Deal [4:40] [1:41], 5. Looks Like Rain [6:57] [0:37], 6. [0:09]
 Tennessee Jed [7:36] [0:03], 7. [0:15] The Race is On [2:59] [0:54], 8. China Cat Sunflower [3:26] ->
 Jam [2:47] -> Feelin' Groovy Jam [1:26] -> 9. I Know You Rider [5:18] [1:37], 10. [0:05] Beat It On
 Down The Line [3:04] [0:51], 11. They Love Each Other [5:20] [0:46], DISC TWO [48:04], 1. Playin' In
 The Band [18:40] [0:05], SET TIME 86:21
 Set Two: DISC TWO (CON'T), 2. Promised Land [2:56] [0:43], 3. Brown Eyed Women [5:04]
 [0:37], 4. [0:07] Mexicali Blues [3:30] [0:36], 5. [0:10] Row Jimmy [8:11] [0:56], 6. [0:11] Jack
  Straw [4:56] [1:20], DISC THREE [46:48], 1. [0:10] Big Railroad Blues [4:08] [0:33], 2. [0:06]
 Greatest Story Ever Told// [4:51#] [0:07], 3. [0:18] Here Comes Sunshine [10:22] [0:58], 4. [0:03] Big
 River [4:14] [1:08], 5. [0:08] Loser [6:51] [0:35], 6. El Paso [4:19] [0:52], 7. [0:05] Casey Jones
 [6:45] [0:11], SET TIME 76:05
 Set Three: DISC FOUR [67:45], 1. //Truckin' [8:45] -> 2. Nobody's Fault But Mine Jam [1:30]
 -> 3. Jam [8:12] -> 4. Drums [2:16] -> 5. The Other One [10:50] -> 6. Eyes Of The World [12:44] -> 7.
 Stella Blue [7:45] [0:43], 8. Sugar Magnolia [10:04] [0:26], E: 9. [0:23] Johnny B. Goode [3:56]
 [0:08], SET TIME 67:45
05/20/73 Santa Barbara, CA - Stadium, U.C Santa Barbara MSR>D>CD All n/a enter 86905 
 *Charlie Miller sbd*
 Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD
 -> EAC -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and
 Mastering By Charlie Miller charliemiller87@earthlink.net August 24, 2007 Patch Info: Sony Mic ->
 Master Cassette -> Reel -> Cassette -> Dat -> CD supplies: Box Of Rain (6:03 - 6:16) (post song
 tuning) Deal (0:00 - 0:03) Promised Land (0:00 - 0:08) Here Comes Sunshine (7:43 - 8:07) Nobody's
 Fault But Mine Jam (5:58 - 6:27) Stella Blue (8:06 - 8:34) (post song tuning) Sugar Magnolia (0:00 -
 0:01) (9:20 - 10:09) Alternate Multi-Gen SBD Source supplies: Eyes Of The World (6:54 - 7:15) Notes:
 -- All disc changes are seamless -- I cleaned up many flaws and fixed the levels -- Line buzz during
 Bertha -- First few notes clipped from Greatest Story Ever Told -- Thanks to Noah Weiner for his
 previous work on this project.
 Set One: --Set I-- d1t01 - Bertha d1t02 - Me And My Uncle d1t03 - Box Of Rain d1t04 - Deal
 d1t05 - Looks Like Rain d1t06 - Tennessee Jed d1t07 - The Race Is On d1t08 - China Cat Sunflower ->
 d1t09 - I Know You Rider d1t10 - Beat It On Down The Line d1t11 - They Love Each Other
 Set Two: --Set I con't-- d2t01 - Playing In The Band --Set II-- d2t02 - The Promised Land
 d2t03 - Brown Eyed Women d2t04 - Mexicali Blues d2t05 - Row Jimmy d2t06 - Jack Straw d2t07 - Big
 Railroad Blues d2t08 - Greatest Story Ever Told d2t09 - Here Comes Sunshine d2t10 - Big River d2t11 -
 Loser
 Set Three: --Set II con't-- d3t01 - El Paso d3t02 - Casey Jones --Set III-- d3t03 - Truckin'
 -> d3t04 - Nobody's Fault But Mine Jam -> d3t05 - Drums -> d3t06 - The Other One -> d3t07 - Eyes Of
 The World -> d3t08 - Stella Blue d3t09 - Sugar Magnolia --Encore-- d3t10 - Johnny B. Goode
05/26/73 San Francisco, CA - Kezar Stadium MSR>P>D>CD All n/a enter 83535 
 *Charlie Miller source* *patched*
 Recording Info: SBD -> Master Reel -> PCM -> Dat  Transfer Info: Dat -> CD -> Samplitude
 Professional v9.02 -> FLAC (4 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie
 Miller charliemiller87@earthlink.net March 20, 2007 Patch Info: Sony Stereo Mic -> Cassette Master
 (Sony TC-124) supplies: Row Jimmy (3:31 - 4:51) China Cat Sunflower (3:15 - 3:45) The Other One (9:31
 - 9:53) Notes: -- All disc changes are seamless -- Patch source recorded by Gene Taback and supplied
 by David Minches -- Patch source pitch corrected - it's better, but not perfect -- Numerous background
 noises removed in SBD, but some still remain
 Set One: d1t01 - The Promised Land d1t02 - Deal d1t03 - Jack Straw d1t04 - Tennessee Jed
 d1t05 - The Race Is On d1t06 - Sugaree d1t07 - Mexicali Blues d1t08 - Row Jimmy d1t09 - Looks Like
 Rain d1t10 - They Love Each Other d2t01 - Playing In The Band
 Set Two: d2t02 - Tuning d2t03 - Here Comes Sunshine d2t04 - El Paso d2t05 - Loser d2t06 -
 Beat It On Down The Line d2t07 - You Ain't Woman Enough d2t08 - Box Of Rain d2t09 - China Cat
 Sunflower -> d2t10 - I Know You Rider d2t11 - Big River d3t01 - Bertha d3t02 - Around And Around
 Set Three: d3t03 - Mississippi Half-Step Uptown Toodeloo d3t04 - Me And My Uncle d4t01 -
 He's Gone -> d4t02 - Truckin' -> d4t03 - The Other One -> d4t04 - Eyes Of The World -> d4t05 - China
 Doll d4t06 - Sugar Magnolia --Encore-- d4t07 - Casey Jones
05/26/73 San Francisco, CA - Kezar Stadium MSR>P>D>CD All 212 
 SBD>REEL>PCM>DAT>DIGI I/O>WAV
 Set One: DISC 1 70:40 -Set 1- 1 The Promised Land 3:14, 2 Deal 4:45, 3 Jack Straw 4:37, 4
 Tennessee Jed 7:26, 5 The Race Is On 3:08, 6 Sugaree 7:35, 7 Mexicali Blues 3:24, 8 Row Jimmy 7:06, 9
 Looks Like Rain 7:14, 10 They Love Each Other 5:13, 11 Playing In The Band 16:58
 Set Two: DISC 2 72:09 -Set 2- 1 Here Comes Sunshine 10:36, 2 El Paso 4:12, 3 Loser 6:40, 4
 Beat It On Down The Line 3:14, 5 You Ain't Woman Enough 3:12, 6 Box Of Rain 5:12, 7 China Cat
 Sunflower > Jam > 7:27 8 I Know You Rider 4:58, 9 Big River 4:53, 10 Bertha 5:49, 11 Around And Around
 4:48 -Set3- 12 Mississippi Half-Step Uptown Toodleloo 8:06, 13 Me And My Uncle 3:02
 Set Three: DISC 3 68:52 -Set3 Continues- 1 He's Gone > 14:11 2 Truckin' > 10:02 3 Bass And
 Drum Solo > Bass Solo > Bass And Drum Solo > 3:45 4 The Other One > 12:28 5 Eyes Of The World > 13:35
 6 China Doll 6:01, 7 Sugar Magnolia 8:50, (Missing: ENCORE Casey Jones 7:24)
06/09/73 Washington, DC - Robert F. Kennedy Stadium S:R>D>CD All 202 None  
 Set One: Promised Land, Deal, Looks Like Rain, They Love Each Other, Jack Straw, Loose Lucy,
 Mexicali Blues, Row Jimmy, El Paso, Box Of Rain, Sugaree, Beat It On Down The Line, Tennessee Jed,
 Greatest Story Ever Told, China Cat Sunflower-> I Know You Rider
 Set Two: He's Gone-> Truckin'-> Playin' In The Band, Loser, Me & My Uncle, Mississippi Half
 Step, Big River, Eyes Of The World-> China Doll, Sugar Magnolia
06/10/73 Washington, DC - Robert F. Kennedy Stadium S:R>D>CD All 276 
 SBD MR (10'' reels) > DAT > CD > EAC > SHN
 Set One: Disc One [67:25], 1. Morning Dew [11:05] [0:13], 2. [0:03] //BIODTL [1:51#] [0:23],
 3. Ramble On Rose [6:18] [1:26], 4. Jack Straw [4:47] [0:12], 5. Wave That Flag [5:32] [0:32], 6.
 Looks Like Rain [7:25] [0:13], 7. Box Of Rain [4:56] [0:29], 8. They Love Each Other [4:36] [0:26], 9.
 The Race is On [2:56] [0:18], 10. Row Jimmy [9:02] [0:16], 11. El Paso [4:19] [0:03], Disc One Time
 67:25, Disc Two, 1. [0:03] Bird Song [11:54] [0:08], 2. Playin' In The Band [17:37] [0:13]
 Set Two: :Disc Two (con't), 3. Eyes Of The World [21:45] -> 4. Stella Blue [8:10] -> 5. Big
  River [4:32], Disc Two Time 64:34, Disc Three, 1. [0:12] Here Comes Sunshine [10:33] [0:13], 2. Around
 & Around [5:05] [1:07], 3. Dark Star [26:23] -> 4. He's Gone [13:41] -> 5. Wharf Rat [8:01] -> 6.
 Truckin' [7:39] [0:10], Disc Three Time 73:08, Disc Four, 1. [0:03] Sugar Magnolia [9:42] [0:14]
 Set Three: Disc Four (con't), 2. It Takes A Lot To Laugh It Takes A Train To Cry* [7:36]
 [0:30], 3. That's Alright Mama* [12:25] [1:15], 4. Promised Land* [4:15] [0:29], 5. Not Fade Away*
 [11:27] -> 6. Goin' Down The Road Feelin' //Bad* [9:40#] -> 7. Drums* [5:54] -> 8. Not Fade Away*
 [3:33] -> 9. Johnny B. Goode* [3:04] [0:12], Disc Four Time 70:21
06/22/73 Vancouver B.C., CA - P.N.E. Coliseum  S:R>P>D>CD All n/a 
 Set One: Bertha, Beat It On Down The Line, Deal, Mexicali Blues, Box Of Rain, Bird Song, The
 Race is On, Sugaree, Looks Like Rain, Row Jimmy, Jack Straw, China Cat Sunflower-> I Know You Rider,
 Big River, Tennessee Jed, Playin' In The Band
 Set Two: Here Comes Sunshine, Promised Land, Brown Eyed Women, El Paso, Black Peter,
 Greatest Story Ever Told, Big Railroad Blues, He's Gone-> Truckin'-> Nobody's Fault But Mine-> The
 Other One-> Wharf Rat-> Sugar Magnolia, Casey Jones, E: Johnny B. Goode
06/22/73 Vancouver B.C., CA - P.N.E. Coliseum MSR>P>D>CD All 119 1327 88526 
 *Charlie Miller source* *patched*
 Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k). Transfer Info: Dat (Sony R500) -> Sound
 Devices 744T -> Samplitude Professional v9.12 -> FLAC (5 Discs Audio / 2 Discs FLAC). All Transfers
 and Mastering By Charlie Miller, charliemiller87@earthlink.net, November 15, 2007. Patch Info: (FOB)
 Sony ECM Mics->Cassette Master->Reel->Reel->CD (shnid=16889) supplies: Bertha (0:00 - 1:23) Big
 Railroad Blues (0:00 - 0:17) The Other One (5:44 - 12:54) Casey Jones (6:07 - end of show) SBD ->
 Master Cassette -> Reel -> Cassette -> HD (shnid=85957) supplies: Bird Song (Numerous patches to fix
 tracking problems) The Race Is On (0:00 - 0:23) I Know You Rider (2:01 - 3:12) SBD -> Master Reel ->
 Cassette -> Dat -> CD supplies Truckin' (7:51 - end of Casey Jones). Notes: -- Each set is seamless --
 Patch SBD (shnid=85957) pitch adjusted to match Master Reel SBD -- Truckin' contains Nobody's Fault
 But Mine Jam -- The Encore will fit on end of 1st Set
 Set One: Set 1: d1t01 - Bertha d1t02 - Beat It On Down The Line d1t03 - Deal d1t04 -
 Mexicali Blues d1t05 - Box Of Rain d1t06 - Bird Song d1t07 - The Race Is On d1t08 - Sugaree d1t09 -
 Looks Like Rain d1t10 - Row Jimmy d1t11 - Jack Straw d2t01 - China Cat Sunflower -> d2t02 - I Know You
 Rider d2t03 - Big River d2t04 - Tennessee Jed d2t05 - Playing In The Band
 Set Two: Set 2: (d3 45:22) d3t01 - Here Comes Sunshine d3t02 - The Promised Land d3t03 -
 Brown Eyed Women d3t04 - El Paso d3t05 - Black Peter d3t06 - Greatest Story Ever Told d3t07 - Big
 Railroad Blues (d4: 77:24) d4t01 - He's Gone -> d4t02 - Truckin' -> d4t03 - The Other One -> d4t04 -
  Wharf Rat -> d4t05 - Sugar Magnolia d4t06 - Casey Jones Encore: d5t01 - Johnny B. Goode
06/24/73 Portland, OR - Portland Memorial Coliseum S:R>C>D>CD IIp 49 
 MSBDR > 1 cass > CD > EAC > SHN;
  Set One: 1. Dark Star 13:59] -> Drums [1:12] -> Dark Star [11:54] -> 2. Eyes of the World
 [14:58] -> 3. China Doll [6:11] [0:18], Total Time 48:35
06/30/73 Universal City, CA - Universal Amphitheatre A:R>R>D>CD All 168  
 GDADT round 6; Reel labeled: through the Debbie connection: P.A. Harmon Kardon; probably recorded
 from the soundboard, rumored to have been taped by Deborah Koons. A > D transfer by Noah Weiner
 (noahbw@home.com). Track timings given; d1t09 Straw tape cut @ 3:32 repaired w/ cross-fade; d2t01
 PITB tape cut @ 10:29 repaired w/ cross-fade; d3t01Dark Star tape cut @ 6:45 repaired w/ cross fade;
 d3t03 Stella Blue tape cut @ 0:37 repaired w/ cross fade.
 Set One: set one-a, 1 //Promised Land 2:56, 2 They Love Each Other 5:27, 3 Mexicali Blues
 3:40, 4 Tennessee Jed 7:35, 5 Looks Like Rain 7:13, 6 Bird Song 10:12, 7 Cumberland Blues 5:56, 8 Row
 Jimmy 8:59, 9 Jack// Straw 5:51, 10 Deal 4:46, 11 Beat It On Down The Line 3:23, 12 Black Peter 8:59,
 Total Time 74:57
 Set Two: set one-end, 1 Playin' In// The Band 14:40, set two-a, 2 Greatest Story Ever Told
 5:41, 3 Ramble On Rose 8:11, 4 El Paso 4:46, Total Time 33:18
 Set Three: set two-end, 1 Dark// Star 16:33 > 2 Eyes Of The World 19:09 > 3 Stella// Blue
 8:58, 4 Sugar Magnolia 9:08, Encore: 5 One More Saturday Night 5:28, Total Time 59:16
07/27/73 Watkins Glen, NY - Grand Prix Racecourse S:R>D>CD All 91 None 
 SBDMR>DAT>CDR (Me & My Uncle is AudMC>Reel>DAT>CDR)
 Set One: Promised Land, Sugaree, Mexicali Blues, Bird Song, Big River, Tennessee Jed
 Set Two: Mississippi Half Step, Me & My Uncle, Jam-> Wharf Rat, Around & Around
07/28/73 Watkins Glen, NY - Grand Prix Racecourse S:R>D>CD All 255 None 
 SBDMR>DAT>CDR (MR contains glitches) Some tunes from AudMC>Reel>DAT>CD
 Set One: Bertha, Beat It On Down The Line, Brown Eyed Women, Mexicali Blues, Box Of Rain,
 Here Comes Sunshine, Looks Like Rain, Row Jimmy, Jack Straw, Deal, Playin' In The Band
 Set Two: Around & Around, Loose Lucy, Big River, He's Gone-> Truckin'-> Nobody's Fault But
 Mine-> El Paso, China Cat Sunflower-> I Know You Rider, Stella Blue, Eyes Of The World, Sugar
 Magnolia
 Set Three: Sing Me Back Home, Not Fade Away*, Mountain Jam*, Johnny B. Goode*, 
07/31/73 Jersey City, NJ - Roosevelt Stadium A:C>D>CD>SHN All 212 582-584 
 AudMC > DAT > CD > EAC > SHN. Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck TDK
 C-120SD master cassettes. EAC & SHN transfer by Noah Weiner (noahbw@attbi.com) - October, 2002.
 Soundforge was used for cross fades in various crowd passages in set one to remove just over two
 minutes of tape so the show would fit on three discs.
 Set One: DISC ONE [79:14], set one-a:, 01 [07:34] crowd & Phil, 02 [08:34] Ramble On Rose,
 03 [03:46] Me And My Uncle, 04 [06:18] Don't Ease Me In, 05 [04:31] Beat It On Down The Line, 06
 [06:15] Brown Eyed Women, 07 [04:03] Mexicali Blues, 08 [08:23] Loser, 09 [05:10] Jack Straw, 10
 [07:25] They Love Each Other, 11 [09:00] Looks Like Rain, 12 [08:15] Tennessee Jed
 Set Two: DISC TWO [74:32] set one-end: 01 [01:31] crowd, 02 [05:20] El Paso, 03 [08:59] Row
 Jimmy, 04 [02:21] crowd, 05 [22:49] Playin' In The Band, set two-a: 06 [04:38] crowd, Happy Birthday
 To Jerry, 07 [09:25] China Cat Sunflower > 08 [05:53] I Know You Rider, 09 [02:49] Promised Land > 10
 [05:49] Bertha > 11 [04:58] Greatest Story Ever Told
 Set Three: DISC THREE [57:34], set two-end: 01 [00:43] crowd, 02 [10:43] Black Peter, 03
 [05:18] Big River, 04 [08:17] Loose Lucy, 05 [07:05] Me And Bobby McGee, 06 [12:10] Truckin > 07
 [08:29] Goin' Down The Road Feelin' Bad, 08 [04:49] Johnny B. Goode
08/01/73 Jersey City, NJ - Roosevelt Stadium A:R>3C>CD All 175 
 GDADT. Main source: AudMR > C > C > C > CD > EAC > SHN. Taper and mic/deck set up unknown. EAC &
 SHN transfer by Noah Weiner (noahbw@attbi.com) - April, 2002. Soundforge was used for normalization,
 cross fades, and pitch correction. Alternate recording used for Dark Star through Morning Dew
 (missing from main source): AudMR > R > DAT > WAV > SHN (Uher mic > Uher 4000 Report L 5" reels >
 MacIntosh pre-amp > TEAC 1230 7" reel). Recording by Jeffrey Siniawsky, Neil Merin, and Joel Smith
 from down front near the stage on Jerry's side; mic held high. A > D transfer by Noah Weiner
 (noahbw@attbi.com) - February, 2002
 Set One: DISC ONE, set one: 01 Phil announcements 0:39, 02 Promised Land 3:14, 03 Sugaree
 7:50, 04 The Race Is On 3:02, 05 You Ain't Woman Enough 3:05, 06 Bird Song 10:43, 07 Mexicali Blues
 3:33, 08 They Love Each Other 5:17, 09 Jack Straw 4:42, 10 Stella Blue 7:38, 11 Big River 5:01, 12
 Casey Jones 6:49, set two-a: 13 Around And Around 5:10, 14 Mississippi Half Step Uptown Toodeloo 8:44,
 15 Me And My Uncle 3:10, total time: 78:37
 Set Two: DISC TWO: set two-b: 01 Row Jimmy 8:43, 02 Dark Star* 24:37 -> 03 El Paso 4:20 ->
 04 Eyes Of The World 20:29 -> 05 Morning Dew 13:09. *Dark Star - first 1:06 supplied by alternate
 AUD/? and cross faded at that point into the start of the main source recording. This alternate source
 was on the 7" reel that Jeff Siniawsky supplied for the transfer. He used it to fill the portion of
 the start of Dark Star missing from his 5" reel master when he created the 7" reel we have here.
 Total time: 71:18
 Set Three: DISC THREE, set two-end: 01 Sugar Magnolia 9:41, encore: 02 //Goin' Down The Road
 Feelin' Bad 9:30 -> 03 One More Saturday Night 5:43. Total time: 24:54
09/07/73 Uniondale, NY - Nassau Coliseum S:R>C>D>CD All 179 None 
 Set One: Promised Land, Sugaree, Mexicali Blues, They Love Each Other, Jack Straw, Looks
 Like Rain, Deal, El Paso, Bird Song,
 Set Two: Playin' In The Band, set II, Here Comes Sunshine, Me & My Uncle, Loser, Let It
 Grow-> Stella Blue,
 Set Three: Truckin'-> Drums-> The Other One-> Eyes Of The World-> Sugar Magnolia, E: Around
 & Around
09/08/73 Uniondale, NY - Nassau Coliseum S:R>C>D>CD All 190  None 
 Set One: Bertha, Me & My Uncle, Sugaree, Beat It On Down The Line, Tennessee Jed,
 Set Two: Weather Report Suite Prelude-> Weather Report Suite Part 1-> Let It Grow, Looks
 Like Rain, Brown Eyed Women, Jack Straw, Eyes Of The World-> China Doll, Greatest Story Ever Told,
 Ramble On Rose, Big River, set II, China Cat Sunflower-> I Know You Rider,
 Set Three: El Paso, He's Gone-> Truckin'-> Not Fade Away-> Goin' Down The Road Feelin' Bad->
  Not Fade Away, E:Stella Blue-> E: One More Saturday Night
09/11/73 Williamsburg, VA - William and Mary College Hall S:R>C>D>CD All 180 
 Set One: Set I, Promised Land, Sugaree, The Race is On, Loser, Looks Like Rain, Tennessee
 Jed, Jack Straw, China Cat Sunflower-> I Know You Rider, El Paso,
 Set Two: Mississippi Half Step, Playin' In The Band, set II, Let Me Sing*, Weather Report
 Suite Prelude*-> Weather Report Suite Part 1-> Let It Grow*, Row Jimmy, Big River,
 Set Three:  Deal, Beat It On Down The Line, Dark Star-> Morning Dew, Sugar Magnolia
09/20/73 Philadelphia, PA - The Spectrum n/a 
 Set One: Promised Land, Tennessee Jed, Mexicali Blues, They Love Each Other, Looks Like
 Rain, Loser, Beat It On Down The Line, China Cat Sunflower-> I Know You Rider, El Paso, Row Jimmy,
 Greatest Story Ever Told-> Deal, Around & Around
  Set Two: Truckin'-> Eyes Of The World*-> Stella Blue, Sugar Magnolia
09/21/73 Philadelphia, PA - The Spectrum n/a 
 Set One: Big Railroad Blues, Me & My Uncle, Brown Eyed Women, Beat It On Down The Line,
 Sugaree, Big River, Here Comes Sunshine, El Paso, Loose Lucy, Jack Straw, Black Peter, Playin' In The
 Band
 Set Two: Let Me Sing*, Weather Report Suite Prelude*-> Weather Report Suite Part 1*-> Let It
 Grow*, He's Gone-> Truckin'-> The Other One-> Wharf Rat-> Row Jimmy, Casey Jones*, E: One More
 Saturday Night
09/24/73 Pittsburgh, PA - Civic Arena n/a 
  Set One: Promised Land, Sugaree, Jack Straw, They Love Each Other, Mexicali Blues, Loose
 Lucy, Looks Like Rain, Row Jimmy, Big River, China Cat Sunflower-> I Know You Rider, Around &
 Around
 Set Two: Ramble On Rose, El Paso, Mississippi Half Step, Greatest Story Ever Told, China
 Doll, Truckin'-> Maybe You Know-> Eyes Of The World*-> Weather Report Suite Prelude*-> Weather Report
 Suite Part 1*-> Let It Grow*, Sugar Magnolia
09/26/73 Buffalo, NY - Community War Memorial Auditorium MSR>D>CD All 194 enter 80198 
 *Charlie Miller source re-patched*
 Recording Info: SBD -> Master Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Samplitude
 Profesional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC). All Transfers and Mastering By Charlie
 Miller charliemiller87@earthlink.net November 23, 2006. Patch Info: Audience recordings supplies the
 following patches: I Know You Rider (1:27 - 1:49) Around And Around (0:00 - 0:09) Playing In The Band
 (13:30 - 13:51) He's Gone (4:55 - 5:15) Eyes Of The World (1:58 - 2:45) Eyes Of The World (12:43 -
 13:13) Let It Grow (3:31 - 4:09). Notes: -- This is a re-patch of shnid=80134 (it's a more complete
 version) -- All disc changes are seamless -- Thanks to Matt Smith and SIRMick for the patch material
 -- First few notes to Brown Eyed Women missing -- First few notes to Around And Around missing --
 Check out the WRS Intro at end of Let It Grow -- Eyes > Sat Nite with Joe Ellis on trumpet and Martin
 Fierro on sax. JJ: sounds a little fast, but certainly a nice tape. This @@ Here Comes Sunshine is
 really nice.
 Set One: d1 (67:00) Set 1: d1t01 - Here Comes Sunshine d1t02 - Beat It On Down The Line
 d1t03 - Deal d1t04 - Looks Like Rain d1t05 - Tennessee Jed d1t06 - Mexicali Blues d1t07 - Loser d1t08
 - Big River d1t09 - Brown Eyed Women d1t10 - The Race Is On d1t11 - Row Jimmy d1t12 - El Paso
 Set Two: d2 (50:03)--set I con't-- d2t01 - China Cat Sunflower -> d2t02 - I Know You Rider
 d2t03 - Around And Around Set 2: d2t04 - Tuning d2t05 - Playing In The Band d2t06 - Sing Me Back Home
  d2t07 - Me And My Uncle
 Set Three: d3 (76:59) --set II con't-- d3t01 - He's Gone -> d3t02 - Truckin' -> d3t03 - Eyes
 Of The World -> d3t04 - Weather Report Suite -> d3t05 - Let It Grow d3t06 - Sugar Magnolia --Encore--
 d3t07 - One More Saturday Night
10/19/73 Oklahoma City, OK - Oklahoma City Fairgrounds Arena GDM All n/a 
 Set One: Mexicali Blues, Tennessee Jed, Looks Like Rain, Don't Ease Me In, Jack Straw, They
 Love Each Other, El Paso, Row Jimmy, Playin' In The Band, China Cat Sunflower-> I Know You Rider, Me &
 My Uncle, Mississippi Half Step, Big River, Dark Star-> Mind Left Body Jam-> Morning Dew, Sugar
 Magnolia
 Set Two: Eyes Of The World-> Stella Blue*, Johnny B. Goode
10/27/73 Indianapolis, IN - Indianapolis State Fair Coliseum S:R>R>C>D>CD most 173 
 Set One: set I, Promised Land, Sugaree, Mexicali Blues, Loser, Black Throated Wind, They
  Love Each Other, Jack Straw, Ramble On Rose, El Paso, Brown Eyed Women, Greatest Story Ever Told,
 Loose Lucy, Beat It On Down The Line, Total Time 65:36
 Set Two: set I (con't), China Cat Sunflower-> I Know You Rider, set II, Me & My Uncle,
 Bertha, Me And Bobby McGee, Tennessee Jed, Playin' In The Band-> Mississippi Half Step-> Big River,
 Playin' In The Band, Total Time 67:21
 Set Three: He's Gone-> Truckin'-> Nobody's Fault But Mine-> Wharf Rat// (missing Promised
 Land, Stella Blue, Sugar Magnolia, and E: Uncle John's Band).
10/29/73 St. Louis, MO - Kiel Auditorium S:R>C>D>CD All 175 None 
 D1t01 (Cold Rain and Snow): Splice @ 2:12; D1t10 (Eyes): Brief bit of static @ 1:05 ; D3t01
 (Truckin'): brief R-channel static @ 3:25 and 17:25; splice @ 7:21; D3t03 (The Other One): drop @
 14:19; Source disks from Bob Murphy, eac/shn by Darrin (dnsacks@usa.net); Analog anomalies between CRS
 and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error
 between Bertha and GSET automatically corrected by Exact Audio Copy. --- Darrin's additional notes on
 fixed anomalies: "Using my trusty copy of soundforge, I've fixed the first 2 of three (near track
 boundary) errors identified by Bob Murphy on his copy of 10.29.73 (msr>c>d) ... The 3 errors
 identified are as follows: 1. after cold rain & snow (d1t1), there is a kind of a mechanical thumping
 sound, most prevalent in the right channel during the between-song crowd noise just before a tape
 stop. I merely cut this sub-second fragment out -- easy and painless. 2. At the transition between
 Eyes and China Doll, at the end of one of the Phil Bombs, there is a analog-sounding "clunk" at/around
 the former track boundary. Here, there was no tape stoppage, this "error" is either on the analog
 reels/cassette or is a multi-frame digital problem (though it sure doesn't LOOK digital in nature when
 I zoom in on it). On this one, I cut out the ~1/10 of a second worth of "bad sound" at the end of the
 Bomb and smoothed the transition at the splice. I'm pretty comfortable with my fix on this track, but
 would be happy to create small "before" and "after" shns to send to anybody interested in checking
 this out. 3. Bob has identified a third problem between Bertha and Greatest Story. I haven't had the
 opportunity to fix this one yet, but should do so tonite. I'll post my observations on this one later
 (and will make "before" and "after" versions available too, if necessary).
 Set One: 1. Cold// Rain & Snow [5:#27] [0:11], 2. Beat It On Down The Line [3:09] [0:12], 3.
 Brown Eyed Women [4:29] [0:09], 4. Mexicali Blues [3:12] [0:16], 5. Don't Ease Me In [3:15] [0:16], 6.
 Black Throated Wind [6:40] [0:09], 7. Tennessee Jed [7:31] [0:19], 8. The Race is On [2:59] [0:07], 9.
 Row Jimmy [8:35] [0:06], 10. Eyes Of The World [14:57] -> 11. China Doll [5:36] [0:06], 12. // Around
 & Around [5:#00] [0:17]
 Set Two: 1. Promised Land [2:54] -> 2. Bertha [5:58] -> 3. Greatest Story Ever Told [5:00]
 [0:12], 4. Loser [6:35] [0:15], 5. Big River [4:43] [0:09], 6. Brokedown Palace [5:50] [0:12]
 Set Three: 1. Truckin' [17:27] -> 2. Drums [2:24] -> 3. The Other One [22:09] -> 4. Wharf
 Rat [10:20], 5. Sugar Magnolia [9:25] [1:12], E: 6. Casey Jones [6:39] [0:15]
10/30/73 St. Louis, MO - Kiel Auditorium MSR>C>D>CD partial n/a 
 *charlie miller upgrade* *highlights*
 Set One: --Set I-- Here Comes Sunshine, Jack Straw, China Cat Sunflower-> I Know You Rider,
 Playin' In The Band --Set II- Mississippi Half Step
 Set Two: --Set II con't-- Dark Star-> Stella Blue-> Eyes Of The World-> Weather Report Suite
 Prelude-> Weather Report Suite Part 1-> Let It Grow
11/01/73 Evanston, IL - McGaw Memorial Hall, Northwestern U. S:R>C>D>CD 2 93 
 SBDMR>Cass>DAT>CDR>EAC>Soundforge>DePopper>SHN. "This version has had extensive editing work done
 to it. The track ID errors that plagued previous versions are now gone, as are all the pops and
 crackling that could be safely removed without any detrimental effect to the music. Some smaller
 errors still exist in the quieter passages, but I think you'll have a hard time finding them. There
 is still a half second tape flip/cut on d1t03 at 5:25. This is my 5th version of this show, it's
 appeared on all of them." Extraction, editing, Shorten compression and upload by Mike Parrillo
 (msparrillo@attbi.com) March 2002.
 Set One: Disc One (4) 43:45, Morning Dew-> Playin' In The Band-> Uncle John's Band-> Playin'
 In The Band
 Set Two: Disc Two (5) 48:58, Mississippi Half Step-> He's Gone-> Truckin'-> Wharf Rat, Sugar
 Magnolia
11/09/73 San Francisco, CA - Winterland Arena S:R>C>D>CD All 185 
 Set One: Promised Land, Here Comes Sunshine, They Love Each Other, Me & My Uncle, Don't Ease
 Me In, China Cat Sunflower-> I Know You Rider, Playin' In The Band
 Set Two: To Lay Me Down, Big River, Mississippi Half Step, Greatest Story Ever Told->
 Bertha, Weather Report Suite Prelude-> Weather Report Suite Part 1-> Let It Grow-> Eyes Of The World->
 China Doll, Around & Around, Goin' Down The Road Feelin' Bad-> Johnny B. Goode, E: Uncle John's
 Band
11/11/73 San Francisco, CA - Winterland Arena MSR>C>D>CD All 190 1327 88485 
 *Charlie Miller source* *pitch-corrected*
 Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k). Transfer Info: Dat (Sony R500) ->
 Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (3 Discs Audio / 2 Discs FLAC). All
 Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, November 14, 2007. Patch
 Info: SBD -> ? -> Dat -> CD supplies: Eyes Of The World (7:47 - 8:13). Notes: -- All disc changes are
 seamless -- Thanks to Steve Rolfe for lending me his Dats -- Pitch corrected with Cool Edit Pro
 (+0.9%) -- Thanks to Rob Bertrando for his help with the picth correction -- This source has more
 tuning leading up to Dark Star -- This source does not have the cut at the start of Eyes
 Set One: (73:35) --Set I-- d1t01 - The Promised Land -> d1t02 - Bertha -> d1t03 - Greatest
 Story Ever Told d1t04 - Sugaree d1t05 - Black Throated Wind d1t06 - To Lay Me Down d1t07 - El Paso
 d1t08 - Ramble On Rose d1t09 - Me And Bobby McGee d1t10 - China Cat Sunflower -> d1t11 - I Know You
 Rider d1t12 -
 Set Two: (36:00) --Set I con't-- Me And My Uncle d2t01 - Loose Lucy d2t02 - Weather Report
 Suite -> d2t03 - Let It Grow --Set II-- d2t04 - Mississippi Half-Step Uptown Toodeloo d2t05 -
 Set Three: (79:49) --Set II con't-- Big River d3t01 - Dark Star -> d3t02 - Mind Left Body
 Jam -> d3t03 - Eyes Of The World -> d3t04 - China Doll d3t05 - Sugar Magnolia Encore: d3t06 - Uncle
 John's Band d3t07 - Johnny B. Goode -> d3t08 - And We Bid You Good Night
11/11/73 San Francisco, CA - Winterland Arena S:R>?>D>CD Ip/IIp 70 None 
 Set One: 1. Weather Report Suite Prelude [1:19] -> 2. Weather Report Suite Part 1 [4:16] ->
 3. Let It Grow [8:45] [0:07], 4. Tuning [2:10], 5. Dark Star [29:46] -> 6. Mind Left Body Jam [3:59]
 -> Dark Star [0:25] -> 7. Eyes Of The World [13:23] -> 8. China Doll [5:09 [0:04]
11/14/73 San Diego, CA - San Diego Sports Arena S:R>C>CD All 185 
 Soundboard master reels > 1 cassette gen > CD (no DAT stage). No cuts noted, a few crackles here
 and there, but generally a gorgeous late '73 recording.
 Set One: DISC ONE (11) 67:59 --SET I-- Big Railroad Blues, Jack Straw, Sugaree, Mexicali
  Blues, Here Comes Sunshine, Black Throated Wind, Cumberland Blues, Row Jimmy, The Race is On, Brown
 Eyed Women,
 Set Two: DISC TWO (8) 47:40 --SET I (con't)-- Beat It On Down The Line, Tennessee Jed, El
 Paso, China Cat Sunflower-> I Know You Rider, Around & Around, --END SET II-- Me & My Uncle, Goin'
 Down The Road Feelin' Bad-> One More Saturday Night
 Set Three: DISC THREE (9) 69:14 --SET II-- Truckin'-> The Other One-> Big River-> The Other
 One-> Eyes Of The World-> The Other One-> Wharf Rat
11/20/73 Denver, CO - Denver Coliseum S:R>D>CD All n/a 
 SBD:MR>DAT>CD>SHN
 Set One: Ramble On Rose, Don't Ease Me In, Black Throated Wind, To Lay Me Down, The Race is
 On, They Love Each Other, Me And Bobby McGee, Tennessee Jed, Big River, Row Jimmy, Weather Report
 Suite Prelude-> Weather Report Suite Part 1-> Let It Grow, Casey Jones
 Set Two: Mississippi Half Step-> Dire Wolf, Promised Land-> Bertha-> Greatest Story Ever
 Told, Looks Like Rain, China Cat Sunflower-> I Know You Rider, Truckin'-> The Other One-> Stella
 Blue-> Sugar Magnolia
11/21/73 Denver, CO - Denver Coliseum MSR>C>D>CD All 188 enter 88612 
 *Charlie Miller source* *pitch-corrected*
 Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD. Transfer Info: CD -> Cool Edit Pro
 v2.0 -> Samplitude Professional v9.12 -> FLAC (3 Discs Audio / 2 Discs FLAC). All Transfers and
 Mastering By Charlie Miller, charliemiller87@earthlink.net, November 19, 2007. Patch Info: Sony Stereo
 Mic -> Master Cassette -> CD (shnid=22096) supplies: Me And My Uncle (0:17 - 0:19) Dire Wolf (3:11 -
 3:13) They Love Each Other (2:29 - 2:50) Let It Grow (2:33 - 2:58) Playing In The Band d2t08 (2:34 -
 2:54) Goin' Down The Road Feeling Bad (4:40 - 5:05). Notes: -- All disc changes are seamless --
 Cleaned up a lot of flaws, noises, etc. -- This source does not have some of the cuts on other sources
 -- Pitch corrected with Cool Edit Pro (-2.7%) -- Thanks to Joe B. Jones and Rob Bertrando for their
 help -- Mexican Hat Dance Tuning after Big Railroad Blues -- Dark Star Jam contains Wharf Rat tease
 Set One: d1 (70:33) Set 1: d1t01 - Me And My Uncle d1t02 - Sugaree d1t03 - Jack Straw d1t04
 - Dire Wolf d1t05 - Black Throated Wind d1t06 - Big Railroad Blues d1t07 - Mexicali Blues d1t08 - They
 Love Each Other d1t09 - Looks Like Rain d1t10 - Here Comes Sunshine d1t11 - Big River d1t12 -
 Brokedown Palace d2t01 - Weather Report Suite
 Set Two: d2 (77:01) Set 2: d2t02 - Mississippi Half-Step Uptown Toodeloo -> d2t03 - Playing
 In The Band -> d2t04 - El Paso -> d2t05 - Playing In The Band -> d2t06 - Dark Star Jam -> d2t07 -
 Wharf Rat -> d2t08 - Playing In The Band -> d2t09 - Morning Dew
  Set Three: d3 (ca. 40): d3t01 - Truckin' -> d3t02 - Nobody's Fault But Mine -> d3t03 - Goin'
 Down The Road Feeling Bad -> d3t04 - One More Saturday Night Encore:d3t05 - Uncle John's Band
11/21/73 Denver, CO - Denver Coliseum  MSR>D>CD highligh139 22097 
 *patched* *HIGHLIGHTS ONLY*
 Set One: --Set I-- Sugaree, Black Throated Wind, Here Comes Sunshine, Brokedown Palace --set
 II end-- Truckin'-> Nobody's Fault But Mine-> Goin' Down The Road Feelin' Bad-> One More Saturday
 Night, E: Uncle John's Band
 Set Two: --Set I end-- Weather Report Suite Prelude-> Weather Report Suite Part 1-> Let It
 Grow --Set II-- Mississippi Half Step-> Playin' In The Band-> El Paso-> Playin' In The Band-> Wharf
 Rat-> Playin' In The Band-> Morning Dew
11/23/73 El Paso, TX - County Coliseum S:R>C>D>CD All 202 
 SBD reels > cassette x1 > DAT x2 > CDR.  d1t01 Bertha cuts in; d1t05 Don't Ease pop @ 0:06, light
 crackling @ 0:08; d1t07 Loser cut/splice @ 3:44; d1t07-08 light tick @ marker; d1t08 Jack Straw light
 pop @ 1:01; d2t09 Sugaree first few notes clipped; d2t09-10 pop @ marker; d3t04 Space brief cut/splice
 @ 5:01? d4t04 Casey Jones drop @ 6:27, then 2-second repeat.
 Set One: -Set I- DISC ONE, 1. [0:04] //Bertha [#4:03] [0:06], 2. [0:52] Mexicali Blues
 [3:28] [0:41], 3. Deal [4:29] [0:06], 4. [0:05] Looks Like Rain [6:56] [0:02], 5. [0:22] Don't Ease Me
 In [3:57] [0:07], 6. [0:11] The Race Is On [3:00] [0:11], 7. [0:04] Lo//ser [5:30#] [0:11], 8. Jack
 Straw [4:48] [0:07], 9. [0:09] China Cat Sunflower [3:26] -> Jam [3:14] -> Feelin' Groovy Jam [1:45]
 -> 10. I Know You Rider [5:11], Disc Time 53:24; DISC TWO 1. [0:27] El Paso [4:10] [0:12], 2. [0:12]
 Tennessee Jed [8:00] [0:20], 3. [0:10] Big River [4:48] [0:13], 4. Row Jimmy [9:17] [0:09], 5. [0:06]
 WRS Prelude [1:16] -> 6. WRS part I [:01+4:13] -> 7. Let it Grow [:02+9:07] [0:15]
 Set Two: - Set II- DISC TWO (CON'T), 8. [0:13] Greatest Story Ever Told [5:26] [0:04], 9.
 //Sugaree [#7:22] [0:11], 10. [0:12] Me & My Uncle [2:51] [0:11], Disc Time 59:33, DISC THREE, 1.
 [0:06] He's Gone [12:55] -> 2. Tru//ckin' [12:#07] -> The Other One [11:04] -> 4. Spa//ce [9:44] -> 5.
 Me & Bobby McGee [5:37] [0:17], Disc Time 51:55, DISC FOUR, 1. Eyes of the World [14:28] [0:12], 2.
  [0:04] Around & Around [4:43] -> 3. Goin' Down the Road Feelin' Bad [6:51] -> 4. Casey Jones [7:25]
 [0:04], Encore: 5. Johnny B. Goode [3:42] [0:04], Disc Time 37:35
11/30/73 Boston, MA - Boston Music Hall GDM  selectio136 
 Set One: Dick's Picks vol. 14 -- buy it from GDM
12/01/73 Boston, MA - Boston Music Hall S:R>D>SS>CD All 207 
 S:R>D>SS>CD
 Set One: Soundcheck, 1. Blue Suede Shoes, 2. Working Man's Blues, Set I, 3. Promised Land,
 Sugaree, Mexicali Blues, Tennessee Jed, Looks Like Rain, China Cat Sunflower-> I Know You Rider, Big
 River, Brokedown Palace,
 Set Two: Weather Report Suite Prelude-> Weather Report Suite Part 1-> Let It Grow, Casey
 Jones, Set II, Around & Around, They Love Each Other, Me & My Uncle, Don't Ease Me In, Me And Bobby
 McGee, Mississippi Half Step,
 Set Three: Set II (con't), Playin' In The Band-> Uncle John's Band-> Playin' In The Band,
 Row Jimmy, Greatest Story Ever Told, Not Fade Away-> Goin' Down The Road Feelin' Bad-> One More
 Saturday Night
12/02/73 Boston, MA - Boston Music Hall  GDM selectio144 
 Set One: Dick's Picks vol. 14 -- buy it from GDM
12/04/73 Cincinnati, OH - Cincinnati Gardens MSR>D>CD All n/a 1315 86845 
 *Charlie Miller source* *highlights only*
 Recording Info: SBD -> Master Reel -> Dat (44.1k). Transfer Info: Dat (Sony R500) -> SEK'D Prodif
 Plus -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 1 Disc FLAC). All Transfers and
 Mastering By Charlie Miller, charliemiller87@earthlink.net, August 22, 2007. Notes: -- Encore from
 unknown SBD source.
 Set One: Set 1: d1t04 - China Cat Sunflower -> d1t05 - I Know You Rider d1t10 - Truckin' ->
 d1t11 - Stella Blue Set 2: d2t01 - Eyes Of The World -> d2t02 - Sugar Magnolia -> d2t03 - Goin' Down
 The Road Feeling Bad -> d2t04 - Casey Jones
12/06/73 Cleveland, OH - Cleveland Convention Center S:R>C>D>CD All 185 
 Set One: Bertha, El Paso, Deal, They Love Each Other, Greatest Story Ever Told, Ramble On
 Rose, Weather Report Suite Prelude-> Weather Report Suite Part 1-> Let It Grow
 Set Two: Here Comes Sunshine, Big River,
 Set Three:  Dark Star-> Eyes Of The World, Sugar Magnolia
12/12/73 Atlanta, GA - The Omni S:R>C>D>C>D All 185 
 SBDMR>C>DAT>C>DAT>CD; maybe too fast? Stupid Tracking Alert. d2t02 PITB digi-flit @ 3:15; d2t04
 Bobby McGee strange SQ, overload distortion? d2t05 IKYR digi-snit @ track 11:52; d3t04 cut/splice
 during LIG @ track 8:28;d3t07 Eyes tick @ 11:34; d3t08 Dew digi-static @ 11:01
 Set One: Disc One (13) 66:25 --Set I-- 1. The Promised Land, 2. Sugaree, 3. Mexicali Blues,
 4. Tennessee Jed, 5. Jack Straw, 6. Don't Ease Me In, 7. Looks Like Rain, 8. They Love Each Other, 9.
 El Paso, 10. Peggy-O, 11. Beat It On Down The Line, 12. Brown Eyed Women, 13. Big River
 Set Two: Disc Two (5) 51:28 --Set I (con't)-- 1. Deal, 2. Playin' In The Band --Set II-- 3.
 Mississippi Half Step -> 4. Me And Bobby McGee, 5. China Cat Sunflower-> I Know You Rider
 Set Three: Disc Three (8) 68:19 --Set II (con't)-- Greatest Story Ever Told, Row Jimmy,
 Weather Report Suite Prelude-> Weather Report Suite Part 1-> Let It //Grow, Wharf Rat-> Me & My Uncle,
 Eyes Of The World-> Morning Dew, Sugar Magnolia, E: Casey Jones
12/18/73 Tampa, FL - Curtis Hixon Convention Hall S:R>C>D>CD All 189 
 Get this elsewhere. The tracking is stupid and there are occasional digital errors.
 Set One: Disc One (11) 66:10 --Set I-- Tennessee Jed, Me & My Uncle, Don't Ease Me In, Looks
 Like Rain, They Love Each Other, Me And Bobby McGee, Brown Eyed Women, Beat It On Down The Line->
 Peggy-O, El Paso, Deal, Jack Straw,
 Set Two: Disc Two (8) 59:29 --Set I (con't)-- China Cat Sunflower-> I Know You Rider, --Set
 II-- Promised Land-> Bertha-> Greatest Story Ever Told, Row Jimmy, Weather Report Suite Prelude->
 Weather Report Suite Part 1-> Let It Grow->
 Set Three: Disc Three (6) 64:20 --Set II (con't)-- Dark Star-> Drums-> Eyes Of The World->
 Wharf Rat-> Sugar Magnolia, E: Uncle John's Band
12/19/73 Tampa, FL - Curtis Hixon Convention Hall GDM most 126 
 Set One: DICK'S PICKS VOL. 1--BUY IT.
 
02/23/74 San Francisco, CA - Winterland Arena S:R>P>D>CD All 183 
 SBD:Reel>PCM>DAT>CD>EAC>SHN, mastered by Jay Serafin
 Set One: 1. Introduction [0:04], Around & Around [5:00], 2. Dire Wolf [4:26], 3. Me And
 Bobby McGee [5:47] [0:03], 4. Sugaree [7:17] [0:46], 5. Mexicali Blues [3:24] [0:11], 6. Here Comes
 Sunshine [11:13] [0:08], 7. Beat It On Down The Line [3:31] [0:19], 8. Ship of Fools [5:33] [0:26], 9.
  Jack Straw [4:53] -> 10. Deal [4:27] [0:23], 11. Promised Land [3:05] -> 12. Bertha [6:02] -> 13.
 Greatest Story Ever Told [5:14] [0:03], Total time 72:22
 Set Two: 1. Row Jimmy [8:46], 2. WRS Prelude [1:19] -> WRS Part 1 [3:16] -> 3. WRS Part I
 (con't) [1:13] -> 4. Let It Grow [12:52] -> 5. Stella Blue [8:36] [0:06], Total Time 36:10
 Set Three: 1. [0:07] He's Gone [13:56] -> 2. Truckin' [8:07] -> 3. Drums [3:27] -> 4. The
 Other One [20:33] -> 5. Eyes Of The World [14:21] -> 6. One More Saturday Night [4:39] [0:08], E: 7.
 Johnny B. Goode [3:49] -> 8. And We Bid You Goodnight [2:59] [0:17], Total Time 72:25
02/24/74 San Francisco, CA - Winterland Arena S:R>P>D>CD All  213 
 SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional PMD-320 CD Master> Ricoh MP-6200
 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin.
 Set One: U.S. Blues, Mexicali Blues, Brown Eyed Women, Beat It On Down The Line, Candyman,
 Jack Straw, China Cat Sunflower-> I Know You Rider, El Paso, Loser, Playin' In The Band
 Set Two: Cumberland Blues, It Must Have Been The Roses, Big River, Bertha, Weather Report
  Suite Prelude-> Weather Report Suite Part 1-> Let It Grow-> Row Jimmy-> Ship of Fools, Promised Land,
 Dark Star-> Morning Dew, Sugar Magnolia, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade
 Away, E: It's All Over Now Baby Blue
03/23/74 Daly City, CA - Cow Palace S:R>D>CD All 203 
 From Leigh Orf's text file: "For those who care about this sort of thing: not long ago, a very nice
 copy of this show surfaced that purportedly derived from Dick Latvala's cassettes made directly from
 the master soundboard reels. This copy has cuts at the beginning of "Morning Dew" and in "Sunshine
 Daydream", and is also missing "Casey Jones" and "One More Saturday Night". Very recently, a "new"
 copy has surfaced without the extraneous cassette generation and, purportedly, is derived directly
 from the master soundboard reels. This copy is currently beginning to circulate (10/00) via a "Tree"
 on The Well, and also has the cuts at the beginning of "Morning Dew" and "Sunshine Daydream", but,
 includes "Casey Jones" and "One More Saturday Night" which are missing from the previous version. The
 "new" copy,however, introduces anomalies not present on the previous version. Specifically, there are
 2 drop-outs present during the banter which occurs between the aborted "Playin' in the Band" and the
 actual "Playin' in the Band"(disc 2 track 5), a minor digi-snit at approximately the 4:15 mark of
 "Morning Dew" (disc 2 track 6),as well as missing the first several seconds of "Ship of Fools" (disc 3
 track 1). Subsequently,the 2 drop-outs in the banter between the Playin' in the Band"'s and the
 digi-snit in "Morning Dew" were patched in from the MSR>Cassette>DAT version. That same MSR>C>D
 version also provided the first 10 seconds of "Ship of Fools". The reel flips in :Morning Dew" and
 "Sunshine Daydream" were patched using an audience source. Please be aware that the occassional
 static/crackle- an example of which occurs during the banter between the end of the false start of
 "Playin' in the Band" and the restart of "Playin'in the Band"- is present on both versions, so are
 presumed to be on the master reels as well. Bottom line, I believe this to be the best available copy
 of this show, compiled from 4 different sources,patched with TLC, and made possible through the
 efforts of the usual group of suspects/mental patients. Audience source supplies patch in "Morning
 Dew" from 0:21 thru 0:43, as well as the patch in "Sugar Magnolia" from 6:57 thru 7:22."
 Set One: set I, 1. U.S. Blues [5:34] [0:09], 2. Promised Land [3:28] [0:05], 3. [0:02] Brown
 Eyed Women [4:52] [0:21], 4. Mexicali Blues [3:26] [0:06], 5. Tennessee Jed [7:58] [0:21], 6. [0:07]
 Black Throated Wind [6:42] [0:21], 7. Scarlet Begonias [6:14] [0:14], 8. Beat It On Down The Line
 [3:17] [0:10], 9. It Must Have Been The Roses [4:48] [0:09], 10. El Paso [4:22] [0:20], 11. Deal
 [4:50] [0:22], 12. Cassidy [3:53], Total Time 62:18
 Set Two: set I (con't), 1. [0:06] China Cat Sunflower [3:50] -> Jam [2:54] -> Feelin' Groovy
 Jam [1:51] -> 2. I Know You Rider [5:17] [0:02], 3. Weather Report Suite Prelude [1:25] -> Weather
 Report Suite Part 1 [4:24] -> Let It Grow [9:34] [0:06], set II, 4. Playin' In The Band false start
 [1:41], Playin' in the Band [12:25] -> 5. Uncle John's Band [9:16] -> 6. Morning Dew [12:31] -> 7.
 Uncle John's Band [6:45] -> 8. Playin' In The Band [2:57], Total Time 75:12
 Set Three: set II (con't), 1. //Ship of Fools [6:00#] [0:09], 2. Big River [5:12] [0:13], 3.
 Ramble On Rose [6:36] [0:11], 4. Me & My Uncle [2:52] [0:17], 5. Bertha [6:04] -> 6. Around & Around
 [5:01] [0:05], 7. Wharf Rat [9:20] -> 8. Sugar Magnolia [9:10] [0:15], Encore: 9. Casey Jones [7:40]
 [0:21], 10. One More Saturday Night [4:50] [0:08], Total Time 64:20
05/12/74 Reno, NV - University of Nevada S:R>C>D>CD All 163 
 Needs re-tracking; d2t05 Bobby McGee cuts in, first few notes missing; d3t03 TOO cut/splice @ 8:39;
 d3t03 contains 1:12 of MLBJ; d3t08 Sugar Magnolia sub-second folds @ 4:56, 4:59; d3t08 Sugar Magnolia
 cuts out
 Set One: 1. [0:13] Promised Land [3:02] [0:07], 2. Sugaree [7:21] [0:12], 3. [0:08] Mexicali
 Blues [3:32] [0:10], 4. Tennessee Jed [7:46] [0:09], 5. Jack Straw [4:50], 6. Brown-Eyed Women [4:47]
 [0:07], 7. [0:04] Beat it on Down the Line [3:09] [0:05], 8. [1:12] China Cat Sunflower [3:26] -> Jam
 [2:54] -> Feelin' Groovy Jam [1:50] -> 9. I Know You Rider [5:27] [0:06], Total Time 50:50
 Set Two: 1. [1:32] El Paso [4:21] [0:03], 2. [0:44] U.S. Blues [4:56] [0:05], 3. [0:27]
  Greatest Story Ever Told [4:47] [0:06], 4. It Must Have Been The Roses [5:31] [0:03], 5. //Me And
 Bobby McGee [5:31#] [0:04], 6. Deal [4:33] [0:22], 7. [1:27] Around & Around [5:12] [0:05], 8. [0:27]
 Mississippi Half Step [7:38] [0:06], Total Time 48:05
 Set Three: 1. [0:04] Truckin' [6:55] -> 2. Nobody's Fault But Mine [2:21] -> 3. The Other//
 One [21:29#] -> 4. Mind Left Body Jam [1:12+1:04] -> 5. Row Jimmy [8:27] [0:02], 6. [0:53] Big River
 [5:04] [0:05], 7. [0:31] Ship of Fools [5:51] [0:09], 8. [0:30] Sugar Magnolia// [8:50#] [0:01], Total
 Time 63:32
05/12/74 Reno, NV - University of Nevada matrix IIp 75 90172 
 *Brokedown House Productions matrix*
 Set Two: d1t01 - Mississippi 1/2 Step d1t02 - Truckin' -> d1t03 - Nobody's Fault Jam ->
 d1t04 - The Other One -> d1t05 - Mind Left Body Jam -> d1t06 - Row Jimmy d1t07 - Big River d1t08 -
 Ship Of Fools  d1t09 - Sugar Magnolia TT - 74:33
05/14/74 Missoula, MT - Adams Field House, U of Montana S:R>C>D>CD All 186 
 d1t01 fades in; d1t01 light static @ 1:05; d1t02 first few notes clipped; d1t04 first few notes
 clipped; d1t10 first few notes clipped; d2t01 static @ 20:02; d2t04 first few notes clipped; d3t01
 contains :13 of WRS Part I; d3t05 cut/splice @ 0:54-:55
 Set One: set I, 1. //Bertha [6:04#] [0:19], 2. //Me & My Uncle [2:55#] [0:50], 3. [0:05]
 Loser [6:26] [0:10], 4. //Black Throated Wind [6:31#] [0:27], 5. Scarlet Begonias [7:31] -> 6. It Must
 Have Been The Roses [5:21] [0:45], 7. Jack Straw [4:47] [0:34], 8. Tennessee Jed [8:00] [0:28], 9.
 Mexicali Blues [3:21] [0:29], 10. [0:05] //Deal [4:39#] [0:19], 11. Big River [4:47] [1:04], 12.
 [0:03] Brown Eyed Women [5:01] [0:14], Total Time 71:21
 Set Two: set I (con't), 1. [0:28] Playin' In The Band [20:50] [0:18], set II, 2. [0:08] U.S.
 Blues [5:18] [0:09], 3. [0:10] El Paso [4:22] [0:09], 4. //Row Jimmy [8:43#] [0:06], Total Time
 40:43
 Set Three: set II (con't), 1. [0:02] Weather Report Suite Prelude [1:26] -> 2. Weather
 Report Suite Part 1 [0:13+4:15] -> 3. Let It Grow [10:09] -> 4. Dark Star [26:34] -> 5. China// Doll
 [5:05#] [0:18], 6. Promised Land [3:10] [0:17], 7. Not Fade Away [6:38] -> 8. Goin' Down The Road
 Feelin' Bad [8:50] [0:26], Encore: 9. [0:09] One More Saturday Night [4:33] [0:22], Total Time
 72:30
05/17/74 Vancouver, British Columb, CA - P.N.E. Coliseum S:R>C>D>CD All 171 
 Originally came listed w/o the C gen, but I think there is one. d1t01 first few notes clipped, mix
 problems; d2t02 U.S. Blues static @ 3:29; d3t04 China Doll cuts in "//bells of heaven ring")
 Set One: set I, 1. //Promised Land [3:08#] [0:21], 2. Deal [4:16] [0:05], 3. The Race is On
  [3:02] [0:12], 4. Ramble On Rose [6:24] [0:13], 5. Jack Straw [4:48] [0:08], 6. Dire Wolf [4:38]
 [0:06], 7. Beat It On Down The Line [3:33] [0:11], 8. Loose Lucy [4:40] [0:09], 9. Big River [4:46]
 [0:06], 10. It Must Have Been The Roses [5:22] [0:10], 11. Mexicali Blues [3:15] [0:09], 12. Row Jimmy
 [8:40] [013], Total Time 58:41
 Set Two: set I (con't), 1. [0:04] Playin' In The Band [22:25] [0:07], set II, 2. U.S. Blues
 [5:22] [0:09], 3. Me & My Uncle [2:47] [0:05], 4. Ship of Fools [6:06] [0:04], 5. Money Money [4:16]
 [0:05], 6. China Cat Sunflower [3:40] -> 7. Jam [3:01] -> 8. Feelin' Groovy Jam [1:47] -> 9. I Know
 You Rider [4:59] [0:04], 10. Greatest Story Ever Told [4:53] [0:08], 11. Sugaree [7:27] [0:09], Total
 Time 67:44
 Set Three: set II (con't), 1. [0:03] Truckin' [8:35] -> 2. Nobody's Fault But Mine [6:30] ->
 3. Eyes Of The World [13:24] -> 4. //China Doll [5:10#] [0:12], 5. Sugar Magnolia [9:05] [0:16], Total
 Time 43:17
05/19/74 Portland, OR - Portland Memorial Coliseum S:R>D>CD All 167 None 
 Set One: Mississippi Half Step, Mexicali Blues, Big Railroad Blues, Black Throated Wind,
 Scarlet Begonias, Beat It On Down The Line, Tennessee Jed, Me And Bobby McGee, Sugaree, Jack Straw, It
 Must Have Been The Roses, El Paso, Loose Lucy, Money Money, China Cat Sunflower-> I Know You Rider
 Set Two: Promised Land, Bertha-> Greatest Story Ever Told, Ship of Fools, Weather Report
 Suite Prelude-> Weather Report Suite Part 1-> Let It Grow-> Wharf Rat, Big River,
 Set Three:  Peggy-O, Truckin'-> Heaven Help The Fool Jam-> Not Fade Away-> Goin' Down The
 Road Feelin' Bad-> One More Saturday Night, E: U.S. Blues
05/21/74 Seattle, WA - Edmundson Pavilion, U of Washington S:R>C>D>CD All 185 
 MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN;
 Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of
 previous shn set, courtesy Josh Belkin; D1t01 MAMU sound system problems in beginning; D1t12 Ship
 fades in; D2t01 WRS Prelude cuts in, missing first few notes; D2t05 PITB 1-2 seconds clipped @ start;
 d2t05 PITB MR splice due to reel flip patched w/ ex. AUD; D3t02 Big River tiny waver @ 5:31?; D3t06
 JBG beginning cut
 Set One: 1. [0:11] Me & My Uncle [2:46] [0:07], 2. [0:12] Brown Eyed Women [4:56] [0:04], 3.
 [1:04] Beat It On Down The Line [3:12] [0:14], 4. [0:41] Deal [3:37] [0:11], 5. [0:14] Mexicali Blues
 [3:18] [0:07], 6. [1:08] It Must Have Been The Roses [5:24] [0:27], 7. [0:32] The Race is On [2:58]
 [0:07], 8. [0:18] Scarlet Begonias [5:14] [0:34], 9. [0:32] El Paso [4:12] [0:17], 10. [1:11] Row
 Jimmy [8:39] [0:16], 11. [0:09] Money Money [4:34] [0:04], 12. [0:10] //Ship of Fools [5:40#] [0:21],
 Total Time 64:36
 Set Two: 1. [0:02] //Weather Report Suite Prelude [1:06#] -> 2. Weather Report Suite Part 1
 [5:02] -> 3. Let It Grow [10:49] -> 4. China Doll [5:28] [0:14], set II, 5. //Playin' In The Band
 [46:20#] [0:23], Total Time 69:27
 Set Three: 1. [0:14] U.S. Blues [5:38] [0:20], 2. [0:49] Big River [4:46] [0:04], (missing
 Stella Blue and Around & Around), 3. Eyes Of The World [13:49] -> 4. Wharf Rat [9:43] -> 5. Sugar
 Magnolia [9:33] [0:13], E: 6. //Johnny B. Goode [3:52#] [0:23], Total Time 49:26
05/21/74 Seattle, WA - Edmundson Pavilion, U of Washington A:C>CD All 186 417, 418 
 AudMC > WAV > SHN. Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right
 balcony. Note: most songs have the first few notes cut on the master tape. A>D conversion by David
 Minches (dminches@comcast.net) playback on Nakamichi Dragon through ART DI/O sound card. Final track
 breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002. Audience Devotional Tree Round 10 -
 June, 2002.
 Set One: DISC ONE, set one-a: 01 Me And My Uncle 3:01, 02 Brown Eyed Women 4:48, 03 Beat It
 On Down The Line 3:14, 04 Deal 4:33, 05 Mexicali Blues 3:26, 06 It Must've Been The Roses 5:27, 07 The
 Race Is On 3:01, 08 Scarlet Begonias 5:19, 09 El Paso 4:10, 10 Row Jimmy 8:41, 11 Money Money 4:36,
 12 Ship Of Fools 5:58, Total time: 56:14
 Set Two: DISC TWO set one-end: 01 Weather Report Suite Prelude 1:20 > 02 Weather Report
 Suite Part One 5:04 > 03 Let It Grow 10:54 > 04 China Doll 5:32, set two-a: 05 Playin' In The Band
 46:26, Total time: 69:16
 Set Three: DISC THREE, set two-end: 01 U.S. Blues 5:37, 02 Big River 4:49, 03 Stella Blue
 8:23, 04 Around And Around 5:10, 05 Eyes Of The World 13:50 > 06 Wharf Rat 9:47 > 07 Sugar Magnolia
 9:48, encore: 08 Johnny B. Goode 3:59, Total time: 61:23
05/25/74 Goleta, CA - Campus Stadium, UC Santa Barbara S:R>C>D>CD All 160 
 Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 >
 .shn
 Set One: Disc One - Set One: 1. U.S. Blues, 2. Mexicali Blues, 3. Deal, 4. Jack Straw, 5.
 Scarlet Begonias, 6. Beat it on Down the Line, 7. Brown-Eyed Women, 8. Me & My Uncle, 9. Sugaree, 10.
 El Paso, 11. China Cat Sunflower -> 12. I Know You, Rider, 13. Around & Around
 Set Two: Disc Two - Set Two: 1. Promised Land, 2. Ship of Fools, 3. Big River, 4. Tennessee
 Jed, 5. Truckin' -> 6. Let it Grow -> 7. Wharf Rat
 Set Three: Disc Three - Set Two cont.: 1. Sugar Magnolia -> 2. Going Down the Road, Feeling
 Bad -> 3. One More Saturday Night, Encore: 4. Casey Jones
06/08/74 Oakland, CA - Oakland-Alameda County Coliseum A:R>R>D>CD All 168 
 AUD> MR> R> DAT> CD with Playin thru Eyes, SBD> MR> DAT> CD.
 Set One: Disc One (12) 72:12 --Set I-- Promised Land, Brown Eyed Women, Me And Bobby McGee,
 Scarlet Begonias, Mexicali Blues, It Must Have Been The Roses, Me & My Uncle, Tennessee Jed, Greatest
 Story Ever Told, China Cat Sunflower-> I Know You Rider, Around & Around
 Set Two: Disc Two (7) 71:47 --Set II-- U.S. Blues, Big River, Ship of Fools, Playin' In The
 Band-> Wharf Rat-> Playin' In The Band, Eyes Of The World,
 Set Three: Disc Three (10) 57:45 --Set II (con't)-- Sugar Magnolia, E:Casey Jones-> E: One
 More Saturday Night, Filler: 1/23/68
06/16/74 Des Moines, IA - Des Moines State Fair Grandstand S:R>D>CD All 232 None 
 Set One: Bertha, Mexicali Blues, Row Jimmy, Beat It On Down The Line, Scarlet Begonias,
 Black Throated Wind, Sugaree, El Paso, It Must Have Been The Roses, Jack Straw, Ship of Fools, Around
 & Around
 Set Two: U.S. Blues, The Race is On, Eyes Of The World-> Big River, Playin' In The Band,
 Tennessee Jed, Me & My Uncle, Deal, Greatest Story Ever Told, Ship Of Fools
 Set Three: Truckin'-> Nobody's Fault But Mine-> Wharf Rat-> Goin' Down The Road Feelin' Bad,
 E: Casey Jones
06/18/74 Louisville, KY - Freedom Hall S:R>C>D>CD All 175 None 
 SBDMR>Cass>DAT>ZA2>SHN>CD
 Set One: Promised Land, It Must Have Been The Roses, Black Throated Wind, Ramble On Rose,
 Beat It On Down The Line, Loser, Mexicali Blues, Eyes Of The World-> China Doll, Around & Around
 Set Two: Loose Lucy, El Paso, Row Jimmy, Weather Report Suite Prelude-> Weather Report Suite
 Part 1-> Let It Grow-> The Other One-> It's A Sin-> Stella Blue, Big River, Tennessee Jed, Sugar
 Magnolia, E: Morning Dew
06/20/74 Atlanta, GA - The Omni S:R>C>D>CD All 143 
 Master 7 inch, 2 track Soundboard Reel > Cassette > DAT > CDR
 Set One: Disc One (13) 76:28 --Set I-- U.S. Blues, Beat It On Down The Line, Brown Eyed
 Women, Mexicali Blues, It Must Have Been The Roses, Jack Straw, Me & My Uncle, To Lay Me Down, El
 Paso, China Cat Sunflower-> I Know You Rider, Around & Around
 Set Two: Disc Two (7) 66:42 --Set II-- Scarlet Begonias, Big River, Ship of Fools,
 Truckin'-> Eyes Of The World-> China Doll-> One More Saturday Night
06/22/74 Miami, FL - Jai-Alai Fronton S:R>C>D>CD All 211 None 
  Set One: Promised Land, Bertha-> Greatest Story Ever Told, Deal, Me And Bobby McGee, Scarlet
 Begonias, Jack Straw, Loose Lucy, Mexicali Blues, Sugaree, The Race is On, It Must Have Been The
 Roses, Playin' In The Band
 Set Two: China Cat Sunflower-> I Know You Rider, Me & My Uncle, Ship of Fools, El Paso, Eyes
 Of The World-> Wharf Rat-> Sugar Magnolia, E: Johnny B. Goode
06/22/74 Miami, FL - Jai-Alai Fronton A:C>D>CD All 182 
 *Jerry Moore: AKG D-1000Es > Sony TC-152*
 AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2
 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT
 transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002
 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck
  (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL
 (SBE fix) > MKW (shn) > my CDs.
 Set One: Disc One (13) 73:15 --set I-- Promised Land, Bertha-> Greatest Story Ever Told,
  Deal, Me And Bobby McGee, Scarlet Begonias, Jack Straw, Loose Lucy, Mexicali Blues, Sugaree, The Race
 is On, It Must Have Been The Roses,
 Set Two: Disc Two (8) 64:52 --end set I-- Playin' In The Band --set II-- China Cat
 Sunflower-> I Know You Rider, Me & My Uncle, Ship of Fools, El Paso,
 Set Three: Disc Three (5) 44:25 --end set II-- Eyes Of The World-> Wharf Rat-> Sugar
 Magnolia, E: Johnny B. Goode
06/23/74 Miami, FL - Jai-Alai Fronton  S:R>C>D>CD All 202 None 
 Set One: Ramble On Rose, Black Throated Wind, Mississippi Half Step, Beat It On Down The
 Line, Row Jimmy, Jack Straw, Let It Rock, Cumberland Blues, El Paso, To Lay Me Down, Weather Report
 Suite Prelude-> Weather Report Suite Part 1-> Let It Grow-> China Doll
 Set Two: Phil & Ned-> Ship of Fools, Big River, Black Peter, Around & Around, Dark Star->
 Spanish Jam-> U.S. Blues, Uncle John's Band-> One More Saturday Night, E: Casey Jones
06/23/74 Miami, FL - Jai-Alai Fronton S:R>C>D>CD All 208 
 *Jerry Moore: AKG D-100Es > Sony TC-152*
 AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2
 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT
 transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002
 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck
 (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL
 (SBE fix) > MKW (shn) > my CDs.
 Set One: --Set I-- Ramble On Rose, Black Throated Wind, Mississippi Half Step, Beat It On
 Down The Line, Row Jimmy, Jack Straw, Let It Rock, Cumberland Blues, El Paso, To Lay Me Down,
 Set Two:  --Set I (con't)-- Weather Report Suite Prelude-> Weather Report Suite Part 1-> Let
 It Grow-> China Doll --Set II--Phil & Ned-> Ship of Fools, Big River, Black Peter, Around & Around,
 Set Three: --Set II (con't)-- Dark Star-> Spanish Jam-> U.S. Blues, Uncle John's Band-> One
 More Saturday Night, E: Casey Jones
06/30/74 Springfield, MA - Springfield Civic Center S:R>D>CD All 185 None 
 SBDMR>Cass>DAT>ZA2>Sound Forge>CDRx1>EAC>SHN>CD
 Set One: Don't Ease Me In, Black Throated Wind, Peggy-O, Jack Straw, Loser, Greatest Story
 Ever Told, Cumberland Blues, Dire Wolf, Playin' In The Band-> Uncle John's Band-> Playin' In The
 Band
 Set Two: Phil & Ned*, China Cat Sunflower-> I Know You Rider, Big River, Scarlet Begonias,
 El Paso, U.S. Blues-> Truckin'-> Eyes Of The World-> Stella Blue, Not Fade Away-> Goin' Down The Road
 Feelin' Bad-> One More Saturday Night
07/19/74 Fresno, CA - Selland Arena S:R>D>CD All 207 
 *Deadlists tree fixed/patched version*
 MSR > D > CD patched with MAC > C > C > D. A tape-flip cut in Row Jimmy is patched from the AUD,
 and another in Playing In The Band. The Seastones patched in from AUD in previously circulating copies
 has been upgraded to the 2nd gen AUD source, and the Saturday Night has been added from the AUD
 source.
 Set One: Disc 1 (67:59), - SOUNDCHECK - 1. Jam (10:44), - SET 1 - 2. tuning (0:06), 3.
 Bertha (6:28), 4. tuning (0:45), 5. Mexicali Blues (3:51), 6. Deal (4:50), 7. Beat It On Down The
 Line (4:51), 8. Row Jimmy 8:10), 9. Me And Bobby McGee (6:19), 10. Scarlet Begonias (8:59), 11. El
 Paso (4:41), 12. Tennessee Jed (7:46)
 Set Two: Disc 2 (62:49) -Set 1 con't- 1. tuning (0:13), 2. Playing In The Band (29:17), 3.
 "We're gonna take a short break..." (0:12), - INTERLUDE -4. Seastones (12:36), - SET 2 - 5. tuning
 (0:09), 6. Brown-Eyed Women (5:24), 7. Me And My Uncle (3:08), 8. It Must Have Been The Roses
 (5:57), 9. Jack Straw (5:38)
 Set Three: Disc 3 (76:10) -Set 2 con't- 1. He's Gone >  (14:50), 2. US Blues > (5:46), 3.
 Weather Report Suite: Prelude > (1:26), 4. Weather Report Suite: Part One > (4:49), 5. Let It Grow >
 (11:20), 6. Jam > (2:30), 7. Spanish Jam > (7:15), 8. Eyes Of The World > (16:39), 9. China Doll
 (6:37), 10. //One More Saturday Night (4:59)
07/19/74 Fresno, CA - Selland Arena S:R>D>CD IIp 72 
 Set One: He's Gone -> U.S. Blues -> Weather Report Suite Prelude -> Weather Report Suite
 Part 1 -> Let It Grow -> Spanish Jam -> Eyes Of The World -> China Doll -> One More Saturday Night
07/19/74 Fresno, CA - Selland Arena MSR>C>D>CD partial n/a 
 *charlie miller upgrade* "Big Jam" portion only
 Set One: He's Gone-> U.S. Blues-> Weather Report Suite Prelude-> Weather Report Suite Part
 1-> Let It Grow-> Eyes Of The World-> China Doll-> One More Saturday Night
07/21/74 Los Angeles, CA - Hollywood Bowl A:C>R>D>CD All 171 419, 420 
 AudMC >Reel > DAT > CD > EAC > MKW > SHN. Rob Bertrando's Sony ECM-22P mics > Sony TC-152 cassette
 Master. SHN conversion by Noah Weiner (noahbw@attbi.com) January, 2002. *contains a Mind Left Body
 Jam tease > Spanish Jam tease>brief Playin' hint before Wharf Rat
 Set One: DISC ONE, set one: 1 Promised Land 4:23, 2 Tennessee Jed 7:56, 3 Me And My Uncle
 3:14, 4 Sugaree 7:45, 5 Jack Straw 5:31, 6 Mississippi Half Step Uptown Toodeloo > 8:36 7 It Must Have
 Been The Roses 6:00, 8 El Paso 4:46, 9 Scarlet Begonias// 7:03, 10 Around And Around 5:05, total time:
 60:19
 Set Two: DISC TWO, 1 Phil and Ned (Seastones) 12:55, set two-a: 2 China Cat Sunflower > 9:00
 3 I Know You Rider 4:49, 4 Big River 5:10, 5 Row Jimmy 8:48, total time: 40:42
 Set Three: DISC THREE, set two-end: 1 Playin' In The Band > 20:55* 2 Wharf Rat > 9:01 3
  Truc//kin' > Nobody's Jam > 10:15 4 Playin' In The Band 6:54, 5 Ship Of Fools 6:43, 6 Sugar Magnolia
 10:42, encore: 7 U.S. Blues 5:46, total time: 70:06
07/25/74 Chicago, IL - International Amphiteater S:R>C>D>CD All  169 None 
 Phil & Ned is MAC>C>DAT>CD>DAT>CD
 Set One: Me & My Uncle, Loose Lucy, Black Throated Wind, Loser, Beat It On Down The Line,
 Sugaree, Mexicali Blues, Brown Eyed Women, El Paso, Row Jimmy, Weather Report Suite Prelude-> Weather
 Report Suite Part 1-> Let It Grow-> Around & Around
 Set Two: Phil & Ned*, Scarlet Begonias, Big River, It Must Have Been The Roses, Jack Straw,
 Dark Star-> Stella Blue, Johnny B. Goode, Uncle John's Band-> U.S. Blues-> One More Saturday Night, E:
 Ship of Fools
07/27/74 Roanoke, VA - Roanoke Civic Center S:R>C>D>CD All 144 
 Set One: Bertha, Mexicali Blues, Row Jimmy, Jack Straw, Mississippi Half Step-> It Must Have
 Been The Roses, Me And Bobby McGee, Tennessee Jed, Playin' In The Band
 Set Two: Phil & Ned*, China Cat Sunflower-> I Know You Rider, Me & My Uncle, Ramble On Rose,
 Big River, U.S. Blues-> Promised Land, Brokedown Palace, Not Fade Away-> Goin' Down The Road Feelin'
 Bad-> Johnny B. Goode, E: Eyes Of The World
07/31/74 Hartford, CT - Dillon Stadium S:R>D>CD All 234 
  SBDMR>DATx>CD>DAT>CD>EAC>SHN; d1t01 Scarlet cuts in, (-few secs); d1t01 Scarlet diginoise (per
 .txt); d1t08 Row Jimmy reel flip; d1t09 Straw warble/mix problems (per .txt); d2t02 Eyes sm. click @
 9:37, 9:48; d1t07 WRS Prelude cuts in (-few notes); d1t09 LIG AUD splice ca. 4:41?; d3t02 El Paso
 slight distortion @ 0:16; d4t01 Jam cut/splice @ track 26:50
 Set One: Disc One, Set I, 1. //Scarlet Begonias [7:47#] [0:09], 2. Me & My Uncle [2:46]
 [0:40], 3. Brown Eyed Women [4:38] [0:14], 4. Beat It On Down The Line [3:10] [0:22], 5. Mississippi
 Half Step [7:55] -> 6. It Must Have Been The Roses [4:58] [0:17], 7. Mexicali Blues [3:13] [0:05], 8.
 [0:03] Row //Jimmy [8:05#] [0:07], 9. Jack Straw [4:43] [0:13], 10. China Cat Sunflower [3:33] -> Jam
 [4:02] -> Feelin' Groovy [1:00] -> Jam -> [1:02] -> I Know You Rider [4:57] [0:16], 11. Around &
 Around [4:49] [0:06], Disc One Total Time 69:11
 Set Two: Disc Two, Set II, 1. [0:21] Bertha [5:12] [0:07], 2. Big River [4:44] [0:10], 3.
 Eyes Of The World [18:31] -> 4. China Doll [4:20] [0:10], 5. Promised Land [3:04] [0:29], 6. Ship of
 Fools [6:02] [0:04], 7. //WRS Prelude [1:17#] -> 8. WRS Part 1 [4:15] -> 9. Let It Grow [11:10]
 [0:15], Disc Two Total Time 60:16, Disc Three Set II.5, 1. Phil & Ned [21:19] [0:14], Set III, 2. El
 Paso [4:10] [0:11], 3. Ramble on Rose [6:07] [0:07], 4. Greatest Story Ever Told [5:48] [0:09], 5. To
 Lay Me Down [7:47] [0:21], Disc Three Total Time 46:15
 Set Three: Disc Four, Set III (con't), 1. Truckin' [17:53] -> Mind Left Body Jam [6:34] ->
 J//am [2:49] -> Spanish Jam [2:05] -> MLBJ [1:05] -> 2. Wharf Rat [9:31] -> 3. U.S. Blues [5:27]
 [0:11], 4. One More Saturday Night [4:34] [0:46], E: 5. Uncle John's Band [6:17] [0:08], Disc Four
 Total Time 57:23
08/04/74 Philadelphia, PA - Philadelphia Civic Arena S:R>D>CD All 209 
  d1t01 Bertha numerous buzzes, Wall of Sound? d1t01 Bertha levels drop @ 3:51; d2t01 PITB great AUD
 patch 14:43-14:59
 Set One: 1. Bertha [5:11] [1:28], 2. Mexicali Blues [3:19] [0:26], 3. Scarlet Begonias
 [6:16] [1:48], 4. Black Throated Wind [6:54] [0:21], 5. Deal [5:05] [0:51], 6. Beat It On Down The
 Line [3:10] [0:47], 7. Peggy-O [6:19] [2:25], 8. Jack Straw [4:58] [1:27], 9. Loser [6:54] [1:37], 10.
 El Paso [4:08] [0:42], 11. Row Jimmy [8:33] [0:09], Total Time 72:52
 Set Two: end set I, 1. [0:07] Playin' In The Band [25:43] [0:12], set 1.5, 2. Phil & Ned
 [15:57] [0:28], 3. [0:37] Ship of Fools [6:16] [0:15], 4. Big River [4:37] [1:22], 5. Loose Lucy
 [5:02] [0:40], 6. Me & My Uncle [2:51] [0:43], 7. It Must Have Been The Roses [5:34] [2:29], Total
 Time 72:50
 Set Three: Set II con't, 1. [0:10] Weather Report Suite Prelude [1:21] -> Weather Report
 Suite Part 14:21] -> 2. Let It Grow [18:52] -> 3. Wharf Rat [11:25] -> 4. U.S. Blues [5:34] [1:23], 5.
 Sugar Magnolia [9:35] [1:05], E: 6. Casey Jones [6:17] [0:11], Total Time 62:17
08/04/74 Philadelphia, PA - Philadelphia Civic Arena aud All n/a  
 Set One: Bertha, Mexicali Blues, Scarlet Begonias, Black Throated Wind, Deal, Beat It On
 Down The Line, Peggy-O, Jack Straw, Loser, El Paso, Row Jimmy, Playin' In The Band
 Set Two: Phil & Ned*, Ship of Fools, Big River, Loose Lucy, Me & My Uncle, It Must Have Been
 The Roses, Weather Report Suite Prelude-> Weather Report Suite Part 1-> Let It Grow-> Wharf Rat-> U.S.
 Blues, Sugar Magnolia, E: Casey Jones
08/05/74 Philadelphia, PA - Philadelphia Civic Arena S:R>C>C>D>CD All 211 None 
 Set One: 1. [0:04] Promised Land [3:10] [1:07], 2. Brown Eyed Women [4:35] [2:00], 3. Beat
 It On Down The Line [3:05] [1:47], 4. Dire Wolf [4:03] [1:57], 5. Me And Bobby McGee [5:24] [1:22], 6.
 Tennessee Jed [7:26] [1:46], 7. Jack Straw [4:58] [0:21], 8. Deal [5:04] [0:23], 9. Take a Step Back
 (part I) [1:15], 10. [0:18] El Paso [4:18] [0:11], 11. China Cat Sunflower [3:24] -> Jam [6:08] ->
  Feelin' Groovy [1:27] -> Transition [0:12] -> 12. I Know You Rider [4:40] [0:08], Total Time 70:36
 Set Two: 1. Take a Step Back (part II) [1:04], 2. Around & Around [4:48] [0:15], Set II, 3.
 Phil & Ned [17:17], 4. [0:43] Mississippi Half Step [8:49] -> 5. It Must Have Been The Roses [5:04]
 [0:59], 6. Take a Step Back (part III) [1:04], 7. Big River [4:27] [1:08], 8. Ramble On Rose [6:15]
 [1:34], 9. Me & My Uncle [2:42] [2:05], 10. Scarlet Begonias [11:11] [0:21], Total Time 69:07
 Set Three: 1. He's Gone [13:48] -> 2. Truckin' (1) [30:39] -> 3. Stella Blue [9:00] [3:11],
 4. One More Saturday Night (2) [4:45] [1:33], E: U.S. Blues (2) [5:22] [1:02], Total time 69:22
08/06/74 Jersey City, NJ - Roosevelt Stadium S:R>D>CD All 233 None 
 Set One: Disc One, Bertha, Mexicali Blues, Don't Ease Me In, Beat It On Down The Line,
 Sugaree, Jack Straw, Eyes Of The World, Promised Land, Deal, Disc Two, 1. [0:18] Playin' In The Band
 [] -> Scarlet Begonias-> Playin' In The Band
 Set Two: Phil & Ned*, Disc Three, Uncle John's Band, Black Peter, El Paso, Loose Lucy, Big
 River, Ship of Fools, Me & My Uncle, Row Jimmy, Disc Four, Sugar Magnolia-> He's Gone-> Truckin'->
 Drums-> Spanish Jam-> The Other One-> Goin' Down The Road Feelin' Bad-> Sunshine Daydream, E: U.S.
 Blues
08/06/74 Jersey City, NJ - Roosevelt Stadium A:R>R>D>CD All 233 
 Set One: Bertha, Mexicali Blues, Don't Ease Me In, Beat It On Down The Line, Sugaree, Jack
 Straw, Eyes Of The World, Promised Land, Deal, Playin' In The Band-> Scarlet Begonias-> Playin' In The
 Band
 Set Two: Phil & Ned*, Uncle John's Band, Black Peter, El Paso, Loose Lucy, Big River, Ship
 of Fools, Me & My Uncle, Row Jimmy, Sugar Magnolia-> He's Gone-> Truckin'-> Drums-> Spanish Jam-> The
 Other One-> Goin' Down The Road Feelin' Bad-> Sunshine Daydream, E: U.S. Blues
09/11/74 London, EN - Alexandra Palace S:R>D>CD All 191 
 Set One: Brown Eyed Women, Beat It On Down The Line, Sugaree, Jack Straw, Row Jimmy, Me And
 Bobby McGee, Tennessee Jed, Big River, It Must Have Been The Roses, Playin' In The Band
 Set Two: Jam*-> Wharf Rat*-> Jam*
 Set Three: Goin' Down The Road Feelin' Bad, Sugar Magnolia, E: U.S. Blues
09/14/74 Munich, GE - Olympia Halle A:R>CD All 215 
 MAR > CDR; with MAR > C > CDR patch. Jim Powell: "This audience tape was mastered by Gerhard
 Schinzel from mid-floor using a Philips mic and a Telefunken reel deck. The reel masters were
 transferred to CD by Uli Teute. The beginning of the reel containing Weather Report Suite is now
 damaged and unplayable. This portion -- the first 1:20 or so of WRS -- is supplied from a safety
 cassette (MAR > C > CD). Uli Teute did this patch. "Dave Greenberg says that this master has "NO low
 end". That isn't really true, however. With an equalizer or the Loudness button on your amp or pre-amp
 or both, Phil can be made quite decently audible. Other than that, this is quite a decent AUD master,
 which is a good thing since it seems to be the only one in existance and certainly the only tape
  circulating."
 Set One: Disc 1 (65:20), Bertha, Me And My Uncle, Deal, Jack Straw, Scarlet Begonias,
 Promised Land, Loser, El Paso, Row Jimmy
 Set Two: Disc 2 (69:55), Weather Report Suite Prelude > Weather Report Suite Part 1 > Let
 It Grow, Tennessee Jed, Around And Around - INTERLUDE - Seastones, - SET 2 - Big River, Sugaree,
 Mexicali Blues
 Set Three: Disc 3 (79:53), Mississippi Half-Step Uptown Toodleloo, It Must Have Been The
 Roses, Truckin' > Mind Left Body jam > Wharf Rat > Sugar Magnolia - ENCORE - Eyes Of The World > One
 More Saturday Night, U.S. Blues
09/18/74 Dijon, France - Parc des Expositions S:R>D>CD* All n/a 
 SBD > pre-FM master (reel?) > DAT CD, patched with SBD > master reel > PCM > DAT > CD > SoundForge
 >CD. Notes: - the MR>P>D>CD version is almost complete but has two dropouts and flatter dynamics. So,
 the bulk of the show comes from the incomplete preFM version and the MR>P>D>CD supplies Mexicali >>
 Deal and the entire CD2. - Mexicali >>> Deal flattened (app 2.5 %) to concert pitch; Mexicali volume
 increased - note to the perfectionists: there´s a small click when the final note of Scarlet Begonias
 rings out (@ 8:31). this is NOT due to patching there. The patch actually occurs 0.5 sec later. The
 small click is present on both sources. - missing Phil & Ned (not in circ.) and the E: U.S: Blues; -
 Disc 2: Playing (app 3%) and Loose Lucy >>> China Doll (app 4.6%) flattened to concert pitch; Playing
 has slight warble from ~20:00 to the end.
 Set One: Uncle John's Band, Jack Straw, Friend Of The Devil, Black Throated Wind, Scarlet
 Begonias, Mexicali Blues, Row Jimmy, Beat It On Down The Line, Deal, The Race is On, To Lay Me Down,
 Playin' In The Band
 Set Two: Phil & Ned*, Loose Lucy, Big River, Peggy-O, Me & My Uncle, Eyes Of The World->
 China Doll, He's Gone-> Truckin'-> Drums-> Caution Jam-> Ship of Fools, Johnny B. Goode, E: U.S.
 Blues
09/20/74 Paris, FR - Palais Des Sports S:R>R>D>CD All n/a  
 SBD > master reel > reel to reel > DAT > CD > SoundForge > CD. notes: - CD 1 was supplied from
 Marcello Gasperini´s MR>DAT source, which has much less analog crackling than Julian´s source (which
 supplies the rest of the show). The first notes of Cumberland have been repaired using Julian´s
 MR>R>R>D source and at @ 2:20, a glitch was removed. - the entire CD1 has been channel-switched to
 place the band members in their correct stage positions - false start to Around - very carefully
 reduced digital jitter @ 0:11 in Chinacat - missing Brown Eyed Women between Big River & Greatest
 Story - Brokedown Palace: moderate denoising & decrackling; channels swapped - dropout @ 1:24 in Eyes
 - GDTRFB clipped @ 6:38 - NFA fade/cut repaired (there was an overlap either side of the cut, so it is
 repaired from within the recording) - Last 8.52 mins (part OMSN + USB) patched from SBD cassette.
 Set One: Cumberland Blues, Jack Straw, It Must Have Been The Roses, Beat It On Down The
 Line, Scarlet Begonias, Black Throated Wind, Friend Of The Devil, El Paso, Row Jimmy, Weather Report
 Suite Prelude-> Weather Report Suite Part 1-> Let It Grow-> Stella Blue, Around & Around
 Set Two: China Cat Sunflower, I Know You Rider, Big River, Brown Eyed Women, Greatest Story
 Ever Told, Brokedown Palace, Truckin', Eyes Of The World, Not Fade Away, Goin' Down The Road Feelin'
 Bad, One More Saturday Night, E: U.S. Blues
09/21/74 Paris, FR - Palais Des Sports S:R>C>D>CD? 2 91 
 Set One: Phil & Ned-> Playin' In The Band
  Set Two: Playin' In The Band, Row Jimmy, Big River, Ship of Fools, Uncle John's Band, Around
 & Around, Morning Dew, Sugar Magnolia, E: Casey Jones
10/18/74 San Francisco, CA - Winterland Arena S:C>R>?>D>CD All 201 None 
 Frank's Picks Round 4; Rough SBD mixes > C > R > ? > DAT@48k > ZA2@44.1k > SoundForge and CD
 Architect > CD
 Set One: 1. Around & Around [5:23], 2. Sugaree [7:20], 3. Beer Barrel Polka Tuning [1:12],
  4. Mexicali Blues [3:28], 5. Peggy-O [7:14], 6. Beat It On Down The Line [3:19], 7. Brown Eyed Women
 [4:56], 8. Cumberland Blues [6:13], 9. El Paso [4:13], 10. Tennessee Jed [7:27], 11. Jack Straw
 [5:39], 12. Row Jimmy [8:45]
  Set Two: 1. Phil & Ned [28:43] -> 2. Jam [13:34] -> 3. Dark Star [17:44] -> 4. Morning Dew
 [13:54]
 Set Three: End of Set One, 1. WRS Prelude [1:19] -> 2. WRS Part I [4:33] -> 3. Let it Grow
 [9:42], Set Three, 4. Promised Land [3:05] -> 5. Bertha [5:14] -> 6. Greatest Story Ever Told [5:08],
 7. Ship of Fools [7:15], 8. Not Fade Away 8:18] -> 9. Goin' Down The Road Feelin' Bad [7:31] -> 10.
 One More Saturday Night [4:35], E: 11. U.S. Blues [5:37]
10/19/74 San Francisco, CA - Winterland Arena S:C>R>?>D>CD All 193 None 
 Frank's Picks Round 4; Rough SBD mixes > C > R > ? > DAT@48k > ZA2@44.1k > SoundForge and CD
 Architect > CD
 Set One: Mississippi Half Step, Me & My Uncle, Friend Of The Devil, Beat It On Down The
 Line, It Must Have Been The Roses, El Paso, Loose Lucy, Black Throated Wind, Scarlet Begonias, To Lay
 Me Down, Mama Tried,
 Set Two: end Set I, 1. Eyes Of The World [18:31] -> 2. China Doll [5:21] , 3. Big River
 [5:08], Set II, 4. Uncle John's Band [9:01], 5. Big Railroad Blues [4:31], 6. The Race is On [3:14],
 7. Tomorrow Is Forever [6:03], 8. Mexicali Blues [3:27], 9. Dire Wolf [4:14]
 Set Three: end Set II, 1. Sugar Magnolia [5:38] -> 2. He's Gone [11:55] -> 3.
 Truckin'/Caution Jam [5:59] -> 4. Drums 1:22] -> 5. Jam [10:51] -> 6. Truckin' [7:40]-> 7. Black Peter
 [10:03], 8. Sunshine Daydream [3:56], E: 9. One More Saturday Night [4:57], 10. U.S. Blues [5:22]
10/20/74 San Francisco, CA - Winterland Arena S:C>R>?>D>CD All 197 None 
 Rough SBD mixes > C > R > ? > DAT@48k > ZA2@44.1k > SoundForge and CD Architect > CD, d1t1 splice
 1:38, d3t6,7: A:R>D>CD, d3t8,9: A:R>D>CD (different)
 Set One: Cold Rain & Snow, Mama Tried, Deal, Beat It On Down The Line, Loser, Jack Straw,
 Tennessee Jed, El Paso, Brokedown Palace, China Cat Sunflower-> I Know You Rider, Around & Around
 Set Two: Set II, Playin' In The Band-> Drums-> Not Fade Away-> Drums-> The Other One-> Wharf
 Rat-> Playin' In The Band
 Set Three: Set III, Good Lovin', It Must Have Been The Roses,Promised Land, Eyes Of The
 World-> Stella Blue, Sugar Magnolia, E: Johnny B. Goode, E: Mississippi Half Step-> And We Bid You
 Goodnight
 
03/23/75 San Francisco, CA - Kezar Stadium  All 38 
 Set One: Single Disc (8) 37:31, 1. Bill Graham Intro [0:38], 2. Blues For Allah [9:03] -> 3.
 Stronger Than Dirt [6:40] -> 4. Drums [3:23] -> 5. Stronger Than Dirt [9:49] -> 6. Blues For Allah
 [2:52] [0:22], 7. DJ Talk [0:33] -> E: Johnny B. Goode
06/17/75 San Francisco, CA - Winterland Arena A:C>D>CD 2 41 
 AUDMC (Rob Bertrando, about 30-35' back,just left of dead center using Sony ECM-280 mics > Sony
 TC-152 SD) > playback on Nak Dragon > DAT > CD
 Set One: filler on 5/24/69 d2, 7. [0:04], 8. [0:11] Blues For Allah [8:27] -> 9. Drums
 [3:12] -> 10. Stronger Than Dirt [8:44] -> 11. Blues For Allah [2:46] [0:14], 12. Sugar Magnolia 8:58]
 [0:19], Encore: 13. [0:09] U.S. Blues [5:26] [0:26], Show Time ca. 40:56
08/13/75 San Francisco, CA - Great American Music Hall GDM All n/a  
 *GD Vault Release--BUY IT*
 Set One: Help On The Way*-> Slipknot!*-> Franklin's Tower*-> The Music Never Stopped*, It
 Must Have Been The Roses*, Eyes Of The World*-> Drums*-> Stronger Than Dirt*
 Set Two: Around & Around*, Sugaree*, Big River*, Crazy Fingers-> Drums*-> The Other One->
 Sage And Spirit-> Goin' Down The Road Feelin' Bad, U.S. Blues, Blues For Allah
 
06/03/76 Portland, OR - Paramount Theatre S:R>P>CD All 164  
 LINEAGE: SBD > RTR > PCM > ? > Illegal Bootleg CD > D. Any/all editing, fades, NR, hiss
 elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were
 performed using 100% digital-only processing [24-bit/96 kHz data stream] at Serafin Station Studio B
 [this show was released in 12/98]. Notes: Short burst of diginoise during "Samson" opening; First
 "Might As Well"; First "Lazy Lightning > Supplication"; First "Samson & Delilah"; First "The Wheel";
 Last "Dancin' In The Street": 12/31/71; "One More Saturday Night" and "The Wheel" are missing. MAW
 fades in.
 Set One: Disk 1 [64:06], Set One, 01. //Might As Well [05:06], 02.Cassidy [04:24], 03.Row
 Jimmy [09:50], 04.Looks Like Rain [07:39], 05.They Love Each Other [07:17],06.Lazy Lightning-> [03:01]
 07.Supplication [03:53], 08.Candyman [07:06], 09.The Music Never Stopped [05:21], 10.Scarlet Begonias
 [10:29]
 Set Two: Disk 2 [57:10], 01.Dancing In The Streets [12:43], Set Two, 02.Samson & Delilah
 [05:42], 03.Crazy Fingers-> [11:41] 04.Wharf Rat-> [13:04] 05.Let It Grow-> [06:51] 06.Drums-> [00:35]
 07.Let It Grow [06:34]
  Set Three: Disk 3 [42:56], 01.It Must Have Been The Roses 06:57], 02.Around & Around->
 [06:39] 03.Help On The Way-> [05:21] 04.Slipknot!-> [12:56] 05.Franklin's Tower [11:03]
06/29/76 Chicago, IL - Auditorium Theatre S:BR>P>D>CD All 178 
 7" two-track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz
 > DAT > ZA2 > CDR > EAC > SHN. "This is the complete Betty Board recording (interleaf reels spliced
 in & all)."
 Set One: 1. Tuning [1:56], 2. Tennessee Jed [8:59] [1:17], 3. Cassidy [4:27] [0:52], 4.
 Peggy-O [8:10] [0:56], 5. Mama Tried [2:47] [0:43], 6. Mission In The Rain [6:52] [0:04], 7. Looks
 Like Rain [7:40] [2:34], 8. Brown Eyed Women [4:33] [1:30], 9. Lazy Lightning [3:07] -> Supplication
 [4:33] [1:19], 10. Row Jimmy [9:24] [2:03], Total Time 73:52
 Set Two: Set I (con't) 1. [0:08] The Music Never Stopped [5:56] -> 2. Might As Well [6:00]
 [1:50], Set II, 3. Samson & Delilah [6:18] [1:44], 4. Candyman [7:24] [0:21], 5. Dead Air/Tuning
 [3:42], 6. Playin' In The Band [15:47] -> 7. The Wheel [12:00] -> Playin' In The Band [4:45] [3:44],
 Total Time 69:42
 Set Three: 1. St. Stephen [9:00] -> 2. Not Fade Away [11:00] -> 3. St. Stephen [0:55] -> 4.
 One More Saturday Night [4:48] [1:38], E: 5. U.S. Blues [5:48] [0:23], Total Time 33:34
07/17/76 San Francisco, CA - Orpheum Theatre S:R>D>CD All 153 
 Sean Cribbs fixed the aud patch during Eyes by removing some repeated material going in and out of
 the original patch.
  Set One: 1. Promised Land [4:10] [0:19], 2. [0:02] Mississippi Half Step [9:15] [0:11], 3.
 [0:06] Mama Tried [2:42] [0:22], 4. Deal [4:44] [0:10], 5. [0:22] Minglewood Blues [4:43] [0:09], 6.
 [0:07] Peggy-O [8:37] [0:23], 7. [0:0] Big River [5:50] [0:19], 8. [0:06] Sugaree [11:06] [0:25], 9.
 [0:17] Johnny B. Goode [4:14] [0:04], Total Time 58:53
 Set Two: 1. [0:02] Samson & Delilah [7:19] [0:14], 2. Noodling [1:11] -> Comes A Time
 [14:44] -> 3. Drums [1:30] -> 4. The Other One [15:43] -> 5. Eyes Of The World [15:05] -> 6. The Other
 One [3:36] -> 7. Goin' Down The Road Feelin' Bad [7:10] -> 8. One More Saturday Night [5:14] [0:13],
 Total Time 72:06
 Set Three: E: 1. [0:09] U.S. Blues [6:28] [0:42], 2. [0:03] Not Fade Away [14:04] [0:03],
 Total Time 21:29
08/02/76 Hartford, CT - Colt Park A:C>D>CD Ip,II+e 124 
 Taped by Keith Gatto; Master Cassette TC-152 with Shure SM96 Mics>DAT clone>CD; blip at track
 marker d1t03 (Might As Well) -> d1t04 (Samson); blips at track markers, including d2t03 (Jam) -> d2t04
 (GDTRFB);
 Set One: 1. Loser [8:02] [0:02], 2. [0:07] Lazy Lightning [3:01] -> Supplication [5:30]
 [0:19], Set II, 3. Might As Well [9:50] -> 4. Samson & Delilah [7:17] [0:43], 5. [1:32] Candyman
 [8:35] [0:26], 6. "Hey Keith" [0:34], E: U.S. Blues [7:19] [1:35], E: 7. [0:12] Sugar Magnolia [9:33]
 [0:23], Total Time 62:45
 Set Two: 1. Playin' In The Band [15:57] -> 2. Wharf Rat [11:20] -> 3. Jam [5:42] -> 4. Goin'
 Down The Road Feelin' Bad [9:29] -> 5. Playin' In The Band [10:55], 6. [0:09] Around & Around [7:17]
 [0:06], Total Time 60:50
08/04/76 Jersey City, NJ - Roosevelt Stadium MSC>R>CD II 135 35171 
 SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN.
 Set Two: disc 2 (73:17)--end set I-- Scarlet Begonias --set II-- Help On The Way->
 Slipknot!-> Franklin's Tower-> Dancin' In The Streets-> The Wheel-> Samson & Delilas
 Set Three: disc 3 (61:43) It Must Have Been The Roses, Not Fade Away-> Drums-> The Other
 One-> Ship of Fools, Sugar Magnolia, E: Johnny B. Goode
10/09/76 Oakland, CA - Oakland-Alameda County Stadium S:R>D>CD Ip/II 120 None 
 S:R>GDH Pre-FM DAT>ZA2>DartPro32 de-hiss w/ 2.7 gain>CD>EAC>SHN>CD (no noise reduction on disc
 two)
 Set One: 1. Good Morning [0:05], Promised Land [3:56] [0:03], 2. They Love Each Other [6:52]
 [0:03], 3. Minglewood Blues [4:39] [0:02], 4. Scarlet Begonias [12:01] [0:05], 5. Lazy Lightning
 [3:17] -> Supplication [4:48] [0:12], 6. Sugaree [11:38] [0:06], Total Time 47:49
 Set Two: 1. Hitchcock Tuning [0:23], St. Stephen [4:32] -> 2. Not Fade Away [11:56] -> 3.
 St. Stephen [0:50] -> 4. Help On The Way [5:39] -> 5. Slipknot! [5:23] -> 6. Drums [4:44] -> 7. Samson
 & Delilah [7:24] -> 8. Slipknot! [6:48] -> 9. Franklin's Tower [12:45] -> 10. One More Saturday Night
 [4:41] [0:03], E: 11. U.S. Blues [6:01] [0:04], Total Time 71:19
10/15/76 Los Angeles, CA - Shrine Auditorium S:R>D>CD All 164 
 Set One: Might As Well, Mama Tried, Row Jimmy, It's All Over Now, Loser, Minglewood Blues,
 Bertha, Lazy Lightning-> Supplication, Sugaree, Promised Land
 Set Two: Eyes Of The World-> The Music Never Stopped, It Must Have Been The Roses, Samson &
 Delilah, He's Gone-> Drums->
 Set Three: The Other One-> Comes A Time-> Franklin's Tower-> Sugar Magnolia
12/31/76 Daly City, CA - Cow Palace S:?>?>CD All 183 
 missing UJB>AWBYG second encore; d1t03 Mama Tried sm. click @ 1:34; d1t06 Deal static @ 1:19; d2t01
 S'Mag first :05 AUD source? d2t01 S'Mag multiple (balloon?) pops @ :13, :18, :32, :48, :52; d2t05-06
 Good Lovin' on two tracks; d2t07 Scarlet click @ :41; d3t05 Dew pop @ 18:48, 18:58; d3t04-05 NFA>Dew
 is separate tracks, but continuously timed.
 Set One: 1. [0:08] Promised Land [4:10] [0:46], 2. Bertha [6:32] [0:10], 3. [0:22] Mama
 Tried [2:53] [0:36], 4. They Love Each Other [6:55] [0:12], 5. [0:19] Looks Like Rain [7:25] [0:15],
 6. [0:54] Deal [5:25] [0:18], 7. [0:14] Playin' In The Band [0:05], Total Time 60:53
 Set Two: 1. //Sugar Magnolia [8:45#] -> 2. Eyes Of The World [12:35] -> 3. Wharf Rat [13:07]
 -> 4. Drums [1:11] -> 5. Good Lovin' [2:31] -> 6. Good Lovin' -> Jam [5:39] -> Samson & Delilah [6:15]
 [0:13], 7. Scarlet Begonias [11:54] [0:08], Total Time 62:21
 Set Three: 1. [0:05] Around & Around [8:05] -> 2. Help On The Way [16:49] -> 3. Drums [0:41]
 -> 4. Not Fade Away [11:08] -> Morning Dew [15:13] [0:15], E: 6. [1:00] One More Saturday Night [4:52]
 [0:02], Total Time 58:16
 
05/01/77 NYC, NY - The Palladium S:?>?>CD 2 72 
 from Tom Banjo
 Set One: 1. [0:05], 2. Dancin' In The Streets [11:44] -> 3. Brown Eyed Women [4:58] [0:14],
 4. [0:10], 5. Beer Barrel Polka [1:52] [0:29], 6. Playin' In The Band [10:45] -> 7. Drums [7:18] -> 8.
 The Other One [7:22] -> 9. Comes A Time [11:49] -> 10. Playin' In The Band [7:23], 11. [0:31], 12.
 [0:40], E: 13. Brokedown Palace [5:54], 14. [0:16], Total Time 71:44
05/07/77 Boston, MA - Boston Garden S:BR>P>D>CD? All 164 
 d1t02 Bertha blip @2:39; d1t04 Deal a note or two cut @ start?; d1t09 Half-Step quality change @
 3:36-3:57, much less reverb (sounds better!); d1t09 Half-Step drop/skip @ 7:33; d1t09 Big River brief
 drop @ track 17:26; d3t04 Around and Around cut (fades in and out) @ 1:50-1:53, a few minutes missing;
 d3t04 blip @ 5:44;
 Set One: 1. Tuning [3:53], 2. Bertha [7:11] [0:08], 3. Cassidy [4:28], 4. Deal [5:32]
 [0:25], 5. Jack Straw [4:54] [1:01], 6. Peggy-O [7:37] [1:44], 7. Minglewood Blues [5:00] [1:47], 8.
 Banter/Tuning [3:11], 9. Mississippi Half Step [12:28] -> Big River [6:46] [0:57], Total Time 66:03
 Set Two: 1. Tennessee Jed [7:56] [0:07], 2. The Music Never Stopped [7:31] [0:22], Set II,
  3. Terrapin Station [10:26] [0:12], 4. Samson & Delilah [7:00] [0:18], 5. Friend Of The Devil [7:42]
 [0:20], 6. Estimated Prophet [8:09] [0:14], Total Time 50:29
 Set Three: 1. Eyes Of The World [11:1] -> Drums [3:12] -> 2. The Wheel [5:46] -> Jam [4:55]
 -> 3. Wharf Rat [14:21] -> 4. Around// & Around [7:28#] [0:15], Filler: 2/17/73 St. Paul MN, 5. Here
 Comes Sunshine [7:28] -> 6. China Cat Sunflower [3:34] -> Jam [3:56] -> I Know You Rider [4:55]
 [0:10], Total Time 67:14
05/08/77 Ithaca, NY - Barton Hall, Cornell U S:BR>P>D>CD All 179 
 7" two-track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES
 analog out > DBX decoder > analog in PCM501ES > PCM 501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2
 > CDR > EAC > SHN; AUD splices (21 sec at beginning of Minglewood, 26 sec at end Lazy Lightning):
 Teddy Goodbear's Panasonic AM/FM stereo "boom box" (w/ condenser mics) > CM > various equalizers and
 editors > CD; d3t03 Stephen contains :03 of Dew (I have corrected the song timings)
 Set One: 1. [0:10] Minglewood Blues [4:51] [1:12], 2. [0:05] Loser [7:30] [1:18], 3. El Paso
 [4:27] [0:50], 4. They Love Each Other [7:10] [1:02], 5. [0:06] Jack Straw [6:02] [2:03], 6. Deal
 [5:44] [1:42], 7. Lazy Lightning [3:51] -> 8. Supplication [4:04], 9. Brown Eyed Women [5:14] [1:35],
 10. Mama Tried [2:38] [1:09], Total Time 63:48
 Set Two: Set I (con't), 1. Row Jimmy [10:59] [2:08], 2. Dancin' In The Streets [15:57]
 [0:18], Set II, 3. Take a Step Back [1:55], 4. Scarlet Begonias [11:35] -> 5. Fire On The Mountain
 [13:15] [1:57], 6. Estimated Prophet [8:37] [0:16], 7. Tuning [5:00], Total Time 72:00
 Set Three: 1. St. Stephen [4:49] -> 2. Not Fade Away [17:21] -> 3. St. Stephen [0:55] -> 4.
 Morning Dew [13:30] [1:03], E: 5. One More Saturday Night [4:57] [0:05], Filler: 5/7/77 6. Terrapin
 Station [10:28] [0:10], 7. Samson & Delilah [7:00] [0:18], 8. FOTD [7:42] [0:30], Total Disc Time
 68:50
05/19/77 Atlanta, GA - Fox Theater S:R>D>D>CD All 191  
 Sounboard > 7" master reels @ 7.5 ips 1/2 track > DAT > DAT > CD > EAC > SHN; digital transfer by
 aoxoa, DAE and re-tracking by DireWolf_.
 Set One: Promised Land, Sugaree-> El Paso, Peggy-O, Looks Like Rain, Row Jimmy, Passenger,
 Loser, Dancin' In The Streets
 Set Two: Samson & Delilah, Ramble On Rose, Estimated Prophet, Terrapin Station-> Playin' In
 The Band-> Drums-> The Wheel-> China Doll-> Playin' In The Band
05/22/77 Pembroke Pines, FL - The Sportatorium GDM most 138 
 Dick's Picks vol. 3 -- buy it from GDM
 Set One: The Music Never Stopped, Sugaree, El Paso, Peggy-O, Minglewood Blues, Friend Of The
 Devil, Lazy Lightning-> Supplication, Ramble On Rose, Dancin' In The Streets
 Set Two: Help On The Way-> Slipknot!-> Franklin's Tower, Samson & Delilah, Brown Eyed Women,
 Good Lovin', Sunrise, Estimated Prophet-> Eyes Of The World-> Wharf Rat-> Terrapin Station-> Morning
 Dew, E: Sugar Magnolia
06/09/77 San Francisco, CA - Winterland Arena MSR>D>CD All 172 
 charlie miller 2005 upgrade
 Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD; Transfer
 Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC (3 Discs Audio / 2 Discs FLAC). Transferred and
 Edited By Charlie Miller, charliemiller87@earthlink.net, 3/4/05. Patch Info:AKG D224 -> Master Reel
 (Tandberg 10XD) -> Reel -> Dat -> CD Patch in d3t02 (St. Stephen) from 4:50 - 4:54 Patch in d3t07
 (Sugar Magnolia) from 0:53 - 1:14 All other reel flips take place between songs, no patches needed.
 Notes: -- This is an upgrade to all circulating copies. -- Thanks to Paul Scotton for the source
 discs. -- There are some kind of low-frequency pops in Franklin's Tower. -- Mind Left Body tease at
 end of Not Fade Away.
 Set One: Set 1 (9, 69:49): d1t01 - Mississippi Half-Step Uptown Toodeloo, d1t02 - Jack
 Straw, d1t03 - They Love Each Other, d1t04 - Cassidy, d1t05 - Sunrise, d1t06 - Deal, d1t07 - Looks
 Like Rain, d1t08 - Loser, d1t09 - The Music Never Stopped
 Set Two: Set 2 (5, 42:48): d2t01 - Samson And Delilah, d2t02 - Funiculi Funicula, d2t03 -
 Help On The Way -> d2t04 - Slipknot! -> d2t05 - Franklin's Tower
 Set Three: set 2 con't (9 tracks, 59:28) d3t01 - Estimated Prophet -> d3t02 - St. Stephen ->
 d3t03 - Not Fade Away -> d3t04 - Drums -> d3t05 - St. Stephen -> d3t06 - Terrapin Station ->d3t07 -
 Sugar Magnolia, Encore: d3t08 - U.S. Blues, d3t09 - One More Saturday Night
09/03/77 Englishtown, NJ - Raceway Park GDM All 178 
 Dick's Picks vol. 15 -- buy it from GDM
 Set One: Promised Land, They Love Each Other, Me & My Uncle, Mississippi Half Step, Looks
 Like Rain, Peggy-O, Minglewood Blues, Friend Of The Devil, The Music Never Stopped
 Set Two: Bertha-> Good Lovin', Loser, Estimated Prophet-> Eyes Of The World-> Samson &
 Delilah*, He's Gone-> Not Fade Away-> Truckin', E: Terrapin Station
10/29/77 De Kalb, IL - Field House, Northern Illinois U S:BR>P>D>CD All 177 
 Common lineage: Betty Board: 7" RR > 1/2 Track > 7 1/2ips > MasterReel > PCM/Beta > DAT > CDR
 Set One: set I, Might As Well, Jack Straw, Dire Wolf, Looks Like Rain, Loser, El Paso,
 Ramble On Rose,
 Set Two: Minglewood Blues, It Must Have Been The Roses, Let It Grow, set II, Bertha-> Good
 Lovin', Friend Of The Devil,
 Set Three: Estimated Prophet-> Eyes Of The World-> St. Stephen-> Not Fade Away-> Black
 Peter-> Sugar Magnolia-> Drums-> Sunshine Daydream, E: One More Saturday Night
11/04/77 Hamilton, NY - Cotterrell Gym, Colgate U MAC>CD All 160 692-693 
 Jerry Moore, Sony ECM 33Ps > Sony TC-158
 MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby
 B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9
 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary
 verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN
 by Joe Jupille and Noah Weiner. Notes: -d2t03 Eyes tape flip @ 11:36, almost nothing missing;
 -d2t08-09 tape flip @ Stella > PITB transition, almost nothing missing.
 Set One: Disc One (12) 79:51 --Set I-- 01. Bertha [7:48] -> 02. Good Lovin' [6:30], 03.
 Brown-Eyed Women [5:53], 04. Cassidy [5:17], 05. It Must Have Been the Roses [7:26], 06. Sunrise
 [4:30], 07. New Minglewood Blues [5:28], 08. Dupree's Diamond Blues [6:29], 09. Let It Grow [13:54]
 --Set II-- 10. Crowd, Tuning & Banter [2:22], 11. Samson & Delilah [7:15] -> 12. Cold Rain & Snow
 [6:54]
 Set Two: Disc Two (10) 79:47 --Set II (con't)-- 01. Crowd & Tuning [1:16], 02. Playing in
 the Band [12:49] -> 03. Eyes of// the World [12:#50] -> 04. Estimated Prophet [11:05] -> 05. The Other
 One [4:19] -> 06. Drums [3:33] -> 07. Iko Iko [10:30] -> 08. Stella Blue [11:31] -//> 09. Playing in
 the Band [6:51] --Encore-- 10. Johnny B. Goode [4:58]
11/06/77 Binghamton, NY - Broome County Arena S:BR>P>D>CD All 169 
 d1t01 Half-Step pop @ 1:43; d1t09 Passenger blip @ 0:42; d1t10 Dire Wolf blip @ 2:41; d3t04
 contains 0:33 of Stephen reprise; d3t06 Truckin' pop @ 3:21? d3t07 JBG lots of zits
 Set One: 1. [0:11] Mississippi Half Step [11:33] [0:40], 2. Jack Straw [5:55], Take a Step
 Back [1:31], 3. Tennessee Jed [8:48] [0:42], 4. Mexicali Blues [3:15] -> 5. Me & My Uncle [3:02]
  [0:30], 6. Friend Of The Devil [8:45] [0:27], 7. Minglewood Blues [4:45] [0:38], 8. Dupree's Diamond
 Blues [5:27] [0:36], 9. Passenger [3:53] [1:28], 10. Dire Wolf [3:38], Banter [4:34], Total Time
 69:24
 Set Two: 1. The Music Never Stopped [7:55] [0:55], set II, 2. Samson & Delilah [7:38]
 [0:30], 3. Sunrise [4:03] [0:23], 4. Scarlet Begonias [11:02] -> 5. Fire On The Mountain [9:24] -> 6.
 Good Lovin' [6:22] [0:13], Total Time 48:28
 Set Three: 1. St. Stephen [7:54] -> 2. Drums [4:04] -> 3. Not Fade Away [8:33] -> 4. Wharf
 Rat [11:11] -> 5. St. Stephen [1:08] -> 6. Truckin' [10:41] [0:21], E: 7. [0:03] Johnny B. Goode
 [4:54] [0:11], Total Time 49:05
12/29/77 San Francisco, CA - Winterland Arena GDM All 199 
 Dick's Picks vol. 10 -- buy it from GDM
 Set One: Jack Straw, They Love Each Other, Mama Tried, Loser, Looks Like Rain, Tennessee
 Jed, Minglewood Blues, Sugaree, Promised Land
 Set Two: Bertha-> Good Lovin', It Must Have Been The Roses, Sunrise, Playin' In The Band->
 China Cat Sunflower-> I Know You Rider-> China Doll-> Playin' In The Band-> Drums-> Not Fade Away->
 Playin' In The Band, E: Terrapin Station, E: Johnny B. Goode
 
01/22/78 Eugene, OR - McArthur Court, U of Oregon IIp 75 
 Set Two: 1. Terrapin Station [10:47] -> 2. Drums [7:51] -> 3. The Other One [16:53] -> 4.
 Close Encounters Space [3:49] -> 5. St. Stephen [7:35] -> 6. Not Fade Away [13:58] -> 7. Around &
 Around [8:06] [0:03], E: 8. U.S. Blues [5:30] [0:03], Total Time 74:38
05/11/78 Springfield, MA - Springfield Civic Center S:R>C>D>CD All 172 
 downloaded gdlive.com 12/2000; d1t05 Loser click @ 1:12, 1:20; d2t04 Dancin' cut at segue into
 Drums; d2t05 Drums drop @ 11:39
 Set One: 1. [0:12] Cold Rain & Snow [6:26] [0:25], 2. Beat It On Down The Line [3:16] 0:11],
 3. Friend Of The Devil [8:28] [0:22], 4. Looks Like Rain [8:47] [0:21], 5. Loser [7:17] [1:36], 6.
 [0:07] Mexicali Blues [3:42] -> 7. Mama Tried [2:32] [0:25], 8. Tennessee Jed [8:19] [0:42], 9.
 Minglewood Blues [5:19] [0:20], 10. Peggy-O [7:10] [0:10], total Time 66:14
 Set Two: 1. [0:25] Lazy Lightning -> Supplication [9:37] [0:18], Set II, 2. Scarlet Begonias
 [9:46] -> 3. Fire On The Mountain [8:25] [0:36], 4. Dancin' In The Streets// [12:40#], 5. Drums
 [20:40] -> Total Time 62:29
 Set Three: 1. Jam [0:48] -> 2. Not Fade Away [9:36] -> 3. Stella Blue [8:57] -> 4. Around &
 Around 8:46] [0:34], E: 5. Werewolves of London [7:02] [1:16], 6. Johnny B. Goode [3:59] [0:09], Total
 time 41:11
08/??/78 San Rafael, CA - Club Front S:?>?>CD All 35 
 *Shakedown Street sessions*
  Set One: 1. Good Lovin' (w/ Lowell George), 2. France, 3. Fire on the Mountan, 4. Stagger
 Lee, 5. If I Had the World to Give, 6. Shakedown Street, 7. I Need a Miracle (w/ Lowell George & Will
 Scarlett), 8. Good Lovin' (w/ Lowell George & Will Scarlett), time ca. 35 minutes. Disc also contains
 Brent Mydland solo material on tracks 9-16
 
01/15/79 Springfield, MA - Springfield Civic Center A:C>D>CD All 169 None 
 Recorded by Stephen Rolfe from Section 61, Row S, Seat 7 (front center), FOB>Nak 300's>Sony
 TC-158>DAT>SoundForge Remaster>CD, cardioid capsules were used on the mics with one pointed at the
 drums and the other pointed at the P.A. Jim Wise took his DATs and ran a 10dB noise reduction and gave
 the bass a boost @ 125Hz. Mastered to CD using a Tascam DA302>HHB 850.
 Set One: 1. Tuning [1:59], 2. Jack Straw, Jack A Roe, Cassidy, Row Jimmy, Mama Tried->
 Mexicali Blues, Stagger Lee, Passenger, Deal
 Set Two: 1. Tuning [3:00], 2. I Need A Miracle [7:00] -> Shakedown Street [13:13], From The
 Heart Of Me [4:59]
 Set Three: 1. Terrapin Station [14:23] -> 2. Playin' In The Band [18:18] -> 3. Drums [5:38]
 -> 4. Jam [7:43] -> 5. Playin' In The Band [7:41] -> 6. Casey Jones, E: 7. Johnny B. Goode [4:37]
04/16/79 San Rafael, CA - Studio Rehersal, Club Front S:?>?>CD All 165 
 Set One: Jam-> Not Fade Away-> Jam-> Drums-> Passenger, Bertha, Good Lovin'-> Jam,
 Set Two: I Need A Miracle, Scarlet Begonias-> Fire On The Mountain,
 Set Three: 1. Gloria-> Linda Lou, Jam, Jam, Jack Straw, Time: 37:59. Filler: 9/30/71
 Rehearsals
10/27/79 South Yarmouth, MA - Cape Cod Coliseum MSC>D>CD partial n/a 
 *charlie miller upgrade* *highlights*
 Set One: Jack Straw, Candyman, Brown Eyed Women, Easy To Love You, Stagger Lee, Lost
 Sailor-> Saint Of Circumstance
 Set Two: Dancin' In The Streets-> Franklin's Tower, He's Gone-> Caution Jam-> The Other
 One-> Drums
12/26/79 Oakland, CA - Oakland Auditorium Arena GDM All  178 
 Dick's Picks vol. 5 -- buy it from GDM
 Set One: Cold Rain & Snow, CC Rider, Dire Wolf, Me & My Uncle-> Big River, Brown Eyed Women,
 Minglewood Blues, Friend Of The Devil, Looks Like Rain, Alabama Getaway-> Promised Land
 Set Two: Uncle John's Band-> Estimated Prophet-> He's Gone-> The Other One-> Drums-> Not
 Fade Away-> Brokedown Palace-> Around & Around-> Johnny B. Goode, E:Shakedown Street-> E: Uncle John's
 Band
 
09/06/80 Lewiston, ME - State Fairgrounds All n/a 
 Set One: Alabama Getaway-> Greatest Story Ever Told, Sugaree, Me & My Uncle-> Mexicali
 Blues, Tennessee Jed, Feel Like A Stranger, Friend Of The Devil, Far From Me, Little Red Rooster,
 China Cat Sunflower-> I Know You Rider-> Promised Land
 Set Two: Shakedown Street, Lost Sailor-> Saint Of Circumstance, Althea, Playin' In The
 Band-> Uncle John's Band-> Drums-> Not Fade Away-> The Wheel-> Uncle John's Band-> Playin' In The
 Band-> Sugar Magnolia, E:One More Saturday Night-> E: Brokedown Palace
10/03/80 San Francisco, CA - Warfield Theater S:C>D>CD 1 49  
 Set One: 1. [0:02] Dire Wolf [3:17] [0:13], 2. [0:08] Monkey & The Engineer [2:44] [0:15],
 3. I've Been All Around This World [3:30] [0:15], 4. Dark Hollow [4:10] [0:12], 5. Jack A Roe [4:36]
 [0:14], 6. Heaven Help The Fool [6:38] [0:19], 7. China Doll [5:03] [0:13], 8. On The Road Again
 [3:37] [1:06], 9. Bird Song [7:28] -> 10. Ripple [4:13] [0:05], Total Time 48:25
11/30/80 Atlanta, GA - Fox Theater S:C>R, A:C All 181 
 MSC>Reel>DATs>CDRs>EAC>SHN (set I and Scarlet>Fire from Set II), AUD (Sony
 ECM280s>D5>DATs>CDRs>EAC>SHN (Remainder of show); d2t03 (Scarlet) beginning clipped, a few seconds.
 Set One: Set I, 1. Feel Like A Stranger [8:33] [0:17], 2. Loser [8:04] [0:16], 3. Cassidy
 [5:07] [0:07], 4. Ramble On Rose [7:49] [0:05], 5. Little Red Rooster [9:05] [0:02], 6. Bird Song
 [9:02] [0:24], 7. Me & My Uncle [3:01] -> 8. Big River [5:27] [0:25], 9. It Must Have Been The Roses
 [7:01] [0:09], Total Time 64:58
 Set Two: Set I (con't)- 1. Lost Sailor [6:25] -> 2. Saint Of Circumstance [6:22] -> 3. Deal
 [7:50] [7:59], -Set II-, 4. //Scarlet Begonias [11:16] -> 5. Fire On The Mountain [10:55], 6. Samson &
 Delilah [7:18] [0:06], Total Time 50:23
 Set Three: 1. Ship of Fools [8:41] [0:27], 2. Playin' In The Band [15:43] -> 3. Drums
 [7:12], 4. Space [3:28] ->5. The Wheel [7:05] -> 6. China Doll [7:16] -> 7. Around & Around [3:58] ->
 8. Johnny B. Goode [4:20] [0:13], E: 9. Uncle John's Band [7:28] [0:13], Total Time 66:10
12/06/80 Mill Valley, CA - Mill Valley Recreation Center MAC>D>CD All 53 662 
 Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR
 Set One: Single Disc (10) 53:14 1. Banter / Intro -> 2. Dire Wolf, 3. On The Road Again, 4.
 I've Been All Around This World, 5. Monkey & The Engineer, 6. Jack-a-Roe, 7. Cassidy, 8. Bird Song, 9.
 Oh Babe, It Ain't No Lie, 10. Ripple
 
05/06/81 Uniondale, NY - Nassau Coliseum GDM All n/a 
 Set One: Alabama Getaway-> Greatest Story Ever Told, They Love Each Other, Cassidy, Jack A
 Roe-> Little Red Rooster, Dire Wolf-> Looks Like Rain, Big Railroad Blues, Let It Grow-> Deal
 Set Two: Minglewood Blues, High Time-> Lost Sailor-> Saint Of Circumstance, He's Gone*->
 Caution Jam-> Spanish Jam-> Drums-> The Other One-> Goin' Down The Road Feelin' Bad-> Wharf Rat-> Good
 Lovin', E: Don't Ease Me In
05/07/81 NYC, NY - NBC Studios MVHS>DVD All n/a 
 Source: Cable Broadcast > VHS(M) > standalone DVD recorder > DVD(0); Lineage: DVD(0) > TMPGEnc
 [demux] > DVD Architect [chapters/author] > DVD. Format: NTSC 4:3; Video Specs: 8Mbps CBR; Audio
 Specs: PCM 1.54Mbps. Seeder Notes: "This DVD is from a VHS Master recording of the original cable
 broadcast. Because the owner was reluctant to send the master, he transferred to DVD using a
 standalone DVD burner [no other specific info is known]. The DVD(0) was then sent to JHamm
 [thedvdproject.net] for "true" authoring. Demuxed using TMPGEnc. Authored in DVD Architect.
 Unfortunately, the DVD(0) > demux > reauthor was unavoidable. The quality, however, is superb.
 Cheers to the original owner & JHamm for their work!"
 Set One: Setlist: Introduction, Interview w/ Ken Kesey & Jerry Garcia, "On The Road Again",
 Rona Barrett w/ John Sebastian, "Dire Wolf", "Deep Elem Blues", Interview w/ Bob Weir & Jerry Garcia,
 Interview w/ the Grateful Dead, "Cassidy"
10/15/81 Amsterdam, NE - Club Melk Weg A:C>CD All 129 None 
 Beyer M-160s > Sony D5 > WAV > this CD, transferred by Jim Wise
 Set One: Minglewood Blues, They Love Each Other-> El Paso, Friend Of The Devil-> Little Red
 Rooster, Althea, Beat It On Down The Line, Far From Me-> Alabama Getaway-> Promised Land, Total Time
 61:40
 Set Two: Women Are Smarter, He's Gone-> Spoonful-> Drums-> The Other One-> Wharf Rat->
 Around & Around-> Johnny B. Goode, E: It's All Over Now Baby Blue, plus filler 10/16/81 acoustic set
 first four songs, Total Time 79:57
10/15/81 Amsterdam, NE - Club Melk Weg  aud tripod All n/a 
 Audio Source: FOB by unknown Belgian taper with unknown equipment) > CM > C > DAT > CDRx1 > EAC >
 SHN. DAT>CDR ripped and encoded by Skankweed. Video Source: recorded with a single-tube camera on
 betamax tape. camera: Pascal Sloet Tot Everlo, betamax videotape > hard drive (mixing, editing) > dvd.
 Video Remaster: PAL>NTSC & Audio Synch by Taperguy27; "Conversion done with WinDVD Creator 2: This
 process recompresses original footage. There is no way to truly convert from PAL>NTSC without
 recompression other than tricking it with IFO Edit. This process does not work with every dvd player
 so I chose to recompress."
  Set One: Minglewood Blues, They Love Each Other-> El Paso, Friend Of The Devil-> Little Red
 Rooster, Althea, Beat It On Down The Line, Far From Me-> Alabama Getaway-> Promised Land
 Set Two: Women Are Smarter, He's Gone-> Spoonful-> Drums-> The Other One-> Wharf Rat->
 Around & Around-> Johnny B. Goode, E: It's All Over Now Baby Blue
10/16/81 Amsterdam, NE - Club Melk Weg S:C>D>CD All 99 None 
 "Happy BDay" patched from unknown AUD, Playin' >> Sugar Magnolia unknown board source; first 2:40
 of Playin' and last 4:19 of Sugar Magnolia from AUD patch (Sennhesier MKE2002 mounted on a dummy
 head):C>C>DAT>CD
 Set One: On The Road Again, Dire Wolf, Monkey & The Engineer, Bird Song, Cassidy, Ain't No
 Lie, The Race is On, Ripple
 Set Two: Playin' In The Band-> Hully Gully-> The Wheel-> Samson & Delilah-> Gloria-> Turn On
 Your Lovelight-> Goin' Down The Road Feelin' Bad-> Playin' In The Band-> Black Peter-> Sugar
 Magnolia
12/31/81 Oakland, CA - Oakland Auditorium Arena S:C>D>CD All 229 
 GDHTL tree late 2000; d2t02 BBM analog(?) warble @ 3:16; d2t04 Don't Ease cuts in (- few secs);
 d2t05 NYE lots of zits (balloons?); d2t07 PITB cut/splice @ 9:17; d2t08 first 0:50 of PITB reprise on
 Terrapin track; d2t08-09 PITB reprise cuts @ track marker; d3t02 first 3:08 of NFA tracked w/ TOO;
 d3t04-05 splice @ track marker; d3t05 last 0:25 of GDTRFB tracked w/Dew; d4t05 Baby Blue cut/splice @
 2:53
 Set One: DISC ONE, 1. [0:27] Me And Bobby McGee* [3:50] [0:37], 2. Bye Bye Love* [2:13]
 [0:42], 3. Lucifer's Eyes* [4:17] [0:34], 4. [0:15] Children Of The 80s* [5:32] [0:32], 5. Banks Of
 The Ohio* [4:15] [0:32]
 Set Two: DISC ONE CON'T, 6. [0:39] Shakedown Street [15:01] [0:25], 7. Me & My Uncle [3:01]
 -> 8. Mexicali Blues [4:29] [0:15], 9. Cold Rain & Snow [6:13] [0:11], 10. CC Rider** [8:30] [0:41],
 11. It Must Have Been The Roses* [6:23] [0:02], DISC ONE TIME 69:39, DISC TWO, 1. Beat It On Down The
 Line [3:30] [0:06], 2. Big Boss Man** [5:55] -> 3. Minglewood Blues** [6:07] [0:06], 4. //Don't Ease
 Me In [3:07#] [0:07]
 Set Three: DISC TWO CON'T 5. New Year's Madness [6:00] -> 6. Iko Iko* [7:16] [1:38], 7.
 Playin' In The// Band [14:33#] -> 8. Terrapin Station [13:59] -> PITB Reprise [0:50] -> 9. //Playin'
 In The Band [2:11#] [0:11], DISC TWO TIME 65:31, DISC THREE, 1. Drums -> Space [23:45] -> 2. The Other
 One*** [4:06] -> NFA Intro [3:08] -> 3. Not Fade Away*** [4:12] -> 4. GDTRFB//*** [6:49#] -> 5. GDTRFB
 Finale [0:25] -> Morning Dew [10:50] [0:17], DISC THREE TIME 53:34, DISC FOUR, 1. [0:27] Dark Star
 [15:07] -> 2. Bertha [6:26] -> 3. Good Lovin' [9:49] [0:02], 4. [0:12] It's All Over Now Baby Blue*
 [7:06] [0:18], DISC FOUR TIME 39:29
 
10/09/82 Palo Alto, CA - Frost Amphitheatre A:C>D>CD All 140 None 
 Taper Rango Keshavan: AUDFOB (20ft. from stage, dead center, Sony ECM 220T mics):C (Sony TCD-5 >
 Maxell Metals); played back on Nak DR1 using azimuth control > Soncy PCM R500 DAT @ 48kHz w/ SMB on
 >CD
 Set One: Alabama Getaway-> Greatest Story Ever Told, They Love Each Other, On The Road
 Again-> Beat It On Down The Line, West L.A. Fadeaway, Me & My Uncle-> Big River, Dupree's Diamond
 Blues, The Music Never Stopped-> Deal
 Set Two: Throwing Stones-> Touch Of Gray, Estimated Prophet-> Eyes Of The World-> Drums->
 Set Three: Space ->Truckin'-> The Other One-> Morning Dew-> One More Saturday Night, E: U.S.
 Blues
10/10/82 Palo Alto, CA - Frost Amphitheatre A:C>D>CD All 140 None 
 Taper Rango Keshavan: AUDFOB (20ft. from stage, dead center, Sony ECM 220T mics):C (Sony TCD-5 >
 Maxell Metals); played back on Nak DR1 using azimuth control > Soncy PCM R500 DAT @ 48kHz w/ SMB on
 >CD
 Set One: Minglewood Blues-> Sugaree-> Little Red Rooster, Tennessee Jed, Cassidy, Loser,
 Set Two: set I (con't), Far From Me, Looks Like Rain-> China Cat Sunflower-> I Know You
 Rider, Set II, Playin' In The Band-> Crazy Fingers-> Lost Sailor-> Saint Of Circumstance-> Touch Of
 Gray-> Drums->
  Set Three: Space ->The Wheel-> Throwing Stones-> Not Fade Away-> Black Peter-> Sugar
 Magnolia, E:Satisfaction-> E: It's All Over Now Baby Blue
 
10/11/84 Augusta, ME - Augusta Civic Center A:C>D>CD All n/a  
 Jim Vita, Beyer M160s > Sony TCD-5M
 FOB ("sweet spot") by Jim Vita, Beyer M160s > Sony TCD-5M > DAT > CDR, circulated by aoxoa.
 Set One: Shakedown Street-> Greatest Story Ever Told, Peggy-O, Mama Tried-> Big River,
 Ramble On Rose, Looks Like Rain-> Might As Well
 Set Two: Hell In A Bucket-> Touch Of Gray, Women Are Smarter, Ship of Fools, Playin' In The
 Band-> Drums-> Dear Mr. Fantasy-> Black Peter-> Sugar Magnolia, E: Day Job
 
06/14/85 Berkeley, CA - Greek Theatre, U. Of California A:P>D>CD All n/a 
 Doug Oade Recording, tapers section -- Schoeps cmc42s (spaced omnis - 8' spacing) > Oade M118 Mic
 Pre > Oade Modified Sony PCM-F1 > DAT x? (44.1k). DAT -> CD conversion: Sony pcm-m1 > coax > Zoltrix
 Nightingale (coax mod)> cdwav (resampling, if necessary, with Cooledit 2000).
 Set One: Dancin' In The Streets, West L.A. Fadeaway, CC Rider, Peggy-O, Hell In A Bucket,
 Keep On Growing-> Stagger Lee-> Let It Grow-> Deal
 Set Two: Morning Dew-> Playin' In The Band-> China Doll-> Drums-> Truckin'-> Smokestack
 Lightning-> Comes A Time-> Sugar Magnolia, E: Day Job
06/15/85 Berkeley, CA - Greek Theatre, U. Of California A:P>D>CD All n/a 
 Doug Oade recording, tapers section -- Schoeps CMC441 (hypercard caps, 90 deg ORTF) > Oade M118 Mic
 Pre > Oade Modified Sony PCM-F1 > DAT x? (The DAT for Set 1 was recorded at 48k, Set 2 @44.1k-- set 2
 dat supplied by Doug Oade). DAT -> CD conversion: Sony pcm-m1 > coax > Zoltrix Nightingale (coax mod)
 > cdwav (resampling, if necessary, with Cooledit 2000).
 Set One: Touch Of Gray, Minglewood Blues, Friend Of The Devil, Cassidy-> Dupree's Diamond
 Blues, Me & My Uncle-> Big River-> Might As Well
 Set Two: China Cat Sunflower-> I Know You Rider-> Lost Sailor-> Saint Of Circumstance->
 Terrapin Station-> Drums-> The Wheel-> Gimme Some Lovin'-> Throwing Stones-> Not Fade Away, E: She
 Belongs To Me, E: U.S. Blues*
06/16/85 Berkeley, CA - Greek Theatre, U. Of California A:P>D>CD All n/a 
 this is a new transcription of 44.1 k dats supplied to me by Doug Oade (the previous dats were
 recorded at 48k) Source -- Doug Oade recording, tapers section -- Schoeps CMC441 (hypercard caps, 90
 deg ORTF) > Oade M118 Mic Pre > Oade Modified Sony PCM-F1 > DAT x? DAT -> CD conversion: Sony pcm-m1
 > coax > Zoltrix Nightingale (coax mod)> cdwav (resampling, if necessary, with Cooledit 2000).
 Set One: Midnight Hour-> Bertha, Walkin' Blues, Tennessee Jed, My Brother Esau-> Big
 Railroad Blues-> Looks Like Rain-> Mississippi Half Step-> Promised Land
 Set Two: Scarlet Begonias-> Fire On The Mountain, Samson & Delilah, Cryptical Envelopment->
 The Other One-> Drums-> Goin' Down The Road Feelin' Bad-> I Need A Miracle-> Wharf Rat-> Turn On Your
 Lovelight, E: Brokedown Palace
 
12/17/86 Oakland, CA - Oakland-Alameda County Coliseum MAD>D>CD All 187 
 MAD > DATx? > CD.
 Set One: Alabama Getaway-> Promised Land, West L.A. Fadeaway, Tons Of Steel-> Little Red
 Rooster, Tennessee Jed, Desolation Row, When Push Comes To Shove, The Music Never Stopped
 Set Two: Saint Of Circumstance-> Cumberland Blues, Samson & Delilah, Ship of Fools, Women
 Are Smarter-> He's Gone-> Drums->
 Set Three: The Other One-> Black Peter-> Throwing Stones-> Not Fade Away, E: Brokedown
 Palace
12/17/86 Oakland, CA - Oakland-Alameda County Coliseum MAC>CD  All n/a 
 *Tony Suraci and Don Beckham, Nak CM304s > Sony D5M*
 Source: Nakamichi CM304's>Sony D5M. Location: OTS Floor, Stand at 9 Feet. Transfer: Nak
 CR5A>Lunatec V3(analog out)>722@24/96. Editing: Adobe Audition 2.0 dither and resample
 16Bit>Cdwav/tracking>flac16. Tapers: Tony Suraci and *Don Beckham. Transfer and upload by Tony
 Suraci/nak700.
 Set One: Alabama Getaway-> Promised Land, West L.A. Fadeaway, Tons Of Steel-> Little Red
 Rooster, Tennessee Jed, Desolation Row, When Push Comes To Shove, The Music Never Stopped
 Set Two: Saint Of Circumstance-> Cumberland Blues, Samson & Delilah, Ship of Fools, Women
 Are Smarter-> He's Gone-> Drums-> The Other One-> Black Peter-> Throwing Stones-> Not Fade Away, E:
 Brokedown Palace
12/17/86 Oakland, CA - Oakland-Alameda County Coliseum MSC>CD All 177 1276 77410 
 *walscoller*
 Set One: Alabama Getaway-> Promised Land, West L.A. Fadeaway, Tons Of Steel-> Little Red
 Rooster, Tennessee Jed, Desolation Row, When Push Comes To Shove, The Music Never Stopped
 Set Two: Saint Of Circumstance-> Cumberland Blues, Samson & Delilah, Ship of Fools, Women
 Are Smarter-> He's Gone-> Drums->
 Set Three:  The Other One-> Black Peter-> Throwing Stones-> Not Fade Away, E: Brokedown
 Palace
 
01/28/87 San Francisco, CA - San Francisco Civic Auditorium MSC>CD  All n/a 83286 
 *walscoller*
 Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5). Transfer Info: Cassette Master
 (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs
 Audio / 2 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net,
 January 30, 2007. Notes: -- 2nd Set and Encore can be re-joined seamlessly; -- Thanks to Paul Scotton
 and Joani Walker for the tapes; -- 90 seconds of dead air removed from 1st Set.
 Set One: Shakedown Street, Get Back, Peggy-O, Walkin' Blues, It Must Have Been The Roses,
 It's All Over Now, Row Jimmy, My Brother Esau, Bird Song, Jack Straw
  Set Two: When Push Comes To Shove, Samson & Delilah-> Black Muddy River-> He's Gone->
 Spoonful-> Drums*-> Eyes Of The World-> Black Peter-> Around & Around-> Sugar Magnolia, E: U.S.
 Blues
01/28/87 San Francisco, CA - San Francisco Civic Auditorium MSC>D>CD All 144 
 Sounds nice, horrifically bad show.
 Set One: Set One: CD One {79:11.74} , 01. Shakedown Street {11:34.53} , 02. Tuning
 {1:46.09}, 03. Get Back {6:01.39}, 04. Peggy-O {5:54.57}, 05. Walkin' Blues {5:43.21}, 06. It Must
 Have Been The Roses {7:34.34}, 07. It's All Over Now {6:58.52}, 08. Row Jimmy {12:07.07}, 09. My
 Brother Esau {5:11.10}, 10. Bird Song {10:52.61}, 11. Jack Straw {5:27.31}
 Set Two: Set One, CD Two {65:21.29}, 01. When Push Comes To Shove {4:22.60}, 02. Samson And
 Delilah {6:48.14}, 03. Black Muddy River {6:02.02}, 04. He's Gone {10:34.37}, 05. Spoonful {6:37.19},
 06. Drums - Space* {1:09.22}, 07. Eyes Of The World {6:39.45}, 08. Black Peter {9:49.22}, 09. Around
 And Around {4:30.64}, 10. Sugar Magnolia {8:47.44}, ENCORE 11. US Blues - MISSING
03/01/87 Oakland, CA - Henry J. Kaiser Convention Center MSC>CD All n/a 1296 82667 
 *walscoller*
 Recording Info: SBD -> Cassette Master (Sony D5). Transfer Info: Cassette Master (Tascam 122mkII)
 -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs
 FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, February 7, 2007.
 Notes: -- Set 2 is seamless; -- Two different SBD Cassette Masters were used to make this seamless; --
 Thanks to Paul Scotton and Joani Walker for the tapes.
 Set One: Touch Of Gray-> Little Red Rooster, Peggy-O, Me & My Uncle, Mexicali Blues, When
 Push Comes To Shove, It's All Over Now, Row Jimmy-> Let It Grow
 Set Two: Hell In A Bucket-> Scarlet Begonias-> Fire On The Mountain, Samson & Delilah, Black
 Muddy River-> He's Gone-> Drums-> The Other One-> Black Peter-> Around & Around-> Good Lovin', E:
 Don't Ease Me In
03/03/87 Oakland, CA - Henry J Kaiser Convention Center S:C>D>CD All 130 
 Comments: d1t02 d/o removed from GSET at 01:43 with Soundforge 5.0; d1t07 Half-Step cuts in** w/
 Dirty Dozen Brass Band. DAE(EAC) > tracking (cdwav) > SHN (mkwact) via neo_levo/candyman FTP,
 4/2002.
 Set One: Disc One (10) 69:02 --Set I-- The Mighty Quinn, Greatest Story Ever Told, Loser,
 Minglewood Blues, Tons Of Steel, Cassidy, //Mississippi Half Step, Promised Land --Set II-- Iko Iko**,
 Saint Of Circumstance
 Set Two: Disc Two (8) 60:52 --Set II (con't)-- Terrapin Station-> Drums-> Space-> Gimme Some
 Lovin'-> Wharf Rat-> Throwing Stones-> Touch Of Gray, E: Brokedown Palace
03/03/87 Oakland, CA - Henry J Kaiser Convention Center Healy mtx All 136 1292 82725 
 *walscoller*
 Recording Info: SBD -> Cassette Master (Sony D5). Transfer Info: Cassette Master (Tascam 122mkII)
 -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (2 Discs Audio / 2 Discs
 FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, February 7, 2007.
 Patch Info: SBD Cassette Master supplies: Space (0:22 - 0:30). Notes: -- Disc change is seamless; --
 This is a Matrix SBD, the straight SBD also circulates; -- Mardi Gras Parade with the Neville Brothers
 during Iko; -- Thanks to Paul Scotton and Joani Walker for the tapes.
 Set One: The Mighty Quinn, Greatest Story Ever Told, Loser, Minglewood Blues, Tons Of Steel,
 Cassidy, Mississippi Half Step, Promised Land
 Set Two: Iko Iko*, Saint Of Circumstance, Terrapin Station-> Drums-> Space-> Gimme Some
 Lovin'-> Wharf Rat-> Throwing Stones-> Touch Of Gray, E: Brokedown Palace
05/??/87 San Rafael, CA - Club Front S:D>CD All 179 
 *Dylan/Dead rehearsals*
 Set One: 1- Time Are A-Changin, 2- Masterpiece, 3- Man Of Peace, 4- Baby Tonite, 5- Ira
 Hayes, 6- I Want You, 7- Thin Man, 8- Memphis Blues, 9- Dead Man, 10- Queen Jane, 11- Boy In The
 Bubble, 12- The French Girl, 13- In The Summertime, 14- Man Of Peace, 15- Union Sundown
 Set Two: 1- Baby Blue, 2- Joey, 3- If Not For You, 4- Slow Train, 5- Tomorrow Is a Long
 Time, 6- Ballad Of Frankie Lee, 7- Judas Priest, 8- John Brown, 9- Baby Tonite, 10- Don't Keep Me
 Waiting Too Long, 11- Stealin, 12- I Want You, 13- Oh Boy, 14- Tangled Up in Blue
 Set Three: 1- Walking Down The Line, 2- Simple Twist, 3- Gotta serve Somebody, 4- Gonna
 Change My way Of Thinking, 5- Maggies Farm, 6- Chimes Of Freedom, 7- All I Really Want To Do, 8- John
 Brown, 9- Heart Of Mine, 10- Rolling In My Sweet Baby's Arms, 11- Johgn Hardy, 12- Heart Of Mine, 13-
 Wicked messenger, 14- watching The River Flow
05/09/87 Monterey, CA - Laguna Seca Recreation Area  S:C>D>CD All 137 
 matrix SBDMC>Dat>CDR
 Set One: Sugar Magnolia-> Sugaree, Me & My Uncle-> Mexicali Blues, When Push Comes To Shove,
 Tons Of Steel, My Brother Esau, Tennessee Jed, Let It Grow
  Set Two: Touch Of Gray, Looks Like Rain, He's Gone-> Drums-> Space-> The Wheel-> The Other
 One-> Wharf Rat-> Around & Around-> Sunshine Daydream, E: Iko Iko
05/09/87 Monterey, CA - Laguna Seca Recreation Area MSC>CD All 139 1296 83749 
 *walscoller*
 Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5). Transfer Info: Cassette Master
 (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (2 Discs
 Audio / 2 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net,
 February 16, 2007. Notes: -- Thanks to Paul Scotton and Joani Walker for the tapes. JJ: really nice
 Aiko Aiko encore.
 Set One: Sugar Magnolia-> Sugaree, Me & My Uncle-> Mexicali Blues, When Push Comes To Shove,
 Tons Of Steel, My Brother Esau, Tennessee Jed, Let It Grow
 Set Two: Touch Of Gray, Looks Like Rain, He's Gone-> Drums-> Space-> The Wheel-> The Other
 One-> Wharf Rat-> Around & Around-> Sunshine Daydream, E: Iko Iko
06/20/87 Berkeley, CA - Greek Theatre, U. Of California MSC>D>CD All 131 
 diginoise on d1, Loser thru Bird Song
 Set One: Hell In A Bucket -> Franklin's Tower, Minglewood Blues, Loser, My Brother Esau,
 Bird Song, E: One More Saturday Night
 Set Two: Iko Iko, Looks Like Rain, Deal -> Drums -> Space -> Gimme Some Lovin' -> All Along
 The Watchtower -> The Wheel -> The Other One -> Wharf Rat -> Sugar Magnolia
06/20/87 Berkeley, CA - Greek Theatre, U. Of California MAP>CD All 121 1276 77988 
 *Robert Bryant, AKG 414s > Sony PCM-F1*
 Set One: Hell In A Bucket, Franklin's Tower, Minglewood Blues, Loser, My Brother Esau, Bird
 Song
 Set Two: Iko Iko, Looks Like Rain, Deal, Drums, Gimme Some Lovin', All Along The Watchtower,
  The Wheel, The Other One, Wharf Rat, Sugar Magnolia, E: One More Saturday Night
08/22/87 Angel's Camp, CA - Mountain Aire Music Festival S:P>D>CD All 149 489, 490 
 SBD> Master PCM> DAT> CDR> EAC> first shn by Tony Gardner> misc flaw fixes by Steve Barbella (see
 info file)> reshn (nonseeking). *with Carlos Santana. Notes: d1t01 TOG cuts in, anomalies for first
 10 seconds; there is a digispeck on d1t02 appearing a few seconds before Tons of Steel. This was on
 the master files. Some distortion d1t09 @ 1:56-1:57. d2t01 some channel fluctuations during first
 minute. This version is the same source as the previously circulating copy, with several edits
 performed in order to smooth the rough edges. All of the following have been fixed: 1) after FOTD,
 there were several seconds of dead air, followed by loud pops; 2) After midnight hour, there were 4
 minutes of Bucket; attached to the same wave file; 3) Lovelight and US Blues had some tape garble
 between them. Original files provided by tony gardner cdwave, edits, new tracking, and shns done by
 steve barbella. Another etreer notes the following: d2t01 Bucket right channel-first :15seconds is a
 d/o :41-:50 various d/o's, these arn't on the FMhouse>cm>dat.
 Set One: Disc 1 ~ (74:07) --Set I-- 1. //Touch of Grey > Little Red Rooster, Tons of Steel,
 Friend of the Devil, My Brother Esau, Tennessee Jed, When I Paint My Masterpiece > Bird Song, Good
 Morning Little Schoolgirl*, In The Midnight Hour*
 Set Two: Disc 2 ~ (75:08) --Set II-- Hell In A Bucket, When Push Comes To Shove, Estimated
 Prophet > Eyes Of The World > Drums > Space > The Other One > Goin' Down The Road Feeling Bad >
 Throwing Stones > Turn On Your Lovelight, --ENCORE-- U.S. Blues
08/22/87 Angel's Camp, CA - Mountain Aire Music Festival MAC>CD All 150 enter xxxxx 
 *jj: unknown stereo mic > Sony WMD6C*
 Taper: jj; Location: right of center FOB; Gear: unknown stero mic (in hat) > Sony WMD6C (Maxell
 XLII); Transfer: Nakamichi BX-300 > xx cables > Waveterminal 2496 > Adobe Audition 3.0 in @ 16/48,
  downsample o 44.1; Tracking: CD Wave; FLAC encoding: TLH. - Not a great recording. It's just for
 me.
- (1) with Carlos Santana
- s1t08 Masterpiece cuts in - s1t09 Bird Song I freaked out when I
 didn't see any input. You hear me freaking out and hear the levels running crazy as I spin knobs and
 such. TUrns out the level monitor wasn't on. That's why I am not a taper. - tape flip between drums
 and space - I tracked TOO from when Phil came in, which is right before the first verse. Jerry and Bob
 were playing around t for several minutes prior to that.
 Set One: Set I (11 tracks, 72:15) s1t01. Crowd & Tuning [1:10] s1t02. Touch of Grey [6:05]
 -> s1t03. Little Red Rooster [9:04] s1t04. Tons of Steel [5:24] s1t05. Friend of the Devil [8:58]
 s1t06. My Brother Esau [5:21] s1t07. Tennessee Jed [8:02] % s1t08. //When I Paint My Masterpiece
 [4:50] -> s1t09. Bird Song [10:07] s1t10. Good Morning Little Schoolgirl (1) [7:15] s1t11. Midnight
 Hour (1) [5:53]
 Set Two: Set II (11 tracks, 77:43) s2t01. Crowd & Tuning [0:47] s2t02. Hell in a Bucket
 [6:46] s2t03. When Push Comes to Shove [5:39] s2t04. Estimated Prophet [10:58] -> s2t05. Eyes of the
  World [9:14] -> s2t06. Drums -> Space [13:49] -> s2t07. The Other One [3:27] -> s2t08. Goin' Down the
 Road Feelin' Bad [6:17] -> s2t09. Throwin' Stones [8:58] -> s2t10. Turn on Your Lovelight [6:28]
 --Encore-- s2t11. U.S. Blues
08/23/87 Angel's Camp, CA - Mountain Aire Music Festival S:C>D>CD All 139 
 d2t01 Scarlet fades in. A minute or so of tuning before PITB can be removed to make this fit on
 1x74 and 1x80.
 Set One: Box Of Rain, Jack Straw, West L.A. Fadeaway, Me & My Uncle-> Mexicali Blues, High
 Time, Walkin' Blues, Iko Iko*, All Along The Watchtower*
 Set Two: //Scarlet Begonias-> Fire On The Mountain-> Playin' In The Band-> Drums-> Jam-> I
 Need A Miracle-> Dear Mr. Fantasy-> Playin' In The Band-> Morning Dew, E:Not Fade Away-> E: Brokedown
 Palace
11/07/87 Oakland, CA - Henry J Kaiser Convention Center MSC>CD All 150 1296 83998 
 *walscoller*
 Recording Info: SBD -> Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Tascam
 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 (2 Discs Audio / 2
 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, April 7,
 2007. Patch Info: SBD -> PCM -> Sound Forge -> CD (shnid=9242) supplies: Space (0:01 - 0:24). Notes:
 -- Encore on end of 1st Set to fit show on 2 discs; -- Encore can be re-joined with 2nd Set
 seamlessly; -- Sound improves during Hey Pocky Way; -- Thanks to Paul Scotton and Joani Walker for the
 tapes. JJ: nice stuff. This Jack Straw is tasty, as are Jerry's unusual first set numbers (Dupree's,
 Mighty Swell).
 Set One: Disc One (72:18) --Set I-- Hey Pocky Way, Jack Straw, Row Jimmy, When I Paint My
 Masterpiece, Dupree's Diamond Blues, Box Of Rain-> Cassidy-> Might As Well --Encore-- Not Fade Away->
 Knockin' On Heaven's Door, --2nd Encore-- One More Saturday Night
 Set Two: Disc Two (78:00) --Set II-- Uncle John's Band-> Playin' In The Band-> Terrapin
 Station-> Drums-> Jam-> I Need A Miracle-> Black Peter-> Throwing Stones-> Not Fade Away,
11/08/87 Oakland, CA - Henry J Kaiser Convention Center A:P>CD>SHN All 147 544, 546 
 *dank seed*
 Source: "Top of the Key" FOB, Schoeps CMC44 (110' ORTF) on stand --> Oade Power Supply --> Sony
  PCM-F1. Transfer: PCM Master, Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR.
 Recording and Transfer: Sean Weber-Small; EAC (Plex 8x, see log in individual folders) > Shn via MKW
 .97 by Bill Gardner, bgard@speakeasy.net discs were eac'd from the masters. Minor Edits: D2T06:
 Truckin'> Drums was split into two tracks with CDWAV, minor overlap in Drums > Space was removed in
 Soundforge for seamless play. NOTE 1: Upon Review, a brief dropout was discovered at D2T06, 5:53.895,
 this was removed in SF, new .wav and .shn md5's have bee created for D2. The D/O was .446 seconds and
 was confirmed on the PCM master. NOTE 2: The fades on set 2 have been fixed and all the md5's have
  been updated. NOTE 3: Upon running shntool len mode, it was found that d2t07 and d3t01 were not cut on
 sector boundaries. This was fixed using the shntool fix mode. The ouput from this fix can be viewed at
 the bottom of this .txt file which also displays the settings used. Upon fixing the sector boundary
 errors, the shn files were converted to .wav and then back to .shn with seek tables appended using MKW
 0.97. Md5's were then updated to reflect changes. This fix was performed by Ryan Boone
 (bilboboone@sbcglobal.net)
 Set One: Disc One (9) 54:51 --Set I-- Iko Iko, Little Red Rooster, Stagger Lee, Mexicali
 Blues-> Big River, West L.A. Fadeaway, The Music Never Stopped-> Don't Ease Me In
 Set Two: Disc Two (7) 47:51 --Set II-- 1. Crowd & Tuning, China Cat Sunflower-> I Know You
 Rider, Looks Like Rain, Crazy Fingers-> Truckin'-> Drums->
 Set Three: Disc Three (6) 44:20 --Set II (con't)-- Space -> The Other One-> Stella Blue->
 Turn On Your Lovelight, E: Just Like Tom Thumb's Blues, E: Touch Of Gray
11/08/87 Oakland, CA - Henry J Kaiser Convention Center MSC>CD All n/a 1311 85587 
 *walscoller*
 Set One: Iko Iko, Little Red Rooster, Stagger Lee, Mexicali Blues-> Big River, West L.A.
 Fadeaway, The Music Never Stopped-> Don't Ease Me In
 Set Two: China Cat Sunflower-> I Know You Rider, Looks Like Rain, Crazy Fingers-> Truckin'->
  Drums-> Jam-> The Other One-> Stella Blue-> Turn On Your Lovelight, E: Just Like Tom Thumb's Blues, E:
 Touch Of Gray
12/27/87 Oakland, CA - Oakland-Alameda County Coliseum MSC>D>CD All 160 
  Soundboard->Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT (sgrmag). Fostex D5
 DAT->ZA2->Soundforge->.wav->mKw->SHN (Joe Samaritano).
 Set One: Disc One (10) 65:46 --Set I-- Touch Of Gray, Jack Straw, Peggy-O, Walkin' Blues,
 Ramble On Rose, Me & My Uncle-> Big River, It Must Have Been The Roses, Desolation Row, Don't Ease Me
 In
 Set Two: Disc Two (5) 47:13 --Set II-- Playin' In The Band-> Uncle John's Band-> Estimated
 Prophet-> Eyes Of The World-> Drums->
 Set Three: Disc Three (6) 46:57 --Set II (con't)-- Space -> Dear Mr. Fantasy-> Stella Blue->
 Throwing Stones-> Turn On Your Lovelight, E: The Mighty Quinn
12/27/87 Oakland, CA - Oakland-Alameda County Coliseum MSC>CD All 157 1308 85592 
 *walscoller*
 Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam
 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 (3 Discs Audio / 2
 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 11,
 2007 Notes: -- Levels start off very low, but get fixed quickly -- Two different SBD Cassette Masters
 were used to make this seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
 Set One: Touch Of Gray, Jack Straw, Peggy-O, Walkin' Blues, Ramble On Rose, Me & My Uncle->
 Big River, It Must Have Been The Roses, Desolation Row, Don't Ease Me In
 Set Two: Playin' In The Band-> Uncle John's Band-> Estimated Prophet-> Eyes Of The World->
 Drums-> Jam-> Dear Mr. Fantasy-> Stella Blue-> Throwing Stones-> Turn On Your Lovelight, E: The Mighty
 Quinn
12/28/87 Oakland, CA - Oakland-Alameda County Coliseum MSC>D>CD All 150 
 Notes: *Stranger/Franklin's/Minglewood (through 0:59) had, to say the least, serious tape problems;
 these are patched from the circulating audience source: FOB:PCM (Schoeps)> DAT> CD2> SHN. Other than
 that, this is a very clean recording of a tightly played show.
  Set One: Disk 1, 1. Feel Like a Stranger*, 2. Franklin's Tower*, 3. Minglewood Blues*, 4.
 Row Jimmy, 5. Far From Me, 6. When I Paint My Masterpiece, 7. Sugaree. 8. Hell in a Bucket
 Set Two: Disk 2, 1. China Cat Sunflower > 2. I Know You Rider > 3. Cumberland Blues, 4. Man
 Smart, Woman Smarter > 5. drums
 Set Three: Disk 3, 1. space -> 2. The Wheel -> 3. Truckin' -> 4. Smokestack Lightning -> 5.
 Black Peter -> 6. Sugar Magnolia --Encore-- 7. Black Muddy River
12/28/87 Oakland, CA - Oakland-Alameda County Coliseum MSC>CD All n/a 1308 85593 
 *walscoller*
 SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee
 MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie
 Miller.
 Set One: Feel Like A Stranger-> Franklin's Tower, Minglewood Blues, Row Jimmy, Far From Me,
 When I Paint My Masterpiece, Sugaree-> Hell In A Bucket
 Set Two: China Cat Sunflower-> I Know You Rider, Cumberland Blues, Women Are Smarter->
 Drums-> Jam-> The Wheel-> Truckin'-> Smokestack Lightning-> Black Peter-> Sugar Magnolia, E: Black
  Muddy River
12/30/87 Oakland, CA - Oakland-Alameda County Coliseum S:?>?>CD All 164 
 Needs re-tracking, not great sound, but best available sbd AFAIK. Occasional pops were, I think,
 equipment malfunctions during the show.
 Set One: Disc One (10) 76:25 --Set I-- Hey Pocky Way, Big Boss Man, Greatest Story Ever
 Told, Friend Of The Devil, Mama Tried-> Mexicali Blues, Althea, Cassidy, West L.A. Fadeaway, Let It
  Grow,
 Set Two: Disc Two (5) 53:00 --Set II-- Scarlet Begonias-> Samson & Delilah, Ship of Fools,
 He's Gone-> Drums -> Space ->
 Set Three: Disc Three (5) 35:09 --Set II (con't)-- I Need A Miracle-> Gimme Some Lovin'->
  Morning Dew-> All Along The Watchtower, Encore: Baby Blue
12/30/87 Oakland, CA - Oakland-Alameda County Coliseum MSC>CD All n/a 1308 85682 
 *walscoller*
 SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee
 MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie
 Miller
 Set One: Hey Pocky Way, Big Boss Man, Greatest Story Ever Told, Friend Of The Devil, Mama
 Tried-> Mexicali Blues, Althea, Cassidy, West L.A. Fadeaway, Let It Grow
 Set Two: Set 2: d2t01 - Scarlet Begonias -> d2t02 - Samson And Delilah d2t03 - Ship Of Fools
 -> d2t04 - He's Gone -> d2t05 - Drums -> d3t01 - Space -> d3t02 - I Need A Miracle -> d3t03 - Gimme
 Some Lovin' -> d3t04 - Morning Dew -> d3t05 - All Along The Watchtower Encore: d3t06 - It's All Over
 Now, Baby Blue
12/31/87 Oakland, CA - Oakland-Alameda County Coliseum  S:?>?>CD All 162 
 Tracking is just stupid on this, and the SQ is really only mediocre. I assume it's from a pre-fm
 soundboard cassette master > digital, but don't know for sure.
 Set One: Disc One (9) 59:02 --Set I-- Bertha-> Promised Land, Cold Rain & Snow, Little Red
 Rooster, When Push Comes To Shove, When I Paint My Masterpiece, Bird Song-> The Music Never Stopped
 --Set II-- Hell in a Bucket//
 Set Two: Disc Two (7) 66:54 --Set II (con't)-- Uncle John's Band-> Terrapin Station->
 Drums-> Jam-> The Other One-> Wharf Rat-> Throwing Stones->
 Set Three: Disc Three (7) 35:37 --Set II (con't)-- -> Not Fade Away -> chant -> Women Are
 Smarter*-> Iko Iko*, Day-O*-> Do You Wanna Dance?*, Knockin' On Heaven's Door
12/31/87 Oakland, CA - Oakland-Alameda County Coliseum MSC>CD All n/a 1308 85684 
 *walscoller*
 SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee
 MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie
 Miller.
 Set One: Bertha-> Promised Land, Cold Rain & Snow, Little Red Rooster, When Push Comes To
 Shove, When I Paint My Masterpiece, Bird Song-> The Music Never Stopped
 Set Two: Hell In A Bucket, Uncle John's Band-> Terrapin Station-> Drums-> Jam-> The Other
 One-> Wharf Rat-> Throwing Stones-> Not Fade Away
 Set Three: Women Are Smarter*-> Iko Iko*, Day-O*-> Do You Wanna Dance?*, Knockin' On
 Heaven's Door
 
02/17/88 Oakland, CA - Henry J. Kaiser Convention Center MSC>CD All 140 enter 88399  
 *walscoller sbd*
 Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90). Transfer Info: Cassette Master
 (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0
 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC). All Transfers and Mastering By Charlie Miller, November 9,
 2007. Patch Info: Schoeps CMC3/MK41 -> Dat -> CD supplies: Drums (9:03 - 9:53) Notes: -- Disc change
 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his
 help with the pitch correction
 Set One: Disc One (12 tracks, 74:08) d1t01 - Tuning d1t02 - Hey Pocky Away d1t03 -
 Desolation Row d1t04 - Tennessee Jed d1t05 - Little Red Rooster d1t06 - Cumberland Blues d1t07 - It's
 All Over Now d1t08 - Box Of Rain -> d1t09 - Don't Ease Me In Set 2: d1t10 - Tuning d1t11 - Bertha ->
 d1t12
 Set Two: Disc Two (8 tracks, 66:22) - Man Smart, Woman Smarter d2t01 - Ship of Fools d2t02 -
 Estimated Prophet -> d2t03 - Drums -> d2t04 - Space -> d2t05 - Truckin' -> d2t06 - Black Peter ->
 d2t07 - Sugar Magnolia Encore: d2t08 - Brokedown Palace
07/02/88 Oxford, ME - Oxford Plains Speedway  S:C>D>CD All 161 
 d3t07 Quinn static @ 3:40-3:43
 Set One: 1. [0:04] Iko Iko [6:01] [0:05], 2. Jack Straw [5:44] [0:25], 3. West L.A. Fadeaway
 [7:15] [0:23], 4. Banter [1:10], 5. Memphis Blues [8:02] [0:17], 6. Row Jimmy [10:03] [0:41], 7. Blow
 Away [7:21] [0:03], 8. [0:04] Victim Or The Crime [5:42] -> 9. Foolish Heart [8:48] [0:11], Total Time
 62:22
 Set Two: 1. Crazy Fingers [9:39] -> 2. Playin' in the Band [9:50] -> 3. Uncle John's Band
 [8:15] -> 4. Terrapin Station [11:47] -> 5. Drums [7:49] -> Total Time 47:23
 Set Three: 1. Space [8:22] -> 2. The Wheel [4:34] -> 3. Gimmie Some Lovin [5:06] -> 4. All
 Along The Watchtower [5:45] -> 5. Morning Dew [11:14] -> 6. Sugar Magnolia [8:57] [0:21], E: 7. The
 Mighty Quinn [4:48] [0:10], Total Time 49:21
07/15/88 Berkeley, CA - Greek Theatre, U. Of California MAP>CD All 174 
 *Sean Webber Small, Schoeps CMC42s > Sony PCM-F1*
 Source: 2nd Row Behind Healy. Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony
 PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall >
 Soundforge 4.5/CD Architect > CDR. Recording and Transfer: Sean Weber-Small. EAC (Plex 8x, see log
 in individual folders) > Shn via MKW .97 by Bill Gardner, bgard@speakeasy.net.
  Set One: Disc One (10) 73:22 --Set I-- Crowd & Tuning, Shakedown Street, Walkin' Blues,
 Friend Of The Devil, Queen Jane Approximately, Dire Wolf, Good Time Blues, Turn On Your Lovelight,
 Cassidy, Bertha, set break
 Set Two: Disc Two (7) 57:47 --Set II-- Scarlet Begonias -> Transition Jam -> Fire On The
 Mountain, Women Are Smarter, Ship of Fools, Estimated Prophet, Drums,
 Set Three: Disc Three (7) 43:22 --Set II (con't)-- Space -> I Need A Miracle, The Wheel,
 Gimme Some Lovin', Morning Dew, --Encore-- Turn On Your Lovelight
07/15/88 Berkeley, CA - Greek Theatre, U. Of California mtx sbd All n/a 1320 10343 
 Sources: Primary Source: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN ("?" may not be a
 generation, or it may be. I dunno.) Seconday Source: Sean Weber-Small's Aud PCM Master > Sony PCM
 601ES> RME Hammerfall> Soundforge 4.5/CD Architect>CDR>Shn The secondary source supplies a patch in
 Estimated Prophet (d2t05) from 3:03 thru 3:07. Patched by Scott Clugston. Thanks to Steve Aserkoff
 for the discs. Tracked, normalized, and seeded by Peter Braverman (braverman@earthlink.net), June
 2002. Flaws: d1t06 - dropout at 3:09 was tighteded up but is still slightly noticeable. d2t05 -
 Dropout patched with secondary source.
 Set One: Disc 1 1. Shakedown Street 2. Walkin' Blues 3. Friend of the Devil 4. Queen Jane
 Approximately 5. Dire Wolf 6. Good// Times Blues 7. Cassidy 8. Bertha
 Set Two: Disc 2 1. Scarlet Begonias 2. Fire on the Mountain 3. Man Smart, Woman Smarter 4.
 Ship of Fools 5. Esti//mated Prophet 6. drums
 Set Three: Disc 3 1. space 2. I Need a Miracle 3. The Wheel 4. Gimme Some Lovin' 5. Morning
 Dew 6. Turn on Your Lovelight (encore)
07/16/88 Berkeley, CA - Greek Theatre, U. Of California MSC>CD All 158 1324 87751 
 *Charlie Miller source*
 Recording Info: SBD -> Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi
 DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 (3 Discs Audio / 2
 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, October 18,
 2007. Patch Info: FM -> Cassette Master -> Dat -> CD -> Samplitude -> CD supplies: Drums (14:12 -
 14:31). Notes: -- Set 2 is seamless -- Drums w/ Baba Oatunji -- Rex Benefit -- Thanks to Dean
 Gustafson for the tapes
 Set One: Set 1: d1t01 - Tuning d1t02 - The Music Never Stopped -> d1t03 - Sugaree d1t04 -
 Little Red Rooster d1t05 - Loser d1t06 - Stuck Inside of Mobile With The Memphis Blues Again d1t07 -
 Far From Me d1t08 - Bird Song
 Set Two: Set 2: d2t01 - China Cat Sunflower -> d2t02 - I Know You Rider d2t03 - Looks Like
 Rain -> d2t04 - Terrapin Station -> d2t05 - Drums -> d3t01 - Space -> d3t02 - I Will Take You Home ->
 d3t03 - The Other One -> d3t04 - Stella Blue -> d3t05 - Around and Around -> d3t06 - One More Saturday
 Night Encore: d3t07 - Knockin' On Heaven's Door
07/16/88 Berkeley, CA - Greek Theatre, U. Of California MF?D>?>CD All 164 
 Source: Ultramatrix (SBD/AUD mix). Lineage: DAT> ?> CD> SHN ("?" may not be a generation, or it may
 be. I dunno.) Probably FM. Splice @ 13:40 of Drums.
 Set One: Disc One (7) 60:36 --Set I-- The Music Never Stopped, Sugaree, Little Red Rooster,
 Loser, Memphis Blues, Far From Me, Bird Song
 Set Two: Disc Two (6) 59:01 --Set II-- China Cat Sunflower, I Know You Rider, Looks Like
 Rain, Terrapin Station, Dr//ums,
 Set Three: Disc Three (7) 44:18 --Set II (con't)-- I Will Take You Home, The Other One,
 Stella Blue, Around & Around, One More Saturday Night, E: Knockin' On Heaven's Door
07/17/88 Berkeley, CA - Greek Theatre, U. Of California MSC>CD All 155 1324 87752 
 *Charlie Miller source*
 Recording Info: SBD -> Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi
 DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 (3 Discs Audio / 2
 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, October 19,
 2007. Patch Info: FM -> Cassette Master -> Dat -> CD -> Samplitude -> CD supplies: Space (1:10 -
 1:17). Notes: -- Set 2 is seamless -- Rex Benefit -- Thanks to Dean Gustafson for the tapes
 Set One: (55:09) Set 1: d1t01 - Tuning d1t02 - Foolish Heart d1t03 - Greatest Story Ever
 Told d1t04 - Althea d1t05 - Me And My Uncle -> d1t06 - Big River d1t07 - Candyman d1t08 - Let It
 Grow
 Set Two: (45:17) Set 2: d2t01 - Tuning d2t02 - Box Of Rain d2t03 - Victim Or The Crime d2t04
 - Crazy Fingers -> d2t05 - Playing In The Band -> d2t06 - Uncle John's Band -> d2t07 - Drums ->
 Set Three: (55:26) d3t01 - Space -> d3t02 - Goin' Down The Road Feeling Bad -> d3t03 - All
 Along The Watchtower -> d3t04 - Believe It Or Not -> d3t05 - Throwing Stones -> d3t06 - Not Fade Away
 Encore: d3t07 - Blackbird -> d3t08 - Brokedown Palace
07/29/88 Monterey, CA - Laguna Seca Recreation Area S:C>D>CD All 136 
 Disc one suffers from oversaturation.
  Set One: Iko Iko, Walkin' Blues, Candyman, Queen Jane Approximately, Althea, Blow Away,
 Cassidy-> Deal
 Set Two: China Cat Sunflower-> Crazy Fingers-> I Know You Rider-> Playin' In The Band->
 Drums-> Space-> The Wheel-> Gimme Some Lovin'-> Believe It Or Not-> Sugar Magnolia, E: Black Muddy
 River
07/29/88 Monterey, CA - Laguna Seca Recreation Area MAP>D>CD All 157 enter 86255 
 *unknown taper: Schoeps CMC4-MK2 > Sony PCMF1*
  Source: Schoeps cmc 4/mk2-> Sony pcm-f1->Beta->Dat->Sony pcm R-500(playback)->vx pocket v2->SF6.
 Taper: unknown. Transferred and encoded to flac by: M.Watson. The source dat by: wklitz.
 Set One: Iko Iko, Walkin' Blues, Candyman, Queen Jane Approximately, Althea, Blow Away,
 Cassidy-> Deal
 Set Two: China Cat Sunflower-> Crazy Fingers-> I Know You Rider-> Playin' In The Band->
 Drums-> Space-> The Wheel-> Gimme Some Lovin'-> Believe It Or Not-> Sugar Magnolia, E: Black Muddy
 River
07/31/88 Monterey, CA - Laguna Seca Recreation Area MAC>CD All n/a 1306 85999 
 *D. Thompson, AKG 460Bs > Uher CR240*
 MotB Release: 0019/16bit: Release Date: 6/21/2007. Source: Audience FOB Recording, DFC; Media:
 TDK-SA-X; Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC; Transfer: MAC > Nakamichi
 DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV; Taped by: D. Thompson; Transfer by: A.
 Egert; Mastering by: C. Ladner.
 Set One: Mississippi Half Step, Little Red Rooster*, West L.A. Fadeaway*, Me & My Uncle->
 Big River, Ramble On Rose, Gentlemen Start Your Engines, When I Paint My Masterpiece, Bird Song
 Set Two: Hell In A Bucket-> Foolish Heart-> Women Are Smarter-> Terrapin Station-> I Will
 Take You Home-> Drums-> Space-> The Other One-> I Need A Miracle-> Morning Dew, E: Midnight Hour
07/31/88 Monterey, CA - Laguna Seca Recreation Area MS?>?>CD All -1 148 
 Set One: Disc One (9) 67:47 --Set I-- Mississippi Half Step, Little Red Rooster*, West L.A.
 Fadeaway*, Me & My Uncle-> Big River, Ramble On Rose, Gentlemen Start Your Engines, When I Paint My
 Masterpiece, Bird Song
 Set Two: Disc Two (10) 79:36 --Set II-- Hell In A Bucket-> Foolish Heart-> Women Are
 Smarter-> Terrapin Station-> I Will Take You Home-> (missing Drums) Space-> The Other One-> I Need A
 Miracle-> Morning Dew, E: Midnight Hour
12/28/88 Oakland, CA - Oakland-Alameda County Coliseum MS?>?>CD All 156 
 Show has nice energy.
 Set One: Disc One (15) 75:52 --Set I-- Iko Iko, Walkin' Blues, Jack A Roe, It's All Over
 Now, When Push Comes To Shove, Memphis Blues, Bird Song, Jack Straw
 Set Two: Disc Two (13) 79:32 --Set II-- 1. Tuning, 2. China Cat Sunflower-> I Know You
 Rider, Estimated Prophet-> He's Gone-> Drums-> Space-> Uncle John's Band-> I Need A Miracle-> Foolish
 Heart-> Turn On Your Lovelight, E: It's All Over Now Baby Blue
12/29/88 Oakland, CA - Oakland-Alameda County Coliseum  MSD>D>CD All 93 
 Set One: Disc One (8 tracks, 65:51) Hell In A Bucket-> Sugaree, Minglewood Blues, Friend Of
 The Devil, Queen Jane Approximately, To Lay Me Down-> Let It Grow
 Set Two: Disc Two (6 tracks, 45:39) Playin' In The Band-> Crazy Fingers-> Samson & Delilah->
 Playin' In The Band Reprise-> Eyes Of The World-> Drums->
 Set Three: Disc Three (7 tracks, 47:22) Space-> The Other One-> Stella Blue-> Throwing
 Stones-> Not Fade Away, E: The Mighty Quinn
12/31/88 Oakland, CA - Oakland-Alameda County Coliseum MSC>CD All n/a 1310 85966 
 *walscoller*
 Set One: Let The Good Times Roll-> Franklin's Tower, Wang Dang Doodle*, West L.A. Fadeaway*,
 When I Paint My Masterpiece, Cold Rain & Snow, Cassidy-> Don't Ease Me In
 Set Two: Sugar Magnolia*-> Touch Of Gray*-> Women Are Smarter*-> Terrapin Station->
 Drums**-> Space-> The Wheel-> Gimme Some Lovin'-> All Along The Watchtower-> Morning Dew-> Sunshine
 Daydream, E: Wharf Rat-> Goin' Down The Road Feelin' Bad-> One More Saturday Night
12/31/88 Oakland, CA - Oakland-Alameda County Coliseum MSP>D>CD All 172 9396 
 Great sound, terrible show. LTGTR is an absolute train wreck.
 Set One: Let The Good Times Roll-> Franklin's Tower, Wang Dang Doodle*, West L.A. Fadeaway*,
 When I Paint My Masterpiece, Cold Rain & Snow, Cassidy-> Don't Ease Me In
 Set Two: Sugar Magnolia*-> Touch Of Gray*-> Women Are Smarter*-> Terrapin Station->
 Drums**-> Space->
 Set Three: The Wheel-> Gimme Some Lovin'-> All Along The Watchtower-> Morning Dew-> Sunshine
 Daydream, E: Wharf Rat-> Goin' Down The Road Feelin' Bad-> One More Saturday Night
 
02/10/89 Inglewood, CA - Great Western LA Forum S:C>D>CD All 160 588, 589 
 Source: Master Cassette SBD > DAT (Fostex D-10 playback) > CD-R (hhb800 standalone) > EAC 0.9 > SHN
 (via MKWACT). From the .shn info file: "Editorial Comments: This recording has a somewhat unique
 stereo mix. The mix is more muddy than other winter/spring '89 recordings due to more audience
 blended into the recording than the usual matrix recordings from that period. Still this is a fine
 listen. DAT Transfer to CD and SHN generation by JR Fishman, NY, NY. fishmanj_98@yahoo.com."
  Set One: Disc One (8) 63:03 --Set I-- Feel Like A Stranger, Franklin's Tower-> Walkin'
 Blues, To Lay Me Down, When I Paint My Masterpiece, Friend Of The Devil, Let It Grow
 Set Two: Disc Two (8) 57:32 --Set II-- A Little Light, Truckin'-> Crazy Fingers, Playin' In
 The Band-> Drums-> Jam->
 Set Three: Disc Three (5) 39:57 --Set II (con't)-- The Wheel-> Gimme Some Lovin'-> Wharf
 Rat, Sugar Magnolia, E: It's All Over Now Baby Blue
02/11/89 Inglewood, CA - Great Western LA Forum S:C>D>CD All 155 
 Source: SBD>MC>DAT>CDR. Conversion: EAC(secure)>CD WAV>SHN(seekable). * with Airto and Diana
 Moreira, Flora Purim ** with Airto Moreira; Comments: D1t08 cuts off.
 Set One: SET 1, CD 1 {57:30.45}, 01. Mississippi Half-Step Uptown Toodeloo {9:18.31}, 02.
 New Minglewood Blues {9:11.64}, 03. Candyman {7:47.42}, 04. Big River {5:12.32}, 05. Built to Last
 {4:55.60}, 06. Queen Jane Approximately {6:44.35}, 07. We Can Run {4:41.12}, 08. Bird Song//
 {9:38.69}
 Set Two: SET 2 CD 2 {57:48.42}, 01. China Cat Sunflower-> {6:42.20} 02. I Know You Rider->
 {5:36.10} 03. Woman Are Smarter {8:08.54}, 04. Standing on the Moon {6:29.59}, 05. Estimated Prophet->
 {13:56.10} 06. I Will Take You Home-> {3:58.64} 07. Drums->* {12:56.50}
 Set Three: SET 2 Cont., CD 3 {38:43.21}, 01. Space-> {3:08.19} 02. Eyes of the World->**
 {9:23.71} 03. I Need a Miracle-> {4:50.29} 04. Black Peter-> {9:23.54} 05. Turn on Your Lovelight
 {6:42.48} ENCORE 06. Box of Rain {5:14.25}
02/12/89 Inglewood, CA - Great Western LA Forum S:C>D>CD All 145 
  (1) w/ Spencer Davis; (2) with Bob Dylan
 Set One: Disc One (11) 71:55 -Set I- Cold Rain & Snow, Hell In A Bucket, Row Jimmy, Beat It
 On Down The Line, Promised Land, West L.A. Fadeaway, How Long Blues (1), Gimme Some Lovin' (2) -Set
  II- Iko Iko, //Monkey & the Engineer (2), Alabama Getaway (2), Dire Wolf (2)
 Set Two: Disc Two (8) 72:35 -Set II (con't)- Cassidy (2), Memphis Blues (2), Drums -> Space
 -> The Other One-> Stella Blue-> Foolish Heart, E: Not Fade Away (2), E: Knockin' On Heaven's Door
 (2)
02/12/89 Inglewood, CA - Great Western LA Forum MSC>D>CD All 154 enter 89200 
 *Charlie Miller source*
 Recording Info: SBD -> Cassette Master -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound
 Devices 744T -> Samplitude Professional v10.0.1 -> FLAC (2 Discs Audio / 2 Discs FLAC). All Transfers
 and Mastering By Charlie Miller, charliemiller87@earthlink.net, December 22, 2007. Notes: -- Disc
 change is seamless -- * With Spencer David -- ** With Bob Dylan -- *** With kodo Drummer.
 Set One: Set 1: d1t01 - Cold Rain And Snow d1t02 - Hell In A Bucket d1t03 - Row Jimmy d1t04
 - Beat It On Down The Line -> d1t05 - The Promised Land d1t06 - West L.A. Fadeaway d1t07 - How Long
 Blues* d1t08 - Gimme Some Lovin'*
 Set Two: Set 2: d1t09 - Tuning d1t10 - Iko Iko** d1t11 - Monkey And The Engineer** d1t12 -
 Alabama Getaway** d2t01 - Dire Wolf** d2t02 - Cassidy** d2t03 - Stuck Inside Of Mobile With The
 Memphis Blues Again** -> d2t04 - Drums -> d2t05 - Space -> d2t06 - The Other One*** -> d2t07 - Stella
 Blue -> d2t08 - Foolish Heart Encore: d2t09 - Not Fade Away** -> d2t10 - Knockin' On Heaven's
 Door**
02/12/89 Inglewood, CA - Great Western LA Forum aud shot IIp n/a 
 w/Bob Dylan. #Last played on 10-16-81. Audience Filmed w/ Upgraded Sound. Audio: LPCM; Video: NTSC
 29.97 fps; Video Bitrate: 7998 kbps. This is the first part of the second set of this concert, and the
 only segment during which Dylan joined the Band. The clip of NFA, which is taken from the very end of
 the second set is the exception, and seems to include a few seconds of proshot footage. Otherwise,
 this is very steady unobstructed audience footage shot from quite a distance, probably second
 generation, with soundboard upgraded sound. I did not author this DVD and have no further information
 about it, including whether it has been seeded before.
 Set Two: Set 2 partial: Aiko Aiko, Monkey and the Engineer#, Dire Wolf, Cassidy, Memphis
 Blues Again, Not Fade Away (cut)
04/28/89 Irvine, CA - Irvine Meadows MSC>CD All 151 1325 88099 
 *walscoller source*
 Recording Info: SBD -> Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi
 DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 (3 Discs Audio / 2
 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, October 29,
 2007. Patch Info: Unknown Mics -> PCM -> Dat -> CD (shnid=9208) supplies: 8:26 in Drums through 3:12
 in Space. Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
 Set One: Disc One (62:49) Set 1: d1t01 - Tuning d1t02 - Cold Rain And Snow d1t03 - Little
 Red Rooster d1t04 - Peggy-O d1t05 - Queen Jane Approximately d1t06 - Just A Little Light d1t07 -
 Ramble On Rose d1t08 - Picasso Moon d1t09 - Bird Song
  Set Two: Disc Two (47:40) Set 2: d2t01 - Crazy Fingers -> d2t02 - Playing In The Band ->
 d2t03 - Uncle John's Band -> d2t04 - Playing In The Band Jam -> d2t05 - Terrapin Station -> d2t06 -
 Drums ->
 Set Three: Disc Three (ca. 40) Set 2 (con't): d3t01 - Space -> d3t02 - The Wheel -> d3t03 -
 I Need A Miracle -> d3t04 - Standing On The Moon -> d3t05 - Sugar Magnolia -> d3t06 - Touch Of Grey
 Encore: d3t07 - The Mighty Quinn (Quinn The Eskimo)
05/06/89 Palo Alto, CA - Frost Amphitheatre S:D>D>CD All 164 
 Serafin Station Studio B mastered version, sector boundaries fixed before burning audio. d1t01
 static @ 3:56-3:57
 Set One: Jack Straw, El Paso, Walkin' Blues, They Love Each Other, The Race is On, West L.A.
 Fadeaway, A Little Light, Queen Jane Approximately, China Cat Sunflower-> I Know You Rider
 Set Two: Let The Good Times Roll, Hey Pocky Way, Samson & Delilah, Ship of Fools, Playin' In
 The Band-> Eyes Of The World->
 Set Three: Drums-> Jam-> I Will Take You Home, The Wheel-> I Need A Miracle-> Wharf Rat->
 Around & Around-> Not Fade Away, E: Black Muddy River
05/07/89 Palo Alto, CA - Frost Amphitheatre S:D>D>CD All 151 
 SBD>DAT>DALCardDeluxe>WAV>CD>SHN. From DooDah Tree # 43 - Thanks Doo & Sue. CD Mastering by
 Michael Owen - looncove@bellsouth.net. DAT at 48kHz-Wave file resampled to 44.1 with Audio Magic Ring
 Software. File normalized (low levels) with DC-Art Millennium (Peak Normalization). Seven assorted
 pops and glitches corrected.
 Set One: Iko Iko, Little Red Rooster, Bertha, Me & My Uncle-> Mexicali Blues, Built To Last,
 Picasso Moon, Bird Song
 Set Two: Foolish Heart, Victim Or The Crime, Crazy Fingers, Women Are Smarter-> He's
 Gone->
 Set Three: Drums-> Jam-> The Other One-> Black Peter-> Turn On Your Lovelight, E: Knockin'
 On Heaven's Door
05/27/89 Oakland, CA - Oakland-Alameda County Stadium S:C>CD All 144 
 *GD part only, no Fogerty stuff*
 Dan Healy's master soundboard cassette > CDR, CD mastering by Scott Clugston. * w/ Clarence
 Clemons. d1t01 Touch of Grey cuts in, first few notes missing
 Set One: Set I, 1. /Touch of Grey [6:33#] -> 2. Greatest Story Ever Told [4:03] [0:16], 3.
 Althea [6:49] [0:28], 4. Walkin' Blues [6:14] [1:15], 5. Iko Iko* [6:10] [0:32], 6. Memphis Blues*
 [8:33] [0:29], 7. Bird Song* [10:11] -> 8. Promised Land* [4:08] [0:13], Set II, 9. [0:49] Hell in a
 Bucket* [6:24] -> 10. Fire on the Mountain* [10:32] [0:13], Total Time 73:56
 Set Two: Set II (con't), 1. [0:33] Blow Away* [8:37] [0:12], 2. Truckin'* [9:12] -> 3. Drums
 [9:17] -> 4. Space [5:15] -> 5. I Will Take You Home [4:43] -> 6. The Other One [9:27] -> 7. Wharf Rat
 [9:51] -> 8. Turn on Your Lovelight* [6:35] [0:28], Encore: 9. Brokedown Palace* [5:12] [0:24], Total
 Time 69:49
05/27/89 Oakland, CA - Oakland-Alameda County Stadium MSC>CD All n/a 1324  87604 
 *walscoller source*
 Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90). Transfer Info: Cassette Master
 (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 (2 Discs
 Audio / 2 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net,
 July 21, 2007. Notes: -- Disc change is seamless -- Thanks to Paul Scotton and Joani Walker for the
 tapes -- (1) with Clarence Clemons on saxophone.
 Set One: Set 1: d1t01 - Touch Of Grey -> d1t02 - Greatest Story Ever Told d1t03 - Althea
 d1t04 - Walkin' Blues d1t05 - Iko Iko (1) d1t06 - Stuck Inside Of Mobile With The Memphis Blues Again
 (1) d1t07 - Bird Song (1) -> d1t08 - The Promised Land (1)
 Set Two: Set 2: d1t09 - Tuning (1) d1t10 - Hell In A Bucket (1) -> d1t11 - Fire On The
 Mountain (1) d2t01 - Blow Away (1) d2t02 - Truckin' (1) -> d2t03 - Drums -> d2t04 - Space -> d2t05 - I
 Will Take You Home -> d2t06 - The Other One -> d2t07 - Wharf Rat -> d2t08 - Turn On Your Lovelight (1)
 Encore: d2t09 Brokedown Palace (1)
08/17/89 Berkeley, CA - Greek Theatre, U. Of California MS?>?>CD All 172  
 Set One: Disc One (8) 58:33 --Set I-- Hell In A Bucket, Sugaree, Walkin' Blues, Jack A Roe,
 Queen Jane Approximately, Candyman, The Music Never Stopped, Don't Ease Me In
 Set Two: Disc Two (7) 62:34 --Set II-- Touch Of Gray, Women Are Smarter, Ship of Fools,
 Estimated Prophet-> Eyes Of The World-> Drums->
 Set Three: Disc Three (6) 49:47 --Set II (con't)-- Space -> The Wheel-> Gimme Some Lovin'->
 Goin' Down The Road Feelin' Bad-> Good Lovin', E: The Mighty Quinn
08/17/89 Berkeley, CA - Greek Theatre, U. Of California MSC>CD All 164 1296 83773 
 *walscoller*
 Recording Info: SBD -> Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Tascam
 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2
 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, March 13,
 2007. Patch Info: SBD>Dat>Cassette Master>Dat>Samplitude>CD supplies: Eyes Of The World (5:59 - 6:05),
 Space (13:50 - 13:57). Notes: -- 2nd Set is seamless; -- Thanks to Paul Scotton and Joani Walker for
 the tapes.
  Set One: Hell In A Bucket, Sugaree, Walkin' Blues, Jack A Roe, Queen Jane Approximately,
 Candyman, The Music Never Stopped, Don't Ease Me In
 Set Two: Touch Of Gray, Women Are Smarter, Ship of Fools, Estimated Prophet-> Eyes Of The
 World-> Drums->
 Set Three: Space -> The Wheel-> Gimme Some Lovin'-> Goin' Down The Road Feelin' Bad-> Good
 Lovin', E: The Mighty Quinn
08/18/89 Berkeley, CA - Greek Theatre, U. Of California MSC>CD All  154 1296 83774 
 *walscoller*
 Recording Info: SBD -> Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Tascam
 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2
 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, March 14,
 2007. Patch Info: SBD -> Dat -> CD supplies: Space (1:10 - 1:15). Notes: -- 2nd Set is seamless; --
 Thanks to Paul Scotton and Joani Walker for the tapes.
 Set One: Cold Rain & Snow, Minglewood Blues, Row Jimmy, When I Paint My Masterpiece, Built
 To Last, Victim Or The Crime, Bird Song, Promised Land
 Set Two: Iko Iko, Looks Like Rain, Terrapin Station-> Drums->
 Set Three: Space -> Crazy Fingers-> I Need A Miracle-> Stella Blue-> Throwing Stones-> Turn
 On Your Lovelight, E: Black Muddy River, E: And We Bid You Goodnight
08/19/89 Berkeley, CA - Greek Theatre, U. Of California S:D>D>CD 2 97 
 SBDMD>DAT>C
 Set One: China Cat Sunflower-> I Know You Rider, Playin' In The Band-> Uncle John's Band->
 Playin' In The Band Jam-> Drums->
 Set Two: Space -> The Other One-> Wharf Rat-> Not Fade Away, E: Foolish Heart
08/19/89 Berkeley, CA - Greek Theatre, U. Of California MSC>CD All 151 1296 83775 
 *walscoller*
 Recording Info: SBD -> Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Tascam
 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (2 Discs Audio / 2
 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, March 20,
 2007. Notes: -- Disc change is seamless; -- Two SBD Cassette Masters were used to make this show
 seamless; -- Thanks to Paul Scotton and Joani Walker for the tapes.
 Set One: Let The Good Times Roll, Jack Straw, We Can Run But We Can't Hide, Tennessee Jed,
 It's All Over Now, Loser, Memphis Blues, Box Of Rain
 Set Two: China Cat Sunflower-> I Know You Rider, Playin' In The Band-> Uncle John's Band->
  Playin' In The Band Jam-> Drums-> Jam-> The Other One-> Wharf Rat-> Not Fade Away, E: Foolish Heart
10/09/89 Hampton, VA - Hampton Coliseum S:C>D>CD All 178 
 SBD>CASS (x) >DAT>CDR>EAC>SHN; downloaded gdlive.com late 12/2000; d1 bass oversaturated; d1t06
 cuts in (- several minutes); d1t07 Memphis riddled w/ static, small drops (static @ 4:19-4:21,
 5:08-5:11, 6:18-30, 6:43, 7:25, L channel drop @ 6:20); d1t08 Jimmy riddled w/ static; d2t02 PITB a
 note or two clipped @ start?
 Set One: 1. [1:15] Feel Like A Stranger [7:27] [0:28], 2. Built To Last [4:24] [0:58], 3.
 Little Red Rooster [7:57] [1:32], 4. Ramble On Rose [6:37] [1:29], 5. We Can Run [5:59] [0:44], 6.
 Jack// A Roe [4:06#] [0:12], 7. Memphis Blues 8:40] [3:22], 8. Row Jimmy [10:34] [0:10], Total Time
 65:59
 Set Two: 1. [0:38] The Music Never Stopped [8:03] [0:14], Set II, 2. //Playin' In The Band
 [10:33#] -> 3. Uncle John's Band [12:10] -> 4. Playin' In The Band [2:21] -> 5. Dark Star [18:04] ->
 6. Drums ->Space [17:05] ->, Total Time 69:11
 Set Three: 1. Death Don't Have No Mercy [8:46] -> 2. Dear Mr. Fantasy [4:40] -> 3. Hey Jude
 Finale [3:48] -> 4. Throwing Stones [10:24] -> 5. Good Lovin' [5:49] [2:33], E: 6. Attics Of My Life
 [5:10] [0:10], Total Time 41:22
10/25/89 Miami , FL - Miami Arena S:C>D>CD All 171 None 
 Set One: Disc One (8) 71:28 --Set I-- Hell In A Bucket, Sugaree, A Little Light, Friend Of
 The Devil, Memphis Blues, Cold Rain & Snow, Picasso Moon, Deal
 Set Two: Disc Two (6) 58:37 --Set II-- Playin' In The Band-> Uncle John's Band-> Playin' In
 The Band Reprise, Standing On the Moon, Truckin'-> Drums->
 Set Three: Disc Three (5) 41:07 --Set II (con't)-- Jam-> Gimme Some Lovin'-> Wharf Rat->
 Sugar Magnolia, E: U.S. Blues
10/26/89 Miami , FL - Miami Arena S:C>D>CD All 157 None 
 Set One: Disc One (7) 56:35 --Set I-- Foolish Heart, Little Red Rooster, Stagger Lee, Me &
 My Uncle-> Big River, Brown Eyed Women, Victim Or The Crime, Don't Ease Me In
 Set Two: Disc Two (5) 67:31 --Set II-- Estimated Prophet-> Blow Away, Dark Star-> Drums->
 Space->
 Set Three: Disc Three (5) 31:58 --Set II (con't)-- The Wheel-> All Along The Watchtower->
  Stella Blue-> Not Fade Away, E: And We Bid You Goodnight
12/06/89 Oakland, CA - Oakland-Alameda County Coliseum S:D>D>CD? All 167 
 Needs re-tracking.
 Set One: Shakedown Street, Walkin' Blues, Friend Of The Devil, Queen Jane Approximately,
 Jack A Roe, A Little Light, Victim Or The Crime, Don't Ease Me In
 Set Two: Scarlet Begonias-> Sugar Magnolia-> Ship of Fools*-> Terrapin Station*-> Jam ->
 Drums
 Set Three: Drums*-> Jam-> The Wheel-> All Along The Watchtower*-> Standing On the Moon*,
 Sunshine Daydream*, E: Black Muddy River
12/27/89 Oakland, CA - Oakland-Alameda County Coliseum MSD>C>CD All 151 1327 88397 
 *walscoller source* *pitch corrected*
 Recording Info: SBD -> Dat -> Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master
 (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0
  -> FLAC/16 (3 Discs Audio / 2 Discs FLAC). All Transfers and Mastering By Charlie Miller, November 9,
 2007. Patch Info: (FOB) Schoeps CMC3/MK4 -> Dat -> CD -> Samplitude supplies: Drums (5:31 - 6:05).
 Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe
 B. Jones for his help with the pitch correction
 Set One: (56:51) Set 1: d1t01 - Cold Rain And Snow d1t02 - Greatest Story Ever Told d1t03 -
 Never Trust A Woman d1t04 - Althea d1t05 - Me And My Uncle -> d1t06 - Big River d1t07 - Just Like Tom
 Thumb's Blues d1t08 - Bird Song -> d1t09 - The Promised Land
 Set Two: (50:42) Set 2: d2t01 - Iko Iko d2t02 - Playing In The Band -> d2t03 - Crazy Fingers
 -> d2t04 - Uncle John's Band -> d2t05 - Drums ->
 Set Three: (42:36) d3t01 - Space -> d3t02 - The Wheel -> d3t03 - I Need A Miracle -> d3t04 -
 Morning Dew Encore: d3t05 - Johnny B. Goode d3t06 - Black Muddy River
12/27/89 Oakland, CA - Oakland-Alameda County Coliseum All n/a 
 aud
 Set One: Cold Rain & Snow, Greatest Story Ever Told, Let The Good Times Roll, Althea, Me &
 My Uncle-> Big River, Just Like Tom Thumb's Blues, Bird Song, Promised Land
 Set Two: Iko Iko*, Playin' In The Band*-> Crazy Fingers-> Uncle John's Band-> Drums-> Jam->
 The Wheel*-> I Need A Miracle*-> Morning Dew, E: Johnny B. Goode, E: Black Muddy River
12/28/89 Oakland, CA - Oakland-Alameda County Coliseum MSC>CD All n/a 
 Set One: Let The Good Times Roll, Feel Like A Stranger, Dire Wolf, Little Red Rooster,
 Ramble On Rose, Queen Jane Approximately, A Little Light, Let It Grow
 Set Two: Foolish Heart, Looks Like Rain, Eyes Of The World-> Drums*-> Jam-> Gimme Some
 Lovin'-> All Along The Watchtower-> Stella Blue-> Turn On Your Lovelight, E: U.S. Blues
12/30/89 Oakland, CA - Oakland-Alameda County Coliseum S:D>CD All 159 
 Source: Ultramatrix (SBD/AUD mix). Lineage: DAT> CD> SHN. From the seeder: "I believe this is the
 first copy of this Matrix source on CD. I looked long and hard for a soundboard for this excellent
 show, and traded at least five times over two years for supposed Matrix recordings, only to find each
 time that set I was a Matrix and set II was an audience recording. D'oh! This is -- FINALLY! -- the
 real deal. Thanks to Rob Harrison for the DAT>CD transfer, and for abandoning his 8-track disco
 recordings to make time to supply these discs! Whoo-hoo! Let me get a whoop-whoop for my main dog Rob!
 (God help me.) Known issues: Airto Moriera plays on Sugaree > West LA in set I, and I Know You Rider
 > One More Saturday Night on set II. He is sometimes audible and often not. Intermittent diginoise in
 Jack Straw has been replaced with a patch from the Matrix (oops I mean audience) source, from 4:24 to
 5:18. Drums and space are seamless, and can be reassembled effortlessly when those DVD burners finally
 become popular and we're all listening to recordings by mind-travel. Seeded by Peter Braverman
 (braverman@earthlink.net), April 2002.
 Set One: Disc One (8) 57:25 --Set I-- Bertha-> Good Lovin'-> Sugaree*, Walkin' Blues*, Jack
 A Roe*, When I Paint My Masterpiece*, West L.A. Fadeaway*, The Music Never Stopped*
 Set Two: Disc Two (6) 59:08 --Set II-- 1. Jack Straw, 2. China Cat Sunflower -> 3. I Know
 You Rider, 4. Estimated Prophet -> 5. Terrapin -> 6. drums
 Set Three: Disc Three (6) 43:25 --Set II (con't)-- 1. space -> 2. I Will Take You Home -> 3.
 The Other One -> 4. Standing on the Moon -> 5. One More Saturday Night, 6. It's All Over Now, Baby
 Blue (encore)
12/31/89 Oakland, CA - Oakland-Alameda County Coliseum F:D>CD All 170  
 From this shn set: FMS > DAT > CDR > EAC (secure mode, test and copy) > SHN. Sound is a bit muddy,
 but not too bad. COMMENTS: (1) with Bonnie Rait (2) { theme [6:25] verse 1 [1:00] theme [2:05] spacey
 [4:37] } (3) Midnight Hour was really a second encore. d3t02 Fantasy snit @ 7:48;
 Set One: Disc 1, Set I: 01. Sugar Magnolia, 02. Touch of Gray, 03. Man Smart (Woman
 Smarter), 04. Big Boss Man (1), 05. Stuck Inside of Mobile, 06. Shakedown Street, Total Time:
 (51:18)
 Set Two: Disc 2, Set II: 01. New Year's Mayhem, 02. Iko Iko, 03. Victim or the Crime > 04.
 Dark Star (2) > 05. Drums > , Total Time: (ca. 48:41)
 Set Three: Disc 3, Set II (Cont.) 01. Space > 02. Dear Mr. Fantasy > 03. Hey Jude Reprise
 > 04. GDTRFB > 05. Throwing Stones > 6. Not Fade Away, Encores: 07. Brokedown Palace > 08.
 Sunshine Daydream, 09. In the Midnight Hour (3), Total Time: (69:37)
12/31/89 Oakland, CA - Oakland-Alameda County Coliseum All n/a 1276 28735 
 Set One: Sugar Magnolia, Touch Of Gray, Women Are Smarter, Big Boss Man*, Memphis Blues,
 Shakedown Street
 Set Two: Iko Iko, Victim Or The Crime-> Dark Star-> Drums-> Jam-> Dear Mr. Fantasy-> Hey
 Jude-> Goin' Down The Road Feelin' Bad-> Throwing Stones, Not Fade Away
 Set Three: Brokedown Palace, Sunshine Daydream, E: Midnight Hour
12/31/89 Oakland, CA - Oakland-Alameda County Coliseum MSC>CD All n/a 1325 87784 
 *walscoller source*
 Recording Info: SBD -> Cassette Master (Maxell MX90). Transfer Info: Cassette Master (Nakamichi
 DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 (3 Discs Audio / 2
 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, October 19,
 2007. Patch Info: Pre-FM -> Dat -> Samplitude -> CD (shnid=23574) supplies: Drums (6:41 - 6:50).
 Notes: -- Set 2 is seamless -- Big Boss Man with Bonnie Raitt -- Thanks to Joani Walker and Paul
 Scotton for the tapes
 Set One: Set 1: d1t01 - Sugar Magnolia -> d1t02 - Touch Of Grey -> d1t03 - Women Are Smarter
 d1t04 - Big Boss Man d1t05 - Stuck Inside Of Mobile With The Memphis Blues Again d1t06 - Shakedown
 Street
 Set Two: Set 2: d2t01 - Midnight Countdown -> d2t02 - Iko Iko d2t03 - Victim Or The Crime ->
 d2t04 - Dark Star -> d2t05 - Drums -> d3t01 - Space -> d3t02 - Dear Mr. Fantasy -> d3t03 - Hey Jude
 Reprise -> d3t04 - Goin' Down The Road Feeling Bad -> d3t05 - Throwing Stones -> d3t06 - Not Fade Away
 Encore: d3t07 - Brokedown Palace d3t08 - Sunshine Daydream d3t09 - In The Midnight Hour
 
02/25/90 Oakland, CA - Oakland-Alameda County Coliseum MAD>CD All 179 
 Schoeps CMC 44s
 AUD (Schoeps CMC 44’s) > DAT > CDR
 Set One: CD 1 {73:28.60} --Set I-- 01. Crowd/Tunning {3:54.34}, 02. Touch Of Grey->
 {6:11.26}, 03. Greatest Story Ever Told {5:09.52}, 04. Jack-A-Roe {6:43.26}, 05. Little Red Rooster
 {10:57.43}, 06. Stagger Lee {7:38.56}, 07. Queen Jane Approximately {6:47.52}, 08. The Last Time
 {9:07.63}, 09. Cassidy {8:31.01} , 10. Deal {8:27.07}
 Set Two: CD 2 {49:13.45} --Set II-- 01. China Cat Sunflower-> {6:47.20} 02. I Know You Rider
 {5:56.72}, 03. Just A Little Light {6:23.29}, 04. Estimated Prophet-> {12:40.12} 05. Eyes Of The
 World-> {9:28.45} 06. Drums-> {7:57.17}
 Set Three: CD 3 {55:55.12} --Set II (con't)-- 01. Space-> {9:36.28} 02. The Wheel->
 {6:21.61} 03. Gimme Some Lovin'-> {5:56.46} 04. Wharf Rat-> {12:08.56} 05. Sugar Magnolia {13:06.59}
 --Encore-- 06. Knockin' On Heaven's Door {8:44.62}
02/25/90 Oakland, CA - Oakland-Alameda County Coliseum MSC>CD All n/a enter 87786 
 *walscoller sbd*
 Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Nakamichi
 DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 (3 Discs Audio / 2
 Discs FLAC). All Transfers and Mastering By Charlie Miller, charliemiller87@earthlink.net, October 20,
 2007. Patch Info: Schoeps CMC4/MK4 -> Dat -> CD (shnid=11805) supplies: Space (2:29 - 2:47) Notes: --
 Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the tapes.
 Set One: Touch Of Gray-> Greatest Story Ever Told, Jack A Roe, Little Red Rooster, Stagger
 Lee, Queen Jane Approximately, The Last Time, Cassidy, Deal
 Set Two: China Cat Sunflower-> I Know You Rider, A Little Light, Estimated Prophet-> Eyes Of
 The World-> Drums-> Jam-> The Wheel-> Gimme Some Lovin'-> Wharf Rat-> Sugar Magnolia, E: Knockin' On
 Heaven's Door
05/05/90 Carson, CA - Cal State Dominguez Hills S:D>D>CD All 151 
 DSBD>DAT>CDR; * ENCORE is at the end of disk # 1 and is from the FM source. COMMENTS: D1t05
 (Franklin's Tower) drop out @ 3:53 removed.
 Set One: Disc One (12) 75:38 --Set I-- Let The Good Times Roll, The Race is On, Help On The
 Way-> Slipknot!-> Franklin's Tower, Queen Jane Approximately, Loser, Me & My Uncle, Mexicali Blues,
 Loose Lucy, One More Saturday Night --Encore-- Touch of Grey
 Set Two: Disc Two (10) 74:48 --Set II-- Truckin'-> Crazy Fingers-> Playin' In The Band->
 Uncle John's Band-> Drums-> Jam-> I Need A Miracle-> Dear Mr. Fantasy-> Goin' Down The Road Feelin'
 Bad-> Around & Around
05/06/90 Carson, CA - Cal State Dominguez Hills MAD>D>CD All 174 
 FOB master audience DAT>DAT>CD>EAC>SHN. Recorded with Schoeps CMC44 microphones. d2t03 The Weight
 brief CD skip @ 2:02; d2t04-05 tick @ track marker.
 Set One: Mississippi Half Step, Feel Like A Stranger, Easy To Love You, West L.A. Fadeaway,
 When I Paint My Masterpiece, Candyman, Victim Or The Crime, Foolish Heart
 Set Two: Iko Iko, Samson & Delilah, The Weight,
 Set Three: Blow Away, Terrapin Station-> Drums-> Jam-> The Other One-> Standing On the
 Moon-> Throwing Stones, Turn On Your Lovelight, E: The Last Time
05/06/90 Carson, CA - Cal State Dominguez Hills MSD>CD  All n/a 1280 80278 
 Recording Info: SBD -> Dat (44.1k). Transfer Info: Dat (Sony D8) -> Samplitude Professional v8.01
 -> FLAC (3 Discs Audio / 2 Discs FLAC). All Transfers and Mastering By Charlie Miller,
 charliemiller87@earthlink.net, November 23, 2006.
 Set One: Mississippi Half Step, Feel Like A Stranger, Easy To Love You, West L.A. Fadeaway,
 When I Paint My Masterpiece, Candyman, Victim Or The Crime, Foolish Heart
 Set Two: Iko Iko, Samson & Delilah, The Weight, Blow Away,
 Set Three: Terrapin Station-> Drums-> Jam-> The Other One-> Standing On the Moon-> Throwing
 Stones, Turn On Your Lovelight, E: The Last Time
06/15/90 Mountain View, CA - Shoreline Amphitheatre S:?>?>CD All 140 
 Set One: Help On The Way-> Slipknot!-> Franklin's Tower, Minglewood Blues, A Little Light,
 Stagger Lee, Desolation Row, Ramble On Rose, Hell In A Bucket
 Set Two: Scarlet Begonias-> Fire On The Mountain-> Blow Away, Women Are Smarter-> He's
 Gone-> Drums-> Jam-> The Other One-> Wharf Rat-> Around & Around, E: Knockin' On Heaven's Door
06/15/90 Mountain View, CA - Shoreline Amphitheatre MSD>D>CD All n/a 1309 8570 
 Set One: Help On The Way-> Slipknot!-> Franklin's Tower, Minglewood Blues, A Little Light,
 Stagger Lee, Desolation Row, Ramble On Rose, Hell In A Bucket
 Set Two: Scarlet Begonias-> Fire On The Mountain-> Blow Away, Women Are Smarter-> He's
 Gone-> Drums-> Jam-> The Other One-> Wharf Rat-> Around & Around, E: Knockin' On Heaven's Door
06/17/90 Mountain View, CA - Shoreline Amphitheatre MSD>D>CD All n/a 1310 10062 
 Set One: Shakedown Street, Little Red Rooster, Jack A Roe, Easy To Love You, Queen Jane
 Approximately, Bird Song-> Promised Land
 Set Two: Iko Iko, Picasso Moon, Ship of Fools, Playin' In The Band-> Eyes Of The World->
 Drums-> Space-> I Will Take You Home-> I Need A Miracle-> Stella Blue-> Throwing Stones-> Turn On Your
 Lovelight, E: The Weight
06/23/90 Eugene, OR - Autzen Stadium, U. of Oregon A:D>D>CD All 170  
 d2t04 PITB crackle @ 1:01, brief drop @ 1:05; d3t05 Dew brief skip @ 0:07?
 Set One: Feel Like A Stranger-> West L.A. Fadeaway, Me & My Uncle, Cumberland Blues, Far
 From Me, They Love Each Other, Cassidy, Tennessee Jed, Promised Land
 Set Two: Eyes Of The World, Looks Like Rain-> Crazy Fingers-> Playin' In The Band-> Uncle
 John's Band-> Playin' in the Band Reprise
 Set Three: Drums-> Jam-> The Wheel-> I Need A Miracle-> Morning Dew, E: One More Saturday
 Night
06/23/90 Eugene, OR - Autzen Stadium, U. of Oregon MSC>D>CD All n/a 
 Comments: This is a definite upgrade over the previous SBD source which is either a really good
 FOB or an audience heavy matrix. This recording is predominately SBD with drastic fluctuations in the
 level of audience in the overall mix - from almost no audience during Space, Eyes, Stranger, to almost
 all audience mix between some songs, during the middle of Uncle John's Band, on cue crowd roar during
 the "lets get on with the show", towards the end of Cassidy. In fact you can hear the level of the
 crowd being jerked around with a fader during the tuning/deadspace before the start of the show. The
 panning of drummers and individual instruments is exact and you can hear guitar pickup switches being
 changed/bobby spitting on the mic with reverb on it etc. also there is nowhere near the phase present
 on the prior recording. Thanks to J.Powell for the CDR source. DAE(EAC0.9b4, offset corrected,
 secure mode, QPS QUE 2410)>+2.0 dB gain in signal amplitude applied to entire show(SF6)>tracking(cdwav
 editor)>sector boundaries confirmed (shntool)>SHN(shorten 3.4) via C.Ladner. Another installment of
 TMNSP, 11/03.
 Set One: Feel Like A Stranger-> West L.A. Fadeaway, Me & My Uncle, Cumberland Blues, Far
 From Me, They Love Each Other, Cassidy, Tennessee Jed, Promised Land
 Set Two: Eyes Of The World, Looks Like Rain-> Crazy Fingers-> Playin' In The Band-> Uncle
 John's Band-> Playin' In The Band-> Drums-> Jam-> The Wheel-> I Need A Miracle-> Morning Dew, E: One
 More Saturday Night
06/24/90 Eugene, OR - Autzen Stadium, U. of Oregon A:D>D>CD All 170 
 d1t01 Help digi-scratch @ 0:14; d1t05 Little Light skip @ 1:30, d2t05 He's Gone skip @ 1:01; d3t02
 Wharf Rat cuts out just before transition to Sugar Magnolia
 Set One: Set I, 1. Help On The Way-> Slipknot! -> 2. Franklin's Tower, When I Paint My
 Masterpiece, Loose Lucy, A Little Light, Picasso Moon, Candyman, Let It Grow, Set II, Foolish Heart
 Set Two: Set II (con't) Women Are Smarter, Standing On the Moon, Box Of Rain*, Estimated
 Prophet-> He's Gone-> Drums-> Jam->
 Set Three: Set II (con't) The Other One-> Wharf Rat-> Sugar Magnolia, E: Brokedown
 Palace
09/28/90 San Rafael, CA - Studio Rehersal, Club Front S:R>C>D>CD All 71 
 Set One: 1. Saint of Circumstance (multiple takes), 2. Stander on the Mountain (multiple
 takes), 3. Walk On (multiple takes), Total Time 71:08
10/17/90 Essen, GE - Gruga Halle S:?>?>CD All 142 
 Needs re-tracking. two slight skips -- one during "Sugaree" and one (about 5-10 seconds) during
 "Minglewood."
 Set One: Hell In A Bucket, Sugaree, Minglewood Blues, Ramble On Rose, Me & My Uncle,
 Maggie's Farm, High Time, Cassidy, Tennessee Jed, Picasso Moon, Total Time 71:23
 Set Two: China Cat Sunflower-> I Know You Rider, Truckin'-> He's Gone-> Drums-> Jam-> The
 Wheel-> I Need A Miracle-> Black Peter-> Turn On Your Lovelight, E: Knockin' On Heaven's Door
10/19/90 Berlin, GE - Internationales Congress Centrum S:D>D>CD n/a 
 "DSBD: Healy mix>MD>D>CD. (1) 05:03>05:11 SBD problems? fade out/in; (2) 01:43>02:00 i can not say,
 what is this"
 Set One: Disc One --Set I-- Let The Good Times Roll, Shakedown Street, Little Red Rooster,
 Brown Eyed Women, Mama Tried-> Mexicali Blues (1), Row Jimmy, Memphis Blues, Deal
 Set Two: Disc Two --Set II-- Scarlet Begonias-> Fire On The Mountain,
  Set Three: Disc Three --Set II (con't)-- Looks Like Rain, Terrapin Station-> Drums-> Space
 -> The Other One (2) -> Wharf Rat-> Around & Around, Sugar Magnolia, --Encore-- It's All Over Now Baby
 Blue
10/20/90 Berlin, GE - Internationales Congress Centrum S:D>D>CD All n/a 
 "DSBD: Healy mix>MD>D>CD. This show was broadcast by German FM radio, and FM's do circulate. This
 is NOT the old FM-Bootleg.
 Set One: Jack Straw, Mississippi Half Step, Walkin' Blues, Friend Of The Devil, Black
 Throated Wind, Jack A Roe, When I Paint My Masterpiece, Let It Grow -> Jam -> Box Of Rain
 Set Two: Eyes Of The World, Samson & Delilah, Ship of Fools,
 Set Three: Dark Star-> Drums-> Jam-> Dark Star-> Throwing Stones-> Not Fade Away, E: One
 More Saturday Night
10/22/90 Frankfurt, GE - Festhalle S:C>D>CD All n/a 
 Set One: Disc One (8) 59:57 --Set I-- Bertha, Greatest Story Ever Told, El Paso, Wang Dang
 Doodle, Foolish Heart, Desolation Row, Bird //Song, Valley Road
 Set Two: Disc Two --Set II-- Victim Or The Crime, Standing On the Moon, Playin' In The
  Band-> Uncle John's Band-> Drums->
 Set Three: Disc Three --Set II (con't)-- Space -> All Along The Watchtower-> Stella Blue->
 Turn On Your Lovelight --Encore-- The Weight
10/24/90 Hamburg, GE - Sportsahalle  S:?>?>CD All 147 
 Needs re-tracking.
 Set One: Feel Like A Stranger, Cold Rain & Snow, Little Red Rooster, They Love Each Other,
 Me & My Uncle-> Big River, West L.A. Fadeaway, Queen Jane Approximately, Iko Iko
 Set Two: Help On The Way-> Slipknot!-> Franklin's Tower, Truckin'-> He's Gone-> Drums->
 Set Three: Jam-> I Need A Miracle-> The Wheel-> Goin' Down The Road Feelin' Bad-> Around &
 Around, E: U.S. Blues
10/24/90 Hamburg, GE - Sportsahalle MSD>D>CD All n/a 1310 84961 
 Set One: Feel Like A Stranger, Cold Rain & Snow, Little Red Rooster, They Love Each Other,
 Me & My Uncle-> Big River, West L.A. Fadeaway, Queen Jane Approximately, Iko Iko
 Set Two: Help On The Way-> Slipknot!-> Franklin's Tower, Truckin'-> He's Gone-> Drums->
 Jam-> I Need A Miracle-> The Wheel-> Goin' Down The Road Feelin' Bad-> Around & Around, E: U.S.
 Blues
10/27/90 Paris, FR - The Zenith S:?>?>CD All 166 
 Set One: Hell In A Bucket, Sugaree, Minglewood Blues, Jack A Roe, Black Throated Wind,
 Ramble On Rose, When I Paint My Masterpiece, Bird Song, Promised Land, Total Time 70:21
 Set Two: China Cat Sunflower-> I Know You Rider, Saint Of Circumstance, Crazy Fingers,
 Playin' In The Band-> Jam-> Drums->, Total Time 45:23
 Set Three: Space -> PITB Reprise -> Stella Blue-> Throwing Stones-> Not Fade Away, E: One
 More Saturday Night, Total Time 50:38
10/28/90 Paris, FR - The Zenith S:?>?>CD All 165 
 Set One: Touch Of Gray, Walkin' Blues, Candyman, Box Of Rain, Mexicali Blues, Maggie's Farm,
 Althea, Cassidy, Tennessee Jed, Stander on the Mountain, Total Time 70:30
 Set Two: Victim Or The Crime, Eyes Of The World-> Estimated Prophet-> Uncle John's Band->
 Drums-> Jam->, Total Time 58:19
 Set Three: The Other One-> Wharf Rat-> Sugar Magnolia, E: Knockin' On Heaven's Door, Total
 Time 36:38
10/30/90 London, EN - Wembley Arena S?>?>CD  All 159 
 digi-snit during WDD; slight level fluctuation during "BEW"; Let it Grow drop @ 11:18; slight skip
 during Terrapin @ ca. 7:00. The Weight bad digi-snit @ 1:21
 Set One: Jack Straw, Bertha, Wang Dang Doodle, Brown Eyed Women, Queen Jane Approximately,
 Row Jimmy, 7. Let It Grow [12:31] -> 8. Jam [4:59] -> Valley Road
 Set Two: 1. Picasso Moon, 2. Foolish Heart, 3. Looks Like Rain-> 4. Terrapin Station->
 Set Three: 1. Drums -> Space -> 2. The Wheel-> 3. I Need A Miracle-> 4. Black Peter-> 5.
 Turn On Your Lovelight, E: 6. The Weight
10/30/90 London, EN - Wembley Arena MSD>D>CD All n/a 1306 34645 
 Set One: Jack Straw, Bertha, Wang Dang Doodle, Brown Eyed Women, Queen Jane Approximately,
 Row Jimmy, Let It Grow-> Jam-> Valley Road
 Set Two: Picasso Moon, Foolish Heart, Looks Like Rain-> Terrapin Station-> Jam-> Drums->
 Jam-> The Wheel-> I Need A Miracle-> Black Peter-> Turn On Your Lovelight, E: The Weight
10/31/90 London, EN - Wembley Arena S:D>CD All 190 
 d2t03 Scarlet first few notes clipped; d3t05 Werewolves first beat or two clipped? d3t05 Werewolves
 CD skips @ 0:13-0:15
 Set One: Set I, 1. Help On The Way [4:02] -> 2. Slipknot! [5:06] -> 3. Franklin's Tower
 [12:04] [2:39], 4. Little Red Rooster [8:26] [1:27], 5. [0:12] Loose Lucy [7:09] [1:12], 6. Me & My
 Uncle [3:02] -> 7. Big River [5:32] [0:54], 8. [0:03] It Must Have Been The Roses [5:48] [0:19], 9.
 When I Paint My Masterpiece [5:01] [0:06], Total Time 63:08
 Set Two: set I (con't), 1. [0:13] Bird Song [13:33] -> 2. Promised Land [4:52] [0:09], set
 II, 3. //Scarlet Begonias [6:07#] -> 4. Jam [3:45] -> Fire On The Mountain [13:47] [0:51], 5. Truckin'
 [8:14] -> 6. He's Gone [13:42] -> 7. Drums [5:56 ... Total Time 71:09
  Set Three: set II (con't), 1. ... Drums [0:42] -> Space [19:10] -> 2. All Along The
 Watchtower [6:24] -> 3. Stella Blue [11:09] -> 4. Around & Around [5:58] -> Good Lovin' [6:05] [0:04],
 Encore: 5. //Werewolves of London [6:12#] [0:12], Total Time 55:59
11/01/90 London, EN - Wembley Arena MSD>D>CD All n/a 1310 8068 
 Set One: Hell In A Bucket, Friend Of The Devil, Walkin' Blues, Cold Rain & Snow, Mama Tried,
 Maggie's Farm, Cassidy, Stander on the Mountain
 Set Two: Victim Or The Crime-> Touch Of Gray, Playin' In The Band-> Dark Star-> Drums-> Dark
 Star-> Playin' In The Band-> Standing On the Moon*-> Wharf Rat-> Throwing Stones-> Not Fade Away, E:
  U.S. Blues
11/01/90 London, EN - Wembley Arena aud shot II n/a 
 Video : harvey lubar's lo-gen VHS tape standalone capture; VHS->Panasonic DVR; dvd supplied by :
 LoneStarDeadRadio.com; authored by : BigWuRock; frame : 704x480; bitrate : 9586kbps; video system :
 NTSC; audio : SBD; ac3/192.
 Set Two: Victim Or The Crime-> Touch Of Gray, Playin' In The Band-> Dark Star-> Drums-> Dark
 Star-> Playin' In The Band-> Standing On the Moon*-> Wharf Rat-> Throwing Stones-> Not Fade Away, E:
 U.S. Blues
 
10/27/91 Oakland, CA - Oakland-Alameda County Coliseum S:D>D>CD All 180 
 * w/ Carlos Santana and Gary Duncan; d1t01 Sugar Magnolia fades in; d2t06 Mona Garcia sings "Hey Bo
 Diddley"
 Set One: Disc One (8) 64:04 --Set I-- 1. //Sugar Magnolia [#5:35] -> 2. Sugaree [13:18]
 [0:27], 3. Walkin' Blues [6:10] -> Noodling [0:40] -> 4. Althea [7:12] [1:54], 5. When I Paint My
 Masterpiece [4:59] [1:11], 6. Candyman [6:24] [1:28], 7. Cassidy [7:24] [0:07], 8. Touch Of Grey
 [6:56] [0:13]
 Set Two: Disc Two (7) 68:05 --Set II-- 1. China Cat Sunflower [3:36] -> Jam [2:22] -> 2. I
 Know You Rider [5:55] [0:10], 3. Samson & Delilah [7:39] [0:05], 4. Ship of Fools [8:15] [0:25], 5.
 Iko Iko* [11:15] -> 6. Mona* [16:14] -> 7. Drums [11:07] ...
 Set Three: Disc Three (6) 48:08 --Set II (con't)-- 1. ... Space 8:55] -> 2. The Wheel [5:26]
 -> 3. I Need A Miracle [4:37] -> 4. Wharf Rat [11:41] -> 5. Good Lovin' [7:41] [2:24], E: 6. Knockin'
 On Heaven's Door [7:19] [0:02]
 
07/09/95 Chicago, IL - Soldier Field  VHS(x)>DVD IIp n/a 
 Multi-camera proshot video, unknown but very low generation vhs > standalone dvd recorder > DVD >
 DVD; Decrypter (IFO Mode Demux) > Ulead DVD Workshop 2. Audio: Source: DSBD (pre FM) (@48kHz) shnid =
 7233; Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave >
 mkwACT - Conversion by jason@spreadwidepanic.com I know there are at least 3 other versions of this
 .shn that are currently circulating. I have not heard them all but I do know that this is superiour
 to the ones that have DAE in lineage and have some minor skips throughout. Also this source does not
 have the chunck of digi in Corrina like some do. Notes: -Video capture using a standalone dvd recorder
 -Soundboard audio downloaded from tol with many thanks -Audio synchronization by Kevin Tobin using
 Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video
 patching, Multiplexing and DVD authoring via Ulead DVD Workshop 2 by Kevin Tobin. Audio\Video Faults:
 1) The first notes of Shakedown Street were missing on the video - filled in 4 seconds using graphics
 and soundboard audio to give a better lead in. 2) 39 seconds was missing from the video between
 Shakedown and Samson - filled in using graphics and soundboard audio. 3) 32 seconds was missing from
 the soundboard audio between Samson and So Many Roads - filled in using the video audio track. 4) 44
 seconds was missing from the soundboard audio between So Many Roads and Samba - filled in using the
 video audio track. 5) Most of Samba in the Rain was missing as was the start of Corrina so 5 minutes
 50 seconds at the end of the song is filler using graphics and the soundboard audio track. Please note
 this is not synced to the music. 6) 1 minute 3 seconds was missing from the video at the start of
 Drums - filled in using graphics and soundboard audio. 7) 11 seconds was missing from the soundboard
 audio during Space - filled in using the video audio track. Brokedown House Productions. Video
 Attribute : Video compression mode : MPEG-2; TV system : 525/60 (NTSC); Aspect Ratio : 4:3; Display
 Mode : reserved; Source picture resolution : 720x480 (525/60); Frame Rate : 30.00; Source picture
 letterboxed : Not letterboxed; Bitrate : 6.00 Mbps; Menu : Yes (song list on separate menu). Audio
 Attribute : Audio Coding mode : Linear PCM audio; Sampling Rate : 48kHz 1536Kbps; Audio application
 mode : Not specified; Number of Audio channels : 2; Number of Audio streams : 1.
  Set One: Shakedown Street, Samson & Delilah, So Many Roads, Samba In The Rain, Corinna->
 Drums-> Space

[ Contents | List Info | Contact Info | Artist Index | Grateful Dead ]

---

GREAT AMERICAN MUSIC/STRING BAND

 
04/20/74 *see Jerry Garcia* n/a 
04/24/74 Santa Barbara, CA - Arlington Theater MS?>?>CD All 49 
 *GAMB*
 Very nice unknown gen soundboard. d1t01 is an instrumental, identifed as "Katie Hill" from Pat
 Lee's copy. Lineup: David Grisman - Mandolin; Richard Greene - Fiddle; David Nictern - Guitar, Vocals;
 Taj Mahal - Bass, Vocals.
 Set One: Single Disc (11) 49:15, 01. Crowd & Tuning [0:30], Katie Hill (?), 02. Limehouse
 Blues, 03. I'll Be a Gambler If You Deal the Cards, 04. Swing '42, 05. Dawg's Bull, 06. Rolling in My
 Sweet Baby's Arms, 07. My Plastic Banana Isn't Stupid, 08. Midnight at the Oasis, 09. Dawg's Rag
 --Encore-- 10. Sweet Georgia Brown, 11. Orange Blossom Special
04/24/74 Santa Barbara, CA - Arlington Theater MSR>R>CD All 51 
 *GAMB*
 SBD MR (House Source) > R (Will Boswell) > CD --- Huge thanks to Will Boswell for dubbing a copy
 from the master at 7.5 IPS --- (R copied @ 7 1/2 ips using Akai GX625) --- Mastered to cd by Matt
 Smith --- R > apogee mini me (24/96) > apogee mini dac (monitoring) > wavelab 5.0 (dithered to
 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH). Lineup: David Grisman - Mandolin;
 Richard Greene - Fiddle; David Nictern - Guitar, Vocals; Taj Mahal - Bass, Vocals. Seeder's Notes:
 Massive thanks to our friends Will Boswell, Taper Pat and Matt Smith for helping bring this source
 into general circulation. Special thanks to Taper Pat for pinning down the lineage, and Matt for his
 great technical work and sending me a copy to share with the community. taperpat clarifies: "... the
 lineage associated with the SoCal GAMB shows from 4/74. It turns out that Will was at the Santa
 Barbara show (and no JG as we thought) 4/24. He was living there at the time. While he is not clear on
 the source, he is 99% sure that he did not get it from Peter or Bill. His most likely source would be
 a soundman or promoter in Santa Barbara which would account for the LA show as well. He does remember
 talking to Richard Greene in a parking lot after the show-beautiful old theater (500 or so
 capacity--not sold out)."
 Set One: (50:55) 01 Katie Hill 02 Limehouse Blues 03 I'll Be A Gambler If You'll Deal The
 Cards 04 Swing 42 05 Dawg's Bull 06 Rollin' In My Sweet Baby's Arms 07 My Plastic Banana Isn't Stupid
 08 Midnight At The Oasis 09 Dawg's Rag 10 Sweet Georgia Brown 11 Orange Blossom Special
04/27/74 *see Jerry Garcia*  n/a 
05/07/74b Denver, CO - Ebbet's Field MSR>D>CD All 64 
 Master Soundboard Reel. David Grisman - Mandolin, vocals; Taj Mahal - Bass, banjo, vocals; Richard
 Green - Fiddle; David Nictern - Guitar, vocals. Another circulating source is given as follows:
 Soundboard > Master Reel > Panasonic 3700@48KHz DAT > Panasonic 3700@48KHz DAT > Digital Domian VSP
 Processor 44KHz conversion > Card Delux Digital Soundcard > Soundforge 6.0 > Flac.
 Set One: Introduction, Methodist Preacher, Dawg's Bull, Bud's Bounce, Beautiful Beautiful
 Brown Eyes [Vocal: Eric Andersen], Why Don't You Love Me [Vocal: Eric Andersen], Swing 42, Will The
 Circle Be Unbroken, My Plastic Banana Is Not Stupid, Colored Aristocracy, Back Up and Push, Sweet
 Georgia Brown
05/07/74b Denver, CO - Ebbet's Field MpFR>D>CD Most 60  
 David Grisman: Mandolin; Taj Mahal: Bass Guitar & Vocals; Richard Greene: Fiddle; David Nichtern:
 Guitar. source: pre FM sbd reel master. lineage: reel>dats>hd-p2>pc>cd wave>flac. dat transfer & seed
 by Rob Berger. *Eric Andersen - vocals.
 Set One: one disc: 59:53 01: Instrumental 02: Dawg's Rag 03: Bud's Bounce 04: Beautiful
 Brown Eyes* 05: Why Don't You Love Me* 06: Swing '42 07: Will The Circle Be Unbroken 08: My Plastic
 Banana Is Not Stupid 09: It's Cold Outside 10: Back On The Porch 11: Sweet Georgia Brown
05/11/74b Denver, CO - Ebbet's Field MSR>CD All 45 1373 xxxxx 
 *GAMB*
 MSR (Sony TC 580, BASF reel @ 7.5ips) > Revox B77 playback > Alesis Masterlink > CD > EAC > FLAC8.
 Notes: - These guys are absolutely cooking, and as usual for these Ebbets Field shows the tape sounds
 great. (1) "Thank y'all for coming. And if you werent' coming, thank you for staying." (2) "Ebbet's
 Field is proud to present tonight, for the second show, the Great American Music Band." (3) "We have
 an old, old friend in the audience who we'd like to invite up to sing some harmonies with us - Eric
 Andersen. Won't hurt, right?" Grisman - "It vouldn't huyt." Lineup: Richard Greene - fiddle; David
 Grisman - mandolin; T.J. Lightburn - bass; David Nichtern - guitar.
 Set One: (11 tracks, 45:00) 01. Talk (1), Tuning, Introduction (2) [1:00] 02. Colored
 Aristocracy [2:50] [0:09] 03. Limehouse Blues [2:42] [0:07] 04. My Plastic Banana Is Not Stupid [3:13]
 (3) [2:03] 05. Beautiful Brown Eyes [3:23] [0:55] 06. Dawg's Rag [7:13] [1:01] 07. Midnight at the
 Oasis [3:48] [1:29] 08. Dawg's Bull [1:54] [0:06] 09. Sweet Georgia Brown [4:38] [0:34] --Encore-- 10.
 Band Introductions [2:58] 11. Swing '42 [4:38] [0:15]
06/12/74 *see Jerry Garcia* n/a  
06/13/74 *see Jerry Garcia* n/a 
12/08/74 Vancouver, BC - Queen Elizabeth Theatre MS?>?>C>CD All-1 84 1373 xxxxx 
 *early and late shows*
 Opening for Maria Muldaur. SBD > ? > cassette > . Lineup: Ellen Carney - rhythm guitar; Joseph
 Carole - bass viol; John Carlini - lead guitar; David Grisman - mandolin; Richard Greene - fiddle.
 Notes: - This is a wonderful early representation of Dawg music. Things are a little raw but there is
 some wonderful musicianship on display here. Highly recommended! - The provenance is murky before the
 cassette that was transferred, except that this is a soundboard (not FM) source and probably quite
 low-gen. There is some hiss and a little overload, but this is basically a very enjoyable listen. -
 The early show seems complete, while the late show recording ends with ongoing tuning. I assume that
 there was at least one more tune played in the late show that is not represented here. - Huge thanks
 to BG for his long-running generosity in sharing great music.
 Set One: Early Show (8 tracks, 39:38) early-t01. Announcement & Introduction [0:25]
 early-t02. Dawgology [8:25] [0:22] early-t03. Swing '42 [4:16] [0:53] early-t04. Thailand [6:48]
 [0:51] early-t05. Moonlight Waltz [2:10] [0:06] early-t06. Band Introductions [1:37] early-t07. Dawg's
 Rag [7:28] [1:13] early-t08. Methodist Preacher [4:28] [0:39]
 Set Two: Late Show (7 tracks, 44:21) late-t01. Tuning, Announcement & Introduction [1:16]
 late-t02. Dawgology [8:04] [0:49] late-t03. Swing '42 [5:55] [0:13] late-t04. Talk & Band
 Introductions [2:12] late-t05. Thailand [9:01] [1:41] late-t06. Anoumen [5:29] [0:50] late-t07. Dawg's
 Rag [8:10] [0:36]

[ Contents | List Info | Contact Info | Artist Index | Great American Music/String Band ]

---

GREAT BRAZILIAN NIGHT

 
05/07/99 Bern, Switzerland - Kursaal  MFT>MD>CD All 119 
 Great Brazilian Night: "Samba turns Jazz", Jazzfestival Bern, Kursaal, Bern (Switzerland), May 7,
 1999. ***collective personnel *** Claudio Roditi - trumpet, flugelhorn, Raoul de Souza - trombone,
 Paquito d'Rivera - alto sax, clarinet, Idris Boudrioua - alto sax, Helio Alves - piano, Lula Galvao -
 guitar, John Lee - bass, Nilsson Matta - bass, Pascoal Meireilles - drums, Duduka da Fonseca - drums,
  Rosa Passos - vocals, guitar. Sound: A/A-. Source: DRS 2 broadcast / prob. 1999; Lineage: FM > Tape >
 Minidisc > analogue to HD > FLAC (8)(asb) > CDR > EAC > DVD > dime.
 Set One: CD1/69:54: Roditi, d'Rivera, Alves, Lee, Fonseca: 01. Announcement (0:14) 02. Chega
 de Saudade (A.C. Jobim) 8:28 03. Announcement (0:45) 04. I'll Remember Dizzy (A Night in Englewood)
 (Paquito d'Rivera) 6:28 05. Announcement (0:49) 06. To Brenda with Love (Paquito d'Rivera) 6:29 de
  Souza, Alves, Lee, Fonseca: 07. Quiet Nights (aka Corcovado) (A.C. Jobim-Gene Lees) 9:55 Roditi, de
 Souza, d'Rivera, Alves, Lee, Fonseca: 08. Milestones (Miles Davis) 9:45 Passos, Boudrioua, Alves,
 Galvao, Matta, Meireilles: 09. Desafinado (A.C. Jobim-Newton Menconça) 5:39 10. Meditation (A.C.
 Jobim-Norman Gimbel-Newton Mendonça) 3:38 Passos, Galvao: 11. So Danço Samba (Vinicius de Moraes-A.C.
 Jobim) 5:05 12. Bahia com H (Dennis Brian) 3:36 13. Aguas de Março (A.C. Jobim) 3:14 Passos, Alves,
 Galvao, Matta, Meireilles: 14. Brasil (Ary Barroso-Bob Russell) 5:42
 Set Two: CD2/48:34: Roditi, de Souza, Boudrioua, Alves, Galvao, Matta, Meireilles: 01.
 Announcement (0:33) 02. Amazonas (João Donato) 13:46 same d'Rivera replaces Boudrioua: 03.
 Announcement (1:41) 04. Song for Hamp (Paquito d'Rivera) 9:17 all: 05. Announcement 2:40 06. Estamos
 Aí (Maurício Einhorn-Durval Ferreira-Regina Werneck) 16:41 07. Samba sem você (Rosa Passos e Fernando
 de Oliveira) (3:52)

[ Contents | List Info | Contact Info | Artist Index | Great Brazilian Night ]

---

GRIFFIN, JOHNNY

 
10/10/62 Seattle, WA - The Penthouse MF?>?>CD All 30 
 *Johnny Griffin and Eddie "Lockjaw" Davis Quintet*
 Horace Parlan - piano; Buddy Catlett - bass; Art Taylor - drums. Source: FM broadcast; Lineage: FM
 >? >CDR >EAC (secure) >CD Wave >FLAC Frontend.
 Set One: 1. The Blues Up and Down - 8:03, 2. Owl - 8:56, 3. @@Bahia - 9:34, 4. Blue Lou -
 5:36 --followed by 10/11/62--
10/11/62 Seattle, WA - The Penthouse MF?>?>CD All 30 
 *Johnny Griffin and Eddie "Lockjaw" Davis Quintet*
 Horace Parlan - piano; Buddy Catlett - bass; Art Taylor - drums. Source: FM broadcast; Lineage: FM
 >? >CDR >EAC (secure) >CD Wave >FLAC Frontend.
 Set One: --continued from 10/10/62-- 5. Second Balcony Jump, 6. How Am I to Know? - 10:59,
 7. Tickle Toe - 7:11, 8. Sophisticated Lady - 4:28, 9. Theme / Announcer (fades out) - 1:23
 
05/21/69 Szekesfehervar, Hungary - Alba Regia MF?>?>CD All 71 
 Source: FM BDC>?>CDR. Johnny - tenor sax; Kenny Drew - piano; Jimmy Wood - bass; Art Taylor -
 drums. Lineage: CD from trade>EAC>FLAC. notes: - another from my "not-my-masters" jazz shows to start
 up this New Years Weekend! - my apologies for the tracking - this is how I received it - it could be
 broken down into 5 tracks - for some reason someone put it into 2 long tracks of the exact same time -
 maybe as some type of joke? At least it's at one of the breaks between tunes. - excellent "A-" quality
 broadcast source - crisp show - enjoy! Nice intros to each tune by Johnny too - the explanation of the
 title of "The Jamfs Are Coming" to the Hungarian emcee is funny! - Don't know if this has been on DIME
 before, but it's not now, and this source is not from DIME. JJ: I really like disc two here.
 Set One: 1) Intros,The Jamfs Are Coming, All the Things You Are (35:18) 2) Body and Soul
 -14:24, TALK -15:20 A Night in Tunisia [15:21- >Theme (35:18) Total: (70:36)
 
10/07/78 Chicago, IL - Joe Segal's Jazz Showcase MF?>?>CD All 56 
 NPR "Jazz Alive" Broadcast, Host: Billy Taylor. Johhny Griffin Quartet: Johnny Griffin, tenor sax;
 Ronnie Matthews, piano; Ray Drummond, bass; Keith Copeland, drums. Source: FM broadcast > CD-R in
 trade > Exact Audio Copy > WAV > FLAC Frontend (asb, level 8) > FLAC > Dime. Sound quality: A. JJ:
 this is really nice stuff. I really like Soft and Furry, which sounds a little bit like "Russian
 Lullaby".
 Set One: 1) Introductions by Joe Segal (2:14), 2) unknown title (12:44), 3) Monk’s Dream
 (19:00), 4) @@Soft and Furry (17:51), 5) Move (3:55), Total time 55:44

[ Contents | List Info | Contact Info | Artist Index | Johnny Griffin ]

---

GRISMAN, DAVID

 
12/17/90 *see Jerry Garcia* n/a 
 
02/02/91 *see Jerry Garcia* n/a 
02/03/91 *see Jerry Garcia* n/a 
08/24/91 *see Jerry Garcia* n/a 
08/25/91 *see Jerry Garcia*  n/a 
 
06/22/97 Hopland, CA - Fetzer Vineyards MSP>CD All 76 
 soundboard > Sony PCM-F1 (record) > PCM-601esd (playback) > coax digital out > Sekd Prodif Plus >
 Sound Forge > CD Architect > Plextor > master cdr > EAC > FLAC level 8 encoding align on sector
 boundaries. Soundboard recording and cd mastering by Easy Ed: this recording was made without the
 knowledge or consent of the concert presenter. JJ: EMD is hot-hot-hot! Lineup: DG: mandolin; James
 Kerwin: bass; Joe Craven: percussion & everything; Matt Eckel: flute; Enrique Correa: guitar.
 Set One: (11 tracks, 75:51) @@E.M.D., Chili Dawg, Gypsy Nights, Cedar Hill, (introductions),
 Choro #1, Japan (aka Opus 23), Janice, Dawg's Waltz, Caliente, Grateful Dawg

[ Contents | List Info | Contact Info | Artist Index | David Grisman ]

---

GUY, BUDDY

 
09/04/93 Washington, DC - Warner Theater MSD>CD All 68 
 Lineage: SBD>DAT>CDR>EAC>FLAC. Performers: Buddy Guy- Vocals, Guitar; Scott Holt- Guitar; John
 Cady- Keyboards; Greg Rzab- Bass; Calvin Johnson- Drums. Seeder's Additional Notes on the Albert
 Collins and Buddy Guy sets: "Nothing like a fantastic set of Chicago Blues by two of the great Chicago
 blues masters of our time. Each set shows a different side of Chicago Blues, with the Albert Collins
 set featuring brass and Buddy Guy's set featuring both rock and blues tunes. The guitar work is
 blistering, mixed with funk, scorching leads, traditional blues and a nod to SRV. If you are a fan of
 the blues, you'll want this great double set." JJ: this is pretty great stuff @@.
 Set One: Disc 2 Buddy Guy (67:57), 01. Mary Had A Little Lamb- 3:15, 02. Sweet Little Angel-
 11:31, 03. I Just Want To Make Love To You Medley- 8:42, 04. Stormy Monday- 4:49, 05. Someone Else Is
 Slippin' In- 4:55, 06. Sweet Home Chicago- 7:52, 07. Hoochie Coochie Man Medley- 9:25, 08. Mustang
 Sally- 4:30, 09. Knock On Wood- 12:58

[ Contents | List Info | Contact Info | Artist Index | Buddy Guy ]

---

HANCOCK, HERBIE

Available Years: 1971, 1972, 1973, 1974, 1975, 1976, 1977, 1978

 
07/??/71 Aarhus, Denmark MF?>?>CD All 61 
 *date uncertain*
 HERBIE HANCOCK Sextet, 1971, possibly July, Aarhus, Denmark. FM Broadcast. Quality A-. HERBIE
 HANCOCK, piano & electric piano; EDDIE HENDERSON, trumpet, flugelhorn; JULIAN PRIESTER, trombone;
 BENNIE MAUPIN, tenor sax, flute, bass clarinet; BUSTER WILLIAMS, bass; BILLY HART, drums. Seeder's
 Notes: "For years I could only find the part one cassette of this. When all of the seeds of this band
 appeared a couple of years ago I remembered this but still couldnt find part two. Finally, while
 looking for tapes to master for a trade I finally found the part two. The ink is really starting to
 fade on some of those labels. Once I got the two parts on my pc and put them together I started to
 fear it was exactly the same as Nice 7/71 show. And if you consider the overall length and listen to
 the first couple of minutes you might still think they were the same. But finally after lots more
 comparison - luckily, it is a different show altogether. Both apparently were edited for one hour
 radio broadcasts. I was able to identify the first two tunes, but perhaps someone who knows better
 can provide the rest of the info. To add to the difficulty, I could not find ANY information about
 this show anywhere on the web. Maybe someone can help with that. I am hoping this is a "find" for
 many of you. It sounds good, so enjoy." JJ: amazing material and very nice sound quality.
 Set One: 1. YOU WILL KNOW WHEN YOU GET THERE (Herbie Hancock) 12:30, 2. @@TOYS (Herbie
 Hancock) 24:07, 3. ? 3:51, 4. ? fade-in 8:59, 5. ? fade-in 11:49 (TT - 61:16)
07/21/71 Nice, France MF?>?>CD All 62 
 *Mwandishi*
 Herbie Hancock and Mwandishi, Nice, France, July 21, 1971. FM Radio Broadcast -> ? -> WAV -> Flac.
 Personnel: Herbie Hancock - Piano, Keyboards; Eddie Henderson - Trumpet; Julian Priester - Trombone;
 Bennie Maupin - Sax, Bass Clarinet, Flute; Buster Williams - Bass; Billy Hart - Drums. JJ: sounds
 nice.
 Set One: Tracks (3, 61:30), 1 - Ostinato (Suite for Angela), 2 - Toys, 3 - You'll Know When
 You Get There
10/04/71 Hamburg, Germany  M??>?>CD partial 27 
 *Mwandishi*
 Seeder's notes: "Originally part of a DAD torrent with November 6, 1974. The latter has been
 upgraded from master FM reels, so I have separated the 1971 material from that torrent out." JJ: -
 Quite nice SQ.
 Set One: 01. Intro [0:11], 02. I Speak Like a Child [26:57], Total Time - 27:08
 
10/08/72 Detroit, MI - Baker's Keyboard Lounge M??>?>CD All 56 
 Lineup: Herbie Hancock "Mwandishi" - Fender Rhodes, Percussion; Bennie Maupin "Mwile" - Reeds,
 Percussion; Eddie Henderson "Mganga" - Trumpet, Flugelhorn, Percussion; Julian Priester "Pepo" -
 Trombones, Percussion; Buster Williams "Mchezaji" - Double Bass, Electric Bass, Percussion; Billy Hart
 "Jabali" - Drums, Percussion; Patrick Gleeson - ARP 2600 Synthesizer, Percussion. Seeder's Notes: "I'm
 not 100% sure about the lineup and the recording date. Patrick Gleeson may not have been on this
 particular gig, but in general he was part of the live group by 1972 which is why I assume he's on
 this recording as well. The recording date may well be correct (and this date is frequently given),
 but it's slightly odd that the group should perform in Detroit that often around the particular time.
 In the liner notes to "Sextant" Bob Belden mentions the Mwandishi group working in Detroit in January
  1973. They also played at the Strata Art Gallery in Detroit from February 20-23, 1973, so if the date
 is correct the group performed in Detroit three times within half a year! Any more hints, info or
 comments on the date would be very welcome. And of course any more Herbie shows particularly from the
 Mwandishi and Headhunters era would be truly appreciated. To me it's striking how many more concerts
 of "similar" acts around the time (RTF, MO, WR) have been taped compared to Hancock... The group
 performs what could be called "The Sleeping Giant Suite", an extensive 60-minute version of the tune
 that was recorded for the "Crossings" album about eight months before (February 15-17, 1972). I am not
 sure about the original source, but to me it sounds like a SBD recording."
 Set One: Setlist: 01 Sleeping Giant Part 1 (14:18), 02 Sleeping Giant Part 2 (7:26), 03
 Sleeping Giant Part 3 (7:14), 04 Sleeping Giant Part 4 (13:00), 05 Sleeping Giant Part 5 (14:14), TT:
 56min 15sec
 
02/20/73 Detroit, MI - Strata Concert Gallery M??>?>CD All 175 
 sbd/fm? > ? > cdr > eac (secure mode, copy range) > cd wav (retrack, edit) > flac(level 8). Herbie
 Hancock "Mwandishi" - Fender Rhodes, Percussion; Bennie Maupin "Mwile" - Reeds, Percussion; Eddie
 Henderson "Mganga" - Trumpet, Flugelhorn, Percussion; Julian Priester "Pepo" - Trombones, Percussion;
  Buster Williams "Mchezaji" - Double Bass, Electric Bass, Percussion; Billy Hart "Jabali" - Drums,
 Percussion; Patrick Gleeson - ARP 2600 Synthesizer, Percussion. Seeder's notes: "There were silent
 pauses between many tracks, I edited them out. This was not a continuous recording, so there may be a
 few slightly abrupt transitions between tracks. Some tunes were cut off before they ended, but this is
 all the music that was on the cdrs I got in trade several years ago." JJ: I like the Headhunters stuff
 much more than this.
 Set One: cd1 (62:29): 1 Hidden Shadows 42:35, 2 Firewater 19:54
 Set Two: cd2 (67:42) : 1 Revelation 24:45, 2 You'll Know When You Get There 42:57
 Set Three: cd3 (44:44): 1 Quasar 13:31, 2 Improvisation 11:38, 3 Hidden Shadows Reprise
 19:35
03/22/73 Boston, MA - Jazz Workshop MFR>CD All 63 
 Herbie Hancock 7 (plus 1): Jazz Workshop, Boston, MA, March 22, 1973. WBCN FM > Sony R2R 7"reel @
 7.5ips No Dolby MR > Akai 6X4000-D > Numark EQ > HHB CDR830. Personnel: Herbie Hancock- Keyboards,
 Pianos; Buster Williams- Bass; Billy Hart- Drums; Benny Maupin- Reeds; Eddy Henderson-
 Trumpet/Flugelhorn; Julian Priester- Trombone; Dr. Pat Gleason- Synths; "Scorch"- Congas. Taper's
 Notes: "It was college vacation ... i think the music is fantastic. This will blow the minds of
 people expecting Herbie in his more pop or jazz modes. - "Scorch" was a local guy who would sometimes
 sit in with visiting jazz groups. I dont know his real name or what happened to him. Dont expect the
 Headhunters on this, folks. This is all Sextet material. It's pretty out there, in the best possible
 way. Enjoy! Seeded by shacklyn75 on the DIME, kickin it down for yo' funky earhole." JJ: great SQ and
 great stuff. @@
 Set One: 01.Hornets [43:00], 02.You'll Know When You Get There [20:11], TT 63:11
11/13/73 Boston, MA - Paul's Mall MFR>C>CD All 59 
 *Headhunters*
 Personnel: Herbie Hancock : keyboards; Benny Maupin: reeds, flute; Paul Jackson: bass guitar; Mike
 Clark: drums. Lineage: FM > Master Reel (3 3/4 ips) > CAS (play back: Nakamichi LX-3, no dolby, JH 88
 coaxial wires) > Marian Marc 2 (setting: 24 bit/44.1 Khz) > HD > remaster with Wavelab 5.0 using
 digital noise reduction, shuffle imager, linear phase multiband compressor (upward expander mode),
 linear phase equalizer and valve preamp warmyfier plug ins at 32, 48 and 64 bit solution (with
 dithering) > 16 bit/44.1 Khz downsampling > normalisation to -0.01 db > CD Wave tracking > Flac
 Frontend (level 8). Due to the strong hiss of the master reel recorded from airplay, it wasn't
 possible to remove more tape hiss and FM noise without removing too much music signal. The dynamic
 reconstruction restored up to 5.5 db wider signal amplitude. JJ: incredible material, nice and clean
 recording. some overload static on horns, especially during Watermelon Man. Some pretty bad tape
 flutter @ 3:30-4:30 of Chameleon. But this is a gem!
 Set One: (6 tracks, 58:36) 1. Radio Announcer 2. @@Sly 3. Butterfly 4. Station/Herbie
 talks/Lost Signal 5. Watermelon Man 6. @@Chameleon
 
07/29/74 Tokyo, Japan - Koseinenkin Hall MFR>D>CD All? 40 
 Herbie Hancock - 7/29/1974, Venue: Koseinenkin Hall, Location: Tokyo, Japan. Source: FM broadcast
 master reels > DAT > CD; Conversion: EAC > mkw Audio Compression Tool. JJ: very good SQ, material not
 very interesting IMO.
 Set One: 4 tracks, 40:29, 1. Maiden Voyage, 2. Dolphin Dance, 3. Nobu, 4. Cantelope Islan
11/03/74 Berlin, Germany - Philharmonie MF?>?>CD All 58 
 Herbie Hancock and the Headhunters, Berliner Jazztage 1974, Philharmonie, Berlin, Germany, November
 3, 1974. FM recording (upgrade). Herbie Hancock, keyboards; Bennie Maupin, saxes; Paul Jackson, bass;
 Mike Clark, drums; Bill Summers, perc. Seeder (flambay) notes: - Originally seeded to EZT by
 orangefunk; - Main body of this seed is orangefunk's orig.seed, speed corrected 10 to 40 cts. down,
  retracked, and some missing parts filled in with patches from my own RIAS Berlin FM tape recording. -
 A badly distorted part in Sly (12.18 to 12.33) has been replaced with material from the other source
 as well. - Missing parts (patched w fills): Sly (final chord): 14.42 to 14.57; Spank A Lee: 5.23 to
 6.01. - Lineage to the orig. seed is unknown, but the recording is said to be from a WDR broadcast,
 sound quality same as in orig. seed, A-/B+ subjectively, fills are B+ at best. - Lineage to this seed:
 flac (orig. seed) > wav > Soundforge 5 (speed correction, re-tracking, fills* editing) > flac
 (Frontend LVL7 w/SBA); - fills* lineage: RIAS FM broadcast > reel to reel tape > Creative Soundblaster
 Live > wav. JJ: SQ is a B.
 Set One: 01. Palm Grease [14:06], 02. Sly [15:25], 03. Butterfly [12:04], 04. Band
 Introductions -> Spank A Lee [8:31], 05. Hornets [7:17], 06. Outro [0:13], total time 57.36 min.
11/06/74 Bremen, Germany - Sendesaal Radio MFR>CD All 43 
 HERBIE HANCOCK & HEADHUNTERS: Live at Sendesaal Radio, Bremen, Germany, November 6, 1974. Lineage:
 FM > REEL TO REEL > Years Passing By > Revox A77 > hard disk > Goldwave/Cooledit (cuts, edits, clicks,
 noise, track marking) > happy hard disk > Dime World. This is the original (lossless) transfer from
 the master tape. Lineup: Herbie Hancock: keyboards, piano; Bennie Maupin: sax; Paul Jackson: el-bass;
 Mike Clark: drums; Bill Summer: percussion. JJ: @@ - This is absolutely incredible!! - Staticky @
 start of Butterly pt II - static in the first minute of Spank-A-Lee (which is super funky!!) - Mmmm
  mmm mmm ... delicious material.
 Set One: (7 tracks, 43:18) 1) Radio Announcer Intro, 2) Butterfly, 3) Butterfly Part II, 4)
 Spank A Lee, 5) Shekere, 6) Chameleon, 7) Radio Announcer Outro
 
06/28/75 Minneapolis, MN  MS?>?>CD All? 45 
 Seeder's comments: sbd > ? > dat > prodif+ card > red roaster (tracks & fades) > plextor cd > eac
 secure mode > mkw. This sounds like first generation. there is a bit of audience applause, it may be
 fm reels. regardless, it sounds very sweet. enjoy! cd & shn transfer by dale shepherd, seeded to etree
 october 2001. JJ: amazing SQ, wonderful stuff!
  Set One: 1-intro >2-maiden voyage, 3-actual proof, 4-spank-a-lee, 5-watermelon man
 --followed by Tokyo 7/1/75--
07/01/75 Tokyo, Japan MS?>?>CD partial 30 
 Seeder's comments: sbd > ? > dat > prodif+ card > red roaster (tracks & fades) > plextor cd > eac
 secure mode > mkw. This sounds like first generation. there is a bit of audience applause, it may be
 fm reels. regardless, it sounds very sweet. enjoy! cd & shn transfer by dale shepherd, seeded to etree
 october 2001. JJ: amazing SQ, wonderful stuff!
 Set One: --from Minneapolis, 6/28/75-- 6-butterfly, 7-chameleon, 8-bubbles
11/17/75 Omaha, NB - Music Hall  MF?>2C>CD Most 48 
 Herbie: Keys; Paul Jackson: bass; Mike Clark: Drums; Blackbyrd Mcknight: guitar; Bill Summers:
 percussion; Bennie Maupin: Reeds & Lyricon. FM>2nd gen cass>cd>EAC>flac. *cuts abrubtly at approx 48
 min. Hang Up Your Hang Ups and Steppin' in It are from the 'Man-Child' album. JJ: some hiss, as you'd
 guess, but sounds pretty nice and is really nice material. Love Hang Up Your Hang Ups!
 Set One: 01 Watermelon Man (4:51), 02 @@Hang up your hangups (16:04), 03 Steppin in it
 (10:00), 04 Herbie talks (2:30), 05 Bubbles (10:05), 06 Shekere (4:23)
 
08/08/76 London, UK - Old Victoria Palace MAC>C>CD All 61  
 *Headhunters*
 Lineage: copy of Master cassette -> Nak DR-1 -> Audiphile2496 -> Soundforge (Wave Hammer and
 Tracking) -> wav -> flac. Herbie Hancock - k; Bennie Maupin - sax; James Levi - d; Paul Jackson - b;
 Wah-Wah Watson - g. JJ: Spider is hot! Sound is not bad at all, though it was rated as a B-.
 Set One: 1 @@Spider 13:47, 2 Hang Up Your Hangups 16:19, 3 Gentle Thoughts 10:16, 4
 People Music 10:00, 5 Chameleon 10:37, TT = 1:01:19
 
02/16/77 Chicago, IL - Irvin Home Theatre MF?>?>CD All 59 
 w/ Jaco Pastorius
 HERBIE HANCOCK / JACO PASTORIUS, LIVE VOYAGE **LIBERATED BOOT**, Irvin Home theatre, Chicago, Feb
 16 1977, Lineage: FM>Boot CD>EAC>Flac. herbie hancock - keyboards; jaco pastorius - Bass; James Levi -
 Drums; Bennie Maupin - Lyricon, Tenor Sax, Soprano Sax. JJ: sounds very nice and is a @@ great
 listen.
 Set One: 6 tracks, 58:41, 1. Introduction, 2. Chameleon, 3. Band Introductions -> Hang up
 your hang ups, 4. maiden Voyage, 5. It remains to be seen, 6. people Music
 
02/15/78 see Corea, Chick n/a 
09/28/78 Tokyo, Japan - Sun Plaza MS?>?>CD All 50 
 SBD. Herbie Hancock (el-p, k); Webster Lewis (k); Bennie Maupin (ss, ts), Bill Summers (perc); Paul
 Jackson (el-b); Mike Clark (d). @@ Amazing material that sounds great.
 Set One: (5 tracks, 49:51) 1. Butterfly 10:24, 2. Sunlight 9:42, 3. I Thought It was You
 4:44, 4. Chameleon 17:35, 5. Shifless Shuffle 7:24

[ Contents | List Info | Contact Info | Artist Index | Herbie Hancock ]

---

HENDRIX, JIMI

 
??/??/?? Sessions with Traffic 60 
 Set One: (3) 60:26
 
06/18/67 Monterey  S:?>?>CD All 46 
 Set One: Tuning & Introduction -> I Should Have Quit You, Foxy Lady, Like a Rolling Stone,
 Rock Me Baby, Hey Joe, Can You See Me?, Wind Cries Mary, Purple Haze, Wild Thing, Total Time 45:53
 
04/15/68 see King, B.B. n/a 
 
12/31/69b New York, NY - Fillmore East MSR>CD Most 94  
 SBD:Nagra Mono 7" Master Reel@3 3/4 ips > Revox700 1/2 track playback > Alexis Masterlink > CD.
 Set One: Disc One (11 tracks, 74:18), 01. Theme 2001 [3:24], 02. Happy New Year / Auld Lang
 Syne, 03. Auld Lang Syne -> 04. Who Knows, 05. Stepping Stone, 06. Burning Desire, 07. Fire, 08. Ezy
 Rider, 09. Machine Gun, 10. Power Of Soul, 11. Stone Free > Sunshine of Your Love > Outside Woman
 Blues > Cherokee Mist > Stone Free
 Set Two: Disc Two (3 tracks, 19:32, 01. Them Changes, 02. Message to Love, 03. Stop,
 (MISSING Foxy Lady), (MISSING Voodoo Chile (Slight Return)), (MISSING Purple Haze)

[ Contents | List Info | Contact Info | Artist Index | Jimi Hendrix ]

---

HIGGS, JOE

 
05/10/91 Hollywood, CA - Cafe Largo MAD>CD All 124  
 *Tapers From Hell, B&K 4011s > Sony TCD-D10*
 "Tapers From Hell" Master Ambient (Audience) DAT (B&K 4011s [ORTF] > Sony TCD-D10) > CD directly
 from one of the tapers. Lineup: Joe Higgs (vocals); Rob Diedrich (drums); T.J. (bass); Gina and Gigi
 (vocals); Michael Hyde (keyboards); Glenn Jones (guitar); Dave McLaren (saxophone); Lee Jaffee
 (harmonica). I have tried as best I can to transcribe these from the band intros on d2t07 -- no
  guarantees that they are correct!
 Set One: Disc One (8 tracks, 49:38) --Set I-- 01. impromptu guitar duet, Joe Higgs & Glenn
 Jones, 02. impromptu guitar duet, Joe Higgs & Glenn Jones, 03. ??, 04. ??, 05. ??, 06. ??, 07. ??, 08.
  ??
 Set Two: Disc Two (12 tracks, 74:23) --Set II-- 01. Introduction, talk [1:39], song, 02. ??,
 03. ??, 04. Sun is Shining, 05. ??, 06. ??, 07. Band Introductions -> ??, 08. ??, 09. ??, 10. ??, 11.
 ??, 12. ??

[ Contents | List Info | Contact Info | Artist Index | Joe Higgs ]

---

HOLLAND, DAVE

 
10/28/68 see Corea, Chick n/a 
 
03/??/91 Vancouver, BC - East Cultural Centre MFV>CD All 53 
 sounds great, but the music does not move me. Dave Holland - acoustic bass & direction; Steve
 Coleman - alto sax; Kevin Eubanks - electric guitar; Marvin Smith - drums. From CBC-CBOF fm "Jazz sur
 le Vif" (airdate 03/07/92). Lineage/source: FM> BASF(VHS)-120> JVC-D830-U Stereo Hifi VCR>
 RealtekAC'97 soundcard> Polderbits sound recorder> Polderbits sound editor> wav> flac(7)(asb). FM
 Master Sound Quality A+. Taped & Transfered by nocturnal_n. enjoy! Nocturnal_n productions© 1:10 AM
 24/04/2006.
 Set One: Setlist: 1. Color of Mind (20:36) , 2. African Lullaby (7:14) , 3. Black Hole
 (13:19) , 4. Take the Coltrane # (11:39), Total Time: 52:50

[ Contents | List Info | Contact Info | Artist Index | Dave Holland ]

---

HOT TUNA

 
06/28/69 Santa Rosa, CA - Veterans Auditorium  MSR>D>CD All 48 
 Master Reel>DAT2x>Delta 2496 digital soundcard>Soundforge 7.0>CD Wave Editor>Flac. Sounds
 fantastic, and is absolutely wonderful material!
 Set One: (6) 48:14, Rock Me Baby, Tuning Up, Instrumental ("3/5 of a Mile Jam"), I Can Tell
 , Star Track, Instrumental( fades out)
07/22/69 San Francisco, CA - The Matrix MS?>?>CD partial 72 
 On 2 tracks, needs re-tracking. Sounds wonderful.
 Set One: 71:34 Jam, Jam, Uncle Sam Blues, 3/5 of a Mile in 10 Seconds Jam, Come Back Baby,
 Gary Davis tune
10/31/69 Los Angeles, CA - Los Angeles Forum MAR>R>CD  All n/a 
 
02/07/70 Anaheim, CA - Anaheim Convention Center MAR>R>D>CD All 48 
 *Kaslow & Todd, Sony ECM 22Ps > Uher deck*
 Source: Taped by Harvey Kaslow and Craig Toddy, Sony ECM-22p mics->UHER 5 inch Master Audience
 Reels; Geneology: Master Audience Reels->RR@7.5ips->DAT->CD.
 Set One: (8 tracks, 47:39), 107 Baby What You Want Me To Do , 108 True Religion , 109 I
 Can Tell , 201 Driftin ** , 202 New Song For The Morning , 203 Whatever The Old Man Wants, 204
 Come Back Baby, 205 You Wear Your Dresses Too Short **
05/06/70 All n/a  
05/07/70 NYC, NY - Fillmore East MSR>2R>CD partial 20 
 lineage not certain, but highly probable, since likely digital transcription of Bill Gadsden's 2nd
 gen reels.
  Set One: Whinin' Boy Blues, New Song (For the morning), Mann's Fate
08/25/70 Washington, DC - L'Enfant Plaza MS?>?>CD All 66 
 Joey Covington - drums, vocals; Jorma Kaukonen - guitar; Jack Casady - bass; Marty Balin - vocals.
 Notes: - came to me as "The Mall, Washington, DC, 7/25/70". db.etree lists shows at L'Enfant Plaza,
 Washington, DC, on both 8/20/70 and 8/25/70, with identical setlists. Tunabase shows this to be
 8/25/70. There are pops from legacy SBEs, it seems like, since they are near where songs start. Needs
 cleaning. CBB channel out @ 2:16, check for ticks @ markers.
 Set One: 10 tracks, 66:xx 01. Introductions [1:00], Baby What You Want Me To Do -6:18, :05,
 02. talk & tuning [0:42] Come Back Baby -6:50, :10, 03. :05 The Old Man -6:55, :08, 04. :04 Up Or Down
 ?? -6:28 :11 (tick @ ca. 3:00), 05. (tick) ?? -11:04 ->, 06. tick ?? Get Off -7:13 :23, 07. talk and
 tuning 1:23, 08. :05 You Wear Your Dresses Too Short -10:34 -> 09. Volunteers 2:55, announcer -4:13,
 10. lost kid, Wavy Gravy
 
03/03/71 Santa Cruz, CA - Chateau Liberté MS?>?>CD 48  
 w/Papa John Creach, Sammy Piazza. Setlist and info from Tunabase. This is great stuff!
 Set One: Single Disc (6) 48:02, Come Back Baby, That'll Never Happen No More, Candy Man, New
 Song (For The Morning), Keep Your Lamps Trimmed And Burning, Feel So Good
 
07/24/75 New York, NY - WQIV Studio MFR>R>CD All 113 
 2 CDs Barry Glassberg's 1st gen reel. Sounds wonderful.
 Set One: Disc One (10 tracks, 61:30), Intro, Search My Heart, Death Don't Have No Mercy, I
 Am The Light Of This World, @@Mann's Fate, Winin' Boy Blues, Embryonic Journey, 99 Year Blues,
 Hesitation Blues, Police Dog Blues
 Set Two: Disc Two (9 tracks, 51:12), Sally, Where'd You Get Your Liquor From?, Keep Your
 Lamps Trimmed And Burning, I Know You Rider, I Want You To Know, Keep On Truckin', Never Happen No
 More, How Long Blues, Candy Man

[ Contents | List Info | Contact Info | Artist Index | Hot Tuna ]

---

HOWLIN' WOLF

 
02/23/69 Chicago, IL - Key Largo  MSR>?>CD All 95 
 soundboard > reel to reel > ?? > trade cdr > eac > flac. Lots of mix weirdness, but nice SQ and
 great material.
 Set One: Disc One (9 tracks, 71:09) : million miles away 13:18, don't laugh at nobody 8:15,
 pretty baby 5:25, little bird 11:41, crazy about you woman 7:42, how much is that chicken 1:19, if you
 don't love me 7:30 , i had a dream 10:17, killing floor 5:38
 Set Two: Disc Two (4 tracks, 23:38) : how many more years 8:54 (mic connection issue? from
 0:45-1:00), instrumental 1:50, crosscut saw 8:29, sock it to me 4:24
 
08/23/73 Denver, CO - Ebbets Field MS?>?>CD All 59  
 Howlin' Wolf - Guitar, Vocals; Detroit Jr. - Piano, Vocals; Hubert Sumlin - Guitar; S.P. Leary -
 Drums; Andrew "Shake 'Em" McMahon - Bass; Eddie Shaw - Tenor Sax, Vocals. Sounds terrific. t08 fades
 to splice @ 12:20.
 Set One: Single Disc (10 tracks, 59:05), 01. Instrumental 5:05, 02. Instrumental 4:41, 03.
 Your Love Is Creeping Away From Me 5:23, 04. Baby Workout 3:20, 05. How Blue Can You Get 6:56, 06.
 What'd I Say 5:33, 07. Little Red Rooster 4:50, 08. Going Down Slow > Killing Floor 14:12, 09.
 Shake For Me 5:22, 10. Instrumental/Goodnights 3:39

[ Contents | List Info | Contact Info | Artist Index | Howlin' Wolf ]

---

HUBBARD, FREDDIE

Available Years: 1966, 1970, 1973, 1977, 1979, 1980, 1983, 1985, 1987

 
11/10/66 see Roach, Max n/a 
 
??/??/70 New Brunswick, NJ - Rutgers University  M??>?>CD All 97 
 Lineup: Freddie Hubbard (tp), Junior Cook (ts), Cedar Walton (p), Wayne Dockery (b), Louis Hayes
 (d). Absolutely wonderful stuff. Some hiss and warbles, some distortion on d2, but the music is
 fabulous. Mississippi Mud is especially great, though Pensativa is also quite nice.
 Set One: Disc 1 (3, 46:49), 1. @@Mississippi Mud (Red Clay), 2. [0:50], introduction,
 Ugetsu, 3. @@Pensativa
  Set Two: Disc 2 (3, 50:20), 1. Space Travel, 2. Black Angel, 3. Sweet Lips
09/23/70 Amsterdam, Netherlands - Paradiso MF?>?>CD All 55 
 FM > ? > Trade > CDR > EAC > FLAC. Whoever recorded this didn't want any of the anouncer on it as
 he cuts him off so I have no idea re: personnel or tune titles.
 Set One: 1., 2., 3., 4.Straight Life, 5.Announcer just squeezes in ID for track 4 before
 being cut off.
 
10/09/73 Boston, MA - Paul's Mall MFR>C>CD All 44 
 Freddie Hubbard Quintet: Boston Jazz Workshop, Paul's Mall, Boston, MA, October 9, 1973. Personnel:
 Freddie Hubbard: trumpet; Junior Cook: tenor sax, flute; George Cables: electric piano; Kent Brinkley:
 bass; Ralph Penland: drums; Aurell Ray (g); Juno Lewis (congas). Lineage: FM airplay > master reel >
 cas (PB: Nakamichi LX 3 azimuth adjusted) > Marian Marc 2 (24/44.1) > HD > dynmic restauration
 remaster (up to 6 db amplitude reconstruction) with Wavelab 5.0 using 32, 48 & 54 bit solution plug
 ins > 16/44.1 downsampling > normalisation to-0.01 db > CD wave tracking > Flac Frontend level 8.
 Set One: (TT 43:56) 01 Radio dj, 02 "First Light (intro)", 03 @@First Light, 04 "Betcha by
 golly wow", 05 talk, 06 "Spirits of Trane", 07 (drum solo), 08 "Spirits of Trane (end)", 09 talk, 10
 (short end set song), 11 Radio dj
10/30/73 Denver, CO - Ebbetts Field MSR>D>CD All 73 
 Soundboard Master Reel > Panasonic SV 3700 DAT > DBx150X Type 1 NR Decoder > Panasonic SV-3700 DAT
 > Digital I/O SOundCard Deluxe > Soundforge 6.0 > Flac. Personnel: Freddie Hubbard - trumpet; George
 Cables - Rhodes, wah wah; Bass - Kent Brinkley; Junior Cook - sax/flt; Ralph Penland - drums. Sounds
 incredible!
 Set One: Single Disc (4 tracks, 72:37), Uncle Albert, Spirits of Trane, In a Mist, Sky
 Dive
 
11/03/77 Berlin, Germany - Jazzfest Berlin MFR>CD All 46 
 Lineup: Freddie Hubbard: trumpet; Rick Zinnegar: el-guitar; Larry Clean: el-bass; David Garfield:
 keyboards; Carlos Vega: drums. JJ: - a little flat and a little low, but nice. - *LOVE* the way the
 bass jumps in to kick things off around 2-min into the first tune. - d1t02-03 tick @ marker.
 Set One: (4 tracks, 45:53): 1) @@ One of a Kind 14.27, 2) Rahsaan 15.55, 3) Impressions
 (Coltrane) 10:33, 4) Bundle of Joy 04.36 (fades out)
 
10/29/79 Hamburg, Germany - Onkel Po's Carnegie Hall MS?>?>CD All 152 
 SBD or FM, nice sound quality. Freddie Hubbard (tp, fl-h), Hadley Caliman (ts, fl), Billy Childs
 (p, el-p), Larry Klein (b), Carl Burnett (dr), Leon Thomas (voc on disc 1, tracks 2-10). IMO, these
 vocals are terrible! Little Sunflower is cool.
 Set One: CD 1 (10 tracks, 73:08) 1 Here's That Rainy Day, 2 A Night In Tunisia, 3 After The
 Rain, 4 Straight No Chaser, 5 Boom Boom Boom, 6 Cousin Mary, 7 Let The Rain Fall On Me, 8 Song for my
 Father, 9 One, 10 If We All Could Love
 Set Two: CD 2 (6 tracks, 78:34), 1 Love Connection, 2 Little Sunflower, 3 Blues for Duane
 [Take It To The Ozone], 4 The King Was Out Of His Mind [Blues For Duane], 5 To her Ladyship, 6
 Throwing Vine Glasses [One Of Another Kind]
10/30/79 Hamburg, Germany - Onkel Po's Carnegie Hall MFC>CD All 81 
 Freddie Hubbard (tp, fl-h), Hadley Caliman (ts, fl), Billy Childs (p, el-p), Larry Klein (b), Carl
 Burnett (dr), Leon Thomas (voc). Lineage: FM (analog cable) > Telefunken HT 870 tuner > Telefunken HA
 870 amplifier > Denon DR-M 24HX tape deck w/ Dolby C HXpro > Sony UX-S cassette > Terratec DMXFire
 1024 soundcard > WaveLab Lite > harddisk > CDR > .wav > FLAC level 8. JJ: great sound quality, but I
 find Leon Thomas's vocals to be utterly unbearable, ruining what would otherwise be a great listen.
 Set One: CD 1 (49:58): 1 Little Sunflower, 2 Here's That Rainy Day, 3 A Night In Tunisia, 4
 After The Rain
 Set Two: CD 2 (31:04): 1 Cousin Mary, 2 Let The Rain Fall On Me, 3 Song For My Father, 4
 One, 5 If We All Could Love
 
09/20/80 Monterey, CA - Monterey Jazz Festival M??>?>CD All-1 38 
 Trade > CDR > EAC > FLAC. Freddie Hubbard, fluglehorn; Phil Ranelin, trombone; David Schnitter,
  tenor sax; Billy Childs, piano; Larry Klein, bass; Carl Burnett, drums. Thanks to Cheski for
 information on this show. One track "Little Sunflower" (was track 2) was removed from this torrent as
 it was commercially released on disc 2 of "Monterey Jazz Festival: 40 Legendary Years" (Warner Bros. 9
 46703-2). JJ: This doesn't quite get there for me. First Light comes close, but no cigar.
 Set One: One of Another Kind, Skagly, Summer Knows, First Light ...
 
03/27/83 Unknown City, XX - Unknown Location M??>?>CD partial 48 
 - The sound quality is A- but there is a slight hum that is only really noticeable during quieter
 parts of the songs... And this is a Freddie Hubbard concert so there aren't many quiet parts. -
 Uploaded by brimouse. - JJ: I hear some occasional pops during the last song (which is fantastic!).
 Possible personnel: Freddie Hubbard (tp, flhn), Bob Sheppard (ts, fl), Hilton Ruiz (p), Herbie Lewis
 (b), Carl Allen (d), but this is uncertain.
 Set One: Single Disc (3 tracks, 48:20), 1. Rhythm-a-ning 12:14, 2. Moment To Moment 13:53,
 3. @@(Unknown) 22:09 (cuts out)
07/23/83 Montreux, Switzerland - Montreux Jazz Festival M??>?>CD All 91 
 Freddie Hubbard (tp), Lew Tabackin (ts, fl), JoAnne Brackeen (p), Charlie Haden (b), Billy Cobham
 (dr).
 Set One: CD 1 (44:14): 1 (in progress) Rhythm-a-ning, 2 The Night Has A Thousand Eyes, 3
 Little Sunflower
 Set Two: CD 2 (46:34): 1 Body And Soul, 2 Heidi B, 3 Byrdlike
10/11/83 New York, NY - Symphony Space MF?>?>CD All 57  
 *pitch-corrected*
 Source: FM (NPR Broadcast). Pitch was approximately 55 cents sharp. Original tracks 8 & 9 have
 been edited and joined to create a seamless track. A few small gaps have been edited out. Tracks
  reFLACed. goody (9-11-05). Musicians: Freddie Hubbard (trumpet); Lew Tabackin (saxophone & flute);
 James Williams (piano); George Mraz (bass); Roy Haynes (drums). JJ: terrific SQ.
 Set One: (11 tracks, 57:01) 01. Intro, 02. They All Laughed (George & Ira Gershwin), 03.
 Intro, 04. Little Sunflower (Freddie Hubbard), 05. Intro, 06. Body and Soul, 07. Intro, 08. Straight,
 No Chaser (Thelonious Monk), 09. Intro, 10. Christopher Columbus, 11. Outro
 
11/02/85 Berlin, Germany - Jazzfest 1985 MF?>?>CD All n/a 
 Freddie Hubbard Quintet + Dizzy Gillespie + Woody Shaw: Berlin, Jazzfest 1985: Freddie
 Hubbard,tp,fh Kenny Garrett,as,fl; Mark Templeton [not Donald Brown], piano; Ira Coleman,b; Carl
 Allen,dr; *Dizzy Gillespie,tp; +Woody Shaw,tp,fh. lineage: fm > cd on trade > flac > dime.
 Set One: 1 Skydive 15:42, 2 Misty 9:18, 3 One Of A Kind / Announcement FH/WS 16:28, 4+ Just
 A Ballad For Woody (TheresaShaw,comp,omitFH) Kind / Announcement FH 10:30
 Set Two: 5*+ I’ll Remember April 11:31, 6*+ Bernie’s Tune 11:24, 7 Thermo (fade-in) 10:45
 
11/06/87 Berlin, Germany - Jazzfest 1987 MF?>?>CD All  n/a 
 "Coltrane Memorial Quintet": Lineup: Freddie Hubbard (trumpet); McCoy Tyner (piano); Sonny Fortune
 (sax); Reggie Workman (bass); Elvin Jones (drums). Source: FM > ? > CDR > EAC > FLAC.
 Set One: 1. Blues Minor (15:52), 2. Naima (8:08), 3. A Love Supreme: Part 1 -
 Acknowledgement / Part 2 - Resolution (25:15), 4. Chim Chim Cheree (13:46), 5. Mr. P.C. (4:41)

[ Contents | List Info | Contact Info | Artist Index | Freddie Hubbard ]

---

HUNTER, ROBERT

 
03/14/78 Boston, MA - Boston Music Hall MAC>CD All 56 
 *Dauby Rolfe, Sony ECM-99s > Teac PC-10*
 Dauby Rolfe, Sony ECM-99s > Teac PC-10 MAC > David Minches transfer. Sounds a little like JG on
 some of the guitar??
 Set One: Single Disc (13 tracks, 55:32): 01. Tuning [0:23], 02. Tiger Rose, 03. , 04., 05.,
 06., 07. Must Have Been the Roses, 08., 09., 10., 11. Friend of the Devil, 12. Promontory Rider , 13.
 Boys in the Barroom
 
02/19/80  n/a 
02/24/80 Stony Brook, NY - Gym, S.U.N.Y. MAC>D>CD All 29 
 *Mark Cohen: 3 Nak 700s > Nak 550*
 MAC (Taped by Mark Cohen, 3 Nakamichi CM-700 shotguns [in front of and slightly left of sbd] >
 Nakamichi 550) > Tascam 122mkIII playback > Tascame DA-40 DAT > Tascam CDRW-700 master CD > Tascam
 CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) >
 sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark
 Cohen, EAC > SHN by Joe Jupille (jjoops AT attbi DOT com).
 Set One: Single Disc (12) 28:33, 01. Crowd & Tuning [0:07], 02. Friend of the Devil [3:37],
 03. Tales of the Great Rum Runners [3:07], 04. Mountains of the Moon [3:06], 05. Cruel White Water
 (Jack-A-Lantern?) [5:42], 06. Brown-Eyed Women [3:47], 07. Mr. Charlie [2:11] -> 08. Easy Wind [2:46]
 -> 09. Boys in the Barroom [1:04] --Encore-- 10. Sunshine Daydream [0:42] -> 11. Scarlet Begonias
 [1:31] -> 12. Grinnin' in Your Face [0:48]
02/26/80 Providence, RI - Ocean State Theater  MAC>D>CD All 42 
 *Steve Rolfe: Nak 700s > Sony TC-D5*
 Nak 700's>Sony TC-D5 (XLII-s Cassette Master)>DAT>Sony PCM R-700>ZA-2>SoundForge>CDR (Steve Rolfe
 Master- Front Row, Balcony) (Jim Wise Transfer). Also have version from David Minche's 2006 xfer of
 same master.
 Set One: 1. //FOTD [1:32#] [0:19], 2. [0:13] Rum Runners [2:46] [0:28], 3. Mountains of the
 Moon [2:42] [0:11], 4. Heart of Glass [5:27] [0:10], 5. Brown-Eyed Women [4:02] [0:14], 6. [0:15] Keys
 to the Rain [3:59] [0:15], 7. [0:13] Crooked Judge [2:24] [0:12], 8. Mr. Charlie [2:04] -> 9. Easy
 Wind [2:58] -> 10. Boys in the Barroom [1:00] [1:02], 11. [0:04] Mississippi Half-Step [4:31] -> 12.
 Ripple [3:08] -> 13. Grinnin' in Your Face [0:35] [0:46], Total Time 41:39
 Set Two: more recent minches xfer runs 41:07
 
??/??/84 Home Recordings - Amagamalin Street MSR>2C>CD ? 74 890 
 Robert Hunter, Home Recordings, 1984, for what later became "Amagamalin Street", working version in
 15 parts (various outtakes); MR>C>C>Cool Edit>CD Wave>SHN. Robert Hunter: Guitar and Vocal; Vaclav
 Berosini: Bass; John Cipollina: Guitar; Jorma Kaukonem: Guitar; Mel Saunders: Keyboards; Roy
 Blumenteld: Drums; Rodney Albin: violin.
 Set One: Single Disc (15) 73:30, 1) Roseanne [16:17], 2) Carole [01:13], 3) Amagamalin
 Street [04:30], 4) Ball [03:01], 5) Gypsy Parlor [07:48], 6) Rambling Ghost [05:47], 7) City Rider
 [04:57], 8) Ithaca [04:52], 9) Maggie [02:28], 10) Out of the City [03:56], 11) Streetwise [03:23],
 12) Where Did You Go? [02:27], 13) 13 Roses [04:58], 14) Don't Be Decieved [04:50], 15) Better Bad
 Luck [02:54]
11/23/84 MAC>CD All n/a 953 

[ Contents | List Info | Contact Info | Artist Index | Robert Hunter ]

---

HUTCHERSON-LAND QUINTET

 
08/??/69 Hamburg, Germany  MF?>?>CD partial 44 
 *pitch-corrected by goody*
 Harold Land- tenor sax; Bobby Hutcherson- vibraphone; Hal Galper- piano; Reggie Johnson- bass; Joe
 Chambers- drums. FM > ? > CD-R > EAC > Goldwave > FLAC; goody: dBpowerAMP (FLAC-WAV) > Cool Edit Pro
 (Pitch Bender -80) > TLH (FLAC, sigs). Pitch of the '69 set tracks were approximately 80 cents sharp.
 Fixed and reFLACed with TLH by goody - 10/26/05. JJ: quite nice SQ. Rest of the group is great, but I
 am just not a big fan of the vibes.
 Set One: (continued from 5/29/70) 3. Same Shame/Blow Up (35:58) 39:43 4. Oleo (7:17) 7:37
 
05/29/70 Hamburg, Germany MF?>?>CD partial 23 
 Harold Land- tenor sax; Bobby Hutcherson- vibraphone; Hal Galper- piano; Reggie Johnson- bass; Joe
 Chambers- drums. FM > ? > CD-R > EAC > Goldwave > FLAC; goody: dBpowerAMP (FLAC-WAV) > TLH (FLAC,
  sigs). JJ: Group is great, but I am just not a big fan of the vibes.
 Set One: 1. Four 11:58, 2. Oleo 10:39

[ Contents | List Info | Contact Info | Artist Index | Hutcherson-Land Quintet ]

---

IBRAHIM, ABDULLAH

 
??/??/79 Copenhagen, Denmark - Jazzhus Montmartre MFR>CD All 54 
  Abdullah Ibrahim Quartet, Jazzhus Montmartre, Copenhagen 1979. Dollar Brand: piano, soprano sax;
 Talib al Qadr: alto sax, flute; Greg Brown: bass; John Betch: drums. Broadcast on October 29, 1979 -
 no recording date mentioned. FM > reels [master @ 7½ ips] > Revox A-77 > Soundblaster AWE-64 > CDWave
 [tracking] > shn [outdated format used by hippies] > wave > FLAC. Great stuff!
 Set One: 9 tracks, 53:47 01. 1:22, 02. band intros, 03. 04. 05. monk tune -> 06., 07. 08. ->
 09
 
06/26/81 Lugano, Switzerland - Piazza della Riforma MS?>?>CD All 61 
 Estival Jazz Lugano. Source: SBD Recording. Personnel: Abdullah Ibrahim: piano; Carlos Ward:
 saxophone, flute; Rachiim Sahu Ausur: bass; Andrey Strobert: drums.
 Set One: (13 tracks, 60:56) 01. Untitled 02. The Perfumed Forest With Wet Rain 03. Drums 04.
 Angelica 05. Homecoming Song 06. The Wedding 07. Takira 08. African Marketplace 09. Untitled 10.
 Untitled 11. Banyana - The Children Of Africa 12. Untitled 13. @@Whoza Mtwana

[ Contents | List Info | Contact Info | Artist Index | Abdullah Ibrahim ]

---

IT'S A BEAUTIFUL DAY

 
05/23/68 San Francisco, CA MSR>2D>CD partial?46 
 Set One: Single Disc (5 tracks, 46:04): Jam, Wasted Union Blues, White Bird, Hot Summer Day,
 ??
05/24/68 San Francisco, CA MSR>2D>CD partial?44 
 Set One: Single Disc (5 tracks, 44:25): Blues Jam, Wasted Union Blues, White Bird, Hot
 Summer Day, ??
05/25/68 San Francisco, CA MSR>2D>CD All? 76 
 Set One: Single Disc (7 tracks, 76:20), --set I-- Wasted Union Blues, White Bird, Hot Summer
 Day --Set II-- //Bulgaria, Jam, Hot Summer Day, Time Is
10/??/68 San Francisco, CA - Fillmore West MS?>?>CD I 47  
 *date uncertain* *should compare with other dates*
 Sounds great and an absolutely wonderful performance.
 Set One: Set 1 (7 tracks, 47:28), 1) Time Is > 2) Drums > 3) Time Is, 4) Don & Dewey, 5) A
 Woman Needs a Man to Love, 6) Is Your Love Real? (?), 7) White Bird/
 
03/26/69 San Francisco, CA - Avalon Ballroom MAT>2R>CD All 59 
 SOUND PROOF PRESENTS ROCKARAMA!!! AUD MASTER > REEL > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE
 EDITOR > FLAC. Seeded to DIME 8/2006 by Dave Tamarkin.
 Set One: Single Disc (7 tracks, 59:02): 1-DON AND DEWEY, 2-DOLPHINS, 3-HOT SUMMER DAY,
 4-WASTED UNION BLUESm 5-?, 6-WHITE//BIRD, 7-BOMBAY CALLING
07/??/69 San Francisco, CA - Fillmore West MSR>2C>CD All 58 
 Sounds great. The vox are very low, and clapping is upfront, almost sounds like a great FOB aud.
 Terrific material, too. Glitch @ 7:44 of t07 (Wasted Union Blues).
 Set One: Single Disc (7 tracks, 58:11), ?, Don and Dewey, ?, ?, White Bird, The Dolphin,
 Wasted Union Blues
 Set Two: Also have this as "2/xx/69" with the third song listed as "A Woman Needs a Man to
 Love"
 
02/07/70 Anaheim, CA - Anaheim Convention Center MAR>R>CD All 44 
 *Harv Kaslow & Craig Todd, Sony ECM 22Ps > Uher deck*
 Source: Sony ECM-22p mics->UHER 5 inch Master Audience Reels. Geneology: Master Audience
 Reels->RR@7.5ips->DAT->CD. Lou Adds: Vine cd>eac>wav>cool edit>cdwav>shntool>flac. It's A Beautiful
 Day: David LaFlamme - violin, vocals, Patti Santos - vocals, percussion, Hal Wagenet - guitar,
 Mitchell Holman - bass, Fred Webb - keyboards, Val Fuentes - drums. Nice stuff, nice tape. There may
 be a very brief splice @ the very start of Let a Woman Flow. The tune Bombay Calling is pretty
 interesting.
  Set One: (6 tracks, 44:11), 101 Wasted Union Blues , 102 White Bird , 103 Let A Woman
 Flow, 104 Bombay Calling , 105 Do You Remember The Sun, 106 Soapstone Mountain
02/23/70 San Francisco, CA - Winterland Arena MAR>4C>CD All 64 
 *Harv Kaslow & Craig Todd, Sony mics > Uher deck*
 HARVEY KASLOW'S UHER REEL AUDIENCE MASTER > 4TH GEN CASSETTE > M-AUDIO TRANSIT > COOL EDIT > CD
 WAVE EDITOR > FLAC. Seeded to DIME by Dave Tamarkin. JJ: sounds really good given the lineage, but the
 performance doesn't do much for me.
 Set One:  (12 tracks, 64:15) 1-SOAPSTONE MOUNTAIN, 2-GOOD LOVIN', 3-DON AND DEWEY, 4-TALK,
 5-LET A WOMAN FLOW, 6-HOEDOWN, 7-IT COMES RIGHT DOWN TO YOU, 8-TUNING, 9-WHITE BIRD, 10-WASTED UNION
 BLUES, 11-CROWD/TUNING, 12-DO YOU REMEMBER THE SUN ?
10/22/70 San Bernardino, CA - Swing Auditorium MSR>D>CD All 44 
  lineage: SBDmaster reel--> dat--dat--cdr. via rob b.; ... i think another night crew recording?--
 dat provided by brinkhoff; transfered by hanwaker fixed by hanno 2003; uploaded to dime by hanwaker
 12-06.
 Set One: (6 tracks, 44:14) 1-WASTED UNION BLUES, 2-HOEDOWN, 3-COMES RIGHT DOWN TO YOU,
 4-ESSENCE OF NOW, 5-WHITE BIRD, 6-DON & DEWEY (after D&D: missing the 20 or so sec of -let a woman
 flow -present in davmar77 torrent of unknown lineage)

[ Contents | List Info | Contact Info | Artist Index | It's a Beautiful Day ]

---

ITALS, THE

 
06/27/84 Montreal, Quebec - Spectrum de Montreal MAC>?>CD All 57 

[ Contents | List Info | Contact Info | Artist Index | The Itals ]

---

JEFFERSON FAMILY (AIRPLANE, STARSHIP, ETC.)

Available Years: ????, 1965, 1966, 1967, 1968, 1969, 1970, 1972, 1974, 1996, 1998, 2005

 
00/00/00 "1969-1969 Outtakes"  MS?>?>CD 75 
 Set One: Single Disc (17) 74:49, 01. _____, 02. Greasy Heart, 03. Fat Angel-ish Jam [17:27]
 (applause!), 04. Good Shepherd, 05. _____, 06. noise, 07. Grace vocal ("Why Can't We Go On This Way"),
 08. _____, 09. _____, 10 _____ (same song as t09)
 
11/06/65 San Francisco, CA - Calliope Warehouse MFR>?>R>CD partial n/a 
 CALLIOPE WAREHOUSE,924 HOWARD ST.LOFT,S.F.-NOVEMBER 6,1965. (San Francisco Mime Troupe Appeal Party
 I, first Bill Graham production). LINEAGE UNKNOWN FM REEL > REEL > M-AUDIO TRANSIT > COOL EDIT > CD
 WAVE EDITOR > SHN.
 Set One: --from 10/14/67 CD-- It's No Secret, Tobacco Road, Runnin' Round This World
 
01/??/66 Vancouver, BC - Kitsilano Theatre MSR>C>D>CD n/a 
 *1/14 and 1/16/66*
  Seeded to DIME by Dave Tamarkin.
 Set One: NEWER VERSION: --JAN.14,1966-- 1-/It's No Secret , 2-The Other Side Of This Life,
 3-Get Together, 4-Kansas City/, 5-/High Flying Bird, 6-In The Midnight Hour --JAN.16,1966-- 7-/Lay
  Down Your Weary Tune , 8-Tobacco Road , 9-Runnin' Round This World , 10-Baby What You Want Me To Do ,
 11-Bringing Me Down , 12-I Feel A Whole Lot Better , 13-It's No Secret , 14-High Flying Bird , 15-And
 I Like It , 16-Go To Her
  Set Two: OLD SINGLE DISC VERSION, 16 TRACKS, 54:21: track list doesn't match the one I see
 more commonly. Quality is only mediocre.
09/30/66 San Francisco, CA - Fillmore Auditorium MSR>2R>CD All 68  
 2nd gen reel > DAT > Delta DIO 2496 > WAV > Soundforge > FLAC, via Harvey Lubar seed to DIME.
 Set One: 07. The Other Side Of This Life 08. Tobacco Road 09. Kansas City 10. Run Around 11.
 It's No Secret 12. Go To Her 13. Runnin' Round This World 14. Don't Slip Away 01. Come Up The Years
 02. Bringing Me Down 03. High Flying Bird 04. Fat Angel 05. Chauffeur Blues 06. 3/5 of a Mile in 10
 Seconds (68:25)
 Set Two: PREVIOUS INFERIOR COPY--Single Disc (15) 56:53 --Set I (per JA Base)-- 01. take-off
 [0:36], 02. Instrumental [:02+2:58] ->, 03. Other Side of This Life [:03+3:43] [0:03], 04. (1) [0:10]
 Tobacco Road [4:02] [0:01], 05. [0:16] Kansas City Blues [7:26] [0:02], 06. [0:19] Run Around [3:09]
 [0:04], 07. [0:10] It's No Secret [3:42] [0:14], --Set II (per JA Base)--, (JA Base lists "Go To
 Her"), 08. [0:14] /Runnin' Round This World [#2:39] [0:02], 09. [0:06] Don't Slip Away [2:36] [0:02],
 10. Come Up The Years [2:39] [0:05], 11. [0:13] Bringing Me Down 2:55] [0:02], 12. High Flying Bird/
 [3:32#] [0:05], 13. Fat Angel [5:27] [0:02], 14. [0:02] Chauffeur Blues [3:14] [0:06], 15. 3/5 of a
 Mile in 10 Seconds [5:58] [0:05]. Notes: - Sounds very nice. A little hissy, but nice. Very
 primitive JA material! - (1) "Welcome to the few brave souls who ventured (?) out."; - t08 Runnin'
 Around This World clips in; - t12 High Flying Bird ending barely clipped; - t13 Fat Angel hissier,
 lower levels @ star.
10/02/66 San Francisco, CA - Fillmore Auditorium MS?>?>CD partial 21 
 Seeder's notes: "An afternoon show at the Fillmore. Signe would be leaving the band in a few weeks,
 but puts her heart into it here; and it's always good to hear Marty do a live "Come Up the Years.".
 Modified: 12/10/04 -- reconverted to wav, used WaveLab to dc offset correct, split with CD WAVE, then
 converted back to FLAC"
 Set One: Single Disc (6 tracks, 20:35), 1. Don't Slip Away, 2. Come Up the Years, 3.
 Bringing Me Down, 4. High Flying Bird, 5. Fat Angel, 6. Chauffer Blues
10/14/66 San Francisco, CA - Fillmore Auditorium  MS?>?>CD II 42 
 Notes: - Sounds very nice. A little hissy, but nice. Very primitive JA material! - t05 Bringing
 Me Down R channel out @ 2:07, back @ end of song.
 Set One: Single Disc (10) 47:37 --Set II-- 01. "The leader of the opposition, Jefferson
 Airplane" [0:07], 02. Get Together [3:58] [0:06], 03. Jam [2:48] ->, 04. Other Side of This Life
 [:02+3:49] [0:02], 05. Bringing Me Down [2:52] [0:05], 06. And I Like It [6:18] [0:09], 07. It's
 Alright [2:03] [0:05], 08. Instrumental [4:49] -> Drum solo [0:41] -> Instrumental [5:30] [0:10], 09.
 Go to Her [:02+4:05] [0:11], 10. [0:08] It's No Secret [3:42] [0:06], --Filler: Unknown-- 3/5 of a
 Mile in 10 Seconds [5:47] [0:02]
10/15/66 San Francisco, CA - Fillmore Auditorium MS?>?>CD All 51 
 Notes: - Signe Anderson's last JA show. - matches JA base. - hissy, possible runs too fast.
  Set One: Single Disc (15) 51:05, 01. 3/5 of a Mile in 10 Seconds [5:52] [0:03], 02. Runnin'
 'Round This World [2:29], 03. /Tobacco Road [4:06] [0:01], 04. Come up the Years [2:25], 05. Go to Her
 [4:01], 06. Fat Angel [6:29], 07. And I Like It [6:38] [0:01], 08. Chauffeur Blues [3:18] [0:03], 09.
 High Flying Bird [3:52], --Filler: Unkown--, 10. [0:14], 11. [0:10], 12. /It's No Secret [3:44], 13.
 [0:16], 14. Tobacco Road [4:34] [0:01], 15. __________ [2:47] [0:01]
10/16/66 San Francisco, CA - Fillmore Auditorium MS?>?>CD All 33 
 Notes: - Grace Slick's first JA show.; - sounds is nice and clean; - t08 And I Like It cuts out; -
 matches JA Base; - terrible digital errors in t10-t11.
 Set One: Single Disc (12) 45:31, 01. Let Me In [3:11] [0:02], 02. Run Around [3:17] [0:01],
 03. It's No Secret [3:29] [0:02], 04. In the Morning [5:28] [0:06], 05. My Best Friend [3:12] [0:01],
 06. [0:03] Plastic Fantastic Lover [3:47], 07. Bringing Me Down [:02+2:41] [0:01], 08. And I Like It//
 [3:08#] [0:02], 09. Go to Her [3:45] [0:01], 10. Fat Angel --Filler: Unknown-- 11. 3/5 of a Mile in 10
 Seconds [5:04] [0:02], 12. Today [2:58] [0:02]
11/25/66 San Francisco, CA - Fillmore Auditorium MS?>?>CD All 49 
 Saith the seeder: "Source: SBD. Sound: A- (considering its age, it's excellent). Lineage: trade
 CD-r of unknown gen > EAC v0.95 prebeta 5 > .wav > FLAC v1.7.1 (level 8, align on sector boundaries).
 Notes: excerpt from the bootleg "Love to All"."
 Set One: 01. 3/5 of a Mile in 10 Seconds, 02. The Other Side of This Life, 03. Tobacco Road,
  04. J.P.P. McStep B. Blues, 05. She has Funny Cars, 06. Fat Angel, 07. Plastic Fantastic Lover, 08. In
 the Morning, 09. Somebody to Love TT 48:52
11/26/66 San Francisco, CA - Fillmore Auditorium MS?>?>CD All 44  
 Set One: Single Disc (8) 44:15, 01. airplane takes off -> Other Side of This Life [6:46]
 [0:22], 02. Bringing Me Down [2:49] [1:10], 03. And I Like It [5:29] [1:18], 04. Go to Her [4:04]
 [2:22], 05. Fat Angel [5:21] [0:55], 06. 3/5 of a Mile in 10 Seconds [5:18] [1:38], 07. Today [3:08]
 [0:56], 08. White Rabbit [2:35] [0:04]
 
01/08/67 New York, NY - Webster Hall MAT>D>CD partial 23 
  rough SQ
 Dave Tamarkin seed to DIME. AUD MASTER > DAT > AUDIO CD > CD WAVE EDITOR > FLAC. ** W/ MIKE
 BLOOMFIELD & MARK NAFTALIN (OF BUTTERFIELD BLUES BAND). Bad oversaturation -- FCO.
 Set One: (5 tracks, 32:24) 1-THIS IS MY LIFE (FRAGMENT), 2-GO TO HER, 3-3/5 OF A MILE IN 10
 SECONDS, 4-UNKNOWN BLUES**, 5-EAST WEST JAM**
02/04/67 San Francisco, CA - Fillmore Auditorium All n/a 
 *San Franciscan Nights Volume 1*
 Set One: 1 Gov. Ronald Reagan [1966] , Jefferson Airplane -Fillmore Aud. [2-4-67] , 2
 Somebody to Love , 3 Get Together , 4 Let Me In , 5 This is my Life , 6 White Rabbit , 7 Plastic
 Fantastic Lover , 8 She has Funny Cars , 9 Instrumental , 10 3/5th's of a Mile in 10 seconds , 11 Fat
 Angel
03/04/67 New York, NY - Cafe Au Gogo MSR>?>C>D>CD All 64 
 Seeder notes: "'This show first appeared a few years ago. The sound is a little beat up and the
 vocals are sometimes distorted but it's the Airplane ...' No equalizing or remastering is ever done to
 any shows I seed. Seeded by The Beastmaster."
 Set One: (14, 64:21) It's no Secret, Get Together, White Rabbit, You're Bringing Me Down, My
 Best Friend, Come Back Baby, This Is My Life, She Has Funny Cars, Somebody To Love, Tabacco Road,
 Running Around The World, Rock Me Baby, Today, High Flying Bird
03/10/67 San Francisco, CA - Winterland Arena MS?>?>CD 53 
 riddle with small digital errors
 Set One: Sing Disc (11) 52:44, 01. airplane takes off -> ______, 02. She Has Funny Cars,
 03. Let Me In, 04. _____, 05. Jorma's Blues (Come Back Baby), 06. White Rabbit, 07. 3/5/ of a Mile in
 10 Seconds, 08. I Like It, 09. _____, 10. Tobacco Road, 11. Somebody to Love
03/11/67 San Francisco, CA - Fillmore Auditorium MS?>?>CD 72 
 lots of pops throughout
 Set One: Single Disc (14) 72:06 01. airplane takes off -> Other Side of This Life, 02. Let's
 Get Together, 03. Bringing Me Down, Today, 04. _____, 05. 3/5 of a Mile in 10 Seconds, 06. Fat Angel,
 07. Thing, 08. It's No Secret, {"Thank you, thank you, goodnight. Thank you, you're beautiful."} 09.
 My Best Friend, 10. Jorma's Blues (Come Back Baby)
03/12/67 San Francisco, CA - Fillmore Auditorium MS?>?>CD 63 
 not great SQ, lots of snaps and flits
 Set One: Single Disc (12) 63:22 01. Airplane takes off -> It's No Secret, 02. White Rabbit,
 03. Bringing Me Down, 04. Don't Let Me Down, 05. Jam//, 06. /Today, 07. She Has Funny Cars, 08. High
 Flying Bird, 09. This is My Life, 10. 3/5 of a// Mile in 10 Seconds, 11. My Best Friend, 12. Jorma's
 Blues (Come Back Baby)
05/19/67 San Luis Obispo, CA - Cal Poly MS?>?>CD All? 91 
 Unknown source, sounds pretty good. d1t03 She Has Funny Cars extreme level flux @ 0:40-1:28; d1t07
 Young Girl Sunday Blues tick @ 0:40, cuts out; -d2t06 White Rabbit splice @ 1:11; - d2t07 It's No
 Secret cuts out.
 Set One: Disc One (9) 45:45 --Early Show-- 01. Other Side Of This Life, 02. Let's Get
 Together, 03. She Has Funny Cars, 04. White Rabbit, 05. Let Me In, Today, Young Girl Sunday Blues//
 (slow!), Somebody To Love --Late Show-- 09. tuning & banter [1:45], Ballad of You and Me and Pooneil
 [9:46] [0:19]
 Set Two: Disc Two (7) 44:53 --Late Show (con't)-- Tobacco Road, Running Around This World,
 And I Like It -> Jam, Won't You Try/Saturday Afternoon, Come Back Baby, White// Rabbit, It's No
 Secret//
06/17/67 Monterey Pop Festival All n/a 
 *see Compilation: Monterey Pop Festival, 5/5*
06/25/67 Smothers Brothers Show  MS?>?>CD All? 7 
 Set One: Somebody To Love, White Rabbit, TT 6:34
08/04/67b Toronto, CA - O'Keefe Center MSR>R>D>CD All 37 
 Stereo SBD MR > R > DAT(3) > CDR (unknown number of CD gens) > EAC > Cool Edit 2000 > CD Wave >
 SHN. SHN's created by Greg Hurwitt, phobos@quik.com. Notes on SHN creation: I started with seed
 discs kindly supplied by Stu Hanson from the BUDD mailing list. Discs were ripped using EAC V0.9pb11
 two times and checksums compared to insure perfect rip. (Errors were encountered on track 1 at 1:33
 and 3:27 on both passes, however, I can detect no audible problems at these locations.) The following
 edits were then made using Cool Edit 2000: - removed clicks at t1 2:12, t1 4:01, and t9 4:23; -
 removed clicks at previous track boundaries. Tracks were split using CD Wave V1.62, and sector
 boundaries verified using shntool V1.01. SHN's were created (with seek information embedded) using
 mkwACT V0.97b. The show was treed via the JFT and GDH-Trading mailing lists in October 2001. This
 info file is available at: http://houston.quik.com/phobos/ja67-08-04_info.txt. The MD5 file for the
 SHN's is available at: http://houston.quik.com/phobos/ja67-08-04_md5.txt. The following flaw is
 present on this seed: - t11 0:35, digi-static.
 Set One: Dead: 1. New Potato Caboose [6:36], 2. Viola Lee Blues// [19:46], Airplane: 3.
 //She Has Funny Cars [3:00], 4. Bringing Me Down [3:40], 5. High Flying Bird [5:55], 6. White Rabbit
 [3:18], 7. Come Back Baby [6:45], 8. Runnin' 'Round This World [2:35], 9. Tobacco Road [5:09], 10.
 Run Around [3:30], 11. It's No Secret [3:31], Total time [63:52], JA Time ca. 37:28
08/05/67 Toronto, CA - O'Keefe Center MSR>R>D>CD All 60 
  Tracks 1-10: Stereo SBD MR>R>DAT(3)>CDR; Tracks 11 & 12: Stereo SBD MR>R>C>C>DAT(3)>CDR; Track 13:
 Mono Cassette unknown generation>DAT(3)>CDR. Additional details (post-.shn, not clear if these discs
 are post-.shn) at http://houston.quik.com/phobos/ja67-08-05_info.txt: "SHN's created by Greg Hurwitt,
 phobos@quik.com. Notes on SHN creation: 'I started with seed discs kindly supplied by Stu Hanson from
 the BUDD mailing list. Discs were ripped using EAC V0.9pb11 two times and checksums compared to
 insure perfect rip. The following edits were then made using Cool Edit 2000: - removed four light
 clicks at t8 5:29; - removed click at t9 2:13; - removed clicks at previous track boundaries; Tracks
 were split using CD Wave v1.62, and sector boundaries verified using shntool V1.01. SHN's were
 created (with seek information embedded) using mkwACT V0.97b1. The show was treed via the JFT and
 GDH-Trading mailing lists in October 2001. This info file is available at:
 http://houston.quik.com/phobos/ja67-08-05_info.txt. The MD5 file for the SHN's is available at:
 http://houston.quik.com/phobos/ja67-08-05_md5.txt. The following flaws are present on this seed: - t3
 3:45, left channel dropped; - t3 6:58-7:04, right channel dropped; - t3 8:04, digi-static; - t5 0:01,
 digi-static; - t5 0:38-0:41, left channel dropped; - t8 0:23, very light digi-static; - t9 2:24,
 distortion; - t10 8:59, very light digi-static.'"
 Set One: Dead: 1. Turn On Your Lovelight [7:22], 2. Alligator [11:08], Airplane: 3. //The
 Other Side Of This Life [8:19], 4. Get Together [4:54], 5. Let Me In [5:12], 6. Today [3:39], 7.
 Jorma's Bangs [1:19], 8. Go To Her [5:34], 9. My Best Friend [3:05], 10. Instrumental Jam [11:44], 11.
 3/5 of a Mile In 10 Seconds* [ 5:55], 12. Fat Angel* [6:46], 13. Somebody To Love** [3:25], Total
 time: [78:28], JA Time 59:58
09/15/67 Hollywood, CA - Hollywood Bowl MA?>?>CD All 71 
 Set One: Disc One (9 tracks, 41:00) //Somebody to Love, She Has Funny Cars, Young Girl
 Sunday Blues, Martha, unknown song (Grace vox), It's No Secret, unknown song (Marty vox), hassles,
 Today
 Set Two: Disc Two (6 tracks, 40:16), Instrumental, Plastic Fantastic Lover, Ballad of You
 and Me and Pooneil, White Rabbit --filler: studio stuff-- banter, camp song, Old Smokey, etc.
10/05/67 Bathing at Baxter's Sessions mixed sbds All 56 
 Via Dave Tamarkin seed to DIME, 5/2005. **Multiple Takes. Lineages: #SB MASTER > DAT > AUDIO CD >
 EAC > COOL EDIT > FLAC. @SB UNKNOWN LINEAGE > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR >
 FLAC.
 Set One: Single Disc (21 tracks, 56:21), #Satisfaction, #It's Alright**, #Won't You
 Try/Saturday Afternoon**, #Martha**, @It's Alright, @Young Girl Sunday Blues, @Go to Her
10/14/67 San Francisco, CA - Winterland Arena MSR>CD partial 30 
 Via Dave Tamarkin seed to EZT, 1/2005: ANALOG SB MASTER REEL > ALL DIGITAL TRANSFERS > AUDIO CD >
 COOL EDIT > CD WAVE EDITOR > SHN.
 Set One: Other Side of This Life, Watch Her Ride, It's No Secret, White Rabbit, Ballad of
 You & Me & Pooneil//
10/30/67 Bathing at Baxter's Sessions MS?>?>CD All 28 
 Set One: 01. Martha (instrumental) 3:24, 02. Spare Chaynge 24:09, CD continues with
 10/26/68
12/31/67 San Francisco, CA - Winterland Arena MA?>?>CD 41 
 Sounds like the same master as for the QMS material from this same date, with the same reel
 wind-ups, etc. All tunes clip in. Young Girl Sunday Blues fades in.
 Set One: Single Disc (9) 40:48, 01. ... Young Girl Sunday Blues, 02. Watch Her Ride, 03.
 White Rabbit, 04. She Has Funny Cars, 05. Martha, 06. The Other Side of This Life, 07. Today, 08. Two
 Heads, 09. Won't You Try/Saturday Afternoon
 
??/??/68 Hollywood, CA - RCA Studio A MSR>CD All 9 
 *Crown of Creation Outtake*
 via Dave Tamarkin seed to EZT, 1/2005: SB MASTER REEL > AUDIO CD > COOL EDIT > CD WAVE EDITOR >
 SHN.
 Set One: --from CD w/ 10/14/67 & 11/6/65-- Untitled
01/30/68 San Francisco, CA - The Matrix MSR>C>CD All 108 
 verify lineage
  Set One: Disc One (14) 67:31, 01. noodling, Somebody to Love, 02. Young Girl Sunday Blues,
 03. She Has Funny Cars, 04. Two Heads, 05. Martha, 06. Kansas City, 07. Other Side of This Life, 08.
 Today, 09. Won't You Try/Saturday Afternoon, 10. It's No Secret, 11. (Share a Little Joke? first
 album), 12. Watch Her Ride, 13. Plastic Fantastic Lover, 14.White Rabbit
 Set Two: Disc Two (6) 55:53, 01. 3/5 of a Mile in 10 seconds, o2. Share a Little Joke, 03.
 ??? (instrumental), 04. Fat Angel, 05. Ballad of You & Me and Pooneil, 06. Filler? instrumental
02/01/68 San Francisco, CA - The Matrix MS?>?>CD All 129 
 *DATE UNCERTAIN*
 VIA DAVE TAMARKIN. SB UNKNOWN LINEAGE > AUDIO CD > COOL EDIT > CD WAVE EDITOR > FLAC
 Set One: CD1 (14 tracks, 67:03) - 1. Somebody To Love , 2. Young Girl Sunday Blues , 3. She
 Has Funny Cars , 4. Two Heads , 5. Martha , 6. Kansas City, 7. The Other Side of This Life , 8. Today
 , 9. Won't You Try/Saturday Afternoon , 10.It's No Secret, 11.Blues From An Airplane, 12.Watch Her
 Ride, 13.Plastic Fantastic Lover, 14.White Rabbit
 Set Two: CD2 (9 tracks, 61:36) - 1.3/5th's of a Mile on 10 Seconds , 2.Share A Little Joke ,
 3.Ice Cream Phoenix Jam//, 4.Fat Angel, 5.The Ballad of You Me & Pooneil , 6.High Flying Bird, 7.Wild
 Thyme, 8.Go To Her, 9.Rock Me Baby
05/18/68a San Jose, CA - Santa Clara County Fairgrounds  mixed auds All 49 
 Dave Tamarkin seed to DIME, 8/2005. TRACKS 1-5 - AUD MASTER > REEL > CD > SOUNDFORGE EXTRACTION >
 COOL EDIT > CD WAVE EDITOR; TRACKS 6-10 - JORMA'S AUD MASTER > 3RD GEN CASSETTE > CD > SOUNDFORGE
 EXTRACTION > COOL EDIT > CD WAVE EDITOR. Plastic Fantastic Lover splice @1:36; whining in source
 1.
 Set One: (11 tracks, 48:53) NEWER VERSION, COMPLETE: May 18 1968 ( Day ) : Northern
 California Folk-Rock Festival, Santa Clara County Fairgrounds, San Jose CA-- 1-White Rabbit ->
 2-Plastic// Fantastic Lover, 3-Watch Her Ride, 4-Today, 5-Ballad of You and Me and Pooneil, 6-Greasy
 Heart ( Track changes sources at the beginning), 7-Fat AngeL, 8-Star Track, 9-Won't You Try/Saturday
 Afternoon, 10-Somebody to Love, 11-Taper's Comments
 Set Two: OLDER VERSION, PARTIAL --Early Show: Santa Clara County Fairgrounds, San Jose, CA
 (end of show)-- 01. /Greasy Heart, 02. Fat Angel, 03. /StarTrack, 04. Won't You Try/Saturday
 Afternoon, 05. Somebody to Love
05/18/68b Los Angeles, CA - Shrine Auditorium MAR>3?C>CD All 46 
 JORMA'S AUD MASTER > 3RD? GEN CASSETTE > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR
 Set One: NEWER VERSION: May 18 1968 ( Night ): Shrine Exhibition Hall, Los Angeles CA--
 1-/White Rabbit, 2-She Has Funny Cars, 3-/Watch Her Ride, 4-Today, 5-Greasy Heart, 6-Star Track,
 7-Somebody to Love, 8-Fat Angel, 9-Won't You Try/Saturday Afternoon, 10-Ballad of You and Me and
 Pooneil/ (10 tracks, 45:55)
 Set Two: OLDER VERSION --continues from early show-- 05. /White Rabbit, 06. White Rabbit,
 07. She Has Funny Cars, 08. /Watch Her Ride, 09. Today, 10. Greasy Heart, 11. Star Track, 12. Somebody
 to Love, 13. Fat Angel, 14. Won't You Try/Saturday Afternoon, 15. Ballad of You and Me and
 Pooneil//
08/28/68 Copenhagen, DK - Falkoner Centret MAR>2R>CD All 79 
 Dave Tamarkin seed to DIME, 8/2005. AUD MASTER > 2ND GEN REEL > M-AUDIO TRANSIT > COOL EDIT > CD
 WAVE EDITOR > FLAC.
 Set One: (14 tracks, 79:14), 1-It's No Secret, 2-Watch Her Ride, 3-White Rabbit, 4-Plastic
 Fantastic Lover, 5-Fat Angel, 6-?, 7-Star Track, 8-Triad, 9-Ballad of You and Me and Pooneil >,
 10-House at Pooneil Corners, 11-Today, 12-Greasy Heart, 13-Won't You Try/Saturday Afternoon,
 14-Somebody to Love
09/10/68 Hamburg, Germany - Musikhalle MAR>C>CD All 53 
 Seeder (Uli Teute's) notes: "aud master reel-> my 1st gen cass played back on nak
 cr7e-marantzdr700 transfered 02-04. i sent a wav cd once out to lestattkat in the days of STG. he
 ripped that to shn i assume and seeded it .. so this here is my first flac encoded files of my cdr."
 *eye witness report. uploaded to dime by hanwaker 02-07. contrary to most of the airplane giglistings
 there is and was no broadcast of this show. JJ: this "nothing jam" is the 3/5 of a mile jam.
 Set One: 9 tracks, 53:02: 01 watch her ride, 02 triad, 03 crown of creation, 04 if you feel,
 05 in time, 06 white rabbit, 07 nothing jam, 08 ballad of you and me --> 09 house at pooneil corner
 (MISSING sat afternoon->wont you try*)
 Set Two: OLD COPY, unknown source via Bob Varanka: 9 tracks, 52:59: Watch Her Ride, Triad,
 Crown of Creation, ?? (Balin vox), ?? (Kantner vox), White Rabbit, 3/5 of a Mile Jam (?), Ballad of
 You and Me and Pooneil -> House on Pooneil Corner
09/15/68 Amsterdam, Netherlands - Concertgebouw MF>?>2C>CD* All 31 
 DIME seed by Hanno from Uli Teute's tapes: FM C/2 except Today, Somebody To Love: FM > DAT from
 rebroadcast in the '90s.
 Set One: Single Disc (8 tracks, 31:27), 01 If You Feel, 02 Crown Of Creation, 03 talk, 04
 Plastic Fantastic Lover, 05 Jam w/vocals (starts off like 3/5 of a Mile Jam), 06 Grace 'interview', 07
  Somebody To Love, 08 Today
 Set Two: Alt. copy via Bob Varanka
09/15/68b Amsterdam, Netherlands - Concertgebouw MA?>?>CD All 56 
 I infer that this is the late show from remarks by Grace referring to an earlier show. Also some
 reference to the Doors that I didn't note. Nice aud!
 Set One: Single Disc (10 tracks, 56:11): Won't You Try/Saturday Afternoon, Rocke Me Baby,
 ??? (Balin vocal), Crown of Creation, Somebody to Love, Plastic Fantastic Lover, Instrumental [10:43],
 ??? (Kantner vocal), Ballad of You and Me and Pooneil, Interview
10/26/68 San Francisco, CA - Fillmore West MS?>?>CD All 41 
  Won't You Try cuts in near very end (just before "SaturdayAfternoon" part). Wonderful stuff!
 Set One: --continues from "10/30/67 Bathing at Baxter's Sessions"-- 03. Fat Angel, 04. Uncle
 Sam Blues, 05. Somebody to Love, 06. //Won't You Try/Saturday Afternoon, 07. White Rabbit, 08. Ballad
 of You & Me & Pooneil [9:42] -> 08. House at Pooneil Corners [5:32] [0:19]
 
??/??/69 San Francisco, CA - Wally Heider Studios MS?>?>CD 74  
 *Volunteers Sessions*
 Pink Robert lists the following lineup: Grace Slick - vocal, Paul Kantner - guitar, Marty Balin -
 vocal, Jorma Kaukonen - guitar, Jack Casady - bass, Spencer Dryden - drums, Nicky Hopkins - piano,
 Joey Covington - percussion. NB that these versions of "The Farm" have no pedal steel, with that part
 done on acoustic guitar. This gives creedence to my hypothesis that Garcia's steel part was overdubbed
 after the fact.
  Set One: (14) 74:07, Volunteers (take 18) , We Can Be together (extended into, lead guitar
 overdub) , We Can Be Together (Paul Kantner acoustic demo) , We Can Be Together (lead guitar overdum,
 master take No. 75) , Good Shepherd (vocal overdubs on master take) , Good Shepherd (different vocal
 overdubs on master take) , The Farm ( acoustic guitar overdubs on master take) , The Farm (different
 acoustic guitar overdubs on master take) , Turn My Life Down (demo take No. 33) , Wooden Ships
 (alternate take) > JPP McStep B Blues (alternate take) , Wooden Ships (first vocal take) > JPP
 McStep B Blues (instumental version) , A Song For All Seasons (take recorded 8/28/69) , Hey Fredrick
 (with lead guitar overdubs) Instumental version/no vocals, Hey Fredrick (different take with lead
 guitar overdubs)
 Set Two: also have a version via Pink Robert (Liberated Deep Six bootleg)
03/28/69 San Francisco, CA - Wally Heider Studios MS?>?>CD All 60 
 *Volunteers Sessions* *3/28/69-6/5/69*
 Comment: 3/28/69 thru 6/5/69 -- Recording session for "Volunteers" album and "Hey Frederick".
  Lineup: Paul Kantner (vocals, guitars), Marty Balin (vocals), Jack Casady (Bass), Jorma Kaukonen
 (guitars, vocals), Spencer Dryden (percussion), Grace Slick (vocals).
 Set One: (59:48) 01-volunteers take18 02- We Can Be Together >take75 03-we can be
 together>acoustic 04-we can be together>electric 05-good shepherd>take25 06-good shepherd> again?
 07-the farm 08-the farm>another mix 09-turn my life down>take33 10-wooden ships 11-wooden ships>
 again? 12-?
04/26/69 San Bernardino, CA - Swing Auditorium MAR>R>D>CD All 70 
 *Harv Kaslow & Craig Todd, Sony mics > Uher deck*
 MAR (Sony ECM280 Mics > Uher 5" portable reel to reel 40-50' back, fairly close to center) > reel >
 DAT > CD. Saith the info file: "This is a wonderful audience tape made by two of the pioneers of
 stealth audience taping, Harv Kaslow and Craig Todd." I have my doubts about whether this model of
  Sonys was available as early as this.
 Set One: Single Disc (13) 69:37, 3/5ths of a Mile in 10 Seconds > Somebody to Love, Wooden
 Ships, Fat Angel, Uncle Sam Blues, Plastic Fantastic Lover, It's No Secret, Greasy Heart, Won't You
  Try > Saturday Afternon, Volunteers, White Rabbit, The Other Side of This Life
05/07/69 San Francisco, CA - Polo Field, Golden Gate Park MSR>C>D>CD All? 59 1306 
 t03 The Farm CD skips @ 0:46-0:47; t10 Won't You Try drop @ start, Saturday Afternoon cuts out; A
 copy seeded to DIME in 5/2005 had the two additional songs sometimes listed for this date, We Can Be
 Together and Mexico, but they are both from 4/15/70 Winterland. t01, PK: "Now's the time to finish
 your dope." t02 (terribly out of tune), GS: "find somebody to tune"; t03, GS: "We gotta get the
 gremlins away from those tuning things." t05 Good Shepherd sung by Grace.
 Set One: Single Disc (11) 58:38, 01. Other Side of This Life, 02. Somebody to Love, 03. The
 Farm, 04. Greasy Heart, 05. Good Shepherd, 06. Plastic Fantastic Lover, 07. Reenlistment Blues, 08.
 Volunteers of America, 09. White Rabbit -> 10. Won't You Try/Saturday Afternoon//, 11. Jam in Key of D
 (MISSING TWO SONGS?)
06/13/69 San Francisco, CA - Family Dog at the Great Highway mixed sbd All 76 682 
 Notes from Uli Teute: "sources: t1 + t10 from download seeded on further by fstop; t2-4+11 from my
 old analog cassette; t5-9 from an unknown CD bootleg. Two titles not to be found on this version of
 6-13-69 but commonly attached to this recording are “Ballad” & “Eskimo”. My research reveals that both
 songs are identical to the versions which are to be found on the vinyl bootleg “Up Against The Wall,
 Motherfuckers”. The sources for this bootleg are the two TV specials “Go Ride The Music” (filmed late
 69 ?) and “A Night At The Family Dog” (filmed at the Family Dog 2-4-70). Track 1 “Jam”: this portion
 is in rare circulation. I have not heard this before fstop uploaded his version which he claims to
 have received from Harvey Lubar. uli teute (hanwaker) 12/2002."
 Set One: Single Disc (11) 76:04, 1. Jam 14.08, 2. Other Side 6.35, 3. Wooden Ships -> 5.47,
 4. J.P.P.McStep B.Blues 2.22, 5. Crown of creation 3.16, 6. Greasy Heart 3.36, 7. Good Shepherd 6.59,
 8. Fat Angel 9.16, 9. Volunteers 4.06, 10. House at Pooneil 6.09, 11. Phony Handshake Jam 13.58
06/16/69 San Francisco, CA - Family Dog at the Great Highway MF?>?>CD All 61 
 Not a bad recording but for the digital issues; some hiss, but listenable. t01 OSOTL clicks in,
 numerous digi-ticks, mix & level fluctuations; t02 Wooden Ships digi-ticks until about 2:30; t07 Fat
 Angel pop @ track 4:35, skips @ 5:24, 5:26; t08 Volunteers sounds like it was about to go into Won't
 You Try.
 Set One: Single Disc (11) 61:21, 01. [0:05] /Other Side of This Life [#6:20] [0:02], 02.
 [0:28] Wooden Ships [5:26+:12] -> 03. J.P.P. McStep B. Blues [-:12+2:32], 04. [0:03] Crown of Creation
 [2:53], 05. [0:09] Greasy Heart [3:16], 06. [0:03] Good Shepherd [6:39], 07. [0:07] Fat Angel [9:01]
 [0:06], 08. Volunteers [3:41], 09. Ballad of You and Me and Pooneil [8:01], 10. [0:12] Eskimo Blue Day
 [5:36], 11. [0:18] House at Pooneil Corners [6:05] [0:09]
08/10/69 New York, NY - Central Park Bandshell MAC>R>CD All 78 
 CASSETTE AUDIENCE MASTER > REEL > AUDIO CD > CD WAVE EDITOR > FLAC, via Dave Tamarkin seed to DIME.
 Sounds like a great time, though the audibility of the music is limited.
 Set One: CD1 (7 TRACKS, 40:18), 1-OTHER SIDE OF THIS LIFE, 2-WON'T YOU TRY/SATURDAY
 AFTERNOON, 3-BALLAD OF YOU AND ME AND POONEIL, 4-COME BACK BABY, 5-FAT ANGEL, 6-PLASTIC FANTASTIC
 LOVER, 7-SOMEBODY TO LOVE
 Set Two: CD2 (6 TRACKS, 38:19); 1-WOODEN SHIPS; 2-3/5 OF A MILE IN 10 SECONDS; 3-WHITE
 RABBIT, 4-WE CAN BE TOGETHER, 5-VOLUNTEERS, 6-JAM
08/16/69 Bethel, NY - Max Yasgur's Farm  pro All n/a 
09/06/69 San Francisco, CA - Family Dog at the Great Highway n/a 
09/07/69 San Francisco, CA - Family Dog at the Great Highway MSR>C>D>CD All 78 296 
 Set One: Single Disc (12) 78:23, 1. The Ballad Of You And Me And Pooneil -> Starship, 2.
 Good Shepherd, 3. Greasy Heart, 4. Somebody To Love, 5. The Farm, 6. Crown Of Creation, 7. Come Back
  Baby, 8. Wooden Ships, 9. Volunteers -> 10. Jam With Jerry (Garcia) #1 -> 11. Space Jam With Garcia ->
 12. Rock Jam With Garcia
10/10/69 Vancouver, Canada - Agrodome MA?>?>CD All 111  
 Set One: Disc One (12) 65:38, 01. Won't You Try/Saturday Afternoon, 02. Somebody to Love,
 03. Young Girl Sunday Blues, 04. Wooden Ships, 05. [1:03] Volunteers, 0. Come Back Baby, 07. Fat
 Angel, 08. 1:30 Plastic Fantastic Lover, 09. 1:14 Greasy Heart, 10. 0:55 We Can Be Together, 11.
 [0:55] Crown of Creation, 12. 3/5 of a Mile in 10 Seconds
 Set Two: Disc Two (11) 66:42, 01. Jam -> 02. Baby You Wear Your Dresses Too Short, 03. Wild
 Thyme, 04. Ballad of You & Me & Pooneil// 05. Ballad (con't) -> 06. House @ Pooneil Corners --Filler:
 unknown, but same era, recordist?-- 07. Star Track (nice!), 08. Watch Her Ride, 09. Plastic Fantastic
 Lover, 10. Triad, 11. Greasy Heart
10/25/69 San Francisco, CA - Winterland Arena MSR>C>D>CD n/a 
10/26/69 San Francisco, CA - Winterland Arena MSR>C>D>CD All 55 1313 
 Eskimo Blue Day splice @ 5:31
  Set One: Disc One
 Set Two: Disc Two (6 tracks, 55:09), It's No Secret, Other Side of This Life, Wooden Ships,
 Eskimo //Blue Day, Baby You Wear Your Dresses Too Short, Ballad of You and Me and Pooneil
10/31/69 Los Angeles, CA - The Forum MAR>R>CD All 150 1051-1052 
 *Harv Kaslow & Craig Todd, Sony ECM-22Ps > Uher deck*
 MAR (Taped by Harv Kaslow and Craig Todd, ?Sony ECM-22Ps? > Uher deck info) > 1st gen reel > CD
 (need details), via Harvey Lubar. Notes/Flaws: - This lineage is documented. - order and a number of
 song titles uncertain to me; - d1t01 Somebody to Love cuts in, most missing; - d1t06 Martha cuts in; -
 d1t11 I can Tell; - d2t06 cuts in, most missing; - d2t07 Fat Angel has a gap @ 11:52-12:00. I suspect
 either that the tapers thought the song was ending or had to flip. - d2t10 White Rabbit cuts in, most
 missing
 Set One: Disc One (13) 79:43 --Airplane-- 01. //Somebody to Love [#1:06] [1:37], 02. Won't
 You Try/Saturday Afternoon [5:09] [0:26], 03. Volunteers [2:51] [1:04], 04. Good Shepherd [7:43]
 [2:05], 05. Uncle Sam Blues [6:31] [0:01], 06. //Martha [#2:26] [0:34], 07. Plastic Fantastic Lover
 [3:49] [0:20] --Hot Tuna-- 08. Come Back Baby [6:30] [0:31], 09. True Religion [4:47] [0:27], 10.
 Driftin' [3:19] [0:39], 11. I Can Tell// [5:37#] [0:06], 12. _____ [5:40] [1:07], 13. _____ [3:17] ->
  You Wear Your Dresses Too Short [11:58] [0:02]
 Set Two: Disc Two (11) 69:44 --Airplane-- 01. We Can Be Together [5:49] [0:18], 02. Greasy
 Heart [3:33] [0:39], 03. Wooden Ships [6:03] [0:12], 04. Young Girl Sunday Blues [3:38] [0:19], 05.
 Other Side of This Life [8:37], 06. //_____ [#1:34] [1:32], 07. Fat // Angel [13:#11] [0:08], 08.
 House at Pooneil Corners [5:46] [0:44], 09. Eskimo Blue Day [5:48], 10. //White Rabbit [#0:33] [0:19],
 11. Ballad of You and Me and Pooneil [10:42] [0:19]
11/??/69 Utica, NY - Utica Memorial Auditorium MF?>?>CD All 84 
 Etree: Unsure of exact date and venue. Source: etree lists FM broadcast WOUR-FM, but could be an
 aud. d2 drops at markers?
 Set One: Disc One (7) 33:30, 01. //Good Shepard, 02. Somebody To Love, 03. Uncle Sam Blues,
 04. Have You Seen The Saucers, 5. Mexico, 06. Wooden Ships, 07. The Other Side Of This Life
 Set Two: Disc Two (7) 49:58, 01. Jam// [13:17], 02. Jam (con't) [1:06], 03. Fat Angel
 (w/"orange sunshine" line), 04. Won't You Try/Saturday Afternoon, 05. Driftin' Around, 06. Greasy
 Heart, 07. The Ballad of You and Me and Pooneil
11/22/69 College Park, MD - Ritchie Coliseum, Univ. of MD MA?>?>CD 58 
 Crappy aud. All songs clipped. Hot performance, but a very difficult listen.
 Set One: Single Disc (11) 57:41, Ballad of You & Me & Pooneil, White Rabbit, Crown of
 Creation, Wooden Ships, Good Shepherd, Come Back Baby, Other Side of This Life, You Wear Your Dresses
 Too Short, Greasy Heart, We Can Be Together -> Volunteers//
11/30/69 West Palm Beach, FL - West P.B. Auditorium MA?>?>CD All? 63 
 Very fine audience recording for the period, and the performance is outrageously good. There is
 some bumping or ticking happening during Volunteers.
  Set One: Single Disc (10 tracks, 62:31), /We Can Be Together, Somebody to Love, Other Side
 of This Life, Good Shepherd (nice!!), Dresses Too Short, Ballad of You & Me & Pooneil, Greasy Heart,
 White Rabbit, Volunteers --Unknown Filler-- She Has Funny Cars//
 
02/04/70 San Francisco, CA - Family Dog at the Great Highway MS?>?>CD partial n/a 
 Set One: last three tunes on 6/13/69 via Powell
02/04/70 San Francisco, CA - Family Dog at the Great Highway pro-shot partial n/a 
 Teddy Goodbear's Notes: Audio Source: A SBD was used for the 3 GD songs. For the remainder, I used
 the previously circulating (PBS) Pro Shot DVD of the mono recording then heavy editing using Cool Edit
 Pro adding (among other things) a simulated stereo effect. Other than the 3 Dead songs, the remainder
 does not sound great. IMHO however, it sounds better then the original mono recording and overall very
 enjoyable! Video Source: Circulating PRO SHOT (PBS) DVD."
 Set One: 6. The Ballad Of You And Me And Pooneil - Jefferson Airplane, 7. Eskimo Blue Day -
 Jefferson Airplane
02/07/70 Anaheim, CA - Anaheim Convention Center MAR>R>CD All 78 
 *Harv Kaslow & Craig Todd, Sony ECM-22Ps > Uher deck*
 Source: Sony ECM-22p mics->UHER 5 inch Master Audience Reels. Geneology: Master Audience
 Reels->RR@7.5ips->DAT->CD. Lou Adds: Vine cd>eac>wav>cool edit>cdwav>shntool>flac. Lou's Edit Notes:
 Not bad for a 34+ year old audience recording! I edited as many artifacts as I could (pops, clicks,
 dropouts) including those nasty microgaps, mostly on disc 3. I evened out the volume, even though
 there are some slight fluctuations here and there. I retracked all 3 discs and ran them through
 shntool after editing & retracking. Notes: The first generation reels are notated as being recorded
 February 7, 1970 at Anaheim Convention Center, which is in accordance with the date, venue and setlist
 notation (for Hot Tuna) listed at Tunabase.com. However, there is some debate as to the accurate date
 of these recordings. Some say these were recorded on June 7, 1970 at Anaheim Stadium. Regardless,
 they are remarkably nice audience recordings for 1970, with all instruments, vocals and stage banter
 clearly audible. Another vintage show that is not in heavy circulation. This one features Jefferson
 Airplane, Electric Hot Tuna with Marty Balin and It's A Beautiful Day. All three sets are complete and
 these are great quality audience recordings for the era. "
 Set One: 16 tracks 78:14, The Other Side Of This Life, Somebody To Love, Good Shepherd, The
 Ballad Of You & Me & Pooneil, Mexico, We Can Be Together, Plastic Fantastic Lover, Uncle Sam's Blues ,
 Wooden Ships , Greasy Heart , Crown Of Creation , Volunteers --Encores-- Won't You Try-> Saturday
 Afternoon, White Rabbit, 3/5 of a Mile In 10 Seconds
02/23/70 San Francisco, CA - Winterland Arena MAR>R>CD All n/a 
 *Harv Kaslow & Craig Todd: Sony ECM-22Ps > Uher deck*
 MAR (Taped by Harv Kaslow and Craig Todd, ?Sony ECM-22Ps? > Uher deck info) > 1st gen reel > CD
 (need details), via Harvey Lubar.
 Set Two: copy via Dave Tamarkin ("version 1"): We Can Be Together -> Volunteers, Good
 Shepherd, Somebody to Love, //Emergency, //Uncle Sam Blues, Tuning, Have You Seen the Saucers?,
 Tuning, Mexico, Other Side of This Life, Nothing, Talk/Tuning, 3/5 of a Mile in 10 Seconds
03/06/70 Dallas, TX - Memorial Auditorium  MA?>?>CD All 108 
 Set One: Disc One (10 tracks, 58:29), 01. We Can Be Together, 02. Sombody to Love, 03.
 Wooden Ships, 04. Ballad of You & Me & Pooneil, 05. White Rabbit, 06. Emergency, 07. Uncle Sam Blues,
 08. Mexico (fast!) -> 09. 3/5 of a Mile in 10 Seconds, 10. Crown of Creation
 Set Two: Disc Two (7 tracks, 54:28), 01. Jam ("Nothing") 17:22, 02. Greasy Heart, 03. Won't
 You Try/Saturday Afternoon, 04. Volunteers, 05. Good Shepherd, 06. Other Side of This Life --Filler--
 07. Radio promo for "Bless Its Pointed Little Head"
03/24/70 Port Chester, NY - Capitol Theater MS?>?>CD All 88 
 disc order probably reversed. TAO. Hissy, some swooshing metallic sound of bad NR or maybe MP3.
 In short, sounds pretty crappy.
 Set One: Have You Seen The Saucers (neat jam after 6:25) , Good Sheperd, We Can Be Together
 -> Volunteers, Up Or Down -> You Wear Your Dresses Too Short//
 Set Two: The Ballad of You and Me and Pooneil, White Rabbit, 3/5 Of A Mile In 10 Seconds,
 Wooden Ships, Come Back Baby, Fat Angel//
03/25/70 Selden, NY - Suffolk County Community College M??>?>CD partial 46 
 I can't tell what this is sourced from, but it sounds pretty good, with minimal hiss. Grace is
 absent.
 Set One: Single Disc (7 tracks, 46:18), 01. Other Side of This Life, 02. Wooden Ships, 03.
 3/5 of a Mile in 10 Seconds, 04. We Can Be Together, 05. Uncle Sam Blues//, 06. Emergency, 07. Have
 You Seen the Saucers?
04/02/70 San Francisco, CA - Wally Heider's Studio MS?>?>CD All? 30 
 Artist: Jefferson Airplane, Title: "Up Against The Wall... " Recording Date: April 2, 1970.
 Recording location: Wally Heider's Studio - San Francisco, CA. Source: May be sbd or film track from
  television program . Lineage: vinyl>wav>cdr>wav>flac8. Seeder's Notes: "Studio rehearsal's filmed for
 a television special "San Francisco Rock: Go Ride The Music". The special was broadcast on KQED/NET on
 December 6, 1970. Released as boot vinyl. This program has been around in other forms but usually did
 not include #8 Emergency or sometimes #9 The Ballad Of You & Me & Pooneil." JJ notes: Dave Tamarkin
 says that t03 (Eskimo Blue Day) and t09 (Ballad) are from the "Night at the Family Dog" performance
 from 2/4 (that's 4 February) 1970.
 Set One: (9 tracks, 45:07), 01- We Can Be Together (5:49) , 02- Volunteers (3:38) , 03-
 Eskimo Blue Day (5:47) , 04- Mexico (2:20) , 05- Somebody To Love (4:42) , 06- Wooden Ships (6:25) ,
 07- Plastic Fantastic Lover (3:09) , 08- Emergency (4:42) , 09- The Ballad Of You & Me & Pooneil
 (8:30)
04/15/70 San Francisco, CA - Winterland Arena MSR>D>CD All 86 
 Set One: Disc One (7) 42:28, 1. We Can Be Together, 2. Mexico, 3. Won't You Try, 4. Other
 Side, 5. Greasy Heart, 6. Crown of Creation, 7. Come Back Baby
 Set Two: Disc Two (6) 42:58, 1. Emergency, 2. Saucers, 3. Somebody to Love, 4. Wooden Ships,
 5. 3/5 of a Mile, 6. Volunteers
05/01/70 Stony Brook, NY - SUNY Athletic Field MS?>?>CD All 119 
 Basically nice sbd but with all kinds of bad mix and level problems (from the source, I'd guess, as
 they seem to be having technical difficulties throughout) and also lots of digital gremlins
 throughout. I won't trade this. The show itself is not bad, some interesting stuff (e.g., a long
 late Good Shepherd, and especially the technical difficulty-induced Jam to start disc two!), but also
 a lot of sloppy drunkenness. It's not as bad as the next week or so on that score, but at times it's
 pretty bad.
 Set One: Disc One (9) 60:51, 01. Volunteers, 02. Somebody to Love, 03. Other Side of This
 Life, 04. Mexico, 05. Come Back Baby, 06. White Rabbit, 07. 3/5 of a Mile in 10 Seconds, 08. Crown of
 Creation, 09. Good Shepherd
 Set Two: Disc Two (5) 57:36, 01. Jam//, 02. Have You Seen the Saucers?, 03. We Can Be
 Together -> 04. Volunteers (again, apparently), 05. Ballad of You & Me & Pooneil (fades out)
05/03/70 New York, NY - Central Park MA?>?>CD All 74 
 Decent audience tape.
 Set One: Single Disc (13) 74:24, 01. Somebody to Love, 02. Wooden Ships, 03. Mexico, 04.
 Other Side of This Life, 05. White Rabbi, 06. Crown of Creation, 07. Uncle Sam Blues, 08. Plastic
 Fantastic Lover, 09. Have You Seen the Saucers, 10. Good Shepherd, 11. Greasy Heart, 12. We Can Be
 Together -> 13. Volunteers
05/06/70 New York, NY - Fillmore East MA?>?>CD All 179 
 very nice recording, and pretty amazing material. I think it's early/late shows, but I am not
 sure.
 Set One: Disc One (9) 64:26 --Airplane (early show?)-- Volunteers, Somebody to Love, Good
 Shepherd, Mexico, Ballad of You & Me & Pooneil, Wooden Ships, Uncle Sam Blues, Emergency, Other Side
 of This Life
 Set Two: Disc Two (8) 53:18 --Hot Tuna-- Sea Child, New Song for the Morning, Hesitation
 Blues, Death Don't Have No Mercy, Mann's Fate --Airplane (late show?)-- Have You Seen the Saucers,
 White Rabbit, We Can Be Together -> Volunteers (with some double-time parts)
  Set Three: Disc Three (7) 62:22 --Airplane (con't)-- Grace talk & tuning [1:53], Greasy
 Heart, Won't You Try/Saturday Afternoon, I Can Tell, 3/5 of a Mile in 10 Seconds, ______ {"Grace isn't
 around. She's takin' a shit."}, Baby What You Want Me To Do, Whatever the Old Man Wants -> Baby You
 Wear Your Dresses Too Short
05/07/70 New York, NY - Fillmore East MSR>2R>CD? All 84 
 This is one of the most drunken public performances you'll ever here, including Grace's infamous
 "Shrimp Salad" (or something like that) rap. d1t09 Sat Afternoon splice @ 1:55, cuts out; d1t13 drop
 ! 1:00, 1:02, gap @ 5:32-5:37; d2t01 drop @ 3:52, 4:02. The lineage given is known to circulate from
 Bill Gadsden's 2nd gen reels. I am assuming that these are sourced from those.
 Set One: Disc One (13) 73:40 --Hot Tuna partial-- --Airplane set-- Have You Seen The
  Saucers, We Can Be Together -> Volunteers, Won't You Try/Saturday// Afternoon//, Somebody To Love,
 Wooden Ships, Mexico, Uncle Sam Blues
 Set Two: Disc Two (5) 30:34, The Ballad of You and Me and Pooneil --Encore-- 02. Bill
 Graham, 03. //Plastic Fantastic Lover//, 04. Crown of Creation, 05. _____
06/29/70 Shepton Mallet, UK - Bath Festival MA?>?>CD All 56 
 Bath Festival of Blues and Progressive Music - Shepton Mallet, England - 06-29-70. Audience
 Recording (Fair). Band: Grace Slick (vocals), Paul Kantner (vocals/guitar), Marty Balin (vocals),
 Jorma Kaukonen (lead guitar/vocals), Jack Casady (bass guitar), Joey Covington (drums). Info on this
  show can be found at: http://tinpan.fortunecity.com/ebony/546/airplane.html. This is a rough aud,
 probably for completists only.
 Set One: (7) 56:13, /Volunteers, Somebody to Love, Other Side of This Life, Won't You
 Try/Saturday Afternoon, 3/5 of a Mile in 10 Seconds, Rock Me Baby, The Ballad of You & Me & Pooneil
09/14/70 San Francisco, CA - Fillmore West MS?>?>CD All 113 
 Set One: Disc One (13) 61:03, ... We Can Be Together, Mexico, Crown Of Creation, The Old
 Man, The Ballad of You and Me// and Pooneil, Emergency, Come Back Baby, Somebody To Love, Wooden
 Ships, Up Or Down
 Set Two: Disc Two (13) 51:54, Have You Seen The Saucers, The Man, The Other Side Of This
 Life, Volunteers, --Encore-- Greasy Heart, You Wear Your Dresses Too Short, Freight Train Tuning,
 Starship (MISSING: 3/5 Of A Mile In 10 Seconds)
09/15/70 San Francisco, CA - Fillmore West  MSR All 51 
 Set One: Single Disc (10) 51:02, Somebody to Love, Crown of Creation, Mexico, Whatever the
 Old Man Wants, Have You Seen the Saucers, Uncle Sam Blues, Emergency, 3/5 of a Mile in 10 Seconds, ...
 We Can Be Together > Volunteers
10/04/70 San Francisco, CA - Winterland Arena n/a 
11/13/70 Port Chester, NY - Capitol Theater MAC>CD All  89 
 *Ken & Judy Lee: Sony mic > Sony TC-124* *PCRP004*
 Technical Notes: The original audience master cassette was recorded on a Sony TC124 with unknown
 Sony dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee. The cassette was
 baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John
 Jay Hance in 2003. Further editing and tracking performed by Peter G with Soundforge. Audio extraction
 via Peak 3.2.1 on a G4 Titanium Powerbook, compressed with xACT V1.2 (shn, sbe and md5 verified), and
 seeded by BoldCaptain via BitTorrent 3.2.2a. Extra thanks to Dave T. for the help with the setlist.
 Flaws: distortion as described previously, throughout. d1t3 cuts off at :38 sec. followed by almost
 two minutes of crowd before the next song. Several dropouts during playback from master tape were not
 edited out, not too bad though considering its 33 yrs old! Ken & Judy Lee present the Port Chester
 Resurrection Project as a loving tribute to Mark Cohen. A brother and friend to many in the community,
 his spirit lives on through the music. Peace! BoldCaptain. The latest PCRP release from the vault of
 Ken & judy Lee brings us a rare portrait of one the unsung heros of the psychedelic era, The Jefferson
 Airplane. Pioneering the sound that most "psychedelic" bands from the 60's era emulated, their genre
  creating music went almost entirely overlooked by popular radio in its day. Charging their lyrics with
 social, political, and envoirmental themes, coupled with a healthy dose of Big Brother is watching
 science fiction. Combine that with an outspoken, flamboyant lead female singer, and its no wonder why
 there is a file this thick on them in the FBI's office. What makes this especially interesting is the
 close proximity to Marty "leaving" the band. Some databases indicate this happened in October of this
 year, yet Marty is clearly on board here. Also with the introduction of Papa John just weeks before,
 we can see the cracks starting to form. Jorma is way out front, from the stripped down beginnings of
 "Come Back Baby" to the bluesy finale of "Baby, What You Want Me To Do". You can feel the connection
 in the interplay between Jorma and Jack, their realization that there's more to life than "Jefferson
 Airplane". A slow introduction of the band is executed, as members are brought out for succeeding
 songs, first Marty, then Papa John, and Will Scarlet each adding their own component, until the full
 band reaches the stage with the start of disc 2. And when they do, the machine really starts to fly.
 "Have You Seen The Saucers" morphs into an eerie premonition of things to come. Graces' Do-Do-Do-ings
 on d2t1 turning "Saucers" into a starship-esque "Hijack", ending in a cascade of guitar feedback.
 Hearing this for the first time, literally gave me chills, as the two factions of this one band
 seemingly engage in a battle for dominance. ( As a tech note, this was undocumented on the discs that
 were given to me, and as such d2t1 is left as a single track). And the tension just builds... Good
 Shepherd, We Can Be Together, Pretty As You Feel, Johns Other, each member looking for the touch of
 the spotlight, all the while held firmly in the Kaptains' grasp. While they finish up with two of
 their strongest anthem's "Somebody To Love" and "Volunteers", they're not done yet. And again each
 band member seems to want to leave their mark on this performance. Four encore songs, "Emergency",
 "Peggy Sue" , "All Around This World", and "Baby, What You Want Me To Do", the last two without Paul
 and Grace (read Hot Tuna). A band that shouted "gotta revolution" in the midst of one of their own.
 While this is not the best sounding offering from the PCRP, it is well worth the time to hear this
 documentation of chaos and accord, from beginning to end, if just once. There is a significant amount
 of distortion in the mid-bass. On listening I EQ'ed around -6db@400K to pull down some of the
 distortion, but the files are left unchanged from their original source. Also, there is a copy of the
 early show that circulates, though its uncertain if it is from the same source. Of course when Ken &
 Judys is unearthed, we will make that available. Enjoy!
 Set One: Disc02 (Jefferson Airplane) (6 tracks, 63:21),
 PCRP#004JA1970-11-13Ld2t01-HaveYouSeenTheSaucers>Hijack.shn (18:21),
 PCRP#004JA1970-11-13Ld2t02-ThreeFifthsofAMile.shn (7:53), PCRP#004JA1970-11-13Ld2t03-GoodShepherd.shn
 (10:00), PCRP#004JA1970-11-13Ld2t04-WeCanBeTogether.shn (8:00),
 PCRP#004JA1970-11-13Ld2t05-PrettyAsYouFeel.shn (10:20), PCRP#004JA1970-11-13Ld2t06-JohnsOther.shn
 (8:43)
 Set Two: Disc03 (3 tracks, 26:20), PCRP#004JA1970-11-13Ld3t01-SombodyToLove.shn (9:04),
 PCRP#004JA1970-11-13Ld3t02-Volunteers.shn (11:07), PCRP#004JA1970-11-13Ld3t03-Emergency.shn (6:06)
 
09/22/72 San Francisco, CA - Winterland Arena MF?>?>CD All n/a 
11/??/72 Baron von Tollbooth & Chrome Nun Sessions MS?>?>CD ?  70 
 GRACE SLICK, PAUL KANTNER & DAVID FREIBERG: "Sessions With The Baron." Baron Von Tollbooth & The
 Chrome Nun sessions, Wally Heider's Studio, San Francisco, November-December 1972. Excellent stereo,
 via Pink Robert. Grace Slick, Paul Kantner - vocals; Paul Kantner, David Crosby, Jorma Kaukonen, Jerry
 Garcia, Craig Chaquico, Jack Traylor - guitars; Jack Casady, Chris Ethridge - bass; David Freiberg -
 keyboards; Papa John Creach - violin; John Barbata, Mickey Hart - drums. t06 - "Take 7, 6 (?)" in
 synthesized voice @ start of track. t08 back rewinding @ 1:45. t09 starts with some high speed
 rewinding.
 Set One: (Single Disc 70:07) 01. Sketches Of China 1 [5:13] (w/ JG) 02. Your Mind Has Just
 Left Your Body 1 [5:38] (w/ JG) 03. White Boy 1 [3:51] (w/ JG, pedal steel?) 04. Walkin' - fragment
 [0:12] (w/ JG) 05. Sketches Of China 2// (disortion, lots of reverb) (various glitches, including
  rewind) [1:58] 06. Sketches Of China 3// [2:03] 07. Sketches Of China 4 [4:59] 08. Sketches Of China 5
 [2:02] 09. Sketches Of China 6 [4:47] (w/ JG) 10. The Ballad of A Chrome Nun [4:10] (w/ JG on pedal
 steel) 11. Fat [3:13] (w/ JG on pedal steeel - nice!) 12. Flowers Of The Night [4:11] 13. Walkin'
 [2:32] (w/ JG? banjo?) 14. Your Mind Has Just Left Your Body 2 [5:48] (w/ JG on pedal steel) 15.
 Across The Board 1 [4:31] 16. Across The Board 2 [4:31] 17. Harp Tree Lament [3:34] 18. White Boy 2
 [4:15] (w/ JG) 19. Fishman [2:39] (w/ JG)
 
11/24/74 San Francisco, CA - Winterland Arena MSR>2P>D>CD All 134 
 Master Betty Reel > PCM > PCM > DAT > CDR > EAC > MKW > .shn. ...indicates original reel tape flip.
 *Marty Balin vocals. Any anomolies are on the master tape. From johncva@aol.com.
 Set One: Disc One (9) 65:51, 1. ...Ride The Tiger, 2. Devil's Den, 3. Wooden Ships, 4. Come
  Again Toucan, 5. Hyper...Drive, 6. Down Home, 7. Go Down On Him, 8. That's For Sure, 9. All Fly
 Away
 Set Two: Disc Two (7) 68:06, 1. Come To Life, 2. Milk Train, (Blows Against The Empire
 Suite) 3. Sunrise > Hi-Jack... 4. ....Home > Have You Seen The Stars Tonight > XM > Starship
 --Encores-- 5. Caroline*, 6. Somebody To Love, 7. Volunteers
 
03/29/96 Tucson, AZ - Club Congress MSD>D>CD All 89 
 SBD DAT master > DAT > CD via HHB 850. Jefferson Starship "Acoustic Explorer": Paul Kantner, Jack
 Casady, Diana Mangano.
 Set One: Disc One (7 tracks, 36:45) 01. Other Side Of This Life 02. Mountain Song 03. Lather
 04. Out Of The Rain 05. White Boy 06. Wooden Ships, 07. Triad, 08.
 Set Two: Disc Two (12 tracks, 52:01) 01. All Fly Away 02. Girl In The Wood 03. Royal Canal
 04. Four Strong Winds 05. Exploding Head Page Story 06. Your Mind Has Left Your Body 07. Lawman 08.
 Neal Armstrong Story 09. Sunrise 10. The Light 11. Fat Angel 12. Volunteers
 
03/07/98 Staten Island, NY - The Cave MSD>CD All 80 
 acoustic
 Jerry Moore's MSD > Sony PCM 300 playback > HB 350 standalone CD recorder > CDs.
 Set One: Single Disc (15) 79:46, The Other Side of This Life, Wooden Ships, Lather, White
 Boy, Blessings, Girl from the Woods, Triad, Your Mind Has Left Your Body, Borderlands, All Fly Away,
 Out of the Rain, The Mountain Song, Volunteers --Encore-- Fat Angel
 
04/30/05 Sayreville, NJ - Starland Ballroom MSD>D>CD All 142 
 SBD > M-Audio Firewire Solo Interface > Apple Powerbook G4 > Sony TCD-D8 > Sony PCM-M1. Anne's
 Sony PCM-M1 DAT master > Sony PCM-R500 > HHB 830 plus > EAC > Sound Forge 5.0 > CD Wave 1.71 > CDR by
 Anne Cohen, 5/2005.

[ Contents | List Info | Contact Info | Artist Index | Jefferson Family (Airplane, Starship, etc.) ]

---

JERRY GARCIA

Available Years: ????, 1960, 1961, 1962, 1963, 1964, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1974, 1975, 1976, 1977, 1978, 1979, 1980, 1981, 1982, 1983, 1984, 1985, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995

 
??/??/?? Geraldo Rivera interviews Jerry n/a 
 
??/??/6? Unknown Location - "Unident Thing" MA?R?>R>CD ? 20 0537 13605 
 "Unident Thing" (Garcia, Pigpen & others)
 "Unident Thing": Jerry Garcia, Ron "Pigpen" McKernan, other personnel unknown. See Deadlists
 pre-Dead for more details. Master Audience (?) Reel (Scotch 150) > playback on Technics RS 1520 @
 7-1/2 ips no dolby > Barry Glassberg's first gen (?) reel (Scotch 207 recorded via Otari MX5050 @
 7-1/2 ips no dolby) > playback on Technics RS1506 > Tascam DA-40 DAT > Tascam CD-RW700 master CD > CDs
 > HP 9350i extraction using EAC > .shn encoding using mkwACT. A>D by Mark Cohen, source discs from
 Jay Jurina, extraction and .shn encoding by Joe Jupille. Sector boundary alignment confirmed using
 shntool.
 Set One: Single Disc (6) 19:45, 1. Blues Jam [2:38], 2. Careless Love [1:45] -> 3. In The
 Pines [2:59], 4. Goin' To Chicago [4:01], 5. 99 Years [5:28], 6. Blue Goose [2:35]
 
07/??/61 San Carlos, CA - The Carlos Bookstall MAR>?>CD ? 25 0826 17381 
 *Garcia, Leicester, Hunter?*
 Information from Deadlists: Audience recording, made on reel-to-reel by Rodney Albin, possibly from
 mics placed on stage. Jerry Garcia, acoustic guitar; Marshall Leicester, banjo; Robert Hunter, bass?
 * This performance took place at the Boar's Head Coffeehouse, located in the upstairs loft of the
 Carlos Bookstall * (1) Robert Hunter, acapella. This set and the 01/??/62 Burlingame set also
 circulate together as "Garcia, Hunter and Albin '62." It can be argued that the 'room ambience' and
 recording quality of both tapes are identical; they -sound- like they were recorded at the same time.
 Bolshevik In Hell may not be from the same date.
 Set One: 9 tracks, Banjo Instrumental , Poor Ellen Smith , Wildwood Flower , Brown's Ferry
 Blues , Jesse James , No One To Stand By Me , All The Good Times Are Past And Gone , Darling Corey ,
 Bolshevik In Hell (1), Filler: 1/??/62 Burlingame
 
01/??/62 Burlingame, CA - Unknown Venue MA?>?>CD ? 25 
 *Unknown bluegrass band*
 Deadlists comments: "Jerry Garcia playing banjo in an unknown bluegrass band * (1) Garcia,
 acapella. This set and the 07/??/61 San Carlos set also circulate together as "Garcia, Hunter and
 Albin '62." It can be argued that the 'room ambience' and recording quality of both tapes are
 identical; they -sound- like they were recorded at the same time."
 Set One: 10 tracks, Down In The Willow Garden , Look Up, Look Down That Lonesome Road ,
 Railroad Bill , The Wagoner's Lad (1) , Katie Cruel , Pay Me My Money Down , East Virginia Blues ,
 Instrumental , The Good Old Rebel , The Very Unfortunate Man
06/11/62 San Carlos, CA - Jewish Community Center MA?R>R>D>CD ?  63 0537 12004 
 *Sleepy Hollow Hog Stompers*
 Master Audience (?) Reel (Scotch 150) > playback on Technics RS 1520 @ 7-1/2 ips no dolby > Barry
 Glassberg's first gen reel (Scotch 207 recorded via Otari MX5050 @ 7-1/2 ips no dolby) > playback on
 Technics RS1506 > Tascam DA-40 DAT > Tascam CD-RW700 master CD > CDs > HP 9350i extraction using EAC >
 .shn encoding using mkwACT. A>D by Mark Cohen, source discs from Jay Jurina, extraction and .shn
  encoding by Joe Jupille. Sector boundary alignment confirmed using shntool.
 Set One: Single Disc (18) 62:52 --Set I-- 1. Tuning [0:23], 2. Run Mountain [4:50], 3. Billy
 Grimes The Rover [3:51], 4. Cannonball Blues [4:06], 5. Devilish Mary [4:05], 6. Buck Dancer's Choice
 [2:16, 7. Little Birdie [3:56], 8. Sally Goodin' [2:32], 9. Hold The Woodpile Down [4:08] --Set II--
 10. Crow Black Chicken [4:05], 11. The Johnson Boys [3:57], 12. Shady Grove [5:22], 13. Hop High
 Ladies [3:34], 14. Sweet Sunny South [4:28], 15. All Go Hungry Hash House [3:37], 16. Man Of Constant
 Sorrow (1) [2:25], 17. Rabbit Chase [3:00], 18. Three Men Went A-Hunting [2:10]
06/11/62 San Carlos, CA - Boar's Head Coffee House - Jewish MAR>R>CD All n/a 1320 87474 
 *SHSS* *MOTB0051*
 MOTB Release: 0051 16/44.1, Release Date: 09/27/2007, Band: Sleepy Hollow Hog Stompers, Date:
 06/11/1962 - Monday, Venue: The "New" Boar's Head Coffee House, Jewish Community Center, Location: San
 Carlos, CA. Source: Master Audience Recording [Possibly from mics placed on stage]; Media: MAR =
 Scotch 150 1/4" Reel, R1 = Scotch 207 1/4" Reel; Lineage: Unknown > MAR > Technics RS-1520 [No Dolby,
 7.5 IPS] > Otari MX-5050 [No Dolby, 7.5 IPS] > R1; Transfer: R1 > Technics RS-1506 > Grace Design
 Lunatec V3 [Pre-Only] > Korg MR-1000 DSD-DDF 1-bit 5.6448 MHz Stereo > Audio Gate Dissemination >
 24/96 WAV. Taped By: Unknown [Possibly Rodney Albin, see Notes]; Supplied By: Barry Glassberg;
 Transfer By: A. Egert; Mastering By: SIRMick. Editing Notes: -- Software used - Adobe Audition,
 Wavelab, iZotope Ozone and Waves Z-Noise -- The transfer was made at 24/96 and then downsampled and
 dithered (MBIT+) -- The major changes made were a significant number of level adjustments in the first
 track and eq to all tracks. Other than that, it was a question of repairing as many of the myriad
 relatively minor flaws of this very old recording, as best as was possible, Also a few other small
 level changes have been made. Finally some noise reduction was applied throughout. Notes: -- We
 verified that the transfer for this release was from a first generation MAR copy. According to Barry
 Glassberg, "Lou [Tambakos] got the tape from Marshall [Leicester] and we transferred it at Scott
 Rostler's apartment on his gear." -- "These are, without a doubt, the finest sounding versions of
 these historic recordings that I have ever heard!! I never thought that they would ever be available
 with such clarity. A real pleasure to listen to. For me, the single most exciting track is "99
 Years", hearing the young Pigpen doing what he did the best, singing the blues." - SIRMick, September
 2007. -- The tape box shows that the performer of "Blue Goose" was Ken Frankel. Ken was a friend of
 Jerry's and played with him in several early bands during 1962-63. Mick recently contacted Ken and,
 after hearing Blue Goose, confirmed that it was him performing on this track. In addition, he thinks
  that it was probably taped by Rodney Albin, who ran The "New" Boars Head. -- We think Rodney Albin
 possibly taped the Sleepy Hollow Hog Stompers performance. However, that is basically speculation,
 based in part on the correspondence with Ken Frankel.
 Set One: Disc 1 Set 1: d1t01 - applause > tuning d1t02 - Run Mountain (1) > banter d1t03 -
 Billy Grimes, The Rover (2) d1t04 - "Anybody got a capo" d1t05 - Cannonball Blues (1) d1t06 - 'Dick
 Arnold' bantering > tuning d1t07 - Devilish Mary (1) d1t08 - band intros & jokes d1t09 - Buck Dancer's
 Choice (solo instrumental) (3) d1t10 - Little Birdie (4) d1t11 - banter/tuning d1t12 - Sally Goodin'
 (1) d1t13 - tuning and banter d1t14 - Hold The Woodpile Down (1) > end of set banter
 Set Two: Set 2: d1t15 - banter > Crow Black Chicken (2) d1t16 - folklore/tuning/banter d1t17
 - false start > The Johnson Boys (1) d1t18 - banter/tuning d1t19 - Shady Grove (1) d1t20 -
 tuning/Rufus Crisp story/banter d1t21 - Hop High Ladies (1) d1t22 - tuning d1t23 - Sweet Sunny South
 (1) d1t24 - intro to next track/tuning d1t25 - intro to next track > Hungry Hash House (2) d1t26 - Man
 Of Constant Sorrow (5) d1t27 - intro to next track/tuning d1t28 - Rabbit Chase (2) d1t29 - Three Men
 Went A-Huntin'
 Set Three: --Bonus Tracks-- Band: Jerry Garcia, Ron "Pigpen" McKernan, and Mike Sector;
 Date: Unknown; Venue: Unknown; Taped by: Unknown. d2t01 - Blues Jam d2t02 - Careless Love (one verse)
 > In The Pines d2t03 - Going To Chicago > Mike Sector introduces himself d2t04 - Jerry Garcia
 introduces Ron > 99 Years// * Jerry Garcia - guitar; * Ron "Pigpen" Mckernan - harmonica, vocals; *
 Mike Sector - vocals; Band: Ken Frankel; Date: Unknown; Venue: The "New" Boar's Head Coffee House,
 Jewish Community Center; Location: San Carlos, CA; Taped by: Rodney Albin [see Notes] d2t05 - Blue
 Goose
11/10/62a San Mateo, CA - College of San Mateo MA?>?>CD ? 30 
 *Garcia & Nelson*
 Deadlists: COMMENTS Jerry Garcia and David Nelson * "College of San Mateo Folk Festival" * (1)
  "Elmer" is a `comedy sketch' not a song . (2) Garcia, acapella. Note: I'm not an extremely technical
 person (especially when it comes to reel-to-reels), but FWIW the 'reel problems' mentioned sounds like
 a tape slack/speed problem (if there is such a thing)... basically just a momentary increase in
 speed... all the music is still there (just extremely fast/compressed). RECORDINGS 34 A?. Audience
 recording, possibly from mics placed on stage. Reel problems resulting in losses of 3-4 secs in Raging
 Sea and Cannonbal Blues. These tapes possibly circulate from Hank Harrison & his book research in the
 early 70s. They are said to be mastered by Rod Albin.
 Set One: The Miller's Will , Deep Elem Blues, Will The Circle Be Unbroken, I Truly
 Understand, "Elmer" (1), Raging Sea, Cannonball Blues, The Cuckoo, Man Of Constant Sorrow (2)
 Set Two: *Pre-Warlocks Compilation version*: PA mixer > reel > cassette > cassette > CDR.
  Provided by Pat Lee. College of San Mateo Folk Festival: College of San Mateo, San Mateo, CA, November
 10, 1962: 4. intro ("honest Jerry Garcia") (0:16), 5. The Miller's Will (3:25), 6. Deep Elem Blues
 (4:04), 7. Will The Circle Be Unbroken (4:35), 8. I Truly Understand (4:21), 9. "Cousin Elmer"
 (3:07), 10. The Raging Sea (3:42), 11. Cannonball Blues (3:19), 12. The Cuckoo (4:20), 13. Man Of
 Constant Sorrow (Jerry Garcia - a capella) (3:40)
11/10/62b San Mateo, CA - College of San Mateo MA?>?>CD ? 10 
 *Garcia solo banjo*
 Deadlists: COMMENTS Jerry Garcia, solo banjo * "College of San Mateo Folk Festival" RECORDINGS 7
 A?. Audience recording, possibly from mics placed on stage. These tapes possibly circulate from Hank
 Harrison & his book research in the early 70s. They are said to be mastered by Rod Albin. David Gans
 GDH #421.
 Set One: Little Birdie, Walkin' Boss --followed by Garcia & Nelson from same date--
 Set Two: *Pre-Warlocks Compilation version*: PA mixer > reel > cassette > cassette > CDR.
 Provided by Pat Lee. College of San Mateo Folk Festival: College of San Mateo, San Mateo, CA, November
 10, 1962: Jerry Garcia - guitar; 1. tuning (0:14), 2. Little Birdie (3:25), 3. Walking Boss
 (3:02)
11/10/62c San Francisco, CA - Unkown Art Gallery MSR>2C>CD All 30 
  *Hart Valley Drifters*
 Hart Valley Drifters: Jerry "Earl Scruggs" Garcia - banjo and guitar; Robert Hunter - bass; David
 Nelson - guitar; Norman Van Mastricht - guitar and dobro. PA mixer > reel > cassette > cassette > CDR.
  Provided by Pat Lee
 Set One: "Pre-Warlocks Compilation" d1, continued: 14. tuning (1:59), 15. intro > Handsome
 Molly (x) (2:44), 16. tuning (1:48), 17. intro > Handsome Molly (3:08), 18. "Cousin Elmer is
 back..." (2:35), 19. Pig In A Pen (2:19), 20. Banks Of The Ohio (4:18), 21. "Cousin Elmer" (3:25),
 22. Pay My Money Down (3:07), 23. Nine Pound Hammer (2:27), 24. Salty Dog Blues (2:30), 25. "For
 our final group, Dean Hammer and his Nails..." > If I Had A Hammer (2:05)
 
02/23/63 Palo Alto, CA - The Tangent MAR>R>F>C>D ? 28 0516 4501 
 *Wildwood Boys*
 MAR > reel > FM > cassette > DAT > CD > EAC > SHN. From Deadlists: "Audience recording, made by
 Dr. Stu Goldstein (co-manager of the Tangent in 1963), possibly from mics placed on stage, later
 broadcast on KFOG-FM."
 Set One: Single Disc (9) 28:06, 1. Introductions [0:47], 2. Rollin' In My Sweet Babys Arms
 [4:05], 3. Jerry's Breakdown [2:25], 4. Standing In The Need Of Prayer [3:06], 5. Muleskinner Blues
 [3:50], 6. Guitar Instrumental [3:25], 7. Pike County Breakdown [2:53], 8. Come All Ye Fair And
 Tender Maidens [4:13], 9. We Shall Not Be Moved [3:17]
05/04/63 Palo Alto, CA - The Tangent Unknown ? 20 1328 13993 
 *Jerry & Sara Garcia*
 Source: likely AUD>R>R>FM>Cass>DAT>CDR. Thanks to Steve Oliver for the discs! EAC/SHN by
 jim@juddcreek.com 12/02. NOTES: The story about this recording and show goes as follows: Jerry and his
 first wife Sara a week after wedding. He traded wedding gifts and Sara's guitar for his new banjo.
 Recorded by the manager of the club at the time and aired on KFOG's dead hour.
 Set One: Audience, Deep Elem Blues, Will of the Weaver, I Truly Understand, All the Good
 Times are Past and Gone, Long Black Veil, The Man Who Wrote Home Sweet Home Never Was a Married Man,
 Keno the Rent Man, Some Foggy Mountain Top
 
??/??/64 Palo Alto, CA - Unknown Venue MA?>?>C>CD ? n/a 0840 17838 
 *Wildwood Boys*
 No idea if this is legit or not. Saith the etree info file: Wildwood Boys wb1964,XX-xx_Palo Alto,
 CA Legacy: Stage Mic?> C> CDR> PCM> SHN. Jerry Garcia - Banjo; David Nelson - Guitar; Norman ?
 [probably van Maastricht?] - Bass; [1] with Pig Pen Wave headers fixed/re-shn'ed with shntool by
 terrapinstation 06/09/2003
 Set One: 01. Intro/Tuning, 02. Jerry's Breakdown, 03. Banter, 04. Standing in the Need of
 Prayer, 05. Tuning, 06. Muleskinner Blues, 07. 'unenjoyment' banter, 08. Satisfied with My Gal, 09.
 Pigpen introduction, 10. The Rub (1)
??/??/64 All 10 1328 24073 
 *Black Mountain Boys*
??/??/64 Unknown City, CA - Unknown Venue uncertain partial 10 1322 35145 
 *BMB*
 SBD->Cassette->CDR->TAE->SHN>flac sector aligned. More likely line patch from pa system > MR > R >
 C > CD > DAE > etc. Seeder's Notes: "got this from the late grate tol (rip) removed non canonical
 headers and fixed sbes > flac, derived from http://db.etree.org/shninfo_detail.php?shnid=24073. I'd
 seed the original shn's but I've already seeded these flacs more than once, and don't have the shn's
 anymore rj Hythloday, bob loy."
 Set One: 01 Two Little Boys, 02 Banter, 03 Salty Dog Blues, 04 Banter, 05 Rosalie
 McFall
03/06/64 Unknown City, CA - Unknown Location  MA?>?>CD All 34 
 *Black Mountain Boys*
03/06/64 Palo Alto, CA - Top of the Tangent MSC>?>CD All 26 1328 17914 
 *Black Mountain Boys*
 SBD->Cassette->CDR->TAE->SHN. Jerry Garcia - Banjo; Eric Thompson - Guitar; David Nelson -
 Mandolin; Jim Beemis - Bass. sector boundaries corrected and seek tables appended - wagner 12/0/02.
 Extra header data stripped with shntool and re-shn'ed by terrapinstation 06/09/2003.
 Set One: 01 Instrumental, 02 Katie Mine (??), 03 Intros, 04 Homestead on the Farm, 05
 Banter, 06 Bare Foot Nellie, 07 Banter, 08 She's More to Be Pitied than Scolded, 09 Tuning, 10
 They Can Lock Up Me Up For Loving You, 11 The Hand of the Lord, 12 Banter, 13 Who'll Sing for Me,
 14 Darling Aller Lee
03/07/64 Unknown City, XX - Unknown Location MA?>?>CD All 54 
  *Black Mountain Boys*
 JJ: - t01 starts off extremely muffled until about 0:30; - t03 digi-scratch @ 0:13; - t09 anomaly @
 1:41-1:43.
 Set One: Single Disc (24 tracks, 54:15) --Set I-- 01. (fades in) Sourwood Mountain, 02. If I
 Lose, 03. Homestead On The Farm, 04. Pig In A Pen, 05. Once More, 06. Stoney Creek, 07. Two Little
 Boys, 08. Salty Dog Blues, 09. Rosalie McFall, 10. Teardrops In My Eyes, 11. New River Train, 12. Love
 Please Come Home, 13. Make Me A Pallet On Your Floor, 14. John Hardy --Set II-- 15. Nine Pound Hammer,
 16. Darlin' Alalee, 17. Ocean Of Diamonds, 18. Salt Creek, 19. In The Pines, 20. Banjo Breakdown, 21.
 When My Blue Moon Turns to Gold Again, 22. She's More To Be Pitied, 23. Black Mountain Rag, 24. True
 Life Blues, MISSING Instrumental, MISSING John Hardy
03/07/64 Unknown City, CA - Unknown Venue All n/a 1328 20752 
 *Black Mountain Boys*
 Set One: Sawwood Mountain*, If I Lose, Homestead On The Farm, Pig In A Pen, Once More, Stony
 Creek, Two Little Boys, Salty Dog, Rosa Lee McFall, Teardrops In My Eyes, New River Train, I'm So
 Lonesome*, Please Come Home, Make Me A Pallet On The Floor
03/07/64 Unknown City, CA - Unknown Venue uncertain partial 8 1322 35142 
 *BMB*
 SBD->Cassette->CDR->TAE->SHN>flac sector aligned more likely line patch from pa system > MR > R > C
 > CD > DAE > etc. Seeder's Notes: "got this from the late grate tol (rip) removed non canonical
 headers and fixed sbes>flac. This is derived from http://db.etree.org/shninfo_detail.php?shnid=20752.
 I'd seed the original shn's but I've already seeded these flacs more than once, and don't have the
 shn's anymore rj Hythloday bob loy."
 Set One: 01 Happy Birthday, 02 ??, 03 Darling Aller Lee, 04 Tuning, 05 Ocean of
 Diamonds
04/14/64 Unknown Location MA?>?>R>CD All n/a 1366 92079 
 *banjo lesson*
 ambient mic to reel to reel recording by unknown student > ? > 7 1/2 ips reel > Matt Smith (Akai
 GX-625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring/mastering > Wavelab 5.0 (dithered to
 20/44)) > CD; CD > EAC (tracking and mastering) > CD ( 47:20 ) by Ihor Slabicky.
 Set One: 01. Jerry Garcia: "...Reno, I think, does it down here..." > Limehouse Blues (2:01)
 02. unk.: "...there's something that you did ... on Joni's song..." > tune 2 (3:28) 03. unk.:
 "...would you do that thing for..." > tune 3 (0:40) 04. Dixie Hoedown > tuning (1:06) 05. Blue Grass
 Breakdown > Jerry Garcia: "I'm still working on that..." (1:00) 06. Blackberry Blossom > Jerry Garcia:
 "I really like the tune. it's a pretty tune, but I can't, I could never play it right..." (1:00) 07.
 tune 7 (0:47) 08. unk.: "any pedal steel stuff, you know, like the..." > tune 8 (1:51) 09. Heartaches
 (1:40) 10. Lonesome Road Blues (3:18) 11. tune 11 > Jerry Garcia: "...no, a guy's just taping some
 stuff. You wanna open the door, go ahead..." (1:55) 12. tune 12 (0:57) 13. unk.: "Would you show me
 that break with that phrase in there? > Salty Dog Blues (1:50) 14. tune 14 (2:58) 15. Jerry Garcia:
 "Well, whatta you want me to put on there?" unk.: "...'Red Wing', for one..." Jerry Garcia: "...I
  can't really play that..." > "Red Wing" (tune 15) (2:46) 16. Jerry Garcia: "...you know, I haven't
 listened to ahh, much Reno..." > Silver Bells (1:03) 17. unk.: "...about a month ago...you showed me
 something that..." > Farewell Blues (x) (1:24) 18. (x) Farewell Blues (1:42) 19. Soldier's Joy > Jerry
 Garcia: "That's a pretty tune." (1:25) 20. tuning > unk.: "'Rawhide'?" Jerry Garcia: "...I haven't
 really got anything much more to talk about. I'm not too happy with the way I play it. If you really
 want it that badly." unk.: "Yes, yes I do." > tuning (1:03) 21. "Rawhide" (1:35) 22. unk.: "...would
 you mind breaking down the first chord run on the D?" Jerry Garcia: "...uh-uh, I ain't gonna break
 that...you're gonna havta figger it out yourself..." ? Raw Hide > Jerry Garcia: "there's a zillion
 things you can do with that. I mean, it's got so many good possibilities... odd chords, you know."
 (1:21) 23. Raw Hide (2:03) 24. "Clinch Mountain Backstep," fragment of "Shady Grove," "Liza Jane,"
 frag. of "Fisher's Hornpipe" (3:07) 25. unk.: "How about 'Stoney Creek'?" Jerry Garcia: "(sigh)
 okay-ah... that's in A, usually." > tuning > "Stony Creek" (2:02) 26. Jerry Garcia: "...it's sort of a
 hard song to organize. I, ahh..." > "Stoney Creek" (1:12) 27. "Stoney Creek" workup (0:56) 28. tune
 28 > Jerry Garcia: "By the way, why doncha play alotta that stuff back. I wanna hear what it sounds
 like." unk.: "(laughs)" Jerry Garcia: "Really. No kidding (x)" (1:23)
07/??/64 Palo Alto, CA - The Tangent M?T>?>CD All 20 0590 12696 
 *Mother McCree's Uptown Jug Champions*
 Master Tape > Rosoft Audio Tools > CD > EAC > WAV > SHN. Comments & Replies To
 Terrapin64@comcast.net.
 Set One: Single Disc (7) 20:20, Beat It On Down The Line, Im Satisfied, Borneo, Hes In The
 Jailhouse, Monkey & The Engineer, Big Bad Woman, Memphis Blues
 
03/??/67 San Francisco, CA - 710 Ashbury St. MAR>?>2C>CD All 83 1352 89961 
 *Interview by Randy Groenke & Mike Cramer*
 Jerry Garcia interview with former banjo student Randy Groenke and Mike Cramer, Grateful Dead
 House, 710 Ashbury Street, San Francisco, CA, February or early March 1967. Lots of interesting early
 1967 Jerry talk. Very good to excellent sound quality - check the sample to decide for yourself. I
 looked on the web for information about this interview but could not find any details. The probable
 date is because their first album was about to be released, but hadn't been yet. (The release date for
 the first album was March 17, 1967.) Besides Jerry and the interviewers, there are bits of Mountain
 Girl, Bob Weir, Pigpen and others in the background. lineage: master reel @ 3.75 ips speed > (?) >
 cassette > my TDK MA90 cassette > Nakamichi Dragon > Macintosh with Digidesign AudioMedia III sound
 card > Pro Tools (minor "nip and tuck" edits, normalization and many clicks and pops manually removed
 - no noise reduction or equalization) > AIFF > xACT (Flac level 8 files with sector boundaries
 verified). md5 file created with checkSUM+. More notes from a comment posted after this was seeded:
 Blair Jackson wrote the following about this interview: "This interview was done at 710 Ashbury in
 February or March of 1967 ... Randy Groenke, the principal interviewer, had been a banjo student of
 Garcia's in the early 60s when they both lived in the South Bay. He and his friend Mike Cramer simply
 called Jerry up and arranged to do the interview, friend to friend." "One Afternoon Long Ago ... An
 Interview with Jerry Garcia, 1967," by Randy Groenke and Mike Cramer. First published in The Golden
 Road magazine and reprinted in Herb Greene, Dead Days: A Grateful Dead Illustrated History
 (Petaluma, CA: Acid Test Productions, 1997).
 Set One: disc 1 - 42:02: 01 [4:05] electric banjo, pedal steel guitar, music equipment talk,
 etc., 02 [1:44] Jefferson Airplane, Jerry assisting on Surrealistic Pillow LP, 03 [2:51] The San
 Francisco Sound, 04 [4:22] hippies, Grateful Dead view of music, etc., 05 [5:06] The Fillmore
 audience, 06 [3:02] talk about Newsweek article, "Dropouts With A Mission" and Jerry seeing himself as
 a dropout, 07 [1:49] Jerry discusses precursors to the S.F. scene and switching from banjo back to
 guitar, 08 [3:47] rock and roll influences (Chuck Berry, The Beatles, etc.), becoming successful while
 sharing with their friends, etc., 09 [4:55] the Vietnam War, 10 [1:21] "the world needs to take care
 of itself", 11 [1:26] Grateful Dead music not advocating any political message, 12 [0:52] looking
 forward to first trip to New York, 13 [1:34] Buffalo Springfield, Moby Grape, Skip Spence, Jorma
 Kaukonen, 14 [0:54] Mathew Katz and other old style band managers, 15 [3:16] S.F. radio and the radio
 business, 16 [0:58] Jerry's short review and hopes for the success of their not yet released first
  album
 Set Two: disc 2 - 41:08: 01 [1:02] what might happen to the S.F. scene, etc., 02 [0:55] talk
 about some band equipment which had just been stolen from their warehouse, 03 [4:16] the Haight
 Ashbury scene, 04 [4:34] The Hell's Angels, 05 [0:59] the stolen band equipment has been found!, 06
 [3:51] more Hell's Angels talk, 07 [3:30] Jerry's beliefs, 08 [1:00] The police, 09 [4:53] drugs, 10
 [3:38] Jerry's tapes - "go get them from Sara", 11 [3:34] possibility of playing banjo with The
 Grateful Dead > kids talking much louder than Jerry [luckily there's not too much of that], 12 [1:07]
 existentialism, 13 [1:23] "Blow Up" film and Grateful Dead plans to be in a movie, 14 [1:52] Look
  magazine article on Jefferson Airplane with Jim Marshall photos of the S.F. bands, 15 [1:12] jazz and
 other styles mixing with Rock and Roll, 16 [1:04] talk about getting the stolen band equipment back,
 17 [1:27] talk about the old gun that Jerry is playing around with during the interview, 18 [0:51]
 interview conclusion
 
??/??/68 San Francisco, CA - The Matrix MS?>?>CD partial 47 1144 28077 
 *Hartbeats*
 Seeder's Notes: "I asked Michael Parrish for a copy of the mystery fragment reviewed in the taping
 compendium. This tape also included another fragment not reviewed in the compendium and was labeled 11
 1 68, which is most likely incorrect. * Here’s what Parrish supplied for source / lineage info: “Both
 of these pieces came in a cassette that Dwork sent me near the beginning of the compendium project. As
 I noted, track #2 corresponds to the first track of your "Mystery Disc" and I have never heard the
 other piece anywhere other than on the Dwork tape. It rang no bells with Dick L. either.” ^ “The
 fragment I sent you as “11/1/68” is the same as the first track on your Mystery Show CD. I wouldn't
 necessarily bet that either is 11/1/68 though:)” Review by Michael Parrish: “This mysterious fragment
 consists of another version of the jam that opens 10/30/68. It is notable for Garcia’s inspired and
 frenetic soloing, which has a rather unusual Latin feel.” JJ: first Jam has some Cold Rain & Snow &
 GDTRFB flavor to it; second jam starts with Dark Star flavor. According to Hanno (db.etree.org
 comment, 2/24/2005): "the second track is the same as the one that is on charlie miller's 12/16/68
 seed. the cm version is better quality and more complete IIRC "
 Set One: 1. jam // 13:18, 2. jam // ^ 33:54
05/21/68 San Francisco, CA - Carousel Ballroom MSR>D>CD All 90 0939  22727 
 *Tuesday Night Jam* *more complete*
 Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Behringer
 UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v.20 -> SHN
 (2 Discs Audio / 1 Disc SHN). Transferred and Edited By Charlie Miller,
 charliemiller87@earthlink.net, 2/17/04. Notes: The mix is all over the place. I did clean up some pops
 and fixed the reel flips, but the levels have not been adjusted. According to a post at EZT by GaryM,
 "The 2nd to last track, My Baby Told Me, is actually the Buster Brown classic Fannie Mae.
 Interestingly, on Steve Miller's 1st LP, Children of the Future, he uses the same sequence as here,
 Fannie Mae into Key To The Highway."
 Set One: Disc One (3) 74:26, d1t01 - Jam [53:51] [0:20], d1t02 - /Good Shepherd [#8:42] ->
 d1t03 - Jam [11:14] [0:18]
 Set Two: Disc Two (3) 16:20, d2t01 - /My Babe [7:35] -> d2t02 - Fannie Mae [3:25] [0:01]
 d2t03 - /Key To The Highway
05/21/68 San Francisco, CA - Carousel Ballroom MSR>D>CD partial 54 0816 15412 
 *Tuesday Night Jam*
 Jerry Garcia, Jorma Kaukonen, Jack Casady, Elvin Bishop, Mickey Hart, Steve Miller, and others.
 Timings reflect my audio copies. Copies that I make for others will be derived from .shns with the
 same lineage but that may nor may not be tracked as above.
 Set One: 1. Jam [17:35], 2. [0:12] Good Shepherd [8:32] -> 3. Jam [10:55] [0:22], 4. My Babe
 [7:29] -> 5. My Baby Told Me [3:32], 6. Key to the Highway [4:57] [0:21], Total Time 53:57
07/28/68 Rancho Olompali, Marin County, CA MS?>?>CD partial 30 1135 27968 
 *Garcia, Casady, Hart*
 Notes: - static @ 0:53, 17:28, 17:55, 18:24, 19:48. - tick @ 12:32 fixed using SoundForge Studio
 6.0. - digi-chirp @ 29:39. David Gans originally broadcast this material on the KPFA Marathon on
 February 7th, 2004, and recently and very graciously supplied a set of CDs for circulation. Thanks,
 David!
 Set One: Single Disc (1) 29:50, 01. 3/5 of a Mile in 10 Seconds Jam
10/08/68 San Francisco, CA - The Matrix MSR>2R?>D>CD All 183 
 *Hartbeats*
 (1) "new adventures in tuning"; (2) "one of my amplifiers just disappeared"; (3) "This is
 experimental ... this business of us playing in this format is experimental, so be warned. Also you
 can feel free to harangue us, or uh ..." I would track d1 differently; d1 The Seven splice @ track
 6:50; d1t01 analog tick @ 5:26, 5:49; d2 Jam 2 crackle @ 5:43; d2t05 Other One Jam cuts out
 Set One: Disc One (4) 58:32, 01. tuning & talk (1) [2:38], Clementime Jam [2:21] (2), tuning
 [0:30], Jam [16:32] -> 02. The Eleven [7:14] -> 03. Death Don't Have No Mercy [8:25] (3), some
 noodling, 04. Jam [2:30] -> The// Seven [13:#09] (splice @ track 6:50]
 Set Two: Disc Two (5) 67:52, 01. Dark Star [12:07] -> 02. Cosmic Charlie [4:17] [0:03], 03.
 Jam 1 [17:54] -> 04. Jam 2 [11:40] [0:09], 05. [0:30] The Other One Jam// [21:25#] [0:02]
 Set Three: Disc Three (6) 55:40, 01. nothing [0:13], {"Is Elvin here? The guy who's playing
 pbass here is Jack Casady. This band is called Mickey and the Hartbeats."} {Elvin Bishop rap}, track
 2:54, 02. Instrumental [2:59] [0:25], 03. Instrumental [7:33] [0:13], 04. Instrumental [6:30] [1:04],
 05. Prisoner Blues [13:00] [0:11] 06. Instrumental [20:31] [0:16]
10/08/68 San Francisco, CA - The Matrix  MSR>2?R>CD Most 177 1313 17691 
 *Hartbeats*
 SBD MR->Reel (x2?)->CDR. (1) all of third set with Elvin Bishop. (2) Jack Casady, Hart, and Bishop
 only. Mucho thanks to Glenn Gillis for this incredible show!!! Extracted with EAC using correct
 offsets and converted to SHN on 3/17/03, Evan Bellaff: ebellaff@aol.com.
 Set One: Disc 1: (73:47) SET1: 1. [05:32] Clementine Jam 2. [15:32] Clementine Jam > 3.
 [07:23] The Eleven Jam > 4. [09:49] Death Don't Have No Mercy 5. [19:04] The Seven 6. [12:00] Dark
 Star Jam -> 7. [04:21] Cosmic Charlie
 Set Two: Disc 2: (47:55) SET2 1. [17:26] Next Time You See Me Jam 2. [09:20] Jam 3.
 [13:47] The Other One > 4. [07:19] Jam
 Set Three: Disc3: (55:23) SET3 (1) 1. [06:46] Jam 2. [07:35] Jam 3. [07:17] Jam 4.
 [13:06] Prisoner Blues 5. [20:35] Jam (2)
10/10/68 San Francisco, CA - The Matrix MSR>?>R>CD All 169 
 *Hartbeats*
 Peter Abram's 7" 1/4 track reels > Bill Gadsden and Peter Kafer's Maxell reels @ 7 1/2 ips,
 mastered to CD by Bill Gadsden, played back on a Revox B77 into an Alesis Masterlink sampling @ 24
 bit, 96k. From Bill Gadsden (Deadlists digest v. 2 n. 99, 8 May 2001): "The question mark with regard
 to the lineage is whether Abram's 2-tracks were copies of 4-track masters, or were masters
 themselves. I suspect the former, but never asked him and have no evidence other than what I've read
 in various Dead-related postings here and there." FLAW NOTES (these are all very minor and are on
 Charlie Miller's CDs, with which the tree was seeded): d1t01 scritch @ 4:00; d1t01 scritch @ 10:05;
 d1t01 click @ 21:21; d2t04 scritch @ 5:41; d2t04 four snits @ 16:10-21; d3t03 clicks @ 1:40, 1:46.
 Set One: 1. Jam [26:40] [2:08], 2. It's a Sin [7:13] [1:48], 3. Next Time You See Me
 Instrumental [7:38] [1:45], 4. The Rub Instrumental [5:04] [1:34], 5. Yonder's Wall [3:44] [0:29],
 Total Time 58:05
 Set Two: 1. [0:45] Jam [20:25] [3:35], 2. Lovelight // Instrumental [15:18#] -> 3. Drums
 [6:24] -> 4. Jam [20:59] -> 5. Death Don't Have No Mercy [9:39] [0:18], Total Time 77:34
 Set Three: 1. Noodling [2:17] -> Dark Star [13:11] -> 2. The Eleven Instrumental [5:56] ->
  3. The Seven [9:50] [0:09], Total Time 31:24
10/10/68 San Francisco, CA - The Matrix MSR>2R?>CD All 167 
 *Hartbeats*
 This is the documented transfer from Bill Gadsden's (probable second-gen) reels, via his Alesis
 Masterlink. d1t01 Jam is the jam with the Fire on the Mountain theme. I can't remember where it
 initially appears, but I know it comes up again around the 19-minute mark. There is also a Seven
  theme around the 16-minute mark. (1) "We're just, uh, playin', uh. Thanks. We're just goofin'. That's
 all we're doin'. Nobody's up to anything serious. How many police are there here?" (2) "Does anyone
 want to come up here? ... Marvin [etc.]." Disc two opening jam has Seven theme around track 4:30, NPC
 theme to start and again around 15-minute mark; Lovelight Jam has Eleven theme @ 8:30-ish, cut/splice
 @ 9:38; Power Jam has Caution hints @ 4-minute mark, Other One hints @ ca. 12-minute mark
 Set One: Disc One (5) 58:07, 01. Jam [26:48] [2:00] (1), 02. It's a Sin [7:15] [1:46] (2),
 03. Next Time You See Me Jam (w/ harp) [7:39] [1:44], 04. Blues Jam w/ harp [5:05] [1:33], 05.
 Yonder's Wall [3:44] [0:39]
 Set Two: Disc Two (5) 77:36, 01. [0:50] New Potato Caboose-ish Jam [20:23] [3:42], 02.
 Lovelight// Jam [15:#18] -> 03. Drums (w/ Alligator takka-da-takka-da-tak-tak) [6:24] -> 04. Alligtor
  Power Jam [20:59] -> 05. Death Don't Have No Mercy [9:41] [0:15]
 Set Three: Disc Three (3) 31:23, 01. noodling [2:00] -> Dark Star [13:28] -> 02. The Eleven
 [5:56] -> 03. The Seven [9:50] [0:08]
10/10/68 San Francisco, CA - The Matrix MSR>?>D>CD All 163 1313 5186 
 *Hartbeats*
 Seeder's Notes: "I brought this back home with me from Arizona on a HD last june and I finally got
 around to preparing it for CDr. What I have came from a DAT>ZA2>wav>(sound forge for cutting to track
 size)>shn. All CD switches come at natural breaks in the sets. Timings used are very close to those
 listed below from the Dead Project but not precisely the same. The last Jam in Set 2 is complete here
 and not cut like on the Deadlists listing. The sound mix differs from set 1 to set 2: Set 1 has
 everything in the left or right channel with just about nothing in the middle of the sound picture.
  Whereas in Set 2 Jerry's gitar is moved to the middle, better balancing things out. Set 1 had a bit of
 hiss. I used 'Diamond Cut - Audio Restoration Tools 32' to remove it. There was a stretch in the
 beginning before Jerry starts playing where I could get a good sound sample of the hiss for the
 removal. DAT > ZA2 > wav by D. Hollister. Hard disk transport back to Norway, Sound Forge cutting for
 CDR, and De-hissing by Konstantin . Re-tracking on sector boundaries by Jeff Hoelter
  . Know anomalies: CD1: Track 3 Pop at 4:09; Track 6 Glitch at 2:09; CD2: Track 4
 Sound dropsout at 3:56 for about 600 milliseconds; CD3: Track 1: Sound fades at 1:12 2:01 2:31;
 Sound dropouts at 6:57 split second, 7:27 1 sec, 7:36 2 sec."
 Set One: CD1: Set 1: 1. Jam 7:03 2. Lovelight Jam -> 12:36 3. Drums -> 6:23 4. Jam -> 11:44
 5. Other One Jam -> 5:32 6. Jam -> 4:40 7. Death 8:21
 Set Two: CD2: Set 1 con't: 1. 'It's in the Book'-> 0:47 2. Dark Star Jam -> 13:08 3. Eleven
 Jam -> 5:51 4. The Seven 9:24 Set 2 5. Jam 27:30
 Set Three: CD3: Set 2 con't: 1. It's a Sin 8:18 2. break with chatter 1:48 3. Next Time Jam
 7:50 4. Rub Jam 5:18 5. Look on Ynder Wall 3:54 6. Jam 23:34
10/30/68 San Francisco, CA - The Matrix MSR>R>CD All 168 0098-0099 1205 
 *Hartbeats*
 Digitized from first generation reels. Analog to digital using a Revox A-77 reel-to-reel > Alesis
 Masterlink ML-9600 (24 bit sampled @ 96k) > 16 bit @ 44.1k downsample to CD>EAC>SHN. A > D by Jim
 Wise, EAC > SHN by Darrin Sacks. Comments: Show billed as "Mickey and the Heartbeats". Bobby and
 Pigpen were absent. * Contains Clementine hints. ** With Elvin Bishop.
 Set One: Disk 1, 1. Tuning [0:52], 2. Dark Star Jam [17:24] -> 3. Death Letter Blues [8:47],
 4. "Fate Music" talk [2:23], 5. The Other One Jam // [16:14#], Total time: 45:42
 Set Two: Disk 2: 1. Tuning [0:29], 2. St. Stephen Jam // [1:36], 3. ... Jam (Other One
 esque) [1:38] -> 4. Turn On Your Lovelight Jam [9:23], 5. Jam* [5:34] -> 6. Jam cont. [13:46] -> 7.
 The Eleven Jam [9:50] -> 8. Death Don't Have No Mercy [8:32], 9. Jam** [17:28], Total time: 68:21
 Set Three: 1. Blues Jam** [6:16], 2. Prisoner Blues** [11:38] -> 3. Jam [9:30], 4. Talking,
 tuning [7:10], 5. Dark Star Jam [19:47], Total time: 54:23
12/16/68 San Francisco, CA - The Matrix MSR>?R>CD All 83 
 *Hartbeats*
 Peter Abram's 7" 1/4 track reels > Bill Gadsden and Peter Kafer's Maxell reels @ 7 1/2 ips,
 mastered to CD by Bill Gadsden, played back on a Revox B77 into an Alesis Masterlink sampling @ 24
 bit, 96k. From Bill Gadsden (Deadlists digest v. 2 n. 99, 8 May 2001): "The question mark with regard
 to the lineage is whether Abram's 2-tracks were copies of 4-track masters, or were masters
 themselves. I suspect the former, but never asked him and have no evidence other than what I've read
 in various Dead-related postings here and there." Notes: d1t01 may contain a two-second gap from
 track 43:44-43:46.
 Set One: 1. Tuning [3:07], Ja//m [40:49#] [0:13], Total Time 44:09
 Set Two: 1. Jam [37:40] [0:08], Total Time 37:48
12/16/68 San Francisco, CA - The Matrix MSR>?R>CD All n/a 1355 4529 
 *Hartbeats*
 source: SBD > Rm > Reel > CD (May Be SBD > Rm > Reel > Reel > CD). thanks to c.miller for seeds.
 DAE/shnv3/ftp via neo_levo.
 Set One: Disc 1: 01 Jam
  Set Two: Disc 2: 01 Jam > Jam
12/16/68 San Francisco, CA - The Matrix MSR>2R>CD All n/a 1388 97296 
 *Hartbeats*
 MR (Abrams) > R (Peter Kafer) > R @ 7 1/2 ips (Will Boswell) > CD
 Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab
 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16.
 Set One: Jam w/ Spencer Dryden (42:01)
 Set Two: Jam w/ David Getz (38:18)
12/24/68 San Francisco, CA - The Matrix "MSR>P>CD" All n/a 1355 18152 
 *Hartbeats*
 Source: SBD>MR>PCM>WAV>SHN Transferred from PCM via SEK'D Prodif96Pro & Samplitude This was the
 source info bundled with the original shns. Alternate possible source info could be: SBD > MR > ?? >
 DAT > CDR > EAC > SHN. NOTES: -Re-tracked with CD Wave and fixed SBEs with SHNTOOL. -This show has
 traded under several names: Mickey and the Heartbeats, Garcia/Mandel, Jerry Garcia and Friends, and
 Jerry Garcia and the Harvey Mandel Band. -Known personnel: Jerry Garcia, Harvey Mandel, Stephen Miller
 (not Steve Miller, Stephen was keyboard player in Harvey Mandel’s and Elvin Bishop’s band). -Possible
 personnel: Elvin Bishop, George Chambers, Jack Casady (though unlikely), ’68 era Harvey Mandel Band -
 The Deadheads Taping Compendium Vol 1 states Stephen Miller sings vocals on trks 2 & 4. Elvin Bishop
  is credited with vocals on trk 3. -Further comments from Deadlists: The tapes circulating with this
 date are from a "Hartbeats" show, without Bobby and Pigpen, with Harvey Mandel (and George Chambers?).
 This jam has previously circulated as "Set 3" of 12/16/68, but Bill Gadsden says that it's "with
 Harvey Mandel from 12/24/68".
 Set One: Disk 1 [79:14] 1. Jam [36:11] 2. Feel It [05:02] 3. Three O Clock In the Morning
 [11:08] 4. Mojo Worker --> [07:40] 5. Jam [19:12]
12/24/68 San Francisco, CA - The Matrix "MSR>P>CD" less 79 0976 25136 
 *Garcia, Mandel, Bishop*
 gdlive, mid-2004. shnid 25136. Lineage seems a bit dodgy, IMO. SBD Master reel > PCM > SEK'D
 Prodif96Pro > Samplitude (wav) > tracking (CD Wav) > shn. Seeder's Notes: - Tracks 1 & 2 are actually
 1 track broken into two parts so as not to have to post a 200+meg file. - Uploaded by
 theotherwayne@yahoo.com; - thx: stardoggy; - ul2GDLmatty23; JJ notes: - there is a bass player here
 and a drummer; - oversaturated; - d1t01 Jam cuts in; - d1t03 song cuts in; - d1t03 after tune: "Hey
 Danny, why don't you play a keyboard? Get up here". - d1t04 a.k.a. "Three O'Clock in the Morning"? -
 d1t05 had been labeled "Motor" rather than "Mojo"
 Set One: Single Disc (6) {79:16}, 1. //Jam [#18:25] -> {18:25} 2. Jam cont. [16:50] [0:24]
 {17:14}, 3. noodling [0:30], //We got the Feeling Jesus [#4:39] [0:34] {5:43}, 4. Thinkin' 'bout You
 [8:44] [2:16] {11:00}, 5. She's a Mojo Worker {13:58}, 6. Jam {12:53}
12/24/68 San Francisco, CA - The Matrix MSR>R>CD less n/a 1267 74079 
 *Garcia, Mandel, Bishop, Hart & Miller*
 Jerry Garcia, Elvin Bishop, Harvey Mandel, Mickey Hart & Stephen Miller - The Matrix, San
 Francisco, California, December 24th 1968, SBD (?), longer version, correct speed, reel to reel
 source. Fabio Nosotti's notes: "It sounds as a soundboard to me, not sure, by the way really good
 recording, typical Matrix recording with some light hiss and 1 channel lower. I uploaded this some
 months ago from a cassette source. Here what you have in this improved version :1. reel to reel source
 and lower generation. 2. longer version, with the final jam, so you have around 20 minutes more. 3.
 speed is correct here, because the cassette version was going faster. 4. sound quality is similar, i
 don't know what's better. 1st generation reel to reel > behringer ultra curve pro deq 2496 audio
 equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac. Transfered, remastered &
 uploaded by 38f on Dime 2006."JJ: I have updated the song names of the last two songs to reflect
 information submitted to etree by 'fxexpress': "d2t02 "You're Gonna Need Me" (BMI) written by Albert
 King; d2t03 "Raise Your Hand" (BMI) written by Eddie Floyd".
 Set One: Disc One: 1. Jam (fades in), 2. You Got To Feel It
 Set Two: Disc Two: 1. 3 O'Clock In The Morning (around m. 5:26 sound fades out for half
 second), 2. You're Gonna Need Me, 3. Raise Your Hand (cut)
12/24/68 San Francisco, CA - The Matrix MS?>?>R>CD Longest 87 
 *Hartbeats* *longest version I have seen*
 Seeder (38f's) notes: "It sounds as a soundboard to me, not sure, by the way really good recording,
 typical Matrix recording with some light hiss and 1 channel lower. I uploaded this some months ago
 from a cassette source. Here what you have in this improved version : 1. reel to reel source and lower
 generation. 2. longer version, with the final jam, so you have around 20 minutes more. 3. speed is
 correct here, because the cassette version was going faster. 4. sound quality is similar, i don't know
 what's better. 1st generation reel to reel > behringer ultra curve pro deq 2496 audio equalizer >
 tascam audio cdrw750 > plex tool professional XL > wav > flac. Transfered, remastered & uploaded by
 38f on Dime 2006." JJ: I have updated the song names of the last two songs to reflect information
 submitted to etree by 'fxexpress': "d2t02 "You're Gonna Need Me" (BMI) written by Albert King; d2t03
 "Raise Your Hand" (BMI) written by Eddie Floyd".
 Set One: Disc One (2 tracks, 41:47) 1. Jam (fades in), 2. You Got To Feel It
 Set Two: Disc Two (3 tracks, 45:22), 1. 3 O Clock In The Morning (around m. 5:26 sound fades
 out for half second), 2. You're Gonna Need Me, 3. Raise Your Hand (cut)
12/24/68 San Francisco, CA - The Matrix MSR>2R>D>CD partial 31 0528 9475 
 *Hartbeats*
 DEADLISTS COMMENTS: "The tapes circulating with this date are from a "Heartbeats" show, without
 Bobby and Pigpen. (1) with Harvey Mandel (and George Chambers?). This jam has previously circulated as
 "Set 3" of 12/16/68, but Bill Gadsden says that it's 'with Harvey Mandel from 12/24/68.' From the San
  Francisco Chronicle newspaper of Monday December 23, 1968 pg 35: 'At the Matrix tonight and tomorrow
 night: Jerry Garcia, Jack Casady, open end jam, no door charge' and elsewhere on the same page under
 the heading 'OPENING TODAY': 'ROCK CLUB - Jam Session with Jerry Garcia, Jack Cassady and others, from
 9:30 p.m., the Matrix, 3138 Fillmore. Free.' On page 26 of issue #34 (Summer 1996) of Dupree's
 Diamond News, Dick Latvala stated in an interview 'There are tapes of 12/16/68 marked Hartbeats at the
 Matrix, but I don't know if that's really accurate. You know [David] Crosby was playing with them
 quite a lot that month.' He makes no other mention of 12/68 Matrix tapes in that article, but he has
 stated on another occasion that the tapes in the vault of 12/24/68 are labeled as Garcia jamming with
 the Harvey Mandel Band. This show is not listed in DeadBase XI. Circulating recordings of the 1968
 Matrix shows trace back to Bill Gadsden's reels. Bill and Peter Kafer made copies of Peter Abram's
 (owner of the Matrix) two track 7" Scotch reels in the summer of 1974. Peter Abram's reels were either
 Masters or 1st gens."
 Set One: Single Disc, 1. Jam (1) [31:19]
 
??/??/69 Practice Session for Workingman's Dead MSR>2R>CD All 68 1388 xxxxx 
 *JG solo acoustic practice*
 Jerry Garcia/Grateful Dead, studio sessions for "workingman's dead", mid to late 1969, and prior to
 mid-february, 1970. transfer and mastering by matt smith: soundboard > master reel > kidd candelario
 dub > will boswell 7 1/2 ips reel > Apogee 24/96 (dithered to 16/44 via Wavelab 5.0) > CD > David Gans
 copy > jj CD > EAC > FLAC8. Notes: - portions of this were first aired on the kboo radio program
 "Grateful Dead and Friends" hosted by matt smith - Lineup: Jerry Garcia - acoustic guitar and vocals;
 unknown - acoustic guitar and electric guitar (possibly jerry garcia multitracked) - * t01-t03 same
 versions, but edited by David Gans for broadcast - t01 pop at 3:43, 3:55, 5:04 - t02 glitches @ 1:08,
 1:29 - t08 pop @ 5:29 - the number in parentheses is the track number of the fileset of the same
 material compiled by Ihor Slabicky, as detailed in the info file.
 Set One: (11 tracks, 68:06) 01. *High Time [5:16] 02. *Casey Jones [2:58] 03. *Dire Wolf
 [11:17] 04. Dire Wolf (1-2) [7:23] 05. Casey Jones (3) [2:58] 06. High Time (4) [4:18] 07. High Time
 (5) [5:15] 08. blues instrumental (6) [8:28] 09. Dire Wolf fast, then slow (8-10) [4:14] 10. Dire
 Wolf (11) [11:19] 11. High Time (12-14) [4:41] (fades down)
01/11/69 see Jerry Garcia on Official Releases n/a 
02/19/69 San Francisco, CA - The Matrix MS?>?>D>CD All 58 
 *High Country w/ Garcia & Nelson*
 See http://db.etree.org/shninfo_detail.php?shnid=4500 for more details, though it sounds to me like
 there might be an MP3 generation in the lineage.
 Set One: INSTRUMENTAL 02:00 , ON AND ON 03:41 , COME TO YOU WHEN I DIE 04:44 , HIGH COUNTY
 03:40 , TEARDROPS IN MY EYE 02:58 , BIG RIVER 02:41 , WORKING ON THE BUILDING 04:50 , BRAND NEW PAIR
 OF SHOES 03:06 , SOLDIER'S JOY 04:21 , SWING LOW SWEET CHARIOT 03:10 , I'M BLUE I'M LONESOME TOO 03:36
 , BLUEGRASS STOMP 05:10 , I WONDER WHERE YOU ARE TONIGHT 02:41 , BLUEGRASS BREAKDOWN 04:12 , TELL ME
 YOU DON'T MEAN GOODBYE 03:06 , FOGGY MOUNTAIN BREAKDOWN 03:34, plus filler: 4/24/89 Elvis Costello w/
 Garcia
02/19/69 San Francisco, CA - The Matrix MSR>2R?>CD All 56 1373 xxxxx 
 *High Country w/ Garcia & Nelson*
 These copies come directly to me from Ed Perlstein. Sometimes listed as 1964. Reasons to believe
 the 1969 dating: - Butch Waller recalls it as 1969 - track 18 is "Tonight The Bottle Let Me Down".
 Written by Merle Haggard, it was not released until late 1966. - the High Country www page
 http://highcountrybluegrass.com/ says that the band formed sometime in 1968. JJ: - tick near start of
 Big River; - I Wonder Where You Are Tonight fades in, almost nothing missing. - There is lots of
 uncertainty surrounding the date, not least since the Grateful Dead performed at the "Celestial
 Synapse" at the Fillmore West, an event documented in Rolling Stone.
 Set One: (16 tacks, 56:13) 01. Instrumental [2:46] 02. On and On [4:06] 03. Walls of Time
 [4:40] 04. Instrumental (EP: When I Die) [2:36] 05. Teardrops in my Eyes [3:05] 06. Big River [3:02]
 07. Workin' on a Building [4:54] 08. Brand New Shoes (Monroe) [2:46] 09. Instrumental [4:03] 10. Swing
 Low Sweet Chariot 3:03] 11. Blue and Lonesome Too (EP: When I Hear the Whistle Blow) [3:42] 12.
 Instrumental (?Monroe) [4:09] 13. //I Wonder Where You Are Tonight [3:25] 14. Instrumental [3:42] 15.
 Tell Me Goodbye [2:39] 16. Bluegrass Breakdown [3:29]
08/07/69 San Francisco, CA - The Matrix  MSR>R>CD All 75 1374 xxxxx 
 *NRPS*
 MSR > 1 reel (EP) > CD > EAC > Sony Sound Forge Studio 7.0 > shntool > FLAC8. Personnel (per The
 Jerry Site): John "Marmaduke" Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals;
 Jerry Garcia - pedal steel guitar; Mickey Hart - drums; Phil Lesh - bass. Notes: - TJS says "actual
 date of the show is uncertain, but 8-7 is typically the date listed for this tape." - Excellent sound
  quality but for pretty notable distortion on the pedal steel and to a lesser degree on the vocals.
 There is also occasional static, which I have mostly left alone. Exceptions were five instances at
 the end of t13, which I edited out using Sony Sound Forge Studio 7.0's pencil tool. I also edited out
 a brief repeated section after Games People Play. - The material is pretty primitive ... the official
 NRPS concert history at http://www.nrps.net/music/1969.html suggests that this is their 6th show,
 though that would include what are understood to be Garcia/Dawson duets on at least two occasions.
 They certainly seem to be trying to find their feet here, and it wouldn't surprise me if this were one
 of the very first full-band gigs. - (1) "The name of this organization is the New Riders of the Purple
 Sage, formerly the Murdering Punks. ... Oh ... there's a ... I'm told there's a murdering punk left.
 There's still a murdering punk in the organization, but we ain't sayin', for the protection of the
 audience. For the protection of the band, for that matter." - Identification of the sets is based on
 stage chatter right before Delilah. - (2) This first version of Last Lonely Eagle is not listed at the
 NRPS Concert History site, http://www.nrps.net/music/1969.html. The fact that it appears "again" later
 in this set, along with its absence from the "official" setlist, may suggest that this first version
 is out of place (i.e., from another date). They are definitely different versions. - (3) "We're gonna
 make it home right now. Thank you very much."
 Set One: Single Disc (16 tracks, 75:18) --Set I-- 01. Tuning [0:22] 02. Kaw-Liga [3:57]
 [0:11] 03. If You Hear Me When I'm Leavin' (1) [6:43] [1:23] 04. Superman [3:35] [0:39] 05. Mama Tried
 [2:20] [0:10] 06. Games People Play [5:48] [0:16] 07. (2) Last Lonely Eagle [5:17] [0:06] 08. Truckin
 Driving Man [3:06] [0:04] 09. Me And My Uncle [3:23] [0:36] 10. Delilah [3:41] --Set II-- 11. Long
 Black Veil [5:37] [0:11] 12. All I Ever Wanted [7:48] 0:10] 13. Henry [3:30] [0:08] 14. Don't Take
 Chances [5:12] [2:03] 15. Last Lonely Eagle [5:33] -> 16. Six Days On The Road [3:26] (3) [0:05]
08/07/69 San Francisco, CA - The Matrix MS?>?>CD All 67  
 *NRPS*
 New Riders of the Purple Sage: The Matrix, San Francisco, CA, August 7, 1969, per db.etree.org (was
 listed as 8/2/69), "Afternoon Show". SBD, unknown lineage; CDs via slip. JJ: distortion on the pedal
 steel, but little hiss. - warbles/speed problems in Delilah? - (1) Marmaduke: "The name of this
 organization is the New Riders of the Purple Sage ... formerly the Murdering Punks (?)" - (2) "I'm
 told there's a murdering punk left ..." - blips @ markers, or just rough tape transitions? - not same
 order as shown at etree, but this recording is discontinuous from song to song so it's hard to say
 what's up. - repeated bit of applause at start of Six Days on the Road, twice - (3) Marmaduke: "We're
 gonna make it home right now. Thank you very much." --db.etree.org shows this running order:
 Kaw-Liga, If You Hear Me When I'm Leavin', Superman, Mama Tried, Games People Play, Last Lonely Eagle,
 Truck Drivin' Man, Me And My Uncle, Delilah, Long Black Veil, All I Ever Wanted, Henry, Don't Take
 Chances, Six Days On The Road.
 Set One: Single Disc (14 tracks, 67:14): 01. Kaw-Liga [4:48], 02. Mama Tried [2:27], 03.
  Games People Play [5:48], 04. Me and My Uncle [3:27], 05. Delilah [3:56], 06. Long Black Veil [5:36],
 07. If You Hear Me When I'm Leavin' (?) (1) [7:01], 08. (2) Tuning {1:18}, Superman [5:00], 09. Last
 Lonely Eagle [5:08], 10. Truck Drivin' Man [3:13], 11. All I Ever Wanted [8:01], 12. Henry [3:42], 13.
 Don't Take Chances [5:32], 14. Six Days On The Road (3) [3:35]
08/28/69 San Francisco, CA - Family Dog at the Great Highway MSC>C>D>CD All 81 1281 4234  
 *Mickey and the Hartbeats*
 From Deadlists: "Bear's cassette master is labeled Hartbeats. The band is Garcia, Kreutzmann,
 Hart, Lesh, and Howard Wales on keyboards. The keyboards are very forward in the mix to start with.
 The mix is rather bad for the first 20-25 minutes but then improves; the left channel drops out
 briefly twice while this remix is being done ..." d2t01 several small pops and crackles; d2t01 brief
 drop @ 6:56; d2t01 TOO theme @ ca. 17:00-21:00; d2t01 @ ca. 21:00, blues theme, then Clementine-ish
 fast jazzy; d2t02 @ ca. 19:30 Slipknot vibe
 Set One: 1. //It's a Sin [7:39#], 2. [0:30] Hi-Heel Sneakers [6:55] [1:02], Filler: 8/29/69,
 3. Turn on Your Lovelight [29:55] [1:00], Total Time 47:03
 Set Two: 1. [0:42] Dark Star [25:47] -> 2. Jam [21:28] -> 3. The Eleven Jam [9:49] -> 4. Jam
 [6:41] [0:17], Total Time 64:47
09/06/69 San Francisco, CA - Family Dog at the Great Highway MSR>C>D>CD All 23 
 *Garcia jams w/ Airplane, see JA entry for this date*
09/18/69 Cotati, CA - Inn of the Beginning MS?>?>CD All 79 
 *NRPS*
 Came labeled as "9/16/69", via slip. SBD.
 Set One: Total Time -- 78:50: 01: Fair Chance To Know, 02: Long Black Limousine, 03:
 Connection, 04: To Have The Hurting End, 05: Games People Play, 06: Hello Trouble, 07: Quinn The
 Eskimo, 08: Delilah, 09: Death And Destruction, 10: The Lady Came From Baltimore, 11: Henry, 12: The
 Weight, 13: Mama Tried
09/18/69 Cotati, CA - Inn of the Beginning MSR>?>CD All n/a 1323 87622 
 *NRPS*
 source: sbd reel; lineage: sbd reel > ? > cdrs > eac > flac, encoded by Rob Berger.
 Set One: one disc: 78:55: 01: Fair Chance To Know, 02: Long Black Limousine, 03: Connection,
 04: To Have The Hurting End, 05: Games People Play, 06: Hello Trouble, 07: Quinn The Eskimo, 08:
 Delilah, 09: Death And Destruction, 10: The Lady Came From Baltimore, 11: Henry, 12: The Weight, 13:
 Mama Tried
10/28/69 San Francisco, CA - Jefferson Airplane House MSR>C>D>CD All 57 0147 12687 
 *Garcia and members of the Airplane*
 According to Alan Topal (http://db.etree.org/shninfo_detail.php?shnid=4503#comments), Garcia is not
 on tracks 3 or 4, and comes back in partway through track 5.
 Set One: 1. Been All Around This World [3:52] [0:08], 2. [1:21] Big Boss Man [5:06] [0:01],
 3. [2:34] Jam (Stormy Monday Theme) [13:18] [0:05], 4.Slow Blues [7:19], 5. Noodling [5:28], 6. Jam
 [18:35] [0:44], Total Time 56:34
 
??/??/7? Crosby Connection - Various SBD All 63 0400 noshnid 
 *"Crosby Connection", KPFA Marathan 2/3/01*
 "The Crosby Connection" -- STEVE SILBERMAN w/ host David Gans. KPFA Grateful Dead Marathon 2/3/01,
 KPFA 94.1 fm Berkeley CA. "I Used to Be a King," from Graham Nash's Songs for Beginners, features
 Jerry Garcia on pedal steel, Bill Kreutzmann on drums, and Phil Lesh on bass. Jerry Garcia plays
 pedal steel (uncredited) on "Change Partners," the opening track on Stephen Stills 2. "Cowboy Movie"
 -- this is a tape from the sessions for If I Could Only Remember My Name, David Crosby's first solo
 album. Crosby is singing but it's only barely audible as leakage into an instrument microphone.
 Crosby , Garcia and Neil Young on guitars; Phil Lesh on bass; Michael Shrieve, drums. "Tamalpais High
 (At About 3)" -- an outtake from If I Could Only Remember My Name. David Crosby, Jerry Garcia and
 Jorma Kaukonen on guitars; Phil Lesh on bass; Bill Kreutzmann on drums.
 Set One: 1. Talk 3:40, 2. I Used to Be a King 4:33 (Graham Nash, Songs for Beginners), 3.
 Change Partners 3:08 (Stephen Stills 2), 4. Talk 5:41, 5. Cowboy Movie 11:07 (If I Could Only Remember
 My Name session 11/3/70), 6. The Wall Song 8:54 (David Crosby, Graham Nash et al. 11/9/71), 7. Talk
 3:50, 8. Lady Friend 1:41 (David Crosby solo demo circa 1967), 9. Tamalpais High (At About 3) 9:02 (If
 I Could Only Remember My Name session 12/13/70), 10. Talk 4:12, 11. Kids and Dogs 6:42 (David Crosby
 and Jerry Garcia 11/70), 12. Talk 0:30, Total time 63:04
??/??/70 If I Could Only Remember My Name Outtakes MSR>?>CD All 111 
 *Crosby/PERRO*
 d1t05 drop @ 3:30
 Set One: Disc One (13) 55:28, Song With No Words, Laughing, Laughing, Song with no Words,
 Song with no Words, Tamalpais High, Tamalpais High, Orleans, Orleans, Cowboy Movies, Cowboy Movie
 (fades down), Tamalpais High, Tamalpais High
 Set Two: Disc Two (14) 55:44, ??, Orleans, ??, Music Is Love, Laughing, Laughing, Traction
 in the Rain, Traction in the Rain, Traction in the Rain, ??, Music is Love, Music is Love, Wall Song,
 ??
??/??/70 Marin County, CA - Garage Jam  MSC>C>CD All 15 
 *Garage Jam: JG, Cipollina, Weir & Sears*
 GARAGE JAM: Garcia, Cipollina, Weir & Sears, MARIN COUNTY, CA, 1970, Seeded to DIME by 38f from 1st
 generation cassette: JOHN CIPOLLINA on guitars, JERRY GARCIA on vocals and guitars, BOB WEIR on vocals
 and guitars, PETE SEARS on piano.
 Set One: (4 tracks, 14:33), 1. //THE RACE IS ON, 2. SILVER THREADS AND GOLDEN NEEDLES, 3.
 LET ME IN (83968's My Dad), 4. DARK HOLLOW
??/??/70 IICORMN: The Alternate Album MSR>?>CD All n/a 
 *Crosby/PERRO*
 Via Pink Robert. DAVID CROSBY: If I Could Only Remember My Name: The Alternate Album. Definitive
 2008 edition. Wally Heider's Studio, San Francisco, late 1970. Excellent quality. PR's Notes: "In the
 history of bootleg collecting rarely a single set of tapes aroused so many speculations and undivided
 interest during very long period of time as it was in the case of the recordings of David Crosby
 during and after recording of his solo album “If I Could Only Remember My Name”, commonly called PERRO
 Tapes. It all started in 1991 with 120 minutes PERRO DAT tape that Paul Kantner made from the original
 tapes that were in the possession of Graham Nash and at the same time C-90 cassette with, presumably
 at the time, If I Could Only Remember My Name outtakes started to circulate. Later, the set of three
 C-90 cassettes was labeled “Perro tapes”, although a lot of materials were instantly recognised as
 David And The Dorks Matrix tapes and so called Hart Jam. In 1997, the first set of four CD-Rs included
  the most of non-PERRO tracks from the mentioned cassettes. A year later, double CDR “If I Could Only
 Remember The Outtakes”, joint venture of a Dutch collector and Eastern European collector started
 making turns in the trades among the collectors of Crosby and company. Although often blamed as the
 set of outfakes it was widely circulated for a long time. The first true reference set of PERRO discs
 showed up in 2001 and it was consisted of 2 CDR named “PERRO: The Stephen Barncard Rough Mixes” and 2
 CDR named “The PERRO Supplement: A Collection Of PERRO-Related Tracks” The first two discs consisted
 of the complete legendary PERRO DAT recording in the best quality.  The first “new” recordings started
 to circulate in 2007 with the compilation of IICORMN and PERRO tracks in the superior quality than
 ever before. The bootleg was called “Everybody Here Can Be In The Band”, but on the torrent sites it
 was called “David Crosby Sessions” or “IICORMN - The Sessions”. Later in the year, three sets of
 tracks started to circulate under titles: ”Acoustic”, “Electric” and Residue”, all in similar superior
 quality. Some of the tracks were of suspicious origin, but the improvement in quality was obvious. The
 set in your hands is the best quality and the most complete collection of genuine IIORMN outtakes and
 the best quality versions of PERRO tracks. All outfakes were disregarded, same as the tracks that were
 not the integral part of David Crosby sessions, such was Jefferson Airplane Bark session that was
 included in PERRO Supplement. Until something new would show up, I hope that this could serve as true
 reference of magnificent David Crosby sessions from 1970-1971." -- PR, January 2008.
 Set One: 1. Music Is Love - no conga overdubs, 2. Cowboy Movie - instrumental, no Garcia
 overdubs, 3. Cowboy Movie - rough mix, the longest version, 4. Tamalpais High (At About 3) - "full
 blown" version, 5. Laughing - rough mix, 6. What Are Their Names - rough mono mix, 7. Traction In The
 Rain - alternate mix, 8. Song With No Words - short version aka demo version, mono, 9. Orleans -
 alternate stereo mix, 10. I'd Swear There Was Somebody Here - rough mix, 11. Wooden Ships - studio
 demo
01/20/70 Los Angeles, CA - MGM Studios (Love Scene Improv.) MS?>?>CD ? 37  
 *Love Scene Improvisations*
 Probably among the outtakes for work done on the "Original Motion Picture Soundtrack: Zabriskie
 Point", and released on Rhino Records (Rhino 72462). Very nice sound, with some recurrent digital
 artifacts (pops). I have determined the venue as MGM studios in LA based on chapter ten outtakes from
 Blair Jackson's _Garcia_, available at http://www.blairjackson.com/chapter_ten_additions.htm. Here are
 the notes from the wonderful deaddisc.com site:The version of Love Scene released here was Garcia's
 first released solo recording. Garcia's Love Scene material was recorded on January 20, 1970. The
 liner notes for the extended release of Zabriskie Point include comments by Don Hall, the musical
 coordinator for the film, on Garcia's inclusion: "Michelangelo liked The Grateful Dead, and I had a
 friend who lived across the street from Jerry at the time. He talked to him about the movie and we got
 together. It was almost done as an afterthought. Michelangelo wasn't even in town when we did the
 music; he was back in Rome. We went into the large studio at MGM, which they usually used for the
 symphony orchestras. And Jerry sat there by himself, on a stool, laying it down. They had the love
 scene on a loop, and he played live while the film was running. He didn't want to do it away from the
 film and then cut things in. He played right to every single shot in the scene. That's why there are
 certain notes over certain frames, over people moving in the desert. He played right while watching
 it. It was miraculous -- pure genius." In an interview with Rolling Stone in 1969 Antonioni said the
 following: "I don't like music that makes a commentary on the film. Of course there will be rock music
 in [Zabriskie Point] as heard on the radio or record players. That's just natural. But I don't
 necessarily want a rock score. That would be too easy, too obvious." The booklet with the new release
 also includes a section by Deborah Koons Garcia entitled Jerry Garcia: A Remembrance: "Back in 1974
  when Jerry and I were first getting to know each other, he was beginning to experience more intensely
 the ups and downs of success and fame. The best of the upside for Jerry was the increased opportunity
 to do interesting work, and working with Michelangelo Antonioni on the soundtrack for Zabriskie Point
 had been a definite highlight. He told me in 1970 (or '69) that Lenny Hart, who then managed The
 Grateful Dead, had mentioned to him that "some Italian guy has been calling, wanting you to work on a
 film soundtrack." When Jerry found out this Italian guy was Antonioni, he immediately said yes, of
 course, he would be thrilled to be involved in the project. So Jerry went to L.A. and set up in a
  huge soundstage with Antonioni and played. He was pleased with his work, proud to be part of the film,
 and honored to have worked with the director. I remember, prevideo, Jerry taking me to see old
 Antonioni films like Red Desert (Il Deserto Rosso) at repertory houses. Of course we saw The Passenger
 as soon as it came out and marveled at its great style. Jerry was a true film buff and appreciated
 both the artistic and technical aspects of this most difficult craft. Seeing and talking movies with
 him was always fun."
 Set One: 5 tracks, 37:14. Five takes on the Love Scene theme.
04/30/70 San Francisco, CA - The Matrix MSR>R>CD I 69 1374 xxxxx 
 *NRPS*
 MSR (Peter Abrams) > 1 reel (EP) > CD > EAC (extraction) > CD Wave (tracking) > Sony Sound Forge
 Studio 7.0 (minor editing) > Trader's Little Helper (FLAC8 encoding). Lineup: John Dawson - rhythm
 guitar, vocals; David Nelson - lead guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal
 steel guitar; Mickey Hart - drums. Notes: - some distortion on the vocals and some hiss, but a pretty
 nice mono recording. The only edits undertaken were to remove small anomalies @ the start of Portland
 Woman and Last Lonely Eagle. - Dirty Business seems to clip in. It also has a brief splice @ 7:46 and
 clips out near the end. - LLE clips in. - (1) "Thank you. We'll see you after a few weird movies."
 This may imply that this is the first of (at least) two sets for the night.
 Set One: (13 tracks, 68:38) 01. Tuning [0:41] 02. Watcha Gonna Do [4:05] [0:40] 03. Glendale
 Train [5:21] [1:16] 04. Lodi [4:00] [1:07] 05. If You Hear Me When I'm Leaving [4:33] [1:07] 06. Sweet
 Lovin' One [3:38] [0:08] 07. Portland Woman [5:22] [0:24] 08. Delila [3:43] [0:22] 09. /Dirty
 //Business/ [9:38] 10. /Last Lonely Eagle [6:12] [1:40] 11. Hello Trouble [3:21] [0:10] 12. Big Yellow
 Taxi [3:09] [0:57] 13. The Weight [6:48] (1) [0:11]
05/02/70 Binghamton, NY - Harpur College MFR>CD All 54 1147 28369 
 *NRPS: Michael Parrish*
 FMMR > CD > EAC > WAV > SHN. KPFA-FM Broadcast (July 1970) - Recorded by Michael Parrish. Somewhat
 degraded sound quality. Broadcast was missing the opening song, Workingman's Blues. A>D by Michael
 Parrish, EAC>SHN by Noah Weiner - February, 2005. *with Bob Weir on guitar and vocals; John Dawson -
 rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert - bass, vocals; Jerry Garcia
 - pedal steel guitar; Mickey Hart - drums. Note: The cut end of "Whatcha Gonna Do" is that way on the
 SBDMR. Fadeout was performed as part of the broadcast. Tape ends roughly two seconds after fade.
 Set One: missing: Workingman's Blues, 01 [04:50] Brown Eyed Handsome Man, 02 [03:29] Truck
 Drivin' Man, 03 [05:30], If You Hear Me When I'm Leavin', 04 [03:52] Whatcha Gonna Do//(fade), 05
 [07:39] All I Ever Wanted, 06 [04:21] Henry, 07 [04:59] Lodi, 08 [03:29] Saw Mill*, 09 [02:20] The
 Race Is On*, 10 [03:33] Mama Tried*, 11 [03:46] Me And My Uncle*, 12 [06:37] The Weight, tt [54:26]
05/03/70 Middletown, CT - Foss Hill, Wesleyan University MAR>R>D>CD All n/a 1293 20852 
 *NRPS: Warren White, unknown gear*
 IDigital editing by Jim Goldman, wavs provided by, minor editing and retracking SIRMick (The
 Sugarmegs Restoration Krewe). Notes:- - a real snapshot of the Taper's section and the Psych
 Department discussion is heard more clearly than the music. This is a record of an event, not just a
 concert Recording. Information from posts to deadlists throws more light on the whole event: and the
 circumstances in which the show was recorded. Via Stu Hanson: "1. This will probably be of most
 interest to the oldtimers who can still enjoy vintage audience recordings, those who collect 1970
 recordings missing from the Dead's vault or completists, not to mention the 1970 caretaker of
 Deadlists. I was recently given first generation reel to reel copies of The Dead and NRPS at Wesleyan
 University in Middletown, CT on May 3, 1970 to transfer into the digital realm. I've checked
 Deadlists, Deadbase and The Compendium and I think this is the first time the complete contents of the
 master reels are together, as none of those listings include all of this material. I can also shed
 light on who recorded it, the accurate song order and how it probably came into circulation
 (partially) years ago. According to notes written on the first gen reels, the three original master
 reels were recorded by a Wesleyen student named Warren White as part of an assignment for a Professor
 Schenk (we think thats how its spelled. The handwriting on the reel cases is difficult to read). There
 were originally three master reels altogether, two half-hour reels and one hour-long reel, all
 recorded at 1 7/8ips. Those master reels were borrowed from Schenk by another student (in the late
 1970?s) and dubbed to 1st generation reels by my wife's uncle - Alan Bershaw. Without a deck that
 would run at 1 7/8ips, Alan said he played the master reels back at 3 3/4 ips while recording them
  onto reels at 7 1/2 ips, which allowed him to play back his first generation reels at 3 3/4 ips - at
 the correct speed. At that time, several 90 minute cassettes (of the last 90 minutes, including all
 the Dead material) were given to friends of Alan's and to the guy who borrowed the master reels from
 Schenk. Currently circulating copies likely originated from those 2nd generation cassette dubs, many
 probably way down the line since this all happened in the late 70's. If Deadlists/ Deadbase/
 Compendium is correct on what circulates, this new copy includes all of this material possibly for the
 first time. While this is still far from a great recording and its still probably incomplete, its
  likely an improvement over all the currently circulating copies. There are also no butchered songs and
 no reel stops/starts between songs like most audience recordings of this time. The geneology on this
 new copy is Master Audience Reels @1 7/8 ips (played back @3 3/4 ips)-> Reels@7 1/2 ips > (then played
 back @3 3/4 ips to correct speed on Revox A-77) > DAT @ 44.1k It should also be noted for context
 that this is the night before the Kent State shootings, which is significant in light of the various
 announcements on these recordings."
 Set One: 01. //Workin' Man Blues (2:59) 02. I Don't Know You (5:29) 03. Last Lonely
 Eagle (7:18) 04. Truck Drivin' Man (4:31) 05. Fair Chance To Know (4:26) 06. Crowd banter > Stage
 Announcements > (5:13)
05/07/70 Cambridge, MA - Dupont Gymnasium M.I.T. MAC>?>R>D>CD All n/a 1293 32276 
  *NRPS: unknown taper & gear* *sirmick remaster*
 # with Bob Weir. main source: AudMC > ? > 7" R > DAT > HD > SHN. Taper, mics, and deck unknown. A >
 D transfer by Noah Weiner - noahbw@home.com
 Set One: 01 Whatcha Gonna Do? 02 tuning and crowd 03 Six Days On The Road 04 tuning
 and crowd 05 I Don?t Know You 06 crowd and tuning 07 Portland Woman// 08 Henry 4:30 09 crowd
 and tuning 10 Workin? Man Blues 11 tuning and crowd 12 All I Ever Wanted 13 Fair Chance To
 Know// 14 Last Lonely Eagle 15 Lodi 4:27 16 Bob Weir introduced and tuning 17 The Race Is On #
 18 //Seasons # 19 Mama Tried # 20 Saw Mill # 21 Honky-Tonk Woman #
05/14/70 St. Louis, MO - Scottie's Music Store MSR>CD All 48 
 *Garcia, Weir, Nelson, Dawson, & Cage* *a.k.a. Jetty's 12/xx/71*
 7" Mono SBD Reel->24-bit transfer->CDR
 Set One: 1. Tuning [0:37] -> Instrumental [3:52], 2. Unknown Tune [6:06], 3. ??? (can’t make
 out the vocals, low vocal mic) [7:50] , 4. Country Road (yes, the John Denver tune!) [1:00], 5.
 Country Road (take two) [1:45], 6. Sea Tour [0:57], 7. Long Black Veil [4:12], 8. //Is Anybody Goin’
 to San Antone? [4:09#], 9. Talking and tuning , 10. Instrumental , 11. Talking and tuning [7:47], 12.
 Instrumental , 13. Seasons of My Heart /, Total Time 47:45
05/14/70 Kirkwood, MO - Merramac Community College  MSR>D>CD All 59 1172 28716 
 *NRPS*
 Lineage: MSR> DAT> CDR> EAC> FLAC, except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC.
 Remastered by Jack Warner, DAE and FLAC encoding by Marc Evans, Projected coordinated by Jim Powell,
 Special thanks to DW.
 Set One: 15 tracks, 58:40--separated from GD set *** New Riders of The Purple Sage ***
 tuning, stage banter, Six Days On The Road, Whatcha Gonna Do, stage banter, Brown-Eyed Handsome Man, I
 Don't Know You, Cecilia, Can't Pay The Price, Henry (1st attempt), stage banter, Henry (2nd attempt),
 Garden Of Eden, Fair Chance To Know *, Last Lonely Eagle, Lodi, Honkytonk Woman (aborted) ,The
 Weight//
05/15/70a NYC, NY - Fillmore East MSR>CD All 39 1290 29473 
 *NRPS*
 Main Source: SBD: 10" 1/2 track Master Reels @ 7.5 ips > Revox A700 playback deck > Alesis
 Masterlink ML 9600 > CD. The master reel ran out 2:01 minutes into Last Lonely Eagle and the remainder
 of their set was not recorded.
 Set One: 01. Stage Preparations [09:38], 02. Bill Graham Introduction/Six Days On The Road
 [04:21], 03. Whatcha Gonna Do? [04:37], 04. I Don't Know You [04:23], 05. Henry [03:51], 06. Portland
 Woman [04:50], 07. Fair Chance To Know [05:03], 08. Last Lonely Eagle// [02:01], Total Time:
 [38:49]
05/15/70b NYC, NY - Fillmore East MSR>CD All 77 1290 29473 
 *NRPS*
 Main Source: SBD: 10" 1/2 track Master Reels @ 7.5 ips > Revox A700 playback deck > Alesis
 Masterlink ML 9600 > CD. * Bobby "Ace" Weir joins in. - Reel glitch at 3:02-3:06 in Lodi.
 Set One: 01. Stage Preparations [03:27], 02. Bill Graham Introduction/Brown-Eyed Handsome
 Man [04:59], 03. Louisiana Lady [05:42], 04. Can't Pay The Price [04:48], 05. Truck Drivin' Man
 [03:59], 06. All I Ever Wanted [08:24], 07. Workin' Man Blues [04:13], 08. Henry/Broken String
 [07:09], 09. I Don't Know You [04:02], 10. Lodi [04:31], 11. Last Lonely Eagle [06:50], 12. Mama Tried
 * [03:05], 13. Sawmill * [04:01], 14. Me And My Uncle * [04:57], 15. Connection * [05:34], 16. Here
 Comes The Sun/Stage Preparations [01:22], TT 77:11
06/24/70a Port Chester, NY - Capitol Theater MAC>CD All 52 1281 25866 
 *NRPS: Ken & Judy Lee, Sony dynamic mics > Sony TC-124*
 AUDMC > CD > EAC > WAV > SHN. Recorded by Ken and Judy Lee with unknown Sony dynamic mics, spread
 approx. 25-30 ft. across the balcony onto a Sony TC124 deck. A>D by John Jay Hance, March 2004. The
 master cassette was baked, processed and transferred via Tascam 122 MK-III > Lucid ADA1000 > Tascam
 CDRW 700 (CDR) > EAC > WAV > MKW Audio Compression Toolkit (shn). Lineup: John Dawson -rhythm guitar,
 vocals; David Nelson - lead guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal steel
 guitar; Mickey Hart - drums. To this Rob Berger adds: "Make no mistake about it, these NRPS sets are
 not those of an opening act. The Riders in June of 1970 were not an offshoot of the Grateful Dead, but
 rather a thread in the fabric of the trip. I think their music speaks for itself on these recordings.
 I was fortunate to have grown up in a neighboring town of Port Chester and the Howard Stein era
 concerts at the Capitol Theatre were actually not legendary, but rather more of a rock n roll rumor by
 the late 70's. Unlike Bill Graham's fabled Fillmore East a mere 35 minutes away, a gig at Port
 Chester's Capitol Theatre was considered a fill-in date. Not high profile by any means. But, as anyone
 who has seen a show at the Capitol at any point in time can attest to, that room generates an energy
 that is truly charged and special. Very East Coast. Rowdy, but attentive and knowledgeable. Shows at
 the Capitol were all marked by a freedom of the artist to let loose and take chances without being
 scrutinized by the New York City press and jaded big city audience. Most groups really seemed to
 thrive off the boisterous enthusiasm of the crowd. Between 1988 -1997 I was lucky enough to have made
 a living promoting shows at, and managing the Capitol Theatre. It blew my mind that the shows we were
 putting on were so reminiscent of those tapes I remember. So full of energy and abandon. In May of
 1990 we hosted John Dawson and his Riders at the still standing Capitol. Backstage over a corn cob
 pipe, Marmaduke shared with stage manager Dave - O and me a wonderful story of how Howard Stein
 painted the stage purple for their first gig there in that warm June of 1970 and how the cops were
 ready for the Dead to come to town after they freely gave out acid at their recent March gigs there.
 Enjoy the music, the memories, and thank you Ken, Judy, John Jay, and all those who make the music go
 round."
 Set One: [51:53] 01 [02:47] tuning and intro, 02 [04:48] Working Man Blues, 03 [04:52]
 Whatcha Gonna Do, 04 [04:10] Live And Let Live, 05 [04:48] If You Hear Me When I'm Leavin', 06 [04:21]
 Henry, 07 [05:27] Portland Woman, 08 [06:46] Dirty Business, 09 [03:56] Truck Drivin' Man, 10 [06:56]
 Last Lonely Eagle, 11 [05:23] Honky Tonk Women
06/24/70b Port Chester, NY - Capitol Theater MAC>CD All 60 1281 25866  
 *NRPS: Ken & Judy Lee, Sony dynamic mics > Sony TC-124*
 AUDMC > CD > EAC > WAV > SHN. Recorded by Ken and Judy Lee with unknown Sony dynamic mics, spread
 approx. 25-30 ft. across the balcony onto a Sony TC124 deck. A>D by John Jay Hance, March 2004. The
 master cassette was baked, processed and transferred via Tascam 122 MK-III > Lucid ADA1000 > Tascam
 CDRW 700 (CDR) > EAC > WAV > MKW Audio Compression Toolkit (shn). Lineup: John Dawson -rhythm guitar,
  vocals; David Nelson - lead guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal steel
 guitar; Mickey Hart - drums. To this Rob Berger adds: "Make no mistake about it, these NRPS sets are
 not those of an opening act. The Riders in June of 1970 were not an offshoot of the Grateful Dead, but
 rather a thread in the fabric of the trip. I think their music speaks for itself on these recordings.
 I was fortunate to have grown up in a neighboring town of Port Chester and the Howard Stein era
 concerts at the Capitol Theatre were actually not legendary, but rather more of a rock n roll rumor by
 the late 70's. Unlike Bill Graham's fabled Fillmore East a mere 35 minutes away, a gig at Port
 Chester's Capitol Theatre was considered a fill-in date. Not high profile by any means. But, as anyone
 who has seen a show at the Capitol at any point in time can attest to, that room generates an energy
 that is truly charged and special. Very East Coast. Rowdy, but attentive and knowledgeable. Shows at
 the Capitol were all marked by a freedom of the artist to let loose and take chances without being
 scrutinized by the New York City press and jaded big city audience. Most groups really seemed to
 thrive off the boisterous enthusiasm of the crowd. Between 1988 -1997 I was lucky enough to have made
 a living promoting shows at, and managing the Capitol Theatre. It blew my mind that the shows we were
 putting on were so reminiscent of those tapes I remember. So full of energy and abandon. In May of
 1990 we hosted John Dawson and his Riders at the still standing Capitol. Backstage over a corn cob
 pipe, Marmaduke shared with stage manager Dave - O and me a wonderful story of how Howard Stein
 painted the stage purple for their first gig there in that warm June of 1970 and how the cops were
 ready for the Dead to come to town after they freely gave out acid at their recent March gigs there.
 Enjoy the music, the memories, and thank you Ken, Judy, John Jay, and all those who make the music go
 round."
 Set One: [59:37]: 01 [00:59] tuning and intro, 02 [04:20] Six Days On The Road, 03 [03:47]
 Superman, 04 [04:12] I Don't Know You, 05 [02:59] broken string & dropped hat, 06 [01:54] Together
 Again (Instrumental), 07 [04:20] Fair Chance To Know, 08 [05:20] Portland Woman, 09 [05:43] Garden Of
 Eden, 10 [03:57] Henry, 11 [07:37] All I Ever Wanted, 12 [04:38] Delilah, 13 [04:31] Louisiana Lady,
 14 [05:08] Honky Tonk Women
07/07/70 San Francisco, CA - The Matrix MSR>?>CD All 119 
 *NRPS*
 Jerry Site Notes:" No pedal steel played at this show. Jerry played electric guitar on all songs
 except Truck Drivin Man, Henry, Delilah, and Turkey In The Straw on which he played banjo. Guests:
 (1) Someone introduced as "Kim" (vocal duet with Nelson)."
 Set One: Disc One (12 tracks, 72:29) --Set I-- Me And My Uncle, Dirty Business, Truck
 Drivin' Man, Portland Woman, Henry, All I Ever Wanted, The Bottle Let Me Down --Set II-- Workingman's
 Blues, Glendale Train, Cecilia, Only Daddy That'll Walk The Line, Last Lonely Eagle
 Set Two: Disc Two (7 tracks, 46:59) --Set II (con't)-- Long Black Veil (1), Delilah, Brown
 Eyed Handsome Man, Fair Chance To Know, Turkey In The Straw, Garden Of Eden, Louisiana Lady
07/10/70 New York, NY - Fillmore East MAR>CD All n/a 1350 95766 
 *NRPS: Marty Weinberg*
 NRPS: John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert -
 bass, vocals; Jerry Garcia - pedal steel guitar; Mickey Hart - drums. source: aud reel master; taped
 by Marty Weinberg; lineage: aud reel master > cdr > eac > flac.
 Set One: one disc: 01: Six Days On The Road, 02: //Dirty Business, 03: Fair Chance To Know,
 04: Glendale Train//, 05: Garden Of Eden, 06: Henry
07/11/70 New York, NY - Fillmore East MAC>2C>D>CD All n/a 1293 9379 
 *NRPS: unknown taper & gear*
 AUD>MC>C>C>D>CD>EAC>SHN. The recording is rather distant and includes crowd chatter. In order to
 save batteries, the tape was stopped and started by the recorder just as songs started and ended.
 The beginnings and ends of most songs are therefore clipped, though this has not been noted except for
 the more severe cases. Sound Forge was used to normalize, pitch correct, and smooth over the cuts.
 Edits/encoding by J. Cotsman. JJ: overloaded. FCO.
 Set One: (38:18) Whatcha Gonna Do, Truck Drivin' Man, Dirty Business, Lodi%, Last Lonely
 Eagle, The Only Daddy That'll Walk The Line, Fair Chance To Know, Henry//, Honkytonk Woman
07/12/70 New York, NY - Fillmore East  MAR>CD partial n/a 1355 90186 
 *NRPS: Marty Weinberg, unknown mics > Uher deck*
 source: aud reel master, uher 5" reel, taped by Marty Weinberg. lineage: reel > cdrs > eac > cd
 wave > flac. Seeded to Lossless Legs by Rob Berger. notes: *battery problems.
 Set One: one disc: 45:40: 01: Lodi, 02: If You Hear Me When I'm Leaving, 03: Henry, 04:
 Portland Woman, 05: Truck Drivin' Man, 06: Last Lonely Eagle, 07: Workin' Man Blues, 08: Cecilia, 09:
 Louisiana Lady, 10: The Weight*
07/29/70 San Francisco, CA - The Matrix MSR>D>CD? All 132  
 *NRPS*
 Lineup: John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert -
 bass, vocals; Jerry Garcia - pedal steel guitar; Mickey Hart - drums. Notes: - A very sloppy show,
 IMO. - a bit hissy for TJS lineage? distortion on vocals - a bit slow? - Dirty Business splice @ 7:48
 - (1) "Hey Bobby, can I talk you into getting a new string out of my case there? A high 'E'." very bad
 digi-snits and skips d2t02 - recording (master?) wavering in and out d2t02 - I Don't Know You not
 listed at TJS. - SQ gets better after d2t02 - Henry not listed at TJS - Torbert is very hot on this
 one, and/or the recording picks him up very nicely.
 Set One: Disc One (12 tracks, 68:27) --Set I-- d1t01. [0:34] Whatcha Gonna Do [4:04] [0:42],
 d1t02. Glendale Train [5:21] [1:15], d1t03. Lodi [4:00] [1:07], d1t04. If You Hear Me When I'm Leavin'
 [4:33] [1:07], d1t05. Sweet Lovin' One [3:37] [0:04], d1t06. Portland Woman [5:25] [0:33], d1t07.
 Delilah [3:37] [0:20], d1t08. Dirty //Business [9:#40], d1t09. Last Lonely Eagle [6:12] [1:40], d1t10.
 Hello Trouble [3:21] [0:10], d1t11. Big Yellow Taxi [3:09] [0:57], d1t12. The Weight [6:49] [0:10]
 Set Two: Disc Two (13 tracks, 64:27) --Set II-- d2t01. [0:07] Workingman's Blues [4:49]
 [1:03] (1), d2t02. Together Again false start [2:28] [2:12], d2t03. I Don't Know You [4:04] [0:49],
 d2t04. Only Daddy That'll Walk The Line [3:24] [0:33], d2t05. Superman [3:18] [0:52], d2t06. Henry
 [3:41] [0:43], d2t07. I'm In Love With You [4:16] [0:22], d2t08. Me And My Uncle [3:43] [0:26], d2t09.
 Mama Tried [3:00] [0:33], d2t10. Cecilia [4:54] [0:03], d2t11. All I Ever Wanted [9:07] [0:32], d2t12.
 Louisiana Lady [3:58] [0:26], d2t13. Honky Tonk Women [4:55] [0:12]
07/30/70 San Francisco, CA - The Matrix MSR>?>D>CD All 98 1384 xxxxx 
 *NRPS*
 MSR > ? > DAT > CD, via Noah Weiner. EAC > CDWave > Sony SoundForge Studio 7.0 > shntool > TLH
 (FLAC8) by jjoops. Notes: - The recording basically sounds pretty good, despite a fair bit of hiss. It
 is very uneven, at times terribly overloaded, relatively tightly edited, etc. I didn't mess around
 with levels or much of anything else, except to delete a fair number of repeated patches, some old
 SBE-legacy gaps, smooth a few tape transitions, etc. It's still far from perfect, but IMO it's worth a
 listen. - The performance is quite sloppy. Just a night of goofin' around, by the sound of things. -
 Dawson announces a set break after Lodi. Set I seems likely to be incomplete. - d1t01 Hello Trouble R
 channel static/flutter @ 0:38. - levels down after first three songs. - (1) "Somebody said rock 'n
 roll, so uhhh ..." - (2) "We've never done this here before, so we'll just try it right here. Excuse
 us for tryin'." - d2t04 Bottle @ 2:45 brief splice/blip - (3) "Hey, where's Cousin Ace? Can we get
 Cousin Ace up here? If anybody can hear us in the back room there ... there he is, there he is." - (4)
 Weir: "Well the rats are desertin' the sinkin' ship. And, uhh, in the meanwhile we're gonna do a ...
 [interruption by Marmaduke: "Welcome to the campfire folks... "] ... hot lead and bloodshed ballad ...
 ["... this is story time ..."] ...sad story time ... ["... here on the plains"] and it goes like
 this." - d2t13 El Paso fades out, maybe missing 20-25 seconds. - d2t17 Honky Tonk Women L channel out.
 Lineup: John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert - bass,
 vocals; Jerry Garcia - pedal steel guitar; Mickey Hart - drums; * w/Bob Weir - acoustic guitar and
 vocals.
 Set One: Disc One (5 tracks, 23:13) --Set I-- d1t01. Hello Trouble [3:12] [0:15] d1t02.
 Glendale Train [5:22] [0:07] d1t03. Kaw-Liga [5:20] [0:10] d1t04. Sailin' [4:22] [0:05] d1t05. (1)
 Lodi [4:19] [0:01]
 Set Two: Disc Two (17 tracks, 75:15) --Set II-- d2t01. Superman [3:43] [0:08] d2t02. (2)
  Down In The Boondocks [4:23] [0:03] d2t03. Cecilia [4:50] [0:12] d2t04. The Bottle Let Me Down [3:14]
 [0:07] d2t05. I'll Come Runnin' Back To You [5:11] [0:14] d2t06. Connection [5:03] [0:08] d2t07. Lady
 Came From Baltimore [5:17] [0:07] d2t08. Live And Let Live [3:44] [0:09] d2t09. Garden Of Eden [6:00]
 [0:05] d2t10. Request for Cousin Ace & Tuning (3) [0:23] d2t11. The Race Is On* [3:03] [0:26] d2t12.
 Cathy's Clown* [3:06] (4) [0:37] d2t13. El Paso* ... [5:15#] [0:06] d2t14. Mama Tried* [3:23] [0:08]
 d2t15. Louisiana Lady [4:17] [0:35] d2t16. Me And Bobby McGee* [5:11] [0:26] d2t17. Honky Tonk Women
 [5:26] [0:15]
08/18/70 San Francisco, CA - Fillmore West MAC>?>R>CD  partial 22 1381 xxxxx 
 *NRPS: unknown taper & gear*
 MAC > ? > R > CD, via Noah Weiner. EAC > CDWave > FLAC8. Notes: - Mono recording with low levels,
 but listenable. - Deadlists shows this lineage: MAC > R @ 7.5 ips > R @ 3.75 ips > PCM Beta > DAT. -
 (1) "Let's do that again, please, for the Grateful Dead." - (2) [inaudible] "hearty hi-ho Silver, the
 New Riders of the Purple Sage," unknown announcer - (3) "A little Chuck Berry action for ya here."
 Set One: (6 tracks, 22:14) t01. Bill Graham GD closing (1), NRPS introduction (2) [0:13]
 t02. Six Days on the Road [4:00] t03. Whatcha Gonna Do [4:31] t04. Glendale Train [5:26] t05. (3)
 Brown Eyed Handsome Man [3:46] t06. Fair Chance to Know [4:15]
09/02/70 San Francisco, CA - The Matrix MS?>?>CD All-4 85 1377 xxxxx 
 *NRPS*
 Unknown sbd, via slip. NRPS: John Dawson - rhythm guitar, vocals; David Nelson - OUT SICK; David
 Torbert - bass, vocals; Jerry Garcia - pedal steel guitar; Mickey Hart - drums. Notes: - Nice sbd but
 for some distortion which seems to get worse as things go along. The hiss level increases
 substantially after d2t02. - TJS lists a version as MSR > 2 Reel > DAT > CD, without noting any
 missing songs. I have some doubts as to whether this is the same as that version. - Hello Trouble is
 terrific, with nice pedal steel and background vox by Garcia. This is a nice NRPS set for JG fans, in
 particular, since with Nelson out Garcia is a bit more prominent, both in terms of the pedal steel and
 in terms of background vocals. Hearing Jerry sing background harmony on "Big Yellow Taxi," for
  example, is a real treat! - (1) "I'd like to mention that we've got a guitar player who isn't here
 becuase he's sick tonight." - (2) "Right on, right on. We broke two strings just then, him and me." -
 d2t06 Fun Fun Fun cuts in - d2t07 Workingman Blues cuts out not too long before the end - d2t10
 Louisiana Lady fades down, a minute or so missing?
 Set One: Disc One (10 tracks, 49:26) --Set I-- d1t01. Hello Trouble (1) [4:35] d1t02.
 Superman [5:17] d1t03. I Don't Know You [5:32] d1t04. I Am Your Man (Only Love Will Do?) [4:47] d1t05.
 Together Again [3:01] d1t06. Portland Woman [6:16] d1t07. Big Yellow Taxi [4:10] d1t08. Glendale Train
 [5:39] (MISSING I'm Going On My Way) (MISSING Henry) d1t09. If You Hear Me When I'm Leavin' [5:32]
 d1t10. Sweet Lovin' One [4:38]
 Set Two: Disc Two (9 tracks, 36:14) --Set II-- d2t01. Tuning [0:26] d2t02. Six Days On The
 Road [3:53] d2t03. Brown Eyed Handsome Man [4:51] d2t04. The Lady Came From Baltimore [6:02] d2t05.
 Fair Chance To Know (2) [6:31] d2t06. //Fun Fun Fun [1:53] d2t07. Workingman's Blues// [3:35] d2t08.
 Cecilia [5:04] d2t09. Louisiana Lady ... [3:59] (MISSING The Weight) (MISSING Dirty Business)
09/08/70 PERRO Sessions n/a 
09/17/70 New York, NY - Fillmore East MAC>R>C>D>CD partial?24 1293 27591 
 *NRPS:Jack Toner, Sony TC-110 w/ built-in mic* *sirmick remaster*
 Recorded by Jack Toner, with a Sony TC-110 with built-in microphone. Source tapes from Dwight
 Holmes, Transfer to digital by David Minches, Patches and SHN encoding by Jack Warner.
 Set One: (23:52) Six Days on the Road, I Don't Know You, Superman, Henry, Portland Woman,
 Cecilia
09/18/70 New York, NY - Fillmore East MSR>CD All 78 1388 97865 
 *NRPS*
 10" 1/2 track SBDMR Scotch reels played back on a Revox 1/2 track A700 > Alesis Masterlink 9600 >
 my CD (direct from Bill Gadsden). *with Bob Weir. note: Tape cuts are from reel start and end. NRPS:
 John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert - bass, vocals;
 Jerry Garcia - pedal steel guitar, vocals; Mickey Hart - drums.
 Set One: 01 [06:29] //Honky Tonk Women 02 [05:38] Workingman's Blues 03 [03:26] Superman 04
 [04:40] I'm In Love With You 05 [11:06] Dirty Business 06 [04:47] Truck Drivin' Man 07 [06:46] Last
 Lonely Eagle 08 [04:55] Fair Chance To Know 09 [06:38] Glendale Train 10 [05:54] Louisiana Lady 11
 [03:40] The Race Is On* 12 [03:09] Mama Tried* 13 [05:37] Sawmill* 14 [04:54] The Weight// tt
 [77:46]
09/18/70 New York, NY - Fillmore East MAR>R>C>CD All n/a 1377 17893 
 *NRPS: Jack Toner, unknown gear*
 Note: This is the NRPS set only from GD source shnid 17893. Jack Toner AUD recording; source AUDMC
 > R > C > CD > EAC > SHN. **with Bob Weir. --Sound Forge was used for normalization and minor pitch
 adjustments. Part of The Music Never Stopped Project 2003. AUD portions compiled by Jack Warner, final
 edits/encoding by JCotsman.
 Set One: 01. Honky Tonk Women (5:04) 02. Workin' Man Blues (4:05) 03. Superman (3:07) 04.
 Rainbow (4:15) 05. Dirty Business (9:48) 06. Last Lonely Eagle (6:27) 07. Fair Chance To Know (4:05)
 08. Glendale Train (5:43) 09. Louisiana Lady (4:02) 10. The Race Is On** (3:00) 11. Mama Tried**
 (3:04) 12. Sawmill** (4:03) 13. The Weight (6:47)
09/18/70 New York, NY - Fillmore East matrix All n/a 1366 92148 
 *NRPS: sirmick matrix*
 Matrix sources: 1) SBDMR > Alesis Masterlink > CDR > EAC > WAV > FLAC; 10" 1/2 track SBDMR Scotch
 reels played back on a Revox 1/2 track A700 > Alesis Masterlink 9600; EAC > Flac transfer by Noah
 Weiner - October, 2006; 2) AUD> MC > R > C > CD > EAC > SHN, Jack Toner recording. * with Bob Weir -
 acoustic guitar, vocals. Notes: - I cleaned up the aud as much as I could then eq'd it to give it a
 brighter sound, it was originally very muddy sounding - the aud was paused between tracks and was
 missing most of the tuning, these have been patched in from the sbd - the sbd had the start of the
 first track and the end of the last track missing, these have been patched in from the sbd - the aud
 had the whole of "Truck Drivin' Man" missing, this has been patched in from the sbd - there were a
 couple of other small segments of music missing from the aud, which have been patched in from the sbd.
 Comments: "There's no doubt that this matrix has got some rough edges but when it works, it works."
 Matrixed by SIRMick, June 2008. Lineup: John Dawson - rhythm guitar, vocals; David Nelson - lead
 guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal steel guitar, vocals; Mickey Hart -
 drums.
 Set One: 01 Honky Tonk Women, 02 tuning, 03 Workingman's Blues, 04 tuning, 05 Superman, 06
 I'm In Love With You, 07 tuning, 08 Dirty Business, 09 Truck Drivin' Man, 10 tuning, 11 Last Lonely
 Eagle, 12 Fair Chance To Know, 13 tuning, 14 Glendale Train, 15 tuning, 16 Louisiana Lady, 17 tuning,
 18 The Race Is On*, 19 tuning, 20 Mama Tried*, 21 Sawmill*, 22 tuning, 23 The Weight
09/19/70 New York, NY - Fillmore East MAC>R>C>CD All-1 n/a 1293 25473 
 *NRPS: Jack Toner, Sony TC-110 w/ built-in mic*
 Master audience cassette (Taped by Jack Toner, Sony TC-110 with built-in microphone) > reel >
 cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary
 verification (shntool v1.01) > .flac encoding. Last Lonely Eagle 1:53 - end and Honky Tonk Women from
 Master audience reel (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback > Cardas
 audiophile cables > HHB CDR 800 master CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) >
 tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding.
 Set One: (MISSING: Workingman's Blues) I Don't Know You [3:43] Superman [3:34] Whatcha Gonna
 Do [4:26] Portland Woman [5:17] Glendale Train [5:05] Fair Chance To Know [4:07] All I Ever Wanted
 [7:41] Henry [3:39] Lodi [3:33] Last Lonely Eagle [6:47] Honky Tonk Women [4:47]
09/20/70 New York, NY - Fillmore East MSR>CD All 80 1388 97866 
 *NRPS*
 10" 1/2 track SBDMR Scotch reels played back on a Revox 1/2 track A700 > Alesis Masterlink 9600 >
 JJ copies directly from Bill Gadsden. NRPS: John Dawson - rhythm guitar, vocals; David Nelson - lead
 guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal steel guitar, vocals; Mickey Hart -
 drums.
 Set One: 01 [00:39] stage noise 02 [03:42] Hello Trouble 03 [07:11] If You Hear Me When I'm
 Leavin' 04 [04:09] Truck Drivin' Man 05 [04:22] Superman 06 [06:43] Glendale Train 07 [12:46] Death
 And Destruction 08 [05:58] Henry 09 [08:07] Last Lonely Eagle 10 [04:59] Cecilia 11 [03:13] Together
 Again 12 [03:58] Louisiana Lady 13 [07:57] The Weight 14 [05:53] Honkey Tonk Women tt [79:43]
10/21/70 San Francisco, CA - Wally Heider Studios MS?>?>CD ? 40 1108 noshnid? 
 *Garcia, Casady, Creach, Hopkins, Kaukonen, Saunders* *c. 2*
 d1t04 reel problems @ 6:48-6:56. VERSION 2 (REF 1108, flac, via bt.etree.org 11/2004, supposed MSR
 > D > CD).
 Set One: VERSION 2 (REF 1108, flac, via bt.etree.org 11/2004, supposed MSR>D>CD)
10/21/70 San Francisco, CA - The Matrix "MSR>D>CD" ? n/a 0616 13534 
 *Garcia & others*
 Jorma, Jack, John Cipollina, Jerry Garcia, David Frieberg, Papa John Creech & Nicky Hopkins. This
 material travels under many different names, including "Hot Dead Messenger Service".
 Set One: 1. ... Jam// [11:13#] , 2. ... Jam [6:22], 3. Jam [13:00], 4. Jam [9:02] [0:02],
 Total Time 39:41
10/21/70 San Francisco, CA - The Matrix MSR>R>CD ? n/a 1295 84329 
 *Tuesday Night Jam Session*
 Line up: John Cipollina, Jerry Garcia, David Freiberg, Papa John Creach, Jack Casady, Jorma
  Kaukonen, Nicky Hopkins. SBD > 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750
 > cd > computer > plex tool professional XL > wav > flac. Recorded, transfered, & uploaded by 38f on
 Dime, March 2007. Says Fabio (38f): "This comes straight from the John Cipollina's collection, i
 personally made a copy of his reel and his notes....I did not touch the sound or edited anything in
 the trasfer, you get what i got in first place. Pretty good recording, awesome stuffs. Almost all the
 songs are not complete, some fades in, some fades out, some are cut, but it's just an super jam!"
 etree user cicada4, 8/1/2007: "... just to point out the guitar at around 4:00 minutes & again at
 about 6:00 minutes on Track #1. This is unmistakably Garcia. Once I focused on that, I started to be
 able to pick him out more and more."
 Set One: 1. Jam 1, 2. Jam 2, 3. Jam 3, 4. Jam 4
10/23/70 Washington, DC - McDonough Arena, Georgetown U. MAC>CD All n/a 1304 85075 
 *NRPS: Cary Wolfson, Sony TC-124* *MOTB0004*
 MotB Release: 0004/16bit; Release Date: May 12, 2007. Source: Audience; Media: Mallory Duratape
 C-60; Lineage: AUD > Sony TC-124 > MAC; Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 >
 S/pdif > Marantz PMD671 > WAV. Taped by: Cary Wolfson; Transfer by: D. McCabe; Mastering by: D.
 McCabe; Mastering Info: Bias Peak Pro 5.2 / Audiofile Engineering Wave Editor 2.2 / Izotope Ozone 3.0
 / xACT 1.59.
 Set One: 01. Six Days On The Road, 02. I Don't Know You, 03. Henry, 04. Portland Woman, 05.
 Glendale Train, 06. Dirty Business, 07. Lodi, 08. Last Lonely Eagle [tape flip], 09. Honky Tonk
 Women
10/24/70 St. Louis, MO - Kiel Auditorium MS?>?>R>CD All n/a 1349 89419 
 *NRPS*
 John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert - bass,
 vocals; Jerry Garcia - pedal steel guitar; Mickey Hart - drums. source: sbd unknown gen 7" reel @ 3.75
 ips, no nr Don Grossinger's copy. lineage: sbd>?>reel, Sony TC-850>sbm1>cdr>eac>cd wave>flac. reel
 transfer and seeded to Lossless Legs by Rob Berger.
 Set One: one disc: 44:45 01: If You Hear Me When I'm Leaving 02: Henry 03: Portland Woman
 04: Fair Chance To Know 05: Dirty Business 06: Cecelia 07: The Weight 08: Honky Tonk Women
10/30/70a Stony Brook, NY - Gym, S.U.N.Y. MSR>D>CD All 54 0987 21210 
 *NRPS*
 Sounds fantastic!
 Set One: Disc 1 - EARLY SHOW, 01. Six Days On The Road (03:10.29), 02. I Don't Know You
  (04:06.55), 03. Superman (03:53.37), 04. Glendale Train (05:47.19), 05. If You Hear Me When I'm
 Leavin' (05:06.01), 06. Henry (04:23.09), 07. The Weight (07:50.08), 08. Fair Chance To Know
 (04:24.51), 09. Last Lonely Eagle (06:29.61), 10. Louisiana Lady (03:59.47), 11. Honky Tonk Women
 (05:14.53), Disc Time - 54:25.70
10/30/70b Stony Brook, NY - Gym, S.U.N.Y. MSR>D>CD All 42 0987 21210 
 *NRPS*
 Nice stuff and great sounding!
 Set One: Disc 2 - LATE SHOW, 01. Workingman's Blues (04:28.46), 02. Whatcha Gonna Do
 (04:29.65), 03. Truck Drivin' Man (03:48.11), 04. Hello Trouble (03:35.37), 05. Portland Woman
 (05:50.19), 06. Sweet Lovin' One (05:04.33), 07. Dirty Business (09:46.07), 08. Honky Tonk Women
 (04:54.55), Disc Time - 41:57.48
10/31/70a Stony Brook, NY - Gym, S.U.N.Y. MS?>?>CD All 48 1377 xxxxx 
 *NRPS*
 NRPS (per TJS): * John Dawson - rhythm guitar, vocals; * David Nelson - lead guitar, vocals; *
 Jerry Garcia - pedal steel guitar; * Mickey Hart - drums; * Dave Torbert - bass, vocals. Notes: - TJS
 lists MSR > DAT > CD, which is plausible given the sound quality. This is a clean recording. - (1)
 emcee: "... proud to present the New Riders of the Purple Sage." - (2) Marmaduke mentions that this is
 an old folk song - early-t06-7 awful static in Superman toward end, start of Glendale Train - (3) "If
 you like to rob trains, this is for you." - (4) "It's a girl this time."
 Set One: (12 tracks, 47:34) --Early Show-- early-t01. Introduction (1) [0:05] early-t02. Six
 Days On The Road (2) [3:02] early-t03. Long Black Veil [4:54] early-t04. I Don't Know You [4:24]
 early-t05. Lodi [4:30] early-t06. Superman [4:05] early-t07. (3) Glendale Train [5:14] early-t08. (4)
 Cecilia [4:37] early-t09. Henry [4:13] early-t10. I'm In Love With You [2:58] early-t11. Louisiana
 Lady [4:15] early-t12. Honky Tonk woman [5:17]
10/31/70b Stony Brook, NY - Gym, S.U.N.Y. MSR>C>D>CD All 50 1293 16902 
 *NRPS*
 MSR>C>DAT>WAV>SHN, C>SHN Conversion by Cousinit. Sounds nice, but low levels. Dirty Business has a
 splice @ 6:16.
 Set One: Single Disc (8 tracks, 49:33) Workingman's Blues, Whatcha Gonna Do, Glendale Train,
 Portland Woman, Dirty //Business, Fair Chance To Know, Last Lonely Eagle, Louisianna Lady, Honky Tonk
 Woman
10/31/70b Stony Brook, NY - Gym, S.U.N.Y. MS?>?>CD All 50 1377 xxxxx 
 *NRPS*
 NRPS (per TJS): * John Dawson - rhythm guitar, vocals; * David Nelson - lead guitar, vocals; *
 Jerry Garcia - pedal steel guitar; * Mickey Hart - drums; * Dave Torbert - bass, vocals. Notes: - TJS
 lists MSR > DAT > CD, which is plausible given the sound quality. This is a clean recording. - Late
 show is very sloppy, with Hart having an especially hard time.
 Set One: (9 tracks, 50:18) --Late Show-- late-t01. Workingman Blues [4:07] late-t02. Watcha
 Gonna Do [4:24] late-t03. Glendale Train [6:07] late-t04. Portland Woman [5:29] late-t05. Dirty
 Business [9:42] late-t06. Fair Chance to Know [4:10] late-t07. Last Lonely Eagle [6:32] -> late-t08.
 Louisiana Lady [4:14] late-t09. Honky Tonk Women [5:33]
11/03/70 IICORMN Sessions n/a 
11/04/70 PERRO Sessions n/a 
11/06/70 Port Chester, NY - Capitol Theater MAC>C>R>D>CD All n/a 1293 17183 
 *NRPS: Ken Leigh, Sony TC-110 w/ built-in mic*
 NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. Seeder notes: "There is a master tape
 flip at 6:14 of All I Ever Wanted. Very little music seems to be missing. I have smoothed the cut.
 Normalization, patches, EAC, SHN encoding by Jack Warner."
 Set One: 1. Workin' Man Blues 5:15, 2. I Don't Know You 4:11, 3. Whatcha Gonna Do 6:37, 4.
 Glendale Train 5:50, 5. Portland Woman 6:11, 6. Fair Chance to Know 5:19, 7. All I Ever//Wanted 7:17,
 8. Truck Drivin' Man 5:04, 9. Lodi 4:36, 10. Me and Bobby McGee 4:25, 11. Louisiana Lady 4:04, 12. The
  Weight 7:08, 13. Honky Tonk Woman 5:39
11/07/70 Port Chester, NY - Capitol Theater mixed auds All 43 1377 10306 
 *NRPS: mixed Leigh & Toner auds*
 Ken Leigh’s MAC > 2C > D > CD*; Jack Toner’s MAC > R > C > CD**. mastering and shn encoding Jack
 Warner. NRPS: John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert -
 bass, vocals; Jerry Garcia - pedal steel guitar; Mickey Hart - drums.
 Set One: 1 Truck Drivin? Man* 2:241 2 Together Again Instrumental* 2:121 3 Sweet Lovin?
 One false start* 1:211 4 Sweet Lovin? One* 3:361 5 Dirty Business** 10:441 6 Henry** 3:371 7 Last
 Lonely Eagle** 6:21 8 Connection* 3:55 9 Louisiana Lady** 3:54 10 Honky Tonk Women** 5:01
11/08/70 Port Chester, NY - Capitol Theater MAC>CD All n/a enter 28642 
 *NRPS: Ken & Judy Lee, Sony mics > Sony TC-124*
 Technical Notes: The original audience master cassettes (4 Ampex C361-90) were recorded on a Sony
 TC124 with unknown dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee. The
 cassette tape was baked and re-shelled, then transferred via Tascam 122 MK-III > Lucid ADA1000 >
 Tascam DA30-II (DAT) > Tascam CDRW 700 (CDR) by John Jay Hance. Editing By Peter G. via Soundforge. No
 noise reduction was applied. Audio extraction and further editing via Peak 4.0, compressed to .shn
 with xACT 1.3, and seeded by BoldCaptain via Azureus 2.1. Tape flutter in Baby Blue, and in Truckin'.
 Tape flip in Dancin' In The Streets was seemlessly pieced together. Yet another reMARKable recording
  by Ken & Judy Lee.
 Set One: 01) Tuning, 02) Six Days On The Road, 03) Superman, 04) Whatcha Gonna Do, 05)
 Glendale Train, 06) All I Ever Wanted, 07) Fair Chance To Know ,08) Portland Woman, 09) Cecilia, 10)
 Truck Drivin' Man, 11) Last Lonely Eagle, 12) Louisiana Lady, 13) Honky Tonk Women
11/08/70 Port Chester, NY - Capitol Theater MAR>C>D>CD All n/a 1342 23474 
 *NRPS:Marty Weinberg*
 Owens Brothers Vault source.
11/21/70 Boston, MA - WBCN Studios ?:?>?>CD All 33 
 *Garcia, Weir, Duane Allman*
 Extremely rough sound quality, for completists only.
 Set One: Single Disc (13) 32:45, 1. DJ Talk/Intro [0:28], 2. El Paso [5:36], 3. Banter
 [1:55], 4. Big River [2:44], 5. I Know You Rider [6:44], 6. Banter [1:47], 7. Jam [1:54], 8. Banter
 [1:27], 9. Dark Hollow [2:50], 10. Banter [1:34], 11. Angie [0:57], 12. Banter [0:40], 13. Let Me In
 (83968) [4:04]
11/21/70 Boston, MA - WBCN Studios MF?>?>CD All n/a 1265 76324 
 *Garcia, Weir & D. Allman acoustic*
 Via Pink Robert: "Definite upgrade of originally very rough recording of the exceptional
 performance." Still quite rough. The Tamarkin version sounds best to my ears.
 Set One: 1. advertisement, 2. El Paso, 3. banter, 4. Big River, 5. I Know You Rider, 6.
 banter, 7. Jam, 8. banter, 9. Dark Hollow, 10. banter, 11. Angie, 12. Let Me In
11/21/70 Boston, MA - WBCN Studios MFR>2?R>CD All n/a 1265 76325 
 *Garcia, Weir & D. Allman* *via Dave Tamarkin, best copy*
  via Dave Tamarkin: FM MASTER REEL > 2ND GEN (?) REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR
 > FLAC
 Set One: 1. advertisement, 2. El Paso, 3. banter, 4. Big River, 5. I Know You Rider, 6.
 banter, 7. Jam, 8. banter, 9. Dark Hollow, 10. banter, 11. Angie, 12. Let Me In
11/29/70 Columbus, OH - Club Agora MA?>?>CD All n/a 1353 89916 
 *NRPS: unknown taper & gear*
 NRPS: John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert -
 bass, vocals; Jerry Garcia - pedal steel; Spencer Dryden - drums. source: aud; lineage: aud > ? > cdrs
 > eac > adobe audition 2.0 (pitch correction) > cd wave > flac; edited & seeded to Lossless legs by
 Rob Berger.
 Set One: one disc: 49:54: 01: Hello Trouble, 02: I Don't Know You, 03: Whatcha Gonna Do?,
 04: Portland Woman, 05: Glendale Train, 06: Cecilia, 07: Delilah, 08: All I Ever Wanted, 09: Sweet
  Lovin' One, 10: Louisiana Lady, 11: Honky /Tonk/ Women
12/12/70 Santa Rosa, CA - Santa Rosa Fairgrounds MAC>CD All 54 1293 82586 
 *NRPS: Gene Taback, Sony stereo mic > Sony TC-124*
 Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic. Transfer and
 FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card
 Deluxe soundcard> HD. Editing performed in Adobe Audition; Flac Encoded. Most tunes fade in and out.
 PA problems @ 3:20 of Dirty Business.
 Set One: (53:37) Introduction, Workingman's Blues, I Don't Know You, Glendale Train,
 Portland Woman, Henry, Dirty Business, Superman, Fair Chance to Know, Lodi, Lousiana Lady, Honky Tonk
 Women
12/13/70 PERRO/IICORMN Sessions n/a 
12/15/70 San Francisco, CA - The Matrix MSR>?>D>CD All 120 0704 6388 
 *David and the Dorks* *live set previously listed as 12/17/70*
 These derive originally from Bill Gadsden and Peter Kafer's Maxell reels @ 7 1/2 ips, themselves
 copied in June 1974 from Peter Abram's probable first generation 7" 1/4 track reels. It is not clear
 whether these received Gadsden's transfer (Revox B77 > Alesis Masterlink sampling @ 24 bit, 96k >
 CD).
 Set One: AFTERNOON REHEARSALS1. //Alabama Bound [4:10#], 2. 8 Miles High [6:11], 3. Cowboy
 Movie [10:40], 4. Wall Song [16:49], 5. Bertha [15:15], 6. Bird Song [3:48], Total Time 56:52
 Set Two: EVENING LIVE SET: 1. [0:10] Drop Down Mama [3:46] [0:12], 2. Cowboy Movie [9:54]
 [0:07], 3. Triad [9:46] [0:02], 4. The Wall Song [7:49] [0:05], 5. Bertha [4:08] [0:08], 6. Deep Elem
 Blues [6:52] [0:36], 7. Motherless Children [8:40] [0:19], 8. Laughing [10:35] [0:04], Total time
  63:17
12/15/70a San Francisco, CA - The Matrix MSR>2R?>CD All 49 
 *David & the Dorks: rehearsal*
 MSR > Peter Abram's probable first gen (possibly master) 7" 1/4 track reels > Ed Perlstein's reels
 > my CD
 Set One: (12) 49:01, 01. Alabama Bound [2:55], 02. Tuning [0:59], 03. 8 Miles High (no
 vocals) [3:56], 04. Tuning [0:30], 05. 8 Miles High (w/ vocals), 06. Tuning [2:09], 07. Cowboy Movie
 [8:17], 08. Wall Song [7:51], 09. Tuning [1:38], 10. Bertha (instruction) [9:40], 11. Bertha [5:55],
 12. Bird Song [3:19]
12/15/70b San Francisco, CA - The Matrix MSR>2R?>CD All 68 
 *David & the Dorks: live set*
 MSR > Peter Abram's probable first gen (possibly master) 7" 1/4 track reels > Bill Gadsden & Peter
 Kafer's Maxell reels @ 7 1/2 ips (copied in June 1974) > Alesis Masterlink > my CD. Swanson's TV
 dinner rap before Cowboy Song.
 Set One: Single Disc (9) 67:52, 01. [0:23] Drop Down Mama [3:44] [0:18], 02. Cowboy Movie
 [9:44] [1:07], 03. Triad [9:36] [0:07], 04. The Wall Song [7:49] [0:39], 05. Bertha [4:06] [0:21], 06.
 coffee requests [0:47], 07. Deep Elem Blues [6:52] [2:22], 08. Motherless Children [8:39] [0:31], 09.
 Laughing [10:18] [0:20]
 Set Two: YET ANOTHER COPY (shn ref 1144), lineage only given as C>AIFF>Pro
 Tools>WAV>EAC>SHN, downloaded from bt.etree.org in early 2005, 71 minutes but includes filler
 "12/??/70 Wally Heider's 245 Hyde Studio C", 09. Alabama Bound [2:46], 10. 8 Miles High [4:36], 11.
 Tuning -> 8 Miles High [1:38]. Obviously this filler would have to be compared to the circulating
 rehearsal material.
12/20/70 San Francisco, CA - The Matrix "MSR>D>CD" ? 54 0167 4499 
 *David and the Dorks*
 Lineage highly dubious.
 Set One: 1. [0:16] Bertha [4:04] [0:15], 2. [0:51] Deep Elem Blues [6:49] [0:24], 3. [0:20]
 Drop Down Mama [3:43] [0:10], 4. Cowboy Movie [9:41] [0:07], 5. Triad [10:12], 6. The Wall [7:55]
 [0:12], 7. Motherless Children [8:43], Total Time 53:54
12/27/70 Pasadena, CA - KPPC-FM Studios MSR>C>CD All 62 1110 26583 
 *Garcia, Weir, & NRPS members, interview & performance*
 Sometimes listed as 12/28/70. Here are the notes included with the FLAC set as seeded to easytree
 in 11/2004: "The source info, according to Ted: The Museum of TV & Radio in NYC dubbed his original
 reel-to-reel tape and a friend converted it to CDR. Or, in more detailed fashion: museum of tv &
 radio in nyc dubbed the original reel to reel on to cassette for their listening archives (museum of
 tv & radio in beverly hills also gets copies). a friend converted it to cdr also from the original
 reel to reel (lost touch with him and never knew how he converted analog to digital). i recorded it at
 the kppc-fm 106.7 radio studio (at 99 south chester in pasadena, california near cal tech) during the
 live broadcast on a scully tape deck (at 7.5 ips on quarter inch two track stereo 1.5 mil acetate
 scotch audio tape); when the nrps song louisiana lady was played on the scully tape deck in the radio
 studio during the interview, the scotch audio tape was moved to a similar scully tape deck in the
 kppc-fm production studio down the hall to continue taping the live broadcast; music played from lps
 on turntables was scoped by stopping the tape during the broadcast to make sure that the entire
 interview would fit on our only blank tape available at the time on a sunday afternoon. peace, ted.
 Ted's e-mail is tedalvy@aol.com."
 Set One: (15) 62:20, 01. Candyman (album), 02. rap, 03. Uncle John's Band (album), 04. NRPS
 talk, 05. Box of Rain (album), 06. talk, 07. Louisiana Lady (mistake), 08. Louisiana Lady (demo), 09.
 commercials, 10. randomness, 11. talk & tuning [1:54], Silver Threads & Golden Needles, 12. talk &
 tuning [1:56], Cold Jordan, 13. talk & tuning 2:09], I Hear a Voice a' Callin', 14. Swing Low Sweet
 Chariot [2:50] [0:05], 15. outro ditty & talk
 Set Two: Also have an inferior, extremely hissy older version not worth mentioning.
12/28/70 El Monte, CA - Legion Stadium  MAR>R>CD All n/a 1388 97880 
 *NRPS: Harv Kaslow & Craig Todd, Sony ECM22Ps > Sony TC770*
 Lineup: John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert -
  bass, vocals; Jerry Garcia - pedal steel guitar; Spencer Dryden - drums. source: aud 1st gen reel
 (Jerry Moore's copy); lineage: aud reel master > 7" reel @ 7.5 ips, no nr; master recorded w/sony
 ecm22p's > sony tc-770 portable reel by Craig Todd & Harv Kaslow; transfer: technics rs1500 > hd-p2
 24/48 > cd wave > adobe 16/44 > flac. Transferred & seeded to LL by Rob Berger.
 Set One: one disc: 64:06 01: Lodi 02: I Don't Know You 03: Henry 04: Portland Woman 05:
  Glendale Train 06: The Bottle Let Me Down 07: Six Days On The Road 08: Fair Chance To Know 09: All I
 Ever Wanted 10: Only Daddy That'll Walk The Line 11: Louisiana Lady 12: Honky Tonk Women
 
??/??/71 New York, NY - Media Sound Studios  MS?>?>CD ? 17 
 *Hooteroll Outtakes*
 Sounds very nice.
 Set One: Single Disc (3) 16:38, 1) Jam-5:32 2) Morning In Marin-6:54, 3) Evening In
 Marin-4:11
??/??/71 San Francisco, CA - Keystone Korner MSR>?>R>CD All 83 1370 93137 
 *JGMS*
 MSR? > R (Will Boswell's 7.5ips) > Apogee Mini ME 24/96 > Apogee Mini DAC (monitoring) > Wavelab
 5.0 (dithered to 20/44) > CD. JJ: - staticky; - d2t01 is a tune that should be identified. Taperpat:
 "The source for this tape has nothing to do with Peter Abrams or the Matrix Club. It originated from a
 stash of tapes that Kidd Candelario made for JG back in the early '70's for his listening pleasure. It
 was labeled Garcia/Saunders jams with no venue or date associated with the tape. I don't remember if
 it was a casstte or reel source. It was purely our guess that it came from the Matrix, due to the
 sound, nothing else."
 Set One: Disc 1 (43:31) 01 save mother earth jam > funk space jam > 13:29 02 save mother
 earth jam continued > 14:40 (reel splice at 2:37) 03 jam 15:22
 Set Two: Disc 2 (38:34) 01 dead air :24, tuning -:35 Instrumental version of a Freddie
 Kingish blues song 8:48 (drop out at 5:23-:26) 02 dead air :22, noodling -1:13, Little Bit of
 Righteousness > 24:04 03 Summertime 5:42 // (cuts at 4:42)
01/??/71 San Francisco, CA - Wally Heider's Studio (PERRO) MSR>D>CD All 122 
 *PERRO sessions* *often dated 12/70-1/71*
 For a more complete transcript of these sessions, click:
  
 Set One: Disc One (16) 70:42, 1. Wooden Ships Jam , 2. Walking In the Mountains , 3. Is it
 Really Monday , 4. Mountain Song #1, 5. Loser #1, #2 , 6. Under Anesthesia (false start) - aka You Sit
 There, 7. Under Anesthesia - aka You Sit There, 8. Mountain Song #3 , 9. Wall Song #1 , 10. Over
 Jordan - aka Wayfaring Stranger, 11. Wild Turkey - aka Leather Winged Bat , 12. Loser #2 , 13. Eep
 Hour aka Rounds, 14. Wall Song #2// , 15. Mountain Song #3 , 16. Tamalpais High (at about 3) aka Kids
 and Dogs
 Set Two: Disc Two (7) 50:41 01. Jam 9/8/70 (Garcia, Jorma, Cassady, Kreutzman), 02. Jam
 Slide 1/11/71, 03. Jam #10 1/14/71 (Garcia, Jorma, Cassady), 04. Dope Deal w/ Piano 1/11/71
 --Outtakes-- 05. Human Highway (1976 CSNY @ Young's Studio), 06. Alabama '71 (Young & The Stray Gators
 @ Wally Heider's Studio), 07. Everybody's Been Burned (Nash Studio Solo)
01/??/71 Ultimate PERRO Tapes: 2008 Edition MS?>?>CD All n/a 1349 xxxxx 
 *PERRO*
 DAVID CROSBY & PLANET EARTH ROCK'N'ROLL ORCHESTRA: The Ultimate PERRO Tapes: 2008 Edition. Wally
 Heider's Studio, San Francisco, January 2-14, 1971. Excellent quality. Dates: Disc 1, tracks 1-4, 9:
 January 2, 1971; Disc 1, tracks 5-8: January 3, 1971; Disc 2, tracks 3-6: January 11, 1971; Disc 1,
 tracks 10-11 - Disc 2, tracks 1-2: January 14, 1971; Disc 2, track 7: November 9, 1971.
 Set One: Disc 1: 01. Is it Really Monday 02. You Sit There (Under Anesthesia) 03. Loser
 (Garcia's Tune) 04. Over Jordan (Wayfaring Stranger) 05. The Mountain Song #1 06. The Mountain Song
 #2 07. The Mountain Song #3 08. The Mountain Song #4 09. Walkin' In The Mountains 10. Wild Turkey
 (Leather Winged Bat) 11. Jorma & Jerry's Jam #1
 Set Two: Disc 2: 01. The Wall Song 02. The Wall Song 03. Eep Hour (Rounds) 04. Slide Jam
 05. Dope Rap with Piano 06. Jorma & Jerry's Jam #2 07. The Wall Song
01/02/71 PERRO Sessions n/a 
01/03/71 PERRO Sessions n/a 
01/11/71 PERRO Sessions n/a 
01/13/71 PERRO Sessions n/a 
01/14/71 PERRO Sessions  n/a 
02/18/71 Port Chester, NY - Capitol Theater MAC>C>CD All 47 1138 25813 
 *NRPS: David Fradin, built-in mic > Sony deck*
 AudMC > C > CD/2 > EAC > WAV > SHN. Recorded by David Fradin with a Sony hand held recorder with a
 built in condenser mic. A>D by Larry Fradin, July 2004, EAC>SHN by Noah Weiner, September 2004. (1971)
 Master Cassette played back on a Wollensak cassette deck > Sony stereo portable tape deck (seed tape).
 (2004) Seed tape playback on a Nakamichi CR-1 deck > Tascam 700 stand alone CD burner > EAC > CD > EAC
 > WAV > MKW Audio Compression Toolkit (shn). Note: very first notes of Six Days On The Road and Honkey
 Tonk Women are cut. JJ: may run fast?
 Set One: 01 [03:13] Six Days On The Road, 02 [04:07] I Don't Know You, 03 [03:56] Whatcha
 Gonna Do, 04 [04:37] Henry, 05 [03:15] Lochinvar, 06 [04:53] Portland Woman, 07 [05:06] Glendale
 Train, 08 [03:17] Tonight The Bottle Let Me Down, 09 [06:04] Last Lonely Eagle, 10 [03:30] Louisiana
 Lady, 11 [04:34] Honky Tonk Women, tt [46:32]
02/21/71 *see Jerry Garcia on Official Releases*  n/a 
02/21/71 Port Chester, NY - Capitol Theater MAR>C>R>CD All 48 1374 xxxxx 
 *NRPS*
 MAR > C > R > CD, via arkstar; EAC > FLAC by jj. Lineup: John Dawson - rhythm guitar, vocals; David
 Nelson - lead guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal steel guitar; Spencer
 Dryden - drums. JJ: - This is approaching FCO territory. Untold numbers of warts and issues including
 rough tape transitions, static, drops and small splices, overload distortion, level changes, etc. etc.
 I won't even try to note them. That said, a few big things are worth noting ... - Bad warbles, static
 and speed fluctuations, getting worse through Fair Chance to Know up to the splice in Portland Woman.
 I assume the splice involved some fresh batteries. - t05 Portland Woman splice @ ca. 3:09. - t07
 Glendale Train big level drop, with levels staying low into Louisiana Lady. - t11 LLE is only
 fragmentary. - t13 Honky Tonk Women gap @ ca. 4:45.
 Set One: (13 tracks, 48:21) 01. Working Man Blues [3:50] 02. I Don't Know You [3:38] 03.
 Fair Chance to Know [4:12] 04. Truck Drivin' Man [2:52] 05. Portland // Woman [3:54] 06. Watcha Gonna
 Do [3:02] 07. Glendale Train [4:43] 08. Runnin' Back to You [4:24] 09. Lodi [4:14] 10. Connection
 [4:01] 11. Last Lonely Eagle [0:12] 12. Louisiana Lady [3:22] 13. Honky //Tonk Women [5:57]
02/26/71 San Francisco, CA - KSFX-FM Studios MF?>?>CD partial 21 
 *Marmaduke in FM studio, playing NRPS rough mixes*
 via slip; KSFX 103.7 FM, San Francisco. presumable FM -- nice SQ. The venue is presumed from the
 station id. radio interview with studio stuff played. The material is characterized as rough mixes,
 but the talk is unfortunately substantially cut off.
 Set One: 10 tracks, 20:52: 01. radio talk Marmaduke and DJ (?) [2:48], 02. Louisiana Lady
 (studio) [3:00], 03. talk [0:08], 04. Garden of Eden (studio) [4:18], 05. talk [0:12], 06. Watcha
 Gonna Do (studio) [3:06], 07. talk [0:06], 08. All I Ever Wanted (studio) [4:35], 09. station ID
 [0:06], 10. Henry [2:33]
02/27/71 San Francisco, CA - Fillmore West MSR>2C>CD All-3 83 1381 96462 
 *NRPS*
 source: sbd 2nd gen casstte, dolby b; reel master > cassette > cassette. lineage: nak dragon >
 hd-p2 24/48 > cd wave > adobe 16/44 > flac. Source cassette, transfer and seeded to LL by Rob Berger.
 NRPS: John Dawson - guitar, vocals; David Nelson - guitar, vocals; David Torbert - bass, vocals; Jerry
 Garcia - pedal steel guitar; Spencer Dryden - drums. notes: - Boz Scaggs opened. - d1t01 Brown-Eyed
 Handsome Man enters in progress, not much missing, and then has some significant mix fluctuations. -
 d2t01 Dirty Business splice @ 6:09.
 Set One: disc one (39:03) 01: Brown Eyed Handsome Man 02: I Don't Know You 03: Cecilia 04:
 Superman 05: Glendale Train 06: Runnin' Back to You 07: Henry
 Set Two: disc two (43:41): 01: Dirty //Business 02: Portland Woman 03: Fair Chance to Know
 04: Six Days On The Road 05: Sailing 06: Truck Driving Man 07: Lodi 08: Garden of Eden (MISSING Last
 Lonely Eagle) (MISSING Louisiana Lady) --Encore-- (MKISSING Honky Tonk Women)
02/28/71 San Francisco, CA - Fillmore West MSR>2R>D>CD All n/a 1377 xxxxx 
 *NRPS*
 (Rip of cdr's that appear to match shn id 80719 - thus making the step from DAT to CDR unknown).
 SBD:mR > R1 > R2 @ 3.75 ips > DAT > ? > CDR > EAC > FLAC (level 8). NRPS: John Dawson - rhythm guitar,
 vocals; David Nelson - lead guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal steel
 guitar; Spencer Dryden - drums. w/ David LaFlamme.
 Set One: Disk 1 1. Workingman's Blues 2. I Don't Know You 3. Superman 4. Tonight The
 Bottle Let Me Down 5. Henry 6. Only Daddy That'll Walk The Line 7. Fair Chance To Know 8. All I
 Ever Wanted 9. Truck Driving Man 10. Long Black Limousine 11. Sailin' 12. Lodi 13. Portland Woman
 Set Two: Disk 2 1. Glendale Train 2. Dirty Business 3. Lochinvar 4. Last Lonely Eagle
03/??/71 Tarot Touch Outtakes M??>?>CD ? 45 
 *Tarot stuff w/ TC ... possible fake/mislabel*
 ELECTRIC LADYLAND STUDIOS, NYC CD 1 TAROT TOUCH OUTTAKES. No idea what this stuff really is, I
 can't find any information on it. I have serious doubts, though, since there is applause. I'll need
 to sit down with this and give it a really careful listen before I'll feel comfortable with this
 identification.
  Set One: Single Disc (10) 45:24
03/21/71 Milwaukee, WI - Exposition Center MA?>?>CD partial 3 
 *NRPS*
 audience recording, via slip.
 Set One: Connection [3:08]
04/22/71 Bangor, ME - Bangor Municipal Auditorium MAC>CD All n/a 1313 xxxxx 
 *NRPS: Joe Maloney, unknown gear*
 Taped by Joe Maloney. mac > cdr > eac > flac > wav > flac. John "Marmaduke" Dawson, Spencer Dryden
 (drums), David Nelson (guitar), Jerry Garcia (pedal steel guitar), Dave Torbert (b).
 Set One: 01 stage announcements regarding fire safety regulations/tuning/band intro by Sam
 Cutler 02 Six Days On the Road 03 tuning 04 I Don't Know You 05 tuning 06 Superman 07
 tuning 08 Down In The Boondocks 09 tuning 10 Portland Woman 11 tuning 12 Henry 13 tuning
 14 All I Ever//Wanted
 Set Two: 01 Truck Driving Man 02 tuning 03 Fair Chance To Know 04 tuning 05
 Sailin' 06 tuning 07 Glendale Train 08 tuning 09 Lodi 10 tuning 11 Louisiana Lady 12
 tuning 13 Last Lonely Eagle 14 tuning 15 Honky Tonk Woman
04/22/71 Bangor, ME - Bangor Municipal Auditorium MAC>CD All n/a 1313 86730 
 *NRPS: Joe Maloney, unknown gear* *sirmick remaster*
 Taped by Joe Maloney. mac > cdr > eac > flac > wav > flac. John "Marmaduke" Dawson, Spencer Dryden
 (drums), David Nelson (guitar), Jerry Garcia (pedal steel guitar), Dave Torbert (b). sirmick's notes:
 "- I removed small amounts of extraneous material from d1t01& d2t15; - I also removed a number of
 small pops; - tape flip in d1t14 has been crossfaded; - this recording was very lacking in bottom end,
 I have used iZotope Ozone to remedy this as best I can - noise reduction applied with Waves Z-Noise &
 Waves X-Crackle; - retracked with CD Wave; - seamless change between discs. Comments: Considering the
 age of this recording it has survived in remarkably good condition. However, there are tape problems
 on either side of the tape flip. Editing and mastering by SIRMick, August 2007."
 Set One: 01 stage announcements regarding fire safety regulations/tuning/band intro by Sam
 Cutler 02 Six Days On the Road 03 tuning 04 I Don't Know You 05 tuning 06 Superman 07
 tuning 08 Down In The Boondocks 09 tuning 10 Portland Woman 11 tuning 12 Henry 13 tuning
 14 All I Ever//Wanted
 Set Two: 01 Truck Driving Man 02 tuning 03 Fair Chance To Know 04 tuning 05
 Sailin' 06 tuning 07 Glendale Train 08 tuning 09 Lodi 10 tuning 11 Louisiana Lady 12
 tuning 13 Last Lonely Eagle 14 tuning 15 Honky Tonk Woman
04/25/71 New York, NY - Fillmore East MSR>C>D>CD? All 90 1377 95971 
 *NRPS*
 sbd via slip; TJS lists MSR > 1 Cass > DAT > CD, which sounds plausible here. Lineup: John Dawson -
 rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert - bass, vocals; Jerry Garcia
 - pedal steel guitar; Spencer Dryden - drums. Notes: - clean sbd - low levels and mix fluctuations at
 start - this is a terrific NRPS show, one of the tightest and highest-energy performances that I can
 think of. The band seems "on" and focused, with a few exceptions (e.g., Superman). JJ: also
 circulated by Rob Berger to LL in 12/2008, with confirmed lineage of MSR > C > CD, with same trackings
 and timings: shnid 95971.
 Set One: Disc One (7 tracks, 43:42): d1t01. [0:48] Workingman's Blues [3:27] [1:26], d1t02.
 Portland Woman [5:57] [3:29], d1t03. Down In The Boondocks [3:23] [0:51], d1t04. Fair Chance To Know
 [4:22] [1:29], d1t05. Big Yellow Taxi [3:17] [0:47], d1t06. I Don't Know You [3:50] [0:55], d1t07.
 Dirty Business [9:24] [0:07]
 Set Two: Disc Two (9 tracks, 46:04): d2t01. Sailin' [3:10] [0:44], d2t02. Glendale Train
 [5:17] [1:43], d2t03. Lodi [3:59] [1:13], d2t04. Henry [3:45] [1:34], d2t05. Superman [3:57] [0:29],
 d2t06. Six Days On The Road [2:54] [1:06], d2t07. Last Lonely Eagle [7:05] [1:06], d2t08. Lochinvar
 [4:00] [0:06], d2t09. Louisiana Lady [3:47] [0:09]
04/26/71 New York, NY - Fillmore East MSR>CD All n/a 1321 2214 
 *NRPS*
04/27/71 New York, NY - Fillmore East MSR>C>CD All n/a enter 5165 
 *NRPS* *SBEs*
 (This is disc 1, the nrps set only, from gd shn id 5165). Lineage: MR > C > CDRx? > SHN.
 Set One: 01. Six Days on the Road [3:22] 02. Watcha Gonna Do [5:48] 03. Down in the
 Boondocks [4:33] 04. Fair Chance to Know [5:25] 05. Henry [4:02] 06. Portland Woman [6:54] 07.
 Glendale Train [6:08] 08. Lodi [7:57] 09. Sailin' [4:14] 10. Sweet Loving One [3:35] 11. Running Back
 to You [4:58] 12. Last Lonely Eagle [7:18] 13. The Weight [7:46] 14. Louisana Lady [4:05]
04/27/71 New York, NY - Fillmore East MSR>CD All n/a 1370 2221 
 *NRPS*
 NRPS set only, repackaged from full NRPS/GD set in shnid 2221. MSR 7 inch (7.5 ips) Revox A 77 >
 Alesis Masterlink > CD-R. Errata: Lodi fades in already in progress. shn conversion and ftp uploading
 by Bob Murphy.
 Set One: 1. //Lodi 2. Sailing Song 3. Sweet Lovin' One 4. Runnin' back to you 5. Last
 Lonely Eagle 6. The Weight 7. Louisiana Lady
04/28/71 New York, NY - Fillmore East MSR>R>CD All n/a 1281 28176 
 *NRPS*
 SBDMR > Reel > Alesis Masterlink > CDR > EAC > SHN. 7 inch BASF Master Reels recorded at 7 1/2 ips.
 Playback on a Revox A77 reel to reel deck. John Dawson - rhythm guitar, vocals; David Nelson - lead
 guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal steel guitar; Spencer Dryden -
 drums. Note: This is the same audio set that circulates with the Grateful Dead show of the same date
 (etree shnid=2248). The files have been renamed ("nrps") and a fade out/in between "The Weight" and
 "Last Lonely Eagle" was cross fade repaired in putting this version together. Beyond the file
 renames, the MD5s are the same as shnid=2248 through d2t04.
 Set One: DISC ONE [41:55]: 01 [04:49] Workingman's Blues, 02 [04:27] Superman, 03 [03:50]
 Truck Drivin' Man, 04 [05:00] I Don't Know You, 05 [06:06] Runnin' Back To You, 06 [04:51] Down In The
 Boondocks, 07 [07:17] Garden Of Eden, 08 [05:35] Glendale Train
 Set Two: DISC TWO [44:40]: 01 [04:25] Fair Chance To Know, 02 [04:33] Sailin', 03 [04:23]
 Connection, 04 [05:14] Henry, 05 [07:30] The Weight, 06 [07:51] Last Lonely Eagle, 07 [04:22]
 Louisianna Lady, 08 [01:05] Fun, Fun, Fun, 09 [05:17] Honky Tonk Women
04/29/71 New York, NY - Fillmore East MSR>CD All 87 1281 18362 
 *NRPS*
 SBD>MR : Shure line mixers > Sony reel to reel (middle of the line model, exact model unknown) at 7
 1/2 ips into BASF 90 minute reels MR>CDR: Revox A77 reel to reel > Alesis Masterlink ML9600, sampling
 at 16 bit, 44.1k CDR>CDR: ??? > HHB CDR>SHN : PlexWriter 8/2/20 > Exact Audio Copy.
 Set One: 1. Six Days On The Road [3:19], 2. Runnin' Back To You [5:35], 3. I Don't Know You
 [4:12], 4. Sailin' [4:20], 5. Henry [4:24], 6. Dirty Business [11:07], 7. Superman [5:37], 8. Lodi
 [4:16], 9. Glendale Train [5:01], 10. Fair Chance To Know [4:11], 11. The Weight [7:50]
 Set Two: 1. Portland Woman [7:32], 2. Last Lonely Eagle [7:10], 3. Louisiana Lady [4:47], 4.
 Honky Tonk Women [7:17]
05/11/71 San Francisco, CA - The Matrix MA?>?>R>CD Partial 20 1156 28784 
 *JGMS*
 Unknown source > reel > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave
 v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1
 Etree edition). Reel >> digital by Harvey Lubar, EAC >> FLAC by jjoops. Notes: - Mono recording,
 hissy but basically very nice. The Jerry Site lists a soundboard, but I'd guess it's an upfront
 audience recording. I don't know anything else about the lineage. - Track 1 banter (1) @ 0:10: "Hey
 Merl, you wanna do that tune in 'G'? Get spaced out a little?" - Track 2 banter (2) @ 0:30: JG:
 "What's that?" MS: "I don't know." JG: "Hey, c'mon man, the orange one, now it's the orange one,
 whatever that is. Amber. That one. Do away with it. That's the exit light. It's plenty. No, no,
 man. Thanks. Photo field [?]." Thanks to Harvey Lubar for getting this wonderful little gem into my
 hands! Here's hoping the rest of it turns up someday.
 Set One: Single Disc (2 tracks, 19:58), 01. Banter & Tuning (1) (2) [1:03], 02. Save Mother
 Earth [18:44] [0:10]
  Set Two: --Filler: GD Rehearsals-- 02. ???? [2:21] [0:05], 03. {"Rider, take one"} I Know
 You Rider (instrumental) [3:12] [0:06], 04. The Other One (instrumental) [1:55] -> Cryptical
 Envelopment [5:16] -> 05. Death Don't Have No Mercy (instrumental) [5:20] [0:02]; {DIFFERENT SQ} 06.
 Candyman (JG vocals in distant background, harmony vocals up-front) [7:28] [0:01], 07. Lindy
 (instrumental) [2:23] [0:01], {DIFFERENT SQ} 08. New Speedway Boogie (w/ vocals) [4:03]
07/02/71 MISLABEL OF NRPS SOUNDCHECK MpF>?>CD All n/a 1311 noshnid 
 *NRPS soundcheck* *mislabel of Scotty's stuff?*
 Sound check: Pre-FM SBD > Post Production Edit > ? > CD > EAC > Flac 16 (8). My version was seeded
 to Lossless Legs by Rob Berger with ffps that do not match the etree db (shnid 83606). Upon listening
 to this, I hear that it is the same as the Scotty's/Jetty's material, which goes under various dates
 including 5/14/70 and 12/9/71.
 Set One: 1. Working Mans Blues, 2. Red River Valley / Running Back to You, 3. Dim Lights
 Thick Smoke / Honky Tonk Guitar (Chet Atkins Song), 4. Tuning, 5. Country Road (John Denver), 6.
 Another Chet Atkins Tune, 7. Long Black Veil, 8. Anybody Goin' to San Antoine (tape speed change
 towards end), 9. Banter, 10. Bob Wills Tune (Instrumental), 11. Tuning, 12. ?? Steel Instrumental ??,
 13. ?? Happy After All ?? (Bob Weir sings)
07/02/71a San Francisco, CA - Fillmore West MFR>R>CD All 72 1148 28280 
 *NRPS: Michael Parrish*
 FmMR > Reel > CD > EAC > WAV > SHN. A>D by Michael Parrish, EAC>SHN by Noah Weiner - February,
 2005. John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert - bass,
 vocals; Jerry Garcia - pedal steel guitar; Spencer Dryden - drums. Note: A version of this show went
 into circulation in November, 2001 (http://db.etree.org/shninfo_detail.php?shnid=18458) as part of a
 larger set put out by The Archival Group Tree marking the 30 year anniversary of the closing of the
 Fillmore West. The lineages of that set seem a bit suspect to the ear (plenty of hiss and lo-fi
 quality for something saying it is from master reels), plus it was a bit of a hack job in its assembly
 (large level discrepancies between sources, SBEs at every track ID, etc..). That version also
 mentions four missing songs at the opening. However, this new version provides the Bill Graham intro
 running directly into the first song, "Workingman's Blues," with no tape splice. So, this missing
 song issue is debatable. This version here is sourced off of different reels, and while the quality is
 not *A*, it may be found to be a more enjoyable version of the show to the ear.A few of the tracks
 from this date circulate (SBD) on the official re-release of the Riders debut LP. The NRPS archivist,
 Rob Bleetstein, has given permission for the safe on-line release of this FM version of those songs
 (Feb 2005).
 Set One: 01 [00:22] tuning & Bill Graham intro, 02 [03:49] Workingman's Blues, 03 [04:05]
 Superman, 04 [04:50] I Don't Know You, 05 [04:18] Down In The Boondocks, 06 [10:06] Dirty Business, 07
 [05:34] Glendale Train, 08 [05:38] Portland Women, 09 [04:32] Henry, 10 [04:30] Sailin', 11 [07:16]
 Last Lonely Eagle, 12 [04:15] Louisiana Lady, 13 [04:50] Honky Tonk Women, encore: 14 [08:04] The
 Weight, tt [72:09]
07/02/71b San Francisco, CA - Fillmore West MFR>CD  Partial 31 1349 xxxxx 
 *Rowan Brothers w/ JG* *CFW tree source*
 off-air FM master reel > CDr, 31:16. From "Closing of the Fillmore West" tree. jjoops converted to
 flac using shntool conv -o flac *.shn.
  Set One: off-air FM master reel > CDr, 31:16: --LACKS Grumbling Angel, --LACKS We're Gonna
 Get Higher, 01. Bill Graham introduction (0:53), 02. Hickory Day (2:40), 03. Heavens To Betsy (2:59),
 04. Outside Clover (2:51) ---edit, 05. Don't You Worry About A Thing (3:03) ---edit, 06. Better Off
 Dead (3:34), 07. Peace And Happiness (2:50) ---edit, 08. Mama Don't You Cry (4:20), 09. Livin' The
 Life On The Farm (5:29), 10. Move On Down (2:37)
08/05/71 Hollywood, CA - Hollywood Palladium MAR>1R,2R>CD More 60 1304 85015 
 *NRPS: Kaslow & Todd, Sony ECM 22Ps > Sony TC-770*
 Source: aud 2nd and 1st gen reels. Mastered: sony ecm 22p's>sony tc-770 (7" reels, no nr), taped by
 Harv Kaslow and Craig Todd. lineage: tracks 1-8: aud reel master>reel>reel (shn id 20737). tracks
 9-14: aud r.m. > 10.5" ampex reel @ 3.75 ips, no nr>cdr>eac>cd wave>flac; this portion is from Jerry
 Moore's 1st gen reel, baked and transfered by John Jay Hance; editing, flac encoding and uploaded by
 Rob Berger. Berger's notes: "a composite i made of two different lineages of the same Kaslow/Todd
 master. both sources are incomplete, but JM's reels give us tracks 11-14 which are missing on the
 20737 source. there is still probably about 30 minutes missing from the start of this set."
 Set One: one disc: 59:48: 01: Workingman's Blues, 02: I Don't Know You, 03: Lochinvar, 04:
 Down In The Boondocks, 05: Julie, 06: Henry, 07: Sailin', 08: Glendale Train, 09: Fair Chance To Know,
 10: Lodi, 11: Truck Drivin' Man, 12: Last Lonely Eagle, 13: Louisiana Lady, 14: Honky Tonk Women
08/05/71 Hollywood, CA - Hollywood Palladium  MAR>R>D>CD partial n/a 1069 20737 
 *NRPS: Kaslow & Todd, Sony ECM-22Ps > Sony 770*
 MAR > R > R > DAT > CD > WAV > SHN. Recorded by Harv Kaslow and Craig Todd, Sony Electret Condenser
 Mics-22 > Sony 770 portable 7" reel-to-reel from 50' back. Analog Reel > DAT > CD transfer by Mark
 Cohen, November, 2002. CD > SHN by Noah Weiner, November, 2003. Playback on TEAC X2000R reel to reel
 deck + Nakamichi NR-200 Dolby Decoder > Tascam DA-40 DAT deck (record) > Tascam CD-RW700 burner > EAC
 (Secure) > WAV > SHN. note: very first notes of Glendale Train are cut. John Dawson - rhythm guitar,
 vocals; David Nelson - lead guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal steel
 guitar; Spencer Dryden - drums.
 Set One: Partial Set: 01 [04:43] Workingman's Blues 02 [03:56] I Don't Know You 03 [03:27]
 Lochinvar 04 [03:25] Down In The Boondocks 05 [03:32] Julie 06 [03:56] Henry 07 [04:12] Sailin' 08
 [05:09] Glendale Train 09 [04:28] Fair Chance To Know 10 [01:31] Lodi// tt [38:19]
08/06/71 Hollywood, CA - Hollywood Palladium MAR>R>D>CD All 94 1281 20738 
 *NRPS: Kaslow & Todd, Sony ECM-22Ps > Sony 770*
 MAR> R > DAT > CD > EAC > WAV > SHN. Recorded by Harv Kaslow and Craig Todd Sony Electret Condenser
 Mics-22 > Sony 770 portable 7" reel-to-reel from 50' back. note: This version is the same as what has
 been circulating but with the addition of the set closing Honky Tonk Women taken from an AUDMR>?>R
 source. Cross faded in at 03:22 of d2t09. SHNs and MD5's are all the same as the first SHN set save
 for the last two tracks of the show here. EAC and SHN by Noah Weiner, January 2002, new cross fade and
 edits - November 2003. *AUDMR>?>R>DAT>WAV>SHN. note: d207, 08, and 09 contained some low end tape
 pops which were greatly diminished with DePopper2.exe. Lineup: John Dawson - rhythm guitar, vocals;
 David Nelson - lead guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal steel guitar;
 Spencer Dryden - drums.
 Set One: DISC ONE [42:56] 01 [03:48] Six Days On The Road 02 [04:06] Whatcha Gonna Do 03
 [05:04] I Don't Know You 04 [03:29] Down In The Boondocks 05 [06:57] Portland Woman 06 [11:06] Dirty
 Business 07 [04:29] Henry 08 [03:57] Sailin'
 Set Two: DISC TWO [51:06] 01 [06:57] Glendale Train 02 [04:32] Working Man Blues 03 [04:19]
 Julie 04 [02:52] Only Daddy That'll Walk The Line 05 [04:17] Fair Chance To Know 06 [08:04] The Weight
 07 [04:01] Louisiana Lady 08 [06:49] Last Lonely Eagle 09 [03:41] Sweet Lovin' One 10 [05:34] Honky
  Tonk Women*
08/06/71 Hollywood, CA - Hollywood Palladium MAR>R>CD All n/a 1304 85016 
 *NRPS: Kaslow & Todd, Sony ECM-22Ps > Sony TC-770*
 source: aud 1st gen reels. mastered: sony ecm 22p's>sony tc-770 (7" reels, no nr), taped by Harv
 Kaslow and Craig Todd. lineage: aud r.m. > 10.5" ampex reel @ 3.75 ips, no nr > cdr > eac > cd wave >
 flac. Jerry Moore's 1st gen reel, baked and transfered by John Jay Hance; editing, flac encoding and
 uploaded by Rob Berger. notes: * reel change splice in d1t07. these are not the 1st gen reels that
 were previously circulated.
 Set One: disc 1: 43:57: 01: Six Days On The Road, 02: Watcha' Gonna' Do, 03: I Don't Know
 You, 04: Down In The Boondocks, 05: Portland Woman, 06: Dirty Business, 07: Henry *, 08: Sailin'
 Set Two: disc 2: 52:19: 01: Glendale Train, 02: Working Man's Blues, 03: Julie, 04: Only
 Daddy That'll Walk The Line, 05: Fair Chance To Know, 06: The Weight, 07: Louisiana Lady, 08: Last
 Lonely Eagle, 09: Sweet Lovin' One, 10: Honky Tonk Women
08/06/71 Hollywood, CA - Hollywood Palladium MAR>R>CD All n/a 1338 89079 
 *NRPS: Kaslow & Todd, Sony ECM-22Ps > Sony TC-770* *pitched*
08/14/71 Berkeley, CA - Berkeley Community Theater MSR>C>CD? All 56 enter xxxxx 
 *NRPS*
 TJS Recordings in Circulation: MSR > 1 Cass > CD, which sounds eminently plausible as the source of
 this recording. Performers: John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals;
 Jerry Garcia - pedal steel guitar; Dave Torbert - bass, vocals; Spencer Dryden - drums. Notes: - very
 nice sbd -(1) "well, this is the one political rabble-ish song we have." -(2) "Everybody from New York
 say something." "This is about a little town, it's situated between Eagle Rock and Burbank, it's
 called Glendale." - The Weight blip @ 6:34 track
 Set One: Single Disc (12 tracks, 55:30): 01. Bill Graham Introduction [0:14], 02. Hello
 Trouble [3:27], 03. tuning, talk (1) [0:29], Garden of Eden -7:00, 04. [1:28], Down In The Boondocks
 -5:02, :04, 05. [0:24], Superman -3:56, -4:24, 06. :07, Workingman's Blues -3:25, :04, 07. Portland
 Woman -5:05, :04, 08. (2) [1:16] Glendale Train -6:11, :05, 09. 0:11, Sailin' -4:01, :07, 10. 0:56,
 The Bottle Let Me Down -4:51, :03 ticks at tape transition, 11. Louisiana Lady [3:50] [0:03], 12. :15,
 The Weight -7:15, 0:15
08/14/71 Berkeley, CA - Berkeley Community Theater MSR>C>CD All 56 1386 96440 
 *NRPS*
 Source: sbd 1st gen cassette. Llineage: reel>cassette>cdrs>eac>flac. Encoded & seeded to LL by Rob
 Berger.
 Set One: one disc: 55:58 01: intro 02: Hello Trouble 03: Garden of Eden 04: Down in the
 Boondocks 05: Superman 06: Working Man Blues 07: Portland Woman 08: Glendale Train 09: Sailing 10: The
 Bottle Let Me Down 11: Louisiana Lady 12: The Weight
08/15/71 Berkeley, CA - Berkeley Community Theater ?MSR>2R>D>CD All? 32 1376 xxxxx 
  *NRPS*
 Performers: John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; Jerry Garcia -
 pedal steel guitar; Dave Torbert - bass, vocals; Spencer Dryden - drums. Notes: - TJS lists a
 circulating lineage of MSR > 2 Reel > DAT > CD. The lineage of the present recording is not known,
 though TJS's seems plausible. It sounds quite nice. - (1) "We'd like to dedicate this song to any
 smugglers who happen to be in the audience. Get it on ... you guys." - (2) "Here's your old an old
 jukebox favorite. Hope we can play it favoritely." - (3) "We're after Spencer's ass tonight -- two
 fast songs in a row, and then another." - Honky Tonk Women cuts out.
 Set One: Single Disc (8 tracks, 32:11) 01. Six Days on the Road (1) [3:44] 02. Henry [4:01]
 03. Portland Woman [5:12] 04. Fair Chance to Know [4:47] 05. Sailin' (2) [4:30] 06. Truck Drivin' Man
 (3) [3:57] 07. Louisiana Lady [3:31] -> 06. Honky Tonk women// [2:29#]
08/21/71 Novato, CA - Mickey Hart's Barn MAC>D>CD All 105 0883 17179 
 *Hart Jam: Rick, Sony TC-24 w/ built-in stereo mic*
 MAC (Taped by Rick ?, Sony TC-24 with supplied Sony stereo mic) > Nakamichi Dragon playback (no
 dolby) > D7 > DAT > DTC-700 playback > Optical > PC via Zefiro ZA2 > SF > CD Architect; Featuring John
 Cipollina, David Crosby, Jerry Garcia, Bob Weir, Phil Lesh and Mickey Hart
 Set One: 1. ... Jam #1 [12:24], 2. Wall Song -> Jam -> Wall Song [29:27], 3. Jam #2 [18:59],
 4. Noodle Part 1 [0:24], Total Time 61:15
 Set Two: 1. Noodle Part 2 [1:15], 2. Jam #3 [11:17], 3. Jam #4 [14:29], 4. Tuning Jam #1
 [0:44], 5. Ghost Riders in the Sky Jam [3:23], 6. Winnin' Boy Blues [3:40], 7. Tuning Jam #2 [0:57],
 8. Tore Down [6:50], Total Time 42:39
08/21/71 Novato, CA - Mickey Hart's Barn MAC>R>CD All 104 1295 83302 
  *Hart Jam: Rick, Sony TC-24 w/ built-in stereo mic*
 Mickey Hart, Jerry Garcia, Bob Weir, John Cipollina, David Crosby, Phil Lesh, Nicky Hopkins, Merl
 Saunders. Fabio (38f) supposed this was a sbd, but various DIMErs have concluded that it's a nicer
 sounding copy of the circulating aud, which seems plausible. Fabio's info: "Also this comes straight
 from the John Cipollina's collection, i personally made a copy of his reel and his notes....I did not
 touch the sound or edited anything in the trasfer, you get what I got in first place. Some songs are
 cut or partial. Superb jam, definetly a must have ... 1st generation reel to reel > revox > amplifiers
 > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. Recorded, transfered,
 & uploaded by 38f on Dime, March 2007."
 Set One: Disc One (61:19): 1. Jam #1 (Fire On The Mountain theme), 2. Wall Song > Fresh
 Green Grass Jam > Wall Song, 3. Jam #2, 4. Noodle Part 1
 Set Two: Disc Two (42:41): 1. Noodle Part 2, 2. Jam #3, 3. Jam #4, 4. Jam #5, 5. Carousel
 Song, 6. Ghost Riders In The Sky Jam, 7. Winin' Boy Blues, 8. Bye Bye Blues, 9. Tore Down
08/21/71 Novato, CA - Mickey Hart's Barn MAC>D>CD All n/a 0883 6634 
 *Hart Jam: Rick, Sony TC-24 w/ built-in stereo mic*
09/23/71 San Francisco, CA - Harding Theater MAC>D>CD All 113 0872-0873 18063  
 *NRPS: Randy Davis, unknown mic > unknown deck*
 MAC > DAT > WAV > SHN. Recorded by Randy Davis, mic and deck unknown. First set was recorded at
 the stage, second set back some rows. A > D and WAV > SHN by Noah Weiner (noahbw@attbi.com),
 September 2002. There were only 20 to 30 people in the audience. Says Noah: "I just had the extreme
 pleasure of doing a digital transfer of an incredible New Riders of the Purple Sage recording. It's
 one of those AUD recordings that puts me in my highest of AUD listening mind sets. Just, WOW! The
 first set was recorded at the stage, and it sounds near perfect. Set two found the taper back a few
 rows and the quality suffers slightly for it, but still provides thorough enjoyment. Near the end of
 Jerry's tenure with the band, this is a hitherto unknown recording of a really good show featuring
 only the Riders. Not as an opener for the Dead, but just them. Two sets. JJ: fabulous tape!!
 Set One: DISC ONE [61:36] set one: 01 [00:23] tuning , 02 [05:02] Working Man Blues , 03
 [04:46] Superman , 04 [04:21] I Don't Know You , 05 [05:07] Swinging Doors , 06 [04:01] Rainbow , 07
 [03:34] Six Days On The Road , 08 [06:34] Portland Woman , 09 [04:28] Hello, Mary Lou , 10 [01:08]
 audience memeber song , 11 [05:03] Glendale Train , 12 [09:02] All I Ever Wanted , 13 [03:46] Truck
 Drivin' Man , 14 [04:21] Henry
  Set Two: DISC TWO [51:24] set two: 01 [03:44] Sailing , 02 [05:24] Fair Chance To Know , 03
 [05:41] I Don't Need No Doctor , 04 [04:44] Runnin' Back To You , 05 [03:53] Brown Eyed Handsome Man ,
 06 [06:21] The Weight , 07 [04:52] Connection , 08 [06:51] Last Lonley Eagle , 09 [03:59] Louisiana
 Lady , 10 [05:55] Willie And The Hand Jive
09/24/71a San Anselmo, CA - The Lion Share MSR>C>D>SHN All 48 0148 4497 
 *JGMS*
  MSR -> 1C -> D -> Digi001 -> SHN; d1t06 reel problems? d1t06 cut/splice @ 2:34
 Set One: 1. [1:10] Save Mother Earth Instrumental [11:22] -> 2. Imagine Instrumental [5:13]
 [0:14], 3. One Kind Favor [8:37] [0:10], 4. I Was Made To Love Her Instrumental [9:43] [0:14], 5.
 Baby, What Do You Want Me To Do? [3:41] [0:10], 6. Down Around// Biloxi [6:47#] [0:25], Total Time
 47:48
09/24/71b San Anselmo, CA - The Lion Share MSR>C>D>SHN All 42 0148 4497 
 *JGMS*
 MSR -> 1C -> D -> Digi001 -> SHN; t01 distortion
 Set One: 1. Hi-Heel Sneakers [8:29] [0:15], 2. Man-Child Instrumental [10:10] -> 3.
  Summertime Instrumental [9:56] [0:20], 4. That's the Touch I Like [5:39] [0:29], 5. Annie Had a Baby
 -> WPLJ [6:06] [0:03], Total Time 41:30
10/19/71 Minneapolis, MN - Northrop Auditorium, U. of Minn. MF?>?>CD All 105  
 *NRPS*
 KQRS-AM and FM broadcast via slip. Lineup: John Dawson - rhythm guitar, vocals; David Nelson - lead
 guitar, vocals; Jerry Garcia - pedal steel guitar; Dave Torbert - bass, vocals; Spencer Dryden -
  drums. Notes: - Very nice show -- Marmaduke is really phrasing things cleanly, presumably for the FM
 broadcast (first of several for the Fall '71 tour). - strong underlying hum on this recording. - SQ
 change b/w tunes t04-05 -- go to room mics for applause - neat, unusual ending to Portland Woman -
 tape munch @ end of Henry - Sailin' bad noisy brief splice/drop @ 1:08 - t12 Once More buzzing,
 fluctuations, static (buzzing bad after song) - (1) w/o Garcia (broken string) - Dirty Business fades
 to (brief) splice @ 5:30, during some filthy pedal steel by Jerry. - (2) "Thank ya, thank ya. We'll
 see ya later.
 Set One: Disc One (13 tracks, 49:22) 01. Jon McIntire introduction [0:32] 02. I Don't Know
 You [3:33] [0:08] 03. Workingman's Blues [3:50] [0:30] 04. [0:11] Rainbow -3:24 0:33 05. Portland
 Woman [4:24] [0:14] 06. Hello Mary Lou [2:58] [0:29] 07. Henry [3:42] [0:46] 08. Sailin' [3:43] 09.
 station id (KQRS AM & FM) [0:12] 10. Lodi [3:54] [0:11] 11. All I Ever Wanted [7:12] [0:43] 12. (1)
 broken string -:28, Once More -3:33 1:22 13. Down in the Boondocks [3:23] [0:05]
 Set Two: Disc Two (10 tracks, 55:53) 14. [0:09] Glendale Train -5:02 :05 15. Last Lonely
 Eagle [6:38] [0:48] 16. Willie And The Hand Jive [4:20] [0:40] 17. Dirty //Business [10:#32] [0:26
 18. Louisiana Lady [4:02] (2) [0:48] 19. station id (KQRS AM & FM, Golden Valley) 20. stage and PA
 weirdness [4:07] 21. John Peet (?) interview with JG (3:30 p.m.) [9:59] 22. A Message for Roger (part
 three) [4:34] 23. John Peet interview with Phil Lesh (4:00 p.m.) [3:16]
10/19/71z Minneapolis, MN - Northrop Auditorium, U. of Minn. MF?>?>CD All 10 
 *Interview*
 Set One: have mostly transcribed ... some NRPS talk, etc.
10/21/71 Chicago, IL - Auditorium Theatre  MFC>C>D>CD All 79 1139 18533 
 *NRPS*
 FMMC > C > DAT > CD > EAC > SHN. A > D by Steve Fukawa from his cassette - July, 2003. EAC > SHN by
 Noah Weiner - July, 2003. WGLD-FM Broadcast > FMMC > Cassette: Playback on Nakamichi BX-300 > Sony
 R-500 DAT (at 44.1kHz w/ levels peaking at 0.0) > Tascam CDRW-700 (coax digital direct bypassing
 sample rate converter) > EAC > Sound Forge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW Audio
  Compression Tool (shn). Technical notes: There is some occasional FM reception static/noise here and
 there on the recording. *first 11 seconds of "Rainbow" suffered a severe loss of signal in the right
 channel. The left channel was blended with the right to sonically smooth out this passage. The very
 first notes of "Hello, Mary Lou" are missing. The song fades in on the cassette that was transferred.
 There is also a small cut/edit in the song like a pause button was hit. JJ: pretty nice stuff, a bit
 of hiss but good. This version of Honky Tonk Women is just terrible, the kind of thing that might
 turn less hardy souls off of the NRPS forever.
 Set One: 01 [00:23] station ID and tuning, 02 [04:53] Lodi, 03 [04:45] Runnin' Back To You,
 04 [04:15] Henry, 05 [05:23] Jam (broken string), 06 [07:43] Garden Of Eden, 07 [03:24] Rainbow*, 08
 [03:49] //Hello//Mary Lou, 09 [04:32] Sailin', 10 [04:29] Louisiana Lady, 11 [07:08] Last Lonely
 Eagle, 12 [06:23] Willie & The Hand Jive, 13 [04:49] Honky Tonk Women, 14 [14:42] NRPS radio interview
 (July 1971), 15 [01:55] DJ comments, tt [78:42]
10/27/71 Syracuse, NY - Onondaga County War Memorial MFR?R>D>CD All 62 1140 18357 
 *NRPS*
 FMMR(C?) > ? > R > DAT > WAV > SHN. A>D transfer by Noah Weiner - June, 2003 from Jimmy Warburton's
  7" Reel. The recording is mono, and the left channel had a great deal more hiss and noise than the
 right. Thus, the right channel was copied over the left in Sound Forge to produce a more clean and
 strong signal for the final digital project. Also, throughout the reel there are occasional static
 pops, fuzz, and crackles. Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT
 (A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav edits and track IDs) > SHNTOOL (SBE
 fix) > MKW (shn). John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; David
 Torbert - bass, vocals; Jerry Garcia - pedal steel guitar; Spencer Dryden - drums.
 Set One: 01 [03:40] //Six Days On The Road, 02 [04:34] I Don't Know You, 03 [03:30] Down In
 The Boondocks, 04 [13:58] Dirty Business, 05 [04:04] Rainbow, 06 [07:34] Garden Of Eden, 07 [03:27]
 Hello, Mary Lou, 08 [03:58] Henry, 09 [03:10] S//ailin', 10 [03:57] Sweet Lovin' One, 11 [06:00]
 Willie And The Hand Jive, 12 [04:28] Louisiana Lady, tt [62:20]
10/29/71 Cleveland, OH - Allan Theater MF?>?>C>CD All n/a 1381 96434 
 *NRPS*
  source: FM (WNCR) unknown gen cassette. NOT for audiophiles but one of Garcia's last shows with the
 Riders. Hoping to stir up an upgrade. lineage: nak dragon>hd-p2 24/48>cd wave>adobe 16/44>flac.
 Transfer & seeded to Lossless Legs by Rob Berger. *cuts, drop outs in d1t05, d2t03. d2t07 is cut.
 Set One: disc one: 45:10 01: Got Leavin' On Her Mind 02: Swinging Doors 03: Sing Me A
 Rainbow 04: Brown Eyed Handsome Man 05: Watcha' Gonna' Do* 06: I Don't Know You 07: Henry 08: All I
 Ever Wanted 09: Hello Mary Lou 10: Runnin' Back To You
 Set Two: disc two: 46:32 01: Sailing 02: Dirty Business 03: Glendale Train* 04: Willie & the
 Hand Jive 05: Last Lonely Eagle 06: Louisiana Lady 07: Honky Tonk Women/
10/30/71 Cincinnati, OH - Taft Auditorium MFR>D>CD All n/a 1381 18083 
 *NRPS*
 FMMR(WEBN-FM) > DAT > CD > EAC > SHN. EAC > SHN by Noah Weiner - June, 2003. note: There were
 numerous small digital "ticks" throughout the recording. These were all removed by running the .wavs
 through depopper.exe before final editing in Sound Forge. Lineup: John Dawson - rhythm guitar,
 vocals; David Nelson - lead guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal steel
 guitar; Spencer Dryden - drums.
 Set One: DISC ONE [44:16] 01 [05:35] Sam Cutler band member intro & broken string 02 [04:32]
 Workingman's Blues 03 [04:46] Superman 04 [04:22] Down In The Boondocks 05 [05:07] Cecilia 06 [05:20]
 Dim Lights, Thick Smoke, And Loud Loud Music 07 [11:15] Dirty Business 08 [03:19] Truck Drivin' Man
 Set Two: DISC TWO [44:40] 01 [05:52] Lochinvar 02 [03:05] Hello, Mary Lou 03 [08:14] The
 Weight 04 [05:42] Glendale Train 05 [04:37] Lodi 06 [06:35] Last Lonely Eagle 07 [04:02] Louisiana
 Lady 08 [06:33] Willie And The Hand Jive
10/30/71 Cincinnati, OH - Taft Auditorium MF?>?>CD  All-1 78 
 *NRPS*
 Source: FM master > ? > CD, via Steven Martin. Lineup: John Dawson - rhythm guitar, vocals; David
 Nelson - lead guitar, vocals; David Torbert - bass, vocals; Jerry Garcia - pedal steel guitar; Spencer
 Dryden - drums. JJ: A little flat & bassy, but pretty nice.
 Set One: Disc One (8 tracks, 42:12) 01. Workingman's Blues, (MISSING: Superman), 02. Down In
 The Boondocks, 03. Cecilia, 04. Dim Lights, Thick Smoke, And Loud Loud Music, 05. Dirty Business, 06.
 Truck Drivin' Man, 07. Lochinvar, 08. Hello, Mary Lou
 Set Two: Disc Two (6 tracks, 36:07) 01. The Weight, 02. Glendale Train, 03. Lodi, 04. Last
 Lonely Eagle, 05. Louisiana Lady, 06. Willie And The Hand Jive
 
??/??/72 JA Baron von Tollbooth & Chrome Nun Sessions MS?>?>CD ? 50 
 *November-December 1972*
 GRACE SLICK, PAUL KANTNER & DAVID FREIBERG: "Sessions With The Baron." Baron Von Tollbooth & The
 Chrome Nun sessions, Wally Heider's Studio, San Francisco, November-December 1972. Excellent
 stereo.
 Set One: only bits with Garcia listed here: 01. Sketches Of China 1 [5:13] (w/ JG), 02. Your
  Mind Has Just Left Your Body 1 [5:38] (w/ JG), 03. White Boy 1 [3:51] (w/ JG, pedal steel?), 04.
 Walkin' - fragment [0:12] (w/ JG), 09. Sketches Of China 6 [4:47] (w/ JG), 10. The Ballad of A Chrome
 Nun [4:10] (w/ JG on pedal steel), 11. Fat [3:13] (w/ JG on pedal steeel - nice!), 13. Walkin' [2:32]
 (w/ JG? banjo?), 14. Your Mind Has Just Left Your Body 2 [5:48] (w/ JG on pedal steel), 18. White Boy
 2 [4:15] (w/ JG), 19. Fishman [2:39] (w/ JG)
??/??/72 "Marin County Collective" Sessions @ Mickey's Barn MSR>CD All 54 1217 xxxxx 
 *1972-1973 Marin County Collective*
 MASTER STEREO SOUNDBOARD REEL TO REEL > EQUALIZER > CD > EAC > WAV > FLAC, via Fabio Nosotti.
  Line-ups: 1. melton, garcia, hart, freiberg; 2. cipollina, hart, freiberg, jim mcpherson; 3. kathy
 mcdonald, mcpherson, steve schuster; 4. kathy mcdonald, mcpherson, steve schuster; 5. freiberg, hart,
 mcpherson, mcdonald; 6. melton, lesh, hunter, hart; 7. melton, garcia, hart, freiberg; 8. melton,
 garcia, hart, freiberg; 9. melton, hart, lesh, schuster, bill champlin; 10. garcia & hart at the
 palace of fine arts; 11. ali abkar khan, ali raka, garcia, hart; 12. hart, rob stokes, lesh, melton,
 freiberg, hunter; 13. hart, melton, bloomfield, la flamme; 14. lagin, lesh, cipollina; 15. melton,
 hart, lesh, stokes, garcia, freiberg.
 Set One: 15 tracks, 53:41 --"Area Code 415" sessions-- 1. Fire On The Mountain , 2. Ghost
 Riders In The Sky , 3. It Makes Me Feel Mad #1 , 4. You Know I Will , 5. Is Anyone There , 6. Night Of
 The Vampire , 7. It Makes Me Feel Mad #2 --"Fire On The Mountain" sessions-- 8. Fire On The Mountain
  , 9. Speed Racer , 10. Untitled , 11. Fear And Loathing , 12. Checker Man , 13. Marshmallow Road , 14.
 Fear , 15. Ariel
01/15/72 San Francisco, CA - Keystone Korner MAR>2C>D>CD All 150 0319-0320 8644 
  *JGMS: unknown taper & gear*
 MAR > Cass. x 2 > DAT > CDR; d1t01 cuts in, not much missing; d1t01 CD skips @ 1:00, 1:07; d1t04
 some "flits" @ ca. 2:30? d1t07 first few notes cut; d1t08 cuts in; d2t01 saturation/warbling; d2t01
  cuts in, a few minutes missing? d2t02 cuts in, not much missing; d2t02 @ 30:18-30:35 fades to low
 volume; d2t03 cuts in; d2t04 cuts in, not much missing; d2t05 first few notes clipped; d2t06
 cut/splice @ 3:06, SQ problems after ca. 3:00
 Set One: set I, 1. [0:04] //How Sweet It Is [9:27#] [0:17], 2. Save Mother Earth [20:03]
 [0:09], 3. One Kind Favor [6:41] [0:05], 4. Expressway [7:48] [0:04], 5. Mystery Train [8:56] [0:23],
 set II, 6. It Takes a Lot to Laugh, It Takes a Train to Cry [6:11] , 7. //I Was Made to Love Her
 [8:35#], 8. //That's The Touch I Like [6:45#] [0:08], Total Time 75:41
 Set Two: set II (con't), 1. //Who's Loving You Tonight? [8:16#] [0:22], 2. //Man-Child
 Instrumental [32:15#] [0:09], 3. //She Even Woke Me Up to Say Goodbye [5:31#] [0:01], 4. //Hi-Heel
 Sneakers [9:41#], 5. //Tupelo Honey [10:32#] -> 6. That's //Alright Mama [7:16#] [0:11], Total Time
 74:19
01/19/72 San Anselmo, CA - The Lion Share MSR>C>D>CD I 62 0223 8660 
 *JGMS*
 10" master SBD reels @ 7.5 ips > 1 cassette generation (Maxell XLIIS 100 Nakamichi CR-7A playback)
 > Lucid AD9624 24 bit A/D converter (44.1kHz) > Sony R500 DATx0 > SonyR500 DATx1. Notes: d1t01 levels
 jump up @ 0:18; d1t05 and t06 Paul Butterfield on harp
 Set One: 1. It Takes a Lot to Laugh, a Train to Cry [7:40] [0:55], 2. Expressway [11:19] ->
 3. Imagine Instrumental [7:39] [1:12], 4. That's Alright Mama [6:07] [0:24], 5. Save Mother Earth
 Instrumental [16:37] [1:14], 6. [0:53] I Was Made to Love Her Instrumental [7:29] [0:19], Total Time
 61:56
01/20/72 San Anselmo, CA - The Lion Share MSR>C>D>CD All 129 0364-0365 9766 
 *JGMS*
 10" master SBD reels @ 7.5 ips > 1 cassette generation (Maxell XLIIS 100 Nakamichi CR-7A playback)
 > Lucid AD9624 24 bit A/D converter (44.1kHz) > Sony R500 DATx0 > DATs > CD. A gorgeous recording,
 except for persistent vocal distortion.
 Set One: Disc One (5) 59:42 --Set I-- 1. That's The Touch I Like [8:46] [0:22], 2. Man-Child
 Instrumental [28:06] [0:39], 3. When I Paint My Masterpiece [5:44] [0:10], 4. Expressway (To Your
 Heart) [8:35] [0:14], 5. That's All Right Mama [6:55] [0:11]
 Set Two: Disc Two (6) 68:43 --Set II-- 1. How Sweet It Is [9:23] [0:13], 2. It Takes A Lot
 To Laugh, It Takes A Train To Cry [8:01] [0:13], 3. My Problems Got Problems Instrumental [14:45]
 [0:02], 4. Lonely Avenue [13:08] [0:10], 5. Save Mother Earth Instrumental [11:39] -> 6. Imagine
 Instrumental [10:47] [0:13]
01/26/72 Boston, MA - Symphony Hall MFR>R>CD All 101 1347 6635 
 *Howard Wales & Friends*
 Post FM>1 Reel gen>CD
02/06/72 San Francisco, CA - Pacific High Recording MSR>D>CD All 101 
 *JGMS: non-etree copy, inferior?*
 SBDMR (pre-fm) > D > ZA2 > CD; d1t01 Train to Cry cuts in, unknown missing; d2t02 Who's Lovin' You
 Tonight cuts in; d2t05 Lonely Avenue cuts in
 Set One: 1. //It Takes a Lot to Laugh, It Takes a Train to Cry [6:07#] [1:39], 2. Expressway
 [11:36] [1:55], 3. That's The Touch I Like [7:57] [0:05], 4. Save Mother Earth Instrumental [9:30] ->
 5. Imagine Instrumental [8:26] [0:08], Total Time 47:27
 Set Two: 1. [0:41] That's Alright Mama [9:40] [0:02], 2. //Who's Lovin' You Tonight? [9:37#]
 [0:10], 3. When I Paint My Masterpiece [6:00] [0:48], 4. I Was Made to Love Her Instrumental [9:17]
 [0:08], 5. //Lonely Avenue [8:47] [0:57], 6. How Sweet It Is [7:57] [0:07], Total Time 54:25
02/06/72 San Francisco, CA - Pacific High Recording MS?>?>D>CD All 102 0736 13880 
 *JGMS* *etree copy, superior?*
 Pre-FM > ? >dat > da-20 > rme 96/8 pst > cd wave > mkw(shn). Transfer by Tim Rossi
 (timothyrossi@yahoo.com). Notes/flaws: * first verse is instrumental, ** instrumental; The crowd noise
 is missing between tracks d2t01 > d2t02, and d2t04 > d2t05. My notes: this sounds pretty wonderful, I
 think it is louder than the other copy and beyond that might also be more dynamic. Train to Cry clips
 in, not much missing; KSAN station ID @ d1t01 2:43; d2t01 TAM slips out, d2t02 Who's Lovin' You clips
 in, d2t05 Lonely Avenue cuts in, end clipped
 Set One: Disc 1 (47:31) 1. It Takes A Train To Cry* (07:51) 2. Expressway (13:32) 3. That's
 The Touch (08:03) 4. Save Mother Earth**> (09:29) 5. Imagine** (08:34)
 Set Two: Disc 2 (54:18) 1. That's All Right Mama (10:20) 2. Who's Loving You Tonight?
 (09:46) 3. When I Paint My Masterpiece (06:48) 4. I Was Made To Love Her** (09:25) 5. Lonely Avenue
 (09:53) 6. How Sweet It Is (08:03)
03/05/72 San Francisco, CA - Winterland Arena MS?>?>CD All? 13 
 *Yogi Phlegm w/ Garcia & Lesh on two songs* *date uncertain?*
  Set One: Single Disc (12) 55:01 01. Bill Graham Introduction [0:25] -> 02. Big Boss Man*
 [8:14] -> 03. Everyday I Have the Blues [4:10] [0:06], 04. /Who/Heaven Only Knows, 05. Poppa Can Play,
 06. /Right On, 07. Let Your Daddy Know (?), 08. All And Everything, 09. Watcha Gonna Do, 10-11. Cold
 // Sweat - > 12. 99 & 1/2
06/30/72 San Francisco, CA - Keystone Korner "MSR>D>CD" All 121 0229-0230 8059 
 *JGMS* *bogus lineage -- inferior*
 MSR > DAT > CDRs > EAC > SHN; d1t01 cuts in, not much missing; d1t02 digi-snit @ 2:40-2:41; d1t04
 Sick and Tired Tom Fogerty on lead vocals; d2t01 fades in, not much missing; d2t05 fades out (MR
 cut)
 Set One: set I, 1. //It's No Use [8:50#] [0:09], 2. Expressway [11:13] [0:17], 3. One Kind
 Favor [7:42] [0:12], 4. [0:06] Sick and Tired [11:16] [0:10], 5. Down Around Biloxi [6:08] [0:18], 6.
 That's All Right Mama [9:46] [0:14], 7. The Night They Drove Old Dixie Down [5:45] [0:13], Total Time
 62:23
 Set Two: set II, 1. //It Takes a Lot to Laugh, It Takes a Train to Cry [7:55#] [0:06], 2.
 After Midnight [16:0] [0:05], 3. Crowd/Tuning [1:30], 4. Money Honey [6:57] [0:14], 5. Are You Lonely
 For Me Baby? [21:58] -> Space/Jam// [3:25#], Total Time 58:12
06/30/72 San Francisco, CA - Keystone Korner MSR>?>R>D>CD All 124 0857-0858 18059 
 *JGMS* *superior copy* *may be 9/1/72??*
  MSR? > ? > Barry Glassberg's mono reel (obtained "ages ago" from "P.L.") > TEAC X-2000R playback >
 possible Nakamichi NR-200 Dolby Decoding (if the reel was a Dolby B reel) > Tascam DA-40 DAT > Tascam
 CDRW-700 CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) >
 sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark
 Cohen, EAC > SHN by Joe Jupille . Notes/Flaws: - (1) Tom Fogerty lead vocals - Do not be frightened by
 the question marks in the lineage. This copy has more punch and less hiss than the previously
 circulating version, which had been labeled MSR>DAT>CD. Glassberg's reel was probably at most 2nd or
  3rd generation, and this stuff just sounds absolutely wonderful. By contrast the old copy sounds
 hissy and muddy, and visual inspection reveals lots of square (clipped) wavs. This copy also has an
 extra three and a half minutes or so of the jam out of Are You Lonely for Me Baby, and the additional
 material is spectacular and precious! Great great stuff. - d2t01 Train to Cry fades in - d2t02 After
 Midnight channel fluctuations throughout; subtle splice @ 8:52 - d2t06 Jam fades out where the reel
 supposedly ends.
 Set One: Disc One (7) 62:17 --Set I-- 01. It's No Use [8:54] [0:06], 02. Expressway [11:15]
 [0:17], 03. One Kind Favor [7:41] [0:17], 04. Sick and Tired (1) [11:15] [0:07], 05. Down Around
 Biloxi [6:10] [0:13], 06. That's All Right, Mama [9:50] [0:12], 07. The Night They Drove Old Dixie
 Down [5:48] [0:09]
 Set Two: Disc Two (6) 61:51 --Set II-- 01. ... It Takes a Lot to Laugh, It Takes a Train to
 Cry [#7:57] [0:12], 02. After //Midnight [15:#55] [0:05], 03. Announcement & Tuning [1:30], 04. Money
 Honey [7:00] [0:12], 05. Are You Lonely For Me Baby [22:06] -> 06. Jam// [6:46#]
09/13/72 Studio - Seastones Sessions Unknown ?? 39 1366 xxxxx 
 *Garcia, Hart, & Lesh: Seastones Sessions*
  [SBD 39m. A(1)]
 Set One: One track, 38:43
11/23/72 Austin, TX - Armadillo World Headquarters "MSR>D>CD" All n/a 1349 89467 
 *Dough Sahm & Friends* *lineage mislabel*
11/23/72 Austin, TX - Armadillo World Headquarters MS All  n/a 1347 12584 
 *Dough Sahm & Friends*
12/02/72 *see Jerry Garcia on Official Releases* n/a 
12/28/72 Berkeley, CA - Keystone MSR>D>C>D>CD All 166 
 *JGMS* *formerly listed as 12/20/72*
 SBD:MR>DAT>Cass>DAT>CD; DNC JGB Tree Round 3; d1t05 Nobody's Business drop @ 8:38; d2t05 BWYWMTD
 static @ 4:44; some oversaturation throughout, especially d3t01
 Set One: set I, 1. After Midnight [11:31] [1:27], 2. It's Too Late [6:50] [0:23], 3. [0:33]
 Baby Please Don't Go [10:43] [1:39], 4. Expressway To Your Heart [15:44] -> 5. Nobody's Business
 [10:42] [1:22], 6. That's All Right Mama [7:31] [0:18], Total Time 69:16
 Set Two: set II, 1. Introduction [0:18], When I Paint My Masterpiece [8:13] [0:49], 2. I
 Second That Emotion [12:21] [2:00], 3. Unknown Song [19:52] -> 4. Sweet Cocaine [8:20] [0:07], 5. Baby
  What You Want Me To Do? [5:43] [1:22], 6. Further On Up The Road [8:29] [2:24], Total Time 70:01
 Set Three: set II (con't), 1. The System [24:11] [0:21], Total Time 24:32
 
??/??/73 Compliments Demos MS?>?>CD ?? 35 
 *Compliments Demos*
 Very hissy
 Set One: Tracks 1-6 = GD 1973 soundchecks (Rip It Up, Blue Suede Shoes, Peggy-O, Jack Straw,
 Cumberland Blues, 30 Days); 7. //Turn on the Bright Lights// [3:33#] [0:15], 8. Let's Spend the Night
 Together// [3:10#] [0:17], 9. Without Love [4:04] [0:11], 10. That's What Love Will Make You Do //
 [3:33#] [0:06], 11. Let it Rock// [2:57#] [0:07], 12. Roadrunner// [3:35#] [0:14], 13. Loneseome
 Town// [3:43#] [0:06], 14. To Forget You// [2:45#], 15. To Forget You// [2:42#] [0:09], 16. I Saw Her
 Standing There [2:43] [0:14], Tracks 17-19 = GD 1973 studio rehearsals (Let it Grow Jam -> TLEO, US
 Blues). Rehearsal Time ca. 35 minutes
 Set Two: I have the same Garcia material as "Compliments Outtakes" (via slip), 34:17. It may
 sound better and be less cut up, but I didn't listen that closely to it.
??/??/73 OAITW Rehearsals "MSC>CD" ?? 28 1115 21855f 
 *OAITW* *Bob Loy SBE fixed/gained version*
 SBD->Cassette->CDR->Peak->SHN>FLac SBE's fixed gain applied. JJ: fair amount of hiss.
 Set One: (9 tracks, 27:52) 01 Banter, 02 High Lonesome Sound, 03 Midnight Moonlight
 (becomes Hobo Song), 04 Wild Horses, 05 Lonesome LA Cowboy, 06 Tuning/noodling, 07 Pig in a Pen,
 08 Jabbering, 09 Kissimmee Kid//
??/??/73 OAITW Rehearsals All 28 1347 74160 
 *OAITW rehearsals* *SBEs*
??/??/73 OAITW Rehearsals  All 69 1348 24074 
 *OAITW Rehearsals*
??/??/73 OAITW KSAN Station ID Session ??>CD All 5 1377 xxxxx 
 *OAITW KSAN station ID sessions*
  Notes: - Almost certainly from 1973, but I cannot be certain about the location. - There are rather
 frequent digi (?) scratches. But if this interests you, you are enough of a freak completist not to
 care. - These are sourced from KSAN station tapes. Trader's Little Helper's diagnostic has 100%
 certainty that these are not lossy-sourced (i.e., not copied from the RealAudio files at
 http://www.jive95.com/).
 Set One: (7 tracks, 4:32) Various takes (tracked around the longest takes) of Old & In the
 Way's station ID for KSAN, San Francisco.
??/??/73 Undetermined Garcia/Saunders MS?>?>CD Partial 33 
 *JGMS*
 t01 Hi-Heel Sneakers cuts in. As of 12/2004, based on comparison with the newly circulating
 7/10/73, I believe this material to be from that date.
 Set One: 1. //Hi-Heel Sneakers [7:55#] [1:31], 2. [0:14] Finders Keepers [7:27] [0:50], 3.
 [0:13] Harder They Come [7:09] [0:55], 4. [0:03] It Takes a Lot to Laugh, It Takes a Train to Cry
 [6:16] [0:22], Total Time 32:57
01/15/73 Cotati, CA - Inn of the Beginning MSR>P>D>CD All 143 0216 9573 
 *JGMS* *fixed d1*
 from tbmill@frontiernet.net: "The tracks on disc one have been altered from the originals. I
 increased the levels, substantially in tracks 1, 2 and 3 and to a lesser extent in tracks 4, 5 and 6.
  Several "pops" were also removed from tracks 3 and 4, using EAC's Process Wave tool. Where there was
 no music to recover, the original recording was left intact. This was done to make the first 2 tracks
 of this show listenable. I have not touched any of the tracks for disc 2, as their condition as
 copied from the original master was much better, than for disc 1.
 Set One: Set 1, 1. Hi-Heel Sneakers [8:43] [0:10], 2. Expressway (To Your Heart) [9:22]
  [0:10], 3. [0:09] Lonely Avenue, 4. Find A Rainbow (1), 5. Georgia On My Mind (1), 6. Honey Chile (1)
 ,
 Set Two: Disc 2 Set 2 01 I Second That Emotion 02 Soul Roach 03 I Was Made To Love Her (1)
 04 Go Climb A Mountain (1)- Summertime (1) 05 That's All Right Mama 06 Money Honey
01/23/73 *see Jerry Garcia on Official Releases* n/a 
01/24/73a San Francisco, CA - Boarding House MSR>P>D>CD All 92 0691 4492 
 *JGMS*
 MSR -> P -> DATs -> Digi001 -> SHN. Sony PCM-M1@44.1kHz -> Optical S/PDIF -> Digidedesign 001 ->
 HD as Sound Designer 2 @44.1kHz -> Pro Tools LE (Tracked, and converted to Wave) -> SHN. Notes: d1t02
 Sara Fulcher on vocals; d2t03 Dixie cuts in; d2t03 Dixie digi-noise throughout. Notes from
 d1metz@pacbell.net: "There is a bit of random digi-noise at various points in the show, though most is
 very minor. The one exception to this being Dixie Down. There is some pronounced digi-noise
 throughout the first 30 seconds of the song. I removed 2 silent dropouts totaling approximately 2.5
 seconds."
 Set One: 1. Hi Heel Sneekers [8:41] [0:11], 2. I Was Made to Love Her [11:38] [0:12], 3.
 Who's Lovin You Tonight [10:44] [0:11], 4. Honey Chile [14:26] [0:08], Total Time 46:14
 Set Two: 1. Are You Lonely For Me Baby [29:10] -> 2. Like a Road [11:14] [0:07], 3. //The
 Night they Drove Old Dixie Down [#5:11] [0:10], Show Time 45:56, Plus: 1/24/73-late show, 4.
 Expressway to Your Heart [17:32] [0:17], Total Time 63:43
01/24/73b San Francisco, CA - Boarding House  MSR>P>D>CD All 89 0366 9783 
 *JGMS*
 MSR>PCM>DAT>CDR. This version lacks the cassette generation present in some circulating copies.
 Notes: Like so many recordings from this era, this one exhibits a variety of small snaps, crackles,
 and pops. None of them are very major.
 Set Two: from 1/24/73a d2, 4. Expressway to Your Heart [17:32] [0:17]
 Set Three: Disc Three (6) 71:16 --Late Show (con't)-- 1. Find A Rainbow [12:00] [0:05], 2.
 After Midnight [13:29] [0:13], 3. Georgia On My Mind [15:12] [0:16], 4. Money Honey [7:42] [0:12], 5.
 Go Climb A Mountain [13:34] [0:12], 6. How Sweet It Is [8:10] [0:10]
01/25/73a San Francisco, CA - Boarding House  MSR>C>D>CD All 69 0234 7670 
 *JGMS*
 A variety of mostly harmless light snaps, crackles, and pops; d1t02 Save Mother Earth two ticks @
 0:01; d1t02 lots of static and crackles through ca. 3:00; d1t05 Biloxi static buzz @ 1:00; d2t04
 static throughout, rarely heavy; d3t01 System cut/splice @ 1:35; d3t04 It's a Sin cut/splice @ track
 3:02
 Set One: 1. That's The Touch I Like [9:26] [0:32], 2. Save Mother Earth Instrumental [15:11]
 -> 3. Summertime Instrumental [13:50] [0:15], 4. Mystery Train [6:59] [0:18], 5. Down Around Biloxi
 [7:48] [0:03], Total Time 54:24
 Set Two: 1. Second That Emotion [13:10] [0:10], continues with late show, disc time 47:37
01/25/73b San Francisco, CA - Boarding House MSR>C>D>CD All 95 0235 7670 
 *JGMS*
 A variety of mostly harmless light snaps, crackles, and pops; d1t02 Save Mother Earth two ticks @
 0:01; d1t02 lots of static and crackles through ca. 3:00; d1t05 Biloxi static buzz @ 1:00; d2t04
 static throughout, rarely heavy; d3t01 System cut/splice @ 1:35; d3t04 It's a Sin cut/splice @ track
 3:02
 Set Two: continues from d2 of early show, 2. It Takes a Lot to Laugh, It Takes a Train to
 Cry [5:45] [0:06], 3. //Soul Roach [7:20#] [0:21], 4. Go Climb a Mountain [12:25] [0:21], 5. That's
 Alright Mama [7:44] [0:15], Disc Time 47:37
 Set Three: 1. The System [19:12] -> 2. Georgia on My Mind [15:28] [0:03], 3. When I Paint My
 Masterpiece [6:02] [1:01], 4. It's //a Sin [8:49#] [0:04], 5. How Sweet It Is [8:24] [0:04], Total
 Time 59:10
03/02/73 Sausalito, CA - The Record Plant MFR>R>D>CD All 31 0877 11886 
 *OAITW*
 Set One: (9) 31:21, 01 - Going To The Races, 02 - Dark Hollow, 03 - Katie Dear, 04 - New
 Camptown Races, 05 - Two Little Boys, 06 - Home Is Where the Heart Is, 07 - Down Where the River
 Bends, 08 - Knockin' On Your Door, 09 - Old & In The Way Breakdown
03/02/73 Sausalito, CA - The Record Plant MFR>CD All 31 1304 84871 
 *OAITW*
 KSAN-FM BROADCAST > OFF THE AIR REEL MASTER > CD > EAC > WAVE > FLAC, via Dave Tamarkin.
 Set One: (31:13) GOIN' TO THE RACES -DARK HOLLOW -KATIE DEAR -NEW CAMPTOWN RACES -TWO LITTLE
 BOYS -HOME IS WHERE THE HEART IS -DOWN WHERE THE RIVER BENDS -KNOCKIN' ON YOUR DOOR -OLD AND IN THE
 WAY BREAKDOWN
03/02/73 Sausalito, CA - The Record Plant All n/a 1347 20465 
 *OAITW*
 Set One: Going To The Races, Dark Hollow, Katie Bear, New Camptown Races, Two Little Boys,
 Home Is Where The Heart Is, Down Where The River Bends, Knockin' On Your Door, Bluegrass Breakdown
03/07/73 Berkeley, CA - Keystone MSR>D>CD IIp 49 1252 31501 
 *JGMS*
 MSR>DAT3x>Delta Dio 2496>Soundforge>WAV>FLAC. "alligator" seed to Lossless Legs, 12/2005. Seeder's
 notes: "Note: There are some low volume digital pops that can heard during the quieter parts of the
 performance. They did not detract from me thoughly enjoying this show."
 Set One: Single Disc (3 tracks, 48:45) --Set II-- Unknown [19:59] [0:14], Merl's Tune
 [14:18] -> Georgia On My Mind [13:44] [0:27]
03/18/73 NYC, NY - Madison Square Garden, Felt Forum MFR>D>CD All 190 1377 21538 
 *NRPS & Friends*
 Source: W.N.E.W. - FM Simulcast: Barry Glassberg 7 inch, 7-1/2 ips., 1/4 track no dolby, BASF
 LP35LH master reels > Tascam DA-40 master DAT > Tascam CDRW 700 master CD > subsequent CDs. Transfer
 by Mark Cohen. Notes: (1) = w/ Keth Godchaux; (2) = w/ Donna Godchaux; (3) = w/ Jerry Garcia on
 banjo; (4) = w/ Jerry Garcia on electric guitar; (5) = w/ Jerry Garcia on vocals; (6) = w/ Bob Weir on
 acoustic gutar; (7) = w/ Bob Weir on vocals; (8) = w/ Ramblin' Jack Elliot on guitar & vocals
 Set One: Disc One (21) 77:58 --Ramblin' Jack Elliot-- 01. Introduction [0:38], 02. --NRPS
 set I-- I Don't Know You ; One Too Many Stories ; Rainbow ; It's Alright With Me ; //Teardrops In My
 Eyes (1) ; Lochinvar ; Truck Driving Man (1) ; Contract ; Take A Letter Maria (1) ; School Days (1) ;
 Long Black Veil (1) (2) ; Hello Mary
 Set Two: Disc Two (19) 78:35 --NRPS set I (con't)-- Lou (1) ; Henry (1) (3) ; Crazy Arms
 (1) ; Sutter's Mill (3) ; California Day (1) ; Sweet Lovin' One (3) ; Connection (8) ; Whiskey (1),
 --NRPS set II-- Cold Jordan (3) (5) (6) ; I Hear A Voice Callin' (3) (5) (6) ; Swing Low Sweet Chariot
 (3) (5) (6) ; Groupie (1) ; She's No Angel (1) ; You Should Have Seen Me Running (1) (2) (6) ; I Don't
 Need No Doctor (1) (2) (4) (6) ; Portland Women (1) ;
 Set Three: Disc Three (10) 52:27 --NRPS set II (con't)-- Glendale Train (1) ; Last Lonely
 Eagle (1) ; Louisiana Lady (1) ; //Honky Tonk Women (1) (8) ; Willie And The Hand Jive (1)
 (4)--Encore-- The Race Is On (1) (2) (4) (5) (6) (7) ; Johnny B. Goode (1) (2) (4) (5) (6) (7)
04/16/73 San Francisco, CA - Boarding House MS?>F?>CD I 51 0901 18422 
 *OAITW*
 Unknown source FM-SBD (WBAI Morning Dew show) > ? > CD > EAC > SHN. EAC > SHN by Joe Jupille.
 Notes/Comments: - This is pretty clearly a soundboard, and Grisman does a station/program id at some
 point identifying this as from WBAI's "Morning Dew" program. Rob (Eaton?) and a DJ speak at the very
 end of the segment. WBAI-FM broadcast this material on 7/31/99. Beyond that, I don't know if this is
 pre- or post-f.m., nor what media might be involved along the way. It sounds quite goold, and this
 material is lots of fun!
 Set One: Single Disc (14) 51:23 --Set I-- 01. Going To The Races [2:54], 02. Tragic Romance
 [3:59], 03. Instrumental [3:40], 04. The Willow Garden [5:39], 05. 'Til The End Of The World Rolls
 'Round [4:02], 06. Pig In A Pen [2:46], 07. Panama Red [4:07], 08. Lonesome L.A. Cowboy [4:51], 09.
 Hard Hearted [3:43], 10. Wild Horses [5:01], 11. Lost [4:59], 12. Blue Mule false start [0:24], 13.
 Blue Mule [4:57], 14. Outro [0:14]
04/21/73a Sausalito, CA - The Record Plant MFR>D>CD All 61 0874 11860 
 *OAITW*
 Comments: The is the complete radio show, though just the last few seconds of Going To The Races
 appears on the tape before a radio announcement. Before Wild Horses the announcer says that O&ITW will
 be "at the Lion's Share in San Anselmo, tonight." He also indicates that the beginning of Going To the
 Races, the first song, wasn't broadcast due to technical difficulties.
 Set One: (15) 60:54, 01 - Going To The Races, 02 - The Willow Garden, 03 - Katie Hill, 04 -
 'Til The End Of The World Rolls 'Round, 05 - Panama Red, 06 - Hard Hearted, 07 - Soldier's Joy, 08 -
 Wild Horses, 09 - Lost, 10 - Knockin' On Your Door, 11 - Lonesome L.A. Cowboy, 12 - Fanny Hill, 13 -
 White Dove, 14 - Land of the Navajo, 15 - Blue Mule
05/04/73 Palo Alto, CA - Homer's Warehouse MSR>D>CD All 147 1252 31283 
 *JGMS*
 MSR>DAT3x>Delta DIO 2496>Soundforge>wav>flac. Seeded to Lossless Legs by alligator. Seeder's
 notes: "There are some imperfections that seem to be from the master reels. No adjustments made." -
  d2t01 IALTL, ITATTC static - d2t02 Honey Chile static
 Set One: Disc One (6 tracks, 77:55) --Set I-- 01. [0:02] That's The Touch I Like [8:33]
 [1:26] 02. Expressway [12:44] [1:29] 03. Instrumental [18:23] -> 04. After Midnight [11:08] [2:49] 05.
 It's No Use [9:45] [0:49] 06. That's All Right, Mama [9:38] [0:19] pre set-II tuning [0:45]
 Set Two: Disc Two (7 tracks, 69:01) --Set II-- 01. It Takes A Lot To Laugh, It Takes A Train
 To Cry [7:13] [0:41] 02. Honey Chile [10:26] [0:53] 03. Lonely Avenue [14:39] [1:32] 04. Soul Roach
 [6:18] [0:04] (sort of a guzinta) 05. Georgia On My Mind [12:30] [0:56] 06. The Night They Drove Old
 Dixie Down [5:34] [0:10] 07. How Sweet It Is [7:10]
05/05/73 Palo Alto, CA - Homer's Warehouse MSR>D>CD All 139 1254 32030 
 *JGMS*
 MSR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac. Seeded to Lossless Legs late 2005 by
 alligator. Seeder's notes: "This is the complete show. There is a unavoidable splice at 43 seconds
 into It Takes A Lot To Laugh. Expressway fades out due to a reel change." JJ: d2t03 Charisma glitch @
 14:40
 Set One: CD #1 (Set #1, 7 tracks, 68:35): Hi-Heel Sneakers, Honey Chile, Here There And
 Everywhere > Jam > Are You Lonely For Me, Baby? > After Midnight, I Second That Emotion
 Set Two: CD #2 (Set #2, 6 tracks, 69:37): It Takes// A Lot To Laugh, It Takes A Train To
 Cry, Expressway ..., Charisma (She's Got), Night They Drove Old Dixie Down > How Sweet It Is
05/05/73 Palo Alto, CA - Homer's Warehouse MSR>D>CD Ip 35 
 *JGMS* *Dick's Gift*
  MSR > D > CD ("Dick's Gift")
 Set One: 1. Here, There, and Everywhere Jam [3:02] -> 2. Jam [11:55] -> 3. Are You Lonely
 For Me Baby? [11:22] -> 4. After Midnight [8:45] [0:16], Filler: 12/31/75, 5. [0:05] Tore Up [10:33]
 [0:13], 6. [1:34] C.C. Rider [8:16] [0:10], 7. [2:08] Roadrunner [9:38] [0:15], Total Time 68:16
05/23/73b Santa Monica, CA - The Ash Grove MAR>2R>D>CD II 69 0351 9587 
 *JGMS: ??Night Crew, Sony ECM-22Ps > Sony 770??*
 MAR (Taped by Night Crew, Sony ECM-22Ps > Sony 770) > 2R > playback on Akai GX-4000D > A/D using
 an ART DI/O into an Egosys Waverterminal 2496 digital sound card > HHb 800 master CD > one or two CD
 gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary
 verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by David
 Minches, CD > SHN by Joe Jupille. d1t01 Train to Cry cuts in, not much missing; d1t04 I Can't Keep
 From Crying Sometimes Instrumental brief cut/splice @ 17:29; Interesting Like a Road: @ ca. 4:30 it
 sounds like it is going to end, then they fire it back up and return strongly. Also a great
 Expressway, and this Instrumental (a jam on the Blind Willie Johnson tune) is one that I have not
 heard elsewhere. Nice stuff! Says Taperpat: "Rob Bertrando, who generated my reel, states that it is
 a "Night Crew" sourced recording. That does not mean, however, that it was recorded by Harvey or
 Craig. Rob further states that it was recorded on a Sony 770 reel w/ ECM 22p mics. Rob's copy was
 recorded on a Sony 755 reel. David Minches borrowed my reel in 2002 which is, I believe, the source of
 this version. Thus, MAR>R>R>CDR." JJ, 8/16/2008: the instrumental is not "I Can't Keep From Crying
 Sometimes", as it has been listed, but is actually Little Bit of Righteousness, from the Saunders
  release Keepers.
 Set One: Single Disc (6) 69:12, 1. //It Takes a Lot to Laugh It Takes a Train to Cry [7:30#]
 [1:07], 2. Expressway [11:33] [1:45], 3. Money Honey [6:21] [2:18], 4. Little Bit// of Righteousness
 [18:39#] [1:52], 5. Like a Road [10:33] [0:15], 6. That's Alright Mama [6:53] [0:23]
06/05/73 Boston, MA - Orpheum Theater MAC>CD All 114 1297 83303 
 *OAITW: allsoundz, unknown mic > Sony deck*
  Mono cassette audience recording by allsoundz using a mic of now forgotten manufacture and a Sony
 cassette recorder, model number, also long forgotten. Transferred by allsoundz from the master
 non-dolbyized cassettes. Tascam 122MKIII>Numark 20 Band Equalizer>HHB CDR 830 Tracked and slight
 editing in CD Wave. cdr > eac (secure mode) > flac (level 6) by carville 14 March 2007. Lineup: Peter
 Rowan - vocals, guitar; Jerry Garcia - vocals, banjo; David Grisman - vocals, mandolin; Vassar
 Clements - fiddle; John Kahn - bass. Notes: This was Vassar Clements' first show with this band,
 replacing Richard Greene. Despite any previous claims, allsoundz states flatly that there was only one
 show, not two. Doug Sahm opened the show and played a full set. JJ: this is a delicious set of music
 and a pretty nice tape. First Mississippi Moon, I believe.
 Set One: cd1 (13 tracks, 59:38): 1. Old & In The Way Breakdown, 2. Tragic Romance (drop
 outs), 3. The Willow Garden, 4. Going To The Races, 5. Muleskinner Blues, 6. 'Til The End Of The
 World Rolls Around, 7. instrumental ????, 8. Land Of The Navajo, 9. Pig In A Pen, 10. Lonesome
 LA Cowboy, 11. Hard Hearted, 12. Panama Red, 13. Wild Horses
 Set Two: cd2 (12 tracks, 53:38): 1. Fanny Hill, 2. The Hobo Song, 3. High Lonesome
 Sound, 4. Down Where The River Bends, 5 Love, Please Come Home, 6 . Lost, 7. Knockin? On Your
 Door, 8. White Dove, 9. Blue Mule, 10. How Mountain Girls Can Love, 11. Mississippi Moon, 12.
 Orange Blossom Special
06/05/73b Boston, MA - Orpheum Theater MA?>?>D>CD All n/a 0820-0821 11889 
 *OAITW: Unknown taper & rig*
 MA? > ? > D > CD > SHN. This is a different master from the tape recorded by 'allsoundz' (shnid
 83303). According to that taper, there was only one show, so this is not correctly identified as the
 late show.
 Set One: 01 - Old In The Way Breakdown, 02 - Tragic Romance, 03 - The Willow Garden, 04 -
 Going To The Races, 05 - Mule Skinner Blues, 06 - 'Til The End Of The World Rolls 'Round, 07 -
 Instrumental, 08 - Land Of The Navajo, 09 - introductions, 10 - Pig In A Pen, 11 - Lonesome L.A.
 Cowboy, 12 - Hard Hearted, 13 - Panama Red
 Set Two: 01 - Wild Horses, 02 - Fanny Hill, 03 - Hobo Song, 04 - High Lonesome Sound, 05 -
  Down Where The River Bends, 06 - Love Please Come Home, 07 - Lost, 08 - Knockin' On Your Door
06/06/73 Passaic, NJ - Capitol Theater "MA?>?>D>CD" All 91 0876 11887 
 *OAITW* *not an aud - degraded copy of sbd*
 MA? > ? > D > CD. Comments: (1) with Tex Logan on fiddle; Peter Rowan introduces the band after
 Knockin' On Your Door; Pig in a Pen is cut on this copy; Panama Red is cut on some copies. JJ: this is
 NOT an aud; it is a degraded copy of the sbd.
 Set One: Disc One (10) 44:09
 Set Two: Disc Two (12) 46:45, -- 01 - Pig In A Pen, 02 - Hobo Song, 03 - Billy And The
 Lowground (1), 04 - Monroe's Hornpipe (1), 05 - Uncle Pen (1), 06 - Cotton-Eyed Joe (1), Set Two
 Begins: (6 songs)-- 07 - Panama Red, 08 - Hard Hearted, 09 - Workin' On A Building, 10 - White Dove,
 11 - Swing Low Sweet Chariot, 12 - Wild Horses
06/06/73 Passaic, NJ - Capitol Theater MSR>3C>CD All n/a 0988 25494 
 *OAITW*
 Set One: Jam, Going To The Races, Willow Garden, Till The End Of The World, Land Of The
 Navajo, Down Where The River Bends, Please Come Home, Lost In This World, Knockin' On Heaven's Door,
 Pig In A Pen, The Hobo Song, Monroe's Hornpipe, Uncle Joe*, Cotton-Eyed Joe, Hard Hearted
 Heartbreaker, Workin' On The Building, White Dove, Swing Low Sweet Chariot, Wild Horses
06/06/73 Passaic, NJ - Capitol Theater  MSR>R>CD All 96 1300 84446 
 *OAITW*
 7" 1/2 track master soundboard reels @ 7.5ips > Sony TC-388 (4-track) playback > Revox A77 1st gen
 reel (no Dolby) > AKAI GX-625 playback > Apogee Mini Me @ 24 bit/48K > Apogee Mini DAC (for
 monitoring) > Lynx One soundcard > Wavelab 5.0 > CD > EAC > FLAC. Lineup: Jerry Garcia - banjo,
 vocals; John Kahn - bass; David Grisman - mandolin, vocals; Peter Rowan - guitar, vocals; Vassar
 Clements - fiddle. Notes: - Thanks to Taperpat and Matt for their generosity in respectively
 supplying and transferring these tapes. - (1) Tex Logan on fiddle - Unless someone knows otherwise, it
 would seem that the show continued after Wild Horses. This tape contains a full two minutes of tuning
 at the end, before cutting out on Grisman saying something ("I'd like to call on the Old and in the
 W//").
 Set One: Disc One (13 tracks, 48:01) --Set I-- d1t01. Talk & Tuning [0:42], d1t02. Roanoke
 (1) [2:51], d1t03. Going To The Races [2:49], d1t04. The Willow Garden [6:54], d1t05. 'Til The End Of
 The World Rolls 'Round [2:36], d1t06. Land Of The Navajo [9:35], d1t07. Fanny Hill [3:54], d1t08. Down
 Where The River Bends [5:37], d1t09. Love Please Come Home [3:24], d1t10. Lost [3:37], d1t11. Knockin'
 On Your Door [3:19], d1t12. Band Introductions [1:36], d1t13. Pig in a Pen// [1:00] (cuts out)
 Set Two: Disc Two (11 tracks, 47:54) --Set I con't-- d2t01. Hobo Song [5:33], d2t02. Billy
 In The Low Ground (1) [5:37], d2t03. Monroe's Hornpipe (1) [2:29], d2t04. Uncle Pen (1) [2:50], d2t05.
 Cotton-Eyed Joe (1) [3:42] --Set II-- d2t06. Panama Red [3:55], d2t07. Hard Hearted [3:01], d2t08.
 Working On A Building [4:09], d2t09. White Dove [4:46], d2t10. Swing Low (Sweet Chariot) [4:23],
 d2t11. Wild Horses [7:22]
06/08/73 Warrenton, VA - Lake Whippoorwill MAC>?>CD All? 37 0931 20681 
 *OAITW: Jerry Moore: Sony 126 w/ built-in mic*
 Notes: (1) with Tex Logan on fiddle. Source: MAC (Taped by Jerry Moore, Sony 126 with built-in mic,
  just in front of the stage) > ? > transfer by Dave Tamarkin > digital editing by Peter G. > CD. Saith
 the taper, when asked about the unattributed aud that began circulating in late 2003: "I suspected it
 was my tape - granted the possibility there might have been someone else taping it, I thought it very
 unlikely. On listening to it, I heard myself muttering before track 4 began. Case closed. Taped it on
 a Sony 126 stereo portable cassette, with the mike that came with the machine. Stage was set up on a
 platform a few feet out in a lake, with the first 15 or 20 feet of shoreline fenced off for guests.
 The PA was just inside that fence. I knew one of the other bands, so I sat right in front of the
 stage, pointing the mike AT the stage. Unfortunately, this meant the PA was BEHIND me, and I was
 holding the mike wrong to begin with. The master sounded miserable, so I chucked it years ago, but
 obviously made at least one copy first. The clean-up on this one, IMO, was very successful. If
 possible, that data file should be changed. ... This would be my earliest surviving audience tape."
 Set One: 1. Instrumental, 2. On and On, 3. The Willow Garden, 4. Mule Skinner Blues, 5. Land
 Of The Navajo, 6. 'Til The End Of The World Rolls 'Round, 7. No It Ain't (1), 8. Lost (1?) TT -
 36:42
07/05/73 San Anselmo, CA - The Lion's Share MSR>D>CD All 175 1270 79032  
 *JGMS*
 MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC, via alligator. Notes: Set
 #2 includes an unknown trumpet player. There are a couple of digital "snits" in there including a
 small one near the beginning of the first song. A GEMS production -+-+- www.shnflac.net -+-+- Oct
 2006. DNC user 'sl halper': "That second instrumental on the 7-5-73 masterpiece of a show has a title
 ... The System. It's a Merl Saunders song.  If I got my G/S instrumentals right, the first
 instrumental (d1t3) is (She's Got) Charisma and the instrumental on the third disc (d3t2) is Merl's
 Tune. The trumpet player is almost certainly the same guy who's on Pure Jerry 4;he pulls out all the
 same quotes and is especially heavy with his attempts to play John Coltrane's Resolution over the jam
 on d3t2." JJ: After Midnight incomplete @ start
 Set One: CD #1 (Set #1: 6 tracks, 79:19)): After Midnight, Someday Baby, (She's Got)
 Charisma That's All Right Mama, The System, The Night They Drove Old Dixie Down
 Set Two: CD #2 (Set #2: 4 tracks, 52:27)): I Second That Emotion, My Funny Valentine ,
 Finders Keepers, Money Honey
  Set Three: CD#3 (Set #2, con't): 4 tracks, 44:19): Like A Road, Merl's Tune Instrumental
 (Fades out), How Sweet It Is
07/08/73 Sausalito, CA - The Record Plant MSR>C>D>CD All 88 0065 11039 
 *JGMS*
 Probable MSR (pre-FM) > 1C > D > CDs > EAC > SHN. The Jerry Site also lists an FM reel > DAT
 lineage, but this recording lacks some of the characteristics associated with it. EAC > SHN (mkwACT)
 by Joe Jupille. Proper sector boundaries verified using shntool. Notes: The recording suffers from
 some oversaturation, especially of the bass, but it is not as distracting here as on some other early
 JGMS shows. There are some very light ticks, clicks, and pops throughout the show, but they are
 mostly harmless. Overall, the show sounds bass-heavy but excellent. Flaws: No major flaws noted.
 Set One: Disc One (6) 45:37, 1. DJ Talk/Tuning [0:50], 2. Someday Baby [5:59] [0:27], 3. My
  Funny Valentine [10:49] [0:17], 4. That's All Right, Mama [7:39] [0:56], 5. It's Too Late [9:16]
 [2:55], 6. Finders Keepers [6:23] [0:06]
 Set Two: Disc Two (5) 41:52, 1. DJ Talk/Tuning [1:22], 2. I Second That Emotion [11:00]
  [0:43] , 3. Georgia On My Mind [11:41] [0:25], 4. Positively 4th Street [8:10] [0:29], 5. How Sweet It
 Is [7:54] [0:05]
 Set Three: A recently-acquired copy, which has lots of glitches and other problems, also has
 the soundcheck! ... Expressway [#5:58]
07/08/73 Sausalito, CA - The Record Plant All n/a 1347 13066 
 *JGMS*
 Set One: I Second That Emotion, Postively 4th Street, How Sweet It Is To Be Loved By You,
 Hi-Heel Sneakers, Are You Lonely For Me Baby?, Someday Baby, My Funny Valentine, That's Alright Mama,
 It's Too Late, (Finders) Keepers
07/10/73 *see Jerry Garcia on Official Releases* n/a  
07/10/73 Berkeley, CA - Keystone MSC>P>CD All-2 109 1123 27279 
 *JGMS*
 Master soundboard cassette > PCM > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95
 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac
 v1.1.0). Thanks to Steven Martin for the source. EAC > FLAC by Jack Warner (jackmw1ATsbcglobalDOTnet).
 *Tape flip at 10:34 of My Funny Valentine.
 Set One: Disc One (7 tracks) 67:30 --Set One-- 1 Hi-Heel Sneakers [8:16], 2 Finders Keepers
 [7:48] , 3 The Harder They Come [7:21], 4 It Takes a Lot to Laugh, It Takes a Train to Cry [6:32] , 5
 It's Too Late [8:04], 6 My Funny//Valentine [17:59]*, 7 Mystery Train [11:29]
 Set Two: Disc Two (4 tracks) 40:57 --Set Two-- 1 I Second That Emotion [12:37], 2 Someday
 Baby [10:34], [missing: Merl's Tune] 3 It's No Use [9:51], 4 Positively 4th Street [7:56], [missing:
 How Sweet It Is]
07/10/73 Berkeley, CA - Keystone MSR>2P>3D>CD Partial 48 0270 8074 
 *JGMS*
 MSR > 2P > 3D > 1CD > EAC > SHN. DAT > CD transfer (Sony PCM R500 > HHB 800) by AJL, EAC>SHN by
 Joe Jupille. 7/10/73: Levels just a touch hot. d1t01 Train to Cry first few notes clipped; d1t01
 static and noise @ 2:33-2:55; d1t03 Someday Baby light static @ 0:35-0:36; d1t04 It's Too Late very
  brief splice @ 8:03; d1t05 4th Street static @ 0:21
 Set One: set I, 1. //It Takes a Lot to Laugh, It Takes a Train to Cry [6:17#] [0:31], set
 II, 2. Second That Emotion [12:06] [0:17], 3. Someday Baby [10:21] [0:15], 4. It's No Use [9:38]
 [0:10], 5. Positively 4th Street [7:47] [0:17], Total Time 47:44
07/11/73 *see Jerry Garcia on Official Releases*  n/a 
07/11/73 Berkeley, CA - Keystone MSR>R>P>D>CD All-2 94 1250 xxxxx 
 *JGMS*
 MSR > Reel > PCM > DAT > CD. Notes: - Terrific sound, low levels. No flaws noted. There is also a
 source circulating as MSR > 2P > 3D > 1CD > SHN that is lacking the My Funny Valentine present here,
 though the My Funny Valentine and the How Sweet It Is have also circulated separately with this date,
 as filler on an etree copy of 2/5/94 (shnid 4346). - The parenthesized numbers refer to officially
 released (CD) material: (1) appears on Live at the Keystone, vol. 1 (Fantasy FCD 7701-2) (2) appears
 on Live at the Keystone, vol. 2 (Fantasy FCD 7702-2) (3) appears on Keystone Encores (Fantasy FCD
 7703-2) (4) not on any of the releases - * d1t04 TAM on the album comes in at 5:19 of this version. -
 ** d2t02 Merl's Tune from 6:27-10:11 on this version supplies the "Space" track on volume 1 of the
 official releases. Thanks to David Minches for the source CDs!
 Set One: Disc One (5 tracks, 42:16) --Set I-- d1t01. It Takes a Lot to Laugh, It Takes a
 Train to Cry (1) [7:05] [0:41] d1t02. Finders Keepers (1) [6:33] [0:24] d1t03. One Kind Favor (3)
 [6:37] [0:24] d1t04. That's Alright Mama (2*) [9:25] [0:58] d1t05. Harder They Come (4) [9:56]
 [0:13]
 Set Two: Disc Two (4 tracks, 52:10) d2t01. My Funny Valentine (2) [18:00] [0:21] (MISSING
 Money Honey) --Set II-- (MISSING Someday Baby) d2t02. Merl's Tune (1**) [12:09] [0:20] d2t03. Like a
 Road (2) [10:49] [0:19] d2t04. How Sweet It Is (3) [10:02] [0:10]
07/11/73 Berkeley, CA - Keystone  MSR>2P>3D>CD Partial 76 0270 8075 
 *JGMS*
 MSR > 2P > 3D > 1CD > EAC > SHN. DAT > CD transfer (Sony PCM R500 > HHB 800) by AJL, EAC>SHN by
 Joe Jupille. Notes: t08 How Sweet It Is very brief splice @ 2:43
  Set One: 1. It Takes a Lot to Laugh, It Takes a Train to Cry [7:03] [0:43], 2. Finders
 Keepers [6:32] [0:25], 3. One Kind Favor [6:36] [0:25], 4. That's Alright Mama [9:25] [0:58], 5.
 Harder They Come [9:56] [0:12], 6. Merl's Tune [12:08] [0:20], 7. Like a Road [10:48] [0:19], 8. How//
 Sweet It Is [10:02#] [0:18], Total Time 76:16
07/19/73 San Francisco, CA - Great American Music Hall MSR>P>2C>D> IIp 39 0919 24318 
 *JGMS*
 hissy
 Set One: Set 2 partial, 01 I Second That Emotion [10:55] [1:03], 02 Someday Baby (w/
 harmonica) [11:19] [1:43], 03 Harder They Come [13:29] [0:03] Total time: 38:34
07/21/73a San Anselmo, CA - The Lion Share  MAC>?>CD All 73 0516 11462 
 *OAITW: Unknown taper & rig* *pitch corrected version*
 AUD C/? > CoolEdit > CDR > EAC > SHN. 4% tape pitch correction and EAC>SHN by Hanno Bunjes.
 Set One: Single Disc (15) 73:16, Someone Calling My Name, On And On, Lonesome Fiddle Blues,
 Land Of The Navajo, Going To The Races, Land Of The Navajo, Cedar Hill, High Lonesome Sound, Hobo
 Song, Wild Horses, Lonesome L.A. Cowboy, Pig In A Pen, Kissimee Kid, Kissimee Kid, Midnight
 Moonlight
07/21/73a San Anselmo, CA - Lion's Share All n/a 1347 6386 
 *OAITW* rehearsal
07/21/73a San Anselmo, CA - Lion's Share  All n/a 1347 20507 
 *OAITW rehearsal* *SLOW*
07/21/73a San Anselmo, CA - Lion's Share All n/a 1347 21835 
 *OAITW rehearsal* *SLOW*
07/23/73 San Francisco, CA - Boarding House MSR>?>D>CD All 91 0875 11888 
 *OAITW*
 MSR > ? > D > CD > SHN. Comments: Wicked Path Of Sin, Blue Mule and Hobo Song are all cut and
 appear to be cut on the Master SBD Reel.
 Set One: Disc One (11) 42:34, 01 - Cheyenne, 02 - Down Where The River Bends, 03 - Love
 Please Come Home, 04 - Midnight Moonlight, 05 - Fanny Hill. 06 - Hard Hearted, 07 - Lonesome L.A.
 Cowboy, 08 - Pig In A Pen, 09 - Panama Red, 10 - Wild Horses, 11 - White Dove
 Set Two: Disc Two (11) 47:47, 01 - Wicked Path Of Sin, 02 - Blue Mule, 03 - Orange Blossom
 Special, 04 - Old & In The Way Breakdown, 05 - On And On, 06 - Lonesome Fiddle Blues, 07 - The Fields
 Have Turned Brown, 08 - Mule Skinner Blues, 09 - Catfish John, 10 - Land Of The Navajo, 11 - Hobo
 Song
07/23/73 San Francisco, CA - Boarding House All n/a 1347 4490 
  *OAITW* *SBEs*
07/24/73 Palo Alto, CA - Homer's Warehouse MFR>D>CD I 54 1143 11861 
 *OAITW*
 MFR > D > CD. Comments: It appears as if this was the complete show. FM Broadcast KZSU Palo Alto.
 t09 digi-snit @ 2:00; t10 bad digi-snit @ 0:09 (during tuning). JJ: based on comments at etree, there
 is DJ talk indicating that there would be another OAITW set coming, suggesting that this is only set
 I.
 Set One: Single Disc (12) 53:38, 01 - Billy In The Lowground, 02 - Going To The Races, 03 -
 Catfish John, 04 - Good Woman's Love, 05 - Lonesome Fiddle Blues, 06 - Eating Out Of Your Hand, 07 -
 Lonesome L.A. Cowboy, 08 - Hobo Song, 09 - Pig In A Pen, 10 - Panama Red, 11 - Workin' On A Building,
 12 - Hard Hearted
09/05/73 N.Y. Harbor, NY - S.S. Bay Belle - Hell's Angels MS?>?>C>CD I,IIp 89 1304 85468 
 *JGMS* mislabel?
 Seeded by John Moses to Lossless Legs. His notes follow. Soundboard Recording. Source: A (big)
 cardboard box. SBD > ? > Maxell XL290 (no Dolby) > Nak CR3A > HP computer > Sound Forge (vol@5.6DB) >
 CD Wave > Flac > you!. Side Note: My Tape is labled The Jerry Garcia Band, "S.S Maybelle". Guessing
 3rd Gen SDB. JJ: this sounds very fast and may well be a mislabel. I seem to recall a mislabel report,
 but cannot recall the details.
 Set One: Disc One (4 tracks, 58:05 with some redundant material [HTC]) (1st Set) D1T01
 //It's No Use, D1T02 Favela, D1T03 You Can Leave Your Hat On//, D1T04 Mystery Train
 Set Two: Disc Two (3 tracks, 31:06) D2T01 Harder They Come (2nd Set) D2T02 //Think, D2T03
 Finders Keepers
09/05/73 N.Y. Harbor, NY - S.S. Bay Belle - Hell's Angels pro-shot partial n/a 
 *JGMS: on 3/12/88 Bammies DVD*
 Set One: That's Allright Mama, Interview
09/06/73 Passaic, NJ - Capitol Theater  MAC>D>CD All 174 0765-0767 16878 
 *JGMS: Jerry Moore, AKG D1000E > Sony TC-110*
 MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for
 first song, then on ledge from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) > Tascam 112MK-II
 playback > Sony R500 {SBM} > Delta Dio 24/96 > wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave
 v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn
 (mkwACT). A > SHN by John Steinthal, tracking and minor editing by Joe Jupille. Notes/Flaws: - A very
 nice aud, a little bit of fuzzy oversaturation, but very nice. It is especially important as the only
 Garcia/Saunders show from between July '73 and January '74 in digital circulation. There are some
 tremendous performances of very rare songs here. - The only edits undertaken were to smooth the tape
  flips after After Midnight and Harder They Come. - No flaws noted.
 Set One: Disc One (7) 58:51 --Set I-- 01. Introduction, Crowd & Tuning [1:14], 02. Train to
 Cry [5:56] [0:51], 03. Expressway [11:17] [4:58], 04. It's Too Late [8:27] [0:24], 05. One Kind Favor
 [7:51] [1:57], 06. After Midnight [8:59] [0:47], 07. The Night They Drove Old Dixie Down [5:54]
 [0:12]
 Set Two: Disc Two (5) 55:06 --Set II-- 01. Crowd & Tuning [2:27], 02. Second That Emotion
  [10:38] [0:55], 03. It's No Use [13:35] [2:48], 04. Like a Road [11:14] [2:41], 05. That's Alright
 Mama [9:46] [1:00]
 Set Three: Disc Three (5) 60:16 --Set II (con't)-- 01. My Funny Valentine [21:58] [1:16],
 02. Finders Keepers [8:03] [0:43], 03. Harder They Come [10:21] [0:07], 04. Positively 4th Street
 [9:28] -> 05. How Sweet It Is [7:54] [0:24]
09/30/73 Stinson Beach, CA - Community Center MAR>D>CD All 93 0870 11862 
 *OAITW: unknown taper & gear*
 Seeder comments: "This sometimes is listed as a SBD, but I believe there is just one source for
 this, a really nice FOB audience recording." JJ: - L channel out until 2:16 into Land of the Navajo -
 Swing Low Sweet Chariot cuts in - really nice stuff!!
 Set One: Disc One (11) 47:02, 01 - Going To The Races, 02 - On And On, 03 - Lonesome Fiddle
 Blues, 04 - Land Of The Navajo, 05 - Eating Out Of Your Hand, 06 - Panama Red, 07 - Pig In A Pen, 08 -
 Hobo Song, 09 - Lonesome L.A. Cowboy, 10 - White Dove, 11 - Workin' On A Building
 Set Two: Disc Two (10) 46:25, 01 - //Swing Low Sweet Chariot, 02 - Kissimee Kid, 03 - Wild
 Horses, 04 - Midnight Moonlight, 05 - Drifting Too Far From Shore, 06 - I Ain't Broke But I'm Badly
 Bent, 07 - Wicked Path Of Sin, 08 - Lost, 09 - High Lonesome Sound, 10 - Blue Mule
10/??/73 All n/a 1348 14216 
 *OAITW*
10/01/73 *see Jerry Garcia on Official Releases* n/a 
10/02/73 San Francisco, CA - Winterland Arena MSR>D>CD All 93 1297  83809 
 *JGMS*
 MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC, via alligator. Performers:
 Jerry Garcia (guitar, vocals); Merl Saunders (keyboards, vocals); John Kahn (bass, except on Sweet
  Little Angel); Bill Vitt (drums); Martin Fierro (saxophone, from Finders Keepers); Bill Atwood
 (trumpet); Matthew Kelly (harmonica); Roger "Jellyroll" Troy (bass and vocals on Sweet Little Angel);
 Sara Fulcher (vocals). - There are a couple of problems with the mix at the start of It Takes A Lot To
 laugh and during The Harder They Come. - wk: "The 'Unknown Blues Song' starts out as B.B. King's
 'Sweet Little Angel' goes into a jam then finishes as Ray Charles' 'I've Got News For You. The vocals
 are handled by Jelly Roll Troy." JJ: According to Wolfgang's Vault, the trumpet player is Bill
 Atwood.
 Set One: CD #1 (50:44): It Takes A Lot To Laugh, It Takes A Train To Cry, Finders Keepers,
 The Harder They Come, My Funny Valentine
 Set Two: CD #2 (41:53): That's All Right Mama (w/Sara and Matt), I Second That Emotion,
 Sweet Little Angel (W/Jellyroll, Kelly) > Jam > I've Got News For You, How Sweet It Is (w/ Kelly)
10/08/73 *see Jerry Garcia on Official Releases* n/a 
11/04/73 Cotati, CA - California State College Sonoma MSR>?>D>CD All n/a 0705 10126 
 *OAITW*
  Comments: (1) with Ramblin' Jack Elliot on lead vocals. The college is known today as Sonoma State
 University, but at the time of the concert it was known as California State College Sonoma. The
 beginning of Going To The Races is cut.
 Set One: Disc 1 -- 01 - Going To The Races, 02 - Catfish John, 03 - Eating Out Of Your Hand,
 04 - Lonesome Fiddle Blues, 05 - Land Of The Navajo, 06 - Old & In The Way Breakdown, 07 - Panama Red,
 08 - Pig In A Pen, 09 - Fanny Hill, 10 - Hobo Song, 11 - Wild Horses, 12 - White Dove
 Set Two: Disc 2 -- 01 - Lonesome L.A. Cowboy, 02 - Drifting Too Far From The Shore, 03 -
 Wicked Path Of Sin, 04 - Knockin' On Your Door, 05 - Uncle Pen, 06 - High Lonesome Sound, 07 - Just A
 Tramp On The Street (1), 08 - All Around The Watertank (1), 09 - Midnight Moonlight, 10 - Orange
 Blossom Special
11/04/73 Cotati, CA - Sonoma State University MSR>CD All n/a 1304 85027 
 *OAITW*
 SB REEL MASTER > CD > EAC > WAVE > FLAC, via Dave Tamarkin. * W/ RAMBLIN' JACK ELLIOT
 Set One: CD1: 1-GOIN' TO THE RACES ( FADES IN ), 2-CATFISH JOHN, 3-EATING OUT OF YOUR HAND,
 4-LONESOME FIDDLE BLUES, 5-LAND OF THE NAVAJO, 6-JERRY'S BREAKDWON, 7-PANAMA RED, 8-PIG IN A PEN,
 9-FANNY HILL, 10-HOBO SONG, 11-WILD HORSES, 12-WHITE DOVE, 13-LONESOME L.A. COWBOY, 14-DRIFTIN' TOO
 FAR FROM THE SHORE, 15-WICKED PATH OF SIN, 16-KNOCKIN' ON YOUR DOOR, 17-UNCLE PEN, 18-HIGH LONESOME
 SOUND
 Set Two: CD2: 1-JUST A TRAMP ON THE STREET *, 2-ALL AROUND THE WATERTANK *, 3-MIDNIGHT
 MOONLIGHT, 4-ORANGE BLOSSOM SPECIAL
11/28/73 San Francisco, CA - Palace of Fine Arts Theatre mixed All n/a 1283 968 
 *Seastones*
 These are 4 CDs of Seastones shows. 1-3 were originally distributed by the Bay Area Traders Group
 (BATG) as 11.28.73, but are thought by some to actually be 3 different performances. This issue, and
 others, were discussed extensively on Deadlists. The Tarot outakes were on side 2 of the second tape.
 The origin of the Dominican College, San Rafael show is not known by me. Some history: I was attracted
 to this show by the Compendium vol 1 review. I went looking for the tape, but was turned down by an
 analog trader who suggested I seek out a DAT copy. After some more searching, a kind DATster spun a CD
 copy for me. Upon examination, it turned out that the quality of the DAT copy was lower than the copy
 owned by the analog trader. He finally relented and loaned me the tapes, but not until after comparing
 quality with the Compendium reviewer's tape. It is probably relevant that the DATster got the tape
 from the DAT branch of the BATG tree. The shows are a bit hissy, but are the best quality of 4 copies
 checked. The Compendium reviewer gave his copy an "A", but I'd call the selected recordings A-/B+. I
 digitized the tapes (Denon, P-200, AWE64, CoolEdit96), set track markers (kindly provided by the
 analog trader), rejoined overlapped sections providing coverage over tape flips etc and burned to CDR
 (CDRWin, SAF-RW226, TDK blanks). This was a very interesting exercise in Grateful Dead tape
 archaeology. dfinney@cts.com
12/31/73 San Francisco, CA - Cow Palace All  n/a 0517-0519 1155 
 *ABB w/ JG*
 Set One: Wasted Words, Done Somebody Wrong, Stormy Monday, Midnight Rider, Blue Sky, In
 Memory of Elizabeth Reed, Statesboro Blues, Southbound, Come and Go Blues, Trouble No More, Jessica,
 Les Brers In A Minor, Whipping Post, Encore:, Linda Lou, Hideaway, You Upset Me, Bo Diddley, Mountain
 Jam*, You Don't Love Me, And We Bid You Good Night
 
??/??/74 "Compliments" Outtakes MSR>?>D>CD All n/a 1381 xxxxx 
 *Compliments Outtakes*
 Source: Soundboard Reels > ? > DAT. Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5
 > USB > WaveLab; Mastering: In WaveLab with Nomad Factory Plug ins > CD Wave > TLH > Flac. Transfer
 and mastering by Bill Koucky December 21, 2008, Green Mountain Bros. JJ: date and venue are uncertain.
 Most of this material apparently appears on the official "All Good Things" boxset (in better sound).
  Jerry Garcia - guitar, vocals, classical guitar; Arthur Adams - guitar; Michael Omartian - piano, tack
 piano, Fender Rhodes; John Kahn - bass, horn arrangement, string arrangement; Ron Tutt - drums; Merl
 Saunders - organ; Larry Carlton - guitar.
 Set One: 1. Think 2. It's Too Late (She's Gone) 3. That's a Touch I Like 4. I Know It's a
 Sin 5. I'll Forget You 6. "some enchanted evening" 7. Cardiac Arrest (Studio Jam)" 8. Lonesome Town 9.
 (I'm a) Road Runner
01/17/74 Berkeley, CA - Keystone MAC>D>CD All 144 
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 d1t01Someday Baby tape warbles @ 12-min mark; d1t03 Second That Emotion digi-tick @ track 14:29;
 d1t04 Funny Valentine cut/splice @ 16:21; d2t02 Finders Keepers cuts in, not much missing; d2t07
 Lonely for me splice @ marker w/ t08? d2t08 Lonely for Me anomalies @ 3:51, 4:33
 Set One: Set One: Disc One (4) 70:05 --Set I-- 01. [0:20] Someday Baby [13:45] [1:42], 02.
 [0:30] La-La [11:37] [0:30], 03. [1:47] Second That Emotion [14:41] [0:54], 04. My Funny// Valentine
 [24:#05] [0:12]
 Set Two: Set Two: Disc Two (9) 73:53 --Set I (con't)-- 01. [0:34] Who's Lovin' You Tonight?
 [15:26] set break [0:25] --Set II-- 02. //Finders Keepers [#10:14] [0:21], 03. [0:47], 04. Think
 [9:05] [0:55], 05. "Sure is quiet, for Berkeley" [0:47], 06. "Martin Fierro" [0:12], 07. Are You
 Lonely for Me Baby? [15:20] -> 08. Lonely for Me (con't) [6:03] (WW tease/hint] [0:30], 09. Harder
 They Come [12:50] [0:11]
01/17/74 Berkeley, CA - Keystone MSR>D>CD All 142 0948-0949 20678 
 *JGMS*
 Funky track numbering, but here are the notes connected with this seed. Notes: - Disc 1, Track 1-
 fades in, and the first few seconds of intro are missing; - Disc 1, Track 1-Digi noise: :21-:25;
 :52-:55; 1:04-1:05; 1:18-1:26; 1:34-1:36; 1:45; 2:2; - Disc 1 Track 1- Right Channel is low until:
 1:39; Also, levels are being adjusted, and full instrumentation does not occur until 2:04; - Disc 2,
 Track 5- vocals out of the mix, entire song; - Disc 2, Track 7- 10:44 Jerry says: "Sure is quiet for
 Berkeley. (pause) "This is Martin Fierro"; - Disc 2, Track 9 Intro and first line ("They tell me
 there's a pie up in the sky") is missing.
 Set One: Disc one: 68:53 --SET I-- 1. Someday Baby 15:21, 2. La La 3:34, 3. I Second that
 Emotion 15:34, 4. My Funny Valentine 24:22
 Set Two: Disc two: 72:37 --Set I (con't)-- 5. Who's Loving You Tonight? 15:39 --SET II-- 6.
 Finders Keepers 11:54, 7. Think 10:54, 8. Are You Lonely For Me, Baby? 21:45, 9. The Harder They Come
 12:22
01/17/74 Berkeley, CA - Keystone MSR>D>CD  All 145 1280 76474 
 *JGMS: pitched & patched by ktobin*
 Tobin's notes: "I patched this version with portions from the aud (MAC > D > CD > EAC > SHN shnid
 10024) and Dick's Gift (MSR>DATs>CDRs>EAC>SHN). I am going with the consensus that this portion of the
 show was from 1/17/74 even though the audience was listed as 1/18/74 as it matched the aud note for
 note. The Dick's Gift material also matched both the sbd and the audience. My intent was to use this
 sbd with the aud sources and the Dick's Gift for creating a dts version of this show. I matched the
 speed of this recording to the Dick's Gift - it was a bit fast overall (about 1.5 second per minute).
 I also switched the left and right tracks in order to match Merl on left track and Jerry on right as
 it is on Dick's Gift. All TAO gaps were removed during patching. Performed the following patches: 1)
 First 7.036 of Someday Baby patched from audience to give better lead in. The rest of Someday Baby
 came from sbd source. 2) The next 2 minutes of Someday Baby were inserted from a fix patch sent to me
 by Bob. "I fixed most of the digisnits from the aud source which was adjusted to match (when it was an
 improvement). A couple of the smaller ones the cure was worse than the fix so I left them, I also
 adjusted leveling problems in the sbd source." 3) Between Someday Baby and LaLa - 20.277 was missing
 from sbd - patched and normalized from audience. 4) 2 sec gap was removed from between (all) tracks
 on sbd source. 5) LaLa came from Dick's Gift. 6) 2:20 between LaLa and Second That Emotion filled in
 from sbd source. 7) Second That Emotion came from Dick's Gift. 8) 1:12 between Second That Emotion and
 My Funny Valentine filled in from sbd source. 9) My Funny Valentine came from Dick's Gift. 10) First
 13.288 of Who's Lovin' You Tonight patched from audience to start disk 2. 11) Who's Lovin' You Tonight
 from sbd source. 12) Last 13.425 of Who's Lovin' You Tonight patched from audience to end Set 1. 13)
 First 39.500 of Finders Keepers from sbd source. 14) Finders Keepers came from Dick's Gift. 15) 1:12
 between Finders Keepers and Think filled in from sbd source. 16) Think came from Dick's Gift. 17) Rest
 of the show comes from sbd source. - thanks to Bob for the fix to beginning of Someday Baby - Mixed by
 kevtobin@yahoo.com - FLAC conversion 07-AUG-2006." Note added to db, 8/13/2006: "Just after I seeded
 this compilation, I found the rest of the show in audience format that included the missing 56 seconds
 at the beginning of Harder They Come. The slightly more complete sbd is shnid 76474 and you might
 consider getting it instead of this one."
 Set One: Disc One 71:08, Set I: Someday Baby [16:24], La-La* [14:04], Second That Emotion*
 [15:55], My Funny Valentine* [24:41]
 Set Two: Disc Two 73:46, Set I (con't): Who's Lovin' You Tonight? [16:40], Set II: Finders
 Keepers* [11:29], Think* [11:04], Are You Lonely For Me Baby? [21:56], Harder They Come [12:32]
01/17/74 Berkeley, CA - Keystone MAC>D>CD All n/a 1280 76471 
 *JGMS: Falanga master, speed corrected & patched by ktobin*
 Tobin's notes:"I patched this version with portions from the sbd (SBD=>MR =>DAT (44.1KHz) =>CDR
 shnid 20678) and Dick's Gift (MSR>DATs>CDRs>EAC>SHN). I am going with the consensus that this portion
 of the show was from 1/17/74 as it matched the sbd of that date note for note. The Dick's Gift
 material also matched both the sbd and this portion of the audience. I also tried to verify if the
 Harder They Come from the source audience (Disk 4 2. Harder They Come [14:45]) matched the soundboard
 which it did not. While listening to the Harder They Come from the audience source, I noticed that the
 overall sound is different making me believe that that portion of the tape was from a different night.
 My intent was to use this audience with the sbd sources for creating a dts version of this show. I
 matched the speed of this recording to the Dick's Gift - it was slightly fast overall (about 1/4 a
 second per minute) and more consistent than the sbd recording. Performed the following patches: 1)
 16:08 in My Funny Valentine - 38.439 was missing from audience - patched and normalized from Dick's
 Gift 2) 39.500 was missing from start of Finders Keepers - patched and normalized from sbd source 3)
 15:35 in Are You Lonely Tonight, the recording ends. 19:06 was replaced from the sbd to finish the
 song and include Harder They Come - Mixed by kevtobin@yahoo.com - FLAC conversion 07-AUG-2006." Note
  added by KT to db listing, 8/13/2006: "please note: just after I seeded this fine audience, I found
 the rest of the show in an unknown audience clip - the complete show in audience format is shnid 76471
 and you should get that instead of this one. thanks. Kevin."
01/17/74 Berkeley, CA - Keystone MTX All 146 1355 90365 
 *JGMS: Kevin Tobin 4-source matrix*
 SBD + AUD Matrix 4 Source Mix (50%-SBD/50%-AUD). SBD1 "DICK'S GIFT"; SBD2 (shnid 20678); AUD1
 (shnid 10024); AUD 2 (no shnid); Tech Notes: SHNs were decoded to wave and Audition 1.0 was used to
 reassemble the tracks back to 1 long wave. Audition 1.0 was used to align & synch the both SBD & AUD
 sources. Audition 1.0 used to adjust the volume for the AUD, matrix/CTR and LFE channels. Surcode CD
 Pro DTS was used to encode to DTS. - First 2 minutes of Someday Baby fixed by bob - thank you - Mixed
 by kevtobin@yahoo.com - FLAC conversion 27-FEB-2008. Multitrack Mixdown Settings: SET ONE: Stereo
 Matrix: SBD -0; AUD -0. SET TWO: Stereo Matrix: SBD -0; AUD -0. I matched the speed of this recording
 to the Dick's Gift - sbd was a bit fast overall (about 1.5 second per minute) and audience was a
 little better (about 1/4 second per minute) in comparison. I also switched the left and right tracks
 of the sbd in order to match Merle on left track and Jerry on right as it is on Dick's Gift. This is
 the same as shnid 76401 except that alternate audience was found to end disk 2 that also filled in the
 missing sbd portion of Harder They Come. Audio Patching: 1) First 7.036 of Someday Baby patched from
 audience to give better lead in. The rest of Someday Baby came from sbd source. 2) The next 2 minutes
 of Someday Baby were inserted from a fix patch sent to me by Bob. "I fixed most of the digisnits from
 the aud source which was adjusted to match (when it was an improvement). A couple of the smaller ones
 the cure was worse than the fix so I left them, I also adjusted leveling problems in the sbd source."
 3) Between Someday Baby and LaLa - 20.277 was missing from sbd - patched and normalized from audience.
 4) 2 sec gap was removed from between (all) tracks on sbd source. 5) LaLa came from Dick's Gift. 6)
 2:20 between LaLa and Second That Emotion filled in from sbd source. 7) Second That Emotion came from
 Dick's Gift. 8) 1:12 between Second That Emotion and My Funny Valentine filled in from sbd source. 9)
 My Funny Valentine came from Dick's Gift. 10) 16:08 in My Funny Valentine - 38.439 was missing from
 audience - patched and normalized from Dick's ift 11) First 13.288 of Who's Lovin' You Tonight
 patched from audience to start disk 2. 12) Who's Lovin' You Tonight from sbd source. 13) Last 13.425
  of Who's Lovin' You Tonight patched from audience to end Set 1. 14) 39.500 was missing from start of
 audience Finders Keepers - patched and normalized from sbd source. 15) First 39.500 of Finders Keepers
 from sbd source. 16) Finders Keepers came from Dick's Gift. 17) 1:12 between Finders Keepers and Think
 filled in from sbd source. 18) Think came from Dick's Gift. 19) Rest of the show comes from sbd
 source. 20) 15:35 in Are You Lonely Tonight, Audience source 1 ends. 0:22 was then replaced from the
 sbd and the secondary audience source was used to finish disk 2. Brokedown House Production.
 Set One: Disc One 71:08 --Set I-- Someday Baby [16:24], La-La* [14:04], Second That Emotion*
 [15:55], My Funny Valentine* [24:41]
 Set Two: Disc Two 74:41 --Set I (con't)-- Who's Lovin' You Tonight? [16:40] --Set II--
 Finders Keepers* [11:29], Think* [11:04], Are You Lonely For Me Baby? [22:34], Harder They Come
 [12:49]
01/17/74 Berkeley, CA - Keystone MSR>D>CD partial 71 
 *JGMS: "Dick's Gift"*
 MSR > DAT > CD ("Dick's Gift"). Notes: d1t05 MFV static @ 0:41, 0:42
 Set One: 1. Finders Keepers [10:25] [0:03], 2. [0:03] Think [9:08] [0:06], 3. [0:05] La-La
 [11:30] [0:07], 4. I Second That Emotion [14:37] [0:03], 5. My Funny Valentine [24:34] [0:25], Total
 Time 71:08
01/17/74 Berkeley, CA - Keystone  MSR>?>D>CD Partial 43 
 *JGMS* usu. mislabeled 1/17/73*
 d1t02 @ 1:23: "Sure is quiet, for Berkeley."
 Set One: 1. Think [8:59] [0:09], 2. [1:37] Are You Lonely For Me Baby? [21:34], 3. [0:30]
 Finders Keepers [10:00] [0:07], Show Time ca. 43:00, Filler: 6/4/74, 4. //All Blues [21:31#] [0:02],
 Total Time 64:31
01/18/74 Berkeley, CA - Keystone (OLD COPY, REFERENCE) MAC>D>CD All 242 enter 10024 
  *JGMS: Louis Falanga, need to separate 1/17 & 1/18/74*
 PATCHED VERSION (discs one and two different from previously circulating version). MAC > D > CD >
 EAC > SHN. Recorded by Louis Falanga + MSR > D > CD patches (ca. 40 seconds at the cut in My Funny
 Valentine [from around 16:18 mark], plus the first few notes of Finders Keepers) from sbd portion that
 usually circulates as part of "Dick's Gift." Patching by Sean Cribbs. Subsequent extraction using EAC,
  retracking using CD Wave, sector boundary verification using shntool, .shn encoding using mkwACT, and
 seeding by Joe Jupille. Flaws/Notes: d1t04 Second That Emotion light tick @ 4:22; d1t05 My Funny
 Valentine light crackles (volume reduced by Sean Cribbs) just before patch, @ 6:01, 6:04-6:06. These
 were present on the unpatched version as well. d2t02-03 pop just before track marker; d2t06 Lonely for
 Me (master?) anomalies @ 10:36-11:04; d2t06 Lonely for Me cuts out; d2t07 It's No Use cuts in, not
 much missing; d3t04 Like a Road crackles @ 1:17, 1:24, 1:43, 3:02, 2:03-2:05, 2:14; d3t05 Mystery
 Train cut/splice @ 3:11; d4t05 C.C. Rider guest vocalist, maybe Roger Troy? Additional Notes: Variable
 speed problems throughout, though absent those problems (which really aren't that distracting) this is
 an excellent recording. I will not note specific speed-related anomalies in these flaw notes. This is
 tracked and noted as a three-set show, consistent with the taper's recollection and notations.
 However, it seems at least possible that this material derives from two separate shows, either from
 1/17 and 1/18 or from early and late shows on the 18th. First, the show is longer in terms of sets
 and minutes than just about any other JGMS show on record. Second, Finders Keepers, Think, the "sure
 is quiet for Berkeley" comment, and Are You Lonely For Me Baby? have circulated since at least 1990
 with a date of 1/17 (albeit 1973, which seems clearly incorrect). Third, the tuning break during "set
 III" (disc four) has two separate audience members calling for songs that appear earlier on this
 recording (Finders Keepers and Second That Emotion). While it seems unlikely that two separate
 audience members would have forgotten what had been played only an hour or two earlier and/or
 requested that a song be repeated, some who attended shows at the Keystone suggest that, with all of
 the comings and goings (etc.), it might have been possible. Ultimately, we will probably never know,
 but this material rocks nonetheless!
 Set One: Disc One (5) 70:37 --Set I-- 1. Tuning [0:22], 2. Someday Baby [13:40] [2:18], 3.
 La-La [11:32] [2:18], 4. Second That Emotion [14:40] [1:10], 5. My Funny Valentine [24:25] [0:11],
 Disc Two (7) 71:11 --Set I (con't)-- 1. Tuning [0:34], 2. Who's Lovin' You Tonight? [15:25] [0:26]
 Set Two: Disc Two (con't), Set II, 3. //Finders Keepers [10:13#] [1:10], 4. Think [9:04]
 [1:33], 5. "Sure is quiet for Berkeley" [0:19], 6. Are You Lonely For Me Baby?// [15:23#] [0:08], 7.
 //It's No Use [16:38] [0:11], Disc Three (6) 62:10, Set II (con't), 1. Tuning [1:34], 2. Expressway
 [11:39] [1:02], 3. Roadrunner [11:35] [0:26], 4. Like a Road [14:10] [0:19], 5. Mystery// Train
 [13:08#] [0:59], 6. The Night They Drove Old Dixie Down [6:06] [0:10]
  Set Three: Disc Four (5) 38:17, Set III, 1. Tuning [1:05], 2. Harder They Come [14:45]
 [0:56], 3. Wondering Why [10:39] [0:30], 4. Banter/Tuning [3:27], 5. C.C. Rider [6:37] [0:15]
01/18/74 Berkeley, CA - Keystone  MAC>D>CD All 117 
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 Onstage recording, vocals almost totally absent, but sounds great! d1t01 mic problem, vox only @
 5-min mark; d1t04 Like a Road snap @ track 0:10 (tuning); d1t04 digiticks @ track 2:16, 3:03, 3:04,
 3:05, 3:14; d1t03-t04 brief repeats @ end of previous and start of new track; d1t05 Mystery Train
 cut/splice @ track 3:21
 Set One: Disc One (6) 79:04 --Set I-- 01. //It's No Use [#16:38] [1:50], 02. Expressway
 [11:35] [0:31], 03. [0:30] Roadrunner [11:33] [0:28], 04. [0:59] Like a Road [14:11] [0:12], 05.
 [0:28] Mystery// Train [12:#50] [0:10], 06. [0:47] The Night They Drove Old Dixie Down [6:07] [0:10]
 set break
 Set Two: Disc Two (4) 38:19 --Set II-- 01. [1:25] Harder They Come [14:25] [1:06], 02.
 Wondering Why [10:32] [0:32], 03. talk & tuning [3:23], 04. C.C. Rider [:11+6:27] [0:14]
01/19/74 Berkeley, CA - Pauley Ballroom (UC Berkeley) MSR>P>D>CD All 69 0294 8064 
 *JGMS* *needs pitch correction?*
 MSR > P > D > CD; * w/ Matthew Kelly on harmonica; d1t01 Think cuts in, first few notes clipped.
 Speed/pitch off by a half step?
 Set One: 1. [0:05] //Think [10:38#] [0:03], 2. [1:19] Finders Keepers* [10:35] [0:06], 3.
 [1:00] Harder They Come [15:23] [0:07], 4. [0:20] La-La [11:40] [0:07], 5. [1:14] The Night They Drove
 Old Dixie Down [6:02] [0:03], 6. How Sweet It Is* [7:40] [0:20], Filler: unknown Dylan, 7. She Belongs
 to Me// [1:25#], Total Time 68:09
01/19/74 Berkeley, CA - Pauley Ballroom (UC Berkeley) MAC>D>CD All 67  
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 This is quite a nice aud, taped by Louis Falanga * w/ Mathew Kelly on harmonica. d1t03 HTC random
 music @ end track; d1t06 How Sweet tape warbles @ 6:50
 Set One: Disc One (6) 66:37, 01. Think [10:29] [1:21], 02. Finders Keepers* [10:24] [0:21],
 03. Harder They Come [15:10] [0:22], 04. [1:44] La-La [11:27] [1:22], 05. Dixie Down [5:57] [0:05],
 06. How Sweet It Is* [7:31] [0:18]
 Set Two: alt. copy? (on disc "1/19/74 aud + '84 filler) 01. Harder They Come [15:12] [0:21],
 02. [1:42] La-La [11:28] [0:21], 03. [1:01] The Night They Drove Old Dixie Down [5:59] [0:06], How
 Sweet It Is* [7:22] [0:16]
02/??/74 XX, XX - Unknown location MAC>D>CD All 72 0187 8654 
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 MAC (Louis Falanga's Sony ECM-250 [mic location and orientation unknown] > Sony TC-110) > DATx1 >
 Jack Warner's CD > CD > EAC > SHN. The master tape was simply labeled 2/74 with no other identifying
 information. Hissier, boomier, and slightly more muffled vocals than other Menke/Falanga auds; d1t01
 HAGYN level fluctuations first 30 seconds or so; d1t02 Expressway cuts out @ 13:36
 Set One: 1. [0:36], 2. He Ain't Give You None [26:42] [3:36], 3. Expressway// [13:36#]
 [0:43], 4. Money Honey [8:26] [1:19], 5. Like a Road [16:04] [0:14], Total Time 71:20
02/02/74 Berkeley, CA - Keystone MAC>?>CD All 110 1366 xxxxx 
 *NRPSw/ JG: Louis Falanga*
 Falanga aud, via Noah Weiner. Notes: - d1t05 Lonesome LA Cowboy gap/splice @ 2:40-2:49 - d2t05
 Mercy Mercy Mercy cuts in - not clear that this is the whole show ... at the very least, they don't
 seem to be in a rush to leave the stage after Crooked Judge (a Robert Hunter composition, BTW).
 Performers: - John Dawson - rhythm guitar, vocals; - David Nelson - lead guitar, vocals; - Skip Battin
 - bass, vocals; - Buddy Cage - pedal steel guitar; - Spencer Dryden - drums; - Jerry Garcia, guitar
 (set II).
 Set One: Disc One (16 tracks, 65:22) --Set I-- d1t01. talk and tuning [0:51] d1t02.
 Instrumental [2:49] d1t03. Sunday Suzie [3:08] d1t04. Panama Red [4:38] d1t05. Lonesome L.A. Cowboy
 [4:39] d1t06. Henry [4:40] d1t07. Rainbow [4:29] d1t08. Garden of Eden [9:56] d1t09. Dead Flowers
 [5:55] d1t10. She's No Angel [3:43] d1t11. Skip Battin Introduction [0:33] d1t12. Singing Cowboy
 [4:15] d1t13. Whiskey [3:29] d1t14. I Don't Know You [4:03] d1t15. One Too Many Stories [4:46] d1t16.
 Down In The Boondocks [3:28]
 Set Two: Disc Two (9 tracks, 45:15) --Set II-- d2t01. [0:19] Hi, Hello, How Are You -2:44,
 :48 d2t02. Dim Lights, Thick Smoke (And Loud, Loud Music) [5:31] d2t03. Parson Brown [2:59] d2t04.
 Linda [5:19] d2t05. //Mercy, Mercy, Mercy [5:21] d2t06. Truck Drivin’ Man [5:26] d2t07. Glendale Train
 [5:41] d2t08. You Should Have Seen Me Runnin’ [5:24] d2t09. Crooked Judge [6:02]
02/05/74 San Francisco, CA - Great American Music Hall MSR>?R>D>CD All 172 0501-0502 11254 
 *JGMS*
 Probable MSR > ?R > DATs > CDs > EAC > SHN. This lineage is not documented, but is what is listed
 at the Jerry Site and certainly sounds plausible. EAC > SHN by Joe Jupille. Proper sector boundaries
 verified using shntool. Notes: d1t01 Someday Baby cuts in; d1t03 Roadrunner brief drop @ 2:18; d1t05
 Problems Got Problems crackling @ 4:21-4:50; d2t03 Wonderin' Why may clip in; d3t02 Mystery Train
  fades in, not much missing
 Set One: Disc One (6) 75:52 --Set I-- 1. //Someday Baby [#15:35] [0:18], 2. La-La [14:25]
 [0:07], 3. (I'm A) Road Runner [14:35] [0:16], 4. It's Too Late [13:23] [0:12], 5. My Problems Got
 Problems [10:55] [0:15], 6. The Night They Drove Old Dixie Down [5:40] [0:09]
 Set Two: Disc Two (4) 46:41 --Set II-- 1. Harder They Come [16:21] [0:16], 2. Think [9:24]
 [0:19], 3. Wonderin' Why [10:03] [0:16], 4. //Mystery Train [#9:52] [0:09]
 Set Three: Disc Three (3) 48:31 --Set II (con't)-- 1. My Funny Valentine [22:44] [0:31], 2.
 Are You Lonely For Me Baby? [13:16] -> 3. How Sweet It Is [11:49] [0:11]
02/05/74 San Francisco, CA - Great American Music Hall MSR>CD All 172 
 *JGMS*
 Ed Perlstein's master soundboard reels > xfer to CD > Ryan Shriver's CDs > my CDs. Xfer of ca.
 2002. Order of Think and HTC reversed relative to other copy. d2t01 levels increase @ 2:00, decrease
 @ 3:38; d1t02 digi-snap @ 6:37; d1t04 CD skips @ 8:44, hangs up; level flux d1t01 and occasionally
 throughout; guitar is low in the mix (espec. during Wondering Why).
 Set One: Disc One (4 tracks, 59:48) --Set I-- 01. Someday Baby [15:40] [0:16], 02. La-la
 [14:32] [0:09], 03. Roadrunner [14:41] [0:38], 04. [0:05] It's Too Late
 Set Two: Disc Two (5 tracks, 54:00) --Set I con't-- 01. My Problems Got Problems [10:59]
 [0:16], 02. The Night They Drove Old Dixie Down [5:44] [0:18] --Set II-- 03. Think [9:25] [0:09], 04.
 The Harder They Come [16:17] [0:25], 05. Wondering Why [10:07] [0:13]
 Set Three: Disc Three (4 tracks, 58:11) --Set II con't-- 01. Mystery Train [9:58] [0:08],
 02. My Funny Valentine [22:47] [0:02], 03. Are You Lonely For Me Baby? [13:07] [0:12], 04. How Sweet
 It Is To Be Loved By You [11:39] [0:13]
02/09/74 Moraga, CA - Rheem Theater MSR>D>CD I,IIp 78 0020 6381 
 *JGMS*
 MSR > DAT @ 48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1 /
 Normalized to 98% > SHN (no extraction).
 Set One: 1. Think [7:49] [0:55], 2. Finders Keepers [8:15] [1:17], 3. Are You Lonely for Me
 Baby? [15:30] [1:07], 4. I Second That Emotion [9:38] -> 5. Wonderin' Why [10:58] [1:34], 6. The Night
 They Drove Old Dixie Down [5:52] [0:13], (from Set II), 7. Harder They Come [14:30] [0:14], Total Time
 77:59
02/09/74 Moraga, CA - Rheem Theater MSR>CD Most 109 0839 17787 
 *JGMS: Ed Perlstein MSR, new transfer*
 Master soundboard reels (7" 1/4 track @ 7.5ips recorded with Sony TC-377) > Teac X-300R playback >
 HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume
 adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > Plexwriter PX-W4824A
 extraction (EAC v0.9 beta 4) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01)
 > .shn encoding (mkwACT v0.97 beta 1). Taped and transferred by Ed Perlstein, EAC > SHN by Joe Jupille
 . Notes/Flaws/Comments: - I consider this to be an essential part of any music collection. There is a
 long-circulating .shn set which has the advantage of having been .shn'd without any DAE. This set has
 the (to me, more important!) advantage of being more complete, including everything up to the point
 that the plug was pulled on Ed Perlstein's deck. The other set also has the emcee announcing "Jerry
 Garcia and Merl Saunders" just as they launch into Think, but I could not get it patched in very
 cleanly, and so I left the CDs as they were mastered. The two sources sound equally excellent to my
 ears. - d2t04 Roadrunner cuts in, unknown missing - The plug was pulled on the board patch during
 Mystery Train. For the whole of the song, the R channel was considerably weaker than the left, and
 from 3:05.357 until the end it was basically missing. Until that point I applied a 3.0db volume gain,
 and after that point I patched the L channel over the R. Mystery Train then cuts out @ 3:39. I faded
 down the last 0.25 seconds to ease the pain of the cut.
 Set One: Disc One (6) 65:11 --Set I-- 01. Think [7:50] [0:54], 02. Finders Keepers [8:19]
 [1:08], 03. Are You Lonely For Me Baby? [15:45] [1:00], 04. Second That Emotion [9:35] [0:37], 05.
 Wondering Why [11:23] [1:33], 06. The Night They Drove Old Dixie Down [5:56] [0:18]
 Set Two: Disc Two (5) 44:22 --Set II-- 01. Crowd & Tuning [0:50], 02. Harder They Come
 [14:33] [1:39], 03. La-La [14:15] [0:01], 04. //Roadrunner [#10:03] [0:01], 05. Mystery Train//
 [3:39#]
02/09/74 Orinda, CA - Rheem Theater MSR>D>CD  Most 91 1252 30597 
 *JGMS*
 Source: - SB Reel 15 IPS (baked & transfered to DAT about '93) / 48khz low-gen clone - Sony PCM-1 /
 7 pin - Nightengale PCI / Optical (reverse format) - Ce Pro 2000 Record 48k - Ce Pro 2000 Downsample
 to 44k / highest quality, pre-post filter - CDWav / ShnTool / FLAC. Seed Info: - Seeder:
 kung@steve-behan.com - Date: 9/5/2003 - fade-in edit announcer - Think removed ~10 sec and ~2 sec
 signal drops - Finders Keepers removed ~2 sec signal drop - Mystery Train fade-out edit,
 incomplete / fix channel (r=r/l=r) same segment - La-La fade-in and fade-out edits / fix channel
 (r=l/l=l) talking & fade in segment
 Set One: Disc 1 (44:22.02), 01: Think, 02: Finders Keepers, 03: Are You Lonely for Me, 04:
 Second that Emotion
 Set Two: Disc 2 (47:23.24), 01: Wonderin Why, 02: The Night They Drove Old Dixie Down, 03:
 Harder They Come, 04: Mystery Train, 05: La-La
02/16/74 Berkeley, CA - Keystone MSR>D>CD All 142 1363 91471 
 *JGMS*
 MSR > DAT3x > Delta Dio 2496 soundcard > Soundforge > Flac. Notes: The final two songs are missing
  on the circulating audience tape. A GEMS production -+-+- www.shnflac.net -+-+- April 2008. JJ: -
 d1t01 Soul Roach fades in - w/ conga player, perhaps Armando Peraza.
 Set One: CD #1 (6 tracks, 73:44) --Set I-- d1t01. ... Soul Roach [3:18] [2:34] d1t02. La-La
 [14:35] [2:47] d1t03. Think [7:55] [1:40] d1t04. I Second That Emotion [12:21] [1:06] d1t05. Are You
 Lonely For Me, Baby? [14:43] [1:22] d1t06. The Harder They Come [11:11] [0:12]
 Set Two: CD #2 (5 tracks, 68:21)--Set II-- Money Honey, Wondering Why, Roadrunner, Little
 Bit of Righteousness, How Sweet It Is
02/16/74 Berkeley, CA - Keystone MAC>D>CD All-2 121 0168-0169 8063 
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 MAC (Louis Falanga's Sony ECM-250 > Sony TC-110) > DATx1 > Jack Warner's CD > CD > EAC > SHN;
 d1t06 Lonely for Me distortion @ 0:51; d1t06 Lonely for Me drop @ 8:27; d2t05 Roadrunner numerous
 ticks, clicks, and pops after ca. 5:30. These sound digital in nature but are apparently on the
 master cassette.
 Set One: Set I, 1. Tuning [0:37], 2. Soul Roach [9:34] [1:11], 3. La-La [14:30] [2:49], 4.
 Think [7:51] [1:31], 5. Second That Emotion [12:28] [1:06], 6. Are You Lonely for Me Baby? [14:28]
 [0:19], Total Time 67:27
 Set Two: Set I (con't), 1. Tuning [1:08], 2. Harder They Come [11:07] [0:17], Set II, 3.
 Money Honey [9:49] [2:03], 4. Wondering Why [14:22] [1:23], 5. Roadrunner [12:29] [0:15], Total Time
 52:55 (MISSING final two songs)
03/08/74 Stinson Beach, CA MSC>CD partial 7 1257 32377 
 *Grisman, Greene, Garcia, Thompson & Wolfe: Rehearsal*
 Master(?) cassette > 20-bit transfer to Sonic via TC2000; SBM2 CD; CD clone > EAC > FLAC level 8.
 David Gans originally broadcast this material on the KPFA Marathon on January 28, 2006 and very
 graciously supplied a set of CDs for circulation. Thanks as always, David!
 Set One: Single Disc (2 tracks, 7:00), Sweet Georgia Brown [3:46], Limehouse Blues [3:14]
03/09/74 Berkeley, CA - Keystone  MSR>D>CD All-1 136 1261 33750 
 *JGMS*
 SMR > DAT3x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC. Road Runner cuts in. Low
 vox.
 Set One: Disk #1 (4, 71:07) --set I-- Someday Baby, La-La, I Second That Emotion, My Funny
 Valentine
 Set Two: Disk #2 (5, 64:47), Who's Lovin' You Tonight? --set II-- //Road Runner > The Harder
 They Come, It's No Use, Ain't No Women (instrumental), MISSING: The Night They Drove Old Dixie Down
04/20/74 Hollywood, CA - Pilgrimage Theater MS?>?>CD All 62 0340 9411 
 *GAMB*
 MS? > ? > CD > EAC > SHN. This circulates as a soundboard, but it could possibly be an audience
 recording. Extraction using EAC, normalization to 98% using EAC, tracking using CD Wave, and .shn
 encoding using mkwACT. Proper sector boundaries verified using shntool. Notes: (1) with Maria
 Muldaur; Numerous ticks and scratches, but no major flaws noted.
 Set One: Single Disc (13) 62:16, 1. Introduction & Tuning [1:38], 2. Limehouse Blues [3:30]
 [1:12], 3. Dawg's Bull [2:37] [0:44], 4. Band Introductions [1:27], 5. My Plastic Banana [3:15]
 [0:49], 6. Swing '42 [4:58] [1:18], 7. Colored Aristocracy [3:58] [1:13], 8. Rolling In My Sweet
 Baby's Arms (1) [4:43] [1:31], 9. Dawg's Rag [4:45] [2:46], 10. I'll Be A Gambler If You Deal The
 Cards [2:32] [1:22], 11. Midnight At The Oasis (1) [3:42] [1:34], 12. Sweet Georgia Brown (1) [5:05]
 [1:50], 13. Will The Circle Be Unbroken (1) [5:18] [0:26], Filler: Unknown G/S or LOM aud, 12. Harder
 They Come [14:09] [0:06], Total Time 76:31
04/20/74 Hollywood, CA - Pilgrimage Theater MS?>?>C>CD All 60 1252 20699 
 *GASB*
 David Grisman - Mandolin; Jerry Garcia - Banjo; David Nicturn - Guitar; Richard Green - Fiddle; Taj
 Mahal - Vocals, Bass; Maria Mauldar - Vocals (1). Source: multi gen cass/soundboard > BBE362NR > DAT >
 Sek'd Prodif Plus > Soundforge > Cdwin > SHN.
 Set One: (12 tracks, 59:42) 01. Intro & tuneup, 02. Limehouse Blues, 03. Dawg's Bull, 04.
 My Plastic Banana, 05. Swing '42, 06. Coloured Aristocracy, 07. Rolling In My Sweet Baby's Arms
 (1), 08. Dawg's Rag, 09. I'll Be A Gambler If You Deal The Cards, 10. Midnight At The Oasis (1),
  11. Sweet Georgia Brown (1), 12. Will The Circle Be Unbroken (1)
04/20/74 Hollywood, CA - Pilgrimage Theater MSR>R>CD All 63 enter 93823 
 *GAMB*
 SBD MR (House Source) > R (Will Boswell @ 7.5 ips) > Akai GX625 > Apogee Mini Me (24/96) > Apogee
 Mini DAC (monitoring) > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) >
 FLAC (TLH). Show sponsored by McCabes Music Store. Great American Music Band: David Grisman -
 Mandolin; Richard Greene - Fiddle; David Nictern - Guitar, Vocals; Taj Mahal - Bass, Vocals; Jerry
 Garcia - Banjo; Maria Mauldar - Vocals (1). While the multi generational tape in circulation sounds
 very nice imo (shn id 20699), this source is a noticable upgrade: it has a better lineage and improved
 clarity. taperpat clarifies: "... the lineage associated with the SoCal GAMB shows from 4/74. It turns
 out that Will was at the Santa Barbara show (and no JG as we thought) 4/24. He was living there at the
 time. While he is not clear on the source, he is 99% sure that he did not get it from Peter or Bill.
 His most likely source would be a soundman or promoter in Santa Barbara which would account for the LA
 show as well. He does remember talking to Richard Greene in a parking lot after the show-beautiful old
 theater (500 or so capacity--not sold out)." JJ: - this is far and away the best copy of this material
 to circulate.
 Set One: 01. Intro & tune up 02. Limehouse Blues 03. Dawg's Bull 04. My Plastic Banana
 Isn't Stupid 05. Swing '42 06. Coloured Aristocracy 07. Rolling In My Sweet Baby's Arms (1) 08.
 Dawg's Rag 09. I'll Be A Gambler If You Deal The Cards 10. Midnight At The Oasis (1) 11. Sweet
 Georgia Brown (1) 12. Will The Circle Be Unbroken (1) Total Time - 62:40
04/27/74 San Rafael, CA - Golden State College MA?>?>D>CD All n/a 0951 21525 
 *OAITW*
 Old And In The Way: Jerry Garcia, Vassar Clemens, David Grisman, John Kahn & Peter Rowan. Golden
 State Bluegrass Festival. *=w/Doc Watson.
 Set One: Will The Circle Be Unbroken*, Way Downtown, High Lonesome Sound, Pig In A Pen,
 Panama Red, Wild Horses, The Hobo Song, Johnny B. Goode, Dueling Banjos, Mabeline
04/27/74a San Rafael, CA - Golden State College MSR>D>CD All n/a enter enter 
 *GASB*
 Grisman, Greene, Garcia, Taj Mahal & Nichtern
 Set One: My Plastic Banana., Dawg's Rag (with Richard Green), I'll Be The Gambler If You'll
 Deal The Cards, Sweet Georgia Brown
 Set Two: (??) Mabeline, Johnny B. Goode
04/27/74b San Rafael, CA - Golden State College MSR>D>CD All n/a enter enter 
 *Frank Wakefield w/ JG*
 Set One: Jesus Loves His Mandolin Player #1, Heartbreak Hotel, Orange Blossom Special
04/27/74c San Rafael, CA - Golden State College MSR>D>CD All n/a enter enter 
 *Nitty Gritty Dirt Band w/ JG & others*
 Nitty Gritty Dirt Band with Garcia & Vassar Clements, Doc Watson, Dave Nelson, John Hartford &
 Jerry Mills.
 Set One: Tulane And Johnny, Cosmic Cowboy, Jambalaya, Sally Goodin, Battle Of New Orleans,
 Teardrops In My Eyes, Bonie Maronie, Randy Lynn Rag, Flint Hill Special, Mr. Bojangles, Honky Tonkin',
 Diggy Liggy Lo, Will The Circle Be Unbroken, Way Downtown Fooling Around, Down Yonder
04/28/74 San Rafael, CA - Golden State College MSR>D>CD partil? n/a enter enter 
  *OAITW*
 Set One: High Lonesome Sound, Pig In A Pen, Wild Horses, The Hobo Song
06/04/74 San Anselmo, CA - The Lion Share MSR>P>D>CD All 134 0130-0131 noshnid 
 *JGMS*
 SBDMR > PCM > DAT > CD; d1t01 Bag's Groove light static @ 0:09-0:11; d2t01 Soul Roach light static
 @ 0:01; d2t04 Harder They Come light pop @ 8:17; d2t04 Harder They Come light static @ 15:39; d2t01
 some crackles @ beginning; d2t03 Alice Stuart on vocals
  Set One: Set One, 1. Bag's Groove [17:22] [0:20], 2. Expressway to Your Heart [16:49]
 [0:25], 3. I Second That Emotion [14:02] [0:08], 4. Wondering Why [17:35] [0:43], Total Time 67:24
 Set Two: Set I con't, 1. Soul Roach [8:14] [0:18], Set II, 2. All Blues [22:58] [2:30], 3.
 New York City* [7:12] [0:12], 4. Harder They Come [17:06] [0:34], 5. The Night They Drove Old Dixie
 Down [6:20] [0:20], Total Time 65:46
06/04/74 San Anselmo, CA - Lion's Share  MSR>P>D>CD All n/a 1353 90003 
 *JGMS*
 Source: MSR > PCM > DAT; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering
 with: iZotope Ozone 3 > CD Wave > TLH > FLAC. Transfer and Mastered by Bill Koucky, Green Mountain
 Bros. February 13, 2008. Jerry Garcia - guitar, vocals; Merl Saunders - keyboards, vocals; John Kahn -
 bass; Martin Fierro - saxophone, flute; Bill Kreutzmann - drums. * With Alice Stuart - vocals; Notes:
 Glitches removed from Bag’s Groove, Harder They Come and The Night They Drove Old Dixie Down.
 Set One: Disc 1 75:30 --1st Set-- 1. Bag’s Groove, 2. Expressway (To Your Heart), 3. I
 Second That Emotion, 4. Wonderin' Why, 5. Soul Roach
 Set Two: Disc 2 57:32 --2nd Set-- 1. All Blues, 2. New York City *, 3. Harder They Come, 4.
 The Night They Drove Old Dixie Down
06/05/74 San Anselmo, CA - The Lion Share MSC>?>CD II 77 0244 8062 
 *JGMS*
 Alice Stuart plays on Dixie Down >> end of show; d2t01 Kansas City Blues cuts in, not much
 missing
 Set One: Set II, 1. Tuning [0:27], 2. La-La [20:30] [3:22], 3. Finders Keepers [7:43]
 [1:44], 4. The Night They Drove Old Dixie Down [5:58] [1:31], 5. //Kansas City Blues [6:54#] [1:32],
 6. Harder They Come [13:52] [0:49], 7. That's Alright Mama [12:26] [0:07], Total Time 76:57
06/06/74 Berkeley, CA - Keystone  MAC>D>CD All 145 0170-0171 6375 
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 MAC (Louis Falanga's Sony ECM-250 [onstage] > Sony TC-110) > DATx1 > Jack Warner's CD > CD > EAC
 > SHN; d1t05 My Funny Valentine gap @ 8:53-8:58; d1t05 My Funny Valentine skip/pop/click @
 10:10-10:11; d2t03 Problems Got Problems drop @ 19:40
 Set One: Disc One 72:29, Set I, 1. [0:24], 2. Someday Baby [12:07] [2:18], 3. Expressway
  [20:15] [1:49], 4. He Ain't Give You None [13:28] [0:36], 5. My Funny// Valentine [21:12#] [0:18]
 Set Two: Disc Two 71:41, Set I (con't), 1. [1:34], 2. Second That Emotion [14:09] [2:32],
 Set II, 3. Problems Got Problems [20:58] [1:33], 4. Bag's Groove [19:52] [0:35], 5. How Sweet It Is
 [10:15] [0:10]
06/12/74 Berkeley, CA - Keystone MSR>C>D>CD All 91 0289 7331 
 *GAMB*
 MSR > 1 cassette > 2 DAT > this CD; via Ryan Shriver. Introduced as GAMB after "Cedar Hill"
 Set One: Disc One (8) 39:15, Set I, 1. Colored Aristocracy [3:42] [0:07], 2. Cedar Hill
 [3:35] [2:21], 3. I'll Be A Gambler If You Deal The Cards [2:19] [1:17], 4. My Plastic Banana Is Not
 Stupid [3:07] [1:33], 5. Moonlight Waltz [5:51] [0:07], 6. Swing '42 [5:12] [1:04], 7. Methodist
 Preacher [4:29] [0:55], 8. Limehouse Blues [3:25] [0:08]
 Set Two: Disc Two 51:59, Set II, 1. Bud's Bounce [3:12] [0:32], 2. Dawg's Bull [2:27]
 [1:00], 3. Russian Lullaby [7:06] [0:20], 4. Virgin's Lament [5:29] [0:36], 5. Sheik of Araby [5:31]
 [0:41], 6. Billy Of The Lowgrounds [3:23] [0:55], 7. Dawg's Rag [6:59] [0:42], 8. Sweet Georgia Brown
  [4:52] [1:51], 9. Swing '42 [6:06] [0:12]
06/12/74 Berkeley, CA - Keystone MAC>R>CD All 92 1295 83232 
 *GASB: Louis Falanga, Sony mic > Sony TC-110*
 Seeded by Rob Berger, with following info: Aud Cassette Master: Sony ecm 270 or 280 microphone
 (mono) > Sony TC-110 (taped by Louis Falanga) > 7" 1/4 track Scotch 203 Reel @ 7.5 ips w/Dolby nr (on
 a Sony TC-755 w/Teac an-180 nr: Jerry Moore's 1st gen copy), reel transfer 1/07 by Rob Berger: Sony
 TC-850 > Teac an-180 nr > sbm1 > cdr > eac > cd wave > flac. David Grisman - mandolin; Jerry Garcia -
 banjo; David Nichtern - guitar; Richard Green - fiddle; Flame Bombadine - bass; Bob Gurlen - the human
 trumpet. JJ: I am not sure the mic info that Berger gives is correct, have to look into this. Berger
 also notes that "the sbd of this show circulates as 6/13/74 but the reels I transferred were all
  labeled as 6/12." JJ: end of My Plastic Banana cuts. Set break announced after Limehouse Blues. set II
 is with Bob Gurlen on coronet.
 Set One: disc 1: 39:16 set one: 01: Colored Aristocracy, 02: Cedar Hill, 03: I'll Be A
 Gambler (If You Deal The Cards), 04: My Plastic Banana Is Not Stupid//, 05: Moonlight Waltz, 06: Swing
 '42, 07: Methodist Preacher, 08: Limehouse Blues
 Set Two: disc 2: 53:04 set two: 01: Bud's Bounce, 02: Dawg's Bull, 03: Russian Lullaby, 04:
 Virgin's Lament, 05: Swing '42, 06: Drink Up And Go Home, 07: Dawg's Rag/, 08: Sweet Georgia Brown/
06/13/74 Berkeley, CA - Keystone MS?>?>CD All 87 0620 13768 
 *GASB*
 Notes: Don't be frightened by the uncertain lineage--this sounds very nice. I would not be
 surprised if this turned out to be MSR > cassette > DAT > CD, like the night previous and as this one
 sometimes circulates. The Jerry Site has listed Limehouse Blues as starting set II, but I hear
 continuous applause and tuning from the end of Methodist Preacher into Limehouse Blues, and continuous
 applause and tuning from Limehouse Blues into the set break announcement. Also, I would not be
 surprised if more tunes were played after Dawg's Rag, since it sounds like the band is tuning up for
 another song. Flaws: d1t01 Colored Aristocracy fades in; d1t07 Swing '42 tiny splice @ 5:41; d2t01
 Bud's Bounce fades in; d2t01 Bud's Bounce tiny splice @ 1:16; d2t07 Dawg's Rag fades out.
 Set One: Disc One (9) 41:14 --Set I-- 01. //Colored Aristocracy [#3:12] [0:22], 02. Cedar
 Hill [3:42] [0:17], 03. Band Introductions [3:02], 04. I'll Be A Gambler If You Deal The Cards [2:30]
 [1:10], 05. My Plastic Banana Is Not Stupid [3:14] [1:29], 06. Moonlight Waltz [4:22] [1:09], 07.
 Swing //'42 [5:#50] [2:22], 08. Methodist Preacher [4:17] [0:44], 09. Limehouse Blues [2:58] [0:30]
  Set Two: Disc Two (7) 46:09 --Set II-- 01. //Bud's Bounce (1) [#1:48] [1:44], 02. Dawg's
 Bull [2:19] [1:41], 03. Russian Lullaby [8:11] [1:50], 04. Virgin's Lament (1) [6:52] [0:55], 05.
 Swing '42 (1) [10:20] [2:03], 06. Drink Up And Go Home [3:04] [0:27], 07. Dawg's Rag// [4:32#]
 [0:18]
07/02/74 NYC, NY - The Bottom Line MAC>CD All 120 0678-0679 14984 
 *JGMS: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, two AKG D1000Es [from table a few feet from stage, mics on an overturned
 ashtray and canted upward toward the PA] > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool
 Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool
 v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. Notes:
 - Show without Martin Fierro (horns), with Maria Muldaur (vocals) and Roger Troy (a.k.a. "Jellyroll")
 (bass, vocals) - (1) Roger Troy lead vocals - This represents a niceupgrade over thepreviously
 circulating version of this show, which has an additional analog generation and requires speed
 correction (runs slow). Flaws: - d1t05 My Funny Valentine cut/splice @ 11:41 (tape flip)
 Set One: Disc One (6) 68:50 --Set I-- 01. Crowd & Tuning [2:40], 02. That's The Touch I Like
 [7:53] [1:56], 03. Expressway (To Your Heart) [13:03] [1:35], 04. Someday Baby [7:01] [1:23], 05. My
 Funny// Valentine [23:#02] [0:59], 06. (I'm A) Road Runner [8:47] [0:28]
 Set Two: Disc Two (6) 51:12 --Set II-- 01. Crowd & Tuning [1:39], 02. How Long Blues (1)
 [5:04] [0:47], 03. It's Too Late [9:41] [2:07], 04. After Midnight [11:31] [2:40], 05. My Problems Got
 Problems [8:44] [1:18], 06. How Sweet It Is [7:01] [0:37]
07/03/74 NYC, NY - The Bottom Line MAC>CD All 125 0678 14985 
 *JGMS: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, two AKG D1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD >
 Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor re-tracking (CD Wave v1.6)
 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David
 Minches, CD > SHN by Joe Jupille. Notes: - (1) with Maria Muldaur (vocals) - (2) with Roger Troy
  (a.k.a. Jellyroll) (bass, vocals) - A terrific recording of what may be the best East coast show of
 the year for Garcia/Saunders. The big jam in set II is truly excellent. - No flaws noted. Kahn plays
 bass in set I, Troy in set II except for How Sweet It Is, for which Kahn returns.
 Set One: Disc One (6) 76:58 --Set I-- 01. Crowd & Tuning [2:49], 02. He Ain't Give You None
 [13:41] [2:17], 03. Finders Keepers [8:19] [1:24], 04. Wondering Why [16:43] [0:50], 05. Mystery Train
 [11:44] [3:12], 06. Harder They Come (1) [15:34] [0:23]
 Set Two: Disc Two (8) 48:22 --Set II-- 01. Crowd & Tuning [2:24], 02. Never Been To Heaven
 (2) [5:12] [0:43], 03. Sweet Little Angel (2) [8:14] -> 04. Jam #3 [7:26] (2) -> 05. Drums [1:32] ->
 06. Jam [7:23] (2) -> 07. Summertime [3:33] [2:30] (2), 08. How Sweet It Is (1) [7:45] [1:36]
07/12/74 Berkeley, CA - Keystone MAC>D>CD All 120 0176-0177 8072 
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 MAC (Louis Falanga's Sony ECM-250 [onstage] > Sony TC-110) > DATx1 > Jack Warner's CD > CD > EAC
 > SHN; - A second guitar player is guesting here, someone who sounds remarkably Jerryish. Martin is
 absent. Grisman sits in on It's Too Late. Hi-Heel Sneakers cuts in; d1t02 Expressway cuts in; d1t02
 Expressway pop/click @ 0:49; d1t05 Second That Emotion cut/splice @ 10:35; there are small pops at
 several of the track markers.
 Set One: Set I, 1. //Hi-Heel Sneakers [8:52#] [0:49], 2. //Expressway [16:09#] [1:30], 3. He
 Ain't Give You None [12:08] [0:25], 4. Wondering Why [11:14] [0:16], 5. Second That// Emotion [12:04#]
 [1:08], Set II, 6. It's No Use [8:37] [0:19], Total Time 73:35
 Set Two: Set II (con't), 1. Tuning [0:59], 2. Roadrunner [9:19] [0:19], 3. [0:14] That's
 Alright Mama [9:54] [0:13], 4. [0:12] It's Too Late [9:4] [0:10], 5. [0:15] Harder They Come [14:26]
 [0:20], Total Time 46:09
07/21/74 Berkeley, CA - Keystone MSR>P>D>CD mix 94 
  *JGMS*
 MSR>PCM>DAT>ZA2>CDR; This material is almost certainly not from this night, nor even all from the
 same night. d1t02 had previously been listed as "Jam #5", but is now listed as "When I Die", based on
 information from Simon Friedman, who says that it was "a hit in 1969 by the obscure group Motherlode";
 d1t02 When I Die cuts in, not much missing; d1t03 Pennies From Heaven is different from Brubeck's PFH;
 d1t03 Pennies From Heaven cuts out; d2t01 After Midnight cuts in; d2t03 Hat On cuts out, unknown
 amount missing; d2t04 How Sweet cuts in, almost entirely missing
 Set One: end set I, 1. The Harder They Come [18:09] [0:14], set II, 2. //When I Die [12:33#]
 [0:28], 3. Pennies From Heaven// [15:41#] [0:14], Total Time 47:22
 Set Two: set II (con't), 1. //After Midnight [10:31#] [2:01], 2. When I Die [17:08] [1:31],
 3. You Can Leave Your Hat On// [11:28#] [0:04], 4. //How Sweet It Is [2:56#] [0:21], Total Time
 46:02
07/22/74 Berkeley, CA - Keystone MSR>C>D>CD I,IIp 96 0022 10127 
 *JGMS*
 MSR>C>DAT>CDRs>EAC>SHN; d1t01 Instrumental fades in (-?); d1t04 How Sweet cuts out; d1t05 Hat On
 cuts in; d2t01 Cucumber Slumber fades in; d2t02 Harder They Come :07 dead air @ start, pop @ :05
 Set One: Set I, 1. //Instrumental [2:19#] [0:11], 2. Boogie On Reggae Woman [18:39] [0:13],
 3. Wonderin' Why [16:56] [0:25], 3. How Sweet It Is// [5:01#], 5. //You Can Leave Your Hat On [5:24#]
 [0:13], Total Time 49:24
 Set Two: Set II, 1. //Cucumber Slumber [20:43#] [0:14], 2. [0:07] Harder They Come [17:31]
 [0:20], 3. What's Going On Instrumental// [6:14#], Total Time 45:09
07/22/74 Berkeley, CA - Keystone MSR>P>D>CD Most n/a 1317 86198 
 *JGMS* *more complete*
 Source: SBD: MSR > PCM > DAT; Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0
 mastering with L3 Multimaximizer > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky
 and Seeded by Green Mountain Bros. June 2007. Jerry Garcia - guitar, vocals; Merl Saunders -
 keyboards, vocals; John Kahn - bass; Martin Fierro - saxophone, flute; Bill Kreutzmann - drums. GMB
 notes: "Note: d2tr04 How Sweet It Is may or may not be from this show depending on if it was an early
 or late show. It is very clear the tune is the last song of the night as Jerry says, “See you all
 later” and you can hear people in the first rows ask for an encore. There is a tape splice before the
 song, which may indicate a reel change or a filler to the DAT source. The Jerry Site notes that
 What’s Going On is cut and this version is not and does not list How Sweet It Is nor does it list the
 d1tr01 Instrumental. This is a more complete source that what previously circulates."
 Set One: Disc 1 67:56: 1st Set: - or early show-- 1. //Instrumental, 2. Boogie On Reggae
 Woman, 3. Wondering Why, 4. How Sweet It Is //, 5. // You Can Leave Your Hat On, 6. That's What Love
 Will Make You Do
 Set Two: Disc 2 78:10: 2nd Set: - or late show-- 1. Cucumber Slumber, 2. Harder They Come,
 3. What’s Going On, 4. How Sweet It Is
08/09/74 Berkeley, CA - Keystone  MAC>D>CD All 142 0178-0179 8073 
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 MAC (Louis Falanga's Sony ECM-250 [onstage] > Sony TC-110) > DATx1 > Jack Warner's CD > CD > EAC
 > SHN; d1t02 Think first :04 hacked up, unknown amount missing; d2t03 Lonely Avenue gap @
 11:14-11:18
 Set One: Disc One (6) 70:23, Set I, 1. Tuning [1:14], 2. Expressway [22:42] [1:08], 3.
 [0:05] //Think [7:54#] [0:19], 4. [0:03] Are You Lonely for Me Baby? [25:06] [0:11], 5. Tuning [1:49],
 6. Soul Roach [9:13] [0:34]
 Set Two: Disc Two (4) 70:13, 1. Second That Emotion [15:59] [0:18], Set II, 2. [0:18]
 Mystery Train [17:54] [0:15], 3. Lonely //Avenue [27:08#] -> 4. How Sweet It Is [8:12] [0:07]
08/11/74 Berkeley, CA - Keystone MAC>D>CD All 124 188-189 6382 
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 MAC (Louis Falanga's Sony ECM-250 [onstage]  > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN;
 via Jack Warner. No flaws noted. Disc/set one and the first three songs of disc/set two derive from
 a cassette master that was labeled 8/10/74. However, the music is identical to that found on an
 alternate source of 8/11/74, and the vault research as reported at the Jerry Site would seem to
 confirm 8/11/74 as the true date. The alternate source (MAR [Lou Tamboukas] > 1R (Menke) > 1D > 2CD >
 EAC > SHN) supplies the last two songs of disc/set two. It is inferior sounding and may need
 speed-correction.
 Set One: Set I, 1. [0:11], 2. That's What Love Will Make You Do [12:52] [1:49], 3. La-La
 [16:49] [1:29], 4. It's No Use [10:36] [0:37], 5. Mystery Train [13:24] [0:30], Total Time 58:18
 Set Two: Set II, 1. Harder They Come [18:59] [2:58], 2. Ain't No Woman Instrumental [16:38]
 [0:43], 3. It's Too Late [8:48] [0:13], 4. Roadrunner [9:53] [0:27], 5. The Night They Drove Old Dixie
 Down [6:00], Total Time 64:41
08/11/74 Berkeley, CA - Keystone MAR>R>D>CD All 114 
 *JGMS: Bob Menke (?) master*
 Previously listed as Lou Tambakos MAR > 1R (Menke) > DAT > CD. I am not sure if Lou Tambakos aped
 this. Anyway, pretty nice tape, not as nice as Falanga's but quite good. Updated: could be
 Menke's?
 Set One: Disc One (5) 53:23, 01. [0:12], 02. /TWLWMYD [#12:25] [0:09], 03. La-La [16:15]
 [0:10], 04. It's No Use [10:17] [0:46], 05. ... Mystery Train [#13:00] [0:04]
 Set Two: Disc Two (5) 60:44, 01. HTC [18:15] [1:08], 02. Ain't No Woman (Like the One I've
 Got) [16:02] [0:14], 03. It's Too Late/ [8:30] [0:11], 04. Roadrunner [9:54] [0:25], 05. Dixie Down
 [6:00]
08/15/74 San Francisco, CA - Great American Music Hall MAC>D>CD All 127 109-110 8650 
  *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 MAC (Louis Falanga's Sony ECM-250 [onstage] > Sony TC-110) > DATx1 > Jack Warner's CD > EAC > CD >
 EAC > SHN; d1t04 People Make the World Go Round static @ 1:20; d2t04 Favela static @ 10:32; d2t06
 Sitting in Limbo drop @ 1:31
 Set One: 1. [0:07] Someday Baby [7:42] [1:29], 2. Expressway [15:00] [0:08], 3. Wonderin'
 Why [17:58] -> 4. People Make the World Go Round [3:57] [0:49], 5. Roadrunner [10:42] [0:20], Total
 Time 58:15
 Set Two: 1. Tuning [0:55], 2. Neighbor Neighbor [7:59] [1:18], 3. He Ain't Give You None
 [11:06] [0:33], 4. Favela [14:47] [0:10], 5. Mystery Train [11:58] [0:45], 6. Sitting In Limbo [10:54]
 [0:45], 7. How Sweet It Is [6:36] [0:14], Total Time 68:04
08/23/74 Berkeley, CA - Berkeley Community Theater MAC>C>R>D>CD All 74 0341 9416 
 *JGMS: Unknown taper & gear*
 t01 L channel out after ca. 8:00; t03 @ 1:55 crowd cheer w/o apparent reason; t06 Favela a bit of a
 train wreck, unique ending; t07 warbling
 Set One: Single Disc (8) 73:54, 1. It's No Use [8:53] [0:20], 2. Wonderin' Why [15:14]
 [0:48], 3. Mystery Train [9:25] [0:38], 4. Roadrunner [9:05] [0:10], 5. Sitting In Limbo [12:00]
 [0:07], 6. Favela [11:22] -> 7. Space [1:46] -> 8. People Make The World Go Round [3:42] [0:18]
08/24/74 San Francisco, CA - Great American Music Hall MSR>C>D>CD All  133 0421-0422 10612 
 *JGMS*
 MSR > 1 cassette generation > DAT > CD. d1t01 Neighbor Neighbor fades in; d1t01 Neighbor Neighbor
 level/mix fluctuations mostly clear by ca. 5:00
 Set One: Set I, 1. //Neighbor Neighbor [7:53#] [0:08], 2. Favela [16:00] [0:06], 3. Second
 That Emotion [12:58] [0:08], 4. [0:12] Problems Got Problems [11:35] [0:10], 5. [0:06] He Ain't Give
 You None [12:02] [0:11], 6. Money Honey [7:53] [0:10], Total Time 69:35
  Set Two: Set II, 1. Harder They Come [15:17] [0:11], 2. [0:03] La-La [18:36] -> People Make
 the World Go Round [3:39] [0:44], 3. [1:24] Roadrunner [9:55] [0:07], 4. Sitting in Limbo [12:26]
 [0:07], Total Time 62:30
08/30/74 Davis, CA - Freeborn Hall, U. of California MSR>C>D>CD All? 82 0003 6380 
 *JGMS*
 MSR > C > DAT > CDR > EAC > SHN; d1t01 Favela drop @ 0:07; d1t02 Neighbor Neighbor small
 clicks/pops @ 9:27; d1t03 Harder They Come first 0:32 patched in w/ nice aud? d1t04 HAGYN first few
 notes clipped? some other instances of tape degradation
 Set One: 1. Favela [15:13] [0:03], 2. Neighbor Neighbor [9:18] [0:12], 3. Harder They Come
 [15:56] [0:02], 4. He Ain't Give You None [12:31] [0:02], Total Time 53:19
 Set Two: 1. //Think [8:22#] [0:07], 2. [0:14] La-La [19:11] [0:02], Total Time 27:57
08/31/74 Berkeley, CA - Keystone MAC>D>CD All 141 182-183 8078 
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 MAC (Louis Falanga's Sony ECM-250 [onstage] > Sony TC-110) > DATx1 > Jack Warner's CD > CD > EAC
 > SHN; d1t03 My Funny Valentine cuts in.
 Set One: 1. [0:11], 2. That's What Love Will Make You Do [11:15] [0:07], 3. //My Funny
 Valentine [21:44] [0:45], 4. Roadrunner [10:45] [0:15], 5. Wondering Why [18:39] [1:29], 6. Tough
 Mama [8:17] [0:11], Total Time 73:41
 Set Two: 1. Second That Emotion [13:03] [1:20], 2. Bossa Martin [17:30] -> 3. People Make
 the World Go Round [4:52] -> 4. Mystery Train [12:25] [0:30], 5. Going, Going, Gone [11:12] [0:58], 6.
 How Sweet It Is [4:59] [0:14], Total Time 67:05
09/01/74 *see Jerry Garcia on Official Releases* n/a 
09/02/74 San Francisco, CA - Marx Meadows, Golden Gate Park MSR>P>D>CD All 78 1255 31903 
 *JGMS*
 shnid 31903. MSR>PCM>DAT>CDR > my cds>eac(secure mode/align on sector boundaries checked/no
 extraction errors)>flac frontend(level 6). Jerry Garcia and Merl Saunders: Jerry Garcia - guitar,
 vocals; Merl Saunders - keyboards, vocals; John Kahn - bass; Martin Fierro - saxophone, flute; Paul
 Humphrey - drums.
 Set One: Single Disc (7 tracks, 78:21), 1 (fades in) ...I Second That Emotion, 2 Expressway
 (To Your Heart) (fade to splice @ 4:30; splice/glitch @ 5:25), 3 Sitting In Limbo(there is a fade
 in/out in the middle), 4 Neighbor, Neighbor, 5 La-La, 6 Mystery Train, 7 How Sweet It Is (To Be Loved
 By You)
09/02/74 San Francisco, CA - Marx Meadows, Golden Gate Park MSR>P>D>CD All n/a 
 *JGMS* complete
 Set One: I Second That Emotion, Expressway To Your Heart, Sittin' In Limbo, Neighbor
 Neighbor, Lala, Mystery Train, How Sweet It Is To Be Loved By You
09/02/74 San Francisco, CA - Marx Meadows, Golden Gate Park MSR>P>D>CD Partial 46 0144 8652 
 *JGMS*
 MSR > P > D > CD; d1t01 Expressway cut/splice @ 4:32; d1t04 How Sweet cuts out @ 7:24, missing
 maybe 30 seconds;
 Set One: 1. Express//way [13:43#] [0:06], 2. Neighbor Neighbor [8:22] [0:11], 3. Mystery
 Train [14:52] [0:32], 4. How Sweet It Is// [7:24#], (missing: Second That Emotion before Expressway,
 Sitting in Limbo after Expressway, La-La after Neighbor Neighbor), Total Time 45:11
10/04/74 Berkeley, CA - Keystone MAC>D>CD All 114 0108 8649 
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 MAC (Louis Falanga's Sony ECM-250 [onstage] > Sony TC-110) > DATx1 > Jack Warner's CD > CD > EAC
 > SHN; d1t01 TWLWMYD cuts in; d1t04 It's No Use cuts in; d2t04 Ain't No Mountain High Enough static @
 2:40
 Set One: 1. //That's What Love Will Make You Do [13:41#] [1:43], 2. Bossa Martin [12:56] ->
 3. Space [1:54] -> 4. People Make the World Go Round [4:10] [1:05], 5. Roadrunner [10:59] [0:40], 4.
 //It's No Use [11:01#] [1:13], Total Time 59:24
  Set Two: 1. Tough Mama [7:34] [1:00], 2. Freedom Jazz Dance [14:42] [1:22], 3. Sitting in
 Limbo [11:40] [1:39], 4. Ain't No Mountain High Enough Instrumental [6:26] -> 5. How Sweet It Is
 [9:37] [0:08], Total Time 53:10
10/05/74 Berkeley, CA - Keystone MAC>D>CD All 132 0180-0181 8665 
 *JGMS: Louis Falanga, Sony ECM-250 > Sony TC-110*
 MAC (Louis Falanga's +Sony ECM-250 [onstage] > Sony TC-110) > DATx1 > Jack Warner's CD > CD > EAC
 > SHN.
 Set One: Disc One (6) 71:51, Set I, 1. Harder They Come [15:53] [1:23], 2. Finders Keepers
 [10:51] [1:42], 3. He Ain't Give You None [11:29] [2:59], 4. La-La [14:42] -> 5. Space [1:57] -> 6.
 Mystery Train [10:45] [0:09]
 Set Two: Disc Two (6) 60:02, Set II, 1. Tuning [0:42], 2. Freedom Jazz Dance [12:47] [1:19],
 3. Neighbor Neighbor [8:28] [1:19], 4. Sitting in Limbo [11:30] [0:50], 5. Someday Baby [8:28] [0:46],
 6. Second That Emotion [13:25] [0:06]
10/06/74 San Francisco, CA - Great American Music Hall MSR>?>D>CD Ip 31 0337 9026 
 *JGMS*
 MSR > ? > D > CD > EAC > SHN. Notes: According to The Jerry Site, Jim Nelson replaces Paul
 Humphrey on drums. This material is pretty amazing, at times positively hair-raising. Per Marx
 Marvelous: "From roughly 5:00 - 6:40 of track 4 they are teasing the f*** out the first part of A Love
 Supreme, Acknowledgment." Per a bt.etree.org user, secret_agent_towlie: "Anyone catch the
 Coltrane-influenced saxophone improvisation from Mr. Fierro on "Freedom Jazz Dance"?? First heard is
 the easily identifiable tones from Pt. 1-Acknowledgment
 ("...da...DA..da....Da.......dum....DA....do....da...) and then later MF begins to quote more directly
 Coltrane's famous tenor lines from "Resolution" rather distinctly! And if that isn't enough, John
 Kahn gets in on the fun----> dropping a few obvious progressions clearly taken from Miles Davis' "In a
 Silent Way".... tasty eats! great, OUTSIDE version of "Freedom Jazz Dance" which does in fact include
 the ensemble playing notes associated WITH Eddie Harris' "Freedom Jazz Dance" as well, BTW."
 Set One: Single Disc (4) 30:57, 1. Tuning [1:24], 2. Bossa Martin [11:53] -> 3. Jam/Space
 [4:23] -> 4. Freedom Jazz Dance [12:11] [1:04]
10/27/74b Huntington Beach, CA - Golden Bear  MAC>2C>D>CD All 83 0930 23676 
 *JGMS: unknown taper & gear*
 From etree seed: Source: MAC>2C>DAT>WAV>SHN. Cassette > DAT transfer by J.Powell: Nakamichi DR-2
 cassette deck > Tascam DA-30 Mk II. DAT > WAV > SHN transfer by C.Ladner: Sony PCM-R500 > coaxial
 S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV (Soundforge 6.0) > tracking (CDWave editor) > sector
 boundaries confirmed (shntool) > SHN (mkwact). Comments from thejerrysite.com: (1) Ringo on drums; (2)
 Maria Muldaur on vocals. (NB: "carville" posted this to bt.etree.org on 9/11/2004: "This is clearly
 Maria Muldaur singing 'Gee Baby Ain't I Good To You' [track 11]. This was written by Don Redman/Andy
 Razaf, and Maria has done it on at least 2 of her albums.") Tracking note: I tracked this recording
 with multiple "deadspace/tuning" tracks which by in large contain chatter/crowd/tuning. If you would
 like to avoid listening to the chatter and fit this otherwise 83 minute recording onto 80 minute CDR
 of music, eliminate a few of these deadspaces and you are set.
 Set One: Late Show - see note below about tracking and burning-- 01 That's The Touch I
 Like [08:31], 02 deadspace [01:37], 03 Favela [14:21], 04 deadspace [02:15], 05 Expressway (To
 Your Heart) [12:22], 06 deadspace [01:13], 07 It's Too Late [10:03], 08 deadspace [02:03], 09
 Mystery Train [11:18], 10 deadspace  [01:38], 11 Gee Baby Ain't I Good To You (2) [05:18], 12
 crowd [01:05], 13 (I'm A) Road Runner [11:29], Total time: 83:15 (73:23 without the tuning
 tracks)
10/31/74 San Francisco, CA - Memorial Gym, U. of S.F. MSR>R>C>D>CD All 113 enter enter 
 *JGMS* *newer/complete/superior*
 Superior to older copy. Hissy with some phasing, but not bad. Also more complete. From 'cousinit'
 etree seed.
 Set One: Disc One (5) 67:24, The Harder They Come, Expressway To Your Heart, You Can Leave
 Your Hat On, /He Ain't Give You None, Freedom Jazz Dance
 Set Two: Disc Two (5) 46:09, /Neighbor Neighbor, Mystery Train, Roadrunner, The Night They
 Drove Old Dixie Down, How Sweet It Is To Be Loved By You
10/31/74 San Francisco, CA - Memorial Gym (Univ. of S.F.) MS?>?>CD most 74 0030 11030 
 *JGMS* *older/incomplete*
 MS? > ? > CD > EAC > SHN. Extraction using EAC, tracking using CD Wave, .shn encoding using
 mkwACT, and sector boundary verification using shntool by Joe Jupille. Notes: Not a terrible
 recording, but not great, either. Moderate hiss, a low hum throughout, generally just a bit flat and
  indistinct. The levels drop around 0:40 into He Ain't Give You None and never come back up as high as
 they had been. Flaws: t05 He Ain't Give You None cut/splice @ 1:45
 Set One: Single Disc (6) 73:33, 1. Harder They Come [15:22] [0:05], 2. Expressway [13:51]
 [0:06], 3. Leave Your Hat On [11:40] [0:02], 4. He Ain't //Give You None [12:#49] [0:03], 5. Freedom
 Jazz Dance [10:17] [0:05], 6. Neighbor Neighbor [9:11] [0:02], (missing Mystery Train), (missing
  Roadrunner), (missing The Night They Drove Old Dixie Down), (missing How Sweet It Is)
11/05/74a New York, NY - Bottom Line MAC>D>CD All 115 0777 16806 
 *JGMS: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, AKG D 1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40
 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A
 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) >
 .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, EAC > SHN by Joe
 Jupille . Notes/Flaws: - No flaws noted. old copy is jj shn #111, shnid8651
 Set One: Disc One (5) 54:59, 01. Crowd & Tuning [4:19], 02. That's The Touch I Like [8:00]
 [1:42], 03. Favela [11:17] [1:17], 04. He Ain't Give You None [13:40] [1:14], 05. You Can Leave Your
 Hat On [13:22] [0:03]
 Set Two: Disc Two (5) 60:03, 01. Crowd & Tuning [1:37], 02. I Second That Emotion [13:07]
 [4:24], 03. La-La [15:54] [1:39], 04. Mystery Train [13:25] [1:38], 05. Money Honey [8:12] [1:06]
11/06/74a New York, NY - Bottom Line  MAC>D>CD All 96 0778 16807 
 *JGMS: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, AKG D 1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40
 master DAT > Tascam DA-30 playback > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9
 beta 4) > minor editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > .shn
 encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, EAC > SHN by Joe Jupille
 . Notes/Flaws: - A terrific recording of a fun show. - (1) Audience member: "Jerry, is it really
 ovah?" Jerry: "It's always been over, man." - d1t02 Think R channel scratch @ 1:28.864-1:29.078
 patched over from L channel using Sound Forge Studio 6.0. old copy is jj shn #112, shnid6613
 Set One: Disc One (5) 61:32, 01. Crowd & Tuning [2:05], 02. Think [8:55] [2:30], 03. Bossa
 Martin [12:44] (1) [2:42], 04. Second That Emotion [16:30] [3:08], 05. You Can Leave Your Hat On
 [12:56] [0:10]
 Set Two: Disc Two (4) 33:45, 01. Crowd & Tuning [1:39], 02. Someday Baby [9:22] [1:01], 03.
 Mystery Train [12:48] [1:27], 04. The Night They Drove Old Dixie Down [6:48] [0:39]
11/07/74a New York, NY - Bottom Line MAC>D>CD All 86 0653 14306 
 *JGMS: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore [front of the third tier of tables, dead center], AKG 1000Es > Sony
 TC-152) > Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT
 deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track IDs) >
 SHNTOOL (SBE fix) > master CD > HP 9350i extraction (EAC v0.9 beta 4) > .shn encoding (mkwACT v0.97
 beta 1). A > D by Mark Cohen, D > CD by Noah Weiner, CD > SHN by Joe Jupille. Notes: - A nice
 recording of a nice show, with special mention for Jerry's wild guitar work toward the end of Leave
 Your Hat On. - This can be condensed to one audio disc by clipping out some of the tuning. In fact, an
 identically-mastered one-disc version circulates in audio format, but I chose to retain the entire
 recording for purposes of archiving to .shn. Flaws: - None noted.
 Set One: Disc One (4) 44:52, 01. Crowd & Tuning [1:13], 02. It's No Use [10:48] [1:22], 03.
 Favela [12:13] [1:39], 04. Harder They Come [15:31] [2:05]
 Set Two: Disc Two (3) 40:40, 01. Leave Your Hat On [13:49] [2:24], 02. It Takes a Lot to
 Laugh, It Takes a Train to Cry [9:59] [0:50], 03. Mystery Train [12:09] [1:27]
11/08/74 Greenville, NY - The Dome (C.W. Post College) MAC>D>CD All 175 0779-0780 16839 
 *JGMS: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, AKG D 1000Es [front of orchestra about ten feet in front of PA, right
 side of stage] > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam CD-RW700
 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) >
 .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark Cohen, EAC > SHN by Joe Jupille . Notes/Flaws: -
 d1t01 How Sweet It Is fades in, not much missing. Old copy was jj shn #357-358, shnid9711.
 Set One: Disc One (6) 79:18 --Set I-- 01. ... How Sweet It Is [#11:39] [3:01], 02. Finders
 Keepers [10:29] [1:11], 03. It's Too Late [8:47] [1:59], 04. You Can Leave Your Hat On [14:13] [2:15],
 05. Going, Going, Gone [10:42] [1:42], 06. Favela [12:43] [0:34]
  Set Two: Disc Two (7) 66:17 --Set I (con't)-- 01. Crowd & Tuning [0:31], 02. Second That
 Emotion [16:16] --Set II-- 03. Crowd & Tuning [2:18], 04. Neighbor, Neighbor [10:16] [3:53], 05. La-La
 [15:39] -> 06. People Make The World Go Round [4:01] [1:26], 07. It's No Use [11:16] [0:14]
 Set Three: Disc Three (4) 29:39 --Set II (con't)-- 01. Crowd & Tuning [0:57], 02. Sitting in
 Limbo [13:42] [1:58], 03. Mystery Train [12:43] [0:21]
11/08/74 Greenvale, NY - The Dome, C.W. Post College MAC>R>C>CD All 160 1375 94547 
 *JGMS: Gerry Moskal, Sony stereo mic > Sony TCD126*
 Taper: Gerry Moskal; Gear" Sony Stereo ECM > SONY TCD126; Location: " hand held close to a PA";
 Transfer: Gerry Moskal: Master Cassette > RR > Cassette; Transfer/SHN Conversion: Brian Mandel
 gdplusmore@aol.com: Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW > shn. "Another
 Taper Named Gerry Project". Notes: - d1t04 Slight dropout removed not much missing if anything - d2t05
 Slight dropout removed not much missing anything - "Special Thanks to Gerry for Taping this and
 sharing his masters with me, these were transferd from Gerry's Reel's in the Mid 1980s when tape
 trading & collecting had a social aspect to it." JJ: - most tunes cut in - Second that E splice @
 4:48 - did a shn > flac using the Germain Process, preserved original shns. - solid tape.
 Set One: Disc One (72:17) --Set I-- 1. [0:18] How Sweet It Is 2. [1:!5] Finders Keepers 3.
 It's Too Late 4. You Can Leave Your Hat On [14:35] 5. Going, Going, Gone [10:50] 6. Favela 7. Crowd &
 Tuning [0:04]
 Set Two: Disc Two (60:43) --Set I (con't)-- 1. Second That //Emotion [16:16] --Set II-- 2.
 Neighbor, Neighbor 3. Crowd & Tuning [1:43] 4. La-La [15:51] -> 5. People Make The World Go Round 6.
 It's No Use
 Set Three: Disc Three (26:56) --Set II (con't)-- 01. Crowd & Tuning [0:04] 02. Sitting in
 Limbo 03. Mystery Train
11/09/74b Passaic, NJ - Capitol Theater MAC>D>CD All 86 0224 8661 
 *JGMS: Ihor Slabicky, AKG D190Es > Sony TC-152SD*
  MAC (Ihor Slabicky, AKG d190e mics > Sony TC-152sd deck onto Ampex 90min High Frequency Master
 Cassette) > played on a Nak CR-3A > Lucid AD9624 24-bit A/D converter (44.1kHz) > DAT (Sony R500) >
 CD; d1t03 Let it Rock cuts in; d1t03 contains :02 of Problems Got Problems; d1t04 Problems Got
 Problems cuts in; d2t01 HAGYN first few notes clipped?; d2t02 La-La may cut in; d2t02 contains :05 of
 PMTWGR; d2t04 How Sweet cuts in
 Set One: 1. Introduction [0:25], Harder They Come [15:20] [0:01], 2. [1:31] Favela [10:15]
 [0:01], 3. //Let it Rock [8:28#] [0:02], 4. //My Problems Got Problems [10:36#] [0:03], Total time
 46:42
 Set Two: 1. //He Ain't Give You None [11:25#] [0:01], 2. [0:02] La-La [13:53] -> 3. People
 Make the World Go 'Round [4:00] [0:01], 4. //How Sweet It Is [9:11#] [0:07], Total Time 38:39
11/10/74 Albany, NY - Palace Theater MSR>P>D>CD All 148 0096-0097 10740 
  *JGMS*
 MSR > P > D > CD. Overall Notes: This recording has a lot of warts, including a level of hiss
 suggestive of cassette generations, some bleed through during the short bits between songs, levels
 that are a bit hot, clips into the beginning of several songs, persistent mix and level fluctuations,
 and numerous snaps, crackles, and pops throughout. All of this leads me to doubt the stated lineage.
 This is probably suitable for completists only. Specific Notes: d1t01 Let it Rock fades in, not much
 missing; d1t01 Let it Rock warble @ 0:22, crackle @ 3:05; d1t02 Expressway strange feedback anomalies
 @ 12:10-13:10; d1t03 Leave Your Hat On drop/skip @ 3:21; d1t05 light tick @ start of track is source
 change, not digital; d1t07 Roadrunner warble @ 10:28; d2t04 Harder They Come strange feedback anomaly
 @ 0:11-0:28, 0:44-0:47; d2t04 Harder They Come (MR?) anomalies like flutter from ca. 7:30; d2t04
 Harder They Come cut/splice @ 8:57, fluttering a bit improved after; d2t04 Harder They Come cuts in
 (not much missing) and out; d2t06 Tough Mama cuts in, maybe 5-10 seconds missing; d2t06 Tough Mama
 reel problems @ ca. 6:30-6:50, cut/splice? There is a newer version circulating on etree (shnid18202,
 jjshn #884-885) that sounds basically good, but has some horrific digital skipping and other
 problems. As of this writing (7/2003) efforts are underway to secure new reel transfer or, at least,
 a new Beta transfer.
 Set One: Disc One (7) 76:43 --Set I-- 1. //Let It Rock [#5:23] [0:06], 2. Expressway (To
 Your Heart) [15:16] [0:10], 3. You Can Leave Your Hat On [13:13] [0:47], 4. Neighbor Neighbor [6:44]
  [0:02], 5. Going Going Gone [10:54] [0:17], 6. Mystery Train [12:33] [0:08] --Set II-- 7. Roadrunner
 [11:09]
 Set Two: Disc Two (7) 71:25 --Set II (con't)-- 1. Favela [13:02] [0:02], 2. Wondering Why
 [13:19] -> 3. People Make the World Go 'Round [4:13] [0:03], 4. //Harder //They Come// [#13:#16#]
 [0:08], 5. Just Kissed My Baby [10:39] [0:02], 6. //Tough Mama [#8:37] [0:04], 7. How Sweet It Is
 [7:52] [0:07]
11/10/74 Albany, NY - Palace Theatre, S.U.N.Y. All n/a 0884-0885 18202 
 *JGMS* *FLAWED*
11/13/74a Boston, MA - Paul's Mall MAR>R>CD All 71 enter enter 
 *JGMS: Siniawksy & Merin, Uher mic > Uher 4000*
 MAR (Uher hand-held mic > Uher 4000 5" master reel) > playback on TEAC 2300 reel-to-reel >
 MacIntosh pre-amp > TEAC 2300 7" reel > CDR > EAC > SHN > CDR. There is NO DAT stage to this
 conversion. The 7" reel was run directly to CDR in a sound studio. EAC and SHN by Paul Lucente with
 Ultraplex 40 max. JJ Notes: t01 Think cuts in, a few notes clipped; t01 Think reel warbles first
 0:24, gap @ 0:23-0:24; t03 Going, Going, Gone may cut in; t03 Going, Going, Gone lite static @ 7:18;
 t04 Soul Roach lite pop @ 1:31, 1:41; t06 That's Alright Mama cuts in, first few notes missing. This
 is from shnid10128, but for some reason I only have audio.
 Set One: 1. //Think [8:54#] [0:12], 2. [0:14] Expressway To Your Heart [15:40] [0:04], 3.
 Going, Going, Gone [12:27] [0:04], 4. Soul Roach [9:47] [0:03], 5. You Can Leave your Hat On [12:57]
 [0:04], 6. //That's Alright Mama [9:54#] [0:02], Total Time 70:26
11/14/74a Boston, MA - Paul's Mall MAC>R>CD All 89 0756 16461 
 *JGMS: Jimmy Warburton, Sony ECM-99 > Sony TC152SD*
 MAC (Taped by Jimmy Warburton, single Sony ECM-99 stereo mic [on a table, 8' from stage,
 left-of-center] > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby
 B off] > Pioneer RT-701 playback > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach
  Montego II Digital I/O > shn (mkwACT) > wav (mkwACT) > tracking (CD Wave) > .shn (mkwACT). A > SHN by
 Noah Weiner, tracking by Joe Jupille. Notes/Flaws: - This is a nice recording of what is perhaps my
 (JJ's) favorite show of the 11/74 east coast Garcia/Saunders tour. Disc two, especially, is just
 wall-to-wall great stuff. - (1) a female audience member joins on vocals toward the end of Mystery
 Train - d2t01 My Funny Valentine cuts in, probably not much missing - d2t02 People Make the World Go
 'Round cuts out, unknown missing.
 Set One: Disc One (5) 46:47, 01. Crowd & Tuning [0:06], 02. Favela [10:45] [0:30], 03. Let
 it Rock [6:36] [0:48], 04. Problems Got Problems [14:35] [0:27], 05. Mystery Train (1) [13:51]
 [0:10]
 Set Two: Disc Two (4) 41:39, 01. //My Funny Valentine [#14:33] -> 02. People Make the World
 Go 'Round// [2:24#], 03. Just Kissed My Baby [11:16] [0:32], 04. Bossa Martin [12:48] [0:07]
11/14/74b Boston, MA - Paul's Mall MAR>R>CD All 95 0031 6383 
 *JGMS: Siniawsky & Merin, Uher mic > Uher 4000*
 MAR > R > CD > EAC > SHN; Uher hand-held mic > Uher 4000 5" master reel > playback on a Teac 2300
 reel to reel >MacIntosh pre-amp >Teac 2300 7" reel > CDR > EAC > SHN. No DAT stage, 7" reel run
 directly to CDR in sound studio EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max. "Picks From
 1066" Volume 3. Personal vault release series, thanks to Jeff Siniawsky and Neil Merin. Show
 mastered by Jeff and Neil. Subsequent extraction (EAC), re-ordering (per The Jerry Site), re-tracking
 (CD Wave and WavMerge), and re-shortening (mwkACT) by jupillej@mediaone.net
 Set One: 1. Second That Emotion [15:15] [0:17], 2. Favela [13:17] [0:03], 3. That's the
 Touch I Like [8:17] [0:04], 4. Wondering Why [19:28] -> 5. People Make the World Go 'Round [3:15]
 [0:26], 6. Tough Mama [9:52] [0:12], Total Time 70:28
 Set Two: 1. //Mystery Train [12:13] [0:31], 2. How Sweet It Is [10:33] [0:03], Total Time
 23:21
11/15/74b Worcester, MA - Worcester Polytechnic Institute MSC>C>D>CD All  102 0175 8071 
 *JGMS
 This version is a quality upgrade of the previously circulating copy, is more complete, and has a
 documented lineage. S:C > 1C > 2D > CD (Sony PCM R500 > HHB 800) > EAC > SHN via Ryan Shriver and
 Andy Lemieux. EAC and SHN by jupillej@mediaone.net. d1t04 Wondering Why cut/splice @ 6:46; d2t03
 Sitting in Limbo cut/splice @ 7:39
 Set One: Disc One (5) 56:09, 1. [0:08] Second That Emotion [15:15] [0:04], 2. Finders
  Keepers [10:42] [0:11], 3. That's What Love Will Make You Do [8:41] [0:07], 4. Wondering //Why
 [16:45#] -> 5. People Make the World Go Round [4:00] [0:13]
 Set Two: Disc Two (4) 45:57, 1. Let it Rock [7:17] [0:12], 2. Mystery Train [11:09] [1:35],
 3. Sitting in// Limbo [12:50#] [1:05], 4. How Sweet It Is [10:21] [0:27]
11/16/74a Upper Darby, PA - Tower Theatre MAC>D>CD All 92 0781 16808 
 *JGMS: Jerry Moore, AKG D 1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, AKG D 1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40
 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A
 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) >
 .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, EAC > SHN by Joe
 Jupille . No flaws noted.
 Set One: Disc One (5) 51:01, 01. Taper Talk (Debbie Gold), Crowd & Tuning [2:01], 02. That's
 The Touch I Like [8:20] [1:00], 03. Expressway (To Your Heart) [13:21] [1:53], 04. He Ain't Give You
 None [11:10] [1:37], 05. You Can Leave Your Hat On [11:25] [0:10]
 Set Two: Disc Two (4) 41:27, 01. Crowd & Tuning [0:25], 02. Bossa Martin [12:4] [1:04], 03.
 Going, Going, Gone [11:30] [1:13], 04. I Second That Emotion [13:57] [0:36]
11/16/74b Upper Darby, PA - Tower Theater MAC>D>CD All 111 0782 16809 
 *JGMS: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, AKG D 1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40
 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A
 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) >
 .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, EAC > SHN by Joe
 Jupille . Notes/Flaws: - No flaws noted.
 Set One: Disc One (5) 52:47, 01. Crowd & Tuning [0:47], 02. It Takes A Lot To Laugh, It
  Takes A Train To Cry [9:14] [1:34], 03. Favela [13:58] [2:02], 04. My Problems Got Problems [10:45]
 [2:12], 05. Mystery Train [12:08] [0:06]
 Set Two: Disc Two (5) 57:59, 01. Crowd & Tuning [1:19], 02. La-La [16:13] -> 03. People Make
 The World Go Round [4:07] [1:31], 04. Money Honey [8:00] [2:20], 05. Harder They Come [15:50] [1:07],
 06. Night They Drove Old Dixie Down [6:44] [0:46]
11/27/74 Berkeley, CA - Keystone mixed sbds All 106 1356 91343 
 *JGMS: GEMS*
 Seeder Notes - The compilation of these two sources completes this show, minus a few missing
 moments in Bossa Martin, which started in late, and Someday Baby, which had a reel flip, and no patch
 source exists yet. source 1-sdb-?- cd > wavelab 6.0 > pitch correction, edits provides all except
 first 1:30 of Bossa Martin and last two songs; * tracks 5 and 6 were the "missing songs" on shnid
 #89216, included here. source -2-S:R > P > D > CD > wavelab 6.0 > mastering. Big Thanks to Zack
 Tucker for Source #1; Big Thanks to Joe Jupille for Source #2, and the **Tupperware of Treasures**.
 Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station. JJ: call me crazy, but I think the
 start of Bossa Martin (source #2) sounds better; source 1 sounds a bit overloaded to me. BM has a
 scrape/splice @ 1:22.
 Set One: Set 1 Disc 1 (52:50) 01 - Bossa Martin, 02 - You Can Leave Your Hat On, 03 - Going,
 Going, Gone, 04 - Mystery Train
 Set Two: Set 2 Disc 2 (53:22) 01 - He Ain't Give You None*, 02 - Freedom Jazz Dance*, 03 -
 Someday Baby, 04 - I Second That Emotion
11/27/74 Berkeley, CA - Keystone MSR>P>D>CD most 82 
 *JGMS*
 MSR > P > D > CD. d1t01 Bossa Martin cuts in, cut/splice @ 1:22; d1t01 Bossa Martin crackle @
 14:11, snap @ 14:56; d1t02 Hat On cuts in; d1t03 GGG static @ track 5:00-5:07, 5:15, 5:23; d2t01
 Someday Baby gap @ track 7:45-7:54
 Set One: 1. //Bossa// Martin [15:03#] [0:11], 2. Dead Air [0:36], //Leave Your Hat On
 [13:40] [0:29], 3. [1:45] Going, Going, Gone [12:53] [0:21], 4. Dead Air [0:21], Mystery Train [10:18]
 [0:14], Total Time 55:53
 Set Two: 1. [1:17] Someday//Baby [9:32#] [0:27], 2. [0:30] Second That Emotion [13:54]
 [0:31], Total Time 26:12
11/28/74 San Francisco, CA - Great American Music Hall MSR>P>D>CD All 163 0057-0058 4486 
 *JGMS*
 MSR > P > D > CD; d1t01 It's No Use fades in; d1t04 Mystery Train static, light click @ 2:54-2:55;
 d2t04 Neighbor Neighbor static @ 4:17-4:20, 4:29-4:35; d2t04 Neighbor Neighbor cut/splice @ 6:39;
 d3t01 Wondering Why pops @ 4:03, 4:05
 Set One: 1. //It's No Use [7:11] [0:02], 2. Favela [18:37] [0:07], 3. You Can Leave Your Hat
 On// [17:34#] [0:02], 4. Mystery Train [12:02] [0:03], 5. Harder They Come [16:21] [0:05], Total Time
 72:06
 Set Two: 1. Freedom Jazz Dance [14:30] [0:17], 2. Going Going Gone [13:30] [0:02], 3. [0:05]
 Just Kissed My Baby [10:54] -> 4. Neighbor // Neighbor [10:42#] [0:09], Total Time 50:11
 Set Three: 1. Wondering Why [16:48] -> People Make the World Go Round [5:20] [0:06], 2.
 Second That Emotion [16:19] [0:09], Filler: LOM 4/12/75, 3. Mystery Train [12:46] [0:06], Total Time
 51:36
11/28/74 San Francisco, CA - Great American Music Hall MSR>P>D>CD All n/a 1317 85987 
 *JGMS*
 Source: MSR > PCM > DAT; Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0
  mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and
 Seeded by Green Mountain Bros. June 2007. Band – Pre Legion Of Mary: Jerry Garcia - guitar, vocals;
 Merl Saunders - keyboards, vocals; John Kahn - bass; Martin Fierro - saxophone, flute; Paul Humphrey -
 drums. GMB Notes: "Notes: Slight digital buzz during d3t01 Neighbor, Neighbor at 4:47 and 5:02.
 Wavelab pencil editor used to remove some but not all static. This show sometimes circulates
 mislabeled 11/29/74. The DAT used for this transfer was labeled from Berkeley 11/28/74. The beginning
 of It's No Use and the end of You Can Leave Your Hat On are cut (reel change)."
12/07/74 Mislabel/Hodgepodge MSR>?>C>CD Ip, II 89 
 *Garcia/Saunders*
 MSR > ? > Cass. > ZA2 > CD. This is a pretty nice recording with nice range, a touch of hiss.
 d1t01 Dixie reel warble @ 3:22; d1t03 Think barely fades in, maybe one note missing; d1t04 Lonely For
 Me two brief buzzes @ start; d2t01 How Sweet listed with a splice, but I didn't hear it; d2t01 How
 Sweet very end barely clipped; d2t02 Second That Emotion speed warbles @ 4:45-4:51; d2t03 Roadrunner
 more hiss? mix and level fluctuations @ start; d2t04 It's Too Late cuts out
 Set One: End Set I, 1. The Night They Drove Old Dixie Down [5:51] [0:05], Set II, 2. The
 Harder They Come [14:06] [0:03], 3. //Think [7:34#] [0:05], 4. Are You Lonely for Me Baby? [15:05]
 [0:12], Total Time 43:02
 Set Two: Set II (con't), 1. How Sweet It Is// [11:13#] [0:05], 2. Second That Emotion [9:20]
 [0:02], 3. Roadrunner [14:11] [0:03], 4. It's Too Late// [10:40#] [0:10], Total Time 45:44
12/14/74 *see Jerry Garcia on Official Releases* n/a 
12/15/74 Eugene, OR - EMU Ballroom (Univ. of Oregon) MSR>P>D>CD All 76 0300 8177 
 *JGMS*
 MSR > P > D > CD. Not as crisp sounding, bassier than you'd expected based on the lineage. But it
 resembles other similar-era recordings with this lineage (e.g., 10/31/74), and was early to circulate
 on PCM. t01 Leave Your Hat on first few notes clipped; t04 It's No Use first few notes clipped; t06
 Second That Emotion cuts out abruptly; t06 opening notes of Let it Rock audible at end of track
 Set One: Single Disc 75:26, set I, 1. [0:02] //You Can Leave Your Hat On [15:23] [1:06], 2.
 Neighbor Neighbor [11:31] [0:26], 3. The Night They Drove Old Dixie Down [7:51] [0:13], set II, 4.
 //It's No Use [12:15#] [0:47], 5. Bossa Martin [12:23] [0:46], 6. Second That Emotion// [12:36#]
 [0:05]
12/28/74 Huntington Beach, CA - Golden Bear MA?>?>C>D>CD All 83 0951 24317 
 *JGMS*
 Source: MA > ? > C > DAT > WAV > SHN. Mics and Taper unknown. Cassette > DAT transfer by J.Powell
 (Nakamichi DR-2 cassette deck >Tascam DA-30 Mk II). DAT > WAV > SHN transfer by C. Ladner (Sony
 PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV(Soundforge 6.0) > tracking
 (CDWave editor) > sector boundaries confirmed (shntool) > SHN (mkwact). Comments from
 thejerrysite.com: "There was probably one more set or this might have been an Early / Late show
 combination. Show billed in the L.A. Free Press newspaper as "Jerry & Merle". Guests (1) Maria
 Muldaur (vocals) , (1) Donna Jean Godchaux (vocals). From listening to the show it was obvious the
 pitch was a tad slow. Using SBD MR recordings from this era as a reference (specifically Boogie On
 Reggae Woman and Harder They Come), the pitch was empirically determined to be 0.8 semitone flat which
 was corrected prior to tracking using Soundforge 6. Relatively hissy recording. Seeder's notes: "In
 order to facilitate not burning a 1 song second disc while maintaining the show in its entirity for
 wav listeners, I tracked the show so that odd #'d tracks are the actual songs while the even # tracks
 are the crowd/dead space between songs. If you want to avoid burning a single song (Harder They Come)
 second disc and don't mind on missing out on all the crowd chatter, you can burn just the odd #'d
 tracks and it will fit on a 80 minute disc. If you want to soak up that hissy '74 inbetween audience
 vibe directly off your pc, you are set too." brought to you by the Jerry fiends at misSHN in the
 rain.
 Set One: Disc 1 - Set 1 01 Think [10:02] 02 crowd [00:42] 03 Freedom Jazz Dance
 [11:22] 04 crowd [01:08] 05 Boogie On Reggae Woman [17:16] 06 crowd [00:10] 07 Are You Lonely
 For Me, Baby? (1) [14:05] 08 crowd [00:28] 09 Neighbor, Neighbor [09:30] 10 crowd [01:21] 11
 Harder They Come (1) [17:23] Total time: 83:29
12/29/74a Huntington Beach, CA - Golden Bear MAR>R>CD All 86 enter 93978 
 *JGMS: Charlie Disalvo, Shure Unidyne IVs > Uher 4400*
 Taper: Charlie Disalvo; Field Recording Gear: 2x Shure Unidyne IVs (spaced ca. 15') > Uher 4400,
 3.75ips master reels; Source: taperpat's 3.75ips 1st gen reel; Transfer (Matt Smith): Akai GX 625
 playback > Apogee Mini ME (@24/96) > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) >
 CD; Track & FLAC (jj): EAC > CD Wave > Sony Sound Forge Studio 7.0 (d1t01 fade-in, d2t01-d2t02
 fade-out/in, d2t03 fade-out) > Trader's Little Helper (FLAC8 encoding). Personnel: Merl Saunders -
  Keyboards, vocals; Jerry Garcia - guitar, vocals; John Kahn - bass; ?? (?Paul Humphrey?) - drums;
 Martin Fierro - horns. Notes: - (1) with Maria Muldaur. The Jerry Site says this is Donna Jean
 Godchaux, but to my untrustworthy ears this sounds like Maria. Speculations/corrections welcomed! -
 The show is a little laconic and slightly disjointed, IMO. - The recording is fairly hissy, hissier
 than the circulating copies of the late show from the same taper. - Charlie Disalvo says this about
 taping these shows (DNC Garcia folder post by Sean Cribbs, April 3, 2002): "That machine was a bitch
 to run!" ... "I placed one mic in front of Jerry and the other one was passed down to total strangers
 in front of Martin Fierro. The stereo effect was amazing, almost like setting up in a studio. You can
 hear the drums go from the left to the right."
 Set One: Disc One (3 tracks, 48:36) d1t01. That's The Touch I Like [11:15] [0:24] d1t02.
 Favela [16:48] [2:00] d1t03. You Can Leave Your Hat On [17:24] [0:44]
 Set Two: Disc Two (3 tracks, 37:09) d2t01. Sitting Here in Limbo (1) [16:40] [0:15] d2t02.
 Tuning [1:12] d2t03. I Second That Emotion [18:58] [0:04]
12/29/74b Huntington Beach, CA - Golden Bear MAR>D>CD All 98 0318 8643 
 *JGMS: Charlie Disalvo, Shure Unidyne IVs > Uher 4400*
 Late Show. MAR (Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of
 Fierro an unknown distance away] > Uher 4400 @ 3.75ips) > D > CD; d1t02 La-La light digi-flit @ 11:57;
 d2t02 Expressway light digi-static @ 7:18, 7:25, 13:40; d2t02 Expressway last few seconds clipped
  (reel ran out, end of show). Charlie Disalvo says this about taping these shows (DNC JGB folder post
 by Sean Cribbs, 3 April 2002): "That machine was a bitch to run!! The early show came out very well
 also. Can't remember if Donna and Maria Muldaur were on Limbo in the early show but I know they were
 there on the 28th on Harder they Come. The 28th didn't come out as well as the 29th. I was sitting at
 the table against the stage in front of Jerry, too close for the vocal monitor on the 29th. He watched
 me the whole time. Great show and a great time I won't forget." And more: "I placed one mike in front
 of Jerry and the other one was passed down to total strangers in front of Martin Fierro. The stereo
 effect was amazing, almost like setting up in a studio. You can hear the drums go from the left to the
 right."
 Set One: 1. [0:02] Mystery Train [14:45] [1:16], 2. La-La [17:16] -> 3. People Make the
 World Go 'Round [4:35] [0:11], 4. Roadrunner [15:39] [0:13], Total Time 54:27
 Set Two: 1. Tuning [1:11], 2. Going Going Gone [22:54] [1:37], 2. Expressway// [17:01#],
 Total Time 42:43
 
??/??/75 Legion of Mary Betty Cantor Snippets  MSR>P>D>CD N/A 72 0684 noshnid 
 *LOM*
 MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) >
 normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary
 verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.
 Set One: Single Disc (9) 71:36 --3/2/75, end set II-- 01. ... Last Train From Poor Valley
 [4:42], 02. Roadrunner [10:55] --5/22/75, end set I-- 03. ... Mystery Train [1:59] --5/22/75,
 beginning set II-- 04. He Ain't Give You None [13:55], 05. Boogie on Reggae Woman ... [7:01]
 --6/21/75, set I-- 06. ... Feel Like Dynamite [8:31], 07. Every Word You Say [8:02] --6/22/75, set I--
 08. ... Last Train From Poor Valley [6:50], 09. Feel Like Dynamite ... [9:40]
02/14/75 San Francisco, CA - The Generosity MAC>R>CD All 140 0817-0818 17371 
  *LOM: unknown taper & gear*
 MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA
 Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD
  Wave) > CDR using EZ-CD Creator > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing
 (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).
 Cassette > CD by Ed Perlstein, EAC > SHN by Joe Jupille . Notes/Flaws: - Amazing material!!! Essence
 of LOM -- nothing but pure, unadulterated instrumentals. Among many, many highlights, I will simply
 note that this version of People Make the World Go 'Round is about five times longer than any of the
 many other versions in circulation. It really takes the tune places you always thought it should have
 gone, but never seemed to. I felt similarly at many points during this material. - This is a mono
 recording. - Most songs clip in. - Favela faded to a splice @ 10:42 on the original CD copy, but this
 turned out to be during an 18-second repeated section. Similarly, Bossa Martin faded to a splice @
 7:57, but this was during a 48 second repeated section. Both obviously stem from analog generations
 somewhere up the line. I edited them out, and the tunes are seamlessly intact. - Pennies From Heaven
 splice @ 10:46. This is most probably a tape flip from the master. There is also a bit of very light
 static around 16:55-16:56, which I could not fix. - This is probably not the whole show, since the
 band is tuning when the tape cuts out. Note added 11/2004: d1t04 had previously been listed as "Jam
 #5", but is now listed as "When I Die", based on information from Simon Friedman, who says that it was
 "a hit in 1969 by the obscure group Motherlode".
 Set One: Disc One (4) 68:33, 01. Instrumental [17:21] [0:38], 02. Favela [15:53] [0:08], 03.
 Pennies From// Heaven [17:#52] [0:06], 04. When I Die [16:26] [0:08]
 Set Two: Disc Two (4) 70:59, 01. Bossa Martin [16:35] -> 02. People Make the World Go 'Round
 [21:56] [0:04], 03. Boogie on Reggae Woman [14:58] [0:09], 04. Creepin' [17:06] [0:09]
02/27/75 *see Jerry Garcia on Official Releases* n/a 
02/28/75 San Francisco, CA - Great American Music Hall M??>?>CD I 69 1289 77072 
 *LOM*
 Legion Of Mary: Jerry Garcia, Merl Saunders, John Kahn, Martin Fierro, Ron Tutt. JJ: may be a sbd.
 Has some hiss. May run fast. Needs re-tracking. Some very hot fanning during Second That Emotion and
 Let it Rock.
 Set One: Single Disc (69:01) 01 Second That Emotion, 02 You Can Leave Your Hat On, 03 Let
 It Rock, 04 //Lala, 05 Mississippi Moon, 06 Going Going Gone//
03/01/75 *see Jerry Garcia on Official Releases* n/a 
03/02/75 Berkeley, CA - Keystone MSR>P>D>CD Partial 16 0684 88935 
 *LOM*
  Betty Cantor's 7" soundboard reels @ 15 ips > PCM > DAT > CDR
 Set One: LOM snippets disc: end of Set II: 1. ...Last Train from Poor Valley [#3:06] [1:36],
 2. Roadrunner [10:48] [0:06]
03/07/75a Los Angeles, CA - Pitchell Players Cabaret MA?>?>CD All? 91 0935 23338 
 *LOM*
 Hissy, but nice. Standout version of Favela and a wonderful version of Hunter Gets Captured, the
 only pre-Reconstruction version circulating digitally to my knowledge at this writing (9/2004). d1t04
 Myster Train splice @ 7:48, then a channel is out thereafter; d2t01 Hunter Gets Captured clips out?
 Set One: Disc One (5) 68:32 01. "that's much nicer" & tuning [0:25], That's The Touch
 [10:10] [1:34], 02. Favela [16:04] [1:09], 03. Last Train from Poor Valley [8:16] [0:40], 04.
 Mystery// Train [13:#14] [0:59], 05. You Can Leave Your Hat On [15:23] [0:35]
 Set Two: Disc Two (2) 22:24, 01. When the Hunter Gets Captured By the Game/ [11:23] [0:04],
 02. Let it Rock [10:54]
03/08/75 Los Angeles, CA - Pitchell Players Cabaret mixed All 179 1031 23227 
 *LOM: early & late shows, Powell/Ladner etree seed*
 Ladner Comments: - Early show recordings is of relatively poor audio quality with hiss and tape
 warble, however this is the only known source to circulate. I applied a - 1.0 semitone pitch
 transposition to the early show using SF6. The late show has more bass and sounds in stereo compared
 to the previously circulated source which to my listening is a mono recording. JJ Notes: - early show
  is For Completists Only? Hissy, warbly, etc. - the tuning after BORW has a little Martin thing that
 sounds familiar ... GGG also sounds familiar? Check against other versions. - d1t03 GGG light ticks @
 5:11-5:13, 6:54, 8:34, 9:12; - d1t03 GGG cuts out near the end; - d1t04 Finders Keepers cuts in, not
 much missing. NB that if these two cuts (end of GGG and start of FK) represent a tape flip, 47
 minutes of music have transpired. NB as well that this material sounds a bit slow to my ears. I
 wonder if CL's -1.0 semitone pitch shift didn't throttle things back too far? - d1t04 Finders Keepers
 some crazy dissonant stuff, original, @ ca. 7:55; - late show better, but still very hissy, hissier
  than I remember my other source being. The cut in How Sweet suggest that this is from the same
 source, but I haven't verified that. My other copy lists a splice in Wondering Why, but I checked for
 it on this copy and didn't hear it. - d3t03 How Sweet It Is very ending cut, ca. 5 seconds missing
 Set One: Disc One (5) 73:34 --Early Show-- 01. Let It Rock [10:02] [0:06] =[10:08], 02.
 Boogie On Reggae Woman [19:12] [0:34] =[19:46], 03. Going, Going, Gone// [17:51#], 04. //Finders
 Keepers [14:10] [0:10] =[#14:19], 05. Last Train From Poor Valley [11:19 [0:12] =[11:31]
 Set Two: Disc Two (5) 75:19 --Early Show (cont'd)-- 01. Mystery Train [16:02] [0:12]
 =[16:12] --Late Show-- 02. Harder They Come [18:31] [0:05] =[18:34], 03. Wondering Why -> [23:57] 04.
 People Make The World Go Round [3:55] [0:10] =[04:05], 05. Neighbor, Neighbor [12:24] [0:05]
 =[12:29]
 Set Three: Disc Three (3) 29:46 --Late Show (cont'd)-- 01. I Feel Like Dynamite [14:00
 [0:07] =[14:07], 02. Night They Drove Old Dixie Down [8:00] [0:06] =[08:06], 03. How Sweet It Is (To
 Be Loved By You)// [07:32#]
03/08/75b Los Angeles, CA - Pitchell Players' Cabaret MAC>?>P>CD All 84 0822 17315 
 *LOM: Dave Philips, unknown gear*
 MAC (Taped by Dave Philips) > ? > PCM > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD
 Wave) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding
 (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille . Notes/Flaws: - d1t01 Harder They Come oversaturation
 @ start, level fluctuations @ 6:13-6:20 (glitch @ 7:39 removed) - d1t02 Wondering Why splice @ 19:24 -
 d1t04 How Sweet ending barely clipped
 Set One: Disc One (3) 42:01, 01. Harder They Come [18:15] [0:05], 02. Wondering //Why
 [19:#34] -> 03. People Make the World Go 'Round [4:00] [0:06]
 Set Two: Disc Two (4) 41:43, 01. Neighbor Neighbor [12:20] [0:10], 02. Feel Like Dynamite
 [13:47] [0:04], 03. The Night They Drove Old Dixie Down [7:53], 04. How Sweet It Is// [7:28#]
03/15/75 *see Jerry Garcia on Official Releases*  n/a 
03/15/75 Berkeley, CA - Keystone AUD+SBD II 172 0817 17372 
 *LOM*
 Audience portions: MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback > HHB Burn-It master CD-RW
 > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) >
 tracking (CD Wave) > CDR using EZ-CD Creator > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD
 Wave) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding
 (mkwACT v0.97 beta 1). Cassette > CD by Ed Perlstein, EAC > SHN by Joe Jupille. Soundboard portions:
 MSR > ? > Andy Lemieux's cassette > Nakamichi Dragon playback > ART DI/O > hard drive > tracking (Cool
 Edit 2000) > master CD (Easy CD Creator) > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave)
 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Cassette > CD by
 David Minches, EAC > SHN by Joe Jupille. Notes/Flaws/Comments: - A number of songs clip in. - This is
 a mono recording. - d1t04 Every Word You Say blip @ 2:32, possibly tiny splice - d1t05 Boogie on
  Reggae Woman faded to a splice @ 11:50 of the original discs. It turns out that this was during a 1:06
 section of repeated music, likely derived from upstream analog gens. I was able seamlessly to rejoin
 two ends of the music @ 11:05, which made maximal use of the superior (less wobbly) back-end source
 material. There is still a brief SQ change before this point, around 10:56-11:05. - I decided to
 archive both the audience and soundboard sources together. The audience material (for source
 information, see below) includes all of the tunes listed above (though not as much between-song
 tuning, hence the shorter time for disc two-A). The soundboard supplies Wondering Why through ca. 1:44
  of Talkin' 'Bout You. Disc two-B includes all of this, plus Tough Mama and most of Talkin' 'Bout You
 (0.5s crossfade @ 1:43 ) from the aud. Track times differ slightly, reflecting differences in the
 optimal cutting points, but the two sources seem to run to almost identical times.
 Set One: Disc One, AUD (5) 53:33, 01. Crowd & Tuning [0:04], 02. Harder They Come [19:48]
 [0:15], 03. Soul Roach [10:42] [0:19], 04. Every Word You Say [5:01] [0:08], 05. Boogie on Reggae
 Woman [16:55] [0:19]
 Set Two: Disc Two-A, AUD (6) 55:44, 01. Tough Mama [7:59] [0:05], 02. Wondering Why [16:20]
 -> 03. People Make the World Go 'Round [4:17] [0:13], 04. Tore Up Over You [7:10] [0:07], 05. The
  Night They Drove Old Dixie Down [7:30] [0:13], 06. Talkin' 'Bout You [11:33] [0:14]
 Set Three: Disc Two-B, AUD+SBD (6) 61:36, 01. Tough Mama [7:59] [0:05], 02. Wondering Why
 [16:31] -> 03. People Make the World Go 'Round [4:17] [1:24], 04. Tore Up Over You [7:10] [4:14], 05.
 The Night They Drove Old Dixie Down [7:27] [0:39], 06. Talkin' 'Bout You [11:33] [0:13]
03/16/75 Boulder, CO - Ballroom, U. of Co. MA?>?>CD All 80 0936 24417 
  *LOM: unknown taper & gear*
 Just about everything cuts or clips in and cuts or clips out
 Set One: (7) 79:55 //The Harder They Come/, //Soul Roach, /Every Word You Say/, /Boogie On
 Reggae Woman//, //Going Going Gone, Roadrunner, //How Sweet It Is To Be Loved By You
03/17/75 Novato, CA - Bob Weir's Studio (Ace's) MSC>CD All 148 0404-0405 10509 
 *Ned Lagin's Birthday*
 Ned Lagin's birthday 3/17/75, Recorded at Bob Weir's studio (aka Ace's). KPFA Grateful Dead
 Marathon 2/3/01, Host: David Gans, KPFA 94.1 fm Berkeley CA. SBD>Cm>Sonic Solutions>CD. Ned Lagin,
 acoustic and electric piano; Jerry Garcia, electric guitar; David Crosby, electric 12-string guitar;
 Phil Lesh, bass; Billy Kreutzmann, drums; John Cipollina, electric guitar (#2 only).
 Set One: Disc 1 (8) 73:51, 1. Talk 7:27, 2. Ned's #1 5:25, 3. Talk 9:22, 4. Ned's #2 0:42,
 5. Ned's #3 23:45, 6. Talk 17:55, 7. Ned's #4 8:25, 8. Talk 0:46
 Set Two: Disc 2, 1. Talk 18:31, 2. (GD, Alexandra Palace, London) Eyes of the World -> Wharf
 Rat 43:00, 3. Talk 6:57, 4. Ned's #1 5:25, Total Time 73:58
03/23/75z San Francisco, CA - Kezar Stadium  MF?>?>CD All 9 enter enter 
 *Interview by James Cameron*
 Jerry Garcia: Interview by James Cameron, Kezar Stadium, San Francisco, CA, March 23, 1975. Unknown
 source, presumably FM, from SNACK Benefit 5-disc set uploaded to TTD. Notes: - The Interview section,
 with Jerry, was done before the show on 03-23 and, while he mentions Crosby as being with the band, he
 apparently never showed! - shn > flac conversion using shntool by jjoops. - very hissy, maybe a bit
 speedy.
 Set One: Single Track (9:25): - Jerry's side (non-GD) performances - Bluegrass, Old & In the
 Way - Relations of side stuff to GD - Staying connected to the people - Commercial success - GD record
 company - Films - Today's performance - SNACK
04/04/75 Brooklyn, NY - Brooklyn College (Whitman Aud.) MSR>R>D>C>CD All-1 164 0449-0450 11020 
 *LOM*
 MSR > 1R > 2D > 1C > DATs > CDs > HP 9350i extraction and normalization to 98% using EAC > tracking
 using CDWave > SHN using mkwACT. Could be from the WBAI broadcast (presumably from post-cassette
 DATs?) referred to at the Jerry Site. EAC > SHN by Joe Jupille. General Notes: The recording has a
 slightly odd quality to it, as if there is some sort of phasing between the L and R channels. This is
 not an artifact of the normalization, which I did using EAC's Process Wave function because of peaks
 at around 50% (d2) and 35% (discs 1 and 3). I joined all three discs using WavMerge, normalized in
 EAC, and split tracks using CDWave. Flaws: d1t01 Let it Rock cuts in; d3t01 Harder They Come cuts
 in
 Set One: Disc One (4) 44:43 --Set I-- 1. //Let It Rock [#8:21] [0:15], 2. Boogie On Reggae
 Women [15:26] [0:21], 3. Favela [13:31] [0:29], 4. Mississippi Moon [5:59] [0:21]
 Set Two: Disc Two (5) 54:54 --Set I (con't)-- 1. Tore Up Over You [8:31] [0:24], 2. I'll
 Take A Melody [8:26] [0:14], 3. I Feel Like Dynamite [10:04] [0:07], 4. Sitting In Limbo [15:12]
 [0:01], 5. Mystery Train [11:47] [0:07]
 Set Three: Disc Three (5) 64:14 --Set II-- 1. //Harder They Come [#21:12] [0:29], 2. You Can
 Leave Your Hat On [15:32] [0:08], 3. La-la [14:38] [0:12], 4. Wicked Messenger [5:35] [0:23], 5. Every
 Word You Say [5:57] [0:08], (missing Roadrunner)
04/04/75 Brooklyn, NY - Whitman Aud. (Brooklyn College) MAC>CD IIp 58  
 *LOM: Mike McGrath, Sony ECM-99 (likely) > Sony TC-152*
 some digital errors
 Set One: Single Disc (5) 57:38, //Harder They Come, Leave Your Hat On, La-La, Wicked
 Messenger, Every Word You Say
04/05/75a Passaic, NJ - Capitol Theater MSC>D>CD Partial 40 0447 10977 
 *LOM*
 MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on
 Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT.
 Proper sector boundaries verified using shntool. A>D by Rob Eaton, D>CD by Ryan Shriver, EAC>SHN by
 Joe Jupille. Notes: d1t01 Mississippi Moon fades in, not much missing; d1t02 2nd that Emotion, Fierro
 has a unique sound going; d1t03 Dixie major cut/splice @ track 2:40; d1t03 Dixie atrocious backup
 vocals by Merle
 Set One: Single Disc (3) 39:37, 1. //Mississippi Moon [#8:13] [1:01], 2. Second That Emotion
 [19:19] [2:19], 3. The Night They Drove// Old Dixie Down [8:#40] [0:05]
04/06/75a Boston, MA - Orpheum Theater MSC>D>CD All 79 0133 6372 
 *LOM*
 d1t01 Tore Up cuts in; d1t01 Tore Up levels drop @ ca. 2:00; d1t06 Boogie on Reggae Woman cuts
 out
 Set One: 1. //Tore Up Over You [8:29#] [0:13], 2. Feel Like Dynamite [11:09] [0:13], 3.
 Freedom Jazz Dance [9:02] [0:08], 4. [0:02] I'll Take a Melody [9:09] [0:08], 5. Mississippi Moon
 [8:22] [0:31], 6. [0:26] Boogie on Reggae Woman// [12:17#], 7. Every Word You Say [6:25] [0:10], 8.
 [0:05] Road Runner [11:45] [0:11], Total Time 78:49
04/06/75a Boston, MA - Orpheum Theater MAC>R>CD All 80 enter enter 
 *LOM: Jimmy Warburton, Sony ECM-99A > Sony TC-152*
 MAC (Taped by Jimmy Warburton, Sony ECM-99A > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback >
 Teac A2300SD 1st gen reel [Dolby B off] > Pioneer 707 playback > DAT (A>D only) > Soundforge > SHN (By
 Noah) > SHN >Cool Edit 2000 > Feurio (by David Minches). Notes/Flaws: a good recording, nice feel for
 the room and crowd. MI Moon clips in; BORW clips in
 Set One: Single Disc (9) 79:45, 01. [0:11], 02. Tore Up [8:26] [0:31], 03. Feel Like
 Dynamite [10:51] [0:17], 04. Freedom Jazz Dance [8:50] [0:33], 05. I'll Take a Melody [8:58] [0:05],
 06. /Mississippi Moon [#8:04] [0:02], 07. /Boogie on Reggae Woman [#13:05] [0:57], 08. Every Word You
 Say [6:16] [0:52], 09. Roadrunner [11:30] [0:12]
04/06/75b Boston, MA - Orpheum Theater MSC>D>CD All 103 0134 6372 
 *LOM*
 Master SBD Cassette (TDK-60) Playback on Jim Wise's Nak Dragon > Apogee A/D 1000 > Panasonic sv3800
 DATx0 > DATs > CD. d1t01 Neighbor Neighbor first few notes clipped; d2t06 All By Myself cut/splice
 @2:13, nothing missing?
 Set One: 1. //Neighbor Neighbor [10:10#] [0:09], 2. Wondering Why [17:15] -> 3. People Make
 the World Go Round [4:06], 4. [0:27] Harder They Come [17:43] [1:47], Total Time 51:38
 Set Two: 1. [0:08] Last Train to Poor Valley [8:41] [0:42], 2. [0:06] All By// Myself [6:55]
 [1:12], 3. [0:10] He Ain't Give You None [11:09] [0:11], 4. [0:04] Mystery Train [13:47] [0:15], 5.
 How Sweet It Is [7:05] [0:10], Total Time 50:37
04/06/75b Boston, MA - Orpheum Theater MAC>R>CD All 102 enter enter 
 *LOM: Jimmy Warburton, ECM-99As > Sony TC-152*
 MAC (Taped by Jimmy Warburton, ECM-99As > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac
 A2300SD 1st gen reel [Dolby B off] > Pioneer 707 playback > DAT (A>D only) > Soundforge > SHN (By
 Noah) > SHN >Cool Edit 2000 > Feurio (by David Minches). Notes/Flaws: good recording, nice to hear
 this show from the aud perspective. Neighbor Neighbor has some crazy guitar work around the 6-minute
 mark. Harder They Come is spliced @ 12:41. Harder They Come has a raging ending. All By Myself is
 played much faster than it would be later, with the Hopkins band.
 Set One: Disc One (5) 51:43, 01. Crowd & Tuning [2:23], 02. Neighbor Neighbor [9:57] [0:43],
 03. Wondering Why [15:49] -> 04. People Make the World Go 'Round [:03+4:03] [1:09], 05. Harder// They
 Come [16:#47] [0:46]
 Set Two: Disc Two (5) 50:09, 01. Crowd & Tuning [1:09], 02. Last Train From Poor Valley
 [8:24] [0:47], 03. All By Myself [6:58] [1:20], 04. He Ain't Give You None [10:46] [0:05], 05. Mystery
 Train [13:11] [0:27], 06. How Sweet It Is [6:51] [0:12]
04/08/75a NYC, NY - Bottom Line MAC>CD All 98 0651 14207 
  *LOM: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool
 Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool
 v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. No
 flaws noted.
 Set One: Disc One (5) 53:04, 01. Crowd & Tuning [0:35], 02. Let it Rock [14:14] [1:48], 03.
  Finders Keepers [12:18] [2:21], 04. Last Train From Poor Valley [8:40] [1:35], 05. Feel Like Dynamite
 [11:13] [0:15]
 Set Two: Disc Two (5) 45:22, 01. Crowd & Tuning [1:39], 02. Tore Up Over You [8:07] [3:08],
 03. Wicked Messenger [7:07] [0:55], 04. Boogie on Reggae Woman [14:06] [1:21], 05. The Night They
 Drove Old Dixie Down [8:44] [0:10]
04/08/75b NYC, NY - The Bottom Line MS?>?>CD partial n/a 
 *LOM*
 I received this in a trade from Hary Angus a long time ago on a two-disc set labeled 4/8/75. Disc
 one and the first track of disc two constitute the circulating sbd material for 4/12/75b. For the
 remaining three songs, I follow TJS in considering them to be from 4/8/75b.
 Set One: Tough Mama, Wondering Why, I'll Take A Melody (MISSING Think, MISSING I Feel Like
 Dynamite, MISSING Jam)
04/09/75a NYC, NY - Bottom Line MAC>CD  All 97 0663 14606 
 *LOM: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool
 Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool
 v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.
 Notes/Flaws: - A very nice recording of a very good show. The Freedom Jazz Dance is fun, with some
 really wild stuff happening around the 7-minute mark, and Dixie Down is also notable (great fanning at
 around 6:45). - No flaws noted.
 Set One: Disc One (5) 50:50, 01. Crowd & Tuning [1:43], 02. Think [8:17] [1:08], 03. Freedom
 Jazz Dance [12:19] [2:18], 04. Feel Like Dynamite [11:04] [1:41], 05. That's What Love Will Make You
 Do [12:11] [1:08]
 Set Two: Disc Two (4) 45:30, 01. Crowd & Tuning [2:02], 02. Mississippi Moon [8:21] [1:42],
 03. Harder They Come [21:35] [2:31], 04. The Night They Drove Old Dixie Down [9:00] [0:17]
04/09/75a NYC, NY - The Bottom Line matrix All 97 1265 35022 
 *LOM: SBD/AUD matrix via Chris Chappell, Sick Bits v. 19*
 see info file for extensive source notes.
 Set One: d1t01 - tuning, d1t02 - Think, d1t03 - Freedom Jazz Dance, d1t04 - Feel Like
 Dynamite, d1t05 - That's What Love Will Make You Do, d1t06 - Mississippi Moon
 Set Two: d2t01 - Harder They Come, d2t02 - The Night They Drove Old Dixie Down
04/09/75a NYC, NY - Bottom Line MSR>R>P>D>CD All-1 83 0056 4485  
 *LOM*
 MSR > 1R > P > D > ??? > CD > SHN
 Set One: 1. [0:14] Think [8:21] [1:18], 2. Freedom Jazz Dance [12:05] [2:02], 3. [0:14] Feel
 Like Dynamite [10:59] [0:50], 4. That's What Love Will Make You Do [12:03] [1:46], 5. [0:58]
 Mississippi Moon [8:10] [0:54], Total Time 59:47
 Set Two: 1. [0:50] Harder They Come [21:16] [0:08] (missing The Night They Drove Old Dixie
 Down)
04/09/75a NYC, NY - The Bottom Line MSR>D>CD All-1 82 1249 30942 
 *LOM*
 source data: betty-board > dat > flac file (as reported by d. oade) > flac frontend > cdwav
 (tracks) > flac frontend. Jerry Garcia - guitar, vocals; Merl Saunders - keyboards, vocals; John Kahn
 - bass; Martin Fierro - saxophone, flute; Ron Tutt - drums.
 Set One: disc 1 (5 tracks, 60:19), 1 - think [8:10] [1:28], 2 - freedom jazz dance [11:53]
 [2:15], 3 - Feel Like Dynamite (glitch @ 6:25-:30) [10:56] [0:47], 4 - that's what love will make you
 do [12:02] [2:42], 5 - mississippi moon (static @ 1:23) [8:11] [1:51]
 Set Two: 1 - harder they come [21:11] [1:01] (MISSING The Night They Drove Old Dixie
 Down)
04/09/75b NYC, NY - Bottom Line MSR>R>P>D>CD Partial 34 0056 4485 
 *LOM*
 MSR>1R>P>D>???>CD>SHN
 Set One: (on disc w/ end of early show), 2. [0:23] Second That Emotion [16:31] [1:42], 3.
  Leave Your Hat On [14:42] [0:08]
04/09/75b NYC, NY - Bottom Line MAC>CD Partial 68 0910 88932 
 *LOM: Ihor Slabicky, Sony ECM 99As > Sony TC-152*
 MAC (Taped by Ihor Slabicky, Sony ECM-99As > Sony TC-152) > Nak Dragon playback > ART DI/O > WAV >
 Cool Edit 2000 > sector boundary verification (shntool) > .shn encoding (mkwACT). Transfer by David
 Minches, documentation by Joe Jupille. Notes: - d1t01 Tore Up cuts in, not much missing; levels rise
 @ 0:35; - This Expressway is terrific!; - d1t02 Expressway tape anomaly @ 0:03; - d1t03 PMTWGR Martin
 quotes Greensleeves @ end; - d1t04 Second That Emotion cuts in - speed problems start during Second
  That Emotion. The songs listed as missing from this set were all present on the tape, but apparently
 suffered from extremely severe speed problems.; - d1t05 Melody clips in, real-time gap @ 2:30-2:34
 Set One: Single Disc (6) 67:35, 01. //Tore Up Over You [#9:45] [0:04], 02. Expressway to
 Your Heart [14:15] -> 03. People Make the World Go 'Round [4:38] [0:04], 04. //Second That Emotion
 [#16:07], (missing Leave Your Hat On), (missing Last Train from Poor Valley), (missing Tough Mama),
 (missing Sitting Here in Limbo), 05. /I'll Take A Melody [#9:05], 06. Talkin' 'Bout You [13:03]
 [0:21]
04/09/75b NYC, NY - The Bottom Line MSR>D>CD Partial 34 1249 30942 
 *LOM*
 source data: betty-board > dat > flac file (as reported by d. oade) > flac frontend > cdwav
 (tracks) > flac frontend. Jerry Garcia - guitar, vocals; Merl Saunders - keyboards, vocals; John Kahn
 - bass; Martin Fierro - saxophone, flute; Ron Tutt - drums.
 Set One: --from "new" 4/9/75 early show disc-- 2 - i second that emotion [16:28] [1:40], 3 -
 you can leave your hat on [14:37] [0:56]
04/10/75a NYC, NY - Bottom Line  MAC>CD All 85 0652 14209 
 *LOM: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool
 Edit 2000 > master CD >  HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool
 v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. Notes:
 - This is a spectacular show! The disc one Instrumental is the one that sounds a bit like the Odd
 Couple theme. Problems Got Problems is utterly unique, very fast and with a little rap by Merl.
 Wicked Messenger is astounding, and I believe this Boogie on Reggae Woman to be the best ever done,
 really quite spectacular. - Those interested in making this a one-disc show can do so by trimming out
 some of the tunings, which are preserved for the purpose of archiving to .shn. Flaws: - None
 noted.
 Set One: Disc One (4) 45:03, 01. Crowd & Tuning [1:05], 02. It's No Use [12:19] [1:38], 03.
 Creepin' Instrumental [13:30] [1:40], 04. My Problems Got Problems [14:37] [0:10]
 Set Two: Disc Two (4) 39:59, 01. Crowd & Tuning [1:55], 02. Every Word You Say [7:20]
 [2:48], 03. Wicked Messenger [10:07] [1:43], 04. Boogie on Reggae Woman [15:39] [0:25]
04/10/75b NYC, NY - Bottom Line MAC>CD ? 62 0901 19391 
 *LOM: Ihor Slabicky, Sony ECM-99As > Sony TC-152*
 MAC (Taped by Ihor Slabicky, Sony ECM-99As > Sony TC-152) > Nak Dragon playback > ART DI/O > WAV >
 Cool Edit 2000 > sector boundary verification (shntool) > .shn encoding (mkwACT). Transfer by David
 Minches, documentation by Joe Jupille. Notes/Comments: - It is not clear if this is the whole show. -
 This might fall into the "for completists only" category. All tunes clip in, there are significant
 level fluctuations throughout, and the recording is somewhat muffled. But this is far from the worst
 aud out there, and at times is pretty good.
 Set One: Single Disc (5) 61:48, 01. Let it Rock [12:59], 02. Roadrunner [11:30], 03. It's
 Too Late [11:08], 04. I'll Take a Melody [10:10], 05. Mystery Train [15:58]
04/11/75a Upper Darby, PA - Tower Theater MAC>CD All 118 0664 14607 
 *LOM: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool
 Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool
 v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.
 Notes/Flaws: - A very nice recording of a very good show. - d1t05 Last Train from Poor Valley warbles
 @ 7:52-8:09; - d2t03 Expressway Fierro quotes Greensleeves @ very end. old copy jjshn#326-330.
 Set One: Disc One (6) 57:27, 01. Crowd & Tuning [0:22], 02. Tore Up Over You [11:56] [1:43],
 03. Favela [10:12] [1:09], 04. Feel Like Dynamite [1:38] [0:53], 05. Last Train from Poor Valley
 [9:05] [1:23], 06. Tough Mama [8:48] [0:15]
 Set Two: Disc Two (6) 59:49, 01. Crowd & Tuning [3:08], 02. Mystery Train [11:20] [2:01],
 03. Expressway [11:50] -> 04. People Make the World Go 'Round [4:33] [1:17], 05. Second That Emotion
 [15:33] [0:34], 06. The Night They Drove Old Dixie Down [8:54] [0:37]
04/11/75a Upper Darby, PA - Tower Theater MSR>R>D>CD Partial n/a  
 *LOM*
04/11/75b Upper Darby, PA - Tower Theater MAC>CD All 117 0665 14608 
 *LOM: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool
 Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool
 v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.
 Notes/Flaws: - An excellent recording of a terrific show. Wicked Messenger, Boggie on Reggae Woman,
 and How Sweet It Is are are particularly great. - d2t02 Mississippi Moon background crackling comes
 from the show PA, and is not a recording (analog or digital) artifact. old copy jjshn#326-330.
 Set One: Disc One (6) 69:24, 01. Crowd & Tuning [0:28], 02. Harder They Come [19:16] [1:34],
 03. Leave Your Hat On [13:44] [1:39], 04. Soul Roach [9:34] [0:37], 05. Wicked Messenger [9:50]
 [3:26], 06. Money Honey [8:44] [0:27]
 Set Two: Disc Two (5) 47:10, 01. Crowd & Tuning [1:07], 02. Mississippi Moon [8:13] [1:53],
 03. Boogie on Reggae Woman [14:20] [2:25], 04. I'll Take a Melody [9:36] [0:48], 05. How Sweet It Is
 [8:31] [0:15]
04/11/75b Upper Darby, PA - Tower Theater MSR>R>D>CD Partial n/a 
 *LOM*
04/12/75a Scranton, PA - Masonic Temple  MS?>?>CD Partial 35 
 *LOM*
 This material is extremely confused, and may actually be from 4/8/75b, or some other date.
 Set One: on disc two of "4/15/75": 2. [0:04] Tough Mama [7:47] [0:08], 3. [0:05] Wondering
 Why [15:47] [0:04], 4. [0:17] I'll Take a Melody [9:50] [0:05]
04/12/75b Scranton, PA - Masonic Temple MSR>R>P>D>CD All 82 0058 4484 
 *LOM*
 MSR>1R>P>D>ZA/2>SHN; d1t01 Let it Rock static @ 7:27; d1t02 Lala cut/splices @ 9:09, 11:51; NB
 "4/15/75" CONTAINS ALL OF THESE SONGS, AND THE LA-LA ON THAT VERSION IS NOT CUT.
 Set One: 1. Let it Rock [12:00] [1:02], 2. La//-La [12:34#] [1:10], 3. Boogie on Reggae
 Woman [16:10] [1:07], 4. Mississippi Moon [8:13] [0:43], 5. [0:30] Going Going Gone [14:09] [1:06],
 Total Time 68:46
 Set Two: Mystery Train [12:52] [0:02] (on Garcia/Saunders 11/28/74 d3)
04/12/75b Scranton, PA - Masonic Temple MSR>D>CD All 82 1252 31479 
 *LOM* *sirmick remaster*
 source: sbd > reel > dat > cdr > cdwave > flac > wav > flac. Seeder (sirmick)'s notes: - I removed
 a number of small imperfections, applied a little hiss reduction and retracked the show. - There is
 a very small patch of diginoise at 6:20 in Mystery Train. Unlike the other source in circulation
 (shnid 4484), there is no splice in Lala and Mystery Train does not cut at the end.
 Set One: Disc 1 (3 tracks, 44:00), 01 Let It Rock, 02 Lala, 03 Boogie On Reggae
 Woman
 Set Two: Disc 2 (3 tracks, 38:05), 01 Mississippi Moon, 02 Going Going Gone, 03
 Mystery Train
04/13/75b Washington, DC - Kennedy Center MSR>P>D>CD IIp 36 0032 4483 
 *LOM*
 MSR>1R>P>DATs>Digi001>SHN
 Set One: 1. [0:52] I'll Take a Melody [9:47] [1:17], 2. Mystery Train [13:18] [1:11], 3. The
 Night They Drove Old Dixie Down [8:51] [0:15], ShowTime 36:00, Filler: 1/27/76, Keystone Berkeley, 4.
 Tomorrow is Forever [7:06] [0:17], 5. //Roadrunner [10:19#], Total Time 53:15
04/15/75 MISLABELED  n/a 
 This is really a mix of 4/12/75 and 4/9/75 material, as noted at The Jerry Site.
04/18/75 Chicago, IL - Arie Crown Theater MSR>R>P>D>CD IIp 48 0188 4482 
 *LOM*
 MSR>1R>1PCM>3DAT>CD>EAC>SHN; d1t03 Mississippi Moon brief PCM pop @ beginning
 Set One: 1. Tore Up Over You [12:53] [0:43], 2. You Can Leave Your Hat On [13:06] [0:09], 3.
 [0:24] Mississippi Moon [8:26] [1:24], 4. I'll Take a Melody [10:25] [0:02], Total Time 47:33
04/19/75 *see Jerry Garcia on Official Releases* n/a 
04/19/75 Milwaukee, WI - Oriental Theater  MSR>R>P>D>CD All 90 0033 4481 
 *LOM*
 MSR>1R>P>D>ZA2>SHN
 Set One: 1. [0:07] Tough Mama [8:31] [0:11], 2. It's No Use [10:42] [0:36], 3. I Feel Like
 Dynamite [10:23] [0:13], 4. //You Can Leave Your Hat On [2:15#] [0:56], 5. Every Word You Say [9:29],
 6. [0:30] That's What Love Will Make You Do [11:22] [0:03], 7. [0:48] Wicked Messenger [13:00] [0:27],
 Total Time 69:36
 Set Two: Harder They Come is on Garcia/Saunders 11/14/74 disc 2
04/19/75 Milwaukee, WI - Oriental Theater MSR>P>D>CD All n/a 1354 90011 
 *LOM*
 Source: Betty Board MSR > PCM > DAT x ?; Cloned: From Dr. Bruce Fried 06/03/1996 Casio DA-7 >
 Panasonic SV-3700; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with:
 iZotope Ozone 3 > CD Wave > TLH > FLAC. Transfer and Mastered by Bill Koucky, Green Mountain Bros.
 February 15, 2008. Jerry Garcia - guitar, vocals; Merl Saunders - keyboards, vocals; John Kahn - bass;
 Martin Fierro - saxophone, flute; Ron Tutt - drums. Mastering Notes: "d1t01-d1t03 represents the 1st
 portion of the show. There is a defined stop of the tape and a beginning of the second reel as d2t01
 is cut into. Each portion was mastered separately as part 1 had and 3.2db difference between left and
 right channels. Part 2 had a difference of 0.2 db, with in both cases the left channel higher. Minor
 crossfades were applied during pauses in the tape and the only fade was applied at the beginning of
 the set. Minor eq was applied to reduce tape hiss, the db was brought up with maximizer in Ozone. As
 noted in other sources, this listens as a single set and was perhaps the early show of the evening,
 and is not from Stage West in West Hartford, CT as this show circulates as."
 Set One: Tough Mama, It's No Use, I Feel Like Dynamite, You Can Leave Your Hat On*, Every
 Word You Say, That's What Love Will Make You Do, Wicked Messenger, The Harder They Come
04/19/75 Milwaukee, WI - Oriental Theater MSR>D>CD partial n/a 1249 31277 
 *LOM*
  Seeder's notes: source data: betty board > dat > one track flac (many thanks to doug oade) > flac
 frontend > cdwav (tracks) > flac. i left the levels and eq *as is*. JJ: this lineage seems suspect to
 me. Doesn't sound any different to my bad ears than the previously circulating version.
 Set One: 1. tough mama, 2. it's no use, 3. dynamite, 4. leave your hat on, 5. every word you
 say, 6. twlwmyd
04/20/75 Madison, WI - Capitol City Theater MSC>D>CD All 183 0447-0448 10979 
 *LOM*
 MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on
 Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT.
 Proper sector boundaries verified using shntool. A>D by Rob Eaton, D>CD by Ryan Shriver, EAC>SHN by
 Joe Jupille. Notes: d3t04 (filler) cuts in, not much missing; d3t06 (filler) Dixie Down cut/splice @
 0:41? (or 2:40?)
 Set One: Disc One (5) 72:33 --Set I-- 1. Let it Rock [13:52] [1:28], 2. Feel Like Dynamite
 [9:02] [2:02], 3. Going, Going, Gone [16:51] [1:26], 4. Favela [14:11] [1:22], 5. Someday Baby [12:13]
 [0:04]
 Set Two: Disc Two (5) 72:20 --Set I (con't)-- 1. [0:05] Roadrunner [11:13] [0:35] --Set II--
 2. [0:03] Harder They Come [17:45] [2:02], 3. Wondering Why [18:01] [1:35], 4. I'll Take a Melody
 [8:50] [1:14], 5. Mississippi Moon [10:31] [0:21]
 Set Three: Disc Three (3) 38:11 --Set II (con't)-- 1. Boogie on Reggae Woman [13:42] [1:07],
 2. Every Word You Say [8:18] [1:19], 3. Mystery Train [13:36] [0:05], Filler: 4/5/75a, 4.
 //Mississippi Moon [8:13#] [1:01], 5. Second That Emotion [19:19] [2:19], 6. The Night They Drove//
 Old Dixie Down [8:40#] [0:05], Total Time 77:49
04/20/75 Madison, WI - Capitol City Theater "MSR>D>CD" All 173 1252 31502  
 *LOM*
 Supposed lineage: Soundboard > Master Reel > DAT > CDR > CDWAVE > Flac, but I suspect it's a
 cassette master. HTC fades in. The filler on d3 is unknown. SIL has male high harmonies, and the
 Wicked Messenger is short and feeble. LL user regal contrasts this with 10979: "Set I they are the
 same. Set II this is better, less distortion noted in the flute, also al around cleaner sound."
 Set One: Disc1 (5 tracks, 67:17): Let it Rock, Feels Like Dynamite, Going Going Gone,
 Favela, Someday Baby
 Set Two: Disc2 (5 tracks, 66:08): Roadrunner, Harder They Come (fades in), Wondering Why,
 I'll Take a Melody, Mississippi Moon
 Set Three: Disc3 (6 tracks, 68:00): Boogie on Reggae Woman, Every Word You Say, Mystery
 Train --UNKNOWN FILLER-- Sitting in Limbo, Tore Up, Wicked Messenger 5:36
05/15/75 *see Jerry Garcia on Official Releases* n/a  
05/15/75 San Francisco, CA - Great American Music Hall MAC>D>CD All 170 0193-0194 8655 
 *LOM: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [upfront but not onstage] > Sony
 TC-152) > DATx1 > CDx2 > EAC > SHN; via Jack Warner; d1t01 had previously been listed as "Jam #5", but
 is now listed as "When I Die", based on information from Simon Friedman, who says that it was "a hit
 in 1969 by the obscure group Motherlode"; d1t01 When I Die fades in; d3t02 BORW digi-burst/static @
 9:30-9:31
 Set One: Set I, 1. //When I Die [15:11#] [0:34], 2. Every Word You Say [6:41] [0:13], 3.
  Feel Like Dynamite [14:16] [0:41], 4. Wicked Messenger [13:52] [1:02], 5. Day By Day Instrumental
 [14:08] [0:09], Total Time 66:49
 Set Two: Set I (con't), 1. Mystery Train [15:17] [0:25], Set II, 2. Tuning [1:01], 3. I'll
 Take a Melody [11:21] [1:12], 4. You Can Leave Your Hat On [20:09] [0:26], 5. Little Sunflower [18:50]
 [0:28], Total Time 69:13
 Set Three: Set II (con't), 1. Neighbor Neighbor [12:10] [1:00], 2. Boogie on Reggae Woman
 [19:25] [0:25], Total Time 33:01
05/21/75 Berkeley, CA - Keystone MSR>R>D>CD All 145 0081-0082 4479 
 *LOM*
 SBD>15 ips reel>15ips reel>DAT>Sony R500>Genesis Digital Lens>Fostex CR200>CD>WAV(EAC)>SHN
  Set One: Set I, 1. [0:10] The Touch I Like I Like [10:14] [2:20], 2. [0:03] I Feel Like
 Dynamite [12:18] [2:02], 3. Last Train From Poor Valley [10:41] [0:20], 4. [0:28] Finders Keepers
 [12:35] [0:44], 5. Tough Mama [8:09] [1:44], 6. That's What Love Will Make You Do [11:29] [0:18],
 Total Time 73:33
 Set Two: 1. [0:31] I'll Take A Melody [9:07] [0:36], 2. [0:04] You Can Leave Your Hat On
 [15:39] [1:15], 3. Mississippi Moon [8:17] [0:40], 4. The Harder They Come [20:20] [0:31], 5. [0:15]
 Creepin' Instrumental [13:20] [0:14], Total Time 70:52
05/21/75 Berkeley, CA - Keystone MAC>CD All n/a 1319 87086 
 *LOM: Menke & Falanga* *MOTB0043*
 Set One: That's The Touch, I Feel Like Dynamite, Last Train To Corvalis, (Finders) Keepers,
 Tough Mama, That's What Love Will Make You Do
 Set Two: I'll Take A Melody, You Can Leave Your Hat On, Mississippi Moon, The Harder They
 Come, Creepin Jam*, How Sweet It Is To Be Loved By You
05/21/75 Berkeley, CA - Keystone MSR>R>D>CD All n/a enter 87149 
 *LOM* *ktobin patched version*
 Set One: That's The Touch, I Feel Like Dynamite, Last Train To Corvalis, (Finders) Keepers,
 Tough Mama, That's What Love Will Make You Do
 Set Two: I'll Take A Melody, You Can Leave Your Hat On, Mississippi Moon, The Harder They
 Come, Creepin Jam*, How Sweet It Is To Be Loved By You
05/21/75 Berkeley, CA - Keystone MAC>FLAC2448 All n/a enter 87133 
 *LOM: Menke & Falanga* *MOTB0043*
 Set One: That's The Touch, I Feel Like Dynamite, Last Train To Corvalis, (Finders) Keepers,
 Tough Mama, That's What Love Will Make You Do
 Set Two: I'll Take A Melody, You Can Leave Your Hat On, Mississippi Moon, The Harder They
 Come, Creepin Jam*, How Sweet It Is To Be Loved By You
05/21/75 Berkeley, CA - Keystone MTX All n/a 1319 87219 
 *LOM: Kev Tobin MTX of MOTB Menke-Falanga and sbd*
 Set One: That's The Touch, I Feel Like Dynamite, Last Train To Corvalis, (Finders) Keepers,
 Tough Mama, That's What Love Will Make You Do
 Set Two: I'll Take A Melody, You Can Leave Your Hat On, Mississippi Moon, The Harder They
 Come, Creepin Jam*, How Sweet It Is To Be Loved By You
05/22/75 *see Jerry Garcia on Official Releases* n/a 
05/22/75 Berkeley, CA - Keystone MAC>CD All n/a 1319  87091 
 *LOM: Menke & Falanga* *MOTB0044*
 Set One: Tore Up Over You, Jam, I Feel Like Dynamite, Every Word You Say, Mystery Train
 Set Two: He Ain't Give You None, Boogie On Reggae Woman, Since I Lost My Baby, Going Going
 Gone, Roadrunner
05/22/75 Berkeley, CA - Keystone MSR>P>D>CD Partial 23 0684 enter 
 *LOM*
 Betty Cantor's 7" soundboard reels @ 15 ips > PCM > DAT > CDR
 Set One: LOM snippets disc: end of Set I: 3. ...Mystery Train [#1:49] [0:09], -beginning of
 Set II: 4. He Ain't Give You None [12:36] [1:24], 5. Boogie on Reggae Woman// [6:56#]
05/30/75 San Francisco, CA - Marx Meadows, Golden Gate Park MSR>C>R>CD Unknown 33 enter enter 
 *Diga Rhythm Band*
 Diga Rhythm Band 5/30/75 1 CD Marx Meadows MSR>C>R>CDR w/J. Garcia and D. Freiberg. Garcia (and
 Freiberg?) only on last track, I think. Mix only really settles in a few minutes into FOTM.
 Set One: COPY 1 (MP)--Single Disc (3) 32:43, 01. Persuasion (?) [12:32] [0:06], 02. Band
 Introductions & Talk [2:10], 03. Talk & Tuning [2:02], Noodling [4:23] -> Fire on the Mountain [10:23]
 [1:07]
 Set Two: COPY 2 (SM)--Single Disc (3) 33:45, 01., 02., 03. Noodling [5:39] -> Fire On the
 Mountain (w/ Freiberg & Garcia)
06/03/75 Berkeley, CA - Keystone MAC>D>CD All 126 0090-0091 4477 
 *LOM: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270+Sony ECM-250 [onstage, one mic directly in front
 of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1
 > Jack Warner's CD > CD > EAC > SHN; d1t01 ITALTL, ITATTC cuts in; d1t01 ITALTL, ITATTC major cut @
 2:28; d1t01 ITALTL, ITATTC L channel out @ 2:28-2:33; d1t01 ITALTL, ITATTC level fluctuations @
 2:56ff; d1t02 originally contained both Dynamite and Day by Day, track split using CDWAVE; d1t02
 Dynamite comes in abruptly, a note or two may be missing; d1t02 Dynamite distortion @ 0:36-0:38
 Set One: 1. //It Takes//a Lot to Laugh,It Takes a Train to Cry [4:23#] [0:04], 2. Feel Like
 Dynamite [13:53] [2:07], 3. Day By Day Instrumental [15:20] [1:09], 4. Tore Up [12:29] [1:40], 5.
 Going, Going, Gone [19:01] [0:15], Total Time [70:24]
 Set Two: 1. The Harder They Come [18:51] [1:50], 2. Bossa Martin [13:07] [0:44], 3. Someday
 Baby [11:12] [0:07], 4. How Sweet It Is [08:55] [0:03], Total Time [54:52]
06/03/75 Berkeley, CA - Keystone MAC>CD All n/a 1319 87198 
  *LOM: Menke & Falanga* *MOTB0045*
06/03/75 Berkeley, CA - Keystone MAC>FLAC2448 All 129 enter 87217 
 *LOM: Menke & Falanga* *MOTB0045*
 MOTB Release: 0045 24bit/96Khz;Source: Audience FOB Recording; Media: Maxell UD90; Lineage: Sony
 ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B >
 WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek
 McCabe. Jerry Garcia and Merl Saunders:: * Jerry Garcia - guitar, vocals; * Merl Saunders - keyboards,
 vocals; * John Kahn - bass; * Martin Fierro - saxophone, flute; * ??? ????? - drums. Mastering Notes:
 -- d1t01 - Tape fades in, then taper equipment problems at 02:11 where recording is cut; there is
 about a minute of intrumentals missing along with some Jerry vocals. Cut was cross-faded with the
 remainder of the song and kept as one track. -- d2t04 - Tape flip cross-faded. Notes: -- This is
 listed as Garcia and Saunders since it has been confirmed Ron Tutt did not play drums at this show;
 however, it is not certain who did. -- d1t03 - Based on currently available information "Day By Day"
 (instrumental) was played just two other times at a show. -- d2t01 - Notable feedback at about 00:43
 and 01:16. -- d2t04 - According to db.etree "Tough Mama" is not part of the originally circulating
 Menke-Falanga taped source (shnid=4477). However, it is included in the db.etree show listing set list
 (shows_key=4888). It is not present in the set list shown at TheJerrrySite.com. -- d2t04 - "Tough
 Mama" fades in, with just a few seconds of music missing. Taper Talk: -- Question - "Was Bob [Menke]
 friendly enough with [Steve] Parish to be allowed stage lip mic mounting?" -- Answer - "We had no
 permission. We snuck the equipment in and were near the front of the line so we could get the spot. In
 early 1976 at Sophie's (before the veunue became Keystone Palo Alto) we tried the same thing and 2
 things happened. Ramroad cut our mic cable during the first set and Parish threatened to break the 152
  over our heads if he saw us trying to tape the 2nd set. Hope that answers your question. "Special
 Note: -- These are recordings done by Bob Menke and Louis Falanga at the Berkeley Keystone, made in
 May and June of 1975, that MOTB will be turning out, the subsequent Grateful Dead and related
 recordings are dedicated to Bob Menke's mom, Connie, who is suffering from pancreatic cancer. As you
 listen to what are certainly the most unique - if possibly not some of the best - audience recordings
 of Jerry Garcia in his prime, please send out healing vibes and prayers to Connie any way you see fit.
 We are all pulling for her, so please keep her in your hearts and prayers. The MOTB Team.
 Set One: Set 1: s1t01 - It Takes A Lot To Laugh, It Takes A Train To Cry, s1t02 - I Feel
 Like Dynamite, s1t03 - Day By Day, s1t04 - Tore Up Over You, s1t05 - Going, Going, Gone
 Set Two: Set 2: s2t01 - Harder They Come, s2t02 - Bossa Martin, s2t03 - Someday Baby,
 s2t04 - //Tough Mama, s2t05 - How Sweet It Is (To Be Loved By You)
06/04/75 Berkeley, CA - Keystone MAC>R>D>CD All 138 0106-0107 4476 
 *LOM: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270+Sony ECM-250 onstage>Sony TC-152)>R>D>CD; d1t01
 Think crackle @ 0:32; d1t04 BORW L channel out 10:25-10:42; d2t01 Mystery Train splice @ 8:13; d2t02
 Melody fades in; this Instrumental (d1t05) is also found on 6/21/75
 Set One: 1. Think [12:51] [0:36], 2. Feel Like Dynamite [12:28] [0:29], 3. [0:11] Every Word
 You Say [7:04] [0:58], 4. Boogie on Reggae Woman [16:01] [1:23], 5. Little Sunflower [16:39] [0:28],
 Total Time 69:10
 Set Two: 1. [0:16] Mystery //Train [12:06#] [0:11], set II, 2. //I'll Take a Melody [9:35#]
 [0:38], 3. You Can Leave Your Hat On [21:04] [0:47], 4. Mississippi Moon [11:39] [0:32], 5. Talking
 'Bout You [10:39] [0:04], Total Time 67:33
06/06/75 San Rafael, CA - Dominican College MS?>D>CD All 62 0660 13994 
 *Garcia, Hart, Lesh, & Lagin*
 Set One: Single Disc, 9 tracks, 62 minutes of Space.
06/08/75 Palo Alto, CA - El Camino Park MAC>D>CD All 79 0355 9706 
 *LOM: David Gans, Sony mic > Sony TC-152*
 Recorded by David Gans, "cheap Sony condensor mic" > Sony TC-152; t04 Tore Up fades down @
 1:37-1:38; t05 Little Sunflower cuts in, not much missing
 Set One: 1. Harder They Come [15:14] [0:18], 2. Feel Like Dynamite [11:11] [0:16], 3. Last
 Train From Poor Valley [10:27] [1:45], 4. Tore Up Over You [8:51] [0:05], 5. //Little Sunflower
 [18:18#] [0:13], 6. Mystery Train [11:47] [0:09], Total Time 78:38
06/08/75 Palo Alto, CA - El Camino Park MAC>D>CD All 81 1287 81310 
 *LOM: Menke & Falanga, Sony ECM-250 & 270 > Sony TC-152*
 Bob Menke & Louis Falanga FOB MAC w/ Sony ECM-250 & Sony ECM-270 > Sony TC-152 > WAV > CD-R > EAC >
 WAV > FLAC.
 Set One: Disc One (68:43): 1. ...The Harder They Come, 2. I Feel Like Dynamite, 3. Last
 Train from Poor Valley, 4. Tore Up Over You, 5. Little Sunflower
 Set Two: Disc Two (12:16) 1. Mystery Train
06/08/75 Palo Alto, CA - El Camino Park  MAC>CD All n/a 1353 89915 
 *LOM: Menke & Falanga, Sony ECM250+ECM270 > Sony TC-152* *MOTB0061*
 Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = Maxell UD C90;
  Analog Lineage: 1 x Sony ECM-270 + 1 x Sony ECM-250 => Sony TC-152 >> MAC; Analog Sound Preservation:
 MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg
 AudioGate >> WAV [24/96]; Taped By: Bob Menke and Louis Falanga; Transfer By: B. Menke; Mastering By:
 J. Wadell. Legion Of Mary: * Jerry Garcia - guitar, vocals; * Merl Saunders - keyboards, vocals; *
 John Kahn - bass; * Martin Fierro - saxophone, flute; * Ron Tutt - drums. Mastering Notes: -- Edited,
 mastered and downsampled to 16/44.1 on the GEMS Edit Station. -- Heavy bass frequency attenuated. --
 Channels balanced. -- Tape pauses between songs were smoothed where harsh. Notes: -- d1t01 - "The
  Harder They Come" abruptly cuts in, with the first few notes of the opening missing. -- The Sony ECM
 microphones were mounted on a broomstick. -- We at MOTB, and the community at large, are forever
 indebted to Bob Menke and Louis Falanga for having the wherewithal and initiative to tape these Legion
 Of Mary performances in 1975; and, of course, for the kind sharing thereof.
 Set One: The Harder They Come, I Feel Like Dynamite, Last Train To Corvalis, Tore Up Over
  You, Jam, Mystery Train
06/21/75 Berkeley, CA - Keystone MAC>D>CD All 142 0127-0128 4475 
 *LOM: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270+Sony ECM-250 [onstage, one mic directly in front
 of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1
 > Jack Warner's CD > CD > EAC > SHN; d1t01 Let It Rock first few notes clipped; d1t04 Instrumental
 drop/burst @ 2:39-2:40; this Instrumental (d1t04) is also found on 6/4/75
 Set One: 1. //Let It Rock [11:05#] [1:00], 2. I Feel Like Dynamite [12:39] [1:23], 3. Every
  Word You Say [7:52] [2:00], 4. Noodling [1:06] -> Little Sunflower [18:10] [0:29], 5. Tore Up [8:30]
 [0:46], 6. Tough Mama [8:25] [0:11], Total Time 72:38
 Set Two: 1. Crowd/Tuning [0:17], 2. I'll Take A Melody [9:49] [1:13], 3. You Can Leave Your
 Hat On [14:30] [0:47], 4. Mississippi Moon [8:35] [0:49], 5. Harder They Come [18:48] [0:58], 6.
 Mystery Train [12:24] [0:09], Total Time 68:12
06/21/75 Berkeley, CA - Keystone MAC>CD  All n/a enter 87222 
 *LOM: Menke & Falanga, Sony ECM 250+270 > Sony TC-152* *MOTB47*
 MOTB Release: 0047 16/44.1; Release Date: 09/12/2007; Band: Legion Of Mary; Date: 06/21/1975 -
 Saturday; Venue: Keystone; Location: Berkeley, CA; Source: Audience FOB Recording; Media: Maxell UD90;
 Lineage: Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon
 > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke;
 Mastering: Jamie Waddell. Legion Of Mary: * Jerry Garcia - guitar, vocals; * Merl Saunders -
 keyboards, vocals; * John Kahn - bass; * Martin Fierro - saxophone, flute; * Ron Tutt - drums.
  Mastering Notes: -- Edited and Mastered on the GEMS Edit Station. Notes: -- d1t01, d1t02, d1t03 -
 Distant sounding vocals at generally low levels; improving slightly at the end of "Every Word You
 Say". -- d1t06, d1t07 - Audio quality and sound level of vocals improves from the very start of "Tore
 Up Over You" and into "Tough Mama". -- Vocals achieve sonic and spatial nirvana through the remainder
 of Set 2.
 Set One: Set 1 (71:14): d1t01 - Let It Rock, d1t02 - I Feel Like Dynamite, d1t03 - Every
 Word You Say, d1t04 - Tuning, d1t05 - Little Sunflower, d1t06 - Tore Up Over You, d1t07 - Tough
 Mama
 Set Two: Set 2 (66:48): d2t01 - I'll Take A Melody, d2t02 - You Can Leave Your Hat On, d2t03
 - Mississippi Moon, d2t04 - Harder They Come, d2t05 - Mystery Train
06/21/75 Berkeley, CA - Keystone MSR>P>D>CD Partial 17 0684 enter 
 *LOM*
 Betty Cantor's 7" soundboard reels @ 15 ips > PCM > DAT > CDR
 Set One: LOM snippets disc: from Set I: 6. ...I Feel Like Dynamite [#7:59] [0:27], 7. Every
 Word You Say [7:59] [0:08]
06/22/75 Berkeley, CA - Keystone MAC>D>CD All  157 0185-0186 12558 
 *LOM: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270+Sony ECM-250 [onstage, one mic directly in front
 of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1
 > Jack Warner's CD > CD > EAC > SHN; Consistent R-channel buzzing (PA?) throughout; d1t01 Think fades
 in
 Set One: Disc One (5) 69:30, Set I, 1. //Think [8:23#] [0:42], 2. Bossa Martin [17:22]
 [0:50], 3. Last Train from Poor Valley [12:26] [1:17], 4. Feel Like Dynamite [12:37] [0:38], 5. Second
 That Emotion [14:54] [0:20]
 Set Two: Disc Two (3) 53:47, Set I (con't), 1. That's Alright Mama [12:08] [0:16], Set II,
 2. After Midnight [15:58] [0:55], 3. Wondering Why [23:37] [0:52]
 Set Three: Disc Three (3) 32:32, Set II (con't), 1. Tough Mama [8:06] [1:55], 2. My Problems
  Got Problems [13:08] [0:30], 3. How Sweet It Is [8:49] [0:04]
06/22/75 Berkeley, CA - Keystone MSR>P>D>CD Partial 17 0684 enter 
 *LOM*
 Betty Cantor's 7" soundboard reels @ 15 ips > PCM > DAT > CDR
 Set One: LOM snippets disc: from Set I: 8. ...Last Train from Poor Valley [#4:49] [2:01], 9.
 I Feel Like Dynamite// [9:40#]
07/04/75 *see Jerry Garcia on Official Releases* n/a  
07/04/75 San Francisco, CA - Great American Music Hall matrix All n/a 1367 91476 
 *LOM: tobin matrix*
 SBD + AUD Matrix 2 Source Mix (50%-SBD/50%-AUD). Info file has detailed notes on patching and
 matrixing details.
 Set One: Set 1: d1t01 - I'll Take A Melody d1t02 - I Feel Like Dynamite d1t03 - Someday Baby
 d1t04 - That's All Right, Mama d1t05 - Mississippi Moon d1t06 - Boogie On Reggae Women
 Set Two: Set 2: d2t01 - Tough Mama d2t02 - Little Sunflower d2t03 - Tore Up Over You d2t04 -
 Every Word You Say d3t01 - My Problems Got Problems d3t02 - It's Too Late, d3t03 - Harder They Come
 Set Three: jg1975-07-04.lom.all.mtx-tobin.91476.flac1644
07/04/75 San Francisco, CA - Great American Music Hall MAC>CD All n/a 1363 91465 
 *LOM: Reinhart Hohlwein, Sony ECM280s > Sony TC152SD* *MOTB*
 Analog Audience Source: FOB Master Cassette (MAC); Medium Stock Brands:MAC = Maxell UD C90; Analog
 Lineage: 2 x Sony ECM-280 => Sony SD 152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 =>
 Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped
 by: Reinhart Hohlwein; Transfer by: Bob Menke; Mastering by: Jamie Waddell; Special: Rhinotrocity#2.
 Legion of Mary: * Jerry Garcia - guitar, vocals; * Merl Saunders - keyboards, vocals; * John Kahn -
 bass; * Martin Fierro - saxophone, flute; * Ron Tutt - drums. Mastering Notes -- Edited and Mastered
 on the **GEMS** Edit Station by Jamie Waddell.
 Set One: Set 1 d1t01 - Crowd d1t02 - I'll Take A Melody d1t03 - I Feel Like Dynamite d1t04 -
 Someday Baby d1t05 - That's All Right, Mama d1t06 - Mississippi Moon d2t01 - Boogie On Reggae Woman
 Set Two: Set 2 d2t02 - Tough Mama d2t03 - Little Sunflower d2t04 - Tore Up Over You d3t01 -
 Every Word You Say d3t02 - My Problems Got Problems d3t03 - It's Too Late d3t04 - Harder They Come
07/04/75 San Francisco, CA - Great American Music Hall MSR>C>D>CD All-1 160 0066-0067 6633 
 *LOM*
 d1t06 Tough Mama first few notes clipped; d2t04 Problems Got Problems drop @ 7:57-8:02; Harder They
 Come drop @ 17:37-17:39
 Set One: 1. [0:14] I Feel Like Dynamite [12:48] [2:32], 2. [0:03] Someday Baby [11:38]
 [1:41], 3. That's All Right, Mama [12:19] [1:37], 4. Mississippi Moon [8:37] [1:29], 5. Boogie On
 Reggae Woman [13:10] [0:11], Set II, 6. //Tough Mama [9:25] [1:55], Total Time 77:42
 Set Two: Disc Two (5) 63:44, 1. Little Sunflower [16:54] [1:08], 2. Tore Up Over You [8:48]
 [1:20], 3. Every Word You Say [8:45] [0:54], 4. My Problems Got Problems [12:15] [0:16], 5. It's Too
 Late [12:25] [1:05], On separate disc (filler on 11/3/78 d2) Harder They Come [18:48]
07/05/75 *see Jerry Garcia on Official Releases*  n/a 
07/06/75 Berkeley, CA - Keystone MA?>?>CD Partial 50 
 *LOM: unknown taping details*
 Notes: - Terrific material, really fun. This seems pretty clearly to be a partial copy of this
 show, LOM's last. - t01 Train to Cry cuts in; - t01 needs to have Soul Roach separately tracked; - t02
 Second That Emotion cuts out; Thanks to Harry Angus for the source CDs!
 Set One: Single Disc (4) 49:46, 01. //It Takes a Lot to Laugh, It Takes a Train to Cry
 [#10:10] [0:07], Soul Roach [10:09] [0:08], 02. [0:27] Second That Emotion// [4:45#], 03. Day By Day
 [11:47] [1:15], 04. [0:59] The Night They Drove Old Dixie Down [8:46] [0:10]
08/20/75 San Francisco, CA - Great American Music Hall MSC>R>D>CD? I 116 
 *Keith and Donna Band*
 Notes/Flaws: - d1t06 Straight Life splice @ 0:18 - d2t04 Instrumental fades in - d2t04 Instrumental
 splice @ 0:42 - d2 may be fast - a hum becomes audible after the d2t04 Instrumental and persists for
 the rest of the recording. Indeed, I detect a SQ change at the Instrumental, suggesting perhaps that
 this is a compilation of the MSR>D source and the MSC>R>D source (last three songs) - Keith announces
 a set break after the last song, suggesting that this is only set I (as noted at the Jerry Site).
 Set One: Disc One (7) 55:46, 01. Crowd & Tuning [0:07], 02. Tough Mama [8:37] [0:41], 03. My
 Love For You [9:46] [1:03], 04. Straight Life [19:19] -> 05. Drums [1:25] -> 06. Straight// Life
 [2:#09] [2:19], 07. Come See About Me [9:36] [0:41]
 Set Two: Disc Two (6) 60:09, 01. Crowd & Tuning [0:08], 02. How Sweet It Is [9:01] [0:20],
 03. Showboat [10:25] [0:07], 04. ... Instrumental [#5:17] [2:33], 05. Sweet Baby [11:11] [2:07], 06.
 Instrumental [18:46] [0:11]
08/30/75 San Francisco, CA - Orphanage MSR>R>CD All 118 1366 91765 
 *Keith & Donna Band*
 MSR (Sony deck) > 1 reel (Black Maxell UDXL35-90B @ 3.75ips) > AKAI GX-625 playback > Copperhead
 audio cables > Apogee Mini Me (24/96) > Apogee Mini DAC (Monitoring/Mastering) > Wavelab 5.0 (dithered
 to 20 bit/44K) > CD > EAC > CDWave > FLAC. Digital transfer by Matt Smith, CD > FLAC by jjoops. JJ's
 Notes:
- A fascinating nugget! The recording isn't pristine, but it is very nice. The performance is
 interesting and well worth your ear-time, IMO. I am not 100% sure about the players; someone with
 keener ears should probably listen for two drummers (or not), and I also hear a second guitar but
 cannot be trusted to be correct about that. - d1t01 Knock on Wood fades in - d1t05 help in identifying
 these numbers would be appreciated - d1t06 help in identifying this funkalicious number would be
 appreciated. Solid! - d2t02 Sweet Baby clips in - d2t05 My Love For You has slide guitar @ ca.
 6:57-8:16; spliced @ 8:16. Lineup, per the Jerry Site and tape notes: * Keith Godchaux - keyboards,
 backing vocals; * Donna Godchaux - vocals; * Jerry Garcia - guitar, vocals; * Matt Kelly - harmonica;
 * Mike Larsheid - bass; * Steve Schuster - saxophone; * Ray Scott - drums; * Bill Kreutzmann - drums;
 * Hadi Al-Saadoon - trumpet; * ???? - guitar. Matt Smith's Notes: "Most of this recent circulating
 'new' material came from the amazing Will Boswell/Pat Lee connection. A good portion of the 'stash'
 was recorded throughout 1979 with Will Boswell being the prinicipal dubber. As a result, I've had to
 (happily!!) comb through each one's reels to figure out who has what then take them home and get to
 work!! Some stuff from this stash was recorded for Pat by Will and the 8-30-75 being among one of
 these. Will does not have it but his handwriting is on the box. Lastly, a huge THANK YOU goes out to
 both Will Boswell and Pat Lee for being so kind and generous in allowing gems like these to surface!!!
 2 Hall of Fame 'Deadheads' in which all of us under the age of 40 should especially raise a glass
 to!!!"
 Set One: Disc One (7 tracks, 57:41) --Set I-- d1t01. ... Knock On Wood [#6:14] [1:11] d1t02.
 Farewell Jack [14:23] [1:04] d1t03. I've Got Jesus [3:02] [1:29] d1t04. It Takes A Lot To Laugh, It
 Takes A Train To Cry [7:28] [1:15] d1t05. bluesy tuning/false start [2:17] d1t06. funk instrumental
 [10:36] [2:10] d1t07. I Can't Turn You Loose [6:13] [0:15]
 Set Two: Disc Two (7 tracks, 59:45) --Set II-- d2t01. Tuning [0:24] d2t02. /Sweet Baby
 [10:54] [0:48] d2t03. A Strange Man [4:32] [0:45] d2t04. Tough Mama [8:49] [1:02] d2t05. My Love// For
 You [9:#43] [1:29] d2t06. Showboat [9:54] [1:50] d2t07. Come See About Me [9:15] [0:16]
 Set Three: jg1975-08-30.kdb.all.sbd-boswell-smith.91765.flac1644
09/??/75 Studio Rehearsals w/ Nicky Hopkins  mixed sbd ? 91 
 *JGB*
 All by Myself cuts in; Mission in the Rain cuts out; Who's Lovin' You Tonight fades out; Edward
 (live) fades out
 Set One: Disc One (8) 45:25, 01. //All By Myself, 02. Tough Mama, 03. Mystery Train, 04.
 Catfish John, 05. I'll Take a Melody, 06. Tore Up. 07. Roadrunner, 08. Mission in the Rain//
 Set Two: Disc Two (5) 45:36, 01. Jam [12:50] -> 02. That's Alright Mama [8:40] -> 03. Who's
  Lovin' You Tonight?... [8:40#] [0:11] --Filler: live material, unknown date-- 04. Let's Spend the
 Night Together [7:25] -> 05. Edward... [7:44] [0:02]
09/??/75 Reflections Outtakes MS?>?>CD ??  30 
 *9/16/75, 9/1/75, 9/23/75*
 CJ sounds great. It generally sounds pretty good, if bassy.
 Set One: Single Disc (5) 30:19, --9/16/75-- 01. Catfish John {"that's changin' it a little
 too radically"} [6:43] --9/1/75-- 02. {"from the same side right now"} Comes a Time [6:08], 03. They
 Love Each Other ... [4:38], --9/23/75-- 04. Disco Dancin' in the Streets, 05. Disco Dancin' in the
 Streets
09/01/75 Rehearsals  MS?>?>CD partial 11 
 Set One: {"from the same side right now"} Comes a Time [6:08], They Love Each Other ...
 [4:38]
09/16/75 Rehearsals MS?>?>CD partial 7 
 Set One: Catfish John {"that's changin' it a little too radically"} [6:43]
09/18/75 Palo Alto, CA - Sophie's MAC>2R>D>CD All 118 825 17219 
  *JGB: unknown taper & gear*
 MAC > 2 Reel > DAT > CDR > EAC (secure) > SHN. Muffled aud
 Set One: SET 1 (6 tracls. 48:31), 01 It's No Use, 02 Catfish John, 03 You Win Again, 04 I'll
 Take A Melody, 05 All By Myself, 06 Edward
 Set Two: Set 2 (7 tracks, 68:30, 01 (I'm A) Road Runner, 02 It Takes A Lot To Laugh, It
 Takes A Train To Cry, 03 Sitting In Limbo, 04 Pig's Boogie, 05 Crazy Arms, 06 Mystery Train, 07 How
 Sweet It Is (To Be Loved By You)
09/20/75 Fairfax, CA - River City MA?>3C>D>CD All-1 129 0961-0962 23739 
 *JGB: unknown taper & gear*
 shnid 23739 Source: MA>C3>DAT>WAV>SHN. Mics and taper unknown. Cassette>DAT by Jim Powell:
  Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II. DAT>WAV>SHN by Chris Ladner: Sony PCM-R500 > coaxial
 S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking
 (CDWave editor)>sector boundaries confirmed (shntool) > HN (mkwact). No noise reduction or selective
 frequency augmentation was performed. Comments: Nicky sings lead on d2t02 and d2t03. Pretty weird
 sounding 2nd electric Catfish John. Fairly hissy, quite listenable, previously uncirculated recording.
 misSHN in the rain, 4/04. JJ notes: this actually sounds quite good after d1t01 ... the master must
 really be something! d1t01LIR cuts in; d1t02 SQ improvements; d1t04 muffling @ 8-min mark; d1t07 very
 brief splice @ 5:57? d2t05 Catfish John is indeed fast & funky!
 Set One: Disc 1 - Set 1 01 //Let It Rock [09:16], 02 Girl From Mill Valley [05:44], 03
 It's Too Late [09:56], 04 Tough Mama [09:30], 05 Crazy Arms  [08:17], 06 I'll Take A Melody
 [12:02], 07 Night They Drove Old Dixie Down// [11:17], 08 Pig's Boogie [07:38] Total time:
 73:43
 Set Two: Disc 2 - Set 2, 01 intro [00:37], 02 Lady Sleeps > [04:14], 03 No Time
  [06:21], 04 Money Honey [09:02], 05 Catfish John [09:14], 06 All By Myself [06:47], 07
 Mississippi Moon [07:55], 08 That's All Right, Mama [10:58], MISSING Edward (listed on
 thejerrysite.com), Total time: 55:09
10/02/75 San Francisco, CA - His Master's Wheels Studio MS?>?>CD partial 34 
 *JGB*
 Sounds fabulous
 Set One: Mystery Train Jam [23:19] -> Who's Lovin' You Tonight? [10:34] [0:06]
10/08/75 Santa Cruz, CA - Del Mar Theater MSR>D>CD partial 18 1036 88933 
 *JGB*
 Let it Rock fades out. Let it Rock has an electric piano, I assume it's "Tim Hensley", who is said
 by the Jerry Site to have sat it on 10/8/75.
 Set One: 01. [0:04] The Night They Drove Old Dixie Down [9:40] [0:26], 02. Let it Rock ...
 [8:07#] [0:04]
10/11/75 Berkeley, CA - Keystone MSR>R>P>CD All 157 1251 31213 
 *JGB*
 Notes: - From the Jerry Site: "Show with Tim Hensley on electric keyboard and Mike Godman on
 guitar." Note that Godman is not introduced with the rest of the band, while Hensley is. I don't hear
 the second guitar, but then I don't really have very good ears for that sort of thing. Note, too,
 that Nicky identifies this as Hensley's first show with the band. Wonder what happened to him? - The
 Jerry Site lists this and a complete MSR>PCM>DAT copy, but I don't recall having seen the latter. It
 also lists a splice in TWLWMYD, but I don't hear one here. - There is some oversaturation throughout
 the recording, especially in the electric keyboard. - d2t04 Crazy Arms some light fuzzy static toward
 the end of the song. - d3t05 cut in Lady Sleeps (from 1:25.843-3:36.917) butt-patched with
 Menke/Falanga aud (shnid 8658). - (1) band introductions. Note too that Nicky announces the next tune
 as "Edward", not "Edward the Mad Shirt Grinder." Also, they play Waltzing Matilda during this section;
 per etree user osmosis 21: "After Mystery Train ends, Hopkins introduces the band. As Garcia is being
 introduced he starts to play Waltzing Matilda (@14:48), then Garcia introduces Hopkins (@15:01) and
 then (after 15:18) Hopkins says, 'Well I don't know how Waltzing Matilda got in there anyway but still
 it did...'" . Thanks to Marcus Buick for the source beta!
 Set One: Disc One (5 tracks, 45:44) --Set I-- 01. Tuning [1:22], 02. All By Myself [8:39]
 [2:53], 03. Catfish John [11:41][1:47], 04. That's What Love Will Make You Do [10:07] [1:29], 05. It's
 Too Late [7:40] [0:03]
 Set Two: Disc Two (6 tracks, 43:45) --Set I (con't)-- 01. Crowd [0:25], 02. Teddy Bear's
 Picnic [2:03] [2:58], 03. Pig's Boogie [6:55] [1:00], 04. Crazy Arms [5:53] [2:07], 05. Night They
 Drove Old Dixie Down [9:41] [1:54], 06. (I'm A) Road Runner [10:36] [0:12]
 Set Three: Disc Three (8 tracks, 66:32) --Set II-- 01. Tuning [2:16], 02. Let It Rock
 [11:11] [1:09], 03. Tore Up Over You [7:17] [1:13], 04. Mission In The Rain [6:02] [1:44], 05. Lady
 Sleeps [4:32] -> 06. No Time [5:03] [0:28], 07. Mystery Train [11:52] (1) [4:36], 08. Edward [8:32]
 [0:34]
10/11/75 Berkeley, CA - Keystone MAC>D>CD Ip, II 104 0213 8658 
 *JGB: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270+Sony ECM-250 [onstage, one mic directly in front
 of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1
 > Jack Warner's CD > CD > EAC > SHN; d1t01 It's Too Late fades in; d1t05 Dixie first 0:48 patched in
 from hisser aud; d2t04 Lady Sleeps beginning patched in? d2t06 Mystery Train fades in; d2t06 Mystery
 Train cut/splice @ 9:28; d2t06 Mystery Train sound/level fluctuations @ 9:28-end
 Set One: Set I, (Missing All By Myself, Catfish John, That's What Love Will Make You Do), 1.
 //It's Too Late [7:01#] [0:26], 2. Teddy Bear's Picnic Tuning [1:51] [0:33], 3. Pig's Boogie [6:34]
  [0:08], 4. Crazy Arms [5:34] [0:09], 5. The Night They Drove Old Dixie Down [9:11] [1:09], 6. Road
 Runner [10:03] [0:10], Total Time 42:52
 Set Two: Set II, 1. Let it Rock [10:59] [0:20], 2. Tore Up [7:20] [0:45], 3. Mission in the
 Rain [6:07] [1:36], 4. Lady Sleeps [4:33] -> 5. No Time [5:04] [0:12], 6. //Mystery// Train [11:33#],
 Band Introductions [3:40], 7. Edward [8:35] [0:04]
10/12/75 Berkeley, CA - Keystone MAC>D>CD  All 147 0206-0207 7669 
 *JGB: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270+Sony ECM-250 [onstage, one mic directly in front
 of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1
 > Jack Warner's CD > CD > EAC > SHN; d1t01 How Sweet It Is cut/splice @ 0:10, light pop @ 0:11
 Set One: Set I, 1. [0:13], 2. How// Sweet It Is [[8:51] [0:21], 3. Catfish John [9:57]
 [1:12], 4. That's What Love Will Make You Do [9:47] [1:37], 5. You Win Again [4:18] [0:20], 6. Pig's
 Boogie [6:40] [0:43], 7. Band Introductions & Teddy Bear's Picnic Tuning [1:53], 8. Mississippi Moon
 [8:43] [1:12], 9. Money Honey [8:13] [1:42], 10. Road Runner [10:19] [0:40], Total Time 76:45
 Set Two: Set II, 1. Mission in the Rain [5:59] [0:42], 2. All By Myself [12:40] [0:34], 3.
  Tough Mama [9:00] [1:19], 4. Lady Sleeps [3:59] -> 5. No Time [4:40] [0:23], 6. Mystery Train [10:11]
 [2:13], 7. I'll Take a Melody [10:36] [0:45], 8. Edward [6:44] [0:19], Total Time 70:06
10/17/75 Concord, CA - Concord Pavilion  MSR>P>D>CD All 106 0491 11107 
 *JGB*
 MSR > PCM > D > CD (+ last two songs presumably from MSR > R > P > D > CD, per The Jerry Site).
 d1t04 gap/splice @ 7:49-7:56; d2t04 Tough Mama PCM zap @ 2:39, pop @ 4:45, major snit @ 6:42-6:45;
 d2t08 Mystery Train cut/splice @ 0:22. Possibly other problems on d2, to which I have not yet
 listened closely.
 Set One: Disc One (4) 45:35, 1. Money Honey, Catfish John, That's What Love Will Make You
 Do, I'll Take// A Melody
 Set Two: Disc Two (9) 59:47, 1. Stage Talk, 2. Refugee Blues, Mississippi Moon, Tough Mama,
 5. Tuning & Banter [4:01], 6. Lady Sleeps -> No Time, Mystery// Train, Mission In The Rain
10/17/75 Concord, CA - Concord Pavillion MSR>P>D>CD All-2 87 90066 
 *JGB*
 Source: MSR > PCM > DAT x ?; Cloned: From Dr. Bruce Fried 06/03/1996 Casio DA-7 > Panasonic
 SV-3700; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a @ [16/48]; Mastering with:
 iZotope Ozone 3 > dithered to [16/44.1] > CD Wave > TLH > FLAC. Transfer and Mastered by Bill Koucky,
 Green Mountain Bros. February 16, 2008. Jerry Garcia - guitar, vocals; John Kahn - bass; Nicky
 Hopkins - keyboards, vocals; Ron Tutt - drums. Seeder's Notes: - Incomplete set, missing Mystery Train
 and Mission In The Rain. - To burn to 2 discs begin d2 with t05, or with any track you please. -
 Mastering Notes: Glitches and dropouts were removed from Money Honey, I’ll Take A Melody and Tough
 Mama. Crossefades were applied between only a couple of tracks where there were apparent reel changes.
 Audio error detection and correction was used in WaveLab to remove other pops and minor static from
 the source. No adjustments in the eq were made only maximizer was applied with Ozone for gain.
 Set One: 1. Money Honey 2. Catfish John 3. That’s What Love Will Make You Do 4. I’ll Take A
 Melody 5. - Stage banter 6. No More Changes 7. - Tuning, monitor fix 8. Mississippi Moon 9. Tough Mama
 10. - Tuning 11. Lady Sleeps > 12. No Time (MISSING Mystery Train, MISSING Mission In The Rain)
10/17/75 Concord, CA - Concord Pavilion MAC>CD partial n/a 
 *JGB: Bob Menke*
 Mystery Train cuts in
 Set One: //Mystery Train [#10:25] [0:06]
10/23/75 Providence, RI - Palace Theater MAC>R>CD All 135 0578 12858 
 *JGB: Jimmy Warburton, Sony ECM-99 stereo mic > Sony TC 152SD*
 FOB MAC (taped by Jimmy Warburton, 20th row center, Sony ECM-99 stereo mic > Sony TC 152SD master
 cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on
 Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496
 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. A>D by
 David Minches, EAC > SHN by Joe Jupille. Proper sector boundaries verified using shntool.
 Set One: Disc One (10) 70:39 --Set I-- 01. Crowd & Tuning [0:39], 02. Tore Up Over You
 [6:56], 03. Catfish John [10:20], 04. Crazy Arms [5:52], 05. Pig's Boogie [6:14], 06. Band
 Introductions [0:32] , 07. Sitting In Limbo [11:53], 08. Tough Mama [8:37], 09. Mississippi Moon
 [9:52], 10. Mystery Train [9:41]
 Set Two: Disc Two (10) 63:31 --Set II-- 01. Crowd & Tuning [1:18], 02. Mission In The Rain
 [5:58], 03. That's What Love Will Make You Do [10:50], 04. Every Word You Say [6:34], 05. Lady Sleeps
 [3:48] -> 06. No Time [4:48], 07. Rockin' Pneumonia [6:09], 08. I'll Take A Melody [10:59], 09.
 Sugaree [7:32], 10. Mean Woman Blues [5:31]
10/24/75a Boston, MA - Orpheum Theater MAC>D>CD All 72 
 *JGB: Steve Rolfe, Sony ECM 99As > Sony TC-152*
 MAC > DAT >CD; Steve Rolfe AUD front row of the balcony (his 2nd recording!). Sony ECM 99As > Sony
 TC-152 (Maxell UD-C90 cassette); playback on Nak BX-300 > Sony PCM R-500 > HHb-800. d1t01 fades in;
 d1t03 light static @ 0:15
 Set One: 1. //Let it Rock [7:40#] [0:18], 2. [0:25] All By Myself [8:54] [0:02], 3. They
 Love Each Other [6:34] [0:02], 4. It's Too Late [8:23] [0:03], 5. [0:17] Pig's Boogie [5:20], 6. Band
 Introductions & Addam's Family Tuning [2:03], 8. Sugaree [7:28], 8. [0:10] Rockin' Pneumonia [6:07],
 9. The Night They Drove Old Dixie Down [8:59], 10. [0:20] Mystery Train [8:49] [0:05], Total Time
 72:05
10/24/75a Boston, MA - Orpheum Theater MAC>R>CD All 71 0579 12857 
 *JGB: Jimmy Warburton, Sony ECM-99 stereo mic > Sony TC 152SD*
 FOB MAC (taped by Jimmy Warburton, orchestra left center row HH [8th row], Sony ECM-99 stereo mic >
 Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby
 B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an
 Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn
 encoding using mkwACT. A>D by David Minches, EAC > SHN by Joe Jupille. Proper sector boundaries
 verified using shntool.
 Set One: Disc One (11) 71:14 --Early Show-- 01. Crowd & Tuning [0:13], 02. //Let It Rock
 [#7:53], 03. All By Myself [9:03], 04. They Love Each Other [6:45] , 05. It's Too Late [8:41], 06.
 Pig's Boogie [5:24], 07. Adam's Family Tuning/End Band Intros [1:26], 08. Sugaree [8:26], 09. Rockin
 Pneumonia [5:28], 10. The Night They Drove Old Dixie Down [9:00], 11. Mystery Train [8:50]
10/24/75a Boston, MA - Orpheum Theater MAC>CD All n/a 1264 34730 
 *JGB: Steve Rolfe, Sony ECM-99 stereo mic > Sony TC-152* *new xfer*
 Set One: Let It Rock, All By Myself, They Love Each Other, It's Too Late, Pig's Boogie,
 Sugaree, Rockin Pneumonia, The Night They Drove Old Dixie Down, Mystery Train
10/24/75a Boston, MA - Orpheum Theater MSC>CD All 77 1267 76113 
 *JGB*
 Master (?) Soundboard Cassettes (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone >
 extraction (EAC v0.95 beta 4) > FLAC encoding (FLAC Frontend v1.7.1 etree addition) > decode >
 tracking (CD Wave) > pitching and patching (see notes) > shn > decode (TLH v1.0.0 Beta-1 Build 72) >
 sector boundary alignment (shntool v2.0.3) > level 8 FLAC encoding (TLH v1.0.0 Beta-1 Build 72).
 Source CDs from David Gans, editing by BCP. Processing Notes by BCP: - Software used: Samplitude,
 Sound Forge, WaveLab, Audition 2.0 - I received this show mainly as one large FLAC file. Once I
 decoded it to WAV format, I performed a DC offset adjustment/correction. I then listened to the
 entire show to determine the degree of pitch correction required. There were several spots throughout
 the show (in the SBD) which were not consistent and therefore needed special attention (i.e. within
 one track the pitch would fluctuate slightly). Before I attempted any further processing, I used
 CDWav to track the show so I could work with separate files. After I corrected the pitch for the
 entire show (which was around 41 cents flat to begin with), I then patched in the AUD source for the
 beginning of the show. - I do not circulate ANY shows with noise reduction. I did not alter the EQ
 settings or perform any other 'remastering' processes with the audio files. Enjoy! Patch Info: - The
  sbd was missing all of Let it Rock and the first 3:38 of All By Myself. These were patched in from
 Steve Rolfe'S Sony ECM-99s stereo mic > Sony TC-152 MAC (Maxell UDs) > Nakamichi Dragon playback > ART
 DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC (shnid 34730). -Ben @ BCP
 Studios, 7/23/06. David Gans originally broadcast this material on the KPFA Marathon on January 28,
 2006 and very graciously supplied a set of CDs for circulation. Thanks as always, David!
 Set One: Single Disc (10 tracks, 76:50), 01. Let it Rock [9:48], 02. All By Myself [10:23],
 03. They Love Each Other [7:02], 04. It's Too Late [8:51], 05. Pig's Boogie [5:51], 06. Band
 Introductions w/ Addams Family Tuning [2:11], 07. Sugaree [7:55], 08. Rockin' Pneumonia [6:04], 09.
 The Night They Drove Old Dixie Down [9:36], 10. Mystery Train [9:04]
10/24/75a Boston, MA - Orpheum Theater matrix All n/a enter 89504 
 *JGB: 3 source mtx mix by Kevin Tobin*
 Early Show. SBD + AUD Matrix 3 Source Mix (55%-SBD/45%-AUD). See info file for further notes.fs
 Set One: d1t01 - Let it Rock, d1t02 - All By Myself, d1t03 - They Love Each Other, d1t04 -
 It's Too Late, d1t05 - Pig's Boogie, d2t01 - Band Introductions w/ Addams Family Tuning, d2t02 -
 Sugaree, d2t03 - Rockin' Pneumonia, d2t04 - Tuning*, d2t05 - The Night They Drove Old Dixie Down,
 d2t06 - Mystery Train
10/24/75b Boston, MA - Orpheum Theater MAC>D>CD All 89 
 *JGB: Steve Rolfe, Sony ECM 99As > Sony TC-152*
 MAC > DAT >CD; Steve Rolfe AUD front row of the balcony (his 2nd recording!). Sony ECM 99a's >
 Sony TC-152 (Maxell UD-C90 cassette); playback on Nak BX-300 > Sony PCM R-500 > HHb-800. d2t02
 Mission first few notes clipped
 Set One: Disc Two (of three for this date), Late Show, 1. Money Honey [8:40], 2. //Mission
 in the Rain [5:25#] [0:04], 3. [1:06] That's What Love Will Make You Do [9:50], 4. [0:14] Catfish John
 [9:57], 5. Crazy Arms [5:00] [0:01], 6. [1:07] Lady Sleeps [4:31] -> No Time [4:26] [0:28], Total Time
  50:53
 Set Two: Disc Three (of three for this date), Late Show (con't), 1. Band Introductions &
 Tuning [1:58], How Sweet It Is [6:19] [0:05], 2. [1:01] Tough Mama [6:37] [0:06], 3. I'll Take a
 Melody [11:48] [0:06], 4. [0:02] Edward [9:23] [0:15], Total Time 37:43
10/24/75b Boston, MA - Orpheum Theater MAC>R>CD All 85 0579-0580 12857 
 *JGB: Jimmy Warburton, Sony ECM-99 stereo mic > Sony TC 152SD*
 FOB MAC (taped by Jimmy Warburton, orchestra right center row JJ [10th row], Sony ECM-99 stereo mic
 > Sony TC 152SD master cassette) > playback on Sony TC 152SD > 1 reel > playback on Akai GX-4000D >
 Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound
 card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. A>D by David Minches,
 EAC > SHN by Joe Jupille. Proper sector boundaries verified using shntool.
 Set One: Disc One: see 10/24/75a
 Set Two: Disc Two (8) 50:09 --Late Show-- 01. Crowd & Tuning [0:07], 02. Money Honey [8:44],
 03. Mission In The Rain [6:18], 04. That's What Love Will Make You Do [10:19], 05. Catfish John
 [10:15], 06. Crazy Arms [5:32], 07. Lady Sleeps [4:26] -> 08. No Time [4:25]
 Set Three: Disc Three (5) 35:02 --Late Show (con't)-- 01. Crowd & Tuning [0:08], 02. How
 Sweet It Is [6:31], 03. Tough Mama [6:53], 04. I'll Take A Melody [12:00], 05. Edward [9:28]
10/24/75b Boston, MA - Orpheum Theater MAC>CD All n/a 1264 34730 
 *JGB: Steve Rolfe, Sony ECM-99 stereo mic > Sony TC-152* *new xfer*
 Set One: Money Honey, Mission In The Rain, That's What Love Will Make You Do, Catfish John,
 I'm So Lonesome, Lady Sleeps-> No Time, How Sweet It Is To Be Loved By You, Tough Mama, I'll Take A
 Melody, Edward The Mad Shirt Grinder
10/27/75 Ithaca, NY - Bailey Hall, Cornell University MAC>2C>CD All 150 1280 80296 
 *JGB: unknown taper & gear*
 Unknown Taper and Equipment: Master Audience Cassette >2C; Transfer and FLAC encoding by David
 Minches: 2nd Generation Cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card
 Deluxe soundcard > Cool Edit 2000 > flac. Etree user osmosis21 reports the following: "At the end of
 d2t2, after Mission In The Rain ends and a loud audience request for Lonely Avenue, the recording cuts
 out (@ 6:28) to the fragment of a live version of Robert Hunter singing Mountains Of The Moon and then
 cuts back in @7:23. A long shot, but if it can help anyone identify the unknown taper(s): d2t1 begins
 with someone saying '...buzzy productions presents...'" JJ: this is quite a good source for the 2
 cassette gens on top of the master. Warble @ 6:50, 7:30 of HSII; roach clip talk @ 9:25 of HSII track;
 WAAL reference ... sounds like the taper and or his buddies worked for the radio station. Lots of
 warbles in TLEO. Flying saucer request, out of space talk after Every Word You Say. Start of d2/s2:
 "buzzy productions presents the JG show, part II". LSTNT is interesting b/c gets out there, but then
 comes back to the theme, albeit not entirely successfully.
 Set One: disc 1 (10 tracks, 76:26) --Set I-- John Scher Introduction, Let It Rock ,
 Waltzing Matilda , How Sweet It Is (To Be Loved By You) , They Love Each Other , Every Word You Say
 , Pig's Boogie , Crazy Arms, Russian Lullaby, Mystery Train
 Set Two: disc 2 (74:27) --Set II-- Tuning, Mission In The Rain , Rockin' Pneumonia ,
 Catfish John , Positively 4th Street , Let's Spend The Night Together , Teddy Bear's Picnic, Night
 They Drove Old Dixie Down , Mean Woman Blues
10/28/75b NYC, NY - Beacon Theatre  MAC>D>CD All 124 0505 11282 
 *JGB: Jerry Moore, AKG D1000Es > Sony TC-152*
 MAC > DAT > CD > EAC > SHN. Recorded by Jerry Moore, (floor center section, half way back, not
 under the overhang, AKG 1000e's > Sony TC-152. Extraction using EAC, retracking using CD Wave, .shn
 encoding using mkwACT, and sector boundary verification using shntool by Joe Jupille. Notes: No major
 flaws noted.
 Set One: Disc One (7) 59:29, 1. Tuning, Crowd & Intro [2:34], 2. Tore Up Over You [9:10]
 [0:54], 3. They Love Each Other [6:27] [1:29], 4. Every Word You Say [4:51] [1:34], 5. That's What
 Love Will Make You Do [9:58] [1:27], 6. Positively 4th Street [10:56] [2:24], 7. Pig's Boogie [6:53]
 [0:43]
 Set Two: Disc Two (6) 63:43, 1. Band Introductions [1:39], 2. Siting in Limbo [10:35]
 [1:53], 3. Tough Mama [7:16] [2:07], 4. Mississippi Moon [8:21] [0:28], 5. I'll Take a Melody [12:58]
  [2:00], 6. That's Alright, Mama [13:05] [3:20]
10/30/75 Queens, NY - Colden Auditorium, Queens College MAC>R>C>CD All n/a enter 92780 
 *JGB: Gerry Moskal, Sony stereo ECM > Sony TCD126*
 Taper: Gerry Moskal; Gear: Sony Stereo ECM > SONY TCD126; Location: " A Sweet Spot"; Transfer:
 Gerry Moskal; Master Cassette > RR > Cassette; Transfer/SHN Conversion: Brian Mandel
 gdplusmore@aol.com; Cassette Transfer Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW
 > shn; Circulation: 7-11-08.
 Set One: Disc 1 Set 1 01. Let It Rock 02. Sugaree 03. That's All Right, Mama 04. Catfish
 John 05. Hopkins Banter Exchange with Audience 06. Pig's Boogie 07. I'll Take A Melody 08. Money
 Honey
 Set Two: Disc 2 Set 1 Continued 01. I'm A Road Runner Set 2 02. It's No Use 03. Russian
 Lullaby 04. That's What Love Will Make You Do 05. Friend Of The Devil 06. Hopkins Instrumental ->
 Tuning
 Set Three: Disc 3 Set 2 Continued 01. Mission In The Rain 02. Mystery Train 03. Night They
 Drove Old Dixie Down 04. Let's Spend The Night Together > 05. Edward
10/31/75a Upper Darby, PA - Tower Theater  MAC>C>CD All 87 enter enter 
 *JGB: Unkown taper [not Minkin], unknown gear*
 Most songs cut in. Not a bad tape when all is said and done. R channel is predominant, at least
 to start. d1t01 Sugaree level flux first minute; d1t04 Every Word You Say pops @ 1:54, 2:10, 8:40,
 10:56; Limbo female backup singer? d2t01 Tough Mama pop @ 3:36; d2t05 MI Moon pops @ 1:50, 5:01, 6:49.
 Transferred by David Minches.
 Set One: Disc One (5) 44:10, 01. //Sugaree [7:08] [0:02], 02. //That's What Love Will Make
 You Do [#10:07], 03. //Sitting in Limbo/ [#11:41#], 04. //Every Word You Say/ [#5:24#], 05. //All By
 Myself [#9:43]
 Set Two: Disc Two (6) 43:28, 01. //Tough Mama [#7:10] [0:09], 02. //ditty [2:00], 03. Pig's
 Boogie [7:11] [0:22], 04. //They Love Each Other [#5:51] [0:43], 05. Mississippi Moon [7:56], 06.
 /Mystery Train [#12:04] [0:02]
10/31/75b Upper Darby, PA - Tower Theatre  MAR>D>CD All 117 0338 9267 
 *JGB: Charlie Disalvo, Shure Unidyne 4s > Uher 4400*
 Recorded by Charlie Disalvo (about 20th row, center section, left side), Shure Unidyne 4s (above
 head-level on a spreader bar) > Uher 4400 (5", 1800' BASF reels @ 7.5 ips). After How Sweet It is the
 mics were dismounted and hand-held for the rest of the show. Notes: d1t01 Let it Rock digi-scratch @
 1:44; d1t01 Let it Rock mix/level fluctuations until ca. 2:00; d1t03 Russian Lullaby digi-scratch @
 1:13; d1t05 It's Too Late cuts in (reel change #1); d1t05 It's Too Late pop @ 4:33; d1t08 Money Honey
 blip @ 8:39; d2t01 Positively 4th Street clips in, not much missing; d2t01 Positively 4th Street
 digi-snit @ 4:26; d2t01 Positively 4th Street last few seconds clipped (reel change #2); d2t02 How
 Sweet cuts in, ca. 15-20 seconds missing (reel change #2); d2t03 Dixie Down audible contact w/ mics;
 d2t03 Dixie Down drop @ 8:25-8:27; d2t04 LSTNT digi-snit @ 1:19; d2t04 LSTNT "This place is gonna
 explode" identifies this master; d2t05 Edward digi-scratch @ 3:13
 Set One: Disc One (8) 66:27, 1. Let it Rock [13:42] [0:23], 2. Tore Up Over You [8:39]
 [0:47], 3. Russian Lullaby [7:54] [0:50], 4. Friend of the Devil [5:38] [0:09], 5. //It's Too Late
 [7:42#] [0:13], 6. Lady Sleeps [5:46] [0:34], 7. No Time [4:20] [0:13], 8. Money Honey [9:11]
 [0:13]
 Set Two: Disc Two (5) 50:45, 1. /Positively 4th Street/ [9:40#] [0:08], 2. /How Sweet It Is
 [7:35#] [0:22], 3. /The Night They Drove Old Dixie Down [8:38#] [0:22], 4. Let's Spend the Night
 Together [15:02] -> 5. Edward [8:44] [0:11]
10/31/75b Upper Darby, PA - Tower Theatre MAC>C>CD All-2 89 1179 88934 
 *JGB: unknown taper & gear*
 Unknown audience tape > Bob Minkin's 1st gen cassette > Nakamichi Dragon playback > ART DI/O > Cool
 Edit 2000 > CD/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) >
 slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC
 encoding (FLAC Frontend etree edition v1.7.1). Transfer by David Minches, EAC >> FLAC by jjoops.
 **admin note added 1/17/2008: this tape was listed as taped by Bob Minkin, but he confirms that he did
 not tape the show**. Notes - This is an excellent show, with among other things a truly excellent How
 Sweet It Is and a characteristically nice Positively 4th Street. Too bad the tapes were missing the
 LSTNT > Edward, and thank goodness for Charlie Disalvo's excellent tapes which do contain that great
 medley! - The sound quality is quite nice throughout. Most tunes clip in, FOTD clips out. The only
 edits undertaken were to smooth some tape transitions. - d2t03 No Time cuts in - d2t06 HSII mic bumps
 at 5:49, 5:57.
 Set One: Disc One (5 tracks, 43:53) 01. Let it Rock [13:19] 02. Tore Up Over You [8:31]
 [0:03] 03. Russian Lullaby [7:47] [0:23] 04. Friend of the Devil [5:27] [0:27] 05. It's Too Late
 [7:50] [0:04]
 Set Two: Disc Two (7 tracks, 44:56) 01. Crowd & Tuning [0:05] 02. Lady Sleeps [5:18] 03.
 //No Time [#2:54] [0:16] 04. Money Honey [9:00] [0:08] 05. Positively 4th Street [9:39] [0:37] 06. How
 Sweet It Is [8:05] [0:08] 07. The Night They Drove Old Dixie Down [8:44] (MISSING Let's Spend the
 Night Together -> Edward)
11/01/75a Passaic, NJ - Capitol Theater MAC>D>CD All 96 enter 89458 
 *JGB: Ihor Slabicky, AKG d190e mics > Sony TC-152SD*
 AUDMC by Ihor Slabicky, AKG d190e mics > Sony TC-152sd deck (Ampex 90m HFmaster C played on Nak
 CR-3A > Lucid AD9624 24 bit A/D converter (44.1 kHz) > DAT (Sony R500) > CD. EARLY & LATE SHOW NOTES:
  d1t07 Limbo clips in, not much missing; d2t07 Every Word You Say clips in; d2t08 Lady Sleeps clips in;
 d3t01 maybe the best Let's Spend the Night Together ever; d3t02 Russian Lullaby cuts out; d3t03 FOTD
 is "Ihor's choice"; d3t05 Dixie Down first few notes clipped.
 Set One: Disc One (8) 67:05 -EARLY SHOW- 1. Introduction & Tuning [0:22], All By Myself
 [6:51] [0:03], 2. Catfish John [10:31], 3. That's What Love Will Make You Do [9:30] [0:20], 4. Mission
  In The Rain [5:47] [0:04], 5. [0:06] Pig's Boogie [6:22], Band Introductions [1:24], 6. Money Honey
 [7:29] [0:05], 7. //Sitting In Limbo [11:28#] [0:10], 8. Tough Mama [6:19] [0:09], Total Time 67:05
 Set Two: Disc Two (8) 74:14 -EARLY SHOW (CON'T)- 1. Mississippi Moon [8:06] [0:02], 2.
 Sugaree [8:19] [0:04], 3. Mystery Train [12:04] [0:06], (CONTINUES WITH LATE SHOW)
11/01/75b Passaic, NJ - Capitol Theater MAC>D>CD All 112 enter 89458  
 *JGB: Ihor Slabicky, AKG d190e mics > Sony TC-152SD*
 AUDMC by Ihor Slabicky, AKG d190e mics > Sony TC-152sd deck (Ampex 90m HFmaster C played on Nak
 CR-3A > Lucid AD9624 24 bit A/D converter (44.1 kHz) > DAT (Sony R500) > CD. EARLY & LATE SHOW NOTES:
 d1t07 Limbo clips in, not much missing; d2t07 Every Word You Say clips in; d2t08 Lady Sleeps clips in;
 d3t01 maybe the best Let's Spend the Night Together ever; d3t02 Russian Lullaby cuts out; d3t03 FOTD
  is "Ihor's choice"; d3t05 Dixie Down first few notes clipped.
 Set One: Disc Two (con't) -LATE SHOW- 4. Tuning & Introduction [2:02] -> Let It Rock [11:49]
 [0:10], 5. It's Too Late [10:06] [0:01], 6. //They Love Each Other [6:13#] [0:04], 7. [0:08] //Every
 Word You Say [6:10#], 8. //Lady Sleeps [:01+4:19#] -> No Time [4:12] [0:13], Total Disc Time 74:14
 Set Two: Disc Three (6) 66:01 -LATE SHOW (CON'T)- 1. [0:15] Let's Spend The Night Together
 [19:53] [0:05], 2. [0:05] Russian Lullaby// [8:37#], 3. [0:15] Friend Of The Devil [5:37] [0:03], 4.
 [0:29] I'll Take A Melody [11:29] [0:03], 5. //The Night They Drove Old Dixie Down [8:37#] [0:21], 6.
 [0:09] Mean Women Blues [9:46] [0:15]
11/02/75 Washington, DC - Constitution Hall MAC>CD All 123 enter 89459 
 *JGB: unknown taper & gear*
 Nice aud, very clear vox, nice high end, not lots of low end. Most tunes clip in. 4th Street splice
 @ 8:49. -tape flip towards the end of Positively 4th St, some music lost; -not certain Russian Lullaby
 was Song #1 of Set 2; -pause after Unknown Song, which is a Hopkins Instrumental; -Fire on the
 Mountain Jam in Let's Spend the Night Together. On 4/6/2009, nfagdtrfb posted this to the etree entry
 for this source: "The Unknown Song in the 2nd set is a jam on the theme of 'Ol' Man River'".
 Set One: Disc One (10 tracks, 71:17) --Set I-- Sugaree, Catfish John, All By Myself,
 Postively //4th Street, Teddy Bear's Picnic, Pig's Boogie, They Love Each Other, How Sweet It Is (To
 Be Loved By You), Mystery Train
 Set Two: Disc Two (6 tracks, 51:53) --Set II-- Russian Lullaby, (I'm A) Road Runner, Ol' Man
 River vamp, The Night They Drove Old Dixie Down, //Let's Spend The Night Together [14:00] -> Edward
 [7:59] [0:05]
11/02/75 Washington, DC - Constitution Hall MAC>R>CD I 84 1295 83118 
 *JGB: unknown taper & gear*
 Seeded by Rob Berger. AUD cassette master > reel > CDR. decent aud of a rarely seen show. 7" reel @
 7.5 ips (no nr) playback:Sony TC-850 > sbm1 > cdr > audobe audition 2.0 > cd wave > flac, transfer of
 Don Grossinger's reel by Rob Berger 2005. notes * nasty cut towards end of 4th St., approximately 3
 minutes missing?
 Set One: (43:35) Sugaree, Catfish John, All By Myself, Postively 4th Street,
  Set Two: (40:00 Teddy Bear's Picnic, Pig's Boogie, They Love Each Other, How Sweet It Is To
 Be Loved By You, Mystery Train
11/08/75 Berkeley, CA - Keystone MA?>?>CD II 82 0641 14041 
  *JGB: unknown taper& gear*
 8/2004: it now seems likely that this is an excellent aud. Earlier Notes: Don't let the lineage
 scare you--this sounds quite nice. I do hear a few ticks of static here and there, but it is quite
 light. Flaws: d1t02 How Sweet mix & level fluctuations; d1t02 How Sweet light static @ ca. 0:45;
 d1t03 Let it Rock light and brief static blips @ 7:00-7:10; d1t04 FOTD static @ 4:38; d2t04 Edward
 levels drop @ ca. 1:20
 Set One: Disc One (6) 46:53, 01. Tuning & Banter [0:41], 02. How Sweet It Is [11:02] [0:18],
 03. Let It Rock [9:01] [0:16], 04. Friend Of The Devil [6:17] [0:24], 05. Sitting In Limbo [13:35]
 [0:51], 06. Lady Sleeps [4:19] [0:06]
 Set Two: Disc Two (4) 35:03, 01. Tuning & Banter [0:20], 02. Night They Drove Old Dixie
 [8:54] [0:12], 03. Let's Spend The Night Together [16:14] -> 04. Edward [9:11] [0:11]
11/17/75 *see Jerry Garcia on Official Releases*  n/a 
11/17/75 Berkeley, CA - Keystone MAC>CD All 143 1374 94376 
 *JGB: Reinhart Hohlwein, Sony ECM-270s>Sony TC-152* *motb78*
 MOTB Release: 0078 16/44.1. Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock
 Brands: MAC = 2 x Maxell UDXL C90's; Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC; Analog
 Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg
 MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhart Hohlwein; Transfer By: Bob Menke;
 Mastering By: Jamie Waddell. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss
  Saracon for 16 BIT/44.1kHz SRC and POWR-3 Dither.
 Set One: (77:18) d1t01 - Sugaree d1t02 - Catfish John d1t03 - All By Myself d1t04 - Russian
 Lullaby d1t05 - Pig's Boogie d1t06 - Waltzing Matilda d1t07 - They Love Each Other d1t08 - Teddy
 Bears' Picnic d1t09 - The Night They Drove Old Dixie Down d1t10 - Mystery Train
 Set Two: (65:49) d2t01 - Mission In The Rain d2t02 - That's What Love Will Make You Do d2t03
 - Positively 4th Street d2t04 - Lady Sleeps d2t05 - Friend Of The Devil d2t06 - How Sweet It Is To Be
 Loved By You d2t07 - Let's Spend The Night Together
11/18/75 *see Jerry Garcia on Official Releases* n/a 
11/18/75 Berkeley, CA - Keystone MAC>D>CD All 159 0208-0209 8656 
 *JGB: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270+Sony ECM-250 [onstage, one mic directly in front
 of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1
 > Jack Warner's CD > CD > EAC > SHN
 Set One: Set I, 1. Let it Rock [12:45] [1:54], 2. Tore Up [6:47] [0:28], 3. Friend of the
 Devil [6:04] [0:45], 4. It's Too Late [8:03][1:36], 5. Tuning [1:23], 6. Adams' Family Tuning & Banter
 [1:11], 7. Pig's Boogie [10:23] [1:10], 8. Sitting in Limbo [11:49] [1:30], 9. Sugaree [10:31] [3:14],
 Total Time 79:38
 Set Two: Set I (con't), 1. Road Runner [11:32], Set II, 2. They Love Each Other [6:54]
 [1:30], 3. Tough Mama [9:21] [1:18], 4. It's No Use [11:00] [4:06], 5. I'll Take a Melody [12:56]
 [2:21], 6. Let's Spend the Night Together [7:54] -> 7. Edward [8:56] [0:18], Total Time 78:50
11/22/75 St. Paul, MN - St. Paul Civic Center MAC>?>CD Ip 79 1094 20552 
 *JGB: unknown taper & gear*
 hissy. From LL, 20080110, from "Greg" (a.k.a. goverlid): "Well, this is my recording, down several
 generations, pitched up almost 6%, and compressed quite a bit. I'm looking for a nice Nak CR-7a, ZX-7
  or ZX-9, or one of the 680 series, to start transferring my achives. As a member of the cassette
 generation, I've got a bunch of stuff to digitize and I only wanna do it once. Here are some show
 notes from my taping journal & the master cassettes: "The Jerry Garcia Band - Garcia / Hopkins / Kahn
 / Tutt - St. Paul Civic Theatre - Saturday, November 22, 1975 - Nakamichi 550 w/Shure 545's - Sandy /
 Gregg / Joey / Greg / Rhesa / Dikel / Sandy & Gregg get stage passes / get in before general admission
 crowd / get us front row seats / not 10-15th / pulled out at end of first number by usher / talked to
 John Ballard, promoter / missed 1 > 1-1/2 min. Let It Rock / 1 > 1-1/2 limbo / Nicky Drunk!!" It was
 interesting to walk back in & sit down & start recording again & have Jerry standing right in front of
 me, looking right at me, singing "You've got a lotta nerve..." The vocals are kinda lost in the hole
 we were in up front, but the 545's pick up the stage amps very nicely..."
 Set One: 8 tracks, 78:43: (MISSING Let It Rock), Postively 4th Street, All By Myself, They
 Love Each Other, (MISSING Pig's Boogie), Mississippi Moon, Sugaree, Roadrunner, Mystery Train, Lady
 Sleeps
11/23/75 Boulder, CO - Macky Auditorium (Univ. of CO) MAC>R>D>CD All 143 
 *JGB*
 This is not a great aud, but it is listenable. d1t02 Sugaree cuts in, probably a few minutes
 missing; d1t05-06 tick @ marker; d1t06 TLEO cuts in; it almost sounds like there is a set break
 announcement after Let it Rock, though one is already audible after Mystery Train;d2t03 It's No Use
 tick @ 1:38; It's No Use has a nice, long, bluesy introduction; d2t04 pop @ 0:09
 Set One: :Disc One (9) 75:30 --Set I-- 01. [0:02] //Sugaree [#7:41] [1:05], 02. Catfish John
 [10:23] [1:35], 03. Tore Up [6:14] [1:24], 04. Tough Mama [8:40] [1:27], 05. Pig's Boogie [6:37]
 [0:58], 06. //They Love Each Other [#3:33] [0:27], 07. Tuning & Blackbird Instrumental [1:07], 08.
 Mystery Train [11:13] [0:05] --Set II-- [2:05], 09. Let it Rock [10:33] [0:16]
 Set Two: Disc Two (10) 66:45 --Set II (con't)-- 01. Crowd & Tuning [0:27], 02. Friend Of The
 Devil [6:09] [0:33], 03. It's No Use [10:28] [0:06], 04. Talk [0:40], 05. Banter [0:25], Lady Sleeps
 [3:43] -> Piano Instrumentals [3:40] [1:14], 06. Russian Lullaby [9:21] [0:23], 7. Tuning ditty (can't
 remember the name of it!) [0:57] [0:10], 08. The Night They Drove Old Dixie Down [9:09] [0:46], 09.
 Let's Spend The Night Together [10:48] -> 10. Edward [7:29] [0:10]
11/29/75 Berkeley, CA - Keystone MAC>D>CD All 157 0211-0212 8657 
 *JGB: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270+Sony ECM-250 [onstage, one mic directly in front
 of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1
 > Jack Warner's CD > CD > EAC > SHN
 Set One: 1. [0:26], 2. All By Myself [8:57] [0:31], 3. Catfish John [10:40] [1:44], 4.
 Positively 4th Street [12:15] [0:16], 5. Mystery Train [10:15] [1:40], 6. Pig's Boogie [8:06] [1:25],
 7. Sugaree [11:15] [1:05], 8. Russian Lullaby [10:00] [0:37], Total Time 79:15
 Set Two: Set I (con't), 1. [0:03] Roadrunner [12:10] [0:27], Set II, 2. Mission in the Rain
 [6:37] [0:38], 3. That's What Love Will Make You Do [11:57] [0:21], 4. Friend of the Devil [6:16]
 [0:40], 5. Lovely Bunch of Coconuts Tuning [0:52] [0:15], 6. Instrumental [6:16] [0:07], 7. //I'll
 Take a Melody// [13:19#], 8. Tuning [0:13], 9. Let's Spend the Night Together [8:02] -> 10. Edward
 [8:15] [0:13], Total Time 76:47
12/17/75 Berkeley, CA - Keystone MAC>D>CD All  140 0247-0249 8662 
 *JGB: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270+Sony ECM-250 [onstage, one mic directly in front
 of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1
 > Jack Warner's CD > CD > EAC > SHN. Overall SQ different from other Menke/Falanga auds; d1t01 It's
 Too Late first few notes clipped; d2t01 Mission in the Rain first few notes clipped; d2t02 TWLWMYD
 first few notes clipped; d2t06 I'll Take a Melody (brief?) cut/splice @ 10:49; d2t06 I'll Take a
 Melody cut/splice @ 13:52; d2t07 Mystery Train first few notes clipped
 Set One: Disc One 74:29, Set I, 1. //It's Too Late [14:55#] [0:07], 2. [0:06] Catfish John
 [12:52] [0:05], 3. Crazy Arms [6:04] [0:05], 4. [0:04] Tough Mama [8:33] [0:12], 5. I'm Guilty [7:39]
 [0:05], 6. [0:07] Pig's Boogie [9:03] [0:25], 7. Band Introductions [1:31], 8. [0:07] Roadrunner
 [12:09] [0:15]
 Set Two: Disc Two 64:48, Set II, 1. //Mission in the Rain [5:53#] [0:05], 2. [0:03] That's
 What Love Will Make You Do [13:17] [0:08], 3. Friend of the Devil [6:21] [0:04], 4. Nicky's Tequila
 Sunrise, Tuning [3:16], 5. Jingle Bells Instrumental [2:33] [0:32], 6. [0:14] I'll Take a// Melody
 [14:35#] [0:06], 7. [0:06] //Mystery Train [10:03#] [0:08], 8. [0:14] How Sweet It Is [6:42] [0:10]
12/19/75 San Francisco, CA - Winterland Arena MAC>D>CD All 97 0248-0249 8114 
 *JGB: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [from behind the stage] > Sony
 TC-152) > DATx1 > CD > EAC > CD > EAC > SHN; via Jack Warner. Extraction, re-tracking, and .shn
 encoding using EAC, CD Wave and WavMerge, and mkwACT by jupillej@mediaone.net. Proper sector
 boundaries verified with shntool. d2t03 Pig's Boogie cuts in.
 Set One: 1. Bill Graham Introduction [0:05], 2. Sugaree [10:20] [1:21], 3. Catfish John
 [11:07] [0:27], 4. Tuning Ditty & Tuning [1:19], 5. That's What Love Will Make You Do [10:57] [1:58],
 6. Sitting in Limbo [12:49] [0:12], 7. Tuning & Nicky Banter [2:09], 8. Lady Sleeps [8:16] [0:36], 9.
 Mystery Train [8:20] [0:18], Total Time 70:18
 Set Two: 1. Tuning [0:43], 2. I'll Take a Melody [13:32] [0:18], 3. //Pig's Boogie [4:59#]
 [0:25], 4. Banter & Introductions [1:48], 5. Mission in the Rain [5:21] [0:15], Total Time 27:22
12/19/75 San Francisco, CA - Winterland Arena MSR>R>P>D>CD All  91 0677 14986 
 *JGB* *slow?*
 Set One: Disc One (6) 65:09 1. Suagree, 2. Catfish John, 3. That's What Love, 4. Limbo, 5.
 Lady Sleeps, 6. Mystery Train
 Set Two: Disc Two (3) 25:52 1. I'll Take A Melody, 2. Pig's Boogie, 3. Mission
12/19/75 San Francisco, CA - Winterland Arena MAC>CD All n/a 1374 94390 
 *JGB: Reinhart Hohlwein, Sony ECM-270s > Sony TC-152* *motb75*
 MOTB Release: 0075 24/96; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands:
 MAC = 2 x Maxell UDXL C90's; Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC; Analog Sound
 Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000
 => Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By:
 Jamie Waddell.
 Set One: s1t01 - Sugaree s1t02 - Catfish John s1t03 - Tuning s1t04 - That's What Love Will
 Make You Do s1t05 - Sitting Here In Limbo s1t06 - Nicky Hopkins Rant
 Set Two: s2t01 - Lady Sleeps s2t02 - Mystery Train s2t03 - I'll Take A melody s2t04 - Pig's
 Boogie s2t05 - Chatter s2t06 - Mission In the Rain
12/19/75 San Francisco, CA - Winterland Arena MAC>CD All n/a enter 93039 
 *JGB: Reinhart Hohlwein, Sony ECM-270s > Sony TC-152* *MOTB0075*
 Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UDXL
 C90's; Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >>
 Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >>
 WAV [24/96]; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Jamie Waddell. Jerry
 Garcia Band: Jerry Garcia, Nicky Hopkins, John Kahn, Ron Tutt. Other artists: Kingfish, Keith & Donna
 Band, Clover. Mastering Notes Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss
 Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither.
 Set One: d1t01 - Sugaree d1t02 - Catfish John d1t03 - Tuning d1t04 - That's What Love Will
 Make You Do d1t05 - Sitting Here In Limbo d1t06 - Nicky Hopkins Rant d2t01 - Lady Sleeps d2t02 -
 Mystery Train d2t03 - I'll Take A melody d2t04 - Pig's Boogie d2t05 - Chatter d2t06 - Mission In the
  Rain
12/19/75 San Francisco, CA - Winterland Arena MSR>R>P>D>CD All n/a 1381 96588 
 *JGB: pitched/patched sbd*
 primary source: master soundboard reel > 1 Reel > PCM > DAT > CD > Dime. secondary source for
 splices between the songs: Bob Menke cassette master: Sony ECM-270 or ECM-250 mics > Sony TC-152
 cassette deck > CD's received in trade. Approx. 3.3 percent speed-up to the SBD source was done to
 match the audience recording which was at the correct speed. Edits with Pro Tools. Seeder's Notes:
 "Excellent speed-corrected soundboard with patches from the also very decent audience master. There
 were lots of edits but it all spliced together well. The songs are almost all soundboard (except where
 noted), but it goes back to the audience source between the songs. I'm not sure if this task has been
 done by anyone else but this is the first circulation of this version."
 Set One: disc 1 - 50:44 01 [11:47] Sugaree 02 [12:37] Catfish John 03 [13:13] That's What
 Love Will Make You Do 04 [13:07] Sitting In Limbo [audience patch 7:20 > 7:41]
 Set Two: disc 2 - 46:22 01 [02:12] Nicky Hopkins talk [from audience source] 02 [04:03] Lady
 Sleeps [Nicky Hopkins solo piano instrumental] [audience patch 1:40 > 1:42] > 03 [04:48] unknown
 titled Nicky Hopkins solo piano instrumental [audience patch 1:04 > 1:07] Mystery Train 04 [08:34]
 I'll Take A Melody 05 [19:21] Pig's Boogie 06 [01:48] band intros 07 [05:24] Mission In The Rain 08
 [00:12] final thanks and crowd]
12/20/75 San Francisco, CA - Winterland Arena MAC>D>CD All 98 0250 8663 
 *JGB: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [from behind the stage] > Sony
 TC-152) > DATx1 > CD > EAC > CD > EAC > SHN; via Jack Warner. Extraction, re-tracking, and .shn
 encoding using EAC, CD Wave and WavMerge, and mkwACT by jupillej@mediaone.net. Proper sector
 boundaries verified with shntool. Matt Kelly on harmonica; d1t08 Dixie Down digi-tick @ 0:24; d2t03
 Night Together static @ 0:07
 Set One: Disc One 62:05, 1. Introduction [0:09], 2. Let it Rock [11:21] [0:59], 3. They Love
 Each Other [7:02] [1:10], 4. Russian Lullaby [9:10] [0:43], 5. Tore Up [10:16] [1:58], 6. Jingle Bells
 [2:32] [1:22], 7. Birmingham [4:12] [1:56], 8. The Night They Drove Old Dixie Down [8:44] [0:28]
 Set Two: Disc Two 35:48, 1. Money Honey [13:21] [0:16], 2. Band Introductions [0:27], 3.
 Let's Spend the Night Together [12:37] -> 4. Edward [8:01] [1:04]
12/20/75 San Francisco, CA - Winterland Arena MA?>?>CD All 56 0550 12493 
 *Keith and Donna Band: Unknown taper & gear*
 MAC > ? > CD > EAC > SHN. HP 9350i extraction using EAC, tracking using CD Wave, sector boundary
 verification using shntool, and .shn encoding using mkwACT. Notes from the Jerry Site: Keith and
 Donna Band: Keith Godchaux, Donna Godchaux, Jerry Garcia, Matt Kelly, Bill Kreutzmann, Ray Scott, Mike
 Larsheid, Steve Shuster. Master cassette flip during Drums.
 Set One: Single Disc (9) 55:49, 1. Introduction [0:09], 2. Stuck On You [5:32] [0:23], 3.
 River Deep, Mountain High [4:31] [0:19], 4. It Takes A Lot To Laugh, It Takes A Train To Cry [6:27]
 [0:26], 5. I Can't Turn You Loose [6:52] [0:21], 6. Strange Man [3:19] [0:34], 7. Scarlet Begonias
 [13:01] -> 8. Dr//ums [1:#29] -> 9. Scarlet Begonias [11:11] [0:13]
12/20/75 San Francisco, CA - Winterland Arena MSR>R>P>D>CD All 94 0676 14929 
 *JGB*
 * w/ Mathew Kelly (harmonica). Go for the aud. There is a digi-snit at the marker between LSTNT
 and Edward, and at the end of Edward.
 Set One: Disc One (5) 55:09 1. Let it Rock , 2. They Love Each Other , 3. Russian Lullaby ,
 4. Tore up over you , 5. Jingle Bells, Birmingham
 Set Two: Disc Two (4) 39:17 01. The Night they Drove ol dixie down , 02. Money Honey *, 03.
 lets spend the night together * -> 04. edward *
12/20/75 San Francisco, CA - Winterland Arena MSR>D>CD All 102 1036 15849 
 *JGB*
 Source: Baked reels "last run" transfer 44.k (about 1993) > DAT x 2; Conversion: M-1 > 7-pin > Co2
 > SB Live > CDWav > FLAC. My sense is that this indeed represents an improvement over the MSR>R>P>D>CD
 copies, both in overall SQ (thoughI haven't A-B'd them closely) and especially in the relative absence
 of gremlins (seemingly derived from the PCM on the old copy, I guess). There is still some static
 here and there and the occasional pop (including major digi-tick d1t05 @ 1:00 on my audio copy, not
 sure if on flacs). * Matthew Kelly on harmonica. This needs to be retracked a little bit, especially
 the LSTNT > Edward bit, and Edward will need to be patched either from the alt. sbd (if it's uncut) or
 from the Menke-Falanga aud. I love how groovy and stretched out this Money Honey is, and disc two is
 generally a very enjoyable listen.
 Set One: Disc One (7) 65:08, 01. intro & tuning [0:56], Let It Rock [11:43] [1:40], 02. They
 Love Each Other [7:17] [1:30], 03. Russian Lullaby [9:21] [0:51], 04. Tore Up Over You [10:37] [1:37],
 05. Jingle Bells [2:38] [0:48], 06. [0:34] Birmingham [4:22] [0:58], 07. The Night They Drove Old
 Dixie Down [9:01] [0:08]
 Set Two: Disc Two (4) 36:32 01. [0:49] Money Honey* [13:46] [0:48], 02. Let's Spend The
 Night Together* [6:25] -> 03. Jam [6:37] -> Ed//ward [1:#16] -> 04. Edward (con't) [6:43] [0:09]
12/20/75 San Francisco, CA - Winterland Arena MAC>CD All n/a enter 89571 
 *JGB: Menke & Falanga, Sony ECM 250+270 > Sony TC-152* *MOTB0060*
 MOTB Release: 0060 16/44.1; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock
 Brands: MAC = Maxell UDXL C90; Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC; Analog Sound
 Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000
 => Korg AudioGate >> WAV [24/96]; Taped By: Bob Menke and Louis Falanga; Transfer By: B. Menke;
 Mastering By: J. Wadell. Jerry Garcia Band: * Jerry Garcia - guitar, vocals; * John Kahn - bass; *
 Nicky Hopkins - keyboards, vocals; * Ron Tutt - drums. Mastering Notes: -- Edited, mastered and
 downsampled to 16/44.1 on the GEMS Edit Station. Notes: -- Recording location was front row of the
 balcony, behind the stage. The microphones were pointed at speaker stacks about 25 to 30 feet away. --
 d1t05 - Nicky Hopkins performs "Jingle Bells" solo. -- d2t01 - Nicky Hopkins performs "Birmingham"
 solo. -- d2t04 - Small amount of music missing, due to tape flip, during first notes of the lead-in to
 "Let's Spend The Night Together"; --d2t0{3,4,5} - Guest artist Matt Kelly on harmonica.
 Set One: Let It Rock, They Love Each Other, Russian Lullaby, Tore Up Over You, Jingle Bells,
 Birmingham, The Night They Drove Old Dixie Down, Money Honey, Let's Spend The Night Together-> Edward
  The Mad Shirt Grinder
12/20/75 San Francisco, CA - Winterland Arena matrix All n/a enter 89580 
 *JGB: 3 source matrix by Kevin Tobin*
 SBD + AUD Matrix 3 Source Mix (45%-SBD/55%-AUD).
 Set One: Let It Rock, They Love Each Other, Russian Lullaby, Tore Up Over You, Jingle Bells,
 Birmingham, The Night They Drove Old Dixie Down, Money Honey, Let's Spend The Night Together-> Edward
 The Mad Shirt Grinder
12/20/75 San Francisco, CA - Winterland Arena MAC>FLAC2448 All n/a enter 89578 
 *JGB: Menke & Falanga, Sony ECM 250+270 > Sony TC-152* *MOTB0060*
 Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = Maxell UDXL C90;
 Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi
 DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV
 [24/96]; Taped By: Bob Menke and Louis Falanga; Transfer By: B. Menke; Mastering By: J. Wadell. Jerry
 Garcia Band: * Jerry Garcia - guitar, vocals; * John Kahn - bass; * Nicky Hopkins - keyboards, vocals;
 * Ron Tutt - drums. Mastering Notes: -- Edited, mastered on the GEMS Edit Station. Notes -- Recording
 location was front row of the balcony, behind the stage. The microphones were pointed at speaker
 stacks about 25 to 30 feet away. -- s1t05 - Nicky Hopkins performs "Jingle Bells" solo. -- s1t06 -
 Nicky Hopkins performs "Birmingham" solo. -- s1t09 - Small amount of music missing, due to tape flip,
 during first notes of the lead-in to "Let's Spend The Night Together" -- s1t{08,09,10} - Guest artist
 Matt Kelly on harmonica.
 Set One: Let It Rock, They Love Each Other, Russian Lullaby, Tore Up Over You, Jingle Bells,
 Birmingham, The Night They Drove Old Dixie Down, Money Honey, Let's Spend The Night Together-> Edward
 The Mad Shirt Grinder
12/31/75 San Francisco, CA - Winterland Arena MAC>D>CD All 137 0251-0252 8664 
 *JGB: Menke & Falanga, Sony ECM270 + 250 > Sony TC-110*
 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >
 CD > EAC > CD > EAC > SHN; via Jack Warner. Extraction (EAC), re-tracking (WaveMerge and CD Wave),
 .shn encoding (mkwACT) and sector boundary alignment (shntool) by jupillej@mediaone.net. Entire show
 with Mickey Hart and Matt Kelly. Bob Weir plays during set III. Mystery Train has a brief (ca. one
 minute) drum interlude. d1t02-03 light pop @ track marker; d1t05 TLEO brief drop @ 7:04; d1t07 Pig's
 Boogie disruptions @ 8:03-8:05
 Set One: Disc One 64:26, Set I, 1. Let it Rock [12:53] [0:55], 2. Mother Nature's Son
 Instrumental [1:53] [0:06], 3. It's No Use [11:23] [0:17], 4. My Country 'Tis of Thee Instrumental
 [0:43] [0:08], 5. They Love Each Other [7:31] [0:49], 6. Tuning/Banter [1:36], 7. Pig's Boogie [10:54]
 [4:34], Set II, 8. New Year's Countdown -> Auld Lang Syne [1:08] [0:34], 9. How Sweet It Is [7:58]
 [1:01]
  Set Two: Disc Two 72:07, Set II (con't), 1. Catfish John [15:20] [1:05], 2. Mystery Train
 [22:14] [0:49], Set III, 3. Tore Up Over You [10:13] [0:25], 4. Tuning Ditty & Tuning [0:56], 5. C.C.
 Rider [8:02] [2:16], 6. Roadrunner [9:17] [1:27]
12/31/75 Berkeley, CA - Keystone MSR>R>P>D>CD All 134 enter 75162 
 *JGB* *pitch-corrected of shnid 6646*
 Source: SBD > Analog > DAT > CD > ? > SHN; Remastering: SHN > WAV > CE2K > CDWAV > SHNTOOL >
 mkwACT. Show Notes (courtesy of www.thejerrysite.com): Jerry Garcia - guitar, vocals. John Kahn -
 bass. Nicky Hopkins - keyboards, vocals. Greg Errico - drums. Mickey Hart - drums. Guests for Set 2
 and Set 3: Bob Weir - guitar, vocals. Matt Kelly - harmonica. Remastering Notes: -Original source
 (shnid=6646) was 3% too slow (pitched approximately 1/2 step too low) -I used CE2K to pitch- and
 speed-correct by compressing from 100 to 97%. -Pitch is now Dead on A = 440Hz -No other remastering
 was performed (except for retracking). Peace. MattMan (mcoleATmed.wayne.edu). Thanksgiving 2003.
 Set One: Disc 1. (55:18) --Set 1-- 01. Let It Rock, 02. Mother Nature's Son (instrumental),
 03. It's No Use, 04. God Save the Queen, 05. They Love Each Other, 06. Pig's Boogie, 07. Nicky's False
 Band Introduction & Jerry's "Be-Right-Back" --Set 2A-- 08. Nicky's Countdown to New Year's Eve, 09.
 Auld Lang Syne
 Set Two: Disc 2. (79:16) --Set 2B-- 01. How Sweet It Is To Be Loved By You, 02. Catfish
 John, 03. Mystery Train --Set 3-- 04. Tore Up Over You, 05. Nicky's Mystery Train Refrain, 06. C. C.
 Rider, 07. Roadrunner
 Set Three: Tore Up Over You, C. C. Rider, Roadrunner
12/31/75 Berkeley, CA - Keystone MSR>R>P>D>CD All n/a enter 4468 
 *JGB* *SBEs*
 Source: MSR > 1R > P > D. * With Bob Weir; Entire show with Mickey Hart. Lineage: DAT > CDR > EAC >
 SHN. Extracted, Shortened, and seeded by Katy Miller, ryktjos@email.msn.com. A big thanks to Andrew W.
 for the show!!
 Set One: Maple Leaf Rag, Let It Rock, Mother Nature's Son, It's No Use, God Save The Queen,
 They Love Each Other, Pig's Boogie
 Set Two: Auld Lang Syne, How Sweet It Is To Be Loved By You, Catfish John, Mystery Train->
 Drums-> Mystery Train
 Set Three: Tore Up Over You, C. C. Rider, Roadrunner
 
01/07/76 San Rafael, CA - Club Front MS?>?>CD 91 
 *JGB: Rehearsals w/ James Booker* *best version?*
 2 CDs
 Set One: 68:10
 Set Two: 22:30
01/07/76 San Rafael, CA - Studio Rehearsal, Club Front MSC?>?>C>CD All 78 0306 4466 
 *JGB w/ James Booker* *rehearsals*
 There is a metallic swooshing during the quiet parts of some tracks, but it is intermittent. d1t01
 is a classic tune that is probably identifiable; d1t09 after the tune Booker refers to "last night,"
 suggesting rehearsals the previous day? Seeder's notes: "Lineage: The person who I traded with to get
 this show only knows the following: he thinks it's a SBD>CAS (a few gens)>SoundForge>CDRWIN. I was
 delighted with the sound quality considering the dodgy lineage. This rehearsal is a wonderful glimpse
 into the genius of New Orleans piano king James Booker, bringing a new (Orleans) dimension to the JGB
 sound. Seeded by Dave Kingston, kingstondave@hotmail.com." Jerry Garcia: Guitar; James Booker: Piano,
  Organ, Vocals; John Kahn: Bass; Ron Tutt: Drums.
 Set One: 1. //Tico Tico (several takes) [10:59], 2. Tico Tico [4:36] [0:39], 3. Your
 Brother's Killer [6:17], 4. Your Brother's Killer [9:19] [0:06], 5. Something You've Got (false start)
 [1:09], 6. Something You've Got (con't) [3:54] -> 7. Just a Closer Walk With Thee [3:56] -> 8.
 Goodnight Irene [4:48] -> Just a Closer Walk With Thee [0:40] [0:42], 9. United Our Thing Will Stand
 [8:01] [1:25], 10. Classified [9:21] [0:24], 11. Slowly But Surely (false start) [0:35], 12. Slowly
 But Surely [10:43] [0:02], Total Time 77:41
01/07/76 San Rafael, CA - Studio Rehearsal, Club Front MSR>?>C>D>CD All 93 0307 8385 
  *JGB w/ James Booker* *rehearsals*
 MSR > ? > John Kahn's cassette > Ryan Shriver's DAT > this CD. Notes: This version should be
 compared to the previously circulating version to be understood. This one is slightly more complete
  (the two takes of Goodnight Irene, here laid out at the start of disc two, are absent from the other
 version). It also has slightly clearer lineage, at least in terms of the analog-to-digital transfer
 (John Kahn's cassette to Ryan Shriver's DAT). In terms of sound quality, it seems a bit of a
 toss-up. The other version had some noise reduction and other work done in Sound Forge, and actually
 seems to have considerably more high end than this version, which is considerably flatter and bassier.
 d2t01 & t02 both cut in.
 Set One: 1. Tico Tico (piano) [11:11] -> 2. Tico Tico (organ) [4:42], 3. Don't Try To Be
 Your's Brother's Keeper Banter [0:40], 4. Don't Try To Be Your's Brother's Keeper [15:51], 5.
 Something You've Got [5:21] -> 6. Just a Closer Walk With Thee [4:00] -> 7. Goodnight Irene [4:50] ->
 8. Just a Closer Walk With Thee [0:50], Total Time 47:29
 Set Two: 1. //Goodnight Irene [1:43#], 2. //Goodnight Irene [11:29#] [0:32], 3. United, Our
 Thing Will Stand [8:21] [1:23], 4. Classified [6:08] -> 5. Right Place, Wrong Time [3:31] [0:23], 6.
 Right Back Together [11:37] [0:24], Total Time 45:33
01/09/76 Palo Alto, CA - Sophie's MS?>?>CD All 108 
 *JGB w/ James Booker*
 A very light, intermittent clicking seems to plague the whole recording, thought it is primarily
  audible during tuning breaks. d1t01 All By Myself fades in, not much missing; d1t01 All By Myself
 very light pops @ 0:02, 0:05, 0:07; d1t01 All By Myself mix/level fluctuations first 0:20; d1t02
 Goodnight Irene cuts in, not much missing; d1t02 Goodnight Irene painful static and mix fluctuations,
 ca. 1:30; d1t06 ITALTL, ITATTC fades out; d1t07 Neighbor Neighbor fades in; d2t03 Fandango cuts out
 Set One: Set I, 1. [0:02] //All By Myself [7:39#] [0:54], 2. //Goodnight Irene [10:24#] ->
 3. Fur Elise [0:51] -> 4. Slowly But Surely [11:36] -> 5. Send Me Someone To Love [10:08] [1:05], 6.
 It Takes A Lot To Laugh It Takes A Train To Cry// [3:51#] [0:42], Set II, 7. //Neighbor Neighbor
 [2:03#] [1:18], 8. United Our Thing Will Stand [11:22] [0:04], Total Time 61:56
 Set Two: Set II (con't), 1. Classified [8:15] -> 2. Please Come Home [10:15] [0:41], 3.
 Fandango// [0:31] [0:09], 4. Let it Rock [12:18] [1:39], 5. Roadrunner [11:15] [0:58], Total Time
 46:01
01/09/76 Palo Alto, CA - Sophie's MSR>?>C>D>CD All 121 0308-0309 8386 
 *JGB w/ James Booker*
 MSR > ? > John Kahn's cassette > Ryan Shriver's DAT > this CD. Notes: A very light, intermittent
 clicking reoccurs throughout the recording, though it is primarily audible during tuning breaks.
 d1t01 All By Myself fades in, not much missing; d1t01 All By Myself very light pops @ 0:02, 0:05,
 0:07; d1t01 All By Myself mix/level fluctuations first 0:20; d1t02 Goodnight Irene painful static and
 mix fluctuations, ca. 1:30; d1t06 Train to Cry cuts out; d1t07 Tore Up cuts in; d1t07 Tore Up static;
 d2t01 Neighbor Neighbor fades in; d2t05 Fandango cut/splice @ 0:35, unknown missing.
 Set One: Set I, 1. //All By Myself [7:47#] [0:54], 2. Goodnight Irene [10:35] -> 3. Fur
 Elise [0:51] -> 4. Right Back Together [11:41] -> 5. Send Me Someone To Love [10:31] [1:01], 6. It
 Takes A Lot To Laugh It Takes A Train To Cry// [4:31#], 7. //Tore Up Over You [5:24#] [0:49], Total
 Time 54:05
 Set Two: Set II, 1. //Neighbor Neighbor [2:05#] [1:20], 2. United Our Thing Will Stand
 [11:40] -> 3. Classified [8:35] -> 4. Please Come Home [10:16] [0:39], 5. Fand//ango [6:22#] [0:21],
 6. Let it Rock [12:18] [1:59], 7. Roadrunner [11:29] [0:16], Total Time 67:22
01/09/76 Palo Alto, CA - Sophie's MS?>?>CD All 117 
 *JGB*
 2 CDs
 Set One: --Set I-- /All By Myself, Goodnight Irene -> Fur Elise, Slowly But Surely -> Send
 Me Someone to Love, Train to Cry//, //Tore Up --Set II-- //Neighbor Neighbor
 Set Two: --Set II (con't)-- United Our Thing Will Stand -> Classified -> Please Come Home,
 Fandango//, Let it Rock, Roadrunner
01/10/76 Palo Alto, CA - Sophie's MAC>?>CD All 125 0304-0305 8077 
 *JGB w/ James Booker: David Cook, ?? mics > Sony TC-110?*
 Lineage not certain: MAC>?>CD. Recorded by David Cook with unknown mics into a Sony TC-110.
 Notes: d1t01 All By Myself cuts in, not much missing; d2t01 Train to Cry cuts in, not much missing;
 d2t02 Goodnight Irene cuts in, not much missing; d2t04 Right Back Together cuts in, not much
 missing
 Set One: Disc One 62:47 --Set I-- 1. //All By Myself [7:54#] [0:09], 2. Classified [2:08] ->
 3. Right Place Wrong Time [5:20] -> 4. United, Our Thing Will Stand [15:15] -> 5. You Are My Sunshine
 [11:38] [0:02], 6. Junco Partner [4:42] [0:02], 7. Drown in My Own Tears [4:40] [0:05], 8. Tore Up
 [10:45] [0:06]
  Set Two: Disc Two 61:27 --Set II-- 1. //It Takes a Lot to Laugh, It Takes a Train to Cry
 [8:34#] [0:24], 2. //Goodnight Irene [9:35#] [0:04], 3. Let it Rock [11:11] [0:07], 4. //Right Back
 Together [17:27#] [0:27], 5. Roadrunner [13:22] [0:14]
01/25/76 San Rafael, CA - Studio Rehearsal, Club Front MSC>D>CD All 138 0558-0559 12504 
 *JGB Rehearsals*
 MSC > DATs > Sony PCM R500 > HHB 800 CD/0 > HHB 800 CD/1 > HP 9350i extraction using EAC > .shn
 encoding using mkwACT. The last two songs are MSR > 1R > 1C > DATs > Sony PCM R500 > HHB 800 master
 CD > HHB 800 first gen CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. Proper sector
 boundaries verified using shntool. Notes: d1t01 Knockin' cuts in; d1t02 Second That Emotion cuts in;
 d1t08 Knockin' drop @ 0:08; d1t10 Tore Up cuts in; d2t02 Who Was John gap @ 2:08-2:14.
 Set One: Disc One (10) 72:56, 1. //Knockin' On Heaven's Door [5:08], 2. /I Second That
 Emotion [11:56], 3. Catfish John [8:04], 4. Tomorrow Is Forever [3:42], 5. Tomorrow Is Forever [6:36],
 6. Tomorrow Is Forever [3:21], 7. Tomorrow Is Forever [7:37], 8. Knockin' On Heaven's Door [12:30], 9.
 United Our Thing Will Stand Jam [6:54], 10. //Tore Up Over You [7:05]
 Set Two: Disc Two (7) 65:18, 1. Mystery Train [12:16], 2. Who Was John? [8:27], 3. Who Was
 John? [3:13], 4. Every Word You Say [8:01], 5. Sitting In Limbo [9:56], 6. Let's Spend The Night
 Together [8:17] -> 7. Jam [15:07]
01/27/76 Berkeley, CA - Keystone MSR>C>D>CD n/a 0639-0640 4467 
 *JGB*
 sbd via Kevin Tobin
 Set One: Mission In The Rain, How Sweet It Is To Be Loved By You
 Set Two: The Harder They Come, Knockin' On Heaven's Door, They Love Each Other, A Strange
 Man, Mystery Train, Tomorrow Is Forever*, Roadrunner, The Night They Drove Old Dixie Down
01/27/76 Berkeley, CA - Keystone MSR>C>D>CD All 135 0805-0806 17120 
 *JGB* *optimal (patched) copy*
 MSR (2 track 7" reels @ 15ips) > cassette (TDK SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit
 A/D > Fostex D5 master DAT > Sony CDR-W33 master CD > EAC > SHN (non-seekable) > patching using Sound
 Forge Studio 6.0 > sector boundary verification using shntool > .shn encoding (seekable) using mkwACT.
 A > CD by Ryan Shriver, original .shn by Kevin Tobin, patching and re-.shn by Joe Jupille .
 Notes/Flaws: - This is a beautiful recording of an extremely laid back show. The original .shn set had
 the end of How Sweet It is clipped, as well as a reel flip in Mystery Train. How Sweet lacked about
 nine seconds at the every end, which I patched in along with the set break announcement and crowd. I
  patched about 23 seconds of missing material over the reel flip in Mystery Train. Patch material was
 provided by the amazing audience recording made by Bob Menke and Louis Falanga (Sony ECM-250 + Sony
 ECM-270 mics [onstage] > Sony TC-152 master cassettes). I re-.shn'd othertracks to make them seekable,
 hence the all new md5s. - No flaws noted.
 Set One: Disc One (7) 67:17 --Set I-- 01. Catfish John [12:28] [0:19], 02. Tore Up Over You
 [7:34] [0:27], 03. Tough Mama [7:58] [0:07], 04. Who Was John [9:16] [0:07], 05. Mission in the Rain
 [5:55] [0:08], 06. How Sweet It Is [7:36] [0:21] --Set II-- 07. The Harder They Come [14:55] [0:03]
 Set Two: Disc Two (7) 68:00 --Set II (con't)-- 01. Knockin' on Heaven's Door [14:35] [0:18],
 02. They Love Each Other [6:28] [0:10], 03. A Strange Man [6:20] [0:19], 04. Mystery Train [11:38]
 [0:11], 05. Tomorrow Is Forever [7:07] [0:15], 06. Roadrunner [10:18] [0:02], 07. The Night They Drove
 Old Dixie Down [10:18] [0:07]
01/27/76 Berkeley, CA - Keystone MAC>CD All-3 98 
 *JGB: Menke & Falanga, Sony ECM 250+270 > Sony TC-152*
 Menke & Falanga, Sony ECM 250+270 (onstage) > Sony TC-152. A beautiful recording, and a nice
 peaceful show. Strange Man is really nice (really!), Donna sounds terrific (really!). Missing first
 three songs. WWJ fades in, brief splice @ track 4:06; d2t02 Knockin' pop & gap @ starting track
 marker?
 Set One: Disc One (3) 21:34 --Set I-- (missing Catfish John, Tore Up Over You, Tough Mama)
 01. [0:08] ... Who// Was John? [#6:#15] [0:32], 02. Mission in the Rain [5:58] [0:40], 03. How Sweet
 It Is [7:38] [0:20]
 Set Two: Disc Two (7) 75:55 --Set II-- 01. [0:10] Harder They Come [15:00] [0:19], 02.
 Knockin' on Heaven's Door [14:45] [0:42], 03. TLEO [6:32] [1:17], 04. [0:03] Strange Man [6:26]
 [0:39], 05. Mystery Train [11:31] [0:13], 06. Tomorrow is Forever [7:09] [0:24], 07. [0:06] Roadrunner
 [10:25] [0:07]
01/28/76 Berkeley, CA - Keystone MAC>CD All 141 0834-0835 17695 
 *JGB: Menke & Falanga, Sony ECM 250+270 > Sony TC-152*
 MAC (Taped by Bob Menke and Louis Falanga, Sony ECM 250+270 [onstage] > Sony TC-152) > DAT > CD >
 Plextor Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary
 verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille .
 Notes/Flaws: - A gorgeous audience recording of a characteristically sleepy early '76 show. There are
 a number of minor blemishes here and there (some noted below), but they don't retract from the overall
 high quality of this recording. I looked at removing the blemishes with Sound Forge, but most of them
 just weren't visible or fixable. There is also a beautiful soundboard (MSR>C>D>CD) of this show in
 light circulation, but my copy of it has lots more blemishes than this one, and it is also fairly cut
 up, including missing several songs. - d1t01 Every Word You Say pop @ 2:31. - d1t04 Who Was John pops
 @ 9:30, 9:50. - d2t02 Harder They Come tapping on mic @ start. - d2t03 Knockin' pop @ 9:09. - There
 may be other blemishes that I failed to note. NB, too, the Fire on the Mountain theme in LSTNT, around
 the 10:30 mark. Nice!
 Set One: Disc One (7) 64:19 --Set I-- 01. Every Word You Say [6:28] [0:07], 02. I Second
 That Emotion [12:56] [0:21], 03. Friend Of The Devil [6:47] [0:18], 04. Who Was John [10:30] [0:50],
 05. Tore Up Over You [8:10] [0:16], 06. Russian Lullaby [9:30] [1:37], 07. Mission In The Rain [6:12]
 [0:13]
 Set Two: Disc Two (7) 77:18 --Set II-- 01. Crowd & Tuning [0:24], 02. Harder They Come
 [17:05] [0:18], 03. Knockin' On Heaven's Door [14:13] [0:45], 04. Catfish John [11:16] [0:22], 05. A
 Strange Man [6:25] [1:05], 06. Let's Spend The Night Together [17:15] [0:34], 07. How Sweet It Is
 [7:18] [0:16]
01/28/76 Berkeley, CA - Keystone MSR>C>D>CD All-2 120 
 *JGB*
 Basically a very nice recording, but lots and lots of digital and other zaps, ticks, clicks, pops,
  etc., several cuts, and two songs missing. Get the Menke/Falanga aud. This LTSNT is great!
 Set One: Disc One (7) 68:37 --Set I-- ... Every Word You Say, Second That Emotion, FOTD, Who
 Was John, Tore//Up, Russian Lullaby, Mission in the Rain
 Set Two: Disc Two (4) 51:16 --Set II-- Harder// They Come, (missing Knockin'), //Catfish
 John, (missing Strange Man), Let's Spend the Night Together, How Sweet It Is
01/31/76z Unknown location  MAC>CD All? 14 
 *Interview by Father Miles Riley* *date uncertain*
 Jerry Garcia Interview (Father Miles Riley), Unknown Location. From Hank Harrison's cassette
 recording of an interview for TV, done by Father Miles Riley and broadcast on KPIX-TV San Francisco on
 1/31/76. The actual date of the interview is unknown, so I am dating it by the broadcast date,
 assuming it is roughly from the same time period. Hank Harrison's ambient MC > CD > EAC > FLAC.
 Set One: (14:11) t01 14:11 t01 losing his mom 1:19 stereotypes of musicians 1:20-3:00 words,
 language, communication 3:09- 4:56 "the high energy experience of playing for a large body of people"
  6:00 ... feed and be fed relationship with the audience 7:16 two-way flow ... direct kind of
 feedback
02/13/76 Berkeley, CA - Keystone MA?>?>CD I,IIp 131 0351-0352 83947 
 *JGB: unknown taper & gear*
 Came to me as mac > dat > cdr, but TJS lists MAC > 1R > 1V > D. TM lists as MAR > DAT.
 Notes/Flaws: Light static plagues the entire recording. d1t01 How Sweet mix/level adjustments first 2
 mins.; d1t03 After Midnight drop @ 13:11. d2t02 Moonlight Mile brief drop @ 1:43. Notes from The
 Jerry Site: "Set 1 is complete. Set 2 is probably incomplete. Harder They Come and Knockin' are most
 likely the first two songs of the set and Talkin' Bout You is definitely the last song of the set."
 Set One: Disc One (6) 70:03 --Set I-- 1. How Sweet It Is [12:20] [0:32], 2. Catfish John
 [14:15] [0:08], 3. After Midnight [13:13] [0:40], 4. Mission In The Rain [6:43] [0:16], 5. Who Was
 John [11:49] [1:44], 6. They Love Each Other [7:02] [0:29]
 Set Two: Disc Two (5) 61:08 --Set I (con't)-- 1. Crowd & Tuning [0:30], 2. Moonlight Mile
 [10:18] [0:29] --Set II-- 3. Harder They Come [18:44] [1:06], 4. Knockin' On Heaven's Door [19:24]
 [0:06], 5. Talkin' 'Bout You [10:09] [0:21]
02/14/76 Berkeley, CA - Keystone MSR>C>D>CD All 139 0743-0744 4465 
 *JGB*
 Set One: 1. I Second That Emotion [12:24] [3:50], 2. They Love Each Other [6:42] [1:44], 3.
 I Want to Tell You [4:25] [1:24], 4. Russian Lullaby [8:08] [1:11], 5. Tore Up Over You (1) [8:00]
 [1:48], 6. The Night They Drove Ol' Dixie Down [9:37] [2:14], 7. After Midnight [10:15] [0:09]
  Set Two: 1. [1:01] Sitting Here In Limbo [13:54] [0:34], 2. A Strange Man [6:31] [2:03], 3.
 Catfish John [10:39] [1:10], 4. Mystery Train [9:47] [1:50], 5. Moonlight Mile [10:13] [1:06], 6. How
 Sweet It Is [8:20] [0:38]
02/14/76 Berkeley, CA - Keystone MSR>C>D>CD All 139 1152 28330 
 *JGB: "Bertha" remaster*
 Set One: (9) 72:57, I Second That Emotion, Catfish John, I Want To Tell You, Russian
 Lullaby, Tore Up Over You, The Night They Drove Old Dixie Down, After Midnight
 Set Two: (8) 65:34, Sittin' In Limbo, A Strange Man, Catfish John, Mystery Train, Moonlight
 Mile, How Sweet It Is To Be Loved By You
02/15/76 *see Jerry Garcia on Official Releases* n/a 
02/15/76 Palo Alto, CA - Sophie's MAC>R>D>CD All 139 
 *JGB: Michael Parrish, condensor mic > Sony mono cassette deck*
 MAC (Taped by Michael Parrish?, condensor mic > Sony mono cassette deck) > reel > DAT > CD.
 Probably for completists only. Knockin' clips in (and is an absolute dirge). Talkin' 'Bout You clips
 in.
  Set One: Disc One (5) 67:30 --Set I-- 01. [1:03] Harder They Come [17:45] [0:05], 02. [2:15]
 Friend of the Devil [6:35] [0:13], 03. Mission in the Rain [:02+6:46] [0:04], 04. [0:05] Who Was John
 [15:01] [0:03], 05. /Knockin' on Heaven's Door [17:24] [0:06]
 Set Two: Disc Two (7) 70:40 --Set I (con't)-- 01. How Sweet It Is [9:23] [0:06] --Set II--
 02. [0:43] Catfish John [11:32] [0:02], 03. [0:48] Tore Up [9:22] [0:02], 04. Sisters & Brothers
 [6:57] [0:01], 05. [0:22] I Want to Tell You [5:18] [0:02], 06. [2:58] Moonlight Mile [11:09] [0:01],
 07. /Talkin' 'Bout You [#11:40] [0:10]
02/15/76 Palo Alto, CA - Sophie's MAC>CD I 77 
 *JGB: Menke & Falanga, Sony ECM 250+270 > Sony TC-152*
 MAC (Menke & Falanga, onstage Sony ECM 250+270 > Sony TC-152) > CD. HTC levels jump up @ start,
 distortion after 2-minute mark; Who Was John cut/splice @ song 12:41 (probable tape flip); R channel
 drops out @ 9:33 of Knockin' and doesn't come back. Here's the story about that, via Jack Warner:
 "Parrish snuck up and cut one of the mic cords during Knockin', which is why there is only one channel
  for the rest of that set. After the set, Parrish told them something to the effect of 'I don't ever
 wanna see you fuckin' guys taping up here again'. That was the last show for which they were able to
 use that setup :("
 Set One: Single Disc (8) 76:31 --Set I-- 01. [0:34] Harder They Come [17:08] [0:17], 02.
 [0:50], 03. [0:03] Friend of the Devil [6:28] [0:21], 04. [0:07] Mission in the Rain [6:35] [0:21],
 05&06. Who //Was John? [:37+12:#04+1:39] [1:54], 07. Knockin' on Heaven's Door [16:53] [0:37], 08.
 [0:18] How Sweet It Is [9:17] [0:15]
02/21/76a Encinitas, CA - La Paloma Theater MSR>C>D>CD All 111 0218 4463 
 *JGB*
 7" master soundboard reels @ 15ips > 1 cassette generation > played back on Nak CR-7A > Lucid
 AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > CDs > EAC > SHN.
 Notes: d1t04 Who Was John gap @ 2:56-3:00; d1t04 Who Was John light click @ 9:21, snap @ 11:36; d2t01
 Mystery Train flit @ 0:33, pops @ 0:41, 3:06; d2t04 Dixie numerous small chirps in 2:00 range, pop @
 2:36; d2t04 Dixie gap @ 4:48-4:55
 Set One: Disc One 58:08, 1. [0:54] I Second That Emotion [13:40] [0:51], 2. They Love Each
 Other [6:34] [0:53], 3. Knockin' On Heaven's Door [17:53] [2:31], 4. Who Was// John [12:15#] [1:37]
 Set Two: Disc Two 53:24, 1. [0:19] Mystery Train [10:20] [2:03], 2. Friend Of The Devil
 [6:46] [1:42], 3. Tore Up Over You [9:08] [1:07], 4. The Night They Drove Old// Dixie Down [7:08#]
 [1:35], 5. Roadrunner [12:37] [0:38]
02/21/76a Encinitas, CA - La Paloma Theater MSR>C>D>CD All 111 1259 32834 
 *JGB*
 Source: SBD > MR > C > DAT > WAV > FLAC; Transfer: Sony PCM-R500 > Audiophile 2496 > Wavelab 5.0
 (recorded as 24/48 KHz WAV); Mastering: Wavelab (X-Noise and L3 Multimaximizer rendered to 16/44.1
 using hi-res CD settings) > CDWAV 1.9 (tracking and FLAC'ing, level 5). Transfer, mastering and
 encoding by C.Ladner, 2/2006. Seeder Comments: Tape flip/cut 04:47 of d2t02. I don't hear any of the
 flaws noted on the other circulating sources.
 Set One: Disc I, 01 tuning [00:49], 02 I Second That Emotion [15:30], 03 They Love Each
 Other [07:56], 04 Knockin' On Heaven's Door [19:58], 05 Who Was John [13:56], 06 Mystery Train
 [12:36], 07 Friend Of The Devil [08:22], Total time: 79:08
 Set Two: Disc II, 01 Tore Up Over You 10:15], 02 The Night They Drove Old Dixie Down
 [08:38], 03 (I'm A) Road Runner [13:10], Total time: 32:03
02/21/76b Encinitas, CA - La Paloma Theater MSR>C>D>CD All 100 0687 xxxxx 
 *JGB*
 MSR (2 track 7" reels @ 15ips) > 1 cassette (TDK SA-X100) > played back on Nakamichi CR-7A cassette
 deck (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > DATs > CDs > HP 9350i
 extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool
 v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Ryan Shriver, CD > SHN by Joe Jupille. Flaws: -
 d1t06 Mission cuts in, not much missing; - d2t03 After Midnight cuts in, not much missing.
 Set One: Disc One (6) 48:44, 01. Crowd & Tuning [0:21], 02. The Way You Do The Things You Do
 [7:46] [1:00], 03. Catfish John [123:38] [0:06], 04. A Strange Man [6:49] [0:21], 05. Harder They Come
 [13:00] [0:05], 06. //Mission In The Rain [#6:23] ][0:13]
 Set Two: Disc Two (6) 50:40, 01. Crowd & Tuning [0:41], 02. My Sisters And Brothers [6:10]
 [0:13], 03. //After Midnight [#9:28] [0:28], 04. Moonlight Mile [10:56] [0:18], 05. How Sweet It Is
 [8:27] [0:46] --Encore-- 06. Talkin' 'Bout You [13:00] [0:11]
02/22/76a Encinitas, CA - La Paloma Theater MAC>2C>D>CD All 77 0688 15181 
 *JGB*
 MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio
 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding
 (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. Notes: - This must be a stellar master, because it
 still sounds nice after two cassette gens. Flaws: - a few songs clip in, but just barely; - I cleaned
 out a number of drops and faded the ends of some tracks down using Sound Forge Studio 6.0.
 Set One: Single Disc (9) 77:04, 01. Crowd & Tuning [0:11], 02. How Sweet It Is [7:17]
 [0:18], 03. Catfish John [11:45] [0:02], 04. Friend Of The Devil [7:06] [0:34], 05. Tough Mama [8:36]
 [0:03], 06. They Love Each Other [7:03] [0:06], 07. Sitting In Limbo [11:48] [0:11], 08. Who Was John
 [12:34] [0:03], 09. Tore Up Over You [9:08] [0:14]
02/22/76b Encinitas, CA - La Paloma Theater MAC>2C>D>CD All 97 0689 15182 
 *JGB*
 MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio
 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding
 (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. Notes: - This must be a stellar master, because it
 still sounds nice after two cassette gens. - The jam out of I Want to Tell You is beautiful! Flaws: -
 a few songs clip in, but just barely; - I cleaned out a number of drops and faded the ends of some
 tracks down using Sound Forge Studio 6.0.
 Set One: Disc One (5) 57:22, 01. The Way You Do The Things You Do [8:07] [0:05], 02. Mission
 In The Rain [6:38] [0:08], 03. A Strange Man [6:45] [0:05], 04. Knockin' On Heaven's Door [17:10]
 [0:26], 05. Harder They Come [17:40] [0:16]
  Set Two: Disc Two (4) 40:22, 01. I Want To Tell You [6:28] -> 02. My Sisters And Brothers
 [6:14] [0:13], 03. Sugaree [8:50] [1:23], 04. I'll Take A Melody [15:57] [0:15]
02/24/76 Berkeley, CA - Keystone MAC>CD All 113 0828 17424 
 *JGB: Menke & Falanga, Sony ECM 250+270 > Sony TC-152*
 MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT >
 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > normalization (SF Studio
 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN
 by Joe Jupille . Notes/Flaws: - Nice recording of a typical early '76 show -- extremely mellow. - The
 source CDs peaked at 30.1% and 25.1%, respectively. I normalized each set to 98% using Sound Forge
 Studio 6.0. - d1t01 Tore Up mix & level fluctuations throughout. - d1t04 Second That Emotion L channel
 out intermittently during first minute.
 Set One: Disc One (7) 63:30 --Set I-- 01. Crowd & Tuning [0:18], 02. Tore Up Over You
 [10:16] [0:12], 03. Catfish John [12:48] [1:40], 04. I Second That Emotion [11:03] [0:20], 05. They
 Love Each Other [6:58] [0:17], 06. Mystery Train [11:48] [0:33], 07. Mission In The Rain [7:01]
 [0:13]
 Set Two: Disc Two (5) 49:15 --Set II-- 01. Crowd & Tuning [0:30], 02. I'll Take A Melody
 [15:47] [1:10], 03. The Way You Do The Things You Do [10:48] [0:29], 04. Who Was John [10:48] [1:58],
 05. How Sweet It Is [7:18] [0:25]
02/24/76 Berkeley, CA - Keystone MSR>2C>D>CD II 50 0660 noshnid  
 *JGB*
 MSR (2 track 7" reels @ 15ips) > 2 cassette gens > Maxell UD XL-II C90 played back on Nakamichi
 CR-7A cassette deck (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > DAT > 3
 CD > HP 9350i extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD
 Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D
 by Ryan Shriver, D > CD by David Hull, CD > SHN by Joe Jupille. Notes/Flaws: - t01 Melody cuts in on
 "the sky was gray with a speck of blue"; - t03 Who Was John very light anomaly @ 0:04, smoothed using
 Sound Forge Studio 6.0, but still audible.
 Set Two: Single Disc (4) 49:48, 01. //I'll Take a Melody [#15:35] [0:52], 02. The Way You Do
 The Things You Do [10:54] [1:18], 03. Who Was John [10:56] [0:39], 04. How Sweet It Is [7:24]
 [2:09]
02/26/76a Santa Cruz, CA - Del Mar Theater MAC>R>D>CD All 85 0690 15183 
 *JGB: Michael Parrish, condensor mic > Sony mono cass*
 MAC (Taped by Michael Parrish, condensor mic > Sony mono cassette deck) > reel > DAT > CD > HP
 9350i extraction (EAC v0.9 beta 4) > (CD Wave v1.6) > sector boundary verification (shntool v1.01) >
 .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. Notes/Flaws: - Sound is quite muffled,
 probably for completists only. - d2t04 Talkin' 'Bout You cuts out
 Set One: Disc One (5) 43:14, 01. Crowd & Tuning [0:18], 02. How Sweet It Is [10:04] [0:39],
 03. Catfish John [11:41] [1:00], 04. After Midnight [12:10] [0:06], 05. Friend of the Devil [7:13]
 [0:01]
 Set Two: Disc Two (4) 41:52, 01. Crowd & Tuning [0:35], 02. Who Was John [15:20] [2:04], 03.
 Sitting in Limbo [15:56] [0:31], 04. Talkin' 'Bout You// [7:26#] [0:05]
02/28/76 Sacramento, CA - Crabshaw Corner MAC>R>D>CD All 164 
 *JGB: unknown taper & gear*
 Set One: d1 (7) 75:03 --set I-- I Second That Emotion, They Love Each Other, Sittin' In
 Limbo, Who Was John/, After Midnight, Russian Lullaby, Adams Family theme, How Sweet It Is To Be Loved
 By You
 Set Two: d2 (6) 58:57 --set II-- /The Way You Do The Things You Do, Catfish John, Tore Up
 Over You, /A Strange Man, /Friend Of The Devil, Knockin' On Heaven's Door
 Set Three: d3 (3) 29:44 --set II (con't)-- I Want To Tell You-> My Sisters And Brothers, The
 Harder //They Come
03/03/76 Veneta, OR - Lane County Fairgrounds MAC>R>D>CD 2 88 0349 9588 
 *JGB: Don Wolfe, Sony ECN-18Ns > Sony TC-152*
 MAC > R > D > CD. Recorded by Don Wolfe, Sony ECN-18Ns > Sony TC-152. All that circulates from
 this source, as taper accidentally taped 2nd set over 1st set master. d2t05 Talkin' Bout You first few
  notes barely clipped? d2t05 pop @ 6:55, slight SQ change.
 Set One: Disc One (4) 41:27, 1. The Way You Do the Things You Do [9:41] [0:54], 2. Friend of
 the Devil [7:12] [1:02], 3. Strange Man [6:14] [1:53], 4. I'll Take a Melody [14:22] [0:08]
 Set Two: Disc Two (5) 47:15, 1. Mystery Train [9:31] [1:51], 2. Moonlight Mile [9:48]
 [0:10], 3. I Want to Tell You [6:43] -> 4. Sisters & Brothers [6:30] [0:14], 5. //Talkin' 'Bout You
 [12:08#] [0:18]
03/06/76 Seattle, WA - Moore's Egyptian Theater MAC>R>D>CD All 166 
 *JGB: Pat Lee, Sony ECM-N18s > Sony TC-152* *old version*
 MAC>R>D>CD. Recorded by Pat Lee, Sony ECM-18Ns>Sony TC-152. Notes: This is an outstanding
 recording, a few crackles here and there. d2t03 Harder They Come cuts in, not much missing; d2t04
 FOTD cuts in, not much missing; d3t06 How Sweet cuts in, ca. 20 seconds missing
 Set One: Disc One (7) 67:16 --Set I-- 1. Crowd & Tuning [0:11], 2. Tore Up Over You [10:16]
 [1:05], 3. Catfish John [10:19] [0:56], 4. Russian Lullaby [10:09] [1:10], 5. They Love Each Other
 [6:40] [3:19], 6. Mystery Train [9:16] [0:13], 7. Who Was John [11:52] [1:50]
 Set Two: Disc Two (4) 42:36 --Set I (con't)-- 1. Night They Drove Old Dixie Down [9:31]
 [0:09], 2. Lonesome And A Long Way From Home [8:22] [0:06] --Set II-- 3. //Harder They Come [#15:51]
 [0:08], 4. //Friend Of The Devil [#6:50] [1:38]
 Set Three: Disc Three (6) 55:26 --Set II (con't)-- 1. After Midnight [12:30] [1:42], 2.
 Moonlight Mile [11:04] [0:48], 3. A Strange Man [6:11] [1:00], 4. I Want to Tell You [6:34] -> 5. My
 Sisters And Brothers [6:36] [0:10] --Encore-- 6. //How Sweet It Is [#8:43] [0:08]
03/06/76 Seattle, WA - Moore's Egyptian Theater MAC>CD All n/a 0727-0728 15247 
 *JGB: Pat Lee, Sony ECM 18Ns > Sony TC-152* *new xfer*
 Sony ECM 18N mics > Sony TC-152 (Maxell UD-C120) from 4th or 5th row. Recorded and transferred to
 CD by Pat Lee, Sony RX79ES > Phillips 78S CD. SHN by David Hollister.
03/12/76 Evanston, IL - Conn Hall, Northwestern U. MAC>C>D>CD part 55 1035 20700 
 *JGB: unknown taper, unknown deck w/ built-in mic*
 Partial early & late shows. AUDMC > C > DAT > WAV > SHN. Recorded 2nd row, center left; with
 unknown deck with built in mics. 1st gen source tape from Eric Coplen. Cass > DAT by Ryan Shriver, DAT
 > SHN by Noah Weiner. Master Cassettes played back on Philips FC-60 deck > Lucid AD9624 > Sony
 PCM-R500 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O >
 Sound Forge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW Audio Compression Tool (shn).
 *battery failure becomes evident in tape speed fluctuation toward the end of the tape.
 Set One: SINGLE DISC, early show-p: 01 [07:53] How Sweet It Is (To Be Loved By You), 02
 [10:47] Catfish John, 03 [11:58] After Midnight, 04 [07:14] Mission In The Rain, 5 [02:23] Who Was
 John/, late show-p: 06 [14:51] The Harder They Come*, tt [55:06]
03/12/76b Evanston, IL - Conn Hall, Northwestern U. MAC>?>C>CD All 80 1230 noshnid? 
 *JGB: unknown taper & gear*
 MAC > ? > C > CD, cassettes supplied by Walter Keenan, transferred by David Minches. Notes: - Turns
 out to be a pretty nice tape. Lots of chatter, but good stuff. Show is good. Even the really slow
 Knockin' doesn't get boring. - t01 HTC cuts in - t04 Tore Up splice @ around 7:40 - t05 Strange Man
 cuts in - t07 Knockin' and t08 FOTD clip out.
 Set One: Single Disc (8 tracks, 79:40) --Late Show-- 01. //Harder They Come [#14:21] [0:40],
 02. It Takes a Lot to Laugh, It Takes a Train to Cry [8:34] [0:25], 03. They Love Each Other [6:42]
 [0:27], 04. Tore Up Over// You [8:#33] [0:06], 05. //Strange Man [#5:43] [0:01] , 06. Mystery Train
 [9:16] [0:14], 07. Knockin' on Heaven's Door/ [17:46] [0:08], 08. Friend of the Devil/ [6:40]
 [0:02]
03/13/76 Oberlin, OH - Finney Chapel, Oberlin College MAC>C>CD I,IIp 91 1269 29133 
 *JGB: unknown taper (unknown deck, built-in mics)*
 Source: AUD(unk.mics/taper):MAC>1C>DAT>WAV>FLAC. Original Equipment: Unknown deck with built-in
 mics. Recorded 2nd row, left center. Transfer: 1st gen cassettes played back on Philips FC-60 deck >
 Lucid AD9624 > Sony PCM-R500 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego
 II Digital I-O > WAV > FLAC16 by Ryan Shriver and Noah Weiner in June 2003. Seeded by David Minches.
 Comments: Set 2 is incomplete. Renamed to etree standards,encoded to sbe-free FLAC, and uploaded by
 neo_levo, 4/2005.
 Set One: Disc One (6 tracks, 45:22) --Set I-- Let It Rock, Friend Of The Devil, The Way You
 Do The Things You Do, Sittin' In Limbo, Mission In The Rain, A Strange Man//
 Set Two: Disc Two (5 tracks, 45:57) --Set I (end)-- Mystery Train// --Set II-- Moonlight
 Mile, Tore Up Over You, My Sisters And Brothers, Lonesome And A Long Way From Home
03/13/76 Oberlin, OH - Finney Chapel, Oberlin College MAC>?>C>CD I,IIp 91 1237  noshnid 
 *JGB: unknown taper & gear*
 MAC > ? > C > SHN (non-seekable) > FLAC. Cassette supplied by Walter Keenan, transferred by David
 Minches, SHN > FLAC conversion by jjoops. Notes: - I have followed the Jerry Site's list in
 identifying where set II begins, and have correspondingly moved Mystery Train from the start of d2
 (where it was originally on this fileset) to the end of d1. I also converted to FLAC from
 non-seekable shns, using the 'shntool conv -o flac *.shn' command in shntool. - Set II would appear to
 be incomplete. - recording is oversaturated, with some occasional tape warble (e.g., Let it Rock @
 0:31). - Interesting show ... nice chugging Mystery Train, great Moonlight Mile, and a very
 interesting relatively early LAALWFH., - d1t03 TWYDTTYD clips in, - d1t06 Strange Man fades down, -
 d1t07 Mystery Train clips out, - d2t02 Tore Up clips in, - d2t04 LAALWFH fades out
 Set One: Disc One (7 tracks, 55:07) --Set I-- 01. Let it Rock [8:30] [0:07], 02. Friend of
 the Devil [6:42] [0:08], 03. /The Way You Do The Things You Do [6:38] [0:02], 04. Sitting in Limbo
  [11:17] [0:09], 05. Mission in the Rain [6:28] [0:04], 06. Strange Man ... (fades down) [5:15#]
 [0:02], 07. Mystery Train/ [9:40] [0:03]
 Set Two: Disc Two (4 tracks, 36:16) --Set II-- 01. Moonlight Mile [9:51] [0:08], 02. /Tore
  Up Over You [10:18] [0:03], 03. Sisters and Brothers [6:33] [0:03], 04. Lonesome and a Long Way From
 Home ... (fades down) [9:13#] [0:03]
03/14/76 Columbus, OH - Ohio Theatre MA?>?>C>CD I n/a 1248 noshnid 
 *JGB: unknown taper & gear*
 Set One: Friend Of The Devil, The Way You Do The Things You Do, Sugaree, The Harder They
 Come, A Strange Man, Tore Up Over You, Lonesome And A Long Way From Home
03/14/76 Columbus, OH - Ohio Theatre MAC>C>D>CD I n/a 1270 29134 
 JGB: unknown taper, unknown deck w/ built-in mics
 Source: AUD(unk.mics/taper):MAC>1C>DAT>WAV>FLAC. Original Equipment: Unknown deck with built-in
 mics. Transfer: Master Cassettes played back on Philips FC-60 deck > Lucid AD9624 > Sony PCM-R500 DAT
 deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I-O > WAV > FLAC16 by
 Ryan Shriver and Noah Weiner in June 2003. Seeded by David Minches. Renamed to etree
 standards,encoded to sbe-free FLAC, and uploaded by neo_levo, 4/2005.
 Set One: Disc 1 - Set 1: 01 Friend Of The Devil, 02 The Way You Do The Things You Do, 03
  Sugaree, 04 Harder They Come, 05 A Strange Man, 06 Tore Up Over You, 07 Lonesome And A Long Way
 From Home
03/20/76 Austin, TX - Armadillo World Headquarter's M??>?>CD II 80 1245 30809 
 *JGB*
  Unknown source > CD > EAC > FLAC. Notes: - Probably for completists only. Starts off with poor SQ
 and gets somewhat better as things go along, ending up not terrible. Some overload throughout on the
 bass. - gap in TWYDTTYD @ 2:41 - Splice in Knockin' @ 12:19 - some speed fluctuations near the end of
 Harder They Come. - compressed to 30% range ... must be mono. Thanks to slipnut for the source discs!
 MisSHN, 9/2005.
 Set Two: Single Disc (7 tracks, 79:55), 01. The Way You Do The Things You Do [7:16] [0:10],
 02. Catfish John [11:20] [0:15], 03. That's What Love Will Make You Do [9:38] [0:04], 04. Knockin'//
 on Heaven's Door [15:#47] [0:52], 05. Strange Man [6:20] [0:34], 06. Harder They Come [15:37] [0:18],
 07. Lonesome and a Long Way From Home [11:27] [0:12]
03/26/76 Kansas City, MO - Music Hall MAC>C>D>CD All 119 0310-0311 8387 
 *JGB: Unknown taper & gear*
 MAC > one cassette > two DAT gens > Warner's CDs > EAC > seed discs > EAC > CD. d1t01 Sugaree cuts
 in, big level jump @ 0:08; d1t02 cut/splice @ 10:52; d1t04 cuts in, first few notes missing; d1t04
 static @ ca. 1:21-1:24; d1t05 cut/splice @ 9:15; d2t01 cuts in :20 before first verse; d2t01
 cut/splice @ 9:34; d2t02 first few notes clipped; d2t03 fades in; d2t03 cut/splice @ 4:59; d2t04 cuts
 in; d2t06 cut/splice @ 5:43
 Set One: set I, 1. //Sugaree [9:57#] [0:06], 2. Catfish //John [11:17#] [0:03], 3. After
 Midnight [11:13] [0:05], 4. //Russian Lullaby [9:18#] [0:08], 5. Who Was //John [10:13#] [0:06], 6.
 //How Sweet It Is [5:43#] [0:06], Total Time 58:18
 Set Two: set II, 1. //Second That //Emotion [11:00#] [0:03], 2. //They Love Each Other
 [6:57#] [0:07], 3. //Tore Up Over You [8:55#] [0:03], 4. [0:05] //Strange Man [5:56#] [0:05], 5. I'll
 Take a Melody [13:17] [0:07], 6. Lonesome //and a Long Way From Home [13:45#] [0:09], Total Time
 60:31
03/30/76a Hempstead, NY - Calderone Theatre MA>?>C>CD All n/a 1248 noshnid 
 *JGB: unknown taper & gear*
 Set One: I Second That Emotion, They Love Each Other, Mission In The Rain, After Midnight,
 Who Was John, Sittin' In Limbo, The Night They Drove Old Dixie Down, Don't Let Go
03/30/76b Hempstead, NY - Calderone Theatre MA?>?>C>CD All n/a 1248 noshnid 
 *JGB: unknown taper & gear*
 Set One: Sugaree, Catfish John, Tore Up Over You, Knockin' On Heaven's Door, A Strange Man,
 Mystery Train, Moonlight Mile, My Sisters And Brothers, How Sweet It Is To Be Loved By You
04/01/76 Waterbury, CT - The Palace Theater MAC>D>CD All 185 0648-0649 18602 
 *JGB: Jerry Moore, Sony ECM-33Ps > Sony TC-153*
 Taped by Jerry Moore, Sony ECM-33p mics > Sony TC-153 on Maxell XL cassettes > Tascam 122MKIII
 playback > Tascam DA-40 master DAT> Tascam CDRW 700 master CD > maybe 1 CD > EAC > SHN. A>D by Mark
 Cohen, EAC>SHN by Rango Keshavan. Notes/Flaws:
 Set One: Disc One (7) 72:26 --Set I-- 01. Crowd & Tuning [0:52], 02. Sugaree [10:46] [0:50],
 03. Catfish John [10:45] [0:50], 04. After Midnight [12:48] [1:33], 05. Sitting in Limbo [[10:52]
 [3:16], 06. Friend of the Devil [7:27] [2:48], 07. Tore Up [9:06] [0:28]
 Set Two: Disc Two (7) 70:46 --Set I (con't)-- 01. Crowd & Tuning [1:16], 02. I'll Take a
 Melody [15:13] -> 03. Don't Let Go [15:25] (end set I) [0:16] (pre-set II) [0:34] --Set II-- 04. How
 Sweet It Is [9:28] [0:54], 05. They Love Each Other [7:01] [1:16], 06. Strange Man [6:22] [1:25], 07.
 The Night They Drove Old Dixie Down [10:11] [0:21]
 Set Three: Disc Three (4) 41:53 --Set II (con't)-- 01. Crowd & Tuning [1:00], 02. Harder
 They Come [15:35] [0:21], 03. Sisters & Brothers [7:17] -> 04. Lonesome & a Long Way From// Home
 [:03+17:#14] [0:21]
04/01/76 Waterbury, CT - The Palace Theater MAC>CD All 189 1262 34728 
 *JGB: Steve Rolfe, Sony ECM99s > Sony TC-152*
  Recording by Steve Rolfe: Master Audience Cassette; 2 Sony ECM 99s> Sony TC-152; Maxell UD;
 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. * 7:43-9:12 patched from
 Jerry Moore's Sony ECM 33Ps master; ** 00:00-00:13 patched from Jerry Moore's Sony ECM 33Ps master.
 Set One: disc 1 (7 tracks, 73:39) --Set 1-- 01. Crowd & Tuning, 02. Sugaree, 03. Catfish
 John, 04. After Midnight, 05. Sitting in Limbo, 06. Friend of the Devil, 07. Tore Up
 Set Two: disc 2 (8 tracks, 72:37) --Set 1 continued-- 01. Crowd & Tuning, 02. I'll Take a
 Melody *, 03. Don't Let Go --Set 2-- 04. Crowd and Tuning, 05. How Sweet It Is, 06. They Love Each
 Other **, 07. Strange Man, 08. The Night They Drove Old Dixie Down
 Set Three: disc 3 (4 tracks, 42:16) --Set 2 continued-- 01. Crowd and Tuning, 02. Harder
 They Come, 03. Sisters and Brothers-> 04. Lonesome and a Long Way From Home
04/03/76a Washington, DC - Lisner Auditorium, G.W.U. MAC>?>C>CD All-1 n/a enter 82761 
 *JGB: unknown taper & gear*
 MAC > C? > CD > EAC > WAV > SHNv3. Transfer to CD by Slipnut.
 Set One: 1. How Sweet It Is 8:03, 2. Catfish John 9:57, 3. That's What Love Will Make You Do
 10:34, 4. Who Was John 12:18, 5. After Midnight 11:45, 6. I'll Take A Melody 16:44, 7. Russian Lullaby
  9:27 [MISSING Harder They Come]
04/03/76b Washington, DC - Lisner Auditorium (G.W.U.) MAC>R>D>CD All-1 84 
 *JGB: Unknown taper*
 Normally circulates as MAC recorded by Jerry Moore fob: Sony ECM 33P's > Sony TC-152. However,
 Jerry Moore did not tape this show. So I only have the generic lineage of MAC ~> Reel ~> DAT ~> CD,
 which may or may not be correct. d1t01 DLG cuts in; d1t01 DLG diginoise throughout; d1t02 Limbo
  barely clips in; d2t01 FOTD brief drop @ 2:05. This copy also has the order of FOTD and Strange Man
 reversed.
 Set One: Disc One (4) 42:50, (Missing first song of show: Sugaree), 1. //Don't Let Go
 [#16:27] [0:26], 2. /Sitting In Limbo [#11:28] [0:28], 3. The Way You Do The Things You Do [6:58]
 [0:20], 4. A Strange Man [6:18] [0:24]
 Set Two: Disc Two (3) 40:30, 1. Friend Of The Devil [7:25] [0:19], 2. The Night They Drove
 Old Dixie Down [10:03] [0:38], 3. [0:07] Lonesome And A Long Way From Home [21:51] [0:06]
04/03/76b Washington, DC - Lisner Auditorium (G.W.U.) MAC>D>CD All-1 92 0823 17328 
 *JGB: Scott Jones, Shure mics > Sony TC-158*
 MAC (Taped by Scott Jones, Shure mics > Sony TC-158) > DAT > 3CD > HP 9350i extraction (EAC v0.9
 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01)
 > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille . Notes: - This is an absolute
 must-have! A gorgeous recording of a great show, perhaps my favorite of 1976. The Lonesome and a Long
 Way From Home is particularly nice. - This is not the same as an earlier-circulating version of this
 show, also an excellent master and also missing Sugaree (security was seemingly very tight), which is
 often misattributed to Jerry Moore and circulates as MAC > reel > DAT > CD. - No flaws noted. I love
 this quote from a bt.etree.org user, about the LAALWFH: "At like minute 16 Jerry forms the blazng
 sword. You will probably have to stop what you were doing."
 Set One: Disc One (5) 50:14, (missing Sugaree), 01. Taper Talk, Crowd & Tuning [1:40], 02.
 Don't Let Go [18:27] [0:40], 03. Sitting In Limbo [11:34] [1:38], 04. The Way You Do The Things You Do
 [7:14] [1:23], 05. Friend of the Devil [7:27] [0:10]
 Set Two: Disc Two (4) 41:52, 01. Crowd & Tuning [0:20], 02. A Strange Man [6:20] [1:58], 03.
 Night They Drove Old Dixie Down [10:09] [0:43], 04. Lonesome And A Long Way From Home [22:00]
 [0:20]
04/04/76a Durham, NC - Page Auditorium, Duke U. MA?>?>CD All 92 1289 noshnid 
 *JGB: unknown taper & gear* *For Completists Only*
 Unknown multigen aud source. Notes: - This is definitely For Completists Only. It is *extremely*
 hissy, most tunes cut or clip in and/or out, etc. It may also run fast. There is a gap @ 8:17 of
 Second That Emotion and a splice @ 8:32 of Dixie Down. There may be other unnoted issues. That said,
 this is pretty good music. After Midnight strikes me as especially hot. - I have no idea if this is
 the complete show.
 Set One: Disc One (6 tracks, 66:04): d1t01. How Sweet It Is/ [8:09], d1t02. /Catfish John
 [11:02], d1t03. /Russian Lullaby [10:23], d1t04. Second That Emotion [12:12], d1t05. /Who Was John?
 [12:33], d1t06. /After Midnight [11:39]
 Set Two: Disc Two (3 tracks, 26:25): d2t01. //They Love Each Other/ [6:40], d2t02. //The
 Night They Drove //Old Dixie Down [9:42], d2t03. Tore Up Over You [10:00]
04/04/76b Durham, NC - Page Auditorium, Duke U. MA?>?>CD All 113 1289 noshnid 
 *JGB: unknown taper & gear* *For Completists Only*
 Unknown multigen aud source. Notes: - This is definitely For Completists Only. It is *extremely*
 hissy, most tunes cut or clip in and/or out, etc. There is an apparent splice and/or source change @
 16:44 of Don't Let Go. That said, like the early show, this is pretty good music. There is some
 really hot stuff in the 8-minute mark of Knockin', and the Don't Let Go gets good and out there.
 Set One: Disc One (6 tracks, 67:30): d1t01. Sugaree [9:18], d1t02. Sitting In Limbo [11:42],
 d1t03. Mystery Train [9:58], d1t04. Knockin' on Heaven's Door [14:03], d1t05. //Harder They Come
 [16:13], d1t06. A Strange Man// [6:11]
 Set Two: Disc Two (3 tracks, 44:31) d2t01. Friend Of The Devil [7:20], d2t02. Don't Let Go
 [29:59] -> d2t03. My Sisters And Brothers [7:09]
04/05/76 Atlanta, GA - Fox Theater MA?>?>CD All? 118 
 *JGB*
 AUD > ? > CD. Notes: - For Completists Only. Hard to imagine how the source cassette was put into
 digital circulation, except out of pure (and understandable!) desperation to hear more Jerry. -
 irritating ticking appears during TNTDODD; TNTDODD fades out; Russian Lullaby fades in; Russian
 Lullaby, bass distortion gets worse and stays bad; Russian Lullaby cuts out; According to TJS, there
 was one two-set show on this day, with the set break preceding Harder They Come; KOHD cuts out; DLG
 cuts in; DLG terrible warbling speed fluctuations; DLG cuts out.
 Set One: Disc One (5 tracks, 46:51) d1t01. Sugaree [9:54] d1t02. Mystery Train [9:25] d1t03.
 They Love Each Other [6:54] d1t04. The Night They Drove Old Dixie Down ... [9:26] d1t05. ... Russian
 Lullaby// [11:13]
 Set Two: Disc Two (6 tracks, 71:06) d2t01. The Way You Do The Things You Do [7:31] d2t02.
 The Harder They Come [16:02] d2t03. Friend of the Devil [7:35] d2t04. After Midnight [12:01] d2t05.
 Knockin' on Heaven's Door// [15:20] d2t06. //Don't Let Go// [12:37]
05/20/76 Berkeley, CA - Keystone MAC>D>CD All 135 0826-0827 17382 
 *JGB: Menke & Falanga, Sony ECM 250+270 > Sony TC-152*
 MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT >
 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (SF Studio
 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN
 by Joe Jupille . Notes/Flaws: - This a nice recording of a solid show. I have been told that this was
 the last show recorded by Menke and Falanga with the mics onstage, but a second source dates the
 demise of that setup to 2/15/76 (specifically, when the R channel goes out during Knockin' on
 Heaven's Door, associated with Parrish cutting the mic cable). I don't know which is correct. - Set I
 has also circulated from this master has also circulated from MAC > Reel > VHS > DAT > CDR. - There
 are some very light ticks occasionally audible, but generally only during very quiet between-song
 tunings. - d2t01 How Sweet fades in (very little missing), tick @ 0:30 - d2t03 Strange Man barely
 clips in - d2t04 Tore Up brief splice @ 7:22 - DLG and HTC are a bit louder than the rest of set II. -
 The only edits undertaken were to remove a few ticks just before Harder They Come and a tick at the
 start of Tore Up.
  Set One: Disc One (8) 71:13 --Set I-- 01. Crowd & Tuning [0:06], 02. Sugaree [10:08] [0:33],
 03. Catfish John [7:44] [1:16], 04. After Midnight [10:03] [0:38], 05. Who Was John [13:01] [0:18],
 06. The Way You Do The Things You Do [6:33] [0:19], 07. Friend Of The Devil [7:50] [0:58], 08.
 Lonesome And A Long Way From Home [11:26] [0:17]
 Set Two: Disc Two (6) 64:29 --Set II-- 01. /How Sweet It Is [#8:54] [0:28], 02. They Love
  Each Other [6:49] [0:24], 03. /A Strange Man [#6:16] [0:35], 04. Tore Up// Over You [8:#15] [0:11],
 05. Don't Let Go [16:28] [0:58], 06. Harder They Come [14:52] [0:17]
05/21/76 *see Jerry Garcia on Official Releases*  n/a 
07/08/76 Berkeley, CA - Keystone MS?>?>D>CD All-1 n/a 0841 17836 
 *JGB*
 Source: SBD>?>DAT>WAV(via analog cables)>SHN. DAT>WAV>SHN by dean@deanos.net 5/03. Seeded by
 jim@juddcreek.com 6/03. Seeder notes: : A bit of muddiness/hissiness didn't detract from my listening
 pleasure on this one. Bass is heavy at times. : ryan@thejerrysite.com lists Tore Up before Stir It
 Up, which is not included here (or on a different copy I have on cassette). : Tape goobers found
 occasionally between tracks left unaltered.
 Set One: Disc One 1. After Midnight, (missing Tore Up Over You), 2. Stir It Up, 3.
 Mission in the Rain, 4. Who was John, 5. Midnight Moonlight
 Set Two: Disc Two 1. Don't Let Go, 2. The Way You Do the Things You Do, 3. Stop that
 Train
07/08/76 Berkeley, CA - Keystone MSC>?>C>D>CD All-1 85 1251 22510 
 *JGB*
 Seeder's notes: "Source: MSC>Cx>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette
 deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio
 Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector
 boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner. thejerrysite.com lists Tore Up before Stir
 It Up, which is not included here or on a previously circulating source. I listened to the previously
 circulating source and compared it to the DAT transfer I did of Jim Powell's cassette. The cassette
 used for Jim's transfer sounds like it is from the same source but of a lower generation, not as muddy
 with better high frequency. Nevertheless,this is a multianalog generation SBD recording. No noise
 reduction or selective frequency attenuation/augmentation was performed." JJ: d1t01 After Midnight
 fades in (not much missing), pop @ 0:10, static @ 0:24. d1t03 MITR splice @ 4:14, drop @ 5:19. d2t01
 DLG drop/splice @ 17:22
 Set One: Disc One (5 tracks, 46:20) After Midnight, (MISSING Tore Up Over You), Stir It Up,
 Mission //In The Rain, Who Was John, Midnight Moonlight
 Set Two: Disc Two (3 tracks, 39:11) Don't //Let Go [22:06] [0:14], The Way You Do The Things
  You Do, Stop That Train
07/09/76 Berkeley, CA - Keystone MSR>R>D>CD II 74 
 *JGB*
 sbdmr>r>dat>cd; DNC JGB Tree #3
 Set One: Total Time 73:53, 1. [0:14] They Love Each Other [7:04] [0:35], 2. Tore Up Over You
 [10:04] [0:26], 3. Stir It Up [7:32] [1:58], 4. Mystery Train [7:51] [0:22], 5. Strange Man [6:46]
 [0:13], 6. Don't Let Go [16:46] [0:32], 7. Ride Mighty High [5:49] [0:33]
07/20/76 Berkeley, CA - Keystone MSR>P>D>CD All 119 
 *JGB*
 Came to me as without the PCM gen, but I'll go with the lineage given at the Jerry Site. Notes: -
 Sounds great, levels are a bit low - JG's guitar tone sounds unusual to me, especially at the start -
 d1t02 AM static @ 7:40-7:43 - d1t04 Dixie Down digi-static @ 9:20-9:24 and once before - d2t05 Ride
 Mighty High splice @ 3:37
 Set One: Disc One (8) 71:58 --Set I-- 01. ... They Love Each Other [#6:53] [2:12], 02. After
 Midnight [13:07] [2:55], 03. Stir It Up [10:23] [3:36], 04. Dixie Down [10:14] [1:29], 05. Midnight
 Moonlight [9:02] [1:21], 06. TWYDTTYD [7:05], 07. set break [0:31] --Filler: Unknown GD studio-- 08.
 Walk in the Sunshine [3:00] [0:04]
 Set Two: Disc Two (8) 69:33 --Set II-- 01. [0:05], 02. I'll Take a Melody [17:49] [1:42],
 03. Tore Up [8:56] [1:42], 04. Mystery Train [10:24] [1:41], 05. Ride// Mighty High [5:07] [0:09]
 --Filler-- 06. Midnight at the Oasis (studio), 07. Lovelight (GD 7/16/70, with Janis), 08. [0:04]
07/20/76 Berkeley, CA - Keystone MSR>P>D>CD  All 117 1193 16478 
 *JGB*
 Source: SBD > Master Reel > PCM > DAT (44.1khz). Transfer: Conner CTD8000H/R-S DDS > Wavelab 4.0
 > mkwACT by JJ Clifton. Known Flaws (on source DAT): d1t02: blip at 6:32, 7:32; static/reel flutter
 at ~07:46-7:48; d1t04: fades in at beginning; static/reel flutter at ~9:27-9:30; d2t04: reel splice
 at ~3:53-3:55.
 Set One: They Love Each Other, After Midnight, Stir It Up, The Night They Drove Old Dixie
  Down, Midnight Moonlight, The Way You Do The Things You Do
 Set Two: I'll Take A Melody, Tore Up Over You, Mystery Train, Ride// Mighty High
07/20/76 Berkeley, CA - Keystone MS?>?>CD most 98  
 *JGB* *not best available source*
 The Jerry Site lists MSR>P>D, but I don't think this is derived from that source. First, cassette
 hiss is definitely present on this copy. Second, while this copy bears some of the markings of the
 Jerry Site's source (cut into Dixie Down), it has other markings (fade into TLEO, fade out of Midnight
 Moonlight) that distinguish it from The Jerry Site's source. d1t01 TLEO fades in, not much missing;
 d1t04 Dixie Down fades in on "Caine is my name"; d1t05 M Train cut/splice @ 7:57, :26-sec. repeat
 until 8:23, fades out @ 8:53; d2t04 Ride Mighty High cuts out harshly, most missing
 Set One: Disc One (6) 58:24 --Set I-- 1. //TLEO [#6:55] [0:17], 2. After Midnight [13:21]
 [0:14], 3. Stir It Up [10:33] [0:14], 4. ... Dixie Down [#10:17] [0:14], 5. Midnight// Moonlight//
 [8:#53#], 6. TWYDTTYD [7:09] [0:15]
 Set Two: Disc Two (4) 40:13 --Set II-- 1. [0:04] Melody [17:56] [0:13], 2. [0:10] Tore Up
 [9:01] [0:17], 3. [0:09] Mystery Train [10:28] [0:16], 4. [0:05] Ride Mighty High// [1:32#]
08/16/76 Berkeley, CA - Keystone MSR>?>R>CD All 136 0586 13041 
  *JGB*
 MSR? > ? > Reel > CDR, via Hanno Bunjes. Notes: - This is the layout for my audio copies. The .shn
 set is tracked slightly differently, though without any flaws. - This is quite a wonderful show! -
 Sugaree hints before TLEO; - After Midnight is very very nice; - Midnight Moonlight cut/splice @ 1:00;
 - Mission in the Rain cuts in, not much missing; - Strange Man barely clips in, almost nothing
 missing; - Ride Mighty High may be my favorite version of this great song!
 Set One: Disc One (7) 79:10 --Set I-- 01. Crowd & Tuning [0:58], 02. They Love Each Other
 [7:07] [0:44], 03. After Midnight [14:03] [4:03], 04. Stop That Train [13:39] [0:13], 05. Midnight//
 Moonlight [8:#06] [1:50], 06. How Sweet It Is [9:10] [1:18], 07. Knockin' on Heaven's Door [17:49]
 [0:08]
 Set Two: Disc Two (6) 56:35 --Set I (con't)-- 01. The Way You Do the Things You Do [6:42]
 [0:07] --Set II-- 02. //Mission in the Rain [#9:38] [0:29], 03. He Ain't Give You None [11:58] [0:32],
 04. Tore Up Over You [11:22] [0:03], 05. Strange Man [6:59] [0:19], 06. Ride Mighty High [8:17]
 [0:07]
08/22/76 Berkeley, CA - Keystone MSR>C>D>CD All 116 0729 15762 
 *JGB*
 MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN. Notes/Flaws: - d1t01 Second That
 Emotion fades in, not much missing; - d1t04 TWLWMYD cut/splice @ 1:48; - d2t04 Strange Man cut/splice
 @ 4:30
 Set One: Disc One (5) 57:29 --Set I-- 01. ... Second That Emotion [#12:51] [0:15], 02. They
 Love Each Other [6:58] [0:25], 03. I'll Take a Melody [16:51] [1:12], 04. That's What// Love Will Make
 You Do [10:#52] [0:21], 05. Mission in the Rain [7:32] [0:10]
 Set Two: Disc Two (7) 58:00 --Set II-- 01. Crowd & Tuning [0:17], 02. The Way You Do The
 Things You Do [8:07] [0:18], 03. Midnight Moonlight [9:42] [0:51], 04. Strange// Man [6:#15] [0:24],
 05. Tore Up [10:58] [0:17], 06. Stop That Train [12:10] [0:18], 07. Ride Mighty High [8:06] [0:15]
08/22/76 Berkeley, CA - Keystone MAC?>?>CD All 123 1284 81065 
 *JGB: Probable Sony ECM-280s > Sony TC-152*
 The lineage for this is not clear. It came only as an aud. But at least one tape was made with
 the Sony ECM-280s > Sony TC-152 setup. Regardless, this sounds extremely nice! d1t02 TLEO light pop @
 track 1:09; d1t03 Melody tick @ 1:49, drop(splice?) @ 15:37
 Set One: Disc One (5) 58:04 --Set I-- 01. [0:13] Second That Emotion [13:15] [1:00], 02.
 They Love Each Other [:02+6:54] [1:13], 03. [0:13] I'll Take a Melody [17:04] [0:17], 04. [0:03]
 That's What Love Will Make You Do [9:36] [0:17], 05. [0:05] Mission in the Rain [7:38] [0:11]
 Set Two: Disc Two (6) 65:05 --Set II-- 01. [0:18] The Way You Do The Things You Do [8:15]
 [1:22], 02. Midnight Moonlight [9:52] [1:33], 03. Strange Man [:01+6:40] [0:08], 04. [0:25] Tore Up
 Over You [11:07] [0:30], 05. [0:27] Stop That Train [12:18] [0:25], 06. [0:59] Ride Mighty High [8:11]
 [0:08]
08/22/76 Berkeley, CA - Keystone matrix All n/a enter 89446 
 *JGB: sbd-aud matrix via Kevin Tobin*
 SBD + AUD Matrix 2 Source Mix (60%-SBD/40%-AUD). See info file for extensive notes.
 Set One: I Second That Emotion, They Love Each Other, I'll Take A Melody, That's What Love
 Will Make You Do, Mission In The Rain
 Set Two: The Way You Do The Things You Do, Midnight Moonlight, A Strange Man, Tore Up Over
  You, Stop That Train, Ride Mighty High
08/22/76 Berkeley, CA - Keystone MSR>C>D>CD All n/a 1287 81255 
 *JGB* *patched*
 Kevin Tobin's Notes: Notes/Flaws: 1) First 24.200 seconds of Tuning/Second That Emotion patched
 from audience to start disk 1. 2) Between Second that Emotion and They Love Each Other - 41.200
 seconds were missing from sbd - patched and normalized from audience. 3) Between They Love Each Other
  and I'll Take a Melody - 1 minute and 00.200 seconds were missing from sbd - patched and normalized
 from audience. 4) Approx 1 minute 48 seconds in That's What Love Will Make You Do - 17.800 seconds
 were missing from sbd - patched and normalized from audience. 5) Between The Way You Do The Things You
 Do and Midnight Moonlight - 1 minute and 06.400 seconds were missing from sbd - patched and normalized
 from audience. 6) Between Midnight Moonlight and Strange Man - 40.700 seconds were missing from sbd -
 patched and normalized from audience. 7) Approx 4 minute 30 seconds in Strange Man - 23.500 seconds
 were missing from sbd - patched and normalized from audience. 8) Between Strange Man and Tore Up -
 24.600 seconds were missing from sbd - patched and normalized from audience. 9) Between Tore Up and
 Stop That Train - 51.700 seconds were missing from sbd - patched and normalized from audience. 10)
 Between Stop That Train and Ride Mighty High - 1 minute and 10.000 seconds were missing from sbd -
 patched and normalized from audience. This sbd was patched with audience from Missingfinger while
 working on a dts version of this show. - Mixed by kevtobin@yahoo.com; - FLAC conversion 27-DEC-2006.
 Jerry Garcia Band: * Jerry Garcia - guitar, vocals; * John Kahn - bass; * Keith Godchaux - keyboards,
 backing vocals; * Donna Godchaux - vocals; * Ron Tutt - drums.
 Set One: I Second That Emotion, They Love Each Other, I'll Take A Melody, That's What Love
 Will Make You Do, Mission In The Rain
 Set Two: The Way You Do The Things You Do, Midnight Moonlight, A Strange Man, Tore Up Over
 You, Stop That Train, Ride Mighty High
08/22/76 Berkeley, CA - Keystone DTS All n/a 1289 81256 
 *JGB: DTS mix by Kevin Tobin*
 Set One: I Second That Emotion, They Love Each Other, I'll Take A Melody, That's What Love
 Will Make You Do, Mission In The Rain
 Set Two: The Way You Do The Things You Do, Midnight Moonlight, A Strange Man, Tore Up Over
 You, Stop That Train, Ride Mighty High
09/10/76 Berkeley, CA - Keystone MSR>C>D>CD All 122 0763 16643 
 *JGB* *patched complete copy*
 MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN + patched with MA? > 1R > DAT > CD >
 EAC > SHN. Notes/Flaws: - I used the MA? > R > D > CD copy recently put into circulation by Hanno
 Bunjes to patch cuts in After Midnight (2:24-3:54) and Mystery Train (the first 5:03), and to include
  the entire Strange Man. The aud is a bit rough, with persistent L-channel connection problems, but I
 thought it was worth putting together a complete copy.
 Set One: Disc One (8) 68:58 --Set I-- 01. Crowd & Tuning [0:13], 02. The Way You Do The
 Things You Do [8:27] [0:26], 03. They Love Each Other [7:37] [0:18], 04. Midnight Moonlight [7:09]
 [0:11], 05. Stir It Up [10:37] [0:01], 06. After Midnight [13:22] [0:18], 07. Sisters & Brothers
  [7:18] [0:19], 08. How Sweet It Is [12:20] [0:19]
 Set Two: Disc Two (5) 53:04 --Set II-- 01. I'll Take a Melody [17:20] [0:20], 02. Tore Up
 Over You [10:37] [0:23], 03. Strange Man [6:27] [2:32], 04. Mystery Train [8:41] [0:18], 05. Ride
 Mighty High [6:10] [0:15]
09/10/76 Berkeley, CA - Keystone MAC>R>D>CD All 123 0752 12629 
 *JGB: uknown taper & gear*
 Unknown taper & equipment. Persistent annoying left channel dropouts & connection problems.
 Set One: Disc One (7) 68:57 --Set I-- The Way You Do The Things You Do, They Love Each
 Other, Midnight Moonlight, Stir It Up, After Midnight, My Sisters & Brothers, How Sweet It Is
 Set Two: Disc Two (5) 54:06 --Set II-- I'll Take A Melody, Tore Up Over You, Strange Man,
 Mystery Train, Ride Mighty High
09/10/76 Berkeley, CA - Keystone MAC>CD All n/a 1381 96791 
 *JGB: Reinhart Hohlwein, 2x Sony ECM280 > Sony SD152* *MOTB31*
 MOTB Release: 0031 16/44.1; Release Date: 2009-01-05; Special: Rhinotrocity #6; Band: Jerry Garcia
 Band; Date: 1976-09-10 (Friday); Venue: Keystone; Location: Berkeley, Ca. Analog Audience Source: FOB
 Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x TDK AUDA90; Analog Lineage: 2 x sony ECM 280 =>
 Sony SD152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a >> Korg MR-1000 >> DSF [1-bit
 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein;
 Transfer By: Bob Menke; Mastering By: Derek McCabe; Tagging by: Adam Egert.
 Set One: The Way You Do The Things You Do, They Love Each Other, Midnight Moonlight, Stir It
 Up, After Midnight, My Sisters And Brothers, How Sweet It Is To Be Loved By You
 Set Two: I'll Take A Melody, Tore Up Over You, A Strange Man, Mystery Train, Ride Mighty
 High
09/10/76 Berkeley, CA - Keystone MAC>CD All n/a 1382 96792 
 *JGB: Reinhart Hohlwein, 2x Sony ECM280 > Sony SD152* *MOTB31*
 MOTB Release: 0031 24/96. Release Date: 2009-01-05; Special: Rhinotrocity #6; Band: Jerry Garcia
 Band; Date: 1976-09-10 (Friday); Venue: Keystone; Location: Berkeley, Ca. Analog Audience Source: FOB
 Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x TDK AUDA90; Analog Lineage: 2 x sony ECM 280 =>
 Sony SD152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a >> Korg MR-1000 >> DSF [1-bit
 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein;
 Transfer By: Bob Menke; Mastering By: Derek McCabe; Tagging by: Adam Egert.
 Set One: The Way You Do The Things You Do, They Love Each Other, Midnight Moonlight, Stir It
 Up, After Midnight, My Sisters And Brothers, How Sweet It Is To Be Loved By You
 Set Two: I'll Take A Melody, Tore Up Over You, A Strange Man, Mystery Train, Ride Mighty
 High
09/11/76 *see Jerry Garcia on Official Releases* n/a  
09/11/76 Berkeley, CA - Keystone MSR>C>D>CD All 121 0731 15764 
 *JGB*
 MSR (2 track 7" reels @ 7.5ips) > 1 cassette > 2 DAT > Sony R500 playback > Sony CDR-W33 (master
 CD) > HP 9350i extraction ((EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary
 verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). D>CD by Ryan Shriver, CD > SHN by
 Joe Jupille. Notes/Flaws: - d2t03 Don't Let Go splice @ 21:05.
 Set One: Disc One (6) 67:10 --Set I-- 01. Sugaree [10:42] [0:20], 02. Catfish John [15:27]
 [0:21], 03. That's What Love Will Make You Do [12:10] [0:12], 04. Friend of the Devil [8:24] [0:36],
  05. The Night They Drove Old Dixie Down [9:43] [0:06], 06. Midnight Moonlight [9:03] [0:04]
 Set Two: Disc Two (4) 54:05 --Set II-- 01. Second That Emotion [10:30] [0:16], 02. Stop That
 Train [11:49] [0:09], 03. Don't Let //Go [24:#59] [0:06], 04. Ride Mighty High [6:04] [0:08]
09/12/76 Berkeley, CA - Keystone MSR>C>D>CD All 99 0732 15765 
 *JGB*
 MSR (2 track 7" reels @ 7.5ips) > 1C (TDK SA-X100) > played back on Nakamichi CR-7A cassette deck
 (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > unknown DAT and CD gens >
 EAC > SHN. A>D by Ryan Shriver, EAC>SHN by Joe Jupille. Notes/Flaws: - Nice recording, and a solid
 and easygoing show. - d1t04 Who Was John splice @ ? (I failed to note the time); - d2t01 TWYDTTYD
 drum-associated static @ 6:47-7:02; - d2t03 Tore Up splice @ 1:46.
 Set One: Disc One (5) 58:24 --Set I-- 01. Mission in the Rain [8:56] [0:09], 02. After
 Midnight [13:52] [0:22], 03. Stir It Up [12:52] [0:10], 04. Who Was// John [13:06] [0:09], 05.
 Midnight Moonlight [8:38] [0:09]
 Set Two: Disc Two (4) 41:00 --Set II-- 01. The Way You Do the Things You Do [7:29] [0:13],
 02. Catfish John [13:56] [0:21], 03. Tore //Up Over You [11:#54] [0:19], 04. Ride Mighty High [6:37]
 [0:10]
09/12/76 Berkeley, CA - Keystone MSR>C>D>CD All 99 1183 26999 
  *JGB* *"Bertha" remaster*
 Notes: - Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by
 jashley@deadacated.com. completed on November 4, 2004. - 2-uniquely customized -3db passes of pure
 sample noise reduction applied prior to the Bertha recording process. From the original text file,
 prior to Bertha Remastering: Recording Info: Rm (2 track 7" reels @ 7.5ips) -> Cass (TDK SA-X100
 played back on Nakamichi CR-7A cassette deck Dolby off) -> Lucid 9624 A-D converter @ 44.1kHz -> Dat
 (Fostex D5 by Ryan Shriver 2/10/00). Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0
 -> SHN (1 Disc SHN / 2 Discs Audio) . Transferred By Charlie Miller, 6/19/03.
  Set One: Disc One (5) 58:16, --Set I-- d1t01-Mission In The Rain, d1t02-After Midnight,
 d1t03-Stir It Up (D/O at 4:52), d1t04-Who Was John , d1t05-Midnight Moonlight
 Set Two: Disc Two (4) 40:57 --Set II-- d2t01-The Way You Do The Things You Do, d2t02-Catfish
 John , d2t03-Tore Up Over You (D/O at 1:55), d2t04-Ride Mighty High
09/15/76 New York City Harbor - SS Duchess MA?>?>CD ? 88 
 *JGB*
 For Completists Only. Sounds like a fun show, the How Sweet is really high energy and the crowd is
 really drunk and into it. Most of the tunes clip in. My copy has a few digi-errors in Catfish John
 (snit @ 0:52, errors @ 10:25-11:00). Stop That Train cuts out harshly after less than two minutes. No
 idea about sets.
 Set One: Disc One (6) 43:37, 01. ... Tore Up Over You, 02. Sugaree, 03. Midnight Moonlight,
 04. The Way You Do The Things You Do, 05. They Love Each Other, 06. Stop That Train//
 Set Two: Disc Two (4) 44:08, 01. How Sweet It Is, 02, Catfish John, drunk guy, 03. After
 Midnight, 04. Stir It Up
09/16/76 Greenvale, NY - C.W. Post College MAC>D>CD All 177 0538-0539 12005 
 *JGB: Barry Glassberg, Sony ECM99 > Sony TC-153D*
 MAC (recorded by Barry Glassberg, Sony ECM99 stereo single point mic > Sony TC-153D) > Tascam
 122MKIII playback > Tascam DA-40 master DAT> Tascam CDRW 700 master CD > subsequent CDs. A>D by Mark
 Cohen, source CDs from Jay Jurina. Extraction using EAC, .shn encoding using mkwACT, and sector
 boundary verification using shntool by Joe Jupille. Notes: no flaws noted.
 Set One: Disc One (6) 69:43 --Set I-- 1. Tuning [2:43], 2. I'll Take A Melody [16:19]
 [1:44], 3. The Way You Do The Things You Do [7:40] [2:33], 4. Friend Of The Devil [8:11] [1:57], 5.
 After Midnight [14:30] [3:20], 6. The Night They Drove Old Dixie Down [10:08] [0:36]
 Set Two: Disc Two (6) 64:40 --Set I (con't)-- 1. Tuning [0:47], 2. Stir It Up [12:05]
 [0:54], 3. How Sweet It Is 9:13] [1:52] --Set II-- 4. Sugaree [13:10] [1:54], 5. Sitting in Limbo
 [12:08] [1:58], 6. Midnight Moonlight [8:48] [1:46]
 Set Three: Disc Three (4) 41:37 --Set II (con't)-- 1. Tore Up Over You [11:25] [1:40], 2.
 Strange Man [6:29] [0:22], 3. Who Was John [12:47] [1:01], 4. Ride Mighty High [6:16] [0:36]
09/17/76 South Orange, NJ - Seton Hall University MAC>C>CD All 142 1265 25612 
 *JGB: unknown taper & gear*
 MAC > 1C > dbx 163x Compression >Tascam M30 Board EQ > Echo Mia 24 Bit Sound Card > CD Wave > Wav >
 SHN. Seeder Notes: "This was my first Grateful Dead related show. I was a pretty little kid and we
 more or less snuck in (OK, we convinced the ticket taker at the door to let us in by helping him clean
 up the stairs!). We also found a backstage pass which got me backstage where I got this close to Jerry
 (who I remember was apparently ... um.... tuning up (shall we say ;-) in a broom closet I was
 standing against between sets. Hey said ?Hey? to me as he went back to the stage ? he had to since I
 was leaning up against the broom Closet door trying to be unobtrusive. You?ll note that the second
 set is indeed notably more lively kicking off with a monsterous ?Don?t Let Go. ? I remember as we
 were leaving, having to walk around rather large pools of vomit all over the green plastic floor
 covering that was protecting the floor of this gymnasium. Have no idea of the true source of this
  recording but it is no doubt recorded in the back of the gym up In the bleachers. Thanks to The Jerry
 Site and Ryan Shriver for introducing me to Walter Keenan who provided a copy of his cassette, which I
 performed fairly major surgery on in ProTools and CoolEditPro. Numerous channel drop-outs were
 repaired to dual mono and a couple of ugly glitches were digitally spliced together, increasing the
 listenability and enjoyability of this show." JJ: awful, echoey tape.
 Set One: Disc One (6 tracks, 69:40) --Set I-- Sugaree, Catfish John, Mission in the Rain,
 The Way You Do The Things You Do, That's What Love Will Make You Do
 Set Two: Disc Two (6 tracks, 72:06) --Set II-- Don't Let Go, Stop That Train, Tore Up Over
 You, Mystery Train, Knockin' on Heaven's Door, Ride Mighty High
09/17/76 South Orange, NJ - Seton Hall U. MA?>?>CD All? 117  
 *JGB: For Completists Only*
 Great performance, especially in set II with a monstrous Don't Let Go, a wild Tore Up, and a
 powerful Knockin'. But the recording is frightfully bad. For Completists Only.
 Set One: Sugaree, Catfish John, Mission In The Rain, The Way You Do The Things You Do,
 That's What Love Will Make You Do //
 Set Two: Don't Let Go [24:17], Stop That Train, Tore Up, Mystery Train, Knockin' on Heaven's
 Door, Ride Mighty High
09/18/76 Ithaca, NY - Ben Light Gymnasium, Ithaca College MAC>D>CD All 153 
 *JGB: Unknown taper, Jerry Moore did not tape this show*
 Circulates with incorrect lineage of MAC > D > CD, recorded by Jerry Moore, Sony ECM-33Ps > Sony
 TC-152. I am not sure of the actual lineage of this copy. d1t03 After Midnight small drop @
 11:47.
 Set One: Disc One (8) 79:54 --Set I-- 1. Crowd & Tuning [0:21], 2. They Love Each Other
 [7:19] [1:49], 3. The Way You Do The Things You Do [7:29] [0:34], 4. After Midnight [13:06] [1:39], 5.
 Mission In The Rain [8:30] [1:48], 6. Stir It Up [10:02] [0:58], 7. Lonesome And A Long Way From Home
 [11:53] [1:36], 8. The Night They Drove Old Dixie Down [10:33] [0:15]
 Set Two: Disc Two (8) 72:49 --Set II-- 1. Crowd & Tuning [0:58], 2. Sugaree [10:54] [2:01],
 3. Knockin' On Heaven's Door [12:44] [1:50], 4. Tore Up Over You [10:33] [1:07], 5. A Strange Man
 [6:25] [0:46], 6. Midnight Moonlight [8:26] [1:32], 7. Friend Of The Devil [7:59] [0:53], 8. Ride
 Mighty High [6:06] [0:32]
09/20/76 Reading, PA - Astor Theater MAC>C>CD All 177 1186-1188 18745 
 *JGB: Shure mics* *early and late shows*
 MAC (Shure mics, unknown model, unknown deck) > C > Unknown DAT gens > CD > Samsung SW-232B
 extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) >
 .shn encoding (mkwACT v0.97 beta 1). Source DAT from Tim MacKenzie, DAT > CD by Mark Cartier, EAC >
 SHN by Jack Warner (jackmw1ATsbcglobalDOTnet). Also have alt. copy, via Minches, probably same
 master. LIstening notes. Great Russian Lullaby in the early show. Keith's work is great during Stir
 It Up, some really wonderful trilling and filling there. But, man, can there be any doubt but that
 Jerry turned to opiates in 1976? This How Sweet It Is and Who Was John are both absolutely
 snail-paced and IMO dull as dishwater. I skipped disc two and went to Mission, which is also just
 incredibly slow.
 Set One: Disc One (6) 69:25 --Early Show begin-- 1. They Love Each Other [7:54], 2. Russian
 Lullaby [12:49], 3. After Midnight [13:36], 4. Stir It Up [12:08], 5. How Sweet It Is (To Be Loved By
 You) [9:58], 6. Who Was John [13:00]
 Set Two: Disc two (6) 64:28, --Early Show end-- 1. Friend Of The Devil [8:45], 2. Midnight
 Moonlight [9:53] --Late Show begin-- 3. The Way You Do The Things You Do [8:14] , 4. Catfish John
 [12:02], 5. Sugaree [11:11], 6. Knockin' On Heaven's Door [14:22]
  Set Three: Disc three (5) 43:44 --Late Show end-- 1. Mystery Train [10:20], 2. Tore Up Over
 You [9:26], 3. Mission In The Rain > [8:34], 4. My Sisters And Brothers [7:16], 5. Ride Mighty High
 [8:08]
11/12/76 Davis, CA - Freeborn Hall (University of California) MSR>D>CD IIp 57 0726 15850 
 *JGB*
 t03 Ride Mighty High nasty digi-static @ 4:30-4:32; t03 Ride Mighty High cuts out; t04 Ride Mighty
 High (filler) cuts in.
 Set One: Single Disc (5) 56:37 --End set II-- 01. Crowd & Tuning [0:22], 02. Don't Let Go
 [28:55] [2:44], 03. Ride Mighty High// [6:18#] [0:09] --Filler: Unknown dates, from end of the reel--
 04. //Ride Mighty High [#8:58] [0:27], 05. Ride Mighty High [8:39] [0:03]
11/13/76b Arcata, CA - East Gym (CSU Humboldt) MSR>D>CD Partial 42 0726 15851 
 *JGB*
 Notes: Stop That train some static @ ca. 10:30; Midnight Moonlight cuts out.
 Set One: Single Disc (5) 42:14, (MISSINGFriend of the Devil), 01. Crowd & Tuning, 02. Stop
 That Train [13:25] [0:37], 03. Tore Up Over You [10:35] [0:23], 04. Strange Man [6:24] [0:48], 05.
 Midnight Moonlight// [5:42#] [0:08], (MISSING Encore: Ride Mighty High)
11/15/76 Berkeley, CA - Keystone MSR>D>CD I+e 92 
 *JGB*
 MSR (Betty Cantor 2 track 7" reels @ 7.5ips) > DAT > CD. Notes: - Full, rich, gorgeous sounding. -
 According to the Jerry Site, this material is from reels 1, 2 and 4. - d1t02 Second That Emotion
 serious mix & level fluctuations; - d1t03 Stop That Train digi(?)-craziness @ 15:56-15:57; - d2t01
 Catfish John digi(?)-craziness @ 7:24-7:25, 10:25-10:28; (during tuning); - d2t02 Mystery Train
 digi(?)-craziness @ 6:08, 6:18; - d2t03 Dixie Down really interesting guitar work @ ca. 7:30.
 Set One: Disc One (4) 49:06 --Set I--01. Crowd & Tuning [0:51], 02. I Second That Emotion
 [12:12] [4:26], 03. Stop That Train [16:05] [4:28], 04. Tore Up Over You [10:17] [0:45]
 Set Two: Disc Two (4) 42:30 --Set I (con't)-- 01. Catfish John [9:42] [2:15], 02. Mystery
 Train [9:34] [2:27], 03. The Night They Drove Old Dixie Down [10:26] [0:50] --Encore-- 04. Ride Mighty
 High [6:54] [0:20]
11/16/76 Palo Alto, CA - Sophie's MAC>R>D>CD Most 132 0587-0588 13030 
 *JGB: Michael Parrish*
 MAC (Michael Parrish) > reel > plaback on Uher reel-to-reel machine > Marantz standalone CD
 recorder > Plextor CDR extraction using EAC (high, secure, offset-corrected) > .shn encoding using
 mkwACT. Reel > CD by Thomas Donhauser. EAC>SHN and etree seeding by Hanno. Notes: - listenable
 audience recording with tape flutter problems; - Don't Let Go is complete & intact. Flaws: d1t0-2
 Knockin' drop @ 9:22; d1t04 Who Was John drop @ 0:58; d2t02 Don't Let Go drop @ 15:59, none missing?
 All of disc/set two suffers from moderately serious tape flutter problems.
 Set One: Disc One (6) 75:32 --Set I-- 1. The Way You Do The Things You Do [8:40] [0:27], 2.
 Knockin' On Heaven's Door [14:15] [0:12], 3. [1:16] After Midnight [13:28] [0:02], 4. [0:09] Who Was
 John? [13:54] [1:03], 5. [0:41] Mission In The Rain [7:58] [0:37], 6. [0:10] Stir It Up [12:15]
 [0:24], (missing Midnight Moonlight)
 Set Two: Disc Two (5) 56:13 --Set II-- (missing Tore Up Over You), 1. Friend Of The Devil
 [7:31] [0:22], 2. Don't Let Go [21:36] -> 3. Strange Man [:06+6:04] [0:06], 4. Stop That Train [11:18]
 [0:06], 5. [0:12] Ride Mighty High [8:36] [0:21]
11/19/76b Pismo Beach, CA - Pismo Theater MSC>3C>D>CD All 94 1030 22411 
 *JGB*
 Source: MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II
 by J.Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz >
 WAV(Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by
 C.Ladner. Seeder comments: "Comments: Scarcely circulated multianalog generation SBD recording
 without any noise reduction. The setlist on this recording differs from thejerrysite.com which reports
 "Mission In The Rain" was played after "A Strange Man", but was missing from the tape but confirmed by
 person in attendence. This recording has "I'll Take A Melody" and "Stop That Train". There is no
 gross difference in the recorded sources preceding A Strange Man and I'll Take A Melody to suggest
  they come from a different source than the remainder of the recording. If you don't believe it's
 real, just don't burn disc 2 :-p Flaws: d1t04 - d/o @ 5:45 removed with SF6. Pauses between
 tracks."
 Set One: Disc 1 - Late show 01 [0:48] Sugaree [17:31] [0:13], 02 /Catfish John [13:42],
 03 Tore Up Over You [11:46], 04 Knockin' On Heaven's Door [17:00], 05 After Midnight [13:18], 06
 A Strange Man [08:13], Total time: 79:32
 Set Two: Disc 2 - Late show (cont'd), 01 I'll Take A Melody// [04:14], 02 Stop That
 Train// [09:43]
11/20/76 Pismo Beach, CA - Pismo Theater MSR>3C>D>CD All 197 1030 22409 
 *JGB: complete early & late shows*
 Source: MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II
 by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz >
 WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed
 (shntool) > SHN (mkwact) by C. Ladner. Seeder Comments: Scarcely circulated multianalog generation
 SBD recording. It has hiss - you've been warned. This is the raw transfer without any noise
 reduction. The setlist of this recording differs from that on thejerrylist.com on the last 2 songs of
 the late show which lists "Tore Up Over You" and "Ride Mighty High" as the final two tracks. The end
 of DLG is not cut on this recording as listed on thejerrysite, though there was a small drop out on
 the master which was seamlessly removed (see below). There is no audible break in the music between
 the end of Don't Let Go and How Sweet It Is. Quiet on-stage banter can be heard at a low level from
 the end of DLG that continues on through the countoff into How Sweet It Is. The version of "How Sweet
 It Is" is different than the one played during the early show and at the end Jerry says "Goodnight".
 Flaws: d1t01 - first few notes missing; d1t04 - d/o at 08:41 removed using SF6 with a small amount of
 music missing; d2t02 - d/o @ 07:08 with truncation of "yankee laid him in his grave" and the rest of
 the verse; d2t06 - d/o @ 10:26 with small subsecond bit of missing music; d3t03 - d/o @ 19:33 with a
 "BEEP" in the middle deleted with no apparent missing music. There are a few tape pauses between
 tracks however the overall recording quality/level of hiss remains the same for the entire show,
 suggesting the entire recording is from a single source. The pitch was flat and I increased by .02
 semitones corresponding to a transposition ratio of 1.01162 using SF6. Another installment of the
 misSHN in the rain, 2/04."
 Set One: Disc 1 - Early Show, 01 I Second That Emotion [13:39], 02 Stop That Train
 [14:54], 03 It Takes A Lot To Laugh, It Takes A Train To Cry [08:48], 04 After Midnight [14:56],
 05 Friend Of The Devil [08:37], 06 Sitting In Limbo [13:04], Total time: 73:59
 Set Two: Disc 2 - Early Show (cont'd), 01 How Sweet It Is (To Be Loved By You) [10:17], 02
 Night They Drove Old Dixie Down [08:36], 03 Midnight Moonlight [10:16], Late Show , 04 The Way You
 Do The Things You Do [10:52], 05 They Love Each Other [09:41], 06 Knockin' On Heaven's Door
 [17:18], Total time: 67:01
 Set Three: Disc 3 - Late Show (cont'd), 01 Mystery Train [13:42], 02 A Strange Man
 [06:31], 03 Don't Let Go [26:49], 04 How Sweet It Is (To Be Loved By You) [09:19], Total time:
 56:21
12/21/76 Berkeley, CA - Keystone  MAC>R>D>CD All 113 
 *JGB: unknown taping details*
 MAC (no taping information) > Richard Foster's 1st gen reels > Uher Royal DeLuxe reel to reel
 playback @ 7.5 ips > Tascam DA-20 DAT @ 48khz > Fostex master CD > unknown CD gens. A>D by Thomas
 Donhauser. Notes: - Show with John Rich on pedal steel guitar, to very nice effect IMO! - recording
 is thin (very little bass), a little quiet, a little hissy. But it's altogether listenable. - d1t04
 setbreak announcement "We're gonna try to get ourselves together" - d2t06 Ride Mighty High starts off
 low volume, ends up being a pretty cool version, here again with the two guitars working well
 together. Thanks to Hanno Bunjes for the CDs!
 Set One: Disc One (4) 51:41 --Set I-- 01. Catfish John [12:26] [0:22], 02. [3:47] Tore Up
 Over You [8:28] [0:35], 03. [4:44] Knockin' On Heaven's Door [12:25] [0:12] (probable tape flip), 04.
  [0:08] Mystery Train [8:17] [0:16]
 Set Two: Disc Two (6) 60:53 --Set II-- 01. Sugaree [12:50] [0:24], 02. Stop That Train
 [12:03] [0:23, of which 0:07 dead air], 03. [0:11] (repeated from end of t02) (probably tape flip),
 04. The Way You Do The Things You Do [8:52] [0:05], 05. [0:13] I'll Take A Melody [16:19] [0:27], 06.
 [1:29] Ride Mighty High [7:19] [0:06 +:10 dead air]
12/22/76 Berkeley, CA - Keystone MSR>D>CD All 117 0674 14982 
 *JGB*
 MSR > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio
 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT
 v0.97 beta 1). Extraction and .shn encoding by Joe Jupille. Notes: - John Rich plays pedal steel
 guitar on all but Let it Rock and Ride Mighty High. - There is some oversaturation throughout the
 recording, most prominently during Mystery Train and Ride Mighty High, but it isn't too bad. Flaws:
 d1t05 TLEO cuts in, not much missing; d1t05 TLEO cut/splice @ 0:17; d2t03 Knockin' cut/splice @ 11:21,
 14:52 (near end); d2t04 Mystery Train light tick @ 6:09 removed using Sound Forge; d2t06 Ride Mighty
 High very end cut.
 Set One: Disc One (6) 52:34 --Set I-- 01. Crowd & Tuning [0:12], 02. Let it Rock [11:50]
 [2:33], 03. Stir It Up [10:45] [2:52], 04. Simple Twist of Fate [8:35] [0:05], 05. //They// Love Each
 Other [#6:#25] [0:27], 06. Midnight Moonlight [8:42] [0:05]
 Set Two: Disc Two (6) 63:45 --Set II-- 01. Crowd & Tuning [0:56], 02. Tore Up Over You
 [10:27] [0:52], 03. Knockin' on Heaven's// //Door [14:#34] [1:24], 04. Mystery Train [10:09] [1:56],
 05. I'll Take a Melody [15:31] [0:20], 06. Ride Mighty High// [7:27#] [0:07]
12/22/76 Berkeley, CA - Keystone  MSR>2C>CD All 124 1254 31802 
 *JGB*
 MSR (MD) > Cass (MD) > Cass (me) > Nero (EQ) > flac > sbe fixed. This is an alternate copy, first
 seeded to Easytree in 2/2005 (my shn #1146) and then to DIME in 12/2005 with SBEs fixed and some EQing
 (my shn xxxx, shnid 31802). I think it is slightly more complete than the version I already had.
 Haven't had time to compare SQ. Lineage was initially a little confusing, not clear what "me"
 represented, but now seems to indicate a 2nd gen cassette. Confusion was initially compounded by the
 fact that this fileset used basically the same info file as the other one (which I seeded). But there
 is now (1/2006) an original info file here. Seeder's Notes: My friend was able to get his reel 2 reel
 thru the side door that night and givin' a patch to plug to - the patch was faulty and there were a
 few drops - a major one in Melody - I sat and patched for hours one night resulting in this version -
 there is another the same source (me) since my friend and I both wanted the same generation -
 therefore each were edited anew - here's mine. EQ: middle was lowered to seperate the instruments.
 the nasty drop outs: Let It Rock - drop out approx 10 min into; TLEO - drop out beginning verse
 missing (JJ: @ 0:58); Knockin' - drop outs @ 11:52 & last donna note semi-clipped; Melody - drop out
 of first chorus, missing - 4th chorus in place of; Mighty High - ran off MSR. -- a Wolf in Paradise
 Project - 2005."
 Set One: Disc One (6) 58:50 --Set I-- 01. Crowd & Tuning [4:41], 02. [0:15] Let it Rock
 [11:59] [0:27], 03. [2:05] Stir It Up [10:48] [0:20], 04. [2:38] Simple Twist of Fate [8:50] [0:14],
 05. [0:38] They// Love Each Other [6:#36] [0:17], 06. [0:15] Midnight Moonlight [8:50] [0:02]
 Set Two: Disc Two (5) 65:14 --Set II--, 01. [1:10] Tore Up Over You [10:27] [0:09], 02.
 [0:50] Knockin' on Heaven's Door// [14:#36] [0:57], 03. [1:21] Mystery Train [10:06] [0:41], 04.
 [1:18] I'll Take a Melody [15:39] [0:18], 05. [0:23] Ride Mighty High// [7:14#]
 
01/29/77 Berkeley, CA - Keystone  MAC>R>D>CD All 117 1385 20473 
 *JGB: unknown recording details*
 MAC (no taping information) > Richard Foster's 1st gen reels > Uher Royal DeLuxe reel to reel
 playback @ 7.5 ips > Tascam DA-20 DAT @ 48khz > Fostex master CD > unknown CD gens. A>D by Thomas
 Donhauser. Notes: - A thin aud tape, very little bass and quite low vocals, that nonetheless is
 quite listenable. The show is extremely mellow. - There is a second guitar player throughout the
 show, more audible during the second set, though still not very clear. It sounds like a pedal steel
 guitar, in which case the player might be John Rich, who also sat in with the JGB in late 1976. -
 d1t02 TWLWMYD is about the mellowest version of this song I have heard, overall. But there are some
 nice peaks around the 6-minute mark that get nice crowd response. - d1t03 Simple Twist no bass solo
 ... when did this come about? The song should have ended around 11:00, but Keith noodles for awhile
 after the fact. - d2t01 "Honey, I'm gonna have to go down and dance in a little bit." - d2t03 some
 talk around the taper, including "David", lots of talk; Thanks to Hanno Bunjes for the source
 discs!
 Set One: Disc One (4) --Set I-- 01. Stop That Train [14:15] [0:11], 02. That's What Love
 Will Make You Do [9:35] [0:08], 03. Simple Twist Of Fate [11:57] [0:05], 04. They Love Each Other
 [7:11] [0:13]
 Set Two: Disc Two (6) 72:43 --Set I (con't)-- 01. The Way You Do The Things You Do [8:59]
 [0:10], 02. [0:28] Midnight Moonlight [10:07] [0:05] --Set II-- 03. Don't Let Go [23:41] [0:02], 04.
 Stir It Up [10:10] [0:04], 05. Tore Up Over You [9:46] [0:08], 06. [0:15] Tangled Up In Blue [8:33]
 [0:12]
01/29/77 Berkeley, CA - Keystone MAC>CD All n/a 1384 97083 
 *JGB: Reinhart Hohlwein, 2xSony ECM-280 > Sony SD152*
 MOTB Release: 0089 16/44.1. Release Date: 2009-01-22. Special: Rhinotrocity #7. Analog Audience
 Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x maxell UDXL 90. Analog Lineage: 2 x
 sony ECM 280 => Sony SD152 >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR-7a >> Korg MR-1000
 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhart
 Holhwein. Transfer By: Bob Menke. Mastering By: Adam Egert. Track/Flac by: Michael Lerman
 (audiohead22). Notes: d1t01 - Stop that train cut and patched at end of song from 11:21 - 15:09 with
 ShnId: 20473. There are a few pauses left as is. JJ: - Wonderful tape!!! - Per TJS, this is the third
 version of Simple Twist (7/4/76, 12/22/76). - s1t03 STOF taper talk @ 5:30 "I stepped on someone". -
 2nd guitar comes in around 7:15, at the "woke up room was bare" verse, of STOF. Donna does some great
 wailing backup vox over the next verse (ca. 8-min mark). Also: no bass solo! - I hear the 2nd guitar
 again in Midnight Moonlight. - DLG enters in progress. - 2nd guitar audible in DLG. - I do think that
 this show has too much of that super-slow '76 vibe.
01/29/77 Berkeley, CA - Keystone MAC>CD All n/a 1384 97084 
 *JGB: Reinhart Hohlwein, 2xSony ECM-280 > Sony SD152*
 MOTB Release: 0089 24/96. Release Date: 2009-01-22. Special: Rhinotrocity #7. Analog Audience
 Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x maxell UDXL 90. Analog Lineage: 2 x
 sony ECM 280 => Sony SD152 >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR-7a >> Korg MR-1000
 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhart
 Holhwein. Transfer By: Bob Menke. Mastering By: Adam Egert. Track/Flac by: Michael Lerman
 (audiohead22). Notes: d1t01 - Stop that train cut and patched at end of song from 11:21 - 15:09 with
 ShnId: 20473. There are a few pauses left as is. JJ: - Wonderful tape!!! - Per TJS, this is the third
 version of Simple Twist (7/4/76, 12/22/76). - s1t03 STOF taper talk @ 5:30 "I stepped on someone". -
 2nd guitar comes in around 7:15, at the "woke up room was bare" verse, of STOF. Donna does some great
 wailing backup vox over the next verse (ca. 8-min mark). Also: no bass solo! - I hear the 2nd guitar
 again in Midnight Moonlight. - DLG enters in progress. - 2nd guitar audible in DLG. - I do think that
 this show has too much of that super-slow '76 vibe.
01/30/77 Berkeley, CA - Keystone MAC>CD partial 60 1384 97144 
 *JGB: Reinhart Hohlwein, 2xSony ECM-280 > Sony SD152*
 MOTB Release: 0090 16/44.1. Release Date: 2009-01-26. Special: Rhinotrocity #7. Analog Audience
 Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x maxell UDXL 90. Analog Lineage: 2 x
 sony ECM 280 => Sony SD152 >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR-7a >> Korg MR-1000
 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhart
 Holhwein. Transfer By: Bob Menke. Mastering By: Adam Egert. Notes:- Let Me Roll It is slightly cut at
 the beginning of the song. - During Sugaree Reinhart gets busted taping and valiantly tries to keep it
 going but to no avail! - This is all that circulates. - There is definitely a 2nd guitar player
 here.
 Set One: (MISSING I'll Take A Melody), Mystery Train, Knockin' On Heaven's Door, Tore Up
 Over You, //Let Me Roll It, The Night They Drove Old Dixie Down
 Set Two: Sugaree// (MISSING The Way You Do The Things You Do, Stir It Up, Tangled Up In
  Blue, My Sisters And Brothers, Midnight Moonlight)
01/30/77 Berkeley, CA - Keystone MAC>CD partial 60 1385 97142 
 *JGB: Reinhart Hohlwein, 2xSony ECM-280 > Sony SD152*
 MOTB Release: 0090 24/96. Release Date: 2009-01-26. Special: Rhinotrocity #7. Analog Audience
 Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x maxell UDXL 90. Analog Lineage: 2 x
 sony ECM 280 => Sony SD152 >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR-7a >> Korg MR-1000
 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhart
 Holhwein. Transfer By: Bob Menke. Mastering By: Adam Egert. Notes:- Let Me Roll It is slightly cut at
 the beginning of the song. - During Sugaree Reinhart gets busted taping and valiantly tries to keep it
 going but to no avail! - This is all that circulates. - There is definitely a 2nd guitar player
 here.
  Set One: (MISSING I'll Take A Melody) s1t01 - [0:55] Mystery Train [10:13] [1:42] s1t02 -
 Knockin' On Heaven's Door [14:51] [0:19] s1t03 - Tore Up Over You [9:00] [0:14] s1t04 - //Let Me Roll
 It [#7:51] [1:08] s1t05 - The Night They Drove Old Dixie Down [10:28] [0:13]
 Set Two: s2t01 - Sugaree// [2:48#] (MISSING The Way You Do The Things You Do, Stir It Up,
 Tangled Up In Blue, My Sisters And Brothers, Midnight Moonlight)
02/05/77 Goleta, CA - Campbell Hall (UCSB) MS?>?>CD All n/a 0790-0791 16838 
 *JGB* *early and late shows*
 Early and Late Shows. SBD > cassette? > CD > EAC > SHN v3. Seeder Notes: "According to the Jerry
 Site (www.thejerrysite.com), the early show ends with How Sweet It Is (To Be Loved By You), not
 Midnight Moonlight. These are 2 different version of Midnight Moonlight, and there is osme uncertainty
 whether How Sweet It Is is correct being that it comes from a different tape, so it is possible that
 the early show was indeed closed by Midnight Moonlight. d2t02 - Midnight Moonlight is incomplete and
 fades out; d3t06 - My Sisters and Brothers is incomplete and fades out."
 Set One: CD 1 --Early Show-- Sugaree, Catfish John, Mystery Train, Simple Twist Of Fate,
 Stir It Up
 Set Two: CD 2 --Early Show cont'd-- Don't Let Go, Midnight Moonlight --Late Show-- I'll Take
 A Melody, They Love Each Other, Knockin' On Heaven's Door
 Set Three: CD 3 --Late Show cont'd-- The Way You Do The Things You Do, The Night They Drove
 Old Dixie Down, Midnight Moonlight, Tore Up Over You, Tangled Up In Blue --Encore-- My Sisters And
 Brothers
04/09/77 Palo Alto, CA - Keystone Palo Alto MAC>R>CD All 120 0575 13361 
 *JGB*
 MAC (unknown taper, equipment, location) > reel > playback on Uher reel-to-reel machine > Marantz
 standalone CD recorder master CD > Plextor CD extraction using EAC (high, secure, offset-corrected) >
 .shn encoding using mkwACT. Reel > CD by Thomas Donhauser, EAC > SHN and seeding by Hanno. This is
 note a great aud, not terrible. Levels and vocals are very low. d1t01 TLEO barely clips in. This
 might be the longest Tore Up currently circulating.
 Set One: CD 1 (6) 72:43 --Set I-- 01. /They Love Each Other , That's What Love Will Make You
 Do , Stir It Up , Simple Twist Of Fate, Mystery Train, The Way You Do The Things You Do
 Set Two: CD 2 (3) 47:17 --Set II-- Midnight Moonlight, 02. [0:18] Tore Up Over You [19:47]
 [0:17], Tangled Up In Blue
06/23/77 Santa Rosa, CA - Santa Rosa High School MAC>D>CD II 74 
 *JGB: Bob Menke, Sony ECM-280s > Sony TC-152*
 MAC > DATx1 > CD. Recorded by Bob Menke, Sony ECM-280s > Sony TC-152. No flaws noted.
 Set One: Single Disc (6) 73:55, 1. [0:08], 2. They Love Each Other [7:15] [0:11], 3.
 Knockin' on Heaven's Door [15:04] [1:05], 4. Tore Up [11:56] [1:34], 5. The Night They Drove Old Dixie
 Down [9:50] [0:20], 6. Don't Let Go [26:04] [0:25]
07/02/77 Palo Alto, CA - Keystone Palo Alto MAC>R>D>CD All 125 0758-0759 enter 
 *JGB*
 Unknown taper/gear. Notes/Flaws: - Show with Maria Muldaur (vocals) - quite a nice show, pretty
 good recording with just a bit of hiss.
 Set One: Disc One (5) 69:36 --Set I-- 01. Drums & Harder They Come false start [1:20],
 Harder They Come [13:27] [0:52], 02. Knockin' On Heaven's Door [18:44] [0:05], 03. That's What Love
 Will Make You Do [11:25][0:16], 04. Simple Twist Of Fate [11:00] [0:34], 05. Mystery Train [11:41]
 [0:06]
 Set Two: Disc Two (4) 54:53 --Set II-- 01. Sitting Here In Limbo [12:45] [0:11], 02. [0:03]
 Russian Lullaby [16:17] [0:51], 03. Tore Up Over You [10:52] [0:09], 04. Tangled Up In Blue [13:40]
 [0:03]
07/03/77 Palo Alto, CA - Keystone Palo Alto MSC>C>D>CD II 68 0741 15852 
 *JGB*
  Notes/Flaws: - Harder They Come splice @ 0:28; - Mystery Train bad digi-static @ ca. 3:00-5:00
 Set Two: Single Disc (6) 68:01 --Set II-- 01. Crowd & Tuning [0:22], 02. Harder// They Come
 [13:#15] [1:42], 03. Simple Twist of Fate [10:52] [1:15], 04. Mystery Train [10:07] [2:19], 05.
 Knockin' on Heaven's Door [16:25] [0:39], 06. Tangled Up in Blue [10:40] [0:22]
07/03/77 Palo Alto, CA - Keystone Palo Alto MSC>D>CD II 68 1297 83722 
  *JGB*
 Source: Soundboard Cassette Master > DAT. Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to
 Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and
 Seeded by Green Mountain Bros. March 2007. Lineup: Jerry Garcia - Guitar; Keith Godchaux - Electric
 Piano; Donna Godchaux - Vocals; John Kahn - Bass; Ron Tutt - Drums; Maria Muldaur - Vocals.
 Set Two: (68:17) The Harder They Come, Simple Twist Of Fate, Mystery Train, Knockin' On
 Heaven's Door, Tangled Up In Blue
07/08/77a Hempstead, NY - Calderone Concert Hall MAC>CD All 93 0796 17054 
 *JGB: Jerry Moore, AKG D-200Es > Sony TC-153*
 MAC (Taped by Jerry Moore, spaced AKG D-200Es [front of the balcony] > Sony TC-153 [Maxell XLII]) >
 Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 >
 Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification
 (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by David Minches, CD > SHN by Joe
 Jupille. Notes/Flaws: - d1t03 Simple Twist of Fate tape flip @ 13:19
 Set One: Disc One (3) 48:02, 01. Sugaree [15:40] [2:58], 02. Stop That Train [13:00] [2:08],
 03. Simple Twist of //Fate [13:#47] [0:25]
 Set Two: Disc Two (4) 44:33, 01. Crowd & Tuning [1:18], 02. That's What Love Will Make You
 Do [12:25] [0:31], 03. Mystery Train [10:20] [1:57], 04. Friend of the Devil [8:43] [0:29] --Encore--
 05. Tough Mama [7:59] [0:24]
07/08/77b Hempstead, NY - Calderone Concert Hall MAC>CD All 93 0797 17054 
  *JGB: Jerry Moore, AKG D-200Es > Sony TC-153*
 MAC (Taped by Jerry Moore, spaced AKG D-200Es [from the orchestra, hand held, fairly close] > Sony
 TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496
 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector
 boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by David Minches,
 CD > SHN by Joe Jupille . Notes/Flaws: - This set improves on the older transfer at least insofar as
 both Harder They Come and Midnight Moonlight are now intact (respectively faded and clipped in on the
 old transfer). - d2t04 Tangled Up fades in
 Set One: Disc One (5) 50:12, 01. Crowd & Tuning [0:32], 02. The Harder They Come [14:49]
 [0:35], 03. They Love Each Other [7:25] [1:06], 04. Russian Lullaby [15:24] [0:11], 05. Midnight
 Moonlight [9:49] [0:19]
 Set Two: Disc Two (4) 43:14, 01. Crowd & Tuning [0:30], 02. Tore Up Over You [6:54] [1:22],
 03. Knockin' on Heaven's Door [17:35] [0:09], 04. Tangled Up in Blue [12:15] [0:31]
07/09/77a Asbury Park, NJ - Convention Hall MAC>D>CD All 82 0221 8659 
 *JGB: Mark Mattson*
 MAC (Taped by Mark Mattson, unknown equipment) > DAT x 1 > CD x 1 > EAC > SHN; EAC/SHN by Jack
 Warner
 Set One: 1. Sugaree [16:13] [0:01], 2. Stop That Train [11:07] [0:02], 3. The Way You Do The
 Things You Do [9:56] [0:02], 4. Simple Twist Of Fate [12:07] [0:05], 5. Sitting In Limbo [11:55]
 [0:06], 6. Mystery Train [11:05] [0:01], Total Time 72:44
 Set Two: 1. How Sweet It Is [8:17] [0:02], followed by late show
07/09/77a Asbury Park, NJ - Boardwalk Theater MAC>?>CD All n/a 1269 76441 
 *JGB: Mark Mattson*
 Taper: Mark Mattson ; Digital Transfer Equipment: Transferred by Mark Mattson . Seeded 6/2006 by
 Teddy "GoodBear" Selby.
 Set One: Sugaree, Stop That Train, That's What Love Will Make You Do, Simple Twist Of Fate,
 Mystery Train, They Love Each Other, How Sweet It Is To Be Loved By You
07/09/77b Asbury Park, NJ - Convention Hall MAC>D>CD All 109 0222 8659 
 *JGB: Mark Mattson*
 AUDMC (Taped by Mark Mattson, unknown equipment) > DAT x 1 > CD x 1 > EAC > SHN; EAC/SHN by Jack
  Warner; first few notes of NFA clipped
 Set One: t1 is How Sweet It Is from the late show, 2. Harder They Come [14:03] [0:06], 3.
 They Love Each Other [7:24] [0:03], 4. Midnight Moonlight [9:50] [0:05], 5. Russian Lullaby [15:26]
  [0:01], 6. Tore Up Over You [12:19] [0:03], Show Time 59:23
 Set Two: 1. Knockin' on Heaven's Door [15:48] [0:06], 2. Tangled Up in Blue [11:32] [0:05],
 Encore: 3. /Not Fade Away [21:26#] [0:07], Show time ca. 49:04, plus filler from 11/21/77b
07/09/77b Asbury Park, NJ - Boardwalk Theater MAC>?>CD All n/a 1269 76441 
 *JGB: Mark Mattson*
 Taper: Mark Mattson ; Digital Transfer Equipment: Transferred by Mark Mattson . Seeded 6/2006 by
 Teddy "GoodBear" Selby.
 Set One: Tore Up Over You, Knockin' On Heaven's Door, Tangled Up In Blue, Not Fade Away, How
 Sweet It Is To Be Loved By You, Jack-A-Roe, That's What Love Will Make You Do, Simple Twist Of Fate,
 Mystery Train, Midnight Moonlight,
07/23/77 Berkeley, CA - Keystone MSC>D>CD All 131 1232-1233 30662 
 *JGB*
 Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus
 -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Disc FLAC). Transferred and Edited By
 Charlie Miller, charliemiller87@earthlink.net, August 26, 2005.
 Set One: (6 tracks, 64:27) Set 1: d1t01 - Tuning, d1t02 - Sugaree, d1t03 - Stop That Train,
 d1t04 - Mystery Train, d1t05 - Simple Twist Of Fate, d1t06 - The Way You Do The Things You Do
 Set Two: (7 tracks, 67:10) Set 2: d2t01 - Tuning, d2t02 - They Love Each Other, d2t03 -
 Sitting In Limbo, d2t04 - Tore Up Over You, d2t05 - My Sisters And Brothers, d2t06 - Stir It Up, d2t07
 - Tangled Up In Blue
07/29/77 *see Jerry Garcia on Official Releases* n/a  
07/29/77 San Francisco, CA - Theatre 1839 MAC>CD All 170 0810-0811 17217 
 *JGB: Bob Menke, Sony ECM 280?s > Sony TC-152?*
 MAC (Taped by Bob Menke, setup not yet established at this time) > CD > HP 9350i extraction (EAC
 v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing
 (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Bob Menke, CD > SHN by Joe Jupille .
  Notes/Flaws: - d1t01 Sugaree cuts in, then spliced @ 2:30, mono (L channel only) until 3:01, mix and
 level fluctuations first several minutes - d2t01 Simple Twist cuts in, not much missing - Taper may
 have moved for set II, which sounds a bit better - (1) believed to be public debut of Gomorrah - d3t02
 Don't Let Go clips in, light unfixable tick @ 18:49 - Sound Forge Studio 6.0 used to patch in the
 missing channel on Sugaree, as well as to eliminate a few gaps, blemishes, and tape transitions
 between songs; great Donna vocals on Simple Twist.
 Set One: Disc One (5) 60:57 --Set I-- 01. //Sug//aree [#14:#24] [0:08], 02. They Love Each
 Other [7:44] [1:01], 03. Russian Lullaby [12:27] [0:37], 04. That's What Love Will Make You Do [11:14]
 [0:17], 05. Stir It Up [12:43] [0:19]
 Set Two: Disc Two (6) 63:00 --Set I (con't)-- 01. //Simple Twist of Fate [#9:17] [0:09], 02.
 Mystery Train [9:52] [0:22] --Set II-- 03. The Way You Do The Things You Do [9:10] [2:39], 04. Catfish
 John [11:17] [0:59], 05. Gomorrah (1) [5:50] [1:28], 06. Tore Up [11:00] [0:54]
 Set Three: Disc Three (3) 45:30 --Set II (con't)-- 01. Friend of the Devil [8:28] [0:20],
  02. /Don't Let Go [#26:15] [0:36], 03. The Night They Drove Old Dixie Down [9:27] [0:23]
07/29/77 San Francisco, CA - Theatre 1839 MSC>C>D>CD II 75 
 *JGB*
 Sounds pretty nice. t04 Tore Up cut/splice @ 7:01; t06 Don't Let Go has some very serious energy!
 t07 Dixie Down fades down @ 3:02, most missing.
 Set Two: Single Disc (7) 74:59 --Set II-- 01. Tuning [0:45], The Way You Do The Things You
 Do [9:18] [0:15], 02. Catfish John [11:20] [0:15], 03. Gomorrah [5:50] [0:16], 04. Tore// Up Over You
 [8:#33] [0:16], 05. Friend of the Devil [8:23] [0:17], 06. Don't Let Go [26:16] [0:10], 07. The Night
 They Drove Old Dixie Down ... [3:02#]
07/30/77 *see Jerry Garcia on Official Releases* n/a 
07/30/77 San Francisco, CA - Theatre 1839 MAC>CD All 147 0812-0813 17218 
 *JGB: Bob Menke*
 MAC (Taped by Bob Menke, setup not yet established at this time) > CD > HP 9350i extraction (EAC
 v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing
 (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Bob Menke, CD > SHN by Joe Jupille .
 Notes/Flaws: - Sound Forge Studio 6.0 was used to smooth a few tape transitions between songs. - No
 flaws noted.
 Set One: Disc One (8) 73:46 --Set I-- 01. Crowd & Tuning [0:59], 02. Let it Rock [8:50]
 [0:55], 03. Stop That Train [10:42] [0:39], 04. Mystery Train [8:24] [0:31], 05. Knockin' on Heaven's
 Door [13:54] [0:25], 06. They Love Each Other [7:13] [0:29], 07. Second That Emotion [10:15] [1:53]
 --Set II-- 08. The Way You Do The Things You Do [7:57] [0:36]
 Set Two: Disc Two (7) 73:18 --Set II (con't)-- 01. Let Me Roll It [9:12] [0:59], 02. Simple
 Twist of Fate [12:16] [2:15], 03. Harder They Come [12:20] [1:45], 04. Gomorrah [6:13] [0:18], 05.
 Tore Up Over You [9:21] [0:38], 06. Tangled Up in Blue [9:58] [0:30] --Encore-- 07. Sisters & Brothers
 [7:20] [0:10]
07/30/77 San Francisco, CA - Theatre 1839  MA?>?>CD partial 76 
 *JGB: Unknown taper & gear*
 This may be better than Menke's master, though it is incomplete, hissy, and a bit hacked up.
 Set One: Single Disc (9) 76:17, Second That Emotion, Tore Up, Tangled Up in Blue, //Let it
 Rock, /Let Me Roll It, //Mystery Train, /TWYDTTYD, TLEO, Sisters & Brothers
08/06/77 Berkeley, CA - Keystone MSC>D>CD IIp 45 0412 4448 
 *JGB* *SBEs*
 DAT @ 48 -> Digidesign 001 Optical S/PDIF -> HD as Sound Designer 2 @ 48 -> Pro Tools LE (tracked,
 downsampled to 44.1, and converted to Wave) -> SHN. Sector boundary errors on every track need to be
 corrected before burning audio.
 Set One: from 12/9/77 d2, 2. Sugaree, 3. Mystery Train, 4. Simple Twist Of Fate, 5. Don't
 Let Go //, Show Time 45:08, Total Time 70:39
08/06/77 Berkeley, CA - Keystone MSC>D>CD IIp  n/a 1297 83754 
 *JGB*
 Source: Soundboard Cassette Master > DAT. Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to
 Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and
 Seeded by Green Mountain Bros. March 2007.
 Set Two: Sugaree, Mystery Train, Simple Twist of Fate, Don't Let Go//
08/07/77 Berkeley, CA - Keystone MSC>D>CD  Ip,II 79 1103 6371 
 *JGB*
 t01 levels too hot until ca. 5:00
 Set One: 1. Tuning [1:49], Russian Lullaby [11:50] [0:18], 2. Knockin' on Heaven's Door
 [12:16] [0:40], 3. Midnight Moonlight [7:57] [0:13], 4. They Love Each Other [7:24] [0:27], 5. Tore Up
 Over You [9:40] [1:12], 6. Simple Twist of Fate [11:06] [1:12], 7. [0:21] Harder They Come [12:09]
 [0:13], Total Time 78:42
08/07/77 Berkeley, CA - Keystone  MSC>D>CD Ip,II n/a 1317 86045 
 *JGB*
 Set One: (MISSING: The Way You Do The Things You Do, Catfish John, Stop That Train, Let It
 Rock) Russian Lullaby, Knockin' On Heaven's Door, Midnight Moonlight,
  Set Two: They Love Each Other, Tore Up Over You, Simple Twist Of Fate, The Harder They
 Come
10/02/77 Portland, OR - Paramount Theater Unknown All n/a 0704 15246 
 *Interview*
 Set One: "Garcia talks to unknown people backstage. Topics of discussion include the
 upcoming trip to Egypt in 1978, the upcoming tour, tuning guitars and pianos, Bill Walton, the
 Englishtown show. Sounds like drug use is involved, as toking and snorting sounds are present. Date is
 determined by references to "show last night" (the Dead played Oct. 1 and Oct. 2/77 in Portland),
 reference to just starting the tour in Seattle, and other references."
10/02/77 Portland, OR - Paramount Theatre MA?>?>C>CD All n/a 1319 87685 
 *Interview*
 Date: Oct 1977 (possibly Oct. 2), Venue: Unknown Hotel Room, Location: Portland, OR. Lineage:
 Cassette received in trade > Tascam CD-RW700 > EAC > flac. Seeder's notes: "I wish I had more of this
 recording. This is 25 minutes of a recorded conversation with Jerry Garcia in a Portland, OR hotel
 room [JJ: usually said to be backstage at the Paramount]. Originally, I hoped to break it up with
 track markers for areas of conversation as I was able to do with a Hawaii conversation I posted a few
 months ago. However, this conversation weaves in and out of topics a bit too much. These folks are
 obviously getting stoned during the conversation (imagine how embarrassing to cough incessantly in
 front of Jerry!!). Anyway, the conversation weaves between talk of how the Jerry Band must reconcile
 touring with the Dead dates, Jerry's guitar strings and new guitars, the Egypt Tour, Bill Walton,
 Pacific Northwest Restaurants, politics and a bit more. Unfortunately, the tape cuts off in the
 middle of a discussion about the upcoming Egypt tour. As of this date, 9/16/2007, I have been unable
 to locate more of this recording. As always, take this if you need it..." Aloha, Steve.
11/20/77 Binghampton, NY - Forum MS?>?>CD I,IIp 76 1248 noshnid 
  *JGB: unknown recording details*
 Source: Unknown sbd > ?? > CD > EAC > FLAC. Notes: - May run a little fast. - Stir It Up clips in,
 spliced @ 6:31; - TWLWMYD levels rise @ 3:56, fades to splice @ 6:49.
 Set One: Single Disc (9 tracks, 76:10) --Set I-- 01. How Sweet It Is [8:37] [0:38], 02. They
 Love Each Other [7:00] [0:22], 03. Let it Rock [7:50] [0:31], 04. Simple Twist of Fate [10:31], 05.
 /Stir It// Up [8:#49] [0:30], 06. That's What Love Will// Make You Do [8:#34] [0:16], 07. Gomorrah
 [6:16] [0:02], 08. Mystery Train [7:26] [0:07], pre-set II tuning [0:06] --Set II-- 09. The Way You Do
 The Things You Do [8:26] [0:10]
11/21/77a West Hempstead, NY - The Playhouse, Hofstra U. MAC>CD All-1 n/a 1269 76442 
 JGB: Mark Mattson
 MAC > CD, taped and transferred by Mark Mattson, who sent this to Goodbear circa 2000. Seeded by
 Teddy Goodbear, 6/2006. Notes: - early show missing first two songs; - early show Beginning of
 Catfish John is cut; - early show Here Comes the Sun tease in Stir It Up; - early show brief splice in
 Mystery Train.
 Set One: Disc One: MISSING Cats Under The Stars, MISSING I'll Be With Thee, //Catfish John ~
 4:13, That's What Love Will Make You Do ~ 11:17, Gomorrah ~ 6:09, I Second That Emotion ~ 9:50, Stir
 It Up ~ 10:05, Mystery Train ~ 8:58, Simple Twist Of Fate ~ 10:59, Mission In The Rain ~ 7:20
11/21/77b West Hempstead, NY - The Playhouse (Hofstra U.) MAC>D>CD All 89 0742 15853 
 *JGB: Mark Mattson, unknown gear*
 MAC (Taped by Mark Mattson, unknown equipment) > 1 DAT > CD > HP 9350i extraction (EAC v0.9 beta 4)
 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT
 v0.97 beta 1). CD > SHN by Joe Jupille (jjoops@attbi.com). Notes/Flaws: - I love this recording! It's
 not the best recording ever made, but it just has a lovely feeling to it. Nice show, too. - d2t02
 Reuben & Cherise is the public debut of this song, as far as is currently known. This could have been
 tracked as much as forty seconds earlier, since there is a long setup to the song. The song itself is
 a bit confused. - d2t03 Russian Lullaby barely clips in; - d2t04 LAALWFH cuts in, not much missing.
 Set One: Disc One (5) 41:51, 01. Crowd & Tuning [0:08], 02. Love in the Afternoon [9:36]
 [0:08], 03. The Way You Do the Things You Do [8:25] [0:29], 04. I'll Take a Melody [13:22] [0:14], 05.
 Tore Up Over You [9:24] [0:04]
 Set Two: Disc Two (4) 47:03, 01. Knockin' on Heaven's Door [13:23] [0:43], 02. Reuben &
 Cherise [7:03] [0:15], 03. /Russian Lullaby [14:04] [0:04], 04. //Lonesome and a Long Way From Home
 [11:27] [0:03]
11/21/77b West Hempstead, NY - The Playhouse, Hofstra U. MAC>CD All n/a 1269 76442 
 *JGB: Mark Mattson*
 MAC > CD, taped and transferred by Mark Mattson, who sent this to Goodbear circa 2000. Seeded by
 Teddy Goodbear, 6/2006.
 Set Two: Disc Two: Love In The Afternoon ~ 9:46, The Way You Do The Things You Do ~ 8:35,
  I'll Take A Melody ~ 14:00 Tore Up Over You ~ 9:28, Knockin' On Heaven's Door ~ 13:26, Reuben And
 Cherise ~ 7:57
 Set Three: Disc Three: Russian Lullaby ~ 14:07, Lonesome And A Long Way From Home ~ 11:29
11/23/77 Waterbury, CT - The Palace Theater MAC>D>CD All 123 0749-0750 16204 
 *JGB: Jerry Moore, Sony ECM 33Ps > Sony TC-158*
 MAC (Taped by Jerry Moore, Sony ECM-33Ps [ledge of the opera box, right side facing stage] > Sony
  TC-158) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > HD > Cool Edit
 2000 > .shn. A > D by Mark Cohen, D > SHN by David Minches. Notes/Flaws: - A simply gorgeous recording
 of a very punchy show. - No flaws noted
 Set One: Disc One (7) 63:22 --Set I-- 01. Crowd & Tuning [0:25], 02. How Sweet It Is [7:36]
 [0:27], 03. Catfish John [8:48] [0:37], 04. That's What Love Will Make You Do [10:46] [0:41], 05. I'll
 Take a Melody [14:07] [0:29], 06. Simple Twist of Fate [10:26] [0:37], 07. Mission in the Rain [7:49]
 [0:31]
 Set Two: Disc Two (8) 60:04 --Set II-- 01. Crowd & Tuning [0:28], 02. Let it Rock [7:26]
 [0:15], 03. They Love Each Other [7:11] [0:23], 04. Mystery Train [9:36] [1:06], 05. Love in the
 Afternoon [8:37] [0:17], 06. Reuben & Cherise [6:40] [0:35], 07. Gomorrah [5:59] [0:54], 08. Midnight
 Moonlight [9:47] [0:47], (missing encore)
11/23/77 Waterbury, CT - The Palace Theater MAC>CD All 107 1226 noshnid 
 *JGB: Claudette Gardel: AKG 501E + unknown mic > Sony 153SD*
 MAC (Taped by Claudette Gardel, one AKG 501E mic and one other mic [left-of-center floor, ca. 20
 rows back]) > Nakamichi (C3?) playback > Powerbook G4 > Sound Edit v. 2 > CD, transfer by Claudette.
 Simple Wist cut/splice @ 6:50, mic adjustments after. LAALWFH muffled @ 5:15, bad speed problems
 throughout (battery dying).
 Set One: Disc One (5) 38:26 --Set I-- How Sweet It Is To Be Loved By You, Catfish John,
 That's What Love Will Make You Do, I'll Take A Melody, Simple Twist Of Fate, Mission In The Rain
  Set Two: Disc Two (8) 68:45 --Set II-- Let It Rock, They Love Each Other, Mystery Train,
 Love In The Afternoon, Rubin And Cherise, Midnight Moonlight --Encore-- Lonesome And A Long Way From
 Home
11/23/77 Waterbury, CT - The Palace Theater MA?>?>CD IIp n/a 
 *JGB: taper & gear unknown* c.3
 Nice tape. Bass is oversaturated, but very nice! Great tunes here,
 Set Two: Mystery Train, Love In The Afternoon, Rubin And Cherise, Midnight Moonlight
 --Encore-- //Lonesome And A Long Way From Home
11/25/77a Upper Darby, PA - Tower Theater MA?>?>CD All 77 
 *JGB*
 Common notes for A&B: Notes: - For Completists Only. - Given timings are track timings, not song
 timings. - The early show from TWLWMYD and the entire late show had extremely low levels. I normalized
 both to about 98% using Sound Forge Studio 6.0. - I know nothing about the source for these shows,
 beyond what is listed above. There are probably multiple analog gens for both shows. The late show
 sounds like a single source, possibly different from the early show. - The early show is quite a
 smoker, and an upgrade would be most welcomed! Flaws: - Most tunes clip in & out for the early show.
 - d1t01 (How Sweet) serious mix & level fluctuations @ start, and a few drops/gaps during the first
 minute or so. - d1t04 (Simple Twist) significant level increase just before the 5-minute mark. - d2t03
 (2nd That Emotion) cuts out.
 Set One: Disc One (8) 77:15 --Early Show-- 01. How Sweet It Is To Be Loved By You [7:45],
 02. Catfish John [9:18], 03. Sitting Here In Limbo [10:30], 04. Simple Twist Of Fate [10:40], 05.
 That's What Love Will Make You Do [10:10], 06. Knockin' On Heaven's Door [12:27], 07. Mystery Train
 [7:55], 08. Mission In The Rain [8:29]
11/25/77b Upper Darby, PA - Tower Theater MA?>?>CD All 87 
 *JGB: unknown taper & gear*
 Common notes for A&B: Notes: - For Completists Only. - Given timings are track timings, not song
 timings. - The early show from TWLWMYD and the entire late show had extremely low levels. I normalized
 both to about 98% using Sound Forge Studio 6.0. - I know nothing about the source for these shows,
 beyond what is listed above. There are probably multiple analog gens for both shows. The late show
 sounds like a single source, possibly different from the early show. - The early show is quite a
 smoker, and an upgrade would be most welcomed! Flaws: - Most tunes clip in & out for the early show.
 - d1t01 (How Sweet) serious mix & level fluctuations @ start, and a few drops/gaps during the first
 minute or so. - d1t04 (Simple Twist) significant level increase just before the 5-minute mark. - d2t03
 (2nd That Emotion) cuts out.
 Set Two: Disc Two (5) 53:53 --Late Show-- 01. The Way You Do The Things You Do [10:54], 02.
 They Love Each Other [7:26], 03. Second That Emotion [11:05], 04. Russian Lullaby [13:56], 05.
  Midnight Moonlight [10:29]
 Set Three: Disc Three (4) 33:04 --Late Show (con't)-- 01. Gomorrah [6:30], 02. Reuben and
 Cherise [6:07], 03. The Night They Drove Old Dixie Down [9:00] -> 04. Lonesome And A Long Way From
 Home [11:26]
11/26/77a Passaic, NJ - Capitol Theater MAC>C>D>CD All 59 1270 76486 
 *JGB: unknown taper & gear*
 This is a pretty nice tape, and a very nice show. - d1t02 TLEO clips in; - d1t02 TLEO has Close
 Encounters theme in the 4-minute mark, quite wonderful and interesting! - d1t05 Knockin' splice @
 10:11 (tape flip?); TWLWMYD is very hot. I received this from AJL, but shnid 76486 was seeded by
 cbass, presumably from the same source. Should double-check.
 Set One: Single Disc (8) 67:39 EARLY SHOW 01. [0:04] How Sweet It Is To Be Loved By You
 [7:43] [0:03], 02. /They Love Each Other [#7:25] [0:15], 03. Stop That Train [11:07] [0:10], 04.
 That's What Love Will Make You Do [9:45] [0:07], 05. Knockin' On// Heaven's Door [13:#06] [0:04], 06.
 /Mystery Train [#7:59], 07. I Second That Emotion [10:25] [0:06]
11/26/77b Passaic, NJ - Capitol Theater  MAC>C>D>CD All 83 1270 76486 
 *JGB: unknown taper & gear* *compare with Anderson*
 Nice tape, nice show. - d2t01 Love in the PM some static, ticks, and weirdness (not digital?);
 -d2t02 Midnight Moonlight clips in; -d2t08 LAALWFH is very nice, with some Fire on the Mountain themes
 in the 7-min. mark. I received this from AJL, but shnid 76486 was seeded by cbass, presumably from
 the same source. Should double-check.
 Set One: Disc One (from end of early show CD) 08. John Scher band introductions [0:34], Let
 It Rock [8:39] [0:04]
 Set Two: Disc Two (8) 74:26, 01. [0:24] Love In The Afternoon [9:17] [0:12], 02. /Midnight
 Moonlight [#9:45] [0:34], 03. Russian Lullaby [10:32] [0:11], 04. Tore Up Over You [7:39] [0:06], 05.
 Gomorrah [6:45] [0:34], 06. The Harder They Come [9:31] [0:04], 07. [0:04] Mission In The Rain [7:21]
 [0:08] --Encore-- 08. Lonesome And A Long Way From Home [11:03] [0:16]
11/26/77b Passaic, NJ - Capitol Theater MAC>C>CD All n/a 1304 85051 
 *JGB: Jim Anderson, AKG D200Es > Sony TC-152* *compare*
 Source: aud 1st gen cassette. Mastered: akg d200e's>Sony TC-152, taped by Jim Anderson. Lineage:
 c.m.> cassette > sbm1 > cdr > eac > cd wave > flac, transferred by Rob Berger. notes: fair aud but no
 cuts. Thanks to Dave Carey for the source tapes.
 Set One: disc 1: 41:52: 01: Let It Rock, 02: Love In The Afternoon, 03: Midnight Moonlight,
 04: Russian Lullaby
 Set Two: disc 2: 46:04: 01: Tore Up, 02: Gomorrah, 03: The Harder They Come, 04: Mission In
 The Rain, --encore-- 05: Lonesome And A Long Way From Home
11/27/77a NYC, NY - The Palladium MAC>D>CD All 103 0788 16913 
 *JGB: Barry Glassberg, Sony ECM-270s > Soncy TC-153SD*
 MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell
 UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback
 > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn
 encoding (mkwACT). A > D by Mark Cohen, D > SHN by David Minches. Notes/Flaws: - Simply gorgeous, and
 a wonderful show! - No flaws noted.
 Set One: Disc One (5) 49:54, 01. Crowd & Tuning [0:20], 02. How Sweet It Is [8:52] [2:21],
 03. Catfish John [10:18] [2:22], 04. That's What Love Will Make You Do [10:51] [1:07], 05. Simple
 Twist of Fate [10:35] [3:06]
 Set Two: Disc Two (3) 52:51, 01. Don't Let Go [28:14] [2:52], 02. Reuben & Cherise [6:16]
 [0:49], 03. Harder They Come [13:26] [1:15]
11/27/77b NYC, NY - The Palladium MAC>D>CD All 103 0789 16914 
 *JGB: Barry Glassberg, Sony ECM-270s > Soncy TC-153SD*
 MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell
 UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback
 > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn
 encoding (mkwACT). A > D by Mark Cohen, D > SHN by David Minches. Notes/Flaws: - Nice recording,
 sloppy show. - No flaws noted.
 Set One: Disc One (5) 51:25, 01. Crowd & Tuning [1:27], 02. Let it Rock [9:04] [2:01], 03.
 They Love Each Other [7:08] [3:22], 04. Knockin' on Heaven's Door [13:16] [2:44], 05. Mystery Train
 [9:58] [2:33]
 Set Two: Disc Two (4) 51:33, 01. Gomorrah [6:16] [2:08], 02. I'll Take a Melody [16:13]
 [1:55], 03. Mission in the Rain [9:09] [2:04], 04. Lonesome and a Long Way From Home [13:14] [0:35]
11/29/77 New Paltz, NY - S.U.N.Y. MA?>?>CD I,IIp 88 
 *JGB: unknown taper & gear*
 Nice aud recording, would love to see a documented transfer of this master! Two-second gaps at
 track markers. Many tunes clip in or out. d1t01 Let it Rock cuts in; d1t02 Stir It Up has Here Comes
 the Sun theme @ 8:30-8:59; d1t04 Simple Twist nice fanning @ 9:45ish; d2t01 TWYDTTYD cuts in, not much
 missing; d2t03 HTC brief drop @ 11:46
 Set One: Disc One (5) 54:32 --Set I-- 01. //Let It Rock [#6:39], 02. Stir It Up [10:30]
  [1:13], 03. I Second That Emotion [9:05] [0:01], 04. /Simple Twist Of Fate [#12:56] [0:01],
 05.Midnight Moonlight [11:59] [0:26]
 Set Two: Disc Two (3) 32:59 --Set II-- 01. //The Way You Do The Things You Do [#9:48]
 [0:01], 02. /Catfish John [9:39] [0:05], 03. The Harder They Come/ [13:21#] [0:01]
11/30/77 Buffalo, NY - Gymnasium, Buffalo State College MAC>R>D>CD All 138 0436-0437 10635 
 *JGB: Steve Spitalny, Sony ECM-99A > Nak 550??*
  MAC > Reel > DAT > CDx1 > EAC > SHN. Taper, equipment, and location currently unknown, but
 probably recorded by Steve Spitalny, Sony ECM-99A > Nak 550. DAT > CD by AJL, Sony PCM R500 > HHB800.
 Extraction using EAC, .shn encoding using mkwACT, and sector boundary verification using shntool by
 Joe Jupille. No flaws noted.
 Set One: Disc One (6) 63:19 --Set I-- 1. [0:44] How Sweet It Is [9:48] [0:46], 2. Catfish
 John [9:30] [0:47], 3. That's What Love Will Make You Do [10:00] [0:38], 4. Simple Twist of Fate
 [12:26] [1:21], 5. Mystery Train [8:18] [0:14], 6. Mission in the Rain [8:20] [0:24]
 Set Two: Disc Two (7) 74:24 --Set II-- 1. [0:12] I'll Take a Melody [13:32] [0:34], 2. The
 Way You Do The Things You Do [8:46] [0:18], 3. Knockin' on Heaven's Door [11:42] [0:30], 4. Reuben &
 Cherise [5:39] [0:43], 5. Russian Lullaby [11:31] [0:25], 6. The Night They Drove Old Dixie Down
  [8:08] [0:44], 7. Midnight Moooonlight [11:25] [0:10]
12/02/77a Boston, MA - Orpheum Theater MAC>CD All 90 1262 34739 
 *JGB: Steve Rolfe, Sony ECM 99 > Sony TC-152*
 Recording by Steve Rolfe: Master Audience Cassette; Sony ECM-99 Stereo mic> Sony TC-152; Maxell
 UDs; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. Also have audio
 copy of an earlier transfer: DNC JGB tree Round 4; Mastered by Steve Rolfe: Sony ECM99a->Sony TC-152;
 Analog to DAT: Nakamichi BX 300->Sony PCM-R500; DAT to CD: Sony PCM-R500->HHB-800.
  Set One: disc 1 (5 tracks, 48:13), 01. Tuning, 02. How Sweet It Is (To Be Loved By You) ,
 03. They Love Each Other , 04. That's What Love Will Make You Do , 05. Simple Twist Of Fate
 Set Two: disc 2 (4 tracks, 42:22), 01. Tuning [2:13], 02. I Second That Emotion [11:34]
 [2:25], 03. Gomorrah [6:15] [2:57], 04. Harder They Come [16:31] [0:21]
12/02/77a Boston, MA - Orpheum Theater MAC>CD All 91 1290 81493 
 *JGB: Steve Hopkins, Sony ECM-99a > Sony TC-158SD*
 Steve Hopkins MAC (Sony ECM-99a > Sony TC-158SD; Maxell UD-XLI; some patches from Steve Rolfe MAC,
 Sony ECM-99a > Sony TC-158SD) > Nakamichi Dragon playback > ART DI/O (96Mhz/24 bit)> Digital Audio
 Labs Card Deluxe soundcard > HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1
 MHz / 16 bit; Flac Encoded. Transfer by David Minches.
 Set One: Disc One (5 tracks, 48:28) Tuning, How Sweet It Is To Be Loved By You, They Love
 Each Other, That's What Love Will Make You Do, Simple Twist Of Fate
 Set Two: Disc Two (4 tracks, 42:51) Tuning, I Second That Emotion, Gomorrah, The Harder They
 Come
12/02/77b Boston, MA - Orpheum Theater MAC>CD All 92 1262 34739 
 *JGB: Steve Rolfe, Sony ECM 99 > Sony TC-152*
 Recording by Steve Rolfe: Master Audience Cassette; Sony ECM-99 Stereo mic> Sony TC-152; Maxell
 UDs; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. The only edit
 needed was in Tore Up. The is was a tape flip at 10:47. I did a cross fade at that point to keep the
 beat, resulting in smooth, albeit abbreviated chorus. Also have audio copy of an earlier xfer: DNC JGB
 tree Round 4; Mastered by Steve Rolfe: Sony ECM99a->Sony TC-152; Analog to DAT: Nakamichi BX 300->Sony
 PCM-R500; DAT to CD: Sony PCM-R500->HHB-800.
 Set One: disc 3 (4 tracks, 50:53), 01. Tuning [2:35], 02. Love In The Afternoon [11:09]
 [2:12], 03. Tore Up Over// You [11:#49] [6:10], 04. Knockin' On Heaven's Door [16:16] [0:31]
 Set Two: disc 4 (4 tracks, 40:51), 01. Tuning [3:27], 02. Mystery Train [13:25] [4:35], 03.
 Cats Under The Stars [6:38] [1:50], 04. Mission In The Rain [10:27] [0:24]
12/02/77b Boston, MA - Orpheum Theater  MAC>CD All 86 1290 81493 
 *JGB: Steve Hopkins, Sony ECM-99a > Sony TC-158SD*
 Steve Hopkins MAC (Sony ECM-99a > Sony TC-158SD; Maxell UD-XLI; some patches from Steve Rolfe MAC,
 Sony ECM-99a > Sony TC-158SD) > Nakamichi Dragon playback > ART DI/O (96Mhz/24 bit)> Digital Audio
 Labs Card Deluxe soundcard > HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1
 MHz / 16 bit; Flac Encoded. Transfer by David Minches. KOHD patched @ 15:24-15:52
 Set One: disc one (47:58) Love In The Afternoon, Tore Up Over You, Knockin' On Heaven's
 Door
 Set Two: disc two (37:56) Mystery Train, Cats Under The Stars, Mission In The Rain
12/03/77 Oneonta, NY - S.U.N.Y. All n/a 
 *JGB: unknown taper & gear*
 Set One: I'll Take A Melody, Mystery Train, Mission In The Rain, Lonesome And A Long Way
  From Home, Catfish John, The Way You Do The Things You Do
 Set Two: Let It Rock, The Harder They Come, The Night They Drove Old Dixie Down, Don't Let
 Go, Tore Up Over You
12/04/77 New Brunswick, NJ - The Barn (Rutgers U)  MSC>D>CD I,IIp 79 
 *JGB*
 Notes/Flaws: d1t04 drop @ 2:36 removed using Soundforge; d1t05 Here Comes the Sun theme @
 9:38-10:08; d1t07 pop @ start removed using Soundforge; d1t07 Second That Emotion cuts in, not much
 missing
 Set One: Single Disc (7) 78:49 --Set I-- 01. The Harder They Come [12:18], 02. Simple Twist
 Of Fate [13:53], 03. They Love Each Other [7:35], 04. Tore Up Over You [7:30], 05. Stir It Up [11:43],
 06. Midnight Moonlight [11:28] --Set II-- 07. //Second That Emotion [14:18]
12/06/77 Greenvale, NY - The Dome (CW Post College) MSC>D>CD All 164 0737-0738 12028 
 *JGB*
 These notes refer to my audio copy, received from DNC JGB tree round 4 with the following lineage:
 MSC > played back on Jim Wise's Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT), A>D by
 Rob Eaton. Notes/Flaws: - Catfish John pop @ 1:17, crackle @ 2:02; Knockin' digi-errors @ 2:58-3:11;
 DLG first few notes clipped; DLG burst @ 3:07; Melody numerous pops & crackles; Reuben & Cherise lots
 of crackles; Harder They Come cut/splice @ 8:45; Tore Up some crackles and pops after 7:55. My shn
 copy derives from Chris Ladner's fixed copy of the original Mike Lai seed. I haven't yet checked that
 it lacks the above-listed digital errors. At some point I had received an 'aud' of set II which
 turned out to be from this same soundboard source. The Jerry Site lists a Mark Mattson master but I
 have not heard it.
 Set One: Disc One (6) 64:18 --Set I-- 01. [0:15], 02. Catfish John, 03. TWLWMYD, 04.
 Knockin', 05. TWYDTTYD, 06. Mystery Train
  Set Two: Disc Two (4) 61:33 --Set II-- 01. /Don't Let Go -> 02. I'll Take// a Melody, 03.
 Reuben & Cherise, 04. Simple Twist of Fate
 Set Three: Disc Three (3) 37:45 --Set II (con't)-- 01. Harder// They Come, 02. Tore Up, 03.
  Mission in the Rain
12/06/77 Greenvale, NY - The Dome, C.W. Post College MAC>CD All 148 1269 76443 
 *JGB: Mark Mattson*
 Pretty nice recording. Vox a little bit distorted, but a pleasant listen.
  Set One: How Sweet It Is To Be Loved By You, Catfish John, Knockin' On Heaven's Door, The
 Way You Do The Things You Do, Mystery Train
 Set Two: Rubin And Cherise, Simple Twist Of Fate, The Harder They Come, Don't Let Go, I'll
  Take A Melody, Tore Up Over You, Midnight Moonlight
12/08/77 Albany, NY - Palace Theatre MSC>D>CD All 171 
 *JGB*
 This came only as MSC > DAT > DAT. Based on the timings, this appears to be identical to the etree
 source, with these details: MSC > DAT, Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak >
 downsampled to 44.1k/de-hissed > SHN (no extraction), Transferred, SHNed, and upped by Jon Seff
 (jon@seff.net). A little flat, not a lot of piano in the mix, but quite nice. Notes/Flaws: d1t01 TLEO
 fades in, not much missing; d1t04 TWYDTTYD brief splice @ 9:05;d3t01 R&C splice @ 0:04; JG sounds
 quite hoarse, especially toward the end of the show; DLG is all about the post-space (after about 23
 minutes?), wich some nice playing and Jerry falsetto vocals in the 28-minute mark. Nice.
 Set One: Disc One (5) 63:30 --Set I-- 01. ...TLEO [#7:16] [2:56], 02. TWLWMYD [10:26]
 [3:06], 03. Simple Twist [11:33] [2:45], 04. TWYD//TTYD [9:#51] [3:50], 05. Mystery Train [10:03]
 [1:44]
 Set Two: Disc Two (4) 65:21 --Set I (con't)-- 01. Melody [18:10] [0:05] --Set II-- 02. Love
 in the Afternoon [11:06] [2:18], 03. Tore Up [10:09] [2:20], 04. Knockin' [16:51] [4:22]
 Set Three: Disc Three (2) 41:31 --Set II (con't)-- 01. Re//uben & Cherise [7:#49] [2:18],
 02. Don't Let Go [31:13] [0:09]
12/08/77 Albany, NY - Palace Theatre MSC>D>CD All n/a 1281 20680 
 *JGB*
 Recording Info: SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800). Transfer Info: Dat (Sony
 R500) -> Prodif Plus -> Samplitude v7.02 -> SHN. Transfered By Charlie Miller,
 charliemiller87@earthlink.net, 11/19/03. Notes: --Missing "I Second That Emotion"; --"Rubin And
 Cherise" is spliced. Lineup: Jerry Garcia - guitar, vocals; John Kahn - bass; Keith Godchaux -
 keyboards; Donna Godchaux - vocals; Maria Muldaur - vocals; Buzz Buchanan - drums.
 Set One: Set One: xxxxx - I Second That Emotion (Missing), d1t01 - They Love Each Other ,
 d1t02 - That's What Love Will Make You Do , d1t03 - Simple Twist Of Fate , d1t04 - The Way You Do
 The Things You Do , d1t05 - Mystery Train , d2t01 - I'll Take A Melody
 Set Two: Set Two: d2t02 - Love In The Afternoon , d2t03 - Tore Up Over You , d2t04 -
  Knockin' On Heaven's Door , d3t01 - Rubin And// Cherise , d3t02 - Don't Let Go
12/09/77 Stony Brook, NY - Gymnasium, S.U.N.Y. MAC>D>CD II 97 0411 4444 
 *JGB: Nakamichi CM-300s* *runs fast*
  AUD (FOB Nakamichi CM-300 Mics) MAC -> DAT -> Digi001 -> SHN; Transfer: DAT @48 -> Digidedesign 001
 Optical S/PDIF -> HD as Sound Designer 2 @48-> Pro Tools LE (tracked, downsampled to 44.1, and
 converted to Wave) -> SHN. This recording sounds too fast.
 Set One: 1. Midnight Moonlight, 2. Gommorah, 3. Tore Up Over You, 4. Simple Twist Of Fate,
 5. Reuben & Cherise, 6. The Night They Drove Old Dixie Down
 Set Two: 1. //Lonesome And A Long Way From Home (fades in), Show Time 25:23, Plus: 8/6/77
 filler
12/09/77 Stony Brook, NY - Gym, S.U.N.Y. MAC>D>CD II 106 1270 77713 
 JGB: unknown taper & gear *speed corrected*
 Note: This is a pitch-corrected version of Shnid-4444. Source: FOB Nakamichi CM-300 Mics, MAC > DAT
 > Digi001 > SHN. Transfer: DAT @48 > Digidedesign 001 Optical S/PDIF > HD as Sound Designer 2 @48 >
 Pro Tools LE (tracked, downsampled to 44.1, and converted to Wave) > SHN > xACT (sector boundary
 errors fixed) -> SHN. Special Thanks to Ryan Shriver of The Jerry Site for providing the DAT. Transfer
 by D. Metz. Source info for this pitch-corrected version: Shnid-4444 > SHN > TLH (decode) > WAV >
 WavMerge > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC, September
 2006. Seeder's notes: "Note that Shnid-4444 and Shnid-16859 are identical. Both those sources run
 noticeably fast. I checked the opening notes of Midnight Moonlight (key of A) and the final notes of
 Lonesome and a Long Way (key of C) and found that the problem was consistent throughout, with the
 source needing to be slowed down by -1.4 semitones from start to finish. The correction was done with
 Soundforge. I also used SF to make small fades for the start and end of discs. There were no pauses or
 tape stoppage on disc one (aprx 57 minutes). It appears that the original tape was likely made on a
 C-120 cassette. So the break (tape-flip?) after Simple Twist was a logical spot to divide the two
 audio discs." JJ: great tape!!
 Set One: Disc One (56:51) : 01 Midnight Moonlight , 02 Gommorah , 03 Tore Up Over You , 04
 Simple Twist of Fate
 Set Two: Disc Two (48:56) : 01 Reuben and Cherise , 02 The Night They Drove Old Dixie Down ,
 03 Lonesome and a Long Way from Home
12/10/77 Washington, DC - Warner Theater MAC>D>CD All 197 1188-1190 29162 
 *JGB* *Early & Late shows* * Electrovoice omni mics > Sony TC-152*
 MAC>D>CD Taper unknown, recorded with Electrovoice omni mics > Sony TC-152. Needs re-tracking
 (many tracks contain :01 of next song), and early show especially has lots of mix/level fluctuations
 and small pops. Most tunes cut or fade in without much material missing; d1t01 How Sweet digi-snit @
  6:12; d1t02 TLEO cuts in at 'around some other line', ca. 30 seconds missing; d1t03 TWLWMYD light
 pop/crackle @ 8:07; d1t04 Stir It Up persistent mix/level fluctuations; d1t04 Here Comes the Sun theme
 @ 9:20-9:49; d2t01 Dixie drop @ 8:46; d2t03 Harder They Come bad digi-snit @ 1:17, drop @ 1:44,
 digi-static @ 7:58, snit/drop @ 8:10; d3t02 Russian Lullaby static @ 12:01; NOTE ADDED 5/2005: now
 have flac set seeded in May of 2005, with these notes by "Marmar": "*The taper never seems to get
 fully situated or happy with the way things are going as there are numerous spots of volume
 drops/changes, channel drops, channel swaps, and some dropouts at various points. It is also of note
 that almost none of the track transitions are continuous...the taper seems to like pausing the tape
 after every song...this causes the start of almost all the tracks to be missing some material...I
 tried my best to edit this in a way in which it is a more smooth listen than the original hard cuts.
 -Marmar"
 Set One: Early Show, 1. Taper Talk [1:17], //How Sweet It Is [6:25#] [1:11], 2. [0:03]
 //TLEO [5:19#] [1:09], 3. That's What Love Will Make You Do [10:15] [0:01], 4. Stir It Up [:01+11:18]
 [0:09] (includes Here Comes the Sun theme from 9:20-9:49), 5. //Simple Twist of Fate [12:55#] [0:02],
 6. //The Way You Do The Things You Do [:01+10:32#] [0:08], Total Time 60:49
 Set Two: Early Show (con't), 1. //The Night They Drove Old Dixie Down [9:07#] [0:11],
 Encore: 2. //Mission in the Rain [10:04#] [0:04], Late Show, 3. //Harder They Come [14:13#] [0:01], 4.
 //Catfish John [:01+10:07#] [0:09], 5. //Tore Up Over You [:01+10:58#], 6. //Knockin' on Heaven's Door
 [14:05#] [0:04], 7. [0:10], Total Time 69:25
 Set Three: Late Show (con't), 1. Mystery Train [11:10] [0:05], 2. //Russian Lullaby
 [17:02#], 3. Midnight Moonlight [12:28#], 4. //Reuben & Cherise [:01+7:09#] [0:02], 5. //Lonesome and
 a Long Way From Home [19:31#] [0:16], Total Time 67:47
12/11/77 State College, PA - Rec Hall (Penn State Univ.) MSC>D>CD All 154 
 *JGB*
  MSC > DAT > CD. MSC > played back on Jim Wise's Nak Dragon > Apogee A/D 1000 > Panasonic sv3800
 (master DAT), A>D by Rob Eaton. Notes: d1t04 Limbo fades in; d1t04 Limbo light crackle @ 0:34; d1t04
 Limbo cut/splice @ 7:14; d1t05 more hiss? d3t03 Mission in the Rain cut/splice @ 1:20; d3t04 Lonesome
 gap @ 6:12-6:14; d3t04 Lonesome Close Encounters theme alluded to by John Kahn pretty persistently,
 full blown (with Jerry) for a minute or so after 15:30. Al Gator's notes: "This is a mono recording;
 This has a lot of hiss for a master cassette; I suspect at least one more cassette generation; The
 inter-song tuning is missing; Cut in Sitting In Limbo at 7:12; Cut in Lonesome at 6:14"
 Set One: Disc One (5) 54:43 --Set I-- 1. How Sweet It Is [9:20] [0:10], 2. Catfish John
 [10:03] [0:08], 3. Simple Twist Of Fate [12:35] [0:05], 4. [0:04] Sitting In// Limbo [10:#25] [0:05],
 5. Mystery Train [11:32] [0:15]
 Set Two: Disc Two (4) 45:39 --Set II-- 1. Love in the Afternoon [11:53] [0:02], 2. [0:04]
 Second That Emotion [14:13] [0:03], 3. Gomorrah [7:11] [0:04], 4. Harder They Come [11:35] [0:31]
 Set Three: Disc Three (4) 52:56 --Set II (con't)-- 1. Close Encounters Tuning [0:54],
 Russian Lullaby [14:30] [0:02], 2. Tore Up Over You [9:14] [0:11], 3. Mission //in the Rain [9:#13]
 [0:08], 4. Lonesome and a //Long Way From Home [18:#27] [0:15]
12/11/77 State College, PA - Rec Hall (Penn State Univ.) MSR?>P>?>CD All n/a 0605-0606 13418 
 *JGB* *SSSB seed*
 Lengthy notes at http://db.etree.org/shninfo_detail.php?shnid=13418.
 Set One: Disc One --Set I-- 1. How Sweet It Is, 2. Catfish John, 3. Simple Twist Of Fate, 4.
 Sitting In Limbo, 5. Mystery Train
 Set Two: Disc Two --Set II-- 1. Love In The Afternoon, 2. Second That Emotion, 3. Gomorrah,
 4. Harder They Come
 Set Three: Disc Three --Set II (con't)-- 1. Russian Lullaby, 2. Tore Up Over You, 3. Mission
 In The Rain, --Encore-- 4. Lonesome and a Long Way From Home
12/11/77 State College, PA - Rec Hall, Penn State U MSC>D>CD All n/a 1283 80773 
 *JGB: "SirMick" remaster*
 Had been listed as MSR>C>P>D>CD, but Charlie Miller commented to etree on 12/7/2006 that the
 correct lineage is MSC>D>etc. Sir Mick's notes: - this is a remaster of shnid 6622; - d1t04 has a
 splice at 7:09; - d3t03 has a splice at 1:17; - d3t04 has a splice at 6:09; - remastered using iZotope
 Ozone and 4Front Sandbrush; - hiss reduction with Waves X-Noise.
12/23/77 Berkeley, CA - Keystone MF?>R>D>CD I,IIp 51 
 *JGB*
 MF? (no taping information) > Richard Foster's 1st gen reels > Uher Royal DeLuxe reel to reel
 playback @ 7.5 ips > Tascam DA-20 DAT @ 48khz > Fostex master CD > unknown CD gens. A>D by Thomas
 Donhauser. Notes: - Sounds quite nice, a touch of hiss but very clean & clear. - This is the complete
 broadcast, which did not include the end of the show. The Jerry Site says this about why the tape is
 incomplete: "FM broadcast on KZSU. There is an interesting story about why only part of this show
 circulates on FM. KZSU (Stanford University radio station) arranged to broadcast this show live on
 their station. During the set break, the Stanford DJ played some punk rock music. He cut back during
 Midnight Moonlight that opened Set 2, but soon after came on the air and declared Jerry "boring" and
 switched back to playing punk rock music. Thus the rest of the show was never broadcast." - d1t04
 Dixie Down ending clipped; - d1t05 Midnight Moonlight cuts in, not much missing; Thanks to Hanno
 Bunjes for the source discs!
 Set One: Single Disc (5) 51:23, 01. [0:08] Second That Emotion [11:26] [0:12], 02. [0:38]
 Love In The Afternoon [10:36] [0:08], 03. Tore Up Over You [8:08] [0:06], 04. [dead air 0:15] [0:14]
 The Night They Drove Old Dixie Down/ [9:13#] [0:04], 05. //Midnight Moonlight [#10:26] [0:06] dead air
 [0:10]
 
02/18/78 San Rafael, CA - Veterans Memorial Auditorium MSC>D?>CD All 137 0837 17750 
 *JGB: sbd + Menke patched composite*
 MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) >
 patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97
 beta 1). EAC > SHN by Joe Jupille . Comments/Notes/Flaws: - There are at least three sources in
 circulation for this show, none of them quite complete. Eldon Porray's excellent audience tape
 (usually said to be Nak 700s, but it's too early for those mics) is all of set I and Midnight
 Moonlight from set II. The sbd has cuts in Knockin' and Lonesome and is missing Love in the Afternoon
 and all but the last 20 second of Tore Up. Menke's master is the most complete, with everything up to
 17:30 of Lonesome, a few starts of songs clipped. I decided to put together this composite using the
 soundboard as the basic recording. I had hoped that the three sources could be combined to provide the
 whole show, but unfortunately the sbd and Menke's master do not overlap so as to cover the whole
 missing portion of Lonesome. Menke's tape (I am not sure about the equipment he was using) supplies
 9:38-9:49 of Knockin', all of Tore Up and Love in the Afternoon, and 13:28-17:40 of Lonesome. - d2t06
 LAALWFH splice @ 17:40, unknown amount missing.
 Set One: Disc One (6) 58:52 --Set I-- 01. Crowd & Tuning [1:17], 02. How Sweet It Is [8:22]
 [2:57], 03. Catfish John [9:25] [2:31], 04. That's What Love Will Make You Do [10:18] [1:52], 05.
 Knockin' On Heaven's Door [13:23] [0:16], 06. Mystery Train [8:14] [0:15]
 Set Two: Disc Two (6) 77:43 --Set II-- 01. Crowd & Tuning [2:15], 02. Midnight Moonlight
 [11:40] [0:46], 03. Love In The Afternoon [11:56] [0:41], 04. Tore Up Over You [9:18] [2:55], 05. I'll
 Take A Melody [14:44] [0:37], 06. Lonesome And A Long// Way From Home [21:#54] [0:55]
02/18/78 San Rafael, CA - Veterans Memorial Auditorium MAC>CD I,IIp 67 
 *JGB: Eldon Porray, Nak 700s*
  Recorded by Eldon Porray w/ Nak 700s AUDMC > CDR > DAT > CDR; t03 TWLWMYD light pop @ 4:03; t05
 Mystery Train first few notes clipped
 Set One: set I, 1. [0:15] How Sweet It Is To Be Loved By You [8:46] [0:29], 2. Catfish John
  [9:50] [0:11], 3. That's What Love Will Make You Do [10:48] [0:33], 4. Knockin' On Heaven's Door
 [13:50] [0:02], 5. /Mystery Train [8:28#] [0:57], set II, 6. Midnight Moonlight [12:17] [0:03], Total
 Time 66:32
02/18/78 San Rafael, CA - Veterans Memorial Auditorium MAC>CD Most 123 
 *JGB: Bob Menke, Sony ECM 280s? > Sony TC-158?*
 Menke's MAC > CD. Great guitar sound on this show! Mystery Train clips in; Tore Up is very hot;
 Melody clips in; LAALWFH drop @ 03-04 marker, Cut of Death
 Set One: Disc One (6) 79:40 --Set I-- 01. Crowd & Tuning [0:56], How Sweet It Is [8:18]
  [1:22], 02. [0:07] Catfish John [9:21] [0:23], 03. [0:08] That's What Love Will Make You Do [10:09]
 [0:20], 04. [0:10] Knockin' on Heaven's Door [13:20] [0:16], 05. /Mystery Train [:03+7:53] [0:27]
 --Set II-- 06. [1:46] Midnight Moonlight [11:35] [0:46], Love in the Afternoon [11:56] [0:17]
 Set Two: Disc Two (4) 43:07 --Set II (con't)-- 01. [0:26] Tore Up [9:19] [0:53], 02. /I'll
 Take a Melody [#14:32] [0:28], 03. & 04. Lonesome and a Long Way From Home// [16:58+:28#]
02/19/78 *see Jerry Garcia on Official Releases* n/a 
02/19/78 Santa Cruz, CA - Civic Auditorium various All n/a 0953-0954 21460 
 *JGB: compilation of various auds*
 Set One: I Second That Emotion, Simple Twist Of Fate, The Harder They Come, Mission In The
 Rain, Midnight Moonlight
 Set Two: Gomorrah, The Way You Do The Things You Do, Russian Lullaby, Mystery Train, Don't
 Let Go
02/19/78 Santa Cruz, CA - Santa Cruz Civic Auditorium MAC>CD IIp 66 
 *JGB: Eldon Porray, Nak 700s*
 Recorded by Eldon Porray w/ Nak 700s AUDMC > CDR > DAT > CDR; t04 DLG tick @ 9:15, 9:22 (very
 light)
 Set One: 1. [0:07] The Way You Do The Things You Do [10:29] [0:04], 2. [0:39] Russian
 Lullaby [13:48] [0:04], 3. Mystery Train [9:56] [0:04], 4. Don't Let Go [30:46] [0:06], Total Time
 66:04
03/09/78 Cleveland, OH - Cleveland Music Hall MSC>?>D>CD All 128 0399 10505 
 *JGB*
 Came as MSC > ? > DAT > CD. The ? probably represents a cassette gen. Notes: d1t01 How Sweet
 cuts in; d1t04 Knockin' cuts in, not much missing; d1t04 Knockin' light pop @ 3:44; d1t04 Knockin'
 cut/splice @ 10:58, not much missing; d1t05 Harder They Come first few notes clipped; d1t05 Harder
 They Come light tick @ 3:12; d2t01 Mission cuts in, missing ca. 10 seconds; d2t04 Midnight Moonlight
 cut/splice @ 6:26
 Set One: Disc One (6) 62:04 --Set I-- 1. [0:03] //How Sweet It Is [#6:47] [0:55], 2. Catfish
 John [8:19] [0:02], 3. That's What Love Will Make You Do [11:12] [0:03], 4. //Knockin' on Heaven's
 //Door [#14:#09] [1:19], 5. //The Harder They Come [#11:38] [0:05], 6. Mystery Train [7:15] [0:12]
 Set Two: Disc Two (6) 66:26 --Set II-- 1. //Mission in the Rain [#10:43] [0:11], 2. Love in
 the Afternoon [10:12] [0:14], 3. Simple Twist of Fate [9:43] [0:03], 4. Midnight //Moonlight [10:#00]
 [0:19], 5. Gomorrah [6:45] [0:06], 6. Lonesome and a Long Way From Home [17:41] [0:26]
03/10/78 Rochester, NY - Auditorium Theater MAC>CD All 139 1283 80887 
 *JGB: Alan Zimmerman, Sony 54P or Sony ECM 99s > Teac PC-10*
 Recorded by Alan Zimmerman, Master Audience Cassette; Sony 54P or Sony ECM 99s> Teac PC-10 (1st Set
 on Sony FeCr-90; 2nd Set on Maxell UD XLII-90). Transfer and FLAC encoding by David Minches: Master
 played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000
 > flac encoding > FLAC. Not a perfect recording, with relatively low levels and vox, but very
 listenable. I really like the 2nd set, with some wonderful Dylanesque phrasing in Simple Twist of Fate
 and an exceptionally @@ nice Dixie Down.
 Set One: disc 1 (63:21): Set 1: Tuning, Harder They Come, Mission in the Rain, Russian
 Lullably, Second That Emotion, Mystery Train
 Set Two: disc 2 (75:40): 2nd Set: Tuning, Love In The Afternoon, They Love Each Other ,
 Tore Up Over You , Simple Twist Of Fate , I'll Be With Thee , Night They Drove Old Dixie Down
 E:Midnight Moonlight
03/10/78 Rochester, NY - Auditorium Theater MA?>?>C>CD partial n/a 1280  80335 
 *JGB: unknown taper & gear*
 Unknown Taper and Equipment, Unknown Lineage; Transfer and FLAC encoding by David Minches: Unknown
 Generation Cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe
 soundcard > Cool Edit 2000 > flac encoding > FLAC. According to TheJerrySite this is Set 1 but I don't
 know if that is definitive. Not the best sounding tape but the only one I have seen of this show.
 Thanks to Eric Schwartz for sharing his cassette.
03/10/78z Rochester, NY - WCMF 96.5 FM MFC>CD All 46 1291 82210 
 *Garcia, Kahn & Donna Godchaux Interview*
 t04 interview talks about reggae; t06 talks about solo projects as extension (@ 6:45), including
 some banjo and OAITW talk; JK sounds zonked.
 Set One: (46:25) Reuben and Cherise, Jerry, Donna and John, Rain, Interview, Love in the
  Afternoon, Interview, Gomorrah
03/11/78 Pawtucket, RI - Leroy Theater MAC>D>CD All 145 0733-0734 14931 
 *JGB: Tom Dalti, Sony ECM 99As > Technics 646DS*
 Recorded by Tom Dalti. Sony ECM99A > Technics 646DS > Nak BX-300 > Sony PCM-500 > HHb-800 > CDR.
 d1t05 Harder They Come light static @ 4:27; d1t07 Mystery Train PA problems @ 0:33-0:40.
 Set One: Disc One (7) 78:15 -Set I- 1. [0:05] How Sweet It Is [7:28] [0:19], 2. Catfish John
 [10:11] [0:18], 3. That's What Love Will Make You Do [10:27] [0:22], 4. I'll Take a Melody [15:37]
 [0:24], 5. Harder They Come [13:02] [1:00], 6. Gomorrah [6:19] [0:21], 7. Mystery Train [9:57]
 [2:23]
 Set Two: Disc Two (7) 66:50 -Set II- 1. Love in the Afternoon [11:47] [1:08], 2. Rhapsody
 in Red [8:30] [0:43], 3. Knockin' on Heaven's Door [12:57] [0:32], 4. Tore Up Over You [8:22] [1:05],
 5. I'll Be With Thee [4:53+:01] -> 6. Lonesome and a Long Way From Home [-:01+15:03] [1:38], 7.
 [0:10]
03/11/78z Providence, RI - WBRU Stations MF?>?>CD All n/a 1269 76444 
 *JGB Interview*
 Notes: - Jerry Garcia, John Kahn, Donna Godchaux and Buzz Buchanan are present. Buchanan doesn't
 say anything. Maria Muldaur and Keith Godchaux are absent. - some nice stuff in here about JGB's Cats
 Under the Stars album, the dynamics of the JGB and how it compares to the GD, etc. - I don't know if
 this is pre- or post-f.m., or whether there are any subsequent analog generations. It's spoken word,
 easy to listen to, and seemingly pretty complete (minus the cuts played from the Cats Under the Stars
 album). - Thanks to Harry Angus for the source CDs. shnid 76444 was circulated by Teddy Goodbear in
 2006.
 Set One: NEWER VERSION, via Teddby Goodbear: Track 1 ~ Interview with the Jerry Garcia Band
 on this date, by interviewer Andy Gefen provided by Andy to me (GoodBear) late 90s ~ 44:34
 Set Two: OLDER VERSION, via slip: Single Disc; track one is 37:22 and contains the relevant
 material.
03/12/78 Commack, NY - Suffolk Forum MAC>D>CD All 126 0415-0416 4473 
 *JGB: Shure mics*
 Source: FOB Shure Audience > Cassette Master > DAT > CD. ** May Contain Additional Analog
 Generation(s). Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN. This is a very
 nice recording and a solid show, though the vocals display typical 3/78 roughness. d1t05 Gomorrah
 clips in, first few notes missing; d2t01 has more hiss for first ca. 1:15, then back down; d2t05 "head
  for the exits" audience chatter.
 Set One: Disc 1 (6) 53:39 --Set 1-- 1. [0:06] Harder They Come [10:53] [0:19], 2. Mission In
 The Rain [8:49] [0:16], 3. Simple Twist Of Fate [9:47] [0:29], 4. [0:15] Tore Up Over You [8:17]
 [0:05], 5. //Gommorah [#5:52] [0:12], 6. Mystery Train [8:07] [0:10]
 Set Two: Disc 2 (7) 71:57 --Set 2+E-- 1. [0:22] Love In The Afternoon [10:38] [0:21], 2.
 Second That Emotion [11:07] [0:11], 3. Russian Lullaby [16:32] [0:24], 4. They Love Each Other [7:20]
 [0:05], 5. I'll Be With Thee [4:56] -> 6. Midnight Moonlight [11:23] [0:08] --Encore-- 7. Rhapsody in
 Red [8:24] [0:03]
03/12/78 Long Island, NY - Suffolk Forum, Commack MAC>CD All 133 1292 82587 
 *JGB: Unknown taper & gear*
 AUD Source: Unknown MAC > CD, discs provided by Jim Wise. Transfer: CDR > EAC > WavMerge >
 Soundforge > CD-Wave > TLH > FLAC, February 2007 by Andrew F. Notes: ShnID-4473 supplies d1t01 and
 d1t02. Before Simple Twist, the taper can be heard saying he was busted and had to move to re-start
 taping. Compared to ShnID-4473, this source sounds further back, but does have nice clarity.
 ShnID-4473 also supplies a tape-flip patch; from 16:43 of Russian Lullaby (crowd noise at end) thru
 0:14 of TLEO. There's some minor tape-speed problems in the following spots: in Midnight Moonlight,
 2:56 > 2:59, 4:40 > 4:42, 4:58 > 5:00; and Rhapsody in Red at 7:27. The files were combined with
 WavMerge and re-tracked with CD-Wave. Soundforge was used to make fades, patch the tape-flip, correct
 the pitch, and adjust the levels. Also, the levels of the ShnID-4473 tracks were raised to match. HTC:
 levels up @ 1:12; Kahn great during Russian Lullaby @ 7:40; bad speed problems during Midnight
 Moonlight.
 Set One: Disc One (6 tracks, 57:02) --Set I-- The Harder They Come, Mission In The Rain,
 Simple Twist Of Fate, Tore Up Over You, Gomorrah, Mystery Train
 Set Two: Disc Two (9 tracks, 75:31) --Set II-- Love In The Afternoon, I Second That Emotion,
 Russian Lullaby, They Love Each Other, I'll Be With Thee, Midnight Moonlight, E: Rhapsody In Red
03/14/78 Boston, MA - Boston Music Hall MAC>D>CD All 118 
 *JGB: alternate master, unknown taper & rig*
 Set One: 1. [0:13] How Sweet It Is [10:40] [0:30], 2. They Love Each Other [7:16] [0:42], 3.
 Knockin On Heaven's Door [14:08] [0:21], 4. That's What Love Will Make You Do [10:39] [0:35], 5.
 Mission In The Rain [10:57] [0:19], 6. The Night They Drove Old Dixie Down [10:17], 7. Mystery Train
 [6:58] [0:06]
 Set Two: 1. Love In The Afternoon [9:15] [0:19], 2. Gommorah [6:37] [0:48], 3. Harder They
 Come [10:49] [0:18], 4. I'll Be With Thee [5:18] [0:06], 5. Midnight Moonlight [10:25] [0:24]
03/14/78 Boston, MA - Boston Music Hall MAC>D>CD All 122 0745-0746 14969 
 *JGB: Tom Dalti, Sony ECM 99As > Technics 646 DS*
  DNC JGB tree Round 4; Recorded by Tom Dalti: Sony ECM99a->Technics 646DS; Analog to DAT: Nakamichi
 BX 300->Sony PCM-R500; DAT to CD: Sony PCM-R500->HHB-800. d2t06 Midnight Moonlight first few notes
 clipped. Note added 11/25/2004: there is a shn set circulating (shnid 14969) claiming to be from
 Steve Rolfe's master, but that it is actually from Dalti's.
 Set One: (7) 68:53, Set I, 1. [0:06] How Sweet It Is [10:56] [0:16], 2. They Love Each Other
 [7:30] [0:21], 3. Knockin' on Heaven's Door [14:37] [0:17], 4. That's What Love Will Make You Do
 [10:53] [0:27], 5. Mission in the Rain [11:11] [1:07], 6. The Night They Drove Old Dixie Down [10:28]
 -> 7. Mystery Train// (fades out) [0:28#] [0:15]
 Set Two: (6) 53:27, Set I (con't), 1. Mystery Train [7:23] [0:36], Set II, 2. [0:05] Love in
 the Afternoon [9:23] [0:17], 3. Gomorrah [6:48] [0:17], 4. Harder They Come [11:05] [0:13], 5. I'll Be
 With Thee [5:28] [0:05], 6. //Midnight Moonlight [10:35#] [1:09]
03/14/78 Boston, MA - Boston Music Hall MAC>CD All 116 92367 
 *JGB: Claudette Gardel, AKG501Es > Sony TC-153SD*
 MAC (Taped by Claudette Gardel, AKG 501E mics > Sony TC-153SD) > Nakamichi ??deck?? playback >
 Powerbook G4 > Sound Edit version 2 > CD. Nice tape! Some mix flux TLEO @ ca. 6:32. For GEMS release:
 Edited and Mastered by Jamie Waddell on the GEMS Edit Station: Weiss Saracon for 16 BIT – 44.1kHz SRC
 and POWR-3 Dither; Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8.
 Set One: Disc One (6) 64:45 --Set I-- 01. tuning [0:19], How Sweet It Is To Be Loved By You,
 /They Love Each Other, Knockin' On Heaven's Door, That's What Love Will Make You Do, Mission In The
 Rain, The Night They Drove Old Dixie Down
 Set Two: Disc Two (6) 50:32 --Set I (con't)-- Mystery Train --Set II-- Love In The
 Afternoon, Gomorrah, The Harder They Come, I'll Be With Thee, Midnight Moonlight
03/14/78 Boston, MA - Boston Music Hall MAC>CD All 132 1166-1167 noshnid 
 *JGB: Dauby Rolfe, Sony ECM-99s > Teac PC-10*
  CDs of this show attributed to Rolfe's master before about late 2004 were mislabeled copies of Tom
 Dalti's master. This is from David Minches's transfer of Rolfe's master. MAC (Taped by Dauby Rolfe,
 Sony ECM-99s > Teac PC-10) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal
 2496 > Cool Edit 2000 > shn via mkwACT. Transfer by David Minches, 12/2004. Steve Rolfe says this:
 "According to my wife Dauby, two security guys showed up to confront the evil tapers. She smiled and
 waved to the security guys, who, in turn, smiled and waved back, then went away. Evidently, they were
 shocked to find two ladies taping. She had a little trouble with right/left levels, but did a good job
 considering it was her first solo effort. It is very listenable" (DNC Garcia folder #52714,
 12/26/2004). This is an absolutely phenomenal recording of a great show. Wonderful stuff! Notes: HTC
 and I'll Be With Thee currently tracked together. Mystery Train and Midnight Moonlight clip in.
 Set One: Disc One (7) 76:48 --Set I-- How Sweet It Is To Be Loved By You, They Love Each
 Other, Knockin' On Heaven's Door, That's What Love Will Make You Do, Mission In The Rain, The Night
 They Drove Old Dixie Down,
 Set Two: Disc Two (6) 54:32 --Set I (con't)-- /Mystery Train --Set II-- Love In The
 Afternoon, Gomorrah, The Harder They Come, I'll Be With Thee, /Midnight Moonlight
03/16/78 Philadelphia, PA - The Spectrum MA?>?>CD All 90 0738-0739 noshnid 
 *JGB: unknown taper & gear*
 MA? > ? > CD. Notes/Flaws: - A bright and oversaturated aud, possibly runs a bit slow, with most
  tunes clipped in. For Completists Only. Timings given are track timings, which are almost the same as
 song timings. - d1t01 Harder They Come levels drop @ 0:19; - d1t04 Gomorrah levels increase during
 first minute; - d1t05 Tore Up cut/splice @ 3:48; - d2t01 Love in the Afternoon cuts in before first
 verse; - d2t01 Love in the Afternoon pops, mix & level flux, and R channel out until about 1:00; -
 d2t05 Midnight Moonlight cut/splice @ 6:57
 Set One: Disc One (5) 46:19, 01. Harder They Come [11:12], 02. Mission in the Rain [11:00],
 03. That's What Love Will Make You Do [10:46], 04. Gomorrah [7:19], 05. Tore// Up Over You [5:59]
 Set Two: Disc Two (6) 43:47, 01. //Love in the Afternoon [10:51], 02. I'll Be With Thee
 [5:30], 03. Cats Under the Stars [7:24], 04. How Sweet It Is [9:15], 05. Midnight //Moonlight
 [10:44]
03/17/78a Passaic, NJ - Capitol Theater MFR>D>CD All 84 0735  15807 
 *JGB: Barry Glassberg*
 Barry Glassberg's master FM reel > TEAC X2000R playback > Nakamichi NR200 Dolby Unit > Tascam DA-40
 (master DAT) > Tascam CDRW700 master CD > 1 CD > HP 9350i extraction (EAC v0.9 beta 4) > sector
 boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, EAC
 > SHN by Joe Jupille. Notes/Flaws: - Donna is on fire for this show! - There is a touch of fuzzy
 distortion, but overall this sounds very nice. - d2t05 Cats cuts in, not much missing.
 Set One: Disc One (5) 45:48, 01. DJ talk, Introduction & Tuning [2:03], 02. How Sweet It Is
 [7:13] [1:49], 03. Catfish John [10:39] [1:33], 04. Simple Twist of Fate [11:28] [0:35], 05. Second
 That Emotion [10:13] [0:15]
 Set Two: Disc Two (5) 38:22, 01. Crowd & Tuning [1:30], 02. They Love Each Other [8:43]
 [1:48], 03. Gomorrah [6:25] [1:09], 04. Mystery Train [9:03] [0:38] --Encore-- 05. //Cats Under the
 Stars [#7:28] [0:38]
03/17/78a Passaic, NJ - Capitol Theater MFC>CD All 83 1261 xxxxx 
 *JGB: Jim Wise*
 Jim Wise's Master FM cassettes, David Minches Transfer. Notes: - same oversaturation as on the
 Glassberg reel recording, especially early on. At the end of the show the DJ mentions these as an
 artifact of the broadcast.; - d1t02 HSII Jerry takes an early solo after the first verse; - d1t03 CJ
  some level flux @ ca. 4:40; - d2t05 CUTS cuts in. Jerry Garcia Band: Jerry Garcia, guitar and vocals;
 John Kahn, bass; Buzz Buchanan, drums; Keith Godchaux, piano; Donna Jean Godchaux, vocals; Maria
 Muldaur, vocals.
 Set One: Disc One (5 tracks, 45:27), 01. John Scher Introduction [0:37], 02. How Sweet It Is
 (To Be Loved By You) [7:15] [1:21], 03. Catfish John [1:40] [1:38], 04. Simple Twist of Fate [11:29]
 [1:42], 05. Second That Emotion [10:15] [0:05]
 Set Two: Disc Two (6 tracks, 38:02), 01. Crowd & Tuning [0:15], 02. They Love Each Other
 [8:45] [2:37], 03. Gomorrah [6:28] [0:56], 04. Mystery Train [9:05] [0:29] --Encore-- 05. //Cats Under
 the Stars [#7:28] [0:09], 06. DJ talk [1:46]
03/17/78z New York, NY - WNEW-FM Studios MFC>C>CD All 20 1374 xxxxx 
 *Interview*
 Interview: Scott Muni (DJ), Jerry Garcia, John Kahn and Buzz Buchanan; WNEW-FM Studios, New York,
 NY, March 17, 1978, ca. 2:30-3:30 p.m. FM broadcast > ambient capture from stereo speakers into
 hand-held microphone and hand-held cassette recorder > 1st gen cassette > Nakamichi BX-300 playback >
 S/PDIF > Waveterminal 2496 > Adobe Audition (capture @ 16/48, downsample to 44.1) > CD Wave (tracking)
 > Sony Sound Forge Studio 7.0 (minor edits) > Trader's Little Helper (FLAC8 encoding). Notes: - Why a
 clean and complete copy of this has never emerged is something of a mystery, so in the meantime I
 tracked down this copy which was generously supplied by Ray Riescher. Ray recalls that this is pretty
 much the entire spoken portion. The songs from Cats Under the Stars had been mostly left out of the
 original tape, and I edited out the remaining fragments since, well, you should own the album anyway,
 and the quality of these tracks is far from pristine. - In honor of St. Patrick's Day, these guys,
 including Jerry, are passing around and enjoying some libations. Ray reports that Jerry was noticeably
 drunk at the late show that evening.
 Set One: (13 tracks, 20:18) 01. //Chatter, Hunter [1:01] 02. Grateful Dead Rumor [1:41]
 (Rhapsody in Red) 03. St. Patrick's Day and Garcia [1:03] 04. Jerry Garcia Band [0:39] 05. Cats Under
 the Stars tour and album [1:10] 06. Palm Sunday [0:53] 07. Cats Under the Stars album [2:08]
 (Gomorrah) 08. Grateful Dead and JGB [1:35] 09. Drums and Drummers [1:29] 10. East Coast/West Coast,
 SF/LA [2:46] 11. Love in the Afternoon [0:21] (Rain) 12. Rain, Talk [2:14] (LITA, Palm Sunday) 13.
 Final Talk [3:12]
03/18/78a Washington, DC - Warner Theater MAC>D>CD All 68 
 *JGB: unknown taper & gear*
 d1t03 Knockin' master prob. @ 6:39-6:40; d1t04 TWLWMYD light static @ 3:06-3:10; d1t06 Mystery
 Train first few beats missing
 Set One: 1. I Second That Emotion [9:26] [2:18], 2. They Love Each Other [7:13] [2:35], 3.
 Knockin' On Heaven's Door [10:58] [2:36], 4. That's What Love Will Make You Do [10:07] [4:20], 5. Love
 In The Afternoon [9:18] [0:05], 6. //Mystery Train [8:21#] [0:31], Total Time 67:50
03/18/78b Washington, DC - Warner Theater MFR>D>CD All 101 
 *JGB*
 d2t04 MM noise @ 3:03, could be bass? d3t04 LAALWFH splice @ 8:42?
 Set One: 1. Harder They Come [12:18] [1:52], 2. [0:08] Mission In The Rain [11:06] [2:54],
 3. Simple Twist Of Fate [9:09] [1:02], 4. Midnight Moonlight [11:04] [2:32], Total Time 52:06
 Set Two: 1. Gommorah [6:22] [2:17], 2. Cats Under The Stars [7:39] [0:23], 3. I'll Be With
 Thee [5:38] [0:39], 4. Lonesome And A Long Way From Home [19:11] [2:02], E: 5. Palm Sunday [2:44]
 [0:22], Total Time 47:33
03/18/78b Washington, DC - Warner Theater patched fm All n/a 1219 30119 
 *JGB*
 Primary Source (1): ??>DATC>HD>DSP*(see below)>DataCDR>CDWave1.6>mkwACT(b0.97)>SHN (July 2003 by
 Doug Oade). Secondary/Patch Source (2): FMSBD>2C>(C?)>CDR>EAC(v.0.95)>WAV (CDRs supplied by Dennis
 Carter, July 2005); C>CDR transfer: Sony TC W320 > Marantz 510 CDR. Editing: [Source 1>WAV]+[Source
 2]>Audacity(v.1.2.3)>WAV>SHN.
 Set One: The Harder They Come, Mission In The Rain, Simple Twist Of Fate, Mystery Train, I
 Second That Emotion, Midnight Moonlight, Gomorrah, Cats Under The Stars, I'll Be With Thee, Lonesome
 And A Long Way From Home, E: Palm Sunday*
03/19/78 Pittsburgh, PA - Stanley Theater MSC>C>D>CD All 155 
 *JGB*
 Sndbd->Cassette->Cassette->DAT->CDR->Audio Grabber->TC Native Spectralizer->TC Native Multiband
 Compressor->SoundForge->TC Native Loudness Maximizer->CDR. d1t02 digi-static @ 7:27-7:31; d1t02 volume
 out (loose plug?) @ 9:48-9:50; d1t03 drop @ 0:32; d1t07 cuts out; d2t06 I'll Be With Thee fades in
 Set One: Set I, 1. [0:04] How Sweet It Is [9:08] [0:02], 2. Catfish John [12:03] [0:05], 3.
 Cats Under the Stars [8:27] [0:15], 4. Simple Twist of Fate [12:45] [0:17], 5. Tore Up Over You [8:59]
 [0:18], 6. Gomorrah [6:21] [0:04], 7. Mystery Train// [9:36#] [0:04], 8. Harder They Come [10:56]
 [0:29], Total Time 79:57
 Set Two: Set II, 1. Mission in the Rain [11:12] [0:01], 2. [0:02] Love in the Afternoon
 [11:36] -> 3. Let Me Roll It [10:14], 4. Second That Emotion [11:40], 5. The Night They Drove Old
 Dixie Down [10:15], 6. //I'll Be With Thee [4:26#] -> 7. Midnight Moonlight [11:29] [0:10], Encore: 8.
 Band Introductions [0:43], Palm Sunday [2:45] [0:22], Total time 74:59
03/22/78 Sebastopol, CA - Veteran's Hall MS?>?>CD All 118 
 *JGB*
 This is a slightly degraded sbd, but it isn't bad at all. d1t01 HSII cuts in, a few minutes
 missing? d1t03 Simple Twist pop @ 0:26; d1t04 Second That Emotion is a nice version; d1t05 Dixie Down
 cuts out, ca. 30 seconds missing; hissier after? d2t02 Donna @ start: "this is a true story." d2t02
 Gomorrah clips out; d2t03 Mystery Train clips in; d2t07 Midnight Moonlight long fade out, 1-2 minutes
 missing?
 Set One: Disc One (7) 69:59 --Set I-- 01. //How Sweet It Is To Be Loved By You, Catfish
 John, Simple Twist Of Fate, I Second That Emotion, The Night They Drove Old Dixie Down//, Harder They
 Come, 07. Mission in the Rain
  Set Two: Disc Two (7) 48:15, Cats Under The Stars, Gomorrah/, /Mystery Train, Love In The
 Afternoon, I'll Be With Thee -> Midnight Moonlight ...
06/11/78 Berkeley, CA - Keystone MAC>CD I,IIp 87 0643 14111 
 *JGB: Angus & Hart, Sony ECM99s > Sony TC-158*
 MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-158*) > Sony TC-D5 playback > Roland
 UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave
 v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by
 Harry Angus, CD > SHN by Joe Jupille. Flaws: d1t04 TLEO cuts in, not much missing; d1t04 TLEO levels
 increase @ 2:30, decrease @ 5:00; d1t05 Knockin' tiny unfixable tick @ ca. 0:10; d1t05 Knockin' levels
 increase @ 0:45; d1t06 How Sweet cross-faded tape flip @ ca. 4:50; d1t07 Dixie Down clips in, not much
 missing; d2t02 Tore Up cut/splice @ 8:09; d2t03 Midnight Moonlight fades in, strangely muffled sound.
 *Note: The Sony D5 did not become available until late 1979, yet many Angus/Hart masters travel w/ a
 D5 lineage. I have amended my files to assume the Sony TC-158 for all of their masters until
 11/79.
 Set One: Disc One (7) 60:09 --Set I-- 01. Crowd & Tuning [0:07], 02. Love In The Afternoon
 [11:18] [0:09], 03. That's What Love Will Make You Do [11:06] [0:02], 04. //They Love Each Other
 [#6:50] [0:06], 05. Knockin' On Heaven's Door [11:47] [0:07], 06. How Sweet// It Is [9:#22] [0:04],
 07. /The Night They Drove Old Dixie Down [#9:05] [0:04]
 Set Two: Disc Two (4) 26:34 --Set II-- 01. Crowd & Tuning [0:08], 02. Tore //Up Over You
 [8:#42] [0:04], 03. ... Midnight Moonlight [#11:20] [0:05], 04. Gomorrah [6:10] [0:03], (missing Let
 Me Roll It), (missing Rhapsody In Red)
06/18/78 Palo Alto, CA - Keystone Palo Alto  MAC>CD All 103 0567 12559 
 *JGB: Angus & Hart, Sony ECM99s > Sony TC-158*
 MAC > CD > EAC > SHN. Taped by John Angus and Scott Hart, Sony ECM99 (first tier, center) > Sony
 TC-158* (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 >
 HP 9350i extraction using EAC > speed correction (pitch shifted up by 40 cents) using Sound Forge XP
 version 5 > tracking using CD Wave > .shn encoding using mkwACT. Proper sector boundaries verified
 using shntool. A>D by slip; extraction, tracking, and .shn encoding by Joe Jupille; speed correction
 by Stephen Kinsch. "1st teir, center,...there were three tiers i think, just one step up from the
 dance floor...this was my favorite place to see him!...and may very well be my favorite jerry
 show!...i love the keith keyboards on the this date!...this place was called sophie's before
 keystone...i saw him play sophie's once and that was my only face to face encounter with him...and
 they played the addams family theme! (but not on the discs i sent)." Notes: There is a touch of
 oversaturation throughout, but it is quite minor. The first few notes of most songs are clipped.
 *Note: The Sony D5 did not become available until late 1979, yet many Angus/Hart masters travel w/ a
 D5 lineage. I have amended my files to assume the Sony TC-158 for all of their masters until
 11/79.
  Set One: Disc One (6) 46:50 --Set I-- 1. Crowd & Tuning [0:20], 2. How Sweet It Is [6:04]
 [0:15], 3. Knockin' On Heaven's Door [14:43] [0:07], 4. They Love Each Other [7:16] [0:04], 5. Mystery
 Train [8:19] [0:35], 6. Tore Up Over You [9:02] [0:03]
 Set Two: Disc Two (7) 55:49 --Set II-- 1. Crowd & Tuning [0:09], 2. Mission In The Rain
 [9:44] [0:07], 3. Let Me Roll It [10:56] [0:05], 4. Gomorrah [6:15] [0:06], 5. I'll Be With Thee
 [5:32] [0:04], 6. Midnight Moonlight [11:33] [0:21] --Encore-- 7. Rhapsody in Red [10:45] [0:09]
06/18/78 Palo Alto, CA - Keystone Palo Alto MAC>CD All 85 
 *JGB: Mike Riley*
 The notes and timings are from the old copy. I now have the new transfer, MAC>CD. OLD COPY NOTES:
 "MAC > 1R > DAT > CD. Recorded by Mike Riley, unknown mics > Sony TC-158. Needs re-tracking,
 considerable bass & drum distortion, may be fast, and numerous beginnings and endings clipped. d1t01
 How Sweet cuts in; d1t03 M Train crackle @ ca. 7:43; d1t05 Mission clips in, not much missing;
 d1t05-06 neat taper talk; d1t06 Let Me Roll It clips in; d1t07 Gomorroh cuts in; d1t08 I'll Be With
 Thee riddled with diginoise."
 Set One: Disc One (8) 73:51 --Set I-- 1. //How Sweet It Is (To Be Loved By You) [#5:43], 2.
 Knockin' On Heaven's Door [:03+13:51], 3. /They Love Each Other [#:02+6:48], Mystery Train [7:52]
 [0:01], 4. [0:09] Tore Up Over You [8:31] [0:03], --Set II-- 5. /Mission in the Rain [#9:13] [0:03],
 6. [0:07] /Let Me Roll It [#10:23], 7. //Gomorrah [#:04+5:49], 8. I'll Be With Thee [:02+5:00]
 [0:02]
 Set Two: Disc Two (1) 11:07 --Set II (con't)-- 1. //Midnight Moonlight
08/12/78 Berkeley, CA - Keystone MAC>CD All 95 
 *JGB: Mike Riley, unknown gear*
 The first copy I received was credited to Angus and Hart, but it is the same master, probably a
 generation down. The Riley copy is not much better, and in fact has some digital issues that make it
 very problematic. Unless you are really desperate, look elsewhere! ORIGINAL NOTES: "Taped by John
 Angus and Scott Hart, Sony ECM 99 > Sony TC-158*. This recording is pretty problematic in a number of
 respects, and should probably only be sought by completists only (despite the fact that the show is
 quite excellent, with great high energy during Harder They Come and Rhapsody in Red, especially).
 There is more hiss than one would expect for the lineage, especially at the start, and most of the
 first disc is a bit muffled (the second disc is relatively unmuffled until Rhapsody in Red, and sounds
 much better until that point). Just about every tune clips in and clips out, and the discs need
 re-tracking and some cleaning up. Specific Flaws/Notes: d1t01 Catfish John fades in, muffled after
 4-minute mark; d1t03 TWLWMYD cut/splice @ 6:15 song time; d1t05 Mission increase in hiss and high end
 after ca. 0:45; d2t01 Simple Twist clears up after 4:24, and sounds much better for the rest of the
 show (until Rhapsody in Red). *Note: The Sony D5 did not become available until late 1979, yet many
 Angus/Hart masters travel w/ a D5 lineage. I have amended my files to assume the Sony TC-158 for all
 of their masters until 11/79."
 Set One: Disc One (6) 45:52 01. ... Catfish John [#7:24], 02. Love in the Afternoon [8:00]
 [0:02], 03+04. TWL//WMYD [6:15+3:40] [0:03], 05. Mission in the Rain [7:57] [0:01], 06. Harder They
 Come [12:23]
  Set Two: Disc Two (6) 49:06 01. Simple Twist of Fate [11:33] [0:01], 02. Tore Up [8:57]
 [0:01], 03. I'll Be With Thee [4:58], 04. Midnight Moonlight [9:14], 05. How Sweet It Is [8:02], 06.
 Rhapsody in Red [6:13] [0:03]
10/03/78 San Francisco, CA - Shady Grove, Haight St. MAC>C>CD All 82 1385 97200 
 *Merl Saunders Band: unknown taper & gear*
 MAC > 2C > WAV > FLAC. C > FLAC Encoding by Cousinit. Notes: "This looks to be the complete show
 and a different source as there is no cut in Come Together, and Expressway is incredible and complete.
 Listen to Jerry at the end of the song, He doesn't want to stop:)." So What cuts in.
 Set One: Disc One (82:04) 1. Noodling [2:04] -> Another Star [9:02] [0:27] 2. Do I Move You
 [9:47] [0:14] 3. Come Together [11:51] [0:17] 4. Walkin' Down the Road [6:17] [0:33] 5. //So What
 [#11:44] 6. [2:32] World is a Ghetto [14:40] [0:05] 7. [0:12] Expressway to Your Heart [13:28]
 [0:51]
10/03/78 San Francisco, CA - Shady Grove MAT>?>CD Most 80 enter 20027 
 *Merl Saunders Band w/ Garcia: A. Tsukada, unknown gear*
 Master audience tape (unknown mics, unknown deck, taped by A. Tsukada) > unknown analog generations
 > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary
 verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Jack Warner (jackmw1
 AT sbcglobal DOT net). Notes: - Nice recording of an amazing and wonderful performance. This
 material is an interesting immediate precursor to Reconstruction, which would form a few months later.
 - Etree gives the first tune as Ngicuela, but it is 'Another Star', also from Stevie Wonder's "Songs
 in the Key of Life" album. - t03 Come Together splice @ track 7:02 (song ca. 6:48); - t06 World is a
 Ghetto cuts in; - t07 Expressway fades out ("Oh the humanity!")
 Set One: Single Disc (7) 79:34, 01. Tuning [2:21], Noodling [2:25], Another Star [8:25]
 [0:30], 02. Do I Move You? [10:0]] [0:16], 03. [0:14] Come// Together [11:#45] [2:39], 04. Walkin'
 Down the Road [6:43] [0:58], 05. So What [12:23] [0:01], 06. //The World is a Ghetto [#14:24] [3:12],
 07. Expressway ... [3:17#]
10/07/78 Palo Alto, CA - Keystone Palo Alto MAC>CD All 106 0644 14112 
 *JGB: Angus & Hart, Sony ECM99s > Sony TC-158*
 MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-158*) > Sony TC-D5 playback > Roland
 UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave
 v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by
 Harry Angus, CD > SHN by Joe Jupille. Flaws: d1t02 Second That Emotion mix and level fluctuations
 first minute; d1t05 Mystery Train very end clipped, very little missing. *Note: The Sony D5 did not
 become available until late 1979, yet many Angus/Hart masters travel w/ a D5 lineage. I have amended
 my files to assume the Sony TC-158 for all of their masters until 11/79.
 Set One: Disc One (6) 55:11 --Set I-- 01. Crowd & Tuning [0:20], 02. Second That Emotion
 [12:40] [0:08], 03. It's No Use [8:29] [0:04], 04. Knockin' on Heaven's Door [14:53] [0:09], 05.
 Mystery Train// [9:14#] [0:01], 06. The Night They Drove Old Dixie Down [9:09] [0:03]
 Set Two: Disc Two (7) 50:46 --Set II-- 01. Crowd & Tuning [0:14], 02. Tore Up Over You
 [8:49] [0:04], 03. Let Me Roll It [10:49] [0:11], 04. Gomorrah [6:19] [0:20], 05. Love in the
 Afternoon [9:58] [0:28], 06. I'll Be With Thee [5:22] [0:12], 07. Rhapsody in Red [7:52] [0:06]
10/08/78 Palo Alto, CA - Keystone Palo Alto MAC>CD All 90 
 *JGB: Mike Riley, Sony mics > Sony TC-158*
 I now have the new MAC>CD transfer. These timings and notes are from the old copy: "Probably
 MAC>R>D>CD, probably taped by Mike Riley (unknown model Sony mics>Sony TC-158) (per Jack Warner, DNC
  JGB folder, 10/1/2001). d1t03 Simple Twist digi-snit @ 1:40; d1t04 contains :02 of LITA; d1t05
 contains :02 of Mission"
 Set One: Set I, 1. How Sweet It Is [9:15] [0:17], 2. Catfish John [9:25] [0:17], 3. Simple
 Twist Of Fate [10:25] [0:25], 4. Mystery Train [7:24], equipment break [0:19], Set II, 5. Love In The
 Afternoon [7:41] [0:13], 6. Mission In The Rain [10:31] [0:29], 7. Gomorrah [6:01] [0:28], Total Time
 63:12
 Set Two: 1. Harder They Come [13:38] [0:25], 2. Midnight Moonlight [11:31] [0:18], Total
 Time 25:53
10/10/78 Berkeley, CA - Keystone MAC>CD All 97 0645 14113 
 *JGB: Angus & Hart, Sony ECM99s > Sony TC-158*
  MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-158*) > Sony TC-D5 playback > Roland
 UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave
 v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by
 Harry Angus, CD > SHN by Joe Jupille. Notes: - A very nice recording of a very nice show. Flaws: -
 None noted. *Note: The Sony D5 did not become available until late 1979, yet many Angus/Hart
 masters travel w/ a D5 lineage. I have amended my files to assume the Sony TC-158 for all of their
 masters until 11/79.
 Set One: Disc One (6) 46:52 --Set I-- 01. Crowd & Tuning [0:15], 02. Love in the Afternoon
 [9:10] [0:23], 03. They Love Each Other [7:18] [0:17], 04. That's What Love Will Make You Do [9:55]
 [0:21], 05. Simple Twist Of Fate [9:51] [0:45], 06. How Sweet It Is [8:25] [0:12]
 Set Two: Disc Two (6) 50:06 --Set II-- 01. Crowd & Tuning [0:12], 02. Harder They Come
 [13:44] [0:22], 03. Mission In The Rain [10:19] [1:49], 04. It's No Use [7:34] [0:24], 05. Gomorrah
 [6:10] [0:19], 06. Rhapsody In Red [8:55] [0:17]
10/10/78 Berkeley, CA - Keystone MSC>C>D>CD Partial 59 
 *JGB*
 This is a gorgeous sbd. Notes: d1t01 TLEO cuts in, unknown missing; d1t03 Simple Twist several
 light ticks & crackles through first couple of minutes, static @ 2:33-2:34, 4:59-5:00; d1t04 How Sweet
 light static @ 0:21-0:22; d1t05 Harder They Come light snaps @ 0:04, 0:09, 0:49-0:50; d1t06 Mission
 light crackle @ 1:32, cuts out badly
  Set One: Set I, 1. //They Love Each Other [#7:06#] [1:32], 2. That's What Love Will Make You
 Do [9:58] [1:34], 3. Simple Twist of Fate [9:56] [0:34], 4. How Sweet It Is [8:31] [0:07], Set II, 5.
 Harder They Come [13:41] [0:58], 6. Mission in the Rain// [5:29#], Show Time 59:29, Filler: Unknown,
 7. //Tomorrow is Forever [#7:06] [0:26], Total Time 67:01
10/24/78 Berkeley, CA - Keystone MAC>CD All 100 0609 13472 
 *JGB: Angus & Hart, Sony ECM99s > Sony TC-158*
 MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-158*) > Sony TC-D5 playback > Roland
 UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > very slight editing
 (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > HP
 9350i CD (Feurio v1.65). Notes: * w/ Lee Oskar on harmonica; A solid recording of a quite nice show.
 Flaws: d1t02 Love in the Afternoon cut/splice @ ca. 10:07, not much missing; d1t03 It's No Use cuts
 in, not much missing; d1t04 Second That Emotion tape slowdown @ 2:55-2:57; d1t06 Mystery Train clips
 in, not much missing; d2t02 Harder They Come pop @ 0:05 removed using Sound Forge; d2t02 Harder They
 Come levels rise @ 1:45; d2t04 Gomorrah crackle @ 0:01 smoothed using Sound Forge. *Note: The Sony
 D5 did not become available until late 1979, yet many Angus/Hart masters travel w/ a D5 lineage. I
 have amended my files to assume the Sony TC-158 for all of their masters until 11/79.
 Set One: Disc One (6) 54:16 --Set I-- 01. Crowd & Tuning [0:08], 02. Love in the //Afternoon
 [10:#29] [0:02], 03. //It's No Use [#8:30] [0:16], 04. Second That Emotion [11:29] [1:01], 5. Russian
 Lullaby [13:12] [0:04], 06. //Mystery Train [#8:02] [1:01]
 Set Two: Disc Two (5) 46:05 --Set II-- 01. Crowd & Tuning [0:13], 02. Harder They Come
  [14:04] [0:12], 03. Mission in the Rain [12:01] [0:20], 04. Gomorrah* [6:41] [0:03], 05. //Midnight
 Moonlight* [11:45] [0:45]
10/26/78 Portland, OR - Paramount Theatre MAC>D>CD All 117 
 *JGB: Sony mics* *compare w/ Lee*
 MAC (Unknown taper, Sony mics > unknown deck) > DAT > CD. Slightly echoey, but a very nice
 recording of a typically great late '78 show. Notes: It's No Use is particularly good, nice and
  upbeat, and Lonesome and a Long Way From Home is terrific, with some especially nice vocal work by
 Maria and Donna toward the end. Flaws: d1t06 Mystery Train cut/splice/snap @ 2:11; d2t05 I'll Be With
 Thee cuts in; d2t06 LAALWFH weird anomaly @ 14:01, pop @ 16:37.
 Set One: Disc One (6) 58:00 --Set I-- 01. Harder They Come [10:57] [0:22], 02. Mission in
 the Rain [10:13] [0:15], 03. [0:17] Simple Twist of Fate [10:43] [0:16], 04. They Love Each Other
 [7:12] [0:26], 05. It's No Use [8:05] [0:35], 06. Mystery// Train [8:#20] [0:13]
 Set Two: Disc Two (6) 59:23 --Set II-- 01. Love in the AFternoon [10:34] [0:14], 02. [0:29]
 Reuben & Cherise [5:39] [0:11], 03. [0:07] Rore Up [7:52] [0:23], 04. Gomorrah [6:18] [0:05], 05.
 //I'll Be With Thee [#5:09] [0:18], 06. Lonesome and a Long Way From Home [21:50] [0:10]
10/26/78 Portland, OR - Paramount Theatre MAC>CD All n/a 1353 89962 
 *JGB: Pat Lee, Sony ECM18Ns > Sony TC-152SD*
 Recorded by Pat Lee, Sony 152 SD cassette deck w/ Sony ECM 18n's-Front row balcony w/ mics on
 railing. Master played back on Nak Dragon> ART DI/O> Egosys Waverterminal 2496; Edited and tracked in
 Cool Edit 2000; boundary verification with Shntool; shn encoding; shn > flac in shntool, using shntool
 conv -o flac *.shn.
 Set One: Disc One (7 tracks, 58:57) --Set I-- d1t001. Crowd & Tuning, d1t002. The Harder
  They Come, d1t003. Mission in the Rain, d1t004. Simple Twist of Fate, d1t005. They Love Each Other,
 d1t006. It’s No Use, d1t007. Mystery Train
 Set Two: Disc Two (7 tracks, 60:59) --Set II-- d2t001. Crowd & Tuning [0:44], d2t002. Love
 in the Afternoon, d2t003. Reuben and Cherise, d2t004. Tore Up Over You, d2t005. Gomorrah, d2t006.
 //I’ll Be With Thee, d2t007. Lonesome and a Long Way From Home
10/26/78 Portland, OR - Paramount Theatre MAC>?>CD  I 62 
 *JGB: taper TBD*
 Note sure if this is the same as the "Sony mics" version, and taper info is being determined as of
 this entry (4/2005). Great recording, balcony feel but really very nice. A few tape signatures:
 cough @ start of It's No Use (which is a barnburner, BTW); taper calling for Alligator a minute or so
 before TLEO. some digi static during tuning before It's No Use.
 Set One: 6 tracks, 62:24, The Harder They Come, Mission In The Rain, Simple Twist Of Fate,
 They Love Each Other, It's No Use, Mystery// Train
10/26/78 Portland, OR - Paramount Theatre MSC>C>D>CD IIp 36 0593 13199 
 *JGB*
  A gorgeous sbd!
 Set Two: 1. [0:22] Gomorrah [6:03] [0:18], 2. I'll Be with Thee [5:21] [1:30], 3. Lonesome &
 a Long Way From Home [22:04] [0:02], show time ca. 35:45; filler of unknown studio: 4. Jam 20:46 -> 5.
 Who's Lovin' You Tonight?// [3:37#] [0:10], Time ca. 24:33, Total Time 60:15
10/27/78 Cheney, WA - Pavillion East, Washington State College MAC>?>CD All 115 enter 89723 
 *JGB: unknown taper & gear*
 MAC > ? > CD > EAC > FLAC. Notes: - I received this source from Stephen Maeder, who thought it
 might have been recorded by Pat Lee or Mark Severson. But it now seems that neither of them is
 responsible for this recording. I am looking into it. - This is a delightful recording that nicely
 captures the fat, full sound of late '78 JGB. The show is more on the mellow, groovy side than on the
 fiery side, but I think you'll enjoy it. - d1t01 How Sweet It Is cuts in - set II levels are lower,
  especially prior to Midnight Moonlight. Someone more talented and so inclined may well wish to fiddle
 with this, but I left it as I received it, but for a few fades on tape transitions.
 Set One: Disc One (6 tracks, 64:50) --Set I-- d1t01. //How Sweet It Is (To Be Loved By You)
 [8:42] [0:57], d1t02. Catfish John [11:34] [0:46], d1t03. That's What Love Will Make You Do [8:50]
 [0:11], d1t04. Russian Lullaby [13:15] [0:05], d1t05. I Second That Emotion [11:51] -> d1t06. Mystery
 Train [8:33] [0:04]
 Set Two: Disc Two (7 tracks, 50:25) --Set II-- d2t01. Crowd and Tuning [0:29], d2t02. Love
 In The Afternoon [8:53] [0:27], d2t03. Tore Up Over You [8:54] [0:06], d2t04. Reuben And Cherise
  [6:30] [0:22], d2t05. Gomorrah [6:14] [0:06], d2t06. I'll Be With Thee [5:35] [0:03], d2t07. Midnight
 Moonlight [12:42] [0:02]
10/27/78 Cheney, WA - Pavilion East (W.S.U,) MA?>?>CD I,IIp 75 740 
  *JGB: unknown taper & gear*
 Set One: Set I, 1. //How Sweet It Is [8:32#] [0:59], 2. [0:03] Catfish John [11:27] [0:47],
 3. That's What Love Will Make You Do [8:45] [0:12], 4. Russian Lullaby [13:10] [0:07], 5. Second That
  Emotion [11:48] -> 6. Mystery Train [8:31] [1:00], Set II, 7. Love In The Afternoon [8:49] [0:17],
 Total Time 74:32
10/28/78a Seattle, WA - Paramount Northwest Theater MAC>R>D>CD All 71 576 
 *JGB: Mike McCaw, Nak 700s > Sony TC-158*
 MAC (Taped by Mike McCaw, Nak 700s > Sony TC-158) > 1 reel > DATs > CDs > EAC > SHN. Sector
 boundaries verified using shntool. Notes: A bit flat and echoey sounding, but extremely solid.
  Flaws: d2t09 (late show) Lonesome small drop @ 7:37.
 Set One: Disc One (8) 71:23 --Early Show-- 1. Crowd & Tuning [0:31], 2. Harder They Come
 [11:14] [1:04], 3. Mission in the Rain [9:13] [0:19], 4. They Love Each Other [7:27] [0:48], 5.
 Knockin' on Heaven's Door [13:21] [2:00], 6. It's No Use [7:53] [1:32], 7. The Night They Drove Old
 Dixie Down [8:58] [0:30], 8. Reuben and Cherise [6:08] [0:20]
10/28/78b Seattle, WA - Paramount Northwest Theater MAC>R>D>CD All 74 577 
 *JGB: Mike McCaw, Nak 700s (??) > Sony TC-158*
 MAC (Taped by Mike McCaw, Nak 700s (??)> Sony TC-158) > 1 reel > DATs > CDs > EAC > SHN. Sector
 boundaries verified using shntool. Notes: A bit flat and echoey sounding, but extremely solid.
 Flaws: d2t09 (late show) Lonesome small drop @ 7:37. Note added 4/23/2005: I have placed question
 marks after the mics, since 10/78 seems about six months early for anyone to be using Nak 700s.
 Set One: Disc Two (9) 73:49 --Late Show-- 1. Crowd & Tuning [0:52], 2. How Sweet It Is
 [8:16] [2:23], 3. Catfish John [9:43] [0:52], 4. Second That Emotion [9:16] [0:26], 5. Love In The
 Afternoon [8:21] [0:17], 6. Mystery Train [7:17] [0:27], 7. Gomorrah [6:17] [0:15], 8. I'll Be With
 Thee [5:10] -> 9. Lonesome And A Long Way From Home [13:20] [0:32]
10/28/78b Seattle, WA - Paramount Northwest Theater MAC>?>CD All 72 
 *JGB: tape info TBD*
 Need to compare with Mike McCaw tape. This is a fabulous performance!
 Set One: Single Disc (8 tracks, 72:17): How Sweet It Is To Be Loved By You, Catfish John, I
 Second That Emotion, Love In The Afternoon, Mystery Train, Gomorrah, I'll Be With Thee-> Lonesome And
 A Long Way From Home
11/03/78 Palo Alto, CA - Keystone Palo Alto  AUD+SBD All 100 0379 10032 
 *JGB: Mike Riley MAC + SBD composite*
 MAC > R > CDx2 > EAC > SHN (I & IIp) + MSC > 2C > Sony TC-WE435 > Cool Edit Pro > CD Wave > CD >
 EAC > SHN (end of set II). The aud tape, recorded by Mike Riley with unknown gear, supplies set I and
 the first two songs of set II. The taper was busted after Gomorrah. For that material, Michael
 Parrish's first gen reels were transferred directly to CD, w/ no DAT stage. The sbd, derived from
 Kevin Tobin's probable second-gen cassette, supplies the end of set II. Shntool confirms proper
 sector boundaries for all tracks. Notes: d1t01 Harder They Come cuts in (- ca. 10 seconds); d1t02
 Mission in the Rain cuts in at first lyrics (- ca. 15 seconds?); d1t03 Simple Twist of Fate cuts in (-
 ??); d1t05 Love in the Afternoon first few notes clipped; d2t06 Reuben & Cherise light pop @ 1:35
 Set One: Disc One (5) 50:00 --Set I-- 1. //Harder They Come [12:16#], 2. //Mission in the
 Rain [9:47#], 3. //Simple Twist of Fate [10:33#] [0:02], 4. Tore Up Over You [7:34] [0:04], 5. //Love
 in the Afternoon [9:42#]
 Set Two: Disc Two (6) 49:42 --Set II-- 1. So What? [17:20] [0:04], 2. That's All Right, Mama
 [5:53] [0:04], 3. Gomorrah [6:16] [0:01], 4. I'll Be With Thee [5:22], 5. Rhapsody in Red [8:25], 6.
 Reuben & Cherise [6:09] [0:05]
11/17/78 Chicago, IL - Rambler Room, Loyola University MA?>?>CD All 45 
 *Bob Weir & Friends: unknown taper & gear*
 errors at every track marker; d1t01 Winin' Boy fades in; d1t02 Tom Dooley static first 0:20; d1t05
 KC Moan drop @ 0:56; d1t07 Big Boy Pete cut/splice @ 0:28
 Set One: 1. //Winin' Boy Blues [4:04#] [0:12], 2. Tom Dooley [:02+3:22] [0:27], 3. [0:36]
 This Time Forever [4:46] [0:13], 4. Deep Elem Blues [3:19] [0:17], 5. [0:39] KC Moan [3:46] -> 6.
 Knockin' On Heaven's Door [:03+8:11] [0:07], 7. Big //Boy Pete [3:08#] [0:08], 8. Jack-A-Roe
 [:02+4:36] [0:22], 9. [0:37] Dark Hollow [3:43] [0:03], 10. [0:06] Oh Boy [2:16] [0:13], Show Time
 45:28, Plus Filler: Unknown GD w/ guest, 11. Space -> Lost Sailor -> Saint of Circumstance [17:10],
 Total Time 62:38
11/17/78 Chicago, IL - Rambler Room, Loyola University MSC>D>CD All 46 1276 80703 
 *Bob Weir & Friends*
 Hunger Week Benefit, billed as "Bob Weir and Friends": Weir, Garcia, Hart, Lesh. Mickey introduced
 after Tom Dooley. GD Vault master cassette > DAT > Sonic Solutions > CD > CD(this being the disc
 David Gans sent the seeder) > extraction using adobe audition 1.5 > flac level 8.
 Set One: 01. WHININ' BOY BLUES, 02. TOM DOOLEY, 03. THIS TIME FOREVER, 04. DEEP ELEM BLUES,
 05. KC MOAN, 06. KNOCKIN' ON HEAVEN'S DOOR, 07. BIG BOY PETE, 08. JACKAROE, 09. DARK HOLLOW, 10. OH
 BOY, TT: 46:05
11/17/78 Chicago, IL - Rambler Room, Loyola University MS?>?>CD All 45 7687 1207 
 *Bob Weir & Friends*
 This is wonderful stuff! Sound is decent. *jerry sits in whole show; #mickey sits in rest of show
 after This time Forever. the band: bob weir-guitar, vocals; bobby cochran-guitar , vocals; rich
 carlos-bass; john maucer-drums; shnid 7687, downloaded LMA 7/2005; Notes: BBP splice @ 0:27.
 Set One: Single Disc (10) 45:18, 01. Whinin' Boy Blues, 02. Tom Dooley, 03. This Time
 Forever, 04. Deep Elem Blues, 05. K.C. Moan, 06. Knockin' on Heaven's Door, 07. Big// Boy Pete, 08.
 Jack-a-Roe, 09. Dark Hollow, 10. Oh Boy!
11/17/78 Chicago, IL - Rambler Room, Loyola College MSC>D>CD All n/a 1316 32318 
 *Bob Weir & Friends*
 Hunger Week Benefit, billed as "Bob Weir and Friends": Weir, Garcia, Hart, Lesh. Mickey introduced
 after Tom Dooley. SOURCE: GD Vault master cassette > DAT > Sonic Solutions > CD > CD (this being the
 disc David sent me) > extraction using adobe audition 1.5 > flac level 8 > to you! A really great
 listen and some unusual tunes for 1978, not to mention a couple of rarities!
 Set One: 01. WHININ' BOY BLUES 02. TOM DOOLEY 03. THIS TIME FOREVER 04. DEEP ELEM BLUES 05.
 KC MOAN 06. KNOCKIN' ON HEAVEN'S DOOR 07. BIG BOY PETE 08. JACKAROE 09. DARK HOLLOW 10. OH BOY
 
01/11/79z New York, NY - WLIR-FM Studios MF?>?>CD All 36 
 *Interview by Ray White*
 Jerry Garcia Interview (by Ray White): WLIR-FM Radio Studios, Long Island, NY, January 11, 1979.
 Notes: - splice @ 0:55 of the Madison Square Garden talk (t04) - splice between t08 and t09 - Much
 hissier/tinnier after track 21. - The interview was said to have lasted an hour, so even with the
  presumed commercials spliced out this is probably not the whole thing.
 Set One: Single Disc (26 tracks, 35:47): 01. Welcome, 02. Sore Throat, 03. Long Island
 Concert Problems, 04. Madison Square //Garden, 05. Jerry Resists Congress of Wonders Skit, 06.
 Congress of Wonders Skit, 07. East Coast Popularity, 08. Watkins Glen, 09. Shakedown Street, 10. Cats
 Under the Stars, 11. Mars Hotel, Cats Under the Stars, 12. Come on Down and Have Some Cake, 13.
 Country Bear Whiz Beer, 14. Sid Blechneiven commercial, 15. Country Bear Whiz Beer, Sid Blechneiven
 commercial, 16. Jerry's Birthday, 17. Egypt, 18. Live Albums, More Egypt, 19. European Deadheads, 20.
 TV, 21. Talk, 22. New Album, 23. Pre-Show Prep, 24. San Francisco, 25. Guitar, 26. Pedal Steel
01/30/79 Berkeley, CA - Keystone MAC>CD All 118 0568-0569 12560 
 *Reconstruction: Spitalny & Angus, Sony ECM-990s > Sony TC-158*
 MAC > CD > EAC > SHN. Recorded by Steve Spitalny and John Angus, Sony ECM-990 (balcony rail, stage
 left) > Nak 550 > patched out to Sony TC-158 master cassette (UD XLII) > Sony TC-D5 playback > Roland
 UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch
 shifted down by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding
 using mkwACT. Proper sector boundaries verified using shntool. A>D by slip; extraction, tracking, and
 .shn encoding by Joe Jupille; speed correction by Stephen Kinsch. It is possible that John Angus's
 cassette is first generation (i.e., recorded via Nak 550 playback > Sony TC-158), though I speculate
 here that he patched directly out of Spitalny's Nak 550 at the show. Master CD says "Steve Spitalny
 -> John Angus, Sony ECM 990-Nak 550 -> TC158." Notes: This is the first Reconstruction show. (1) with
 unidentified female vocalist; Al Gator says that this is a mono recording; d1t04 Lyinda cuts in; d2t06
 It's No Use fades in, not much missing; d2t06 It's No Use some fluctuations first 30 secs; d2t08 Let's
 Go Get Stoned anomaly @ 9:29; d2t08 Let's Go Get Stoned ending barely clipped
 Set One: Disc One (7) 61:36, 1. Another Star [7:28] [0:55], 2. Do I Move You? (1) [13:00]
 [0:16], 3. Long Train Running Instrumental [11:30] [0:08], 4. //Lyinda [#10:55] [0:03], 5. Band
  Introductions [1:22], 6. I Just Want to Stop [5:00] -> 7. Welcome to the Basement [10:47] [0:09]
 Set Two: Disc Two (8) 56:22, 1. Crowd & Tuning [0:20], 2. Nessa [10:02] -> 3. Drum solo
 [1:27] -> 4. Nessa [1:20] [0:14], 5. Lovely Night for Dancing [13:26] [0:09], 6. //It's No Use [#8:04]
 [1:02], 7. Soul Roach [10:06] [0:42], 8. Let's Go Get Stoned// [9:28#]
02/27/79 Berkeley, CA - Keystone MAC>D>CD All 120 0529-0530 11672 
  *Reconstruction: Eldon Porray, Nak CM-700s > Sony TC-D5*
 MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony,
 left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A >
 Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN. EAC > SHN by
 Joe Jupille. Proper sector boundaries confirmed using shntool. Notes: According to Jim Wise (BUDD
  Digest #894, 7/31/2002), no-one was using the D5 until late fall 1979 at the earliest, so I am not
 100% sure of the deck. As far as I know this is the only Harder They Come by Reconstruction. Flaws:
 d1t02 Welcome to the Basement pause-button warble @ 0:01; d1t07 It's No Use first note or two
 clipped
 Set One: Disc One (8) 60:13, 1. A Lovely Night For Dancing [10:02] [0:08], 2. Welcome To The
 Basement [7:03] -> 3. Bass & Drums [2:06] -> 4. Welcome to the Basement [1:48] [1:20], 5. I Just Want
 To Stop [4:25] [0:41], 6. Soul Roach [10:29] [0:04], 7. //It's No Use [#11:14] [0:10], 8. Another Star
 [10:36] [0:04]
 Set Two: Disc Two (8) 60:15, 1. Crowd & Tuning [0:24], 2. Make It Better [3:52] [1:06], 3.
 Lyinda [9:03] [0:10], 4. What You Won't Do For Love [5:36] [0:38], 5. Ain't That Lovin' You [6:51]
 [0:56], 6. The Harder They Come [12:26] [0:34], 7. Long Train Running Instrumental [11:11] [0:05], 8.
 Let's Go Get Stoned [7:06] [0:06]
03/07/79 San Rafael, CA - Rancho Nicasio MSR>P>D>CD All 119 1257 6364 
 *Reconstruction; SBEs fixed*
 MSR > PCM > DAT @ 48k > Optical S/PDIF > HD (24 bit @ 48k) > ProTools LE 5.0.1 (tracking, 16
 bit/44.1k) > WAV > SHN; have 2006 SBE fixed version.
 Set One: 1. [1:01] Lovely Night for Dancing [8:38] [0:18], 2. Sama Layuca [7:10] [1:17], 3.
 I Just Want to Stop [4:17] [0:56], 4. Another Star [9:42] [1:24], 5. Do I Move You? [10:08] [1:13], 6.
 Strugglin' Man [5:52] [0:04], 7. Long Train Running Instrumental [12:07] [0:10], Total Time 64:21
 Set Two: 1. Tuning/Talk [1:02], 2. Make It Better [5:38] [0:45], 3. Soul Roach [8:07]
 [1:05], 4. What You Won't Do For Love [5:29] [0:36], 5. Welcome to the Basement [12:22] [1:10], 6.
 Ain't That Lovin' You? [8:01] [0:06], 7. Lyinda [9:11] [0:12], (Missing It's No Use), Total time
 53:46
03/08/79 Cotati, CA - Cabaret Cotati mislabel All 84 0103 4439 
 *Reconstruction* *MISLABEL: same material as 3/9/79*
 This material is identical to, slightly better sounding but less complete than, that found on the
 circulating 3/9/79, and matches the Jerry Site setlist for 3/9. It is probably fom 3/9/79. d2t04
 Nessa L channel static @ 2:06
 Set One: 1. Introduction [0:18], Make It Better [6:26] [0:27], 2. Lyinda [9:47] [1:03], 3. I
 Just Want To Stop [4:59] [0:17], 4. Welcome To The Basement [12:05] [0:33], 5. Strugglin' Man [6:01]
 [0:21], Total Time 42:18
 Set Two: 1. Band Introductions [0:35] -> 2. Another Star [10:12] [1:47], 3. Lovely Night for
  Dancing [10:01] [1:24], 4. Nessa [13:00] -> 5. Drum solo [2:32] -> 6. Nessa [1:06] [0:24], Total time
 41:04
03/08/79 Cotati, CA - Cabaret Cotati MSR>P>D>CD All 114 0570,1364 12589 
 *Reconstruction* *the real show from this date*
 MSR > PCM (VHS) > Sony 501? PCM (Beta) > Sony 501? playback > Panasonic 3800 master DAT > backup
 DAT > Sony R500 playback > Sony CDR-W33 master CD > HP 9350i extraction and normalization (98%) using
 EAC > tracking using CD Wave > sector boundary verification using shntool > .shn encoding using
 mkwACT. EAC > SHN by Joe Jupille. Notes: * The widely circulating material with this date is actually
 from 3/9/79. The present material appears to be the real 3/8/79 show. * The levels on the source CDs
 were very low (28% peaks), so I normalized to 98% using EAC's Process Wave function. * d1t08 Make it
 Better first few seconds appear to be at very high speed. Not sure where this anomaly comes from, but
 it might be fixable.
 Set One: Disc One (13) 57:57, 01. Greeting and Tuning [0:28], 02. Struggling Man [6:05]
 [1:14], 03. Nessa [8:25] -> 04. Bass Jam [1:58] -> 05. Drum solo [1:43] -> 06. Nessa [1:02] [0:38],
 07. Band Introductions [1:06], 08. Make it Better [5:45] [0:27], 09. Welcome to the Basement [6:44] ->
 10. Bass Jam [1:24] -> 11. Welcome to the Basement [1:50] [2:52], 12. I Just Want to Stop [4:32]
 [0:25], 13. Long Train Running Instrumental [11:10] [0:05]
 Set Two: Disc Two (7) 56:05, 01. Lovely Night for Dancing [10:30] [1:02], 02. What You Won't
 Do For Love [6:12] [0:39], 03. Sama Layuca [8:55] [1:22], 04. Ain't That Lovin' You? [7:47] [0:39],
 05. Drums [1:20] -> 06. Lyinda [9:03] [0:43], 07. It's No Use [7:43] [0:09]
03/09/79 Cotati, CA - Cabaret Cotati MSR>D>CD all -1 117 1364 10016 
 *Reconstruction*
 d1t02 Make it Better levels increase @ 1:19; d1t02 Make it Better very slight anomaly @ 1:56;
 Set One: Disc One (9) 53:58 --Set I-- 1. Greeting & Tuning [0:22], 2. Make It Better [6:24]
 [0:27], 3. Lyinda [9:49] [0:58], 4. I Just Want to Stop [5:02] [0:17], 5. Welcome to the Basement
 [7:23] -> 6. Bass-led Jam [2:51] -> 7. Welcome to the Basement [1:50] [0:33], 8. Struggling Man
 [6:00], Band Introductions [1:14], 9. Another Star [10:!6] [0:29]
  Set Two: Disc Two (10) 63:13 --Set II-- 1. Tuning [1:13], 2. Lovely Night for Dancing
 [10:05] [0:14], 3. Parking Announcement [1:10], 4. Nessa [10:00] -> 5. Bass-led Jam [2:55] -> 6. Drums
 [2:35] -> 7. Nessa [1:06] [0:28], 8. Soul Roach 9. What You Won't Do For Love (missing It's No Use)
03/30/79 Santa Cruz, CA - The Catalyst MAC>D>CD All 118 0531-0532 11673 
 *Reconstruction: Eldon Porray, Nak CM-700s > Sony TC-D5*
 MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, FOB Nakamichi CM-700 mics > Sony TC-D5
 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter)
 > Sony R500 (master DAT) > DATs > CDs > EAC > SHN. EAC > SHN by Joe Jupille. Proper sector
 boundaries verified using shntool. Notes: According to Jim Wise (BUDD Digest #894, 7/31/2002), no-one
 was using the D5 until late fall 1979 at the earliest, so I am not 100% sure of the deck. Flaws:
 d2t03 Lyinda clips in, not much missing; d2t07 Mohican and the Great Spirit previously labeled
 Instrumental #6.
 Set One: Disc One (10) 51:43, 1. Crowd & Tuning [0:06], 2. I Just Want To Stop [4:29]
 [0:45], 3. Nessa [6:57] -> 4. Bass & Drums [1:23] -> 5. Drum Solo [2:44] -> 6. Nessa [0:58] [0:25], 7.
 Strugglin' Man [6:10] [0:22], 8. Band Introductions [1:11], 9. A Lovely Night For Dancing [11:24]
 [0:25], 10. Another Star [14:14] [0:09]
 Set Two: Disc Two (8) 65:33, 1. Crowd & Tuning [0:09], 2. Make It Better [6:05] [0:07], 3.
 //Lyinda [#8:13] [0:46], 4. What You Won't Do For Love [6:10] [0:36], 5. Sama Layuca [16:37] [0:48],
 6. When The Hunter Gets Captured By The Game [5:00] [0:23], 7. Mohican and the Great Spirit [10:51]
 [0:11], 8. It's No Use [9:23] [0:13]
04/08/79 Cotati, CA - Cabaret Cotati MSR>P>D>CD All 114 0350 9608 
 *Reconstruction*
 MSR > PCM > DAT > CD > EAC > SHN. Extraction using EAC, re-tracking using CD Wave, .shn encoding
 using mkwACT, and sector boundary verification using shntool. Notes: d1t04 Lovely Night light pop @
 8:54
 Set One: Disc One (6) 54:06 --Set I-- 1. Crowd & Tuning [2:18], 2. What You Won't Do For
 Love [6:22] [0:58], 3. Soul Roach [7:44] [1:02], 4. Lovely Night For Dancing [12:05] [1:22], 5.
 Another Star [12:50] [1:11], 6. It's No Use [7:49] [0:25]
  Set Two: Disc Two (7) 59:53 --Set II-- 1. Crowd & Tuning [0:39], 2. I Just Want To Stop
 [4:37] [0:35], 3. Lyinda [11:29] [0:46], 4. Do I Move You? [12:32] [0:29], 5. Strugglin' Man [6:18]
 [0:38], 6. Make It Better [6:14] [1:07], 7. Long Train Running Instrumental [13:15] [1:12]
04/11/79a Denver, CO - Rainbow Music Hall MAC>D>CD All 58 0383 10140 
 *Reconstruction: unknown taper & gear* *For Completists Only*
 MAC > 2CD > this CD. Notes: *For Completists Only, a rough recording* --Early Show-- Almost every
 tune cuts in w/o much missing. d1t01 Make It Better skip @ 2:42, 2:48; d1t03 WTTB subsantial
 cut/splice @ 5:23; d1t05-07 levels lower than for first four songs; d1t06 Another Star serious tape
 warbles @ ca. 10:12
 Set One: Disc One (7) 57:35 --Early Show-- 1. //Make It Better [#6:19] [0:04], 2. //Lyinda
 [#9:54] [0:04], 3. //Welcome to// the Basement [#7:#27] [0:04], 4. //When the Hunter Gets Captured by
 the Game [#5:05] [0:06], 5. //Do I Move You? [#11:17] [0:06], 6. //Another Star [#10:27] [0:08], 7.
 //Struggling Man [#6:20] [0:10
04/11/79b Denver, CO - Rainbow Music Hall MAC>D>CD All 75 0384 10140 
 *Reconstruction: unknown taper & gear* *For Completists Only*
 MAC > 2CD > this CD. Notes: *For Completists Only, a rough recording* --Late Show-- Most tunes cut
 in w/o much missing; Normalized to 98% using EAC's process wave function; d2t01 Get Up and Dance
 levels drop @ ca. 5:35; d2t06 Soul Roach cut/splice @ 10:19, then warbling
 Set One: Disc Two (11) 75:14 --Late Show-- 1. Get Up And Dance [10:32] [0:07], 2. //Nessa
 [#10:51] -> 3. Drum solo [1:24] -> 4. Nessa [1:00] [0:04], 5. Strugglin' Man [6:31] [0:03], 6.
 //Soul// Roach [#13:#21] [0:03], 7. //I Just Want To Stop [#4:36] [0:03], 8. Someday Baby [8:28]
 [0:07], 9. //Another Star [#10:33] [0:05], 10. Band Introductions [0:44], 11. Make It Better [6:27]
 [0:10]
04/12/79a Denver, CO - Rainbow Theater MA?>?>CD All 82 1031 xxxxx 
 *Reconstruction: unknown taper & gear* *mislabel of 4/11/79?*
 Notes: - shntool confirms that all tracks cut on sector boundaries - early and late designations
 come from .shn file names. I have no idea if they are accurate or not. - most tunes clip in, with
  missing material seeming to range from a note or two to a few seconds. - there is some hiss here.
 Recording is decent. Bass isn't really really distinct, and there could be crisper high end, but you
 can hear pretty much everything. - need to compare this with 4/11/79 to see if it's really different
 material, since this recording has some characteristics reminiscent of that one. Could have been the
 same taper as the night before. - after Do I Move You, Another Star sounds like it could be from a
 different source. Especially, there is suddenly more high end.
 Set One: Disc One (9) 69:29 --Early Show-- 01. /Make It Better [6:06] [0:14], 02. /Sama
 Layuca (check title-Lyinda?) [9:32] [0:10], 03. /I Just Want to Stop [4:18] [0:08], 04. /Welcome to
 the Basement [4:59] -> Bass solo [1:41] -> WTTB [2:17] [0:08], 05. /When the Hunter Gets Captured by
 the Game [4:50] [0:08], 06. Do I Move You? [10:54] [0:04], 07. Another Star [9:51] [0:05 (is this a
 guzinta?), 08. Struggling Man [5:59] [0:10], 09. [0:17] What You Won't Do For Love [7:07] band
 introductions [0:32]
 Set Two: --Early Show (con't)-- 01. Soul Roach [12:42] [0:06]
04/12/79b Denver, CO - Rainbow Theater MS?>?>CD All 64 1031 xxxxx 
 *Reconstruction*
 **Incompletely noted** Notes: - shntool confirms that all tracks cut on sector boundaries - early
 and late designations come from .shn file names. I have no idea if they are accurate or not. - most
 tunes clip in, with missing material seeming to range from a note or two to a few seconds. - late show
 from a sbd source, hissy; - d2t04 Struggling Man buzz @ 1:25-1:40
 Set One: --Late Show-- 02. [0:16] Lovely Night for Dancing [12:14] [0:05], 03. Mohican and
 the Great Spirit? [10:08] [0:03], 04. Struggling Man **incompletely noted**
04/17/79 San Rafael, CA - Rancho Nicasio MAC>CD All 128 1371 93466 
 *Reconstruction: Phil Jaret, JVC electret condenser > Teac PC-10*
 AUDIENCE ANALOG MASTER > CDR > WAV > FLAC Level 8. Complete show. Direct from Master audience
 recording. Taped by Phil Jaret. Location: Center floor. Teac PC-10 (TDK-SA 90 Dolby B on record and
 playback) JVC Electret condenser stereo microphone. Playback on a Sony TC-K615S cassette deck
 directly to HHB CDR 800 burner. Tracked "On The Fly". Transferred By John M. 7-26-08. JJ: - needs
 retracking - "Another Star" features Jerry tearing it up at lightning speed ... go man, go! - changed
 filenames but haven't changed fingerprints
 Set One: CD#1 (62:54) D1T01 //What You Won't Do For Love [#6:38] [0:04] D1T02 Lyinda [12:52]
 [0:06] D1T03 0:16 Someday Baby -9:10, :07 D1T04 Soul Roach :02+15:25, :11 D1T05 Make it Better [6:17]
 [0:06] D1T06 Another Star [11:46] [0:12]
 Set Two: CD#2 (65:09) D2T01 A Lovely Night For Dancing [12:42] [0:04] D2T02 Mohican and the
 Great Spirit D2T03 I Just Wanna Stop D2T04 [0:11] Sama Layuca D2T05 Strugglin' Man D2T06 Long Train
 Running
04/23/79a San Francisco, CA - Old Waldorf MAC>D>CD All 75 0353 9609 
 *Reconstruction: Eldon Porray, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Eldon Porray, Nak CM-700s > Sony TC-D5) > DATs > CDs > EAC > SHN. According to Jim
  Wise (BUDD Digest #894, 7/31/2002), no-one was using the D5 until late fall 1979 at the earliest, so I
 am not 100% sure of the deck. Extraction using EAC, re-tracking using CD Wave, .shn encoding using
 mkwACT, and sector boundary verification using shntool. NOTES FOR BOTH SHOWS: d1t07 Fast Tone splice
 @ 12:26; d1t08 Ain't That Lovin' You digi-snits @ 1:53, 2:28; d1t10 Another Star fades out, unknown
 missing; d2t10 It's No Use fades out, about half missing
  Set One: Disc One (12) 74:32 --Early Show-- 1. Crowd & Tuning [0:36], 2. Nessa [12:02] -> 3.
 Bass Jam/Solo [1:56] -> 4. Space/Jam [0:55] -> 5. Drum Solo [1:03] -> 6. Nessa [0:59] [0:58], 7.
 Someday Baby [8:31] [1:30], 8. I Just Want To Stop [4:26] [0:50], 9. Fast //Tone [13:#06] [0:42], 10.
 Ain't That Lovin' You [9:30] [1:16], 11. Strugglin' Man [6:17] [1:12], 12. Another Star// [8:36#]
 [0:04]
04/23/79b San Francisco, CA - Old Waldorf MAC>D>CD All 74 0354 9609 
 *Reconstruction: Eldon Porray, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Eldon Porray, Nak CM-700s > Sony TC-D5) > DATs > CDs > EAC > SHN. According to Jim
 Wise (BUDD Digest #894, 7/31/2002), no-one was using the D5 until late fall 1979 at the earliest, so I
 am not 100% sure of the deck. Extraction using EAC, re-tracking using CD Wave, .shn encoding using
 mkwACT, and sector boundary verification using shntool. NOTES FOR BOTH SHOWS: d1t07 Fast Tone splice
 @ 12:26; d1t08 Ain't That Lovin' You digi-snits @ 1:53, 2:28; d1t10 Another Star fades out, unknown
 missing; d2t08 Mohican and the Great Spirit was previously labeled "Instrumental #6"; d2t10 It's No
 Use fades out, about half missing
 Set One: Disc Two (10) 74:12 --Late Show-- 1. Crowd & Tuning [2:11], 2. What You Won't Do
 For Love [6:26] [0:21], 3. Do I Move You? [13:04] [0:38], 4. Fast Tone [17:09] [0:28], 5. Band
 Introductions [0:58], 6. When The Hunter Gets Captured By The Game [5:01] [0:36], 7. Tellin' My
 Friends [4:27] [0:53], 8. The Mohican and the Great Spirit [9:25] [0:24], 9. Make It Better [6:05]
  [0:42], 10. It's No Use// [5:18#] [0:05]
04/28/79 Palo Alto, CA - Keystone Palo Alto MAC>D>CD I 74 0385 10141 
 *Reconstruction: unknown taper & gear*
 MAC > 1DAT > 1CD > EAC > SHN. Recording details unknown. DAT > CD transfer by Ryan Shriver (Sony
 R500 > Sony CDR-W33 (master CD) > extraction (EAC) > tracking (CD Wave) > SHN (mkwACT) by Joe Jupille.
 Proper sector boundaries verified using shntool. Notes: This is an excellent recording. d1t08 Do I
 Move You? cuts in, not much missing.
 Set One: Single Disc (10) 74:00 --Set I-- 1. Crowd & Tuning [0:55], 2. Tellin' My Friends
 [4:31] [1:56], 3. I'll Take A Melody [10:50] [1:47], 4. Nessa [11:55] -> 5. Bass & Drums [1:57] -> 6.
 Drum solo [2:02] -> 7. Nessa [1:00] [0:16], 8. //Do I Move You? [#11:28] [3:28], 9. Strugglin' Man
 [6:22] [0:14], 10. Long Train Running Instrumental [14:55] [0:20]
05/18/79 San Francisco, CA - Old Waldorf MAC>?>C>CD All 89 1142 27919 
 *Reconstruction: unknown taper & gear*
 Master audience cassette > ? > cassette > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) >
 tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0). EAC
 and FLAC encoding by Jack Warner (jackmw1ATsbcglobalDOTnet). Thanks to Steven Martin for the source.
 JJ notes: - sounds nice! - d2t01-02 repeated section of about 1-second at end of d2t01.
 Set One: Disc 1 (5 tracks) [45:17], 1 //I Just Want to Stop [4:15], 2 Don't It Make It
 Better [6:08], 3 Someday Baby [8:10], 4 Fast Tone [14:03] > 5 Soul Roach [12:40]
 Set Two: Disc 2 (6 tracks) [43:54], 1 Strugglin' Man [6:31], 2 Another Star [10:43], 3
 Lovely Night for Dancing [10:58], 4 Telling My Friends About You [4:13], 5 The Mohican and the Great
 Spirit [11:14], 6 I'll Take a Melody// [0:14]
05/19/79 San Francisco, CA - Old Waldorf MA?>?>CD All? 69 0673 14804 
 *Reconstruction: unknown taper & gear*
 MA? > unknown cassette generation > NAK MR-1 w/ balanced lines > MOT4 828 286/48k > cd (2) > EAC >
 SHN. Transfer: Cassette to CD via Cakewalk Sonar. Normalized & downsampled via Cooledit 2000K.
 Tracked via CDWAV (Cassette supplied by Cris Benson). SHN: EAC using plextor 241040A secure mode with
 c2 > SHN via mkwWACT. Extraction & encoding by Ron Sinko. Notes: t03 audience member "Santa Barbara's
 waiting" makes me suspect that this maybe from a Santa Barbara, CA venue, though The Jerry Site does
 not list Reconstruction as ever having played S.B.
 Set One: Single Disc (7) 68:32, 1. I'll Take a Melody [10:08] [0:12], 2. [0:12] Ain't That
 Lovin' You [8:05] [0:06], 3. Band Introductions (Jerry x3) [2:07], 4. Mohican & The Great Spirit
 [12:05] [0:02], 5. [1:05] Lovely Night For Dancin' [10:45] [0:25], 6. [0:45] What You Won't Do For
 Love [6:54] [0:23], 7. [0:16] Nessa [9:24] -> Bass & Drums [3:04] -> Drums [1:22] -> Nessa Reprise
 [1:05]
05/27/79 Santa Cruz, CA - Catalyst MSC>2C>CD All 107 1134 xxxxx 
 *Reconstruction*
 Notes: - Not a bad recording in its good spots, but extremely uneven, tightly edited and hacked-up.
 I have generally applied 0.25s fades to tape transitions, just because they are otherwise pretty
 harsh. The levels were also extremely low and uneven across tracks, the latter of which raises some
 questions about the integrity of the dating. In any case, I began by raising levels by disc, and
 then raised them for specific tracks as needed. In no case was continuity a problem, since CD track
 markers tended to fall on tape transitions in any case. The levels and sound quality still fluctuate
 a fair amount. - d1t01 Lovely Night for Dancin' has an interesting break around ca. 6 min. - d1t04
 Just Want to Stop gap @ 0:31-0:32 is real-time, and the fix is worse than the glitch, so I left it
 as-is. - d1t05 Mohican and the Great Spirit splice @ 8:07. First five minutes or so are relatively
 quiet. - d2t01 Tellin' My Friends clips in; - d2t02 Make It Better clips in; - d2t05 Another Star
 clips in; - d2t04 I'll Take a Melody relativey quiet, cuts out; - d2t05 Another Star long fade-out on
 source CDs; - d2t06 Dear Prudence last few notes clipped
 Set One: Disc One (6) 58:08, 01. Lovely Night for Dancing [11:17] [1:01], 02. Someday Baby
  [8:43] [0:01], 03. Lyinda (or Sama Layuca?) [11:18] [0:07], 04. I Just Want to Stop [4:30] [0:01], 05.
 The Mohican and the Great Spirit [11:48], 06. /That's What Love Will Make You Do [9:19] [0:01]
 Set Two: Disc Two (6) 48:45, 01. /Tellin' My Friends [4:26] [0:10], 02. /Make It Better
 [6:36] [0:01], 03. Fast Tone [16:01] [0:09], 04. I'll Take a Melody// [5:53#], 05. /Another Star ...
 [7:04#] [0:03], 06. Dear Prudence/ [8:30]
05/30/79 Palo Alto, CA - Keystone Palo Alto MS?>?>CD ? 105 1378 96158 
 *Reconstruction*
 This is a pretty decent recording, the instruments are nicely distinct, but there are enough warts
 that this recording should probably be pursued only by completists. It may require speed correction
 (too fast). Most tunes clip in and/or out. d2t05 Melody cut/splice @ 3:47, and cuts out; d2t06 Another
 Star (check this) cuts in and fades out; d2t07 Dear Prudence fades in, last few seconds cut. JJ: this
 has since been GEM'd and circulated under shnid 96158.
 Set One: Disc One (5) 47:36 01. [0:02] Lovely Night for Dancing [11:02] [0:37], 02. [0:22]
 Someday Baby [8:29] [0:01], 03. Sama Layuca (double-check) [11:02] [0:05], 04. I Just Wanna Stop
 [4:24] [0:01], 05. /Mohican and the Great Spirit [11:28]
 Set Two: Disc Two (7) 56:45, 01. TWLWMYD [9:08] [0:03], 02. Tellin' My Friends [4:11]
 [0:09], 03. Make it Better [6:27] [0:01], 04. Fast Tone (double-check) [15:35] [0:09], 05. I'll //
 Take a Melody// [5:#33#], 06. //Another Star ... (double-check) [#6:57#], 07. [0:03] ... Dear
 Prudence// [#8:21#] [0:04]
06/08/79 Moraga, CA - Rheem Theater  MS?>?>CD ? 83 
 *Reconstruction*
 Probably needs pitch correction (runs fast). Numerous tunes clip/cut in; d2t01 Lovely Night sever
 mix & level fluctuations in 3-minute mark. d2t03 Fast Tone is pretty great, but for the almost
 inaudible guitar.
 Set One: Disc One (5) 40:41, 01. ... Telling My Friends [#3:37] {"is it hot out there?"}
 [0:20], 02. //That's What Love Will Make You Do [#8:40] [0:02], 03. Lyinda (check name) [10:37]
 [0:02], 04. //Make It Better [#6:14] [0:10], 05. I'l Take a Melody [10:53 [0:02]
 Set Two: Disc Two (4) 42:21, 01. Lovely Night for Dancing [11:47] [1:13], 02. Struggling Man
 [5:59] [1:08], 03. /Fast Tone [16:03] [0:01], 04. /What You Won't Do For Love [6:05] [0:02]
06/08/79 San Rafael, CA - Rancho Nicasio MSR>P>2C>D> All n/a 1365 23675 
 *Reconstruction*
 Set Three: jg1979-06-08.recon.all.sbd-powell-ladner.23675.shnf
06/13/79 Guernville, CA - River Theater MAC>2R>D>CD All 74 1378 96235 
 *Reconstruction: Alan Bershaw, Nak 300s > unknown deck*
 Nak 300 w/CP3 caps cassette master (unknown deck) > 1st gen reel @ 7.5ips > 2nd gen reel @ 7.5ips >
 DAT > CDR, recorded by Alan Bershaw. Probably For Completists Only. t04 TWLWMYD cuts out (probable
 tape flip), last few notes (<15 secs.?) missing; t06 two quick drops @ 5:52 track time. JJ: this has           since been GEM'd and circulated under shnid 96235
          Set One: (7 tracks, 74:12) d1t01. [0:58] I'll Take A Melody (has some warble) d1t02. Another           Star d1t03. The Jealous Kind*  first performance  d1t04. That's What Love Will Make You Do  d1t05.
          @@Lyinda d1t06. What You Won't Do For Love  d1t07. Dear Prudence>
06/16/79 Palo Alto, CA - Keystone Palo Alto  MSR>P>D>CD All 128 0184 6365 
 *Reconstruction*
 MSR > PCM > DAT @ 48k > Optical S/PDIF > HD (24 bit @ 48k) > ProTools LE 5.0.1 (tracking, 16
 bit/44.1k) > WAV > SHN; d1t02 vocals a bit distant/fuzzy/distorted; d1t04 Nessa brief drop @ 4:26.
 Terry Doherty makes the following observation: "I love how they do a "Hucklebuck" jam in the middle of
 That's What Love Will Make You Do ... It's not really a jam, it's more of a repeating riff by the horn
 guys. You can hear it begin at about 6:52 into the thing. During Merl's solo. It's the melody to the
 old rock n roll hit "Do The Hucklebuck." They leave it when Jer comes back into the final verse."
 Set One: 1. Tuning/Talk [0:41], 2. Tellin' My Friends [4:10] [0:23], 3. That's What Love
 Will Make You Do [9:37] [0:28], 4. Nessa [15:17] [1:23], 5. Do I Move You? [13:48] [0:46], 6. I'll
 Take a Melody [10:17] [0:18], Total Time 67:11
  Set Two: 1. Tuning/Talk [0:42], 2. Lovely Night for Dancing [15:19] [0:27], 3. What You
 Won't Do For Love [6:29] [0:24], 4. Welcome to the Basement [14:49] [0:25], 5. When The Hunter Gets
 Captured by the Game [5:01] [0:26], 6. Fast Tone [15:58] [0:06], (Missing Dear Prudence), Total Time
 60:09
06/17/79 Palo Alto, CA - Keystone Palo Alto MSR>P>CD All 88 1141 27920 
 *Reconstruction*
 Jerry Garcia g,v; John Kahn b; Merl Saunders keys,v; Ed Neumeister trb; Ron Stallings ts,v; Gaylord
 Birch d. Master soundboard reel > PCM > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) >
 tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0). EAC
 and FLAC encoding by Jack Warner (jackmw1ATsbcglobalDOTnet). Thanks to Steven Martin for the source.
 JJ notes: great! - d2t01 tiny skip @ 14:01.
 Set One: Disc 1 (7 tracks) [54:47], 1 //Make It Better [5:40], 2 I Just Want to Stop [4:41],
 3 Strugglin' Man [6:28], 4 Another Star [12:09], 5 That's What Love Will Make You Do [10:36], 6
 Tellin' My Friends [5:45], 7 Someday Baby [9:25]
  Set Two: Disc 2 (3 tracks) [30:22], 1 Lyinda [14:29] CHECK THIS, 2 Ain't That Lovin' You
 [10:09], 3 Instrumental// [5:44] I think this is Sama Layuca
06/17/79 Palo Alto, CA - Keystone Palo Alto MSC>C>CD I 87 0771 16677 
 *Reconstruction*
 Source: SBD>MC>C>WAV>CE2k (11db NR, tracking)>SHN. NOTES from the etree seeder: "Ryan at
 thejerrysite.com indicates it may be Set 2 or may be the whole show; my tape said "All"; The first
 instrumental is cut (tape flip on master?); Make It Better fades in, apparently without much missing;
 Disc 2 a bit louder than Disc 1; I chose to leave the levels unaltered." I believe this to be set I --
 though it's muffled, it sounds like they announce a set break after TWLWMYD. - d1t06 Sama Layuca cuts
 out abruptly - d2t01 Make it Better fades in. Etree user MitchK pointed out on 4/3/2008 that this is
 the whole show, with d1 actually set II and d2 actually set I. This is also consistent with the
 Stephen Martin/Jack Warner source.
 Set One: Disc One (6) 45:24, 01. Tuning & Talk [1:02], 02. Telling My Friends [4:31] [0:30],
 03. Someday Baby [8:56] [0:39], 04. Lyinda [13:45] [0:31], 05. Ain't That Lovin' You? [8:15] [1:33],
 06. Sama Layuca// [5:37#]
 Set Two: Disc Two (5) 41:58, 01. ... Make it Better [#5:25] [0:36] (fades in), 02. I Just
 Want to Stop [4:19] [1:14], 03. Struggling Man [6:10] [1:23], 04. Another Star [11:37] [0:52], 05.
 That's What Love Will Make You Do [10:04] [0:15]
06/22/79 Berkeley, CA - Keystone MSR>P>D>CD All 88 9999 10132 
 *Reconstruction*
 d1t06 Long Train Running reel splice @ 10:13
 Set One: 1. Fast Tone, 2. It's No Use, 3. Tellin' My Friends, 4. The Jealous Kind, 5. What
 You Won't Do for Love, 6. Long //Train Running Instrumental, 7. Struggling Man, 8. Make It Better,
  Total Time 68:30
 Set Two: 1. That's What Love Will Make You Do, 2. Dear Prudence, Filler: 3/9/79 Cabaret
 Cotati, 3. Another Star, 4. Get Up and Dance, 5. Instrumental, 6. Soul Roach, Total Time 72:06
06/22/79 Berkeley, CA - Keystone enter partial 72 9999 4437 
 *Reconstruction*
07/06/79 Berkeley, CA - Keystone MAC>D>CD All 117 0533-0534 11674 
 *Reconstruction: Eldon Porray, Nak CM-700s > Sony TC-D5*
 MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony,
 left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A >
  Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN. EAC > SHN by
 Joe Jupille. Proper sector boundaries verified using shntool. Notes: According to Jim Wise (BUDD
 Digest #894, 7/31/2002), no-one was using the D5 until late fall 1979 at the earliest, so I am not
 100% sure of the deck. Flaws: d2t03 Just Want to Stop comes close to clipping in.
 Set One: Disc One (7) 64:11, 1. What You Won't Do For Love [6:35] [0:21], 2. Make It Better
 [6:42] [0:31], 3. Someday Baby [9:23] [0:26], 4. Long Train Running Instrumental [15:34] [0:10], 5.
 The Jealous Kind [4:17] [0:41], 6. Tellin' My Friends [4:40] [0:48], 7. A Lovely Night For Dancing
 [13:35] [0:16]
  Set Two: Disc Two (6) 53:15, 1. Crowd & Tuning [0:05], 2. Strugglin' Man [6:14] [0:20], 3. I
 Just Want To Stop [4:35] [0:14], 4. I'll Take A Melody [11:14] [0:25], 5. Fast Tone [19:48] -> 6. Dear
 Prudence [9:48] [0:30]
07/07/79 Palo Alto, CA - Keystone Palo Alto MAC>D>CD All 135 0386-0387 10142 
 *Reconstruction: Eldon Porray, Nak CM-700s > Sony TC-D5*
 MAC > D > CD. Taped by Eldon Porray patched out of Bob Menke's deck, Nakamichi CM-700 mics > Sony
 TC-D5 > Maxell XL-II C90 cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit
 A/D converter @ 44.1 kHz Sony R500 DATx0 > Sony CDR-W33 (master CD) > EAC > tracking using CD Wave >
  SHN using mkwACT. According to Jim Wise (BUDD Digest #894, 7/31/2002), no-one was using the D5 until
 late fall 1979 at the earliest, so I am not 100% sure of the deck. A>D and D>CD by Ryan Shriver,
 WAV>SHN by Joe Jupille. Notes: d1t03 TWLWMYD anomalies @ 1:08, 1:14; d1t04 Do I Move You L channel
 muffled @ ca. 10:56-12:08; d2t09 was previously labeled "Instrumental #6"; d2t09 Mohican and the Great
 Spirit cuts out, probably not much missing; d2t10 Dear Prudence cuts in, not much missing; d2t10 Dear
 Prudence light analog tick @ start
 Set One: Disc One (7) 57:44 --Set I-- 1. Crowd & Tuning [0:34], 2. Tellin' My Friends [3:57]
 [1:09], 3. That's What Love Will Make You Do [10:30] [0:14], 4. Do I Move You? [12:11] [0:15], 5.
 Another Star [13:50] [0:47], 6. Strugglin' Man [6:17] [0:29], 7. Make It Better [7:17] [0:12]
 Set Two: Disc Two (11) 76:45 --Set II-- 1. Tuning [0:11], 2. Lovely Night For Dancing
 [13:27] [0:53], 3. I'll Take A Melody [10:39] [0:49], 4. Nessa [14:06] -> 5. Bass & Drums [3:26] -> 6.
 Drum solo [3:25] -> 7. Nessa [0:56] [0:04], 8. Band Introductions [0:47], 9. I Just Want To Stop
 [4:50] [0:28], 10. The Mohican and the Great Spirit// [12:08#], 11. //Dear Prudence [#10:10] [0:23]
07/07/79 Palo Alto, CA - Keystone Palo Alto MTX I 60 1297 83953 
 *Reconstruction, matrix of MSC>D with Porray aud*
 Set 1 matrix: Sources: SBD: Soundboard Cassette Master > DAT Transfer: Panasonic SV-3700 > M-Audio
 Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8).
 Transferred, Remastered and Seeded by Green Mountain Bros. March 2007. AUD: MAC > D > CD > EAC > SHN.
 Taped by Eldon Porray (patched out of Bob Menke's deck), Nakamichi CM-700 mics > Sony TC-D5 > Maxell
 XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1
 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT). A
 > D and D > CD transfers by Ryan Shriver, WAV > SHN by Joe Jupille. Proper sector boundaries verified
 using shntool. Lineup: Jerry Garcia - guitar; John Kahn - bass; Merl Saunders - keyboards; Ed
 Neumeister - trombone; Ron Stallings - tenor sax; Gaylord Birch - drums. Edited and mastered by
  SIRMick, April 2007.
 Set One: Single Disc (7 tracks, 60:01) 01 crowd/tuning, 02 Tellin' My Friends About You,
 03 That's What Love Will Make You Do, 04 Do I Move You?, 05 Another Star (Instrumental), 06
 Strugglin' Man, 07 Don't It Make It Better
07/07/79 Palo Alto, CA - Keystone Palo Alto MSC>D>CD I 60 1298 83723 
 *Reconstruction*
 Source: Soundboard Cassette Master > DAT. Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to
 Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and
 Seeded by Green Mountain Bros. March 2007. Jerry Garcia - Guitar; John Kahn - Bass; Merl Saunders
 - Keyboards; Ed Neumeister - Trombone; Ron Stallings - Tenor Sax; Gaylord Birch - Drums.
 Set One: 1ST Set Only: 60:11: 1. Tuning, 2. Telling My Friends About You, 3. That's What
 Love Will Make You Do, 4. Do I Move You?, 5. Another Star (Instrumental), 6. Strugglin' Man, 7. Don't
 It Make It Better
07/08/79 Palo Alto, CA - Keystone Palo Alto MSR>D>CD All 112 0014-0015 4435 
 *Reconstruction*
 Betty 7" master soundboard reels @ 7.5ips > 2PCM > DATx0 > DATx1 > digitally normalized > CD; d1t06
 sub-second fold @ 3:44, 4:32; d2t02 reel start-up, beginning clipped
 Set One: 1. [0:11] Make it Better [6:43] [0:51], 2. Someday Baby [8:51] [1:06], 3. Soul
 Roach [15:54] [1:11], 4. What You Won't Do For Love [6:52] [0:27], 5. Lyinda [13:46] [0:31], 6. It's
 No Use [12:30] [0:58], Total Time 69:54
 Set Two: 1. Tellin' My Friends [4:30] [0:33], 2. //The Jealous Kind [4:35#] [0:38], 3.
 That's What Love Will Make You Do [11:18] [0:48], 4. Fast Tone [8:03] -> 5. Dear Prudence [11:23]
 [0:44], Total Time 42:01
07/20/79 Rodeo, CA - Rio Theater MA?>?>CD ? 44  
 *Reconstruction: unknown taper & gear*
 This turns out to be a really nice aud, almost certainly a partial show. I would love to hear the
 rest! Notes: Someday Baby cuts in, not much is missing; (1) unknown female vocalist on lead vocals;
 (2) Swanee River (Old Folks at Home) noodling by Kahn and then Garcia; (3) unknown female vocalist
 (same as on unknown song) on backing vocals.
 Set One: Single Disc (7) 43:40, 01. [0:04] That's What Love Will Make You Do [9:42] [0:08],
 02. //Someday Baby [#8:05] [0:21], 03. Heart of Fire (1) [3:51] [0:19], 04. Dear Prudence [8:21]
 [0:33], 05. Make It Better [6:54] [0:19], 06. Tuning (2) [0:40], 07. Telling My Friends (3) [4:07]
 [0:10]
07/22/79 Santa Monica, CA - Civic Auditorium MS?>?>CD partial 66 0271 11048 
 *Reconstruction*
 MS?> ? > CD > EAC > SHN. EAC, tracking using CD Wave, .shn encoding using mkwACT, and sector
  boundary verification using shntool by Joe Jupille. The excellent sound quality suggests a reel
 master, with no or few subsequent analog generations. Notes: d1t01 Welcome to the Basement fades in @
 very start; d1t10 Dear Prudence fades in @ very start; Additional notes: I also have a copy of this
 with incomplete Dear Prudence (fades out after 6:03), but which has Lovely Night for Dancing before it
 in SQ similar to the rest of the set. Lovely Night is not listed at the Jerry Site, and since the set
 that contains it was mislabeled 9/22/79, I am skeptical about its accuracy. A second mislabeled copy
 came to me as 8/10/79, but it contains the same material as on this disc, tracked slightly
  differently.
 Set One: Single Disc (10) 65:30, 1. Welcome to the Basement [10:57] -> 2. Bass solo [2:05]
 -> 3. Welcome to the Basement [1:31] -> 4. Fast Tone [15:53] [0:01], 5. Nessa [10:42] -> 6. Bass solo
 [1:54] -> 7. Drum solo [1:38] -> 8. Nessa [0:56] [0:04], 9. That's What Love Will Make You Do [10:20]
 [0:03], 10. Dear Prudence [9:20] [0:02]
08/10/79 San Francisco, CA - Temple Beautiful MAC>CD All 114 0571-0572 12590 
  *Reconstruction: Phil Jarret, JVC stereo mic > Teac PC 10*
 MAC (Taped by Phil Jarret, JVC stereo mic > TEAC PC 10) > 3CD > HP 9350i extraction using EAC >
 tracking using CD Wave > .shn encoding using mkwACT. Proper sector boundaries confirmed using shntool.
 EAC > SHN by Joe Jupille. Notes: This is not a great audience recording, but it is solid. The Sama
 Layuca -> Jam -> Dear Prudence alone makes this one worth having (IMO!). Flaws: d1t05 TWLWMYD fades
  in, not much missing.
 Set One: Disc One (8) 71:40, 01. Lovely Night For Dancing [10:36] [0:15], 02. Strugglin' Man
 [6:04] [0:08], 03. Fast Tone [13:38] [0:05], 04. I Just Want To Stop [4:26] [0:05], 05. //That's What
 Love Will Make You Do [#11:32] [0:07], 06. Another Star [11:49] [0:35], 07. Tellin' My Friends [4:14]
 [0:23], 08. Make It Better [6:35] [0:06]
 Set Two: Disc Two (6) 41:57, 01. Tuning [0:16], 02. Someday Baby [8:22] [0:05], 03. Unknown
  Song [5:08] [0:16], 04. Sama Layuca [11:35] -> 05. Space & Nice Jam [4:23] -> 06. Dear Prudence
 [11:40] [0:11]
08/10/79 San Francisco, CA - Temple Beautiful MAC>D>CD All n/a 1287 81311 
 *Reconstruction: Bob Menke, Nak 700s > Sony TC-D5*
09/15/79 Palo Alto, CA - Keystone Palo Alto MAC>CD All 115 9999 23792 
 *Reconstruction: Bob Menke, Nak 700s > Sony D5*
 Tellin' My Friends major cut/splice @ 0:18, muffled after; Make it Better glass breaking @ 1:27,
 one of those perfect "small club" moments on this aud! That's What Love Will Make You Do bad digi-snit
 @ 1:33
 Set One: Disc One (8) 67:30 --Set I-- 01. Tuning & Welcome [1:41], 02. Telling My// Friends
 [4:#12] [0:31], 03. Struggling Man [6:08] [0:11], 04. Lovely Night for Dancing [10:49] [0:42], 05.
 Nessa [9:39] -> bass [2:10] -> Nessa [0:56], Band Introductions [0:23], 06. [0:19] Make it Better
 [6:34] [0:56], 07. That's What Love Will Make You Do [10:37] [0:16] --Set II-- 08. [0:29] Another Star
 [10:28] [0:15]
 Set Two: Disc Two (4) 47:18 --Set II (con't)-- 01. [0:27] What You Won't Do For Love [6:34]
  [0:53], 02. Someday Baby [8:11] [0:21], 03. [0:29] Fast Tone [12:02] [0:19], 04. [0:12] Ain't That
 Lovin' You? [7:10] -> Dear Prudence [10:01] [0:34]
09/22/79 Berkeley, CA - Keystone MAC>D>CD All 105 0388 10143 
 *Reconstruction: Eldon Porray, Nak CM-700s > Sony TC-D5*
 MAC > DAT > CD. Taped by Eldon Porray Nakamichi CM-700 mics (front row of balcony, left of
 soundboard) > Sony TC-D5 cassette master (Maxell XL-II) > playback using Nakamichi CR-3A (no Dolby) >
 Lucid AD9624 24-bit A/D converter @ 44.1 kHz Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC
 > tracking using CD Wave > SHN using mkwACT. According to Jim Wise (BUDD Digest #894, 7/31/2002),
 no-one was using the D5 until late fall 1979 at the earliest, so I am not 100% sure of the deck. A>D
 and D>CD by Ryan Shriver, WAV>SHN by Joe Jupille. Notes: Set II with Bobby Forté on tenor saxophone.
 Not yet noted for flaws.
 Set One: Disc One (8) 53:21 --Set I-- 1. Lovely Night For Dancing [12:10] [1:09], 2. I Just
 Want To Stop [4:26] [0:21], 3. I'll Take A Melody [11:35] [0:07], 4. Nessa [11:03] -> 5. Bass & Drums
 [2:19] -> 6. Nessa [0:57] [0:05], 7. Band Introductions [1:27], 8. Make It Better [7:25] [0:15]
 Set Two: Disc Two (6) 52:06 --Set II-- 1. Tuning [1:09], 2. Tellin' My Friends [4:17]
 [0:20], 3. Someday Baby [12:20] [1:04], 4. Fast Tone [12:26] [0:11], 5. Ain't That Lovin' You [9:05]
 [0:54], 6. Dear Prudence [10:03] [0:14]
10/07/79 Berkeley, CA - Keystone MAC>CD All-1 102 1259 32616 
 *JGB: Angus & Hart, Sony mics > Technics deck*
 MAC (Taped by John Angus & Scott Hart, Sony mics > Technics deck) > Sony TCD5 playback > Roland
 UA-30 interface > Mac Powerbook via Peak 4.1 > CD (Toast v5.2) > Plexwriter PX-W4824A extraction (EAC
 v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification
 (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v.1.7.1 etree edition). Analog > CD transfer
  by slip, EAC > FLAC by Joe Jupille. Notes: - Nice tape! Crowd is a little chatty. - Ozzie Ahlers'
 first show. - Only edits undertaken were to smooth a few tape transitions. - d1t02 How Sweet levels
 rise around 3:25, some considerable level fluctuations throughout. - d1t05 @ 10:11-10:15 there is a
 short repeated section of crowd noise and then a few notes of the missing Friend of the Devil. I have
 left this material intact. - d2t03 TLEO fades down @ very end. - d2t04 Limbo maybe missing first note
 or two. slip's recollections: "We got there really early, made a day of it on University Ave. , stood
 in line and got in as soon as the door opened. Headed directly upstairs to the sweet spot on the rail,
 which was a wrought iron railing with Med. motif. Taped the mic to the rail and proceeded to party for
 a few hours before the show. The tape reflects the events that occurred as the second set started. We
 were VERY high on liquid and we forgot to turn on the deck. They opened the set with friend of the
 devil."
 Set One: Disc One (6) 51:35 --Set I-- d1t01 - Crowd & Tuning [0:05], d1t02 - How Sweet It Is
 [8:03] [0:26], d1t03 - Catfish John [8:17] [1:01], d1t04 - Simple Twist of Fate [8:50] [1:00], d1t05 -
 After Midnight [9:33] [0:56], (MISSING Friend of the Devil), d1t06 - Harder They Come [13:02]
 [0:20]
 Set Two: Disc Two (6) 50:05 --Set II-- d2t01 - Crowd & Tuning [2:54], d2t02 - Money Honey
 [9:50] [1:19], d2t03 - They Love Each Other [8:33], d2t04 - Sitting in Limbo [7:52] [0:42], d2t05 -
 Russian Lullaby [12:03] [0:22], d2t06 - That's Alright Mama [6:15] [0:14]
10/07/79 Berkeley, CA - Keystone  MAC>CD IIp 29 0569 14081 
 *JGB: Angus & Hart, Sony mic > Technics deck*
 MAC > CD > EAC > SHN. Recorded by John Angus, Sony mic > Technics deck (uncertain model) cassette
 master (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP
 9350i extraction using EAC > speed correction (pitch shifted up by 90 cents) using Sound Forge XP
 version 5 > tracking using CD Wave > .shn encoding using mkwACT. Proper sector boundaries verified
 using shntool. A>D by slip; extraction, tracking, and .shn encoding by Joe Jupille; speed correction
 by Stephen Kinsch.
 Set One: Single Disc (3) 28:49, 1. Sitting in Limbo [7:59] [0:42], 2. Russian Lullaby
 [11:53] [0:22], 3. That's Alright Mama [6:09] [0:14]
10/21/79 Berkeley, CA - Keystone MAC>C>D>CD All 116 0591 13203 
 *JGB: Steve Spitalny, unknown mics > Sony D-5M*
 MAC (recorded by Steve Spitalny, unknown mics > Sony D-5M) > cassette > DAT > CD > HP 9350i
 extraction using EAC > re-tracking using CD Wave > CD. Notes: -Not a terrific recording, especially
 right at the start, but it becomes quite listenable and in any case is the only one known to
 circulate. It is quite a nice performance, with a Positively 4th Street that is especially nice
 despite some vocal flubs. -The Jerry Site has hypothesized that Deal ended set I, but Jerry announces
 the set break right after Simple Twist, with no break between the end of the song and the set break
 announcement. Flaws: d1t01 After Midnight fades in; d1t01 After Midnight digi-static @ 0:16,
 0:33-0:34; -a few other warts here and there, but nothing major
 Set One: Disc One (5) 55:22 --Set I-- 01. ... After Midnight [#13:04] [0:17], 02. Sitting
 Here In Limbo [12:56] [0:24], 03. Let It Rock [8:08] [0:11], 04. Deal [7:53] [0:10], 05. Simple Twist
 Of Fate [12:02] [0:15]
 Set Two: Disc Two (7) 60:52 --Set II-- 01. Crowd & Tuning [0:27], 02. How Sweet It Is To Be
 Loved By You [10:50] [0:20], 03. Catfish John [8:57] [0:19], 04. Postively 4th Street [11:47] [0:22],
 05. That's Alright Mama [7:35] [0:24], 06. Russian Lullaby [11:40] -> 07. Tore Up Over You [7:59]
 [0:08]
11/16/79 Palo Alto, CA - Keystone Palo Alto MAC>CD All 107 0610-0611 13426 
 *JGB: Angus & Hart, Sony ECM99 > Sony TC-D5*
 MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland
  UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > very slight editing
 (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) >
 .shn encoding (mkwACT v0.97 beta 1). Notes: A solid recording, slightly thin but very good. This
 Sugaree is quite spectacular. Flaws: d1t01 After Midnight small pop removed @ start; d1t01 After
 Midnight cuts in abruptly @ first vocals; d2t03 That's Alright Mama barely clips in.
 Set One: Disc One (4) 44:16 --Set I-- 01. //After Midnight [#12:09] [0:29], 02. Catfish John
 [10:07] [0:24], 03. Simple Twist Of Fate [12:40] [0:18], 04. How Sweet It Is [8:02] [0:06]
  Set Two: Disc Two (5) 62:47 --Set II-- 01. Sugaree [16:40] [0:11], 02. They Love Each Other
 [9:06] [0:06], 03. That's Alright Mama [11:11] [0:05], 04. Sitting Here In Limbo [14:17] [0:31], 05.
 Tore Up Over You [10:26] [0:13]
11/18/79  Berkeley, CA - Keystone MAC>CD All 113 0612-0613 13340 
 *JGB: Angus & Hart, Sony ECM99 > Sony TC-D5*
 MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland
 UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave
 v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Notes: An
 excellent recording of a very nice show. Flaws: d1t06 How Sweet It Is barely clips in.
 Set One: Disc One (6) 57:49 --Set I-- 01. Crowd & Tuning [0:49], 02. Money Honey [9:41]
 [0:31], 03. They Love Each Other [10:04] [0:39], 04. Let It Rock [11:55] [0:48], 05. Russian Lullaby
 [14:01] [0:10], 06. //How Sweet It Is [#8:59] [0:10]
 Set Two: Disc Two (5) 55:25 --Set II-- 01. Crowd & Tuning [1:02], 02. Harder They Come
 [17:57] [0:44], 03. Simple Twist Of Fate [15:07] [0:05], 04. After Midnight [11:23] [0:23], 05. Tore
 Up Over You [8:32] [0:11]
12/20/79 Palo Alto, CA - Keystone Palo Alto MSR>P>D>CD All 83 9999 22889 
 *JGB*
 SBDMR > PCM >DAT > CDR. Lots and lots of zits on this recording, ticks @ markers, persistent light
 pops, etc. d1t01 Love in the PM fades in, probably not much missing; d1t03 Simple Twist drop @ 9:40
 (tune); d1t05 How Sweet drop @ 0:37 (tune).
 Set One: Disc One (7) 73:00 --Set I-- 1. ... Love in the Afternoon [#9:37] [0:06], 2. [0:07]
 Let it Rock [9:47] [0:10], 3. [0:30] Simple Twist of Fate [12:18], 4. [0:14] That's Alright Mama
 [7:05], 5. [0:16] How Sweet It Is [10:12] [0:16], 6. Catfish John [9:14] [0:13], 7. After Midnight
 [12:42] [0:10]
 Set Two: Disc Two (1) 9:36, 1. Tore Up [9:13] [0:23]
12/21/79 Palo Alto, CA - Keystone Palo Alto MSR>D>CD All 100 0334 4434 
 *JGB*
  SBDMR >DAT > CDR. d1t01 Sugaree cuts in; d1t04 After Midnight reel splice @ 6:04; d1t05 How Sweet
 fades in, not much missing; d2t01 4th Street barely clips in; d2t03 HTC drop/splice/static @ ca.
 10:08
 Set One: Disc One (5) 60:08 --Set I-- 1. //Sugaree [#15:58] [0:06], 2. [0:30] They Love Each
 Other [7:11] [0:02], 3. Russian Lullaby [13:45] [0:02], 4. After// Midnight [12:#30] [0:04], --Set
 II-- 5. //How Sweet It Is [#9:49] [0:08]
 Set Two: Disc Two (3) 40:23 --Set II (con't)-- 1. [0:02] //Positively 4th Street [#17:33]
 [0:04], 2. Deal [7:50] [0:14], 3. [0:07] Harder They //Come [14:#17] [0:15]
12/21/79 Palo Alto, CA - Keystone Palo Alto Bertha remas All n/a 0972 24642 
 *JGB: "Bertha" remaster*
 nice!
 Set One: Sugaree, They Love Each Other, Russian Lullaby, After Midnight, How Sweet It Is To
 Be Loved By You, Postively 4th Street Deal
12/21/79 Palo Alto, CA - Keystone Palo Alto enter All n/a 9999 13232 
 *JGB* *SBEs*
 Set One: Sugaree, They Love Each Other, Russian Lullaby, After Midnight, How Sweet It Is To
 Be Loved By You, Postively 4th Street Deal
 
01/20/80 Palo Alto, CA - Keystone Palo Alto MSC>C>D>CD All 93 0815 16868 
 *JGB*
 Came listed as "SBDMR > Cass > DAT > CD", but this seems extremely unlikely. Unfortunately, like
  so many early 80s JGB sbds this one is just cut to pieces. There is a substantial layer of hiss, as
 well. Sitting in Limbo cuts in; Limbo diginoise @ 7:39, 8:01; FOTD cuts out harshly; Tore Up clips
 in; Russian Lullaby clips in; Russian Lullaby cuts out; Masterpiece clips in; After Midnight barely
 clips out. Any copies I make of this will come from the .shns, which may nor may not have the digital
 anomalies listed above (I haven't checked)..
 Set One: Disc One (4) 42:05 --Set I-- 1. //Sitting in Limbo [#14:10] [1:17], 2. That's
 Alright Mama [7:53] [0:18], 3. Friend of the Devil// [8:05#], 4. /Tore Up Over You [#10:18] [0:02]
 Set Two: Disc Two (6) 50:32 --Set II-- 1. Harder They Come [12:16], /Russian Lullaby //
 [#9:10#] [0:04], 3. /Masterpiece [#10:11] -> 4. After Midnight [12:41] -> 5. Eleanor Rigby Jam [1:09]
 -> 6. After Midnight/ [4:58#]
01/24/80 Rodeo, CA - Rio Theater MSC>D>CD  Most 92 9999 4433 
 *JGB* *SBEs*
 Missing show-opening How Sweet It Is; d1t01 TLEO cuts in; d1t01 TLEO static @ 1:04; d1t03 TAM first
 few notes clipped; d1t03 TAM cuts out abruptly; d1t04 Tore Up first few notes clipped; d1t05
 Masterpiece first few notes clipped; d2t01 Limbo static @ ca. 6:30; d2t02 Russian Lullaby first few
 notes clipped; d2t02 Russian Lullaby crackle @ 6:56, 6:58; d2t02 Russian Lullaby cut/splice @ 7:16?
 d2t03 light crackles/static/buzz @ 12:20-12:25 of the track
 Set One: Disc One (5) 45:52, --Set I-- (How Sweet It Is), 1. //They Love Each Other [#7:08]
 [0:02], 2. Train to Cry [9:48] [0:08], 5. //That's Alright Mama// [#8:49#], 4. //Tore Up Over You
 [#9:44] [0:02], --Set II-- 5. //When I Paint My Masterpiece [#10:03][0:05]
 Set Two: Disc Two (3) 46:14, --Set II (con't)-- 1. Sitting in Limbo [13:15] [0:35], 2.
 //Russian Lullaby [#12:33], 3. After Midnight [10:48] -> Eleanor Rigby [4:11] -> After Midnight [4:47]
 [0:03]
01/27/80 Berkeley, CA - Keystone MAC>C>D>CD IIp 47 
 *JGB: unknown taper & gear*
 Unknown recording details. Some phasing in t01, modest hiss throughout; t05 Tore Up cuts out.
 Set One: 1. When I Paint My Masterpiece [11:31] [0:06], 2. After Midnight [14:13] -> 3.
 Eleanor Rigby Instrumental [3:51] -> 4. After Midnight [6:09] [0:02], 5. Tore Up// [11:03#], Total
 Time 46:57
02/01/80 San Francisco, CA - The Stone MAC>CD All 111 0398 10432 
 *JGB: John Angus, unknown mics > Sony TC-D5*
 MAC > CD. Taped by John Angus, mic TBD (on the rail, directly in front of Jerry) > Sony TC-D5
 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > EAC >
 tracking using CD Wave > mkwACT > shn. Flaw Notes: d1t01 Sugaree cuts in, not much missing; d1t01
 Sugaree mix & level fluctuations ca. first minute; d1t01 Sugaree light tick @ 1:19, 1:28, 2:34; d1t01
 Sugaree levels drop @ 3:40-3:45, 8:50; d1t02 sound @ start of track is mic adjustment; d2t02 Melody
 mic adjustments first minute; d2t02 Melody club fire alarm is audible; d2t02 Melody levels drop @
 11:14-11:47; d2t05 Masterpiece first note or two clipped; d2t05 Masterpiece light crackle @ ca. 5:40.
 Tapers' notes: "on the rail so to speak...it was opening night so they had 8 ft long tables in rows
 with white linen, red roses in glass vases and ashtrays with 'hippodrome' matches in each one...i
 quickly grabbed the matches as that was what the place used to be called prior to the stone, still
 have em...before that i think it was the matrix...anyway, we sat at jerry's feet, tied a rose to his
 microphone stand while steve parrish angrily glared at us before jerry came out, we put our mic at the
  head of the table and he played right into it!...FOB fer sure!"
 Set One: Disc One (5) 61:09 --Set I-- 1. //Sugaree [#13:58] [0:55], 2. Catfish John [9:13]
 [0:49], 3. Let It Rock [10:35] [0:20], 4. Simple Twist Of Fate [15:26] -> 5. That's Alright Mama
 [9:46] [0:06]
 Set Two: Disc Two (5) 50:01 --Set II-- 1. Crowd & Tuning [0:08], 2. I'll Take A Melody
 [16:44] [0:21], 3. How Sweet It Is [7:13] [0:28], 4. Russian Lullaby [13:02] [0:04], 5. //When I Paint
  My Masterpiece [#11:51] [0:10]
02/02/80 *see Jerry Garcia on Official Releases* n/a 
02/02/80 San Francisco, CA - The Stone MAC>D>CD All 136 1369 92369 
 *JGB: Eldon Porray, Nak CM 700s > Sony TC-D5*
 Recorded by Eldon Porray, Nak 700s > Sony TC-D5. d1t01 Train to Cry fades in; d1t04 needs
 re-tracking; d1t04 TAM two-second gap @ beginning; d2t01 Let it Rock light pop @ 8:48; d1t03-04 need
 retracking; d2t04 light static @ 18:18-18:20 (ca. 2:27 of Eleanor Rigby). Says badbob: "the let it
 rock is not from 2-2-80. eldon was patched out of my rig that night and I suspect that the let it rock
 was filler. there is a long story about how his copy got circulated that I won't go into now, but I
 have downloaded and listened to this copy and I believe the playback was somehow defective. the master
 cassette sounds better than the cd by a margin that suggests something went wrong."
 Set One: Set I, 1. //It Takes a Lot to Laugh, It Takes a Train to Cry [8:36#] [0:12], 2.
 They Love Each Other [9:47] [0:45], 3. Money Honey [8:37] [0:15], 4. Sitting in Limbo [13:51] ->
 That's Alright Mama [8:45] [0:10], Set II, 5. [0:03] Harder They Come [17:27] [0:03], Total Time
 68:34
 Set Two: Set II (con't), 1. Let it Rock [10:49] [0:18], 2. When I Paint My Masterpiece
 [14:22] [0:27], 3. Russian Lullaby [15:27] [0:04], 4. After Midnight [15:50] -> Eleanor Rigby
 Instrumental [3:43] -> After Midnight [5:35] [0:06], Total Time 66:45
02/02/80 San Francisco, CA - The Stone MAC>CD All 118 1369 92432 
 *JGB: John Angus & Scott Hart, Sony ECM 990 > TC-D5*
 Source: FOB Audience;Tapers: John Angus and Scott Hart; Field Recording Equipment: uncertain mics >
 Sony TC-D5 (Maxell UD-XLIIs);Transfer (slipnut): Sony TC-D5 playback > Roland UA-30 USB > MAC G3
 Powerbook > CD/0; Track & FLAC (jj): EAC > CDWave > FLAC level 8. JJ 2003 Notes: - a truly amazing
 audience recording, one of several unbelievable masters made of this show. I just can't say enough
 how much I love this tape! The show is also an all-timer. JJ 2008 notes: Notes: - Contrast clause:
 this is different from the Porray master, as determined by different chatter and applause on the two
 tapes, though the pattern of cuts and such is strangely similar. This one sounds better to my ears
 than the currently circulating version of the Porray tape (shnid 92369), though it's possible that a
 side-by-side transfer of the two tapes on the same gear would reveal similarly excellent pulls of this
 excellent show. - d1t01 Train to Cry cuts in. I left it abrupt, rather than fading it in, to
 facilitate eventual patching should a complete version emerge. Watch your speakers! - d1t02 TLEO may
 be considered to clip in; - d1t05 That's Alright Mama drop/splice @ start (possible tape flip?); -
 d2t01 HTC muffled first 0:03. Lineup (via The Jerry Site): - Jerry Garcia: guitar, vocals; - John
 Kahn: bass; - Ozzie Ahlers: keyboards; - Johnny de Foncesca: drums.
 Set One: Disc One (5 tracks, 48:04) --Set I-- d1t01. //It Takes a Lot to Laugh, It Takes a
 Train to Cry [8:#14] [0:08] d1t02. They Love Each Other [9:19] [0:08] d1t03. Money Honey [8:12] [0:13]
 d1t04. Sitting in Limbo [13:14] -> d1t05. That's //Alright Mama [8:#22] [0:11]
 Set Two: Disc Two (6 tracks, 70:29) --Set II-- d2t01. The Harder They Come [16:37] [0:01]
 d2t02. When I Paint My Masterpiece [13:40] [0:18] d2t03. Russian Lullaby [14:41] -> d2t04. After
 Midnight [15:27] -> d2t05. Eleanor Rigby [3:33] -> d2t06. After Midnight [5:30] [0:39]
02/02/80 San Francisco, CA - The Stone MS?>?>C>CD IIp n/a 1311  85532 
 *JGB*
 Source: A(big)cardboard box, SBD > ? > Maxell XL2S > Nak CR3A > HP Computer > Sound Forge (Vol @
 5.6DB) > CD Wave > Flac.
 Set Two: T1 //Harder They Come, T2 When I Paint My Masterpiece, T3 Russian Lullaby, T4 After
 Midnight > Eleanor Rigby Jam > After Midnight
02/07/80 Santa Cruz, CA - The Catalyst MAC>D>CD All 110 0681 15063 
  *JGB: Lee Bittner, Audio Technica 801 mics > Sony TC-D5*
 MAC (Taped by Lee Bittner, Audio Technica 801 mics > Sony TC-D5) > DAT > CD > HP 9350i extraction
 (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn
 encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. Notes/Flaws: - A solid recording of a nice
 show, with a particularly hot Sugaree. - d2t04 Harder They Come cross-faded tape flip @ 12:33.
 Set One: Disc One (5) 52:36 --Set I-- 01. Sugaree [16:36] [0:23], 02. Catfish John [10:35]
 [0:12], 03. How Sweet It Is [7:34] [0:12], 04. Let It Rock [7:30] -> 05. That's All Right, Mama [9:20]
 [0:11]
 Set Two: Disc Two (5) 57:19 --Set II-- 01. Crowd & Tuning [0:07], 02. I'll Take A Melody
 [16:01] [0:12], 03. Simple Twist Of Fate [14:26] [0:14], 03. Harder// They Come [13:#27] -> 04. When I
 Paint My Masterpiece [12:37] [0:13]
02/07/80 Santa Cruz, CA - The Catalyst composite All n/a 0978-0979 24511 
 *JGB*
 Set One: Sugaree, Catfish John, How Sweet It Is To Be Loved By You, Let It Rock, That's
 Alright Mama, I'll Take A Melody, Simple Twist Of Fate, The Harder They Come*, How Sweet It Is To Be
 Loved By You, When I Paint My Masterpiece*
02/07/80 Santa Cruz, CA - The Catalyst MSC>C>D>CD I,IIp 82 0978-0979 24511 
 *JGB*
 d1t01 pop after silence @ 0:02; d1t01 Sugaree fades in; d1t01 levels jump up @ 2:49; d1t01 gap @
 3:37-3:50; d1t01 tick @ 5:53; d1t01 light pop @ 6:31; d1t01 levels jump up again @ 7:42; d1t01 light
 pops @ 7:53, 7:55; d1t01 digi-chirp @ 13:38; d1t02 Catfish John first note or two clipped; d1t03 How
 Sweet cut/splice @ 4:03; d1t05 TAM first few notes clipped; d2t01 digi-static/distortion @ 7:13; d2t02
 first note or two clipped; d2t02 cuts out, <45 secs. missing?>
 Set One: 1. [0:02] //Sugar//ee [15:35#] [0:01], 2. //Catfish John [10:52#] [0:09], 3. How
 //Sweet It Is [7:17#] [0:02], 4. Let it Rock [7:38] [0:01], 5. //That's Alright Mama [9:30#] [0:04],
 Total Time 51:14
 Set Two: 1. [0:02] I'll Take a Melody [16:22] [0:01], 2. //Simple Twist of Fate// [14:04#]
 [0:01], Total Time 30:31
02/12/80a Washington, DC - Lisner Aud (G.W.U.) MAC>D>CD All 75 0514 11019 
 *JGB: Scott Jones, Shure mics > Sony TC-158*
 Scott Jones, FOB MAC w/ Shure mics > Sony TC-158 > DAT > CDR. (Improvement over previously
 circulating copy, recorded by Jeff Schlappich, Shure SM57s > Sony TC-152). DAT>CD by AJL, EAC>SHN by
 Don Chase. This is a very solid aud recording.
 Set One: Sugaree 10:03 Catfish John 9:34 How Sweet It Is To Be Loved By You 8:12 Sitting
 Here In Limbo 13:43 That's All Right, Mama 8:28 Deal 7:40 Encore: (11 minutes) When I Paint My
  Masterpiece 10:52
02/12/80b Washington, DC - Lisner Aud (G.W.U.) MAC>D>CD All 90 0515 11019 
 *JGB: Scott Jones, Shure mics > Sony TC-158*
 Scott Jones, FOB MAC w/ Shure mics > Sony TC-158 > DAT > CDR. (Improvement over previously
 circulating copy, recorded by Jeff Schlappich, Shure SM57s > Sony TC-152). DAT>CD by AJL, EAC>SHN by
 Don Chase. This is a very solid aud recording.
 Set One: The Harder They Come 13:52 It Takes A Lot To Laugh It Takes A Train To Cry 7:53
 They Love Each Other 8:51 Russian Lullaby 12:36 After Midnight > 11:52 Eleanor Rigby Jam > 3:34 After
 Midnight 3:47
 Set Two: I'll Take a Melody 11:48 Encore: (9 minutes) Tore Up Over You 9:00
02/13/80 Albany, NY - Palace Theatre, S.U.N.Y. MAC>C>CD All 141 1354 xxxxx 
 *JGB: Steven Rosenfeld, Beyer 201s > JVC deck*
 Master: Steven Rosenfeld's Beyer 201s (ca. 20th row, ROC) > JVC (unknown model) master cassette;
 Source/Transfer: 1st gen cassette (normal bias TDK tape) > Tascam standalone CD, by Scott Russell.
 Lossless Encoding: EAC > CDWave > FLAC. Notes: - This is not a great recording, but it is not awful
 and it certainly compares favorably with the other source I have, which is derived from Walter
 Keenan's xx gen cassette, sounds muddier, runs slower and is less complete (missing last three songs).
 Someone with good ears should check the pitch on this. - The show itself is very high energy and good,
 as you might expect from the great JGB month of February 1980. Let it Rock and Sugaree are both very
 hot, That's Alright Mama and Positively 4th Street are hot and great to hear, and generally I bet a
 better-sounding source would make this a big hit with the fans. This will have to do for now, and
 thanks go out to Scott Russell for transferring this source. - numerous tunes clip in and/or out; -
 s1t01 HSII cuts in; - s1t02 FOTD L channel out first :04; some mic adjustments; static @ 1:22- 1:33; -
 s1t04 levels much hotter on LIR; - s2t03 ITAM cuts out, probably missing a few minutes; - s2t04 4th
 Street low levels to start; splice/gap @ 8:19; - s2t07 static in Masterpiece.
 Set One: Disc One (6 tracks, 62:18) --Set I-- s1t01. //How Sweet It Is [#7:32] [0:09] s1t02.
 Friend of the Devil [9:00] [0:19] s1t03. Simple Twist of Fate [13:26] s1t04. /Let it Rock [10:02]
 [0:03] s1t05. /That's Alright, Mama [6:52] [0:03] s1t06. Sugaree [14:50]
 Set Two: Disc Two (7 tracks, 78:46) --Set II-- s2t01. Crowd & Tuning [0:14] d2t02. Tore Up
 Over You [9:33] [0:25] s2t03. I'll Take a Melody// [13:57#] s2t04. Positively 4th //Street [13:37]
 s2t05. /Russian Lullaby [16:53] s2t06. /Harder They Come [13:12] [0:02] --Encore-- s2t07. /When I
 Paint My Masterpiece [10:45] [0:05]
02/13/80 Albany, NY - Palace Theatre, S.U.N.Y. MA?>?>C>CD I,IIp 88 
 *JGB: unknown taper & gear*
 Audience recording from Walter Keenan’s cassette – Maxell XLII90 no Dolby > Nakamichi Dragon, no
 Dolby > HHB830plus > EAC > Sound Forge 6.0 (removed gaps, glitches, harsh noises, smoothed transition
 between songs) 3/2005 ? CD Wave Audio Editor 1.94.5 > CD. Lineup: Jerry, Garcia, John Kahn, Ozzie
 Allers, Johnny de Foncesca. JJ: - distant sound - smoking show!!! - Sugaree gets ridiculous in the
 8-min mark.
 Set One: Disc One (41:48) Set 1: 1. How Sweet It Is 7:50, 2. Friend of the Devil 9:53, 3.
 Simple Twist of Fate 13:46, 4. Let It Rock 10:16
 Set Two: Disc Two (46:14) Set 1 (cont.): 1. That’s All Right, Mama 7:14, 2. Sugaree 15:14
 Set 2: 3. audience, tuning 1:39, 4. Tore Up Over You 10:25, 5. I’ll Take A Melody // 11:38, MISSNG
 Positively 4th Street, MISSING Harder They Come, MISSING: E: When I Paint My Masterpiece
02/15/80a Boston, MA - Orpheum Theater MAC>D>CD All 85 
 *JGB: Steve Rolfe, Nak 700s > Sony TC-D5*
 AUD (Nak 700s > Sony TC-D5):C > DAT > CD, taped by Steve Rolfe; DNC JGB Round 2. d1t04 Let it Rock
 first few notes clipped; d2t01 Limbo brief chirps/static @ 2:48, 3:09, 4:25, 5:46; Deal shreds! d2t03
 Masterpiece first few notes clipped
 Set One: 1. [0:03] Sugaree [13:00] [0:44], 2. Catfish John [10:55] [1:05], 3. How Sweet It
 Is To Be Loved By You [8:03] [0:19], 4. //Let It Rock [10:43#] [1:00], Total Time 45:52
 Set Two: 1. Sitting Here in Limbo [13:18] [0:54], 2. That's Alright Mama [7:45] -> Deal
 [6:24] [0:35], 3. //When I Paint My Masterpiece [10:01] [0:24], Total Time 39:22
02/15/80a Boston, MA - Orpheum Theater MAC>CD All 96 1262 34726 
 *JGB: Steve Rolfe, Nak 700s > SonyTC-D5*
 Recording by Steve Rolfe: Master Audience Cassette; 2 Nak 700s> Sony TC-D5; Maxell UD-XLIIs;
 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. JJ: levels a bit
 low, but of course a terrific tape.
 Set One: Disc One (5 tracks, 47:47) Sugaree, Catfish John, How Sweet It Is To Be Loved By
 You, Let It Rock
 Set Two: Disc Two (5 tracks, 48:03) Sittin' In Limbo, That's Alright Mama-> Deal, E: When I
 Paint My Masterpiece
02/15/80b Boston, MA - Orpheum Theater MAC>D>CD All 72  
 *JGB: Steve Rolfe, Nak 700s > Sony TC-D5*
 AUD (Nak 700's >Sony TC-D5):C > DAT > CD, taped by Steve Rolfe; DNC JGB Round 2. d3t05 Harder They
 Come first few notes maybe clipped, different sounding source?
 Set One: 1. [0:11] I'll Take a Melody [15:07] [2:12], 2. Tore Up Over You [9:16] [0:29],
 (missing TLEO), 3. [0:13] Russian Lullaby [12:44] [1:03], 4. After Midnight [10:24] -> Eleanor Rigby
 Jam [4:15] -> After Midnight [3:24] [0:36], 5. //Harder They Come [12:08#], Total Time 72:14
02/15/80b Boston, MA - Orpheum Theater MAC>CD All 79 1262 34726 
 *JGB: Steve Rolfe, Nak 700s > Sony TC-D5*
 Recording by Steve Rolfe: Master Audience Cassette; 2 Nak 700s> Sony TC-D5; Maxell UD-XLIIs;
 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC.
 Set One: Single Disc (9 tracks, 79:17), 01. Tuning [0:58], 02. I'll Take A Melody [15:13]
 [0:48], 03. Tore Up Over You [9:21] [0:54], 04. They Love Each Other [6:46] [0:45], 05. Russian
 Lullaby [12:46] [0:12], 06. After Midnight [10:33] -> 07. Eleanor Rigby Jam [4:25] -> 08. After
 Midnight [3:25] [0:51], 09. Harder They Come [11:51] [0:22]
02/16/80 New Haven, CT - Gym, U. of New Haven MAC>CD All 104 1257 32346 
 *JGB: Scott Vid:Akai mic > Superscope deck*
 MAC (Taped by Scott Vid, FOB Akai mic > Superscope deck) > Tascam 122 mkII playback > Lucid ADA
 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction
 (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Audio Studio 7.0) > sector
 boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).
 Cassette transfer by John Hance, FLAC encoding by jjoops. Notes: - Really energetic show with strong
 versions of How Sweet It Is, Let it Rock and Harder They Come. The recording is not as good as the
 circulating MAC > C copy (shnid 21477), but it is complete and lineaged. - d1t01 HTC volume out @
 1:09-1:11, potential fixes worse than the problem.- d1t01 HTC attenuated volume by -6db from 3:09-3:11
 to save your speakers. - d1t02 TLEO brief splice @ 0:06.  Could be patched from shnid 21477. - d2t03
 LIR digi-scratch @ 4:39. Thanks to John Jay Hance for the source CDs!
 Set One: Disc One (5 tracks, 48:48) --Set I-- d1t01. How Sweet It Is [7:28] [0:12], d1t02.
 They// Love Each Other [6:#53] [0:03], d1t03. Let it Rock [9:19] [0:18], d1t04. Simple Twist of Fate
 [16:09] [0:37], d1t05. That's Alright Mama [7:37] [0:10]
 Set Two: Disc Two (6 tracks, 54:55) --Set II-- d2t01. Crowd [0:05], d2t02. It Takes a Lot to
  Laugh, It Takes a Train to Cry [11:03] [0:14], d2t03. Tore Up Over You [8:26] [0:10], d2t04. Russian
 Lullaby [12:41] [0:20], d2t05. Harder They Come [11:59] [0:04] --Encore-- d2t06. When I Paint My
 Masterpiece [9:44] [0:08]
02/16/80 New Haven, CT - Gymnasium (U of New Haven) MAC>?>CD Most 83 1191 21477 
 *JGB: unknown taper & gear*
 AUDMC > ? > DAT > CDR, taping information unknown. Not terrible, but not a great recording. Pick
  something else from 2/80 first.
 Set One: Disc One (6) 50:19 --Set I-- 1. Crowd & Tuning, 2. How Sweet It Is To Be Loved By
 You , 3. They Love Each Other , 4. Let It Rock , 5. Simple Twist Of Fate, 6. //That's Alright Mama
  Set Two: Disc Two (3) 32:47 --Set II-- 1. //Train to Cry, 2. Tore Up, 3. Russian Lullaby,
 (missing When I Paint My Masterpiece)
02/17/80 Oswego, NY - Laker Hall, SUNY MAC>C>CD All 164 9999 9017 
  *JGB: Keith Gatto, Nak 300s > Sony TC-D5*
 AUDMC (Keith Gatto, Nak 300s > Sony TC-D5) > Cassette > DAT > CD; Most tunes fade or cut in, with
 very little lost; Lite pops @ most tracker markers as well. d1t02 FOTD cut/splice @ 0:39; d1t03 How
 Sweet levels jump up @ 8:46; d1t04 Catfish John cut/splice @ 10:43
 Set One: Set I, 1. [0:04] //I'll Take a Melody [17:35#], 2. //Friend// of the Devil [9:08#],
 3. //How Sweet It Is [9:19#], 4. //Catfish// John [12:05#], 5. //Deal [9:14#] [0:07], 6. //Positively
 4th Street [14:17#], Total Time 72:02
 Set Two: Set I (con't), 1. [0:06] That's Alright Mama [11:32] [0:04], Set II, 2. //Money
 Honey [9:12#] [0:03], 3. Sitting in Limbo [12:52] [0:02], 4. Let it Rock [9:11] [0:01], 5. Afer
 Midnight [12:20] -> 6. Eleanor Rigby Instrumental [5:33] -> 7. After Midnight [4:44] [0:07], Total
 Time 65:50
 Set Three: Set II (con't), 1. //It Takes a Lot to Laugh, a Train to Cry [10:44#] [0:02], 2.
 Harder They Come [14:50] [0:03], Total Time 25:39
02/19/80 Syracuse, NY - Landmark Theater MAC>D>CD All 143 9999 22888 
 *JGB: Ben Raskin, binaural mics > Nak cassette deck*
 MAC > DAT > CDR, Ben Raskin AUD w/ binaural mics > Nak cassette deck. Not terrible, but not a
 great recording. Russian Lullaby pop @ ca. 9:16
 Set One: Disc One 69:50 --Set I-- 1. Crowd & Tuning [0:11], 2. Sugaree, 3. That's What Love
 Will Make You Do, 4. Catfish John, 5. Simple Twist Of Fate, 6. They Love Each Other, 7. That's Alright
 Mama
 Set Two: Disc Two 72:54 --Set II-- 1. I'll Take A Melody, 2. How Sweet It Is To Be Loved By
 You, 3. The Harder They Come, 4. Russian Lullaby, 5. Midnight Moonlight --Encore-- 6. When I Paint My
 Masterpiece
02/19/80 Syracuse, NY - Landmark Theater MAC>CD All 145 1257 32522 
 *JGB: Cohn & Mow, unknown mics > Sony 158 > JVC cass deck*
 Taped by Lee Cohn & Doug Mow, unknown condenser mics (balcony, midway back, on spreader bar,
 pointed at stacks) > Sony 158 > JVC cassette deck > Maxell II90 master cassette > Sony TC-D5M playback
 > UA-5 Oade Custom Mod > IBM R40 > WinXP Pro > Sound Forge 5.0 > CDR > EAC (no errors) > WinXP Pro >
 Flac Frontend > FLAC16. Transferred by Doug Mow. Conversion and seeding to bt.etree.org by Alex Ford
 02/25/06. Notes: - The mics and Sony 158 deck were run by Lee Cohen and Doug Mow patched out with a
 JVC cassette deck. - * slight clip at 0:03; - first time in circulation for this source (02/25/06); -
 Robert Hunter opened. JJ: I hear a brief splice @ 13:15 in I'll Take a Melody. HTC @ 7:33, brief
 splice.
 Set One: Disc One (6 tracks, 70:34) --Set I-- 01. Sugaree, 02. That's What Love Will Make
 You Do, 03. Catfish John, 04. Simple Twist Of Fate, 05. They Love Each Other, 06. That's All Right,
 Mama
 Set Two: Disc Two (6 tracks, 73:40) --Set II-- 01. I'll Take A Melody, 02. How Sweet It Is
 (To Be Loved By You), 03. Harder They Come, 04. Russian Lullaby, 05. Midnight Moonlight* Encore: 06.
  When I Paint My Masterpiece
02/20/80 Amherst, MA - Fine Arts Center, U. Mass. MAC>C>CD All 128 1209-1210 30299 
 *JGB: Unknown taper from Pittsburgh, Nakamichi mics*
 Source: Naks - model and deck unknown. Set I: MAC > Cx > standalone CDR > WAV > FLAC. Set II: MAC
 > C1 (Maxell type I), playback on Sony TC-KE400S (no NR) > audiophile 2496 analog in > Soundforge 7
 (recorded as 24 bit / 48 KHz WAV) > Wavelab (processing & 16 bit rendering - see below) > CDWave 1.9
 (tracking) > FLAC. Taper: unknown from Pittsburgh. First generation cassette source for Set II kindly
 provided by Dennis Carter. Transfer and processing by Chris Ladner. Ladner's notes: Comments: -
  Beginning of They Love Each Other and most of Russian Lullaby are cut. - There is pretty significant
 distortion at times on the first set source, especially during Deal. - The first set is markely
 inferior to the second set and I would rate the sound quality as a C-. - The second set sounds very
 good and is the reason to get this show with classic renditions of "Sugaree" and "Sitting In Limbo".
 The previous version of this source suffers from multiple analog generations and poor quality digital
 transfer. Dennis' cassette is a first gen off the mystery taper's master and had much less hiss than
 the previous source without the phase/tape degradation on a source I previously encoded but never
  really circulated because i thought it sucked. The pitch issues with the other source are not
 apparent on the new source either. Processing/Mastering: The following steps were done in mastering
 the cassette transfer to 16 bit/44.1 KHz WAV: 1. Original 24 bit WAV file was normalized to 87% RMS
 using Wavelab 5. 2. A 3 second section of the WAV file containing tape noise preceding the onset of
 musical content was "learned" using Waves X-Noise Plugin and selectively removed at a threshold of 0
 dB and 63% removal. Examination of the removed content by visuasl waveform examination and listening
 showed smooth monotonous hiss without any fluctuation. There was no apparent coloring of the sound
 using these settings on 24 bit files with a definite reduction in perceived tape hiss. 3. Very
 minimal bass augmentation using Waves Renaissance Bass Plugin - frequency 90 HZ at a level of -16.7
 dB. 4. Waves L3 Multimaximizer Plugin with flat EQ response and threshold of -2 dB/ceiling at -0.02
 dB. 5. Mastering was done using the plugins in the above order with direct rendering to 16 bit/44.1
  KHz using type I dither with ultra shaping. 6. File tracked using CDWave 1.9 and saved as 16 bit
 FLAC. JJ: as seeder noted, the early show sounds pretty awful. The late show sounds better and is
 quite a hottie, with a fiery Sugaree and some great wailing in Russian Lullaby.
 Set One: Disc 1 - Early Show (63:06): 01 How Sweet It Is (To Be Loved By You) , 02
 Catfish John , 03 That's What Love Will Make You Do , 04 Simple Twist Of Fate , 05 //They Love
  Each Other , 06 That's All Right, Mama, 07 Deal
 Set Two: Disc 2 - Late show (65:12): 01 Sugaree, 02 Sitting In Limbo, 03 Tore Up Over
 You, 04 //Russian Lullaby, 05 Harder They Come, 06 Midnight Moonlight
02/20/80a Amherst, MA - U Mass Fine Arts Center MAC>C>D>CD All 63 
 *JGB: unknown taper & gear*
 NOTES FOR EARLY (d1) AND LATE (d2): MAC > DAT > CDR. Taping setup unknown. Walter Keenan's first
 gen cassettes transferred by Blacula. For completists only. Sounds pretty awful, oversaturation
 throughout. d1t02 How Sweet static @ 0:32; d1t03 Catfish John drop @ ca. 8:57, near end; d2t02
 Sugaree gap @ 11:53-11:55, just before end; d2t03 Limbo fades in; d2t05 Russian Lullaby light tick @
 0:01 (not track marker); d2t05 Russian Lullaby fades out, unknown missing; d2t07 Midnight Moonlight
 cuts in, warbles first few seconds; d2t07 MM drops @ 0:34, 0:37.
 Set One: Disc One (9) 63:18 --Early Show-- 1. Crowd & Tuning [0:20], 2. How Sweet It Is To
 Be Loved By You, 3. Catfish John, 4. That's What Love Will Make You Do, 5. Simple Twist Of Fate, 6.
 //They Love Each Other -> 7. That's Alright Mama, 8. //Band Introductions, 9. Deal
02/20/80b Amherst, MA - U Mass Fine Arts Center MAC>C>D>CD All 66 
 *JGB: unknown taper & gear*
 NOTES FOR EARLY (d1) AND LATE (d2): MAC > DAT > CDR. Taping setup unknown. Walter Keenan's
 first gen cassettes transferred by Blacula. For completists only. Sounds pretty awful, oversaturation
 throughout. d1t02 How Sweet static @ 0:32; d1t03 Catfish John drop @ ca. 8:57, near end; d2t02
  Sugaree gap @ 11:53-11:55, just before end; d2t03 Limbo fades in; d2t05 Russian Lullaby light tick @
 0:01 (not track marker); d2t05 Russian Lullaby fades out, unknown missing; d2t07 Midnight Moonlight
 cuts in, warbles first few seconds; d2t07 MM drops @ 0:34, 0:37.
 Set One: Disc Two (7) 66:28 --Late Show-- 1. Crowd & Tuning [0:05], 2. Sugaree, 3. //Sitting
 Here In Limbo, 4. Tore Up Over You, 5. Russian Lullaby//, 6. The Harder They Come, 7. //Midnight
 Moonlight
02/22/80 New Brunswick, NJ - The Barn, Rutgers University MAC>CD All 141 9999 4430 
 *JGB: mislabel of Glassberg master (as Mark C.)*
 Nak 700's > Sony TC-158 > Playback on Nak Dragon > signal run through Sony PCM R-700 directly to
 hard disc via ZA-2 (Jim Wise Transfer) (*NOT* recorded by Mark Cohen, despite the fact that it
 circulates widely with that information. Cohen did not attend this show. He supposes that this is
 Barry Glassberg's master Nak 700's/Sony TC-D5 which John Steinthal transferred.); d1t04 Simple Twist
 contains :03 of That's Aright Mama
 Set One: 1. [0:06] It Takes a Lot to Laugh, a Train to Cry [9:28] [2:10], 2. They Love Each
 Other [10:03] [2:09], 3. Let it Rock [9:50] [0:54], 4. Simple Twise of Fate [15:48] [1:24], 5. That's
 Alright Mama [8:45] [0:20], set II, [0:11] When I Paint My Masterpiece [8:46] [0:25], Total Time
 70:22
 Set Two: 1. Sugaree [15:42] [2:08], 2. I'll Take a Melody [13:12] [1:46], 3. That's What
 Love Will Make You Do [9:30] [0:22], 4. Friend of the Devil [9:03] [1:44], 5. How Sweet It Is [8:09]
 -> 6. Midnight Moonlight [7:39] [0:28], Total Time 69:46
02/22/80 New Brunswick, NJ - The Barn, Rutgers University MAC>D>CD All 140 9999 18015 
 *JGB: Barry Glassberg, Nak 700s > Sony TC-D5M*
 MAC (Taped by Barry Glassberg, FOB Nak CM-700s > Sony TC-D5M) > Tascam 112 MKII playback > Sony
 PCM-R500A > HHB 800 master CD > 2 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking
 (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).
  A > CD by John Steinthal, EAC > SHN by Joe Jupille . Notes/Comments: - A terrific recording of an
 extremely high-energy and well-played show, with particularly amazing versions of Let it Rock and
 Sugaree. - No flaws noted.
  Set One: Disc One (6) 60:59 --Set I-- 01. Crowd & Tuning [0:06], 02. It Takes a Lot to
 Laugh, It Takes a Train to Cry [9:28] [2:06], 03. They Love Each Other [10:08] [2:09], 04. Let it Rock
 [9:51] [0:52], 05. Simple Twist of Fate [15:50] [1:18], 06. That's Alright Mama [8:50] [0:18]
 Set Two: Disc Two (7) 79:07 --Set II-- 01. Sugaree [15:42] [2:07], 02. I'll Take a Melody
 [13:13] [1:38], 03. That's What Love Will Make You Do [9:29] [0:21], 04. Friend of the Devil [9:03]
 [1:44], 05. How Sweet It Is [8:09] -> 06. Midnight Moonlight [7:40] [0:27] --Encore-- 07. [0:10] When
 I Paint My Masterpiece [8:47] [0:34]
02/22/80 New Brunswick, NJ - The Barn, Rutgers U. MAC All n/a 1383 96311 
 *JGB: Barry Glassberg, 2x Nak 700s > Sony TC-D5M* *MOTB0083*
 MOTB Release: 0083 24/96. Release Date: 2008-11-30; Date: 1980-02-22 (Friday). Venue: The Barn,
 Rutgers University, Location: New Brunswick, NJ. Analog Audience Source: FOB Master Cassettes (MAC);
 Medium Stock Brands: MAC = 2 x Maxell XLII C90; Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >>
 MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >>
 DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry
 Glassberg; Transfer By: Adam Egert; Mastering By: Adam Egert.
 Set One: It Takes A Lot To Laugh It Takes A Train To Cry, They Love Each Other, Let It Rock,
 Simple Twist Of Fate, That's Alright Mama
 Set Two: Sugaree, I'll Take A Melody, That's What Love Will Make You Do, Friend Of The
 Devil, How Sweet It Is To Be Loved By You-> Midnight Moonlight, E: When I Paint My Masterpiece
02/22/80 New Brunswick, NJ - The Barn, Rutgers U. MAC>CD All n/a 1382 96312 
 *JGB: Barry Glassberg, 2x Nak 700s > Sony TC-D5M* *MOTB0083*
 MOTB Release: 0083 16/44.1; Release Date: 2008-11-30; Date: 1980-02-22 (Friday). Venue: The Barn,
 Rutgers University, Location: New Brunswick, NJ. Analog Audience Source: FOB Master Cassettes (MAC);
 Medium Stock Brands: MAC = 2 x Maxell XLII C90; Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >>
 MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >>
 DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry
 Glassberg; Transfer By: Adam Egert; Mastering By: Adam Egert.
 Set One: It Takes A Lot To Laugh It Takes A Train To Cry, They Love Each Other, Let It Rock,
 Simple Twist Of Fate, That's Alright Mama
 Set Two: Sugaree, I'll Take A Melody, That's What Love Will Make You Do, Friend Of The
 Devil, How Sweet It Is To Be Loved By You-> Midnight Moonlight, E: When I Paint My Masterpiece
02/23/80a Upper Darby, PA - Tower Theatre MAC>D>CD All 70 0316 8604 
 *JGB: unknown taper & gear*
 Levels a bit hot. d1t03 How Sweet skip(?) @ 2:01; d1t04 FOTD first few notes clipped; d1t05 TWLWMYD
 skip/pop @ 6:09; d1t05 TWLWMYD sub-second skips @ 8:07-8:10; d1t06 4th Street drop/click @ 5:57
 Set One: 1. [0:11], 2. Catfish John [10:53] [0:11], 3. How Sweet It Is [9:20] [0:03], 4.
 //Friend of the Devil [9:59#] [0:10], 5. That's What Love Will Make You Do [10:08] [0:09], 6.
 Positively 4th Street [12:25] [0:06], 7. That's Alright Mama [9:03] [0:10], Encore: 8. Deal [6:38]
 [0:24], Total Time 69:53
02/23/80b Upper Darby, PA - Tower Theatre MAC>D>CD All 70 0317 8604 
 *JGB: unknown taper & gear*
 No flaws noted.
 Set One: 1. [0:47], 2. Sugaree [16:02] [0:31], 3. Harder They Come [11:41] [0:08], 4.
 Russian Lullaby [14:56] [0:18], 5. Tore Up Over You [7:53] -> 6. Midnight Moonlight [7:35] [0:14],
 Encore: 7. When I Paint My Masterpiece [9:34] [0:16], Total Time 69:59
02/23/80b Upper Darby, PA - Tower Theatre MAC>CD All 70 1265 35179 
 *JGB: Charlie Connor, Sony ECM-990 > JVC 1636-mkII*
 Source: FOB > Sony-ECM990 (Stereo Mic) > JVC 1636-MKII > CM(TDK SA-C90); Transfer: Nak DR-10
 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi 96/8 > Steinberg's Wavelab 3.0 (bit
 resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac16. Taped and transferred by
 Charlie Connor, Seeded via Etree BT 6/21/2006.
 Set One: 7 tracks, 70:18: 1. Crowd/Tuning, 2. Sugaree, 3. Harder They Come, 4. Russian
 Lullaby, 5. Tore Up Over You > 6. Mightnight Moonlight --Encore-- 7. When I Paint My Masterpiece
02/24/80 Stony Brook, NY - Gymnasium, SUNY MAC>CD All 125 0853-0854 18019 
 *JGB: Mark Cohen, 3 Nakamichi CM-700 shotguns > Nak 550*
 MAC (Taped by Mark Cohen, 3 Nakamichi CM-700 shotguns [in front of and slightly left of sbd] >
 Nakamichi 550) > Tascam 122mkIII playback > Tascame DA-40 DAT > Tascam CDRW-700 master CD > Tascam
 CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) >
 sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark
 Cohen, EAC > SHN by Joe Jupille . - d1t02 TWLWMYD distortion @ start
 Set One: Disc One (6) 57:48 --Set I-- 01. Crowd & Tuning [0:46], 02. Sugaree [15:09] [0:12],
 03. Catfish John [9:36] [1:06], 04. How Sweet It Is [8:39] [1:27], 05. Sitting In Limbo [11:58]
 [0:11], 06. That's All Right, Mama [8:23] [0:18]
 Set Two: Disc Two (7) 66:35 --Set II-- 01. Crowd & Tuning [0:32], 02. That's What Love Will
 Make You Do [9:17] [1:53], 03. When I Paint My Masterpiece [9:04] [0:36], 04. Tore Up Over You [9:05]
 [2:01], 05. I'll Take A Melody [12:28] [0:23], 06. Harder They Come [12:18] [0:39] --Encore-- 07.
 Midnight Moonlight [7:35] [0:41]
02/24/80 Stony Brook, NY - Gym, S.U.N.Y. MAC>CD All 120 1265 35140 
  *JGB: Charlie Connor, Sony ECM-990 > JVC 1636-mkII*
 Source: FOB > Sony-ECM990 (Stereo Mic) > JVC 1636-MKII > CM(TDK SA-C90); Transfer: Nak DR-10
 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi 96/8 > Steinberg's Wavelab 3.0 (bit
 resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac16. Taped and transferred by
 Charlie Connor, Seeded via Etree BT 6/21/2006. Notes/Flaws: "There is some level fluctuation most
 notably on d1t02 and d2t02 which was adjsuted somewhat using Wavelab's gain feature. The first minute
 or so of d2t04 is cut. Other than that, this is a nice FOB of a kick ass energetic JGB show." JJ: nice
 tape!
 Set One: Disc One (6 tracks, 56:17) Sugaree, Catfish John, How Sweet It Is To Be Loved By
 You, Sittin' In Limbo, That's Alright Mama
 Set Two: Disc Two (7 tracks, 63:57) That's What Love Will Make You Do, When I Paint My
 Masterpiece, //Tore Up Over You, I'll Take A Melody, The Harder They Come, E: Midnight Moonlight
02/26/80 Providence, RI - Ocean State Theater MAC>D>CD All 115 9999 9018 
 *JGB: Steve Rolfe, Nak 700s > Sony TC-D5*
 AUDMC > DAT > CDR. Nak 700s > SonyTC-D5 (XLII-s Cassette Master) > DAT > (Jim Wise Transfer) Sony
 PCM R-700 > ZA-2 > SoundForge > CDR (Steve Rolfe Master- Front Row, Balcony). * w/ Robert Hunter;
 d2t01 contains ca. :09 of Knockin'
 Set One: Set I, 1. How Sweet It Is [7:07] [1:00], 2. Knockin' on Heaven's Door [12:35]
 [0:23], 3. [0:14] They Love Each Other [9:13] [0:19], 4. [0:14] That's What Love Will Make You Do
 [8:46] [0:09], 5. Mission in the Rain [10:00] [0:08], Set II, 6. [0:04] Harder They Come [12:07]
 [0:20], Total Time 62:52
 Set Two: Set II (con't), 1. [0:09] Tiger Rose* [3:21] [0:13], 2. Promontory Rider* [4:40]
 [0:22], 3. It's No Use [9:12] [0:36], 4. [0:04] Russian Lullaby [14:20] [0:07], 5. [0:02] Midnight
 Moonlight [8:16] [0:45], 6. Dear Prudence [9:06] [0:22], Total Time 51:38
02/26/80 Providence, RI - Ocean State Theater MSC>?>C>CD All  107 1171 19971 
 *JGB*
 Source: SBD > CMx > CDR > WAV > SHN, except *d1t02 from previously circulating Rolfe Nakamichi
 recording. Comments: (1) with Robert Hunter. First of only 4 JGB performances of "Tiger Rose" and
 "Promontory Rider", all in a 5 day stretch. Brief drop out @ 5:22 TLEO & @ 2:32 Promontory Rider
 spliced from audience source. D1t02 spliced from audience source. Beginning notes of Mission are
 cut. The whole show sounded like it was on 'ludes and using the audience source as a reference, the
 pitch on the SBD was off by -0.79 semitones with a transposition ratio of 1.047. This was corrected
 using SF6. Cassette transfer to CDR via Harry_A. DAE, editing, and sbe-free SHN encoding via MisSHN.
 MisSHN in the rain, 10/03. JJ: this is quite nice
 Set One: Disc 1 - Set 1, 01 How Sweet It Is (To Be Loved By You) [07:43], 02 Knockin' On
 Heaven's Door* [13:12], 03 They Love Each Other [09:28], 04 That's What Love Will Make You Do
 [08:35], 05 //Mission In The Rain [09:48], Total time: 48:47
 Set Two: Disc 2 - Set 2, 01 Harder They Come [11:56], 02 Tiger Rose (1) [03:29], 03
 Promontory Rider (1) [04:48], 04 It's No Use [09:18], 05 Russian Lullaby// [11:19], 06 Midnight
 Moonlight [08:15] --Encore-- 07 Dear Prudence [08:54], Total time: 57:59
02/26/80 Providence, RI - Ocean State Theater MAC>CD All 117 1262 34727 
 *JGB: Steve Rolfe, Nak 700s > Sony TC-D5*
 Recording by Steve Rolfe: Master Audience Cassette; 2 Nak 700s > Sony TC-D5; Maxell UD-XLIIs;
 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC.
 Set One: How Sweet It Is To Be Loved By You, Knockin' On Heaven's Door, They Love Each
 Other, That's What Love Will Make You Do, Mission In The Rain
 Set Two: The Harder They Come, Tiger Rose*, Promontory Rider*, It's No Use, Russian Lullaby,
 Midnight Moonlight, E: Dear Prudence
02/28/80a Union, NJ - Wilkens Theater, Kean College MAC>D>CD All 91 1257 9024 
 *JGB: Eddie Claridge, Sony ECM 280s > Sony TC-158*
 MAC > DAT > CD, recorded by Eddie Claridge (Sony ECM 280 mics-> Sony TC-158). d2t04 Eleanor Rigby
 splice/gap @ 3:55, not much missing.
 Set One: Disc One (5) 57:05, -Early Show- 1. Crowd/Tuning [0:43], 2. Sugaree [14:04] [2:28],
 3. Catfish John [11:12] [0:47], 4. That's What Love Will Make You Do [9:44] [0:44], 5. Simple Twist of
 Fate [17:06] [0:14]
  Set Two: Disc Two (5) 34:34, -Early Show (con't)- 1. Crowd/Tuning [0:23], 2. How Sweet It Is
 [10:06] -> 3. After Midnight [13:16] -> 4. Eleanor Rigby// Instrumental [4:03#] -> 5. After Midnight
 [5:25] [1:20]
02/28/80b Union, NJ - Wilkens Theater, Kean College MAC>D>CD All 80 1257 9024 
 *JGB: Eddie Claridge, Sony ECM 280s > Sony TC-158*
 MAC > DAT > CD, recorded by Eddie Claridge (Sony ECM 280 mics-> Sony TC-158). * w/ Robert Hunter;
 d3t04 Knockin' digi-scratch @ 5:31
 Set One: Disc Three (9) 79:48, -Late Show- 1. Crowd/Tuning [0:04], 2. I'll Take a Melody
 [13:36] [0:21], 3. Tore Up Over You [10:05] [0:07], 4. Knockin' on Heaven's Door [13:48] [0:32], 5.
 Harder They Come [12:14] [0:46], 6. Tiger Rose* [3:33] -> 7. Promontory Rider* [4:42] [0:16], 8.
 Mission in the Rain [11:11] [0:47], 9. Midnight Moonlight [6:51] [0:49]
02/29/80a Hempstead, NY - Calderone Theatre  MAC>D>CD All 66 1133 27563 
 *JGB: John Hance, AKG 222s > Technics 686*
 MAC (Taped by John Jay Hance, AKG 222s [spread, 1st row balcony] > Technics 686 [Dolby B]) > Tascam
 122 mkII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD >
 Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF
 Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend
 v.1.7.1 etree edition). Notes: - Enjoyable recording with lots of room feeling. - The only edits
 undertaken were to apply a 3dB gain to tracks 3-5, to remove a tick in t02 @ 2:28, and to smooth tape
 transitions after most of the songs. - Remaining anomalies include a real-time drop in TLEO (t03) @
 0:58, which doesn't look digital in nature and the fix for which is worse than the glitch, and some
 light crackling in the 2:20-2:35 range of TWLWMYD. Deal sounds slightly muffled. - Thanks to John Jay
 Hance for offering these CDs out of the blue!
 Set One: Single Disc (7) 66:07, 01. Crowd & Tuning [1:27], 02. Mission in the Rain [12:11]
 [1:12], 03. They Love Each Other [9:27] [0:07], 04. Let it Rock [8:05] [0:12], 05. That's What Love
 Will Make You Do [10:10] [0:31], 06. Knockin' on Heaven's Door [13:23] -> 07. Deal [9:16] [0:04]
02/29/80a Hempstead, NY - Calderone Theatre MAC>CD All n/a 1265 35180 
 *JGB: Charlie Connor, Sony ECM-990 > JVC 1636-mkII*
 Source: FOB (Ctr Orch,Row R, Seat 101) > Sony-ECM990 (Stereo Mic) > JVC 1636-MKII > CM (TDK
 SA-C90); Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi 96/8 >
 Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) >
 flac16. Taped and transferred by Charlie Connor, Seeded via Etree BT 6/21/2006.
 Set One: How Sweet It Is To Be Loved By You, When I Paint My Masterpiece, The Harder They
 Come, Tiger Rose*, Promontory Rider*, They Love Each Other, Dear Prudence, Midnight Moonlight,
 Knockin' On Heaven's Door, Deal, E: Let It Rock
02/29/80b Hempstead, NY - Calderone Theater MSR>C>D>CD All 89 
 *JGB*
 Pre-FM SBDMR > Cass > DAT > CDR. Notes/Flaws: - Nice recording, a touch flat but not bad compared
 to other early 80s sbds. - Nice show. - No flaws noted.
 Set One: Disc One (5) 55:12, 01. Crowd & Tuning [2:32], 02. How Sweet It Is [8:39] [1:49],
 03. Masterpiece [11:31] [1:37], 04. Russian Lullaby [15:29], 05. [0:11] Harder They Come [12:42]
 [0:39]
 Set Two: Disc Two (5) 34:26, 01. Tuning & Hunter Intro [1:20], 02. Tiger Rose [3:33] [0:28],
 03. Promontory Rider [4:56] [1:45], 04. Dear Prudence [10:14] [2:13] --Encore-- 05. Midnight Moonlight
 [8:05] [1:48]
02/29/80b Hempstead, NY - Calderone Theater MFR>D>CD All 85 0855 17928 
 *JGB: Barry Glassberg MFR*
 MFR (Taped by Barry Glassberg from WLIR-FM, Garden City, Long Island) > TEAC X-2000R playback @ 7.5
 ips (no Dolby) > playback > Tascam DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD
 clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary
 verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark Cohen, EAC > SHN by
 Joe Jupille . Notes/Comments: - * w/ Robert Hunter - Nice recording, starts off with some distortion
 and is a touch flat, but is better than other copies that I have heard. - d1t05 Harder They Come
 splice @ 6:38
 Set One: Disc One (5) 54:23 01. DJ Intro, Crowd & Tuning [1:30], 02. How Sweet It Is [8:38]
 [1:46], 03. When I Paint My Masterpiece [11:27] [1:37], 04. Russian Lullaby [15:22] -> 05. Harder
 They// Come [12:#22] [1:38]
 Set Two: Disc Two (5) 31:19 01. Hunter Introduction, Crowd & Tuning [0:25], 02. Tiger Rose*
 [3:33] [0:35], 03. Promontory Rider* [4:48] [1:43], 04. Dear Prudence [10:12] [1:01] --Encore-- 05.
 Midnight Moonlight [8:11] [0:48]
02/29/80b Hempstead, NY - Calderone Theatre MAC>CD All 77 1265 35216 
 *JGB: Charlie Connor, Sony ECM-990 > JVC 1636-mkII*
 Source: FOB > Sony-ECM990 (Stereo Mic) > JVC 1636-MKII > CM (Maxell UDXLII); Transfer: Nak DR-10
 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi 96/8 > Steinberg's Wavelab 3.0 (bit
 resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac16. Taped and transferred by
 Charlie Connor, Seeded via Etree BT 6/23/2006. JJ: Great Dear Prudence on this.
 Set One: Total Time 76:52 How Sweet It Is To Be Loved By You, When I Paint My Masterpiece,
 Russian Lullaby, The Harder They Come, Tiger Rose*, Promontory Rider*, Dear Prudence, E: Midnight
 Moonlight
03/01/80a Passaic, NJ - Capitol Theater MFC>D>CD All 85  
 *JGB*
 MFC ~> DAT ~> CD-R: WCOZ-FM Master Cassette (TDK SA C-90). A > D: Nakamichi BX-300 ~> Sony PCM
 R-500. D > CD-R: Sony PCM R-500 ~> HHB -800 CD-R.
 Set One: Disc One (38 minutes), 1. Sugaree, 2. Catfish John, 3. How Sweet It Is
 Set Two: Disc Two (47 minutes), 1. Simple Twist, 2. Sitting in Limbo, 3. That's Alright
 Mama, E: 4. Deal
03/01/80a Passaic, NJ - Capitol Theater MFR>D>CD All 84 0848 17928 
 *JGB: Barry Glassberg, WNEW-FM*
 MFR (Taped by Barry Glassberg from WNEW-FM, New York) > TEAC X-2000R playback @ 7.5 ips (no Dolby)
 > Tascam DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A
 extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT
 v0.97 beta 1). A > CD by Mark Cohen, EAC > SHN by Joe Jupille . Notes/Comments: - No flaws noted.
 Set One: Disc One (4) 36:18, 01. DJ talk [0:50], 02. Sugaree [14:08] [1:57], 03. Catfish
 John [9:45] [0:54], 04. How Sweet It Is [8:33] [0:09]
 Set Two: Disc Two (5) 47:45, 01. Crowd & Tuning [0:48], 02. Simple Twist of Fate [15:57]
 [0:44], 03. Sitting in Limbo [12:22] -> 04. That's Alright Mama [7:36] [0:37] --Encore-- 05. Deal
 [7:54] [0:46]
03/01/80a Passaic, NJ - Capitol Theater pro-shot All 79  
 *JGB: multigen proshot DVD*
 Video Source: Pro-shot broadcast (B&W) > ? > VHS > Sony SLV-D300P > AVT-8710 TBC > Sony RDR-GX 300
 DVD Recorder > Vegas 6.0b > DVD Architect 3.0 (720 x 480 29.97fps NTSC 5250 Kbps VBR). Audio Source:
 MFR (Taped by Barry Glassberg from WNEW-FM, New York) > TEAC X-2000R playback @ 7.5 ips (no Dolby) >
 Tascam DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A
 extraction (EAC v0.9 beta 4) > shntool v1.01 > SHN (shnid=17928) > WAV > ADOBE AUDITION (LPCM
 1536Kbps Stereo 48Khz). Video quality = B to B- on average (see notes below); Audio quality = A+.
 Jerry Garcia - guitar, vocals; John Kahn - bass; Ozzie Ahlers - keyboards; Johnny de Foncesca - drums.
 -VHS provided by LoneStarDeadRadio. -VHS audio: 16:54-16:47, 26:42-29:07, 37:42-39:21,
 1:08:30-1:08:33, 1:16:12-1:20:54. -Video dropout replaced with stills: 0:00-3:01, 56:08-56:43. -Video
 source has some problems for the first 50 minutes which appears to be related to receiver issues such
 that the tuning becomes stable for the final 40 minutes. Nevertheless, the entire program is very
 enjoyable, and is a wonderful audio-visual slice of Garcia from 1980. I rate the video quality from
 Introduction through Fate a C, and from Limbo through the end a B+. -Audio synchronization, video
 capturing and editing, and dvd authoring by MattMan (mlcole@wayne,edu) on June 30, 2005.
 Set One: DVD. (1:29:19): 0:00:00 Introduction, 0:00:56 Sugaree, 0:16:48 Catfish John,
 0:29:07 How Sweet It Is, 0:40:00 Simple Twist of Fate , 0:56:06 Sitting in Limbo, 1:08:29 That's
 Alright Mama, 1:21:11 E: Deal
03/01/80b Passaic, NJ - Capitol Theater MAC>D>CD All 71 0675 14983 
 *JGB: unknown taper & gear*
 MAC > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio
 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT
 v0.97 beta 1). Extraction and .shn encoding by Joe Jupille. Notes/Flaws: - Great show! - I removed a
 few very minor pops and ticks using Sound Forge Studio 6.0. d1t04 Russian Lullaby fades in, very
 little missing; d1t05 Harder They Come pop @ 10:12 (still audible after smoothing); d1t08 Midnight
 Moonlight fades out, most missingd1t09 Dear Prudence is terrific.
 Set One: Single Disc (9) 70:42, 01. Tuning [0:05], 02. Mission in the Rain [12:19] [0:28],
 03. That's What Love Will Make You Do [8:27] [0:05], 04. ... Russian Lullaby [#15:08] [0:16], 05.
  Harder They Come [11:27] [0:36], 06. Tiger Rose (1) [3:48] [0:37], 07. Promontory Rider (1) [5:14]
 [0:19], 08. Midnight Moonlight ... (1) [#1:43] --Encore-- 09. Dear Prudence [10:02] [0:05][0:04]
03/07/80 San Francisco, CA - The Stone  MAC>CD All 120 0661-0662 14594 
 *JGB: Angus & Hart, Sony ECM 99s > Sony TC-D5*
 MAC (Taped by John Angus and Scott Hart, Sony ECM 99 [right at Jerry's feet] > Sony TC-D5) Sony
 TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction (EAC v0.9 beta
 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification
 (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Harry Angus, CD > SHN by Joe Jupille
 (jjoops@attbi.com). Flaws: - d2t03 Catfish John fades in with almost nothing missing; - d2t05 TWLWMYD
 very end clipped, almost nothing missing.
 Set One: Disc One (7) 57:37 --Set I-- 01. Crowd & Tuning [0:24], 02. Mission In The Rain
 [10:51] [1:52], 03. They Love Each Other [9:28] [0:29], 04. How Sweet It Is [7:59] [0:17], 05. Let It
 Rock [9:09] [0:04], 06. It's No Use [8:52] [0:14], 07. That's All Right, Mama [7:28] [0:21]
 Set Two: Disc Two (6) 62:15 --Set II-- 01. Crowd & Tuning [0:08], 02. Harder They Come
 [13:28] [0:14], 03. /Catfish John [#10:43] [0:19], 04. Russian Lullaby [17:05] [0:22], 05. That's What
 Love Will Make You Do/ [10:28#] [0:02], 06. Midnight Moonlight [8:39] [0:53]
03/08/80 San Francisco, CA - The Stone MAC>D>CD All 114 9999 4428 
 *JGB: unknown taper & gear*
 d1t01 (Sugaree) fades in; d2t01 (Melody) fades in; d2t01 Melody static @ 6:52-6:53, 7:36-7:40,
 11:04-11:07, 11:26-11:29, 12:25-12:30, 12:45,
 Set One: 1. //Sugaree [15:10#] [0:18], 2. That's What Love Will Make You Do [10:09] [0:28],
 3. Simple Twist of Fate [15:49] [0:49], 4. Tore Up [10:18] [0:15], Total Time 53:18
 Set Two: 1. //I'll Take a Melody [14:00] [0:18], 2. How Sweet It Is [8:16] [0:14], 3. After
 Midnight [10:00] -> 4. Eleanor Rigby Jam [5:05] -> 5. After Midnight [4:10] [0:09], 6. When I Paint My
 Masterpiece [10:48] -> 7. Midnight Moonlight [6:31] [0:14], Total Time 59:48
03/26/80 Berkeley, CA - Keystone MAC>CD All 112 0610-0611 13423 
 *JGB: Angus & Hart, Sony ECM 99s > Sony TC-D5*
 MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland
 UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave
 v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Notes: A
 wonderful recording, with low vocals characteristic of what is a "way up front" recording. The show
 starts off with great high energy, but peters out a bit during set II (both Dear Prudence and Midnight
 Moonlight are a bit rough) before finishing strongly with a nice Tore Up. Flaws: How Sweet (master?)
 anomalies (muffling, etc.) @ 6:58-7:09
  Set One: Disc One (5) 46:49 --Set I-- 01. Crowd & Tuning [1:34], 02. Mission in the Rain
 [11:34] [2:12], 03. That's What Love Will Make You Do [9:21] [0:24], 04. Knockin' on Heaven's Door
 [13:56] [0:01], 05. How Sweet It Is [7:30] [0:16]
 Set Two: Disc Two (7) 64:45 --Set II-- 01. Crowd & Tuning [0:25], 02. I'll Take a Melody
 [13:08] [0:34], 03. Russian Lullaby [15:51] [0:18], 04. Deal [6:45] [0:30], 05. Dear Prudence [9:57]
 [0:27], 06. Midnight Moonlight [7:38] [0:26], 07. Tore Up Over You 8:04] [0:40]
07/18/80 San Francisco, CA - The Stone MA?>?>CD I,IIp n/a 
 *JGB: unknown taper & gear*
 Set One: Sugaree, Catfish John, How Sweet It Is To Be Loved By You, Tangled Up In Blue,
 That's What Love Will Make You Do
 Set Two: I'll Take A Melody, They Love Each Other, Russian Lullaby, Midnight Moonlight
07/24/80 Hartford, CT - Bushnell Auditorium MAC>D>CD All 145 9999 21536 
 *JGB: Jim Wise & Eddie Claridge, Sony ECM-280s > Sony TC-152*
 Recorded by Jim Wise and Eddie Claridge, Sony ECM-280s > Sony TC-152. No flaws noted.
 Set One: Disc One (6) 73:53 --Set I-- 1. Sugaree[14:11] [0:10], 2. That's What Love Will
 Make You Do [11:37] [0:05], 3. Friend of the Devil [8:38] [0:07], 4. Simple Twist of Fate [14:18], 5.
 Tangled Up in Blue [10:29] [0:11], --Set II-- 6. I'll Take a Melody [13:59] [0:06]
 Set Two: Disc Two (6) 71:18 --Set II (Con't)-- 1. Sitting in Limbo [12:18] [0:18], 2. [0:05]
 Russian Lullaby [16:16] -> 3. Mystery Train [9:38] [0:30], 4. Mission in the Rain [12:00] -> 5.
 Midnight Moonlight [9:51] [0:12], Encore: 6. Dear Prudence [10:01] [0:07]
07/25/80a Boston, MA - Orpheum Theater MAC>D>CD All 78 
 *JGB: Steve Rolfe, Nak 300s > Sony TC-158*
 Recorded by Steve Rolfe, Nak 300s > Sony TC-158. This show has some amazing energy! Deal,
 especially, really picks up after ca. 5 minutes, and Let it Rock is excellent. Some Dolby-ish
 phasing.
 Set One: Single Disc, 1. [0:22], 2. Deal [7:58] [0:10], 3. Catfish John [11:22] [0:02], 4.
 Harder They Come [13:18] [0:04], 5. Simple Twist of Fate [14:10] [0:27], 6. How Sweet It Is [9:50] ->
 7. Tangled Up in Blue [12:44] [0:39], 8. Let it Rock [6:14] [0:09], Total Time 77:32
07/25/80a Boston, MA - Orpheum Theater MAC>CD All 80 1131 28736 
 *JGB: Bob Wagner, Nak 700s > Sony TC-D5M*
 MAC (Taped by Bob Wagner, 2 Nak 700s/bass eq > Sony TC-D5M) > Nakamichi Dragon playback > Art DI/O
 > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > .shn encoding (non-seekable) > wav > .shn
 encoding (seekable). Transfer by David Minches, seekable .shns and info by Joe Jupille. Notes:- t02
 Deal levels increase @ 2-min mark. Pretty hot version!
 Set One: Single Disc (8) 79:46, 01. Crowd & Tuning [0:08], 02. Deal [7:52] [2:09], 03.
 Catfish John [11:13] [0:56], 04. Harder They Come [13:01] [0:18], 05. Simple Twist of Fate [13:43]
 [1:13], 06. How Sweet It Is [9:38] -> 07. Tangled Up in Blue [12:33] [0:30] --Encore-- 08. Let it Rock
 [6:06] [0:19]
07/25/80b Boston, MA - Orpheum Theater MAC>D>CD All 74 
 *JGB: Steve Rolfe, Nak 300s > Sony TC-158*
 Recorded by Steve Rolfe; Nak 300s> Sony TC-158. Great show! Mission in the Rain is excellent.
 Set One: Single Disc, 1. Crowd & Tuning [2:12], 2. Mission in the Rain [12:44] [0:22], 3.
 They Love Each Other [8:55] [0:32], 4. I'll Take a Melody [14:14] [0:44], 5. That's What Love Will
 Make You Do [9:24] [0:27], 6. Russian Lullaby [15:12] [0:35], 7. Midnight Moonlight [7:43] [0:23],
 Total Time 73:29
07/25/80b Boston, MA - Orpheum Theater MAC>CD All 87 1132 28737 
 *JGB: Bob Wagner, Nak 700s > Sony TC-D5M*
 MAC (Taped by Bob Wagner, 2 Nak 700s/bass eq > Sony TC-D5M) > Nakamichi Dragon playback > Art DI/O
 > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > .shn encoding (non-seekable) > wav > .shn
 encoding (seekable). Transfer by David Minches, seekable .shns and info by Joe Jupille. Notes: -
 Full recording, nice show (very hot Sugaree). No flaws noted.
 Set One: Disc One (4) 40:05, 01. Crowd & Tuning [2:45], 02. Mission in the Rain [12:32]
 [1:04], 03. They Love Each Other [8:50] [0:29], 04. I'll Take a Melody [14:01] [0:19]
 Set Two: Disc Two (5) 46:31, 01. Crowd & Tuning [0:16], 02. That's What Love Will Make You
 Do [9:12] [0:18], 03. Russian Lullaby [14:58] [1:27], 04. Midnight Moonlight [7:37] [0:36] --Encore--
 05. Sugaree [11:55] [0:07]
07/26/80a Asbury Park, NJ - Convention Hall MAC>D>CD All 89 1087 26217 
 *JGB: Peter Jaeger, Nak 300s > Sony D5*
 Jerry Garcia Band, Early Show: MAC (Taped by Peter Jaeger, Nak 300s [rear of floor, center] > Sony
 D5) > Tascam 122 mkIII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam
 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (Sound
 Forge Studio 6.0) > sector boundary verification (shntool v1.01) > FLAC encoding (Flac Frontend
 v.1.7.1 etree edition, level 6). Notes: - Decent recording, more or less what you might expect from
 the back of the floor. But this is a pretty stellar show, featuring standout versions of Sugaree and
 Tore Up and what may be my favorite Mission in the Rain. - There seems to be more hiss for the first
 half of Sugaree than later, and overall perhaps a bit more than I would have expected. There are a
 few very light clicks audible in places, for example Simple Twist, when the music is very quiet. But
 the only edits undertaken were to smooth a number of tape transitions. - d2t02 Mission in the Rain
 clips in. Thanks to John Hance for the source CDs!
 Set One: Disc One (5) 54:43, 01. Crowd & Tuning [0:56], 02. Sugaree [15:25] [0:12], 03.
 Catfish John [11:00] [0:07], 04. Tore Up [10:10] [0:29], 05. Simple Twist of Fate [16:18] [0:03]
 Set Two: Disc Two (4) 33:53, 01. Mystery Train [[8:39] [0:03], 02. /Mission in the Rain
 [#13:26] [0:12], 03. Crowd & Tuning [1:01] --Encore-- 04. Let it Rock [10:25] [0:06]
07/26/80b Asbury Park, NJ - Convention Hall MAC>CD All 64 0919 18744 
 *JGB: Fredo Johnson, Nak 300s > Sony D5*
 MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 >
 CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification
 (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, EAC > SHN by Jack
 Warner (jackmw1ATsbcglobalDOTnet). Notes: First few notes of Tangled Up in Blue cut. Note added late
 2004: An identical copy (down to the tracking) circulates as from Peter Jaeger's Nak 300s (back of the
 floor, center) > Sony D5. I am not sure what's what with that.
 Set One: Disc One (6) 63:33 --Late Show-- 1. Crowd [0:54], 2. I'll Take A Melody [12:55], 3.
 Deal [10:17], 4. Russian Lullaby [14:13], 5. //Tangled Up In Blue [12:49] --Encore-- 6. Dear Prudence
 [12:24]
07/27/80 Albany, NY - Palace Theater (SUNY) MAC>D>CD All 139 0849-0850 xxxxx 
 *JGB: Mark Cohen, Nak CM-700s > Sony TC-D5M*
 MAC (Taped by Mark Cohen, Nak CM-700s [shotgun, towards back of the floor with mics high on a pole]
 > Sony TC-D5M) > Tascam 122mkIII playback > Tascam DA-40 DAT > Tascam CDRW-700 master CD > Tascam
 CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary
 verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark Cohen, EAC > SHN
 by Joe Jupille . Notes/Comments:- Great recording, extremely nice show. - No flaws noted. A copy of
 this show has also circulated for a few years with the following lineage: MAC>C>D>CD, Recorded by
 Keith Gatto; Nak 700s > Sony TC-D5. I have never been able to determine if there is a Gatto master in
 circulation, or if it's a mislabel of the Cohen master.
 Set One: Disc One (6) 64:57 --Set I-- 01. Crowd & Tuning [0:22], 02. When I Paint My
 Masterpiece [12:28] [0:31], 03. Sitting in Limbo [12:25] [0:33], 04. Deal [10:00] [1:27], 05. Simple
 Twist of Fate [16:45] -> 06. Tangled Up in Blue [10:10] [0:13]
 Set Two: Disc Two (7) 74:02 --Set II-- 01. Crowd & Tuning [0:15], 02. Mission in the Rain
 [13:24] [1:10], 03. How Sweet It Is [8:29] [0:23], 04. I'll Take a Melody [14:31] [0:14], 05. Russian
 Lullaby [14:03] -> 06. Midnight Moonlight [8:05] [0:20] --Encore-- 07. Sugaree [12:04] [0:59] (lots of
 dead air)
08/09/80 Palo Alto, CA - Keystone Palo Alto MSC>D>CD Partial 28 1178 29088 
 *JGB*
 MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > slight editing (Sound Forge
 Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC
 encoding (Flac Frontend v.1.7.1 etree edition). EAC >> FLAC by jjoops. Notes: - Only edits undertaken
 were to apply a +6dB volume boost and to smooth tape transitions with short fades. - t01 Mission and
 t02 Jam both cut in, mostly missing. Thanks to Andy Lemieux for the source CDs!
  Set One: 01. //Mission [#3:30] [0:12], 02. //Jam w/ Will Scarlett on harmonica [#1:49]
 [0:01], 03. Dear Prudence [12:34] -> 05. Midnight Moonlight [9:25] [0:07], filler: 5/28/81 partial
11/16/80 San Francisco, CA - Warfield Theater  composite All 124 1258 none 
 *Dylan w/ JG guesting, complete show*
 This is the complete Warfield Theatre show (including gospel openers) from 11-16-80 compiled from
 the recently circulating incomplete PA tape and the best quality audience tape. Audience sourced
 tracks are marked with an *. Jerry Garcia's playing on "To Ramona" is only one of the many treats to
 be found here. Conversion: CDR>EAC(secure)>MKW Audio Compression Tool>shn. Conversion by: tbuick6.
 Sound Quality: Excellent. Notes from various DIME users: "I know Olof lists Garcia as playing on only
 4 songs but this seems to be incorrect ! The artwork for this Fox Hat boot lists a different but still
  not quite correct number too. From both listening closely to the recording and discussing this with
 some others, I am convinced Garcia is playing on > disc 1 - # 10 - 13 (as listed by Olof) , 10) To
 Ramona , 11) Ain't Gonna Go To Hell For Anybody , 12) Girl Of The North Country , 13) Slow Train ;
 disc 2 - # 5 - 11 : 5) Covenant Woman , 6) Solid Rock , 7) Just Like A Woman , 8) Señor (Tales Of
 Yankee Power) , 9) Simple Twist Of Fate , 10) The Groom's Still Waiting At The Altar, 11) When You
 Gonna Wake Up. You can plainly hear Garcia as opposed to Fred Tackett (the only guitarist apart from
 Dylan) on these tracks, more obviously on some like Senor where Tackett in fact plays mandolin ! J
 Lester - ' I was there, front row center! I have not listened in a while but remember Jerry playing on
 a bunch of songs! Bob said 'We sound like the Grateful Dead tonight', kinda I think towards the end'
 (before In the Garden) -" JJ: Covenant Woman is also pretty hot. This is a delight! NB Dylan says
 that he has played with Garcia before, but as of 20070217 I can't think of when we have a record of
 such an encounter.
 Set One: Disc 1 (13 tracks, 58:41): 1. Got My Ticket, 2. It's Gonna Rain, 3. Come On In This
 House, 4. Saved By the Grace of Your Love, 5. Gotta Serve Somebody, 6. I Believe In You, 7. Like A
 Rolling Stone, 8. Till I Get It Right (Vocal by Regina Havis), 9. Man Gave Names To All The Animals,
 10. To Ramona (Jerry Garcia on guitar), 11. Ain't Gonna Go To Hell (Jerry Garcia on guitar)*, 12. Girl
 From The North Country (Jerry Garcia on guitar)*, 13. Slow Train (Jerry Garcia on guitar)*
 Set Two: Disc 2 (15 tracks, 64:49): 1. Walkin' Round Heaven All Day (Vocal by Carolyn
 Dennis), 2. Abraham, Martin And John, 3. Let's Keep It Between Us, 4. Mary From The Wild Moor, 5.
 Covenant Woman (Jerry Garcia on guitar), 6. Solid Rock, 7. Just Like A Woman, 8. Senor, 9. Simple
 Twist Of Fate (Jerry Garcia on guitar), 10. The Groom's Still Waiting At The Alter (Jerry Garcia on
 guitar), 11. When You Gonna Wake Up?, 12. In The Garden*, 13. Blowin' In The Wind, 14. City Of Gold,
 15. It's All Over Now, Baby Blue
11/16/80 San Francisco, CA - Warfield Theater MS?>?>CD partial 70 
 *Bob Dylan with Jerry Garcia on 6 tunes*
 Set One: You Gotta Serve Somebody 5:09, I Believe In You 4:43, Like A Rolling Stone 5:38,
 Man Gave Names To All The Animals 5:42, To Ramona (1) 6:32, Can We Keep It Between Us? (1) 4:17,
 Covenant Woman (1) 6:23, Senor (1) 4:20, Simple Twist Of Fate (1) 4:41, The Groom's Still Waiting At
 The Altar (1) 5:46, Total Time 70:25
 
01/27/81 San Francisco, CA - Old Waldorf MAC?>?>C>CD partial 77 1251 31284 
 *JGB: unknown taper/source*
 MAC? > ? > cassette > CD > EAC > CD Wave > FLAC. Cassette > CD transfer by slip, CD > FLAC by
 jjoops. Notes: - Set break and missing song information is from The Jerry Site, which also lists I'll
  Take a Melody and Mission in the Rain in reverse order relative to what's on these discs. - I think
 this is a great upfront aud, though it could be a sbd. The main thing that makes me think it's an aud
 is the occasional relatively up-close audience noise. But I am open to being corrected here.
 Whatever it is, it sounds pretty darn nice, though it is tightly edited and though from Melody on
 there is some audible oversaturation/clipping. - The performance is unbelievably relaxed and a real
 pleasure to listen to. Mission in the Rain strikes me as especially full and warm feeling (despite a
 slightly clunky start), but every tune here just feels really nice. - t02 HTC tick @ 3:45; - t04
  Mississippi Moon clips in; - t06 Melody digital glitches @ 0:40 (drop), 0:44 (chirp)
 Set One: Single Disc (8 tracks, 77:20) --Set I-- 01. Crowd & Tuning [0:07], 02. Harder They
 Come [13:39] [0:04], (MISSING Catfish John), 03. Tore Up Over You [9:58] [0:03], 04. /Mississippi Moon
 [10:00] [0:07], (MISSING How Sweet It Is) --Set II-- 05. Mission in the Rain [8:54] [0:04], 06. I'll
 Take a Melody [14:16] [0:03], (MISSING Russian Lullaby), 07. Dear Prudence [12:01] -> 08. Midnight
 Moonlight [7:50] [0:10]
01/29/81 Santa Cruz, CA - The Catalyst MAC>CD All 109 0798 17145 
 *JGB: Steven Martin, Nak 700s > Sony TC D-5M*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell
 XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > unknown CD gens > HP
 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding
 (mkwACT v0.97 beta 1). A > CD by Steven Martin, EAC > SHN by Joe Jupille . Notes/Flaws: - This is a
 nice recording of a nice show with a few rough vocals - d1t01 How Sweet mix & level fluctuations, some
 equipment/PA problems; guitar does not come in until 2:24, and no vocals are attempted until 3 minutes
 in; - d2t01 Harder They Come fades in, possibly missing a few minutes - d2t05 Dear Prudence splice
 (probable tape flip) @ 0:05 - tiny gaps near the start of d2t05 & d2t06 removed using Sound Forge
 Studio 6.0.
 Set One: Disc One (4) 47:12 --Set I-- 01. How Sweet It Is [8:55] [1:27], 02. Catfish John
  [8:55] [0:33], 03. Like a Road [16:18] [0:22], 04. Deal [10:21] [0:17]
 Set Two: Disc Two (6) 62:15 --Set II-- 01. ... Harder They Come [#12:39] [0:10], 02. [0:04]
 Mission in the Rain [12:57] [0:24], 03. TWLWMYD [9:28] [0:43], 04. The Night They Drove Old Dixie Down
 [8:21] -> 05. Dear// Prudence [9:#24] -> 06. Midnight Moonlight [7:54] [0:10]
01/29/81 Santa Cruz, CA - The Catalyst MSC>D>CD II n/a 0982 21137 
 *JGB*
01/31/81 Berkeley, CA - Keystone MSC>D>CD II 63 1250 31055 
 *JGB*
 Audio copy from AJL, flac copy via jbraverman seed, 10/2005.
 Set Two: (5) 62:42 --Set II-- 01. I'll Take a Melody [13:47] [2:03], 02. Simple Twist of
 Fate [14:28] [0:31], 03. Harder They Come [10:36] -> 04. Dear Prudence [12:16] [1:42], 05. Midnight
 Moonlight [7:15] [0:04]
02/01/81 Berkeley, CA - Keystone MS?>?>CD  Partial 78 
 *JGB*
 Clean but flat. Catfish John, Masterpiece clip in. HSII cuts in and out. Melody cuts in. Some
 warble in Masterpiece, HSII. HSII static at start.
 Set One: Single Disc (7 tracks, 77:39), --Set I-- (MISSING The Harder They Come), /Catfish
 John, Like A Road, /When I Paint My Masterpiece, //How Sweet It Is To Be Loved By You//
 Set Two: //I'll Take A Melody, Tore Up Over You, The Night They Drove Old Dixie Down,
 (MISSING Deal-> Midnight Moonlight)
02/04/81 Washington, DC - Warner Theater MAC>D>CD All 137 1249 30859 
 *JGB: Dave Redman, Nak 300s > Sony TC-D5M*
 Notes: - Where it's good, it's quite a good recording. It may run a touch fast, but I am not really
 capable of judging that. There are also numerous patches of oversaturation, a good number of cuts
 (and in general very tight editing), and a very chatty crowd. Beyond those presumed attributes of the
 master, there are a great many warts on this particular copy which would make a new transfer most
 welcomed. I will try to list some of those warts below, but I am sure that I have not noted all of
 them. Caveat auditor. - The show itself is extremely hot, IMO a contender for hottest show of the
 great month of 2/81. Of note: a sweet version of Sitting in Limbo, a second solo in TUIB (around
 5:40) that is absolutely filthy (watch your speakers!), and a pretty nicely executed transition from
 Deal into Midnight Moonlight. A really fun show. - d1t03 TWLWMYD cuts in, not much missing, then
 spliced @ 4:48; - d1t05 Sitting in Limbo distorted guitar peaks, some light static throughout (heavier
 @ 12:23 and 12:56), splice @ 6:54; - d1t06 classic taper talk @ 0:53; - d1t07 TUIB static @ 0:10, some
 audible mic adjustments, cuts out near end; - d2t02 HTC some old repair (sounds like a mono patch) @
 0:13, mix flux first 45 secs., L channel blip @ 43 repaired with patch over from R channel, more flux
 @ 5:53-6:30; - d2t03 MITR clips in, seemingly different SQ first 13 secs., levels decrease @ 2:32,
 rise again, then down again @ 10:20; - d2t04 TLEO cuts in; - d2t05 Russian Lullaby cuts in, clips
 out;- d2t06 Dear Prudence Splice or skip @ 10:35; - d2t07 Deal static @ 0:22, 4:16, 7:31, 7:33, levels
 increase @ 0:37; - d2t08 Midnight Moonlight intermittent static for the first minute and a half or
 so.
 Set One: Disc One (7 tracks, 62:36) --Set I-- d1t01. Crowd [0:04], d1t02. I'll Take a Melody
 [13:16], d1t03. //That's What //Love Will Make You Do [#6:#32], d1t04. Mississippi Moon [11:06],
 d1t05. Sitting in //Limbo [13:#04] [0:14], d1t06. How Sweet It Is [8:54] -> d1t07. Tangled Up in
 Blue// [9:23#]
 Set Two: Disc Two (8 tracks, 74:06) --Set II-- d2t01. Crowd & Tuning [0:09], d2t02. Harder
 They Come [14:13] [0:03], d2t03. /Mission in the Rain [10:46], d2t04. //They Love Each Other [#8:10]
 [0:02], d2t05. //Russian Lullaby/ [#12:36], d2t06. Dear Prudence [12:25] -> d2t07. Deal [7:39] ->
 d2t08. Midnight Moonlight [8:00]
02/04/81 Washington, DC - Warner Theater MAC>CD All-1 131 1202 83742 
 *JGB: Jim Vita, unknown gear*
 Source: Jim Vita, undetermined gear > master cassette (TDK SA-90); Transfer: Nakamichi Dragon
 playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding.
 Transfer by David Minches. Notes: - Terrific show. Garcia is ripping off some extremely raunchy
 stuff, such as the second solo in Tangled Up (around 5:40) -- cover your ears!! But there's also some
 nice intricate stuff (Mississippi Moon, Russian Lullaby) and a perfectly executed, (previously) unique
 transition from Deal to Midnight Moonlight. Nice Stuff! - Jim Vita's first tape, AFAIK, though I
 believe he may have been patched out of someone else. Generally good tape, but with lots of level
 fluctuations, some clipped beginnings, and an intermittent static buzz in the right channel. There is
 lots of loud talking and cheering throughout ... shhhh!! - d1t01 TWLWMYD cuts in - R-channel
 buzzing/crackling/static from d1t01 @ 10:18 through d1t02 @ 10:55 - d1t04 How Sweet cuts in - d1t04
 How Sweet levels increase at 5:45, go back down but there is some distortion for awhile. - d1t05
 Tangled Up major level fluctuations first minute or so. Buzzing returns @ d1t05 @ 1:17 - d2t02 Harder
 They Come level fluctuations first minute or so. - d2t05 Russian Lullaby levels go way up @ 1:51
 Set One: Disc One (5 tracks, 54:28) --Set I-- (missing I'll Take a Melody) 01. //That's What
 Love Will Make You Do [#10:41] [1:19] 02. Mississippi Moon [11:09] rough tape transition 03. Sitting
 in Limbo [12:42] [0:07] 04. //How Sweet It Is [#8:49] -> 05. Tangled Up in Blue [9:23] [0:16]
 Set Two: Disc Two (8 tracks, 76:47) --Set II-- 01. Crowd & Tuning [0:31] 02. Harder They
 Come [14:12] [1:31] 03. /Mission in the Rain [#10:45] [0:07] 04. They Love Each Other [8:04] [1:10]
 05. Russian Lullaby [12:12] [0:23] 06. Dear Prudence [12:09] -> 07. Deal [7:37] -> 08. Midnight
 Moonlight [7:58] [0:05]
02/05/81 Bethlehem, PA - Stabler Arena, Lehigh U MAC>D>CD All 128 1243-1244 9043 
 *JGB: Ted Eng, Nak 300s > Sony D5M*
 Lineage: MAC>DAT>CD . Recorded by Ted Eng using NAK 300s into a Sony D5M located just behind the
 soundboard. Digital conversion graciously and expertly performed by Jim Wise. Nice recording, not
 much bass but lots of high end. Jer sounds a bit frail. d1t01 How Sweet cuts in, missing ca. 30
 seconds? d1t01 How Sweet cut/splice @ 2:15; d1t02 Catfish John cuts in; d1t03 TWLWMYD cuts in; d1t04
 Simple Twist cuts in; d1t04 Simple Twist ticks @ 2:59, 4:34; d1t04 Simple Twist cut/splice @ 10:18,
 not much missing; d1t04 Simple Twist is excellent! d1t06 TUIB cuts in, cuts out (-<15 secs. @ end);           d2t01 Sugareet first few notes clipped; d2t02 HTC barely clips in; d2t03 Masterpiece clips in; d2t04           Dixie Down clips in; d2t05 Prudence clips in.>
 Set One: Disc One (6) 60:04 -Set I- 1. //How// Sweet It Is [8:13#], 2. //Catfish John
 [10:52#], 3. //That's What Love Will Make You Do [8:36#], 4. //Simple Twist// of Fate [15:26#] [0:05],
 5. [0:08] Let it Rock [7:30] [0:02], 6. //Tangled Up in Blue// [9:10#]
 Set Two: Disc Two (6) 68:02 -Set II- 1. //Sugaree [14:54#] [0:02], 2. [0:08] //Harder They
 Come [13:00#] [0:02], 3. //When I Paint My Masterpiece [9:09#], 4. //The Night They Drove Old Dixie
 Down [8:21#] [0:03], 5. //Dear Prudence [12:58#] -> 6. Midnight Moonlight [9:18] [0:04]
02/05/81 Bethlehem, PA - Stabler Arena, Lehigh U  MAC>CD All 141 enter 83743 
 *JGB: Jim Vita, Nak DM500s > Sony TC-D5M*
 Source: Jim Vita, Nakamichi DM-500s (BOB, on a riser at the rear end of hall, straight back center)
 > Sony TC-D5M master cassette (Maxell UDXLII-S); Transfer: Nakamichi Dragon playback > Art DI/O >
 Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.
 Notes: - Info on taping gear comes from another list (Tim McKenzie's?). Microphone information (but
 not location) is quite certain, though, as it was written on the master cassette J-card. Nice tape. -
 The master was normalized to 100%, and various tape transitions were smoothed. No other processing
 was applied. - Pretty good performance, IMO not as good as the night before, though there are some
 typically great moments here (lots of fanning, e.g. in 14-min. mark of Simple Twist, around 6-min.
 mark of Let it Rock, and 7- in. mark of Sugaree). - d1t04 TWLWMYD mix adjustments first two minutes. -
 d1t05 Simple Twist weird banging noise during bass solo.
 Set One: Disc One (7 tracks, 68:46) --Set I-- 01. Crowd & Tuning [1:26] 02. How Sweet It Is
  [8:28] [2:02] 03. Catfish John [10:46] [1:53] 04. That's What Love Will Make You Do [8:30] [0:21] 05.
 Simple Twist of Fate [15:16] [2:04] 06. Let it Rock [7:23] [1:05] 07. Tangled Up in Blue [9:11]
 [0:18]
 Set Two: Disc Two (7 tracks, 72:02) --Set II-- 01. Crowd & Tuning [0:57] 02. Sugaree [14:42]
 [2:06] 03. Harder They Come [12:49] [0:51] 04. When I Paint My Masterpiece [9:08] [0:33] 05. The Night
 They Drove Old Dixie Down [8:21] -> 06. Dear Prudence [13:06] -> 07. Midnight Moonlight [9:11]
 [0:14]
02/06/81 Upper Darby, PA - Tower Theatre MAC>CD All 120 enter 88819 
 *JGB: Jim Vita, Nak DM500s > Sony TCD5M*
 Source: Jim Vita, FOB Nakamichi DM-500s > Sony TC-D5M master cassette (Maxell UDXLII-S); Transfer:
 Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC
 encoding. Transfer by David Minches. Notes: - Nice show, with some characteristic February '81
 fanning. Quite a nice tape, especially after d1t02 @ ca. 5:22, when the mics are evidently
 repositioned (with some bumping along the way). Various tape transitions were smoothed and the
  recording was normalized to 100%, but no other processing was undertaken. - Microphone location was
 not written on the tapes, but is copied from Vita's tapelist. - d1t01 Knockin' cuts in, most missing.
 Levels increase after about a minute. JJ: I wonder if there wasn't another tune before Knockin'? This
 strikes me as an unusual opener. The cut also suggests that maybe JV arrived or got started late.
 Finally, 45 mins would be a pretty short first set for this tour. Just a hunch.
 Set One: Disc One (5 tracks, 44:54) --Set I-- 01. //Knockin' on Heaven's Door [#3:26] [2:33]
 02. How Sweet It Is [7:40] [1:04] 03. Mississippi Moon [10:49] [1:17] 04. Mission in the Rain [9:38]
 -> 05. Tangled Up in Blue [8:17] [0:08]
 Set Two: Disc Two (7 tracks, 75:26) --Set II-- 01. Crowd & Tuning [0:33] 02. Harder They
 Come [14:11] [1:18] 03. They Love Each Other [8:39] [1:35] 04. Tore Up Over You [9:34] [1:14] 05. I'll
 Take a Melody [16:01] -> 06. Midnight Moonlight [9:07] [0:45] --Encore-- 07. Dear Prudence [12:16]
 [0:11]
02/06/81 Upper Darby, PA - Tower Theatre MAC>CD>D>CD All -1 n/a 
 *JGB: Jim Vita, Nak DM-500s > Sony TC-D5M*
 Jim Vita's MAC w/ Nak DM-500s > Sony TC-D5M > CDR > DAT > CDR.
 Set One: --Set I-- (missing Heaven's Door), How Sweet It Is, Mississippi Moon, Mission In
 The Rain -> Tangled Up In Blue
 Set Two: --Set II-- Harder They Come, They Love Each Other, Tore Up, I'll Take A Melody ->
 Midnight Moonlight --Encore-- Dear Prudence
02/07/81a Boston, MA - Orpheum Theater MAC>D>CD All 72 86 
  *JGB: Steve Rolfe, Nak 700s > Sony TC-D5*
 Steve Rolfe AUD. Mics->Deck: Nakamichi 700's->Sony TC-D5 (Front Row Balcony); Analog ->DAT:
 Nakamichi BX-300>Sony PCM-R500; DAT->CD: Sony PCM-R500->HHB-800-81
 Set One: 1. [0:13] How Sweet It Is To Be Loved By You [8:43] [0:28], 2. [0:07] Catfish John
 [11:07] [0:19], 3. That's What Love Will Make You Do [9:11] [0:10], 4. Like a Road [11:41] [0:17], 5.
 [0:04] Love in the Afternoon [10:42] [0:21], 6. [0:03] Sugaree [9:54] [0:01], 7. Tangled Up in Blue
 [8:11] [0:25], Total Time 72:01
02/07/81b Boston, MA - Orpheum Theater MAC>D>CD All 96 87 
 *JGB: Steve Rolfe, Nak 700s > Sony TC-D5*
 Steve Rolfe AUD. Mics->Deck: Nakamichi 700's->Sony TC-D5 (Front Row Balcony); Analog ->DAT:
 Nakamichi BX-300>Sony PCM-R500; DAT->CD: Sony PCM-R500->HHB-800-81; d2t05 (of the early & late set)
 I'll Take a Melody light static @ 1:43.
  Set One: 1. [0:10] Harder They Come [11:52] [0:21], 2. They Love Each Other [8:40] [0:19],
 3. Tore Up Over You [9:47] [0:01], 4. [0:05] Mission in the Rain [10:12] [0:18], 5. [0:04] I'll Take a
 Melody [13:26] [0:19], Total Time 55:36
 Set Two: 1. Mississippi Moon [11:10] [0:02], 2. Dear Prudence [11:20] [0:33], 3. Deal [7:23]
 -> 4. Midnight Moonlight [8:17], Cheering [0:10], Dead Air [0:38], Total Time 39:35
02/09/81 Providence, RI - Ocean State Theater  MAC>D>CD All 145 
 *JGB: Jim Vita, Nak DM-500s > Sony TC-D5M*
 Nak DM-500s > Sony TC-D5M. I assume this is Jim Vita's master. TUIB fades out @ end. Really nice
 show! STOF has the bass interlude. TUIB is hot. Prudence has some neat punctuated wailing @ ca.
 7:15. May run fast.
 Set One: Disc One (7 tracks, 73:43) --Set I-- Sugaree, Love in the AFternoon, That's What
 Love Will Make You Do, Simple Twist of Fate, Sitting in Limbo, Tangled Up in Blue ...
 Set Two: Disc Two (7 tracks, 71:09) --Set II-- I'll Take a Melody, How Sweet It Is, Harder
 They Come, Mission in the Rain, Dear Prudence [11:46] -> Deal [6:30] -> Midnight Moonlight [6:22]
  [0:50]
02/09/81 Providence, RI - Ocean State Theater MAC>D>CD All 143 1039-1040 20608 
 *JGB: Steve Rolfe, Nak 700s > D5*
 Excellent tape of a very nice and soulful performance. d2t01 ITAM tick @ 5:58. Nice Mission in the
 Rain. Nice Harder They Come. Prudence squeaking @ 4:48-5:41, unknown origin.
 Set One: Disc One (6 tracks, 74:02) --Set I-- Sugaree, Love In The Afternoon, That's What
 Love Will Make You Do, Simple Twist Of Fate, Sittin' In Limbo, Tangled Up In Blue
 Set Two: Disc Two (7 tracks, 68:34) --Set II-- I'll Take A Melody, How Sweet It Is To Be
 Loved By You, The Harder They Come, Mission In The Rain, Dear Prudence -> Deal -> Midnight
  Moonlight
02/09/81 Providence, RI - Ocean State Theater MAC>CD All 150 enter 83745 
 *JGB: Jim Vita, Nak DM500s > Sony TCD5M*
 Source: Jim Vita, FOB Nakamichi DM-500s (25th row center) > Sony TC-D5M master cassette (Maxell
 UDXLII-S w/ Dolby); Transfer: Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe >
 Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches. Notes: - Nice show, with some
  characteristic February '81 fanning and another nice Deal > Midnight Moonlight segue (though not quite
 at the level of 2/4/81, IMO). Various tape transitions were smoothed and the recording was normalized
 to 100%, but no other processing was undertaken. - d1t03 Love in the Afternoon levels decrease @ 0:20
 - d1t07 Tangled Up in Blue clips in.
 Set One: Disc One (7 tracks, 76:46) --Set I-- 01. Crowd & Tuning [0:59] 02. Sugaree [12:16]
 [1:19] 03. Love in the Afternoon [9:26] [1:00] 04. That's What Love Will Make You Do [9:55] [0:52] 05.
 Simple Twist of Fate [17:20] [0:49] 06. Sitting in Limbo [11:41] [0:15] 07. /Tangled Up in Blue
 [#10:42] [0:09]
 Set Two: Disc Two (8 tracks, 73:15) --Set II-- 01. Crowd & Tuning [0:58] 02. I'll Take a
 Melody [12:26] [1:33] 03. How Sweet It Is [8:23] [1:20] 04. Harder They Come [10:34] [0:39] 05.
 Mission in the Rain [10:29] [0:59] 06. Dear Prudence [11:56] -> 07. Deal [6:35] -> 08. Midnight
 Moonlight [6:31] [0:49]
02/10/81 Hartford, CT - Bushnell Auditorium MAC>CD All 132 1260 33740 
 *JGB: Jim Wise, Senn MD421s > Sony D5*
 Recording by Jim Wise: Master Audience Cassette; Senn MD-421s > Sony D-5 at SB; Maxell UDXLII;
 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. Notes: - d1t05 LIR
 minor patch from Jim Vita's master; Nak DM-500s (new Minches xfer); - d2t05 DP some annoying off-time
 clapping ... c'mon, people! Old copy listed as Sennheiser 441's > Sony TC-D5, set up at SBD on
 stand.
 Set One: disc 1 (7 tracks, 61:02), --Set I-- 01. Crowd & Tuning [1:31], 02. I'll Take a
 Melody [12:23] [0:23], 03. It's No Use [10:08] [0:21], 04. They Love Each Other, 05. Let it Rock
 [8:07] [0:34], 06. The Night They Drove Old Dixie Down [8:34] [0:07], 07. Tangled Up in Blue [10:02]
 [0:11]
 Set Two: disc 2 (7 tracks, 71:06) --Set II-- 01. Crowd & Tuning [0:40], 02. Mission in the
 Rain [10:07] [0:45], 03. Russian Lullaby [14:54] [0:43], 04. Harder They Come [14:28] [0:16], 05. Dear
 Prudence [13:20] [0:20], 06. Deal [7:09] -> 07. Midnight Moonlight [8:04] [0:16]
02/10/81 Hartford, CT - Bushnell Auditorium MAC>CD All 136 enter 83746 
 *JGB: Jim Vita, Nak DM500s > Sony TCD5M*
 Source: Jim Vita, Nakamichi DM-500s (center balcony) > Sony TC-D5M master cassette (Maxell UDXLII-S
 w/ Dolby); Transfer: Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit
 2000 > Shntool > FLAC encoding. Transfer by David Minches. Notes: - Various tape transitions were
 smoothed and the recording was normalized to 100%, but no other processing was undertaken. - d2t04 HTC
 splice @ 6:01 - d2t05 Dear Prudence some nice loud wailing @ 8-min. mark.
 Set One: Disc One (7 tracks, 63:16) --Set I-- 01. Crowd & Tuning [1:35] 02. I'll Take a
 Melody [12:23] [0:58] 03. It's No Use [10:05] [1:14] 04. They Love Each Other [8:38] [0:08] 05. Let it
 Rock [8:07] [1:09] 06. The Night They Drove Old Dixie Down [8:31] [0:09] 07. Tangled Up in Blue
 [10:02] [0:14]
 Set Two: Disc Two (7 tracks, 73:18) --Set II-- 01. Crowd & Tuning [0:37] 02. Mission in the
 Rain [10:08] [1:54] 03. Russian Lullaby [14:54] [0:42] 04. Harder// They Come [14:#16] [0:17] 05. Dear
 Prudence [13:21] [1:43] 06. Deal [7:08] -> 07. Midnight Moonlight [8:04] [0:10]
02/10/81 Hartford, CT - Bushnell Auditorium MAC>D>CD II 60 
 *JGB: Jim Vita, Nak 500s > Sony TC-D5m*
 MAC (Taped by Jim Vita, Balcony front row dead center Nakamichi DM-500 mics > Sony TC-D5m >
 uncertain playback deck > HHb 800 CDRx0 > etc.
 Set Two: 01. [0:40] Mission in the Rain [10:13] [0:03], 02. [0:40] Russian Lullaby [15:05]
 [0:11], 03. [0:29] Harder They Come [14:38] [0:03], 04. [0:17] Dear Prudence [13:21] [0:01], 05.
  [0:19] Deal -> 06. Midnight Moonlight [8:10] [0:24]
02/11/81 NYC, NY - The Palladium MAC>D>CD All 158 1260 33741 
 *JGB: Jim Wise, Beyer M160s > Sony TC-D5*
 2006 Minches xfer info: Recording by Jim Wise: Master Audience Cassette; Beyer M160s> Sony D-5; 1st
 Balcony; direct center; Maxell UDXLII. Transfer and FLAC encoding by David Minches:Master played back
 on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac
 encoding > FLAC. Info from earlier xfers (reflected in the timings above): MAC~>DAT~>CDR. Recorded
 by Jim Wise, Beyer M 160 on a stand -> Sony TC-D5 from the center loge. A very light clicking sound
 plagues the whole recording, though it is only really audible during tuning breaks and very quiet
 passages (as in Mississippi Moon).
 Set One: Disc One (7) 61:28 --Set I-- 1. Crowd/Tuning [1:24], 2. How Sweet It Is [7:00]
 [0:41], 3. Catfish John [10:20] [0:22], 4. That's What Love Will Make You Do [9:43] [0:18], 5.
 Mississippi Moon [12:19] [0:23], 6. Tore Up Over You [9:27] -> 7. Tangled Up In Blue [9:13] [0:14]
 Set Two: Disc Two (5) 56:33 --Set II-- 1. Crowd/Tuning [0:43], 2. I'll Take A Melody [14:49]
 [0:15], 3. The Harder They Come [12:46] [0:51], 4. Mission In The Rain [10:16] [0:10], 5. Simple Twist
 Of Fate [16:40] [0:02]
 Set Three: Disc Three (4) 40:22 --Set II (con't)-- 1. Dear Prudence [12:41] -> 2. Deal
 [7:19] -> 3. Midnight Moonlight [8:20] [0:34] --Encore-- 4. Sugaree [11:14] [0:13]
02/11/81 NYC, NY - The Palladium MAC>CD All n/a 1271 76341  
 JGB: Jim Vita, Nak 500s > Sony D5*
 Recording by Jim Vita: Master Audience Cassette; 2 Nakamichi 500s> Sony D5; Recorded on TDK SA-90s;
 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.
 Set One: How Sweet It Is To Be Loved By You, Catfish John, That's Alright Mama, Mississippi
 Moon, Tore Up Over You, Tangled Up In Blue
 Set Two: I'll Take A Melody, The Harder They Come, Mission In The Rain, Simple Twist Of
 Fate, Dear Prudence-> Deal-> Midnight Moonlight, E: Sugaree
02/11/81 NYC, NY - The Palladium MAC>CD All n/a  
 *JGB: Jim Wise, Beyer M160s > Sony D5* *new xfer*
 Set One: How Sweet It Is To Be Loved By You, Catfish John, That's Alright Mama, Mississippi
 Moon, Tore Up Over You, Tangled Up In Blue
 Set Two: I'll Take A Melody, The Harder They Come, Mission In The Rain, Simple Twist Of
 Fate, Dear Prudence-> Deal-> Midnight Moonlight, E: Sugaree
02/13/81a Passaic, NJ - Capitol Theater MAC>CD All 95 1354 9019 
 *JGB: Ohr Weinberg, 2 Sony ECM 23-Fs w/Nak DM-500 blend > Nak 550*
 MAC (2 Sony ECM 23-Fs w/Nak DM-500 blend > Nak 550, taped by Ohr Weinberg) > Nak Dragon playback >
 HHb 800 master CD > CDs. Knockin' splice @ track 5:16;TWLWMYD cuts in (tape drag); HSII clips in; TUIB
 clips in.
 Set One: Disc One (5 tracks, 58:09) [1:10] Knockin// on Heaven's Door, TWLWMYD, Catfish
 John, /How Sweet It Is, Let it Rock
 Set Two: Disc Two (3 tracks, 37:11) Sitting in Limbo, Russian Lullaby, /Tangled Up in
 Blue
02/13/81b Passaic, NJ - Capitol Theater MAC>CD All 119 1354 9019 
 *JGB: Ohr Weinberg, 2 Sony ECM 23-Fs w/Nak DM-500 blend > Nak 550*
  MAC (2 Sony ECM 23-Fs w/Nak DM-500 blend > Nak 550, taped by Ohr Weinberg) > Nak Dragon playback >
 HHb 800 master CD > CDs. This is a neat version of @@Simple Twist of Fate ... some nice soft fanning @
 ca. 13:15, and very Dylanesque phrasing. Deal is kind of weak near end (ca. 8:15), but that's maybe
 because JG is bending it toward Midnight Moonlight.
 Set One: Disc One (5 tracks, 56:31) 2. Crowd & Tuning [1:18], 2. Harder They Come [14:44],
 3. [0:40] Mission in the Rain [11:28], 4. Simple Twist of Fate [17:30], 5. [0:28] Tore Up Over You
 [10:23]
 Set Two: Disc Two (6 tracks, 62:26) 1. Crowd & Tuning [1:27], 2. [0:11] I'll Take a Melody,
 3. Mississippi Moon, 4. Dear Prudence [13:10] [0:04]m, 5. [0:15] Deal -> 6. Midnight Moonlight
02/14/81 Hempstead, NY - Calderone Theater MAC>CD All 117 0642 enter 
 *JGB: Ohr Weinberg, 2 Sony ECM 23-Fs w/Nak DM-500 blend > Nak 550*
  MAC (Taped by Ohr Weinberg, 2 Sony ECM 23-Fs w/Nak DM-500 blend [Nak 300 for first two songs] > Nak
 550) > Nak Dragon playback > HHb 800 master CD > CDs. Notes: -The sound is a bit flat, with sound &
 mix fluctuations during the first few minutes and occasionally thereafter. -d1t01 Sugaree level drop @
 0:18. Original listing (follows) was corrected by Anne Cohen: "MAC (Taped by Ohr Weinberg, Sony ECM
 23-f's w/Nak DM-500 blend > Nak 550) > D > CD > EAC > SHN. "
  Set One: Disc One (6) 54:16 --Set I-- 01. Crowd & Tuning [1:15], 02. Sugaree [14:57] [0:15],
 03. They Love Each Other [8:25] [0:27], 04. When I Paint My Masterpiece [9:36] , [0:36], 05. Love In
 The Afternoon [7:53] [0:08], 06. Tangled Up In Blue [10:32] [0:08]
 Set Two: Disc Two (6) 62:42 --Set II-- 01. Crowd & Tuning [0:44], 02. Tore Up Over You
 [9:06] [0:04], 03. Like A Road [13:47] [0:29], 04. The Harder They Come [16:06] [0:18], 5. Dear
 Prudence [13:37] -> 06. Midnight Moonlight [8:20] [0:08]
02/14/81 Hempstead, NY - Calderone Theatre MAC>?>CD All 121 1032-1033 24070 
 *JGB: Senn 421s > Sony D5*
 Recorded Sony D5 Sennheiser 421 mikes from balcony front row. JJ: solid tape of an excellent show.
 TUIB is strong, Tore Up smokes, Like a Road is flawed but beautiful, and Dear Prudence has some
 beautiful, soaring guitar passages. Good stuff.
 Set One: Disc One (5 tracks, 56:54) --Set I-- Sugaree, They Love Each Other, When I Paint My
 Masterpiece, Love In The Afternoon, [0:15] Tangled Up In Blue
 Set Two: Disc Two (5 tracks, 64:08) --Set II-- [0:30] Tore Up Over You, Like A Road, The
 Harder They Come, Dear Prudence -> Midnight Moonlight
02/15/81 Glassboro, NJ - Esby Gym, Glassboro State College MAC>D>CD All 108 
 *JGB: Jim Vita, Nak DM-500s > Sony D5*
 Recorded by Jim Vita, Nak DM-500s > Sony D5 Cm > DAT > CD
 Set One: Disc One (6) 54:51 -Set I- 1. Tuning/Crowd [0:48], 2. How Sweet It Is [7:42]
 [0:29], 3. Catfish John [10:15] [0:25], 4. Mississippi Moon [11:34] [1:12], 5. I'll Take A Melody
 [12:37] -> 6. Tangled Up In Blue [9:35] [0:14]
 Set Two: Disc Two (6) 53:21 -Set II- 1. Tuning/Crowd [1:22], 2. Harder They Come [13:56]
 [0:19], 3. Mission In The Rain [9:07] [0:31], 4. Tore Up Over You [8:10] -> 5. Dear Prudence [11:49]
 -> 6. Midnight Moonlight [7:47] [0:20]
02/22/81 San Francisco, CA - The Stone MAC>CD All 109 0646 enter 
 *JGB: Angus & Hart, Technics stereo mic > Sony TC-D5*
 MAC (Taped by John Angus and Scott Hart, Technics stereo mic > Sony TC-D5) > Sony TC-D5 playback >
 Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD
 Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A >
 D by Harry Angus, CD > SHN by Joe Jupille. Notes: - A wonderful recording of an interesting show that
 includes a few relatively rare (for the era) tunes in set I. Flaws: - d1t01 How Sweet It Is cuts in
 harshy, not much missing; - d2t04 Dear Prudence clips in, very little missing.
 Set One: Disc One (5) 57:57 --Set I-- 01. //How Sweet It Is [#8:43] [0:39, 02. Catfish John
 [11:02] [0:35], 03. Someday Baby [7:43] [0:29], 04. Like a Road [17:02] [1:39], 05. Tore Up Over You
 [9:46] [0:18]
 Set Two: Disc Two (5) 51:20 --Set II-- 01. Crowd & Tuning [0:26], 02. I'll Take a Melody
 [14:17] [1:29], 03. Russian Lullaby [13:18] [0:26], 04. /Dear Prudence [13:05] -> 05. Midnight
 Moonlight [7:51] [0:26]
03/28/81z Essen, Germany - Hotel Room MAC>?>CD All 48 0715 enter 
 *Interview*
 Notes from the seeder: "This recording saw minimal circulation when it was reportedly sold in
 Germany in the 80s. Many thanks are due to Tilli for obtaining a copy of the master cassette. I
 applied some denoising in SoundForge; the sound is not optimal but still listenable. I don't know much
 about Hübsch (who contributes at least as much to the conversation as Garcia) except that he was a
 writer and "beat poet" and he converted to islam in the late seventies."
 Set One: This is a 48-minute recording of an informal conversation between Jerry Garcia and
 Ayatolla Hübsch (?), held at Garcia's hotel room in the afternoon before the Rockpalast show. Topics
 include Illuminati books, islam and the Sikhs. Somewhere in the middle the telephone rings. Jerry
 picks up and talks to Brent for a moment. At the end Hübsch starts singing a song to Jerry, who then
 accompanies him on an acoustic guitar.
04/18/81 Petaluma, CA - Phoenix Theater MAC>CD All n/a 93183 
 *JGB: Phil Jaret, JVC M-201 > Sony TC-D5*
 AUDIENCE ANALOG MASTER > CDR > WAV > FLAC Level 8. Complete show. Direct from Master audience
  recording. Taped by Phil Jaret. Location: Center floor. Sony TC-D5 (TDK-SA 90 Dolby B on record and
 playback) JVC M-201 Electret condenser stereo microphone. Playback on a Sony TC-K615S cassette deck
 directly to HHB CDR-800 burner. Tracked "On The Fly". Transferred By John M. 7-26-08.
 Set One: CD#1 Set 1 D1T01 How Sweet It Is (To Be Loved by You) D1T02 Catfish John D1T03
 Simple Twist Of Fate D1T04 Let It Rock D1T05 Sitting Here In Limbo D1T06 Tangled Up In Blue
 Set Two: CD#2 Set 2 D2T01 I'll Take A Melody D2T02 That's What Love Will Make You Do D2T03
 Russian Lullaby D2T04 Dear Prudence D2T05 Midnight Moonlight Encore: D2T06 The Harder They Come
04/21/81 Santa Cruz, CA - The Catalyst  MAC>CD All 135 
 *JGB: Steven Martin, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell
 XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > unknown CD gens.
 Nice recording, nice show. d2t05 Midnight Moonlight digi-tick/drop @ 5:50. Great Midnight Moonlight
 ending vocals.
 Set One: Disc One (5) 64:21 --Set I-- 01. [0:15] Knockin' [18:13] [0:39], 02. How Sweet It
 Is [10:10] [0:15], 03. Mississippi Moon [13:20] [0:07], 04. Deal [9:06] -> 05. Tangled Up in Blue
 [12:02] [0:12]
 Set Two: Disc Two (5) 71:07 --Set II-- 01. [0:32] Harder They Come [17:44] [0:17], 02.
 Mission in the Rain [13:59] [0:16], 03. Simple Twist of Fate [16:51] -> 04. Dear Prudence [12:39]
 [0:33], 05. Midnight Moonlight [8:01] [0:13]
04/23/81 Berkeley, CA - Keystone  MAC>CD All 126 1357 90060 
 *JGB: Steven Martin, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback >
 Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A
 extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector
 boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD mastering by Steven
 Martin, EAC > SHN by Joe Jupille. Notes: - Oversaturated but otherwise nice recording. The only edits
 undertaken were to mooth tape flips. - This is a nice performance, with some interesting stuff around
 the 7-minute mark of Deal, nd standout versions of I'll Take a Melody, Sugaree, and Dear Prudence. -
 d1t02 TWLWMYD low vocals (PA) until ca. 1:30; - d1t05 Let it Rock splice (tape flip?) @ 8:41; - d2t04
 HTC some rattling in one of the drums? - 2t05 Prudence splice (tape flip?) @ 8:02.
 Set One: Disc One (7) {66:31} --Set I-- 01. Crowd & Tuning [1:27] {01:27}, 02. That's What
 Love Will Make You Do [13:53] [0:17] {14:10}, 03. Catfish John [11:10] [0:27] {11:37}, 04. Love in the
 Afternoon [10:17] [0:06] {10:23}, 05. Let it// Rock [10:#05] [0:03] {10:08}, 06. Deal [7:42] ->
 {07:42} 07. Tangled Up in Blue [10:58] [0:02] {11:00}
 Set Two: Disc Two (6) {59:11} --Set II-- 01. Crowd & Tuning [0:22] {00:22}, 02. I'll Take a
 Melody [12:58] [0:23] {13:21}, 03. Sugaree [11:58] [0:28] {12:26}, 04. Harder They Come [12:11] ->
 {12:11} 05. Dear //Prudence [13:#11] -> {13:11} 06. Midnight Moonlight [7:35] [0:03] {07:38}
04/24/81 Palo Alto, CA - Keystone Palo Alto MAC>CD All 117 0904-0905 18582 
 *JGB: Steven Martin, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback >
 Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A
 extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector
  boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille
 (jjoops AT comcast DOT net). - A nice recording of a very enjoyable show. Things might be running a
 bit fast, I am just not sure. If not, then things are just really upbeat. The last three songs have
 some significant overload distortion. - A few songs barely clip in. The only edits I undertook were to
 smooth a few tape transitions. - d1t06 Tangled Up in Blue splice @ very start (tape flip). - d2t06
 Midnight Moonlight cuts in. MAY RUN FAST -- CHECK PITCH.
 Set One: Disc One (6) 56:55 --Set I-- 01. Crowd & Tuning [1:01], 02. After Midnight [10:07]
 [0:46], 03. They Love Each Other [8:18] [0:16], 04. It's No Use [10:19] [1:09], 05. Mississippi Moon
 [11:34] [0:03], 06. Tangled// Up in Blue [13:#09] [0:11]
 Set Two: Disc Two (6) 60:00 --Set II-- 01. Crowd & Tuning [0:31], 02. Mission in the Rain
 [13:19] [0:46], 03. Harder They Come [12:43] [0:11], 04. Simple Twist of Fate [15:30] [0:02], 05. Tore
 Up Over You [9:48] [0:03], 06. //Midnight Moonlight [#6:50] [0:14]
04/24/81 Palo Alto, CA - Keystone Palo Alto MA?>?>CD I  n/a 
 *JGB: unknown taper & gear*
 AUD? > ? > CD. I believe this is a good aud, with a bit of hiss and possibly a touch fast. t04
 HTC cuts in, missing ca. 15 seconds.
 Set One: Single Disc (4) 44:51, 1. TLEO [8:19] [0:06], 2. It's No Use [10:21] [0:05], 3.
 Mission in the Rain [13:22] [0:04], 4. //Harder They Come [#12:32] [0:01]
04/25/81a San Francisco, CA - The Stone MAC>?>CD All 38  1043 9728 
 *Garcia, Weir, Kahn, Hart & Kreutzmann: unknown taper & gear*
 Garcia, Weir, Kahn, Hart, Kreutzman. "Sing Out For Sight" benefit. Hissy. Runs fast -- needs speed
 correction.
 Set One: Single Disc (9 tracks, 37:46): Deep Elem Blues, Dark Hollow, Jack-A-Roe, Monkey And
 The Engineer, Friend Of The Devil, El Paso, Oh Babe It Ain't No Lie, On The Road Again, E: Oh Boy
04/25/81a Berkeley, CA - Berkeley Community Theater MS?>?>CD  All n/a 
 *Garcia, Weir, Kahn, Hart, Kreutzman*
 Set One: Deep Elem Blues, Dark Hollow, Jack-A-Roe, Monkey And The Engineer, Friend Of The
 Devil, El Paso, Oh Babe It Ain't No Lie, On The Road Again, E: Oh Boy, E: Drums
04/25/81b San Francisco, CA - The Stone MAC>CD All 87 0844 17888 
 *JGB: Steven Martin, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback >
 Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A
 extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector
 boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe
 Jupille. Notes: - According to the Jerry Site, "Jerry played a benefit at the Berkeley Community
 Theater earlier in the day and concluded the evening with this show." That might explain why this
 show is relatively short. - Nice recording with lots of crowd involvement. Sounds like a good time
 was had by all. Nice show. These '81 Like a Roads aren't perfectly executed, but have a really nice
 feel. - A few songs barely clip in, but I didn't detect any significant flaws. The only edits I
 undertook were to smooth a few tape transitions.
 Set One: Disc One (4) 45:45 --Set I-- 01. I'll Take A Melody [12:49] [0:09], 02. That's What
 Love Will Make You Do [9:48] [0:01, 03. Like A Road [14:18] [0:03], 04. Deal [8:30] [0:06]
 Set Two: Disc Two (4) 40:33 --Set II-- 01. Crowd & Tuning [0:49], 02. Harder They Come
 [15:30] [0:14], 03. Mission In The Rain [12:41] [0:15], 04. Tangled Up In Blue [10:59] [0:03]
05/07/81z New York, NY - NBC Studios n/a 
 *Tomorrow Show*
05/07/81z New York, NY - NBC Studios All n/a 
 *Tomorrow Show*
05/22/81 San Francisco, CA - Warfield Theater MAC>D>CD All n/a 1092 9829 
  *GD, -Lesh + Kahn: unknown taper & gear*
05/22/81 San Francisco, CA - Warfield Theater MAC>CD All 73 1099 26437 
 *Garcia & Friends: John Angus & Scott Hart, unknown mics > Sony TC-D5
 Jerry Garcia, Bob Weir, John Kahn, Brent Mydland, Bill Kreutzmann & Mickey Hart. "Benefit for
 Nuclear Disarmament" MAC (Taped by John Angus & Scott Hart, unknown mics > Sony TC-D5) > Sony TC-D5
 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > Plexwriter PX-W4824A extraction (EAC
 v0.9 beta 4) > tracking (CD Wave v1.6) >patching (SF Studio 6.0) > sector boundary verification
 (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). CD mastering by slip,
 EAC > FLAC by Joe Jupille. Notes: - Really nice tape of a show that is a pleasure to listen to. -
 Patch material was provided by Willy Munder's seed of this show, shnid 9829. This included the first
 3:14 of the opening track, everything from the final reverb note of Oh Babe It Ain't No Lie through
 0:46 of On the Road Again (likely tape flip from the master), and everything from about ten seconds
 after the end of Oh Boy (i.e., about three minutes of tuning and end-of-show talk). That seed is
 pretty good but is plagued by intermittent static (which you can hear in the first second or so of the
 emcee talk on t01). This master strikes me as better overall, in any case.
  Set One: Single Disc (14) 73:25, 01. Emcee talk & tuning [3:52], 02. Deep Elem Blues [4:56]
 [0:25], 03. The Race Is On [2:54] -> 04. Friend of the Devil [8:14] [1:14], 05. Cassidy [4:45] [0:31],
 06. To Lay Me Down [8:13] [0:39], 07. Monkey and the Engineer [2:55] [0:46], 08. Oh Babe It Ain't No
 Lie [5:54] [0:07], 09. On the Road Again [2:54] [0:26], 10. Bird Song [6:22] -> 11. Ripple [4:02] ->
 12. Drums [8:00] -> 13. Oh Boy [2:11] [1:32], 14. Show Closing [2:24]
05/22/81 San Francisco, CA - Warfield Theater MAC>CD All 73 1264 35124 
 *Garcia & Friends: sirmick remaster of Hart & Angus tape*
 Jerry Garcia, Bob Weir, John Kahn, Brent Mydland, Bill Kreutzmann & Mickey Hart: Warfield Theater,
 San Francisco, CA, 5/22/81, "Benefit for Nuclear Disarmament". Source: MAC (Taped by John Angus &
 Scott Hart, unknown mics > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook >
  wav > CD. notes: This is a remaster of shnid 26437. - removed the static that was present in track 1 -
 fixed a few other minor problems - a small amount of noise reduction has been applied - I felt that
 the sound was a little patchy in places and lacked a little bottom end, so I remastered using iZotope
 Ozone and other plugins. comments: What a wonderful, vibrant performance this is. I can do no better
 than echo Joe Jupille's original sentiment that it is "a pleasure to listen to". SIRMick, June
 2006.
 Set One: 73:24: 01 MC talk & tuning, 02 Deep Elem Blues, 03 The Race Is On > 04
 Friend Of The Devil, 05 Cassidy, 06 To Lay Me Down, 07 Monkey And The Engineer, 08 Oh Babe It
 Ain't No Lie, 09 On the Road Again, 10 Bird Song > 11 Ripple > 12 Drums > 13 Oh Boy, 14
 Show Closing
05/28/81 Palo Alto, CA - Keystone Palo Alto MSC>D>CD I 48 1170 30791 
  *JGB*
 Let it Rock cuts in, but this maybe one of the best Let it Rocks Jerry ever did.
 Set One: Single Disc (9) 72:24 1. [0:02], 2. Harder They Come [14:11] [0:38], 3. Mission in
 the Rain [12:13], 04. //Let it Rock [#7:23] -> 5. Midnight Moonlight [8:49] {"Thank you, see ya later
 on."} [0:07], 6. Russian Lullaby [14:49] [0:01], Filler: 1966 GD. (Also have some of this JGB as 16
 minute filler from 8/9/80 partial: 05. //Let It Rock [#7:25] -> 06. Midnight Moonlight [8:49]
 [0:04])
05/30/81 Petaluma, CA - Phoenix Theater MSC>?>D>CD IIp 49 1170 30792 
 *JGB*
 Low levels, but sounds nice. t04 HTC cuts in, most missing
 Set One: Single Disc (5) 49:22 --end set II-- 01. [0:20] Mission in the Rain [12:50] [1:08],
 02. I'll Take a Melody [13:03] [0:28], 03. Tore Up [9:26] [0:07], 04. //Harder They Come [#5:15] ->
 05. Midnight Moonlight [6:32] [0:11]
06/25/81 Santa Cruz, CA - Civic Auditorium MA?>?>CD All 115 0374-0375 9302 
 *JGB w/ Lesh: unknown taper & gear*
 I might track this slightly differently, but this is as laid out in the .shn set circulated by Matt
  Vernon. This is a quite decent aud recording, and the show starts off with nice energy (especially
 with Merl on board) but peters out a bit. It is still a solid show, but almost the whole second set
 consists of ballads. * w/ Merl Saunders; d1t03 Limbo strange crackles @ 0:19-0:28; d2t02 Simple Twist
 cuts out; d2t03 Knockin' light crackle @ 3:20
 Set One: Disc One (6) 57:59 --Set I-- 1. [0:10] How Sweet It Is* [7:42] [0:03], 2. [0:06]
 Catfish John* [8:23] [0:20], 3. Sitting in Limbo [10:11] [0:12], 4. [0:18] That's What Love Will Make
 You Do [8:40] [0:36], 5. Mississippi Moon [11:13] -> 6. Tangled Up in Blue [9:49] [0:12]
 Set Two: Disc Two (5) 56:35 --Set II-- 1. [1:00] I'll Take a Melody [12:30] [0:11], 2.
 Simple Twist of Fate// [12:14#] [0:04], 3. Knockin' on Heaven's Door [13:31] [0:23], 4. Dear Prudence
 [9:27] -> 5. Midnight Moonlight [7:05] [0:07]
06/25/81 Santa Cruz, CA - Civic Auditorium MAC>CD All 109 
 *JGB w/ Lesh: Steven Martin, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell
  XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD
 clone. Notes/Comments: a solid recording, some boom and echo, not as bright as the other recording
 for this date. d1t04 TWLWMYD fades in, maybe a minute missing? d2t01 Melody fades in on "I'm livin' in
 yesterday's tomorrows"; d2t02 Simple Twist some channel fluctuations; d2t04 Prudence very end clipped;
 d2t05 Mid Moon fades in (probable tape flip).
 Set One: Disc One (6) 55:26 --Set I-- 01. [0:20] How Sweet It Is [7:39] [0:07], 02. Catfish
 John [8:21] [0:02], 03. Sitting in Limbo [10:02] [0:04], 04. /TWLWMYD [#7:38] [0:02], 05. Mississippi
 Moon [11:19] -> 06. Tangled Up in Blue [:03+9:42] [0:03]
 Set Two: Disc Two (5) 53:57 --Set II-- 01. ... I'll Take a Melody [#11:29] [0:01], 02.
 Simple Twist of Fate [12:14] [0:07], 03. Knockin' on Heaven's Door [13:26] [0:07], 04.Dear Prudence/
 [9:18] [0:01], 05. [0:05] ... Midnight Moonlight [#6:53] [0:11]
06/26/81 San Francisco, CA - Warfield Theater MAC>CD All n/a enter 89566 
 *JGB w/ Lesh: Senicola & Poris, Nak 700s > Sony TC-D5M*
 Recorded by Richard Senicola and Jaime Poris using Mark Severson's equipment; 3 Nak 700s> (Nak
 550)> Sony TC-D5M (2 Maxell MX cassettes); Recorded from front row left center balcony; Transfer and
 FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital
 Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
 Set One: I'll Take A Melody, How Sweet It Is To Be Loved By You, They Love Each Other,
 Mississippi Moon-> Tangled Up In Blue
 Set Two: Mission In The Rain, The Harder They Come, Knockin' On Heaven's Door, Dear
 Prudence-> Midnight Moonlight
06/26/81 San Francisco, CA - Warfield Theater MAC>CD? I,IIp 80  
 *JGB w/ Lesh: Bob Menke master*
 Set One: all of set I, set II through 6:48 of Knockin'. Will eventually be spliced together
 with the sbd in one combination or another.
06/26/81 San Francisco, CA - Warfield Theater MS?>?>CD Ip,II 77 0685 14482 
 *JGB w/ Phil Lesh: pitch-corrected*
 Phil Lesh replaces John Kahn on bass. Notes: - t01 TLEO fades in; -t05 Harder They Come
 cross-faded splice @ x:xx; Additional notes from Matt Vernon: - pitch correction using highest
 accuracy setting (original was 3.44% too fast) (pitch diagnosed by Jeff Cotsman); - all tracks had
 gaps/glitches near track boundaries which were cleaned up as well as possible; - some clipping on
 waveforms at times.
 Set One: Single Disc (8) 76:37 --Set I-- (Missing: I'll Take A Melody), (Missing: How Sweet
 It Is), 01. //They Love Each Other, 02. Mississippi Moon -> 03. Tangled Up in Blue, --Set II-- 04.
 Mission in the Rain, 05. The Harder // They Come, 06. Knockin' on Heavens Door, 07. Dear Prudence ->
 08. Midnight Moonlight
07/10/81z St. Paul, MN - Radisson Hotel, Room 1503 Unknown All n/a 0599 13409 
 *Interview*
 From the .shn set: "This is Jerry having conversations about various subjects. Vocals are a bit low
 but definitely listenable."
07/26/81 Berkeley, CA - Keystone MSC>D>CD  All n/a enter 89202 
 *JGB*
08/20/81 Berkeley, CA - Keystone MAC>D>CD All 123 0321-0322 8645 
 *JGB: Jim Vita, Nak 300s with CP-4 capsules > Sony TC-D5M*
 MAC>D>CD Recorded by Jim Vita, Nak 300s with CP-4 capsules > Sony TC-D5M. Notes: d2t01 Knockin'
 levels jump up @ 2:57; d2t03 Don't Let Go first few notes clipped; d2t05 Dear Prudence brief drop @
 7:34; d2t06 Tangled Up in Blue brief drop @ 3:01
 Set One: Disc One (6) 57:33, Set I, 1. Sugaree [13:43] [0:38], 2. Second That Emotion [9:53]
 [0:52], 3. Love in the Afternoon [7:48] [0:16], 4. Tough Mama [5:15 [0:13], 5. Mississippi Moon
 [10:00] [0:39], 6. Roadrunner [6:33] [1:39]
 Set Two: Disc Two (6) 64:42, Set II, 1. Knockin' on Heaven's Door [15:33] [0:02] , 2. [0:08]
 The Way You Do The Things You Do [5:26] [0:01], 3. //Don't Let Go [10:12#] [0:07], 4. Lonesome and a
 Long Way From Home [9:51] -> 5. Dear Prudence [11:01] -> 6. Tangled Up in Blue [11:59] [0:19]
08/20/81 Berkeley, CA - Keystone MAC>CD All 125 1257 76343 
 *JGB: Jim Vita, Nak 300s with CP-4 capsules > Sony TC-D5M*
 Taped by Jim Vita, Nakamichi CM300 + CP4 > Sony TC-D5M master cassette; Transferred by David
 Minches, Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 >
  Shntool > FLAC encoding. JJ: - d2t02 levels increase at 3:00; - d2t06 DP some nice guitar work from
 about 8:30-9:15.
 Set One: Disc One (7 tracks, 57:09) --Set I-- d1t01. Crowd & Tuning [0:14], d1t02. Sugaree
 [13:54] [0:38], d1t03. Second That Emotion [10:01 [0:54], d1t04. Love in the Afternoon [7:57] [0:15],
 d1t05. Tough Mama [5:21] [0:10], d1t06. Mississippi Moon [10:16] [0:42], d1t07. Roadrunner [6:36]
 [0:09]
 Set Two: Disc Two (7 tracks, 67:58) --Set II-- d2t01. Crowd & Tuning [1:37], d2t02. Knockin'
 on Heaven's Door [15:48] [0:27], d2t03. The Way You Do the Things You Do [5:31] [0:04], d2t04. Don't
 Let Go [10:26] [0:12], d2t05. Lonesome and a Long Way From Home [10:03] -> d2t06. Dear Prudence
 [11:14] -> d2t07. Tangled Up in Blue [12:14] [0:19]
08/21/81 Berkeley, CA - Keystone MSC>2C>D>CD All 117 
 *JGB*
 Not great SQ, needs re-tracking. d1t01 TLEO cuts in, most missing; d1t02 After Midnight drop @
 track 10:31 (song 10:05); d1t05 Second That Emotion drop @0 :06, 0:34; d1t06 Mission clips in, not
 much missing; d2t02 Let it Rock fades in, almost nothing missing.
  Set One: Disc One (7) 67:23 --Set I-- (missing I'll Take a Melody), 1. //They Love Each
 Other [#3:49] [0:03], 2. [0:26] After Midnight [13:11] [1:50], 3.&4. Russian Lullaby [:08+14:00]
 [0:10], 5. Second That Emotion [10:19] -> 6. Tangled Up in Blue [11:07] [0:11] --Set II-- 7. //Mission
 in the Rain [#:02+12:00] [0:14]
 Set Two: Disc Two (5) 50:20 --Set II con't-- 1. Harder They Come [11:35] [0:02], 2. ...Let
 it Rock [6:26] [1:27], 3. Dixie Down [8:28] -> 4. Dear Prudence [:04+11:35] -> 5. Midnight Moonlight
 [:01+10:05] [0:35]
08/21/81 Berkeley, CA - Keystone MAC>CD I,IIp 85 1271 76344 
 *JGB: Jim Vita, Nak 300s > Sony D5*
 Recording by Jim Vita: Master Audience Cassette; 2 Nakamichi 300s> Sony D5; Recorded on Maxell
 UD-XLIIs. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART
  DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. ITAM levels lowered
 at start. This is a very nice show. ITAM is great and After Midnight is truly fantastic.
 Set One: Disc One (7 tracks, 72:29) --Set I-- Tuning, I'll Take A Melody, They Love Each
 Other, After Midnight, Russian Lullaby, I Second That Emotion-> Tangled Up In Blue
 Set Two: Disc Two (2 tracks, 12:36) --Set II-- Tuning, Mission In The Rain, (MISSING The
 Harder They Come, MISSING Let It Rock, MISSING The Night They Drove Old Dixie Down, MISSING Dear
 Prudence -> MISSING Midnight Moonlight)
08/22/81 Fairfax, CA - The Pavilion MAC>CD All 83 0862 noshnid 
 *JGB: Steven Martin, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback >
 Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A
 extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector
 boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille
 . Notes/Comments: - Phil Lesh replaces John Kahn on bass. - This is quite a nice audience tape. Not
 quite as bright as Vita's master, and it consistently runs a little slower than that source (not sure
 which is correct), but quite nice. - The only editing involved smoothing a few tape transitions. -
 d1t02 How Sweet low levels until after about 7 minutes. - d2t04 Midnight Moonlight is horribly
 distorted, included only for completeness sake. I am not sure if this is from a different source, if
 levels were accidentally changed, battery was dying, or what, but it hurts to listen to.
 Interestingly, that song was missing from Vita's master. Hmmmm....
 Set One: Disc One (5) 37:56 --Set I-- 01. Crowd & Tuning [0:10], 02. How Sweet It Is [7:42]
 [0:26], 03. Mission In The Rain [9:44] [0:17], 04. Sugaree [11:00] [0:09], 05. Tangled Up In Blue
 [8:26] [0:02]
 Set Two: Disc Two (4) 45:01--Set II-- 01. I'll Take A Melody [13:06] [0:25], 02. Harder They
 Come [12:09] [0:08], 03. Knockin' On Heaven's Door [10:17] [0:03], 04. Midnight Moonlight [8:45]
 [0:07]
08/22/81 Fairfax, CA - Fairfax Pavillion  MAC>CD All 85 1271 76345 
 *JGB: Jim Vita, Nak 300s > Sony D5*
 Recording by Jim Vita: Master Audience Cassette; 2 Nakamichi 300s> Sony D5; Recorded on Maxell
 UD-XLIIs; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART
 DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. Short, uneventful show. HTC
 is lightning quick. Phil Lesh's guest shot notwithstanding, there's nothing see here ... move
 along.
 Set One: (38:30) --Set I-- Tuning, How Sweet It Is To Be Loved By You, Mission In The Rain,
 Sugaree, Tangled Up In Blue
 Set Two: (45:44) --Set II-- Tuning [0:31], I'll Take A Melody [13:00] [0:22], The Harder
 They Come [12:01] [0:40], Knockin' On Heaven's Door [10:11] [0:10], Midnight Moonlight
08/22/81 Fairfax, CA - Fairfax Pavilion MAC>D>CD All-1 74 0132 9490 
 *JGB w/ Lesh: Jim Vita, Nak CM-300s w/ CP-4 caps > Sony TC-D5M*
 MAC > CD > DAT > CD > EAC > SHN. Taped at by Jim Vita at the soundboard, Nak CM-300s w/ CP-4 caps >
 Sony TC-D5M master cassette > HHb 800 CDRx0 > CDx? > EAC > re-tracking using CD Wave > SHN using
 mkwACT. Proper sector boundaries verified using shntool. Notes: t05 Tangled Up in Blue anomaly @
 5:21, unsure what it is. t07 Melody quick anomalies @ 9:28, 9:29, 9:43. Missing show-closing Midnight
 Moonlight.
 Set One: Single Disc (7) 74:02 -Set I- 1. Crowd & Tuning [0:55], 2. How Sweet It Is To Be
 Loved By You [7:30] [0:37], 3. Mission In The Rain [9:27] [0:19], 4. Sugaree [10:43] [0:19], 5.
 Tangled Up In Blue [8:12] [0:30] -Set II- 6. I'll Take A Melody [12:43] [0:23], 7. The Harder They
 Come [11:50] [0:40], 8. Knockin' On Heaven's Door [9:59] [0:04], (missing Midnight Moonlight)
08/23/81 Palo Alto, CA - Keystone Palo Alto MAC>?>CD I,IIp  n/a 1165 26245 
 JGB: Vita tape, inferior copy
 Seeder's Comments: "Sound quality is below average for most audience recordings of this era but no
 other sources are known to exist/circulate. Distortion and clipping was present throughout the entire
 recording. To prevent speaker/eardrum damage I applied a small level attenuation (-0.7 dB) to the
 entire recording prior to tracking. Several silent gaps between tracks were removed as well. t03:
 Levels in left channel drop off to almost nothing at several points. I attempted correcting this by
 selectively augmenting the left channel by more than 10 dB (!) at the expense of some additional hiss,
 but in the end it sounded better just copying the right channel which is what i did (and why at times
 the recording is mono). t08: Woo-wee/ - this cut is killin' me. Thanks to slipnut for the source
 cdr. DAE(EAC), editing as above (SF6) and SHN encoding via neo_levo. No post-extraction frequency
 augmentation/dehissing was performed."
 Set One: Set 1 01 The Way You Do The Things You Do [06:09], MISSING They Love Each Other
 , 02 I Second That Emotion [12:06], 03 Mississippi Moon [12:27], 04 (I'm A) Road Runner [06:54],
 05 Deal [09:39], Set 2 , 06 Harder They Come [15:03], 07 Don't Let Go// [12:36], MISSING
 Simple Twist Of Fate MISSING Night They Drove Old Dixie Down > MISSING Tangled Up In Blue, Total
 time: 74:56
08/23/81 Palo Alto, CA - Keystone Palo Alto MAC>CD I,IIp 87 1270 77104 
 JGB: Jim Vita, Nak 300s > Sony D5*
 Taped by Jim Vita: 2 Nakamichi 300s > Sony D-5 (Maxell UD-XLII-S). Transfer and FLAC encoding by
 David Minches: Master cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card
 Deluxe soundcard > Cool Edit 2000 > flac.
 Set One: (Disc One (7 tracks, 57:34) --Set I-- The Way You Do The Things You Do, They Love
 Each Other, I Second That Emotion, Mississippi Moon, Roadrunner -> Deal
 Set Two: Disc Two (3 tracks, 29:03) --Set II-- The Harder They Come, Don't Let Go// (MISSING
 Simple Twist Of Fate, MISSING The Night They Drove Old Dixie Down -> MISSING Tangled Up In Blue)
09/07/81 Concord, CA - Concord Pavillion MAC>CD All 105 1174 19901 
 *JGB: Fredo Johnson, Nak 300s > Sony D5* *aka v1*
 'Version 1' transferred by David Minches, usual gear. This copy is generally inferior to 'Version
 2', which I think came from an unlineaged cassette via Walter Keenan (also transferred by Minches).
 This is the version that is missing half of Dear Prudence and most of TUIB. The show is smokin' hot
 to start, with fantastic versions of Roadrunner and Sugaree, but to my ears seems to peter out a bit
 after that.
 Set One: Disc One (5) 34:55, The Way You Do The Things You Do, Knockin' On Heaven's Door,
 Roadrunner, Sugaree,
 Set Two: Disc Two (8) 70:09, The Harder They Come, Mississippi Moon, I Second That Emotion,
 The Night They Drove Old Dixie Down, Dear Prudence-> Tangled Up In Blue, E: How Sweet It Is To Be
 Loved By You
09/07/81 Concord, CA - Concord Pavillion MAC>?>C>CD All 107 1175 noshnid 
 *JGB: unknown taper & gear* *aka v2*
  'Version 2' transferred by David Minches, usual gear from an unlineaged cassette via Walter Keenan.
 This copy is generally superior to 'Version 1', Fredo Johnson's master (also transferred by Minches),
 though this one has its own problems (oversaturation in parts, etc.) This is the version that is
 missing the last minute or so of HTC and the second half of TUIB. The show is smokin' hot to start,
 with fabulous versions of Roadrunner and Sugaree, but seems to peter out after that.
 Set One: Disc One (6) 48:30, The Way You Do The Things You Do, Knockin' On Heaven's Door,
 Roadrunner, Sugaree, The Harder They Come,
 Set Two: Disc Two (7) 57:31, Mississippi Moon, I Second That Emotion, The Night They Drove
 Old Dixie Down, Dear Prudence-> Tangled Up In Blue, E: How Sweet It Is To Be Loved By You
09/18/81a San Rafael, CA - Studio Rehearsal, Club Front MSR>P>D>CD All n/a 0834 13881 
 *JGB Rehearsals*
 Notes: The cut at the beginning of "Tangled Up In Blue" are on the masters.
 Set One: 1. Tangled Up In Blue, 2. Dear Prudence, 3. // Tangled Up In Blue
09/18/81b Berkeley, CA - Keystone MAC>D>CD All 108 0344 9512 
 *JGB: Jim Wise, stereo mic > Sony TC-D5*
 MAC > DAT > CD > EAC > SHN. Taped by Jim Wise. Recorded upstairs, stereo mic > Sony TC-D5 set on
 floor. Extraction using EAC, retracking using WavMerge and CD Wave, .shn encoding using mkwACT, and
 sector boundary verification using shntool. Notes: This is a terrific recording of a very punchy
 performance. d1t02 TWYDTTYD levels fluctuate first minute or so.
 Set One: Disc One (7) 58:27 -Set I- 1. Crowd & Tuning [0:50], 2. The Way You Do The Things
 You Do [5:42] [0:25], 3. They Love Each Other [8:04] [0:45], 4. I'll Take A Melody [14:50] [0:33], 5.
 Second That Emotion [8:51] [0:18], 6. Valerie [6:30] [0:22], 7. Tangled Up In Blue [11:12] [0:05]
 Set Two: Disc Two (6) 49:30 -Set II- 1. Crowd & Tuning [0:36], 2. Mission In The Rain [9:44]
 [0:27], 3. The Harder They Come [9:30] [0:17], 4. The Night They Drove Old Dixie Down [8:42] -> 5.
 Dear Prudence [11:55] -> 6. Midnight Moonlight [8:12] [0:06]
09/18/81b Berkeley, CA - Keystone MAC>CD All n/a 1260 33742 
 *JGB: Jim Wise, stereo mic > Sony D5*
 Minches 2006 xfer: Recording by Jim Wise: Master Audience Cassette; unknown stereo mic > Sony D-5
 (Maxell UDXLI-S); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon
  > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. Jim's
 story: "it was made with an unknown stereo mic, this is the story> the keystone was a sardine can &
 they over sold the show X 10 fold, they had a enormous man (could have been melvin seals kin... that
 size) covering the door & his hands were the size of a baseball mitt patting everyone up & down (just
 for the pleasure of seeing the JGB in a squashed state of un - equilibrium) short of it was all i
 dared to smuggle in was my d-5 & i was damn lucky i got that in... once inside i could not find one
 single taper, not one! i was miserable till i noticed a mild mannered freak with a mic cord hanging
  down from his coat tails ... "what the f*ck is that!?" i said to myself & fate provided me with this
 guy who had this crappy stereo mic, and that is all he had, no deck, no tapes, no nothing, just a mic
 & high hopes! any ways i do believe that is the only master in existence ... "
 Set One: The Way You Do The Things You Do, They Love Each Other, I'll Take A Melody, I
 Second That Emotion, Valerie, Tangled Up In Blue
 Set Two: Mission In The Rain, The Harder They Come, The Night They Drove Old Dixie Down->
 Dear Prudence-> Midnight Moonlight
10/11/81 Amsterdam, Netherlands - Club Melk Weg MAC>C>D>CD All 30 noshnid 
 *Garcia & Weir acoustic: unknown taper & gear*
 Set One: Monkey & The Engineer, I've Been All Around This World, Cassidy, On The Road Again,
 Bird Song, E: Ain't No Lie
10/11/81 Amsterdam, Netherlands - Club Melk Weg MAB>DVD All n/a  
 *Garcia & Weir*
 Audio Source: AUD, unknown mics: CM > 1C > DAT; DAT > WAV > SHN: Dan Stephens (dms@well.com)
 Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool. Video Source: recorded with a
 single-tube camera on betamax tape camera: Pascal Sloet Tot Everlo betamax videotape > hard drive
 (mixing, editing) > dvd. Video Remaster: PAL>NTSC & Audio Synch by Taperguy27 Conversion done with
 WinDVD Creator 2: "This process recompresses original footage. There is no way to truly convert from
 PAL>NTSC without recompression other than tricking it with IFO Edit. This process does not work with
 every dvd player so I chose to recompress."
 Set One: Monkey & The Engineer, I've Been All Around This World, Cassidy, Jack-A-Roe
11/01/81 Brockport, NY - Tuttle North Gym, S.U.N.Y. MAC>C>CD Ip,IIp n/a 1356 91112 
 *JGB: Bob Gates, Nak 100s > Superscope 320*
 Recorded by Bob Gates; Nak 100 (with either a CP-4 shotgun or a CP-1 Omni)> Superscope 320;
 Lineage: Master cassette audience> cassette> CD> EAC> HD; Transfer and FLAC encoding by David Minches:
 Extracted tracks processed in Adobe Audition 2.0> FLAC encoding. Editing Notes: There are several cuts
 and volume changes which have been edited. Thanks Bob for providing the source material.
 Set One: disc 1: Set 1 01. The Way You Do The Things You Do 02. They Love Each Other 03
 Mississippi Moon 04. I Second That Emotion 05. Mystery Train (MISSING Tangled Up In Blue)
 Set Two: disc 2: Set 2 01. Harder They Come 02. Mission In The Rain (MISSING Russian
 Lullaby) 03. Night They Drove Old Dixie Down// (MISSING Dear Prudence) (MISSING Midnight Moonlight)
11/03/81 Owing's Mill, MD - Painter's Mill MSC>2C>D>CD II n/a 0686 15099 
 *JGB*
 MSC > 2C > Aiwa F810 > Tascam DA30-MKII > Zoltrix Nightengale 6.0 @ 44.1> SF 6.0 > CD Wave >
 SHN.
 Set One: 01.Harder they come, 02.//Knockin on Heavens Door, 03.//Dont Let Go, 04.//Night
 They Drove// Dixie Down -> 05.Dear Prudence -> 06.Midnite Moonlight//
11/04/81 Albany, NY - Palace Theater MAC>D>CD? All 107 
 *JGB: Jim Vita, Nak 300s> Sony TC-D5M???* *COMPARE*
 Not sure about taper and info, but given the very nice quality of this one I would suspect it to be
  Vita's. Ticks @ markers. d1t02 Catfish John (master tape?) anomaly @ 2:15; d1t04 Mystery Train is
 supersonic; d2t05 Sugaree not listed at Jerry Site, cuts in.
 Set One: Disc One (7) 64:06 --Set I-- 01. [0:07] How Sweet It Is [6:54] [0:28], 02. Catfish
 John [8:16] [0:30], 03. Second That Emotion [8:40] [0:34], 04. Mystery Train [8:42] [0:11], 05. Deal
 [7:07] [0:07] --Set II-- 06. Roadrunner [7:03] [0:08], 07. Mission in the Rain [14:06] [1:26]
 Set Two: Disc Two (5) 43:17 --Set II (con't)-- 01. [0:53], 02. TWLWMYD [11:16] [0:33], 03.
 Dixie Down [8:24] -> 04. Tangled Up in Blue [11:27] [0:12] --Encore-- 05. //Sugaree [#10:03] [0:29]
11/04/81 Albany, NY - Palace Theatre, S.U.N.Y. MAC>CD All 118 1270 76659 
 *JGB: Jim Vita, unknown mics > Sony D5*
 Recording by Jim Vita: Master Audience Cassette; Unknown mics> Sony D5; Recorded on Maxell
 UD-XLIIs. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART
 DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.
 Set One: Disc One (7 tracks, 53:17) --Set I-- Roadrunner, That's What Love Will Make You Do,
 The Night They Drove Old Dixie Down, Tangled Up In Blue
 Set Two: Disc Two (6 tracks, 65:27) --Set II-- Sugaree, I'll Take A Melody, How Sweet It Is
 To Be Loved By You, Mission In The Rain
11/06/81a Passaic, NJ - Capitol Theater MAC>CD All 67 
 *JGB: Gordon Sharpless*
 Gordon Sharpless' FOB MAC>DAT>CDR
 Set One: (7) 67:03, The Way You Do The Things You Do, They Love Each Other, /Simple Twist Of
 Fate, That's What Love Will Make You Do, Mission In The Rain, I Second That Emotion-> Deal
11/06/81a Passaic, NJ - Capitol Theater MAC>CD All 67 0940 24865 
 *JGB: Ohr Weinberg, Sony ECM-23Fs > Sony TC-D5M*
 Recorded by Ohr Weinberg: Sony ECM 23f's (front floor) > Sony TC-D5M Dolby B; A-D Transfer 3/2004
 by Anne Cohen: Dragon > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave Editor > CD 6/2004. EAC > WAV
 > SHNv3 (seek tables embedded) 7/2004 by cbass@usa.net. Nice recording! Show is solid.
 Set One: Single Disc (7) 66:58. The Way You Do The Things You Do, They Love Each Other,
 Simple Twist Of Fate, That's What Love Will Make You Do, Mission In The Rain, I Second That Emotion ->
 Deal
11/06/81a Passaic, NJ - Capitol Theater MAC>CD All 67 enter noshnid 
 *JGB: Jim Vita, patched out of Ohr Weinberg*
 Jim Vita MAC (patched out of Ohr Weinberg) > Nakamichi Dragon playback > ART DI/O > Digital Audio
 Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC. Transfer by David Minches.
 Set One: Disc One (8 tracks, 67:06) --Early Show-- 01. Crowd, Tuning and John Scher
 Introduction, 02. The Way You Do The Things You Do, 03. They Love Each Other, 04. Simple Twist Of
 Fate, 05. That's What Love Will Make You Do, 06. Mississippi Moon, 07. I Second That Emotion -> 08.
 Deal
11/06/81b Passaic, NJ - Capitol Theater MAC>CD All 89 
 *JGB: Gordon Sharpless*
 Gordon Sharpless' FOB MAC>DAT>CDR - d2t01 Melody clips in, digi-static @ 0:18-0:19, 0:32,
 4:32-4:43; - d2t02 HSII clips in; - d2t03 Mission clips in; - d2t04 Love in the PM static @ 0:45; -
 d2t05 M train clips in; - d3t01 HTC clips in; - d3t04 TUIB cut @ 0:02.
 Set Two: d2 (5) 52:18, /I'll Take A Melody, /How Sweet It Is To Be Loved By You, /Mission In
 The Rain, Love In The Afternoon, /Mystery Train
 Set Three: d3 (4) 37:21 /The Harder They Come, Valerie, The Night They Drove Old Dixie Down,
 Tangled Up// In Blue
11/06/81b Passaic, NJ - Capitol Theater MAC>CD I,IIp 65 enter noshnid 
 *JGB: Jim Vita, patched out of Ohr Weinberg*
 Jim Vita MAC (patched out of Ohr Weinberg) > Nakamichi Dragon playback > ART DI/O > Digital Audio
 Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC. Transfer by David Minches. The rest of the late
 show was not transferred, since Ohr's tape already circulates and this is a patchout. - a little lower
 volume for LITA.
 Set One: Disc Two (7 tracks, 65:02) --Late Show, set I-- 01. Crowd, Tuning, 02. I'll Take A
 Melody, 03. How Sweet It Is (To Be Loved By You), 04. Mission In The Rain, 05. Love In The Afternoon,
  06. Mystery Train --Late Show, set II-- 07. Harder They Come
11/07/81 Washington, DC - McDonough Arena (Georgetown U.) MA?>C>CD All 125 0760-0761 16506 
 *JGB: unknown taper & gear*
 MA? > 1 cassette > Tascam 322 > Marantz CD500 > EAC > SHN. Tangled Up In Blue is cut. @@ Super hot
 Let it Rock here.
 Set One: Set 1 (Disc 1, 55:18), 01. Sugaree, 02. Catfish John, 03. That's What Love Will
 Make You Do, 04. Sitting In Limbo, 05. Let It Rock, 06. Midnight Moonlight
 Set Two: Set 2 (Disc 2, 69:52), 01. I Second That Emotion, 02. Russian Lullaby, 03. Valerie,
 04. Don't Let Go, 05. Night They Drove Old Dixie Down, 06. Dear Prudence, 07. Tangled Up In Blue//
11/07/81 Washington, DC - McDonough Arena, Georgetown U. MAC>C>CD All n/a 1352 89466 
 *JGB: Tim S., Nak 300s*
 Source: Nak 300 (Stealth/Handheld) > cm > cass > cdr; Taped by Tim S.; Transfer: cdr > eac > wav >
 flac. notes: -a number of small dropouts have been repaired - most tracks have tape pauses after them,
 these have been crossfaded - there is a brief patch of static in d2t03 and d2t04, and a couple in
  d2t05. comments: - same recording as shnid 16506 however, these discs were never converted to SHN.
 Whilst 16506 does not list any mics, these CD's were labeled Nak300 handlheld/stealth Tim S. Discs
 provided by and waves extracted by biodtl; edited, and mastered with iZotope Ozone by SIRMick, January
 2008.
 Set One: Disc 1 --Set 1-- 01 Sugaree, 02 Catfish John, 03 That's What Love Will Make You Do,
 04 Sitting In Limbo, 05 Let It Rock, 06 Midnight Moonlight
 Set Two: Disc 2 --Set 2-- 01 I Second That Emotion 02 Russian Lullaby 03 Valerie 04 Don't
 Let Go 05 The Night They Drove Old Dixie Down > 06 Dear Prudence > 07 Tangled Up In Blue//
11/07/81 Washington, DC - McDonough Arena, Georgetown U. MAC>C>CD All n/a enter 89466 
 *JGB: Tim S., Nak 300s* *sirmick remaster*
 Source: Nak 300 (Stealth/Handheld) > cm > cass > cdr; Taped by Tim S.; Transfer: cdr > eac > wav >
 flac. notes: -a number of small dropouts have been repaired; - most tracks have tape pauses after
 them, these have been crossfaded; - there is a brief patch of static in d2t03 and d2t04, and a couple
  in d2t05. comments: - same recording as shnid 16506 however, these discs were never converted to SHN.
 Whilst 16506 does not list any mics, these CD's were labeled Nak300 handlheld/stealth Tim S. Discs
 provided by and waves extracted by biodtl; edited, and mastered with iZotope Ozone by SIRMick, January
 2008.
 Set One: Sugaree, Catfish John, That's What Love Will Make You Do, Sittin' In Limbo, Let It
 Rock, Midnight Moonlight
 Set Two: I Second That Emotion, Russian Lullaby, Valerie, Don't Let Go, The Night They Drove
 Old Dixie Down, Dear Prudence-> Tangled Up In Blue//
11/07/81 Washington, DC - McDonough Arena, Georgetown U. MS?>?>CD Partial n/a 
  *JGB*
 Set One: Sugaree, Catfish John, That's What Love Will Make You Do, Sittin' In Limbo, Let It
 Rock, Midnight Moonlight
 Set Two: I Second That Emotion, Russian Lullaby, Valerie, Don't Let Go, The Night They Drove
  Old Dixie Down, Dear Prudence-> Tangled Up In Blue
11/08/81 Lawrenceville, NJ - Alumni Gym (Rider College) MAC>CD All 109 0636-0637 14008 
 *JGB: John Hance, Beyer M160s > Sony TCD-5M*
 MAC (recorded by John Hance, Beyer M160s > Sony TCD-5M) > Nak Dragon playback > HHb 800 master CD >
 CDs > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary
 verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Jim Wise, CD
 > SHN by Joe Jupille. Flaws: d1t01 TWYDTTYD fades in, considerable missing; d1t06 Tangled Up
 cut/splice @ 0:18, 5:37; d2t01 Melody cuts in, ca. 15 secs. missing; d2t02 Tore Up barely clips in;
 d2t06 How Sweet fades in, very little missing
 Set One: Disc One (6) 49:34 --Set I-- 01. ... The Way You Do the Things You Do [#5:02]
 [0:55], 02. They Love Each Other [7:58] [0:35], 03. Valerie [6:40] [0:36], 04. Love in the Afternoon
 [7:57] [0:36], 05. I Second that Emotion [8:24] -> 06. Tangled// Up in// Blue [10:#44] [0:04]
 Set Two: Disc Two (6) 58:31 --Set II-- 01. //I'll Take a Melody [#12:59] [0:01], 02. /Tore
 Up Over You [9:08] [0:36], 03. The Night They Drove Old Dixie Down [8:28] -> 04. Dear Prudence [11:35]
 -> 05. Deal [8:24] [0:09] --Encore-- 06. ... How Sweet It Is [#7:08] [0:01]
11/10/81a NYC, NY - The Palladium MAC>CD All 81  
 *JGB: Ohr Weinberg, Sony ECM 23-Fs > Sony TCD-5M*
 MAC>CD. Recorded by Ohr Weinberg, Sony ECM 23-Fs (center loge rail) > Sony TC D-5M w/ Dolby B
 (Maxell XLIIs) > playback via Nak Dragon > HHB CDR 800. A solid audience recording of a very strong
 show, featuring a standout Catfish John and a very very hot TWLWMYD. IMO could use re-tracking, some
 tape transitions could be smoothed.
 Set One: Disc One (4) 37:24 01. [0:19] How Sweet It Is [7:56] [0:01], 02. [0:28] Catfish
 John [9:53] [0:05], 03. [0:37] Sitting in Limbo [9:59] [0:07], 04. [0:20] Roadrunner [7:32] [0:05]
 Set Two: Disc Two (4) 43:07, 01. [0:10] Simple Twist of Fate [14:01] [0:08], 02. [0:11]
 TWLWMYD [9:57] [0:08], 03. [0:02] Deal [8:20] [0:07] --Encore-- 04. [0:06] Sugaree [9:47] [0:08]
11/10/81a NYC, NY - The Palladium MAC>D>CD All 82 1135 27760 
 *JGB: Mark Cohen, Nak 700s > Sony TC-D5*
 MAC (Taped by Mark Cohen, Nak CM-700s > Sony TC-D5) > Tascam 122mkIII playback > Tascam DA-40 DAT >
 Tascam CDRW-700 master CD > unknown CD gens (probably one) > Plexwriter PX-W4824A extraction (EAC v0.9
 beta 4) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1
 etree edition). A > CD by Mark Cohen, EAC > FLAC by jjoops. Notes: - At least one other really nice
 master of this show, taped by Ohr Weinberg, circulates on CD. I thought I'd add this typically great
 Cohen tape into the mix. - The show is pretty outrageous. I like these versions of Catfish John and
 Simple Twist a whole lot, but it's the tail-end of the show, from TWLWMYD (crazy guitar @ ca. 5:00),
 Deal (more craziness @ ca. 4:50), and Sugaree (wild fanning in the 7:00 range) that particularly stand
 out for me. The late show is solid but IMO doesn't even compare to this monster. - d1t02 How Sweet
 levels drop @ 1:15; - d2t01 Simple Twist light pop @ 2:01.
 Set One: --audio CDs have Rowan set-- Disc One (5) 38:23, 01. Crowd & Tuning [0:16], 02. How
 Sweet It Is [7:51] [1:00], 03. Catfish John [9:50] [0:49], 04. Sitting in Limbo [9:55] [0:30], 05.
 Roadrunner [7:30] [0:40]
 Set Two: Disc Two (4) 43:37, 01. Simple Twist of Fate [13:57] [0:42], 02. That's What Love
 Will Make You Do [9:55] [0:23], 03. Deal [8:16] [0:26] --Encore-- 04. Sugaree [9:43] [0:14]
11/10/81b NYC, NY - The Palladium MAC>CD All 87 1021 noshnid 
 *JGB: Ohr Weinberg, Sony ECM 23-Fs > Sony TCD-5M*
 MAC (Taped by Ohr Weinberg, Sony ECM 23Fs [center loge rail] > Sony TCD-5M w/ Dolby B) > Nak Dragon
 playback > HHB CDR 800 > master CD > subsequent CDs > Plexwriter PX-W4824A extraction (EAC v0.9 beta
 4) > patching and slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) >
 level 6 FLAC encoding (Flac Frontend v.1.7.1 etree edition). Cassette transfer by Anne Cohen, I
 believe. CD > FLAC by jjupille AT yahoo DOT com. Notes: - Nice recording of a solid show that
 arguably pales in comparison to the outrageous performance of a few hours earlier (11/10/81a). Set I
 is pretty short, barely a half-hour of music with Mystery Train feeling particularly rushed. There is
 some interesting noodling at the very tail-end of Tangled Up in Blue. - There was a cut in Tangled Up
 in Blue, probably a tape flip, @ 6:16. I patched the eight missing seconds (6:14.442-6:26.348,
 2-second crossfades) in from Mark Cohen's very nice Nak 700s master, which is at least as good as the
 present one and deserves archiving in its own right. - No other flaws noted.
 Set One: Disc One (5) 33:32 --Set I-- 01. Crowd & Tuning [0:19], 02. The Way You Do the
 Things You Do [6:15] [0:11], 03. They Love Each Other [6:48] [0:51], 04. Knockin' on Heaven's Door
 [11:58] [0:15], 05. Mystery Train [6:48] [0:05]
 Set Two: Disc Two (6) 52:45 --Set II-- 01. Crowd & Tuning [0:15], 02. I'll Take a Melody
 [11:03] [0:14], 03. Don't Let Go [9:32] [0:13], 04. The Night They Drove Old Dixie Down [8:38] -> 05.
 Dear Prudence [10:52] -> 06. Tangled Up in Blue [11:50] [0:06]
11/10/81b NYC, NY - The Palladium MAC>D>CD All 91 
 *JGB: Mark Cohen, Nak 700s > Sony TC-D5*
 Set Two: (from early show d2) Disc Two --Set I-- 05. [0:28], 06. The Way You Do The Things
 You Do [6:13] [0:20], 07. They Love Each Other [6:46] [1:03]
 Set Three: Disc Three (7) 72:18 --Set I (con't)-- 01. Knockin' On Heaven's Door [11:55]
 [0:44], 02. Mystery Train [6:44] [0:16] --Set II-- 03. I'll Take A Melody [11:02] [0:19], 04. Don't
 Let Go [9:29] [0:28], 05. The Night They Drove Old Dixie Down [8:33] -> 06. Dear Prudence [10:47] ->
 07. Tangled Up In Blue [:01+11:43] [0:12]
11/10/81b NYC, NY - The Palladium MAC>CD All 86 1284 10173 
 *JGB: Beyer M160s > Sony TC-D5M* *SBEs*
 1st Row Loge Center, 2 Beyer M160 > Sony TCD5M > Cassette Master Tape> Sound Forge 5 to break into
 tracks, Sound Stream to normalize, MKW to convert to SHN. SBEs. This is a really nice tape. d2t04
 Prudence brief skip @ 2:54.
 Set One: Disk 1 (4 tracks, 32:54): 1 Way You Do 6:37, 2 TLEO 7:04, 3 Heavens Door 12:05, 4
 Mystery Train 7:05
 Set Two: Disc 2 (5 tracks, 52:36):1 Take a Melody 11:14, 2 Don't Let Go 9:50, 3 Dixie//
 Down> 8:41 (6sec of silence on master tape right after start) 4 Dear Prudence>10:52 5 Tangled Up
 11:54
11/10/81b NYC, NY - The Palladium MAC>C>CD All n/a 1272 77357 
 JGB: unknown taper, Nak 300s > Sony TC-D5M
 AUD Source: Nakamichi CM-300's > Sony TC-D5M. First generation cassette (made with Dolby B) used
 for transfer. Transfer: MAC > 1C > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge > CD-Wave > TLH
 v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, by Andrew F (September 2006). Seeder
 Notes: "This source is different from Shn-ID 10173; it has moreaudience noise, but a nice open room
 sound to it. No flaws noted. Thanks to Johnny P for the cassette...ENJOY! "
 Set One: The Way You Do The Things You Do, They Love Each Other, Knockin' On Heaven's Door,
 Mystery Train
 Set Two: I'll Take A Melody, Don't Let Go, The Night They Drove Old Dixie Down, Dear
 Prudence, Tangled Up In Blue
11/12/81 Springfield, MA - Symphony Hall MAC>D>CD All 139 0268-0269 8079 
 *JGB: Jim Stone, Nak 300s > Sony D5*
 MAC (Jim Stone, front row balcony, Nak 300s > Sony D5) > DAT > CD; Overall SQ is decent, a bit
  distant and slightly boomy. d2t02 Russian Lullaby first few notes clipped; d2t06 Tangled Up in Blue
 cut/splice @ 2:52
 Set One: Set I, 1. Tuning [1:01], 2. Mission in the Rain [9:13] [1:03], 3. They Love Each
 Other [7:48] [1:13], 4. Valerie [6:45] [1:08], 5. Let it Rock [7:12] [0:09], 6. Tore Up [8:17] [1:01],
 7. Harder They Come [11:46] [1:11], set II, 8. The Way You Do The Things You Do [7:52] [0:31, Total
 Time 66:12
 Set Two: set II (con't), 1. [0:02] I Second That Emotion [11:14] [0:03], 2. //Russian
 Lullaby [12:25#] [0:25], 3. Mystery Train [9:17] [0:50], 4. The Night They Drove Old Dixie Down [8:40]
 -> 5. Sitting in Limbo [10:16] -> 6. Tangled Up in //Blue [11:47] [0:12], 7. How Sweet It Is
 [7:36][0:29], Total Time 73:19
11/13/81a Boston, MA - Orpheum Theater MAC>D>CD All 79 0585 12989 
 *JGB: Steve Rolfe, Nak 700s > Sony TC-D5M*
 Early and Late Show Notes: MAC (Taped by Steve Rolfe, front row mezzanine Nak 700s > Sony TC-D5M
 [Maxell UD-XL II]) > Nakamichi BX-300 playback > Sony PCM-R500 master DAT > Sony PCM-R500 playback >
 HHB-800 master CD > unknown CD gens > EAC > .shn via mkwACT. "Brought to you by the Greater Boston
 Deadheads Who Give A Shit Foundation." This is a terrific recording of a very high energy show. The
 @@ TWLWMYD is positively incendiary! The Jerry Site says this about the late show: "Show ended early
 due to power outage caused by a nearby fire." d1t04 (early) Simple Twist cut/splice @ 13:13; d2t04
 (late) Harder They Come major noise @ 6:12, fire alarm?
 Set One: Single Disc (7) 79:05, 1. [0:09] Sugaree [11:11] [1:02], 2. Catfish John [9:24]
 [0:32], 3. That's What Love Will Make You Do [9:48] [0:48], 4. [0:04] Simple //Twist Of Fate [14:#11]
 [0:30], 5. [0:02] Second That Emotion [10:59] [0:21], 6. Mississippi Moon [10:38] [0:04], 7. [0:03]
 Deal [8:55] [0:21]
11/13/81b Boston, MA - Orpheum Theater MAC>D>CD All 36 0584 12989 
 *JGB: Steve Rolfe, Nak 700s > Sony TC-D5M*
 Early and Late Show Notes: MAC (Taped by Steve Rolfe, front row mezzanine Nak 700s > Sony TC-D5M
 [Maxell UD-XL II]) > Nakamichi BX-300 playback > Sony PCM-R500 master DAT > Sony PCM-R500 playback >
 HHB-800 master CD > unknown CD gens > EAC > .shn via mkwACT. "Brought to you by the Greater Boston
 Deadheads Who Give A Shit Foundation." This is a terrific recording of a very high energy show. The
 TWLWMYD is positively incendiary! The Jerry Site says this about the late show: "Show ended early due
 to power outage caused by a nearby fire." d1t04 (early) Simple Twist cut/splice @ 13:13; d2t04 (late)
 Harder They Come major noise @ 6:12, fire alarm?
 Set One: Single Disc (4) 35:38, 1. [0:06] The Way You Do The Things You Do [7:18] [0:10], 2.
 They Love Each Other [7:07] [0:17], 3. Valerie [6:58] [0:19], 4. The Harder They Come [13:01] [0:21],
 "we're gonna take a break"
11/14/81 Burlington, VT - Patrick Field House, U of Vermont  mixed auds All 134 1161-1162 28791 
 *JGB: aud composite*
 Source Info: Two audience tapes of unknown source and lineage. Source "A" provides Set One and
 Roadrunner. Source "B" provides I'll Take A Melody thru Tangled Up In Blue. Transfer info: Maxell UD
 cassettes (c.1982) > Sony TC-D5M > Marantz CDR-500 > EAC > WAV > Soundforge > CD-Wave > FLAC Frontend.
 Notes: -Patrick Gym was a typical shoe-box basketball gym: stage at one end, chairs going up the
 middle, and aprx 15 rows of bleachers along the back wall. -Source "A" is very listenable, and sounds
 like it was taped on the floor. -Source "B" has many problems, possibly taped further back (in the
 bleachers?). -Source "B" is muffled and boomy throughout, and has much more audience noise. -The last
 56 seconds of Deal is different from source "A" (possibly source "B"?). -Smoothed tape beginnings,
 ends, tape-flips, and blurry pauses between tracks. -Adusted volume of How Sweet It Is downward, to
 match the rest of source "A". -Normalized volume and adjusted pitch for 56-second patch at end of
 Deal. -One-second drop-out at 0:16 of Roadrunner (left as is). -Removed some hiss in the highest band
 due to cassette generations. -Removed some low-end in source "B" to limit the overpowing boominess.
 -Removed further hiss in right channel of source "B" and normalized gain. -Smoothed many volume
 fluctuations that were present throughout source "B". -Smoothed-down a few harsh yells in source "B";
 left the claps mostly as-is. -Removed a tape-flip music-overlap (not from master) in Don't Let Go, and
 seemlessly patched the two parts back together to one track. -Pathed left channel over right for
 applause after Tangled Up, due to dropouts.
 Set One: Disc One / Set One (65:41), 01. How Sweet It Is, 02. They Love Each Other, 03.
 Sittin' Here In Limbo, 04. Let It Rock, 05. Knockin' On Heaven's Door, 06. Deal
 Set Two: Disc Two / Set Two (67:38), 01. Roadrunner, 02. I'll Take A Melody, 03. Tore Up
 Over You, 04. Don't Let Go, 05. The Night They Drove Old Dixie Down, 06. Tangled Up In Blue
11/14/81 Burlington, VT - Patrick Gym (Univ. of Vermont) MAC>D>CD I,IIp 73 
 *JGB: unknown taper & gear*
 Notes/Flaws: - This is an excellent aud recording; - d1t04 Limbo blip @ 7:10; - d1t05 Let it Rock
 clips in; - d1t07 Deal clips in.
 Set One: Single Disc (8) 73:02 --Set I-- 01. [0:02], 02. How Sweet It Is [9:23] [0:50], 03.
 TLEO [8:08] [0:05], 04. Sitting in Limbo [10:37] [0:04], 05. /Let it Rock [#9:09] [0:17], 06. Knockin'
 on Heaven's Door [14:19] [0:06], 07. /Deal [#10:15] [1:11] --Set II-- 08. Roadrunner [8:21] [0:03]
11/15/81 Providence, RI - Performing Arts Center MAC>CD  136 
 *JGB: Nak 700s > Sony D5*
 Nak 700s > D-5 FOB
 Set One: 62:14
 Set Two: 73:45
11/17/81 Chicago, IL - Uptown Theater MAC>C>CD All n/a 1272  79043 
 *JGB: unknown taper & gear* *speed-corrected*
 Unknown taper and equipment; Master audience cassette>cassette; Transfer and FLAC encoding by David
 Minches: 1st generation cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card
 Deluxe soundcard > Cool Edit 2000 > flac. Thanks to John Moses for supplying the cassettes. Thanks to
 Joe B. Jones for doing the speed adjustment analysis and supplying the information: Tape 1 was
  compressed 5.0%; Tape 2 was compressed 6.3%. Tape owner's notes: "2nd gen Aud, Maybe 1st, my friend
 made more than one copy off Gary's Master. Cass> NakCR3A> Hard Drive> Flack6> You...enjoy! Cut//at the
 end of Dear Prudence and the 1st note's of Harder they Come. Thank You Gary for the tape wherever you
 are. A special thank you to the TDK SAC90's for hanging in there through the long strange trip."
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, Sittin' In Limbo,
 Valerie, Let It Rock, Mississippi Moon, Tangled Up In Blue
 Set Two: The Way You Do The Things You Do, I'll Take A Melody, Mystery Train, Simple Twist
 Of Fate, The Night They Drove Old Dixie Down, Dear Prudence-> The Harder They Come, E: Sugaree
11/17/81 Chicago, IL - Uptown Theater MAC>2C>CD All n/a 1259 33423 
 *JGB: unknown taper & gear* *SBEs* *runs fast*
 From the seeder: "2nd gen Aud, Maybe 1st, my friend made more than one copy off Gary's Master.
 Cass> NakCR3A> Hard Drive> Flack6> You...enjoy! Cut// at the end of Dear Prudence and the 1st notes
 of Harder they Come. Thank You Gary for the tape wherever you are. A special thank you to the TDK
 SAC90's for hanging in there through the long strange trip."
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, Sittin' In Limbo,
 Valerie, Let It Rock, Mississippi Moon, Tangled Up In Blue
 Set Two: The Way You Do The Things You Do, I'll Take A Melody, Mystery Train, Simple Twist
 Of Fate, The Night They Drove Old Dixie Down, Dear Prudence//, //The Harder They Come, E: Sugaree
11/17/81a Chicago, IL - Uptown Theater  MA?>?>CD All 61 
 *JGB: Unknown taper; for completists only*
 For completists only: Needs re-tracking, needs speed correction, all songs clip in
 Set One: (1) 40:18 How Sweet It Is (To Be Loved By You), They Love Each Other, Sitting In
 Limbo, Valerie, Let It Rock
 Set Two: (1) 41:21 Mississippi Moon -> Tangled Up in Blue Filler: Late show material
11/17/81b Chicago, IL - Uptown Theater  MA?>?>CD partial 20 
 *JGB: Unknown taper; for completists only*
 Single track
 Set One: continued from 11/17/81a: TWYDTTYD, I'll Take a Melody (first two songs)
11/19/81 Denver, CO - Rainbow Theater MA?>?>CD I,IIp 79 
 *JGB: unknown taper & gear*
 Decent aud. Some wow and flutter, especially at start. STOF cplice @ 8:04. You can just hear the
 transition into Deal out of Limbo before the tape cuts out. TLEO clips in. Second That Emotion is very
 hot. TWYDTTYD cuts in.
 Set One: Single Disc (9 tracks, 79:04) --Set I-- Sugaree, /They Love Each Other, I Second
 That Emotion, That's What Love Will Make You Do, /Simple Twist// Of Fate, Sittin' In Limbo -> //
 (MISSING) Deal --Set II-- //The Way You Do The Things You Do, I'll Take a Melody
12/??/81 San Rafael, CA - Club Front MSC>C>CD  All n/a 1204 30372 
 Source: MSC > C1 > CD > WAV > FLAC. Copy of studio sessions for "Run For The Roses" given by John
 Kahn to an anonymous friend on a cassette (MSC). This individual duped a copy (C1) for a friend who
  performed the digital transfer. Comments: Barebones takes with drums, bass, keyboard, and Jerry only.
 No backup singers or horns. Not sure if this was a recording session for the album or possibly a
 tour rehearsal. None of this material appears on the original "Run For The Roses" commercial release
 or the "All Good Things" boxed set meaning that the versions have been compared directly and they are
 not at all the same (e.g. not a version with just an additional analog gen or just a different mix).
 December 1981 would have been at the tail end of the recording sessions for the album. I'm fairly
 certain it is a stereo cassette mixdown from a reel source as you can hear the reel speeding up when
 it cuts in at the start of a couple takes. All fades are on the master. Note added 9/4/2005: the
 full setlists now contain fuller date information, identifying the dates on which John Kahn mixed the
 material in the studio. -- Dennis Carter @ etree: "Band members names are written on the tape. Ron
 Tutt, Melvin Seals, John Kahn, Jimmy Warren, Jerry Garcia. Various dates of 12-7-81, 12-8-81, 12-9-81,
 12-14-81, 12-22-81. Dates, songs and band members is all the written info provided or known."
 --Charlie Miller @ etree: "There's a rhythm guitar playing on one of the versions of Tangled Up In
 Blue. It doesn't sound like jerry's style or tone. Anyone know who it is??"
 Set One: DISC I: 01 --12/9/81-- Tangled Up In Blue - take 1 [07:49], 02 Dear Prudence -
 take 1 [06:32], 03 Tangled Up In Blue - take 2 [08:46], 04 Tangled Up In Blue - take 3 [06:38],
 05 Midnight Getaway [07:54], --12/8/81-- 06 Valerie [05:32], 07 Dear Prudence - take 2 [07:14],
 TOTAL TIME: 50:26
 Set Two: DISC II: --12/7/81-- 01 Run For The Roses - take 1 [00:47], 02 Run For The Roses
 - take 2 [03:49], 03 Leave The Little Girl Alone - instrumental (Bass, Drums, and Keyboards only)
 [03:28], 04 instrumental jam [00:53], --12/14/81-- 05 Dear Prudence - take 3 [06:46], 06 Knockin'
 On Heaven's Door - take 1 [07:19], 07 Knockin' On Heaven's Door - take 2 [07:17], --12/22/81-- 08
 Tangled Up In Blue - take 4 [06:22], TOTAL TIME: 36:43
12/18/81 San Francisco, CA - The Stone MAC>D>CD All 94 
 *JGB: Ohr Weinberg, Senn 421s > Sony TC-D5M*
  Recorded by Ohr Weinberg, Senn 421s > Sony TC-D5M with Dolby B. Transfer by Jim Wise: Nakamichi
 Dragon > Sony PCM-R500 > HHB-800. A pretty good aud, with lots of crowd noise. Most tunes barely
 clip in; d1t01 TWYDTTYD fades in; d2t01 Sugaree tiny splice @ 4:21; d2t03 Russian Lullaby end clipped;
 d2t04 TUIB cuts in, not much missing
 Set One: Disc One (5) 45:49 --Set I-- 1. //TWYDTTYD [#7:30] [0:02], 2. Sitting in Limbo
 [11:58] [0:04], 3. Mystery Train [8:43] [0:02], 4. Mississippi Moon [9:54] [0:09], 5. Deal [7:19]
 [0:06]
 Set Two: Disc Two (4) 48:25 --Set II-- 1. Sugar//ee [10:#32] [0:02], 2. [0:10] I'll Take a
 Melody [15:17] [0:04], 3. Russian Lullaby/ [12:44#], 4. //Tangled Up in Blue [#9:32] [0:03]
12/18/81 San Francisco, CA - The Stone MAC>CD All 97 0753 16379 
 *JGB: Steven Martin, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell
 XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD
 clone > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > patching (SF Studio 6.0) >
 sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe
 Jupille (jjoops@attbi.com). Notes/Flaws: - This is a nice recording with lots of crowd ambience and
 energy, and most tunes barely clipping in. In both respects it strongly resembles a different master
 of the same show made by Ohr Weinberg (Senn 421s > Sony TC-D5M Dolby B MAC, transfer by Jim Wise via
 Nakamichi Dragon > Sony PCM-R500 > HHB-800). They are indeed different masters, though. - Weinberg's
 master has a tape flip at the transition between Russian Lullaby and Tangled Up in Blue at the end of
 set II, while Martin's flips @ 7:24 of Tangled Up. So I could have used Martin's to patch Weinberg's
 or Weinberg's to patch Martin's. I chose the latter, though it was a close call and someone else
 might wish to do it the other way around. So 7:24-8:16 of Tangled Up is patched in from Weinberg's
 master. - Besides the clipped starts of songs, no other flaws were noted.
 Set One: Disc One (6) 46:33 --Set I-- 01. Crowd & Tuning [0:22], 02. The Way You Do The
 Things You Do [7:42] [0:16], 03. Sitting In Limbo [11:56] [0:06], 04. Mystery Train [8:36] [0:08], 05.
 Mississippi Moon [9:58] [0:08], 06. Deal [7:22] [0:04]
 Set Two: Disc Two (5) 49:36 --Set II-- 01. Crowd & Tuning [0:32], 02. Sugaree [10:31]
 [0:20], 03. I'll Take A Melody [15:14] [0:13], 04. Russian Lullaby [12:47] -> 05. Tangled Up In Blue
 [9:53] [0:03]
12/19/81 Berkeley, CA - Keystone MAC>CD All-1 86 0808 17839 
 *JGB: Steven Martin, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell
 XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD
 clone > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn
 encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille . Notes/Flaws - d1t02 TLEO clips in - (1)
 Audience member: "Jerry, how come you don't ever play Lonely Avenue?" Jerry: "Don't remember it." -
 d2t06 Tangled Up in Blue barely starts before cutting out (probable end of tape).
 Set One: Disc One (5) 45:10 --Set I-- 01. How Sweet It Is [7:53] [0:20], 02. /They Love Each
 Other [#7:57] [0:21], 03. Valerie [7:00] [0:28], 04. That's What Love Will Make You Do [11:10] [0:09],
 05. I Second That Emotion [9:59] [0:01]
 Set Two: Disc Two (6) 41:10 --Set II-- 01. Crowd & Tuning [0:24], 02. Don't Let Go [13:05]
 [0:17], 03. Love In The Afternoon [9:26] [0:13], 04. Let It Rock [5:42] [0:29], 05. Dear Prudence (1)
 [11:28] -> 06. Tangled Up in Blue// [#0:04] [0:02]
 
01/11/82 San Francisco, CA - Old Waldorf MSC>D>CD All n/a 
  *JGB*
01/11/82 San Francisco, CA - Old Waldorf MSC>D>CD All n/a 1298 84012 
 *JGB*
 Source: Soundboard Cassette Master > DAT. Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to
  Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and
 Seeded by Green Mountain Bros. April 2007. Comments: Very clean SBD with several pauses between tunes
 crossfades were applied to cover. Flaws: d1t01 - most of beginning of track is missing d1t04 -
 beginning clipped. d1t06 - Deal is cut. d2t05 - First two verses are missing. d2t07 - Tangled Up In
 Blue is painfully cut.
 Set One: Disc 1 57:13 1st Set:1. //How Sweet It Is (To Be Loved By You) 2. Knockin' On
 Heaven's Door 3. That's What Love Will Make You Do 4. //Simple Twist Of Fate 5. I Second That
 Emotion > 6. Deal//
 Set Two: Disc 2 59:25 2nd Set:1. The Way You Do The Things You Do 2. I'll Take A Melody 3.
 Valerie4. Harder They Come 5. //Night They Drove Old Dixie Down >6. Dear Prudence > 7. Tangled Up In
 Blue//
01/13/82 San Francisco, CA - Old Waldorf  MA?>?>CD I,IIp n/a 1376 95067 
 *JGB: unknown taper & gear*
 Source: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. Edited and
 Mastered by Jamie Waddell on the GEMS Edit Station A GEMS production -+-+- www.shnflac.net -+-+-
 Trac'ed Cdwave Flac'ed level 8 TLH Notes - Big Thanks to Katfish John for sharing his cd's - Missing
 last three songs of set two - Recorder was turned off between songs.
 Set One: Sugaree, They Love Each Other, Sittin' In Limbo, Let It Rock, Tangled Up In Blue
 Set Two: Roadrunner, Don't Let Go, The Harder They Come, MISSING Russian Lullaby, MISSING
 Dear Prudence -> MISSING Midnight Moonlight
02/02/82 Santa Cruz, CA - The Catalyst MAC>CD All 105 0824 17377 
 *JGB: Steven Martin, Nak 700s > Sony D5?*
 The etree seed was unattributed, but this is definitely from Steven Martin's master: MAC (Taped by
 Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile
 cables > HHB CDR 800 master CD > Microboards QD2 CD clone (my CD)). Nice show, nice recording. Bass a
 bit indistinct, set II sounds a bit better. From my audio copies (not sure if these are on the
 .shns): d1t05 digi-scratch @ 1:06, drop/snit @ 7:36; d2t02 skip @ 4:34, trainwreck ending; d2t03 skip
 @ 2:04?
 Set One: Disc 1 - Set 1, 01 How Sweet It Is (To Be Loved By You) [09:55], 02 Catfish John
 [12:10], 03 Let It Rock [09:04], 04 Simple Twist Of Fate [13:35], 05 I Second That Emotion [10:06],
 Total time: 54:51
 Set Two: Disc 2 - Set 2, 01 I'll Take A Melody [11:38], 02 (I'm A) Road Runner [06:34], 03
 Russian Lullaby [12:47], 04 Valerie [07:13], 05 Tangled Up In Blue [11:40], Total time: 49:53
02/02/82 Santa Cruz, CA - The Catalyst MSC>D>CD II  46 
 *JGB*
 ITAM cuts in on "if you know just what to do". Nice Russian Lullaby. TUIB chirp @ start, cuts
 out.
 Set Two: (6 tracks, 46:15) --Set II-- //I'll Take a Melody, Roadrunner, Russian Lullaby,
 Valerie, Tangled Up in Blue//, snippet of Limbo
02/03/82 Santa Cruz, CA - Catalyst MAC>CD All 82 0792 enter 
 *JGB: probably Steven Martin, Nak CM-700s > Sony TC-D5*
 The shn set only came as MAC>CD>SHN, but I believe it to be the following: MAC (Taped by Steven
 Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback
 > Cardas audiophile cables > HHB CDR 800 master CD > subsequent CDs > EAC > SHN. Seeder comments:
 "Outstanding audience recording with mild background chatter. Beginnings of The Way You Do and
 Midnight Moonlight cut."
 Set One: Disc 1 - Set 1, 01 //The Way You Do The Things You Do [06:30], 02 They Love Each
 Other [07:21], 03 Knockin' On Heaven's Door [13:33], 04 Mystery Train [09:00], Total time: 36:24
 Set Two: Disc 2 - Set 2, 01 tuning [01:01], 02 Sugaree [14:24], 03 Love In The Afternoon
 [09:31], 04 Don't Let Go [13:45], 05 //Midnight Moonlight [07:37], Total time: 46:20
02/04/82 Palo Alto, CA - Keystone Palo Alto MSC>D>CD All 90 
 *JGB*
 Needs re-tracking. d1t01 How Sweet cuts in, not much missing; d1t03 Mystery Train first few notes
 clippeed; d1t05 Deal first few notes clipped; d2t03 contains :03 of Prudence + a 2-second gap; d2t04
 contains :04 of Tangled Up; d2t04 Prudence pop @ track 4:01; d2t05 Tangled Up cuts out
 Set One: 1. //How Sweet It Is [7:36#] [1:42], 2. [0:25] Mississippi Moon [10:32] [0:13], 3.
 /Mystery Train [8:13] [0:02], 4. Valerie [6:31] [0:03], 5. /Deal [7:12#] [0:45], Total Time 43:16
 Set Two: 1. Second That Emotion [9:06] [0:10], 2. Sugaree [11:10] [0:15], 3. The Night They
 Drove Old Dixie Down [7:48] -> 4. Dear Prudence [:03+11:11] -> 5. Tangled Up in Blue// [:04+6:46#],
 Total Time 46:38
02/04/82 Palo Alto, CA - Keystone Palo Alto MSC>D>CD All n/a 1298 83952 
 *JGB*
 Source: Soundboard Cassette Master > DAT. Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to
 Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and
 Seeded by Green Mountain Bros. April 2007. Notes: Crossfades were applied at between song pauses.
 Set One: Disc 1 42:39 1st Set: 1. How Sweet It Is 2. Mississippi Moon 3. Mystery Train 4.
 Valerie 5. Deal
 Set Two: Disc 2 46:58 2nd Set: 1. Second That Emotion 2. Sugaree 3. The Night They Drove Old
 Dixie Down > 4. Dear Prudence > 5. Tangled Up In Blue //
02/05/82 Palo Alto, CA - Keystone Palo Alto MA?>?>CD I n/a 1378 95186 
 *JGB: unknown taper & gear*
 Source: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. Edited and
  Mastered by Jamie Waddell on the GEMS Edit Station. A GEMS production -+-+- www.shnflac.net -+-+-
 Trac'ed Cdwave Flac'ed level 8 TLH Notes: - Big Thanks to Katfish John for sharing his cd's - Tape
 Flip in Simple Twist of Fate - Recorder was turned off between songs.
 Set One: The Way You Do The Things You Do, Sittin' In Limbo, That's What Love Will Make You
 Do, Simple Twist Of Fate, I Second That Emotion
02/05/82 Palo Alto, CA - Keystone Palo Alto  MSC>D>CD IIp 42 0864 enter 
 *JGB*
 MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) >
 sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe
 Jupille . Notes/Comments: - A beautiful soundboard, all that circulates as of this date (6/2003) as
 far as I know. The Jerry Site also lists Valerie during set II, but questions whether it was
 performed. - The material is not TAO. But because the material is so tightly edited, the track
 markers fell most naturally in the small silences between tape stoppages and startups.
 Set One: Single Disc (4) 41:53, 01. Mission in the Rain [14:45] [0:05], 02. Roadrunner
 [7:13] [0:14], 03. Tore Up Over You [8:39] [0:04], 04. Tangled Up in Blue [10:51] [0:01]
02/26/82 Berkeley, CA - Keystone MSC>D>CD All 120 
 *JGB*
02/26/82 Berkeley, CA - Keystone MAC>CD All n/a 1357 91123 
 JGB: Ohr Weinberg, Sony ECM23Fs > Sony TC-D5M*
 Master Cassette recorded by Ohr Weinberg: 2 Sony ECM-23F microphones -> Sony TC-D5M -> 2 Maxell
 XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB
 CDR830 Plus -> EAC -> CDWave -> FLAC. * Note: There are several quick sounds of the tearing of duct
  tape between 1:38 and 1:55.
 Set One: How Sweet It Is To Be Loved By You, After Midnight, Valerie, I Second That
 Emotion
 Set Two: The Harder They Come, Don't Let Go, Russian Lullaby, Knockin' On Heaven's Door,
 Tangled Up In Blue
02/26/82 Berkeley, CA - Keystone MSC>D>CD All n/a 1357 91280 
 *JGB* *patched*
 Patch fix of shnid 22729. Main source: MSC -> DAT -> CDRs -> Track Thief -> SHN (shnid 22729).
 Patch source: Master Cassette recorded by Ohr Weinberg: 2 Sony ECM-23F microphones -> Sony TC-D5M -> 2
 Maxell XLII-S 90 Cassettes w/ Dolby B (shnid 91123). Patched the following: - First 20 seconds of How
 Sweet it is; - 11:07 to end of Second That Emotion; - 00:00 to 00:13 and 11:54 to end of Russian
 Lullaby. All editing done in Cool Edit Pro. Volume and pitch of AUD adjusted as close to SBD as
 possible. Decoded SHN and FLAC files used in editing matched originals (checked via .st5 checksum).
 SBEs corrected with shntool. SBE-corrected FLACs matched .cfp checksum created from patched .wavs and
 original SHN files of SBD source, prior to SBE correction. Bill Tetzeli (laptaper@gmail.com) 6:07 PM
 4/10/2008.
 Set One: How Sweet It Is To Be Loved By You, After Midnight, Valerie, I Second That
 Emotion
 Set Two: The Harder They Come, Don't Let Go, Russian Lullaby, Knockin' On Heaven's Door,
 Tangled Up In Blue
02/27/82 Palo Alto, CA - Keystone Palo Alto MSC>D>CD All n/a 0603 enter 
 *JGB*
 Comments: d1t01 - beginning cut; splice @~00:28; d1t05 - end cut; d2t02 - very beginning slight
  cut; d2t05 - very beginning slight cut
 Set One: Disc 1: Set 1: //The Way You Do The Things You Do , I'll Take A Melody , Simple
 Twist Of Fate , Let It Rock -> Deal//
 Set Two: Disc 2: Set 2: The Harder They Come , Mission In The Rain , Valerie , Dear Prudence
 -> Tangled Up In Blue
02/27/82 Palo Alto, CA - Keystone Palo Alto MSC>D>CD All n/a 1298 83879 
 *JGB*
 Source: Soundboard Cassette Master > DAT. Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to
 Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and
 Seeded by Green Mountain Bros. April 2007. Notes: Crossfades were applied at between song pauses.
 Set One: Disc 1 47:03 1st Set: 1. //The Way You Do The Things You Do 2. I'll Take A Melody
 3. Simple Twist Of Fate 4. Let It Rock > 5. Deal//
 Set Two: Disc 2 57:48 2n Set: 1. The Harder They Come 2. Mission In The Rain 3. Valerie 4.
 Dear Prudence > 5. Tangled Up In Blue
02/28/82 San Francisco, CA - The Stone MSC>D>CD All 74 
 *JGB*
02/28/82 San Francisco, CA - The Stone MSC>D>CD All-1 n/a 1298 83880 
 *JGB*
 Source: Soundboard Cassette Master > DAT. Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to
 Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and
 Seeded by Green Mountain Bros. April 2007
 Set One: 1st Set: (MISSING How Sweet It Is) 1. // The Love Each Other 2. After Midnight 3.
 Mississippi Moon 4. Tangle Up In Blue
 Set Two: 2nd Set: 5. // Sugaree 6. Love In The Afternoon 7. Tore Up Over You 8. Midnight
 Moonlight
03/03/82 San Francisco, CA - Barbaray Coast Room (SF State) MAC>C>D>CD Partial 56 0864  enter 
 *JGB: unknown taper & gear*
 MAC (Unknown gear, on top of a jacket placed on the floor) > one cassette > DAT > CD > EAC > CDWAVE
 > SHN. Notes/Comments: - Not a great recording, but the only one known to circulate at this time
 (6/2003). - t02 Mystery Train noise @ start is not a digital or other artifact. - t03 Prudence splice
 @ 1:53 - t06 How Sweet It Is cuts in, inferior SQ
 Set One: Single Disc (6) 55:36, (missing The Way You Do The Things You Do) (missing Road
 Runner) (missing I'll Take A Melody) 01. Don't Let Go [13:29] [0:06], 02. Mystery Train [5:32] [0:06],
 03. The Night They Drove Old Dixie Down [8:00] -> 04. Dear //Prudence [10:#49] -> 05. Tangled Up in
 Blue [9:35] [0:12] --Encore-- 06. //How Sweet It Is [7:38] [0:03]
03/07/82 San Jose, CA - The Saddlerack MFC>D>CD All 97 
 *JGB*
  KFAT FM>Master Cassette>DAT>CDR. JGB; Set I w/ Dave Torbet on bass, Set II w/ John Kahn on bass,
 who was delayed by fog; Sugaree from alternate KFAT FM source; //I Second That Emotion, //Tangled up
 in Blue
03/07/82 San Jose, CA - The Saddlerack MSC>D>CD All-1 n/a 1298 83602 
 *JGB*
 Source: FM Master Cassette > DAT Originaly broadcast on KFAT. Transfer: Panasonic SV-3700 > M-Audio
 Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8).
 Transferred, Remastered and Seeded by Green Mountain Bros. March 2007. Notes: Set 2 with Dave Torbert.
 KFAT-FM D.J. makes comments between nearly all songs, most of the talking was edited out from the DAT
 source but not all. No music was cut out. No part of Sugaree was on this source.
 Set One: (MISSING Sugaree), Catfish John, I Second That Emotion-> Tangled Up In Blue
 Set Two: The Harder They Come, Mystery Train, Knockin' On Heaven's Door, Tore Up Over You,
 Midnight Moonlight
03/07/82 San Jose, CA - The Saddlerack MSC>D>CD Most n/a 
 *JGB*
03/17/82 Chico, CA - Chico State University MSC>D>CD All 120 
 *JGB w/ Dave Torbert*
 Like so many early 80s JGB sbds, this one has a sizeable number of cuts. How Sweet cuts in; Simple
 Twist clips in; Sitting in Limbo clips in and cuts out; Mystery Train cuts in; Sugaree cuts in;
 Russian Lullaby cuts in; Tangled Up in Blue fades out. Jerry Site Notes: Dave Torbert replaces John
 Kahn on bass for Set 1. Apparently John Kahn was delayed by fog on the drive from San Francisco to
 Chico and arrived in time for Set 2 only.
 Set One: Disc One (6) 53:50 --Set I-- 1. //How Sweet It Is [#7:52] [1:03], 2. Catfish John
 [9:46] [0:06], 3. /Simple Twist of Fate [#13:30] [0:07], 4. Let it Rock [6:47] [0:04], 5. /Sitting in
 Limbo// [#7:35#], 6. //Mystery Train [#6:50] [0:08]
 Set Two: Disc Two (7) 65:49 --Set II-- 1. //Sugaree [#10:48] [0:23], 2. I'll Take a Melody
 [12:42] [0:12], 3. Tore Up Over You [8:26] [0:04], 4. //Russian Lullaby [#12:22] [0:06], 5. The Night
 They Drove Old Dixie Down [8:02] -> 6. Dear Prudence [11:18] -> 7. Tangled Up in Blue ... [1:22#]
 [0:03]
03/17/82 Chico, CA - Chico State University MSC>D>CD All-1 118 1298 83495 
 *JGB w/ Dave Torbert on set I*
 Source: Master Soundboard Cassette > DAT. Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to
 Wavelab 5, recorded as 16/48 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope
 MBIT+ > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by the Green Mountain Bros.,
 March 2007. Set I (JJ) with Dave Torbert [had been listed in info file as entire show]. Note: Late
 starts, pauses between songs and late flips occurred at nearly every opportunity in this recording.
 Crossfades and fades were applied to help cover up these errors.
 Set One: Disc 1 53:39 1st Set 1. //How Sweet It Is 2. Catfish John 3. //Simple Twist of
 Fate 4. Let It Rock 5. Sitting In Limbo// 6. //Mystery Train
 Set Two: Disc 2 64:16 2nd Set: 1. //Sugaree 2. I'll Take A Melody 3. Tore Up Over You 4.
 //Russian Lullaby 5. The Night They Drove Old Dixie Down 6. Dear Prudence > // (MISSING Tangled Up In
 Blue)
03/18/82 Arcata, CA - Mojo's  MAC>C>CD All 112 0697 15193 
 *JGB: Tim Vallee, unknown gear*
 Jerry Garcia Band: MAC (Taped by Tim Vallee) > 1 cassette > NAD 6050C playback > SBM > PCM-R500
 @44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT
 (v.0.97b1) > SHN. Transferred by Dan Gale. Not a bad aud, fair amount of crowd noise, but solid. Set
 II might run a bit fast?
 Set One: Disc One (7) 56:34 --Set I-- 01. Crowd & Tuning [4:07], 02. Second That Emotion
 [10:08] [0:14], 03. They Love Each Other [5:33] [1:41], 04. [0:34] Valerie [6:28] [0:03], 05. [0:12]
 That's What Love Will Make You Do [9:31] [0:16], 06. [0:41] Mississippi Moon [9:18] -> 07. Deal [7:16]
 [0:23]
 Set Two: Disc Two (5) 55:14 --Set II-- 01. Roadrunner [7:48] [0:11], 02. [0:30] Knockin' on
 Heaven's Door [12:26] [0:03], 03. [0:08] Don't Let Go [14:28] [0:16], 04. [0:04] Harder They Come
 [10:04] [0:06], 05. [0:16] Midnight Moonlight [7:39] [0:14]
03/19/82 Arcata, CA - Mojo's MAC>C>CD All  120 0698 enter 
 *JGB: Tim Vallee, unknown gear*
 Jerry Garcia Band: MAC (Taped by Tim Vallee) > 1 cassette > NAD 6050C playback > SBM > PCM-R500
 @44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT
 (v.0.97b1) > SHN. Transferred by Dan Gale.
 Set One: Disc 1 --1st Set-- 1. How Sweet It Is 8:19, 2. Catfish John 10:19, 3. Let It Rock
 8:11, 4. Simple Twist of Fate 15:59, 5. Sitting In Limbo 11:13, 6. Deal 7:38
 Set Two: Disc 2 --2nd Set-- 1. The Way You Do The Things You Do 7:51, 2. Mission in the Rain
 9:55, 3. Love in the Afternoon 8:40, 4. Sugaree 9:52, 5. Dear Prudence 11:00, 6. Tangled Up In Blue
 10:23
03/19/82 Arcata, CA - Mojo's MAC>C>CD All n/a 9999 28694 
 *JGB: sirmick remaster of Vallee tape*
 Set One: How Sweet It Is To Be Loved By You, Catfish John, Let It Rock, Simple Twist Of
 Fate, Sittin' In Limbo-> Deal
 Set Two: The Way You Do The Things You Do, Mission In The Rain, Love In The Afternoon,
 Sugaree, Dear Prudence, Tangled Up In Blue
03/20/82 Garberville, CA - Fireman's Hall MS?>?>CD  I,IIp 91 
 *JGB*
 Decent sbd, a bit degraded but listenable. Keys are high in the mix, guitar rather low; -d1t01
 Sugaree cuts in, not much missing; -d1t03 After Midnight fades in, weird start to the song; -d1t03
 After Midnight very brief splice @ 6:10? d1t05 Second That Emotion cut/splice @ 5:50, then returns for
 a second or two near the end, then cuts out; -d1t06 TUIB cuts in; -d2t03 Harder They Come cuts out,
 not very much missing.
 Set One: Disc One (6) 56:13 --Set I-- 01. [0:06] //Sugaree [#12:12], 02. They Love Each
 Other [8:17] [0:03], 03. ... After Midnight [#9:20] [0:04], 04. [0:14] Missippi Moon [9:05] [0:15],
 05. Second That Emo//tion// [5:#55#] [0:03], 06. //Tangled Up in Blue [#10:12] [0:06]
 Set Two: Disc Two (3) 34:59 --Set II-- 01. [0:05] I'll Take a Melody [12:32] [0:19], 02.
 Valerie [6:04] [0:06], 03. Harder They Come// [15:42#] [0:08] (missing Russian Lullaby and Midnight
 Moonlight)
03/20/82 Gartberville, CA - Fireman's Hall enter I,IIp n/a 9999 29759 
 *JGB*
 Set One: Sugaree, They Love Each Other, After Midnight, Mississippi Moon, I Second That
 Emotion-> Tangled Up In Blue
 Set Two: I'll Take A Melody, Valerie, The Harder They Come, Russian Lullaby, Midnight
 Moonlight
03/27/82 Berkeley, CA - Keystone MSC>D>CD All 120 0707 6605 
 *JGB*
 From the .shn info file: "(53min+68min), probably MSC>dat , excellent sound, a little hiss on quiet
 parts, some level change weirdness on set2 which may be splices, cuts or weaker splicing attempts most
 obvious at cd1t5 6:40 cd2t3 1:36, 2:20 cd2t5 0:27; (these do not look like digital anomalies)." d1t05
 Roadrunner mic out at start, comes in on "who needs it?" d2t03 HTC splice @ 2:20. Overall nice SQ.
  Set One: Disc One (5 tracks, 51:54) --set I-- Sugaree, They Love Each Other Love, In The
 Afternoon, After Midnight --set II-- (I'm A) Road Runner
 Set Two: Disc Two (5 tracks, ca. 68 mins) --set II con't-- Don't Let Go, Russian Lullaby,
 The Harder// They Come > Dear Prudence, Tangled Up In Blue
04/10/82a Passaic, NJ - Capitol Theater MSC>?>CD All 66 0753 enter 
 *Garcia solo acoustic*
 Lineage: SBD > ? > DAT > CDR > WAV > SHNv3. Notes from the etree seeder (Patrick Murphy): "first
 ~34sec of To Lay Me Down patched with AUDMC > CD > EAC > SHN (Thanks Stephen Kinsch!). First few notes
 of Reuben & Cherise cut - I smoothed it out with a fade. There are a few tape warbles, presumably from
 the master. I crossfaded many of the transitions between tracks, due to cuts in the crowd noise. I
 also shifted the pitch of the SBD portion of the show down one semitone to match the AUD. All
  editing/patching done with SoundForge 4.5. All tracks verified and corrected with shntool." Per Jim
 Wise (DNC, 3/28/2005): "the way the SBD got made was thus ... the taper's name was neil (he died in a
 tragic fire) ... he sat right in front of the SBD and plugged is own deck (sony d5 PRO model with xlr
 inputs) right into the SBD when no one was looking ... he helped himself to a SBD patch ... believe
 it, or not!!" Jerry Moore adds that the Nei lin question was Neil Steinberg. Note added 6/15/2005:
 db.etree.org poster 'nfagdtrfbyahoo' has this to say: "The little jam that Jerry plays before "Freight
 Train" is called "Wilson Rag". This is the same way it appears on Libba Cotten's classic Folkways
 album "Freight Train and Other North Carolina Folk Songs". I assume that Jerry had the vinyl way back
 when and learned it right off the record..."
 Set One: 1. Deep Elem Blues 5:33 2. Freight Train-> 2:45 3. Babe, It Ain't No Lie 5:28 4.
 Gomorrah 5:43 5. Dire Wolf 4:15 6. Little Sadie 3:03 7. Stagger Lee 6:16 8. Valerie 6:27 9. Been All
 Around This World 3:59 10. To Lay Me Down 8:48 11. Run for the Roses 4:09 12. Ripple 4:38 --Encore--
 13. Reuben & Cherise 5:03, Total Time: [66:10]
04/10/82a Passaic, NJ - Capitol Theater MAC>D>CD All 61 9999 11280 
 *Garcia solo acoustic: Ohr Weinberg, Sony ECM 23-F's > Sony TC-D5M*
 MAC > DAT > CD > EAC > SHN (seekable) Sony ECM 23-Fs > Sony TC-D5M (Dobly B). Recorded by Ohr
 Weinberg. A > D by Jim Wise. Nakamichi Dragon (Dolby B) > HHB CDR-800. Note added 6/15/2005:
 db.etree.org poster 'nfagdtrfbyahoo' has this to say: "The little jam that Jerry plays before "Freight
 Train" is called "Wilson Rag". This is the same way it appears on Libba Cotten's classic Folkways
 album "Freight Train and Other North Carolina Folk Songs". I assume that Jerry had the vinyl way back
 when and learned it right off the record..."
 Set One: Single Disc: 01 [6:26] Deep Elem Blues , 02 [7:57] Freight Train > Oh Babe It Ain't
 No Lie , 03 [5:28] Gomorrah , 04 [4:24] Dire Wolf , 05 [3:14] Little Sadie , 06 [6:05] Stagger Lee ,
 07 [6:10] Valerie , 08 [3:53] I've Been All Around This World , 09 [8:41] To Lay Me Down , 10 [3:58]
 Run For The Roses , 11 [4:33] Ripple, Encore: Rueben And Cherise (missing), Total time: [60:49]
04/10/82b Passaic, NJ - Capitol Theater MAC>CD All 77 0511 enter 
 *Garcia solo acoustic: Glenn Gardner, stereo mic > Sony TCM-16*
 Recorded by Glenn Gardner, left side, row MM, seat 15, cheap stereo mic > Sony TCM-16 (TDK SA-C90,
 Dolby off) master cassette. Analog to Digital transfer by Noah Weiner (6/2002), who also gave it a
 low end boost (250 Hz and below, using Sound Forge). Notes: Numerous songs clip in. t13 China Doll
 drop/skip @ 4:21
 Set One: Single Disc (15) 77:24 --Set I-- 1. Jack-A-Roe [5:00] [0:02], 2. /Going, Going,
 Gone [5:08] [0:04], 3. /Dire Wolf [3:16] [0:04], 4. Gomorrah [6:05] [0:03], 5. /Run for the Roses
 [3:52] [0:06], 6. Friend of the Devil [6:41] [0:06], 7. /Oh Babe It Ain't No Lie [6:39] [0:01], 8.
 /Rosalie McFall [3:13] [0:06], 9. [0:16] Sing Me Back Home [5:16] [0:03], 10. Deep Elem Blues [5:18]
 [0:06], --Set II-- 11. Train to Cry [5:00] [0:04], 12. /Ballad of Casey Jones [5:53] [0:01], 13. China
 Doll [4:38] -> 14. Ripple [4:29] [0:02], Encore: 15. /Reuben & Cherise [5:41] [0:06]
04/10/82b Passaic, NJ - Capitol Theater MSC>?>D>CD All 80 0754 15847 
 *Garcia solo acoustic*
 Lineage: SBD > ? > DAT > CD > WAV > SHN. Notes from the etree seeder: "last ~4:04 of Reuben &
 Cherise patched with AUDMC > DAT > WAV > CD > EAC > SHN (Thanks Stephen Kinsch!) I crossfaded many of
 the transitions between tracks, due to cuts in the crowd noise. All editing/patching done with
 SoundForge 4.5. All tracks verified and corrected with shntool. Any questions or comments, please let
 me know. Patrick Murphy (patrick_e_murphy@yahoo.com). Per Jim Wise (DNC, 3/28/2005): "the way the SBD
 got made was thus ... the taper's name was neil (he died in a tragic fire) ... he sat right in front
 of the SBD and plugged is own deck (sony d5 PRO model with xlr inputs) right into the SBD when no one
 was looking ... he helped himself to a SBD patch ... believe it, or not!!" Jerry Moore adds that the
 Nei lin question was Neil Steinberg.
 Set One: --Set One-- 1. Jack-A-Roe 5:20 2. Going, Going, Gone 5:41 3. Dire Wolf 3:34 4.
 Gommorah 6:09 5. Run for the Roses 4:02 6. Friend of the Devil 6:50 7. Babe, It Ain't No Lie 6:49 8.
 Rosalie McFall 3:32 9. Sing Me Back Home 5:56 10. Deep Elem Blues 5:36 --Set Two-- 11. It Takes a Lot
 to Laugh, 5:02 It Takes a Train to Cry 12. Ballad of Casey Jones 5:59 13. China Doll-> 4:35 14. Ripple
 4:37 --Encore-- 15. Reuben & Cherise 5:48, Total Time: [79:31]
04/10/82b Passaic, NJ - Capitol Theater  MAC>D>CD All n/a 9999 11281 
 *Garcia solo acoustic: Ohr Weinberg, Sony ECM 23-F's > Sony TC-D5M*
 Set One: Jack-A-Roe, Going Going Gone, Dire Wolf, Gomorrah, Run For The Roses, Friend Of The
  Devil, Oh Babe It Ain't No Lie, Rosa Lee McFall, Sing Me Back Home, Deep Elem Blues
 Set Two: It Takes A Lot To Laugh It Takes A Train To Cry, Ballad Of Casey Jones, China
 Doll*-> Ripple, E: Rubin And Cherise
04/10/82b Passaic, NJ - Capitol Theater matrix All n/a 1367 91967 
 *JG solo acoustic: sirmick matrix*
 matrix sources; 1) (shnid 15848) SBD > ? > DAT > CD > WAV > SHN; 2) (shnid 11281) AUDMC > DAT >
 WAV > CD > EAC > SHN (seekable): Realistic Stereo Mic > Sony TCM-16 TDK SA-C90 (dolby off), recorded
 by Glenn Gardner, row MM, seat 15, left side, A > D by Noah Weiner (noahbw@attbi.com) - June, 2002.
 Set One: Jack-A-Roe, Going Going Gone, Dire Wolf, Gomorrah, Run For The Roses, Friend Of The
 Devil, Oh Babe It Ain't No Lie, Rosa Lee McFall, Sing Me Back Home, Deep Elem Blues
 Set Two: It Takes A Lot To Laugh It Takes A Train To Cry, Ballad Of Casey Jones, China
 Doll*-> Ripple, E: Rubin And Cherise
04/13/82 New York, NY - NBC Studios MPV>V>DVD All n/a 
 *Garcia & Weir, Letterman Show*
 Jerry & Bob: The David Letterman Show / NBC Studios NYC, NY. April 13, 1982. Letterman Production
 VHS> VHS > DVD via standalone Panasonic DMR HS-2 transfer. 17 minutes, commercial edited out
 Set One: Intro (tape warbles from master VHS transfer), Interview, Deep Elem Blues,
 Interview, Monkey & the Engineer
04/19/82 Interview via/ Wolfgang's Vault NFT All n/a 
 *Interview* *Wolfgang's Vault listed as 4/9/82; date uncertain*
04/21/82a NYC, NY - Beacon Theatre  MAC>D>CD All 74 1199 29187 
 *JGJK: Bill Nolan, 2 Senn MD421s > Sony TC-D5M*
 MAC > DAT > CD 2 Sennheiser MD421's > Sony TC-D5M dolby b, 3rd row center. Maxell XLII cassettes.
 master audience cassette recorded by Bill Nolan. MAC > DAT and DAT > CD transfers by Anne Cohen: MC
 > DAT 6/1991: JVC TDV711 > Technics SV DA10. DAT > CD 6/2004: Sony PCM R500 > HHB CDR830plus. EAC >
 Sound Forge 5.0 (4/21/05) > CDWave 1.71 > WAV > SHN.
 Set One: Deep Elem Blues, Valerie, Jack-A-Roe, Oh Babe It Ain't No Lie, Friend Of The Devil,
 Simple Twist Of Fate, Run For The Roses, Been All Around This World, Gomorrah, Going Going Gone,
 Ripple, E: Reuben & Cherise
04/21/82b NYC, NY - Beacon Theatre MSC>P>D>CD All 93 668 
 *JGJK*
 MSC > PCM > DAT > CDs > HP 9350i extraction (EAC v0.9 beta 4) > patching (Sound Forge Studio 6.0) >
  tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97
 beta 1). EAC > SHN by Joe Jupille (jjoops@attbi.com). Notes: - (1) w/ Dr. John on piano - This copy
 compiles two slightly incomplete copies that have tended to circulate. The opening tuning, the first
 few seconds of Train to Cry, and the encore all come from a slightly inferior (though still excellent)
 copy of the show, with the rest coming from the slightly better copy (which was missing those parts).
 Sound Forge Studio 6.0 was used for the patches. Flaws: - d1t03 Stagger Lee warble @ 5:10 (unfixable,
 probably on master) - d1t09 Deep Elem Blues fades in, not much missing (probable tape flip) - d2t03
 Babe It Ain't No Lie SQ change (less crowd & high end) @ 0:05 - d2t05 Going Going Gone splice @ 0:45 -
 d2t06 Ripple fades in, not much missing
 Set One: Disc One (9) 46:25 --Set I-- 01. Tuning [2:06], 02. It Takes A Lot To Laugh, It
 Takes A Train To Cry [5:15] [0:21], 03. Stagger Lee [5:22] [1:03], 04. Dire Wolf [3:17] [0:23], 05.
 Valerie [6:26] [0:06], 06. Run For The Roses [3:53] [0:11], 07. I've Been All Around This World [3:56]
 [0:17], 08. Friend Of The Devil [6:16] [0:03], 09. //Deep Elem Blues [#7:13] [0:15]
 Set Two: Disc Two (8) 47:11 --Set II-- 01. Jack-A-Roe [5:12] [0:05], 02. Sing Me Back Home
 [6:43] -> 03. Oh Babe, It Ain't No Lie [6:09] -> 04. Gomorrah [6:01] [0:41], 05. Going,// Going, Gone
 [5:41] [0:04], 06. //Ripple [#4:30] -> 07. Reuben And Cherise [5:41] [0:14] --Encore-- 08. Goodnight
 Irene (1) [6:02] [0:05]
04/21/82b NYC, NY - Beacon Theatre  MAC>D>CD All 95 1200 29188 
 *JGJK: Bill Nolan, 2 Senn MD421s > Sony TC-D5M*
 MAC > DAT > CD. 2 Sennheiser MD421's > Sony TC-D5M dolby b, 4th row center. Maxell XLII
 cassettes. master audience cassette recorded by Bill Nolan. MAC > DAT and DAT > CD transfers by Anne
 Cohen: MC > DAT 6/1991: JVC TDV711 > Technics SV DA10. DAT > CD 6/2004: Sony PCM R500 > HHB
 CDR830plus. EAC > Sound Forge 5.0 (4/21/05) > CDWave 1.71 > WAV > SHN.
 Set One: It Takes A Lot To Laugh It Takes A Train To Cry, Stagger Lee, Dire Wolf, Valerie,
 Run For The Roses, Been All Around This World, Friend Of The Devil, Deep Elem Blues
 Set Two: Jack-A-Roe, Sing Me Back Home, Oh Babe It Ain't No Lie, Gomorrah, Going Going Gone,
 Ripple-> Rubin And Cherise, E: Goodnight Irene (w. Dr. John)
04/25/82 San Francisco, CA - The Stone MAC>C>CD All n/a 1385 96966 
 *JGB: Jeff Knudsen, Marantz Superscope mics > Aiwa HS-1*
 Lineage: Master Cassettes>Cassette1 (by Jeff himself. All his collection is such. This was done
 by him get the show in order on tapes, as set one was on both tape sides A and set two was recorded
 on both sides B. Ah the days of analog!). Transfer: MAC(1) > Apogee Mini ME (24/96) > Apogee Mini DAC
 > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith > Eac > wav > Gems Edit Station >
  flac. Edits: Balanced levels and tape pauses smoothed, by Jamie Waddell on the GEMS Edit Station.
 Trac'ed Cdwave Flac'ed level 8 TLH. Notes - Huge thanks to Jeffrey for sharing his recordings and Matt
 Smith for the transfer work - Don't let go patched with gems source - Recorder was turned off between
 some songs. Taper: Jeffrey Knudsen Equipment: AIWA-HS1 Casette Deck and Marantz SuperScope
 Microphones. Location: " I always taped with the recorder simply laying on the table in full view.
 There was a piece of tape over the red 'on" light and the mics were black with black chords. I took
 napkins from the venue and folded a wad up and taped the two mics together with the napkins separating
  the front ends and the back end were together. That way the mics had some angular separation. I then
 put the whole mess in a black sock and stuck it in my armpit. Everyone stands the moment the show
 starts (except at the front row balcony tables in Berkeley) so I would point my shoulder at the stage
 when Jerry was instrumental and then I would point my shoulder up to the overhead monitors when he
 sang. In Berkeley I just had the mics taped, in a sock and laying on the table, and pointing at the
 stage."
 Set One: How Sweet It Is To Be Loved By You, Catfish John, Valerie, I Second That Emotion,
 Mississippi Moon, Tangled Up In Blue
 Set Two: The Harder They Come, Don't Let Go, Mystery Train, The Night They Drove Old Dixie
 Down-> Dear Prudence-> Midnight Moonlight
04/25/82 San Francisco, CA - The Stone MA?>?>CD All-1 n/a 1378 95235 
 *JGB: unknown taper & gear*
 Source: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. Edited and
 Mastered by Jamie Waddell on the GEMS Edit Station. A GEMS production -+-+- www.shnflac.net -+-+-
 Trac'ed Cdwave Flac'ed level 8 TLH. Notes - Big Thanks to Katfish John for sharing his cd's - Midnight
 Moonlight Cuts out Abruptly - Missing Night They Drove Old Dixie Down - Recorder was turned off
 between songs - Splice in Dont Let Go,Taper is Heard having words with security.
 Set One: How Sweet It Is To Be Loved By You, Catfish John, Valerie, I Second That Emotion,
 Mississippi Moon, Tangled Up In Blue
 Set Two: The Harder They Come, Don't Let //Go, Mystery Train, (MISSING The Night They Drove
  Old Dixie Down ->) Dear Prudence-> Midnight Moonlight//
05/01/82 Berkeley, CA - Keystone MSC?>?>CD All 110 
 *JGB*
 sbd, hacked to bits. Maybe a bit slow, a bit oversaturated, but a very fat and crunchy bass sound.
 Many songs cut. d1t01 TWYDTTYD distorted @ start; d1t02 Limbo crazy buzzing start first minute or so,
 fuzzy distortion; d1t06 Deal tick @ 1:17
 Set One: Disc One (6) 52:05 --Set I-- 01. //TWYDTTYD, 02. /Sitting in Limbo, 03. //Valerie,
 04. Second That Emotion, 05. //Let it Rock, 06. //Deal
 Set Two: Disc Two (5) 58:11 --Set II-- 01. Harder They Come, 02. //They Love Each Other, 03.
 Love in the Afternoon [8:17] -> 04. Dear Prudence [:05+13:00] -> 05. //Tangled Up in Blue
05/05/82 Salem, OR - Oregon State Prison MS?>?>CD All 53 
 *JGJK*
 some oversaturation throughout; t01 Deep Elem Blues fades in, majority missing; t11 Reuben &
 Cherise first few notes clipped
 Set One: 1. //Deep Elem Blues [2:23#] [0:09], 2. Friend of the Devil [5:32] [0:13], 3.
 [0:12] Jack-a-Roe [4:20] [0:10], 4. Babe It Ain't No Lie [6:00] [0:30], 5. It Takes a Lot to Laugh, It
 Takes a Train to Cry [5:06] -> 6. Run for the Roses [3:41] [0:05], 7. Ripple [4:17] -> 8. All Around
 This World [4:02] [0:06], 9. Valerie [5:29], 10. Noodling [1:16] -> Dire Wolf [3:25] [0:25], 11.
 //Reuben & Cherise ;5:25#] [0:03], Show Time 53:02, Filler: JGB, 3/1/80a, 12. Sitting in Limbo [12:13]
 -> 13. That's Alright Mama [7:27] [0:07], Total Time 72:49
05/08/82 Berkeley, CA - Keystone MSC>CD  All -1 94 838 
 *JGB*
 MSC > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF
 Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC
 > SHN by Joe Jupille . Notes/Flaws/Comments: - Slightly flat and oversaturated, but a pretty nice
 soundboard for the period. There were a fair number of pops, etc., of unknown origin. I have tried to
 edit them out where I could, but some remain, possibly more than are noted below. I like this show a
 lot. Nice song selection, generally well-played. - d1t02 Roadrunner mix and level fluctuations,
 guitar mixed low - d1t03 Knockin' crackles/ticks @ 16:35, 17:07-17:08 (tuning) - d1t04 Tore Up tick @
 0:06, static @ 0:41-0:42 - d1t05 Tangled Up cuts out, maybe 1 minute missing - d2t05 Harder They Come
 cuts out, most missing - missing Midnight Moonlight
 Set One: Disc One (5) 47:06 --Set I-- 01. Crowd & Tuning [0:34], 02. Roadrunner [9:33]
 [1:16], 03. Knockin' On Heaven's Door [16:45] [1:40], 04. Tore Up Over You [9:50] [0:10], 05. Tangled
 Up In Blue// [7:16#]
 Set Two: Disc Two (5) 47:01 --Set II-- 01. Crowd & Tuning [0:13], 02. Sugaree [12:20]
 [0:06], 03. Don't Let Go [16:20] [0:22], 04. Simple Twist Of Fate [12:33] -> 05. Harder They Come//
 [5:05#] (missing Midnight Moonlight)
05/08/82 Berkeley, CA - Keystone MAC>CD II 62 1268 74083 
 *JGB: Ohr Weinberg, Senn MD421s > Sony TC-D5M*
 Recorded by Ohr Weinberg: 2 Sennheiser MD421's > Sony TC-D5M > Maxell UD XLII C90 with Dolby B.
 Transferred by Ohr Weinberg (7/3/2004): Master Cassette > Nakamichi Dragon (Modified by Stephen Sank)
 > HHB CDR830plus > CD > EAC > Soundforge 5.0 (tape flip spliced**) > CDWave > WAV > SHN/FLAC. Notes:
 Vocals low in mix in tracks 5 & 6. **d1t05 - Harder They Come - tape flip near beginning of song, a
 few seconds are missing. Taper: "Why did I only tape the second set?...We were at a Robert Hunter show
  in SF and Hunter made a crack about why we weren't at the Jerry show in Berkeley...so we drove down to
 Berkeley just in time for the second JGB set." - Ohr
 Set Two: TT 62:06; 01. Audience & Tuning (1:38), 02. Sugaree (12:04), 03. Don't Let Go
 (16:07), 04. Simple Twist of Fate > (12:35) 05. Harder They Come// > (12:10) 06. Midnight Moonlight
 (7:27)
05/14/82 Palo Alto, CA - Keystone Palo Alto MA?>?>CD All-1 n/a 1378 95775 
  *JGB: unknown taper & gear*
 Source: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. Edited and
 Mastered by Jamie Waddell on the GEMS Edit Station. A GEMS production -+-+- www.shnflac.net -+-+-
  Trac'ed Cdwave Flac'ed level 8 TLH. Notes - Big Thanks to Katfish John for sharing his cd's - Mission
 in the Rain Cuts in - Missing Mystery Train - Recorder was turned off between some songs
 Set One: Sugaree, I'll Take A Melody, That's What Love Will Make You Do, Love In The
 Afternoon, Run For The Roses
 Set Two: //Mission In The Rain, Valerie, MISSING Mystery Train, The Night They Drove Old
 Dixie Down, Dear Prudence -> Tangled Up In Blue
05/15/82 Palo Alto, CA - Keystone Palo Alto MAC>CD All 99 635 
 *JGB: Steve Aprea, Senn MKH421 > Uher CR-240*
 MAC (recorded by Steve Aprea, Senn MKH421 > Uher CR-240) > Nak Dragon playback > HHb 800 master CD
 > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) >
 sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D
 by Jim Wise, CD > SHN by Joe Jupille. Notes: This is a very nice audience recording. It represents
 the the club atmosphere well and is quite a strong, energetic show. Flaws: d1t03 TLEO cuts in, very
 little missing; d2t05 HTC cassette flip @ track 6:54; d2t06 Midnight Moonlight fades out, considerable
 missing.
 Set One: Disc One (6) 41:04 --Set I-- 01. Crowd & Tuning [0:33], 02. How Sweet It Is [9:42]
 [0:04], 03. //They Love Each Other [#7:46] [0:06], 04. It's No Use [8:24] [0:13], 05. Mississippi Moon
 [9:11] -> 06. Run For The Roses [4:52] [0:11]
 Set Two: Disc Two (6) 57:38 --Set II-- 01. Crowd & Tuning [0:13], 02. The Way You Do The
 Things You Do [7:53] [0:15], 03. Don't Let Go [15:59] [0:13], 04. Russian Lullaby [14:08] [0:16], 05.
 The Harder //They Come [12:#46] -> 06. Midnight Moonlight ... [5:53#]
05/31/82 Guerneville, CA - River Theater MA?>?>CD All n/a 1379 95427 
 *JGB: unknown taper & gear*
 Source: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. Edited and
 Mastered by Jamie Waddell on the GEMS Edit Station. A GEMS production -+-+- www.shnflac.net -+-+-
 Trac'ed Cdwave Flac'ed level 8 TLH. Notes - Big Thanks to Katfish John for sharing his cd's - Numerous
 Mic bumps were fixed,some artifacts may remain - Beginning of Tangled Up In Blue cuts in - End of Dear
 Prudence Cuts out - Mystery Train cuts in - Recorder was turned off between some songs
 Set One: How Sweet It Is To Be Loved By You, Catfish John, Valerie, I Second That Emotion,
 Love In The Afternoon-> Run For The Roses
 Set Two: Roadrunner, Knockin' On Heaven's Door, //Mystery Train*, The Night They Drove Old
 Dixie Down > Dear Prudence// //Tangled Up In Blue
06/04/82 *see Jerry Garcia on Official Releases* n/a 
06/04/82a Portland, OR - Neighbors of Woodcraft MSC>C>D>CD All 60 
 *JGJK*
 MSC>Cass.>DAT>CDR. d1t03 Deep Elem levels increase @ 1:45; d1t08 Babe It Ain't No Lie cuts in, not
 much missing. Babe It Ain't No Lie is simply gorgeous.
 Set One: 1. [0:16] Deep Elem Blues [6:05] [0:07], 2. Dire Wolf [2:55] [0:11], 3. Valerie
 [7:10] [0:33], 4. Jack-A-Roe [4:32] [0:08], 5. I've Been All Around This World [5:58] [0:13], 6.
 Simple Twist Of Fate [9:14] [0:17], 7. Friend Of The Devil [7:42] [0:17], 8. //Oh Babe It Ain't No Lie
 [6:21#] -> 9. Ripple [4:21] [0:05], Encore: 10. Run For The Roses [3:47] [0:07], Total Time 60:25
06/04/82a Portland, OR - Neighbors Of Woodcraft MAC>CD All 63 907 
 *JGJK: Pat Lee, Sony ECM-270s > Sony D5M*
 MAC (Taped by Pat Lee, Sony ECM-270s (Menke's) > Sony D5M) > Nakamichi Dragon playback > Egosys
 Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT). Transfer and .shn by David Minches. Low
 vocals. No flaws noted.
 Set One: Single Disc (10) 63:01, Deep Elem Blues, Dire Wolf, Valerie, Jack-A-Roe, Been All
 Around This World, "How is everybody?", Simple Twist Of Fate, Friend Of The Devil, Oh Babe It Ain't No
 Lie -> Ripple, E: Run For The Roses
06/04/82a Portland, OR - Neighbors Of Woodcraft MAC>CD All 60 1379 95421 
  *JGJK: Otto Rice, Sony stereo mic > Aiwa deck*
 MAC (Taped by Otto Rice, Sony stereo mic > Aiwa deck) > Marantz PMD 510 playback > HHb 850 CD/0.
 Set One: Single Disc, 76:54 --Early Show-- Deep Elem Blues, Dire Wolf, Valerie, Jack-A-Roe,
 Been All Around This World, Simple Twist Of Fate, Friend Of The Devil, //Oh Babe It Ain't No Lie,
 Ripple, E: Run For The Roses
06/04/82a Portland, OR - Neighbors Of Woodcraft matrix All n/a 1379 96245 
 *JGJK: sirmick matrix*
 Matrix sources: SBD > CM > DAT > CDR > WAV > SHNv3 (shnid20578); MAC (Taped by Otto Rice, Sony
 stereo mic > Aiwa deck) (shnid95421). Notes: - The only real problem is that the aud source has a
  splice in FOTD around 2:47, approximately 3:29 is missing. I have patched this in from the sbd
 source. - It was also necessary to patch in some small sections of crowd from one source to the
 other
 Set One: Deep Elem Blues, Dire Wolf, Valerie, Jack-A-Roe, Been All Around This World, Simple
 Twist Of Fate, Friend Of The Devil, Oh Babe It Ain't No Lie, Ripple, E: Run For The Roses
06/04/82b Portland, OR - Neighbors of Woodcraft MSC>C>D>CD All 69 
 *JGJK*
 MSC>Cass.>DAT>CDR. d2t02 Stagger Lee cuts in, not much missing; d2t02 Stagger Lee speed problems @
 0:30-1:00; d2t02 Stagger Lee is a train-wreck; d2t05 To Lay Me Down digi-static @ 5:56-6:00; d2t07
 Russian Lullaby gap @ 8:38-8:40; d2t08 Sing Me Back Home first few notes clipped; d2t08-09 need
 re-tracking; d2t11 Run for the Roses cuts in, first few notes missing
 Set One: 1. [0:17] It Takes A Lot To Laugh It Takes A Train To Cry [5:23] [0:05], 2.
 //Stagger Lee [5:20] [0:15], 3. [0:07] Gomorrah [6:14] [0:14], 4. Little Sadie [4:13] [0:20], 5. To
 Lay Me Down [7:57] [0:02], 6. Deep Elem Blues [6:56] [0:15], 7. Russian// Lullaby [10:45#] [0:10], 8.
 //Sing Me Back Home [5:27#] -> 9. Oh Babe It Ain't No Lie [:09+6:05] [0:06], 10. Ripple [4:17] [0:07],
 11. //Run For The Roses [3:52#] [0:16], Total Time 68"58
06/04/82b Portland, OR - Neighbors Of Woodcraft  MAC>CD partial 17 1379 95421 
 *JGJK: Otto Rice, Sony stereo mic > Aiwa deck*
 MAC (Taped by Otto Rice, Sony stereo mic > Aiwa deck) > Marantz PMD 510 playback > HHb 850 CD/0.
 Set One: --continued from Rice early show master-- It Takes A Lot To Laugh It Takes A Train
 To Cry, introductions, Stagger Lee, Gomorrah
06/05/82 Eugene, OR - S. Eugene High School Auditorium MA?>?>CD All 83 
 *JGJK: unknown taper & gear*
 Set One: d1 (7) 33:09, /Deep Elem Blues, Friend Of The Devil, "pretty quiet in here", Little
 Sadie, Valerie, Jack-A-Roe, Been All Around This World,
 Set Two: d2 (8) 50:04, /Run for the Roses, Dire Wolf, It Takes A Lot To Laugh It Takes A
 Train To Cry, To Lay Me Down, Simple Twist Of Fate, Oh Babe It Ain't No Lie, Ripple, E: Rubin And
 Cherise
06/05/82 Eugene, OR - S. Eugene High School Auditorium MAC>CD All 81 1379 95430 
 *JGJK: Otto Rice, Sony stereo mic > Aiwa deck*
 MAC (Taped by Otto Rice, Sony stereo mic > Aiwa deck) > Marantz PMD 510 playback > HHb 850 CD/0.
 Set One: Deep Elem Blues, Friend Of The Devil, Little Sadie, Valerie, Jack-A-Roe, Been All
 Around This World -> Run for the Roses -> (tape flip through transition and at start of Dire Wolf)
 Set Two: //Dire Wolf, It Takes A Lot To Laugh It Takes A Train To Cry, To Lay Me Down,
 Simple Twist Of Fate, Oh Babe It Ain't No Lie, Ripple, E: Rubin And Cherise
06/05/82 Eugene, OR - S. Eugene High School Auditorium MAC>CD All n/a 1352 89633 
 *JGJK: Eggiman & Navarre, Nak 700s > Sony TC-D5M*
  Recorded by Don Eggiman and Tom Navarre using Mark Severson's equipment; 2 Nak 700s w/ 6 DB eq>
 Sony TC-D5M (2 Maxell MX cassettes); Recorded from 50' from stage with mics on railing; Transfer and
 FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital
 Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.
 Set One: Disc One 1. Deep Elem Blues 2. Friend Of The Devil 3. Little Sadie 4. Valerie 5.
 Jack-A-Roe 6. I've Been All Around This World 7. Run For The Roses
 Set Two: Disc Two 1. Tuning 2. Dire Wolf 3. It Takes A Lot To Laugh, It Takes A Train To Cry
 4. To Lay Me Down 5. Simple Twist Of Fate 6. Oh Babe, It Ain't No Lie 7. Ripple Encore: 8. Reuben And
 Cherise
06/06/82 Eugene, OR - South Eugene H.S. Auditorium MSC>C>D>CD All 98 0275 8060 
 *JGJK*
 d1t01 cuts in; d1t03 static/drop @ 1:27-1:28; d1t07 drop @ 0:01; d1t07 cut/splice @ 4:08; d1t08 :03
 of music, then repeats, then gap @ :07-:11; d2t01 brief skip @ 4:15; d2t05 first few notes clipped;
 d2t08 cut/splice @ 2:38; d2t09 cuts out; d2t01 (fill) cuts in, not much missing
 Set One: set I, 1. [0:04] //Deep Elem Blues [5:32#] [0:16], 2. [0:04] Dire Wolf [3:32]
 [0:08], 3. Catfish John [6:21] [0:17], 4. Friend of the Devil [6:26] [0:06], 5. Simple Twist of Fate
 [9:41] -> 6. Ballad of Casey Jones [4:52] -> 7. Jack-A-//Roe [4:19#] -> 8. Run// For The Roses
 [4:13#], Total Time 46:04
 Set Two: set II, 1. //It Takes A Lot To Laugh, A Train To Cry [5:52#] [0:03], 2. [0:03] I’ve
 Been All Around This World [5:58] [0:04], 3. Valerie [7:01] -> 4. Sing Me Back Home [8:06] [0:14], 5.
 //Little Sadie [4:23#] [0:10], 6. Gomorrah [5:56] [0:04], 7. Oh, Babe It Ain’t No Lie [6:0] -> 8.
 Rip//ple [3:42#] [0:06], E: 9. Rueben & Cherise// [3:40#] [0:08], Show Time ca. 51:40, Filler:
  10/10/78, 10. [0:02] //They Love Each Other [7:07#] [1:32], 11. That's What Love Will Make You Do
 [9:58] [1:21], Total Time 71:40
06/06/82 Eugene, OR - S. Eugene High School Auditorium MAC>CD I 45 
 *JGJK: Otto Rice: Sony stereo mic > Aiwa deck*
 MAC (Taped by Otto Rice, Sony stereo mic > Aiwa deck) > Marantz PMD 510 playback > HHb 850 CD/0.
 Set One: --Set I-- /Deep Elem Blues, Dire Wolf, Catfish John, Friend Of The Devil, /Simple
 Twist Of Fate, Ballad Of Casey Jones -> Jack-A-Roe -> Run for the Roses
 Set Two: --Set II-- MISSING DISC TWO
06/11/82 Berkeley, CA - Keystone MAC>CD All 113 
  *JGB: Steven Martin, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell
 XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD
 clone.
 Set One: Disc One (5 tracks, 49:18) --Set I-- Sugaree, They Love Each Other, Sitting in
 Limbo, /It's No Use, Run for the Roses
 Set Two: Disc Two (7 tracks, 64:07) --Set II-- After Midnight, Love in the Afternoon ->
 Don't Let// Go, /Simple Twist of Fate, Deal
06/11/82 Berkeley, CA - Keystone MA?>?>CD All n/a 1379 95649 
 *JGB: unknown taper & gear*
 Source: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac; Patch source
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII])
 > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone.
 Edited and Mastered by Jamie Waddell on the GEMS Edit Station. A GEMS production -+-+- www.shnflac.net
 -+-+- Trac'ed Cdwave Flac'ed level 8 TLH. Notes: - Big Thanks to Katfish John for sharing his cd's -
 Vocals are Low in mix - Simple Twist of Fate and Deal are Patched in from a different source.
 Set One: Sugaree, They Love Each Other, Sittin' In Limbo, It's No Use, Run For The Roses
 Set Two: After Midnight, Love In The Afternoon, Don't Let Go, Simple Twist Of Fate, Deal
06/12/82 Palo Alto, CA - Keystone Palo Alto MAC>CD All 130 0865-0866 enter 
 *JGB: Steven Martin, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback >
 Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A
 extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01)
 > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille . Notes/Comments: - Very nice
 recording of a very nice show. - d2t03 Russian Lullaby some static and channel fluctuations @
 0:15-0:23, 12:16 - d2t06 Tangled Up splice @ 11:20
 Set One: Disc One (6) 58:30 --Set I-- 01. Crowd & Tuning [0:07], 02. I'll Take A Melody
 [18:43] [0:18], 03. The Way You Do The Things You Do [10:31] [0:12], 04. Knockin' On Heaven's Door
 [16:15] [0:04], 05. Valerie [7:08] -> 06. Run For The Roses [5:06] [0:03]
 Set Two: Disc Two (6) 70:43 --Set II-- 01. I Second That Emotion [11:16] [0:21], 02. That's
 What Love Will Make You Do [9:26] [0:04], 03. Russian Lullaby [14:12] [0:13], 04. Tore Up Over You
 [9:45] -> 05. Dear Prudence [11:46] -> 06. Tangled// Up In Blue [13:#35] [0:02]
06/12/82 Palo Alto, CA - Keystone Palo Alto MAC>C>CD All-2 100 1382 96868 
  *JGB: Jeff Knudsen, Marantz Superscope mics > Aiwa HS-1*
 Lineage: Master Cassettes > Cassette1 (by Jeff himself. All his collection is such. This was done
 by him get the show in order on tapes, as set one was on both tape sides A and set two was recorded
 on both sides B. Ah the days of analog!); Transfer: MAC(1) > Apogee Mini ME (24/96) > Apogee Mini DAC
 > Wavelab 5.0 (dithered via 'UV22HR'to 16/44) > CD by Matt Smith > Eac > wav > Gems Edit Station >
  flac; Edits: Balanced levels and tape pauses smoothed, by Jamie Waddell on the GEMS Edit Station;
 Trac'ed Cdwave Flac'ed level 8 TLH. Equipment: AIWA-HS1 Casette Deck and Marantz SuperScope
 Microphones. Location: " I always taped with the recorder simply laying on the table in full view.
 There was a piece of tape over the red 'on" light and the mics were black with black chords. I took
 napkins from the venue and folded a wad up and taped the two mics together with the napkins separating
 the front ends and the back end were together. That way the mics had some angular separation. I then
 put the whole mess in a black sock and stuck it in my armpit. Everyone stands the moment the show
  starts (except at the front row balcony tables in Berkeley) so I would point my shoulder at the stage
 when Jerry was instrumental and then I would point my shoulder up to the overhead monitors when he
 sang. In Berkeley I just had the mics taped, in a sock and laying on the table, and pointing at the
 stage."
 Set One: 29:35 (MISSING I'll Take A Melody), (MISSING The Way You Do The Things You Do),
 Knockin' On Heaven's Door, Valerie-> Run For The Roses
  Set Two: 70:12 I Second That Emotion, That's What Love Will Make You Do, Russian Lullaby,
 Tore Up Over You, Dear Prudence-> Tangled Up In Blue
06/16/82 South Fallsburg, NY - Music Mountain MAC>D>CD All n/a 0562-0563 6659 
 *JGB: Jeff Silberman, Senn 441s > Nak 550*
 Sennheiser 441s (FOB) > Nak 550 > cass. XLII-S > SV3700@48khz. Recorded by Jeff Silberman.
06/16/82 South Fallsburg, NY - Music Mountain MAC>CD All 114 1259 33417 
 *JGB: Jim Wise, Senn 421s > Sony D5* *2006 minches xfer*
 2006 transfer by David Minches: "Recording by Jim Wise: Master Audience Cassette; 2 Senn 421s/PZM
 Blend> Nak 550> Sony D-5. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi
 Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC."
 2002 transfer information (shnid 12513, 3s 560-561): "FOB MAC (Sennheiser 421s w/ PZM blend > Nak 550
 [Rob Eaton] > patched Sony D5 [Jim Wise]) > CD/0 > EAC > SHN via mkwACT. This is a fresh transcription
 of the master cassettes, without the digital processing on earlier transfers. A>D by Jim Wise, EAC>SHN
  by flipp."
 Set One: Timings from 2002 xfer: Disc One (6) 56:52 --Set I-- 1. How Sweet [9:26] [0:15], 2.
 [0:34] Catfish John [12:37] [0:26], 3. [0:05] TWLWMYD [11:19] [0:04], 4. Valerie [7:10] -> 5. Let it
 Rock [7:34] -> 6. Deal [7:12] [0:08]
 Set Two: Timings from 2002 xfer: Disc Two (5) 56:58 --Set II-- 1. Roadrunner [9:15] [0:08],
 2. [0:36] Love in the Afternoon [12:59] [0:01], 3. [0:27] Don't Let Go [19:51] [0:23], 4. The Night
 They Drove Old Dixie Down [7:58] -> 5. Run for the Roses [5:08] [0:10]
06/16/82 South Fallsburg, NY - Music Mountain MAC>D>CD All 113 0856 enter 
 *JGB: Mark Cohen, Nak 700s > Sony TC-D5*
 MAC (Taped by Mark Cohen, Nak CM-700s > Sony TC-D5) > Tascam 122mkIII playback > Tascam DA-40 DAT >
 Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9
 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD
 by Mark Cohen, EAC > SHN by Joe Jupille . Notes/Comments: - Another amazing recording of a great show.
 - d1t05 Run for the Roses cuts out maybe 10-15 seconds before the end.
 Set One: Disc One (7) 57:27 --Set I-- 01. Crowd & Tuning [0:18], 02. How Sweet It Is [9:01]
 [1:09], 03. Catfish John [12:38] [0:34], 04. That's What Love Will Make You Do [11:20] [0:11], 05.
 Valerie [7:06] -> 06. Let it Rock [7:43] -> 07. Deal [7:12] [0:12]
 Set Two: Disc Two (6) 56:15 --Set II-- 01. Crowd & Tuning [0:19], 02. Roadrunner [8:49]
 [0:40], 03. Love in the Afternoon [12:58] [0:12], 04. Don't Let Go [19:49] [0:25], 05. The Night They
 Drove Old Dixie Down [7:57] -> 06. Run for the Roses// [5:04#]
06/16/82 South Fallsburg, PA - Music Mountain MSC>D>CD I n/a 1300 noshnid 
 *JGB*
 Set One: How Sweet It Is To Be Loved By You, Catfish John, That's What Love Will Make You
 Do, Valerie, Let It Rock-> Deal
06/17/82 New Haven, CT - Veterans' Memorial Coliseum MAC>CD All 111 1259 33418 
 *JGB: Jim Wise, Senn 421s > Sony D5*
 2006 (Minches) xfer info: "Recording by Jim Wise: Master Audience Cassette; Senn MD-421s> Sony D-5
 (10th Row; Maxell UDXLII). Transfer and FLAC encoding by David Minches: Master played back on
 Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac
 encoding > FLAC." 2002 xfer information (shnid 14717, #s 809-810): "MAC (Taped by Jim Wise, hand-held
 Senn 421s > Sony D5 [10th row center]) > Nakamichi Dragon playback > A/D via Sony PCM R-700 > ZA2 >
 WAV > master CD (Sound Forge & CD Architect) > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD
 Wave v1.6) > sector boundary verification (shntool v1.01) > HP 9350i CD (Feurio). A > D by Jim Wise.
 Notes: - (1) with Bob Weir. - This recording has circulated for some time from the same master, but
 with improper Dolby B decoding and possibly with other processing. This is a properly Dolby B
 decoded, clean new transfer of this wonderful master of a very punchy show. Flaws: - d1t05 Knockin'
 cut/splice (tape flip?) @ 12:15. The track timings above reflect my own optimally-tracked audio copy.
 The .shn (that my trading partners receive) is tracked slightly differently."
 Set One: Timings from 2002 xfer: Disc One (5) 49:31, 01. Crowd & Tuning [0:26], 02. Sugaree
 [13:48] [0:22], 03. Second That Emotion [11:30] [0:10], 04. They Love Each Other [8:08] [0:23], 05.
  Knockin' on// Heaven's Door [14#37] [0:07]
 Set Two: Timings from 2002 xfer: Disc Two (7) 60:46, 01. Crowd & Tuning [0:05], 02. Valerie
 [7:10] [0:23], 03. I'll Take a Melody [15:05] [0:05], 04. Sitting in Limbo [12:38] -> 05. Tangled Up
 in Blue [10:48] [1:16] --Encore-- 06. Man Smart, Woman Smarter (1) [6:13] -> 07. Deal (1) [6:40]
 [0:21]
06/17/82 New Haven, CT - Veterans' Memorial Coliseum MAC>CD All 109 1259 33418 
 *JGB: Jim Wise, Senn MD-421s > Sony D5*
 Recording by Jim Wise: Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII);
 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. Notes: - (1) with
 Weir; - very nice recording, really nice show.
 Set One: disc 1 (6 tracks, 56:23), 01. Crowd & Tuning, 02. Sugaree , 03. I Second That
 Emotion , 04. They Love Each Other , 05. Knockin' On Heaven's Door , 06. Valerie
 Set Two: disc 2 (6 tracks, 52:59), 01. Crowd & Tuning, 02. I'll Take A Melody , 03. Sitting
 In Limbo , 04. Tangled Up In Blue --Encore-- 05. Man Smart, Women Smarter (1) , 06. Deal (1)
06/18/82 South Yarmouth, MA - Cape Cod Coliseum MSC>D>CD All 86 0863 enter 
 *JGB*
 MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > joined wavs (WavMerge v2.1) >
 normalization and minor editing (SF Studio 6.0) > tracking (CD Wave v1.6) > sector boundary
 verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille .
  Notes/Comments: - A beautiful recording of a really nice show. The levels on the source CDs were
 pretty low (highest peak around 50%), so I joined the wavs and normalized to about 98%. The only
 editing undertaken involved smoothing tape transitions. - Tightly edited, with a number of tunes
 barely clipping in and the ending of Mississippi Moon just barely clipped.
 Set One: Disc One (4) 40:54, 01. How Sweet It Is [9:46] [0:16], 02. Valerie [7:01] [0:05],
 03. Dear Prudence [13:34] [0:18], 04. Mississippi Moon [9:54]
 Set Two: Disc Two (4) 45:04, 01. Don't Let Go [18:25] [0:50], 02. Simple Twist Of Fate
 [12:08] [0:01], 03. Run For The Roses [6:10] [0:21] --Encore-- 04. They Love Each Other [6:56]
 [0:11]
06/18/82 South Yarmouth, MA - Cape Cod Coliseum MAC>C>CD All n/a 1272 76599 
 JGB: Nak CM-300s > Sony TC-D5
 AUD Source: Nakamichi CM-300's > Sony TC-D5. Taped from the side of the stage, in the stands. First
 generation cassette (made with Dolby B) used for transfer. Transfer: MAC > 1C > Sony TC-D5M (Dolby On)
 > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) >
 FLAC, by Andrew F (August 2006). Seeder's Notes: "Some of the song beginnings and endings are slightly
 clipped. I used Soundforge to make fades and clean up around the pauses between songs. There's a short
 drum solo near the end of Don't Let Go. My thanks to Johnny P for providing his cassette to
 transfer... Enjoy!"
 Set One: How Sweet It Is To Be Loved By You, Valerie, Dear Prudence, Mississippi Moon, Don't
 Let Go, Simple Twist Of Fate, Run For The Roses, E: They Love Each Other
06/20/82 Portland, ME - Cumberland County Civic Center MAC>D>CD All n/a 
 *JGB: Steve Rolfe, Nak 700s > Sony TC-D5M*
 Steve Rolfe's FOB MAC w/ Nak 700's>Sony TC-D5m>DAT>CDR
06/23/82 Pittsburgh, PA - Stanley Theater MAC>?>C>CD All-1 n/a 1358 90876 
 *JGB: unknown taper & gear*
 Recording Info: Unknown Aud -> Cassette Master -> ? -> Cassette (Maxell UDXL I); Transfer Info:
 Cassette (Maxell UDXL I) -> Ion Tape2PC -> Audacity -> wav -> FLAC (2 Discs Audio / 1 Disc FLAC).
 Transfer By Uncle Duke uncle_duke77@yahoo.com February 26, 2008. Seeder's Notes: "-- I've had the
  cassette this comes from since April of 1983 - not sure of how many cassette generations it has. I do
 not know who taped it. -- My cassette had fades between all the stand alone tracks. I blended/
 smoothed these out the best I could with crossfades using Audacity. -- "I'll Take a Melody" is missing
 - I was not a completist in my youth and probably cut the tune to fit it on one tape. -- d1t01 - How
 Sweet It Is: very beginning is cut; -- d1t01 HSII: left channel is nearly non existent for the first
 2.8 seconds; -- d1t01 HSII: 0.36 sec drop out at 6:27 -- d1t02 - Valerie: left channel is "squirrly"
 from about 0:10 to 0:17 -- d2t03 - Russian Lullaby: fades in a tad late on the my tape -- d2t06 -
  Deal: left channel is "squirrly" from about 4:23 to 4:27 -- SBE's verified using Traders Little Helper
 -- Disc transition is seamless. -- No further processing was done. -- Not the cleanest recording out
 there, but the only digital version currently listed in the etree database. I hope this will prompt
 someone to transfer a better copy, but until then, here it is for your listening enjoyment."
 Set One: Disc 1/Set 1: d1t01 - //How Sweet It Is (To Be Loved By You) (MISSING: I'll Take A
 Melody) d1t02 - Valerie d1t03 - (I'm A) Road Runner d1t04 - Tangled Up In Blue
 Set Two: Disc2/Set 2: d2t01 - The Harder They Come d2t02 - Let It Rock d2t03 - Russian
 Lullaby => d2t04 - Dear Prudence > d2t05 - Run For The Roses --Encore-- d2t06 - Deal
06/24/82a Passaic, NJ - Capitol Theater MAC>D>CD All 88 
 *JGB: Unknown taper, Senn 421s > Sony TC-D5*
 Senn 421s > Sony TC-D5. Nice tape. Catfish John drop @ 9:39, one earlier of which I failed to note
 the time. Nice fanning in CJ around 9:50.
 Set One: Disc One (5) 45:41, 01. Crowd & Tuning, 02. How Sweet It Is, 03. Catfish John, 04.
 Valerie, 05. Knockin' on Heaven's Door
 Set Two: Disc Two (4) 42:13, 01. [0:11] Second That Emotion, 02. Mississippi Moon, 03.
 That's What Love Will Make You Do -> 04. Tangled Up in Blue
06/24/82a Passaic, NJ - Capitol Theater  MAC>CD All 87 1260 33419 
 *JGB: Jim Wise, Senn MD-421s > Sony D5*
 Recording by Jim Wise: Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII);
 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC.
 Set One: disc 1 (5 tracks, 45:19), 01. Crowd [1:04], 02. How Sweet It Is (To Be Loved By
 You) [9:11] [0:14], 03. Catfish John [12:22] [0:06], 04. Valerie [7:08] [0:08], 05. Knockin' On
 Heaven's Door [15:01] [0:02]
 Set Two: disc 2 (5 tracks, 41:49), 01. Crowd [0:12], 02. I Second That Emotion [11:15]
  [0:09], 03. Mississippi Moon [8:50] [0:22], 04. That's What Love Will Make You Do [10:07] -> 05.
 Tangled Up In Blue [10:42] [0:08]
06/24/82b Passaic, NJ - Capitol Theater MAC>CD All 90 1091 18715  
 *JGB: Jim Wise, Senn 421s > Sony TC-D5*
 Taped by Jim Wise, Senn 421's > Sony TC-D5 > Cassette Master Playback on Nak Dragon & ran the
 signal right through Sony PCM R-700 directly to hard disc via ZA-2 (Jim Wise master/transfer). Encoded
 to wave>tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT
 v0.97 beta 1) as seekable V3 shn. Nice tape, a few rough tape transitions; d2t01 Let it Rock cuts
 in
 Set One: Disc One (4) 43:09, Sugaree, They Love Each Other, Love In The Afternoon, It's No
 Use
 Set Two: Disc Two (5) 46:35, //Let It Rock, Simple Twist Of Fate, Dear Prudence-> Run For
 The Roses, E: Deal
06/24/82b Passaic, NJ - Capitol Theater MSC>D>CD All n/a 1272 79428 
 *JGB*
 Source: SBD > CM > DAT > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC
 compression & checksums) > FLAC, October 2006. Notes: This was the last JGB show with Bill Kreutzmann,
 Jimmy Warren, Essra Mowhawk, and Liz Stires. Some of the songs start abruptly due to tape pauses. The
 very end of Run for the Roses is clipped. Soundforge was used to make fades, adjust levels, and for
 some small edits. With big thanks to Jon P for transferring his DAT to CDR. EAC thru FLAC by Andrew
 F.
 Set One: Sugaree, They Love Each Other, Love In The Afternoon, It's No Use, Let It Rock,
 Simple Twist Of Fate, Dear Prudence-> Run For The Roses, E: Deal
06/24/82b Passaic, NJ - Capitol Theater MAC>CD All 89 1260 33419 
 *JGB: Jim Wise, Senn MD-421s > Sony D5*
 Recording by Jim Wise: Master Audience Cassette; Senn MD-421s> Sony D-5 (Row Q Center; Maxell
 UDXLII); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART
 DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac encoding > FLAC. Distant, then
 better. Let it Rock cuts in. Deal muffled.
 Set One: Disc One (5 tracks, 42:43) 01. tunin, 02. Sugaree, 03. They Love Each Other, 04.
 Love In The Afternoon, 05. It's No Use
 Set Two: Disc Two (5 tracks, 46:01) //Let It Rock, Simple Twist Of Fate -> Dear Prudence ->
 Run For The Roses, E: Deal
06/25/82 NYC, NY - The Palladium MAC>CD All 51 1260 33420 
 *JGJK: Jim Wise, Senn 421's > Sony TC-D5*
 Recording by Jim Wise: Master Audience Cassette; Senn 421s (Center, 1st Loge) > Sony D5 master
 cassette (Maxell UDXLII); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi
 Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
 From earlier notes. Recorded by Jim Wise Senn 421's > Sony TC-D5. Center loge on stand. Benefit for
 Sandy Alexander.
 Set One: TIMING NOTES FROM EARLIER XFER: 1. Tuning [1:21], 2. Deep Elem Blues [7:06] [1:04],
 3. Friend of the Devil [7:40] [0:25], 4. All Around This World [5:45] -> 5. Bird Song [10:18], 6. Babe
 It Ain't No Lie [6:54] -> 7. Run for the Roses [5:00] [0:17], 8. Ripple [4:28] [0:09], Total Time
 50:32
06/26/82a Washington, DC - Warner Theater MSC>D>CD All 61 
 *JGJK*
 MSC > D > CD (probable lineage, based on TJS). Needs re-tracking. t01 FOTD first few notes
 clipped; t01 FOTD static @ 6:25-6:26; t02 Dire Wolf static burst @ ca. song 1:44; weird tracking gaps,
 as if burned TAO.
 Set One: (missing Deep Elem Blues), 1. //Friend Of The Devil, Dire Wolf, Simple Twist Of
 Fate, Jack-A-Roe, I've Been All Around This World, //Valerie, //Oh Babe It Ain't No Lie, Ripple
06/27/82b Upper Darby, PA - Tower Theater MAC>C>CD  All n/a 1352 89570 
 *JGJK: David Weider, Senn mics > Nak deck*
 Equipment: Nak deck, Senn, Center 1st row of balcony; Taper: David Weidner; Transfer: 1st Gen Cass
 -> Nak CD2 -> Phillips CDR -> CD WavEditor for Tracking -> flac; Transfer by: Dan Brown. Notes:
 Audience is very loud between songs, but not bad during songs.
 Set One: Late Show: 1: Deep Elem Blues 8:38 2: I've Been All Around this World 7:24 3:
 Jack-A-Roe 5:45 4: Bird Song 11:14 5: Sing Me Back Home 10:43 6: Gomorrah 7:24 7: Oh Babe It Ain't No
 Lie 6:57 8: Run for the Roses 5:52 9: Ripple 4:33 10: Dire Wolf (encore) 3:32
06/28/82 Boston, MA - Opera House MAC>D>CD All 84 0323 8750 
 *JGJK: Steve Rolfe, Nak 700s > Sony TC-D5M*
 MAC > DAT > CDRs > EAC > SHN (seekable). Nakamichi 700's -> Sony TC-D5M (FOB). Recorded by Steve
 Rolfe. A>D transfer by Aoxoa. Proper sector boundaries verified with shntool. Extraction and shn
 encoding using EAC and mkwACT by skinsch@yahoo.com
 Set One: Disc One: [41:10], Set I, 1. Deep Elem Blues [5:45], 2. Dire Wolf [3:27], 3. Friend
 Of The Devil [7:16], 4. It Takes A Lot To Laugh It Takes A Train To Cry [5:49], 5. I've Been All
 Around This World [6:28], 6. Valerie [6:55], 7. Run For The Roses [5:30]
 Set Two: Disc Two: [43:04], Set II, 1. Little Sadie [4:11], 2. Jack-A-Roe [5:17], 3. Simple
 Twist Of Fate [10:42], 4. Sing Me Back Home [7:25], 5. Oh Babe It Ain't No Lie [6:09] -> 6. Ripple
 [4:07], Encore: 7. Reuben And Cherise [5:13]
06/28/82 Boston, MA - Boston Opera Hall MAC>CD All n/a 1352 89503  
 *JGJK: John Levene, Nak 300s > Marantz CD330*
 NOTES: Recorded and digitalized by John Levene; Source: Nak 300 (front row right center balcony) >
 Marantz CD330 (cassette master); Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > firewire > SF v6 >
 Cdwave; Soundforge used to prepare wave file for tracking; CDwave used to track and flac @ compression
 level 8.
 Set One: Set 1 (42:26.00): 01 Deep Elem Blues 02 Dire Wolf 03 Friend Of The Devil 04 It
 Takes A Lot To Laugh, It Takes A Train To Cry 05 I've Been All Around This World 06 Valerie 07 Run
 For The Roses
 Set Two: Set 2 (44:46.63): 08 Little Sadie 09 Jack-A-Roe 10 Simple Twist Of Fate 11 Sing
 Me Back Home 12 Oh Babe, It Ain't No Lie 13 Ripple 14 Reuben And Cherise
06/30/82a Rochester, NY - Auditorium Theater MAC>2C>CD All 44 1265 34985 
 *JGJK: Jamie Herbst, unknown gear*
 Recorded by Jamie Herbst, Master Audience Cassette > Cassette > Cassette (2nd Gen); Unknown
 equipment; Transfer and FLAC encoding by David Minches: 2nd generation cassette played back on
 Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac
 encoding. JJ: master must be great, b/c this sounds quite fine.
 Set One: 8 tracks, 44:01: Deep Elem Blues, Friend Of The Devil, Dire Wolf, Little Sadie,
 Valerie, To Lay Me Down-> Run For The Roses
06/30/82b Rochester, NY - Auditorium Theater MAC>2C>CD All 45 1265 34985 
 *JGJK: Jamie Herbst, unknown gear*
 Recorded by Jamie Herbst, Master Audience Cassette > Cassette > Cassette (2nd Gen); Unknown
 equipment; Transfer and FLAC encoding by David Minches: 2nd generation cassette played back on
 Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac
 encoding. JJ: master must be great, because this sounds quite fine.
 Set One: 7 tracks, 45:24: Gomorrah, Been All Around This World, Bird Song, Jack-A-Roe, Oh
 Babe It Ain't No Lie, Ripple, E: Rubin And Cherise
07/01/82 Chicago, IL - Auditorium Theatre  MAC>D>CD All 94 0608 enter 
 *JGJK: unknown mic > Sony Walkman*
 AUD: Sony Walkman > C > DAT > CDR. A bit thin & echoey, but not bad. d1t05 gap @ 8:00-8:08, not
 sure if any music is actually missing; d1t06-07 two-second repeat @ end t06 - start t07; d2t01 China
 Cat riff @ ca. 5:45, interesting! d2t06 Reuben & Cherise sounds tinnier, may be from a different
 source (or location?).
 Set One: Disc One (8) 54:12 --Set I-- 1. [0:05] Deep Elem Blues [6:10] [0:07], 2. FOTD
 [7:32] [0:12], 3. [0:57] Little Sadie [3:49], 4. [0:10] Dire Wolf [3:09] [0:04], 5. [0:38] Simple
 Twist// of Fate [11:#34] [0:03], 6. [0:53] All Around This World [6:35] -> 7. Run for the Roses [5:28]
 [0:06] --Set II-- 8. [0:53] Train to Cry [5:52] [0:11]
 Set Two: Disc Two (6) 40:03 --Set II (con't)-- 1. [0:03] Bird Song [9:45] [0:05], 2. [1:06]
 Gomorrah// [6:16#] [0:04], 3. //Jack-a-Roe [#:07+4:28], 4. [0:05] Oh Babe it Ain't No Lie [6:41]
 [0:01], 5. {audience member: "Play whatever you want!" JG: "Thank You."} [1:44] Ripple [4:25] [0:03]
 --Encore-- 6. //Reuben & Cherise [#5:57] [0:16]
07/02/82a Boulder, CO - Mackey Auditorium MAC>2C>CD All 79 enter enter 
 *JGJK: unknown taper & gear*
 Unknown MAC > 2 cassette gens > CD > EAC > SHN. A>D by Paul Gibian, EAC>SHN by Joe Jupille. Proper
 sector boundaries verified using shntool. Notes/Flaws: Most tunes clip in & out without much missing
 music.
 Set One: Single Disc (12) 79:00 --Single Set-- 01. Deep Elem Blues [6:52] [0:12], 02. Friend
 of the Devil [8:10] [0:18], 03. Little Sadie [4:27], 04. Dire Wolf [3:12], 05. To Lay Me Down [7:59]
 [0:07], 06. Run for the Roses [4:39] [0:04], 07. Valerie [7:10] [0:08], 08. All Around This World
 [6:37], 09. Jack-a-Roe [4:44] [0:04], 10. Simple Twist of Fate [12:49] -> 11. Oh Babe It Ain't No Lie
 [7:01] -> 12. Ripple [4:21] [0:01]
07/02/82b Boulder, CO - Mackey Auditorium MAC>2C>CD All 81 enter enter 
 *JGJK: unknown taper & gear*
 MAC > 1st gen cassette > Walter Keenan's cassette > CD, A>D by Paul Gibian. Most tunes clip in;
 d1t01 cuts in; d2t01 cuts in; d2t03 Bird Song cuts in before "all I know she sang a little while".
 Set One: Disc One (6) 29:03 --Set I-- 01. //It Takes A Lot To Laugh, It Takes A Train To Cry
 [#5:15] [0:02], 02. Dire Wolf [3:13] -> 03. Ballad Of Casey Jones [5:10] [0:09]. 04. I've Been All
 Around This World [3:37] [0:10], 05. Gomorrah [5:57], 06. Run For The Roses [5:22] [0:06]
  Set Two: Disc Two (8) 51:34 --Set II-- 01. Deep Elem Blues [#6:38] [0:01], 02. Friend Of The
 Devil [7:29], 03. //Bird Song [#8:45] [0:21], 04. Going Going Gone [5:34] [0:04], 05. Sing Me Back
 Home [8:13] -> 06. Ripple [4:08] [0:03] --Encore-- 07. Reuben & Cherise [5:30] [0:02], 08. Jack-A-Roe
 [4:44]
08/23/82a San Francisco, CA - Kabuki Theater MAC>CD All 55 0574 enter 
 *JGJK: Bob Menke, Nak 700s > Sony D5M*
 FOB (25' from stage dfc) > Nak 700's > Sony D5M (Dolby B, Maxell metal cassette), recorded by Bob
 Menke; transfer: cassette master > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC (secure mode) >
 CDWave (retracked on sb's) > SHN (MKWACT). A>D by Bob Menke, EAC/Shn'ed by Charlie Connor. Early/Late
 combined comments: d1t06 - dropouts at 11:05 & 11:07; d2t03 - dropout at 1:32; d2t07 - dropout at
 1:41. The dropouts were tightened up using Steinberg's Wavelab 3.0.
 Set One: Early Show - Total Time 54:37 , 1. Deep Elem Blues , 2. Friend Of The Devil , 3.
 Little Sadie , 4. I've Been All Around This World , 5. Valerie , 6. Simple Twist Of Fate , 7. Oh Babe
 It Ain't No Lie -> 8. Run For The Roses
08/23/82b San Francisco, CA - Kabuki Theater MAC>CD All 63 0574 enter 
 *JGJK: Bob Menke, Nak 700s > Sony D5M*
 FOB (25' from stage dfc) > Nak 700's > Sony D5M (Dolby B, Maxell metal cassette), recorded by Bob
 Menke; transfer: cassette master > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC (secure mode) >
 CDWave (retracked on sb's) > SHN (MKWACT). A>D by Bob Menke, EAC/Shn'ed by Charlie Connor. splice in
 Gomorrah?
  Set One: Late Show - Total Time 63:19 , 1. It Takes A Lot To Laugh It Takes A Train To Cry ,
 2. Dire Wolf , 3. To Lay Me Down , 4. Bird Song , 5. Going Going Gone -> 6. Jack-A-Roe , 7. Gomorrah
 -> 8. Run For The Roses , 9. Oh Babe It Ain't No Lie -> 10. Ripple --Encore-- 11. Reuben And
 Cherise
10/13/82 Santa Cruz, CA - The Catalyst MAC>CD All 115 
 *JGB: Steven Martin, Nak CM-700s > Sony TC-D5*
  MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell
 XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD
 clone. JJ: fantastic tape.
 Set One: Disc One (6 tracks, 55:03) --Set I-- How Sweet It Is, Love in the Afternoon,
 Valerie, Let it Rock, Simple Twist of Fate -> Deal
 Set Two: Disc Two (6 tracks, xx:xx) --Set II-- Sugaree, I'll Take a Melody, Dear Prudence,
  Tore Up, Tough Mama -> Run for the Roses
10/21/82 San Francisco, CA - The Stone MA?>?>CD partial n/a 1379 96089 
 *JGB: unknown taper & gear*
 Source: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. Edited and
 Mastered by Jamie Waddell on the GEMS Edit Station. A GEMS production -+-+- www.shnflac.net -+-+-
 Trac'ed Cdwave Flac'ed level 8 TLH. Notes - Big Thanks to Katfish John for sharing his cd's - Partial
 of both sets - TLEO Cuts in.
 Set One: Set 1 How Sweet It Is To Be Loved By You (Missing) 01 - Catfish John Valerie
 (Missing) I Second That Emotion (Missing) 02 - Sitting In Limbo 03 - Deal Set 2 04 - //They Love
 Each Other 05 - Let It Rock After Midnight (Missing) Russian Lullaby (Missing) Tore Up Over You >
 (Missing) Tangled Up In Blue (Missing)
10/24/82 Guerneville, CA - River Theater MA?>?>CD All 94 1268 74618 
 *JGB: unknown taper & gear*
 Notes: - Pretty good aud. Disc two sounds better to me. Disc one has some swishing and more hiss.
 These timings look suspiciously like single 45-minute cassette sides, with the longer running time
 making me wonder if this doesn't maybe run a bit slow. Anyone wanna verify the pitch? - Jerry sounds
 very scratchy this night, with a truly cringeworthy moment about a minute into Love in the Afternoon.
 IMO the show has potential, but never quite gets there. How Sweet It Is starts awkwardly out of Let
 it Rock, a transition with real potential. Suagree is nice, but at a few points, Jerry just doesn't
 quite manage to melt your face off the way you think he might. The show just feels a little bit
 lackluster. YMMV. - Sugaree cuts in, missing a few notes - Deal cuts out abruptly, probably a few
 minutes missing. MisSHN in the Rain, 7/2006.
 Set One: Disc One (6 tracks, 46:56) --Set I-- d1t01. Crowd & Tuning [0:13], d1t02.
 Roadrunner [8:58] [0:02], d1t03. They Love Each Other [7:51] [0:22], d1t04. Sitting in Limbo [12:10]
 [0:04], d1t05. Let it Rock [7:59] -> d1t06. How Sweet It Is [9:12] [0:03]
  Set Two: Disc Two (5 tracks, 46:43) --Set II-- d2t01. //Sugaree [15:#37] [0:21], d2t02. Love
 in the Afternoon [12:11] [0:16], d2t03. Run for the Roses [6:21] -> d2t04. Valerie [6:49] -> d2t05.
 Deal// [5:08#]
10/28/82a Reseda, CA - Rissmiller's MAC>CD All 65 enter enter 
 *JGB: Rango Keshavan, Sony ECM220Ts > Sony TCD5M*
 MAC > WAV > SHN. Recorded by Rango Keshavan, front of the balcony, Sony ECM220T mics > SonyTCD5M
 metal cassette masters (no dolby) > playback on a Nak DR1 > Sony PCMR500 (SBM on) > Turtle Beach
 Montego II sound card > WAV > SHN. Taper's friend had to go home because of illness, and so the rest
 of the late show was not taped. No flaws noted.
 Set One: Disc One (8) 65:17 --Early Show-- 1. Intro [3:30] , 2. How Sweet It Is (To Be Loved
 By You) [8:39] [0:04], 3. They Love Each Other [7:51] [0:53], 4. Simple Twist Of Fate [13:15] [0:10],
 5. Let It Rock [8:31] [0:13], 6. Mission In The Rain [10:02] [0:03], 7. Run For The Roses [5:18] -> 8.
 Deal [6:41] [0:04]
10/28/82b Reseda, CA - Rissmiller's MAC>CD Partial 38 enter enter 
 *JGB: Rango Keshavan, Sony ECM220Ts > Sony TCD5M*
 MAC > WAV > SHN. Recorded by Rango Keshavan, front of the balcony, Sony ECM220T mics > SonyTCD5M
 metal cassette masters (no dolby) > playback on a Nak DR1 > Sony PCMR500 (SBM on) > Turtle Beach
 Montego II sound card > WAV > SHN. Taper's friend had to go home because of illness, and so the rest
 of the late show was not taped.
 Set One: Disc Two (4) 38:10 --Late Show-- 1. Intro [1:25] , 2. [0:37] Sugaree [14:51]
 [0:03], 3. [0:05] Second That Emotion [11:16] [0:02], 4. [0:10] Love In The Afternoon [9:42]
10/30/82 Mesa, AZ - Mesa Ampitheater MA?>?>CD All n/a 1262 33805 
 *JGB: unknown taper & gear*
 AUD (unknown lineage) > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH (checksums, SBE-fix, FLAC
 compression) > bt.etree April 2006. Seeder Notes: "This is the complete JGB set. Bobby and the
 Midnights opened, showtime was 1:30 PM. I used Soundforge to make fades, soften the pops, and remove
 some sub-second silent gaps. This is an excellent AUD of a kickin' 82 show. Some minor flaws noted, as
 follows: the first 0:25 of How Sweet It Is in mono (due to channel drop out); the first 1:57 of Run
 For The Roses also in mono; light crackle in right channel 0:13 in How Sweet It Is; and pops in right
 channel in How Sweet It Is at 0:31, 0:35, 3:39, and 3:43. Start of They Love Each Other and Run For
 The Roses very slightly clipped. Big thanks go to Jake Feinberg for the source disc! ENJOY!"
 Set One: One Disc (75:09) , 01 How Sweet It Is , 02 They Love Each Other , 03 Valerie , 04
 That's What Love Will Make You Do , 05 Run For The Roses , 06 Night They Drove Old Dixie Down > 07
 Dear Prudence , 08 Deal --Encore-- 09 Midnight Moonlight
10/30/82 Mesa, AZ - Mesa Ampitheater MA?>?>CD partial 30 
 *JGB: unknown taper & gear*
 Set One: Disc one will not extract or play
 Set Two: Disc Two (3) 30:00, //Dear Prudence, Deal --Encore-- Midnight Moonlight
11/01/82 Austin, TX - Opry House  MAC>?>C>CD All n/a 1304 85489 
 *JGB: uknown taper & gear*
 Source: A(big)cardboard box. MAC > ? > Maxell XL2S90 (Dolby C) > Nak CR3A (Dolby C EQ Out) > HP
 computer > Sound Forge (vol@5.6DB) > CD Wave > Flac.
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, Love In The Afternoon,
 Let It Rock, I Second That Emotion, Knockin' On Heaven's Door, Run For The Roses, Midnight
 Moonlight
 Set Two: Sugaree, The Harder They Come, Valerie, The Night They Drove Old Dixie Down, Dear
 Prudence, Deal
11/01/82 Austin, TX - Opry House MA?>?>CD I,IIp 85 
 *JGB: unknown taper & gear*
 Lineup: Jerry Garcia - guitar, vocals; John Kahn - bass; Melvin Seals - keyboards; Greg Errico -
 drums; DeeDee Dickerson - backing vocals; Jaclyn LaBranch - backing vocals. - Not a bad aud at all. -
 Needs retracking. - levels rise at to2 track 1:54 - Let it Rock rocks pretty darn hard!! - tape speed
 warbles during STE - tape warbles @ track 3:10 of KOHD - RFTR is done at light-speed - distortion on
 Sugaree - really hot Sugaree - Sugaree clips out at end. Generally tightly edited.
 Set One: Disc One (5 tracks, 43:45) --Set I-- dead air :08, How Sweet It Is (To Be Loved By
 You) -8:14, /They Love Each Other -7:36 :05, :11 Love In The Afternoon -10:34 :02, /Let It Rock -8:30,
 :06 I Second That Emotion -8:38
 Set Two: Disc Two (4 tracks, 40:56) --Set I con't-- dead air :08, /Knockin' On Heaven's Door
 -9:46 -> (may be a splice) Run For The Roses -4:42, pre-set II :05 -Set II-- Sugaree/ -12:32, :08,
 Harder They Come -13:42, :03, MISSING Valerie, MISSING Night They Drove Old Dixie Down, MISSING Dear
 Prudence, MISSING Deal, MISSING Encore: Midnight Moonlight
11/03/82 New Orleans, LA - S.S. President MSC>C>D>CD All  124 
 *JGB*
 d1t01 How Sweet fades in; d1t01 How Sweet mix/level problems first minute; d1t05 2nd That Emotion
 pre-verse train wreck (wrong key); d1t06 Tangled Up in Blue first few notes clipped ; Jer's voice
 sounds really wrecked on d2 especially.
 Set One: Set I, 1. //How Sweet It Is [8:31#] [0:03], 2. They Love Each Other [7:38] [0:02],
 3. Love In The Afternoon [11:07] [0:12], 4. Let It Rock [9:55] [0:04], 5. I Second That Emotion
 [11:43] [0:02], 6. //Tangled Up In Blue [12:38#] [0:09], Total Time 62:06
 Set Two: Set II, 1. Sugaree [12:43] [0:08], 2. The Harder They Come [12:48] [0:03], 3. Don’t
 Let Go [13:44] [0:12], 4. The Night They Drove Old Dixie Down [9:18] -> 5. Run For The Roses [5:13]
 [0:11], Encore: 6. Deal [7:34] [0:03], Total Time 61:59
11/05/82 Norfolk, VA - Chrysler Auditorium MAC>C>CD All 135 1266 34855 
 *JGB: Brent Z., handheld stereo recorder*
 Recorded by Brent Z. with a hand-held stereo recorder (likely an early Walkman). First generation
 cassettes (Maxell XL-II's) used for transfer. MAC > C > Sony TC-D5M > Soundblaster > Soundforge >
 CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and lossless compression) > FLAC > bt.etree, by
 Andrew F. May 2006. Notes: The recording has some minor distortion in the high-end, and is somewhat
 lacking in clarity. But it's a great performance, and Jerry's guitar and vocals are heard loud and
 clear. The sound improves in the second set, so it's possible that the taper moved seats during
 intermission. The deck was shut of between most songs, and the end of Valerie and start of Deal are
 slightly clipped. Soundforge was used for numerous operations: to make fades, adjust levels, repair
 some drop-outs, clean up around the breaks between songs and tape-flips, and to correct the pitch
 (+0.6 semitone).
 Set One: How Sweet It Is To Be Loved By You, I'll Take A Melody, Valerie, I Second That
 Emotion, Deal
 Set Two: Sugaree, The Harder They Come, Russian Lullaby, Run For The Roses, The Night They
 Drove Old Dixie Down, Dear Prudence, Tangled Up In Blue
11/05/82 Norfolk, VA - Chrysler Auditorium MA?>?>CD I,IIp 90 
 *JGB: unknown taper& gear*
 Pretty nice FOB-sounding aud. Melody clips out; Valerie clips in; Second That Emotion cuts ou; Deal
 clips in and cuts out; Russian Lullaby cuts in. Sugaree has lower levels which jump @ (dangerously,
 for speakers!) @ 0:39.
 Set One: Disc One (5 tracks, 45:17) --Set I-- How Sweet It Is, They Love Each Other, I'll
 Take a Melody/, /Valerie, I Second That Emotion//
 Set Two: Disc Two (4 tracks, 44:45) --end set I-- /Deal// --set II-- Sugaree, Harder They
  Come, //Russian Lullaby (MISSING Run For The Roses, MISSING The Night They Drove Old Dixie Down,
 MISSING Dear Prudence, MISSING Tangled Up In Blue)
11/06/82 College Park, MD - Ritchie Coliseum (UMD) MA?>?>CD All n/a  
 *JGB: unknown taper & gear*
11/07/82a Upper Darby, PA - Tower Theatre MAC>C>CD All 82 1266 34590 
 *JGB: Brent Z., stereo recorder*
 Brent Z.'s MAC (hand-held stereo recorder, likely an early Walkman) > 1st gen cassettes > Sony
 TC-D5M playback > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and lossless
 compression) > FLAC > bt.etree, by Andrew F.
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, I Second That Emotion,
 Valerie, Mystery Train, /Love In The Afternoon, /Dear Prudence, Deal, E: Run For The Roses
11/07/82b Upper Darby, PA - Tower Theatre MA?>?>CD All  119 
 *JGB: unknown taper & gear* *possible mislabe*
 TOWER THEATRE, PA CD 2 LATE-AUD. MITR and STOF appear twice ... not sure what the deal is,
 haven't compared to see if same. May run slow.
 Set One: Disc One (4 tracks, 46:07): How Sweet It Is, /Catfish John, Mission in the Rain,
 Simple Twist of Fate
 Set Two: Disc Two (7 tracks, 73:22): Mission in the Rain (AGAIN??), Harder They Come, Simple
 Twist of Fate (AGAIN??), Tore Uuop Over You, The Night They Drove Old Dixie Down, Tangled Up in Blue,
 Midnight Moonlight
11/07/82b Upper Darby, PA - Tower Theatre MAC>C>CD All 125 1266 34590 
 *JGB: Brent Z., stereo recorder*
 Brent Z.'s MAC (hand-held stereo recorder, likely an early Walkman) > 1st gen cassettes > Sony
 TC-D5M playback > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and lossless
 compression) > FLAC > bt.etree, by Andrew F.
 Set One: How Sweet It Is To Be Loved By You, Catfish John, Mission In The Rain, Simple Twist
 Of Fate, Let It Rock,
 Set Two: Run For The Roses, The Night They Drove Old Dixie Down, Tangled Up In Blue, E:
 Midnight Moonlight
11/09/82a Worcester, MA - E.M. Loew's MAC>CD All 88 0459 4417 
 *JGB: Doug Lamarre, Senn 441s > Sony D-5*
 MAC > CD > EAC > SHN. Taped by Doug Lamarre, Sennheiser 441s > Sony D-5 cassette master > CD. MAC
 > CD. Taped by Doug Lamarre, Senn 441s Sony D-5 cassette master > CD. Sector boundary errors on the
 circulating .shn set need to be fixed before burning audio. Not bad sounding, a bit boomy/indistinct,
 but not too bad.
 Set One: Disc One (4) 42:26, 1. [0:19] How Sweet It Is [9:23] [0:05], 2. [0:04 Catfish John
 [11:07] [0:05], 3. Second That Emotion [9:50] [0:05], 4. [0:17] Love in the Afternoon [11:08]
 [0:02]
 Set Two: Disc Two (5) 46:01, 1. Let it Rock [8:55] [0:03], 2. Run for the Roses [:01+4:47]
 -> 3. Dear Prudence [:09+12:15] -> 4. Tangled Up in Blue [:01+12:18] [0:07], Encore: 5. Deal
 [:01+7:09] [0:11]
11/09/82a Worcester, MA - E.M. Loew's MAC>D>CD All n/a 0618 13039 
 *JGB: Steve Rolfe, Nak 700s > Sony TC-D5*
11/09/82a Worcester, MA - E.M. Loew's MS?>?>C>CD  All n/a 1305 84950 
 *JGB*
 JGB, early and late shows: SBD(x) > unknown gen TDKSA90 cassette Played on a Nak CR3A > hp computer
 > Sound Forge (vol@5.5db) > CD wave > Flac.
 Set One: How Sweet It Is To Be Loved By You, Catfish John, I Second That Emotion, Love In
 The Afternoon, Let It Rock, Run For The Roses, Dear Prudence-> Tangled Up In Blue
11/09/82b Worcester, MA - E.M. Loew's MAC>D>CD All n/a 0619 13039 
 *JGB: Steve Rolfe, Nak 700s > Sony TC-D5*
11/09/82b Worcester, MA - E.M. Loew's MS?>?>C>CD All n/a 1305 84950 
 *JGB*
 JGB, early and late shows: SBD(x) > unknown gen TDKSA90 cassette Played on a Nak CR3A > hp computer
 > Sound Forge (vol@5.5db) > CD wave > Flac.
 Set One: Mission In The Rain, They Love Each Other, Tore Up Over You, Valerie, Mystery
 Train, Don't Let Go, The Night They Drove Old Dixie Down-> Run For The Roses-> Deal
11/10/82 Piscataway, NJ - Livingston Gym MAC>?>CD All 141 
 *JGB: "Nick", Nak 700s > Sony D5*
 Recorded by "Nick". FOB (25' from stage) Nak 700s > Sony D5 (TDK MA-90) master cassette. Some
 digital issues on d1 (see below). D2 sounds better than d1. If d2 is indeed from an aud source, it
 has to be one of the best auds ever made. Digital errors in d1t01, d1t04, d1t07 (truly riddled).
 d1t05 Valerie cuts in, not much missing; d2t02 anomaly @ 6:29. Would also need retracking. Set II
 does not match the Jerry Site. I am looking into it.
 Set One: Disc One (7) 72:03 --Set I-- 1. How Sweet It Is, 2. TLEO, 3. TWLWMYD, 4. Knockin',
 5. //Valerie, 6. Run for the Roses --Set II-- 7. Harder They Come
 Set Two: Disc Two (6) 69:22 --Set II-- 1. Mission, 2. Harder They Come, 3. Let it Rock, 4.
 Dixie Down, 5. Tangled Up in Blue --Encore-- 6. Midnight Moonlight
11/10/82 Piscataway, NJ - Livingston Gym MAC>CD All 132 
 *JGB: "Tapecat", Nak 300/CP2 > Marantz 430*
 MAC (Taped by "Tapecat", Nak 300/CP2 [34th row 10th seat ROC stealth] > Marantz 430) > CD, unknown
 digital transfer details. Notes: - Nice recording, lots of high end and more hiss than you'd expect
 based on the lineage, but plenty of punch. - d1t05 Valerie fades in (probable tape flip), very little
 missing. - HTC numerous digital blips @ 4:04-6:45; - Jerry sounds a little scratchy, especially in the
 second set, and I don't think this show is as good as the shows on the next day. But it's still pretty
 tight and worth a listen. - d2t06 Mid Moon blip @ 4:52; Thanks to Hanno Bunjes for the discs!
 Set One: Disc One (7) 67:42 --Set I-- 01. How Sweet It Is [8:39] [0:16], 02. They Love Each
 Other [7:54] [0:19], 03. [0:09] That's What Love Will Make You Do [10:19] [0:26], 04. Knockin' On
 Heaven's Door [:02+12:37], 05. ... Valerie [#7:41] [0:09], 06. Run For The Roses [:01+4:42] set break
 [:07], pre-set II [:05] --Set II-- 07. The Harder They Come [:02+14:10] [0:03]
 Set Two: Disc Two (6) 64:06 --Set II (con't)-- 01. [0:42] Mission In The Rain [9:53] [0:01],
 02. [0:09] Love In The Afternoon [10:09] [0:23], 03. Let It Rock [8:43] [0:27], 04. The Night They
 Drove Old Dixie Down [10:00] [0:12], 05. Tangled Up In Blue [12:35] [0:07] --Encore-- 06. [2:05]
 Midnight Moonlight [8:30] [0:03]
11/10/82 Piscataway, NJ - Livingston College MAC>C>CD All 129 1266 35141 
 *JGB: Steve Adelman, Nak 100s > Sony D5*
 Steve Adelman's MAC (Nak100s > D5) > 1st gen cassette > playback on cleaned/demagged Nakamichi DR-2
 tape deck > Presonus Firebox (pre-amp and A-D conversion) > firewire/PC/XP > Wavelab 5, recorded as 24
 bit/96 KHz WAV > digital subtraction NR using Waves XNoise, mastering with L3 Multimaxmizer and
 rendered to 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). 1st gen cassette provided by
 Bill Koucky. Comments: Close up punchy in-your-face sound. Moderate intermittent crowd noise. Thanks
 to Bill for providing this upgrade source for transferring. From comparing it to the prior unlineaged
  source I seeded, this one has more high end and is a known first generation source. Bill's tape had a
 small (1 s) silent gap during "Mission" at 00:49 which I patched from the prior source. I also
 spliced the post-encore crowd noise which abruptly faded out on this source. - Patches and pauses
 between some tracks were smoothed with crossfades. - A 30 second segment of blank tape was played
 back to generate the noise mask which was subtracted at a threshold of -8 dB and reduction of 63%
 using Waves XNoise. Review of the subtracted WAV file demonstrated no musical content.
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, That's What Love Will
 Make You Do, Knockin' On Heaven's Door, Valerie, Run For The Roses
 Set Two: The Harder They Come, Mission In The Rain, Love In The Afternoon, Let It Rock, The
 Night They Drove Old Dixie Down, Tangled Up In Blue, Midnight Moonlight
11/11/82a New York, NY - Felt Forum (Madison Square Garden) MAC>CD All 90 0768 16703 
 *JGB: Mark Cohen, Nak 700s > Sony TC-D5*
 MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Nak Dragon playback > ART DI/O > HD > WAV
 (Cool Edit 2000) > shntool > SHN (mkwACT). Cassette > SHN by David Minches. Notes/Flaws: - A great
 recording of a very nice show. - No flaws noted.
 Set One: Disc One (5) 43:33, 01. Crowd & Tuning [0:37], 02. How Sweet It Is [8:09] [0:34],
 03. Catfish John [9:45] [0:44], 04. Valerie [7:02] [0:28], 05. Simple Twist Of Fate [16:02] [0:11]
 Set Two: Disc Two (6) 46:13, 01. Crowd & Tuning [1:06], 02. That's What Love Will Make You
 Do [10:05] [0:25], 03. Run For The Roses [4:48] [0:28], 04. Sugaree [10:23] [0:25], 05. Tangled Up In
 Blue [10:37] [0:23] --Encore-- 05. Deal [7:21] [0:10]
11/11/82a NYC, NY - Madison Square Garden, Felt Forum MAC>CD All n/a 1261 34710 
 *JGB: Jim Wise, Beyer M160/Senn 421 blend > Uher deck (?)*
 Recording by Jim Wise: Master Audience Cassette; Beyer M160s w/ Senn 421 blend at SB (Maxell
 XLIIS). Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O
 > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC.
 Set One: How Sweet It Is To Be Loved By You, Catfish John, Valerie, Simple Twist Of Fate,
  That's What Love Will Make You Do, Run For The Roses, Sugaree, Tangled Up In Blue, E: Deal
11/11/82b New York, NY - Felt Forum (Madison Square Garden) MAC>CD All 110 0059 13981 
 *JGB: Jim Wise, Senn 421s > Uher cassette deck*
 MAC (Jim Wise @ the board, Senn 421s in an x-y pattern on a stand > Uher cassette machine) > CDWAV
 > SHN; digitally mastered by Jim Wise and shn encoded by flipp. d1t03 Harder They Come pop @ 8:11;
 d2t04-05 Knockin' spread over two tracks; d2t05-06 pop @ track marker
 Set One: 1. [0:12] Mission in the Rain [9:57] [0:07], 2. They Love Each Other [8:11] [0:09],
 3. Harder They Come [19:01] [0:04], Total Time 37:42
 Set Two: 1. [0:20] Valerie [8:56] [0:07], 2. [0:06] Mystery Train [11:03] [0:12], 3. Don't
 Let Go [15:05] -> 4-5. Knockin' on Heaven's Door [12:22] [0:13], 6. Run for the Roses [5:55], 7. Deal
 [8:37] [0:17], Encore: 7. [0:07] Midnight Moonlight [7:18] [0:14], Total Time 71:22
11/11/82b New York, NY - Felt Forum (Madison Square Garden) MAC>CD All 109 0768-0769 16704 
 *JGB: Mark Cohen, Nak 700s > Sony TC-D5*
 MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Nak Dragon playback > ART DI/O > HD > WAV
 (Cool Edit 2000) > SHN (mkwACT) > wav (mkwACT) > minor patching (SF 6.0) > shn (mkwACT). Cassette >
 SHN by David Minches, patch by Joe Jupille. Notes/Flaws: - A gorgeous recording of a really energetic
  show. - There was a very brief splice on the master recording @ 11:29 of Knockin'. This was covered
 with a very brief patch (0.5s front and back crossfades, ~1s patch) from Jim Wise's excellent master
 (Senn 421s in an X-Y pattern @ the sbd on a stand > Uher cassette deck). This may not have been
 necessary given the brevity of the cut, but it seemed worth doing for an otherwise flawless seed.
 Set One: Disc One (6) 58:22, 01. Crowd & Tuning [0:18], 02. Mission In The Rain [9:45]
 [0:13], 03. They Love Each Other [8:03] [0:38], 04. Harder They Come [18:23] [0:39], 05. Valerie
 [8:45] [0:31], 06. Mystery Train [10:50] [0:17]
 Set Two: Disc Two (5) 50:49, 01. Don't Let Go [14:53] -> 02. Knockin' On Heaven's Door
 [12:35] [0:35], 03. Run For The Roses [5:46] [0:25], 04. Deal [8:28] [0:35] --Encore-- 05. Midnight
 Moonlight [7:10] [0:26]
11/11/82b NYC, NY - Madison Square Garden, Felt Forum  MAC>CD All 109 1261 34710 
 *JGB: Jim Wise, Senn 421s > Uher deck*
 Recording by Jim Wise: Master Audience Cassette; Senn 421s (at SB) > Uher cassette deck (Maxell
 XLIIS). Transfer and FLAC encoding by David Minches:Master played back on Nakamichi Dragon > ART DI/O
 > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding.
 Set One: Disc One (6 tracks, 57:56) tuning, Mission In The Rain, They Love Each Other, The
  Harder They Come, Valerie, Mystery Train
 Set Two: Disc Two (5 tracks, 50:32) Don't Let Go -> Knockin' On Heaven's Door, Run For The
 Roses, Deal, E: Midnight Moonlight
11/13/82 Hartford, CT - Bushnell Aud., Bushnell U.  composite All 129 1259 33422 
 *JGB: optimal composite of Jim Wise + unknown aud*
 Taped by Jim Wise, Senn 421s (7th row center, hand-held) > Sony D5 master cassette > Nakamichi
 Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding.
 Transfer by David Minches, info by jjoops. Notes: - As far as we know, this show has not circulated
 complete in the digital realm until now (3/2006). Jim Wise suffered equipment issues, especially
 during set I, reporting that "all the forces apparently converged on me." As a result, a multigen
 copy from an alternative master (shnid 24222) were used as patch material. One assessment of the two
 tapes is as follows: "The sound is similar while the recordings are different. The alternative has
 more noise and bit more high end, probably due to a Dolby-encoded tape played back without Dolby.
 Jim's recording has better dynamic range and is quieter. Fortunately, we had at least 2 freaks there
 that night recording history." Amen! So the alternative master supplies the first 5:23 of How Sweet It
 Is, from 4:40 to the end of TLEO, all of Valerie, from 3:55 to the end of Dear Prudence and the first
 2:11 of Run for the Roses. - This is a really punchy show, a worthy follow-up to the fine shows on the
 11th. It is great finally to be able to hear the whole thing. Standout versions of Valerie (nice
 stuff for the few minutes after 4:30-ish especially), Let it Rock and Harder They Come, IMO. - d2t03
 HTC muffled. Sincere thanks to Jim Wise for his skill and his generosity!
 Set One: Disc One (7 tracks, 62:06) --Set I-- d1t01. How Sweet It Is [8:00] [0:01], d1t02.
 They Love Each Other [7:56] [0:11], d1t03. [0:10] Valerie [8:04] [0:02], d1t04. Let it Rock [8:16]
 [0:04], d1t05. [0:06] Second That Emotion [10:55] [0:05], d1t06. Dear Prudence [13:19] -> d1t07. Run
 for the Roses [4:50] [0:55]
 Set Two: Disc Two (7 tracks, 66:57) --Set II-- d2t01. Crowd & Tuning [0:27], d2t02. Mission
 in the Rain [11:05] [0:15], d1t03. Harder They Come [15:49] [0:06], d1t04. Myster Train [7:55] [0:12],
 d1t05. The Night They Drove Old Dixie Down [9:50] [0:09], d1t06. Tangled Up in Blue [11:40] [0:18]
 --Encore-- d1t07. [0:03] Midnight Moonlight [8:59] [0:06]
11/13/82 Hartford, CT - Bushnell Aud., Bushnell U. MAC>?>C>CD? I,IIp 90 1034 24222 
 *JGB: unknown taper & gear*
 Unknown number of cassette gens from the master. Pretty nice aud, nice fat bass. nice Let it Rock.
 d1t04 LIR volume increases @ 1:42. d1t06 DP drop @ 1:47.
 Set One: Disc One (8 tracks, 73:40) --Set I-- 01. How Sweet It Is To Be Loved By You [8:03]
 [0:08], 02. They Love Each Other [7:55] [0:11], 03. [0:10] Valerie [8:05] [0:01], 04. [0:02] Let It
 Rock (nice!) [8:15] [0:04], 05. I Second That Emotion [10:59] [0:01], 06. [0:05] Dear Prudence [13:17]
 -> 07. Run For The Roses [4:52] [0:08] --Set II-- 08. [0:09] Mission In The Rain [11:08] [0:04]
 Set Two: Disc Two (1 track, 16:03) --Set II (con't)-- 01. The Harder They Come [16:01]
 [0:02] (MISSING Mystery Train, The Night They Drove Old Dixie Down, Tangled Up In Blue-> Midnight
 Moonlight)
11/13/82 Hartford, CT - Bushnell Auditorium MAC>CD II 68 
 *JGB: Jim Wise, Senn 421s > Sony D5*
 MAC (Jiw Wise 7th row center, Senn 421s [hand-held] > Sony D5) > CDWAV > SHN; cd mastering by Jim
 Wise, shn encoding by flipp; t02 Harder They Come levels drop @ 0:26
 Set One: 1. [0:26] Mission in the Rain [11:12] [0:03], 2. [0:11] The Harder They Come
 [15:59], 3. Mystery Train [8:02] [0:03], 4. [0:08] The Night They Drove Old Dixie Down [9:59] [0:05],
 5. Tangled Up in Blue [11:46] [0:15], Encore: 6. [0:07] Midnight Moonlight [9:03] [0:07], Total Time
 67:33
11/14/82 Waltham, MA - Shapiro Gym (Brandeis U.) MA?>?>CD I,IIp 83 
 *JGB: unknown taper & gear*
 SQ starts off so-so and then gets better. JG sounds tired, might this run a touch slow? - d1t01
 level flux @ start, pop @ 0:44, bad flux @ 2:28-2:30; - d1t03 tech difficulties before TWLWMYD; -
 d1t04 STOF cuts out near end (likely tape flip); - d2t01 Deal cuts in (likely tape flip), cut @
 0:44
 Set One: Disc One (4 tracks, 43:34) --set I-- 01. [0:05] //How Sweet It Is [#7:47] [0:04],
 02. [0:19] Catfish John [11:00] [0:04], 03. [1:20] TWLWMYD [10:04] [0:18], 04. [0:03] Simple Twist of
 Fate// [12:36#] tape flip
 Set Two: Disc Two (4 tracks, 39:23) --set I (con't)-- 01. [0:08] //De//al [#7:#13] [0:08]
 --set II-- [0:05], 02. [0:12] Harder They Come [14:40] [0:06], 03. TLEO [8:18] [0:07], 04. [0:25]
 Valerie [7:58] [0:01] (REST OF SET II MISSING)
11/15/82b Union, NH - Wilkens Theater (Kean College) MSC>D>CD All-1 76 0971 23339 
 *JGB*
 Came as SBD>CM>DAT>CDR. Also have a 67:52 copy that's missing Midnight Moonlight.
 Set One: 7 tracks, 76:07 //Mission in the Rain, Harder They Come, It's No Use, Mystery
 Train, (MISSING Run for the Roses), Dear Prudence -> Tangled Up in Blue --Encore-- Midnight
 Moonlight
11/15/82b Union, NJ - Wilken's Theater, King's College MAC>CD All-1 n/a 1272 78008 
 *JGB: Jim Vita, Senn 421s > Sony D5*
 Taped by Jim Vita: 2 Sennheiser 421s> Sony D-5 - 16th Row Center; Transfer and FLAC encoding by
 David Minches: Master cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card
 Deluxe soundcard > Cool Edit 2000 > flac encoding.
 Set One: Mission In The Rain, The Harder They Come, It's No Use, Mystery Train, Run For The
 Roses, Dear Prudence-> Tangled Up In Blue, (MISSING E: Midnight Moonlight)
 
01/13/83 Berkeley, CA - Keystone MS?>?>CD n/a 
  *JGB*
 KEYSTONE BERKELEY 2 CD 2
01/13/83 Berkeley, CA - Keystone MSC>D>CD All n/a 1298 84227 
 *JGB*
 Source: Soundboard Master Cassette > DAT. Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to
 Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and
 Seeded by Green Mountain Brothers April 2007. Band: Jerry Garcia ? Guitar, Vocals; John Kahn - Bass;
 Melvin Seals ? Keyboards; Greg Errico ? Drums; DeeDee Dickerson ? Vocals; Jaclyn LaBranch -
 Vocals.
 Set One: Disc 1 49:07 1st Set: 1. How Sweet It Is 2. Catfish John 3. That's What Love Will
  Make You Do 4. Simple Twist Of Fate 5. Run For The Roses
 Set Two: Disc 2 44:00 2nd Set: 1. The Harder They Come 2. They Love Each Other 3. Tangled Up
 In Blue 4. Dear Prudence > 5. Midnight Moonlight //
01/21/83z Santa Rosa, CA - KVRE-FM radio station MFC>D>CD All n/a 0952 20506 
 *Interview*
01/22/83 Petaluma, CA - Pheonix Theater MAC>CD All 112 
 *JGB: Bob Menke*
  Pretty good aud, vox are a bit rough with some vocal distortion. Needs re-tracking. d1t01 How Sweet
 R channel out @ track 1:53-1:56, 2:20-2:24; d2t01 Mission R channel drops @ track 9:29-9:31,
 9:59-10:39, 11:40-12:15, basically out intermittently.
 Set One: Disc One (5) 45:03 --Set I-- How Sweet It Is, Catfish John, TWLWMYD, Run for the
 Roses -> Deal
 Set Two: Disc Two (3) 67:20 --Set II-- Mission in the Rain, Harder They Come, Simple Twist
 of Fate, Dear Prudence -> Midnight Moonllight
01/22/83 Petaluma, CA - Phoenix Theater MSC>D>CD I,IIp 88 0165 enter 
 *JGB*
 SBD: MC (TDK SA-90)>DAT>CDR (Krispy, DNC JGB folder, 3/21/2001). *=w/ Mickey Hart; d1t01 How Sweet
 muffled sound 7:34-:35; d1t02 Catfish John light pops @ 7:16, 7:18; d1t04 contains :03 of Deal
 Set One: Set One, 1. How Sweet It Is To Be Loved By You [8:01] [0:06], 2. [0:06] Catfish
 John [10:32] [0:05], 3. That's What Love Will Make You Do [9:40] [0:05], 4. Run For The Roses [5:44]
 -> 5. Deal* [8:55] [0:09], Total Time 43:25
 Set Two: 1. Mission In The Rain [11:27] [0:11], 2. The Harder They Come* [14:57] [0:16], 3.
 Simple Twist Of Fate [16:13] [0:08], (missing Dear Prudence* -> Midnight Moonlight), Total Time
 43:13
01/23/83 Berkeley, CA - Keystone MSC>P>D>CD I 44 1030 19965 
 *JGB*
  Set One: Disc 1 - Set 1 , 01 Sugaree [13:58], 02 I Second That Emotion [09:28], 03 Let It
 Rock [07:30], 04 Love In The Afternoon [08:14], 05 Run For The Roses [05:03], Total time: 44:15
01/23/83 Berkeley, CA - Keystone  MAC>CD II 54 0239 8061 
 *JGB: Andrew Jones, Nak 100s > Sony TC-D5M*
 MAC (Taped by Andrew Jones, Nak 100s > Sony TCD5M) > Sound Forge > CDR, transferred by Andrew
 Jones. Acquired from the taper in 1/2001. The set I master was destroyed in a fire. d1t04 Dear
 Prudence cuts out, a few seconds missing (probably a tape flip).
 Set Two: 1. [0:39] Roadrunner [7:35] [0:17], 2. Knockin' on Heaven's Door [12:23] [0:04], 3.
  Mystery Train [6:59] [0:03], 4. Dear Prudence// [13:32#] -> 5. Tangled Up in Blue [12:05] [0:06],
 Total Time 53:45
01/24/83 Berkeley, CA - Keystone MAC>CD All 90 
  *JGB: Steven Martin, Nak CM-700s > Sony TC-D5*
 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell
 XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD
 clone.
 Set One: Disc One (5) 49:12 --Set One-- 1 How Sweet It Is (To Be Loved By You) [8:58] 2
 Catfish John [10:58] 3 That's What Love Will Make You Do [11:00] 4 Russian Lullaby [12:32] 5 Run For
 The Roses [5:43]
 Set Two: Disc Two (4) 40:58 --Set Two-- 1 Mission In The Rain [11:03] 2 Harder They Come
 [12:59] 3 Tore Up Over You [8:54] 4 Midnight Moonlight [8:02]
01/24/83 Berkeley, CA - Keystone MSC>P>D>CD  All 94 1030 19966 
 *JGB*
 Odd mix, with many fluctuations. Vocals are high up, guitar nearly inaudible through most of
 this.
 Set One: Disc One (5 tracks, 51:51) --Set I-- How Sweet It Is To Be Loved By You, Catfish
 John, That's What Love Will Make You Do, Russian Lullaby, Run For The Roses
 Set Two: Disc Two (4 tracks, 42:22) --Set II-- Mission In The Rain, The Harder They Come,
 Tore Up Over You, Midnight Moonlight
02/26/83 Palo Alto, CA - Keystone Palo Alto MA?>?>CD II 56 
 *JGB: unknown taper & gear*
 Wonderful wonderful tape! TLEO clips in. Probably MAC>C>CD, as per Kevin Weil's information to the
 Jerry Site.
 Set Two: Single Disc (7) 72:37 --2/26/83 set II-- 01. [0:34] Sugaree [13:57] [0:01], 02.
 /TLEO [#8:10] [0:02], 03. Let it Rock [8:05], 04. [0:45] Dear Prudence [13:12] -> 05. Tangled Up in
 Blue [:05+11:15] [0:02] --2/27/83 start of show-- 06. [0:23] Run for the Roses [5:15] [0:17], 07.
 [0:13] Love in the Afternoon [10:02] [0:05]
02/27/83 Palo Alto, CA - Keystone Palo Alto  MS?>?>CD I 42 
 *JGB*
 Hissy sbd. Love in the p.m. major level increase @ 7:42; 2nd That Emotion tick just before song;
 Simple Twist lots of pops, drops @ 2:58, 6:54
 Set One: (6 tracks, 42:02) Run For The Roses, Love In The Afternoon, I Second That Emotion,
 Simple Twist Of Fate -> Deal
02/27/83 Palo Alto, CA - Keystone Palo Alto MA?>?>CD Ip 16 
 *JGB: unknown taper & gear*
 Set One: (from end of 2/26/83 set II aud) 06. [0:23] Run for the Roses [5:15] [0:17], 07.
 [0:13] Love in the Afternoon [10:02] [0:05]
02/28/83 Berkeley, CA - Keystone "MAC>CD" All 80 
 *JGB: uncertain taper, Menke?*
 This came to me as Menke MAC > CD, but Menke didn't tape this show. It could be Corley's? It's a
 nice tape. d1t02 digiticks from about 6:15-7:30; needs re-tracking; d1t10 Mid Moon cuts out, to fit on
 an 80-minute CD? ouch.
 Set One: Single Disc (10) 79:59 --Set I-- 01. [0:26] randomness, 02. [0:30] How Sweet It is
 [8:26] [0:21], 03. TLEO [7:49] [0:11], 04. [0:09] Valerie [7:26] -> 05. Run for the Roses [:17+4:48]
 -> 06. Deal [:01+6:33] [0:15] --Set II-- 07. [0:10] Knockin' on Heaven's Door [12:26] -> 08. Don't Let
 Go :03+15:19] [0:16], 09. [0:11] Dear Prudence [11:32] -> 10. Midnight Moonlight// [:02+2:39#]
03/02/83 San Francisco, CA - San Francisco Civic Auditorium MFC>2C>CD All 16 1143 enter 
 *Garcia & Weir acoustic* *Bammies*
 - Seeded to EZT 1/2005 as "1982 Bammies, 2nd gen FM", Presumably MFC > 2C > CD. The wavs all had
 sector boundary errors, and the tracking was pretty strange. I fixed the SBEs with shntool, joined the
 wavs with Sony Sound Forge Audio Studio 7.0 and cut new tracks with CD wave. - SQ isn't bad, a bit
 hissy. Might need pitch correction (runs fast?).
 Set One: Single Disc (7) 23:28, 01. Introduction [2:07], 02. Wake Up Little Susie [2:03] ->
 03. Deep Elem Blues [4:42] [0:30], 04. Mexicali Blues [4:23] -> 05. Oh Boy! [1:55] [0:53] --Filler:
 continuation of the BAMmies-- 06. Fire ("Elmer Fuddpuddle") [1:49], 07. Robin Williams routine
 [5:03]
03/05/83 Santa Cruz, CA - Civic Auditorium MSC>D>CD All 97 0612 enter 
 *JGB*
 Nice sbd. How Sweet fades in, not much missing; TWLWMYD clips in; Mission fades in, ca. 30 seconds
 missing? Tangled Up cassette flip splice @ 1:06
 Set One: Disc One (5) 40:10 --Set I-- 01. ... How Sweet It Is To Be Loved By You
  [#6:59][0:12], 02. Catfish John [8:55] [0:-5], 03. /That's What Love Will Make You Do [#9:20] [0:43],
 04. Valerie [8:15] -> 05. Run For The Roses [5:29] [0:09]
 Set Two: Disc Two (5) 56:57 --Set II-- 01. ... Mission In The Rain [10:45] [0:22], 02. The
 Harder They Come [12:59] [0:08], 03. The Night They Drove Old Dixie Down [8:55] -> 04. Dear Prudence
 [12:38] -> 05. Tan//gled Up In Blue [10:#59] [0:06]
03/05/83 Santa Cruz, CA - Civic Auditorium MSC>D>CD All n/a 1358 90919 
 *JGB*
 Source: Soundboard Master Cassette > DAT; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB >
 WaveLab 5.0; Mastering with: iZotope Ozone 3 > r8brain dithered to [16/44.1] > CD Wave > TLH > FLAC.
 Transferred and Mastered by Bill Koucky March 18, 2008, Green Mountain Bros. Lineup: Jerry Garcia -
 guitar, vocals; John Kahn - bass; Melvin Seals - keyboards; Greg Errico - drums; Dee Dee Dickerson -
 backing vocals; Jaclyn LaBranch - backing vocals. Mastering Notes: - Crossfades applied between
 several tunes and about 1 minute into Tangled Up In Blue.
 Set One: How Sweet It Is To Be Loved By You, Catfish John, That's What Love Will Make You
 Do, Valerie, Run For The Roses
 Set Two: Mission In The Rain, The Harder They Come, The Night They Drove Old Dixie Down->
 Dear Prudence-> Tangled Up In Blue
03/07/83 San Francisco, CA - The Stone  MSC>C>D>CD Ip/IIp 88 
 *JGB*
 HSII cuts in @ end of initial chorus. CJ ending clipped. Tore Up splice @ 2:38. Simple Twist cuts
 in
 Set One: Set I: //How Sweet It Is, Catfish John/, After Midnight
 Set Two: Set II: Mission in the Rain, Tore// Up Over You, //Simple Twist of Fate, Dear
 Prudence -> Midnight Moonlight
03/11/83a Santa Barbara, CA - Arlington Theater MS?>?>CD n/a 1268 enter  
 *JGB*
 Set One: How Sweet It Is To Be Loved By You, Catfish John, That's What Love Will Make You
 Do, Love Another Man, Simple Twist Of Fate, Run For The Roses, E: Deal
03/11/83a Santa Barbara, CA - Arlington Theater  MSC>P>CD All-2 50 1268 noshnid 
 *JGB*
 MSC (Sony D5) > Nakamichi CR7A playback > C101 > Apogee F1 > Sony SL390 Beta/0 @ 16 bit > Sony
 SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P (for sample rate conversion and anti-jitter) >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding
 by David Minches.
 Set One: Disc One (5 tracks, 49:30) --Early Show-- (MISSING: How Sweet It Is), Catfish John,
 That's What Love Will Make You Do, Love In The Afternoon, Simple Twist Of Fate, Run For The Roses//
 (MISSING: --Encore-- Deal)
03/11/83b Santa Barbara, CA - Arlington Theater MS?>?>CD  n/a 1268 enter 
 *JGB*
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, The Harder They Come,
 Valerie, Don't Let Go, Dear Prudence-> Tangled Up In Blue
03/11/83b Santa Barbara, CA - Arlington Theater MSC>P>CD All-1 75 1268 noshnid 
 *JGB*
 MSC (Sony D5) > Nakamichi CR7A playback > C101 > Apogee F1 > Sony SL390 Beta/0 @ 16 bit > Sony
 SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P (for sample rate conversion and anti-jitter) >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding
 by David Minches.
 Set One: Disc Two (6 tracks, 75:02) --Late Show-- Disc Two (6 tracks, 75:02) --Late Show--
 //Mission in the Rain, //They Love Each Other, Harder They Come, (MISSING: Valerie), //Don't Let Go,
 Dear Prudence -> Tangled Up In Blue
03/12/83a Beverly Hills, CA - Beverly Theater MA?>?>C>?>CD All 94 1151 26207 
 *JGB: unknown taper & gear*
 Nice DLG! TUIB cut/splice @ 9:17, diff SQ after?
 Set One: Disc One (5) 43:58 --Set I-- How Sweet It Is To Be Loved By You, Catfish John,
 That's What Love Will Make You Do, Run For The Roses -> Deal
 Set Two: Disc Two (4) 49:42, I Second That Emotion, Valerie -> Don't Let Go -> Tangled Up In
 //Blue
03/12/83b Beverly Hills, CA - Beverly Theater MAC>D>CD All 82 0800 enter 
 *JGB: Tapers From Hell, Nak 300s > Sony D5*
 MAC ("Tapers from Hell", Nakamichi CM-300 mics (hand-held in X-Y pattern, 15th row left of center]
 > Sony D5 [Dolby B, Maxell XLIIS "chrome"]) > Sony TC-D5M playback > Canare custom (shielded) cable >
 Tascam DA-20mkII DAT 48khz master DAT > Tascam DA-20mkII DAT playback > Marigo Audio Lab Apparition
 Reference Coaxial / RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD
 clone (DAO, 1x) > CD clone (no details) > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary
 verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mike French (all digital
 devices powered via Vans Evers "Clean Lines" Reference AC power filtration unit), EAC > SHN by Joe
 Jupille . Notes/Flaws: - d1t01 HTC fades in, not much missing - d1t01 HTC levels drop @ 1:29, reducing
  the touch of overload to that point, some level fluctuations through first two mins. - d1t02 Mission
 R-channel briefly out @ 0:53-0:56 - d1t01 Sugaree cuts in, not much missing - d1t01 Sugaree anomaly
 (probably analog) @ 0:25
  Set One: Disc One (4) 38:05 --Set I-- 01. ... Harder They Come [#11:12] [0:08], 02. Mission
 in the Rain [8:50] [0:08], 03. Valerie [7:21] [0:02], 04. Catfish John [10:15] [0:07]
 Set Two: Disc Two (4) 43:46 --Set II-- 01. //Sugaree [#11:48] [0:10], 02. The Night They
 Drove Old Dixie Down [8:48] -> 03. Dear Prudence [12:55] -> 04. Tangled Up in Blue/ [10:04#]
05/20/83 Denver, CO - Rainbow Theater MAC>CD All n/a 1358 91122 
  *JGB: David White, Senn K403s > Sony TC-D5M* *early and late*
 Recorded by David White; Sennheiser K-403 mics> Sony TC-D5M; Recorded from the back of the hall.
 Lineage: Master cassette audience played back on Nakamichi BX-300> HHB 830 CD recorder> EAC> HD.
 Minor editing and tracking in Adobe Audition 2.0> FLAC encoding. Transfer and FLAC encoding by David
 Minches.
 Set One: Disc 1: --Early show-- 1. How Sweet It Is To Be Loved By You 2. Catfish John 3.
 Valerie 4. Let It Rock 5. Love In The Afternoon * 6. Run For The Roses Encore: 7. Deal * tape flip at
 8:25
 Set Two: Disc 2: Late show-- --Set 1-- 1. I'll Take A Melody 2. The Harder They Come 3. They
 Love Each Other 4. Mississippi Moon 5. Tangled Up In Blue
 Set Three: Disc 3: Late show-- --2nd Set-- 1. Mission In The Rain 2. Run For The Roses 3.
 Dear Prudence --Encore-- 4. Midnight Moonlight
05/20/83a Denver, CO - Rainbow Theater  MAC>CD All 62 
 *JGB: David White ("Onionboy"), Senn K-403s > Sony TC-D5M*
 Taped by Onionboy, Senn K-403 mics > Sony TC-D5M, fifth row center. This is a good recording, a
 bit hollow but entirely listenable. Needs re-tracking. Chirp @ t01-02 track marker; Love in the
 Afternoon splice @ 8:39.
 Set One: Single Disc (8) 62:17, 1. [0:20] How Sweet It Is [7:45] [0:03], 2. [0:05] Catfish
 John [10:36] [0:02], 3. [0:07] Valerie [8:43] [0:02], 4. [0:02] Let it Rock [10:39] [0:08], 5&6.
 [0:25] Love in the //Afternoon [8:39+1:41] [0:02]. 7. [0:05] Run for the Roses [4:21] [0:05]
 --Encore-- 8. [0:45] Deal [7:28] [0:08]
05/20/83b Denver, CO - Rainbow Theater MAC>CD All 95 
 *JGB: David White ("Onionboy"), Senn K-403s > Sony TC-D5M*
 Taped by Onionboy, Senn K-403 mics > Sony TC-D5M, back of the hall. The SQ reflects the location,
 with this recording much muddier and more echoey than the early show. Everything is still there, it's
 just much less distinct.
 Set One: Disc One (5) 58:41 --Set I-- 01. [0:32] I'll Take a Melody [15:17] [0:09], 02.
 [0:09] Harder They Come [13:38] [0:04], 03. TLEO [:07+7:58] [0:06], 04. Mississippi Moon [9:15]
 [0:02], 05. Tangled Up in Blue [:02+11:20] [0:08]
 Set Two: Disc Two (4) 36:17 --Set II-- 01. [0:27] Mission in the Rain [10:10] -> 02. Run for
 the Roses [:05+5:05] -> 03. Dear Prudence [:07+12:23] [0:03], 04. Midnight Moonlight [7:46] [0:08]
05/21/83 Denver, CO - Rainbow Theater  MAC>C>CD All n/a 1358 91115 
 *JGB: Craig Johnson, Panasonic 610*
 Recorded by Craig Johnson with a Panasonic 610 (cassette deck with a built-in stereo mic); Lineage:
 Master cassette audience > cassette; Transfer and FLAC encoding by David Minches: 1st generation
 cassette played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe>
 Adobe Audition 2.0> (dither/downsample)> FLAC encoding. Editing Notes: The speed varied quite a bit
 from song to song. Special thanks to Joe B. Jones for providing the speed correction percentages
 which varied from 93% to 108%.
 Set One: Sugaree, I Second That Emotion, Simple Twist Of Fate, That's What Love Will Make
 You Do, Gomorrah, Run For The Roses
 Set Two: I'll Take A Melody, Tore Up Over You, The Night They Drove Old Dixie Down, Tangled
 Up In Blue
05/21/83 Denver, CO - Rainbow Theater  MAC>CD All n/a 1385 96908 
 *JGB: Bill Moran, Marcsound mics > Sony D5*
 Recorded by Bill Moran, Marcsound mics > Sony D-5. Original Transfer; Master > CD > EAC >
 SoundForge > CD. Additional mastering: CD > EAC > Adobe Audition 2.0 > FLAC encoding. Additional
 mastering and FLAC encoding by David Minches. Special thanks to Joe B. Jones for providing the speed
 correction. Patch for Dixie to Tangled Up in Blue transition: Recorded by Craig Johnson with a
 Panasonic 610 (cassette deck with a built-in stereo mic); 
SHNID 91115 (lineage: MAC > C).
 Set One: Sugaree, I Second That Emotion, Simple Twist Of Fate, That's What Love Will Make
 You Do, Gomorrah, Run For The Roses
 Set Two: I'll Take A Melody, Tore Up Over You, The Night They Drove Old Dixie Down, Tangled
 Up In Blue
05/23/83 St. Louis, MO - The Stage MAC>C>CD All 118 0923-0924 24498 
 *JGB: Steven Shayman, Sony D6 internal mics*
 Hot Catfish John.
 Set One: Disc One (6 tracks, 47:22) --Set I-- How Sweet It Is To Be Loved By You, Catfish
 John, They Love Each Other, Let It Rock, Gomorrah -> Run For The Roses
 Set Two: Disc Two (7 tracks, 71:07) --Set II-- Mission In The Rain, I'll Take A Melody, The
 Harder They Come, Dear Prudence --Encore-- Midnight Moonlight
05/23/83 East St. Louis, IL - The Stage  MA?>?>CD I,IIp n/a 
 *JGB: unknown taper & gear*
 Set Two: missing Deal, Midnight Moonlight
05/26/83 Rochester, NY - Auditorium Theater MAC>D>CD All-1 85  
 *JGB: unknown taper & gear*
 AUDMC > DAT > CDR, unknown rig. Nice tape!
 Set One: How Sweet It Is (To Be Loved By You) (missing); I'll Take A Melody; I Second That
 Emotion; /Gomorrah -> Run For The Roses
  Set Two: Rhapsody In Red; Love In The Afternoon; The Night They Drove Old Dixie Down -> Deal
 --ENCORE-- Midnight Moonlight
05/26/83 Rochester, NY - Auditorium Theater MAC>CD All-1 n/a 1358 91117 
  *JGB: Don Crandel, unknown gear*
 AUD: Recording by Don Crandel, equipment unknown. Unknown MAC > CDR transfer. CDR > EAC > WavMerge
 > Soundforge > CD-Wave > TLH > FLAC. Notes: - Mics and levels adjustments start of Melody and
  Rhapsody. - Huge thanks to Jake Feinberg for providing these discs! - Soundforge used for fades,
 WavMerge & CD-Wave for retrack. - TLH used for SBE-OK, FLAC compression, and checksums.
 Set One: How Sweet It Is To Be Loved By You, I'll Take A Melody, I Second That Emotion,
 Gomorrah, Run For The Roses, Rhapsody In Red, Love In The Afternoon, The Night They Drove Old Dixie
 Down-> Deal-> Midnight Moonlight
05/28/83 South Yarmouth, MA - Cape Cod Coliseum  MAC>D>CD All 127 
 *JGB: Jim Vita, Senn 421s > Sony TC-D5M*
 Jim Vita's FOB (just in front of the board) MAC w/ Sennheiser 421 mic's > Sony TC-D5m cassette
 master > HHB 800 CDRx0 > DAT > CDR. Notes/Flaws: - d1t02 TLEO clipped, pop @ start (not digital?);
 d2t04 Second That Emotion cuts in, very little missing; d2t05 Gomorrah cliped, pop @ start (not
 digital?); d2t03 DLG clips in, not much missing; d2t03 DLG sounds hissier to me; DLG is really hot
 from the 10-min. mark onward, with a unique little break in the 14-minute mark; d2t06 Midnight
 Moonlight muffled first :20, L channel buzz @ 5:25. Comparison with alternate auds: this master has
 the bright sound so often achieved by Vita, lots of high end, but the bass and everything is there,
 too. Very nice master. It shows more or less the same pattern of cuts as the Mark Horvath master,
 which is a little boomier, has a little more echo, less high end.
 Set One: Disc One (6) 52:08 --Set I-- 01. How Sweet It Is [8:10] [0:14], 02. /They Love Each
 Other [7:57] [0:39], 03. Knockin' on Heaven's Door [13:17], 04. //Second That Emotion [#10:47] [0:13],
 05. /Gomorrah [5:50] -> 06. Run for the Roses [4:42] [0:40]
 Set Two: Disc Two (6) 75:15 --Set II-- 01. [0:05] Rhapsody in Red [9:41] [0:15], 02. Harder
 They Come [13:53] [0:01], 03. /Don't Let Go [16:28] [0:01], 04. [0:10] Dear Prudence [13:50] -> 05.
 Tangled Up in Blue [12:44] [0:01] --Encore-- 06. Midnight Moonlight [7:48] [0:06], dead air [0:12]
05/28/83 South Yarmouth, MA - Cape Cod Coliseum MAC>CD All 126 0785-0786 enter 
 *JGB: Mark Horvath, 3 Audio Technica ATM 11s > Sony TCD-5M*
 Source: 3 Audio Technica ATM 11s > Sony TCM D-5 > Master Cass Taped by Mark Horvath Conversion
 (Cass > CD-R): MC > Sony TC-we 435 > analog Coax Cables > analog inputs > Philips CDR 870 > CD-R* Cass
 > CD-R conversion by Mark Horvath Conversion (CD-R > SHN): CD-R* > EAC 3x > .wavs compared by MD5s and
 EAC's .wav compare tool > Cool Edit (rejoin tracks and fades)# > CD-WAV (Re-Tracking) > MKW ACT 0.96 >
 SHN CD-R > SHN conversion by Jan Welch. See notes on Vita master comparing the two.
 Set One: Disc One (6) 51:32 --Set I-- 01. How Sweet It Is To Be Loved By You , 02. They Love
 Each Other, 03. Knockin' on Heaven's Door, 04. Second that Emotion, 05. /Gomorrah, 06. Run fo the
 Roses
 Set Two: Disc Two (6) 74:14 --Set II-- 01. Rhapsody in Red, 02. The Harder they Come, 03.
 /Don't Let Go, 04. Dear Prudence -> 05. Tangled up in Blue, 06. [E] Midnight Moonlight
05/28/83 South Yarmouth, MA - Cape Cod Coliseum MAC>CD All 127 1268 74081 
 *JGB: Jim Vita, Senn 421/Beyers blend > unknown deck*
 Recording by Jim Vita: Master Audience Cassette; 2 Sennheiser 421s with Beyer mic blend; Recorded
 on RHS in front of the SB (Maxell XLIIS). Transfer and FLAC encoding by David Minches: Master played
 back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac
 encoding > FLAC. There some minor imperfections but otherwise a very clean recording. JJ: nice tape.
 Vox are low, but guitar is right there.
 Set One: disc 1 (7 tracks, 51:50) --Set I-- Crowd & Tuning, How Sweet It Is To Be Loved By
  You, They Love Each Other, Knockin' On Heaven's Door, I Second That Emotion, Gomorrah -> Run For The
 Roses
 Set Two: disc 2 (7 tracks, 75:07) --Set II-- Crowd & Tuning, Rhapsody In Red, The Harder
 They Come, Don't Let Go, Dear Prudence, Tangled Up In Blue, E: Midnight Moonlight
05/29/83 Hartford, CT - Bushnell Auditorium MAC>D>CD All 122 0831-0832 17600 
 *JGB: Jim Vita, Senn 421s > Sony TC-D5M*
 MAC (Taped by Jim Vita, Sennheiser 421s [at the board] > Sony TCD-5M) > DAT > CD > HP 9350i
 extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary
 verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille .
 Notes/Flaws: - I am only about 90% sure that this is from Vita's master. It has all of the earmarks
 of a Vita aud, and I have it listed as Vita's, but I have a nagging suspicion that this is based on a
 speculation somewhere along the line. I have also seen this listed with an initial CD gen (master
 cassette > HHb 800 master CD > SV-3800 DAT), but I have no idea if this copy derives from that
 transfer. I assume it does. - This is a nice aud, and the show is energetic. In fact, set II,
 especially Tangled Up in Blue, sounds like it could run a bit fast, but the 15:00 version of I'll Take
 a Melody (which is quite good) tells me that this is just due to extra energy coming out of the set
 break. Someone who can detect pitch might want to double-check this, though. - There were a number of
 dropouts on my source CDs, mostly just after the songs ended. I removed most of them using Sound
 Forge Studio 6.0, some might remain. There is a little bit of channel fluctuation around 1:10 of
 Sugaree, and other specific flaws might remain.
 Set One: Disc One (7) 55:44 --Set I-- 01. Crowd & Tuning [0:11], 02. Sugaree [11:38] [0:25],
  03. Catfish John [11:31] [0:25], 04. That's What Love Will Make You Do [10:49] [0:18], 05. Mississippi
 Moon [8:39] [0:06], 06. Love In The Afternoon [6:49] -> 07. Run For The Roses [4:40] [0:11]
 Set Two: Disc Two (7) 65:54 --Set II-- 01. Crowd & Tuning [0:38], 02. Tangled Up In Blue
 [13:20] [0:14], 03. Tore Up Over You [9:53] [0:20], 04. I'll Take A Melody [14:58] [0:07], 05. Night
 They Drove Old Dixie Down [8:52] -> 06. Deal [9:25] [0:07] --Encore-- 07. Rhapsody In Red [7:53]
 [0:03]
05/29/83 Hartford, CT - Hartford Agora MAC>CD All 125 1272 76910 
 *JGB: Jim Vita, Senn 421s > Sony D5*
 Taped by Jim Vita: 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: Master
 cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool
 Edit 2000 > flac encoding. JJ: nice tape!
 Set One: Disc One (7 tracks, 56:55) --Set I-- 01. Tuning, Sugaree, Catfish John, That's What
 Love Will Make You Do, Mississippi Moon, Love In The Afternoon, Run For The Roses
 Set Two: Disc Two (7 tracks, 68:06) --Set II-- 01. Tuning, Tangled Up In Blue, Tore Up Over
 You, I'll Take A Melody, The Night They Drove Old Dixie Down-> Deal, E: Rhapsody In Red
05/30/83 Hartford, CT - Bushnell Auditorium MAC>CD All 126 0886-0887 18181 
 JGB: Andrew Faintych, AKG mics > Marantz 340
 MAC (Taped by Andrew Faintych, AKG mics [balcony rail] > Marantz 340) > CD > EAC > SHN. Nice aud.
 Most songs clip in, but the overall SQ is pretty good.
 Set One: Disc 1 (6) 51:26 --Set One-- 1. How Sweet It Is To Be Loved By You [0:02] [10:05],
 2. They Love Each Other [7:59] [0:04], 3. Mission In The Rain [11:44] [0:02], 4. Mystery Train [10:18]
 [0:02], 5. Gomorrah [5:49], 6. Run For The Roses [5:07] [0:07]
 Set Two: Disc 2 (7) 75:25 --Set Two-- 1. Crowd/Tuning [0:21], 2. Rhapsody In Red [10:13]
 [0:03], 3. I'll Take A Melody [0:13] [16:28] [0:08], 4. Simple Twist Of Fate [13:11] [0:03], 5. The
 Harder They Come [0:11] [14:17], 6. Tangled Up In Blue [12:44] [0:07] --Encore-- 7. Midnight Moonlight
 [0:05] [7:10] [0:11]
05/30/83 Hartford, CT - Hartford Agora MAC>2D>CD All 127 1232 22225 
 *JGB: Senn 441s > unknown deck*
 Source: MAC (Sennheiser 441, 17th row center) > D > D > WAV > SHN. Taper: unknown @ this time.
 Ladner comments: "Outstanding recording - thank you whoever taped this. Vintage '83 JGB featuring the
 final performance of "Mystery Train". DAT source procured by J.Powell. DAT>WAV transfer (Sony PCM-R500
 > coaxial S/PIDF> M Audio 2496 > Pentium 4 2.0GHz > WAV (Soundforge 6.0 (48>44.1))> tracking (CDWave
 editor)> sector boundaries confirmed (SHNTOOL) > SHN (mkwact) via C.Ladner. misSHN in the rain, 2/04."
 JJ Notes: sounds a little mellow for this time period. Nice RIR. Nice TUIB. Low vocals, nice upfront
 guitar. Bass starts off low, then picks up after the first track.
 Set One: Disc 1 - Set 1 -- 01  crowd [00:18], 02 How Sweet It Is (To Be Loved By You)
 [10:05], 03 They Love Each Other [08:43], 04 Mission In The Rain [11:46], 05 Mystery Train
 [10:21], 06 Gomorrah [05:42], 07 Run For The Roses [05:11], Total time: 52:08
 Set Two: Disc 2 - Set 2 -- 01 crowd [00:16], 02 Rhapsody In Red [10:37], 03 I'll Take
 A Melody [16:23], 04 Simple Twist Of Fate [13:22], 05 Harder They Come [14:02] -> 06 Tangled Up
 In Blue [12:52] --Encore-- 07  Midnight Moonlight [07:21], Total time: 74:56
05/30/83 Hartford, CT - Hartford Agora MAC>CD All n/a 1272 77715 
 *JGB: Jim Vita, Senn 421s > Sony D5* *patched*
 Recording by Jim Vita: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 (Maxell UDXLII);
 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. End of show provided
 by MAC (Sennheiser 441, 17th row center) > D > D > WAV > SHN (unknown taper)
 Set One: Disc 1 - Set 1: 01 crowd, 02 How Sweet It Is (To Be Loved By You), 03 They Love
 Each Other, 04 Mission In The Rain, 05 Mystery Train, 06 Gomorrah, 07 Run For The Roses
 Set Two: Rhapsody In Red, I'll Take A Melody, Simple Twist Of Fate, The Harder They Come,
 Tangled Up In Blue, Midnight Moonlight
05/31/83 New York, NY - Roseland Ballroom MAC>D>CD All n/a 0460-0461 4416 
 *JGB: unknown taper & gear* *possibly Vita master*
 Source: MAC>D>CDR>CDR>TAE>WAV>SHN. Notes: -Cassette flip beginning of Run For The Roses; -3
 successive dropouts from 6:12-6:19 of Mississippi Moon; Jerry Garcia Band:Jerry Garcia- guitar; John
 Kahn- bass; Melvin Seals- keyboard; DeeDee Dickerson- vocals; Jaclyn LaBranch- vocals; Greg Errico-
 drums. Extracted and Shortened by Dan M., d1metz@pacbell.net. Thanks to Mike Lai for providing this
 seed! JJ: the cassette flip at the start of Run for the Roses suggests that this could be from Vita's
 master, though of course it's possible that others besides Vita got caught flipping there.
05/31/83 New York, NY - Roseland Ballroom MAC>CD All 120 0715-0716 15617 
 *JGB: Mark Cohen, Nak 700s > Sony TC-D5*
 MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O
 > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification
 (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe
 Jupille. Notes: - This is an absolutely stellar recording of a great high energy show! - No flaws
 noted.
 Set One: Disc One (7) 50:32 --Set I-- 01. Crowd & Tuning [0:41], 02. Rhapsody in Red [10:09]
 [0:09], 03. They Love Each Other 7:39] [0:34], 04. That's What Love Will Make You Do [9:56] [0:08],
 05. Valerie [6:48] -> 06. How Sweet It Is [9:16] -> 07. Run for the Roses [4:56] [0:13]
  Set Two: Disc Two (8) 68:47 --Set II-- 01. Crowd & Tuning [0:16], 02. Harder They Come
 [15:03] [0:21], 03. Mission in the Rain [9:21] [0:16], 04. Mississippi Moon [8:34] [0:07], 05. Tangled
 Up in Blue [12:06] [0:17], 06. Gomorrah [5:47] -> 07. Deal [8:18] [0:29] --Encore-- 08. Midnight
 Moonlight [7:38] [0:11]
05/31/83 NYC, NY - Roseland Ballroom MAC>CD All n/a 1273 76578 
 *JGB: Jim Vita, Senn 421s > Sony D5*
  Recording by Jim Vita: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 (Maxell UDXLII);
 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. * 0:02 - 0:07 patched (crossfade)
 from Mark Cohen's master; Nak 700s> Sony D-5.
 Set One: disc 1: Set 1: Tuning, Rhapsody In Red , They Love Each Other , That's What Love
 Will Make You Do , Valerie , How Sweet It Is (To Be Loved By You) , Run For The Roses *
 Set Two: disc 2: Set 2: Tuning, Harder They Come , Mission In The Rain , Mississippi Moon
 , Tangled Up In Blue , Gomorrah > Deal, E: Midnight Moonlight
05/31/83 New York NY - Roseland Ballroom MAC>D>CD II 68 
 *JGB: Mark McCue, Senn 421s > Sony D5*
 MAC > ? > CD. Taped by Mark McCue, Senn 421s (hand-held, 25 ft. from stage) > Sony D5. A nice,
  solid recording. t04 TUIB gap @ start, possible pause-button by recordist; t05-06 need to be
 re-tracked.
 Set Two: (7) 67:40 --Set II-- 1. [0:12] Harder They Come [15:07] [0:04], 2. [0:04] Mission
 in the Rain [9:23] [0:04], 3. Mississippi Moon [8:34] -> 4. Tangled Up in Blue [12:02] [0:02], 5.
 Gomorrah [5:50] -> 6. Deal [:06+8:16], Encore: 7. [0:03] Midnight Moonlight [7:38] [0:06]
06/01/83 New York, NY - Roseland Ballroom MAC>D>CD  All 121 0040-0041 enter 
 *JGB: Chris Beach, 3 Nak 701s > Sony D5*
 MAC > DAT> CD. Recorded by Chris Beach, 3 Nak 701s > Mx-100 pre-amp (modified) > Sony D5 cassette
 master > D10 > SHN (no DAE?). Notes: The .shn version has some unfortunate tracking, and a few pops
 and drops. I eliminated the problems using EAC's Process Wave function, and also retracked before
 burning my audio copy. These timings and notes reflect those on my audio copy. The .shn copy is
 slightly different, with slightly different flaws. Note, too, that there is a second killer aud of
 this show, recorded by Rob Eaton. I actually think this (Beach's) is the superior master. Flaws:
 d1t03 TLEO barely clips in; d1t05 Run for the Roses brief splice @ 0:02; d2t03 DLG barely clips in;
 d2t06 How Sweet cuts out, not much missing.
 Set One: Disc One (5) 45:53 --Set I-- 1. I'll Take A Melody [13:58] [0:09], 2. The Harder
 They Come [13:10] [0:03], 3. /They Love Each Other [#7:35] -> 4. Gomorrah [5:52] -> 5. Run// For The
 Roses [4:#58] [0:05]
 Set Two: Disc Two (7) 75:05 --Set II-- 1. Tuning [0:21], 2. Rhapsody In Red [11:49] [0:04],
 3. /Don't Let Go [#21:24] [0:03], 4. /Russian Lullaby [#11:51] -> 5. Dear Prudence [13:01] -> 6. Deal
 [10:38] [0:14] --Encore-- 7. How Sweet It Is// [5:37#]
06/01/83 New York, NY - Roseland Ballroom MAC>D>CD All 122  
 *JGB: Rob Eaton, Senn 441s > Sony D5*
 Recorded by Rob Eaton, Senn 441s > Sony D5. d1t04 TLEO clips in; d2t02 Russian Lullaby clips in;
 d2t05 How Sweet cuts out. This recording has mostly the same cuts, etc., as Beach's, but seems, based
 on crowd noise, etc., to be a different master. This is an excellent recording, though Beach's may be
 superior (and has more of How Sweet). Needs re-tracking.
 Set One: Disc One (7) 60:17
 Set Two: Disc Two (5) 61:46
06/01/83 New York, NY - Roseland Ballroom MAC>CD All 125 0717-0718 enter 
 *JGB: Mark Cohen: Nak 700s > Sony TC-D5*
 MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O
 > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification
 (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe
 Jupille. Notes/Flaws: - One of at least three amazing masters to make it out of this show, this maybe
 the best of the bunch. This is really a great recording of a fun, high energy show. - d1t04 TLEO clips
 in
 Set One: Disc One (6) 46:24 --Set I-- 01. Crowd & Tuning [0:20], 02. I'll Take a Melody
 [13:54] [0:14], 03. Harder They Come [13:10] [0:05], 04. /They Love Each Other [#7:37] -> 05. Gomorrah
 [5:50] -> 06. Run for the Roses [5:06] [0:05]
  Set Two: Disc Two (7) 78:38 --Set II-- 01. Crowd & Tuning [0:31], 02. Rhapsody in Red
 [11:50] [0:13], 03. Don't Let Go [21:23] [0:15], 04. Russian Lullaby [11:52] -> 05. Dear Prudence
 [13:04] -> 06. Deal [10:38] [0:24] --Encore-- 07. How Sweet It Is [8:11] [0:11]
06/01/83 NYC, NY - Roseland Ballroom MAC>CD I,IIp n/a 1276 79567 
 *JGB: Jim Vita, Senn 421s > Sony D5*
 Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART
 DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches.
 Set One: Set 1: Tuning, I'll Take A Melody , Harder They Come , They Love Each Other ,
 Gomorrah , Run For The Roses
 Set Two: Set 2: Tuning, Rhapsody In Red , Don't Let Go// (MISSING Russian Lullaby missing
 Dear Prudence > missing Deal)
06/02/83z New York, NY - MTV Studios pro  All 30 
 *Interview*
 Jerry Garcia interviewed by Nina Blackwood of MTV: MTV Studios, New York, NY. Unedited
 pre-broadcast copy. transfer: Super Beta Hi-Fi tape > Sony SL-HF450 > Sony DVMC-DA2 Media Converter >
 Apple Macintosh Final Cut Pro (minor "nip and tuck" edits, filter to replace bottom of screen "head
 switch jitter" with black and chaptering) > Compressor > DVD Studio Pro (menu and authoring) >
 VIDEO_TS file set. Audio post capture processing in Pro Tools (DC offset and normalization plus a few
 clicks seamlessly removed). Audio placed back into Final Cut Pro before Compressor down-sampling.
 Video: NTSC 720x480 VBR 7.7 Mbps peak, 6.2 Mbps average data rate, 2-pass. Audio - choice of: Dolby
 Digital 2/0 (L,R), 48 kHz sample rate, 448 kbps data rate or: Linear PCM (2 channel 48kHz 16 bit).
 (The audio is dual monophonic TV audio). DIME seeder's notes: "After two other Jerry Garcia interviews
 were recently seeded, I thought I'd pull this one out and see how it compared. It's more structured
 than the earlier interviews done by Deadheads, but the questions and answers are still good and the
 bonus of having it on video is terrific. Of course, unlike the other interviews, the MTV format did
 not allow for drugs to be consumed during the questioning. I don't know how much this content has
  previously circulated. It's the first transfer from my unknown lineage Super Beta Hi-Fi tape. Decent
 video and audio quality, though the video signal is a bit fuzzy looking and fluctuates in a few spots.
 I find it quite enjoyable to watch and certainly good enough quality for an interview video. Check the
 samples to get an idea for yourself."
 Set One: Chaptered with selection menu: 1. pre-interview, 2. Jerry Garcia Band solo tour, 3.
 Playing different instruments, 4. Jerry Garcia Band's Matrix Club S.F. roots, 5. The Deadheads, 6.
 Jerry's early years learning to play the guitar, 7. Meeting and getting to be friends with Phil Lesh,
 8. Pigpen, 9. Grateful Dead studio albums, 10. Grateful Dead playing live, 11. Grateful Dead on film,
 12. Songwriting to get a new album ready, 13. Grateful Dead video plans?, 14. Grateful Dead in the
 1980's, 15. End of formal interview, 16. MTV station ID's, 17. One more question before the tape
 cuts... total time 30:07
06/03/83a Passaic, NJ - Capitol Theater MAC>CD All n/a 1273 78622 
 *JGB: Jim Vita, Senn 421s > Sony D5*
 Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART
 DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David
 Minches.
 Set One: Cats Under The Stars, They Love Each Other, Knockin' On Heaven's Door, I Second
 That Emotion, Valerie, Run For The Roses, Deal, E: Midnight Moonlight
06/03/83b Passaic, NJ - Capitol Theater MAC>CD All n/a 1273 78622 
 *JGB: Jim Vita, Senn 421s > Sony D5*
 Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART
 DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David
 Minches.
 Set One: Cats Under The Stars, Simple Twist Of Fate, Love In The Afternoon, Rhapsody In
 Red
 Set Two: The Harder They Come, Gomorrah, Run For The Roses, Dear Prudence, Tangled Up In
 Blue, E: How Sweet It Is To Be Loved By You
06/04/83a Poughkeepsie, NY - The Chance MAC>CD All 70 0719 enter 
 *JGB: Mark Cohen, Nak 700s > Sony TC-D5*
 MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O
 > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification
 (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe
 Jupille. Notes/Flaws: - This is another excellent Mark Cohen recording. The vocals are a bit low but
 the music is crystal clear. - Cats Under the Stars cuts in
 Set One: Single Disc (7) 70:12, 01. //Cats Under The Stars [#7:31] [0:25], 02. Catfish John
 [10:55] [0:21], 03. I Second That Emotion [9:35] [0:17], 04. That's What Love Will Make You Do [10:12]
 [0:13], 05. Mississippi Moon [9:09] [0:06], 06. Tangled Up In Blue [13:16] [0:24] --Encore-- 07. How
 Sweet It Is [7:37] [0:07]
06/04/83b Poughkeepsie, NY - The Chance MAC>CD All 86 0721 enter 
 *JGB: Mark Cohen, Nak 700s > Sony TC-D5 + Vita Senn 421 patch*
 This is a composite of two different sources. The majority (set I and the encore) derives from Mark
 Cohen's FOB Nak 700s > Sony TC-D5. The rest (set II) derives from Jim Vita's FOB Senn 421s > Sony
 TC-D5M. I don't know details on the Vita transfer, but Cohen's was transferred as follows: master
 played back on Nak Dragon > ART DI/O > Cool Edit 2000 (including patching in of the Vita material) >
 master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor editing using SF Studio 6.0 > sector
 boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches,
 CD > SHN by Joe Jupille. Notes/Flaws: - There is a touch of light static during Mission in the Rain
 and Gomorrah. I have confirmed that it is on some other copies of Vita's master, though I don't know
 if it's on all of them. In any event, it's pretty light. - The Run for the Roses -> Deal transition
 had a short gap and a one-second repeat, which were edited out using SF Studio 6.0.
  Set One: Disc One (4) 46:38 --Set I-- 01. Rhapsody in Red [9:42] [0:28], 02. Harder They
 Come [14:47] [0:16], 03. Sugaree [12:52] [0:36], 04. Cats Under the Stars [7:54] [0:01]
 Set Two: Disc Two (5) 39:25 --Set II-- 01. Mission in the Rain [10:44] [0:14], 02. Gomorrah
 [5:44] -> 03. Run for the Roses [5:11] -> 04. Deal [9:15] [0:04] --Encore-- 05. Midnight Moonlight
 [8:04] [0:08]
06/04/83b Poughkeepsie, NY - The Chance MAC>CD All n/a 1273 78981 
 JGB: Jim Vita, Senn 421s > Sony D5
 Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon > ART DI/O >
 Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches.
 Set One: Rhapsody In Red, The Harder They Come, Sugaree, Cats Under The Stars, Mission In
 The Rain, Gomorrah, Run For The Roses, Deal, E: Midnight Moonlight
06/05/83a Upper Darby, PA - Tower Theatre  MAC>C>CD All 70 1273 76973 
 *JGB: Nak 300s > Sony D5*
 Unknown taper, 2 Nakamichi 300s > Sony D-5 MAC > 1 cassette > Nakamichi Dragon playback > ART DI/O
 > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David
 Minches. JJ: Nice Let It Rock. RIR is underwhelming, until the end, when it gets good.
 Set One: (9 tracks, 70:27): Tuning, Cats Under The Stars, They Love Each Other, Let It Rock,
  Love Another Man, I Second That Emotion, Simple Twist Of Fate, Run For The Roses, E: Rhapsody In
 Red
06/05/83b Upper Darby, PA - Tower Theatre MAC>C>CD All 87 1273 76973 
 *JGB: Nak 300s > Sony D5*
 Unknown taper, 2 Nakamichi 300s > Sony D-5 MAC > 1 cassette > Nakamichi Dragon playback > ART DI/O
 > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David
 Minches. JJ: low levels.
 Set One: Disc One (6 tracks, 52:18): Tuning, How Sweet It Is To Be Loved By You, I'll Take A
 Melody, Cats Under The Stars, Gomorrah, The Harder They Come
 Set Two: Disc Two (4 tracks, 34:57), Tuning, Dear Prudence ->Tangled Up In Blue, E: Midnight
 Moonlight
07/24/83 Grass Valley, CA - Nevada County Fairgrounds MAC>D?>CD All 78 
 *JGB: Bob Menke, Nak 700s > Sony D5?*
 A simply wonderful recording of a very nice show. d1t02 How Sweet noise (static?) @ 1:30; d1t07 Run
 for the Roses muffling (stealth?) after 3-minute mark, clears up around 8:30; d1t09 Deal has a nice
 little spacey segment in the 7-8 minute mark; t09-10 tick @ marker
 Set One: Single Disc (10) 78:07, 01. Introduction & Tuning [0:49], 02. How Sweet It Is
 [8:00] [0:24], 03. TLEO [:02+7:51] [0:21], 04. [0:10] CUTS [6:58] [0:17], 05. [0:17] I'll Take a
 Melody [12:34] [0:02], 06. [0:03] Gomorrah [5:37] -> 07. Run for the Roses [:02+4:48] [0:22], 08. Dear
 Prudence [11:36] [0:04], 09. Deal [:05+9:38] [0:12] --Encore-- 10. [0:10] Midnight Moonlight [7:29]
 [0:07]
09/30/83 Reseda, CA - The Country Club MAC>C>V>CD All 118 1248 30875 
 *JGB: unknown taper & gear*
 MAC (unknown details) > 1 cassette > VHS HiFi > Sony SLV626 playback > Harman Kardon CDR2 master CD
 > 1 CD > EAC > FLAC.  VHS > CD transfer by vertiklman. Notes: - The Jerry Site does not list Let it
 Rock, but there it is. - This is a nice recording of an enjoyable show. The occasional buzz, fuzz,
 and crackle is present, but not seemed worth attempting to fix. - There is a three-second gap in Dear
 Prudence @ 10:42-10:45, which probably represents a tape flip.
 Set One: Disc One (7 tracks, 59:50) --Set I-- 01. Crowd & Tuning [0:11], 02. How Sweet It Is
 (To Be Loved By You) [8:12] [1:03], 03. They Love Each Other [7:48] [2:23], 04. Let it Rock [7:49]
 [2:04], 05. Love In The Afternoon [8:34] [0:43], 06. Mississippi Moon [8:24] -> 07. Tangled Up In Blue
 [12:23] [0:13]
 Set Two: Disc Two (7 tracks, 57:32) --Set II-- 01. Crowd & Tunin [0:17], 02. Mission in the
 Rain [8:45] [0:23], 03. Gomorrah [5:29] [0:07], 04. Run For The Roses [5:15] [1:46], 05. Russian
 Lullaby [13:07] -> 06. Dear //Prudence [12:#53] -> 07. Deal [9:13] [0:12]
10/01/83 Beverly Hills, CA - Beverly Theater MAC>C>CD All 94 1254 31811 
 *JGB: Joe Pinedo, Sony 939 > Sony D6*
 Taper: Joe Pinedo: Sony 939 & Sony D6. Transfer & CD mastering/shn conversion by Brian Mandel,
 gdplusmore@aol.com. 1st Gen Cassette Maxell XLII 90 with Dolby B -> Nakamichi BX300 -> Macintosh ->
 Peak Bias -> JAM -> cdr -> eac -> mkw -> shntools. JJ notes: low vox, but nice tape. Nice Melody.
 Splice in RFTR @ 1:59. Deal cuts out after 2:24.
 Set One: Disc One (7 tracks, 49:54) --Set I-- 01. Crowd, 02. Cats Under The Stars, Catfish
 John, Valerie, That's What Love Will Make You Do, Simple Twist Of Fate, Run// For The Roses
 Set Two: Disc Two (6 tracks, 43:48) --Set II-- 01. Crowd, 02. I'll Take A Melody, The Harder
 They Come, Gomorrah, The Night They Drove Old Dixie Down, Deal// [2:24#
10/01/83 Beverly Hills, CA - Beverly Theater MAC>C>V>CD I 49 1248 30819 
 *JGB: unknown taper & gear*
 MAC (unknown details) > 1 cassette > VHS HiFi > Sony SLV626 playback > Harman Kardon CDR2 master CD
 > 1 CD > EAC > FLAC. VHS > CD transfer by vertiklman. Notes: - Solid recording, solid show including
 a tasty Catfish John. - The Jerry Site lists Run for the Roses after Simple Twist. - Run for the Roses
  clips in and almost clips out.
 Set One: Single Disc (7 tracks, 49:22), 01. Crowd & Tuning [0:08], 02. Cats Under The Stars
 [6:43] [0:08], 03. Catfish John [9:34] [0:03], 04. /Run for the Roses [5:27], 05. Valerie [6:48]
 [0:23], 06. That's What Love Will Make You Do [7:49] [0:21], 07. Simple Twist Of Fate [11:53]
11/12/83 Palo Alto, CA - Keystone Palo Alto MAC>CD All 89 
 *JGB: Bob Menke*
 Bob Menke's MAC (unknown gear, presumably Nak 700s > Sony D5), via Jim Powell.
 Set One: Disc One (7 tracks, 65:17) --Set I-- How Sweet It Is, Catfish John, Simple Twist of
 Fate, Cats Under the Stars -> Run for the Roses --Set II-- Rhapsody in Red, Knockin' on Heaven's
 Door
 Set Two: Disc Two (2 tracks, 24:21) --Set II con't-- Don't Let Go [15:44] -> Deal
11/12/83 Palo Alto, CA - Keystone Palo Alto MSC>P>D>CD All 85 1250 25629 
 *JGB*
 NOTES FROM AUDIO COPY: Cuts can be patched with the Corley (Menke?) aud. - d1t01 HSII fades in,
 most missing; - d1t01 starts off with a funky mix; - d1t03 Simple Twist static @ 4:30-4:34; - d2t01
 Rhapsody levels increase @ 0:23; - d2t01 Rhapsody cut/splice @ 8:17, needs smoothing. FLAC copy is
 via jbraveman.
 Set One: Disc One (5) 38:20 --Set I-- 01. ... How Sweet It Is To Be Loved By You [#3:18]
 [1:01], 02. Catfish John [9:59] [0:13], 03. Simple Twist Of Fate [11:04] [0:11], 04. Cats Under The
 Stars [7:16] -> 05. Run For The Roses [4:55] [0:21]
 Set Two: Disc Two (4) 46:41 --Set II-- 01. Rhapsody// In Red [8:#39] [0:28], 02. Knockin' On
 Heaven's Door [13:08] [0:12], 03. Don't Let Go [15:49] -> 04. Deal [8:05] [0:17]
11/14/83 San Francisco, CA - The Stone MAC>CD 98 
 *JGB: Bob Menke*
 LITA glitch @ 3:14, splice @ 7:15; LIR skip @ 1:09, 2:45; MITR cuts in; HTC pop/splice @ 4:34,
 9:34, oddity @ 9:57.
 Set One: Disc One (5 tracks, 43:58) --Set I-- How Sweet It Is, Love// in the Afternoon, Let
 it Rock, Mississippi Moon false start, Mississippi Moon, Run for the Roses
 Set Two: Disc Two (5 tracks, 54:22) --Set II-- //Mission in the Rain, Harder They Come,
 Russian Lullaby, Rhapsody in Red, Midnight Moonlight
11/14/83 San Francisco, CA - The Stone  MSC>D>CD All 88 
 *JGB*
 Seeder's Comments: "The beginning/first notes of several tracks are clipped by in-between song
 tape pauses including: d1t01, d1t02, d2t01. The recording is on the short side as well. There's
 loads of room for filler if you're into that kind of thing. Jerry flubs up and starts out singing the
 second verse of Mississippi Moon and the song falls apart when he says "Let me start that again, is
  that ok with everybody? You're so nice!" - much to the audience's delight. The levels on this
 recording are pretty hot on several tracks with clipping in d2t02."
 Set One: Disc 1 - Set 1, 01 How Sweet It Is (To Be Loved By You) [06:36], 02 Love In The
 Afternoon [05:50], 03 Let It Rock [09:06], 04 Mississippi Moon [10:13], 05 Run For The Roses
 [05:11], Total time: 36:57
 Set Two: Disc 2 - Set 2, 01 Mission In The Rain [09:18], 02 Harder They Come [11:53], 03
 Russian Lullaby [13:37] , 04 Rhapsody In Red > [08:22] 05 Midnight Moonlight [07:24], Total time:
 50:35
11/15/83 Berkeley, CA - Keystone MAC>CD All n/a 
  *JGB: John Corley*
11/23/83a Chicago, IL - Arie Crown Theater MAC>D>CD All 77 1251 31281 
 *JGB: Dave Cohen, Senn 421s > Sony D5*
 Taped by Dave Cohen, Senn 421s > Sony D5 > unknown playback deck to Panasonic 3700 > Tascam DA-30
 playback > Digial Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and
 FLAC encoding by David Minches.
 Set One: Disc One - (8 tracks, 77:20) --Early Show-- 01. How Sweet It Is [0:05][8:25][0:15],
 02. Catfish John [10:36] [0:26], 03. It's No Use [8:03] [0:05], 04. Run for the Roses [4:55] [0:29],
 05. Simple Twist of Fate [13:26], 06. //I Second That Emotion [9:34], 07. ->Deal [8:53] [0:20]
 ---Encore-- 08. Tangled Up in Blue [11:26] [0:18]
11/23/83b Chicago, IL - Arie Crown Theater MAC>D>CD All 87 1251 31281 
 *JGB: Dave Cohen, Senn 421s > Sony D5*
 Taped by Dave Cohen, Senn 421s > Sony D5 > unknown playback deck to Panasonic 3700 > Tascam DA-30
 playback > Digial Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and
 FLAC encoding by David Minches. JJ notes: - Man! Jerry is doing some neat stuff in the 9:15-10:30ish
 range of Dear Prudence on the late show. TUIB is also absolutely fabulous, with things actually
 getting pretty far out in the 12-minute range, almost totally unmoored from the song.
 Set One: Disc Two (5 tracks, 46:22) --Late Show-- 01. Crowd [0:13], 02. Cats Under the Stars
 [8:06] [0:10], 03. Mission in the Rain [11:40] [0:09], 04. Russian Lullaby [13:46] [0:16], 05. Harder
 They Come [11:47] [0:10]
 Set Two: Disc Three (4 tracks, 41:19) --Late Show (con't)-- 01. Gomorrah [5:47] -> 02. Dear
 Prudence [13:27] -> 03. Tangled Up In Blue [13:53] [0:24] ---Encore-- 04. How Sweet It Is [7:34]
 [0:11]
11/25/83 Cleveland, OH - Cleveland Music Hall MSC>D>CD All 121 
 *JGB*
 d1t01 Melody cuts in just before first verse; d1t02 Cats digi-snit @ 6:06; d1t03 TLEO first few
 notes clipped; d1t04 Knockin' first few notes clipped; d1t04 Knockin' I love Kahn's tone here! d1t04
 Knockin' last few reverbs clipped; d1t05 TWYDTTYD cuts in on "//candle"; d2t01 Sugaree first tiny bit
 clipped; d2t03 RIR first few beats clipped? d2t04 Dixie cuts in ("//and I served on the Danville
 train"); d2t04 Dixie brief blip @ 0:49; d2t05 Prudence cut/splice @ 1:53
 Set One: set I, 1. //I'll Take A Melody [13:44#] [0:01], 2. [0:04] Cats Under The Stars
 [8:25] [0:01], 3. //They Love Each Other [7:44] [0:06], 4. //Knockin' On Heaven's Door// [12:30#]
 [0:01], 5. //The Way You Do The Things You Do [6:39#] -> 6. Run For The Roses [4:50] [0:15], Total
 Time 54:22
 Set Two: set II, 1. //Sugaree [14:42#] [0:23], 2. Love In The Afternoon [10:28], 3.
 //Rhapsody In Red [9:28#] [0:10], 4. //The Night They Drove Old Dixie Down [8:59#] -> 5. Dear//
 Prudence [9:33#] -> 6. Tangled Up In Blue [12:04] [0:13], Total Time 66:03
11/25/83 Cleveland, OH - Cleveland Music Hall MAC>2C>CD All n/a 1257 32359 
 *JGB: unknown taper & gear* *runs fast*
 Recording Info: (FOB) Unknown Mics -> Master Cassette -> Cassette -> Cassette. Transfer Info:
 Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional
 v8.01 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC).
 Set One: Set 1: d1t01 - I'll Take A Melody, d1t02 - Cats Under The Stars, d1t03 - They Love
 Each Other, d1t04 - Knockin' On Heaven's Door, d1t05 - The Way You Do The Things You Do, d1t06 - Run
 For The Roses
 Set Two: Set 2: d2t01 - Sugaree, d2t02 - Love In The Afternoon, d2t03 - Rhapsody In Red,
 d2t04 - Night They Drove Old Dixie Down -> d2t05 - Dear Prudence -> d2t06 - Tangled Up In Blue
11/25/83 Cleveland, OH - Cleveland Music Hall matrix All 124 1256 32836 
 *JGB: sbd/aud matrix, Sick Bits v.17*
 Sick Bits Vol. 17-- Source: Matrix (SBD/AUD mix): SBD: SBD>? orginal seed by Mike Lai, retracked by
 jakemerc. AUD: (FOB) Unknown Mics -> Master Cassette -> Cassette -> Cassette, via Charlie Miller
 (edits and transfer) via Dave Lisuch (tapes): Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) ->
 SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC/16. Matrix: Both sources were downloaded
 FLACs/SHNs > WAV > Vegas 5 > WAV > CD Wave > FLAC 16 (level 8). Edited, mixed and converted by Chris
 Chappell, scarfireATliquidcityDOTcom, 3/18/06. SEEDER'S NOTES: "General Notes: Since Charlie Miller
 recently seeded a very nice 1st or 2nd row FOB AUD, with plenty of Garcia's guitar in the mix, I
 decided to couple it with the well circulated SBD since that source was woefully lacking in the
 guitar in the mix factor, due to the fact that Garcia's stage volume was plenty loud and little
 reinforcement was needed from the SBD, especially in the first few tunes of the first set. The mix of
 the SBD improves by Knockin', but Jerry stays relatively low in the mix for the rest of the show;
 thus, having plenty of him in the AUD, allow the two sources to work well together. The fact that
 Cleveland Music Hall is a nice sounding room also helps. This is a great show with a very tasty
 setlist. The whole band is on, and Jerry never lets up, all the way from Melody through Tangled.
 Thanks to everyone involved. For the FOB AUD, thanks to the person who recorded it, to Dave Lisuch for
 the 2nd gen cassettes which Charlie Miller transfered, edited and coverted to FLAC; for the SBD,
 thanks to whoever recorded it, to Mike Lai for the original seed which jakemerc edited and converted
 to SHN. Editing Notes: - Pitch/speed: Both sources were pitched differently, the AUD being the
 sharpest or fastest. The AUD had to be pitched or slowed down between -.62 (62 cents) and -.79 (79
 cents). This is almost a semitone (100 cents) difference. The SBD had to be pitched or slowed down
 between -.04 (4 cents) and -.10 (10 cents). - Synch: Because of the speed fluctuation within a given
 source, multiple edits were performed to keep the sources synched (too many edits to list). - Sonic
 Quality/Matrix ratio The only dynamic processing I employed was Waves L2 (limiter) to the master 2
 buss to keep things contained. All I was trying to do here is to add some dimension to the SBD by
 using the ambience of the AUD. The result is hopefully close to how it sounded at the show, albeit
 some phase is present. If I had to guess, the SBD/AUD ratio would be somewhere between 1.5:1 and 1:1,
 which has more AUD than usual, but I needed Garcia's guitar present which was coming primarily from
 the AUD. - Edits: The following are places where the SBD and AUD had splices, holes or incomplete
 coverage in reference to the final matrix timeline. SBD: d1t01 (0:00 - 0:47) - missing (crowd); d1t02
 (0:00 - 0:11) - missing; d1t02 (13:48 - 13:55) - missing (crowd); d1t04 (7:39 - 7:46) - missing
 (crowd); d1t05 (12:26 - 12:27) - missing (crowd); d2t01 (14:44 - 14:45) - missing (crowd); d2t04 (0:00
 - 0:07) - missing; d2t05 (1:54 - 5:53) - missing. AUD: d1t03>4 (8:19 - 0:02) - missing (tuning - 3
 secs total); d1t06 (0:00 - 0:08) - missing ; d2t03 (8:07:44 - 8:07:53) - sub sec. tape warble/drop out
 (edited out). Note that a lot of the audio missing from the SBD is crowd noise from in between songs.
 Where there is music missing from either source, the other source covers those holes, thus full
 coverage has been achieved. The only major hole in the SBD is 4 minutes during Dear Prudence."
 Set One: Set 1 (54:40): d1t01 - tuning, d1t02 - I'll Take A Melody, d1t03 - Cats Under The
 Stars, d1t04 - They Love Each Other, d1t05 - Knockin' On Heaven's Door, d1t06 - The Way You Do The
 Things You Do, d1t07 - Run For The Roses
 Set Two: Set 2 (69:08): d2t01 - Sugaree, d2t02 - Love In The Afternoon, d2t03 - Rhapsody In
 Red, d2t04 - Night They Drove Old Dixie Down -> d2t05 - Dear Prudence -> d2t06 - Tangled Up In Blue
11/26/83a Binghamton, NY - Forum  MS?>?>CD All n/a 
 *JGB*
 Set One: How Sweet It Is To Be Loved By You , They Love Each Other , That's What Love Will
 Make You Do , Valerie , Second That Emotion , Run For The Roses > Deal
11/26/83a Binghamton, NY - Forum MAC>CD All 60 1250 31176 
 *JGB: Ray Ackerman, Shure mics > Sony TC-D6*
 EARLY AND LATE SHOW NOTES FROM SEEDER: AUD Source: Shure Mics > Sony TC-D6. Front row balcony,
 taped by Ray Ackerman. First two songs come from the SBD source, see note below. Ray notes as
 follows: "I was busted recording the first song from the floor, so I ran up to the balcony and
 recorded the rest of the show from the front row center balcony." To make the show complete, I've
 added the first two songs of the early show from the circulating SBD source (shnid 20657). The mix on
 the SBD is not ideal, but once the AUD source kicks in, the sound recorded in the 1519-seat Forum
 theater is very nice indeed... Tech Stuff: The AUD source: MAC > CD transfer by Ray Ackerman,
 equipment unknown. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend, by Andrew F.
 Sept 2005. The SBD source: SBD > MC > DAT > WAV > SHNv3 > shnid=20657. What I did: Decoded to WAV
 with TLH > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend. Some of the ID's were off, so I
 merged all the files and made new track ID's. I used Soundforge to lower the volume of the SBD tracks
 so they would match the AUD. I also made some small fades in a few spots where needed. I re-tracked
 everything with CD-Wave, verified SBE-OK and made checksums with Trader's Little Helper, and used FLAC
 Frontend for lossless compression." JJ notes: Sick Valerie!!
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, That's What Love Will
 Make You Do, Valerie, I Second That Emotion, Run For The Roses-> Deal
11/26/83b Binghamton, NY - Forum MS?>?>CD All n/a 
 *JGB*
 d1t01 CUTS fades in
 Set One: //Cats Under The Stars , Mission In The Rain , Love In The Afternoon , Masterpiece
 , Mississippi Moon , Rhapsody In Red , How Sweet It Is To Be Loved By You , Gomorrah , Midnight
 Moonlight
11/26/83b Binghamton, NY - Forum MAC>CD All  73 1250 31176 
 *JGB: Ray Ackerman, Shure mics > Sony TC-D6*
 EARLY AND LATE SHOW NOTES FROM SEEDER: AUD Source: Shure Mics > Sony TC-D6. Front row balcony,
 taped by Ray Ackerman. First two songs come from the SBD source, see note below. Ray notes as
 follows: "I was busted recording the first song from the floor, so I ran up to the balcony and
 recorded the rest of the show from the front row center balcony." To make the show complete, I've
 added the first two songs of the early show from the circulating SBD source (shnid 20657). The mix on
 the SBD is not ideal, but once the AUD source kicks in, the sound recorded in the 1519-seat Forum
 theater is very nice indeed... Tech Stuff: The AUD source: MAC > CD transfer by Ray Ackerman,
 equipment unknown. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend, by Andrew F.
 Sept 2005. The SBD source: SBD > MC > DAT > WAV > SHNv3 > shnid=20657. What I did: Decoded to WAV
 with TLH > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend. Some of the ID's were off, so I
 merged all the files and made new track ID's. I used Soundforge to lower the volume of the SBD tracks
 so they would match the AUD. I also made some small fades in a few spots where needed. I re-tracked
 everything with CD-Wave, verified SBE-OK and made checksums with Trader's Little Helper, and used FLAC
 Frontend for lossless compression.
 Set One: Cats Under The Stars, Mission In The Rain, Love In The Afternoon, When I Paint My
 Masterpiece, Mississippi Moon, Rhapsody In Red, How Sweet It Is To Be Loved By You-> Gomorrah->
 Midnight Moonlight
11/27/83 Washington, DC - Constitution Hall MSC>D>CD All 93 
 *JGB*
 Notes: The disc that I received came burned TAO, was poorly tracked, and had some nasty drops at
 various points. I eliminated the gaps and smoothed the drops using EAC's process wave function. I
 fixed the sector boundary errors using shntool and cut the tracks using CD Wave. The resulting copy
 is better, but still exhibits some unfortunate qualities, including levels that are arguably too hot a
 relatively flat sound (especially in the left channel), and some very quick clips into and out of
 songs. These are common to early 80s JGB soundboards.
 Set One: Disc One (5) 45:54 --Set I-- 1. //I'll Take A Melody [#12:58] [0:48], 2. Cats Under
 The Stars [8:20] [0:05], 3. Knockin' On Heaven's Door [12:17] -> 4. Run For The Roses [4:54] -> 5.
 Deal// [6:31#]
  Set Two: Disc Two (5) 46:33 --Set II-- 1. The Way You Do The Things You Do [7:31], 2. They
 Love Each Other [7:49] [0:08], 3. The Night They Drove Old Dixie Down [9:34] -> 4. Tangled Up In Blue
 [13:35] [0:02] --Encore-- 5. How Sweet It Is// [7:51#]
11/29/83 Providence, RI - Veteran's Memorial Auditorium MSC?>?>CD All 106 
 *JGB*
 This was unlineaged, but I assume it's MSC>D>CD based on the SQ. The vox are oversaturated and the
 guitar is very low in the mix. d1t01 Sugaree cuts in; d1t04 RFTR cuts in; d1t05 RIR cuts in; d2t02
 MITR cuts in; d2t03 LITA horrific vocals; d2t05 TUIB cplice @ 6:09. Very nice Catfish John here.
 Set One: Disc One (5 tracks, 56:05) --Set I-- //Sugaree, Catfish John, Simple Twist of Fate,
 //Run for the Roses, //Rhapsody in Red
 Set Two: Disc Two (5 tracks, 50:24) --Set II-- Cats Under the Stars, //Mission in the Rain,
  Love in the Afternoon, The Way You Do The Things You Do, Tangled Up// in Blue
11/30/83 Hartford, CT - Hartford Agora MAC>D>CD All 92 
 *JGB: Michael Laurentus, Aiwa mics > unknown deck*
 Source: MAC (Aiwa stereo michrophone hidden in a wrist splint at cheek level> unknown deck)> DAT >
 WAV > SHN. Taper: Michael Laurentus. Cassette>DAT transfer by J.Powell: Nakamichi DR-2 cassette deck
 > Tascam DA-30 Mk II. DAT > WAV > SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio
 Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector
 boundaries confirmed (shntool) > SHN (mkwact). Seeder's comments: "Another fall '83 classic - my
 favorite run of shows. Hot petite and sweet second set. Muchas garcias to the taper for trusting us
 with the actual taper master for digital transfer. Up until now, no recording of this show was known
 to exist. There were a couple of minor subsecond single channel blemishes likely related to tape age
 which were fixed to sonic imperceptibility by copying the other channel using Soundforge 6. Pauses
 between some tracks."
 Set One: Disc 1 - Set 1, 01 crowd [01:20], 02 I'll Take A Melody [13:27], 03 The Way
 You Do The Things You Do [09:30], 04 When I Paint My Masterpiece [07:08], 05 It's No Use [08:09],
 06 Run For The Roses [05:05], Total time: 44:42
 Set Two: Disc 2 - Set 2, 01 Cats Under The Stars [09:20], 02 Rhapsody In Red [11:48], 03
 Dear Prudence [13:05], 04 Tangled Up In Blue [12:17], Total time: 46:32
12/02/83 Upper Darby, PA - Tower Theatre MSC>D>CD All 106 0869 4412 
 *JGB*
 The copy I received from DNC JGB tree #1 had as lineage S:C>D>C>CD. The etree copy has MSC>D>CD.
 The timings above reflect my original copy.  My etree copy has sector boundary errors.
 Set One: 1. How Sweet It Is [6:37], 2. I'll Take a Melody [12:59], 3. Someday Baby [7:45],
 4. When I Paint My Masterpiece [8:26], 5. Mississippi Moon [7:03], 6. Deal [8:30]
 Set Two: 1. Harder They Come [11:20], 2. Gomorrah [5:17], 3. Cats Under the Stars [7:04], 4.
 Run for the Roses [4:48], 5. Tangled Up in Blue [11:14], (Filler: Cleveland, OH 11/25/83), 6. Rhapsody
 in Red
12/02/83 Upper Darby, PA - Tower Theatre  MAC>C>CD All n/a 1273 76618 
 *JGB: Senn 441s > Sony D5*
 Unknown taper, MAC (2 Sennheiser 441s > Sony D-5) > 1st gen cassette > Nakamichi Dragon playyback >
 ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David
 Minches.
 Set One: How Sweet It Is To Be Loved By You, I'll Take A Melody, Someday Baby, When I Paint
 My Masterpiece, Mississippi Moon, Deal
 Set Two: The Harder They Come, Gomorrah, Cats Under The Stars, Run For The Roses, Tangled Up
 In Blue
12/03/83a Boston, MA - Orpheum Theater MSC>D>CD All n/a 0941-0942 4413 
 *JGB*
 Master Soundboard Cassette > DAT > CDR. CD Mastering by Scott Clugston, EAC'ed / SHN'ed by Scott
 Clugston.
 Set One: Sugaree, Catfish John, It's No Use, Run For The Roses, Dear Prudence, Deal, E: How
 Sweet It Is To Be Loved By You
12/03/83a Boston, MA - Orpheum Theater MAC>C>CD All n/a 1274 77716 
 *JGB: Senn 421s > Sony D5*
 Unknown taper, MAC (2 Sennheiser 421s > Sony D-5 [Maxell MX-90s]) > 1 cassette > Nakamichi Dragon
  playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding,
 transfer by David Minches.
 Set One: Sugaree, Catfish John, It's No Use, Run For The Roses, Dear Prudence, Deal, E: How
 Sweet It Is To Be Loved By You
12/03/83b Boston, MA - Orpheum Theater MSC>D>CD All n/a enter 4413 
 *JGB*
 Master Soundboard Cassette > DAT > CDR. CD Mastering by Scott Clugston, EAC'ed / SHN'ed by Scott
 Clugston.
12/03/83b Boston, MA - Orpheum Theater MAC>C>CD All n/a 1274 77716 
 *JGB: Senn 421s > Sony D5*
 MAC (2 Sennheiser 421s > Sony D-5 [Maxell MX-90s]) > 1 cassette > Nakamichi Dragon playback > ART
 DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David
 Minches.
 Set One: Cats Under The Stars, They Love Each Other, Love In The Afternoon, Mission In The
 Rain, Rhapsody In Red
 Set Two: The Harder They Come, Russian Lullaby, Tangled Up In Blue, Midnight Moonlight
12/04/83 Stony Brook, NY - Gym, S.U.N.Y. MAC>CD All n/a 1295 16479 
 *JGB: Beyer M160s > Sony TCD5M*
 2 Beyer M160s FOB > Sony TCD5M Cassette Master > SHN.
 Set One: I'll Take A Melody, The Way You Do The Things You Do, Knockin' On Heaven's Door,
  Run For The Roses, Cats Under The Stars
 Set Two: Mission In The Rain, Rhapsody In Red-> Don't Let Go-> Deal-> Tangled Up In Blue
12/04/83 Stony Brook, NY - Gymnasium (SUNY) MSC>D>CD I 50  
 *JGB*
 Notes/Flaws: - A beautiful soundboard; - t03 TWYDTTYD Jerry is doing some interesting singing over;
 the backup vocals; - t04 Roses clips in, very little missing; - t05 Cats seemingly tiny splice @
 5:45.
  Set One: Single Disc (6) 49:32, 01. Crowd & Tuning [0:20], 02. I'll Take A Melody [13:42]
 [0:14], 03. The Way You Do The Things You Do [7:53] [0:10], 04. Knockin' On Heaven's Door [13:16], 05.
 /Run For The Roses [#5:11] [0:09], 06. Cats Under The Stars [8:30] [0:05]
12/04/83 Stony Brook, NY - Gymnasium (SUNY) MAC>CD Ip,IIp 97 0794 9717 
 *JGB: ??? Grabski, Senn 421s > Sony D5*
 MAC (Taped by Dean Grabski's older brother, Sennheiser MD-421 mics > D-5 > D-5 [patch]) > Nakamichi
 DR-3 (playback) > Sony Super Bit Mapping > EGOSYS 2496 (soundcard) >SF 4.5 > CD Wave > MKWACT. Seeder
 notes: "Notes: Missing the last 2 songs from the first set & the beginning of the 1st song from the
 second set due to security which you can hear at the 11:00 min mark begin the 'shutdown' with a big
 "YO". Beginning of Deal (4:38) there is a barely audible splice (new tape). There is a rumble at the
 beginning of Don't Let Go and during the middle of the song as people bump into the stand, one of whom
 looks into the stand and says "I want to be on your recording." It was a tough nite to tape! Missing
 songs from end of first set: Run For The Roses, Cats Under The Stars" Additional notes for this .shn
 set: "There [were] sector boundary errors on d1t03, d1t04, and d2t04. I fixed these using SHNTOOL.
 No changes were made to d1t01 or d1t02, however, because the original SHN's were not seekable, the
 md5s differ from the original version i am hosting (these shn's are seekable). --Chris L." JJ: this
 Don't Let Go is phenomenal.
 Set One: Disc One (4 tracks, 43:47) --Set I-- 01. I'll Take A Melody, 02. The Way You Do The
 Things You Do, 03. Knockin' On Heaven's Door, (MISSING Run For The Roses, Cats Under The Stars) --Set
 II-- 04. ... Mission In The Rain
 Set Two: --Set II (con't)-- 1. Rhapsody In Red, 2. Don't Let Go > 3. De//al > 4. Tangled
 Up In Blue
12/06/83 Burlington, VT - Flynn Theater MAC>?>D>CD All 145 1316 noshnid 
 *JGB, early & late: Senn 421s > Sony D5* *compare 18818*
 Sennheiser 421s (@ SBD) > Sony D5 > ? > DAT > Tascam DA-30 playback > Digital Domain VSP-P >
 Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and
 FLAC encoding by David Minches. Notes: - low levels - very hot Catfish John in the early show - early
 show Masterpiece splice @ 6:26 - early show tightly edited - a number of tunes (almost?) clip in -
 late show more muffled? - late show nice Sugaree! - volume goes up about 8:15 into late show MITR -
 late show HTC clips out - late show Gomorrah clips in - Probably the same as 18818
 Set One: Disc One (8 tracks, 67:32) --Early Show-- d1t01. Crowd & Tuning [0:22], d1t02. How
  Sweet It Is [10:35] [0:58], d1t03. Catfish John [13:20] [0:06], d1t04. Someday Baby [9:33] [0:02],
 d1t05. Run for the Roses [5:09] [0:07], d1t06. when I Paint My //Masterpiece [7:38], d1t07. [0:28]
 Mississippi Moon [7:28] -> d1t08. Deal [11:38] [0:04]
 Set Two: Disc Two (7 tracks, 77:26) --Late Show-- d2t01. Sugaree [12:39] [1:38], d2t02. Cats
 Under the Stars [9:16] [0:15], d2t03. Mission in the Rain [11:04] [0:10], d2t04. Harder They Come
 [10:41], d2t05. /Gomorrah [5:53] -> d2t06. Dear Prudence [12:48] -> (?) d2t07. Tangled Up in Blue
 [12:58] [0:02]
12/06/83a Burlington, VT - Flynn Theater MAC>D>CD All 67 
 *JGB: Tom Van Sant, Nak DM-500s > Sony TC-D5M*
 MAC (Taped by Tom Van Sant, Nak DM-500s > Sony TC-D5M) > DAT > CDR. Catfish John is terrific. A
 very nice tape, low vox.
 Set One: 7 tracks, 67:19 How Sweet It Is, Catfish John, Someday Baby, Run for the Roses,
 When I Paint My Masterpiece, Mississippi Moon -> Deal
12/06/83a Burlington, VT - Flynn Theater MAC>D>CD All n/a 1235-1236 18818 
 *JGB: unknown taper & gear* *compare*
  Comments (early and late from this source): Pure fall '83. Very clean audience recording with
 minimal close up crowd noise. d1t01: Small pop @ 00:29.761-784 removed using pencil tool. d1t05:
 Dropout @ 06:29; d1t07 Dropout @ 04:18. d2t07 Subsecond cord static @ 03:34. Thanks to David
 Minches for providing CDR source. DAE (EAC0.9 beta 4, offset corrected, secure mode, track quality >
 99.9%) > +2.0 dB gain applied to each set (SF5) > tracking (cdwave) > sector boundaries confirmed
 (SHNTOOL) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.
 Set One: Disc 1 - Early show 01 How Sweet It Is (To Be Loved By You) [11:42], 02 Catfish
 John [13:34], 03 Someday Baby [09:36], 04 Run For The Roses [05:14], 05 When I Paint My Masterpiece
 [07:41], 06 Mississippi Moon [07:56], 07 Deal [11:42], Total time: 67:26
12/06/83b Burlington, VT - Flynn Theater MAC>D>CD All 76 
  *JGB: Tom Van Sant, Nak DM-500s > Sony TC-D5M*
 MAC (Taped by Tom Van Sant, Nak DM-500s > Sony TC-D5M) > DAT > CDR. Nice tape, low vox.
 Set One: 7 tracks, 76:17, Sugaree, Cats Under the Stars, Mission in the Rain, Harder They
  Come, Gomorrah -> Dear Prudence -> Tangle Up in Blue
12/06/83b Burlington, VT - Flynn Theater MAC>D>CD All n/a 1235-1236 18818 
 *JGB: unknown taper & gear* *compare*
 Comments (early and late from this source): Pure fall '83. Very clean audience recording with
 minimal close up crowd noise. d1t01: Small pop @ 00:29.761-784 removed using pencil tool. d1t05:
 Dropout @ 06:29; d1t07 Dropout @ 04:18. d2t07 Subsecond cord static @ 03:34. Thanks to David
 Minches for providing CDR source. DAE (EAC0.9 beta 4, offset corrected, secure mode, track quality >
 99.9%) > +2.0 dB gain applied to each set (SF5) > tracking (cdwave) > sector boundaries confirmed
 (SHNTOOL) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.
 Set One: Disc 2 - Late show, 01 Sugaree [14:18], 02 Cats Under The Stars [09:26], 03
 Mission In The Rain [11:21], 04 Harder They Come [10:42], 05 Gomorrah [05:52], 06 Dear Prudence
 [12:50], 07 Tangled Up In Blue [13:01], Total time: 77:30
12/07/83 Amherst, MA - Gymnasium (Amherst College) MAC>P>D>CD All 101 0795 enter 
 *JGB: unknown taper & gear*
 MAC > PCM > DAT > CD > DAE (EAC 0.9 beta 4, secure mode, offset corrected) > level normalization >
 tracking (cdwave) > boundaries confirmed (shntool) > SHN (shorten 3.4). Comments from the seeder:
 "Overall, a very good recording with an especially powerful performance of Mississippi Moon. Tape
 paused between tracks with occasional clipping of the first note. This is a complete recording and
 separate from the previous seed of the first set where the taper gets busted during intermission.
 There was some variability in the recording levels of several individual tracks. I applied between
 1.5 and 2.5 dB gains to several tracks to achieve a more stable balanced level using soundforge 5."
  Set One: Disc 1 - Set 1, 01 How Sweet It Is (To Be Loved By You) [08:02], 02 They Love
 Each Other [07:20], 03 I'll Take A Melody [13:33], 04 Run For The Roses [05:10], 05 Mississippi
 Moon [08:39], 06 Tangled Up In Blue [12:09], Total time: 54:55
 Set Two: Disc 2 - Set 2 , 01 Rhapsody In Red [08:59], 02 Simple Twist Of Fate [13:43], 03
 Love In The Afternoon [07:29], 04 Cats Under The Stars [08:23], 05 Midnight Moonlight [07:09], Total
 time: 45:44
12/07/83 Amherst, MA - The Cage, Amherst College MAC>?>D>CD All 101 1316 noshnid 
 *JGB: Senn 421s > Sony D5*
 Sennheiser 421s (@ SBD) > Sony D5 > ? > DAT > Tascam DA-30 playback > Digital Domain VSP-P >
 Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and
 FLAC encoding by David Minches. Notes: - Jerry comes out fired up for HSII. - levels drop @ 3:20 of
 HSII; - good gusto during Miss Moon; - TUIB levels rise at ca. 1-min. mark; - d2t01 RIR static (PA?)
 at ca. 1-min. mark; - d2t02 levels up @ ca. 2:15; - CUTS cuts in, but seems to never end.
 Set One: Disc One (7 tracks, 54:49) --Set I-- d1t001. Crowd & Tuning [0:26], d1t002. How
 Sweet It Is [7:27] [0:02], d1t003. /They Love Each Other [7:17] [0:04], d1t004. I'll Take a Melody
 [13:32], d1t005. /Run for the Roses [5:02] [0:08], d1t006. Mississippi Moon [8:39], d1t007. /Tangled
  Up in Blue [12:05] [0:05]
 Set Two: Disc Two (5 tracks, 45:45) --Set II-- d2t001. Rhapsody in Red [8:51] [0:06],
 d2t002. Simple Twist of Fate [13:39] [0:08], d2t003. Love in the Afternoon [7:27] [0:01], d2t004.
 //Cats Under the Stars [8:22] -> d2t005. Midnight Moonlight [7:05] [0:04]
12/07/83 Amherst, MA - Gymnasium (Amherst College) MAC>CD I n/a 0757 6625 
 *JGB: Mark Horvath, 3 Audio-Technica ATM11s > Sony TC-D5M*
 MAC (Taped by Mark Horvath, 3 Audio Technica ATM 11s > Sony TC-D5M) > Sony TC-we 435 playback >
 analog Coax Cables > analog inputs > Philips CDR 870 > master CD > EAC 3x > .wavs compared by MD5s and
 EAC's .wav compare tool > Cool Edit (rejoin tracks and fades)# > CD-WAV (Re-Tracking) > MKW ACT 0.96 >
 SHN > SHN conversion by Jan Welch.
 Set One: 01. How Sweet It Is To Be Loved By You , 02. They Love Each Other , 03. I'll Take A
 Melody , 04. Run For The Roses , 05. Mississippi Moon , 06. Tangled Up In Blue
12/09/83a New York, NY - Beacon Theater MAC>D>CD All 83 0714 enter 
 *JGB: Mark Cohen, Nak 700s > Sony TC-D5*
 MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40
 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding
 (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, CD > SHN by Joe Jupille. Notes: -
 No flaws noted.
 Set One: Disc One (5) 48:48, 01. Crowd & Tuning [0:30], 02. Sugaree [12:16] [0:24], 03.
 Catfish John [12:42] [0:33], 04. That's What Love Will Make You Do [10:58] [0:28], 05. Love In The
 Afternoon [10:42] [0:13]
 Set Two: Disc Two (5) 34:06, 01. Crowd & Tuning [0:06], 02. Let It Rock [8:01] [0:23], 03.
 Someday Baby [9:21] [0:11], 04. Run For The Roses [5:09] -> 05. Deal [10:43] [0:09]
12/09/83b New York, NY - Beacon Theater MAC>D>CD All 89 0720 enter 
 *JGB: Mark Cohen, Nak 700s > Sony TC-D5*
 MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40
  master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding
 (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, CD > SHN by Joe Jupille. No flaws
 noted.
 Set One: Disc One (6) 56:46 --Set I-- 01. Crowd & Tuning [0:33], 02. Cats Under the Stars
 [9:06] [0:35], 03. Knockin' on Heaven's Door [15:24] [0:23], 04. The Way You Do The Things You Do
 [8:47] [1:25], 05. Mississippi Moon [7:28] [0:08], 06. Tangled Up in Blue [12:44] [0:11]
 Set Two: Disc Two (5) 31:52 --Set II-- 01. Crowd & Tuning [0:16], 02. Rhapsody in Red
 [10:50] [0:22], 03. Gomorrah [5:48] [0:07], 04. When I Paint My Masterpiece [8:11] -> 05. Midnight
 Moonlight [6:07] [0:09]
12/10/83a Passaic, NJ - Capitol Theater MAC>D>CD All 65 1251 31086 
 *JGB: Senn 421s > Sony D5*
 COMMON NOTES FOR EARLY & LATE SHOWS: MAC (Unknown taper, Senn 421s @ the sbd > Sony D5) > DAT(x) >
 Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool
 Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. Notes: - Quite a nice tape,
 a few rough tape transitions here and there. Shows have their moments but IMO are just o.k. Late
 show vocals are quite rough. - d1t03 TLEO clips in. - d1t06 It's No Use splice @ 5:48, could be a few
 minutes missing here? - d1t08 TUIB static @ 12:18-12:20, 12:28-12:30. - d2t06 RIR splice @ 2:54. -
 d3t05 Deal clips in, cuts out abruptly, probabably missing at least five minutes. Thanks to Marcus
 Buick for the source DATs!
 Set One: Disc One (8 tracks, 64:31) --Early Show-- 01. Crowd & Tuning [0:10], 02. How Sweet
 It Is (To Be Loved By You) [8:19] [0:01], 03. /They Love Each Other [8:07] [0:16], 04. Simple Twist Of
 Fate [12:26] [0:15], 05. I Second That Emotion [10:52] [0:04], 06. It's //No Use [6:#14] -> 07. Run
 For The Roses [4:59] -> 08. Tangled Up In Blue [12:31] [0:13]
12/10/83b Passaic, NJ - Capitol Theater MAC>D>CD All 91 1251 31086 
 *JGB: Senn 421s > Sony D5*
 COMMON NOTES FOR EARLY & LATE SHOWS: MAC (Unknown taper, Senn 421s @ the sbd > Sony D5) > DAT(x) >
 Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool
 Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. Notes: - Quite a nice tape,
 a few rough tape transitions here and there. Shows have their moments but IMO are just o.k. Late
 show vocals are quite rough. - d1t03 TLEO clips in. - d1t06 It's No Use splice @ 5:48, could be a few
 minutes missing here? - d1t08 TUIB static @ 12:18-12:20, 12:28-12:30. - d2t06 RIR splice @ 2:54. -
 d3t05 Deal clips in, cuts out abruptly, probabably missing at least five minutes. Thanks to Marcus
 Buick for the source DATs!
 Set One: Disc Two (6 tracks, 52:00) --Late Show, set I--, 01. Crowd & Tuning [0:05], 02.
 I'll Take A Melody [14:01] [0:06], 03. Valerie [8:21] [0:07], 04. Cats Under The Stars [9:21] [0:08],
 05. Tore Up Over You [9:39] [0:12], 06. Rhapsody //In Red [9:#56] [0:03]
 Set Two: Disc Three (5 tracks, 39:29) --Late Show, set II-- 01. Crowd & Tuning [0:05], 02.
 Harder They Come [11:41] [0:18], 03. Night They Drove Old Dixie Down [9:14] -> 04. Dear Prudence
 [14:15], 05. /Deal// [3:55#]
12/11/83 Oswego, NY - Lather Hall, S.U.N.Y. MAC>?>D>CD All 99 1316 noshnid 
 *JGB: Senn 421s > Sony D5*
 Sennheiser 421s (@ SBD) > Sony D5 > ? > DAT > Tascam DA-30 playback > Digital Domain VSP-P >
 Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and
 FLAC encoding by David Minches. Notes: - Nice tape. - Nice show. Starts off very hot with HSII and
 CJ!; - d1t005 Masterpiece clips in and fades down near end; - d2t001 CUTS almost entirely missing; -
 d2t003 RIR really gets out there, very well jammed and explored; - d2t004 Gomorrah clips in
 Set One: Disc One (7 tracks, 56:41) --Set I-- d1t001. Crowd & Tuning [0:05], d1t002. How
 Sweet It Is (To Be Loved By You) [8:20] [0:14], d1t003. Catfish John [13:01] [0:21], d1t004. That's
 What Love Will Make You Do [10:13] [0:02], d1t005. /When I Paint My Masterpiece ... [8:55], d1t006.
 Run For The Roses [5:03] -> d1t007. Deal [10:20] [0:03]
 Set Two: Disc Two (5 tracks, 42:20) --Set II-- d2t001. ... Cats Under The Stars [0:45]
 [0:07], d2t002. Knockin' On Heaven's Door [14:00] [0:07], d2t003. Rhapsody In Red [14:13] [0:05],
 d2t004. /Gomorrah [5:47] -> d2t005. Midnight Moonlight [7:10] [0:05]
12/11/83 Oswego, NY - Laker Hall, SUNY  MAC>CD Most 74 1227 30662 
 *JGB: Ray Ackerman, Shure mics > Sony TC-D6*
 Ray Ackerman, Shure mics (in bleachers, near back) > Sony TC-D6. Solid tape. Brief splice @ 1:52
 of TWLWMYD. SQ seems to improve @ 3:45 of RIR.
 Set One: Single Disc (7 tracks, 73:49) --Set I-- (MISSING How Sweet It Is To Be Loved By
 You, Catfish John), That's// What Love Will Make You Do, When I Paint My Masterpiece -> Run For The
 Roses -> Deal --Set II-- Cats Under The Stars, Knockin' On Heaven's Door, Rhapsody In Red, (MISSING
 Gomorrah -> Midnight Moonlight*
12/13/83 Union, NJ - Keane College MAC?>?>C>CD All n/a 1274 77710 
 JGB, early and late shows: Craig Eggars? Nak 300s > D6?
 MAC? > D6 > Nac 300's > GoodBear Cassettes* > GoodBear Computer (perhaps minor editing) > GoodBear
 CD's > EAC > FLAC. *Goodbear Notes: From my cassettes late 1990s thanks to Craig Eggar whom I believe
 was the taper.
 Set One: CD1 Early Show (70:01 minutes): Mission In The Rain ~ 11:56, They Love Each Other
 ~ 7:18, Simple Twist Of Fate ~ 14:48, Run For The Roses ~ 5:14, I Second That Emotion ~ 9:56, Deal ~
 11:47, Encore -- How Sweet It Is (To Be Loved By You) ~ 9:00
 Set Two: CD2 Late Show (69:08 minutes) -- Set 1 -- Cats Under The Stars ~ 10:34, Catfish
 John ~ 13:11, Someday Baby ~ 9:26, Love In The Afternoon ~ 9:43, Tangled Up In Blue ~ 13:57 -- Set 2--
 Rhapsody In Red ~ 12:15
 Set Three: CD3 Late Show set II con't (20:22 minutes): Gomorrah ~ 6:09, Don't Let Go // > ~
 9:50 (cut), Midnight Moonlight // ~ 4:22 (cut)
12/13/83 Union, NJ - Keane College MAC>D>CD All 163 1252 31253 
 *JGB: Unknown taper & gear* *early and late shows*
 MAC (unknown taper & gear) > Nakamichi CR7A playback > Panasonic 3700 DAT > Tascam DA-30 > Digital
 Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool >
 FLAC. Transfer and FLAC encoding by David Minches, minor editing and info by jjoops. Notes: - Nice
 tapes. A little bit of hiss, tightly edited, some rough tape transitions, but basically really good.
 - Great setlists (especially the late show), and really terrific performances. The vocals are a
 little rough, but there is some sparkling late '83 guitar work here, lots of energy. I found the
 early show Deal (check out the solo @ 3:45!) and How Sweet particularly hot. The late show Catfish
 John is an all-time version of that song, tight all the way through and then really cooking from about
 the 10-minute mark. The second set of the late show is maybe just a touch disappointing, but probably
 only because the setlist raises expectations so much. - I used an alternate aud (Taped by "Tom from
 Avon, NJ", Senn 421s [hand-held, about ten rows back in front of the backup singers] > Sony D5 MAC
 [MX-90s] > 1st gen cassette [MA-90s] > Tascam CD-R44 master CDs > subsequent CDs > EAC > wav) to patch
 the clipped end of Mission in the Rain (basically the crowd) and the start of Second That Emotion
 (until 5.532 with a .5s crossfade). These and other minor edits (smoothing a few tape transitions,
 smoothing a glitch @ 4:59 of TUIB), were done using Sony Sound Forge Audio Studio 7.0. Thanks to
 Marcus Buick for the source DAT!
 Set One: Disc One (8 tracks, 69:06) --Early Show, Complete-- 01. Crowd & Tuning [0:13], 02.
 Mission In The Rain [11:07] [0:06], 03. /They Love Each Other [7:00] [0:36], 04. Simple Twist Of Fate
 [14:31] [0:04], 05. Run For The Roses [5:07] [0:07], 06. I Second That Emotion [9:48] [0:06], 07. Deal
 [11:28] [0:12] --Encore-- 08. How Sweet It Is (To Be Loved By You) [8:36]
 Set Two: Disc Two (5 tracks, 54:23) --Late Show, Set I-- 01. Cats Under the Stars [10:06]
 [0:04], 02. Catfish John [12:47], 03. Someday Baby [9:03] [0:25], 04. Love In The Afternoon [9:16] ->
 05. Tangled Up In Blue [12:35] [0:05]
 Set Three: Disc Three (4 tracks, 40:09) --Late Show, Set II-- 01. Rhapsody In Red [11:41]
 [0:06], 02. Gomorrah [6:03] -> 03. Don't Let Go [15:25] -> 04. Midnight Moonlight [6:48] [0:04]
12/13/83a Union, NJ - Keane College MAC>C>CD  All 65 
 *JGB: Tom from Avon, NJ, Senn 421s > Sony D5*
 MAC (Taped by Tom from Avon, NJ, Senn 421s [hand-held, about ten rows back in front of the backup
 singers] > Sony D5 [MX-90s]) > 1st gen cassette (MA-90s) > Tascam CD-R44 master CDs > HP 9350i
 extraction using EAC > editing using SF Studio 6.0 > sector boundary verification using shntool > HP
 9350i CDs using Feurio. Notes/Flaws: - Where it's good, it's pretty good, but this recording suffers
 from a variety of problems: lots of cuts, lots of level fluctuations, and a variety of smaller
 anomalies, some of which seem analog in nature and some of which are digital. I have tried to smooth
 as many of these as possible using Sound Forge Studio 6.0, but this remains a recording that should
 only circulate until something cleaner comes along. - Mission in the Rain fades in, anomaly @ 0:11
 (was a burst of crowd noise, presumably from analog overtaping); - TLEO clips in, mics bumped near
 start; - Simple Twist bass solo cut out entirely (@ 6:56), cuts out abruptly; - Run for the Roses
 cuts in, anomalies of unknown origin @ start, significant level fluctuations; - How Sweet anomaly @
 ca. 7:54.
 Set One: Single Disc (7) 64:36, 01. //Mission in the Rain [#10:58] [0:06], 02. /They Love
 Each Other [#7:04] [0:05], 03. Simple Twist// of Fate// [10:#38#], 04. //Run for the Roses [#5:08]
 [0:17], 05. Second That Emotion [9:50] [0:03], 06. Deal [11:34] [0:02] --Encore-- 07. How Sweet It Is
 [8:47] [0:03]
12/13/83b Union, NJ - Keane College MAC>C>CD Partial 79 
 *JGB: Tom from Avon, NJ, Senn 421s > Sony D5*
 MAC (Taped by Tom from Avon, NJ, Senn 421s [hand-held, about ten rows back in front of the backup
 singers] > Sony D5 [MX-90s]) > 1st gen cassette (MA-90s) > Tascam CD-R44 master CDs > HP 9350i
  extraction using EAC > editing using SF Studio 6.0 > sector boundary verification using shntool > HP
 9350i CDs using Feurio. Notes/Flaws: - Where it's good, it's pretty good, but this recording suffers
 from a variety of problems: lots of cuts, lots of level fluctuations, and a variety of smaller
 anomalies, some of which seem analog in nature and some of which are digital. I have tried to smooth
 as many of these as possible using Sound Forge Studio 6.0, but this remains a recording that should
 only circulate until something cleaner comes along. - t02 Catfish John anomalies @ 0:21, 1:49; - t03
 Someday Baby skip @ 0:21; - t05 Tangled Up in Blue cross-faded splice @ start, cuts @ very end,
  neither missing much; - t06 Don't Let Go cuts in, not much missing; Jerry does some really cool
 sing-along with his guitar in the 4-minute mark, and the jam over to Midnight Moonlight is pretty
 nice; - t07 Midnight Moonlight anomalies @ ca. 6:00 mark
 Set One: Single Disc (7) 78:48, 01. [0:12] Cats Under the Stars [10:17] [0:10] , 02. Catfish
 John [13:06] [0:07], 03. Someday Baby [9:19] [0:26], 04. Love in the Afternoon [9:30] -> 05. Tangled
 //Up in Blue// [13:30#], (missing Rhapsody in Red), (missing Gomorrah), 06. //Don't Let Go [#15:17] ->
 07. Midnight Moonlight [6:49] [0:02]
 
??/??/84z New York Area - Interview MFC>?>D>CD All n/a 1255 11885 
 *Interview, w/Paul Krassner??*
 FM -> Cassette (x?) -> Denon DRW840 -> SoundBlaster -> CD Wav -> SHN. Seeder comments: "Based on
 topical comments in the interview, and hopefully with the help of someone who recognizes the interview
 and/or the interviewer, the exact date and station can be nailed down. The hiss present as the
 interview fades in quickly fades to the background, and it's a very listenable recording. Jerry is
 just classic." CD Wav'ed, SHN'ed and seeded by Jim Bennett (jim@juddcreek.com), with thanks to Dave
 Morris for the tape. 3/02.
 Set One: 1. ...Nuclear Buildup, 2. Parable of the 100th Monkey, 3. The Psychedelic Structure
 of a Show , 4. Picking themes (pt. 1), 5. Music is like psychedelics, 6. Picking themes (pt. 2), 7.
 Rock & Roll Reality, 8. Dipping Braids in the Inkwell/Stage Fright, 9. Concluding Statements
01/13/84 Seattle, WA - Paramount Northwest Theater MAC>CD  All 105 1255 32037 
 *JGB: Pat Lee, Sony ECM-270s > Sony D5M*
 MAC (Taped by Pat Lee, Sony ECM 270s > Sony D5M) > Nakamichi Dragon playback > Egosys Waveterminal
 2496 > Cool Edit 2000 > shntool > .shn (mkwACT) > wav (mkwACT v0.97 beta 1) > slight editing (Sony
 SoundForge Audio Studio 7.0) > shntool > level 8 flac encoding (FLAC Frontend) . Transfer and .shn by
 David Minches, flac encoding by jjoops. Notes: - Nice recording of a solid show. Thanks to Pat Lee
 for taping & sharing and to David Minches for his time and endless generosity! - The only edit
 undertaken was to move about 22 seconds of pre-set II tuning from the end of d1t06 to the start of
 d2t01 (and to correct the resulting sector boundary errors).
 Set One: Disc One (6 tracks, 45:08) --Set I-- d1t01. Crowd & Tuning [0:05], d1t02. How Sweet
 It Is [8:19] [0:11], d1t03. They Love Each Other [8:13] [0:16], d1t04. Second That Emotion [9:17]
 [[0:26], d1t05. Simple Twist of Fate [12:51] -> d1t06. Run for the Roses [5:06] [0:21]
 Set Two: Disc Two (6 tracks, 60:27) --Set II-- d2t01. Crowd & Tuning [0:49], d2t02. Cats
 Under the Stars [9:25] [0:21], d2t03. I'll Take a Melody [15:12] [0:40], d2t04. Mississippi Moon
 [10:09] [0:21], d2t05. Love in the Afternoon [9:34] [0:22], d2t06. Tangled Up in Blue [13:19]
 [0:12]
01/13/84 Seattle, WA - Paramount Northwest Theater MAC>CD All n/a enter 89196 
 *JGB: Mark Severson: Nak700s > Sony TC-D5M*
 Recorded by Mark Severson; 2 Nak mini 700s cardoids on railing of center balcony> Sony TC-D5M (2
 Maxell MX-90s); 1st Set Mic Pattern: / \; 2nd Set Mic Pattern: \ /. Transfer and FLAC encoding by
 David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs
 Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. * patched [11:40 - 11:47] from
 SHNID 32037.
 Set One: Disc One --Set I-- d1t01. Crowd & Tuning, d1t02. How Sweet It Is, d1t03. They Love
 Each Other, d1t04. Second That Emotion, d1t05. Simple Twist of Fate *-> d1t06. Run for the Roses
 Set Two: Disc Two --Set II-- d2t01. Crowd & Tuning, d2t02. Cats Under the Stars, d2t03. I'll
 Take a Melody, d2t04. Mississippi Moon, d2t05. Love in the Afternoon, d2t06. Tangled Up in Blue
01/14/84 Portland, OR - Civic Center  MAC>CD All 106 1168 28905 
 *JGB: Otto Rice, Senn 441s > Sony D5M*
 MAC (Taped by Otto Rice, Senn 441s > Sony D5M) > Marantz PMD 510 playback > HHB 850 CDR/0 >
 Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound
 Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC
 Frontend v1.7.1 Etree edition). Cassette transfer by Otto Rice, EAC >> FLAC by jjoops. Notes: -
 Generally nice tape. The only edits undertaken were to smooth a few tape transitions. A number of
 tunes clip/fade in. Disc two sounds better to my ears. - The performance strikes me as pretty
 standard, with characteristic-for-the-era rough vocals. Even the Rhapsody in Red, usually a barn
 burner, doesn't really take off that well to my ears. For a much hotter contemporary version, check
 out 1/16/84. - There are channel and/or level fluctuations in various spots: d1t03 TWYDTTYD @
 1:14-1:25; d1t04 Masterpiece @ start; d2t02 Mission @ ca. 10:30; d2t03 Cats @ 1:37-1:52 and 2:20-2:30;
 d2t04 Knockin' first few minutes; d2t05 Rhapsody @ 7:15 & 8:15, etc.
 Set One: Disc One (6) 45:56 --Set I-- 01. Crowd & Tuning [0:35], 02. I'll Take a Melody
 [12:59] [0:19], 03. The Way You Do The Things You Do [8:22], 04. When I Paint My Masterpiece [8:36]
 [0:02], 05. Run for the Roses [4:58] [0:11], 06. Deal [9:48] [0:04]
 Set Two: Disc Two (6) 59:43 --Set II-- 01. The Harder They Come [11:55] [0:11], 02. Mission
 in the Rain [10:59] [0:12], 03. Cats Under the Stars [8:37], 04. Knockin' on Heaven's Door [10:45],
 05. Rhapsody in Red [10:24] [0:03] --Encore-- 06. Reuben & Cherise [6:29] [0:06]
01/14/84 Portland, OR - Civic Center MAC>CD All n/a 1258 32333 
 *JGB: Andrew Faintych, Sony ECM99A > Marantz PMD340*
 Source: Sony ECM-99A stereo mic > Marantz PMD-340 cassette deck. The mic was placed resting on the
 balcony rail just to stage-left of center, in "Center Box 9". Taped onto Maxell XL-II 90 cassettes.
 Transfer: MAC > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, Flac
 compression, checksums) > bt.etree Jan 2006. Notes: There was a tape flip at 9:39 near the end of
 Deal. This was patched using nine seconds from shn-id source 16710. I also used seven seconds from
 that source to cover the beginning of Harder They Come, which was missing. Masterpiece and Run for the
 Roses have clipped beginnings; these were also clipped on 16710, so no new material could be added.
 Also, Rhapsody in Red is missing the opening notes due to a tape flip after Heaven's Door. I used
 Soundforge to match levels and pitch on the patched-in bits. On the master, I used Soundforge to make
 fades, edit out blurry pause-button moments, and to even-out the levels where needed. This venue has
 since been renamed the Keller Auditorium, and has a seating capacity of 2992. This was the only GD
 related event held at this venue. Taped and transferred by Andrew F. ENJOY!
 Set One: Disc One - Set One (48:05) : 01 "...is this a microphone?", 02 I'll Take A Melody ,
 03 The Way You Do The Things You Do , 04 When I Paint My Masterpiece , 05 Run For The Roses , 06
 Deal
 Set Two: Disc Two - Set Two (62:59) : 01 The Harder They Come , 02 Mission In The Rain , 03
 Cats Under The Stars , 04 Knockin' On Heaven's Door , 05 Rhapsody In Red --Encore-- 06. Reuben And
 Cherise
01/14/84 Portland, OR - Civic Center  MA?>?>CD All-2 91 
 *JGB: unknown source info, inferior* *probably same as 16710*
 Set One: 46:51
 Set Two: 43:47, MISSING Rhapsody in Red, Reuben & Cherise
01/14/84 Portland, OR - Civic Center MA?>?>CD All-2 n/a 1346 16710 
 *JGB: unknown taper & gear*
 Source: AUD>?>CDR>EAC>CoolEdit 2000 (Tracking, Equalization)>WAV>SHN (seekable); EAC>WAV>SHN by
 jim@juddcreek.com 4/03. NOTES: Brief glitch at 6:49 of Deal (sounds like a crinkle in a cassette/reel
 gen) : Mike bump (?) at :33 of Mission removed by patching 0.16 seconds of left channel over right
 channel : Edits, retracking, equalization done with Cool Edit 2000 : A bit of hiss audible at the
 beginning of Knockin' left alone.
 Set One: *Disc 1* *Set 1* 1. I'll Take A Melody, 2. The Way You Do The Things You Do, 3.
 //When I Paint My Masterpiece, 4. //Run For The Roses, 5. Deal
 Set Two: *Disc 2* *Set 2* 1. The Harder They Come 2. //Mission In The Rain 3. Cats Down
 Under The Stars 4. //Knockin' On Heaven's Door (MISSING Rhapsody In Red, MISSING E: Rubin And
 Cherise)
01/16/84 Eugene, OR - Silva Hall, Hult Center MAC>C>CD All 110 1111-1112 26715 
 *JGB: Unknown taper (Rice?), Senn MD421s > Sony TC-D5*
 MC > C > CD > WAV > SHN* Sennheiser MD441's > Sony TC-D5(M?)no Dolby center orchestra, taper
 unknown. Sony TC-D5M > Marantz PMD340, no Dolby Maxell UDXLII90 (XLII90 Tangled & Midnight Moonlight)
 1st gen by Andrew Faintych 1/84. *[Cats Under The Stars separate source, shn txt provides: "AUD > ? >
 CD > EAC > WAV > Cool Edit 2000 (eq, reduce overall volume, boost bass) > SHN. Thanks Chuck Gannon for
 the discs, EAC/SHN by jim@juddcreek.com 4/03"] A-D transfer: 1st gen cassette > Nakamichi Dragon > HHB
 CDR830plus > WAV (EAC) > Sound Forge 5.0 > CD Wave Audio Editor 1.71 > WAV > SHN. Cats SHN >
 (mkwACT)WAV > Sound Forge 5.0 > CD Wave 1.71 > SHN Transfer 9/04, editing, tracking > CD > SHN
 (seekable) 10/04 by Anne Cohen (taper@optonline.net). First notes of CUTS missing. Occasional static
 during Mission in the Rain; TUIB fades in late in first verse (flip/rewind). Garcia sounds positively
 terrible during Tore Up, among the most painful vocal performances you'll hear. But this Rhapsody is
 incendiary and the show turns out to be a lot of fun. NOTE ADDED 3/24/2005: almost certainly
 derivative of the Otto Rice master.
 Set One: Disc One (5) 48:53 --Set I-- //Cats Under The Stars, Sugaree, Love In The
 Afternoon, Dear Prudence -> Run For The Roses
 Set Two: Disc Two (6) 61:00 --Set II-- Rhapsody In Red, Mission In The Rain, Gomorrah, Tore
 Up Over You, ... Tangled Up In Blue, E: Midnight Moonlight
01/16/84 Eugene, OR - Silva Hall, Hult Center  MAC>CD All 110 
 *JGB: Otto Rice, Senn 441s > Sony D5M*
 MAC (Taped by Otto Rice, Senn 441s > Sony D5M) > Marantz PMD510 playback > HHB CD/0.
 Set One: //Cats Under The Stars, Sugaree, Love In The Afternoon, Dear Prudence, //Run For
 The Roses
 Set Two: Rhapsody In Red, Mission In The Rain, Gomorrah, Tore Up Over You, //Tangled Up In
 Blue, E: Midnight Moonlight
01/16/84 Eugene, OR - Silva Hall, Hult Center  MSC>4C>CD IIp n/a 1258 32334 
 *JGB*
 Master: Sbd > Analog Master > 4th Gen Cassette (Sony UX-PRO 90). Transfer: 4th Gen Cassette (NAD
 6050C) > SBM > PCM R500 (pass through for A/D only @44.1kHz) > VXPocket v2 > Sound Forge (v. 6.0) >
 WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC. Transfered by Dan Gale (dgale@loslobos.org),
 http://LosLobos.setlist.com, 15-Jan-2006. Seeder (Dan Gale)'s Notes: "Notes: I acquired this
 recording in the mid-80's and recently noticed that a sbd doesn't circulate for this show, so I dug
 out my cassette copy and transfered it. Don't let the number of analog generations scare you - the
 recording is clean and the hiss is fairly minimal. All I know about the lineage is that my copy was
 made from a 3rd generation cassette. I assume is was mastered on cassette and that the first couple
 of generations were also cassette, but I don't know for sure. Not the greatest mix in the world, with
 the guitar rather low and the kick drum fairly prominent, but it is a enjoyable recording nonetheless.
 I simply transfered the recording as it is on my cassette copy - no editing was done other then fading
 in/out at the beginning and end, as well as a couple spots where the master was paused between tracks.
 I presume a complete sbd recording of the show exists and hopefully it will surface someday - until
 then, enjoy!"
 Set Two: --End of 2nd Set-- 01. Gomorrah 6:03, 02. Tore Up 11:51, 03. Tangled Up In Blue
 14:19 --Encore-- 04. Midnight Moonlight 7:15
01/16/84 Eugene, OR - Silva Hall, Hult Center MA?>?>CD Ip n/a 1346 16711 
 *JGB: unknown taper & gear*
 Source: AUD>?>CD>EAC>WAV>CE2k (tracking, equalization)>SHN. Thanks to Chuck Gannon for the discs!
 EAC/SHN by jim@juddcreek.com 4/03. NOTES: First couple notes of Cats cut. Sound also a little muddy
 as the music starts, but improves; perhaps to due to deterioration of a cassette gen. : Cool Edit
 2000 used to reduce overall volume a bit, boost a little bass and retrack. Set 1 only. Ryan at
 thejerrysite.com lists Run For The Roses at the end of set 1, but it wasn't included on my copy.
 Set One: *Disc 1* *Set 1* 1. //Cats Down Under The Stars, 2. Sugaree, 3. Love In The
 Afternoon, 4. Dear Prudence, Run For The Roses (missing)
01/16/84 Eugene, OR - Silva Hall, Hult Center MA?>?>CD partial 41 
 *JGB* *check against Senn MD421s/Rice copy*
 probably derivative of the Rice master.
 Set One: (4) 41:24, //Cats, Sugaree, Love in the Afternoon, Dear Prudence
03/02/84 Palo Alto, CA - Keystone Palo Alto MS?>C>D>CD All 88 0868 6308 
 *JGB*
 * Fades In To Start. Came labeled as a reel master, but this seems extremely unlikely.
 Set One: ** Disc 1, Set 1 [41:14], 1. How Sweet It Is To Be Loved By You* [07:51], 2. They
 Love Each Other [07:00], 3. Cats Under The Stars [08:27], 4. Dear Prudence [12:41], 5. Run For The
 Roses [05:13]
 Set Two: ** Disc 2, Set 2 [46:49], 1. Mission In The Rain [09:04], 2. The Harder They Come
 [11:12], 3. Gomorrah [06:01], 4. Rubin And Cherise [06:55], 5. Tangled Up In Blue [13:35]
03/02/84 Palo Alto, CA - Keystone Palo Alto MAC>CD All 98 
 *JGB: John Corley*
 Set One: Disc One (5 tracks, 43:05) --Set I-- s1t01. :20, How Sweet It Is (To Be Loved By
 You) -9:07 s1t02. The Love Each Other [6:58] [0:05] s1t03. -:15, Cats Under The Stars -8:52 -> s1t04.
 Dear Prudence [12:49] -> (splice?) s1t05. Run For The Roses [5:05] [0:09]
 Set Two: Disc Two (6 tracks, 54:40) --Set II-- s2t01. :07, Mission In The Rain -8:46, :02
 s2t02. :04, Harder They Come -11:20 s2t03. Gomorrah [6:05] [0:04] s2t04. :13, Reuben And Cherise -7:11
 sounds like Mid Moon notes were hit s2t05. :14, Reuben and Cherise again 6:58 -> s2t06. Tangled Up in
 Blue [13:55] [0:05]
03/02/84 Palo Alto, CA - Keystone Palo Alto MSC>D>CD All n/a 1346 85293 
 *JGB*
 Source: Soundboard Cassette Master > DAT; Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to
  Wavelab 5.0; mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and
 Seeded by Green Mountain Bros.
 Set One: Disc 1: Set 1 41:17: 1. //How Sweet It Is, 2. They Love Each Other, 3. Cats Under
  The Stars, 4. Dear Prudence, 5. Run For The Roses
 Set Two: Disc 2: Set 2 46:46: 1. Mission In The Rain, 2. The Harder They Come, 3. Gomorrah,
 4. Reuben And Cherise, 5. Tangled Up In Blue
03/04/84 San Francisco, CA - The Stone  MSC>D>CD All 85 0790 16915 
 *JGB*
 MSC > DAT > CDR > WAV > SHN. Seeder notes: "Tape paused between tracks with clipping of the first
 notes on a few tracks. Overall levels were very low throughout - a + 2.5 dB gain was applied to both
 sets using soundforge 5 and tracked with cdeave. Subsecond dropout in Deal removed at 06:06 using SF5.
 Minor digifuzz at 07:17 of Midnight Moonlight fixed using 1:1 magnification and pencil tool. Short
 sets - just barely too long to fit both on an 80 minute disc."
 Set One: Disc 1 - Set 1 01 //Rhapsody In Red [09:38], 02 Sugaree [11:22], 03 Simple Twist Of
 Fate > [14:20] 04 Run For The Roses > [05:10] 05 Deal [08:22], Total time: 48:53
 Set Two: Disc 2 - Set 2 , 01 Cats Under The Stars [08:20], 02 Knockin' On Heaven's Door
 [12:60], 03 Reuben And Cherise [06:46], 04 Midnight Moonlight [07:24], Total time: 35:30
03/04/84 San Francisco, CA - The Stone MSC>D>CD All n/a 85294 
 *JGB*
 Set One: Rhapsody In Red, Sugaree, Simple Twist Of Fate-> Run For The Roses-> Deal
 Set Two: Cats Under The Stars, Knockin' On Heaven's Door, Rubin And Cherise, Midnight
 Moonlight
03/09/84 Palo Alto, CA - Keystone Palo Alto MAC>CD All n/a 
  *JGB: Bob Menke, Nak 700s > Sony D5*
03/09/84 Palo Alto, CA - Keystone Palo Alto MAC>D>CD All 91 1254 23891 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 Excellent recording. d2t01 Cats end clipped. Derived from shn 23891, seeded by Chris Ladner. CL
 Comments: - Superb audience recording. - Stand out performances of "Valerie" and "Tore Up". - Pauses
 between some tracks without any clipping of music
 Set One: Disc One (5) 42:29 --Set I-- 01. [0:28] Second That Emotion [10:45] [0:27], 02.
 Love in the AFternoon [8:39] [0:03], 03. Valerie [7:51] -> 04. Run for the Roses [5:11] -> 05. Deal
 [9:19] [0:05]
 Set Two: Disc Two (5) 48:51 --Set II-- 01. [0:10] Cats Under the Stars/ [9:18#], 02. They
 Love Each Otehr [8:26] [0:07], 03. Russian Lullaby [13:37] [0:14], 04. Tore Up Over You [[9:40] -> 05.
 Midnight Moonlight [7:16] [0:02]
03/09/84 Palo Alto, CA - Keystone Palo Alto  MAC>D>CD All 91 1253 20708 
 *JGB: Dan Gale, Sony ECM939LTs > Sony TCS 350*
 Master: Sony ECM939LT > Cassette Master (Sony TCS-350) (Recorded from tables just behind dance
 floor). Transfer: Cassette Master (NAD 6050C) > SBM > DAT @44.1k (PCM-R500) > VXPocket v2 > Sound
 Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Recorded and Transferred by Dan Gale
 (dgale@loslobos.org). Taper's Notes: "Note: Beginning of "Tore Up" is missing due to cassette flip.
 Taping-related story from this show: The basic taping scene at the Keystone back in this era was be
 low key and the venue might not hassle you, but taping officially was not allowed. A lot depended on
 the specific security for the show but running stealth or otherwise being descrete was wise. This was
 the night I first met Bob "Cave Bud" Damico and he and I, along with one other taper, all ran
 hand-held mics next to each other from the bar tables behind the dance floor. One other unknown taper
 decided to set up a stand just across the center aisle from us. He was running either Nakamichi 300s
 or Sennheiser 441s into a Sony D5. During the early part of "Second That Emotion", the venue security
 came and told him to lower his stand as it was too obvious. We were suprised that they let him
 continue but they definitely told him to drop the stand down below head level. The guy seemed
 preturbed that he was asked to do this but begrudgingly accomodated them for the rest of the song.
 Before the beginning of "Love In The Afternoon", the guy raised his stand back up. Needless to say
 the security was back shortly into this song, telling the guy again to lower the stand. This time the
 guy got belligerent with the security, yelling at them and eventually shoving one of the security
 guys. That was all it took...the guy was dragged off, kicking and screaming, and the security was
 seen tossing him out the side entrance. They then returned and gathered up all of his gear in a big
 pile and threw it all out the same door. You can hear Bob and the other stealth taper commenting on
 the whole scene between each song. Just a bizarre taping memory from this show..." JJ: not a bad
 tape. Vox are low and the bass is more or less inaudible, but the drums, guitar and keys are all right
 there.
 Set One: Disc One (5 tracks, 43:47) --Set I-- [0:56] I Second That Emotion, Love In The
 Afternoon, Valerie/, /Run For The Roses -> Deal
 Set Two: Disc Two (5 tracks, 47:26) --Set II-- [0:15] Cats Under The Stars, They Love Each
 Other, Russian Lullaby, /Tore Up Over You -> Midnight Moonlight
03/10/84 Berkeley, CA - Keystone MAC>CD All 98 
 *JGB: Bob Menke, Nak 700s > Sony D5*
 Nice tape. d1t01 levels increase during first minute of the song. d2t01 digi-flit @ 2:47, chirp @
 2:57, 3:05
 Set One: Disc One (4 tracks, 58:10) --set I-- Rhapsody in Red, Knockin, Prudence, Tangled Up
 in Blue
 Set Two: Disc Two (5 tracks, 40:27) --set II-- Cats Under the Stars, Love in the Afternoon,
 Gomorrah, Reuben & Cherise -> Midnight Moonlight
03/10/84 Berkeley, CA - Keystone MSC>D>CD All 89 1258 17555 
 *JGB*
 Source: SBD:MSC>DAT>CDR>WAV>SHN. Comments: The first two minutes of Cats Under The Stars are
 muted and sound like the signal hasn't been sent to the master cassette. The music can be distantly
  heard bleeding through from another channel. The track starts at the start of the second verse, just
 before the sound returns to normal. Adjustments to the mix in terms of individual instrument levels
 occurs during Rhapsody In Red with guitar initially fairly low in the mix and very prominent vocals
 and drums. Anomalies: d1t02 - digipop removed at 08:37 with sf5. d1t04 - dropout removed at 08:13
 with sf5. Many thanks to J.Darr for the source CDRs. DAE (EAC0.9b4,offset corrected, secure mode) >
 dropout removal (soundforge 5) > tracking (cdwav editor) > boundaries confirmed (shntool) > SHN
 (shorten 3.4) via C.Ladner/candyman FTP. Part of the MisSHN in the Rain effort to get out the Garcia -
 5/03.
 Set One: Disc 1 - Set 1 01 Rhapsody In Red [11:55], 02 Knockin' On Heaven's Door [13:16],
 03 Dear Prudence > [13:05], 04 Tangled Up In Blue [13:23], Total time: 51:38
 Set Two: Disc 2 - Set 2 01 //Cats Under The Stars [07:46], 02 Love In The Afternoon
 [09:58], 03 Gomorrah [05:57], 04 Reuben And Cherise [06:15], 05 Midnight Moonlight [07:23], Total
 time: 37:20
03/10/84 Berkeley, CA - Keystone MAC>D>CD All n/a 1253 15188 
 *JGB: Dan Gale, Sony ECM939LTs > Sony TCS-350*
 Master: Sony ECM939LT > Cassette Master (Sony TCS-350) (recorded from front of balcony). Transfer:
 Cassette Master (NAD 6050C) > SBM > DAT @44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV
 > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Recorded and Transferred by Dan Gale
 (dgale@loslobos.org).
 Set One: Rhapsody In Red, Knockin' On Heaven's Door, Dear Prudence-> Tangled Up In Blue
 Set Two: Cats Under The Stars, Love In The Afternoon, Gomorrah, Rubin And Cherise, Midnight
 Moonlight
03/11/84 Berkeley, CA - Keystone MAC>CD II 55  
 *JGB: Bob Menke, Nak 700s > Sony D5*
 Nice transition from DD to Prudence.
 Set One: Single Disc (5 tracks, 54:46): Mission in the Rain, Harder They Come, The Night
 They Drove Old Dixie Down -> Dear Prudence
03/21/84 Berkeley, CA - Keystone MSC>D>CD I,IIp n/a 
 *JGB*
 MSC > DAT > CDR > WAV > SHNv3. Comments: First two tracks from second set missing from master, so
 its a short disc 2. DAE(EAC 0.9 beta 4) > tracking (cdwav)> SHN (shoretn3.4) > FTP via
 neo_levo/candyman FTP.
 Set One: Disc 1 - Set 1 01 Cats Under The Stars 02 Knockin' On Heaven's Door 03 That's What
 Love Will Make You Do 04 Gomorrah 05 Run For The Roses -> 06 Tangled Up In Blue
 Set Two: Disc 2 - Set 2 The Harder They Come (MISSING) When I Paint My Masterpiece (MISSING)
 01 Run For The Roses 02 Reuben And Cherise 03 Midnight Moonlight
03/22/84 Berkeley, CA - Keystone MAC>D>CD All 71 enter 22191 
 *JGB: John Corley*
 Low vocals, some rough tape transitions and tight editing, but a terrific tape.
 Set One: Disc One (4 tracks, 31:22) --Set I-- [0:19] How Sweet It Is, TLEO, Rhapsody in Red,
 Deal
 Set Two: Disc Two (5 tracks, 40:20) --Set II-- [0:25] Second That Emotion, Someday Baby, Run
 for the Roses, The Night They Drove Old Dixie Down, Midnight Moonlight
05/12/84 San Francisco, CA - The Stone MAC>CD All n/a 1311 85568 
 *JGB: Don Dearth, Sony stereo mic > Sony D6C*
 Don Dearth's MAC ("real up close" Sony D6C w/Sony Stereo Microphone [TDKSA90]) > Nakamichi CR3A (No
 Dolby) > HP computer > Sound Forge (Vol@5.6db) > CD Wave > Flac.
 Set One: Sugaree, Catfish John, Simple Twist Of Fate-> Run For The Roses-> Deal
 Set Two: Cats Under The Stars, Knockin' On Heaven's Door, Russian Lullaby-> Gomorrah,
 Midnight Moonlight
05/12/84 San Francisco, CA - The Stone MAC>C>CD I,IIp n/a 0921 25240 
 *JGB: Ross Douglas, Realistic 'PZM' mics > Sony D6*
 Realistic 'Pzm' mics > D-6 > Eq > Cas > Jb3 > Goldwave > Cdwav > Flac.
 Set One: Sugaree, Catfish John, Simple Twist Of Fate-> Run For The Roses-> Deal
 Set Two: Cats Under The Stars, Knockin' On Heaven's Door, Russian Lullaby-> Gomorrah,
 Midnight Moonlight
05/12/84 San Francisco, CA - The Stone MAC>CD IIp 27 
 *JGB: John Corley*
 Unknown gear.
 Set One: --end of show-- Single Disc (3) 26:38, 01. [0:05] //Russian Lullaby [#12:41] -> 02.
 Gomorrah/ [:04+5:42#] [0:05], 03. Midnight Moonlight [7:53] [0:07]
05/13/84 San Francisco, CA - The Stone MAC>CD I,IIp 69 1363 enter 
 *JGB: John Corley*
 John Corley MAC. Notes: - Pretty nice tape, though it sounds a bit compressed and is very tightly
 edited. Nice performance, with a particularly nice TUIB and HTC. - Levels start off a bit hot, decline
 ca. 7-min mark of STE - HTC cuts in - R channel was out for first 1:09 of TNTDODD. The left channel
 was patched into both channels for this portion. Lineup: Jerry Garcia - guitar, vocals; John Kahn -
 bass; Melvin Seals - keyboards; David Kemper - drums; Jaclyn LaBranch - backing vocals; Gloria Jones -
 backing vocals.
 Set One: Single Disc (7 tracks, 69:07) --Set I-- 01. Second That Emotion [10:37] [0:24] 02.
 Love In The Afternoon [8:44] [0:26] 03. That's What Love Will Make You Do [7:52] 04. Let It Rock
 [8:24] -> 05. Tangled Up In Blue [11:09] --Set II-- 06. //Harder They Come [12:23] [0:05] (MISSING
 Gomorrah) (MISSING Run for the Roses) 07. The Night They Drove Old Dixie Down [9:01] -> [0:02] (only
  first few notes of Midnight Moonlight are present)
05/18/84 Irvine, CA - Irvine Meadows MAC>CD All 89 1299 84138 
 *JGB: Mike French, Senn 421s > Sony TC-D5*
 MAC>CD. Taped by Mike French from 9th row center, Senn MD 421's 90 degrees X-Y > Sony TC-D5 (pre
 D5M) 0db attenuation master cassette (Maxell UD-XLIIS 90min). Slight glitch(drouput) in Bass solo of
 Simple Twist and Rhapsody. Beginning of Rhapsody cut due to tape flip. Notes are from old audio copy,
 not from shnid 84138. Lineup: Jerry Garcia - guitar, vocals; John Kahn - bass; Melvin Seals -
 keyboards; David Kemper - drums; Jaclyn LaBranch - backing vocals; Gloria Jones - backing vocals.
 Notes: - Pretty nice SQ, Jerry's vox a little low. - Jerry hits a nice filthy tone @ a little before
 5:00 of CUTs (song) - CJ is also great! - STOF splice @ 7:30 track - RIR cut at 0:14 (tape flip),
 splices to alt. source?
  Set One: Disc One (5 tracks, 52:16) --Set I-- d1t01. Tuning [0:47], Cats Under the Stars
 -10:25 0:14 d1t02. /Catfish John -12:23 d1t03. :08, Simple //Twist of Fate 13:#44 -> d1t04. Run for
 the Roses 5:24 d1t05. [0:04] Rhapsody in Red
 Set Two: Disc Two (3 tracks, 37:08) --Set II-- d2t01. :07, Mission in the Rain -12:04, :14
 d2t02. Harder They Come 11:44 -> d2t03. Tangled Up in Blue [13:00] [0:06]
05/18/84 Irvine, CA - Irvine Meadows Ampitheater MFC>?>C>CD All n/a 1258 32156 
 *JGB:
 Source: FM-SBD > MC > Cx > CD > EAC > WAV > FLAC (level 5). Comments: Overall a solid "B" grade
 analog SBD recording. First few notes of "Run For The Roses" were missing and spliced from Mike
 French's audience source. "Rhapsody in Red" is more inferior in quality and required pitch
 correction. Breaks on the tape between some tracks smoothed with crossfades. Original source discs
 via Slip. EAC(DAE), Wavelab (level changes, crossfades, de-popping, Waves L3 Multimaximizer), and
 CDWAV1.9 (tracking/encoding) via neo_levo.
 Set One: Disc I - Set I 01 tuning [00:32], 02 Cats Under The Stars [10:59], 03 Catfish
 John  [13:52], 04 Simple Twist Of Fate [13:36], 05 Run For The Roses [05:19], 06 Rhapsody In Red
 [09:06], Total time: 53:26
 Set Two: Disc II - Set II 01 Mission In The Rain [11:48], 02 Harder They Come > [11:32]
 03 Tangled Up In Blue [12:46], Total time: 36:08
05/19/84 Santa Barbara, CA - Arlington Theater MAC>?>CD Most 80 
 *JGB: Adam from Malibu, AKG 451s > D5*
 Taped by Adam from Malibu, CA, AKG 451s > D5, unknown subsequent information. Levels are hot to
 start, fluctuate for the first few minutes, and drop down decisively around the 4-minute mark of How
 Sweet. A pretty good aud, despite the missing material (Tangled Up and the end of Midnight
 Moonlight), a relatively unspectacular show with rough vocals.
 Set One: Single Disc (8) 80:00 --Set I-- 01. [0:07] How Sweet It Is [10:15] [0:04], 02. TLEO
 [8:37] [0:05], 03. Let it Rock [9:40] [0:05], 04. Second That Emotion [10:42] -> [0:05] (missing
 Tangled Up in Blue) --Set II-- 05. Cats Under the Stars [10:12] [0:05], 06. Knockin' on Heaven's Door
 [13:53] -> 07. Dear Prudence [13:18] -> Midnight Moonlight ... (fades out) [2:53#]
05/20/84 Reseda, CA - The Country Club MAC>CD All n/a 1276 79553 
 *JGB: Joe Pinedo, Nak CM-300 w/ cp-1 caps > Sony D5*
 Joe Pinedo, 2 Nak CM 300s w/CP-1 caps (no guns) > Sony D-5 > DAT > HHB 830 CD Recorder (Stand
 Alone) > ? > FLAC. Original seeding did not list taper name, but it was given by crazy4golf2003 to
 bt.etree on 5/10/2009: "This is an excellent show recorded by my friend Joey Pinedo.We had a great
 time at this show."
 Set One: Sugaree, Love In The Afternoon, Rhapsody In Red, Run For The Roses-> Deal
 Set Two: Mission In The Rain, The Harder They Come-> Gomorrah-> Midnight Moonlight
06/03/84 San Francisco, CA - Kabuki Theater MSC>D>CD All 83 10134 
 *JGJK*
 d1t01 Deep Elem cuts in; d2t01 Little Sadie cuts in; d2t02 TLMD cut/splice @ 6:26
 Set One: Set I, 1. //Deep Elem Blues [6:29#] [0:05], 2. Friend of the Devil [7:35] [0:03],
 3. [0:07] Dire Wolf [3:23] [0:04], 4. Babe It Ain't No Lie [6:06] -> 5. It Takes a Lot To Laugh, It
 Takes a Train to Cry [7:27] -> 6. Run for the Roses [4:40] [0:26], Total Time 36:29
 Set Two: Set II, 1. //Little Sadie [4:24#] [0:03], 2. To Lay Me Down [7:53] [0:03], 3.
 Valerie [8:00] [0:06], 4. Bird Song [13:37] -> 5. Goodnight Irene [6:52] [0:04], 6. Ripple [4:38]
 [0:18], Total Time 46:03
06/03/84 San Francisco, CA - Kabuki Theater MAC>CD All n/a enter 93922 
 *JGJK: Jay Abrams, Nak 300s > Sony WMD6C*
 Recorded by Jay Abrams, First row balcony - center, Nakimichi 300's > Sony WMD6C; Sound Studio >
 CDwav on MacPro > PeakPro6 > xAct Flac16. Seeder's Notes: "This show was a double bill with Robert
 Hunter as the opening performance. Each Set begins with the curtain lowered and rises as the
 performance starts. Since I was sitting in the balcony the crowd's yells and applauds are distracting
 at times. All in all a great sounding show."
 Set One: Deep Elem Blues, Friend Of The Devil, Dire Wolf, Oh Babe It Ain't No Lie, It Takes
 A Lot To Laugh It Takes A Train To Cry, Run For The Roses
 Set Two: Little Sadie, To Lay Me Down, Valerie, Bird Song, Goodnight Irene-> Ripple
06/03/84 San Francisco, CA - Kabuki Theater MSC>D>CD All n/a enter 8912 
 *JGJK*
 Set One: Deep Elem Blues, Friend Of The Devil, Dire Wolf, Oh Babe It Ain't No Lie, It Takes
 A Lot To Laugh It Takes A Train To Cry, Run For The Roses
 Set Two: Little Sadie, To Lay Me Down, Valerie, Bird Song, Goodnight Irene-> Ripple
06/03/84 San Francisco, CA - Kabuki Theater MSC>D>CD All n/a enter 81273 
 *JGJK*
 Set One: Deep Elem Blues, Friend Of The Devil, Dire Wolf, Oh Babe It Ain't No Lie, It Takes
 A Lot To Laugh It Takes A Train To Cry, Run For The Roses
 Set Two: Little Sadie, To Lay Me Down, Valerie, Bird Song, Goodnight Irene-> Ripple
06/03/84 San Francisco, CA - Kabuki Theater MAC>CD Most 78 
 *JGJK: Bob Menke*
 Deep Elem fades in; To Lay Me Down splice @ track 5:24 (song 5:30); Ripple cuts out, almost
 entirely missing
 Set One: Single Disc (10) 78:01 --Set I-- 01. ... Deep Elem Blues [6:31] [0:04], 02. FOTD
 [7:24] [0:04], 03. Dire Wolf [3:30] -> Babe It Ain't No Lie [5:59] -> 04. Train to Cry [7:17] -> 05.
 Run for the Roses [4:36] [1:36] --Set II-- 06. Little Sadie [4:22] -> 07. To Lay// Me Down [:06+8:02]
 -> 08. Valerie [:03+7:54] -> 09. Bird Song [:10+13:10] -> 10. Goodnight Irene [:03+6:44] -> Ripple//
 [0:07#] [0:02]
07/28/84 Palo Alto, CA - Keystone Palo Alto MSC>P>D>CD All 80 0656 xxxxx 
 *JGB*
 MSC (Sony TCD-D5M) > PCM (unk. model) > Cass (Sony TCD-D5M) > Nak CR7A > Sony PCM-R500 DAT > ZA2 >
 CDR > WAV > SHNv3. Comments: Very beginning of t01 clipped. Jerry belts it out in Tore it up at
 06:51 with a tad of clipping - taper drops the levels slightly for the remainder of the song and then
 brings them back up. Small chirp during Gomorrah.
 Set One: Single Disc (10) 79:57 --Set I-- 01 /I'll Take A Melody [#11:40] [0:28], 02 Get
 Out Of My Life [06:07] -> 03 Run For The Roses [5:05] [0:21], 04 Love In The Afternoon [7:47] -> 05
 Deal [8:17] [0:05] {set time 39:54} --Set II-- 06 [0:03] Cats Under The Stars [09:10] -> 07 Like A
 Road [9:33] [0:10], 08 Tore Up Over You [8:00] [0:06], 09 Gomorrah [6:03] -> 10 Midnight Moonlight
 [06:58], {set II time 40:03}
07/28/84 Palo Alto, CA - Keystone Palo Alto MAC>CD All 89 
  *JGB: Bob Menke: Nak 700s? > unknown deck*
 Deeply uninspiring performance -- Jerry is in a big hurry to get backstage. RFTR splice @ 2:15;
 CUTS splice @ tracks 9:40; Gomorrah splice @ tracks 5:17; Mid Moon really bad tempo variability
 (performance, not recording), very distressing. Not one for the record books, IMO.
 Set One: Disc One (5 tracks, 44:20) --Set I-- [1:51] I'll Take a Melody, Get Out Of My Life
 Woman -> Run for the //Roses, Love in the Afternoon -> Deal
 Set Two: Disc Two (5 tracks, 44:36) --Set II-- [2:32], Cats// Under the Stars -> Like a
 Road, Tore Up, Gom//orrah -> Midnight Moonlight
07/29/84 Palo Alto, CA - Keystone Palo Alto MAC>CD All 96 0617 12587 
 *JGB: John Corley, Nak 700s > Sony TCD5M*
 MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first
 row of tables, dead center] >Sony TCD5M > CDR > EAC > CDWave (retracked) > Shn. A>D transfer by Dan
 Ward, EAC'ed / retracked / Shn'ed by Charlie Connor. From the seeder: "The cut in d1t05 TUIB is quite
 abrupt and is going to catch you mid-twirl. I didn't fadeout but you may want to do a fadeout before
 burning your own copy." JJ: this show is a real bore ... zzzz.
 Set One: Disc One (5) 47:21 --Set I-- 1. Tuning, 2. Sugaree, 3. They Love Each Other, 4.
 Second That Emotion -> 5. Tangled Up In Blue//
 Set Two: Disc Two (5) 48:51 --Set II-- 1. Tuning, 2. The Harder They Come, 3. Mississippi
 Moon -> 4. Don't Let Go -> 5. //Midnight Moonlight
07/31/84 San Francisco, CA - The Stone MSC>P>C>D>CD All 101  
 *JGB*
 MSC > PCM > Cass. > DAT > ZA2 > CD. Notes: d1t01 Melody cuts in; d1t05 Deal cut/splice @ 9:44, not
 much missing (probable tape flip).
 Set One: Disc One (5) 47:30 --Set I-- 01. //I'll Take a Melody [#14:21] [0:11], 02. Get Out
 of My Life Woman [7:45] [0:03], 03. Like a Road [9:02] [0:08], 04. Run for the Roses [5:15] [0:05],
 05. De//al [10:#26] [0:10]
 Set Two: Disc Two (5) 53:09 --Set II-- 01. Rhapsody in Red [13:00] [0:06], 02. Russian
 Lullaby [14:12] -> 03. Knockin' on Heaven's Door [11:42] [0:15], 04. Gomorrah [6:02] -> 05. Midnight
 Moonlight [7:40] [0:07]
08/01/84 San Francisco, CA - The Stone MAC>D>CD All 91 enter xxxxx 
 *JGB: Craig ? & Kenny Mance, AKG CE-1 mics > Uher CR-240*
 MAC > DAT > CD, taped by Craig ? and Kenny Mance at the "lip of the stage", AKG CE-1 mics > Uher
 CR-240 cassette master. A>D by aoxoa, CR-240 playback > Sony PCM R-500. Extraction using EAC,
 re-tracking using CDWave, .shn encoding using mkwACT, and sector boundary verification using shntool
 by jjoops@attbi.com. Notes: d1t02 Cats levels drop @ start; d1t05 Run for the Roses fades in, ca. 15
 seconds missing? d2t01 How Sweet fades in, ca. 15 seconds missing? d2t03 Prudence end barely clipped;
 d2t04 Midnight Moonlight beginning barely clipped.
 Set One: Disc One (6) 50:05 -Set I- 1. Crowd & Tuning [0:17], 2. Cats Under the Stars [9:33]
 [0:20], 3. Mission in the Rain [11:56] [0:12], 4. Love in the Afternoon [10:32], 5. //Run for the
 Roses [5:12#] [0:04], 6. Tangled Up in Blue [11:47] [0:09]
 Set Two: Disc Two (4) 41:21 -Set II- 1. //How Sweet It Is [9:33#] [0:14], 2. When I Paint My
 Masterpiece [9:44] [0:08], 3. Dear Prudence// [14:02#], 4. //Midnight Moonlight [7:24#] [0:14]
08/07/84 Philadelphia, PA - Mann Music Center MAC>CD All 111 0774-0775 xxxxx 
 *JGB: John Ficca, 2 Beyer Dynamic 160s > Sony TCD5M, fixed wobble*
 FOB 10th row center, 2 Beyer Dynamic 160s > Sony TCD5M > Sony CDR-W66 > EAC > CDWave > SHN. Taped
 and Transferred by John Ficca. [From unfixed copy, not sure if still on the new copy: The recording
 suffers from some phasing that could result from improper Dolby decoding?] d1t04 Like a Road ending
  clipped; d1t05 Deal beginning clipped; d1t05 Deal spread over two tracks, over a splice (tape flip?);
 d2t04 Dear Prudence cuts out; d2t05 Gomorrah cuts in.
 Set One: Disc One (6) 46:43 --Set I-- 01. [0:59] I'll Take a Melody [12:01] [0:02], 02.
 [0:23] Get Out of My Life Woman [8:28] -> 03. Run for the Roses [:02+4:59] -> 04. Like a Road/ [9:30],
 05+06. De//al [9:36#+#0:32] [0:06]
 Set Two: Disc Two (7) 63:45 --Set II-- 01. [0:35] Cats Under the Stars [9:09] [10:10], 02.
 Second That Emotion [8:25] [0:08], 03. [0:10] Mississippi Moon [8:59] -> 04. Dear Prudence//
 [:01+13:21#], 05. //Gomorrah [#15:41] -> 06. Midnight Moonlight [:01+7:14] [0:19] --Encore-- 07. How
 Sweet It Is [8:54] [0:26]
08/08/84 Washington, D.C. - Constitution Hall MAC>C>D>CD All n/a enter xxxxx 
 *JGB: Senn 441s > Sony TCD5M*
 Recording Info: Senn441's on stand FOB -> Cassette Master (Sony TCD5M/UDXL-II) -> 1st gen UDXLII .
 Transfer Info: 1st Gen Cassette -> Yamaha KX800u cassette deck -> Apogee AD500e rev02 -> SonyR500 DAT
 -> HHB850 CDR -> EAC Secure Mode -> FLAC7 (2 Discs Audio / 1 Discs FLAC). Transferred and Edited By
 Mike Schuncke, popskull1@comcast.net, 1/29/06. Seeder's Notes: -- I left this as it was given to me 21
 years ago. Taper pauses between most songs. Used Soundforge to fade in d1t05 & D2T02 due to tape flip.
 Analog dropout D2T02 at 04:28 , I left it in. Abrupt ending of D2T04."
 Set One: Set 1: d1t01 - Cats Under The Stars, d1t02 - Knockin on Heavens Door, d1t03 - Run
 For the Roses, d1t04 - Mission in the Rain, d1t05 - Rhapsody in Red
 Set Two: Set 2: d2t01 - Sugaree, d2t02 - Get out of my Life Woman, d2t03 - Simple Twist of
 Fate, d2t04 - Harder They Come//, d2t05 - Tangled Up in Blue --Encore-- d2t06 - How Sweet It Is
08/10/84 Moosic, PA - Rocky Glen Amusement Park MAC>CD  All 120 
 *JGB: Bill Reutelhuber, Nak 300s > Sony TC-D5* *alt xfer*
 This came unattributed with the lineage "MAC w/ CM300's > Sony TC-D5 (w/ Dolby B) > CoolEditPro >
 CDR". Upon a listen, this is the Reutelhuber master. It sounds louder and brighter than the fully
 lineaged copy, the latter attributed possibly suggesting incorrect Dolby decoding.
 Set One: 57:51
 Set Two: 61:31
08/10/84 Moosic, PA - Rocky Glen Amusement Park MAC>CD All 115 0958-0959 xxxxx 
 *JGB: Bill Reutelhuber, Nak CM300/CP4 > Sony D5*
 Recording Info: (FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape); Transfer
 Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo
 (24bit/44.1k); Process Info: Processed through Nuendo using Waves Q10 and Waves L2 and rendered down
 to a 16 bit wave file. Recorded and Transfered BY Bill Reutelhuber. Tracked and SHN'd By Charlie
 Miller, charliemiller87@earthlink.net, 11/28/03. JJ Notes: nice tape, low vocals but very nice clear
 guitar; - d1t02 CJ nice fanning @ 9-min. mark; - d1t05 Run for the Roses quick splice near start? -
 d2t03 Get Out of My Life clips in? - d2t04 Melody nice fanning @ 10-min. mark. shnid 20750
 Set One: Disc One (6) 56:03 --set I-- How Sweet It Is To Be Loved By You, Catfish John,
 That's What Love Will Make You Do, Love In The Afternoon -> Run For The Roses -> Deal
 Set Two: Disc Two (7) 58:48 --set II-- Crowd & Tuning [0:28], Cats Under The Stars, /Get Out
 Of My Life Woman, I'll Take a Melody -> Gomorrah -> Midnight Moonlight --Encore-- Tangled Up In
 Blue
08/10/84 Moosic, PA - Rocky Glen Amusement Park MAC>CD All n/a 1274 77917 
 *JGB: Jim Vita, Senn 421s > Sony D5*
 Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > ART DI/O > Digital Audio Labs Card
 Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches. Source used for entire songs and
 patches: (FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape) Recorded by Bill
 Reutelhuber. * Entire song by alternative source; ** First 9:43 provided by alternative source; cross
 faded into main source; *** First 0:12 provided by alternative source; cross faded into main
  source.
 Set One: Set One: d1t01 - How Sweet It Is (To Be Loved By You) *, d1t02 - Catfish John **,
 d1t03 - That's What Love Will Make You Do , d1t04 - Love In The Afternoon , d1t06 - Run For The
 Roses -> d1t06 - Deal
  Set Two: Set Two: d2t01 - Tuning, d2t02 - Cats Under The Stars, d2t03 - Get Out Of My Life
 Woman, d2t04 - I'll Take A Melody -> d2t05 - Gomorrah -> d2t06 - Midnight Moonlight *** Encore: d2t07
 - Tangled Up In Blue
08/11/84 Caldwell, NJ - Caldwell College MAC>D>CD All 95 0343 9504 
 *JGB: Jeff Silberman, Senn 441s > unknown deck*
 MAC > DATx2 > CDx? > EAC > SHN. Recorded by Jeff Silberman, Sennheiser 441s > unknown deck.
 Extraction using EAC, re-tracking using WavMerge and CD Wave, .shn encoding using mkwACT, and sector
 boundary verification using shntool. Notes: d1t03 TLEO beginning barely clipped; d2t03 Get Out of My
 Life beginning barely clipped.
 Set One: Disc One (7) 59:31 -Set I- 1. Crowd & Tuning [0:44], 2. Cats Under the Stars [9:09]
 [0:03], 3. //They Love Each Other [#7:55] [0:06], 4. Simple Twist of Fate [12:18] -> 5. Run for the
 Roses [5:09] -> 6. Dear Prudence [11:26] -> 7. Rhapsody in Red [12:25] [0:14]
 Set Two: Disc Two (5) 34:36 -Set II- 1. Crowd & Tuning [0:07], 2. Mission in the Rain
 [11:09] [0:04], 3. //Get Out of My Life Woman [#8:22] [0:07], 4. Like A Road [6:56] -> 5. Midnight
 Moonlight [7:37] [0:13]
08/11/84 Caldwell, NJ - Caldwell College MAC>CD All 94 
 *JGB: Steve Ziemba, Nak 300s > Sony D5*
 Saith 'goodskates84': "The second set is super short because some naked guy jumped on stage in
 front of Jerry and freaked everybody out". Says a bt.etree commenter: "LOL, I was at this show, it
 was great...but the guy wasn't naked. He was fully clothed, and came crashinig through the drum set,
 pretty much. Got to the front of the stage and raised his fists like a drunken pinhead and was
 promptly removed. Garcia didn't so much as look in his direction, didn't bat an eyelash...." JJ: very
 nice tape. CUTS is hot.
 Set One: Disc One (6 tracks, 58:47) --Set I-- Cats Under the Stars, /They Love Each Other,
 /Simple Twist of Fate -> Run for the Roses, Dear Prudence -> Rhapsody in Red
 Set Two: Disc Two (4 tracks, 34:39) --Set II-- Mission in the Rain, Get Out of My Life
 Woman, Like a Road -> Midnight Moonlight
08/11/84 Caldwell, NJ - Caldwell College MAC>CD All 95 0968 21718 
 *JGB: Bill Reutelhuber, Nak CM300/CP4 > Sony D5*
 Recording Info: (FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape). Transfer
 Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo
 (24bit/44.1k). Process Info: Processed through Nuendo using Waves Q10, C4 and L2 and rendered down to
 a 16 bit wave file. Notes: Tracked and Edited With Samplitude 7.02 Professional (2 Discs Audio / 1
 Disc SHN). Recorded and Transfered BY Bill Reutelhuber. Tracked and SHN'd By Charlie Miller,
 charliemiller87@earthlink.net, 1/11/04. This RIR is hot as hell!! TJS Notes: Concert series entitled
 "Concerts on the Hill". Robert Hunter opened. From an attendee: "That Caldwell College concert was
 memorable. Security was very hostile. Then halfway through the second set some crazed individual got
 on the stage leaping on it from behind the band and knocked over part of the drum kit. The band
 finished the song and left the stage. That explains the short set and no encore. Don't know what
 happened to the guy. He jumped into the area between the stage and a security fence which I think was
 full of cops. Wish I'd caught that on film but it happened too fast." Lineup: Jerry Garcia - guitar,
 vocals; John Kahn - bass; Melvin Seals - keyboards; David Kemper - drums; Jaclyn LaBranch - backing
 vocals; Gloria Jones - backing vocals.
 Set One: Disc One (6 tracks, 59:46) --Set I-- Tuning [0:53], Cats Under the Stars [9:11]
 [0:02], They Love Each Other [7:58] [0:04], Simple Twist of Fate [12:21] -> Run for the Roses -17:34
 :02, Dear Prudence [11:24] -> @@Rhapsody in Red [12:34] [0:04]
 Set Two: Disc Two (4 tracks, 34:52) --Set II-- Mission in the Rain [11:41] [0:03] Get Out of
 My Life, Woman [8:28] [0:31] Like a Road [6:57] -> Midnight Moonlight [7:40]
08/11/84 Caldwell, NJ - Caldwell College  MAC>CD All n/a 1274 78159 
 *JGB: Jim Vita, Senn 421s > Sony D5*
 Jim Vita mac (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O
 > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David
 Minches.
 Set One: Cats Under The Stars, They Love Each Other, Simple Twist Of Fate, Run For The
 Roses, Dear Prudence
 Set Two: Rhapsody In Red, Mission In The Rain, Get Out Of My Life Woman, Like A Road,
 Midnight Moonlight
08/11/84 Caldwell, NJ - Caldwell College MAC>CD All n/a 1363 91396 
 *JGB: Joe D'Amico, Nak 300s > Sony D5*
  taper : Joe D'Amico ''aka'' Joebeacon: nak 300 mics > sony d-5; nak dragon tape deck > sony sbm1 >
 creative extigy soundcard > cool edit pro > flac frontend. in front of the board dead center. "Some
 dude jumped on stage during like a road and jerry got really bugged out and whipped out one of the
 fastest midnight moonlights i ever heard and before the rest of the band could get off the stage
 jerrys bus was pulling away. the place was run by nuns and i believe jerry was the 2nd concert they
 had there and the last well enjoy."
 Set One: Cats Under The Stars, They Love Each Other, Simple Twist Of Fate, Run For The
 Roses, Dear Prudence
 Set Two: Rhapsody In Red, Mission In The Rain, Get Out Of My Life Woman, Like A Road,
 Midnight Moonlight
08/12/84 Hampton Beach, NH - Club Casino Ballroom MAC>D>CD All 105 0314-0315 8607 
 *JGB: Jeff Silberman, Senn 441s > unknown deck*
 Sennheiser 441's~>Deck Unknown. Recorded by Jeff Silberman. A very nice recording! d1t05 Deal
 blips @ 0:02-0:05; d1t05 Deal cut/splice @ 0:55; d1t05 Deal drop/splice @ 7:34; d2t03 Gomorrah first
 few notes clipped? d2t05 How Sweet light crackle @ 2:27
 Set One: Disc One (5) 49:13, Set I, 1. I'll Take a Melody [13:38], 2. Get Out of My Life
 [9:57] [0:08], 3. Love in the Afternoon [9:37] -> 4. Run for the Roses [5:02] -> 5. De//al [10:26#]
 [0:23]
 Set Two: Disc Two (6) 56:03, Set II, 1. Harder They Come [14:23] [0:16], 2. Like a Road
 [9:07] [0:06], 3. Tore Up [8:51] [0:05], 4. Gomorrah [5:52] -> 5. Midnight Moonlight [7:42] [0:05],
 Encore: 6. How Sweet It Is [9:29] [0:04]
08/12/84 Hampton Beach, NH - Club Casino Ballroom MAC>CD All 102 
 *JGB: Steve Ziemba, Nak 300s > Sony D5*
 Nice tape. Jerry sounds remarkably lifelike, especially during set I. In fact, this Get Out of My
 Life Woman is really smokin'. RFTR cuts out, Deal cuts in (probable tape flip). Gomorrah clips in.
 Mid Moon is light speed, cuts out
 Set One: Disc One (5 tracks, 48:00 --Set I-- I'll Take a Melody, Get Out of My Life Woman,
 Love in the Afternoon -> Run for the Roses//, //Deal
 Set Two: Disc Two (6 tracks, 53:32) --Set II-- Harder They Come, Like a Road, Tore Up,
 /Gomorrah -> Midnight Moonlight// --Encore-- How Sweet It Is
08/12/84 Hampton Beach, NH - Club Casino Ballroom MAC>CD All n/a enter 92244 
 *JGB: Derek McCabe, Beyer M160s > Sony D5*
 Source: Maxell II-S cassette master; Beyer M-160 mics > Sony D5 > Sony D6; Taper: Derek McCabe;
 Transfer: Nak DR-1 > Korg MR-1000 > DSD; Mastering: DSD > Audiogate > 2496 wav > Bias Peak > Nomad
 Factory Analog Mmastering Tools Multi Max > wav > xACT > flac; Released: June 11, 2008. Notes: *
  missing "I'll Take A Melody" -- entire song patched from the following source: Aud(Sennheiser
 441>FOB)- C1> DAT> CD-R> EAC> WaveLab 4.0> CD Wave Editor> FLAC. First gen cassette transfer to DAT:
 Denon DRM550> Tascam DA-20MKII DAT to CD-R Transfer: Tascam DA-20MKII> Tascam CD-RW700 [ this is from
 a first gen cassette, not the master] ** cable issue causing dropouts at 2:37 - 2:41 and again at 2:44
 - 2:46, fixed with mono patches.
 Set One: Set 1 CD1 1. I'll Take a Melody* (patched) 2. //Get Out of My Life Woman 3. Love
 in the Afternoon > 4. Run for the Roses 5. Deal
 Set Two: Set 2 CD2 1. The Harder They Come > 2. Like a Road 3. Tore Up [tape flip
 crossfaded] 4. Gommorah 5. Midnight Moonlight (encore) 6. How Sweet It Is
08/13/84 Hampton Beach, NH - Club Casino Ballroom MAC>CD All 120 
 *JGB: Steve Ziemba, Nak 300s > Sony D5*
 Steve Ziemba, Nak 300s > Sony D5, via Jim Powell. Terrific tape. d1t02 KOHD clips in, one channel
 out @ 2:52. Great Sugaree!
 Set One: Disc One (5 tracks, 62:17) --Set I-- Cats Under the Stars, /Knockin' on Heaven's
 Door, Second That Emotion, Mississippi Moon, Tangled Up in Blue
 Set Two: Disc Two (5 tracks, 57:31) --Set II-- Sugaree [17:15] [0:16], Run for the Roses,
 Get Out of My Life Woman, Midnight Moonlight, Rhapsody in Red
08/13/84 Hampton Beach, NH - Club Casino Ballroom MA?>?>D>CD All n/a 1258 32070 
 *JGB: unknown taper & gear*
 Source: "dAUD". Lineage: AUD > ??? > DATc (@48kHz). Transfer: Panasonic SV-3700 > S/PDIF > M-Audio
 410 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.1 (tracking & 48k > 44.1k resample) > WAV > xACT
 > flac 8. Taper: unknown. Transfer: Tom Rumland (trumlandATgmailDOTcom) 01.05.2006. Seeder's Notes:
 "- splice during 'crowd' at end of d1t03; - splice during 'crowd' at end of d2t03; - splice during
 'crowd' at end of d2t04; - end of encore is missing; - my guess is the splices came about when this
 was put on DAT in order to fit the show in a 2hr DAT."
 Set One: Disc 1: Set I d1t01 [11:03] //Cats Under The Stars, d1t02 [16:08] //Knockin' On
 Heaven's Door, d1t03 [12:07] I Second That Emotion//, d1t04 [10:35] Mississippi Moon, d1t05 [13:50]
 Tangled Up In Blue
 Set Two: Disc 2: Set II: d2t01 [17:32] Sugaree, d2t02 [05:19] Run For The Roses, d2t03
 [12:24] Get Out Of My Life Woman, d2t04 [07:35] Midnight Moonlight --Encore-- d2t05 [14:17] //Rhapsody
 In Red//
08/13/84 Hampton Beach, NH - Club Casino Ballroom MAC>CD II n/a 0955 20751 
 *JGB: Bill Reutelhuber, Nak 300/CP4 > Sony TC-D5M*
 Set One: Cats Under The Stars, Knockin' On Heaven's Door, I Second That Emotion, Mississippi
 Moon, Tangled Up In Blue
 Set Two: Sugaree, Run For The Roses, Get Out Of My Life Woman, Midnight Moonlight, Rhapsody
 In Red
08/15/84 Middletown, NY - Orange County Community College MAC>C>CD All 99 1208 30231 
 *JGB: Luke R., Senn MD421s > Sony TC-D5M*
 MAC > C > CD. Senn MD-441's > Sony TC-D5M, no dolby. Recorded by Luke R. MAC > Sony TC-D5M >
 Marantz PMD-340, no dolby, by Andrew F. 1st gen transfer: Maxell XLII-S90 and XLII90 cassettes >
 Nakamichi Dragon > HHB CDR830plus > EAC > Sound Forge 6.0 > CDWave 1.94.5 > wav > shn by Anne Cohen
 7/2005. Nice tape. I heard a tick @ 4:06 of Gomorrah. Midnight Moonlight is a supersonic trainwreck,
 incredibly fast and incredibly sloppy.
 Set One: Disc One: Set 1: 1. audience, tuning (0:44), 2. I'll Take A Melody (14:50), 3. Get
 Out Of My Life Woman (9:57), 4. Simple Twist Of Fate (12:40), 5. That's Alright Mama > (8:46) 6. Deal
 (10:33), TT (57:33)
 Set Two: Disc Two: Set 2: 1. audience, tuning (0:17), 2. The Harder They Come (13:53), 3.
 When I Paint My Masterpiece (8:33), 4. Run For The Roses (5:16), 5. Gomorrah (5:49) -> 6. Midnight
 Moonlight (7:28), TT (41:18)
08/15/84 Middletown, NY - Orange County Community College MAC>CD All 98 1247 30833 
 *JGB: Rick Pauline & Rob Berger, Senn 421s > Sony D5*
 Source: Taped by Rick Pauline & Rob Berger, Senn 421s (20 feet in front of the board) > Sony D5;
  Transfer: Nakamichi Dragon playback > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 >
 shntool > flac encoding > wav > slight modifications (see notes) > flac encoding. Transfer by David
 Minches, slight modifications by jjoops. Notes: - Great guitar tone on this tape, very low vocals and
 little bass to speak of. But a nice listen. Show is uneven, hot at times (Melody, That's Alright
 Mama), sloppy at others (Run for the Roses, Midnight Moonlight). - The first 15 seconds of Deal
 patched from "Luke R."'s master, seeded by Anne Cohen (shnid=30231). - There was a 3-second chunk of
 crowd noise at the start of d2 which wasn't continuous with the rest of the show. I deleted it and
  split the pre-set II crowd and tuning out using CDWave.
 Set One: Disc One (6 tracks, 56:06) --Set I-- 01. Crowd & Tuning [0:31], 02. I'll Take a
 Melody [14:14] [0:13], 03. Get Out of My Life Woman [9:37] [0:05], 04. Simple Twist of Fate [12:24]
 [0:05], 05. That's Alright Mama [8:39] -> 06. Deal [10:10] [0:06]
 Set Two: Disc Two (5 tracks, 41:32) --Set II-- 01. Crowd & Tuning [0:14], 02. Harder They
 Come [13:50] [0:05], 03. When I Paint My Masterpiece [8:42] -> 04. Run for the Roses [5:14] [0:02],
 05. Gomorrah [5:55] -> 06. Midnight Moonlight [7:27] [0:02]
08/15/84 Middletown, NY - Orange County Community College MAC>CD All  94 
 *JGB: Matt Caffrey, AT mics > Sony D5*
 Matt Caffrey's MAC (Audio Technica mics > Sony D5) > Nakamichi CR-4A playback > HHb 850 CD/0 > EAC
 / CD. Low vox but terrific in-your-face guitar sound. - d2t02 Masterpiece clips in
 Set One: Disc One (5 tracks, 53:53) --Set I-- 01. [0:04] I'll Take A Melody [13:43] [0:18],
 02. [0:06] Get Out Of My Life Woman [9:17] [0:04], 03. Simple Twist Of Fate [11:55] -> 04. That's
 Alright Mama [8:24] -> 05. Deal [9:50] [0:07]
 Set Two: Disc Two (5 tracks, 39:52) --Set II-- 01. The Harder They Come [13:21] [0:03], 02.
 /When I Paint My Masterpiece [8:21] -> 03. Run For The Roses [5:05] [0:07], 04. Gomorrah [5:41] -> 05.
  Midnight Moonlight [7:08] [0:05]
08/15/84 Middletown, NY - Orange County Community College MA?>?>CD I,IIp 83 
 *JGB: unknown taping details*
 Probably a very nice master, vox a little low and a fair amount of hiss (including improper Dolby
 decoding, I suspect). So this copy, of unknown provenance, sounds o.k./good, but not great. d1t01
 Melody clips in; d1t03 Simple Twist cuts out; d2t03 Run for the Roses cuts out harshly; missing last
 two songs.
 Set One: Disc One (5) 55:35 --Set I-- 01. /I'll Take A Melody [#14:10] [0:18], 02. [0:05]
 Get Out Of My Life Woman [9:40] [0:05], 03. Simple Twist Of Fate// [12:17#], 04. That's Alright Mama
 [8:39] -> 05. Deal [10:11] [0:04+:02 from set II]
 Set Two: Disc Two (3) 26:50 --Set II-- 01. The Harder They Come [13:48] [0:03], 02. When I
 Paint My Masterpiece [8:38] -> 03. Run For The Roses// [4:17#] (MISSING Gomorrah, Midnight
 Moonlight)
08/16/84 East Setauket, NY - Port Haven Music Center MAC>CD All 109 0746-0747 xxxxx 
 *JGB: Joe D'Amico, Nak 300s > Sony D5*
 MAC (Taped by Joe D'Amico, Nakamichi CM-300 mics > Sony D5) > Ultracurve Pro-Digital 24 bit DSP
 mainframe > HHb master CD > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) >
 sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Notes/Flaws: -
 This is quite a nice recording of a solid show; - d1t06 Like a Road barely clips in; - The signal
 strength seems to weaken during Love in the Afternoon and Mission in the Rain, with hiss more
 noticeable. Info on why this show was canceled from 8/14/84, from Rich Pawelczyk: "I can now recall
 pulling up into the parking lot on the originally scheduled date with my buddies only to be told that
 the venue did not have the proper permits to host a concert. ... So hopefully that clears it up. ...
 To my knowledge Good Skates a/k/a the facetiously named "Port Haven Music Hall" hosted only one more
 show (by the Fixx) before succumbing to suburban strip mall bulldozers."
 Set One: Disc One (7) 52:46 --Set I-- 01. Crowd & Tuning [0:25], 02. How Sweet It Is [9:53]
 [0:05], 03. They Love Each Other [8:06] [0:17], 04. Valerie [8:11] [0:06], 05. Run For The Roses
 [5:11] [0:01], 06. /Like A Road [7:46] -> 07. Tangled Up In Blue [12:35] [0:07]
 Set Two: Disc Two (6) 56:26 --Set II-- 01. Crowd & Tuning [0:05], 02. Cats Under The Stars
 [11:59] [0:23], 03. Love In The Afternoon [12:12] [0:03], 04. Mission In The Rain [12:09] [0:32], 05.
 Dear Prudence [12:24] -> 06. Midnight Moonlight [6:30] [0:06]
08/16/84 East Setauket, NY - Port Haven Music Center MAC>CD All n/a 1363 91442 
 *JGB: Joe D'Amico, Nak 300s > Sony D5*
 taper : Joe D'Amico ''aka'' Joebeacon; nak 300 mics > sony d-5; nak dragon tape deck > sony sbm1 >
 creative extigy soundcard> cool edit pro> flac frontend. "A little history about this show . the show
 date was 8/14 then the shopping center where the roller rink was part of went on fire so the show
 didn't go on untill the 16th . also the sound system in the place sucked what do you expect from a
 roller rink . i was up front about 10 feet high dead center and there was a hiss coming out of the
 speakers all night . also the a/c in the place broke down somewhere in the first set and the place
 became a sweat pit . when you listen to cats and jerry say anyone who sweats like this ect... the
 place goes nuts because it was super hot in there . i had the a/c unit right above my head making some
 funky noises and dripping water on my head all night which wasn't to bad since the place was so hot .
 if i remember right there was alot of rain while the show was going on and people where opening the
 exit doors and going under a broken gutter that was pouring water out of it just to cool off . so
 during some of the slower songs you can here the hiss from the speakers but all in all this was a
 pretty somking show . let me know what you think of the sound and the show ....enjoy joe." Info on
 why this show was canceled from 8/14/84, from Rich Pawelczyk: "I can now recall pulling up into the
 parking lot on the originally scheduled date with my buddies only to be told that the venue did not
 have the proper permits to host a concert. ... So hopefully that clears it up. ... To my knowledge
 Good Skates a/k/a the facetiously named "Port Haven Music Hall" hosted only one more show (by the
 Fixx) before succumbing to suburban strip mall bulldozers."
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, Valerie, Run For The
 Roses, Like A Road, Tangled Up In Blue
 Set Two: Cats Under The Stars, Love In The Afternoon, Mission In The Rain, Dear Prudence,
 Midnight Moonlight
08/18/84 Chicago, IL - The Pavilion MAC>D>CD All 62 0313 8415 
 *JGB: Brian O'Connell, Nak 100s (shotgun) > Sony D5*
 MAC > DAT > CDR Nak 100s > D5, 10th row center (shotgun caps were used) Taper Brian O'Connell. t01
 Cats fades in, < 20 seconds missing, t01 Cats blip @ 0:59, t01 Cats anomaly @ 6:03 (mic getting hit?),
 t02 Get Out of My Life digi-static @ 2:33, t04 Run for the Roses light static @ 1:56-1:57, t05
 Gomorrah anomalies @ 1:52, 1:55, t05 Gomorrah buzzing ca. 5:00-5:25, t05 Gomorrah pop @ 5:18
  Set One: 1. //Cats Under the Stars [#7:04] [0:14], 2. Get Out of My Life [10:57] [0:16], 3.
 I'll Take a Melody [13:42] -> 4. Run for the Roses [5:15] [0:13], 5. Gomorrah [6:08] [0:04], 6.
 Midnight Moonlight [7:21] [0:18] --Encore-- 7. [0:10] Deal [9:35] [0:10], Total Time 61:30
08/18/84 Chicago, IL - The Pavillion MAC>D>CD All n/a 1023 22084 
 *JGB: Senn 421s > Sony D5*
 MAC (Sennheiser 421s > Sony D5) > DAT > D8 playback > MAudio DiO 2448 > Soundforge 5.0 > CDWave
 1.62 > cdr > eac > shn. Non-seekable shns.
 Set One: Cats Under The Stars, Get Out Of My Life Woman, I'll Take A Melody, Run For The
 Roses, Gomorrah, Midnight Moonlight, E: Deal
08/18/84 Chicago, IL - The Pavillion MAC>C>D>CD All 65 1022 xxxxx 
 *JGB: Doug & Nancy, Nak 300s > Sony D5*
 MAC (Taped by Doug & Nancy, Nak 300s [3rd row center] > Sony D5) > 1 cassette > DAT > CD > EAC >
 shntool > SHN. Needs re-tracking. non-seekable shns. Notes 20040926: in comparing the "Doug & Nancy"
 Nak 300 source with the Senn 421 source, it's hard to say which is better. (I didn't have the
 O'Connell Nak 100 source on hand for comparison.) The Senn source is much flatter, less high end, but
 good. This source has much more high end, greater dynamic range, and sounds a little more ... upfront.
 Levels are higher. But there is also more audible crowd chatter. I suspect that there is a Dolby
 decoding issue here, too. If I were forced to choose, I'd probably use this as the basic recording
 and patch with the Senn 421 source. Of course I'd have to look at the O'Connell source too before
 making any decisions. But no copy is complete without cuts, so some sort of patched composite should
 eventually be compiled.
 Set One: Single Disc (7) 64:44, 01. [0:20] Cats Under the Stars [8:17] [0:22], 02. Get Out
 of My Life Woman [:02+10:57] [0:11], 03. [0:06] I'll Take a Melody [13:50] -> 04. Run for the Roses
 [:05+5:20] [0:35], 05. [0:05] Gomorrah [7:55] [0:05], 06. //Midnight Moonlight [#7:27] [0:38]
 --Encore-- 07. [0:10] Deal [9:48] [0:23]
08/18/84 Chicago, IL - The Pavillion MAC>C>CD All 62 enter xxxxx 
 *JGB: David Doppelt, Nak 300s (?) > Sony D5*
 David Doppelt's Nak 300s (?) > Sony D5 MAC > MP's 1st gen cassette > CD > EAC > CDWave > FLAC8.
 Lineup: Jerry Garcia - guitar, vocals; John Kahn - bass; Melvin Seals - keyboards; David Kemper -
 drums; Jaclyn LaBranch - backing vocals; Gloria Jones - backing vocals. Notes: - Not a terrible aud, a
 little bright (possibly from improper Dolby decode). There is some phasing. - t01 CUTS clips in, not
 much missing; - t01 CUTS R channel out at start, some level flux; - t06 Midnight Moonlight cuts in
 (tape flip).
 Set One: (7 tracks 61:48) t01. Cats Under The Stars [8:03] [0:27] t02. Get Out Of My Life
 Woman [10:42] [0:14] t03. I'll Take A Melody [13:29] -> t04. Run For The Roses [5:13] [0:28] t05.
 Gomorrah [5:57] [0:04] % t06. /Midnight Moonlight [7:17] [0:13] --Encore-- t07. Deal [9:38] [0:03]
08/24/84 San Francisco, CA - The Stone MA?>?>CD All-1 86 
 *JGB: unknown taper & gear*
 TAO; d1t05 Deal skip or flip @ 1:18; perhaps the roughest Garcia vocals ever recorded.
 Set One: Disc One (5) 45:14 --Set I-- Cats Under The Stars, Knockin' On Heaven's Door, Get
 Out Of My Life Woman, /Let It Rock-> Deal
 Set Two: Disc Two (3) 40:46 --Set II-- The Harder They Come, Sugaree-> Don't Let Go (MISSING
 -> Midnight Moonlight)
08/26/84 Palo Alto, CA - Keystone Palo Alto MAC>D>CD All 109 
 *JGB: John Corley*
 Great tape of a horrifically bad show. Don't Let Go is terrific, the rest of the show is terrible.
 Tape flip in TUIB @ 11:10. Love i nthe Afternoon cuts out. MITR train wreck to start. Great return
 to the theme @ 14-min. in Don't Let Go, with even Kahn adding some nice fat plunking.
 Set One: Disc One (6 tracks, 49:03) --Set I-- How Sweet It Is, TLEO, Run for the Roses, Get
 Out of My Life Woman, Tangled Up// in Blue
 Set Two: Disc Two (6 tracks, 59:50 --Set II-- Mission in the Rain, Love in the Afternoon//,
 Dear Prudence, Don't Let Go [16:37] -> Midnight Moonlight
08/26/84 Palo Alto, CA - Keystone Palo Alto MAC>CD All n/a 1301 84568 
 *JGB: Don Dearth, Sony stereo mic > Sony D6*
 Source: Don Dearth's Master audience cassette Sony D6C w/Sony Stereo Mic; Played back on Nakamichi
 CR3A onto Hp Computer (no dolby) > Sound Forge Vol @ 5.5DB and normalized > Flac7. JJ: - Jerry sounds
  absolutely awful. - d1t01 HSII cuts in, not much missing. - d1t01 HSII levels jump up dangerously @
 0:18. - d1t01 HSII levls drop @ 4:00, come back up @ 2:25 of TLEO. - d1t03 RFTR glitch @ 3:30, some
 missing material. - d1t05 TUIB fades out. - d2t01 guitars are louder. - d2t01 MITR is a mess. - d2t02
 LITA has some pretty nice playing. - d2t04 DLG Jerry picks up the pace @ 7-min mark ... unusual
 sounding. And Kahn adds some fat bass pulls @ ca. 13:45, as the jam starts to resolve. Nice.
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, Run For The Roses, Get
 Out Of My Life Woman-> Tangled Up In Blue
 Set Two: Mission In The Rain, Love In The Afternoon, Dear Prudence, Don't Let Go-> Midnight
 Moonlight
08/26/84 Palo Alto, CA - Keystone Palo Alto MAC>C>CD Partial 37 
 *JGB: Unknown taper*
 Set One: on 1/19/74 aud partial: 05. [0:06] Dear Prudence [15:03] [0:44], 06. //Don't Let Go
 [#16:49] -> Midnight Moonlight// [3:37#]
08/27/84 Palo Alto, CA - Keystone Palo Alto MAC>D>CD All 122 
 *JGB: John Corley*
 STOF clips out; RFTR clips in; MM cuts out. Horrific vox, among the worst ever. This is especially
 true in set II. That said, this Don't Let Go is actually quite excellent, with some filthy raunch @
 ca. 8:34 and a strong flavor of The Other One.
  Set One: Disc One (5 tracks, 56:01) --Set I-- Cats Under the Stars, Catfish John, Simple
 Twist of Fate/, /Run for the Roses, Deal
 Set Two: Disc Two (4 tracks, 65:44) --Set II-- I'll Take a Melody [17:20], Harder They Come
  [18:09], /Don't Let Go [22:55] -> Midnight Moonlight//
08/28/84 San Francisco, CA - Wolfgang's MAC>D>CD All 41 
 *JGJK: John Corley*
 Truly one of the worst performances of Garcia's career. The vocals are horrifying, and the tunes
 are dull as could be, except Goodnight Irene which is a complete trainwreck. Kahn is nearly inaudible
 until FOTD. JG is literally whispering during Ripple. Caveat auditor. WK gives this eyewitness report:
 "Jerry was bouncing his nose off the microphone his whole set. It was very sad. When his set was over
 he turned the wrong way to leave the stage and John had to grab him by the arm to steer him towards
 the stage stairs."
 Set One: Single Disc (7 tracks, 41:00) Deep Elem Blues, Been All Around This World, Friend
 of the Devil, Little Sadie, /Oh Babe It Ain't No Lie, Goodnight Irene --Encore-- Ripple
08/28/84 San Francisco, CA - Wolfgang's MAC>CD All 39 1195 xxxxx 
 *JGJK: unknown taper, D6*
 Truly one of the worst performances of Garcia's career. The vocals are horrifying, and the tunes
 are dull as could be, except Goodnight Irene which is a complete trainwreck. Caveat auditor. WK gives
 this eyewitness report: "Jerry was bouncing his nose off the microphone his whole set. It was very
 sad. When his set was over he turned the wrong way to leave the stage and John had to grab him by the
 arm to steer him towards the stage stairs."
 Set One: Single Disc (7 tracks, 38:38), Deep Elem Blues, Been All Around This World, Friend
 Of The Devil, Little Sadie, Oh Babe It Ain't No Lie, Goodnight Irene-> Ripple
09/15/84 San Francisco, CA - The Stone MSC>2C>CD All-1 86 1138 27921 
 *JGB*
 Jerry Garcia - g,v; John Kahn - b; Melvin Seals - keys; David Kemper - d; Jaclyn LaBranch - backing
 vocals; DeeDee Dickerson - backing vocals. Master soundboard cassette > cassette x 2 > CD > Plextor
 PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool
 v2.0.3) > .flac encoding (flac v1.1.0). EAC and FLAC encoding by Jack Warner
 (jackmw1ATsbcglobalDOTnet). Thanks to Steven Martin for the source.
 Set One: Disc 1 (5 tracks) [54:18] --Set One-- 1 //I'll Take A Melody [12:39] 2 Get Out Of
 My Life Woman [11:16] 3 I Second That Emotion [9:42] 4 Dear Prudence// [11:31] > 5 //Tangled Up In
 Blue [9:07]
 Set Two: Disc 2 (4 tracks) [31:34] --Set Two-- 1 Cats Under The Stars [8:33] 2 Love In The
 Afternoon [9:39] 3 When I Paint My Masterpiece [6:58] 4 Reuben And Cherise [6:23] >// [MISSING
 Midnight Moonlight]
09/16/84 San Francisco, CA - The Stone MA?>?>CD All n/a 
 *JGB: unknown taper & gear*
 OK, I thought 8/24/84 had the worst Garcia vox ever. Maybe it's this show instead -- terrible
 vocals! Recording is so-so, lots of small pops and ticks, though the overall performance is o.k., if
 incredibly brief (barely over an hour of actual music). d1t01 How Sweet cuts in; d1t02 TTLEO clips
 in; d1t05 HTC cuts in, missing ca. 25-30 secs; d1t07 R&C digi-static @ 2:01. Like a Road starts, runs
 for five minutes, cuts out, starts over and completes.
 Set One: Single Disc (8) 68:24 --Set I-- 01. //How Sweet It Is To Be Loved By You, They Love
 Each Other, Run For The Roses, Deal --Set II-- 05. //Harder They Come, Like a Road -> Reuben & Cherise
 -> Midnight Moonlight
09/28/84 Guerneville, CA - River Theater MAC>D>CD All 105 98996 
 *JGJK: John Corley, Nak 700s > Sony TCD5M*
 Set One: Deep Elem Blues, Friend Of The Devil, Little Sadie, I've Been All Around This
 World, Simple Twist Of Fate, Run For The Roses
 Set Two: When I Paint My Masterpiece, Valerie, Oh Babe, It Ain't No Lie, Bird Song,
 Gomorrah, Ripple Encore: Goodnight Irene
11/16/84 University Park, PA - Eisenhower Auditorium (PSU) MA?>?>CD All n/a 0783 xxxxx 
 *JGJK: unknown taper & gear*
 AUD (unknown mics and taper) > ? > CDR > WAV >SHN. Seeder notes: "Comments: Beginning of the
 second set is clipped. Levels at the beginning of the second set were significantly quieter - i was
 able to normalize this section to the rest of the set using a +2.8 dB gain using soundforge 5. Thanks
 to S.Aserkoff for the CDR source. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > editing
 (soundforge 5) > tracking (cdwave) > SHN (shorten 3.4) > FTP hosting via C.Ladner/candyman FTP.
 Another installatSHN of the MisSHN in the Rain branch of the music never stopped project."
 Set One: --Set 1-- 01 Deep Elem Blues, 02 Friend Of The Devil , 03 Little Sadie , 04
 Run For The Roses , 05 Oh Babe, It Ain't No Lie, 06 Bird Song --Set 2 -- 07 //When I Paint My
 Masterpiece , 08 Valerie , 09 I've Been All Around This World , 10 Russian Lullaby , 11
 Gomorrah --Encore-- 12 Goodnight Irene
11/17/84 Boston, MA - Orpheum Theater MAC>C>CD All 70 1253  31343 
 *JGJK: Mark _____, unknown gear* *speed corrected*
 Have original shn (shn id 30874, #1249) as well as this speed-corrected version. Source: Audience
 (Taper = Mark ___; unknown mics, dfc 1st row) > Master Cassette (unknown gear); Transfer 1: MC > C(1)
 (Scotch XSM-90 Metal tape via G. Reynolds (mako21)); Transfer 2: C(1) > Aiwa AD-F180 > THC cables >
 Edirol UA-5 > PC (USB) > Wavelab 5.01 @ 24/96. Mastering: Wavelab 5.01a (X-noise to reduce hiss; L3
 Multimaximizer to increase gain & dither to 16 bits) > resample to 44.1 khZ > FLAC>>(too)>>FLAC.
 Original seeder (Mark Goldey) notes: "Notes:According to the Jerry Site, this show circulates as an
 AUD recording. It's unlikely that this is that source. The story of this tape: George was a student
 at URI and went to the show with two buddies and a guy named "Mark" who happened to have a car and the
 recording equipment, but no ticket. They parted ways outside the venue. Only after the show did
 George discover that Mark had scored a front row center ticket for face, and recorded the show.
 George made his copy from that master tape, and I met George in Furthur chat. This recording is
 excellent in almost every way. The taper was in the first row, and you can hear not only the house
 sound, but also the sound directly from Jerry's guitar and John's bass. Location, location, location.
 There are a few flaws. The tape was stopped between some songs, and it seems that Deep Elem and
 Goodnight Irene are missing (if the Jerry Site has it right, which it usually does). The start of
 each side of the cassette is marred by some tape flutter, etc. which evens out after a few moments.
 It sounds like the taper picked up the deck a few times to check on the tape, too. Most of the tape
 hiss is now gone, but a little remains. I restored the high end with the L3 Multimaximizer and pulled
 out some of the bass but, like alot of these G&K audience recordings, there's a lot of low end in
 here. When Bird Song starts, the sound quality changes. I can't tell why. Overall, I think his
 sounds great. Many thanks to George for the cassette, without which we would not be listening to
 this. Enjoy." Fixer (Bob Loy)'s notes: "It was mentioned that this recording ran a bit fast, a couple
 cassette gens will do that, the discussed difference was 5.3%, so I resampled to 32bit float 96khz,
 did a speed correction, some minor editing/smoothing of tape flips, flutter, deck bumps, crossfades
 etc. minor eq as long as it didn't interupt the actual music. there seems to be a definite source
 (change) at birdsong; smoothed out as much as possible; diff gen?" JJ: Simple Twist nice guitar 8-min
 mark; t08 Gomorrah tick/skip @ 2:54.
 Set One: (10 tracks, 70:18), Deep Elem Blues, When I Paint My Masterpiece, Little Sadie ->
 Simple Twist Of Fate -> Run For The Roses, Friend Of The Devil, /Been All Around This World -> Oh Babe
 It Ain't No Lie, Gomorrah, Bird Song, Goodnight Irene, E: Ripple
11/18/84 New York, NY - Avery Fisher Hall  MAC>D>CD All 95 0312 8411 
 *JGJK: Kenny Mance, AKG CE1s > Uher CR-240*
 MAC > DAT > CDx1 > EAC > SHN. Taped by Kenny Mance: 4th row center, AKG CE-1 mics > Uher Cr-240
 onto TDK SA-X 90 cassettes (no Dolby). A>D conversion by Jim Wise: Playback on Uher Cr-240 > Sony PCM
 p-700 DAT @ 44.1k > HHB CDR-800 > CD. shn conversion by Todd Norman norma023@tc.umn.edu. Proper sector
 boundaries verified using shntool.
 Set One: Set 1, Deep Elem Blues, It Takes A Lot To Laugh It Takes A Train To Cry, Little
 Sadie, Friend Of The Devil, Run For The Roses, Simple Twist Of Fate
 Set Two: Set 2, When I Paint My Masterpiece, I've Been All Around This World, Oh Babe It
 Ain't No Lie, Bird Song, Goodnight Irene
11/20/84 Washington, D.C. - Constitution Hall MAC>C>CD All n/a 1250 30935 
 *JGJK: Audio Technica (pin point stereo mic) > Sony D6*
 Taped by One Drop Productions; FOB (up front) Audio Technica (pin point stereo mic) > D6 > MC;
 Transfer by ggjskl@yahoo.com 9/20/05: 1st gen cass > Sony TC-WE305 > Rotel 1090 > Raine ME60 analog
 processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1(fades) > flac 16(level 8).
 Notes: You will hear some rustling noises throughout the show mainly between songs due to having to
 adjust / move the mic stand to avoid detection. Simple Twist of Fate is cut (tape ran out). EQ
 adjusted using Raine ME 60 micrographic equalizer prior to A -> D.
 Set One: Deep Elem Blues, Little Sadie, Dire Wolf, Valerie, Run For The Roses, Simple Twist
 Of Fate//
 Set Two: Friend Of The Devil, Been All Around This World, When I Paint My Masterpiece, Bird
 Song
11/21/84 Upper Darby, PA - Tower Theatre MAC>C>CD All 81 1156 28785 
 *JGJK: Nak CM 100 shotguns*
  MAC (Unknown taper, Nakamichi CM100 shotguns > unknown deck) > 1st gen cassette (Eric) > Sony TCD5
 playback > Roland UA-30 interface via Peak > Mac G3 > tracking (Pro Tools) > CD (Toast) > Plexwriter
 PX-W4824A extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave
 v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1
 Etree edition). Cassette transfer by slip, EAC >> FLAC by jjoops. Notes: - A pretty decent recording
 of a very sloppy show. Only edits undertaken involved removing TAO gaps and smoothing a few tape
 transitions, usually with short fades, and often right where the track markers fall.
 Set One: Disc One (4) 37:51 --Set I --01. Deep Elem Blues [8:42] [0:11], 02. Friend of the
 Devil [7:53] [0:13], 03. All Around This World [6:06] [0:12], 04. Simple Twist of Fate [14:15]
 [0:16]
 Set Two: Disc Two (5) 43:24 --Set II-- 01. Run for the Roses [4:28] -> 02. Jack-a-Roe [7:00]
 [0:04], 03. Gomorrah [6:19] [0:09], 04. Bird Song [14:11] -> 05. Goodnight Irene [11:01] [0:10]
11/23/84 Norfolk, VA - Chrysler Auditorium MAC>CD All n/a 0977  24490 
 *JGJK: Nak 300s > Sony D5*
 Nak 300 shotguns > Sony D5.
 Set One: Deep Elem Blues, Friend Of The Devil, Little Sadie, Peggy-O*, Oh Babe It Ain't No
 Lie, Run For The Roses
 Set Two: When I Paint My Masterpiece, Been All Around This World, Jack-A-Roe, Bird Song,
 Goodnight Irene
11/23/84 Norfolk, VA - Chrysler Auditorium MAC>CD All n/a enter 91846 
 *JGJK: Sennheiser ME80s > Sony TC-D5M*
 Lineage: Sennheiser ME80s > Sony TC-D5M Master Cassette; Transfer: Sony TC-D5M > WaveTerminal U2A
 USB > PC > CDWAVE > WAV > MkwV097.B1 > SHN; Location: Row 15 DFC Mics 15' in air. Taper's Notes: "This
 show was the day after Thanksgiving and Jerry was looking like he had just a little too much turkey.
 The guitar work is great. Afterall, isn't that why we kept going back for more? But his voice was
 really hurtin this night. The show was short but sweet. The second set Birsong was exceptional. The
 theatre was pretty small and it was GA. We parked ourselves in the dead center of the 15th row and
 jacked the Sennheiser shotguns way up, thus the recording quality is excellent as there were no rules
 that evening. Not one of Jerrys best nights, but well worth a good listen. Unfortunately, Hunter
 didn't come out and play with Jerry as we all expected, but you cant have everything."
 Set One: Deep Elem Blues, Friend Of The Devil, Little Sadie, Peggy-O*, Oh Babe It Ain't No
 Lie, Run For The Roses
 Set Two: When I Paint My Masterpiece, Been All Around This World, Jack-A-Roe, Bird Song,
 Goodnight Irene
11/24/84a Passaic, NJ - Capitol Theater MAC>CD All 55 
 *Garcia & Kahn: Ray Ackerman, AT 835As > Sony TC-D6*
 Taped by Ray Ackerman FOB 8th row just left of center 2xAudio Technica AT835a (hand held) mics >
 Sony TC-D6 master cassette (TDK SA-90 dolby B) > SBM 2600 processor (Rega Planet-(Canare LV61S/Neutric
 RCA's) > Marantz CDR630 CDRx0 > CDRx? Notes: - Garcia sounds absolutely terrible. - d1t01 DEB anomaly
  @ track 2:33; - d1t04 Train to Cry clips in; - d1t05 Run for the Roses clips in.
 Set One: Disc One (10) 72:12 EARLY SHOW 01. [0:53] Deep Elem Blues [7:40] -> 02. Little
 Sadie [4:08] [0:04], 03. All Around This World [6:22] [0:04], 04. /Train to Cry [:01+7:38], 05. /Run
 for the Roses [4:13] -> 06. Simple Twist of Fate [:03+12:12] -> 07. Goodnight Irene [:02+7:55] [0:04]
 --Encore-- 08. Ripple [3:59] [0:04] --Filler: LATE SHOW (see separate entry)
11/24/84b Passaic, NJ - Capitol Theater MAC>CD All 82 
 *Garcia & Kahn: Ray Ackerman, AT 835As > Sony TC-D6*
 Taped by Ray Ackerman, FOB 9th row just right of center 2xAudio Technica AT835a (hand held)
 mics>Sony TC-D6 master cassette (TDK SA-90 dolby B)>SBM 2600 processor(Rega Planet-(Canare
 LV61S/Neutric RCA's)>Marantz CDR630 CDR/0 > CDRx? Notes: - d2t05 Reuben & Cherise cuts in; - these are
 pretty close to all being segues; - the Hunter filler on d2 is amazing, one of the most beautiful
 renditions of Box of Rain that I have heard.
 Set One: Disc One (from early show d1) --Set I-- 09. Deep Elem Blues [9:17] -> 10. Friend of
 the Devil [:02+7:18] [0:07]
 Set Two: :0Disc Two (10) 70:16, 01. end of previous song [0:12], Dire Wolf [3:43] -> 02.
 Masterpiece [8:18] [0:01], 03. Jack-a-Roe [4:42] -> 04. Run for the Roses [4:08] [0:03] --Set II-- 05.
 //Reuben & Cherise [#6:59] [0:03], 06. Gomorrah [5:38] [0:03], 07. Peggy-O [7:25] [0:03], 08. Bird
 Song [13:43] -> 09. Goodnight Irene [8:52] [0:06] --Filler: Robert Hunter, probably same date and
 venue-- 10. Box of Rain
11/26/84 Hartford, CT - Bushnell Auditorium MS?>?>CD All 94 
 *Garcia & Kahn*
 This is a decent soundboard, not cut up like so many others from the era. d1t06 Simple Twist
 gap/skip @ 13:28 during final reverbs
 Set One: Disc One (6) 47:15, 1. [0:04] Deep Elem Blues [8:34] [0:03], 2. [0:04] Little Sadie
 [4:39] [0:03], 3. Peggy-O [7:49] [0:03], 4. [0:03] Valerie [7:49] -> 5. Run for the Roses [4:18]
 [0:05], 6. Simple Twist of Fate [13:32] [0:06]
 Set Two: Disc Two (5) 47:06, 1. Reuben & Cherise [7:49] -> 2. Friend of the Devil [8:51]
 [0:03], 3. Jack-a-Roe [5:46] -> 4. Gomorrah [6:18] -> 5. Bird Song [18:14] [0:03]
11/26/84 Hartnell, CT - Bushnell Auditorium MAC>CD All 92 
 *JGJK: Nakamichi 100s > Sony D6*
 FOB MAC (Nak 100s > D6) > playback on Yamaha tape deck > Dell computer > Soundforge 4.5 > CD. A>D
 transfer by Brian Tartus. JJ: - d1t01 DEB significant level fluctuations first minute or so, then
 seems to settle in. - d1t03 Peggy-O pretty horrifying vocals; 2nd to last (of four) non-GD versions. -
 bad artifact @ start of Valerie; levels much higher - d1t06 STOF glitch @ 10:01; clips out - I am
 shocked by how much I like this. - Jack-a-Roe is approaching "trainwreck" status JG sounds terrible in
 Gomorrah ... this 2nd set is going rapidly downhill. - This is a *long* Bird Song, but it meanders a
 whole lot. - Bird Song splice @ 16:55 (tape flip?), then cuts out.
 Set One: Disc One (6 tracks, 45:59) --Set I-- d1t01. Deep Elem Blues [8:29] [0:07] d1t02.
 Little Sadie [4:33] [0:03] d1t03. Peggy-O [7:41] [0:06] d1t04. Valerie [7:37] -> d1t05. Run for the
 Roses [4:12] [0:05] d1t06. Simple Twist of Fate/ [13:06]
 Set Two: Disc Two (5 tracks, 45:45) --Set II-- d2t01. Reuben and Cherise [7:43] -> d2t02.
 Friend of the Devil [8:34] [0:05] d2t03. Jack-a-Roe [5:33] [0:03] d2t04. Gommorah [6:09] -> d2t05.
 Bird //Song// [17:38]
11/26/84 Hartford, CT - Bushnell Aud., Bushnell U. matrix All n/a 1231 30608 
 *JGJK: matrix of MSC>D and Nak 300s sources*
 SBD= Source: MSC > C > DAT > WAV > SHN; FOB= Nak 300 cartoids > SonyD5 > MAC > SoundForge 4.5 >
 DellDim 4100 > EZCD > CD > DAE (EAC) > shn via TimOC, mtmoc@cox.net (shnid= 11602); MATRIX = resampled
 both sources to 32bit float/96000 Hertz wav AUDACITY > 24 bit signed pcm/96khz WAV (matrix) > 16 bit
 signed pcm wav 44100 hertz > tracking > FLAC. Seeder's comments: "The aud was speed corrected
 {-1.9%set1; -2.1% set2}(accounting for pitch and tempo) I am not a sound engineer (yet) so I can't say
 100% that this was absolutely correct (the fob claims to be lower gen), but given the amount of hiss
 involved(fob) I chose the sbd for the reference trusting it's lineage to be of fewer cassete gens than
 the aud, the fob was plagued w/ speed problem through out and had to be manipulated back and forth
 about every 5 to 10 seconds to keep Jerry from echoing, this SBD is very crisp and I did not touch it
  at all (besides reference) until the final mix, the fob had many alterations, due to speed flux: speed
 corrected, played w/ the tempo and pitch seperately a few times, eq'd to my favorite accoustic plug in
 (to reduce hiss/ noise reduction was not applied), attenuated the volume of a few whoops and whistles
 that would wreck your ears, (and speakers) downed the db level (reduced the gain -3db) on final mix,
 and trimmed a few thousandths of a second here and there when it just wouldn't synch up otherwise. all
 of the manipulations to the fob are completely smoothed out in the final mix, and I am quite pleased
 w/ the outcome, the final mix is approximately 60% SBD / 40% FOB. several brief drop outs in the aud
 no longer noticeable aud missing 46.09.490431 - 46.14.691701 set2t05 (birdsong) smoothed out."
 Set One: Deep Elem Blues, Little Sadie, Peggy-O, Valerie, Run For The Roses, Simple Twist Of
 Fate, Rubin And Cherise, Friend Of The Devil, Jack-A-Roe, Gomorrah, Bird Song
11/27/84 Rochester, NY - Auditorium Theater MAC>D>CD All 85 0912 25411 
 *JGJK: Unknown taper & gear*
 Seeder notes: Very good audience recording with minor level fluctuations largely related to the
 taper turning down the gain because of audience noise - most notable at the beginning of sets and at
 the first notes of Ripple. There were some pauses between tracks with a couple instances of the
 clipping of the first note. Silent gaps between pauses were removed and the overall level of the
 recording was increased by 1.5 dB using SF6. Comments: Final of only four non-GD Garcia performances
 of "Peggy-O".
 Set One: Deep Elem Blues, Little Sadie, Friend Of The Devil, Oh Babe It Ain't No Lie, When I
 Paint My Masterpiece, Run For The Roses
 Set Two: Rubin And Cherise, Been All Around This World, Peggy-O, Simple Twist Of Fate,
 Ripple
12/02/84 San Francisco, CA - The Stone MAC>CD All 101 0623 xxxxx 
 *JGB: John Corley, Nak 700s > Sony TCD5M*
 MAC (Taped by John Corley, disassembled Nak 700s clipped to brim of hat for stealth [20' from
 stage, first row of tables, dead center]> Sony TCD5M) > CDR > EAC > Shn. A>D Transfer via Dan Ward,
 EAC'ed/Shn'ed by Charlie Connor.
 Set One: CD1 Set One: Total Time 51:16, 1. //Cats Under The Stars , 2. Catfish John , 3.
 Second That Emotion , 4. Mississippi Moon , 5. //Tangled Up In Blue
 Set Two: cD2, Set Two: Total Time 50:21, 1. Mission In The Rain , 2. Get Out Of My Life , 3.
 Run For The Roses// , 4. Dear Prudence > 5. Midnight Moonlight
12/05/84 Eugene, OR - Silva Hall, Hult Center MA?>?>C>CD All n/a 1275 79642 
 *JGB: probably a multigen copy of Otto Rice's master*
 Source: AUD > ? > C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for
 SBE-OK, FLAC compression & checksums) > FLAC, October 2006 by Andrew F. Notes: "There's a cut (tape
 flip) at the start of Midnight Moonlight. Soundforge was used to adjust levels, correct the pitch, and
 to make fades. THANKS to Jeff Harrison and Jake Feinberg for the tape. ENJOY!" JJ: based on it being
 only set II and based on the cut at the start of Mid Moon, this is probably a multigen copy of Otto
  Rice's master.
 Set Two: I'll Take A Melody, Get Out Of My Life Woman, Dear Prudence, Gomorrah
12/05/84 Eugene, OR - Silva Hall, Hult Center MAC>CD II 48 
 *JGB: Otto Rice, Senn 441s > Sony D5M*
 MAC (Taped by Otto Rice, Senn 441s [10th row dead center] > Sony D5M) > Marantz PMD 510 > HHB 850
 CD/0.
 Set One: Cats Under The Stars, They Love Each Other, When I Paint My Masterpiece, Love In
 The Afternoon, Run For The Roses, Deal
 Set Two: I'll Take A Melody, Get Out Of My Life Woman, Dear Prudence, Gomorrah -> //Midnight
 Moonlight
12/06/84 Portland, OR - Starry Night MS?>?>C>CD All n/a 0952  20325 
 *JGB*
 Set One: How Sweet It Is To Be Loved By You, Knockin' On Heaven's Door, I Second That
 Emotion, Mississippi Moon, Tangled Up In Blue
 Set Two: Sugaree, Get Out Of My Life Woman, Simple Twist Of Fate, Run For The Roses, E:
 Midnight Moonlight
12/06/84 Portland, OR - Starry Night MSC>P>C>CD All 88 
 *JGB*
 MSC > PCM BETA > NAK BX100 1st gen cassette (Eric's Note: "Charlie Neat's collection", refers to
 the Beta?) > Sony TCD5 playback > Roland UA-30 interface via Peak > MAC G3 > Pro Tools for tracking >
 Toast > CD . Cassette transfer by slip. JJ: extremely scary vocals, truly awful. Guitar levels rise @
 6:10 of HSII. TUIB is fragmentary, only 3 seconds.
 Set One: Disc One (5 tracks, 42:14) --Set I-- How Sweet It Is To Be Loved By You, Knockin'
 On Heaven's Door, I Second That Emotion, Mississippi Moon -> Tangled Up In Blue// (fragment)
 Set Two: Disc Two (5 tracks, 45:54) --Set II-- Sugaree, Get Out Of My Life Woman, Simple
 Twist Of Fate, Run For The Roses, E: Midnight Moonlight
12/06/84 Portland, OR - Starry Night  MAC>CD I,IIp 75 
 *JGB: Otto Rice, Senn 441s > Sony D5M*
 MAC (Taped by Otto Rice, Senn 441s [front row balcony] > Sony D5M) > Marantz PMD 510 > HHB 850
 CD/0.
 Set One: 75:09, --Set I-- How Sweet It Is To Be Loved By You, Knockin' On Heaven's Door, I
 Second That Emotion, Mississippi Moon, Tangled Up In Blue --Set II-- Sugaree, Get Out of My Life
 Woman
12/07/84 Portland, OR - Starry Night  MAC>C>CD n/a 
 *JGB: Rick Ableson (?), Nak CM 100 shotguns*
 AUD>(Rick Ableson), Nak CM 100 shotguns > 1st gen cassette (Eric) > Sony TCD5 playback > Roland
 UA-30 interface via Peak > MAC G3 > Pro Tools for tracking > Toast > CD . Cassette transfer by
 slip.
 Set One: Cats Under The Stars, When I Paint My Masterpiece, Get Out Of My Life Woman, Run
 For The Roses, Deal
 Set Two: Mission In The Rain, The Harder They Come, Don't Let Go-> Midnight Moonlight
12/07/84 Portland, OR - Starry Night MAC>CD All n/a enter 89197 
 *JGB: Mark Severson, 2x Nak 700s > Sony TC-D5M*
  Recorded by Mark Severson; 2x Nakamichi mini 700s cardoids> Sony TC-D5M (2x Maxell MX-90s), Mics in
 5" tube, 8' apart on railing of front row center balcony. Transfer and FLAC encoding by David Minches:
 Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe>
 Adobe Audition 2.0> (dither/downsample)> FLAC encoding. Midnight Moonlight patch [5:17 - 5:22] from
 SHNID 21136 (Nak CM 100 shotguns > CM > CDR > WAV > SHN).
 Set One: Cats Under The Stars, When I Paint My Masterpiece, Get Out Of My Life Woman, Run
 For The Roses, Deal
 Set Two: Mission In The Rain, The Harder They Come, Don't Let Go-> Midnight Moonlight
12/07/84 Portland, OR - Starry Night  MAC>CD All-1 84 
 *JGB: Otto Rice, Senn 441s > Sony D5M*
 MAC (Taped by Otto Rice, Senn 441s [front row balcony] > Sony D5M) > Marantz PMD 510 > HHB 850
 CD/0.
 Set One: Cats Under The Stars, When I Paint My Masterpiece, Get Out Of My Life Woman, Run
 For The Roses, Deal
 Set Two: Mission In The Rain, The Harder They Come, Don't Let Go [MISSING -> Midnight
 Moonlight]
12/07/84 Portland, OR - Starry Night MA?>?>C>CD All-1 n/a enter xxxxx 
 *JGB: probably a multigen copy of the Otto Rice master*
 Source: AUD > ? > C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for
 SBE-OK, FLAC compression & checksums) > FLAC, October 2006 by Andrew F. Notes: "Soundforge was used to
 adjust the pitch, fix some dropouts, and make fades. With THANKS to Jeff Harrison and Jake Feinberg
 for providing this tape. ***ENJOY***" JJ: this is almost certainly a mutligen copy of the Otto Rice
 master.
 Set One: Cats Under The Stars, When I Paint My Masterpiece, Get Out Of My Life Woman, Run
 For The Roses, Deal
 Set Two: Mission In The Rain, The Harder They Come, Don't Let Go (MISSING -> Midnight
 Moonlight)
12/08/84 Seattle, WA - Paramount Theater MSC>P>C>CD 82 
 *JGB*
 MSC > PCM BETA > NAK BX100 1st gen cassette (Eric's; Note: "Charlie Neat's collection", refers to
 the Beta?) > Sony TCD5 playback > Roland UA-30 interface via Peak > MAC G3 > Pro Tools for tracking >
 Toast > CD. Cassette transfer by slip. A fair number of ticks and pops throughout. Jerry sounds
 terrible, truly awful in R&C (w/ vocal clam @ 1:24). Decent STOF with nice guitar work.
 Set One: Disc One (5 tracks, 41:48) --Set I-- How Sweet It Is To Be Loved By You, They Love
 Each Other, Simple Twist Of Fate, Run For The Roses, Deal
 Set Two: Disc Two (5 tracks, 39:41) --Set II-- Cats Under The Stars, Love In The Afternoon,
 Rubin And Cherise, Gomorrah, Midnight Moonlight
12/08/84 Seattle, WA - Paramount Theater  MAC>CD All 82 0906 xxxxx 
 *JGB: Pat Lee, Sony ECM-270s > Sony D5*
 MAC (Taped by Pat Lee, Sony ECM-270s (Menke's) > Sony D5M) > Nakamichi Dragon playback > Egosys
 Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT). Transfer and .shn by David Minches.
 Really nice tape. Bad vocals. Jerry is in a really big hurry to get backstage.
 Set One: Disc One (6 tracks, 41:56) --Set I-- How Sweet It Is To Be Loved By You, They Love
 Each Other, Simple Twist Of Fate -> Run For The Roses, Deal
 Set Two: Disc Two (6 tracks, 39:35) --Set II-- Cats Under The Stars, Love In The Afternoon,
 Rubin And Cherise, Gomorrah -> Midnight Moonlight
12/08/84 Seattle, WA - Paramount Theater MAC All n/a 
 *JGB: Mark Severson, 2x Nak 700s > Sony TC-D5M*
 Recorded by Mark Severson; 2 Nakamichi mini 700s cardoids> 2 mic pre-amp> DBX NX-40> Sony TC-D5M (2
 Maxell MX-90s), Mics in 5" tube, 10' apart on front row center balcony center railing. Transfer and
 FLAC encoding by David Minches: Master played back on Nakamichi Dragon (Dolby off)> DBX NX-40> Grace
 Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC
 encoding.
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, Simple Twist Of Fate, Run
 For The Roses, Deal
 Set Two: Cats Under The Stars, Love In The Afternoon, Rubin And Cherise, Gomorrah, Midnight
 Moonlight
 
01/12/85z Nora Sage's House - Unknown City, CA ambient All n/a 
 *Interview*
  Rec'd in trade from Bill Ferdinandsen.
02/15/85 Twilight Zone Sessions MS?>?>CD ?? 21 
 *Merl Saunders*
 Sounds nice, then hissier after track 7.
 Set One: (15) 21:24
03/02/85 San Francisco, CA - The Stone MAC>D>CD Ip/II 78 
 *JGB: John Corley*
 Set One: Single Disc (9 tracks, 78:01) --end set I-- Let it Rock, Simple Twist of Fate, Deal
  --Set II-- How Sweet It Is, When I Paint My Masterpiece, Run for the Roses -> Gomorrah -> Reuben &
 Cherise -> Midnight Moonlight
03/03/85 San Francisco, CA - The Stone MAC>D>CD All n/a  
 *JGB: John Corley*
05/31/85a Beverly Hills, CA - Beverly Theater MAC>C>CD Most n/a 1254 32007 
 *JGJK: Joe Pinedo, Sony 939 > Sony D5*
 Taper: Joe Pinedo: Sony 939 & Sony D5. Transfer & CD mastering/shn conversion by Brian Mandel,
 gdplusmore@aol.com. 1st Gen Cassette Maxell XLII 90 with Dolby B -> Nakamichi BX300 -> Macintosh ->
 Peak Bias -> JAM -> cdr -> eac -> mkw -> shntools. SetII is said to be incomplete. bt.etree.org user
 "dylanstubs" offered this recollection on 10/26/2007: "I have fond memories of the 5-31-85 Garcia/Kahn
 show at the Beverly Theatre in Los Angeles. The sound was really weird, and you could hear Jerry's
 heavy breathing through the P.A., even when he stepped away from the mic. They did 6 songs and thought
 they would take a break before the separately ticketed late show, which did not sit well with the
 early show audience. The one and only time I ever heard a BULLSHIT chant at a concert, let alone a
 Dead related show. They were enticed to play 3 more songs. :)"
 Set One: Run For The Roses, Been All Around This World, Friend Of The Devil-> Deep Elem
 Blues, Simple Twist Of Fate, Ripple
 Set Two: Jack-A-Roe, Oh Babe It Ain't No Lie-> When I Paint My Masterpiece
06/01/85 San Francisco, CA - The Stone MAC>C>CD All 84  
 *JGB: Bob Damico, unknown mics > Sony D5*
 Taped by Bob Damico, back of the house, unknown mics (hand-held) > Sony D5 master cassette > MX's
 first generation cassette > playback using Sony TC-WR635S > powerpc MAC with soundedit II software >
 CD/0 > EAC > CD/1. A>D transfer by Matt Xavier. A pretty decent recording, pretty good highs, mids,
 and vocals, bass is a bit light but not boomy. Notes: Jerry played a Modulus guitar. d1t01 Cats cuts
 in, not much missing; d1t01 Cats drop/cut/splice @ 0:12; d1t02 Knockin' clips in, very little missing;
 d1t03-04could be retracked; d1t04-05 the taper apparently hit the pause button, then reconsidered at
 the transition into Deal. Very little missing here; d2t01 Mission cuts in, missing ca. 15 seconds;
 d2t05 TUIB cuts out near end, missing ca. 10 seconds.
 Set One: Disc One (5) 40:07 --Set I-- 1. //Cats// Under The Stars [#7:#09], 2. //Knockin' On
 Heaven's Door [#10:44] [0:04], 3. Tore Up Over You [9:19] [0:04], 4. Run For The Roses [5:04] -> 5.
 Deal [7:37] [0:04]
 Set Two: Disc Two (5) 44:05 --Set II-- 1. //Mission In The Rain [#11:14] [0:04], 2. Love In
 The Afternoon [7:48] [0:03], 3. Gomorrah false start [0:15], Gomorrah [5:47] [0:08], 4. Reuben &
 Cherise [7:06] [0:08], 5. [0:04] Tangled Up In Blue// [11:23#] [0:03]
06/01/85 San Francisco, CA - The Stone MAC>D>CD All 89  
 *JGB: John Corley*
 Probably Nak 700s in the silly hat > Sony D5. d1t01 CUTS cuts in; d1t04 gap @ marker; MITR
 interesting interlude @ 5:45 ... not entirely successful (meandering, unfocused), but unusual; bass is
  almost inaudible.
 Set One: Disc One (5 tracks, 41:30) --Set I-- //Cats Under the Stars, Knockin' on Heaven's
 Door -> Tore Up Over You, Run for the Roses -> Deal
 Set Two: Disc Two (4 tracks, 46:36) --Set II-- tuning/noodling [1:02], Mission in the Rain,
 Love in the Afternoon, Gomorrah, Reuben and Cherise, Tangled Up in Blue
06/03/85 Palo Alto, CA - Keystone Palo Alto MAC>D>CD All n/a 
 *JGB: John Corley*
06/03/85 Palo Alto, CA - Keystone Palo Alto MAC>CD All n/a enter 92786 
 *JGB: Russ Cansler, Realistic PZMs > Sony WMD6C*
 Taper: Russ Cansler; Location: 10 feet away, left of center 5 feet; Gear: Hat-Mounted realistic
 PZMs > Sony WMD6C; Media: Maxell UDS-II 90 No nr; Transfer: HD > Audacity > CDWave > TLH. Notes: Not
 much presence on vocals; slight mic handling noise; light tics on tape -- age artifact?
 Set One: CD1 set 1 01) How Sweet It Is [09:52] 02) They Love Each Other [08:29] 03) When I
 Paint My Masterpiece [11:24] 04) Mississippi Moon [10:10] tape flip 05) /Deal [09:19] total 49:19
 Set Two: CD 2 set 2 01) I'll Take a Melody [15:02] 02) Simple Twist of Fate [12:27] 03)
 Midnight Moonlight [07:31] total 35:03
06/03/85 Palo Alto, CA - Keystone Palo Alto MAC>CD All n/a 1379 95560 
 *JGB: Taz Yamaguchi, 2x Uher mics > Sony TC-D5*
  Recorded by Tazuo Yamaguchi; 2 Uher mics> Sony TC-D5. Transfer and FLAC encoding by David
 Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe>
 Adobe Audition 2.0> (dither/downsample)> FLAC encoding.
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, When I Paint My
 Masterpiece, Mississippi Moon, Deal
 Set Two: I'll Take A Melody, Simple Twist Of Fate, Midnight Moonlight
08/04/85 San Francisco, CA - The Stone MAC>CD All 77 0492 11041 
 *JGB: Charlie Connor, Nak 700s > Sony TC-D5M*
 MAC (Charlie Connor, patched out of John Corley's disassembled Nak 700s clipped to brim of hat for
 stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak
 DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit
 resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT).
 Analog and Digital Mastering by Charlie Connor. t01 Melody several pops in the 2:30 range, skip @
 2:34, pop @ 5:46. t01 Melody levels drop @ 5:46; t02 Sugaree very start clipped; t02 Sugaree pop @
 5:46; t05 Cats cuts in before first vocals, ca. 15-20 secs. missing? I verified that the pops were
 present on the .shns, and are not a burning artifact. From taper: Intermittent left channel static
 (most likely due to a loose patchcord) on d1t01 and d1t04 repaired as best as possible but still
 noticeable in spots."
 Set One: Disc One (8) [77:07] --Set I-- 1. I'll Take A Melody [12:40] [0:05], 2. /Sugaree
 [11:33] [0:08], 3. Simple Twist Of Fate [12:31] -> 4. Deal [8:59] [0:05]--Set II-- 5. //Cats Under The
 Stars [#8:39] -> 6. Gomorrah [5:43] [0:06], 7. Reuben And Cherise [9:29] -> 8. Midnight Moonlight
 [:04+6:57] [0:04]
08/05/85 San Francisco, CA - The Stone MAC>CD All 99 0495 11121 
 *JGB: Charlie Connor, Nak 700s > Sony TC-D5M*
 MAC (Charlie Connor, patched from John Corley's disassembled Nak 700s clipped to brim of hat for
  stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak
 DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit
 resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT).
 Analog and Digital Mastering by Charlie Connor.
 Set One: CD 1, Set One: 1. How Sweet It Is, 2. They Love Each Other -> 3. Knockin' On
 Heaven's Door -> 4. Run For The Roses -> 5. //Tangled Up In Blue
 Set Two: CD2, Set Two: 1. Tuning, 2. Mission In The Rain, 3. Love In The Afternoon, 4.
 Russian Lullaby, 5. The Night They Drove Old Dixie Down, 6. //Midnight Moonlight
08/09/85 San Francisco, CA - The Stone MAC>CD All 82 0496 11131 
 *JGB: Charlie Connor, Nak 700s > Sony TC-D5M*
 MAC (Charlie Connor, patched from John Corley's disassembled Nak 700s clipped to brim of hat for
  stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak
 DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit
 resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT).
 Analog and Digital Mastering by Charlie Connor.
 Set One: CD 1, First Set, 1. //Cats Under The Stars, 2. Catfish John -> 3. Simple Twist Of
 Fate -> 4. Run For The Roses -> 5. Deal
 Set Two: CD 2, Second Set, 1. //I'll Take A Melody, 2. When I Paint My Masterpiece ->3.
 Gomorrah -> 4. Rueben And Cherise, 5. Midnight Moonlight
08/10/85 Palo Alto, CA - Keystone Palo Alto MAC>CD All 72 0497 11145 
 *JGB: Charlie Connor, Nak 700s > Sony TC-D5M*
 MAC (Charlie Connor, patched from John Corley's disassembled Nak 700s clipped to brim of hat for
 stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak
 DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit
 resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT).
 Analog and digital mastering by Charlie Connor.
08/17/85 Guerneville, CA - River Theater MAC>CD All 83 
 *JGJK: John Corley*
 Set One: Disc One (6 tracks, 43:10) --Set I-- Deep Elem Blues, Little Sadie -> Valerie,
 Friend of the Devil, Simple Twist of Fate -> Run for the Roses
 Set Two: Disc Two (5 tracks, 40:22) --Set II-- When I Paint My Masterpiece, Been All Around
  This World, Jack-a-Roe -> Bird Song, Gomorrah, Ripple
08/18/85 Oakland, CA - Dunsmuir House & Gardens MAC>CD All 77 0615 13520 
 *JGJK: Bob Menke, Nak 700s > Sony D5M*
 Taped by Bob Menke, Nak 700s (15' from stage slightly off-center > Sony D5M master cassette (Dolby
 B, Maxell Metal) > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC (secure mode) > SHN (MKWACT). A>D
 by Bob Menke, EAC>SHN by Charlie Connor. I heard a few light ticks during d1t06 (All Around This
 World) around 3:39-3:40. This is a wonderful recording of what turns out to be a surprisingly good
 show.
 Set One: Single Disc (13) 76:51 --Set I-- 1. Tuning [2:07], 2. Deep Elem Blues , 3. Friend
 Of The Devil , 4. Little Sadie , 5. Valerie , 6. I've Been All Around This World -> 7. Run For The
 Roses --Set II-- 8. When I Paint My Masterpiece , 9. Jack-A-Roe , 10. Bird Song , 11. Gomorrah ->12.
 Ripple --Encore-- 13. Goodnight Irene
09/27/85 San Francisco, CA - The Stone MAC>CD All n/a 1301 84821 
 *JGJK: Don Dearth, Sony stereo mic > Sony D6C*
 JGJK: Don Dearth's MAC (Sony D6C w/Sony Stereo Mic [MaxellXL2S90]) > Nakamichi CR3A playback (no
 Dolby) > HP Computer > Sound Forge Vol@ 5.5DB and normalized > CD Wave to make tracks > Flac7.
 Transferred by John Moses.
 Set One: Jack-A-Roe, Deep Elem Blues, Friend Of The Devil-> When I Paint My Masterpiece->
 Little Sadie-> Run For The Roses
 Set Two: It Takes A Lot To Laugh It Takes A Train To Cry-> Rubin And Cherise-> Gomorrah->
 Bird Song-> Ripple-> Goodnight Irene
10/11/85 Guerneville, CA - River Theater MSC>?>C>CD I 36 1227 30623 
 *Garcia & Kahn*
 Master soundboard cassette(?) > ? > cassette > CD > EAC > FLAC. Cassette transfer by slip, EAC >
 FLAC by jjoops. Notes: - Short but nice set. Some flubs in She Belongs to Me and elsewhere, but in
 general Jerry is in pretty good voice for 1985, his playing is relaxed and confident, and Kahn
 actually adds some stuff. - Recording is a bit hissy, maybe a few cassette gens, but is overall a very
 nice soundboard. Thanks to slip for the source discs!
 Set One: Single Disc (7 tracks, 35:53) --Set I-- 01. Tuning [0:32], 02. Deep Elem Blues
 [6:14] [0:05], 03. Jack-a-Roe [4:38] [0:08], 04. Friend of the Devil [7:18] [0:06], 05. Little Sadie
 [4:28] -> 06. She Belongs to Me [7:40] -> 07. Run for the Roses [4:33] [0:09]
10/13/85 San Francisco, CA - The Stone  MAC>D>CD All 76 
 *JGB: John Corley*
 Very low levels first minute. HTC fades in. SQ better after a few minutes.
 Set One: Disc One (5 tracks, 40:17) --Set I-- [0:15] Get Out of My Life Woman, Like a Road,
 Dear Prudence, Run for the Roses -> Deal
 Set Two: Disc Two (5 tracks, 35:45) --Set II-- ... Harder They Come -> Gomorrah -> Reuben &
 Cherise -> Think -> Midnight Moonlight
10/16/85 Santa Cruz, CA - Catalyst MSD>C>CD All 84 1104 24072 
 *JGJK* *early and late shows, complete*
 Set One: Disc One (7) 42:49 --Early Show-- Deep Elem Blues, Friend Of The Devil, Little
 Sadie, She Belongs To Me -> Jack-A-Roe -> Oh Babe It Ain't No Lie -> Rubin And Cherise
 Set Two: Disc Two (8) 40:34 --Late Show-- When I Paint My Masterpiece -> Been All Around
 This World, Run For The Roses, Bird Song ->Gomorrah -> Ripple
10/16/85 San Francisco, CA - The Stone matrix All n/a 1274 78849 
 *JGJK, early and late shows*
 Digital mix from 4 channel cassette master - Soundboard plus Microphones over stage - matrix mix -
  excellent sound quality. This is the first time that this has been digitally mixed from the masters,
 though it has circulated widely from an analog mix to PCM that was done about 15 years ago. This mix
 is a bit more ambient, the bass is louder and it does not have the DC-offset that is in the other
 version. Also this has the last song of the early show that was omitted from the previous seed.
 Complete recording of everything that was performed that night... 2 channels of monitor soundboard and
 2 channels of Crown PZM microphones over stage > Dolby C Maxell XLII-S cassette masters > Yamaha MT44D
 4 channel recorder (4 channels of 45 minutes per 90 min. tape in one direction when sensor is on back
 of cassette). Transfer: Yamaha MT44D (Dolby C on) > Macintosh with Echo Layla audio interface > AIFF >
 Pro Tools (digital matrix mix, normalization, time alignment & tracking) > AIFF > xAct (Flac level 8
 files with sector boundaries verified). md5 file created with checkSum+.
 Set One: Disc 1 - early show - 43:22: 01 [00:48] tune up & crowd before first song, 02
 [06:53] Deep Elem Blues, 03 [06:44] Friend of The Devil, 04 [04:52] Little Sadie, 05 [07:31] She
 Belongs To Me, 06 [04:51] Jack-a-roe, 07 [05:02] Babe It Ain't No Lie, 08 [06:24] Reuben & Cherise, 09
 [00:17] final thanks & crowd
 Set Two: Disc 2 - late show - 38:44: 01 [01:10] tune up & crowd before first song, 02
  [07:13] When I Paint My Masterpiece, 03 [04:41] I've Been All Around This World, 04 [04:38] Run For
 The Roses, 05 [09:45] Bird Song, 06 [06:45] Gomorrah, 07 [04:17] Ripple, 08 [00:15] final thanks &
 crowd
10/16/85 Santa Cruz, CA - The Catalyst MSP>D>CD All-1 n/a 0498 4387 
 *Garcia/Kahn* *early & late*
 MSP>DAT>CDR>EAC>SHNv3. Reuben And Cherise is missing from end of Early Show after Oh Babe. t01
 Deep Elem cut/splice @ track 5:31; t10 Bird Song digi-ticks @ 1:27, 1:34, 2:01, 7:11, 9:22 on my audio
 copy. I have not verified if these are on the circulating .shn copies.
 Set One: --Early Show-- 1. Deep Elem Blues, 2. Friend of the Devil, 3. Little Sadie, 4. She
 Belongs to Me, 5. Jack-A-Roe, 6. Oh Babe It Ain't No Lie (MISSING Reuben and Cherise) --Late Show-- 7.
 When I Paint My Masterpiece, 8. I've Been All Around This World, 9. Run for the Roses, 10. Bird Song,
 11. Gommorah, 12. Ripple
12/21/85 Palo Alto, CA - Keystone Palo Alto MAC>CD All 84 0699 14980 
 *JGB: Dan Gale, Sony ECM939LT > Sony TC-D6C*
 MAC (Taped by Dan Gale, Sony ECM-939LT [center of the dance floor] > Sony TC-D6C) > NAD 6050C
 playback > SBM > PCM-R500 @ 44.1k > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) >
 mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. Notes: - d1t04 Prudence fades out (tape flip); -
 d1t05 Roses fades in (tape flip); - d2t01 How Sweet level flux @ start; - Reuben & Cherise is a
 trainwreck! - this might be one of the shortest complete sets (II) on record.
  Set One: Disc One (5) 50:13 --Set I-- 01. [2:30 Mission in the Rain [11:32] [0:07], 02. Get
 Out of My Life Woman [9:38] [0:10], 03. Like a Road [8:59] [0:15], 04. Dear Prudence ... [12:18#], 05.
 ... Run for the Roses [#4:32] [0:05]
  Set Two: Disc Two (5) 34:11 --Set II-- 01. How Sweet It Is [7:49] -> 02. Masterpiece [6:55]
 -> 03. Reuben & Cherise [6:28] -> 04. Gomorrah [6:11] -> 05. Midnight Moonlight [6:36] [0:08]
12/22/85 Palo Alto, CA - Keystone Palo Alto  MAC>CD All 84 0700 14981 
 *JGB: Dan Gale, Sony ECM939LT > Sony TC-D6C*
 MAC (Taped by Dan Gale, Sony ECM-939LT [center of the dance floor] > Sony TC-D6C) > NAD 6050C
 playback > SBM > PCM-R500 @ 44.1k > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) >
 mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. Nice recording of a short but nice show. Vocals are
 a bit low, but this is quite good. Taper after set I: "that was short"; Sugaree has some really hot
 stuff going on around the 8 minute mark.
 Set One: Disc One (4) 40:05 --Set I-- 01. Cats Under the Stars [8:27] [0:26], 02. Knockin'
 on Heaven's Door [14:37] [0:13], 03. Think [8:17] -> 04. Deal [7:53] [0:09]
 Set Two: Disc Two 5) 44:05 --Set II-- 01. [0:15] Harder They Come [11:15] [0:07], 02.
 Sugaree [11:02] -> 03. Run for the Roses [5:01] [0:25], 04. Mississippi Moon [9:08] -> 05. Midnight
 Moonlight [6:38] [0:10]
 
01/25/86 Upper Darby, PA - Tower Theater MAC>CD All 74 0342 9491 
 *Garcia & Kahn: Ray Ackerman, AT835B+AKGD12E > Sony TC-D5*
 MAC > CD > EAC > SHN. Taped by Ray Ackerman, 2 rows BOB (Orchestra Row E, Sec. L/C, Seat 108),
 Audio Technica 835b w/ low roll off + AKG D12e on mic stand @ 6' > Sony TC-D5 master cassette (Maxell
 metal tape, dolby off) > SBM 2600 processor (Rega Planet-Canare LV61S/Neutric RCA's) > Marantz CDR630
 CDRx0 > CDx? > EAC > retracking (WavMerge & CD Wave) > SHN (mkwACT). t10 Bird Song first few notes
 clipped.
 Set One: Single Disc (13) 74:17 -Set I- 1. Crowd & Tuning [0:08], 2. It Takes a Lot to
 Laugh, It Takes a Train to Cry [5:34] -> 3. Little Sadie [5:15] -> 3. Oh Babe It Ain't No Lie [5:22]
 -> 4. Deep Elem Blues [6:52] -> 5. Simple Twist of Fate [9:56] -> 6. Run For the Roses [4:19] [0:10]
 -Set II- 7. Dire Wolf [2:57] -> 8. Spike Driver Blues [5:30] -> 9. Jack-a-Roe [5:25] [0:40], 10.
 //Bird Song [#11:05] -> 11. Ripple [3:54] [0:05] -Encore- 12. Goodnight Irene [6:48] [0:11]
01/27/86 NYC, NY - The Ritz MSC>CD All 70 
 *JGJK*
 Master Soundboard Cassette>Soundcraftsman 16x4>Sony D5>Cool Edit>CD Wave>SHN. From Dan Cole's
 collection of JG cassettes - he got to patch into the Master Soundboard and was using a Sony D5 at the
 time. It was recorded directly from his master tape onto the computer using Cool Edit, divided the
 tracks using CD Wave and then converted to SHN before recording the copy onto cd.
 Set One: Set I, 1. Deep Elem Blues [5:36] -> 2. Little Sadie [4:31] -> 3. Friend of the
 Devil [6:25] -> 4. Oh Babe It Ain't No Lie [5:26] -> 5. When I Paint My Masterpiece [5:43] -> 6. Run
 For the Roses [4:21] [0:06], Set II, 7. [1:07] Dire Wolf [3:24] -> 8. Simple Twist of Fate [8:26] ->
 9. Spike Driver Blues [4:07] -> 10. Bird Song [9:09] [0:08], 11. Ripple [3:55] [0:15], Encore: 12.
 Goodnight Irene [7:20] [0:07], Total Time 70:08
01/27/86 NYC, NY - The Ritz MSC>CD  All n/a 
 *JGJK*
 This would seem to be an alternate MSC>CD copy, with the following story attached: "the jerry shows
 i taped from the ritz i'm pretty sure i patched out of the board i ran two copies one audience and one
 of the board i plugged into the board without them knowing . there were open jacks on the board and
 when no one was looking i put my cords into it and ran a copy i left them in the board and just took
 my deck at the end of the night and when i went back the next night they were still there so i did it
 again."
 Set One: Deep Elem Blues, Little Sadie, Friend Of The Devil, Oh Babe It Ain't No Lie, When I
 Paint My Masterpiece, Run For The Roses
 Set Two: Dire Wolf, Simple Twist Of Fate, Spike Driver Blues, Bird Song, Ripple, E:
 Goodnight Irene
01/27/86 NYC, NY - The Ritz MAC>CD All 68 
 *JGJK: Joe D'Amico, Nak 300s?*
 Get recording info.
 Set One: Single Disc (12 tracks, 68:00) --Set I-- /Deep Elem Blues, Little Sadie, Friend Of
 The Devil, Oh Babe It Ain't No Lie, When I Paint My Masterpiece, Run For The Roses --Set II-- Dire
 Wolf, Simple Twist Of Fate, Spike Driver Blues, Bird Song, Ripple, E: Goodnight Irene
01/28/86 NYC, NY - The Ritz MSC>CD All 75 
 *JGJK*
 Master Soundboard Cassette>Soundcraftsman 16x4>Sony D5>Cool Edit>CD Wave>SHN. From Dan Cole's
 collection of JG cassettes - he got to patch into the Master Soundboard and was using a Sony D5 at the
 time. It was recorded directly from his master tape onto the computer using Cool Edit, divided the
 tracks using CD Wave and then converted to SHN before recording the copy onto cd.
 Set One: Set I, 1. [1:04] It Takes a Lot to Laugh, It Takes a Train to Cry [5:49] [0:02], 2.
  Dire Wolf [3:34], 3. [0:15] All Around This World [5:14] [0:07], 4. Spike Driver Blues [5:26] -> 5.
 Jack-a-Roe [4:21] -> 6. Run for the Roses [4:21] [0:06], Set II, 7. [1:11] Deep Elem Blues [7:09] ->
 8. Oh Babe It Ain't No Lie [5:26] -> 9. Little Sadie [5:31] -> 10. Gomorrah [5:48] -> 11. Bird Song
 [9:04] -> 12. Ripple [3:57] [0:05], Encore: 13. [0:16] Goodnight Irene [5:47] [0:07], Total Time
 74:31
01/30/86 Hartford, CT - Bushnell Auditorium  MAC>C>CD All n/a 1300 84402 
 *JGJK: Dave H., Nak 100s > Sony D5*
 Recording Info: Nak 100's w/shotguns > d5 > MAC > cassette Taped by Dave H. 1st gen. casette from
 the collection of Oleo86. Cassette Transfer: By Todd Evans-JVC TD-V1050 cassette deck -> Apogee Mini
 Me A/D (24-bit, 44.1kHz) -> Wavelab 6.0. Editing and Mastering in Wavelab 6.0 using Ozone and L2 for
 dither by Jamie Waddell. 16/44.1 SBE FREE. Seeder notes: "To date, [april 2007], this show has not
 circulated in digital trading circles. This is a first generation cassette. I talked with two tapers
 of this show and neither have their masters. I was sure I had it. I then proceeded to the trunk full
  of cassettes I have and found this. Crowd noise is present throughout. I await the next source.-Oleo.
 Notes: -tape flip after Dire Wolf, no music lost! -the Bird Song is incredible. -One of six
 Garcia/Kahn renditions of "She Belongs to Me", and the last offering. It was revived twice more with
 Grisman in 1992 before retirement. Of note, The Jerry Site erroneously lists 8 8 84 as the first
 Garcia version. 5-23-85 owns that distinction. -the original recording was almost all Garcia in one
 channel and Kahn in the other. For a more balanced listen, I chose to mix Jerry into Kahn's channel
 thru a layering process, centering the recording a bit. I am sure you'll enjoy the result."
 Set One: Deep Elem Blues, Little Sadie, Friend Of The Devil, Oh Babe It Ain't No Lie, When I
 Paint My Masterpiece, Run For The Roses
 Set Two: Dire Wolf, Been All Around This World, Jack-A-Roe, Bird Song, She Belongs To Me,
 Ripple, Goodnight Irene
01/31/86 Passaic, NJ - Capitol Theater MAC>CD All 76 0846 enter 
 *JGJK: Fredo Johnson, Nak 300s > Sony D5*
 MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 >
 Cool Edit 2000 > shntool > .shn (mkwACT). Transfer and .shn by David Minches, documentation by Joe
 Jupille . Notes/Flaws/Comments: - This was originally laid out for two discs. I did nothing more than
 rename the files for one-disc layout. The md5s remain otherwise unchanged. - Extreme mix & level
 fluctuations @ start, obviously from the PA given the crowd's response as things improve. This then
 becomes quite a nice recording! - d1t01 Deep Elem cut/splice @ 1:13
 Set One: Single Disc (13) 76:05 --Set I-- 01. Deep //Elem Blues [6:#05] [0:04], 02. Dire
 Wolf [3:25] [0:12], 03. I've Been All Around This World [5:58] -> 04. Spike Driver Blues [4:58]
 [0:04], 05. Simple Twist Of Fate [8:54] -> 06. Run For The Roses [4:35] [0:10] --Set II-- 07. Crowd &
 Tuning [0:14], 08. When I Paint My Masterpiece [7:24] -> 09. Friend Of The Devil [6:40] [0:04], 10.
  Jack-A-Roe [4:45] [0:04], 11. Bird Song [10:26] -> 12. Ripple [4:14] [0:09] --Encore-- 13. Goodnight
 Irene [7:27] [0:07]
01/31/86 Passaic, NJ - Capitol Theater MAV>DVD Ip,II 55 
  *JGJK: MattMan DVD*
 Video Source: Hand-held Camera > VHS > PanasonicDMR-HS2 > DVD Decrypter > DVD2AVI > TMPGEnc Plus
 2.5 (MPEG-2 720X480 NTSC 29.97fps VBR 2800Kbps). Audio Source: MAC (Taped by Fredo Johnson, Nak 300s >
 Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > mkwACT
 (shnid=17901) > Wav > ADOBE AUDITION (WAV 48K 1536Kbps). Notes: - 4:52-5:02 (camera audio). -Source
 DVD torrented to EZT by Dan Sisler (dansisler at gmail.com).
 Set One: End of Set 1: 00:00 //Spike Driver Blues , 05:01 Simple Twist Of Fate > 13:42 Run
 For The Roses, Set 2: 18:10 When I Paint My Masterpiece > 25:31 Friend Of The Devil , 32:04 Jack-A-Roe
 , 36:45 Bird Song > 45:08 Ripple , 49:31 Encore: Goodnight Irene
02/01/86 Boston, MA - Orpheum Theater MAC>D>CD All 72 0507 11341 
 *JGJK: J. Pasternak, Sony ECM 939s > Sony WM-D6*
 MAC > DATs > CDs > EAC > SHN. Recorded by J. Pasternak, Sony ECM 939s > Sony WM-D6. EAC > SHN by
 Joe Jupille. Proper sector boundaries verified using shntool. Notes: There is lots and lots of crowd
 noise, but this is an enjoyable recording. Flaws: t01 Deep Elem tiny drop @ 0:08; t01 Deep Elem level
 fluctuations first 0:40; t04 To Lay Me Down clips in; t10 Jack-A-Roe clips in.
 Set One: Single Disc (13) 71:56 --Set I-- 1. Deep Elem Blues [6:32] -> 2. Little Sadie
 [5:12] -> 3. When I Paint My Masterpiece [5:50], 4. /To Lay Me Down [#7:35] [0:03], 5. Oh Babe It
 Ain't No Lie [5:42] -> 6. Run For The Roses [4:35] [0:08] --Set II-- 7. Crowd & Tuning [0:13], 8. Dire
 Wolf [3:35] -> 9. Spike Driver Blues [5:12], 10. /Jack-A-Roe [#4:23] -> 11. Bird Song [11:54] -> 12.
 Ripple [4:09] [0:04] --Encore-- 13. Goodnight Irene [6:38] [0:07]
02/01/86 Boston, MA - Orpheum Theater MAC>CD All  69 1275 79919 
 *JGJK: B. Koucky, Senn 441s > Sony D5*
 B. Koucky's MAC (Orchestra Sennheiser 441 > Sony D5 [Maxell MX-S 90] out of Steve Adleman’s mics &
 D-5) > Nakamichi DR2 playback > Presonus Firebox > firewire / PC XP Pro > Wavelab 5.0, recorded as 24
 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra
 shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner. JJ:
 Jer sounds rough. The Chowds are having a great time singing along. DEB fades in on "policeman come".
 Levels up @ 0:45 of DEB.
 Set One: Single Disc (12 tracks, 69:10) --Set I-- ... Deep Elem Blues, Little Sadie, When I
  Paint My Masterpiece, To Lay Me Down, Oh Babe It Ain't No Lie, Run For The Roses
 Set Two: -- Set II-- Dire Wolf, Spike Driver Blues, Jack-A-Roe, Bird Song, Ripple, E:
 Goodnight Irene
02/02/86 Boston, MA - Orpheum Theater  MA?>?>CD All 80 
 *JGJK*
 Goodnight Irene cuts and sounds like a different source. Ripple & Goodnight Irene same track.
 Set One: Single Disc 79:53 --Set I-- 1. [0:14] It Takes A Lot To Laugh It Takes A Train To
 Cry [6:46] -> 2. Friend Of The Devil [:02+6:26] [0:01], 3. [0:04] I've Been All Around This World
 [5:16] [0:02], 4. [0:03] The Roving Gambler [2:57] -> 5. Valerie [6:35] -> 6. Run For The Roses [4:27]
 [0:08] --Set II-- 7. [0:04] Deep Elem Blues [6:18], 8. [0:05] Spike Driver Blues [6:36] -> 9. [0:01]
 Jack-A-Roe [4:34] -> 10. Gomorrah [5:42] -> 11. Bird Song [14:27], 12. [0:05] Ripple [4:05] [0:05]
 --Encore-- [0:05] Goodnight Irene// [4:38#] [0:06]
02/02/86 Boston, MA - Orpheum Theater MAC>CD All n/a 1275 79935 
 *JGJK: B. Koucky, Senn 441s > Sony D5*
 B. Koucky's MAC (Orchestra Sennheiser 441 > Sony D5 [Maxell MX-S] out of Steve Adleman’s mics &
 D-5) > Nakamichi DR2 playback > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24
 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra
 shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8) Transfer/mastering by C.Ladner.
 Set One: It Takes A Lot To Laugh It Takes A Train To Cry, Friend Of The Devil, Been All
  Around This World, Gamblin' Man, Valerie, Run For The Roses
 Set Two: Deep Elem Blues, Spike Driver Blues, Jack-A-Roe, Gomorrah, Bird Song, Ripple, E:
 Goodnight Irene
02/21/86 San Francisco, CA - The Stone MAC>D>CD n/a 
 *JGB: John Corley*
02/28/86 "see Jerry Garcia on Official Releases* n/a 
02/28/86 San Rafael, CA - Marin County Veterans Auditorium MAC>CD All 68 0701 14797 
 *JGJK: Dan Gale, Sony ECM 939LT > Sony TC-D6C*
 MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k
 > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by
 Dan Gale. Solid aud, not much bass. t07 Dire Wolf major level drop @ start.
 Set One: Single Disc (12) 68:15 --Set I-- 01. [0:26] Deep Elem Blues [5:57] -> 02. Little
 Sadie [4:42] -> 03. FOTD 6:16] -> 04. When I Paint My Masterpiece [5:53] -> 05. Spike Driver Blues
 [4:53] -> 06. Run for the Roses [4:34] [0:10] --Set II-- 07. Dire Wolf [3:27] -> 08. Jack A Roe [4:12]
 -> 09. Babe It Ain't No Lie [5:18] -> 10. Bird Song [10:52] [0:06], 11. Ripple [3:51] -> 12. Goodnight
 Irene [7:23] [0:06]
03/09/86 San Francisco, CA - The Stone MAC>D>CD All n/a 
 *JGB: John Corley*
03/10/86 San Francisco, CA - The Stone MAC>D>CD All n/a 
 *JGB: John Corley*
05/15/86 Berkeley, CA - Berkeley Community Theater n/a 
 *JGJK: Wavy Gravy's Birthday party*
 Set One: Ballad Of Casey Jones, Jack-A-Roe, Ripple-> Goodnight Irene
05/24/86 Los Angeles, CA - Wiltern Theater MAC>C>CD All n/a 1358 91364 
 *JGB: Joe Pinedo, Sony 939s > Sony D6*
 Taper: Joe Pinedo, Sony 939 & Sony D6. Transfer & CD mastering/shn conversion by Brian Mandel
 gdplusmore @aol.com. 1st Gen Cassette Maxell XLII 90 > Nakamichi BX300 > Macintosh > Peak Bias > JAM
  > cdr > eac > mkw > shntool. * Note d1t01 first 20 seconds of left chanel were replaced with right
 channel. Lineup: Jerry Garcia Band: Jerry Garcia, Gloria Jones, John Kahn, David Kemper, Jaclyn
 LaBranch, Melvin Seals.
 Set One: They Love Each Other, I'll Take A Melody, When I Paint My Masterpiece, Like A Road,
 Run For The Roses
 Set Two: Cats Under The Stars, Mission In The Rain, Think, Rubin And Cherise, Gomorrah,
 Midnight Moonlight
05/30/86  San Francisco, CA - The Stone MAC>CD All 90 0860 4384 
 *JGB: Dan Cole, Nak 300s > Sony D5*
 Taped by Dan Cole, FOB Nak 300s (on a stand) > Sony D5 > Cool Edit > CD Wave > SHN.
 Set One: cd1 48:45 (set 1), Sugaree 11:28, They Love Each Other 07:33, Run For The Roses
 05:33, Think 06:34, Like A Road 09:08, De//al 08:26
 Set Two: cd2 40:34 (set 2) Cats Under The Stars 07:36, Knockin' On Heaven's Door 12:27,
  Reuben And Cherise > 07:43 Gomorrah > 06:01 Midnight Moonlight 06:46
05/31/86 San Francisco, CA - The Stone MAC>CD All 94 0861 enter 
 *JGB: Dan Cole, Nak 300s > Sony D5*
 Taped by Dan Cole, FOB Nak 300s (on a stand) > Sony D5 > Cool Edit > CD Wave > SHN
 Set One: cd1 51:26 (Set One) How Sweet It Is To Be Loved By You 07:30, Mission In The Rain
 12:13, Let It Rock 07:34, Dear Prudence 12:50, Tangled Up\\In Blue 11:17
  Set Two: cd2 42:30 (Set Two) The Harder They Come 10:25 Simple Twist Of Fate 13:02 Think
 08:25 The Night They Drove Old Dixie Down\\ 10:36
10/04/86 San Francisco, CA - The Stone MAC>CD All 96 0748  enter 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction
 (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta
 1). A>D by Dan Ward, CD > SHN by Joe Jupille. Notes/Flaws: - A really nice recording of an historic
 and good show. - d1t01 Get Out of My Life Woman fades in, not much missing. There are probably
 multiple masters of this show. The only other one that I have heard (MAC > C > CD: Taped by Bob
 Damico, unknown mics [hand-held] > Sony D5 master cassette > MX's first generation cassette > playback
 using Sony TC-WR635S > powerpc MAC with soundedit II software > CD/0 > EAC > CD/1, A>D transfer by
 Matt Xavier) is not bad, but Corley's is better both in terms of quality and in terms of
 completeness.
 Set One: Disc One (6) 44:47 --Set I-- 01. ... Get Out of My Life Woman [#7:05] [1:17], 02.
 Forever Young [6:51] [0:05], 03. How Sweet It Is [5:40] [0:19], 04. When I Paint My Masterpiece [7:47]
 [0:43], 05. Love in the Afternoon [6:48] -> 06. Deal [7:32] [0:33]
 Set Two: Disc Two (6) 51:04 --Set II-- 01. [0:04] Cats Under the Stars [7:19] [0:04], 02.
 Mission in the Rain [8:03] [0:03], 03. Reuben & Cherise [6:02] [0:15], 04. Lucky Old Sun [8:07] -> 05.
 Dear Prudence [9:29] [0:05], 06. Tangled Up in Blue [8:58] [2:31]
10/05/86 San Francisco, CA - The Stone MAC>C>CD I,IIp 89 
 *JGB: Bob Damico, unknown mics > Sony D5*
 MAC > C > CD. Taped by Bob Damico, unknown mics (hand-held) > Sony D5 master cassette > MX's first
 generation cassette > playback using Sony TC-WR635S > powerpc MAC with soundedit II software > CD/0 >
 EAC > CD/1. A>D transfer by Matt Xavier. Not a bad aud, not terrific. Fair amount of crowd chatter,
 not much bass to speak of, everything else is pretty solid. Most tunes clip in and/or out. Flaws:
 d1t01 Think cuts in on the verse; d1t05 I Shall Be Released is quite beautiful! d1t06 Gomorrah cuts
 out, d1t07 Deal cuts in, both probably due to tape flip; d2t01 Harder They Come cuts in, not much
 missing; d2t02 tapping (in time) on the mic.
 Set One: Disc One (7) 50:30 --Set I-- 01. [0:04] //Think [#6:47] [0:07], 02. Knockin' on
 Heaven's Door [10:56] [0:04], 03. TLEO [6:38] -> 04. Run for the Roses [:04+5:28] -> 05. I Shall Be
 Released [7:34] [0:03], 06. Gomorrah// [5:57#], 07. // Deal [#6:41] [0:03]
 Set Two: Disc Two (4) 37:49 --Set II-- 01. //Harder They Come [#10:13], 02. I'll Take a
 Melody [10:53] [0:04], 03. How Sweet It Is [6:52] -> 04.Lucky Old Sun [9:43]
10/05/86 San Francisco, CA - The Stone MAC>CD I,IIp 85 1301 20923 
 *JGB: John Corley, Nak 700s > Sony TCD5M*
 Source: MAC (Nak700s > Sony TCD5M) > CDR > WAV > SHNv3. Taper: John Corley. Comments: Short set -
 Jerry's still a little rusty - 2nd post-coma public performance. Second set overall sounds more
 muffled than the first. Tape flip cuts the end of Gomorrah. First note of Deal missing from flip.
 Mic bump during d2t02. CDR source provided by J.Powell. DAE (EAC0.9b4 offset corrected, secure mode,
 QPS QUE2410) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (shorten 3.4) via
 C. Ladner. Brought to you by the garciaseeds and misSHN freeks, 12/03.
 Set One: Disc 1 - Set 1 01 Think [10:04] 02 Knockin' On Heaven's Door [11:32] 03 They
 Love Each Other > [06:50] 04 Run For The Roses [05:25], 05 I Shall Be Released [07:39], 06
 Gomorrah// [05:34], 07 Deal [06:51], Total time: 53:56
 Set Two: Disc 2 - Set 2 MISSING Harder They Come MISSING I'll Take A Melody 01 How
 Sweet It Is (To Be Loved By You) [06:54] 02 That Lucky Old Sun (Just Rolls Around Heaven All Day)
 [09:41] 03 Reuben And Cherise > [07:23] 04 Midnight Moonlight [06:43] Total time: 30:42
10/18/86 San Francisco, CA - The Stone MAC>D>CD All 89 0911 21300 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 MAC (Taped by John Corley, Nak 700s > Sony TC-D5M) > DAT > CD > DAE(EAC0.9b4, offset corrected,
 secure mode, QPS QUE2410) > edit (as below - Soundforge 6.0) > tracking (cdwav editor) > sector
 boundaries confirmed (shntool) > SHN (shorten3.4) via C.Ladner. Seeder notes: Comments: First
 performance of "And It Stoned Me". Strong performances of Run For The Roses and Harder They Come, and
 a utterly fantastic Dear Prudence. The recording of the first set is very clean without any
 significant technical flaws (minor wind screen noise ~ 3 minutes into d1t02). Second set is a little
 overdriven during the first track with a few minor dropouts, likely unrelated to digital transfer but
 on the cassette master as there was detectable hiss during the silent gaps. The beginning of the
 second song of the second set had stop and or a flip followed by major fluctuations in levels for
 about a second from clipping to no signal - sounds like some knobs were getting twisted ;-).
 Subsequent to level stabilization, peak levels in the left channel were consistently ~4-5 dB lower
 than the right channel, which was disruptive to the stereo image. A + 3.5 dB gain to the left channel
 was applied to the second set from the drop in level on. Intermittent close up clapping periodically.
 d2t01 - 00:17, 04:02 0.05 s d/o removed using SF6.
 Set One: Think, And It Stoned Me, Run For The Roses, Let It Rock, Forever Young-> Deal,
 Set Two: The Harder They Come, Knockin' On Heaven's Door, Dear Prudence, That Lucky Old Sun,
 Gomorrah, Tangled Up In Blue
10/18/86 San Francisco, CA - The Stone MAC>C>CD All-1 79 
 *JGB: Bob Damico, unknown mics > Sony D5*
 Taped by Bob Damico, unknown mics (hand-held) > Sony D5 master cassette > MX's first generation
 cassette > playback using Sony TC-WR635S > powerpc MAC with soundedit II software > CD/0 > EAC > CD/1.
 A>D transfer by Matt Xavier. Just about everything cuts in. Not a bad aud, though things are a bit
 muffled in set II. (1) public debut of Stoned Me. @@ Let it Rock is hot-hot-hot. I don't know if Lucky
 Old Sun was cut out to make it fit an 80-min CD ... I doubt it, since I got this in 2002 when 74s were
 still pretty common, but I just don't know.
 Set One: (11 tracks, 78:45) --Set I-- //Think, //And It Stoned Me (1), Run for the Roses,
 Let it Rock//, //Forever Young, Deal --Set II-- Harder They Come//, Knockin' on Heaven's Door, Dear
 Prudence, (MISSING Lucky Old Sun), Gomorrah, Tangled Up in Blue
10/31/86 Oakland, CA - Henry J. Kaiser Convention Center MAD>CD All 84 0604 enter 
 *JGB: Schoeps MK4* *slow??*
  AUD/FOB Schoeps MK4 44k DAT > Midiman Deltadio 2496 > Cool Edit 2000 > WAV > SHN. Notes: Garcia
 sounds very, very tired. Knockin' is quite nice, and Werewolves is good. Flaws: d2t03 Dear Prudence
 light digi-scratch @ 3:49
  Set One: Disc One (5) 43:00 --Set I-- 1 [0:44] How Sweet It Is To Be Loved By You [6:06]
 [0:18], 2 And It Stoned Me [6:09] [0:04], 3 Forever Young [7:42] [1:11], 4 The Harder They Come [9:18]
 [0:56], 5 Knockin' On Heaven's Door [10:13] [0:16]
 Set Two: Disc Two (5) 41:10 --Set II-- 1 [0:13] Think [5:14] [0:16], 2 [0:07] That Lucky Old
 Sun [7:33] [0:16], 3 Dear Prudence [10:59] [0:08], 4 Tangled Up In Blue [10:05] [0:09] --Encore-- 5
 Werewolves of London [5:44] [0:23]
10/31/86 Oakland, CA - Henry J. Kaiser Convention Center MAC>CD All n/a 0967 22730 
 *JGB: Bill Reutelhuber, Beyer M88s > Sony TC-D5M*
 Set One: How Sweet It Is To Be Loved By You, And It Stoned Me, Forever Young, The Harder
 They Come, Knockin' On Heaven's Door, Think, That Lucky Old Sun, Dear Prudence, Tangled Up In Blue, E:
 Werewolves of London
10/31/86 Oakland, CA - Henry J. Kaiser Convention Center  aud shot All n/a 
 *JGB: uknown gen VHS, via Teddy Goodbear*
 Set One: How Sweet It Is To Be Loved By You, And It Stoned Me, Forever Young, The Harder
 They Come, Knockin' On Heaven's Door, Think, That Lucky Old Sun, Dear Prudence, Tangled Up In Blue, E:
 Werewolves of London
10/31/86 Oakland, CA - Henry J. Kaiser Convention Center MAV>DVD All n/a 
 *JGB: aud shot video by Tom P.*
  Video Recording Info: Hi8>Avi.>DVD; NTSC/4:3/8,200 kb/s avg/lpcm audio @ 48kb/s. Audio Recording
 Info: (FOB) Beyer M88 -> Cassette Master (Sony TCD5M); Recorded and Transferred By Bill Reutelhuber;
 Tracked and Edited By Charlie Miller on 2/19/04. Filmed by: Tom P.; Captured by: Ray B.; Huge Props
 to: Wally S. Authored by: Taperguy27. Lineup: Jerry Garcia - guitar, vocals; John Kahn - bass; Melvin
 Seals - keyboards; David Kemper - drums; Jaclyn LaBranch - backing vocals; Gloria Jones - backing
 vocals.
 Set One: How Sweet It Is To Be Loved By You, And It Stoned Me, Forever Young, The Harder
 They Come, Knockin' On Heaven's Door, Think, That Lucky Old Sun, Dear Prudence, Tangled Up In Blue, E:
 Werewolves of London
10/31/86 Oakland, CA - Henry J. Kaiser Convention Center MAD>CD All n/a enter 18869 
 *JGB: Schoeps MK4s* *correctly downsampled*
 AUD/FOB Schoeps MK4 48k dat > midiman deltadio2496 >cooledit2000 >wav > shn; SHN > WAV > CEP2.0
 (48>44.1K) > SHN by cwier60ATyahooDOTcom. Notes: "Show as originally seeded was 48K/16 bit
 (incorrectly reported as 44.1K); when played at 44.1K, pitch was ~9% slow. The following editing was
 performed in Cool Edit Pro to downsample to 44.1K. Sample rate was readjusted to 48K. Levels for
 tracks 1-4 were amplified by 175% (~5 dB), and tapered fade from 175% to 100% for 1st 1:06 of track 5
 was added with 32-bit processing. Remaining tracks were converted to 32-bit; then all tracks were
 downsampled to 44.1K/16 with 1-bit triangular dither and C2 (high-pass) noise shaping. Tracks were
 compressed to SHN via MKW v.97 seek enabled, and sector boundaries were adjusted with shntool."
 Set One: How Sweet It Is To Be Loved By You, And It Stoned Me, Forever Young, The Harder
 They Come, Knockin' On Heaven's Door, Think, That Lucky Old Sun, Dear Prudence, Tangled Up In Blue, E:
 Werewolves of London
11/01/86 San Francisco, CA - Palace of Fine Arts Theatre MA?>?>CD partial 57 
 *Ritual & Rapture Conference, musical program*
 "Ritual and Rapture" conference with Joseph Campbell. - Garcia plays a headless Steinberger guitar.
 - Sounds like the whole performance. http://www.sirbacon.org/joseph_campbell.htm Back in November of
 1986 during a Halloween weekend, a seminar was held with the great mythologist Joseph Campbell , Jerry
 Garcia, Mickey Hart, Jungian therapist John Perry and Ruth Inga Heinz as the moderator. The panel
 discussion was followed by q & a. Mickey Hart and Rand Weatherwax provided a 90 minute performance
 called, "The African Queen Meets the Holy Ghost," and Garcia improvised on his Steinberger guitar
 while Bobby Vega played bass, Richard Horowitz and Weatherwax on keyboards and Persian singer Susan
 Deihim sang. --Lawrence Gerald). MORE: http://64.119.172.23/~toppersb/Garcianew.html. Here is the
 whole take on the Grateful Dead by Joseph Campbell..the full version ... "Joseph Campbell On November
 1 — the day after the Garcia Band played a Halloween concert, with Kingfish, at Kaiser Convention
 Center — Garcia took part in an extraordinary all-day symposium/ performance at San Francisco's Palace
 of Fine Arts Theater entitled "Ritual and Rapture, from Dionysus to the Grateful Dead," which had
 grown out of the Dead's unusual association with the noted mythologist Joseph Campbell. Campbell,
 whose PBS series with Bill Moyers, The Power of Myth, made him a national celebrity in 1987, had never
 seen arock 'n' roll concert before a friend took him to a Grateful Dead show at Kaiser in February
 '86, and he came away from the experience transformed. As he noted in a lecture two days after that
 Dead show: "This is powerful stuff! And what is it? The first thing I thought of was Dionysian
 festivals, of course. This energy and these terrific instruments ... This is more than music. It turns
 on something here [the heart]. And what it turns on is life energy. This is Dionysus talking through
 these kids. Now I've seen similar manifestations, but nothing as innocent as what I saw with this
 bunch. This was sheer innocence.And when the great beam of light would go over the crowd, you'd see
 these marvelous young faces in utter rapture — for five hours! Packed together like sardines! Eight
 thousand of them! Then there was an opening in the back [of the auditorium] with a series of panel
 windows, and you look out and there's a whole bunch in another hall, dancing like crazy. This is a
 wonderful, fervent loss of self in the larger self of homogenous community. This is what it's all
 about!" Campbell and the Dead hit it off personally, too, so when the symposium idea was suggested,
 Garcia and Mickey Hart eagerly agreed to participate. The way the day was set up, the morning session
 opened with a lecture by Campbell about the role of the ecstatic experience in rituals, from ancient
  times to the present. He concluded his talk by discussing his experience at the February Dead show and
 by noting that Deadheads are doing "the dance of life" at Dead shows and "this, I would say, is the
 answer to the atom bomb." Following a presentation on madness and creativity by Jungian analyst John
 Perry, and a lunch break, came the performance part of the program: the premiere of a 90-minute
 composition by Mickey Hart and Rand Wetherwax called "The African Queen Meets the Holy Ghost." The
 final portion of the symposium was a question-and-answer session with Campbell, Garcia, Hart and Perry
 discussing the issues brought up by the lectures and performance, and whatever else people wanted to
  know. Not surprisingly there were quite a few questions about Garcia's health and his plans. Garcia
 was in fine form, unleashing one-liners at every turn, and gladly deferring most of the heavy
 philosophical questions to Campbell who, despite Garcia's celebrity, was the real star of the event.
 All in all, though, the day was further proof that Garcia's mental acuity was very much intact. BJ"
 JJ: also included Margaret Fabrizio on harpsichord.
 Set One: 57:07: 01. The African Queen Meets the Holy Ghost [30:48], 02. The African Queen
 Meets the Holy Ghost (con't) [26:19]
11/01/86z San Francisco, CA - Palace of Fine Arts Theatre n/a 
 *Ritual & Rapture seminar*
11/10/86 San Francisco, CA - The Stone MAC>D>CD All n/a 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
11/11/86 San Francisco, CA - The Stone MAC>D>CD All n/a 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
11/11/86 San Francisco, CA - The Stone MAC>CD All 106 1375 94632 
 *JGB: Taz Yamaguchi, 1xNak 100 > Sony TCD5M*
 Recorded by Tazuo Yamaguchi; 1 Nakamichi 100 > Sony TC-D5M, 5 feet from stage. Transfer and FLAC
 encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96) > Digital Audio
 Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC encoding. Notes: - Beginning notes
 of How Sweet It Is and Harder They Come are clipped. - JG sounds tired, but the show has energy. -
 really nice version of I Shall Be Released. Forever Young sounds pretty out of it, but in that
 endearing, "Jerry's struggling" way, not the "he's out of it" way.
 Set One: disc 1 (51:03) --Set 1-- 01. //How Sweet It Is 02. Like A Road 03. Get Out Of My
 Life Woman 04. Simple Twist Of Fate 05. Run For The Roses 06. I Shall Be Released -> 07. Deal
 Set Two: disc 2 (54:41) --Set 2-- 01. //Harder They Come 02. Forever Young 03. Think 04. And
 It Stoned Me -> 05. Dear Prudence 06. That Lucky Old Sun 07. Midnight Moonlight
11/11/86 San Francisco, CA - The Stone MAC>C>CD I,IIp 84 
 *JGB: Bob Damico, unknown mics > Sony D5*
 Taped by Bob Damico, unknown mics (hand-held) > Sony D5 master cassette > MX's first generation
 cassette > playback using Sony TC-WR635S > powerpc MAC with soundedit II software > CD/0 > EAC > CD/1.
 A>D transfer by Matt Xavier.
 Set One: Disc One (7 tracks, 50:23) --Set I-- //How Sweet It Is/, Like a Road//, Get Out of
 My Life Woman, Simple Twist of Fate, Run for the Roses, I Shall Be Released//, //Deal
 Set Two: Disc Two (4 tracks, 33:31) --Set II-- //Harder They Come, Forever Young, (MISSING
 Think), And It Stoned Me [6:06] -> Dear Prudence// (MISSING That Lucky Old Sun, Midnight Moonlight)
11/14/86 San Rafael, CA - Marin County Veterans Auditorium MSP>D>CD All 42 
 *JGJK*
 MSPCM>DAT>CDR. No flaws noted.
  Set One: Single Disc (9) 41:46, 1. Tuning -> 2. Deep Elem Blues [5:26] -> 3. Friend of the
 Devil [6:25] -> 4. Spike Driver Blues [4:51] [0:05], 5. Little Sadie [4:03] -> 6. Oh Babe It Ain't No
 Lie [5:29] [0:39], 7. I've Been All Around This World [4:18] [0:09], 8. Ripple [4:08] -> 9. Goodnight
 Irene [5:19] 0:19]
11/14/86 San Rafael, CA - Marin County Veterans Auditorium MAC>P>CD All 42 
 *JGJK: Jim Adams, Nak 1000s > Sony D5* *sbd?*
 MAC (Taped by James A. Adams, 2 Modified Nakamichi 1000's > Sony D5 [microphones (x2) placed on
 stage, slightly center/right]) > playback via Nakamichi CR7A w/Azimuth adj. > SonyF1 > Sony SL400 >
 Sony SL360 > Sony PCM701ES > ProTools442 (PT3.1) > Masterlist 1.21 > Sony920S2x master CD (mine). CD
 mastering by Marcus Buick. Note added 2005: this sounds identical to the soundboard in every way.
 Odd.
 Set One: Single Disc (9) 41:54, 01. Tuning [0:43], 02. Deep Elem Blues [5:26] -> 03. Friend
 of the Devil [6:17] [0:06], 04. Spike Driver Blues [4:58] -> 05. Little Sadie [4:03] -> 06. Oh Babe It
 Ain't No Lie [5:35] [0:33], 07. I've Been All Around This World [4:26] -> 08. Ripple [4:10] -> 09.
 Goodnight Irene [5:23] [0:07]
11/14/86 San Rafael, CA - Marin County Veterans Auditorium MAV>?>V>DVD All 40 
 *JGJK: MattMan DVD*
 Video Source: Tripod-mounted camera > Unknown VHS Gen > ? > DVDDecrypter > DVD > DVD2AVI > TMPGEnc
 Plus 2.5 (MPEG-2 720X480 NTSC 29.97fps VBR 2800Kbps). Audio Source: SBD > PCM > DATs > CDRs > SHN
 (shnid=6352) > WAV > ADOBE AUDITION (WAV 48K 1536Kbps). Notes: - 0:00-0:15, 42:03-end, camera audio.
 -Source DVD torrented to EZT by Dan Sisler (dansisler at gmail.com).
 Set One: 00:00 Deep Elem Blues, 06:21 Fiend Of The Devil, 12:47 Spike Driver Blues, 17:47
 Little Sadie, 22:05 Oh Babe It Ain't No Lie, 27:42 Been All Around This World, 32:30 Ripple, 36:49
 Goodnight Irene
11/14/86 San Rafael, CA - Marin County Veterans Auditorium MSP>D>CD All 42 1292 82409 
 *JGJK*
 Source: Soundboard PCM > DAT; Transfer: Transfer: Panasonic SV-3700 > M-Audio 24/96 > Wavelab 5.0
 (L3 multimaximizer) > CDWAVE > FLAC. Transfers, Remastering and Seeded to bt.etree.org February 7,
 2007 by Bill Koucky.
 Set One: Deep Elem Blues, Friend Of The Devil, Spike Driver Blues, Little Sadie, Oh Babe It
 Ain't No Lie, Been All Around This World, Ripple, Goodnight Irene
11/30/86 San Francisco, CA - The Stone MAC>D>CD All n/a 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
12/08/86 San Francisco, CA - The Stone MAC>CD All n/a 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 MAC > CD. John Corley's FOB MAC w/ Nak 700's > Sony TC-D5M > CD (Silly Hat Productions). A>D
 transfer by Dan Ward.
12/21/86 San Francisco, CA - The Stone MAC>CD All n/a 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 MAC > CD. John Corley's FOB MAC w/ Nak 700's > Sony TC-D5M > CD (Silly Hat Productions). A>D
 transfer by Dan Ward.
 
01/25/87 San Francisco, CA - The Stone MAC>CD All 102 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 HTC cuts in.
 Set One: Disc One (6 tracks, 51:17) --Set I-- [0:16], I'll Take a Melody, Think, Knockin' on
 Heaven's Door, Evangeline -> Gomorrah -> Deal
 Set Two: Disc Two (6 tracks, 51:17 [yep) --Set II-- //Harder They Come, Crazy Love, Simple
 Twist of Fate, Stop That Train, Sisters and Brothers -> Midnight Moonlight
01/25/87 San Francisco, CA - The Stone MAC>CD All n/a 1379 95724 
 *JGB: Taz Yamaguchi, 2x Nak 700s > Sony TC-D6*
 Recorded by Tazuo Yamaguchi; 2 Nak 700 Caps > dbx-224 > Poris pre-amp> Sony TC-D6. Transfer and
 FLAC encoding by David Minches: Master played back on Nak Dragon > dbx 224 > Grace Lunatec V3 (24/96)
 > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC encoding. Patches
 supplied by SHNID 19810: MAC (Nak700s) > CDR > WAV > SHN; Taper: John Corley. (* patch supplies 0:00 -
 0:07 and 3:48 - 7:25 of Midnight Moonlight).
 Set One: I'll Take A Melody, Think, Knockin' On Heaven's Door, Evangeline, Gomorrah, Deal
 Set Two: The Harder They Come, Crazy Love, Simple Twist Of Fate, Stop That Train, My Sisters
 And Brothers, Midnight Moonlight
02/10/87 San Francisco, CA - The Stone MAC>CD All 104 enter 19900 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper:John Corley. Comments: Second to last "I Want to Tell
 You", one of only 5 post-'76 JGB performances of this song. The end of "Think" is cut - ouch. First
 notes of "Run For the Roses" are also cut. Thanks to J.Powell for providing the lineaged CDR source
 for me to extract. DAE (EAC0.9b4, offset corrected, secure mode with track quality >99.%) > removal
 of dropout (SF6) > tracking (cdwav editor) > sector boundaries confirmed (shntools) > SHN (shorten3.4)
 > FTP via C. Ladner / candyman FTP. crowd is very noisy; bad gear problem during FY. misSHN in the
 rain, 10.03.
 Set One: DIsc 1 - Set 1: 01 How Sweet It Is (To Be Loved By You) [07:18], 02 Forever Young
 [08:52], 03 Crazy Love [05:49], 04 Think// [06:22], 05 Stop That Train [06:41], 06 My Sisters And
 Brothers [04:29], 07 Tangled Up In Blue [10:34], Total time: 50:05
 Set Two: Disc 2 - Set 2: 01 Harder They Come [11:37], 02 And It Stoned Me [06:33], 03
 //Run For The Roses [05:42], 04 Gomorrah [06:35], 05 I Want To Tell You [06:49], 06 That Lucky Old
 Sun [09:16], 07 Midnight Moonlight [06:59], Total time: 53:49
02/15/87 Petaluma, CA - Veteran's Memorial Auditorium MAC>CD All 155 
 *Olatunji and His Drums of Passion & Friends: John Corley, Senn 441s*
 'Benefit for World Music in Schools'. Recorded by John Corley. Sennheiser 441's > Sony TC-D5.
 MAC> CD-R > Cool Edit Pro > CD Lab > EAC > CD-R. Transfer by John Corley. Edit by Dan Ward.
 Babatunde Olatunji ~ Drums / Percussion / Vocals; Hamza El-Din ~ Oud / Tar / Vocals; Mickey Hart ~
 Drums / Percussion; Bobby Vega ~ Bass; Carlos Santana ~ Guitar; Jerry Garcia ~ Guitar; Petaluma School
 Choir ~ Vocals.
 Set One: Total Time 74:35, --Hamza El-Din-- 01. ??? 4:37, 02. ??? 7:16, 03. Ollin
  Arageed 9:53 --Olatunji & his Drums of Passion-- 04. ??? 7:32, 05. Akiwowo 9:07, 06. ???
 6:12, 07. Dance To The Beat Of My Drum 9:57, 08. Loyin, Loyin 8:50, 09. Odun de! Odun De!
 11:07
 Set Two: Disc Two; Total time: 79:55, , 01. Love 9:25, 02. Introductions 1:17, 03. Oya
 14:44, 04. Fire On The Mountain 10:23, 05. ??? 9:19, 06. Kiyakiya 19:42, 07. Ife L'oju L'aiye
 15:02
02/15/87 Petaluma, CA - Veteran's Memorial Auditorium  DVD All 54 
 *Olatunji w/ Garcia*
 Video Source: Low generation pro-shot > ? > DVD > Vegas 6.0b > TMPGEnc MPEG Editor 1.0.1.59 > DVD
 Architect 3.0 (720 x 480 29.97 fps NTSC 8353 Kbps VBR, Peak = 9192 Kbps). Audio Source: SBD > Cassette
 Master (Maxell MX90) > Sony TC-WE475 > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude
 Professional v8.01 > FLAC > FLAC Frontend (WAV) > Adobe Audition > Vegas 6.0b (Dolby AC3 448Kbps
 Stereo 48Khz). Notes: ~Song titles are best guess. ~Audio thanks to Paul Scotton and Joanni Walker for
 the tapes. ~Audio Transferred and Edited By Charlie Miller. ~Audio digitally remastered using a custom
 built DAW, nicknamed Bertha, by Jay Ashley. ~Audio sync, video editing and dvd authoring by MattMan,
 March 2006.
 Set One: DVD. (53:55): 00:00 ?, 11:18 ?, 20:46 Fire On The Mountain, 30;43 Oya, 33:50
 Unknown Song, 45:24 Ara Mi Le, 50:29 Loyim, Loyim
02/15/87 Petaluma, CA - Veteran's Memorial Auditorium MSC>CD All n/a 1274 77836 
 *Olatunji & His Drums of Passion*
 **Benefit For World Music In Schools** Recording Info: SBD -> Cassette Master (Maxell MX90).
 Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus ->
 Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 2 Discs FLAC). Transferred and Edited By
  Charlie Miller, charliemiller87@earthlink.net, January 3, 2006. Notes: -- Thanks to Paul Scotton and
 Joanni Walker for the tapes.
02/20/87 San Rafael, CA - Marin County Veterans Auditorium MAC>CD All 104 0702 14977 
 *Garcia & Kahn: Dan Gale, Sony ECM 939LT > Sony TC-D6C*
 MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k
 > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by
 Dan Gale. Notes: This is a terrific show! Jerry really sounds energetic, and there are some
 particularly nice performances here: Run for the Roses, Deal, and Think are especially great versions
  of very common tunes. There are some PA problems during Forever Young, but I noted no recording
 flaws. Great stuff!
 Set One: Disc One (7) 48:54 --Set I-- 01. [0:41] How Sweet It Is [6:33] [0:11], 02. [0:07]
 Forever Young [10:20] [0:07], 03. Stop That Train [7:48] -> 04. Run for the Roses [5:22] [0:49], 05.
 It Stoned Me [5:54] -> 06. Sisters & Brothers [4:09] -> Deal [6:37] [0:12]
 Set Two: Disc Two (7) 54:35 --Set II-- 01. [0:08] Harder They Come [9:55] [0:11], 02. I
 Shall Be Released [7:01] [0:11], 03. [0:07] Think [5:53] [0:01], 04. [0:13] Evangeline [3:50] [0:10],
 05. Gomorrah [6:23] [0:09], 06. [0:15] Lucky Old Sun [7:48] [0:04], 07. Tangled Up in Blue
02/21/87 Reno, NV - Lawlor Events Center MAC>CD All n/a 0703 14978 
 *Garcia & Kahn: Dan Gale, Sony ECM 939LT > Sony TC-D6C*
 MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k
 > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by
 Dan Gale.
02/24/87 Santa Cruz, CA - Civic Auditorium MAC>C>CD All n/a 1292  82610 
 *JGB: Tom Pinney, Beyer M88s > Sony D5*
 Audience Recording: Beyer M88 (XY 90 degrees) > Sony D5, FOB Center - 20' Away From Stage. Taper:
 Tom Pinney; Lineage: Cassette(1); Tape from the collection of: Russ Cansler. Cassette Transfer: By
 Todd Evans: Cassette (1) > JVC TD-V1050 cassette deck -> Lynx Two A/D (24-bit, 44.1kHz) -> Wavelab
 6.0. Transferred February 15, 2007. Edited and Remastered: Wavelab 6.0 with Waves Plugins and Ozone.
  Dithered L2, type2, ultra 16/44.1 SBE FREE by Jamie Waddell. a www.shnflac.net **GEMS** production
 February 16, 2007.
 Set One: Cats Under The Stars, Forever Young, Stop That Train, Run For The Roses, And It
 Stoned Me, My Sisters And Brothers, Deal
 Set Two: The Harder They Come, I Shall Be Released, Think, Dear Prudence, That Lucky Old
 Sun, Tangled Up In Blue
03/06/87 San Francisco, CA - USS Carl Vinson, S.F. Bay MA?>?>CD All 63 1088  26211 
 *JGB: unknown taper & gear, remastered*
 Remastered. Original copy was my ref # 1067, shnid 26179. Not that bad, but not great. Some
 overload at peaks. t06 Think cut @ 5:36. Nice energy from Jer, especially during How Sweet.
 Set One: Single Disc (8) 63:20, How Sweet It Is To Be Loved By You, I'll Take A Melody,
 Forever Young, Stop That Train, The Harder They Come, Think, That Lucky Old Sun, Deal
03/08/87 San Francisco, CA - The Stone  MAC>CD All 122 0572-0573 enter 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 MAC (Taped by John Corley, disassembled Nak 700s clipped to brim of hat for stealth [20' from
 stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWav (Retracking) > Shn. A>D
 Transfer via Dan Ward, EAC'ed/Retracked/Shn'ed by Charlie Connor. d1t04 Think has some nice energy;
 d1t06 Dixie Down cuts out abruptly; d2t01 HTC cuts in. I also thought there might be a brief splice
 at the start of CUTS, but this was not noted on the .shns.
 Set One: Disc One (7) 58:00 --Set I-- 1. Tuning [ 0:21], 2. Cats Under The Stars [7:54]
 [0:24], 3. Knockin' On Heaven's Door [13:24] [1:16], 4. Think [8:29] [0:17], 5. Run For The Roses
 [5:25] [0:37], 6. The Night They Drove Old Dixie Down// [8:46#] [0:22], 7. Tangled Up In Blue
 [10:42]
 Set Two: Disc Two (8) 63:30 --Set II-- 1. //The Harder They Come [#12:00] [1:22], 2. I Shall
 Be Released [10:32] [0:31], 3. My Sisters And Brothers [4:57] [0:21], 4. Evangeline [3:51] [0:08], 5.
 And It Stoned Me [7:39] [0:10], 6. That Lucky Old Sun [7:37] -> 7. I Want To Tell You [7:08] -> 8.
 Midnight Moonlight [6:55] [0:15]
03/09/87 San Francisco, CA - The Stone MAC>CD All 120 0580-0581 enter 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 Taper: John Corley: MAC (Disassembled Nak 700s clipped to brim of hat for stealth [20' from stage,
 first row of tables, dead center]> Sony TCD5M>CDR>EAC>CDWav (Retracking)>Shn. A>D Transfer via Dan
 Ward. EAC'ed/Retracked/Shn'ed by Charlie Connor. Seeded to fungus and abgd 10/21/02
 Set One: Disc One Set One: Total Time 59:47 1. Tuning, 2. How Sweet It Is To Be Loved By
 You , 3. They Love Each Other , 4. Mission In The Rain , 5. Dear Prudence , 6. Like A Road , 7. My
  Sisters And Brothers , 8. Deal
 Set Two: Disc Two Set Two: Total Time 59:43, 1. And It Stoned Me , 2. Russian Lullaby , 3.
 Think , 4. Forever Young , 5. Crazy Love , 6. That Lucky Old Sun , 7. Tangled Up In Blue
03/10/87 San Francisco, CA - The Stone MAC>CD n/a 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
03/13/87 Los Angeles, CA - Wiltern Theater MAC>C>CD All-2 89 1254 31977 
 *JGB: Joe Pinedo, Sony 939 > Sony D6*
 Taper: Joe Pinedo: Sony 939 & Sony D5. Transfer & CD mastering/shn conversion by Brian Mandel,
 gdplusmore@aol.com. 1st Gen Cassette Maxell XLII 90 with Dolby B -> Nakamichi BX300 -> Macintosh ->
 Peak Bias -> JAM -> cdr -> eac -> mkw -> shntools. Extremely low levels @ start, some fluctuations.
 Not a great tape (no bottom at all), but listenable. JG sounds quite rough and tired, especially
 during I Shall Be Released.
 Set One: Disc One (7 tracks, 42:11) --Set I-- How Sweet It Is To Be Loved By You, Forever
 Young, Stop That Train, Evangeline, And It Stoned Me, My Sisters And Brothers, Deal
 Set Two: Disc One (5 tracks, 46:48) --Set II-- The Harder They Come, Knockin' On Heaven's
 Door, Think, I Shall Be Released, Dear Prudence// (MISSING That Lucky Old Sun, MISSING Tangled Up In
 Blue)
03/14/87 Los Angeles, CA - Wiltern Theater  MAC>2C>CD All 106 1254 32006 
 *JGB: Sony 939 > Sony D5*
 Taper: Unknown, Sony 939 & Sony D5. Transfer & CD mastering/shn conversion by Brian Mandel,
 gdplusmore@aol.com.2nd Gen Cassette Maxell XLII 90 with Dolby B -> Nakamichi BX300 -> Macintosh ->
 Peak Bias -> JAM -> cdr -> eac -> mkw -> shntools.
 Set One: Disc One (57:29) Cats Under The Stars, /Mission In The Rain, They Love Each Other,
 Simple Twist Of Fate, Think, Like A Road, Deal
 Set Two: Disc Two (48:33) //Get Out of My Life Woman, Run For The Roses, Love in the
 Afternoon, /Gomorrah, Crazy Love, That Lucky Old Sun, Midnight Moonlight
03/18/87 San Francisco, CA - Old Fillmore  MA?>?>C>D>CD All n/a 1311 22299 
 *JGAB: unknown taper & gear*
 Source: AUD (mic's and taper unknown) > ? > C > DAT > WAV > SHN. Performing: Jerry Garcia, John
 Kahn, David Nelson and Sandy Rothman, acoustic benefit for Artists Rights Today. Comments: Partial
 unlineaged multigen analog audience recording. Cassette deck (Nakamichi DR-2) > DAT (Tascam DA-30 Mk
 II) transfer via J.Powell. DAT (Sony PCM-R500) > coaxial > Audiophile 2496 > P4 2.0 GHz > Soundforge
 6.0 > tracking (CDWave editor) > sector boundaries confirmed (shntool) > SHN (mkwact) via C.Ladner.
 misSHN in the rain, 2/04.
 Set One: 01 Deep Elem Blues [09:04], 02 Little Sadie [04:43], 03 Friend Of The Devil
 [07:03], 04 I've Been All Around This World [04:42], 05 Rosalie McFall [03:57], 06 Ripple
 [04:32], Total time: 34:04
04/19/87z Irvine, CA - Irvine Meadows MA?>?>CD 8  
 *Interview*
 An interview conducted backstage prior to the GD show, with Jerry and others. Ambient recording.
 t04: JG: "My kind of greed is the kind of greed where I like to have stuff that's fun to do." t06: JG:
 "If you don't love it, fuck it, it's not worth doing."
 Set One: Single Disc (8:25) 01. Madness [0:27] 02. Reformulating the Band [0:56] 03. All the
 Money [0:54] 04. Toys [0:34] 05. Travel [0:17] 06. Projects [2:32] 07. Cycles [0:37] 08. Whole New Me
 [0:23] 09. Getting Sick/Borges [1:01] 10. Movies [0:37]
04/23/87 San Francisco, CA - The Stone MAC>D>CD All  112 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 Set One: Disc One (7 tracks, 47:04) --set I-- How Sweet It is, Forever Young, Stoned Me,
 Evangeline, Stop That Train, Sisters and Brothers -> De//al (tape flip)
 Set Two: Disc Two (7 tracks, 65:01) --set II-- Get Out of My Life Woman, I Shall Be
 Released, Run for the Roses, Think, Gomorrah, Lucky Old Sun, Tangled Up in Blue
04/24/87 San Francisco, CA - The Stone MAC>D>CD All 109 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 Nice tape.
 Set One: Disc One (6 tracks, 47:40) --Set I-- tuning & crowd [0:35], Cats Under the Stars
 [7:40] [0:03], 2. [0:15] They Love Each Other [6:35] [0:10], 3. [0:25] Simple Twist of Fate [12:32]
 [0:05], 4. [0:45] Crazy Love [5:25] [0:01], 5. [0:15] Like a Road [6:29] -> 6. Deal [6:18] [0:12]
 Set Two: Disc Two (7 tracks, 60:51) --Set II-- 1. Harder They Come [10:17] [0:01], 2. [0:20]
 Knockin' on Heaven's Door, 3. Think, 4. Run for the Roses, 5. Sisters and Brothers, 6. Lucky Old Sun,
 7. Midnight Moonlight
05/27/87 San Francisco, CA - The Stone MAC>CD  114 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 Pretty good, though not as "in your face" as other Corley auds. Think is pretty good.
 Set One: Disc One (7 tracks, 47:23) --Set I-- :10, How Sweet It Is, :25 They Love Each
 Other, :30 Forever Young, Run for the Roses, And It Stoned Me, My Sisters & Brothers -> Deal
 Set Two: Disc Two (7 tracks, 66:47) --Set II-- Harder They Come, Simple Twist of Fate,
 Evangeline, Knockin' on Heaven's Door, Think, Lucky Old Sun, Tangled Up in Blue
05/28/87 San Francisco, CA - The Stone MAC>CD All 115 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
 Starts off quite muffled, bassy, then gets better. Nice TUIB, nice Melody. ITAM cuts in. Has
 tuning at starts of tracks, needs re-tracking.
 Set One: Disc One (6 tracks, 55:36) --Set I-- 01. [Cats Under the Stars, 02. Mission in the
 Rain, 03. Think, 04. Let it Rock, 05. The Night They Drove Old Dixie Down, 06. Tangled Up in Blue
 Set Two: Disc Two (7 tracks, 59:24) --Set II-- 01. //I'll Take a Melody, 02. Stop That
 Train, 03. I Shall Be Released, 04. Love in the Afternoon, 05. Crazy Love, 06. Lucky Old Sun -> 07.
 Midnight Moonlight.
08/29/87 Piercy, CA - French's Camp on the Eel River MSC>C>D>CD All 160 
 *JGAB & JGB*
 d1t08 Ain't No Lie cuts out (-few secs. of reverb); d1t09 Trouble in Mind light pops @ 0:32, 2:18;
 d2t01 How Sweet level drop @ 0:32; d2t05 Stoned Me light pop @ 3:06; d2t07 Deal light pop @ 2:51;
 d3t06 Let It Rock cuts out (- few secs.); d3t07 Lucky Old Sun cuts in;
 Set One: 1. [0:34] Deep Elem Blues [6:28] [0:17], 2. All Around This World [5:21] [0:49], 3.
 Friend of the Devil [7:25] [0:07], 4. I'm Troubled [4:35] [0:26], 5. Little Sadie [3:59] [0:25], 6.
 Diamond Joe [4:04] [0:04], 7. Spike Driver's Blues [4:50] [0:09], 8. Babe It Ain't No Lie// [5:45#],
 9. [0:14] Trouble in Mind [4:17] [0:09], 10. Ripple [4:12] [0:17], Total Time 54:33
 Set Two: 1. [0:27] How Sweet It Is [6:48] [0:58], 2. Forever Young [6:49] [0:40], 3. Get Out
 of My Life Woman [6:31] [0:20], 4. Run For The Roses [5:04] [0:45], 5. And It Stoned Me [6:12] -> 6.
 Sisters & Brothers [3:56] -> 7. Deal [6:50] [0:06], Total Time 45:29
 Set Three: 1. Harder They Come [9:58] [0:56], 2. I Shall Be Released [7:20] [0:21], 3. Think
 [6:22] [0:25], 4. Evangeline [2:48] [0:11], 5. Gomorrah [6:12] [0:07], 6. Let It Rock// [5:53#]
 [0:04], 7. //Lucky Old Sun [8:21#] [0:08], 8. Tangled Up in Blue [9:31] [0:12], Total Time 58:52
08/29/87 Piercy, CA - French's Camp, Eel River MSC>D>CD All n/a 
 *JGAB/JGB: updrade!*
 Set One: Acoustic:, Deep Elem Blues, Been All Around This World, Friend Of The Devil, I'm
  Troubled, Little Sadie, Diamond Joe, Oh Babe It Ain't No Lie, Trouble In Mind, Ripple
 Set Two: Electric:, How Sweet It Is To Be Loved By You, Forever Young, Get Out Of My Life
 Woman, Run For The Roses, And It Stoned Me, My Sisters And Brothers, Deal
 Set Three: The Harder They Come, I Shall Be Released, Think, Evangeline, Gomorrah, Let It
 Rock, That Lucky Old Sun, Tangled Up In Blue
08/29/87 Piercy, CA - French's Camp, Eel River MSC>CD All n/a 1279 31500 
 *JGAB-JGB*
 MSC > CDR > EAC (for tracking) > CDR > EAC > FLAC16; by pscotton. Seeder's notes: "This removes
 the DAT gen present in what otherwise circulates. Eliminating this gen is a plus. The DAT copy was
 made not long after the original recording date and IMO there were shortcominigs in DATs at that time.
 The very last note of Let It Rock is clipped. I'd guess there is less than 1/2 a second missing. I
 hadn't noticed before but yes some of the intro to Lucky Old Sun is missing. This convinces me that
 what does circulate stems from this MSC. I am not aware of any other problems but I haven't listened
 to it in a while. I burned this from the MSC and Dave Hollister tracked it. Happy Listening."
 Set One: Acoustic:, Deep Elem Blues, Been All Around This World, Friend Of The Devil, I'm
 Troubled, Little Sadie, Diamond Joe, Oh Babe It Ain't No Lie, Trouble In Mind, Ripple
  Set Two: Electric:, How Sweet It Is To Be Loved By You, Forever Young, Get Out Of My Life
 Woman, Run For The Roses, And It Stoned Me, My Sisters And Brothers, Deal
 Set Three: The Harder They Come, I Shall Be Released, Think, Evangeline, Gomorrah, Let It
 Rock, That Lucky Old Sun, Tangled Up In Blue
08/29/87 Piercy, CA - French's Camp, Eel River MAP>P>CD All 160 1213-1214 30876 
 *JGAB/JGB: Sean Webber-Small, Schoeps CMC44s > Sony PCM-F1*
 Source: Sean Webber Small, FOB Schoeps CMC44s > Sony PCM F1; Transfer: Unknown gen Beta > Sony
 SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P (for sample rate conversion and anti-jitter) >
 Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 >
 Shntool > FLAC. Transfer and FLAC encoding by David Minches. Notes: - This is a terrific recording. -
 d1t07 Diamond Joe glitch @ 0:53; - d1t11 Ripple very tail end clipped.
 Set One: Disc One (11 tracks, 55:10) --Jerry Garcia Acoustic Band-- 01. Crowd & Tuning
 [1:33], 02. Deep Elem Blues [6:37] [0:10], 03. I've Been All Around This World [5:24] [0:24], 04.
 Friend Of The Devil [7:20] [0:10], 05. Trouble In Mind [4:36] [0:27], 06. Little Sadie [4:01] [0:24],
 07. Diamond Joe [4:11] -> 08. Spike Driver Blues [4:53] [0:04], 09. Oh Babe, It Ain't No Lie [5:54]
 [0:18], 10. I'm Troubled [4:20] [0:08], 11. Ripple/ [4:12]
 Set Two: Disc Two (8 tracks, 45:09) --Jerry Garcia Band, Set I-- 01. Crowd & Tuning
 [0:41], 02. How Sweet It Is (To Be Loved By You) [6:48] [0:50], 03. Forever Young [6:57] [0:38], 04.
 Get Out Of My Life Woman [6:31] [0:20], 05. Run For The Roses [5:05] [0:43], 06. And It Stoned Me
 [6:08] [0:04], 07. My Sisters And Brothers [3:58] -> 08. Deal [6:50] [0:03]
 Set Three: Disc Three (9 tracks, 59:52) --Jerry Garcia Band, Set II-- 01. Crowd & Tuning
 [0:11], 02. Harder They Come [9:58] [0:47], 03. I Shall Be Released [7:26] [0:24], 04. Think [6:23]
 [0:19], 05. Evangeline [2:54] [0:10], 06. Gomorrah [6:10] [0:09], 07. Let It Rock [6:03] [0:33], 08.
 That Lucky Old Sun (Just Rolls Around Heaven All Day) [8:22] [0:08], 09. Tangled Up In Blue [9:32]
 [0:19]
08/29/87 Piercy, CA - French's Camp, Eel River matrix All n/a 1281 31639 
 *JGAB-JGB*
 Source Info: SBD: SBD: CM > DAT; Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC. AUD: FOB:
 Schoeps CMC44s > Sony PCM F1 Taper: Sean Webber Small; Transfer: Unknown gen Beta > Sony SL-HF450 play
 > Sony PCM-601 > Digital Domain VSP-P (sample rate conversion and anti-jitter) > Digital Audio Labs
 Card Deluxe; CD mastering & encoding > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC
 encoding by David Minches. Tech Notes: SHNs were decoded to wave and SF8.0 was used to reassemble the
 tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 was used to
 reduce and fix some of the close claps usuing the pencil tool. CEP2.0 used to adjust the volume for
 the SBD & AUD. This is a 60% SBD, 40% AUD mix. - Mixed by dan@am-dig.com; - FLAC conversion done
 04-NOV-2005.
 Set One: Acoustic:, Deep Elem Blues, Been All Around This World, Friend Of The Devil, I'm
 Troubled, Little Sadie, Diamond Joe, Oh Babe It Ain't No Lie, Trouble In Mind, Ripple
 Set Two: Electric:, How Sweet It Is To Be Loved By You, Forever Young, Get Out Of My Life
 Woman, Run For The Roses, And It Stoned Me, My Sisters And Brothers, Deal
 Set Three: The Harder They Come, I Shall Be Released, Think, Evangeline, Gomorrah, Let It
 Rock, That Lucky Old Sun, Tangled Up In Blue
08/30/87 Berkeley, CA - Greek Theatre, U. Of California MAP>D>CD? All 109  
 *JGB: Don Crandall & Sean Webber-Small, Schoeps CMC 44 > Sony PCM-F1?
 Lineage based on The Jerry Site and etree shn in circulation. An excellent recording, sounds like
 a digital master. Notes: (1) with Bonnie Raitt. Needs slight re-tracking. d2t06 Midnight Moonlight
 pop @ 1:08. Could well be from this source: "taped by Don Crandall and Sean Weber-Small using:
 Schoeps CMC 44 ORTF hand-held > Oade PS > PCM-F1"
 Set One: Disc One (8) 58:48 -Set I- Cats Under The Stars, Mission In The Rain, Stop That
 Train, Dear Prudence, Evangeline, I Shall Be Released, My Sisters And Brothers, Tangled Up In Blue
 Set Two: Disc Two (6) 50:04 -Set II- I'll Take A Melody, Think (1), Knockin' On Heaven's
 Door (1), And It Stoned Me, That Lucky Old Sun, Midnight Moonlight
08/30/87 Berkeley, CA - Greek Theatre, U. Of California MAC>CD All n/a 
 *JGB: John Corley, Nak 700s > Sony TC-D5M*
08/30/87 Berkeley, CA - Greek Theatre, U. Of California MAP>D>CD All 111 1216 29547 
 *JGB: Schoeps CMC4/MK41s (?) > PCM* *compare*
 Specs: Source: Fob > Schoeps Cmc4/mk41's > Pcm > Dat @ 48k > Clone; Transfer: Fostex D5 > Vx Pocket
 440 > Toshiba 3480ct > Wavelab 4.0 > Fades & Resampled to 44.1 > Cd Wave > FLAC. Transferred & Seeded
 By: Greg Lance, gotfob@hotmail.com. Saith 'jbraveman' on bt.etree.org: "I believe this is the
 recording info for this show: Schoeps CMC 44 ORTF hand-held > Oade PS > PCM-F1." There is a PCM
 direct transfer version floating around as well. Either way a great recording and a great show.
 Set One: Cats Under The Stars, Mission In The Rain, Stop That Train, Dear Prudence,
 Evangeline, I Shall Be Released, My Sisters And Brothers, Tangled Up In Blue
 Set Two: I'll Take A Melody, Think*, Knockin' On Heaven's Door*, And It Stoned Me, That
 Lucky Old Sun, Midnight Moonlight
08/30/87 Berkeley, CA - Greek Theatre, U. Of California MAC>CD All 104 1129 enter 
 *JGB: Russ Dugoni, Sony stereo mic > Sony D6*
 MAC (Taped by Russ Dugoni, Sony stereo mic [dead center on the stone steps, 2/3 of the way up] >
 Sony D6) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool
 > .shn encoding. Transfer by David Minches. Notes: - Taper also taped Bonnie Raitt set. - (1) with
 Bonnie Raitt; - Very nice tape. Vocals a bit low, and occasionally some muffling, but solid overall.
 The show is a good one as well, nice energy from Jerry on the guitar and the vocals. - d2t03 Think
 whole song muffled, until 5:52; - d2t05 Stoned Me barely clips in; - d2t07 Midnight Moonlight SQ
 change at 4:00?
 Set One: Disc One (9) 56:27 --Set I-- 01. Crowd & Tuning [0:25], 02. Cats Under The Stars
 [7:26] [0:30], 03. Mission In The Rain [8:02] [0:41], 04. Stop That Train [6:25] [0:07], 05. Dear
 Prudence [9:16] [0:13], 06. Evangeline [3:11] [0:16], 07. I Shall Be Released [6:13] [0:10], 08. My
 Sisters And Brothers [4:15] -> 09. Tangled Up In Blue [8:59] [0:12]
  Set Two: Disc Two (7) 48:12 --Set II-- 01. Crowd & Tuning [0:27], 02. I'll Take A Melody
 [9:55] [0:55], 03. Think (1) [6:50] [0:14], 04. Knockin' On Heaven's Door (1) [7:19] [0:06], 05. /And
 It Stoned Me [6:13] [0:20], 06. That Lucky Old Sun [9:00] -> 07. Midnight Moonlight [6:28] [0:19]
08/30/87 Berkeley, CA - Greek Theatre, U. Of California MAP>CD All 109 1268 16576 
 *JGB: unknown mics > unknown PCM deck*
 FOB Audience PCM Master; PCM 601 > SV-3700 > Edirol UA-1D > SoundForge 5.0 > CD Wave Editor > mkw
 Audio Compression Tool. Enjoy! Contributed by mule714@yahoo.com. * w/ Bonnie Raitt
 Set One: Disc One (8 tracks, 58:27) --set I-- Cats Under The Stars, Mission In The Rain,
 Stop That Train, Dear Prudence, Evangeline, I Shall Be Released, My Sisters And Brothers, Tangled Up
 In Blue
 Set Two: Disc Two (6 tracks, 51:01) --set II-- I'll Take A Melody, Think*, Knockin' On
 Heaven's Door*, And It Stoned Me, That Lucky Old Sun, Midnight Moonlight
08/30/87 Berkeley, CA - Greek Theatre, U. Of California MAC>CD All n/a 1380 95573 
 *JGB: Taz Yamaguchi, 2x Schoeps MK41s > Sony TC-D6*
 Recorded by Tazuo Yamaguchi; 2 Schoeps MK-41s> dbx dbx-221e> Sony TC-D6. Transfer and FLAC encoding
 by David Minches: Master played back on Nak Dragon> dbx 224> Grace Lunatec V3 (24/96)> Digital Audio
 Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.
 Set One: Cats Under The Stars, Mission In The Rain, Stop That Train, Dear Prudence,
 Evangeline, I Shall Be Released, My Sisters And Brothers, Tangled Up In Blue
 Set Two: I'll Take A Melody, Think*, Knockin' On Heaven's Door*, And It Stoned Me, That
 Lucky Old Sun, Midnight Moonlight
10/15/87 New York, NY - Lunt-Fontanne Theatre MAC>CD All n/a 0867 4381 
 *JGAB & JGB: Dan Cole, Nak 300s > Sony D5*
 Taped by Dan Cole. FOB Nak 300's (Taped by Dan Cole, 2nd row, 2 seats right of center) > Sony D5 >
 Cool Edi t > CD Wave > SHN. Transfer by Kevin Tobin. Kevin Tobin's notes: "From Dan Cole's
 collection of JGB cassettes - he had it listed as Master FOB NAK 300's and was using a Sony D5
 recorder at the time. I recorded directly from his master tape to my computer using Cool Edit, divided
 the tracks using CD Wave and then converted to SHN before recording my copy onto cd. Dan's tape had
 the Ragged But Right at the end of the accustic set. This is not listed on the Jerry Site and I've
 sent them an email to see what they think. It fit into the tape so I believe they did it that night
 maybe as an encore for the first acoustic set."
 Set One: Disc One --JGAB-- Bright Morning Stars , Blue Yodel No. 9 (Standing On The Corner)
 , Spike Driver Blues , Short Life Of Trouble , Two Soldiers , I'm Troubled , Oh Babe It Ain't No Lie ,
 Rosalie McFall , Long Long Way , Ragged But Right
 Set Two: Disc Two --JGB-- How Sweet It Is To Be Loved By You , Forever Young , Stop That
 Train , Think , Mission In The Rain , Evangeline , My Sisters And Brothers , That Lucky Old Sun , Deal
 --Encore-- It Stoned Me
10/15/87 New York, NY - Lunt Fontanne Theatre MAC>CD All 112 
 *JGAB & JGB: Joe D'Amico, Nak 300s > Sony D5*
 I detected a number of pops, clicks & ticks that might have been because of bad playback equipment
 and discs burned at high-speed. Cole's remains the reference master to my knowledge as of 12/2004.
 Set One: Disc One (10) 45:23 --JGAB-- Bright Morning Stars, Blue Yodel No. 9 (Standing On
 The Corner), Spike Driver Blues, Short Life Of Trouble, Two Soldiers, I'm Troubled, Oh Babe It Ain't
  No Lie, Rosa Lee McFall, It's A Long Long Way To The Top Of The World, Band Introductions, Ragged But
 Right
 Set Two: Disc Two (10) 67:24 --JGB-- How Sweet It Is To Be Loved By You, Forever Young, Stop
 That Train, Think, Mission In The Rain, Evangeline, My Sisters And Brothers, That Lucky Old Sun, Deal
 --Encore-- And It Stoned Me
10/15/87 NYC, NY - Lunt-Fontanne Theatre MAC>C>CD II n/a 1282 80865 
 *JGB: Karl from NJ, Nak CM-100s > Sony WM-D6*
 AUD Source: Nakamichi CM-100's > Sony WM-D6. Taped from the tenth row orchestra, just off center
 towards stage left. The mics were handheld. Taped by Karl from NJ. First generation cassette made with
 Dolby-B was used for transfer. Transfer: MAC > 1C > Sony TC-D5M (w/Dolby-B) > Realtek AC97 >
 Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, December
 2006 by Andrew F. Notes: "Despite the flaws, this is a great sounding recording. It's a lot brighter
 than ShnID-4381, with more presence. The flaws were caused by numerous mic-cable problems, plus having
 to hide the mics from security at times. In some cases I patched in parts of ShnID-4381, and in other
 cases I covered the drop outs by making the WAVs mono. These are all listed below. Parts from
 ShnID-4381: How Sweet It Is 0:00 > 2:41; Mission In The Rain 4:20 > 4:45; Evangeline 3:33 > 3:36
  (end); My Brothers And Sisters 0:00 > 0:07, 0:44 > 0:48; That Lucky Old Sun 2:04 > 2:20; And It Stoned
 Me 0:37 > 0:38. Parts in Mono: Forever Young 1:09 > 1:12, 1:22, 3:32; Stop That Train 0:02 > 0:19,
 0:28 > 0:30, 0:37 > 1:10, 1:32; Think 3:40 > 3:47, 3:51 > 4:14, 4:52; And It Stoned Me 0:38 > 6:13
 (end). Soundforge was used for all the crossfades and repairs, and to match the pitch from the
 ShnID-4381 parts. With thanks to Johnny P for providing the cassette."
 Set Two: Electric:, How Sweet It Is To Be Loved By You, Forever Young, Stop That Train,
 Think, Mission In The Rain, Evangeline, My Sisters And Brothers, That Lucky Old Sun, Deal, E: And It
 Stoned Me
10/16/87 New York, NY - Lunt Fontanne Theatre MAC>CD All-4 n/a 1385 97085 
 *JGAB & JGB: Joe D'Amico, Nak 300s > Sony D5*
 I hear lots of ticks that might be because of cheap playback equipment and discs burned at high
 speed. - d2t01 CUTS distortion and level flux until about 3:00; - d2t06 HTC splice @ 6:03, levels
 lower until 8:17.
 Set One: Disc One (9) 45:50 --JGAB-- (MISSING I'm Troubled, Ballad Of Casey Jones, Been All
  Around This World), //Deep Elem Blues, Gone Home, Short Life Of Trouble, Blue Yodel No. 9 (Standing On
 The Corner), Diamond Joe, It's A Long Long Way To The Top Of The World, Goodnight Irene, Drifting Too
 Far From The Shore, I'm Ragged But I'm Right
 Set Two: Disc Two (8) 67:57 --JGB-- tuning [0:23], Cats Under The Stars, I Shall Be
 Released, Run For The Roses, Like A Road, Get Out Of My Life Woman, The Harder //They Come, Gomorrah,
 Tangled Up In Blue, E: My Sisters And Brothers
10/17/87b New York, NY - Lunt-Fontanne Theatre MSC>D>CD All 120 0918 6351 
 *JGAB & JGB*
 Recorded via splice in lobby speakers. Came labeled as DAT master, but TJS lists cassette master,
 and the splice in It Stoned Me is consistent with a tape flip. d1t01 Bright Morning Stars R channel
 predominates until ca. 1:08; d1t02 Blue Yodel No. 9 drop @ 4:24; d2t01 How Sweet mix & level
 fluctuations @ start; d2t06 Stoned Me splice @ 5:05 (tape flip?).
 Set One: Jerry Garcia Acoustic Band, 1. Bright Morning Stars [2:20] -> 2. Blue Yodel No. 9
 (Standing On The Corner) [5:35] -> 3. Ballad Of Casey Jones [5:40] [0:06], 4. [0:16] Short Life of
 Trouble [3:40] [0:03], 5. Two Soldiers [4:38] [0:04], 6. [0:43] I'm Troubled [4:27] [0:06], 7. [0:21]
 Oh Babe It Ain't No Lie [5:59] [0:08], 8. [0:42] Rosalie McFall [3:08] [0:07], 9. Drifting Too Far
 [5:07] [0:02], 10. [0:39] Goodnight Irene [6:02] [0:02], 11. Ragged But Right [4:40] [0:08], Total
 Time 55:13
 Set Two: Jerry Garcia (Electric) Band, 1. How Sweet It Is To Be Loved By You [6:32] [0:06],
 2. Forever Young [7:38] [0:10], 3. Stop That Train [8:28] [0:15], 4. [0:59] Think [7:10] [0:17], 5.
 [0:15] Mission In The Rain [9:30] [0:13], 6. [0:17] And It// Stoned Me [5:34#] [0:05], 7. My Sisters
 And Brothers [:03+4:03] -> 8. Deal [:02+7:09] [0:25], Encore: 9. Run For The Roses [5:34] [0:11],
 Total Time 65:16
10/17/87b NYC, NY - Lunt-Fontanne Theatre MSC>D>CD All n/a 1295 83514 
 *JGAB & JGB*
 source: SBD cassette master taped by Rob Berger. lineage: sbd cassette master > dat > dat > cdr >
 adobe audition 2.0 > cd wave > flac. sbd (mono) via left repeater speaker cable > Sony D5 (Maxell
 XL-IIS90's w/dolby b), cassette master played back on same D5 w/dolby > dat (sony TCD-D10) in spring
 '88, dat > dat fresh transfer (sony D8 > sony pcm300) made in 1997, dat > cdr (standalone) in 1999,
 cdr > adobe audition 2.0 > cd wave > flac done 3/07; transfers done by Rob Berger.
 Set One: Acoustic:, Bright Morning Stars, Blue Yodel No. 9 (Standing On The Corner), Ballad
 Of Casey Jones, Short Life Of Trouble, Two Soldiers, I'm Troubled, Oh Babe It Ain't No Lie, Rosa Lee
 McFall, Drifting Too Far From The Shore, Goodnight Irene, I'm Ragged But I'm Right
 Set Two: Electric:, How Sweet It Is To Be Loved By You, Forever Young, Stop That Train,
 Think, Mission In The Rain, And It Stoned Me, My Sisters And Brothers, That Lucky Old Sun, Deal, E:
 Run For The Roses
10/20/87 New York, NY - Lunt Fontanne Theatre MAC>CD All 123 
 *JGAB & JGB: Joe D'Amico, Nak 300s > unknown deck*
 Bright Morning Stars cuts in. Cut in Cats due to taper bust. Tape flip cuts end of Long Long Way
 and start of Goodnight Irene. Five digi-ticks on d2.
 Set One: Disc One (10) 48:10 --Jerry Garcia Acoustic Band-- //Bright Morning Stars, Blue
 Yodel No. 9 (Standing On The Corner), Ballad Of Casey Jones, Short Life Of Trouble, I'm Troubled, Get
 My Baby Out Of Jail, Oh Babe It Ain't No Lie, I Ain't Never Seen Nobody Like You, It's A Long Long Way
 To The Top Of The World//, //Goodnight Irene
  Set Two: Disc Two (9) 75:06 --Jerry Garcia Band-- //Cats// Under The Stars, Stop That Train,
 Forever Young, Think, Simple Twist Of Fate, Mississippi Moon, My Sisters And Brothers -> Deal
10/20/87 NYC, NY - Lunt-Fontanne Theatre  MAC>C>CD All n/a 1279 80132 
 *JGB: Karl from NJ, 1 Nak CM-100 > Sony WM-D6 (mono)*
 Karl from NJ's MAC (1 Nakamichi CM-100 > Sony WM-D6 [mono]) > Maxell XLII-S 1st gen cassette (Dolby
 On) > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression
 & checksums) > FLAC, November 2006 by Andrew F.
 Set Two: Electric:, Cats Under The Stars, Stop That Train, Forever Young, Think, Simple
 Twist Of Fate, Mississippi Moon, My Sisters And Brothers, Deal
10/21/87 NYC, NY - Lunt-Fontanne Theatre MAC>2C>CD II n/a 1279 80043 
 *JGB: Nak 300s > Sony WM-D6*
 Nakamichi CM-300's > Sony WM-D6; Second generation cassette w/Dolby B used for transfer (MAC > C >
 C) Transfer: 2nd-Gen tape (Maxell XL-II) > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge >
 CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, November 2006 by Andrew
 F.
 Set Two: Electric:, Get Out Of My Life Woman, Knockin' On Heaven's Door, Dear Prudence,
 Crazy Love, Evangeline, The Night They Drove Old Dixie Down, My Sisters And Brothers, Midnight
 Moonlight, E: That Lucky Old Sun
10/21/87a New York, NY - Lunt-Fontanne Theatre MS?>?>CD All 99 
 *JGAB & JGB*
 d1t03 skip? @ 2:27
 Set One: 1. Blue Yodel No. 9 [5:37] [0:06], 2. Spike Driver Blues [6:39] [0:06], 3. I've
 Been All Around This World [5:23] [0:16], 4. I'm Troubled [4:42] [0:06], 5. Drifting Too Far [3:20]
 [0:13], 6. If I Lose [2:27] [0:05], 7. Troubled In Mind [5:17] [0:19], 8. Gone Home 4:38] [0:21], 9.
 Ragged But Right [4:13] [0:05], Filler: 10/21/87b acoustic set, Total Time 78:17
 Set Two: 1. [0:25] How Sweet It Is [6:31] [0:26], 2. [0:07] I Shall Be Released [7:15]
 [0:55], 3. Run for the Roses [5:30] [0:33], 4. [0:14] Like a Road [7:39] [0:40], 5. Harder They Come
 [9:48] [0:53], 6. Gomorrah [6:24] -> 7. Tangled Up in Blue [9:49] [0:22], Total Time 57:41
10/21/87b New York, NY - Lunt-Fontanne Theatre MS?>?>CD Partial 37  
 *JGAB*
 Set One: on 10/21/87a d1, 10. Deep Elem Blues [6:29] [0:12], 11. I'm Troubled [4:15] [0:13],
 12. Spike Driver Blues [6:43] [0:14], 13. Short Life of Trouble [4:01] [0:07], 14. Two Soldiers [4:15]
 [0:16], 15. Gone Home [4:00] [0:02], 16. Band Introduction [1:03], 17. Diamond Joe// [1:35#] [0:09],
 Show time ca. 37:30
10/23/87 New York, NY - Lunt Fontanne Theatre MAC>CD All 118 
 *JGAB & JGB: Joe D'Amico, Nak 300s > Sony D5*
 *=w/Bob Weir. Taper info said D8, but I am not sure D8 was around then and in any case he mentions
 a tape flip. Power blows out during Deep Elem and comes back @ end of song. End of Stoned Me and start
 of Sisters & Brothers cut due to security pressure making it impossible to flip the tape. Hissy,
 muffled. d1t01 DEB cuts in, lots of mic adjustments, PA issues @ 2:25; d1t09 DTFFTS digi-scratches @
 2:12, 4:12; d2t01 CUTS cuts in, digi-scratch @ 3:31; d2t04 MI Moon tick @ 6:02; d2t06 Stoned Me cuts
 out; d2t07 Sisters and Brothers cuts in, a few minutes missing, tick @ 0:27.
 Set One: Disc One (10 tracks, 50:36) --Jerry Garcia Acoustic Band-- //Deep Elem Blues, I'm
 Troubled, Ballad Of Casey Jones, Blue Yodel No. 9 (Standing On The Corner), Short Life Of Trouble, If
 I Lose, Get My Baby Out Of Jail, Oh Babe It Ain't No Lie, Drifting Too Far From The Shore, I'm Ragged
 But I'm Right
 Set Two: Disc Two (9 tracks, 66:47) --Jerry Garcia Band-- //Cats Under The Stars, Forever
 Young, Mission In The Rain, Mississippi Moon, Run For The Roses, And It Stoned Me//, //My Sisters And
 Brothers, That Lucky Old Sun, Tangled Up In Blue*, E: When I Paint My Masterpiece*
10/23/87 NYC, NY - Lunt-Fontanne Theatre MAC>2C>CD All-1 n/a 1282 80293 
 *JGAB & JGB: Nak 300s > Sony D5*
 Source: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and
 mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification
 and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves
 X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD
 dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog
 recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner. Seeded
 by the green mountain bros @ bt.etree.org, 11/2006. Comments: * Bob Weir (guitar, vocals) . Lead
 vocals on Masterpiece. Band goes ultra acoustic during Deep Elem when power to the amplification
 system goes out.
 Set One: Acoustic:, Deep Elem Blues, I'm Troubled, Ballad Of Casey Jones, Blue Yodel No. 9
 (Standing On The Corner), Short Life Of Trouble, If I Lose, Get My Baby Out Of Jail, Oh Babe It Ain't
 No Lie, Drifting Too Far From The Shore, I'm Ragged But I'm Right
 Set Two: Electric:, Cats Under The Stars, Forever Young, Mission In The Rain, Mississippi
 Moon, Run For The Roses, And It Stoned Me, My Sisters And Brothers, That Lucky Old Sun, Tangled Up In
 Blue*, E: When I Paint My Masterpiece**
10/24/87 New York, NY - Lunt Fontanne Theatre MAC>CD All 137 
 *JGAB & JGB: Joe D'Amico, Nak 300s > Sony D5*
 Cuts in Goodnight Irene and HTC due to security pressure, inability to flip. Tons and tons of small
 ticks and popos, mic adjustments, etc. d2t04 HTC splice @ 1:39
 Set One: Disc One (12 tracks, 64:47) --JGAB-- Blue Yodel No. 9 (Standing On The Corner),
 Spike Driver Blues, I Ain't Never Seen Nobody Like You, I'm Troubled, Two Soldiers, Diamond Joe, Rosa
 Lee McFall, Drifting With The Tide, Gone Home, Goodnight //Irene --JGB-- How Sweet It Is, Stop That
 Train
 Set Two: Disc Two (8 tracks, 71:33) --JGB con't-- Simple Twist Of Fate, Think, Like A Road,
 The Harder //They Come, My Sisters And Brothers, That Lucky Old Sun-> Deal, E: And It Stoned Me
10/24/87 NYC, NY - Lunt-Fontanne Theatre MAC>2C>CD All n/a 1282 80294 
 *JGAB & JGB: Nak 300s > Sony D5*
 Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2
 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and
 digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise
  and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither
 settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording
 archived and kindly shared by B. Koucky. Digital transfer and mastering by C.Ladner.
 Set One: Acoustic:, Blue Yodel No. 9 (Standing On The Corner), Spike Driver Blues, I Ain't
 Never Seen Nobody Like You, I'm Troubled, Two Soldiers, Diamond Joe, Rosa Lee McFall, Drifting With
 The Tide, Gone Home, Goodnight Irene
 Set Two: Electric:, How Sweet It Is To Be Loved By You, Stop That Train, Simple Twist Of
 Fate, Think, Like A Road, The Harder They Come, My Sisters And Brothers, That Lucky Old Sun-> Deal, E:
 And It Stoned Me
10/25/87a New York, NY - Lunt Fontanne Theatre MAC>CD All 106 0945-9046 25751 
 *JGAB & JGB: Sony ECM939LTs > Sony D6*
 Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell
 MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 >
 Tascam CDRW-700 > EAC > SHN. Seeder notes: "The tape was made in the center orchestra, approx 15th
 row. Security was very difficult at this show and they were on the lookout for tapers. The tough
 security situation led to various problems with this tape (see below), plus you get to hear a whole
 lot of audience chatter etc. During the acoustic set, in which the audience sat down, the mic was
 placed on the armrest between seats. This placement resulted in major distortion during the applause
 between songs. Soundforge was used to cut down the levels during the distorted parts, and to make the
 tape sound less jarring for those passages. During the electric set when the audience stood up, the
 mic was hand-held at approx chest-level. Soundforge was not used on the electric set, which is
 presented exactly as recorded, audience and all. CDWave was used for tracking. Enjoy this show - we
 miss you Jerry." (1) Most of "Blue Yodel" is missing; cuts in at the last solo before the final
 chorus. (2) Most of "Cats" is missing; cuts in at the last verse after Jerry's solo. (3) The tape was
 flipped after "Think". The deck was hidden under a coat, and the mic-input volume knob was
 accidentally turned up. Consequently, the remainder of the show (last four songs) has a lot more gain.
 This results in some barely noticeable distortion in a few spots. When transferring from the master,
 the input gain to CD was lowered to account for this, and to make it generally match side-A of the
 electric set tape. (4) Tape cuts at the very last note.
 Set One: Disc One (12) 45:44 --JGAB-- 01. //Blue Yodel No. 9 (1:43)(1), 02. Ballad Of Casey
 Jones (5:08), 03. I've Been All Around This World (5:53), 04. I'm Troubled (5:34), 05. Jerry (0:37),
 06. Drifting With the Tide (3:27), 07. Band intros (0:54), 08. If I Lose (2:41), 09. Trouble In Mind
 (7:05), 10. Rosalie McFall (3:07), 11. Gone Home (4:36), 12. Ragged But Right (4:55)
 Set Two: Disc Two (11) 60:14 --JGB-- Electric Set (60:14), 01. //Cats Under The Stars
 (2:21)(2), 02. I Shall Be Released (7:56), 03. Jerry introduces Jaclyn, Gloria and Melvin (0:46), 04.
  Dear Prudence (11:28), 05. Run For The Roses (5:46), 06. Think (6:21), 07. Evangeline (3:19)(3), 08.
 And It Stoned Me (6:17), 09. Tangled Up In Blue (9:56), 10. crowd (1:40), 11. Encore: My Sisters And
 My Brothers (4:19)(4)
10/25/87a NYC, NY - Lunt-Fontanne Theatre MAC>2C>CD II n/a 1282 80295 
 *JGB: Nak 300s > Sony D5*
 Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2
  Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and
 digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise
 and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither
 settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording
 archived and kindly shared by B. Koucky. Digital transfer and mastering by C.Ladner.
 Set Two: Electric:, Cats Under The Stars, I Shall Be Released, Dear Prudence, Run For The
 Roses, Think, Evangeline, And It Stoned Me, Tangled Up In Blue, E: My Sisters And Brothers
10/25/87b New York, NY - Lunt-Fontanne Theatre  MS?>?>CD I 53 0725 enter 
 *JGAB*
 *Dedicated to the memory of Elizabeth Cotton. Came labeled as an aud, but is apparently a sbd.
 From Harry Angus's CDs > DAE (EAC 0.9 beta 4, offset corrected, high/secure) > + 2 dB gain applied to
 entire show (soundforge 5) > tracking (cdwav) > boundary check (shntool) > SHN (shorten 3.4) by Chris
 Ladner.
 Set One: Single Disc (11) 53:13, Late Show - Acoustic Set 01 Deep Elem Blues [06:23] , 02
 I'm Troubled [04:51] , 03 Spike Driver Blues [07:22] , 04 Blue Yodel No. 9 (Standing On The Corner)
 [05:46] , 05 Short Life Of Trouble [03:00], 06 band intros [00:51] , 07 If I Lose [02:48] , 08 I'm
 Here To Get My Baby Out Of Jail [06:26] , 09 Oh Babe, It Ain't No Lie* [06:07], 10 Drifting With The
 Tide [05:08] , 11 Ragged But Right [04:26] , Total time: 53:11
10/27/87 NYC, NY - Lunt-Fontanne Theatre aud video partial 21 1298 noshnid 
 *JGAB & JGB: unknown videographer*
 DVD Video source: vhs, crowd shot. lineage: unk. vhs>my dvd>dvd decryter. transfer by Rob Berger &
 PeterG.
 Set One: one disc: 21 minutes --acoustic-- Girl From The Crossroads Bar/ intros/ If I Lose
 --electric-- The Harder They Come
10/28/87a New York, NY - Lunt-Fontanne Theatre MSC>D>CD I 54 1291 82275 
 *JGAB* *off-pitch*
 I have audio CDs ("MSD>D>CD") of this also. The db fileset has the following info. Digital
 Soundboard -> DAT 16/48. Transfer By Todd Evans. Editing by Jamie Waddell in Wavelab6.0. SBE FREE
 16/44.1 L2 Type2Ultra Noise Shape. A **GEMS** Production www.shnflac.net January 2007. "- few tiny
 dropouts in tuning. None during show. - perfect sound." However, etree user btet noted on 2/1/2007
 that this sounds a full tone sharp. And Charlie Miller contributes that this comes from a cassette
 master.
 Set One: Deep Elem Blues, I'm Troubled, Spike Driver Blues, Blue Yodel No. 9 (Standing On
 The Corner), Short Life Of Trouble, If I Lose, I'm Here To Get My Baby Out Of Jail, Oh Babe It Ain't
 No Lie, Drifting Too Far, Ragged But Right, Total Time 53:37
10/28/87a NYC, NY - Lunt-Fontanne Theatre MSD?>D>CD I n/a 1295 83239 
 *JGAB* *pitch-corrected*
 Pitch corrected Digital Soundboard (shnid=82275). Digital Soundboard -> DAT 16/48 Transfer By Todd
 Evans Editing by Jamie Waddell in Wavelab6.0 SBE FREE 16/44.1 L2 Type2Ultra Noise Shape. A
 **GEMS** Production www.shnflac.net January 2007. DAT from collection of Todd Evans -
 todd@bluedakota.com. DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav. Fixed source:
 FLAC > WAV > Vegas6.0d > FLAC by mattman. Original source pitched ~1.57 steps too high
 Set One: Acoustic:, Deep Elem Blues, I'm Troubled, Spike Driver Blues, Blue Yodel No. 9
 (Standing On The Corner), Short Life Of Trouble, If I Lose, Get My Baby Out Of Jail, Oh Babe It Ain't
 No Lie, Drifting Too Far From The Shore, I'm Ragged But I'm Right
10/28/87a New York, NY - Lunt Fontanne Theatre MAC>CD II n/a 0947 25742 
 *JGB: Sony ECM 939LTs > Sony D6*
 Recording: Sony ECM-939LT Stereo Mic > Sony WM-D6C Pro-Walkman onto Maxell MX-90 cassette, Dolby
 Off during recording and playback. Transfer playback on Nakamichi MR2 > Tascam CDRW-700 > EAC > SHN.
 Tracked with CDWave, no EQ or sound editing was used. Seeder's Notes: We were seated in the third row
  orchestra, just off center and directly in front of Jerry. Security was very difficult at this show
 and they were on the lookout for tapers. During the acoustic set the audience was seated and the mic
 was held low, plus was covered and uncovered a lot as people came to their seats late and security
 went up and down the aisles. The tape was marred by much rustling and muffling as the mic was being
 hidden constantly. Then during "If I Lose", the mic cable came out and the rest of that set's tape is
 blank. It was decided not to include that set in the transfer, since the complete acoustic set from
 this show is widely available in high quality soundboard. During the electric set the audience stood
  up and the mic was hand-held at approx chest-level. There is some noticeable shifting and hiding of
 the mic during "Get Out of My Life Woman" at 0:10 > 0:15 and again at 3:20 > 3:35. Otherwise, the
 electric set sounds pretty good given the tough taping conditions." JJ notes: pretty nice tape.
 Set Two: --Electric Set-- (9) 68:56, 01. Get Out Of My Life Woman [7:48] [0:09], 02. They
 Love Each Other [6:40] [1:38], 03. Mission In The Rain [8:48] [1:14], 04. Like A Road [7:48] [1:01],
 05. Love In The Afternoon [6:44] [0:01], 06. /My Sisters And Brothers [#4:10] [0:13], 07. That Lucky
 Old Sun -> 08. Deal [7:14] [0:55] --Encore-- 09. Crazy Love [5:00] [0:05]
10/28/87a NYC, NY - Lunt-Fontanne Theatre MAC>C>CD II n/a 1279 80044 
 *JGB: Nak 300s > Sony D5*
 MAC (Orchestra Nakamichi 300s > D5) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox >
 firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer
 (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 >
 FLAC (level 8). Transfer/mastering by C.Ladner. Comments: Beginning of "My Sisters And Brothers" is
 clipped.
 Set Two: Electric:, Get Out Of My Life Woman, They Love Each Other, Mission In The Rain,
 Like A Road, Love In The Afternoon, My Sisters And Brothers, That Lucky Old Sun, Deal, E: Crazy
 Love
10/28/87b NYC, NY - Lunt-Fontanne Theatre MAC>C>CD Ip,II n/a 1279 79902 
 *JGAB-JGB: Nak 300s > Sony D5*
 Orchestra Nakamichi 300s > D5 (MAC) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox >
 firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer
 (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 >
 FLAC (level 8). Recording via B.Koucky. Transfer/mastering by C.Ladner. Comments: The acoustic band
 set is missing the first 3 and last songs of the set. Beginning of "How Sweet It Is" cut. -12 dB hard
 limiter applied to the crowd cheering between songs during the acoustic set.
 Set One: Acoustic:, Been All Around This World, Ballad Of Casey Jones, Blue Yodel No. 9
 (Standing On The Corner), I'm Troubled, Rosa Lee McFall, Diamond Joe, I Ain't Never Seen Nobody Like
  You, It's A Long Long Way To The Top Of The World, Bright Morning Stars, Ripple
 Set Two: Electric:, How Sweet It Is To Be Loved By You, Forever Young, Stop That Train,
 Evangeline, Knockin' On Heaven's Door, Gomorrah, Tangled Up In Blue, E: My Sisters And Brothers
10/30/87 NYC, NY - Lunt-Fontanne Theatre MAC>2C>CD II n/a 1282 80695 
 *JGB: Nak 300s > Sony D5*
 Source: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and
 mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification
 and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves
  X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD
 dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog
 recording archived and kindly shared by B. Koucky. Digital transfer and mastering by C. Ladner.
 Seeded by the green mountain bros @ bt.etree.org, 12/2006.
 Set Two: Electric:, Cats Under The Stars, Forever Young, Stop That Train, Think, Evangeline,
 The Harder They Come, My Sisters And Brothers, That Lucky Old Sun, Tangled Up In Blue, E: And It
 Stoned Me
10/31/87a NYC, NY - Lunt-Fontanne Theatre MAC>CD II 64 
 *JGB: uncertain taper & gear*
 Could have been taped by Joe D'Amico. Starts off a bit rough and oversaturated, with HSII cutting
 in. But things improve after awhile and this ends up being a nice listen. d1t06 I Shall Be Released
 levels drop @ around 0:20. Nice relaxed show, Crazy Love encore a special treat.
 Set Two: (9 tracks, 63:44) --Electric-- //How Sweet It Is To Be Loved By You, They Love Each
 Other, When I Paint My Masterpiece, Dear Prudence, Run For The Roses, I Shall Be Released, My Sisters
 And Brothers, Midnight Moonlight, E: Crazy Love
10/31/87a NYC, NY - Lunt-Fontanne Theatre MAC>2C>CD II n/a 1282 80696 
 *JGB: Nak 300s > Sony D5*
 MAC (Nak 300s [orchestra] > Sony D5) > 2 cassette gens > C2 (Maxell XLII-90) Playback on Nak DR-2 >
 analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP
 Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered
 to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra
 shaping) > CDWAV 1.9 (tracking) > FLAC (level 8), via B. Koucky and C. Ladner.
 Set One: Acoustic:, Been All Around This World, I'm Troubled, Short Life Of Trouble, Blue
 Yodel No. 9 (Standing On The Corner), Spike Driver Blues, Trouble In Mind, The Girl At The Crossroads
 Bar, Bright Morning Stars, Ripple, Goodnight Irene
 Set Two: Electric:, How Sweet It Is To Be Loved By You, They Love Each Other, When I Paint
 My Masterpiece, Dear Prudence, Run For The Roses, I Shall Be Released, My Sisters And Brothers,
 Midnight Moonlight, E: Crazy Love
10/31/87b NYC, NY - Lunt-Fontanne Theatre MAD?>CD All 114 
 *JGAB/JGB: Joe D'Amico, Nak 300s > D8 (I); unknown mics > D8? (II)*
 Acoustic set: "Missing Swing Low, cuts into Deep Elem due to the guards nailing me coming in, got
 in late. Nak 300s > Sony D8 for the acoustic set." Electric Set: "I was moving around and missed
 beginning of Werewolves. Spliced in a piece I got from a friend. Electric set I used my friend's
 mics, forgot what they were." JJ: this is riddled with various flaws, but the recording gets really
 nice midway through Werewolves for the rest of the electric set. The show itself is terrific,
 especially the electric set. Werewolves alt. source (start) is horrific, badly distorted, but comes
 in better @ 2:26. HTC gets a little lower and muffled, and things go down again @ 9-min mark of KOHD,
 with some static. Sounds like the mic is being put in a pocket from time to time. And, as I said,
 there are various other glitches, not specifically noted.
 Set One: --Acoustic (44:49)-- (MISSING Swing Low Sweet Chariot), //Deep Elem Blues, Blue
 Yodel No. 9 (Standing On The Corner), Ballad Of Casey Jones, Two Soldiers, Diamond Joe, Gone Home, Oh
 Babe It Ain't No Lie, If I Lose, I'm Ragged But I'm Right
 Set Two: Electric (69:15): //Werewolves of London, Cats Under The Stars, Stop That Train,
  Let It Rock, Gomorrah, The Harder They Come, Knockin' On Heaven's Door, Deal, E: My Sisters And
 Brothers
11/27/87 San Francisco, CA - Warfield Theater MAC>2C>CD All n/a 1279 80133 
 *JGAB-JGB: Senn MKE2002s > Sony TC-D5*
 Source: AUD, Sennheiser MKE-2002 mics > Sony TC-D5. Lineage as follows: Disc One tracks 01 thru 04,
 and all of Disc Two come from a second generation cassette, made w/Dolby B (MAC > C > C). Disc One
 tracks 05 thru 09 come from ShnID-22298. See notes below... Transfer: 2nd-Gen cassette > Sony TC-D5M
 (Dolby on) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and
 checksums) > FLAC, November 2006 by Andrew F. Notes: The 2nd-gen tape I transferred was a 90-minute
 cassette that contained the complete electric set and the start of the acoustic set as filler. It
 faded out at the beginning of "Two Soldiers". The crowd noise during the overlapping parts of the two
 sources proved that this cassette and ShnID-22298 derived from the same MAC source. I decoded the
 ShnID-22298 files to WAV, used WavMerge to combine them, then used Soundforge to match the pitch and
 levels, and to crossfade the two sources together. I also used Soundforge to make fades and for some
 minor edits. The ShnID-22298 files are noticeably degraded. In the acoustic set, I used Soundforge to
 lower the levels in the applause between songs, between -2bd and -4db, as needed in spots. The first
 minute of "How Sweet" is distorted; I lowered the levels with Soundforge and reduced some of the
 low-end in that part. Since the Sennheiser 2002 mics were designed to be worn by the taper (like
 airplane earphones), the sound "floats" from left to right in a few spots as the taper moved around.
 THANKS to Johnny P for this tape...
 Set One: Acoustic:, Bright Morning Stars, Blue Yodel No. 9 (Standing On The Corner), Ballad
 Of Casey Jones, I'm Troubled, Two Soldiers, Diamond Joe, Drifting Too Far From The Shore, Been All
 Around This World, (MISSING Turtle Dove)
 Set Two: Electric:, How Sweet It Is To Be Loved By You, Forever Young, Stop That Train,
 Think, Run For The Roses, Gomorrah, My Sisters And Brothers, That Lucky Old Sun, Deal, E: And It
 Stoned Me
11/27/87 San Francisco, CA - Warfield Theater MA?>?>C>D>CD Ip 26 1031 enter 
 *JGAB: unknown taper & gear*
 AUD (mics and taper unknown) > ? > C > Nakamichi DR-2 playback > Tascam DA-30 Mk II master DAT >
 Sony PCM-R500 playback > coaxial > Audiophile 2496 > P4 2.0 GHz > Soundforge 6.0 > tracking (CDWave
 editor) > sector boundaries confirmed (shntool) > SHN(mkwact). A > D by Jim Powell, D > SHN by Chris
 Ladner.
 Set One: Single Disc (5) 25:42, (MISSING) Bright Morning Stars , (MISSING) Blue Yodel No.
 9 (Standing On The Corner) , (MISSING) Ballad Of Casey Jones, 01 [0:09] I'm Troubled [05:03], 02
 Two Soldiers [04:31], 03 band intros [00:59], 03 Diamond Joe [03:54], 04 Drifting Too Far From The
 Shore [05:21], 05 I've Been All Around This World [05:53], (MISSING) Turtle Dove
11/27/87 San Francisco, CA - Warfield Theater aud shot most n/a 
 *JGAB/JGB:aud shot*
 Audio::: (cam) May be only existing source; AC3 capture 48Kz Stereo 256kbps. Notes: "This is not a
 pristine recording. Caveat emptor. If someone down the line wants to redo the audio or has a better
 capture from better sources, i'd love to check it out. Find something to enjoy in this humble
 recording... Its not only a Jerry Band Show, but has the very rare blessing of an acoustic JGB to
 start it off. Look for Sandy Rothman, David Nelson, David Kemper, and of course the inimitable John
  Kahn... New guy on fiddle... Then the original JGB with the girls, and Melvin take over."
 authoring/production notes:::3996MB (early) video flash/audio blip (small cut after verse ends)##
 intro slightly snipped**(Camera move) mini snip before encore Motion menus main:: ~Stoned Me~ 1st
 page::~Gommorah~ 2nd page::~Turtle Dove~
 Set One: --Acoustic:: set I-- Two Soldiers, Intros, Diamond Joe, Driftin' Too Far, All
 Around This World, Turtle Dove --Electric:: set II-- How Sweet///, Forever Young, Stop that Train,
 Think, Run For the Roses##, **//Gommorrah > Sisters & Bros, Lucky Old Sun > Deal Enc::: Stoned Me
11/28/87 *see Jerry Garcia on Official Releases* n/a  
11/28/87 San Francisco, CA - Warfield Theater MAC>2C>D>CD I 42 1031 22148 
 *JGAB: unknown taper & gear*
 MAC (unknown mics and taper) > 2C > Nakamichi DR-2 playback > Tascam DA-30 Mk II master DAT > Sony
 PCM-R500 playback > coaxial > Audiophile 2496 > P4 2.0 GHz > Soundforge 6.0 > tracking (CDWave editor)
 > sector boundaries confirmed (shntool) > SHN (mkwact). A>D by Jim Powell, D>SHN by Chris Ladner.
  Ladner Comments: - Scarcely circulated unlineaged multianalog gen recording. - First performance of
 "Oh The Wind And Rain". JJ notes: - t04 OBIANL dedicated to the memory of Elizabeth Cotten; - t04
 OBIANL digi-scratch @ 3:47-3:48
  Set One: Single Disc (11) 42:14, 01 Crowd & Tuning [00:57], 02 Swing Low (Sweet Chariot)
 [2:50] [0:04] =[02:55], 03 Deep Elem Blues [5:34] [0:12] =[05:46], 04 Oh Babe, It Ain't No Lie
 [5:51] [0:11] =[06:02], 05 I Ain't Never Seen Nobody Like You [3:42] [0:10] =[03:52], 06 Band
 Introductions [00:49], 07 Gone Home [4:16] [0:11] =[04:27], 08 Oh The Wind And Rain [3:33] [0:30]
 =[04:03], 09 I'm Here To Get My Baby Out Of Jail [5:05] [0:53] =[05:58], 10 If I Lose [3:07] [0:11]
 =[03:18], 11 Turtle Dove [3:56] [0:07] =[04:03]
11/29/87 San Francisco, CA - Warfield Theater MA?>?>C>D>CD I n/a 1031 22149 
 *JGAB: unknown taper & gear*
 Set One: Acoustic:, Bright Morning Stars, Blue Yodel No. 9 (Standing On The Corner), Spike
 Driver Blues, Turtle Dove, It's A Long Long Way To The Top Of The World, Oh The Wind and Rain, The
 Girl At The Crossroads Bar, Ripple, I'm Ragged But I'm Right
12/03/87 Los Angeles, CA - Wiltern Theater MAC>D>CD All 106 0626-0627 13808 
 *JGAB & JGB: Tapers from Hell, Senn MKE 2002 > Sony WM-D6C*
 MAC (Taped by Mike French, floor right of center, Senn MKE2002 [HRTF] > Sony WM-D6C [Dolby B]) >
 playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz
 master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA
 cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP
 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary
 verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French,
 EAC > SHN by Joe Jupille. Notes: This is a solid recording of what I assume to have been a tough show
 to tape. There is lots of crowd chatter, especially during the acoustic set. But the material is very
 nice and this is well-worth having. Flaws: d1t01 Bright Morning Stars fades in, unknown missing; d1t02
 Standing on the Corner brief skip @ 4:48? d1t03 Ballad of Casey Jones clips in; d1t10 Turtle Dove
 fades up to full volume; d2t01 How Sweet It Is fades in, not much missing; d2t04 Run for the Roses
 clips in, very little missing; d2t06 Sisters & Brothers levels rise smoothly after ca. 1 minute; d2t07
 Lucky Old Sun cuts in, probably not much missing
 Set One: Disc One (10) 41:15 --Set I, Jerry Garcia Acoustic Band-- 01. ... Bright Morning
 Stars [#2:14] -> 02. Blue Yodel No. 9 (Standing On The Corner) [6:46] [0:03], 03. Ballad Of Casey
  Jones [4:39] [0:20], 04. Troubled In Mind [4:42] [0:04], 05. Band Introductions [0:42] -> 06. Oh The
 Wind and Rain [4:02] [0:14], 07. Long Long Way [3:47] [0:15], 08. Diamond Joe [3:39] [0:03], 09.
 Ripple [4:17] [0:05], 10. Turtle Dove [5:08] [0:10]
 Set Two: Disc Two (9) 65:08 --Set II, Jerry Garcia Band-- 01. ... How Sweet It Is To Be
 Loved By You [#6:49] [0:26], 02. Forever Young [7:13] [0:21], 03. Stop That Train [6:55] [0:14], 04.
 Run For The Roses [5:38] [0:24], 05. Think [6:53] [0:05], 06. My Sisters And Brothers [5:12] [0:04],
 07. //That Lucky Old Sun [#10:08] -> 08. Tangled Up In Blue [11:09] [0:07] --Encore-- 09. [0:08]
 Evangeline [3:10] [0:10]
12/04/87 Los Angeles, CA - Wiltern Theater MAC>D>CD All 111 0626 13843 
 *JGAB & JGB: Tapers from Hell, Senn MKE 2002 > Sony WM-D6C*
 MAC (Taped by Mike French, center of the floor, Senn MKE2002 [HRTF] > Sony WM-D6C [Dolby B]) >
 playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz
 master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA
  cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP
 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary
 verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French
 (all digital devices powered via Vans Evers "Clean Lines" Reference AC power filtration unit, for
 clean, isolated AC power; All transfers done with studio "stand alone" equipt. with no scms assigned).
 EAC > SHN by Joe Jupille. Notes: Show w/ Kenny Kosek on fiddle; (1) Leroy Mack on dobro; Flaws: d1t01
 Swing Low fades in; d1t06 Baby Out of Jail cuts in; d1t07 Wind & Rain drop @ 2:18 removed using Sound
  Forge; d1t10 Ragged But Right cuts in; d2t01 CUTS fades in, not much missing; d2t03 Mission clips in;
 d2t04 Like a Road clips in; d2t06 Stoned Me clips in, cuts out harshly.
 Set One: Disc One (10) 46:39 --Set I, Jerry Garcia Acoustic Band-- 01. ...Swing Low Sweet
 Chariot [#3:09] [0:09], 02. Deep Elem Blues [5:36] [0:02], 03. Spike Driver Blues [6:24] [0:17], 04.
 I've Been All Around This World [6:09] [0:02], 05. Band Introductions [0:59], 06. //I'm Here To Get My
 Baby Out Of Jail [#6:10] -> 07. Oh The Wind and Rain [4:10] [0:55], 08. Gone Home (1) [4:45] [0:07],
 09. If I Lose (1) [3:39] [0:03], 10. //Ragged But Right (1) [#3:53] [0:07]
 Set Two: Disc Two (9) [64:10] --Set II, Jerry Garcia Band-- 01. ...Cats Under The Stars
 [#8:08] [0:11], 02. I Shall Be Released [7:46] [0:02], 03. /Mission In The Rain [#9:49] [0:05], 04.
 /Like A Road [#8:07] [0:17], 05. The Harder They Come [10:58] [0:04], 06. /And It Stoned Me// [2:27#]
 [0:01], 07. My Sisters And Brothers [4:08] -> 08. Deal [8:22] [0:10] --Encore-- 09. [0:06] Evangeline
 [3:16] [0:09]
12/04/87 Los Angeles, CA - Wiltern Theater MSP>D>CD All-1 110 1268 76098  
 *JGAB & JGB*
 A 16bit 44.1kHz GEM. SOURCE SBD > PCM# > DAT; Transferred by Rich Gastwirt 1990, captured to PC
 2006; MASTERING: WAV > SLOTH DAW > FLAC16, Mastering by Marmar July 2006. Jerry Garcia Acoustic Band /
 Jerry Garcia Band: Jerry Garcia, John Kahn, David Kemper, David Nelson, Sandy Rothman. *=w/Leroy Mack
 on dobro. #Note from Rich: This should be an improvement over the circulating copy as I'm pretty sure
 I leaked out the SBD copy in 1990 and my version at the time wasn't pure digital (it was the beta HiFi
 tracks of a PCM tape - I didn't have a PCM handy nor did my DAT deck have a digital input when the
 opportunity presented itself to copy). A few months later I did have a PCM and a deck with a digital
 input so the first set is DSB. The second set's source is the beta HiFi tracks of the master PCM
 tape-> Panasonic SV-255 DAT deck. That tape wasn't available when I had the PCM and DAT deck with
  SPDIF inputs at the time I re-did the first set. A GEMS production -+-+- www.shnflac.net -+-+- July
 2006
 Set One: Acoustic (48:31):, Swing Low Sweet Chariot, Deep Elem Blues, Spike Driver Blues,
 Been All Around This World, Get My Baby Out Of Jail, Oh The Wind and Rain, Bright Morning Stars, Gone
 Home*, If I Lose*, I'm Ragged But I'm Right*
 Set Two: Electric (60:35): (MISSING Cats Under The Stars), /I Shall Be Released, Mission In
 The Rain, Like A Road, The Harder They Come, And It Stoned Me, My Sisters And Brothers, Deal, E:
 Evangeline
12/04/87 Los Angeles, CA - Wiltern Theater MSD>D>CD I 49 
 *JGAB*
 S:D>D>CD; *Leroy Mack plays dobro on Gone Home, If I Lose, and Ragged But Right. t09 Ragged but
 Right anomalies @ 3:30-3:32, pop @ 3:53
 Set One: Swing Low Sweet Chariot, Deep Elem Blues, Spike Driver Blues, I've Been All Around
 This World, I'm Here To Get My Baby Out Of Jail, Oh The Wind and Rain, Gone Home*, If I Lose*, Ragged
 But Right*, Total Time 48:27
12/05/87 Los Angeles, CA - Wiltern Theater MAC>D>CD All 110 0631-0632 13983 
  *JGAB: Tapers from Hell, Senn MKE 2002 > Sony WM-D6C*
 MAC (Senn MKE2002 [HRTF] from the orchestra pit > Sony WM-D6C [Dolby B]) > playback on master Sony
 WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on
 Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW
 master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC
 (v0.9 beta 4) > minor editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector
 boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by
 Mike French (All digital devices powered via Vans Evers "Clean Lines" Reference AC power filtration
 unit, for clean, isolated AC power. All transfers done with studio "stand alone" equipt. with no scms
 assigned). EAC > SHN by Joe Jupille. Notes: This is a listenable aud of what appears to have been a
 tough show to tape. There were lots of drops and splices here and there, most of which were basically
 unfixable, but which were made less harsh with Sound Forge Studio 6.0. Flaws: d1t01 Deep Elem fades
 in, not much missing; d1t01 Deep Elem harsh drops removed @ 3:12, 3:14, now quick splices; d1t04
 Turtle Dove harsh drop removed @ 1:33, now quick splice; d1t07 Crossroads Bar harsh drop removed @
 1:43, now quick splice; d1t09 Rosalie McFall tape flip @ 1:53; d1t10 Goodnight Irene drop/splice @
 5:52; d2t01 How Sweet cuts in, missing ca. 15 seconds?; d2t05 Gomorrah clips out, not much missing;
 d2t06 Sisters & Brothers clips in, not much missing.
 Set One: Disc One (10) 47:50 --Set I, Jerry Garcia Acoustic Band-- 01. ... Deep Elem Blues
 [#5:54] [0:14], 02. Blue Yodel No. 9 (Standing On The Corner) [6:20] [0:08], 03. Ballad Of Casey Jones
 [5:14] -> 04. Turtle Dove [5:23] -> 05. Oh The Wind and Rain [4:32] [0:11], 06. Band Introductions
 [1:06], 07. The Girl At The Crossroads Bar [3:08] [0:09], 08. Drifting Too Far [5:23] [0:17], 09.
 Rosalie// McFall [2:#48] -> 10. Goodnight //Irene [6:#48] [0:09]
 Set Two: Disc Two (8) 62:21 --Set II, Jerry Garcia Band-- 01. //How Sweet It Is [#6:56]
 [1:44], 02. I'll Take A Melody [11:10] [0:40], 03. Mississippi Moon [8:09] [0:08], 04. Run For The
 Roses [5:38] [0:08], 05. Gomorrah// [6:32#], 06. //My Sisters And Brothers [#4:14] -> 07. Deal [8:07]
 [2:12] --Encore-- 08. And It Stoned Me [6:22] [0:17]
12/05/87 Los Angeles, CA - Wiltern Theater MSC>CD II 59 0776 enter 
 *JGB*
 MSC > Yamaha KX-W982 playback > Philips CDR-765 master CD > EAC > CD Wave > SHN (mkwACT). Saith
 the seeder: "A friend of mine did the cassette to cd transfer this way: Yamaha KX-W982 > Philips
  CDR-765. The tape he has/used is supposedly John Kahn's master cassette that was loaned to my friend
 before John died.... Obviously he never had the chance to get it back to him. I took his cd and
 extracted it using EAC, then broke it up using CDWave and made the SHNs using Mkwact."
 Set One: Single Disc (8) 59:17, How Sweet It Is, l'll Take A Melody, Mississippi Moon, Run
 For The Roses, Gomorrah, My Sisters And Brothers, Deal --Encore-- And It Stoned Me
12/06/87 Los Angeles, CA - Wiltern Theater MAC>D>CD All 119 0630 13984 
 *JGAB & JGB: Tom D., Radio Shack mics > Sony D5*
 MAC (Taped by Tom D., 6th row-FF-4th seat left of center, RadioShack Tie Pin Lavalier Omni mics >
 Sony WM-D6C) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam
 DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition
 Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone
 (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector
 boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by
 Mike French ("All digital devices powered via Vans Evers "Clean Lines" Reference AC power filtration
 unit, for clean, isolated AC power. All transfers done with studio "stand alone" equipt. with no scms
 assigned), EAC > SHN by Joe Jupille. Notes: This may be the best show of the four-night Wiltern '87
 run, with Melvin's contributions during the electric set particularly noteworthy. Again, it would
 seem that this show was a tough one to tape, but the recording is quite listenable. (1) dedicated to
 Elizabeth Cotten; (2) final JGB Masterpiece, I believe. Flaws: d1t10 Ripple fades in; d2t01 How Sweet
 levels drop @ start; d2t07 Sisters & Brothers crackle @ 1:40
 Set One: Disc One (10) 40:31 --Set I, Jerry Garcia Acoustic Band-- 01. [0:06] Christmas Time
 Is Coming [3:02] [0:08], 02. Troubled In Mind [4:55] -> 03. I Ain't Never Seen Nobody Like You [3:56]
 [0:04], 04. Oh Babe, It Ain't No Lie (1) [6:27] [0:14], 05. Gone Home [4:38] [0:06], 06. Band
 Introductions [1:26], 07. Diamond Joe [3:27] [0:26], 08. If I Lose [3:18] [0:13], 09. Swing Low Sweet
 Chariot [3:21] [0:02], 10. ... Ripple [#4:22] [0:14]
 Set Two: Disc Two (10) 78:06 --Set II, Jerry Garcia Band-- 01. Crowd & Tuning [0:39] , 02.
 How Sweet It Is To Be Loved By You [7:12] [0:36], 03. Knockin' On Heaven's Door [13:05] [1:22], 04.
 Think [8:21] [0:17], 05. Dear Prudence [10:57] [0:29], 06. When I Paint My Masterpiece (2) [5:46]
 [0:16], 07. Sisters And Brothers [4:13] [0:06], 08. Lucky Old Sun [10:32] -> 09. Midnight Moonlight
 [6:35] [0:43] --Encore-- 10. And It Stoned Me [6:25] [0:28]
12/17/87 San Francisco, CA - Warfield Theater MPB>DVD All 40 
 *Garcia, Kahn, and Weir, some w/ Joan Baez*
 "Joan Baez and Friends: A Christmas Concert" w/ Jerry Garcia, Bob Weir, John Kahn, Warfield
 Theatre, San Francisco CA, KQED (PBS) 12-17-87. Another video from the Graceful Duck Archive. Cable >
 SuperBeta Hi-Fi > Playback Sony EDV-9500 > Standalone Panasonic DMR-E50 (XP)> TMPGenc DVD Author 3; No
 Artwork; Chapters: 8; NTSC / Stereo; TRT: 39:32; Audio codec: AC3; Audio bitrate: 256 kb/s; Video
 codec: MPEG2; Video bitrate: 9131 kb/s; Picture resolution: 704x480.
 Set One: --GARCIA, KAHN & WEIR-- When I Paint My Masterpiece Deep Elem Blues Victim Or The
 Crime Bird Song Dark Hollow * Turtle Dove * Knockin' On Heaven's Door * --JOAN BAEZ w/Emmett Powell &
 The Gospel Elites (Mimi Farina on stage)-- Let It Be **
12/17/87 San Francisco, CA - Warfield Theater MSC>D>CD All-1 31 0285 7673 
 *Garcia, Kahn, and Weir, some w/ Joan Baez*
 S:C>D>CD. An AIDS benefit concert, Humanitas International and BGP presents Joan Baez and Friends:
 A Christmas Concert. Notes: * w/ Joan Baez; t06 Knockin light static @ 2:12-2:30
 Set One: 1. //Introduction [0:06] -> 2. When I Paint My Masterpiece [4:21] [0:13], 3. Deep
 Elem Blues [3:45] -> 4. Victim Or The Crime [4:08] -> 5. Bird Song [3:53] [0:15], 6. Stage Banter
  [0:42], 7. Dark Hollow* [3:10] [0:15], 8. Turtle Dove* [3:00] [0:13], 9. Knockin' On Heaven's Door*
 [6:30] [0:11], Total Time 30:46
12/17/87 San Francisco, CA - Warfield Theater MPV>DVD All-1 n/a  
 *Garcia, Weir & Kahn: MattMan DVD*
 Video Source: Pro-shot > VHS > DVD > TMPGEnc Plus 2.5 (MPEG-2 720X480 NTSC 29.97fps VBR 2800 Kbps).
 Audio Source: SBD: CASS > DAT > CDR > SHN (shnid=7673) > WAV > ADOBE AUDITION (WAV 48K 1536Kbps).
 Notes: -w/ Joan Baez; - 0:00-0:43 video audio. -Source DVD via Matt Z.
 Set One: 00:00 Introduction, 00:52 When I Paint My Masterpiece, 05:21 Deep Elem Blues, 09:08
 Victim Or The Crime, 13:17 Bird Song, 17:25 tage Banter, 18:13 Dark Hollow, 21:38 Turtle Dove, 24:52
 Knockin' On Heaven's Door
 
01/23/88 Oakland, CA - Henry J. Kaiser Convention Center MA?>?>CD All 102 0836 enter 
 *Blues for Salvador: unknown taper & gear*
  Original copy from AJL was MAC>C>D>CD. This one, from etree: "Unknown audience source. Discs kindly
 provided by Stu Hanson. Cd > eac > shntool > shnv3 by Ernie Dodd." Not sure if they are the same or
 not, and if not which is better.
 Set One: Disc One (5 tracks, 42:27)--Garcia, Tower of Power, Santana, Weir, Chester Thompson
 (Plus Wayne Shorter and Randy Jackson on track 3)-- 1. What is hip?, 2. Soul Vaccination/Funkify, 3.
 Mandela, 4. Turn on your lovelight, 5. Goodnight Irene
 Set Two: Disc Two --Garcia, Tower of Power, Santana, Weir, Chester Thompson (Plus NRBQ on
 tracks 3 & 4)-- 1. Cloud Nine, 2. Jam *, 3. Johnny B. Goode, 4. Shake, Rattle, & Roll, 5.
 Aranjuez/Angel Negro, 6. Squib Cakes
02/06/88 San Francisco, CA - Warfield Theater MAC>C>CD All 103 902-903 18421 
 *JGB: Danny Lucian*
 MAC (Taped by Danny Lucian, unknown gear from the lower balcony) > 1 cassette > CD > Plexwriter
 PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (SF Studio 6.0) > sector
 boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille
 (jjoops AT comcast DOT net). Notes/Comments: - This is quite a nice recording of what may be the best
 JGB show of the 1980s. Really nice mix of songs, lots of great energy including a major highlight, one
 of the all- time performances of Don't Let Go. Wonderful stuff. - If you know Danny Lucian, please
 contact him and let's get this master digitized! - There were a fair number of warts, which I tried my
 best to eliminate using SF Studio 6.0. Some remain, including but possibly not limited to those
 listed below. - d1t02 Cats tick @ 2:52 - d1t05 Run for the Roses R-channel static @ 1:50 patched over
 from L channel - d1t06 Stoned Me light pop @ 0:07 - d2t02 Evangeline bad phasing @ start, pop and
 brief splice @ 0:09, tick @ 1:50, skip @ 1:51 - d2t06 Lucky Ol' Sun clips in, some muffling/phasing @
 start
 Set One: Disc One (7) 44:21 --Set I-- 01. Crowd & Tuning [0:17], 02. Cats Under the Stars
 [8:05] [0:55], 03. I Shall Be Released [8:46] [0:07], 04. Stop That Train [6:33] [0:29], 05. Someday
 Baby [7:03], 06. Run for the Roses [5:12] -> 07. It Stoned Me [6:48] [0:03]
 Set Two: Disc Two (6) 59:04 --Set II-- 01. Evangline [3:30] [0:03], 02. Simple Twist of Fate
 [12:34] [0:21], 03. Harder They Come [10:26] [0:21], 04. Don't Let Go [14:37] [0:01], 05. /Lucky Old
 Sun [10:27] -> 06. Midnight Moonlight [6:32] [0:08]
03/04/88 *see Jerry Garcia on Official Releases*  n/a 
03/05/88 San Francisco, CA - Warfield Theater MSC>D>CD I,IIp 89 
 *JGB*
 * w/ Howard Wales. Needs retracking; d2t03 Think drop @ 1:31; Don't Let Go is pretty great, not as
 jammed out as others but nice energy. Wales adds nice color.
 Set One: Disc One (6) 49:01 --Set I-- 1. [0:08] Cats Under the Stars [8:44] [0:11], 2.
 Mission in the Rain [9:05] [0:09], 3. Get Out Of My Life Woman [:01+9:21] [0:07], 4. I Shall Be
 Released [:06+7:23] [0:07], 5. Run for the Roses [:06+5:30] [0:06], 6. Deal
 Set Two: Disc Two (5) 40:14 --Set II-- 1. How Sweet It Is [6:46] [0:05], 2. Like a Road
 [7:35] [0:07], 3. Think [6:41] [0:02], 4. Sisters & Brothers [4:16] [0:05], 5. Wales Introduction &
 Tuning [0:25], Don't Let Go* [13:37] [0:30], (missing Lucky Old Sun, Midnight Moonlight, & E:
 Evangeline)
03/12/88 Bay Area Music Awards  pro-shot partial n/a 
 3/12/88: Outstanding Guitarist, Bay Area musician of the year. per rjh: "this was filler on
 gd90-07-23 the 2 disk version, it had no reference to what it was so I did some research and contacted
 a few of our resident Jerry experts to get some more info, there are a couple of great jams after the
 awards from the 87 bammies. That's alright mama and the interview give us quite a different look at
 Jerry, and the pot bust press conference is from the incident that gave us the new lyric to TOO "the
 cops came by and busted me for smilin' on a cloudy day" unfortunately the pot bust pc cut's short, it
 froze up and had about a half hour of the same frame so that was edited out as were some blue screens
 through out. I contacted some other's who downloaded this (gd7-23-90 version) from ttd and their
 copies did the same thing. I'd really like to see the rest of it someday. anyways, I was digging
 through my archives looking for something else in particular to upload when I came across this, and
 realized I never seeded it anywhere, enjoy... rjh."
 Set One: Jerry: "Don't ever do this to me again", //Good morning little/school girl//,
 //turn on your Lovelight//
04/26/88 San Rafael, CA - Marin County Veterans Auditorium MAD>CD All 47 0295 13987 
 *JGAB: Dan Cole, Sony ECM-77Bs > Sony D5*
 Garcia & Kahn with David Nelson (acoustic guitar) and Sandy Rothman (mandolin and dobro). (1) with
 David Nelson on lead vocals. (2) with Bob Weir and Brent Mydland. FOB Sony ECM-77B > Sony D5 > Cool
 Edit > CD Wave > SHN > CD. Turns out the original .shns exist (I now have them), and have the
 following additional information: "From Dan Cole's collection of JGB cassettes - he had it listed as
 Master FOB Sony ECM 77-B and was using a Sony D5 recorder at the time. I recorded directly from his
 master tape to my computer using Cool Edit, divided the tracks using CD Wave and then converted to SHN
 before recording my copy onto CD. Tape Recorded by Dan Cole. Analog transfer and SHN conversion by
 Kevin Tobin."
 Set One: 1. //Deep Elem Blues [5:39#] [0:14], 2. I'm Troubled [3:56] -> 3. Oh Babe It Ain't
 No Lie [5:54] -> 4. Oh, The Wind and Rain [4:20] -> 5. Ballad Of Casey Jones[5:19] -> 6. Turtle Dove
 [4:45] [0:16], 7. Band Introductions [0:45], 8. Diamond Joe (1) [3:53] [0:06], 9. Ripple [4:02]
 [1:21], Encore: 10. Blackbird (2) [2:39] -> 11. Let The Good Times Roll (2) [3:35] [0:33], Total Time
 47:21
04/26/88 San Rafael, CA - Marin County Veterans Auditorium MAC>CD All 47 enter 91470 
 *JGAB: John Corley: Nak 700s > Sony D5*
 TJS notes: Jerry Garcia and John Kahn with David Nelson (acoustic guitar) and Sandy Rothman
 (mandolin and dobro). Creating Our Future Benefit. Other artists: Hot Tuna, Brent Mydland, Bob Weir
 solo acoustic. (1) with Bob Weir & Brent Mydland. Nice stuff. Blackbird is much better than the GD
 versions of a few months later. LTGTR low levels.
 Set One: (10 tracks, 47:21), Deep Elem Blues, Troubled in Mind, Oh Babe It Ain't No Lie,
 Wind & Rain, Ballad of Casey Jones, Turtle Dove, band introductions, Diamond Joe, Ripple --Encore--
 Blackbird (1), Let the Good Times Roll (1)
04/26/88 San Rafael, CA - Marin County Veterans Auditorium MAC>CD All n/a enter 91969 
 *JGAB: Russ Cansler, Realistic PZMs > Sony WMD6C*
 Hat Mounted Realistic PZM's with Sony WMD6-C (No NR, Maxell MX-90) 80 ft away, left of center,
 Orchestra Section Left Row 13 Seat 49. Master > D6 > HD > Audacity > CDWave > TLH. Lineup: Jerry
 Garcia - Guitar and Vocals; David Nelson - Guitar and Vocals; Sandy Rothman - Mandolin and Dobro; John
 Kahn - Bass. * w/ Bob Weir - guitar and vocals; * w/ Brent Mydland - Keyboard and Vocal. Notes: - mic
 noise before and after flip (end of Turtle Dove) - begining and end of track 09 and track 11 somewhat
 masked by crowd noise.
 Set One: 01) Deep Elem Blues [05:54] 02) I'm Troubled [03:55] 03) Oh Babe,It Ain't No Lie
 [05:57] 04) Oh The Wind and Rain [04:16] 05) Ballad of Casey Jones [05:10] 06) Turtle Dove [04:44]
 tape flip 07) Band Intro [00:55] 08) Diamond Joe [03:57] 09) Ripple [04:14] encore 10) Blackbird
 *[03:26] 11) Let The Good Times Roll *[03:44] total time 46:20
05/06/88 San Francisco, CA - Old Fillmore MAD>CD All 133 0255-0256 8418 
 *JGB: Schoeps CMC3 + MK4*
 FOB Schoeps CMC3 + MK4> DAT> CDR, Transfer by Charlie Miller; Don't Let Go w/ Howard Wales
 Set One: set I, 1. [0:12] How Sweet It Is [6:41] [0:20], 2. [0:16] Forever Young [7:13]
 [0:22], 3. Dear Prudence [10:51] [1:08], 4. Mississippi Moon [7:43] [1:41], 5. [0:04] Run For the
 Roses [5:26] [0:44], 6. Evangeline [3:32] -> 7. My Sisters and Brothers [4:15] [0:30], 8. Deal [7:30]
 [0:11], Total Time 58:43
 Set Two: set II, 1. [0:23] The Harder They Come [10:07] [0:56], 2. Stop That Train [6:34]
 [0:30], 3. Think [7:46] [0:52], 4. Mission in the Rain [7:50] [1:33], 5. Don't Let Go* [12:49] [1:10],
 6. It Stoned Me [6:05] [0:18], 7. Lucky Old Sun [9:35] -> 8. Midnight Moonlight [6:43] [0:20], Total
 Time 73:34
05/06/88 San Francisco, CA - Old Fillmore MAC>CD All 131 
 *JGB: John Corley, Nak 700s > Sony D5*
 Nice tape and a typically nice '88 JGB show. Think is absolutely scorching. Jer destroys the
 lyrics on DLG, but boy is it a nice peppy version.
 Set One: Disc One (8 tracks, 57:34 --Set I-- How Sweet It Is, Forever Young, Dear Prudence,
  Mississippi Moon, Run for the Roses, Evangeline -> Sisters and Brothers, Deal
 Set Two: Disc Two (7 tracks, 72:55) --Set II-- Harder They Come, Stop That Train, Think,
 Mission in the Rain, Don't Let Go, It Stoned Me, Lucky Old Sun -> Midnight Moonlight
05/07/88 San Francisco, CA - Orpheum Theatre MAC>CD All 112 633 
 *JGB: Dan Cole, Sony ECM 77-Bs > Sony D5*
 MAC (Recorded by Dan Cole, Sony ECM 77-Bs [Row AA, center] > Sony D5) > Cool Edit > CD Wave > SHN.
 Transfer by Kevin Tobin. Notes: - sounds quite nice; - d1t01 CUTS fades in; - d1t05 Like a Road last
 few reverbs clipped; - d1t06 Sisters & Brothers barely clips in; - d2t03 Think drop @ 6:15; - d2t05
 Knockin' drop @ 7:56; - d2t05 Knockin' barely clips out; - d2t06 Lucky Old Sun barely clips in.
 Set One: Disc One (7) 53:23 --Set I-- 01. ... Cats Under The Stars [#8:00] [0:52], 02. Stop
 That Train [6:28] [0:26], 03. Simple Twist Of Fate [11:42] [0:20], 04. Run For The Roses [4:37]
 [0:39], 05. Like A Road [8:16], 06. /My Sisters And Brothers [#4:10] -> 07. Deal [7:44] [0:04]
 Set Two: Disc Two (7) 58:37 --Set II-- 01. The Harder They Come [10:26] [0:08], 02. [0:14] I
 Shall Be Released [7:10] [0:17], 03. Think [7:12] [0:17], 04. Evangeline [3:#3] [0:12], 05. Knockin'
 On Heaven's Door/ [9:00#], 06. /That Lucky Old Sun [#9:49] -> 07. Tangled Up In Blue [10:08] [0:06]
05/07/88 San Francisco, CA - Orpheum Theatre MAC>CD All n/a 0954-0955 20749 
 *JGB: Bill Reutelhuber, Nak 700s/CP701 > Sony TC-D5M*
 Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cm (Sony
 TCD5m). Transfer Info: Cm (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC > Nuendo
 (24bit/44.1k) -> SHN. Process Info: 1) Slight eq on the computer with waves linear eq plugin followed
 by waves L2 plugin and rendered down to 16 bit 44.1kHz file. 2) Tracked and Normalized with Samplitude
 v7.02 Professional. Recorded, Transfered and Process #1 By Bill Reutelhuber. Process #2 By Charlie
 Miller, charliemiller87@earthlink.net, 11/21/03. Notes From Bill: --I cannot remember our exact seats
 but we were fob for the show down in the orchestra section off the center aisle. --Occasional hum from
 PA.
 Set One: Cats Under The Stars, Stop That Train, Simple Twist Of Fate, Run For The Roses,
 Like A Road, My Sisters And Brothers, Deal
 Set Two: The Harder They Come, I Shall Be Released, Think, Evangeline, Knockin' On Heaven's
 Door, That Lucky Old Sun, Tangled Up In Blue
07/07/88a Cotati, CA - Cotati Cabaret MAC>CD All 55 0285 7671 
 *JGAB: Dan Ward, Audio-Technica AT 831Rs > Marantz PMD-430*
 Recorded at Front Row Table. Audio-Technica AT 831R mics > Marantz PMD-430 > Tascam CD-RW700.
 MAC~>CDR. Recorded and mastered by Dan Ward. Gorgeous up-front and in-your-face sound!
 Set One: Blue Yodel #9 (Standing On the Corner), I'm Troubled, Two Soldiers, Spike Driver
 Blues (Take This Hammer), I've Been All Around This World, Gone Home, Diamond Joe, Rosalie McFall,
 Deep Elem Blues #
07/07/88b Cotati, CA - Cotati Cabaret MAC>CD All 60 0286 7671 
 *JGAB: "CNM", Radio Shack behind the ear mics > Sony TC-D6*
 Recorded in front of left PA stack. Radio Shack behind the ear mics > Sony TC-D6. MAC > CD-R.
 Recorded and mastered by CNM.
 Set One: Swing Low Sweet Chariot, Short Life of Trouble, Oh Babe It Ain't No Lie, Turtle
 Dove, Ballad of K.C. Jones, I'm Here To Get My Baby Out Of Jail, Oh, The Wind And Rain, Ripple, Good
 Night Irene #, Deep Elem Blues #
07/09/88 Palo Alto, CA - Frost Ampitheatre (Stanford U.) MAC>D>CD All 83 1301 84650 
 *JGAB: John Corley, Nak 700s > Sony D5*
 MAC (Taped by John Corley, Nak 700s > Sony D5?) > DAT > CD. Notes/Flaws (from JJ audio copy, not
 from shnid 84650, which was fixed up by SirMick): - A nice recording of a nice, casual performance -
 needs re-tracking - disc two light drops @ every track marker, will have to be edited
 Set One: Disc One (7) 46:45, 01. [0:34] Deep Elem Blues [8:20] [0:01], 02. [0:32] I'm
 Troubled [4:50], 03. [0:10] I've Been All Around This World [5:33] ->, 04. Spike Driver Blues
 [:03+7:12] [0:03], 05. [0:15] Little Sadie [6:00], 06. [0:39] Blue Yodel No. 9 (Standing on the
 Corner) [6:13] [0:05], 07. Turtle Dove [6:09]
 Set Two: Disc Two (6) 35:35, 01. [0:05] Diamond Joe [4:02] [0:02], 02. Oh The Wind And Rain
 [9:00] [0:07], 03. [0:15] Swing Low (Sweet Chariot) [4:46] [0:08], 04. Ripple [4:28] [0:09] --Encore--
 05. [0:20] Oh Babe, It Ain't No Lie [6:06] -> 06. Goodnight Irene [:02+5:40] [0:20]
07/10/88 Berkeley, CA - Greek Theatre, U. Of California MAC>CD All 117 0833 17635 
 *JGB: John Corley: Nak 700s > Sony TC-D5M*
 MAC (Taped by John Corley, Nak 700s > Sony TC-D5M) > CD > EAC > SHN. EAC > SHN by Joe Jupille.
 Notes/Flaws: - Nice recording of a terrific show. I am not sure about the taping or transfer
 equipment, etc., though this is definitely from Corley's master. - d1t06 Sisters & Brothers barely
 clips in. This is a terrific recording of a show that starts off sloppily, but is lots of fun. Great
 Lucky Old Sun, and nice (if short) Don't Let Go to close. Notes: d1t02 Mission levels @ ca. 6:15 of
 the song.
 Set One: Disc One (7) 53:53 --Set I-- 01. How Sweet It Is [6:25] [2:50], 02. Mission In The
 Rain [8:59] [0:44], 03. Like A Road [8:14] [0:24], 04. Get Out Of My Life Woman [8:15] [0:16], 05. Run
 For The Roses [5:00] [0:09], 06. My Sisters And Brothers [4:31] -> 07. Deal [7:52] [0:11]
 Set Two: Disc Two (8) 63:03 --Set II-- 01. Crowd & Tuning [0:07], 02. Harder They Come
 [10:35] [0:40], 03. Stop That Train [8:17] [0:23], 04. Forever Young [8:40] [0:30], 05. Think [8:12]
 [0:14], 06. Evangeline [3:27] [0:10], 07. That Lucky Old Sun [9:02] -> 08. Don't Let Go [12:28]
 [0:16]
07/10/88 Berkeley, CA - Greek Theatre, U. Of California MAC>CD All  53 923, 925 25416 
 *JGB: Bill Reutelhuber, Nak 700s/CP701 > Sony TC-D5M*
 This is a beautiful tape!! This is also a wonderful show, especially set II. Very enthusiastic
 emotion at end of Forever Young, then the "we're havin' fun" comments, then a Think with some terrific
 raunch around the 5-min mark. Great stuff, highly recommended.
 Set One: Disc One (7 tracks, 52:43) --Set I-- How Sweet It Is To Be Loved By You, Mission In
 The Rain, Like A Road, Get Out Of My Life Woman, Run For The Roses, My Sisters And Brothers -> Deal
 Set Two: Disc Two (7 tracks, 61:35) --Set II-- The Harder They Come, Stop That Train,
 Forever Young, "we're havin' fun", Think, Evangeline, That Lucky Old Sun -> Don't Let Go
07/10/88 Berkeley, CA - Greek Theatre, U. Of California MAC>SHN II 63 0634 13988 
 *JGB: Dan Cole, AKG 460s > Sony D5*
 MAC (taped by Dan Cole, FOB AKG 460s > Sony D5 ) > Cool Edit > CD Wave > SHN. Transfer by Kevin
 Tobin. Evangeline cuts in, not much missing
 Set Two: Single Disc (7) 63:07 --Set II-- 01. [0:52] The Harder They Come [10:32] [0:37],
 02. Stop That Train [8:13] [0:24], 03. Forever Young [8:35] [0:31], 04. {"We're havin' fun!"} [0:15],
 Think [7:24], 05. //Evangeline [#3:23] [0:09, 06. That Lucky Old Sun [9:00] -> 07. Don't Let Go
 [:03+12:21] [0:11]
07/16/88 San Francisco, CA - Golden Gate Park MAC>D>CD  All 42 564 10125 
 *Zero w/ Garcia et al: Chris Olson, Senn 441s > Sony D5M*
 Source/Transfer: Audience Cassette Master > DAT > CD > EAC > SHN. Sennheiser 441 Mic's > Sony D5M
 Cassette Master (Maxell MX 90). Playback on Nakamichi DR-2 Cassette Deck > Sony D100 DAT. Playback on
 Panasonic SV-3800 DAT Recorder > Digital Coaxial Cable > Tascam CD-RW 700 CD Recorder > EAC > SHN.
 Originally Recorded by Chris Olson. Comment: *with Jerry Garcia, Merl Saunders, Mickey Hart, Norton
 Buffalo and Marc Beno. John Cipollina's Last Zero Show.
 Set One: Single Disc (7) 42:19, 1. Wavy Gravy's Zero introduction, 2. Golden Road , 3.
 Little Wing, 4. Wavy Gravy's Guests introduction, 5. Think* , 6. Knockin' On Heaven's Door* , 7.
 Goodnight Irene*
07/16/88 San Francisco, CA - Bandshell, Golden Gate Park MAC>CD All 50 
 *JGB: John Corley, Nak 700s*
 a little distant, boomy. t08 Goodnight Irene digi-static and distortion, 4-5 min mark.
 Set One: (9 tracks, 49:41) --Kantner & Slick-- 01. ??, 02. Wooden Ships --Zero-- 03. blues
 tune, 04. Golden Road, 05. Little Wing --Zero w/ JG and others-- 06. [0:27] Think [6:45] [0:03], 07.
 Knockin' on Heaven's Door [7:45] [0:05], 08. Goodnight Irene [8:55] [0:07], 09. stage announcements
 [1:34]
07/16/88 San Francisco, CA - Bandshell, Golden Gate Park MSD>CD All n/a 1358 29998 
 *Zero w/ JG and others*
 Recording Info: SBD -> Dat (48k). Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude
 v7.02 Professional -> FLAC (1 Disc Audio / 1 Disc FLAC). Transferred and Edited By Charlie Miller,
 archive@kimock.com, 7/8/95.
 Set One: Think, Knockin' On Heaven's Door, Goodnight Irene,
07/31/88 Monterey, CA - Laguna Seca Recreation Area MA?>?>CD All 8 
 *Los Lobos w/Garcia on 2 songs: unknown taper & gear*
 This is an oustanding audience recording. I have the whole Los Lobos set, with JG sitting in on
 the encores.
 Set One: 01. Greeting, 02. Evangeline, Why Do You Do? , Tears of God , Will the Wolf
 Survive? , Is This All There Is? , How Much Can I Do? , Anselma , I Got to Let You Know , One Time,
 One Night , My Baby's Gone , Buzz Buzz Buzz , A Matter of Time , Up the Line , Let's Say Goodnight ,
 Serenata Noreteña , Don't Worry Baby , La Bamba, --Encore-- *Georgia Slop , *All Night Long
07/31/88 Monterey, CA - Laguna Seca Recreation Area MAC>CD All 8 93969 
 *Los Lobos: Russ Cansler, Realistic PZMs > Sony WMD6C*
 Taper: Russjcan; Location: 10 feet away,left of center 5 feet; Gear: Realistic PZM's (hat-mounted)
 > Sony WMD6-C; Media: Maxell MX-90 No nr; Transfer: Master > D6 > HD > Audacity > CDWave > TLH.
 David Hidalgo- Guitar,Accordian,Vocals; Cesar Rosas- Guitar,Vocals; Conrad Lozano- Bass,Vocals; Louie
 Perez- Drums,Vocals; Steve Berlin- Saxaphone; *Jerry Garcia- Guitar.
 Set One: Track List (75:19) 01) Intro by Bill Graham [01:22] 02) Evangeline [03:41] 03)
 Little Wing Tease [00:28] 04) Why Do You Do? [03:41] 05) Tears of God [03:23] 06) Will the Wolf
 Survive ? [04:11] 07) Is This All There Is ? [06:51] 08) How Much Can I Do ? 09) Anselma [03:04] 10) I
 Got To Let You Know [03:31] 11) One Time,One Night [04:40] 12) My Baby's Gone [03:22] 13) Buzz Buzz
 Buzz [02:37] tape flip 14) /A Matter Of Time [00:29] bad cut 15) Up The Line [04:10] 16) Let's Say
 Goodnight [04:14] 17) Serenata Nortena [03:46] 18) Don't Worry Baby [03:04] 19) La Bamba intro [00:38]
 20) La Bamba [05:33] 21) encore> tuning [00:55] 22) Georgia Slop [03:43] * 23) All Night Long [04:26]
 *
10/31/88 Oakland, CA - Henry J. Kaiser Convention Center MAD>CD All 93 406-407 4378 
 *JGB: Jeff Travitz, Schoeps CMC34s > Panasonic SV-250*
 FOB Schoeps CMC34s (Hand held, ORTF) > Oade M118 pre > Panasonic SV-250 > Soundforge 4.5 > CD > EAC
 > SHN. Taped by Jeff Travitz, retracked and encoded to shn by Bill Gardner. *first time played.
 d1t01 Werewolves fades in; d1 starts muffled, clears up a few tunes in; d1t04 Stop That Train pop @
 2:20; d2t01 Lifeline pops @ 3:21, 3:26, 3:29; d2t03 DLG Jerry is really into it, emphatic
 vocals--nice.
 Set One: Disc 1 (6) 45:49, 1. //Werewolves of London [#5:45] [1:30], 2. [0:03] Cats Under
 The Stars [8:06] [0:58], 3. [0:26] Forever Young [5:36] [1:34], 4. Stop That Train [6:35] [1:00], 5.
 Run For The Roses [5:21] [2:22], 6. Think [6:34] [0:07]
 Set Two: Disc 2 (6) 47:16, 1. [1:09] Throw Out The Lifeline* [4:48] [0:38], 2. Evangeline
 [3:19] [0:02], 3. Don't Let Go [12:11] [2:25], 4. That Lucky Old Sun [9:34] -> 5. Deal [6:57] [2:13],
 Encore: 6. My Sisters And Brothers [3:54] [0:03]
10/31/88 Oakland, CA - Henry J. Kaiser Convention Center MAC>CD All 90 917 21790 
  *JGB: Bill Reutelhuber & others, Nak 700s/CP701 > Sony TC-D5M*
 MAC (Recorded by Bill Reutelhuber with a cast of 20-30 helpers, Nak 700s/CP701 [25' from stage, in
 front of each stack, in hat] > Reutelhuber P/S > dbx 221e type II Encoder > Sony TCD5m [Maxell XLIIS])
 > Nakamichi Deck playback [Azmituth Aligned] > dbx 224x Decoder > Mytek Digital ADC8X96 > Nuendo
 (24bit/44.1k) > SHN (2 Discs Audio / 1 Disc SHN). Process Info: 1) Processed to a 16 bit file with
  waves Q10 and L2. 2) Tracked and Normalized with Samplitude v7.02 Professional. Recorded, Transfered
 and Process #1 By Bill Reutelhuber. Process #2 By Charlie Miller (charliemiller87@earthlink.net),
 1/6/04. JJ Notes: Notes: * First time played; - sounds fantastic!! - d1t01 Werewolves of London fades
 in, not much missing; - d1t04 Stop That Train PA whine @ 5:25-5:35; - are these .shns seekable?
 Set One: Disc One (6) 45:56, d1t01 - ...Werewolves Of London [#5:39] [1:34], d1t02 - Cats
 Under The Stars [8:00] [1:06], d1t03 - Forever Young [5:54] [1:33], d1t04 - Stop That Train [6:31]
 [0:54], d1t05 - Run For The Roses [5:18] [2:24], d1t06 - Think [6:29] [0:32]
 Set Two: Disc Two (6) 44:17, d2t01 - [0:20] Throw Out The Lifeline* [4:46] [0:38], d2t02 -
 Evangeline [3:17] [0:03], d2t03 - Don't Let Go [12:05] [2:17], d2t04 - That Lucky Old Sun [9:32] ->
 d2t05 - Deal [6:52] [0:26] --Encore-- d2t06 - My Sisters And Brothers [3:53] [0:08]
11/04/88 Stateline, NV - Caesar's Tahoe MAC>D>CD All 65 0657 enter 
 *JGB: PS (not Menke),2x Nak 700s > Sony TC-D5M*
 Taped by ?? (not Bob Menke, as usually noted), Nak 700 mics > DBX Encoded > master cassette (Sony
 TC-D5M); Transfer: Cassette master > DBX Decoded > DATx 2 > Echo Event Gina > Sound Forge 4.5 > CDR >
 EAC (Secure Mode) > SHN (MKWACT). Cassette> CDR Transfer by Bob Menke. EAC'ed/Shn'ed by Charlie
 Connor. Flaws: t08 Intermittent PA static @ 1:50-2:10. Notes: this is a nice late '88 performance,
 not as tight as others, but brings pretty nice energy. The recording suffers from some static
 crackling, most apparent early on, with levels perhaps just a touch hot.
 Set One: Single Disc (9) 64:31, 1. Announcement [0:32], How Sweet It Is To Be Loved By You
 [6:12] [0:39], 2. [0:08] Stop That Train [6:26] [0:26], 3. Someday Baby [:04+6:48] [2:17], 4. I Shall
 Be Released [7:16] [0:45], 5. Get Out Of My Life [6:56] [0:10], 6. My Sisters And Brothers [4:14]
 [0:12], 7. [0:08] Evangeline [3:33] -> 8. And It Stoned Me [:01+6:15] [0:07], 9. Tangled Up In Blue
 [:03+11:09] [0:08]
11/04/88 Stateline, NV - Caesar's Tahoe MAC>CD All 64 1368 92371 
 *JGB: PS, 2x Nak 700s > Sony TC-D5M*
 Source: FOB audience recording; Taper: PS; Location: Center tables; Field Equipment: 2x Nakamichi
 700 mics (modified, caps and attenuators worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M
 master cassette (Maxell MX90); Transfer (PS): Nakamichi CR1a playback > dbx 224xds decode > Macintosh
 1.2 GHZ Power PC G4 OSX 10.5.2, with M-Audio Audiophile 2496 MIDI Digital Recording Interface.
 Recorded with Bias Peak Lite. File re-saved from raw audio as Wave with Bias Peak Lite version 5.2;
 Track & FLAC (jj): CD Wave 1.94.8 > Sony Sound Forge Studio 7.0 (t01 fade-in and t10 fade-out) >
 shntool > FLAC Frontend (v1.7.1 etree edition). Lineup: - Jerry Garcia: guitar, vocals; - John Kahn:
 bass; - David Kemper: drums; - Melvin Seals: keyboards; - Gloria Jones: backing vocals; - Jackie
 LaBranch: backing vocals. Notes: - Contrast clause: This is the same master that circulates as shnid
 14398. This version comes from the taper's own transfer without any DAT or DAE stages. - t02 HSII
 light pop @ 4:30; - Intermittent bad PA overload/static @ 1:50-2:10. - Thanks to PS for his
 generosity!
 Set One: Single Disc (10 tracks, 63:42) --Only Set-- jg1988-11-04-jgb-PS-t01. Stage
 Announcement & Tuning [0:28] jg1988-11-04-jgb-PS-t02. How Sweet It Is (To Be Loved By You) [6:12]
 [0:48] jg1988-11-04-jgb-PS-t03. Stop That Train [6:21] [0:26] jg1988-11-04-jgb-PS-t04. Someday Baby
 [6:47] [2:16] jg1988-11-04-jgb-PS-t05. I Shall Be Released [7:11] [0:44] jg1988-11-04-jgb-PS-t06. Get
 Out of My Life, Woman [652] [0:12] jg1988-11-04-jgb-PS-t07. My Sisters and Brothers [4:05] [0:21]
 jg1988-11-04-jgb-PS-t08. Evangeline [3:28] -> jg1988-11-04-jgb-PS-t09. And It Stoned Me [6:12] [0:07]
 jg1988-11-04-jgb-PS-t10. Tangled Up in Blue [11:03] [0:06]
11/05/88a Stateline, NV - Caesar's Tahoe MAC>D>CD All 59 enter enter 
 *JGB: uncertain taper, not Bob Menke* *taper is "PS"*
 Nice recording, drops @ track markers need to be fixed, needs re-tracking.
 Set One: Single Disc (8) 59:28, 01. Cats Under the Stars, 02. Forever Young, 03. They Love
 Each Other, 04. Mission in the Rain, 05. Like a Road, 06. Run for the Roses, 07. Sisters & Brothers ->
 08 Deal
11/05/88a Stateline, NV - Caesar's Tahoe MAC>CD All 58 1386 xxxxx 
 *JGB: PS, 2x Nak 700s > Sony TC-D5M*
 Taper: PS; Location: Center tables; Field Equipment: 2x Nakamichi 700 mics (modified, caps and
 attenuators worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M master cassette (Maxell MX90);
 Transfer (PS): Nakamichi CR1a playback > dbx 224xds decode > Macintosh 1.2 GHZ Power PC G4 OSX 10.5.2,
 with M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded with Bias Peak Lite. File
 re-saved from raw audio as Wave with Bias Peak Lite version 5.2; Track & FLAC (jj): CD Wave 1.94.8 >
 shntool > Trader's Little Helper (FLAC8 encoding). Notes: - Really nice recording of a show that I
 (jj) consider to be a little bit subpar for the great JGB year of 1988. Nothing bad at all, just never
 takes off to my ears. No recording flaws noted. This is the only known recording of this show. It also
 circulates under shnid 19837, albeit with DAT and DAE stages. I don't represent this as an upgrade,
 just a straight transfer by the taper himself. - Huge thanks to PS for transferring and sharing this
 wonderful tape!
 Set One: Single Disc (9 tracks, 58:26) jg1988-11-05-early-PS-t01. Crowd & Tuning [0:32]
 jg1988-11-05-early-PS-t02. Cats Under the Stars [7:53] [0:34] jg1988-11-05-early-PS-t03. Forever Young
 [7:39] [0:13] jg1988-11-05-early-PS-t04. They Love Each Other [6:27] [0:38] jg1988-11-05-early-PS-t05.
 Mission in the Rain [8:17] % [1:13] jg1988-11-05-early-PS-t06. Like a Road [7:35] [0:31]
 jg1988-11-05-early-PS-t07. Run for the Roses [5:17] [0:11] jg1988-11-05-early-PS-t08. Sisters and
 Brothers [3:56] -> jg1988-11-05-early-PS-t09. Deal [7:14] [0:13]
11/05/88b Stateline, NV - Caesar's Tahoe MAC>D>CD All 75 enter enter 
 *JGB: PS (not Menke), 2x Nak 700s > Sony TC-D5M*
 Nice recording, drops @ track markers need to be fixed, needs re-tracking.
 Set One: Single Disc (10) 75:18, 01. Harder They Come, 02. Waiting for a Miracle (public
 debut), 03. Knockin' on Heaven's Door, 04. Mississippi Moon, 05. Think, 06. Gomorrah, 07. Evangeline,
 08. Throw Out the Lifeline, 09. Lucky Old Sun -> 10. Midnight Moonlight
11/05/88b Stateline, NV - Caesar's Tahoe MAC>CD All 74 1386 xxxxx 
 *JGB: PS, 2x Nak 700s > Sony TC-D5M*
 Taper: PS; Location: Center tables; Field Equipment: 2x Nakamichi 700 mics (modified, caps and
 attenuators worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M master cassette (Maxell MX90);
 Transfer (PS): Nakamichi CR1a playback > dbx 224xds decode > Macintosh 1.2 GHZ Power PC G4 OSX 10.5.2,
 with M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded and save as wav with Bias Peak
 Lite 5.2; Track & FLAC (jj): CD Wave 1.94.8 > shntool > Trader's Little Helper (FLAC8 encoding).
 Notes: - Terrific tape of a pretty good show. This is the same master that is represented on shnid
 19837, but without the DAT and DAE stages. I don't represent this as an upgrade, just a fresh transfer
 by the taper himself.
- According to TJS, this is the public performance debut of Jerry's take on
 Waiting for a Miracle, and only the second version of Throw out the Life Line. - t01 bad static in
 tuning @ start. - t03 WFAM Major PA burp @ 6:02 (after song). - t04 static in KOHD @ start, back @
 8:43-8:46. Thanks to PS for taping and sharing!
 Set One: Single Disc (11 tracks, 74:18) jg1988-11-05-late-PS-d1t01. Crowd & Tuning [0:16]
 jg1988-11-05-late-PS-d1t02. Harder They Come [10:23] [1:13] jg1988-11-05-late-PS-d1t03. Waiting For A
  Miracle [5:57] [0:25] jg1988-11-05-late-PS-d1t04. Knockin' On Heaven's Door [9:28] [0:51]
 jg1988-11-05-late-PS-d1t05. Mississippi Moon [7:50] % [0:54] jg1988-11-05-late-PS-d1t06. Think [5:53]
 [0:30] jg1988-11-05-late-PS-d1t07. Gomorrah [5:45] [0:29] jg1988-11-05-late-PS-d1t08. Evangeline
 [3:08] [0:13] jg1988-11-05-late-PS-d1t09. Throw Out The Life Line [4:39] ->
 jg1988-11-05-late-PS-d1t10. That Lucky Old Sun (Just Rolls Around Heaven All Day) [9:40] ->
  jg1988-11-05-late-PS-d1t11. Midnight Moonlight [6:37] [0:11]
11/25/88 Los Angeles, CA - Wiltern Theater MSD>C>2D>CD All 94 
 *JGB*
 d2t03 Mission barely clips in; d2t06 MM cuts out
  Set One: Set One : 1. Get Out Of My Life Woman 2. Stop That Train 3. Simple Twist Of Fate 4.
 Run For The Roses 5. Like A Road 6. Deal, Total Time 50:07
 Set Two: Set Two : 1. The Harder They Come 2. I Shall Be Released 3. /Mission In The Rain 4.
 Think 5. My Sisters & Brothers [4:22] -> 6. Midnight Moonlight// [6:05#] [0:04], Total Time 44:26
11/25/88 Los Angeles, CA - Wiltern Theater MAC>D>CD All 109 1301 84763 
 *JGB: Mike French*
 A nice recording, a little bit of room echo, but quite nice. Notes/Flaws: - d1t01 Mission bad
 digi-static @ 6:15-6:16 - d1t05 Run for the Roses clips in - d2t01 HTC digi-static @ track 6:16 -
 d2t02 Shall be Released light digi-static @ 5:09 - d2t03 Mission clips in
 Set One: Disc One (7) 62:27 --Set I-- 01. [0:14] Mission in the Rain [9:59] [1:10], 02.
 [0:02] Get Out of My Life Woman [8:08] [0:56], 03. [0:06] Stop That Train [6:39] [0:15], 04. Simple
 Twist of Fate [13:17] [0:03], 05. /Run for the Roses [#4:57] [0:23], 06. Like a Road [8:02] -> 07.
 Deal [7:50] [0:23]
 Set Two: Disc Two (6) 46:40 --Set II-- 01. [0:15] Harder They Come [10:20] [0:23], 02. I
  Shall Be Released [7:54] [0:01], 03. /Mission in the Rain [#8:31] [0:22], 04. [0:04] Think [6:48]
 [0:04], 05. [0:05] Sisters & Brothers [4:26] -> 06. Midnight Moonlight [6:53] [0:20]
11/26/88 Los Angeles, CA - Wiltern Theater  MSD>C>2D>CD All 116 
 *JGB*
 Last three songs are are MSC>PCM>DAT>DAT>CD. d1t01Cats static @ 7:06-7:07, 7:31, 7:57-7:58; d1t02
 digi errors @ 0:44, 3:53; d1t04 digi-error @ 0:07; d1t07 digi-error @ 1:40
 Set One: Set One : 1. Cats Under The Stars [8:55] [0:13], 2. Forever Young 3. Someday Baby
 4. Mississippi Moon 5. Dear Prudence 6. And It Stoned Me 7. How Sweet It Is, Total Time 55:44
 Set Two: Set Two : 1. The Harder They Come 2. Waiting For A Miracle 3. Evangeline 4. Don't
 Let Go // 5. My Sisters & Brothers 6. Lucky Old Sun 7. Tangled Up In Blue, Total Time 59:30
11/26/88 Los Angeles, CA - Wiltern Theater MAC>D>CD All 124 1307 84850 
 *JGB: Tapers from Hell, Senn MKE2002s?*
 A beautiful aud, with the guitar really clear and beautiful sounding (a touch oversaturated?).
 Notes/Flaws: - d1t01 CUTS clips in - d2t05 Sisters & Brothers cuts in, not much missing.
 Set One: Disc One (7) 61:28 --Set I-- 01. /Cats Under the Stars [#9:16] [1:25], 02. Forever
 Young [8:10] [0:27], 03. Someday Baby [6:17] [0:07], 04. Mississippi Moon [8:32] [1:39], 05. [0:03]
 Dear Prudence [10:59] [0:22], 06. And It Stoned Me [6:43] [0:07], 07. How Sweet It Is [6:52] [0:06]
 dead air [0:10]
 Set Two: Disc Two (7) 62:43 --Set II-- 01. [0:09] Harder They Come [11:08] [0:54], 02.
 Waiting for a Miracle [6:22] [0:09], 03. Evangeline [3:44] [0:17], 04. Don't Let Go [13:37] [0:02],
 05. //Sisters & Brothers [#4:13] -> 06. Lucky Old Sun [11:06] -> 07. Tangled Up in Blue [10:39]
 [0:17]
11/27/88 Los Angeles, CA - Wiltern Theater MAC>D>CD All 83 enter enter 
 *JGB: Mike F. and John C., Senn MKE 2002 > Sony TC-D5M*
 MAC ("Tapers from Hell", Senn MKE2002 [HRTF, balcony 3rd row center] > Sony WM-D6C [Dolby B]) >
 playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz
 master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA
 cable > Tascam 700 CDRW master CD > Marantz CDR 500 Dual Well Recorder CD clone (DAO,1x) > CD > HP
 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary
 verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French,
 CD > SHN by Joe Jupille (jjoops@attbi.com). Notes/Flaws: - Nice solid recording of a short and
 somewhat unspectacular show. This strikes me as the weakest of the three-night run. - d2t01 Mission
 fades in, not much missing
 Set One: Disc One (6) 42:14 --Set I-- 01. How Sweet It Is [6:28] [0:58], 02. Stop That Train
 [6:20] [0:22], 03. Get Out of My Life Woman [8:20] [0:24], 04. Run for the Roses [4:26] -> 05. It
 Stoned Me [6:35] -> 06. Deal [8:09] [0:09]
 Set Two: Disc Two (6) 40:39 --Set II-- 01. ... Mission in the Rain [#7:54] [0:50], 02.
 Waiting for a Miracle [6:02] [0:37], 03. Russian Lullaby [10:40] [0:23], 04. Evangeline [3:34] [0:12],
 05. Sisters & Brothers [4:18] -> 06. Midnight Moonlight [5:56] [0:11]
11/27/88 Los Angeles, CA - Wiltern Theater MS?>?>C>CD I,IIp n/a 1301 84824 
 *JGB*
 Via John Moses seed to Lossless Legs. Soundboard. Source: A(big)cardboard box, Maxell MXS90
 cassette dolby C. Played on a Nak CR3A (Dolby C) eq out > hp computer > CD wave > Flac > you! Guessing
 2nd gen SBD.
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Get Out Of My Life Woman, Run
 For The Roses, And It Stoned Me, Deal
 Set Two: Mission In The Rain, Waiting For A Miracle, (MISSING Russian Lullaby, Evangeline,
 My Sisters And Brothers, Midnight Moonlight)
12/02/88 San Francisco, CA - Orpheum Theatre MAC>CD All n/a 0965 20833 
 *JGB: Bill Reutelhuber, Nak 700s/CP701 > Sony TC-D5M*
 Set One: How Sweet It Is To Be Loved By You, Waiting For A Miracle, I Shall Be Released,
 That's What Love Will Make You Do, Stop That Train, Tangled Up In Blue
 Set Two: The Harder They Come, Mission In The Rain, Like A Road, Think, Evangeline, Don't
 Let Go
12/02/88 San Francisco, CA - Orpheum Theatre MAP>P>CD All n/a enter noshnid 
 *JGB: Sean Webber-Small, Schoeps CMC44s > Sony PCM F1*
 Sean Webber-Small's MAP (Schoeps CMC44s > Sony PCM F1 > Sony SL2500 beta) > Sony SL2500 playback >
  Sony SL360 Beta/1 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs
 Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.
 Notes: - relatively low levels, but quite a nice tape. Some up-close clapping at start. - may have
 been taped "under the overhang" - d1t01 HSII fades in, muffled first minute or so. - d2t03 MITR
 muffled for about 10-15 seconds near end.
 Set One: How Sweet It Is To Be Loved By You, Waiting For A Miracle, I Shall Be Released,
 That's What Love Will Make You Do, Stop That Train, Tangled Up In Blue
 Set Two: The Harder They Come, Mission In The Rain, Like A Road, Think, Evangeline, Don't
 Let Go
12/03/88 San Francisco, CA - Orpheum Theatre MAC>CD All 99 0966 20834 
 *JGB: Bill Reutelhuber, Nak 700s > Sony TC-D5M*
 Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cm (Sony
 TCD5m); Transfer Info: Cm (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo
 (24bit/44.1k) -> SHN; Process Info: Processed through Nuendo using Waves Q10 and Waves C4 and rendered
 down to a 16 bit wave file. Recorded and Transfered BY Bill Reutelhuber; Tracked and SHN'd By Charlie
 Miller, charliemiller87@earthlink.net, 12/1/03. JJ Notes: - d2t05 Lifeline tape anomaly (?) @
 1:31.
 Set One: Cats Under The Stars, Forever Young, Run For The Roses, Someday Baby, The Night
 They Drove Old Dixie Down, Deal
 Set Two: The Harder They Come, Waiting For A Miracle, Stop That Train, Think, Throw Out The
 Lifeline, Tangled Up In Blue
12/04/88 Oakland, CA - Oakland-Alameda County Coliseum MSD>CD All 28 
 *Bridge Benefit: Garcia, Weir, Wasserman acoustic*
 SBD > DAT > CD. No flaws noted. * The Jerry Site lists Neil Young on harmonica and backing vocals
 on Wang Dang Doodle.
 Set One: Single Disc (5) 27:40, 1. Introduction [0:19], 2. Wang Dang Doodle* [7:56] [0:10],
 3. Friend of the Devil [5:52] [0:11], 4. Throwing Stones [8:23] [0:09], 5. Ripple [4:26] [0:11]
12/04/88 Oakland, CA - Oakland-Alameda County Coliseum MAC>CD All 28 enter 92381 
 *JGBWRW: PS, 2x Nak 700s > Sony TC-D5M*
 Source: FOB Audience Recording; Taper: PS; Media: MAC = Maxell MX90; Lineage: 2 x modified
 Nakamichi 700 cardioids (in hat, Main Floor, Section 2 Row U Seat 6) > Bill Reutelhuber preamp > dbx
 221 e (mounted in a battery-powered Bill R. box) > Sony TC-D5M; Transfer (PS): MAC > Nakamichi CR1a
  (playback) > dbx 224xds (decode) > Macintosh 800 MHZ Power PC G4, with M-Audio Audiophile 2496 MIDI
 Digital Recording Interface. Recorded with Live Lite 4 for M Audio (aiff) > Bias Peak Lite version 5.2
 (wav); Track & Flac (jj): CDWave (tracking) > FLAC Frontend (level 8 flac). Notes: - Second Bridge
 School benefit. Other performers included: Neil Young (joined by Crosby, Stills, Nash on one song),
 Nils Lofgren, Billy Idol, Bob Dylan and G.E.Smith, Tom Petty and the Heartbreakers, Tracy Chapman,
 Crosby, Stills, Nash and Young (joined by Lofgren and Tracy Chapman for one song). - PS says this
 about the dbx 221 noise reduction unit: "[T]his is the same a dbx 224 but they were encode only
 circuit boards sold by dbx. Bill R. made a separate box that had batteries and this board in it."
 Performers: - Jerry Garcia: guitar, vocals; - Bob Weir: guitar, vocals; - Rob Wasserman: bass; - (1)
 Neil Young: harmonica, vocals. - Thanks to PS for his generosity!
 Set One: Single Disc (4 tracks, 27:50) 01. Wang Dang Doodle (1) [7:50] [0:08] 02. Friend Of
 The Devil [5:50] [0:04] 03. Throwing Stones [8:24] [0:06] 04. Ripple [4:25] [1:01]
 
01/27/89 San Francisco, CA - Orpheum Theatre MAC>CD All 119 0638 14015 
 *JGB: Dan Cole, Sony ECM 77-Bs > Sony D5* *last track sbefails*
 MAC (Taped by Dan Cole, Sony ECM 77-B [2nd row] > Sony D5) > Cool Edit > CD Wave > SHN. Transferred
 by Kevin Tobin. KT's notes: "From Dan Cole's collection of JGB cassettes - he had it listed as Master
 FOB Sony ECM 77-B and was using a Sony D5 recorder at the time. I recorded directly from his master
  tape to my computer using Cool Edit, divided the tracks using CD Wave and then converted to SHN before
 recording my copy onto cd." Notes/Flaws: d1t06 Miracle clips in, not much missing; d2t01 HTC cuts in;
 d2t01 HTC levels increase @ 0:25-0:35. A very nice recording of a quite nice show.
 Set One: Disc One (8) 54:21 --Set I-- 01. [0:06] Let's Spend The Night Together [7:06]
 [0:43], 02. Stop That Train [:02+6:56] [0:27], 03. Someday Baby [5:48] [0:53], 04. Run For The Roses
 [5:35] [0:20], 05. Mississippi Moon [8:01] [0:06], 06. /Waiting For A Miracle [#5:13] [0:46], 07. Hope
 It Won't Be This Way [4:43] -> 08. Deal [7:26] [0:04]
 Set Two: Disc Two (7) 64:08 --Set II-- 01. //The Harder They Come [#10:39] [0:20], 02. And
 It Stoned Me [6:10] [0:23], 03. Knockin' On Heaven's Door [8:43] [0:38], 04. Think [6:13] [0:05], 05.
 Don't Let Go [14:14] [0:12], 06. That Lucky Old Sun [9:12] [0:10], 07. Midnight Moonlight [6:54]
 [0:09]
01/27/89 San Francisco, CA - Orpheum Theatre MAC>CD All n/a 16577 
 *JGB: Dan Cole, Sony ECM 77-Bs > Sony D5* *sbefixed*
 Set One: Let's Spend The Night Together, Stop That Train, Someday Baby, Run For The Roses,
 Waiting For A Miracle, Mississippi Moon, I Hope It Won't Be This Way Always, Deal
 Set Two: The Harder They Come, And It Stoned Me, Knockin' On Heaven's Door, Think, Don't Let
 Go, That Lucky Old Sun, Midnight Moonlight
01/27/89 San Francisco, CA - Orpheum Theatre MS?>?>C>CD Most n/a 1305 84866 
  *JGB*
 SBD > 2nd or 3rd gen cassette (dolby B) > eq out >hp computer > Sound Forge (vol@5.5db) > CD wave >
 Flac. Last three songs patched from audience source: Audience Source: D2 Tracks 5,6,& 7: MC > C Sony
 D6C w/Sony Stereo Mic. Played back on Nakamichi CR3A onto Hp Computer (no dolby), same xfer details.
 Transferred by John Moses 5-7-07.
 Set One: Let's Spend The Night Together, Stop That Train, Someday Baby, Run For The Roses,
 Waiting For A Miracle, Mississippi Moon, I Hope It Won't Be This Way Always, Deal
 Set Two: The Harder They Come, And It Stoned Me, Knockin' On Heaven's Door, Think, Don't Let
 Go, That Lucky Old Sun, Midnight Moonlight
01/28/89 San Francisco, CA - Orpheum Theatre MS?>?>CD All n/a 1154 28352 
 *JGB*
 Robert Goetz's 2005 seed, sounds very nice and is complete. I have made re-tracked flacs from the
 source shns.
 Set One: I'll Take A Melody, They Love Each Other, Mission In The Rain, Simple Twist Of
 Fate, That's What Love Will Make You Do, The Night They Drove Old Dixie Down
 Set Two: Let's Spend The Night Together, Waiting For A Miracle, Like A Road, Don't Let Go,
 Run For The Roses, I Hope It Won't Be This Way Always, Tangled Up In Blue
01/28/89 San Francisco, CA - Orpheum Theatre MSC>V>D>CD II 58 1086 4377 
 *JGB* *sbefail and sbefixed versions*
  MSC > 1V (hi-fi) > DATs > Digi001 > SHN, transfer using Sony PCM-M1@48kHz > Optical S/PDIF >
 Digidesign 001 > HD as Sound Designer 2 @ 48kHz > Pro Tools LE [tracked, downsampled to 44.1kHz, and
 converted to WAV) > SHN. SBEs on every track of original shn (ref #301).
 Set Two: 1. Let's Spend The Night Together [7:58] [0:39], 2. Waiting For A Miracle [4:33]
 [1:54], 3. Like A Road [8:07] [0:10], 4. Don't Let Go [18:22] [0:20], 5. I Hope It Won't Be This Way
  Always [5:04] [0:21], 6. Tangled Up In Blue [10:13] [0:19], Total time 58:05
03/03/89 San Francisco, CA - Orpheum Theatre MAD>CD All 137 17554 
 *JGB: Schoeps CMC34s > Panasonic SV-250*
 Notes: - show with Clarence Clemons; - d1t01 LSTNT fades in, drop/splice @0:25, mix & level flux; -
 d1t05 Like a Road drop @ 4:49; - d1t08 Deal drop @ 0:04.
 Set One: Disc One (9) 71:13 --Set I-- 01. ... Let's Spend the Night Together [#6:08] [0:32],
 02. Stop That Train [6:45] [0:23], 03. Forever Young [8:27] [1:20], 04. Run for the Roses [5:33]
 [0:23], 05. Like a Road [7:35] [0:38], 06. TWLWMYD [8:12] [0:27], 07. Hope It Won't Be This Way Always
 [4:39] -> 08. Deal [6:50] [0:06] --Set II-- 09. [0:47] Harder They Come [11:32] [0:42]
 Set Two: Disc Two (8) 66:01 --Set II (con't)-- 01. dead air [0:20], thank Clarence & tuning
 [0:34], 02. Waiting for a Miracle [5:46] [1:03[, 03. Someday Baby [6:41] [1:16], 04. Stoned Me [7:16]
 [0:20], 05. Evangeline [4:26] [1:05], 06. Don't Let Go [15:00] [0:21], 07. Lucky Old Sun [9:53] -> 08.
 Tangled Up in Blue [10:55] [0:25], dead air [0:32]
03/03/89 San Francisco, CA - Orpheum Theatre  MAC>CD All 137 21091 
 *JGB: Bill Reutelhuber, Nak 700s/CP701 > Sony TC-D5M*
 MAC (Recorded by Bill Reutelhuber, Nak 700s/CP701 [FOB/Row L, in hat]) > Reutelhuber P/S > dbx type
 II Encoder > Sony TCD5m) > Nakamichi Deck playback [Azimuth Aligned] > dbx 224x Decoder > Mytek
 Digital ADC8X96 > Nuendo (24bit/44.1k) > SHN (2 Discs Audio / 1 Disc SHN). Process Info: 1) Processed
 to a 16 bit file with waves Q10 and L2. 2) Tracked and Normalized with Samplitude v7.02 Professional.
 Recording, Transfer and Process #1 By Bill Reutelhuber. Process #2 By Charlie Miller
 (charliemiller87@earthlink.net), 12/5/2003. Notes: - show With Clarence Clemons on saxophone; - d1t01
 LSTNT fades in, maybe a minute or more missing; - d1t02 Stop That Train mild level flux @ 1:25-1:39; -
 d2t06 DLG not as out there as some versions, but they drop back in from the jam very, very nicely!
 Set One: Disc One (8) 59:29 --Set I-- d1t01 - ... Let's Spend The Night Together [#6:18]
 [0:37], d1t02 - Stop That Train [6:48] [0:12], d1t03 - Forever Young [8:46] [1:25], d1t04 - Run For
 The Roses [5:35] [0:27], d1t05 - Like A Road [7:40] [0:46], d1t06 - That's What Love Will Make You Do
 [8:14] ][0:33], d1t07 - I Hope It Won't Be This Way, Always [4:42] -> d1t08 - Deal [6:55] [0:27]
 Set Two: Disc Two (8) 78:00 --Set II-- d2t01 - [0:12] The Harder They Come [11:39] [0:51],
 d2t02 - Waiting For A Miracle [5:48] [1:08], d2t03 - Someday Baby [6:43] [1:20], d2t04 - It Stoned Me
 [7:20] [0:24], d2t05 - Evangeline [4:26] [1:07], d2t06 - Don't Let Go [15:12] [0:27], d2t07 - That
 Lucky Old Sun [10:00] -> d2t08 - Tangled Up In Blue [11:00] [0:23]
03/03/89 San Francisco, CA - Orpheum Theatre MAD?>D>CD All n/a 86325 
 *JGB: Schoeps CMC34s > Panasonic SV250* *could be MAC*
 Source: DAUD FOB Schoeps CMC34 > Panasonic SV-250 DAT (? see notes). Transfer: Panasonic SV-3700 >
 M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8).
 Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. July 8, 2007. Jerry Garcia -
 guitar, vocals; John Kahn - bass; Melvin Seals - keyboards; David Kemper - drums; Jaclyn LaBranch -
 backing vocals; Gloria Jones - backing vocals; Clarence Clemons - saxophone. Notes: "There are cuts
 or tape flips after Like a Road, before Deal and before Don't Let Go, which indicate that this source
 could have been a cassette. Tape cuts were smoothed over with crossfades and levels were adjusted in
 several places."
 Set One: Let's Spend The Night Together, Stop That Train, Forever Young, Run For The Roses,
 Like A Road, That's What Love Will Make You Do, I Hope It Won't Be This Way Always-> Deal
 Set Two: The Harder They Come, Waiting For A Miracle, Someday Baby, And It Stoned Me,
 Evangeline, Don't Let Go, That Lucky Old Sun, Tangled Up In Blue
03/04/89 San Francisco, CA - Orpheum Theatre MAC>CD All n/a 0980-0981 21139 
 *JGB: Bill Reutelhuber, Nak 700s/CP701 > Sony TC-D5M*
 (FOB/Hat/Row L)Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cassette Master
 (Sony TCD5m; Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder ->
 Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 2 Discs SHN); Process Info: 1)
 Processed to a 16 bit file with waves Q10, C4 and L2; 2) Tracked and Normailized with Samplitude v7.02
 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller
 12/5/03.
 Set One: How Sweet It Is To Be Loved By You, I Shall Be Released, Mission In The Rain, Get
 Out Of My Life Woman, Simple Twist Of Fate, My Sisters And Brothers, Deal
 Set Two: Cats Under The Stars, Knockin' On Heaven's Door, Think, Evangeline, Gomorrah, Let's
 Spend The Night Together, Midnight Moonlight
03/22/89a San Francisco, CA - Gift Center Pavilion MAC>CD  All 9 93896 
 *Country Joe McDonald w/JG: PS, Nak 700s > Sony TCD5M*
 Taper: PS; Location: FOB; Field Equipment: 2x Nakamichi 700 mics (modified, caps and attenuators
 worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M master cassette (Maxell MX90); Transfer
 (PS): Nakamichi CR1a playback > dbx 224xds decode > Macintosh 1.2 GHZ Power PC G4 OSX 10.5.4, with
 M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded with Bias Peak Lite. File re- saved
 from raw audio as Wave with Bias Peak Lite version 5.2; Track & FLAC (jj): CD Wave 1.94.8 > Sony Sound
 Forge Studio 7.0 (t01 fade-in and t09 fade-out) > Trader's Little Helper v2.4.1 (FLAC8 encoding).
 Notes: - Poster Artists Benefit. Other acts included Garcia/Kahn/Weir, Dinosaurs and Nick Gravenites
 and Animal Mind. - Country Joe puts on a great little set here. Jerry's playing on Clara Barton,
 especially, is quite strong and this is a great song that'll stick in your head for awhile. - Big
 thanks to PS for taping, transferring and sharing this beauty.
 Set One: Single Disc (9 tracks, 33:52) jg1989-03-22-cjm-PS-t01. Tuning & Talk [1:32]
 jg1989-03-22-cjm-PS-t02. Entertainment Is My Business [3:02] jg1989-03-22-cjm-PS-t03. Janis [2:40]
 jg1989-03-22-cjm-PS-t04. Not So Sweet Martha Lorraine [4:54] jg1989-03-22-cjm-PS-t05. Kiss My Ass
 [2:46] jg1989-03-22-cjm-PS-t06. Fixin' To Die Rag [3:16] jg1989-03-22-cjm-PS-t07. Coyote [6:21]
 jg1989-03-22-cjm-PS-t08. Starship Ride (w/ Garcia) [4:25] jg1989-03-22-cjm-PS-t09. Clara Barton (w/
 Garcia) [4:52]
03/22/89b San Francisco, CA - Gift Center  MA?>?>CD All 33 
 *Garcia, Kahn, & Weir: unknown taper & gear* *inferior*
 Could run fast. Levels jump up momentarily at 0:25.
 Set One: Single Disc (7 tracks, 33:21), 01. Crowd & Tuning, 02. Deep Elem Blues, 03. Wang
 Dang Doodle, 04. Oh the Wind and Rain, 05. When I Paint My Masterpiece, 06. Bird Song, 07. Easy to
 Slip
03/22/89b San Francisco, CA - Gift Center Pavilion MAC>CD All 35  93889 
 *JGBWJK: PS, Nak 700s > Sony TCD5M*
 Taper: PS; Location: FOB; Field Equipment: 2x Nakamichi 700 mics (modified, caps and attenuators
 worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M master cassette (Maxell MX90); Transfer
 (PS): Nakamichi CR1a playback > dbx 224xds decode > Macintosh 1.2 GHZ Power PC G4 OSX 10.5.4, with
 M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded with Bias Peak Lite. File re-saved
 from raw audio as Wave with Bias Peak Lite version 5.2; Track & FLAC (jj): CD Wave 1.94.8 > Sony Sound
 Forge Studio 7.0 (t01 fade-in and t07 fade-out) > Trader's Little Helper (FLAC8 encoding). Notes: -
 Poster Artists Benefit. Other acts included Country Joe McDonald, Dinosaurs and Nick Gravenites and
 Animal Mind. Jerry also sits in with Country Joe McDonald on Starship Ride and Lady With The Lamp.
 PS's tape of that set will also be circulated. - What a delight this little set is. Jerry sounds like
 he's having a blast, including on the Bob tunes where he is both playing well and singing some nice
 harmonies (check out Wang Dang Doodle!). Indeed, in this time frame Jerry seemed to really enjoy these
  little one-off gigs ... check out 1/23/88 (Blues for Salvador), 5/26/89 (with Los Lobos), 8/2/89
 (Latino Sessions), and 4/29/90 (Animal Mind) for nice one-offs and guest shots during this period of
 relative health and happiness. I would argue that this is essential stuff for the Jerry fan. - The
 recording is also very nice, the best of the several that I have heard from this night. - Sounds like
 some joker blows a kazoo right near the end of Bird Song ... might want to be careful for your
 peakers at that point. - Big thanks to PS for taping, transferring and sharing this beauty.
 Set One: Single Disc (7 tracks, 35:18) jg1989-03-22-jgbwjk-PS-t01. Crowd, Tuning and Stage
 Talk [1:40] jg1989-03-22-jgbwjk-PS-t02. Deep Elem Blues [5:11] [0:19] jg1989-03-22-jgbwjk-PS-t03. Wang
 Dang Doodle [5:09] -> jg1989-03-22-jgbwjk-PS-t04. Oh the Wind and Rain [4:54] ->
 jg1989-03-22-jgbwjk-PS-t05. When I Paint My Masterpiece [4:42] jg1989-03-22-jgbwjk-PS-t06. Bird Song
 [8:18] [0:04] jg1989-03-22-jgbwjk-PS-t07. Easy to Slip [4:50] [0:11]
04/24/89 Mill Valley, CA - Sweetwater pro All n/a 
 *Elvis Costello & Others*
 Audio: SBD (dvd_lpcm_audio @ 48kb/s); Video: Multicam (4 cams?) Low Gen Hi8 > AVI > DVD; Avg
 bitrate: 8,000kb/s NTSC 4:3. Tape: Tom P. Capture: Ray B. Props: Wally S. Authored/Synched:
 Taperguy27. Notes: Other musicians mentioned include: Pete Sears, Commander Cody, Mitch Woods
 (piano), Andy Simpson, Jerry Seiger and James Burton. Guests: (1) Jerry Garcia (guitar), (2) Charles
 Brown (piano, vocals), (3) Sammy Hagar (guitar, vocals), (4) Bob Weir (guitar, vocals)
 Set One: Disc 1: The Big Light, Pouring Water On A Drowning Man, Only Daddy That'll Walk The
 Line, Leave My Kitten Alone, I Stepped In Quicksand, Drifting Blues (2), I Wanna Be With You (2),
 One's Too Many (And A Hundred's Ain't Enough), Real Gone Lover
 Set Two: Disc 2: You Win Again (1), The Bottle Let Me Down (1), Why Don't You Love Me (1),
 Riot In Cellblock #9 (1,3), Going Down (1), C.C. Rider (1,4), Turn On Your Lovelight (1,4), Let The
 Good Times Roll (1,4) --Encore-- Loveable
04/24/89 Mill Valley, CA - Sweetwater MS?>?>CD Partial 17 78006 
 *Elvis Costello w/ Garcia and others*
 via Teddy Goodbear. Lineage: SBD? > Dat > computer (minor edit) > Wav > CD (minor edit) > EAC >
 FLAC. Entire SBD performance exists prior to Jerry Garcia but not included in this seed. Not included
 in this seed but played after "Going Down": C.C. Rider (1,7), Turn On Your Lovelight (1,7), Let The
 Good Times Roll (1,7). Comments: (1) Jerry Garcia (guitar) (2) Commander Cody (vocals) (3) Sammy Hagar
 (guitar, vocals) (4) Mitch Woods (piano) (5) Andy Simpson (harmony vocals) (6) James Burton (son is
 Jeff Burton) (7) Bob Weir (guitar, vocals).
 Set One: You Win Again (1) ~ 3:38 Tonight The Bottle Let Me Down (1) ~ 2:55 Why Don't You
  Love Me Like You Used To (1) ~ 2:33 Riot In Cellblock #9 (1,2,3,4,5,6) ~ 3:49 Going Down (1,3,6-son) ~
 3:57# Total ~ 16:55#
05/19/89 Irvine, CA - Irvine Meadows MAD>D>CD All 128 15189 
  *JGB: Tapers From Hell, Senn MKE 2002s > Sony TCD-D10*
 MAD (Senn MKE2002's omnis > Sony TCD-D10 DAT) > DAT clone > playback on Tascam DA-20mkII DAT >
 Marigo Audio Lab Apparition Reference Coaxial / RCA cable > Tascam 700 CDRW master CD > Marantz CDR
 550 Dual Well Recorder CD clone (DAO, 1x) > my CD. All digital devices powered via Vans Evers "Clean
 Lines" Reference AC power filtration unit, for clean, isolated AC power. All transfers done with
 studio "stand alone" equipt. with no scms assigned. D>CD transfer by Mike French. This is an
 excellent recording of a very energetic show (though the vocals are quite rough). Harder They Come is
 especially energetic and fun. Notes/flaws: d2t01 HTC light crackle @ 2:03; d2t03 Simple Twist fades
 out, a couple of minutes missing.
 Set One: Disc One (8) 59:13 --Set I-- 1. [0:44] How Sweet It Is To Be Loved By You [6:48]
 [0:24], 2. Crowd & Tuning [1:09], 3. [0:33] Stop That Train [6:41] [0:53], 4. Get Out Of My Life
 [9:12] [0:50], 5. Run For The Roses [5:27] [0:29], 6. I Shall Be Released [9:16] [0:59], 7. Hope It
 Won't Be This Way [4:50] [0:05], 8. Deal [10:45] [0:06]
 Set Two: Disc Two (6) 69:28 --Set II-- 1. [0:06] The Harder They Come [12:21] [0:04], 2.
 [0:11] Waiting For A Miracle [6:10] [0:04], 3. [0:30] Simple Twist Of Fate// (fade down) [11:14#]
 [0:08], 4. Don't Let Go [22:48] [0:19], 5. That Lucky Old Sun [9:47] -> 6. Midnight Moonlight [6:54]
 [0:14]
05/19/89 Irvine, CA - Irvine Meadows Ampitheater MAC All n/a 24537 
 *JGB: Tapers From Hell, Senn MKE 2002s > Sony TCD-D10*
 Source: Senn MKE2002 HRTF stealth fob/dfc > Sony TCD-D10 1/4" mic in. Ambient master by "Tapers
 From Hell", a large dedicated group effort. John H. on DAT knobs. DAT Clone #1 used for CDR master;
 Transfer: DAT #1 via Tas DA20mkII > Tas cdrw700 for cdr master -> Marantz 500 dual well-> CDR. Above
 taping and transfer done by Mike French + "Tapers from Hell". Additional Transfer: CDR-> EAC -> FLAC
 Frontend (16/44.1) by Brian Costigan (BCostigan@taperssection.com). **note** Simple Twist of Fate was
 cut on the DAT. I was able to patch the balance of what the cassette master captured before it ran out
 of tape as well. So,... Simple Twist of Fate is cut, and is repaired to the best of my abilities. It
 is mostly there, but still just %."
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Get Out Of My Life Woman, Run
 For The Roses, I Shall Be Released, I Hope It Won't Be This Way Always, Deal
 Set Two: The Harder They Come, Waiting For A Miracle, Simple Twist Of Fate, Don't Let Go,
 That Lucky Old Sun, Midnight Moonlight
05/20/89 San Diego, CA - Open Air Theater, SDSU MAC>CD  All 99 0802 xxxxx 
 *JGB: Matt Xavier, Nak 300s > Sony D5*
 MAC (Taped by Matt Xavier, Nak 300s > Sony D5) > Sony TC-WR635S playback > powerpc MAC, soundedit
 II software > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification
 (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Matt Xavier, EAC > SHN by Joe
 Jupille. Notes/Flaws: - A decent recording, with relatively indistinct bass and considerable crowd
  noise. It is very tightly edited, with the beginnings of some tunes clipped and most almost clipped.
 - d1t01 Cats cuts in; - d1t02 Mission muffled sound after ca. 5:00; - d1t05 Like a Road mic contact @
 2:46; - d2t01 Melody cuts in, missing ca. 15 seconds; - d2t05 Gomorrah cuts in
 Set One: Disc One (7) 54:08 --Set I-- 1. //Cats Under the Stars [#8:37] [0:02], 2. Mission
 in the Rain [8:38] [0:02], 3. Forever Young [7:55] [0:05], 4. That's What Love Will Make You Do [8:14]
 [0:02], 5. //Like a Road [#8:40] [0:04], 6. //Sisters & Brothers [#4:17] -> 7. Deal [7:25] [0:03]
 Set Two: Disc Two (6) 44:47 --Set II-- 1. //I'll Take a Melody [#9:33] [0:04], 2.
 Mississippi Moon [8:07] [0:02], 3. Think [6:37] [0:02], 4. Evangeline [3:27] [0:01], 5. //Gomorrah
 [#5:48] -> 6. Tangled Up in Blue [11:01] [0:02]
05/20/89 San Diego, CA - Open Air Theater, SDSU MSC>CD I,IIp 103 1250  20679 
 *JGB* *sbd w/ aud patch last 3 songs*
 SBD -> Dat -> Cm -> SBM2 -> Sonic Solutions -> CD -> EAC -> SHN. Last 3 Songs Patched w/ Nakamichi
 300/CP1 -> Cm -> CD -> Samplitude v7.02 Pro -> SHN (2 Discs Audio / 1 Disc SHN). Notes: - d1t06
 should be split into another track for Deal; - d2t05 Gomorrah clips in
 Set One: Disc One (6) 56:38 --Set I-- 01. [0:04] Cats Under the Stars [8:48] [0:13], 02.
 Mission in the Rain [8:53] [0:13], 03. Forever Young [8:10] [0:12], 04. That's What Love Will Make You
 Do [8:30] [0:16], 05. Like a Road [8:44] [0:17], 06. Sisters & Brothers [4:33] -> Deal [7:39]
 [0:05]
 Set Two: Disc Two (6) 46:18 --Set II-- 01. [0:04] I'll Take a Melody [9:49] [0:15], 02.
 Missippi Moon [8:40] [0:17], 03. Think [6:52] [0:01], {audience source} 04. Evangeline [3:28] [0:01],
 05. Gomorrah [5:48] ->06. Tangled Up in Blue [11:02] [0:01]
05/22/89 Universal City, CA - Universal Amphitheatre MSD>C>CD All-2 83 1093 20505 
 *JGB*
 Deal not separately tracked.
 Set One: (Disc One (6 tracks, 52:49) --Set I-- How Sweet It Is To Be Loved By You, Stop That
 Train, Mission In The Rain, Waiting For A Miracle, The Night They Drove Old Dixie Down, And It Stoned
 Me -> Deal
 Set Two: Disc Two (4 tracks, 29:48) --Set II-- The Harder They Come, Forever Young, Think,
 Evangeline, (MISSING That Lucky Old Sun, Midnight Moonlight)
05/26/89 San Rafael, CA - New George's MAV>2V>CD All 18 1109-1110 32336 
 *Los Lobos w. JG: Rick Ovalle, unknown video camera mic*
 Source: Audience video, shot from tripod; Lineage: videocassette master > Hi-fi VHS > Hi-fi VHS >
 HD > wav ; Encoding: CDWave > flac frontend > flac. Taped by: Rick Ovalle; Transfered by:
 Pantagruel.
 Set One: Disc One: 01 Introduction, 02 Evangeline, 03 Why Do You Do, 04 Will The Wolf
 Survive?, 05 Is This All There Is?, 06 I Walk Alone, 07 Anselma, 08 I Got To Let You Know, 09
 Someday, 10 My Baby's Gone, 11 Come On Let's Go, 12 A Matter Of Time, 13 Let's Say Goodnight, 14
 Serenata Nortena, 15 Ay Te Dejo En San Antonio, 16 The Giving Tree
 Set Two: 01 I Got Loaded, 02 Shakin' Shakin' Shakes, 03 Don't Worry Baby, 04 Georgia
 Slop, 05 Tuning, --Encore-- 06. Buzz Buzz Buzz* [4:22], 07. I'm Tore Down* [6:13], 08. Born On The
 Bayou*-> Suzie Q* [7:11] , 09. Prenda Del Alma, 10 I'm Gonna Be A Wheel, 11 Let Me Love You
05/27/89 Oakland, CA - Oakland-Alameda County Coliseum MS?>?>CD All 43 0683 
 *J. Fogerty, Garcia, Weir, Jackson, Jordan* *better sounding?*
 John Fogerty, Jerry Garcia, Bob Weir, Randy Jackson and Steve Jordan. Clarence Clemons joins for
 Suzy Q and Long Tall Sally. Sounds strange but nice (at least not bad), few if any analog gens
 between the master and the digital realm. t04 Rock & Roll Girls some R channel ticking during first
 instrumental break.
 Set One: Single Disc (11) 43:14, 01. Born On The Bayou [4:08] [0:41], 02. Green River [3:07]
 [0:32], 03. Down On The Corner [2:46] [1:17], 04. Rock And Roll Girls [3:17] [1:08], 05. Centerfield
 [3:50] [0:08], 06. Proud Mary [3:26] [0:33], 07. Midnight Special [4:16] [0:39], 08. Bad Moon Rising
 [2:17] -> 09. Fortunate Son [2:56] [0:50] --Encore-- 10. Susie Q (1) [4:26] [0:14], 11. Long Tall
 Sally (1) [2:32] [0:04]
05/27/89 Oakland, CA - Oakland-Alameda County Coliseum MSC>CD All 44 0683 
 *J. Fogerty, Garcia, Weir, Jackson, Jordan* *inferior sounding?*
 SBD > Cassette > Nak DR-3 > RME 96/8 PST > CDR
 Set One: Born On The Bayou , Green River , Down On The Corner , Rock And Roll Girls ,
 Centerfield , Proud Mary , Midnight Special , Bad Moon Rising , Fortunate Son , Susie Q , Long Tall
 Sally
05/27/89 Oakland, CA - Oakland-Alameda County Stadium MPV>?>V>DVD All n/a 
 *Fogerty w/ Weir & Garcia*
 JOHN FOGERTY; JERRY GARCIA; BOB WEIR; STEVE JORDAN; RANDY JACKSON; CLARENCE CLEMONS*. 2ND ? GEN VHS
 PRO SHOT MULTI CAM IN HOUSE FEED > ULEAD DVD MOVIE FACTORY > VIDEO_TS FILES. DVD NTSC 29.97 FPS;
 AUDIO CODEC MPEG-1 Layer 2; 0xc0:48000Hz 224 kb/s total (2 chnls); VIDEO CODEC MPEG-2 PROGRAM STREAM
 << 1 VID,1 AUD SYS BITRATE 10080 KB/S VBR; VIDEO BIT RATE 4146.
 Set One: 1-BORN ON THE BAYOU, 2-GREEN RIVER, 3-DOWN ON THE CORNER, 4-BAND INTROS, 5-ROCK AND
 ROLL GIRLS, 6-CENTERFIELD, 7-PROUD MARY , 8-MIDNIGHT SPECIAL, 9-BAD MOON RISING, 10-FORTUNATE SON,
 11-SUSIE Q*, 12-LONG TALL SALLY*, 13-BILL GRAHAM OUTRO
05/27/89 Oakland, CA - Oakland-Alameda County Stadium MAD>CD All n/a enter enter 
 *Fogert et al.: Neumann KM74i > Panasonic DAT*
 Master DAT: Neumann KM74i in a hat > Panasonic DAT. Transfer Panasonic SV3800 > Tascam CD-RW700 >
 CDWav > Flac. Recorder center half way between soundboard and stage. First show using new Panasonic
 DAT.
 Set One: 01 Born On The Bayou. 02 Green River 03 Down on the Corner 04 Rock And Roll Girls
 05 Centerfield 06 Proud Mary 07 Midnight Special 08 Bad Moon Rising 09 Fortunate Son 10 Suzy Q, 11
 Long Tall Sally
06/10/89 Piercy, CA - French's Camp MAD>CD 140 0803-0804 17116 
 *JGB: Schoeps CMC3-MK4*
 MAD (Schoeps CMC3-MK4) > playback on Panasonic SV-3800 > HHb CDR-850 > CDR > WAV > SHN. Seeder
 notes: "Original CDR source recording levels varied over the course of the first set between different
 songs. A +3 dB gain was applied to each set individually followed by smaller increases for individual
 tracks in the first set with particularly lower levels to achieve a better balance in terms of the
 variability of the between song levels. No compression was involved and changes in amplitude were on
 the order of + 1 to + 2.5 dB. The individual sets were then tracked using CDWAV Editor." JJ: nice
 tape. DLG doesn't really go anywhere, surprisingly. d2t05 taper talk "did you guys flip already?",
 suggests cassette?
 Set One: Disc 1 - Set 1 , 01 crowd/tuning [01:26], 02 I'll Take A Melody [10:56], 03 They
 Love Each Other [06:55], 04 Get Out Of My Life Woman [08:34], 05 Run For The Roses [05:45], 06 Stop
 That Train [07:55], 07 Mission In The Rain [07:52], 08 My Sisters And Brothers [04:10], 09 Deal
 [07:25], Total time: 61:00
 Set Two: Disc 2 - Set 2, 01 crowd/tuning [00:56], 02 Harder They Come [11:03], 03 Waiting
 For A Miracle [06:18], 04 I Shall Be Released [10:33], 05 Think [07:54], 06 I Hope It Won't Be This
 Way, Always [04:50], 07 Don't Let Go [14:30], 08 Evangeline [03:35], 09 That Lucky Old Sun (Just
 Rolls Around Heaven All Day) [08:45], 10 Tangled Up In Blue [10:59], Total time: 79:25
07/02/89 Foxboro, MA - Sullivan Stadium Parking Lot Unknown ? 17 
 *Garcia, Weir, and Los Lobos*
 t04 and t06 cut in
 Set One: Single Disc (7) 16:40, 1. Banter & Tuning [0:30], 2. This Land is Your Land [1:47]
 [0:34], 3. This Land is Your Land [2:43] [0:13], 4. //Come on Baby Let the Good Times Roll [#0:53]
 [0:12], 5. Sittin' on Top of the World [2:54] [0:28], 6. //This Land is Your Land [#1:56] [0:47], 7.
 This Land is Your Land [3:07] [0:34]
07/02/89 Foxboro, MA - Sullivan Stadium Parking Lot MPV>?>DVD All n/a 
 *Garcia, Weir, Los Lobos*
 Backstage w/ Los Lobos (acoustic). Uncut footage filmed for Nightline segment (Filmed for Fourth of
 July broadcast on "Nightline with Ted Koppel"). DVDrip from my GD-DVD stuff >"Odd & Ends (67- 95)"
 >capture and menu with TMPGENc 1.6; Video: 720x480 NTSC 29.97fps 7000 kbps; Aspect Ratio: 4:3 Generic;
 Audio: LPCM 48khz 16bits Stereo (Video B± and AUDIO A).
 Set One: This Land Is Your Land [multiple takes], Let The Good Times Roll, Sitting On Top Of
 The World, This Land Is Your Land, This Land Is Your Land [last 2 takes - different camera]
08/02/89 Los Angeles, CA - Biltmore Hotel MTV>DVD All n/a 
 Source: Cable TV:VHS HiFi:HD:DVD; Master VHS played back on Sony VHS>Canopus ADVC-110>HD; Processed
 using Scenalyzer Live>TMPGenc>TMPGenc Author 1.6. Taped and transferred by David Minches.
 Set One: 10 tracks -- 01. Linda Ronstadt 1, 02. Linda Rondstadt 2, 03. Goodness and Mercy
 (Santana), 03. Get Uppa (w/ JG), 04. Babeleo (Celia Cruz), 05. De Corazon a Corazon (Tito Puente), 06.
 Cuentas de Alma (Ruben Blades), 07. Muevete (w/ JG), 08. America the Beautiful
08/02/89 Los Angeles, CA - Biltmore Hotel MSV>?>CD All? 15  
 *Garcia, Santana, & Reuben Blades*
 Benefit for the National Hispanic Arts, Education & Media Institute.
 Set One: (10) 51:53, not sure how much of this has Jerry on it. Track 6 for sure,and
 probably the America the Beautiful closer.
08/26/89 Berkeley, CA - Greek Theatre, U. Of California MAD>P>CD All 112 0647 14208 
 *JGB: Buick & Webber-Small, B&K 4011s > Panasonic SV 250*
 MAD (recorded by Marcus Buick and Sean Webber-Small, B&K 4011s @ 110 ORTF [BuStand-1st Set,
 SeanStand-2nd Set] > Monster M1000 > Neumann 48VPS > MonsterM1000 > Panasonic SV250 [CLB FOB DFC- 2nd
 tier]), Panasonic SV250 playback > Sony PCM601 > Sony SL360, Sony SL360 plabyack > Sony PCM701 >
 Digidesign 442 / Quadra 650, edited w/ ProTools3.1, mastered with Masterlist1.2 > Sony920s 2x master
 CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification
 (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). D > CD by Marcus Buick, CD > SHN by Joe
 Jupille. Notes: (1) with Jimmy Cliff. Flaws: None noted.
 Set One: Disc One (9) 60:18 --Set I-- 01. Crowd & Tuning [0:06], 02. Cats Under The Stars
 [9:10] [1:18], 03. They Love Each Other [6:48] [1:31], 04. Forever Young [8:39] [0:54], 05. Band
 Introductions [0:39], 06. Run For The Roses [5:45] [1:54], 07. Mission In The Rain [7:48] [0:54], 08.
  The Harder They Come (1) [5:52] [0:27], 09. Deal [8:12] [0:19]
 Set Two: Disc Two (8) 52:27 --Set II-- 01. Crowd & Tuning [0:08], 02. How Sweet It Is [6:32]
 [1:17], 03. Stop That Train [6:15] [0:34], 04. Waiting For A Miracle [6:16] [0:32], 05. Think [7:09]
 [0:48], 06. My Sisters And Brothers [4:27] -> 07. That Lucky Old Sun [10:36] -> 08. Midnight Moonlight
 [7:11] [0:38]
08/26/89 Berkeley, CA - Greek Theatre, U. Of California MAC>CD All 112 0926-0927 21789 
 *JGB: Bill Reutelhuber?, Nak 700s/CP701 > Sony TC-D5M*
 Great great great tape and show! * w/ Jimmy Cliff
 Set One: Cats Under The Stars, They Love Each Other, Forever Young, Band Introductions, Run
  For The Roses, Mission In The Rain, The Harder They Come*, Deal
 Set Two: How Sweet It Is To Be Loved By You, Stop That Train, Waiting For A Miracle, Think,
 My Sisters And Brothers, That Lucky Old Sun -> Midnight Moonlight
09/01/89 Columbia, MD - Merriweather Post Pavilion MAD>CD All 118 0722 15062 
 *JGB: Schoeps CMC34s*
 FOB (Schoeps cmc 34's) > DAT > CDR > DAE (EAC 0.9 beta 4, offset corrected, high/secure) > + 3 dB
 gain applied (soundforge 5) > tracking (cdwav) > boundary check (shntool) > SHN (shorten 3.4). JJ:
 this is a nice tape.
 Set One: Disc 1 - Set 1 01 Tuning/Crowd [00:42], 02 How Sweet It Is To Be Loved By You
 [07:45] , 03 Stop That Train [07:21] , 04 Get Out Of My Life [07:57] , 05 Run For The Roses [06:18] ,
 06 Like A Road [09:18] , 07 My Sisters And Brothers [04:16] , 08 Deal [06:40] , Total Time: 50:18
 Set Two: Disc 2 - Set 2 01 The Harder They Come [11:35] , 02 Mission In The Rain [10:24] ,
 03 band intro's by Jerry [00:38], 04 Think [08:24] , 05 Mississippi Moon [09:58] , 06 Waiting For A
 Miracle [05:50] , 07 That Lucky Old Sun [10:13] , 08 Tangled Up In Blue [10:31] , Total time: 67:34
09/02/89 Columbia, MD - Merriweather Post Pavilion MAP>D>CD All 121 0606-0607 10136 
 *JGB: Schoeps CMC44s > Sonly SL-2000*
 Schoeps CMC-44 (FOB) > Oade pre-amp > Sony PCM-F1 > Sony SL 2000 (Beta). Possible re-DAE and
 re-.shn of existing .shn set: "FOB Schoeps CMC44 > Oade pre-amp > Sony PCM-F1 digital processor > Sony
 SL 2000 recorder (Beta); PCM master > DAT > CDR; Taper: Jim Oade." This is quite a nice recording and
 show. d2t06 DLG cuts out. NB also have this as shnid4375, disc #1291.
 Set One: ***** DISC I/SET I (7 Songs - 61 Minutes), 01. I'll Take A Melody , 02. They Love
 Each Other , 03. Forever Young , 04. That's What Love Will Make You Do , 05. Knockin' On Heaven's Door
 , 06. And It Stoned Me , 07. Midnight Moonlight
 Set Two: ***** DISC II/SET II (6 Songs - 60 Minutes), 01. Cats Under The Stars , 02. Waiting
 For A Miracle , 03. Simple Twist Of Fate , 04. Evangeline , 05. The Night They Drove Old Dixie Down ,
 06. Don't Let Go//
09/03/89 Philadelphia, PA - The Spectrum MAD>D>CD All 113 1291 11464 
 *JGB: Jeff Travitz, Schoeps CMC34s > Panasonic SV-250*
 MAD (Taped by Jeff Travitz, FOB hand-held Schoeps CMC34 [ORTF] > Oade power supply > SV250) > ? >
 SHN. Pretty good latter day version of LAALWFH here.
 Set One: Disc One (7 tracks, 51:34) --Set I-- How Sweet It Is, Stop That Train, Someday
 Baby, Run for the Roses, I Shall be Released, My Sisters & Brothers -> Deal
 Set Two: Disc Two (7 tracks, 61:06) --Set II-- Harder They Come, Mission in the Rain, Think,
 I Second That Emotion, Waiting for a Miracle, That Lucky Old Sun -> Lonesome and a Long Way From
 Home
09/03/89 Philadelphia, PA - The Spectrum MAD>D>CD All n/a 1153 28755 
 *JGB: Jeff Travitz, Schoeps CMC34s > Panasonic SV-250* *48k*
  Schoeps CMC34 (hand held FOB,ORTF) > Oade M118 pre > Panasonic SV-250 @48kHz by Jeff Travitz.
 Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > CDWave 1.71
 > FLAC 1.1.0 by Craig Hillwig.
  Set One: How Sweet It Is To Be Loved By You, Stop That Train, Someday Baby, Run For The
 Roses, I Shall Be Released, My Sisters And Brothers, Deal
 Set Two: The Harder They Come, Mission In The Rain, Think, I Second That Emotion, Waiting
 For A Miracle, That Lucky Old Sun, Lonesome And A Long Way From Home
09/03/89 Philadelphia, PA - The Spectrum MAC>CD All n/a 1373 94276 
 *JGB: '89 wheelchair crew, AKG C568Bs > Marantz PMD-340*
 FOB AUD: AKG C568B short shotgun mics > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal, with no
 Dolby. Set up in 15th row center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no
 Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. Notes: - Patches
 from ShnID-11464, as follows: - How Sweet It Is 0:00 > 0:38. - I Shall Be Released 8:08 > My Sisters
 and Brothers 0:05. - The Harder They Come 0:00 > 0:32. - Brief tape damage, The Harder They Come
 2:32.
 Set One: Disc One - Set One (50:57) 01 How Sweet It Is 02 crowd & tuning 03 Stop That
 Train 04 Someday Baby 05 Run for the Roses 06 I Shall Be Released 07 My Sisters and Brothers 08
 Deal
 Set Two: Disc Two - Set Two (59:18) 01 The Harder They Come 02 Mission in the Rain 03 Think
 04 I Second That Emotion 05 Wating for a Miracle 06 Lucky Old Sun 07 Lonesome and a Long Way from
 Home
09/05/89 Hartford, CT - Hartford Civic Center MAV>?>V>DVD All n/a 
 *JGB: Brokedown House Productions DVD*
 Single camera audience shot w/FOB audio upgrade. Video Source: Low generation VHS (from Dan Ragosa)
 > Sony SLV-D300P VHS > AVT-8710 TBC > Sony RDR-GX 300 DVD Recorder. Audio Source: Taper: John Bulger
 FOB Aud>Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass> Nak DR-10 (Playback)>Midiman Flying
 Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT). Digital
 Conversion/shn'ed by Charlie Connor 5/22/2004. Thanks to Rob R. for the Audio Cassettes. Audio
 Comments: Some level distortion for about the first minute of d1t01. Also a couple of saturation spots
 on d1t06 Sisters & Brothers. Other than these flaws it's a real nice fob. Notes: -Video capture of
 Dan Ragosa VHS by MattMan. -FOB Audience supplied by Charlie Connor. -Audio synchronization by Kevin
 Tobin using Adobe Audition to compress/expand the audio in multitrack mode to match the original
 audio. -Video patches created with Ulead VideoStudio 9 by Kevin Tobin. -Multiplexing via TMPGEnc MPEG
 Editor by Kevin Tobin. -DVD authoring via DVD Architect 3 by Kevin Tobin. Audio\Video Faults: 1) First
 1 minute 12.439 that is the lead into Cats Under The Stars was missing from the FOB audience source
 and filled in with audio from the original video soundtrack. This portion of the audio was normalized
 to blend in better. 2) Between Cats Under The Stars and They Love Each Other, 1 minute 4.867 seconds
 was missing from the fob audience source and filled in with audio from the original video soundtrack.
 This portion of the audio was normalized to blend in better. 3) During They Love Each Other, 26.600
 seconds was missing from the video source - used graphics and fob audio source to fill in. 4) Between
 Waiting For A Miracle and Run For The Roses, 1 minute 35.109 seconds was missing from the fob audience
 source and filled in with audio from the original video soundtrack. This portion of the audio was
 normalized to blend in better. 5) Between Run For The Roses and Like A Road, 14.311 seconds was
 missing from the fob audience source and filled in with audio from the original video soundtrack. This
 portion of the audio was normalized to blend in better. 6) Between Like A Road and My Sisters And
 Brothers, 23.207 seconds was missing from the fob audience source and filled in with audio from the
 original video soundtrack. This portion of the audio was normalized to blend in better. 7) Between
 Harder They Come and Mission In The Rain, 49.086 seconds was missing from the fob audience source and
 filled in with audio from the original video soundtrack. This portion of the audio was normalized to
 blend in better.8) Between Mission In The Rain and Forever Young, 54.944 seconds was missing from the
 fob audience source and filled in with audio from the original video soundtrack. This portion of the
 audio was normalized to blend in better. 9) Between Forever Young and Evangeline, 18.553 seconds was
 missing from the fob audience source and filled in with audio from the original video soundtrack. This
 portion of the audio was normalized to blend in better. Video Attribute : Video compression mode :
 MPEG-2; TV system : 525/60 (NTSC); Aspect Ratio : 4:3; Display Mode : reserved; Source picture
 resolution : 720x480 (525/60); Frame Rate : 29.97; Source picture letterboxed : Not letterboxed;
 Bitrate : 7.064 Mbps VBR; Menu : Yes (song list on separate menu). Audio Attribute : Number of Audio
 channels : 2; Number of Audio streams : 1; Audio Coding mode: Linear PCM audio; Sampling Rate : 48kHz
 1536Kbps. Brokedown House Productions, February 2006.
 Set One: Dvd 1. (55:30). Set 1. 00:00 Cats Under The Stars 10:48 They Love Each Other
 17:49 Waiting For A Miracle 25:07 Run For The Roses 31:42 Like A Road 40:44 My Sisters And Brothers
 45:08 Deal
 Set Two: Dvd 2. (1:03:09). set 2.00:00 Harder They Come 12:41 Mission In The Rain 23:09
 Forever Young 33:13 Evangeline 36:32 Gomorrah 43:12 Don't Let Go > 57:06 Lonesome And A Long Way
 From Home
09/05/89 Hartford, CT - Hartford Civic Center MAC>CD All n/a 1375 94652 
 *JGB: '89 Wheelchair Crew, Nak 300s > Sony D5M*
 FOB AUD: Nakamichi CM300's with CP-1 cardioid capsules > Sony TC-D5M > Triad MG-X Metal, with no
 Dolby. Set up in 17th row center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8
 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. Notes: -
 Minor mic bumps thru-out, mostly between songs. - Levels adjustments, start of Cats and Harder They
 Come. - Patch from unknown AUD in Run for the Roses 0:56 > 3:02. (The alternate Run Roses was
 recorded onto end of the MAC.) - Start of Sis&Bros and Gomorrah slightly clipped.
 Set One: Cats Under The Stars, They Love Each Other, Waiting For A Miracle, Run For The
 Roses, Like A Road, My Sisters And Brothers, Deal
 Set Two: The Harder They Come, Mission In The Rain, Forever Young, Evangeline, Gomorrah,
 Don't Let Go-> Lonesome And A Long Way From Home
09/05/89 Hartford, CT - Hartford Civic Center  MAC>CD All n/a enter 91743 
 *JGB: Ted Gidley, Nak 300s > Sony TC-D5M*
 AUD: Nakamichi CM-300's > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics hand-held from the
 floor. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) Audiophile 2496 > Soundforge >
 CD-Wave > TLH > FLAC. Transfer by Andrew F. (May 2008). Notes: - Stealth recording, with up-close
 clapping, yelling, talking, etc. - Start of Sisters & Brothers, Gomorrah, Don't Let Go slightly
 clipped.
 Set One: Disc One - Set One (54:04) 01 Cats Under the Stars 02 They Love Each Other 03
 Waiting for a Miracle 04 Run for the Roses 05 Like a Road 06 My Sisters and Brothers 07 Deal
  Set Two: Disc Two - Set Two (62:37) 01 The Harder They Come 02 Mission in the Rain 03
 Forever Young 04 Evangeline 05 Gomorrah 06 Don't Let Go > 07 Lonesome and a Long Way from Home
09/05/89 Hartford, CT - Hartford Civic Center  2-cam MVHS All n/a 
 *JGB: Less Than Face, 2-cam from master VHS*
 * A LESS THAN FACE PRODUCTION * Video Source 1: Panasonic 3240 > JVCS20U > Master VHS; Video
 Source 2: JVCGXN8U > JVCS20U > Master VHS; Transfer: JVCS20U > canopus advc1394 > avi > Vegas 7.0 >
 Architect 4.0; cbr: 7.5 mb/s, 4 x 3, 720 x 480, NTSC. Audio: Master Soundboard Cassette > Cassette >
 DAT > CDR > SHNV3 > WAV; Patched with FOB Aud>Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass;
 Source ID: 83466 LPCM 1536 k/s.
 Set One: DISC 1/2: SET 1: [54:54] 01. Cats Under The Stars 02. They Love Each Other 03.
 Waiting For A Miracle 04. Run For The Roses 05. Like A Road 06. Sisters & Brothers 07. Deal
 Set Two: DISC 2/2: SET 2: [1:03:02] 01. Harder They Come 02. Mission In the Rain 03.
 Forever Young 04. Evangeline 05. Gommorah 06. Don't Let Go > 07. Lonesome & A Long Way From
 Home
09/05/89 Hartford, CT - Hartford Civic Center MSC>C>D>CD I,IIp 91 0814 4374 
 *JGB*
 Master Soundboard Cassette > Cassette > DAT > CDR. EAC'ed / SHN'ed by Scott Clugston 12/00. Don't
 Let Go is complete, sbd cuts after 1st few notes of Lonesome & A Long Way From Home. JJ vox are
 oversaturated, and sounds like a highspeed dub.
 Set One: Disc 1 (54:27), 1st Set, 1. Cats Under The Stars, 2. TLEO, 3. Waiting For A
 Miracle, 4. Run for the Roses, 5. Like A Road, 6. Sisters & Brothers, 7. Deal
 Set Two: Disc 2 (37:24), 2nd Set, (MISSING Harder They Come) 1. Mission In the Rain, 2.
 Forever Young, (MISSING Gomorrah) 3. Evangeline -> 4. Don't Let Go -> (MISSING Lonesome and A Long Way
 From Home)
09/06/89 Uniondale, NY - Nassau Coliseum MA?>?>D>CD All n/a 0829-0830 6349 
 *JGB: unattributed, but same as "Ted" master*
 Source: audience- unknown>dat>cd>soundforge>shn by tim rossi. Tape errors: tape fades into How
 Sweet It Is, and tape also cuts at end of tangled. JJ: this is the same as the "Ted" AKG tape. I
 assume that is Ted Mattes. I think that also means that the notes are incorrect, and that the end of
 Deal (not TUIB) is cut.
 Set One: 1. ... How Sweet It Is To Be Loved by You, 2. Stop That Train, 3. Thats What
 Love Will Make You Do, 4. Mississippi Moon, 5. Second That Emotion, 6. And It Stoned Me, 7. Deal
 Set Two: 1. The Harder They Come, 2. Dear Prudence, 3. I Shall Be Released, 4. Let It
 Rock, 5. Evangeline, 6. That Lucky Old Sun, 7. Tangled Up In Blue//
09/06/89 Uniondale, NY - Nassau Coliseum  MAD>P>CD All 126 1316 XXXXX 
 *JGB: Ted (Mattes?), AKG414s > Technics SVMD1*
 Taped by Ted, FOB AKG 414 cardioids > Technics SVMD1 DAT Lineage: DAT master > Sony PCM 2500
 PCM-Beta/0 Transfer: Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard >
 Cool Edit 2000 > flac, by David Minches. Notes: - Typically strong fall '89 JGB show. Most everything
 sparkles. I found these versions of Deal, Dear Prudence and Let it Rock to be particularly good, but
 it's all good. - Nice tape. The pattern of cuts does make me suspect a cassette master. This is the
 same source tape as shnid 6349. - d1t001 HSII fades in - d1t004 MI Moon chatter @ 4:24: "All right,
 I'm gonna be leaning on you ... [taper replies inaudibly] ... No, you're fine, you're cool." - d1t007
 Deal cuts out near end - d2t007 Lucky Old Sun fades in. Also have the Weir & Wasserman set from this
 source*
 Set One: Disc One (7 tracks, 57:27) --Set I-- d1t001. ... How Sweet It Is [5:45] [1:22]
 d1t002. Stop That Train [7:35] [0:33] d1t003. That's What Love Will Make You Do [8:28] [1:15] d1t004.
 Mississippi Moon [8:16] [0:27] d1t005. I Second That Emotion [8:03] [0:45] d1t006. And It Stoned Me
 [6:36] -> d1t007. Deal// [8:20]
 Set Two: Disc Two (8 tracks, 68:52) --Set II-- d2t001. Crowd & Tuning [0:51] d2t002. Harder
 They Come [11:11] [0:17] d2t003. Dear Prudence [10:05] [0:48] d2t004. I Shall Be Released [7:23]
 [0:20] d2t005. Let It Rock [8:54] [0:14] d2t006. Evangeline [3:28] [0:02] d2t007. ... That Lucky Old
 Sun [11:41] -> d2t008. Tangled Up In Blue [12:12] [0:24]
09/06/89 Uniondale, NY - Nassau Coliseum MAC>CD I n/a 94056 
 *JGB: '89 Wheelchair Crew, 2xAKG 460b > Sony TC-D5M*
 FOB AUD: AKG C-460b mics > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal, with no Dolby. Set up
 in 15th row center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) >
 Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. Notes: - The tapers were
 busted, so there is no Set Two recording. - Mics likely w/cardioid capsules (not listed in taper
 data).
 Set One: Set One Only (57:58) 01 How Sweet It Is 02 Stop That Train 03 That's What Love
 Will Make You Do 04 Mississippi Moon 05 I Second That Emotion 06 And It Stoned Me 07 Deal
09/06/89 Uniondale, NY - Nassau Coliseum MAC>CD II n/a 1278 79721 
 *JGB: Tim Alexander, AKG 414s > Sony D5*
 Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) >
 Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC.
 Set Two: The Harder They Come, Dear Prudence, I Shall Be Released, Let It Rock, Evangeline,
 That Lucky Old Sun, Tangled Up In Blue
09/07/89 East Rutherford, NJ - Meadowlands Arena MAD>D>CD All 124 0772-0773 14318 
 *JGB: Schoeps CMC34s*
 "From Chris Ladner: "Comments: Entire show with Clarence Clemons. (*) with Bob Weir. Bob Weir &
 Rob Wasserman opened. Sound quality is pretty meager during the first 2 tracks while the taper tries
 to get to the sweetspot. Things are significantly better from the end of d1t02 onward. d1t01: 10:25
 d/o removed with sf5. Sounds like taper is in stealth mode before this as well - about to get busted?
 mics inside shirt/cap? d2t02: 02:39 - 03:40 - its back into stealth mode (inside the jacket?)" JJ:
 very bright tape (maybe pre-emphasis not decoded from a PCM?),but quite nice. ITAM levels drop @ 2:40
 for a minute or so, than there is a skip/splice @ 10:26. TAO?
 Set One: Disc 1 (66:37) - Set 1 01 crowd, 02 I'll Take A Melody , 03 Get Out Of My Life , 04
 Like A Road , 05 Run For The Roses , 06 Simple Twist Of Fate , 07 Let It Rock , 08 Cats Under The
 Stars
 Set Two: Disc 2 (56:42) - Set 2, 01 How Sweet It Is (To Be Loved By You) , 02 Stop That
 Train , 03 Think , 04 Evangeline, 05 Waiting For A Miracle, 06 Bobby + Band Intros, 07 When I Paint My
 Masterpiece* , 08 The Harder They Come*
09/07/89 East Rutherford, NJ - Meadowlands Arena MAC>CD II n/a 1278 79723 
 *JGB: Tim Alexander, AKG 414s > Sony D5*
 Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 plaback (Dolby B on) >
 Edirol R-09 (analog pass-through) > Nomad Jukebox 3 > WAV > FLAC.
 Set One: I'll Take A Melody, Get Out Of My Life Woman, Like A Road, Run For The Roses,
 Simple Twist Of Fate, Let It Rock, Cats Under The Stars
 Set Two: How Sweet It Is To Be Loved By You, Stop That Train, Think, Evangeline, Waiting For
 A Miracle, When I Paint My Masterpiece*, The Harder They Come*
09/09/89 Mansfield, MA - Great Woods MAC>D>CD All 118 
 *JGB: Schoeps CMC34s*
 FOB MAC w/ Schoeps CMC34's>DAT>CDR. Very nice tape, great performance. Jerry is *very*
 enthusiastic. Clarence Clemons sits in. Think is hot. DLG is very nice, and LAALWFH is pretty good.
 d1t01 bad static @ 4:05-4:30.
 Set One: Disc One (6 tracks, 50:23) --Set I-- How Sweet It Is To Be Loved By You, Stop That
 Train, I Second That Emotion, Forever Young, That's Alright Mama, Deal
 Set Two: Disc Two (7 tracks, 68:15) --Set II-- The Harder They Come, Mission In The Rain,
 Waiting For A Miracle, Think, The Night They Drove Old Dixie Down, Don't Let Go -> Lonesome And A Long
 Way From Home
09/10/89 Mansfield, MA - Great Woods MAD>D>CD All 124 0723-0724 14311 
 *JGB: Schoeps CMC34s*
 Show with Clarence Clemons. FOB (Schoeps CMC34s) > DAT > CD > DAE (EAC 0.9 beta 4) > sector
 boundaries confirmed (shntool) > shorten 3.4, via Chris Ladner. JJ: solid but not groundbreaking.
 Set One: Disc 1 (61:05)- Set 1, 01 Cats Under The Stars , 02 They Love Each Other , 03
 Knockin' On Heaven's Door , 04 Run For The Roses , 05 Mississippi Moon , 06 Hope It Won't Be This Way
 , 07 Deal
 Set Two: Disc 2 (62:42) - Set 2, 01 Second That Emotion , 02 And It Stoned Me , 03 Simple
 Twist Of Fate , 04 Waiting For A Miracle , 05 Evangeline , 06 That Lucky Old Sun , 07 Tangled Up In
 Blue
09/10/89 Mansfield, MA - Great Woods MSC>Cx>CD All 130 1124-1125 27358 
 *JGB*
 MSC > Cx > WAV > FLAC. Transfer: Cassette > FLAC (playback on Sony TC-KE400S, dolby disabled > Sony
 PCM-R500 with Super Bit Mapping enabled > coaxial S/PIDF output > M Audio Audiophile 2496 > recording
 with Soundforge 6.0) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN by C.Ladner,
 10/04. Further research suggests this may be from master cassettes.
 Set One: Disc One (8) 64:35 --Set I-- Cats Under The Stars, They Love Each Other, Knockin'
 On Heaven's Door, Run For The Roses, Mississippi Moon, I Hope It Won't Be This Way Always, Deal
 Set Two: Disc Two (8) 65:07 --Set II-- I Second That Emotion, And It Stoned Me, Simple Twist
 Of Fate, Waiting For A Miracle, Evangeline, That Lucky Old Sun ->Tangled Up In Blue
09/10/89 Mansfield, MA - Great Woods MAV>DVD All n/a 
 *JGB: Less Than Face DVD*
 * A LESS THAN FACE PRODUCTION * Audio Source: SBD > Cx > WAV > FLAC (LPCM 1536 k/s). Video Source
 1: Panasonic 3240 w/ tripod > JVCS20U > Master VHS; Video Source 2: JVC GXN4U w/ tripod > JVCS20U >
 Master VHS; Video mixed and authored with Vegas 5.0 and Architect 2.0; NTSC, 4 x 3, 720 x 480, VBR:
 max 7.7 m/s, avg 5.5 m/s.
 Set One: Cats Under The Stars, They Love Each Other, Knockin' On Heaven's Door, Run For The
 Roses, Mississippi Moon, I Hope It Won't Be This Way Always, Deal
 Set Two: I Second That Emotion, And It Stoned Me, Simple Twist Of Fate, Waiting For A
 Miracle, Evangeline, That Lucky Old Sun, Tangled Up In Blue
09/10/89 Mansfield, MA - Great Woods MTX All n/a 1317 86701 
 *JGB*
 Set One: Cats Under The Stars, They Love Each Other, Knockin' On Heaven's Door, Run For The
 Roses, Mississippi Moon, I Hope It Won't Be This Way Always, Deal
 Set Two: I Second That Emotion, And It Stoned Me, Simple Twist Of Fate, Waiting For A
 Miracle, Evangeline, That Lucky Old Sun, Tangled Up In Blue
09/11/89 Worchester, MA - The Centrum MSC>3C>D>CD All 115 1030 22511 
 *JGB*
 Sounds terrific given the gens. Some bad skipping and static in Mission, Prudence, Waiting for a
 Miracle, apparently from the source DATs.
 Set One: Disc One (7 tracks, 51:57) --Set I-- How Sweet It Is To Be Loved By You, Stop That
 Train, Get Out Of My Life Woman, Run For The Roses, Like A Road, My Sisters And Brothers, Deal
 Set Two: Disc Two (7 tracks, 63:14) --Set II-- The Harder They Come, Mission In The Rain,
 Dear Prudence, Waiting For A Miracle, Think, Don't Let Go-> Lonesome And A Long Way From Home
09/13/89 Old Orchard Beach, ME - Performing Arts Center MAC>D>CD All 124 0928-0929 19775 
 *JGB: Glenn Gardner, Senn ME80s > Sony D5*
  Really really nice tape!!! d1t04 TWLWMYD barely clips in; d1t06 Sisters & Brothers is a trainwreck,
 starts w/ chorus and never really comes together' d2t04 Think end barely clipped.
 Set One: I'll Take A Melody, And It Stoned Me, I Second That Emotion, That's What Love Will
 Make You Do, Mississippi Moon, My Sisters And Brothers, Deal
 Set Two: The Harder They Come, Waiting For A Miracle, I Shall Be Released, Think,
 Evangeline, That Lucky Old Sun-> Midnight Moonlight
09/13/89 Old Orchard Beach, ME - Performing Arts Center MAC>CD All n/a 94057 
 *JGB: '89 Wheelchair Crew, 3xNak 300s > Nak 550 > Sony TCD5M*
 FOB AUD: 2x Nakamichi CM300's w/CP4 shotguns, plus 1x Nakamichi CM300 w/CP1 Cardioid blend mic >
 Nakamichi 550 cassette deck > Sony TC-D5M > Triad MG-X Metal (Set One) and That's CD-IV Metal (Set
 Two), with no Dolby. Mics on six foot stand, thirty feet from stage, in the center. Taped by the 89
 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave >
 TLH > FLAC. Transfer by Andrew F. * Entire show with Clarence Clemons on saxophone. Notes: - Several
 channel drop-outs, cross-faded with opposite channel. - Alternate recording of Midnight Moonlight
 patched to the MAC.
 Set One: I'll Take A Melody, And It Stoned Me, I Second That Emotion, That's What Love Will
 Make You Do, Mississippi Moon, My Sisters And Brothers, Deal
 Set Two: The Harder They Come, Waiting For A Miracle, I Shall Be Released, Think,
 Evangeline, That Lucky Old Sun-> Midnight Moonlight
09/15/89 East Troy, WI - Alpine Valley Music Theatre  MAC>D>CD All 129 0483-0484 8295 
 *JGB: unknown taper & gear*
 "Unknown FOB", almost definitely from cassettes because of the pattern of splices. This is quite a
 nice aud, lots of high end but not much bass; d1t01 How sweet levels drop @ ca. 1:00; d1t04 Run for
 the Roses some muffling after ca. 5:12; d1t05 Like a Road cuts in; d1t07 Deal cut/splice @ track 0:45
 (song ca. 0:47); d2t01 HTC cuts in, missing ca. 15 seconds; d2t04 2nd That Emotion cuts in, not much
 missing.
 Set One: Disc One (7) 53:52 --Set I-- 1. How Sweet [7:19] [0:02], 2. [0:42] Stop That Train
 [8:05], 3. [0:39] Forever Young [8:27] [0:05], 4. [0:20] Run for the Roses [5:31] [0:07], 5. [0:08]
 /Like a Road [#8:12] [0:07], 6. Sisters & Brothers [4:04] -> 7. De//al [:02+9:#55] [0:03]
 Set Two: Disc Two (7) 74:36 --Set II-- 1. [0:23] //Harder They Come [#10:52] [0:03], 2.
 [0:38] Mission in the Rain [10:06] [0:48], 3. TWLWMYD [9:47] [0:03], 4. /Second That Emotion [#7:59]
 [0:29], 5. [0:07] Waiting for a Miracle [6:32] [0:09], 6. Don't Let Go [20:28] -> 7. Lonesome and a
 Long Way From Home [5:35] [0:34]
09/16/89 Hofman Estates, IL - Poplar Creek Music Theater MAC>D>CD All n/a 11163 
 *JGB: Brian O'Connell, Nak 100s > Sony TC-D6*
 MAC > DAT > CD. Taped by Brian O'Connell (about 5th row, Melvin side, handheld Nak CM 100
 cardioids > Sony TCD-D6). Some minor editing with Peak on the Mac for tracks and crossfades from the
 tape flips.
09/16/89 Hoffman Estates, IL - Poplar Creek Music Theatre MS?>?>CD All n/a 1253 7325 
  *JGB*
 Source info: soundboard > analog > pioneer PDR-509 > CDRW > audio catalyst 2.1 > wav > cool edit
 2000 > mkw audio compression tool > shn. Notes etree user Chris Perkins: "Sector boundaries are off.
 Fix with shntool. One listener has mentioned a high-pitched noise noticable between tracks.
 Personally, I found the noise to be barely noticable and not at all distracting." Notes etree user
 Jake Mercatoris: "I second the high pitched whine. It's not just between songs, it's throughout the
 show and is strong enough to register in ShnAmp/WinAmp's rather insensitive spectrum analyzer. I would
 guess the source for this is a high generation analog cassette, and the high pitched whine is from
 poor (or high-speed) dubbing."
 Set One: Cats Under The Stars, They Love Each Other, Let It Rock, I Shall Be Released,
 Someday Baby, Dear Prudence, Let's Spend The Night Together
 Set Two: How Sweet It Is To Be Loved By You, Knockin' On Heaven's Door, Think, Waiting For A
 Miracle, Evangeline, The Night They Drove Old Dixie Down, Tangled Up In Blue
10/31/89 Concord, CA - Concord Pavilion Bertha remas All 149 0654-0655 14025 
 *JGB: Buick & Webber-Small, B&K 4011s > SV 250, REMASTERED*
 Jay Ashley ("Bertha") Remaster of the Buick & Webber-Small aud of this show. HSII levels down @
 1:45. Hot Deal. Hot Think.
 Set One: Disc One (8) 69:53 --Set I-- 01. How Sweet It Is [7:57], 02. Stop That Train
 [9:48], 03. Mission In The Rain [11:39], 04. Run For The Roses [7:04], 05. Like A Road [9:22], 06. My
 Sisters And Brothers [4:26], 07. Deal [9:18] --Set II-- 08. Cats Under The Stars [10:22]
 Set Two: Disc Two (8) 78:35 --Set II (con't)-- 01. Second That Emotion [9:42], 02. Think
 [9:05], 03. And It Stoned Me [7:19], 04. Waiting For A Miracle [6:50], 05. Don't Let Go [17:32], 06.
 That Lucky Old Sun [10:23], 07. Tangled Up In Blue [11:15] --Encore-- 08. Werewolves of London
 [6:24]
10/31/89 Concord, CA - Concord Pavilion MAD>P>CD All 149 0601-0602 13415 
 *JGB: Buick & Webber-Small, B&K 4011s > SV 250*
 MAD (taped by Sean Webber-Small, Marcus Buick, and others, B&K 4011's @ 110 ORTF [handheld, Section
 FF, Row F, Seat 104]) > Monster M1000 > TAO Research (Oade designed supply) > Monster M1000 >
 Panasonic SV250, Panasonic SV250 > Sony PCM601 > Sony SL360, Sony SL360 > Sony PCM701 > Digidesign
 442/Quadra650, edited w/ProTools 3.1, mastered with Masterlist 1.2 > Sony920s 2x CD mastering burner
 master CD > HP 9350i extraction using EAC (v0.9 beta 4) > sector boundary alignment using shntool
 (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). No flaws noted. A monster DLG!
 Set One: Disc One (8) 69:59 --Set I-- 01. How Sweet It Is [7:57], 02. Stop That Train
  [9:48], 03. Mission In The Rain [11:39], 04. Run For The Roses [7:04], 05. Like A Road [9:22], 06. My
 Sisters And Brothers [4:26], 07. Deal [9:18] --Set II-- 08. Cats Under The Stars [10:22]
 Set Two: Disc Two (8) 78:43 --Set II (con't)-- 01. Second That Emotion [9:42], 02. Think
 [9:05], 03. And It Stoned Me [7:19], 04. Waiting For A Miracle [6:50], 05. Don't Let Go [17:32], 06.
 That Lucky Old Sun [10:23], 07. Tangled Up In Blue [11:15] --Encore-- 08. Werewolves of London
 [6:24]
10/31/89 Concord, CA - Concord Pavillion MAC>CD All n/a 1380 95429 
 *JGB: Taz Yamaguchi, 2x Nak 700s > Sony TC-D6*
 Recorded by Tazuo Yamaguchi; 2x Nakamichi 700 > Sony TC-D6 (dbx-221e). Recorded from lawn. Transfer
 and FLAC encoding by David Minches: Master played back on Nak Dragon> dbx 224 > Grace Lunatec V3
 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC
 encoding.
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Mission In The Rain, Run For
 The Roses, Like A Road, My Sisters And Brothers, Deal
 Set Two: Cats Under The Stars, I Second That Emotion, Think, And It Stoned Me, Waiting For A
 Miracle, Don't Let Go, That Lucky Old Sun, Tangled Up In Blue, E: Werewolves of London
12/01/89 San Francisco, CA - Warfield Theater MAD>D>CD? All n/a 0710-0711 6348 
 *JGB: Buick, Hughes, & Katzeff, B&K 4011s > SV250*
 Taped by Tom Hughes (mics), Marcus Buick & R. Katzeff (both on deck and protection), Breul & Kjaer
 4011s @110-ORTF > Aerco > SV250 from The Spot (2nd tier, 2nd row). Unknown lineage after the master
 DAT through to the etree .shns. Notes: w/ Clarence Clemons.
 Set One: Disc One --Set I-- 1. Intro, 2. Cats Under The Stars, 3. Stop That Train, 4. That's
  What Love Will Make You Do, 5. Rubin And Cherise, 6. Forever Young, 7. My Sisters And Brothers, 8.
 Let's Spend The Night Together
 Set Two: Disc Two --Set II-- 1. The Harder They Come, 2. Mission In The Rain, 3. Knockin' On
  Heaven's Door, 4. Think, 5. Waiting For A Miracle, 6. That Lucky Old Sun, 7. Tangled Up In Blue
12/01/89 San Francisco, CA - Warfield Theater MAC>C>CD All n/a 1375 94353 
 *JGB: Charlie Miller, AKG C1000s > Marantz PMD430*
 Recording Info: AKG C1000S -> Master Cassette (Marantz PMD-430/Dolby B) -> Cassette (Dolby B).
 Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude
 Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC). Recorded By
 Charlie Miller. Patch Info: (FOB) B+K 4011 -> Dat (shnid=6348) supplies: Forever Young (6:44 - end of
 track). Notes: -- The masters disapeared with a friend many years ago -- Thanks to Mike Dolgushkin for
 supplying the tapes -- This was the first JGB show I taped -- We were set up in the mid balcony --
 Thanks to Joe B. Jones for his help with the pitch correction.
 Set One: Cats Under The Stars, Stop That Train, That's What Love Will Make You Do, Rubin And
 Cherise, Forever Young, My Sisters And Brothers, Let's Spend The Night Together
 Set Two: The Harder They Come, Mission In The Rain, Knockin' On Heaven's Door, Think,
 Waiting For A Miracle, That Lucky Old Sun, Tangled Up In Blue
12/02/89 San Francisco, CA - Warfield Theater MAD>P>CD All 131 1284 81060 
 *JGB: Marcus Buick, B&K 4011s > Panasonic SV-250*
  Marcus Buick's MAD (B&K 4011s [handheld in balcony seats 107-109 Row D,E] > Aerco PS @ 29.3dB >
 Panasonic SV-250); master DAT > Sony PCM 601 > Sony SL-360 beta/0 > Sony SL-HF450 playback > Sony
 PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac
 encoding. Transfer by David "The Machine" Minches. Notes: - show with Clarence Clemons. - d1t01 HSII
 fades in. - d1t02 TLEO digiglitch @ 5:54.
 Set One: Disc One (7 tracks, 57:25) --Set I-- d1t01. How Sweet It Is [6:31] [1:05], d1t02.
 They Love Each Other [7:38] [1:24], d1t03. Simple Twist of Fate [112:35] [1:08], d1t04. Run for the
 Roses [5:35] [0:50], d1t05. Like a Road [8:35] [0:27], d1t06. My Sisters and Brothers [4:22] -> d1t07.
 Deal [7:01] [0:11]
 Set Two: Disc Two (7 tracks, 73:52) --Set II-- d2t01. Harder They Come [11:40] [1:25],
 d2t02. I Shall Be Released [11:45] [1:00], d2t03. Someday Baby [7:07] [1:23], d2t04. Waiting for a
 Miracle [5:49] [0:54], d2t05. And It Stoned Me [7:42] [0:31], d2t06. Don't Let Go [17:10] -> d2t07.
 Midnight Moonlight [7:08] [0:15]
12/02/89 San Francisco, CA - Warfield Theater MS?>?>CD I,IIp 90 0712-0713 6310 
 *JGB* *SBEs*
 w/ Clarence Clemons. HSII cuts in. Hissy, but not a bad sbd. May run fast. JG sounds pretty hot to
 trot!
 Set One: Disc One (8 tracks, 70:11) --Set I-- //How Sweet It Is (To Be Loved By You), They
 Love Each Other, Simple Twist Of Fate, Run For The Roses, Like A Road, My Sisters And Brothers -> Deal
 --Set II-- Harder They Come
 Set Two: Disc Two (7 tracks, 72:46) --Set II con't-- I Shall Be Released, Someday Baby
 --FILLER: Unknown but Familiar GD-- Dark Star, etc.
12/11/89z San Francisco, CA - Westwood One Studios MF?>?>CD All n/a 
  *Garcia & Weir "Rockline" interview*
 
02/02/90 San Francisco, CA - Warfield Theater MAC>P>CD All 109 1316 86658 
 *JGB: Rob Darroch & Sara Paul, Neumann KM140s > Sony D5*
 MAC (Taped by Rob Darroch & Sara Paul, Neumann KM 140s ["The Spot", first tier, front drink rail
 center] > Sony D5) > Nakamichi LX5 playback > Sony PCM 601 > Sony SL-HF 360 Beta/0 > Sony SL-HF 360
 playback > Sony PCM 701 > ProTools 3.1/Masterlist 1.2 (no dynamics used) > CD/0. CD mastering by
 Marcus Buick, EAC>SHN by jjoops. Notes: - Dedicated to Rob Darroch. - A little bit muffled, but the
 only audience tape circulating AFAIK as of this writing (8/2005). - d1t06 Senor cuts in, tape flip; -
 d2t01 HTC cuts in, not much missing; - d2t06 Sisters & Brothers cuts in, tape flip.
 Set One: Disc One (7 tracks, 52:01) --Set I-- 01. How Sweet It Is [6:40] [0:38], 02. Mission
 in the Rain [9:00] [0:28], 03. Run for the Roses [5::23] [0:40], 04. Stop That Train [6:24] [0:26],
 05. Second That Emotion [8:16] [0:07], 06. //Senor [#6:15] -> 07. Deal [7:35] [0:05]
 Set Two: Disc Two (7 tracks, 56:53) --Set II-- 01. //Harder They Come [#10:33] [0:09], 02.
 And It Stoned Me [6:50] [0:21], 03. Waiting for a Miracle [6:50] [0:07], 04. Mississippi Moon [8:30]
 [0:45], 05. Tore Up [6:33] [0:22], 06. //Sisters & Brothers [5:12] [0:41], 07. Tangled Up in Blue
 [10:11] [0:03]
02/03/90 San Francisco, CA - Warfield Theater MAD>CD I 61 1288 81174 
 *JGB: Buick at al, Josephson KD-200/C-603 > Panasonic SV-250*
 Katzeff, Hughes and Buick's MAD (Josephson KD200/C-603 @ 110 ORTF [upper balcony, row M] > Aerco
 PS > uncertain deck [probably Panasonic SV 250]) > Tascam DA-30 playback > Digital Domain VSP-P >
 Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and
 FLAC encoding by David Minches. Notes: - Uneven performance. Some vocal flubs in Cats and Forever
 Young and a horrific vocal clam @ 6:43 of Someday Baby. But then Garcia makes up for it with some
 scorching guitar work in Tore Up and Deal. Tape is good for being from the balcony under the
 notoriously tough conditions of the Warfield in 1990. - d1t006 Senor clips in, not sure why.
 Set One: Single Disc (7 tracks, 61:18) --Set I-- d1t001. Cats Under The Stars [10:33]
 [1:16], d1t002. They Love Each Other [7:27] [1:19], d1t003. Forever Young [9:01] [1:42], d1t004.
 Someday Baby [7:05] [0:47], d1t005. Tore Up Over You [7:02] [0:44], d1t006. /Senor (Tales Of Yankee
 Power) [#6:13] -> d1t007. Deal [8:00] 0:05]
02/04/90 San Francisco, CA - Warfield Theater MAD>CD All 129 1211 30811 
 *JGB: Marcus Buick, Josephson KD-200/C-603 > Panasonic SV-250*
 Source: Marcus Buick, Josephson KD-200/C-603 (1st person on the right front stack) > Aerco 20dB
 power supply > Panasonic SV-250 DAT master; Transfer: Tascam DA-30 > Digital Domain VSP-P (for sample
 rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit
 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. Notes: - d1t01 Melody cuts in.
 Thanks to Bu!
 Set One: Disc One (7 tracks, 64:59) --Set I-- 01. //I'll Take A Melody [#8:39] [1:08], 02.
 Get Out Of My Life Woman [8:35] [1:14], 03. Simple Twist Of Fate [12:31] [0:55], 04. Run For The Roses
 [5:09] [0:52], 05. Like A Road [8:16] [0:54], 06. Tears Of Rage [8:01] [0:08], 07. Deal [8:18]
 [0:16]
 Set Two: Disc Two (7 tracks, 64:10) --Set II-- 01. Let's Spend The Night Together [9:47]
 [0:19], 02. Senor (Tales Of Yankee Power) [6:42] [0:46], 03. Think [7:09] [0:37], 04. And It Stoned Me
 [7:49] [0:40], 05. Waiting For A Miracle [6:18] [0:04], 06. That Lucky Old Sun (Just Rolls Around
 Heaven All Day) [11:22] [0:06], 07. Tangled Up In Blue [12:12] [0:16]
04/13/90 San Francisco, CA - Warfield Theater MAD>CD All 117 650 9459 
 *JGB: Nak 700s*
 MAD (Unknown taper, FOB Nak 700s) > DAT > CD > WAV > SHN. This is a very nice recording, and the
 show is nice, too. Flaws: d1t01 How Sweet fades in; d1t04 Think spot of static @ 3:00; d2t01 Harder
 They Come some muffling @ ca. track 2:50 (song 2:30). d1t05 Tough Mama is an interesting attempt of a
  song I love, but it is not terribly well-executed, with vocal flubs right from the get-go.
 Set One: Disc One (7) 55:50 --Set I-- 01 ... How Sweet It Is To Be Loved By You [#6:06]
 [1:23], 02 Stop That Train [8:32] [1:37], 03 Run For The Roses [5:49] [1:25], 04 Think [6:51] [3:59],
 05 Senor [5:49] [1:52], 06 My Sisters And Brothers [3:58] -> 07 Deal [8:11] [0:14]
 Set Two: Disc Two (7) 61:14 --Set II-- 01 [0:20] The Harder They Come [10:43] [1:56], 02
 Tears Of Rage [7:34] [1:26], 03 And It Stoned Me [7:19] [0:14], 04 The Way You Do The Things You Do
 [9:19] [0:54], 05 Tough Mama [5:28] [0:23], 06 Like A Road [8:02] [0:14], 07 Midnight Moonlight [7:01]
 [0:18]
04/13/90 San Francisco, CA - Warfield Theater MAC>P>CD All 103 1301 84845 
 *JGB: Rob Darroch & Sara Paul, Neumann KM140s > Sony D5*
 Rob Darroch & Sara Paul's Neumann KM140s (FOB, handheld) > Sony D5 w/ Dolby C > PCM 601 beta/0 >
 Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe
 soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. Notes: -
 Thanks to Bu for the source beta! - Ok recording, but with a fair amount of crowd noise. There are
 intermittent level changes and occasional channel fluctuations, especially near the beginnings and
 ends of tunes. Numerous tunes clip in. - d1t01 HSII very beginning may be missing. - d1t05 fades down
 near the very end, and the volume remains lower for the first 0:25 of Sisters and Brothers.
 Set One: Disc One (7 tracks, 46:36) --Set I-- d1t001. How Sweet It Is To Be Loved By You
 [6:17] [0:30], d1t002. Stop That Train [8:33] [0:17], d1t003. Run For The Roses [5:49] [0:19], d1t004.
 Think [6:52] [0:04], d1t005. Senor (Tales of Yankee Power) [5:45], d1t006. My Sisters And Brothers
 [3:54] -> d1t007. Deal [8:12] [0:02]
 Set Two: Disc Two (7 tracks, 56:16) --Set II-- d2t001. The Harder They Come [10:43] [0:32],
 d2t002. Tears Of Rage [7:35] [0:10], d2t003. And It Stoned Me [7:20] [0:03], d2t004. The Way You Do
 The Things You Do [9:08], d2t005. Tough Mama [5:28] [0:01], d2t006. Like A Road [7:59] [0:10], d2t007.
 Midnight Moonlight [6:59] [0:04]
04/14/90 San Francisco, CA - Warfield Theater MAD>CD All 122 
 *JGB: Larry Gindoff, Nak 300s > Sony D3*
 Recorded by Larry Gindoff, Nak 300s > Sony D3 > CD. Jerry doesn't sound very good, and this is not
 a stellar performance. d1t01 buzz/crackle @ 1:35; d1t03 Forever Young nice fanning @ end; d1t04 buzz
 @ 1:21, 1:55; d1t06 bad digi-static @ 2:47-2:49; d2t01 fades in, < 15 secs. missing? d2t03 channel
 variability @ 1:30
 Set One: Set I, 1. [0:05] Cats Under The Stars [9:35] [2:36], 2. [0:03] Mission In The Rain
 8:17] [1:20], 3. [0:16] Forever Young [8:24] [0:47], 4. [0:15] That's What Love Will Make You Do
 [7:50] [1:58], 5. Knockin' On Heaven's Door [10:03] [0:44], 6. My Sisters And Brothers [4:08] [0:16],
 Total Time 56:40
 Set Two: Set II, 1. //Second That Emotion [6:26#] [1:01], 2. Dear Prudence [10:30] [1:03],
 3. Mississippi Moon [8:37] [0:45], 4. Waiting For A Miracle [5:37] [1:01], 5. Tore Up Over You [7:29]
 [2:27], 6. Russian Lullaby [9:21] -> 7. Tangled Up In Blue [10:38] [0:15], Total Time 65:14
04/14/90 San Francisco, CA - Warfield Theater MAD>CD All 122 0659 9458 
 *JGB: Probably Larry Gindoff, Nak 300s > Sony D3*
 The .shns, seeded by Charlie Miller, came labeled as follows: FOB (AUD) > DAT > CDR > WAV > SHNv3.
 I am almost 99.9% certain this is Larry Gindoff's master, Nak 300s > Sony D3. I was originally
 unimpressed with this show, but upon further listens I like it a good deal. Notes/Flaws: d2t01 Second
  That Emotion fades in; d2t02 Prudence some light ticks @ 2:40-2:45? d2t05 Tore Up is pretty hot.
 Set One: Disc One (6) 56:34 --Set I-- 01 [0:14] Cats Under The Stars [9:36] [2:25], 02
 Mission In The Rain [8:19] [1:37], 03 Forever Young [8:22] [1:03], 04 That's What Love Will Make You
 Do [7:49] [1:51], 05 Knockin' On Heaven's Door [10:10] [0:46], 06 My Sisters And Brothers [4:07]
 [0:11]
 Set Two: Disc Two (7) 64:31 --Set II-- 01 ... Second That Emotion [#6:26] [0:57], 02 Dear
 Prudence [10:33] [1:08], 03 Mississippi Moon [8:36] [0:42], 04 Waiting For A Miracle [:02+5:35]
 [1:02], 05 Tore Up Over You [7:29] [1:51], 06 Russian Lullaby [9:20] -> 07 Tangled Up In Blue [10:39]
 [0:05]
04/15/90 San Francisco, CA - Warfield Theater MAC>P>CD I 58 1229 30639 
 *JGB: Rob Darroch & Sara Paul, Neumann KM140s > Sony D5*
 MAC (Rob Darroch & Sara Paul, Neumann KM140s [FOB, handheld] > Sony D5 w/ Dolby C) > PCM 601 Beta/0
 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe
 soundcard > Cool Edit 2000 > flac encoding > FLAC Frontend decode to wav > minor editing (Sony Sound
 Forge Audio Studio 7.0) > sector boundary fix (shntool v2.0.3) > flac re-encoding (FLAC Frontend etree
 edition v1.7.1). PCM > FLAC by David Minches. Notes: Notes: - Heavy security at this show made it a
 tough one to tape.  This turned out quite nicely. - t05 Someday Baby cuts in - t06 Senor clips in -
 t07 LSTNT clips in - The only edits undertake were to smooth some rough tape transitions. Because
 this was a tightly edited master, these fades often fall over track markers. These are not TAO gaps.
 Thanks to Marcus Buick for the source Beta!
 Set One: Single Disc (7 tracks, 58:26) --Set I-- 01. The Way You Do The Things You Do [7:58]
 [0:23], 02. Stop That Train [6:46] [0:09], 03. Simple Twist Of Fate [11:53] [0:10], 04. Run For The
 Roses [5:25] [0:01], 05. //Someday Baby [#7:32], 06. /Senor (Tales Of Yankee Power) [7:32] [0:03], 07.
 /Let's Spend The Night Together [10:31]
04/29/90 S.F. - South of Market Cultural Center MSD>CD All 64 0622 12896 
 *Animal Mind w/ Gravenites, Sears, Garcia* *complete*
 This stuff is really nice - Born in Chicago is nice, and Small Walk in Box is @@ wonderful.
 Set One: Single Disc (63:41), 1. @@ Born In Chicago, 2. Chicago Is Your Home, 3. Tough As
 Nails, 4. I'll Change Your Flat Tire Merle, 5. Small Walk-In Box, 6. Band Intro -> Down In The
 Bottom, 7. Get Together, 8. Decal Blues
04/29/90 San Francisco, CA - South of Market Cultural Center MSD>D>CD All n/a 1381 96344 
 *Animal Mind w/ Gravenites, Sears, Garcia* *complete*
 Set One: Born In Chicago*, Chicago Is Your Home*, Tough As Nails*, I'll Change Your Flat
 Tire Merle*, Small Walk-In Box*, Down In The Bottom*
05/12/90 Honolulu, HI - Waikiki Shell MAC>CD All 112 
 *JGB: Frank Streeter, Neumann KM86s > Sony TC-D5M, w/ patches*
 Streeter: "We were shut down by security during the second to last song, but I believe that there
 is someone else who got the whole thing as I think I have those last two songs somewhere. Maybe from
 Richard Hart's Nak 700's?? Either way, it was a great show and I highly recommend it! I would have to
 say that this was the most scared I have ever been from security at a show. They rather forcibly took
 one of us backstage, but missed my tape and gear. I was more than a little bit worried that I was
 going to be snatched on my way out of the park, but I made it back to my hotel OK, and, as they say,
 the rest is history. Enjoy the show! BTW, I have the Hilo JGB show as well, although the sound is not
 as good due to the acoustics in the hall."
 Set One: How Sweet It Is to be Loved By You, Stop That Train, Mission In The Rain, The Way
 You Do The Things You Do, Run For The Roses, And It Stoned Me, My Sisters And Brothers, Deal
 Set Two: Cats Under The Stars Down Under The Stars, Waiting For A Miracle, Senor (Tales Of
 Yankee Power), Think, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
05/12/90 Honolulu, HI - Waikiki Shell MA?>?>CD Most 100 0802 not db 
 *JGB: probably Streeter, compare*
 Unknown audience recording, lots of audience and low vocals, but very upfront guitar. Some
 Dolby-ish phasing is occasionally audible. There is also occasional "static" sound coming from
 overload distortion @ guitar peaks. The levels were a bit hot. d1t01 How Sweet static @ 0:05; d1t01
 How Sweet levels increase first minute; d1t01 static @ 2:50-3:00; d1t02 Stop That Train static from
 2:10 @ guitar peaks; d1t03 Mission starts off as a bit of a train wreck; d1t05 Run for the Roses clips
 in; d1t07-08 drop @ marker; d2t05 Don't Let Go cuts out
 Set One: Disc One (8) 56:02 --Set I-- 1. [0:03] How Sweet It Is [6:24] [0:50], 2. Stop That
 Train [6:19] [0:21], 3. Mission in the Rain [8:49] [0:15], 4. The Way You Do The Things You Do [9:21]
 [0:12], 5. /Run for the Roses [#5:24] [0:09], 6. [0:10] And It Stoned Me [6:04] -> 7. My Sisters &
 Brothers [4:05] -> 8. Deal [7:13] [0:20]
 Set Two: Disc Two (55) 44:05 --Set II-- 1. [0:24] Cats Under the Stars [8:37] [0:09], 2.
 Waiting for a Miracle [6:16] [0:09], 3. Senor [6:56] [0:17], 4. Think [6:32] [0:06], 5. Don't Let Go//
 [14:35#] [0:03] (missing Lucky Old Sun and Midnight Moonlight).
05/19/90z Kona, HI - Hotel Room MA?>?>C>CD All n/a 1309 86228 
  *Interview*
 Jerry Garcia, Hotel Room Conversation - Kona, Hawaii - Big Island, May 19, 1990 Seeder's comments:
 "Set up a microphone in the middle of a hotel room with Jerry Garcia and a few local folks and this is
 what you get. There's ambient noise and some people are more distant from the mike than others. The
 tracking for the general topics is off by a split second at times. Basically, it's a slice of life.
 If you've ever been to the Big Island or are a DeadHead in the Northwest, you'll find parts of this
 pretty interesting. This conversation sounds like it took place the day before the JGB concert in
 Hilo on May 20, 1990. ... for those who might have the slightest bit of interest, here's something to
 whet the appetite. As usual, take it if you need it, if you don't just pass it on." Aloha from Maui,
 Steve (aka. nassau73). Cassette received in trade > Cool Edit Pro (convert to .wav) > flac.
 Set One: Disk 1: 1-You're cool, 2-Diving, 3-Volcano, 4-Phone call: Ben DiPietro, 5-Family &
 vacation talk, 6-Seeing same faces show to show, 7-JGB/Intimacy, 8-Playing in Hawaii, 9-Have a
 beer-Playing Colleges, 10-Fantasy Band, 11- On Dick?s Picks
  Set Two: Disk 2: 1-House in Eugene, 2-Playing in Eugene/NW, 3-Touch of Grey/In the Dark,
 4-Into space, geopolitics, logging, 5-Rain Forest in Hawaii, 6-Reef, 7-Earth Day, 8-Bird Shit Island,
 9-Centipedes, 10-George Bush, 11-Andrew Dice Clay, 12-People from Brooklyn, 13-Sirens of Titan,
 14-Jerry on his art, 15-Out of stuff to talk about
05/20/90 Hilo, HI - Auditorium MAC>CD All n/a 
 *JGB: Frank Streeter, Neumann KM86s > Sony TC-D5M*
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Tough Mama, Like A Road,
 Run For The Roses, The Way You Do The Things You Do, My Sisters And Brothers, Knockin' On Heaven's
  Door, Deal
 Set Two: The Harder They Come, Forever Young, Stop That Train, Polka*,**, Tore Up Over You,
 Tears Of Rage, Evangeline, Waiting For A Miracle, That Lucky Old Sun, Tangled Up In Blue
06/12/90 San Francisco, CA - Warfield Theater MAD>D>CD All 143 0508-0509 11365 
 *JGB: unknown taper & gear*
 MAD (Taper, equipment, and location unknown) > DATs > Tascam DA-30 playback > HHB-800 master CD >
 HHB-800 CD/1 > HP 9350i extraction and normalization to 98% using EAC > tracking using CD Wave > .shn
 encoding using mkwACT. D > CD by David Minches, EAC > SHN by Joe Jupille. Proper sector boundaries
 verified using shntool. Notes: The recording is quite muddy. Flaws: No flaws noted.
 Set One: Disc One (9) 69:10 --Set I-- 1. Crowd & Tuning [0:25], 2. How Sweet It Is [7:02]
 [1:43], 3. I'll Take A Melody [10:29] [0:52], 4. I Shall Be Released [7:53] [1:14], 5. Run For The
 Roses [5:38] [1:21], 6. Stop That Train [6:36] [0:22], 7. Tough Mama [6:28] [0:26], 8. The Night They
 Drove Old Dixie Down [8:36] -> 9. Deal [9:56] [0:09]
 Set Two: Disc Two (8) 73:27 --Set II-- 1. Crowd & Tuning [0:05], 2. The Way You Do The
 Things You Do [12:35] [0:37], 3. Mission In The Rain [9:07] [0:25], 4. Dear Prudence [12:55] [1:29],
 5. Russian Lullaby [11:10] [0:15], 6. Think [8:05] [1:02], 7. Gomorrah [6:27] -> 8. Midnight Moonlight
  [8:04] [0:10]
06/12/90 San Francisco, CA - Warfield Theater MAD>CD II 73 
 *JGB: Larry Gindoff, Nak 300s > Sony D3*
 Recorded by Larry Gindoff, Nak 300s > Sony D3 > CD. A 'B' recording, slightly distant and muddy,
 and about a 'B' performance. t01 buzz/crackle @ 0:09; t01 vocals muffled.
 Set Two: 1. The Way You Do The Things You Do [12:29] [1:37], 2. Mission In The Rain [9:07]
 [0:23], 3. Dear Prudence [12:56] [1:27], 4. Russian Lullaby [11:10] [0:14], 5. Think [8:04] [1:02], 6.
 Gomorrah [6:26] -> 7. Midnight Moonlight [8:03] [0:20], Total Time 73:22
06/13/90 San Francisco, CA - Warfield Theater MAD>D>CD All 144 0508 11366 
 *JGB: unknown taper & gear*
 MAD (Taper, equipment, and location unknown) > DATs > Tascam DA-30 playback > HHB-800 master CD >
 HHB-800 CD/1 > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT. D
 > CD by David Minches, EAC > SHN by Joe Jupille. Proper sector boundaries verified using shntool.
 Notes: Whole show (after Cats?) w/ Clarence Clemons; d1t01 anomaly @ 0:02 (before music); d2t03-04
 noise just before marker is clapping, not error.
 Set One: Disc One (7) 66:32 --Set I-- 1. Cats Under The Stars [8:36] [1:18], 2. They Love
 Each Other [7:48] [1:14], 3. Knockin' On Heaven's Door [11:07] [1:38], 4. That's What Love Will Make
 You Do [8:22] [1:05], 5. Like A Road [8:49] [0:15], 6. My Sisters And Brothers [4:22] [0:25], 7. Let's
 Spend The Night Together [11:24] [0:08]
 Set Two: Disc Two (9) 77:03 --Set II-- 1. Crowd & Tuning [0:06], 2. Second That Emotion
 [8:09] [1:15], 3. And It Stoned Me [7:06] [0:29], 4. Tears Of Rage [9:57] [1:39], 5. Rubin And Cherise
 [7:53] [1:20], 6. Waiting For A Miracle [7:14] [0:36], 7. Tore Up Over You [7:23] [0:11], 8. That
 Lucky Old Sun [11:20] -> 9. Tangled Up In Blue [12:10] [0:14]
06/13/90 San Francisco, CA - Warfield Theater MAD>P>CD All 142 1307 85819 
 *JGB: Buick & Katzeff, Neumann KM140s (I); Schoeps CMC521s (II)*
  Masters: set I: Marcus Buick & Rick Katzeff, Neumann KM140s @ 110 ORTF > Panasonic SV-255 (5'
 behind 1st rail, 1st tier, center); set II: Schoeps CMC 521s @ 90 > Oade PS > Panasonic SV-SV255 (1st
 row tables, 2nd tier, left center); Transfer: Beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital
 Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool >
 FLAC. Transfer and FLAC encoding by David Minches. Notes: - The current material was transferred from
 PCM/Beta tapes held by Marcus Buick, one of the tapers of set I. In preparing this seed, I compared it
 with shnid 11366 (unattributed DAT aud) and with a copy obtained from Charlie Miller some years ago,
 listed as Schoeps CMC3/MK4. The story is that set I here is the same as the Miller copy, which I can
 only assume had incorrectly identified mics. The key in making this determination is the loud "OK,
 OK, move it, OK?" @ 0:24 of CUTS. Set II is the same on all three copies, as determined by a young
 lady saying "This is a test of the emergency Jerry system. This is only a test" @ 8:30 of d2t005. Not
 surprisingly, set I (taped from the 1st tier) sounds better than set II (taped from the 2nd tier). -
 Clarence Clemons comes on @ ca. 1:40 of TLEO and sits in for the rest of the show.
 Set One: Disc One (7 tracks, 65:03) --Set I-- d1t001. Cats Under the Stars [8:34] [0:42],
 d1t002. They Love Each Other [7:48] [0:53], d1t003. Knockin' on Heaven's Door [11:08] [1:14], d1t004.
 That's What Love Will Make You Do [8:22] [1:05], d1t005. Like a Road [8:48] [0:16], d1t006. Sisters
 and Brothers [4:22] [0:17], d1t006. Let's Spend the Night Together [11:29] [0:01]
 Set Two: Disc Two (9 tracks, 77:02) --Set II-- d2t001. Crowd & Tuning [0:09], d2t002. Second
 That Emotion [8:06] [1:17], d2t003. And It Stoned Me [7:06] [0:20], d2t004. Tears of Rage [10:05]
  [0:39], d2t005. Reuben and Cherise [7:53] [1:19], d2t006. Waiting for a Miracle [7:14] [0:35], d2t007.
 Tore Up [7:22] [0:20], d2t008. Lucky Old Sun [11:06] [0:11], d2t009. Tangled Up in Blue [12:04]
 [0:13]
06/14/90 Los Angeles, CA - Paramount Studios Soundstage MS?>?>CD All 76 
 *Bruce Hornsby & The Range, JG on 2 tunes* *maybe official*
 SBD via slip. - nice clean sbd with extremely low levels - Jerry adds some pretty hot licks on
 Across the River - Bruce thanks Jerry after Across the River - blips around track markers - second
 version of Valley Road is faster, with banjo and fiddle. - May be ripped from "A Night on the Town"
 DVD - Songs may be out of order.
 Set One: Disc One (7 tracks, 45:19) d1t01. Night on the Town, d1t02. Fire on the Cross,
 d1t03. Barren Ground (w/ Jerry), d1t04. Across the River (w/ Jerry), d1t05. These Arms of Mine, d1t06.
 Stranded on Easy Street, d1t07. End of the Innocence (w/ Joe Henderson)
 Set Two: Disc Two (5 tracks, 30:50) d2t01. The Old Valley Road #1, d2t02. The Old Valley
 Road #2, d2t03. Lost Soul (w/ Shawn Colvin), d2t04. The Way It Is, d2t05. Another Day, MISSING These
 Arms of Mine
08/05/90 *see Jerry Garcia on Official Releases* n/a 
08/05/90 Berkeley, CA - Greek Theatre, U. Of California MAD>CD All 123  
 *JGB: Larry Gindoff, Nak 300s > Sony D3*
 Recorded by Larry Gindoff, Nak 300s > Sony D3 > CD; (1) w/ Bela Fleck; d1t01 buzz @ 0:10; d2t04
 crackles @ 1:45, 2:04; d2t06 L channel buzz @ 3:07; d2t07 crackles @ 6:33, 6:34, 6:38; d2t08 crackles
 @ 1:41, 1:43
 Set One: Set I, 1. [0:02] How Sweet It Is To Be Loved By You [7:07] [1:27], 2. Stop That
 Train [6:26] [0:24], 3. Forever Young [7:05] [0:18], 4. Run For The Roses [5:34] [1:23], 5. That's
 What Love Will Make You Do [7:54] [0:11], 6. My Sisters And Brothers [4:07] [0:13], 7. Tears Of Rage
 [8:01] [0:05], 8. Deal [8:22] [0:17], Total Time 58:59
 Set Two: Set II, 1. Midnight Moonlight (1) [6:55] [0:38], 2. The Harder They Come (1)
 [10:05] [1:07], 3. And It Stoned Me [6:09] [0:35], 4. Waiting For A Miracle [6:18] [0:41], 5.
 Evangeline [4:07] [0:17], 6. Think [6:57] [0:26], 7. That Lucky Old Sun [8:01] -> 8. Tangled Up In
 Blue [11:07] [0:12], Total Time 63:39
08/05/90 Berkeley, CA - Greek Theatre, U. Of California MAD>CD All 124 0956-0957 22083 
 *JGB: Bill Reutelhuber, Nak 700s/CP701 > unknown deck*
 * w/ Bela Fleck. Really nice version of Tears of Rage. Tears of Rage appears on "Garcia Plays
 Dylan" official release.
 Set One: Disc One (8 tracks, 59:35) --Set I-- How Sweet It Is to be Loved By You, Stop That
 Train, Forever Young, Run For The Roses, That's What Love Will Make You Do Will Make You Do, My
 Sisters And Brothers, Tears Of Rage, Deal
 Set Two: (Disc Two (8 tracks, 64:04) --Set II-- Midnight Moonlight*, The Harder They Come*,
 And It Stoned Me, Waiting For A Miracle, Evangeline, Think, That Lucky Old Sun, Tangled Up In Blue
08/07/90 San Francisco, CA - Warfield Theater MAD>P>CD All 120 1238 30740 
 *JGB: Rob Darroch and Sara Paul, Neumann KM140s > Panasonic SV-255*
 MAD (Rob Darroch and Sara Paul, Neumann KM140s handheld @ 110 ORTF ['The Spot', Rail-1st, 2nd row]
 > Panasonic SV-255) > unknown playback > Sony PCM 601 > SL 360 master Beta > Sony PCM-601 > Digital
  Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. PCM > FLAC
 by David Minches. Notes: - Great show! Deal is very hot, Knockin' bounces and grooves, Think has some
 nice fanning. Vocals on Reuben & Cherise are rough, otherwise this one is a keeper! - No flaws
 noted. Thanks to Bu for supplying the source Beta!
 Set One: Disc One (8 tracks, 62:50) --Set I-- 01. Crowd & Tuning [0:10], 02. Cats Under the
 Stars [8:47] [1:21], 03. They Love Each Other [7:03] [1:01], 04. Simple Twist of Fate [14:30] [0:50],
 05. Run for the Roses [5:36] [0:54], 06. Someday Baby [9:17] [0:29], 07. Sisters and Brothers [4:22]
 -> 08. Deal [8:26] [0:01]
  Set Two: Disc Two (7 tracks, 57:11) --Set II-- 01. The Way You Do The Things You Do [9:27]
 [0:19], 02. Knockin' on Heaven's Door [10:55] [0:42], 03. Think [7:10] [0:27], 04. Reuben & Cherise
 [7:10] [1:31], 05. Gomorrah [6:28] [0:27], 06. Waiting for a Miracle [5:42] -> 07. Midnight Moonlight
 [6:45] [0:04]
08/08/90 San Francisco, CA - Warfield Theater MAD>P>CD All 141 1239-1240 30810 
 *JGB: Rob Darroch and Sara Paul, Neumann KM140s > Panasonic SV-255*
 MAD (Rob Darroch and Sara Paul, Neumann KM140s handheld @ 110 ORTF ['The Spot', Rail-1st, 2nd row]
 > Panasonic SV-255) > unknown playback > Sony PCM 601 > SL 360 master Beta > Sony PCM-601 > Digital
 Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. PCM > FLAC
 by David Minches. Notes: - A very nice tape of a nice show. - d1t01 How Sweet It Is cuts in, not much
 missing. Thanks to Bu for supplying the source Beta!
 Set One: Disc One (8 tracks, 70:20) --Set I-- 01. //How Sweet It Is [#6:34] [2:23], 02. Stop
 That Train [7:50] [0:32], 03. Let it Rock [6:02] [1:45], 04. Forever Young [9:57] [1:04], 05. Mission
 in the Rain [8:06] [1:17], 06. The Way You Do The Things You Do [7:51] [0:09], 07. Sisters and
 Brothers [4:17] [0:41], 08. Dear Prudence [11:49]
 Set Two: Disc Two (6 tracks, 71:29) --Set II-- 01. Harder They Come [10:42] [1:40], 02. I
 Shall Be Released [9:25] [1:33], 03. Tore Up Over You [8:02] [1:32], 04. Like a Road [9:58] [1:24],
 05. Don't Let Go [14:25] [0:35], 06. Tangled Up in Blue [12:09] [0:01]
08/09/90 San Francisco, CA - Warfield Theater MAD>D>CD  I 65 1307 85818 
 *JGB: Schoeps CMC44s > Panasonic SV-255*
 Schoeps CMC 44s ORTF (center table 1/2 back ["rear"], mics on table) > JE 16 > Panasonic SV-255
 master DAT > DAT(x) > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard >
 hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. Notes: -
 No flaws noted. Shows were very tough to tape, and sources are accordingly elusive. Not sure if this
 rig captured set II or not, but for now set I is all that is available. - Thanks, Bu!
 Set One: (8 tracks, 64:40): 01. Crowd & Tuning [1:13], 02. Cats Under the Stars [9:26]
 [2:03], 03. Tears of Rage [8:19] [0:46], 04. Get Out of My Life Woman [9:23] [1:06], 05. Run for the
 Roses [5:17] [1:43], 06. And It Stoned Me [6:51] [1:56], 07. Senor (Tales of Yankee Power) [6:51] ->
 08. Second That Emotion [9:27] [0:14]
08/27/90 *see Jerry Garcia on Official Releases* n/a 
09/01/90 *see Jerry Garcia on Official Releases* n/a 
09/01/90 Mountain View, CA - Shoreline Amphitheatre  MAD>CD All 132 
 *JGB: B&K 4011s > unknown deck*
 FOB -> B+K 4011-> Neumann PS -> Dat -> CD via Charlie Miller. d1t01 How Sweet level jump @ first
 few seconds; d1t02 Stop That Train light pop @ 4:23; d2t07 TUIB some diginoise.
 Set One: Disc One (7) 59:50 --Set I-- 1. [0:30] How Sweet It Is To Be Loved By You [7:12]
 [1:18], 2. Stop That Train [7:31] [1:01], 3. Dear Prudence [12:02] [1:31], 4. I Shall Be Released
  [8:31] [0:38], 5. Run For The Roses [5:28] [0:13], 6. My Sisters And Brothers [3:57] [0:13], 7. Deal
 [9:29] [0:12], Total Time 59:50
 Set Two: Disc Two (7) 71:58 --Set II-- 1. [0:38] Second That Emotion [7:56] [0:30], 2. Think
  [7:15] [1:39], 3. And It Stoned Me [6:47] [0:41], 4. Waiting For A Miracle [5:52] [0:13], 5. Don't Let
 Go [15:50] [0:35], 6. That Lucky Old Sun [11:51] -> 7. Tangled Up In Blue [:02+11:56] [0:10], Total
 Time 71:58
09/01/90 Mountain View, CA - Shoreline Amphitheater MAD>CD All 132 1041-1042 22085 
 *JGB: Bill Reutelhuber, Nak 700/CP701 > unknown deck*
 Recording Info: (FOB) Nakamichi 700/CP701 -> Dat. Transfer Info: Dat (Sony D8) -> CD (Tascam
 CDRW700) -> EAC -> SHN (2 Discs Audio / 2 Discs SHN). Recorded By Bill Reutelhuber. All Transfers By
 Charlie Miller, charliemiller87@earthlink.net, July 2001. Notes: This was scheduled as a Grateful Dead
 concert, but Brent Mydland died, so instead JGB and Los Lobos played. Lineup: Jerry Garcia - guitar,
 vocals; John Kahn - bass; Melvin Seals - keyboards; David Kemper - drums; Jaclyn LaBranch - backing
 vocals; Gloria Jones - backing vocals. JJ: - nice tape!
 Set One: Set 1 (59:47): d1t01 - [0:31] How Sweet It Is d1t02 - Stop That Train d1t03 -
 Dear Prudence d1t04 - I Shall Be Released d1t05 - Run For The Roses d1t06 - My Sisters And
 Brothers d1t07 - Deal
  Set Two: Set 2 (71:55): d2t01 - I Second That Emotion d2t02 - Think d2t03 - And It Stoned
 Me d2t04 - Waiting For A Miracle d2t05 - Don't Let Go d2t06 - That Lucky Old Sun d2t07 - Tangled Up
 In Blue
09/05/90 *see Jerry Garcia on Official Releases* n/a 
11/11/90 Los Angeles, CA - Wiltern Theatre MAC>CD All 120 0964 23855 
 *JGB: John DeTally, Toa K1s > Sony D6*
  Jerry sounds absolutely terrible, croaking out Simple Twist of Fate and Waiting for a Miracle.
 Lackluster show.
 Set One: Disc One (8 tracks, 61:56) --Set I-- How Sweet It Is to be Loved By You, Stop That
 Train, Get Out Of My Life Woman, Simple Twist Of Fate, Run For The Roses, Like A Road, My Sisters And
 Brothers, Deal
 Set Two: Disc Two (7 tracks, 58:18) --Set II-- The Way You Do The Things You Do, Mission In
 The Rain, Think, Waiting For A Miracle, Evangeline, That Lucky Old Sun, Midnight Moonlight
11/12/90 Los Angeles, CA - Wiltern Theatre MAC>CD All n/a 1383 96579 
 *JGB: Ian Stoy, TOA K1s > Sony WM-TCD6C*
 Set One: Cats Under The Stars Down Under The Stars, And It Stoned Me, That's What Love Will
 Make You Do Will Make You Do, Forever Young, Tough Mama, My Sisters And Brothers, Deal
 Set Two: I Second That Emotion, Dear Prudence, Mississippi Moon, Russian Lullaby, Think,
 Rubin And Cherise, Tangled Up In Blue
11/13/90 Los Angeles, CA - Wiltern Theatre MAC>CD* All 114 0960 23743 
 *JGB: John DeTally, Toa K1s > Sony D6*
 extra cassette gen on set II. Sounds very nice, and this is a terrific show! Jerry's guitar sound
 is very raunchy, especially in set one on Tore Up and LSTNT. - d1t01 Melody cuts in; - d2t06 Don't
 Let Go cuts in
 Set One: Disc One (7 tracks, 55:31) --Set I-- //I'll Take A Melody, I Shall Be Released,
 They Love Each Other, Tore Up Over You, Tears Of Rage, My Sisters And Brothers, Lets Spend The Night
 Together
 Set Two: Disc Two (7 tracks, 58:12) --Set II-- The Harder They Come, Waiting For A Miracle,
 Gomorrah, Run For The Roses, Senor (Tales Of Yankee Power), //Don't Let Go -> Midnight Moonlight
11/15/90 Los Angeles, CA - Wiltern Theatre MAC>CD All n/a 0983-0984 23774 
 *JGB: John DeTally, Toa K1s > Sony D6*
 Set One: How Sweet It Is to be Loved By You, Stop That Train, Let It Rock, The Night They
 Drove Old The Night They Drove Old Dixie Down, Someday Baby, Run For The Roses, My Sisters And
 Brothers, Deal
 Set Two: The Way You Do The Things You Do, Knockin' On Heaven's Door, And It Stoned Me,
 Rubin And Cherise, Evangeline, That Lucky Old Sun, Midnight Moonlight
11/16/90 Los Angeles, CA - Wiltern Theatre MAC>CD All n/a 0985-0986 23829 
 *JGB: John DeTally, Toa K1s > Sony D6*
 Set One: Cats Under The Stars Down Under The Stars, Mission In The Rain, Like A Road, Run
 For The Roses, Simple Twist Of Fate, My Sisters And Brothers, Lets Let's Spend The Night Together
 Together
 Set Two: I Second That Emotion, And It Stoned Me, Tore Up Over You, Senor (Tales Of Yankee
 Power), Waiting For A Miracle, How Sweet It Is to be Loved By You, Don't Let Go
11/20/90 San Francisco, CA - Warfield Theater MA?>?>CD All 130 enter 18967 
 *JGB: unknown taper & gear*
 Source: AUD > ? > CDR > WAV > SHNv3. Microphones and taper unknown @ this time. Comments:
 "Lifeline" returns for its fourth performance, after a nearly 2 year abscence. Crowd noise between
 several tracks is clipped. Beginning of Mission is clipped. Suspect this is a cassette master though
  lineage is given as "digital audience". Thanks to C.Davis for the source CDRs. DAE(EAC0.9b4, offset
 corrected, secure mode) > tracking (cdwav) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP. Part
 of the MisSHN in the Rain jerry shn initiative - 8/03.
 Set One: Disc 1 - Set 1 01 I'll Take A Melody [13:22] 02 Cie La Vie (You Never Can Tell)
 [06:52] 03 Forever Young [10:23] 04 Lay Down Sally [10:19] 05 Mississippi Moon [08:20] 06 Throw
 Out The Life Line > [05:08] 07 Deal [10:34], Total time: 64:59
 Set Two: Disc 2 - Set 2 01 I Second That Emotion [11:30] 02 And It Stoned Me [08:11] 03
 Think [08:35] 04 //Mission In The Rain [08:10] 05 Evangeline [05:04] 06 Like A Road [09:55] 07
 Struggling Man > [07:31] 08 Midnight Moonlight [06:05] Total time: 65:03
11/20/90 San Francisco, CA - Warfield Theater MAD>CD I n/a 0962 22086 
 *JGB: Bill Reutelhuber, Nak 700s/CP701 > unknown deck*
 Set One: I'll Take A Melody, You Never Can Tell (C'est La Vie), Forever Young, Lay Down
 Sally, Mississippi Moon, Throw Out The Lifeline, Deal
11/21/90 San Francisco, CA - Warfield Theater MAD>CD All-2 116 0963 22087 
 *JGB: Bill Reutelhuber, Nak 700s > unknown deck*
 JJ: 2nd to last Tears of Rage. Very @@ hot Tore Up Over You, especially in the 4-min mark.
 Set One: Disc One (5 tracks, 47:46) --Set I-- Cats Under Under The Stars, Stop That Train,
 That's What Love Will Make You Do, Lay Down Sally, The Night They Drove Old Dixie Down, (MISSING Throw
 Out The Lifeline, MISSING Lets Spend The Night Together)
 Set Two: Disc Two (7 tracks, 68:09) --Set II-- The Way You Do The Things You Do, You Never
 Can Tell (C'est La Vie), Tears Of Rage, Tore Up Over You, Waiting For A Miracle, Struggling Man,
 Tangled Up In Blue
11/24/90 Oakland, CA - Henry J. Kaiser Convention Center MAC>D>CD All n/a 0937-0938 10122 
 *JGB: Charlie Miller, AKG C1000s > Sony D5*
 Set One: How Sweet It Is to be Loved By You, I Shall Be Released, You Never Can Tell (C'est
  La Vie), Run For The Roses, Waiting For A Miracle, Throw Out The Lifeline, Deal
 Set Two: I Second That Emotion, Struggling Man, Lay Down Sally, Think, Don't Let Go, That
 Lucky Old Sun, Tangled Up In Blue
12/06/90 *see Jerry Garcia on Official Releases* n/a 
12/16/90 *see Jerry Garcia on Official Releases* n/a 
12/17/90 Mill Valley, CA - Sweetwater MAD>D>CD All 52 0210 8065 
 *Garcia & Grisman: unknown recordist & gear*
 AUDMD > DAT > CDR
 Set One: 1. [0:26] The Thrill is Gone [6:23] [0:15], 2. When First Unto This Country [3:44]
 [0:37], 3. Grateful Dawg [3:58] [0:24], 4. Spring In California [4:00] [0:27], 5. Off To Sea Once More
 [5:07] [0:24], 6. So What? [6:58] [0:48], 7. Two Soldiers [4:59] [0:49], 8. Dawg's Waltz [4:42]
 [0:19], 9. Russian Lullaby [6:48] [0:27]
12/17/90 Mill Valley, CA - The Sweetwater MPV>Vx>DVD All 52 
 *JGDG: MattMan DVD*
 Video Source: Multi-camera Pro-shot, Unknown Gen VHS>Panasonic DMR-HS2>DVD Decryptor>Torrent file >
 DVD. Audio Source: AUD:D > DAT > CD (shnid=8065)>WAV>ADOBE AUDITION. DVD: encoded @ 8000kbps CBR
 interlace, NTSC 720 x 480 & 1536kbps PCM WAV, 48KHz Stereo. Band Members: Jerry Garcia - guitar,
 banjo, vocals; David Grisman - mandolin, banjo, vocals; Jim Kerwin - bass; Joe Craven - violin,
 percussion. Audio remastering and synchronization, and DVD/VCD authoring by MattMan (mlcole@wayne.edu)
 on January 3, 2005. DVD Notes: -ADOBE ENCORE used to author DVD. Audio Stream Notes: -SHNs downloaded
 ftp from gdlive.com. -Extraction using EAC, re-tracking using WavMergeand CDWave, and .shn encoding
 using mkwACT. -ul2GDLmatty23. -The Jerry Site notes that the tape is from the audio portion of a home
 video of the performance. -Adobe Audition used to compress/expand the new audio in multitrack mode to
 match the original audio, convert sample rate to 44.1KHz (for VCD) or 48KHz (for DVD), and eq (boost
 low end at 80Hz to bring out string bass). -camera audio: 11:19-11:20, 51:35-51:57. Video Stream
 Notes: -Source DVD captured and torrented to EZT by Dan sisler Dansisler AT GMAIL dot COM (thanks!).
 -Dan says "I have heard this was shot from a “home video” and would had to guess a multi angle shot
 from perhaps Gillian Grisman? The Dawg’s daughter? “Grateful Dawg” has some clearer footage, perhaps
 someday that source will be released. Until, then enjoy this. Man, Jerry is a story teller! -MattMan
 used DVD2AVI and TMPGEnc Plus 2.5 to re-encode the source DVD to accomodate linear pcm audio. Simple
 color correction (Brightness +15, Contrast +15, Gamma +20) and Noise reduction (high quality) were
 applied. -Please note that the video stream is poor quality, likely the result of low lighting and
 multiple VHS generations.
 Set One: DVD. 51:55: 00:00 The Thrill Is Gone, 06:58 When First Unto This Country, 11:19
 Grateful Dawg, 15:41 Spring In California, 20:00 Off To Sea Once More, 25:45 So What?, 33:31 Two
 Soldiers, 39:21 Dawg's Waltz, 44:22 Russian Lullaby
12/22/90 San Francisco, CA - San Francisco Civic Auditorium MAD>CD All 155 0593-0594 13205 
 *JGB: Nak 700s*
 Source: FOB (Nak700s) > DAT > CDR > WAV > SHNv3; Taper - unknown. From Chris Ladner: "Comments:
 Outstanding performance and superb audience recording with minimal close up crowd interference during
 performance. * end of track has 'We Wish You a Jerry Christmas' noodle right before the start of Tore
 Up. Minor level changes during the beginning of d1t01. Originally there were fades at the end of
 d2t05/start of d3t01 - i was able to restore these to seamlessness using soundforge 5." JJ: terrific
 show, very nice recording. - LSTNT is @@ hot!! So is Lay Down Sally.
 Set One: Disc 1 - Set 1 (67:19), 01 How Sweet It Is To Be Loved By You , 02 Mission In The
 Rain , 03 That's What Love Will Make You Do , 04 C'est La Vie (You Never Can Tell) , 05 Senor (Tales
 Of Yankee Power) , 06 Throw Out The Lifeline , 07 Let's Spend The Night Together
 Set Two: Disc 2 - Set 2 (50:55), 01 The Way You Do The Things You Do , 02 Lay Down Sally ,
 03 And It Stoned Me*, 04 Tore Up Over You , 05 Waiting For A Miracle
 Set Three: Disc 3 - Set 2 (cont'd) (36:36), 01 Don't Let Go , 02 Struggling Man , 03 Tangled
 Up In Blue
 
01/29/91 San Francisco, CA - Warfield Theater mixed auds All n/a 1164-1165 28844 
 *JGB: I: Schoeps CMC3+MK4; II: Jeff Geer, Nak 700s*
 Set One: I Second That Emotion, Stop That Train, You Never Can Tell (C'est La Vie), Simple
 Twist Of Fate, That's What Love Will Make You Do Will Make You Do, Throw Out The Lifeline, Somebody To
 Love
 Set Two: The Way You Do The Things You Do, And It Stoned Me, Tore Up Over You, Waiting For A
  Miracle, Like A Road, Lay Down Sally, Senor (Tales Of Yankee Power), Deal
01/30/91 San Francisco, CA - Warfield Theater MA?>?>CD All 158 
 *JGB: Unknown taper, Nakamichi mics* *check shnid 16712*
 Notes: - This is a nice tape (especially once things settle in after CUTS) and a very strong show.
 Everything is well-played, and there are standout versions of a number of songs. - d1t01 telltale
 coughing @ 0:45-1:00 might identify this master; more taper talk after CUTS; - taper's neighbors
 singing loudly ... shhh, ladies! - d1t03 Forever Young has some tremendous fanning @ 9:38-9:45; -
 d1t08 LSTNT is tremendous; - d2t01 talky neighbors during TWYDTTYD; - d2t01 bad digi-scratch @ 8:30; -
 d2t01 @ 13:37 "why don't you sit back like I am?" & other taper talk; - First HAGYN since 8/16/76;
 starts off a little clunky but gets really good; - d2t03 nice raunch @ 6-min of Tore Up; - d2t05 a
 neat "march" in the 17-18 min mark of DLG. Timings look identical to shnid 16712.
 Set One: Disc One (8 tracks, 79:17) --Set I-- d1t01. [0:05] Cats Under the Stars [9:00]
 [1:05], d1t02. They Love Each Other [6:43] [1:10], d1t03. Forever Young [10:08] [1:17], d1t04.
 Struggling Man [7:35] [1:07], d1t05. Run for the Roses [5:20] [0:49], d1t06. The Night They Drove Old
 Dixie Down [9:15] [0:12], d1t07. Sisters and Brothers [4:06] [0:04], d1t08. Let's Spend the Night
 Together [11:21] [0:05]
 Set Two: Disc Two (7 tracks, 79:21) --Set II-- d2t01. The Way You Do The Things You Do
 [13:00] [1:14], d2t02. He Ain't Give You None [8:18] [0:50], d2t03. Tore Up [7:55] [0:34], d2t04.
 Gomorrah [6:22] [0:23], d2t05. Don't Let Go [20:26] [0:34], d2t06. Lucky Old Sun [12:42] -> d2t07.
 Midnight Moonlight [6:59] [0:04]
01/30/91 San Francisco, CA - Warfield Theater MAD>D>CD I 68 1313 87243 
 *JGB: Schoeps CMC34s > Panasonic SV255*
 Schoeps CMC34s (at the drink rail) > m1000 cables > Oade power supply > Panasonic SV-255 DAT master
 > unknown gen DAT > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard >
 hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. Notes: -
 Cats cuts in and starts off nearly inaudible for about the first minute. Levels remain low throughout
 the recording. - unique (to these ears) fanning at end of Forever Young. Let's Spend the Night
 Together is super hot.
 Set One: (8 tracks, 68:04): 01. //Cats Under the Stars [7:57] [1:09], 02. They Love Each
 Other [6:39] [1:13], 03. Forever Young [10:09] [1:16], 04. Struggling Man [7:36] [1:05], 05. Run For
 The Roses [5:21] [0:50], 06. The Night They Drove Old Dixie Down [9:14] [0:13], 07. My Sisters And
 Brothers [4:06] [0:04], 08. Let's Spend The Night Together [11:18] [0:01]
01/31/91 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 0990-0991 22159 
 *JGB: Schoeps CMC3-MK4 > Panasonic SV-255*
 Set One: How Sweet It Is to be Loved By You, Tears of Rage, You Never Can Tell (C'est La
 Vie), Someday Baby, Mission In The Rain, Dear Prudence, My Sisters And Brothers, Tangled Up In Blue
 Set Two: The Way You Do The Things You Do, He Ain't Give You None, Think, Waiting For A
 Miracle, Lay Down Sally, Evangeline, Struggling Man, Somebody To Love
02/02/91 San Francisco, CA - Warfield Theater MSD>D>CD All 130 0499-0500 11168 
 *JGDG*
 DSBD > DAT > CD. From The Jerry Site: (1) with Garcia on banjo. (2) Garcia and Grisman on banjo.
 These two shows have been a source of some mystery for a while, mostly in part to the fact that both
 shows have the same setlist. However, there are differences between the tapes. The key difference is
 that on this show, there is a long tuning before Sweet Sunny South (about 2 minutes) and also a false
 start (10 - 15 seconds). The other main difference is the introduction before Grateful Dawg. From this
 show, the dialog is as follows: "Grisman: We're gonna play a new original tune that Jerry and I wrote
 together. Sort of a synthesis of our two styles. The Dead and the Dawg styles. This is called Grateful
  Dawg.....or Dawgful Dead." Notes: d1t01 Walkin' Boss cuts in; d1t01 Walkin' Boss anomaly @ 0:01;
 d2t06 FOTD levels drop @ 5:51, had been a bit hot; d2t08 Russian Lullaby cuts in.
 Set One: Disc One (12) 56:42 --Set I-- 1. //Walkin' Boss [#5:41] [1:01], 2. Instrumental
 [2:49] [0:05], 3. When First Unto This Country [3:42] [0:10], 4. Handsome Cabin Boy [6:07] [0:39, 5. I
 Truly Understand (1) [4:47] [0:43], 6. Poison Glass Of Wine [3:20] [0:23], 7. Man Of Constant Sorrow
 [3:22] [0:07], 8. Stage Talk/Tuning/False Start [2:05], 9. Sweet Sunny South (2) [4:39] [1:16], 10.
 Two Soldiers [4:23] -> 11. Spring In California [5:20] [0:52], 12. Grateful Dawg [4:56] [0:10]
 Set Two: Disc Two (10) 72:47 --Set II-- 1. Tuning [1:31], 2. The Thrill Is Gone [6:06]
 [0:35], 3. Old Rockin' Chair [8:06] [0:05], 4. So What? [8:24] [0:57], 5. Off To Sea Once More [5:39]
 -> 6. Friend Of The Devil [6:51] [1:19], 7. Dawg's Waltz [5:00] [0:05], 8. //Russian Lullaby [#5:57]
 [1:01], 9. Arabia [16:49] [0:20] --Encore-- 10. Ripple
02/02/91 San Francisco, CA - Warfield Theater MAD>D>CD All 125 
 *JGDG: unknown taper & gear* *compare*
 MAD > DAT > CD. From The Jerry Site: (1) with Garcia on banjo. (2) Garcia and Grisman on banjo.
 These two shows have been a source of some mystery for a while, mostly in part to the fact that both
 shows have the same setlist. However, there are differences between the tapes. The key difference is
 that on this show, there is a long tuning before Sweet Sunny South (about 2 minutes) and also a false
 start (10 - 15 seconds). The other main difference is the introduction before Grateful Dawg. From this
 show, the dialog is as follows: "Grisman: We're gonna play a new original tune that Jerry and I wrote
 together. Sort of a synthesis of our two styles. The Dead and the Dawg styles. This is called Grateful
 Dawg.....or Dawgful Dead."
 Set One: Disc One (12) 61:13 --Set I-- Walkin' Boss, Instrumental, When First Unto This
 Country, Handsome Cabin Boy, I Truly Understand (1), Poison Glass Of Wine, Man Of Constant Sorrow,
 Sweet Sunny South (2), Two Soldiers, Spring In California, Grateful Dawg --Set II-- 12. The Thrill is
 Gone
 Set Two: Disc Two (8) 63:38 --Set II (con't)-- The Thrill Is Gone, Old Rockin' Chair, So
 What? Off To Sea Once More, Friend Of The Devil, Dawg's Waltz, Russian Lullaby, Arabia, Encore:
 Ripple
02/02/91 San Francisco, CA - Warfield Theater  MAD>P>CD All 134 1212-1213 30812 
 *JGDG: Rob Darroch et al., B&K 4011s > Panasonic SV-255*
 Team-taped by many, including Rob Darroch, Sara Paul, John Ammons, Rick Katzeff and Marcus Buick,
 B&K 4011s (110 ORTF from The Spot, 2nd tier, 2nd row from drink rail) > Neumann 48V power supply >
 Panasonic SV255 master DAT > Panasonic SV3500 playback > Sony PCM601 DSP > Sony SL 360 Betamax master
 Beta > Sony SL360 playback > Sony PCM701 DSP > ProTools 442 (on Mac Quadra 650, captured in ProTools
 3.1, mastered with MasterList 1.1) > CD/0. No EQ or dynamics added; master gain level for the CD was
 performed in Masterlist and was done completely in the digital domain. CD mastering by Marcus Buick.
 Level 8 FLAC encoding from the master CDs by jjoops.
 Set One: Disc One (12 tracks, 59:47) --Set I-- 01. Crowd & Tuning {1:17}, 02. Walkin' Boss
 {6:35}, 03. Instrumental {3:53}, 04. When First Unto This Country {3:52}, 05. Handsome Cabin Boy
 {7:02}, 06. I Truly Understand {5:22}, 07. Poison Glass of Wine {3:48}, 08. Man of Constant Sorrow
 {5:12}, 09. false start, Sweet Sunny South {6:07}, 10. Two Soldiers {4:58}, 11. Spring in California
  {6:15}, 12. Grateful Dawg {5:20}
 Set Two: Disc Two (9 tracks, 73:34) --Set II-- 01. The Thrill is Gone {6:51}, 02. Old
 Rockin' Chair {8:17}, 03. So What {8:50}, 04. Off to Sea Once More {6:26}, 05. Friend of the Devil
 {8:00}, 06. Dawg's Waltz {5:13}, 07. Russian Lullaby {7:05}, 08. Arabia {18:33} --Encore-- 09. Ripple
 {4:14}
02/02/91 San Francisco, CA - Warfield Theater MA?>?>CD All n/a enter 7323 
 *JGDG: unknown taper & gear*
 Source: AUD > DAT > CDR > WAV > SHN, unknown mic's. thanks again to Andy 'Bear' G. EAC, boundary
 correction, and SHN via Chris L., seeded 11/2001. *this track was originally on first disc with the
 fade out. i retracked these (cdwav) so that each set was on its own disc. look out for the roar of
 the crowd at the start of Ripple.
 Set One: Walking Boss*, Instrumental, When First Unto This Country, Handsome Cabin Boy, Love
 Another Man**, Poison Glass Of Wine***, Man of Constant Sorrow, Take me back, Two Soldiers, Spring In
 California, Grateful Dawg
 Set Two: The Thrill Is Gone, Old Rocking Chair, So What, Off To Sea Once More, Friend Of The
 Devil, Dawg's Waltz, Russian Lullaby, Arabia, Eat My Dust, E: Ripple
02/02/91a San Francisco, CA - Warfield Theater MV?>?>CD All n/a 1291 81804 
 *JGDG: rehearsal/soundcheck* *48k*
 ADMIN NOTE: there are two discs worth of material, derived from the circulating proshot video and
 circulated in 1/2007 by Teddy Goodbear. We have taken the liberty of editing Goodbear's voluminous
 text files to focus as much as possible on what's on the discs. Source: Believed mostly from SBD and
 Justin Kreutzmann video camera or stage mics > GoodBear Edit > WAV 48 kHz > FLAC. Lineup: Jerry Garcia
 - guitar, banjo, vocals; David Grisman - mandolin, banjo, vocals; Jim Kerwin - stand up bass with and
  w/o bow; Joe Craven - violin, percussion and mandolin. Some of Goodbear's Notes: * 1st known time
 (event wise) being played as "Jerry Garcia and David Grisman" ** 2nd known time (event wise) being
 played as "Jerry Garcia and David Grisman" ***Sounds like "Grateful Dawg" but Garcia seems a little
 unfamiliar with it. ~ The 1st few tracks sound a little distant (brief parts of other tracks sound
 distant too), could be from camera or stage mics? Most tracks are nice SBD sounding!
 Set One: Disc 1 of 2: 00. {0:21} disclaimer silence clipped on FLAC audio, 01. {0:15}
 goodbear start signature, 02. {1:07} setting up and discussion between Garcia and Grisman to get
 David a mic, 03. {3:54} Poison Glass Of Wine* ~ (Garcia on guitar, vocals/Grisman on mandolin,
 vocals), 04. {0:30} setup and tuning, 05. {0:46} When First Unto This Country** ~ 1st take (Garcia
 on guitar, vocals), 06. {0:20} tuning, 07. {3:14} When First Unto This Country** ~ 2nd take(Garcia
 on guitar, vocals/Grisman on mandolin), 08. {2:50} duet Grateful Dawg** (Garcia on guitar,
 vocals/Grisman on mandolin), 09. {1:46} Jim Kerwin bass setup with Garcia and Grisman approval, 10.
 {0:52} more bass setup, 11. {0:44} more bass setup while Garcia and Grisman discuss strategies, 12.
 {0:33} percussion setup while Garcia on guitar helps percussionist Joe Craven with a tuneup beat, 13.
 {1:55} more percussion setup while Garcia noodles on guitar and Grisman chats with stage hand, 14.
 {0:44} more percussion setup while Garcia noodles on guitar, 15. {0:55} tuning up > hints of Arabia*
 (Garcia on guitar/Grisman on mandolin), 16. {0:45} So What?** (Garcia on guitar/Grisman on mandolin),
 17. {0:51} Joe Craven setting up violin while Garcia and Grisman talk/laugh and Garcia lights
 cigarette 18. {1:36} Craven on violin/Garcia on guitar noodles, Grisman hams it up to camera "Art of
 Family Tuning" > Instrumental (Craven on violin, Garcia on guitar and Grisman on mandolin), 19.
 {0:51} mish mahsh instrumental tuning, "booming bass" (Craven ~violin, Garcia ~guitar, Grisman
 ~mandolin & Kerwin ~bass), 20. {1:47} Stage hand ticks Jerry off. Grisman suggests, "...Banjo
 Duet..." to calm Jerry down then banjo setup 21. {8:06} more banjo setup > Sweet Sunny South* (Garcia
 and Grisman ~ Banjo Duet), 22. {4:44} Instrumental (?) *** (Craven ~ percussion, Garcia ~banjo,
 Grisman~mandolin & Kerwin~bass) > discussion & stage chat, 23. {2:55} more bass setup with bow, setup
 and stage chatter > Garcia noodling, 24. {0:36} all band members talk strategy, 25. {0:40} Two
 Soldiers** ~ 1st take (Craven~violin, Garcia~guitar, Grisman~mandolin & Kerwin~bass), 26. {1:49} Two
 Soldiers** ~ 2nd take (Craven~violin, Garcia~guitar, Grisman~mandolin & Kerwin~bass), 27. {5:44}
 Spring In California** (Craven ~percussion, Garcia ~guitar, Grisman ~mandolin & Kerwin ~bass), 28.
 {4:43} Garcia noodling > Grateful Dawg** (Craven~percussion, Garcia ~guitar, Grisman ~mandolin &
 Kerwin ~bass), 29. {1:30} The Thrill Is Gone ~ DVD #2 highlight tease promo (Craven ~percussion,
 Garcia ~guitar, Grisman ~mandolin & Kerwin~bass), 30. {4:25} Grisman Intro 8/25/1991 > Grateful Dawg
 Promo "Grateful Dawg" audio soundtrack, 31. {0:20} goodbear end signature, Total: {62:02}
  Set Two: Disc 2 of 2 Set 2 con't. 00. {0:21} disclaimer silence clipped on FLAC audio 01.
 {0:15} goodbear start signature 02. {1:37} Garcia noodling scales > tuneup > Thrill Is Gone** ~ 1st
 take > Garcia shows Grisman "melody" 03. {5:25} Thrill Is Gone** ~ 2nd take 04. {0:24} Thrill Is
 Gone** ~ 3rd take 05. {5:59} Thrill Is Gone** ~ 4th take 06. {1:13} Garcia noodling scales while
 checking the sound in all the corners of the Warfield 07. {1:39} Drum solo intro for Arabia* > 08.
 {2:42} Arabia* 09. {1:01} More Garcia noodling scales Set 3 10. {0:26} talk > break time lapse talk,
 11. {3:14} Man Of Constant Sorrow* ~ 1st take, 12. {0:56} Man Of Constant Sorrow* ~ 2nd take, 13.
 {0:40} take on what to practice > Grisman has strap trouble > tuneup > 14. {0:24} Friend of The
 Devil* ~ 1st take, 15. {4:45} Friend of The Devil* ~ 2nd take, 16. {2:56} talk > Ripple* ~ 1st take,
 17. {0:15} sound complaints > 18. {4:06} Ripple* ~ 2nd take, 19. {0:44} Ripple* ending duel
 mandolin only w/Grisman & Craven, 20. {1:22} telling jokes break time, 21. {9:15} Old Rockin' Chair*
 ~ 1st take, 22. {0:29} Old Rockin' Chair* ~ 2nd take, 23. {0:17} Garcia noodles > 24. {0:48} ending
 talk, 25. {4:25} Grisman Intro 8/25/1991 > Grateful Dawg Promo "Grateful Dawg" audio soundtrack, 26.
 {0:20} goodbear end signature, Total: {55:49}
02/03/91 San Francisco, CA - Warfield Theater MSD>C>D>CD All 127 
 *JGDG*
 MSD > 1 cassette > DATs > Sony R500 playback > Sony CDR-W33 (master CD) > HP 9350i extraction and
 normalization to 98% using EAC > tracking using CD Wave > my CD.
 Set One: Disc One (10) 47:12 --Set I-- //Walkin' Boss, Instrumental, When First Unto This
 Country, Handsome Cabin Boy, I Truly Understand (1), Poison Glass Of Wine, Man Of Constant Sorrow ,
 Sweet Sunny South (2), Two Soldiers , Spring In California , Grateful Dawg
 Set Two: Disc Two (10) 79:45 --Set II-- The Thrill Is Gone, Old Rockin' Chair, So What?, Off
 To Sea Once More, Friend Of The Devil, Dawg's Waltz//, //Russian Lullaby, Arabia --Encore-- Ripple
02/03/91 San Francisco, CA - Warfield Theater mixed sbds All n/a enter 21788 
 *JGDG*
 Recording Info: Set One: SBD -> Dat -> Cassette Master -> ? -> Cass -> Dat -> Samplitude -> SHN;
  Set Two: SBD -> Dat -> Cassette Master -> Dat -> SHN; (2 Discs Audio / 2 Discs SHN). Transfered By
 Charlie Miller, charliemiller87@earthlink.net, 1/19/04. Notes: --Set One Cassette provided By Ben
 wirth (I did the A>D Transfer); --Set Two is listed on GDLive as a DSBD, they are wrong.
 Set One: Walking Boss*, Instrumental, When First Unto This Country, Handsome Cabin Boy, Love
 Another Man**, Poison Glass Of Wine***, Man Of Constant Sorrow, Take Me Back****, Two Soldiers, Spring
 In California, Grateful Dawg
 Set Two: The Thrill Is Gone, Old Rocking Chair, So What, Off To Sea Once More, Friend Of The
 Devil, Dawg's Waltz, Russian Lullaby, Arabia, Eat My Dust, E: Ripple
02/03/91 San Francisco, CA - Warfield Theater MSD>C>D>CD? II 78 0563 4373 
 *JGDG*
 Source: SBD>DAT>ZA2>SHN. Jerry Garcia and David Grisman - with Jim Kerwin on bass and Joe Craven on
 violin. Notes: slight smear at approx 21:19 on master and glitch at 55:45 both on master. This show
 was upped and compressed by Gary King, cerebralcortex@hushmail.com.
 Set Two: 01 The Thrill is Gone (06:53) 02 Old Rocking Chair (09:58) 03 So What (09:28) 04
 Off to Sea (06:34) 05 Friend of the Devil (07:22) 06 Dawg's Waltz (05:39) 07 Russian Lulaby (08:30) 08
 Ariabia (19:30) 09 Encore: Ripple (04:27) Total Time: (78:23)
02/06/91 *see Jerry Garcia on Official Releases*  n/a 
02/09/91 *see Jerry Garcia on Official Releases* n/a 
02/27/91 "Lifelines" DVD - b'cast 2/27/91 2beta>DVD All n/a 
 *"Lifelines" KTVU-TV special, b'cast 2/27/91*
 Jerry Garcia, "Lifelines" KTVU TV, Broadcast Date: 2-27-91. Another video from the Graceful Duck
 Archive. Cable > SuperBeta HiFi > Edit SuperBeta HiFi > Playback Sony SL-HF2000 > Standalone Panasonic
 DMR-E50 (XP) . NTSC - Stereo; Video codec: MPEG2; Video bitrate: 9089 kb/s; Audio codec: AC3; Audio
 bitrate: 256 kb/s; TRT: 11:23. Excellent interview. Jerry seems to be genuinely engaged in this one.
 Quite poignant when Suzanne Shaw asks Jerry how he would like to be remembered. There are a few nice
 live perfomance clips - all from Bay Area shows, from what I can tell. This dvd was created August
 9th 2007.
02/28/91 San Francisco, CA - Warfield Theater MAD>D>CD All 125 1263 34070 
 *JGB: Schoeps MK4 > unknown deck*
 Source: Schoeps MK4 > DAT > CDR > WAV > FLAC16. Seeder Comments: Excellent sound quality.
  Moderately intrusive crowd noise at times. Only source in circulation at the time of seeding. Thanks
 to Slip for the CDs. DAE (EAC) > Wavelab 5 (pauses between tracks smoothed with crossfades, a couple
 of dropouts repaired, overall levels/dynamic range optimized for 16 bit) > CDWAV 1.9 > FLAC (level 8)
 by C.Ladner. JJ: really nice tape.
 Set One: Disc One (8 tracks, 68:15) --set I--The Way You Do The Things You Do, Mission In
 The Rain, You Never Can Tell (C'est La Vie), Simple Twist Of Fate, I Second That Emotion, Like A Road,
 My Sisters And Brothers, Deal
 Set Two: Disc Two (7 tracks, 56:45) --set II-- //Everybody Needs Somebody To Love, Stop That
 Train, Waiting For A Miracle, Think, Lay Down Sally, That Lucky Old Sun, Midnight Moonlight
02/28/91 San Francisco, CA - Warfield Theater MAD>D>CD I n/a 1160 23226 
 *JGB: Schoeps CMC3-MK4*
 Source: FOB(Schoeps CMC3-MK4>D>D>WAV>SHN. Taper: unknown at this time. DATs provided by J. Powell.
 DAT>WAV>SHN by C.Ladner (Sony PCM-R500 > coaxial S/PIDF> Audiophile 2496 > WAV recording and editing
 (Soundforge 6.0 (48>44.1) > tracking (CDwav editor) > sector boundaries confirmed (shntool) > SHN
 (mkwact).
 Set One: The Way You Do The Things You Do, Mission In The Rain, You Never Can Tell (C'est La
 Vie), Simple Twist Of Fate, I Second That Emotion, Like A Road, My Sisters And Brothers, Deal
03/01/91 San Francisco, CA - Warfield Theater MAD>D>CD? All n/a 
 *JGB: unknown taper & gear*
03/01/91 San Francisco, CA - Warfield Theater MAD>CD  All n/a 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 MAD (Taped by Larry Gindoff, Nakamichi 700 Microphones Capsules (Omni Direction) mounted in a
 baseball cap on head) > Reutelhuber P/S > Sony D3) > CD.
 Set One: Cats Under The Stars Down Under The Stars, He Ain't Give You None, Struggling Man,
 Forever Young, Run For The Roses, The Night They Drove Old The Night They Drove Old Dixie Down, Lay
 Down Sally
 Set Two: The Harder They Come, Money Honey, And It Stoned Me, Russian Lullaby, Don't Let Go,
 Postively 4th Street, Somebody To Love
03/01/91 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1121-1122 7329 
  *JGB: B&K 4011s*
 FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN. Dat->CD Done by Charlie Miller.
 Set One: Cats Under The Stars Down Under The Stars, He Ain't Give You None, Struggling Man,
 Forever Young, Run For The Roses, The Night They Drove Old The Night They Drove Old Dixie Down, Lay
 Down Sally
 Set Two: The Harder They Come, Money Honey, And It Stoned Me, Russian Lullaby, Don't Let Go,
 Postively 4th Street, Somebody To Love
03/01/91 San Francisco, CA - Warfield Theater MAD>CD All n/a enter 6627 
 *JGB: B&K 4011s > unknown deck*
 FOB B+K 4011> Neumann PS > Dat > CD > eac > shn. EAC and SHn by Peter Nichols gpn@brinkshofer.com
 (9-26-01).
 Set One: Cats Under The Stars Down Under The Stars, He Ain't Give You None, Struggling Man,
 Forever Young, Run For The Roses, The Night They Drove Old The Night They Drove Old Dixie Down, Lay
 Down Sally
 Set Two: The Harder They Come, Money Honey, And It Stoned Me, Russian Lullaby, Don't Let Go,
 Postively 4th Street, Somebody To Love
03/02/91 San Francisco, CA - Warfield Theater  MAD>D>CD All 143 0992-0993 15584 
 *JGB: Schoeps CMC3-MK4 > unknown deck*
 DAT > CD by Charlie Miller. Nice aud, low vocals. - d1t01 splice @ track 6:56, listed at etree as a
 drop; - d2t04 Money Honey splice @ 4:32
 Set One: Disc One (7) 64:41 --Set I-- How Sweet It Is to be Loved By You, I Shall Be
 Released, You Never Can Tell (C'est La Vie), Mississippi Moon, Tore Up Over You, My Sisters And
 Brothers, Lets Let's Spend The Night Together Together
 Set Two: Disc Two (8) 78:08 --Set II-- The Way You Do The Things You Do, Senor (Tales Of
 Yankee Power), Struggling Man, Money Honey, Somebody To Love, Evangeline, That Lucky Old Sun, Tangled
 Up In Blue
03/08/91 *see Jerry Garcia on Official Releases* n/a 
04/19/91 San Francisco, CA - Warfield Theater MAD>D>CD I n/a 0934 23225 
 *JGB: Schoeps CMC34s*
  Set One: Shining Star, You Never Can Tell (C'est La Vie), Simple Twist Of Fate of Fate, Run
 For the Roses, Stop That Train, Twilight, My Sisters And Brothers, Deal
04/20/91 San Francisco, CA - Warfield Theater MAD>D>CD  All 129 0994-0995 15083 
 *JGB: Schoeps CMC3-MK4s*
 Comments: Dead space/crowd noise between several tracks edited out on the master discs. Overall,
 an above average audience recording with moderate crowd intrusiveness/clapping, but hey- it was the
 4/20 show at the Warfield!!! This show has performance number two of only four performances of
 "Twilight" - the first performance was the night before and it starts out a little rusty but quickly
  falls into laid back reggae-ish groove. i don't know why they stopped playing this song... Anomalies:
 d1t02 - small pop at 04:15 - i tried to fix it but its embedded - cerebral filters will have to do.
 it may be a balloon pop.  d1t02 - questionable "lighter being flicked" by nearby Warfield patron @
 04:23, 04:27, 04:35 with subsequent cough @ 04:40. d1t04 - small digital artifact @ 00:45.975 repaired
 with SF5 pencil. Recording levels on the seed CDRs were quite low so a +2.0 dB volume gain was
 applied to the entire show using soundforge 5.0 prior to tracking. Thanks to H.Angus for the CDR
 seeds. DAE(EAC 0.9 beta 4, high and secure, offset corrected) > editing (pencil and gain) > tracking
  (cdwav) > boundaries confirmed (shntool) > SHNv3 (shorten 3.4) > FTP via C. Ladner/ candyman FTP.
 Another installment of MisSHN in the Rain derivative of TMNSP - 02/06/03.
 Set One: Disc One (7 tracks, 67:29 --set I-- Cats Under The Stars Down Under The Stars Down
 Under the Stars, Twilight, Dear Prudence, I Shall Be Released, Money Honey, Rubin And Cherise, Lets
 Spend the Night Together
 Set Two: Disc Two (7 tracks, 62:27) --set II-- Shining Star, Waiting For A Miracle,
 Struggling Man, Let It Rock, When The Hunter Gets Captured By The Game, That Lucky Old Sun, Somebody
 To Love
04/20/91 San Francisco, CA - Warfield Theater MAD>CD II 65  
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 MAD (Taped by Larry Gindoff, Nakamichi 700 Microphones Capsules (Omni Direction) mounted in a
 baseball cap on head) > Reutelhuber P/S > Sony D3) > CD. Nice tape! Some crowd chatter. t01 Shining
 Star digi-static @ 0:46
 Set Two: (7) 65:28 --Set II-- Shining Star, Waiting For A Miracle, Struggling Man, Let It
 Rock, When The Hunter Gets Captured By The Game, That Lucky Old Sun, Somebody To Love
04/21/91  San Francisco, CA - Warfield Theater MAD>D>CD All 139 1047-1048 6346 
 *JGB: Schoeps CMC34s > Panasonic SV255*
 MAD (FOB Schoeps CMC34s > Oade Power Supply > Panasonic SV-255) > DAT clone > Sony DTC-A6 playback
 > Dio 2448 > Soundforge 4.5 > CD WAV > Shn by Bill Gardner, bgardner@telocity.com. Notes: - This is a
 terrific audience recording of a great show. HAGYN is probably the best version I have heard,
 Twilight is a gorgeous tune, and Don't Let Go is just right. *Dankseed Certification received
 01-08-14*
 Set One: Disc One (8) 71:39 --Set I-- 01. Crowd/Tuning [1:21], 02. How Sweet It Is To Be
 Loved By You [7:06] [1:19], 03. He Ain't Give You None [8:29] [1:48] (nice!!), 04. C'est La Vie (You
 Never Can Tell) [9:05] [1:29], 05. Like A Road [9:12] [0:55], 06. When The Hunter Gets Captured By The
 Game [6:56] -> 07. Lay Down Sally [10:40] [0:42], 08. Let's Spend The Night Together [12:30] [0:07]
 Set Two: Disc Two (8) 66:33 --Set II-- 01. Crowd/Tuning [3:28], 02. The Way You Do The
 Things You Do [12:19] [0:36], 03. And It Stoned Me [8:52] [1:13], 04. Think [7:20] [0:55], 05.
 Twilight [7:54] -> 06. Don't Let Go [18:59] [0:50], 07. My Sisters And Brothers [4:07] -> 08. Midnight
 Moonlight [5:58] [0:07]
05/23/91 San Francisco, CA - Warfield Theater MAD>D>CD? All 139 1322 9460 
 *JGB: unknown taper & gear*
 Very nice recording, very nice performance. I especially like the incredible groove that they hit
 around 6:30 of Don't Let Go @@, wish they would have developed this a bit!
 Set One: Disc One (7 tracks, 65:48) --Set I-- Crowd & Tuning, Cats Under the Stars, Shining
 Star, Struggling Man, Run for the Roses, Lazy Bones, Money Honey, Deal
 Set Two: Disc Two (7 tracks, 72:54) --Set II-- See What Love Can Do, I Shall Be Released,
 Think, Lay Down Sally, And It Stoned Me, Don't Let Go -> Everybody Needs Somebody to Love
05/23/91 San Francisco, CA - Warfield Theater MAD>CD All 138 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
  MAD (Taped by Larry Gindoff, Nakamichi 700 Microphones Capsules (Omni Direction) mounted in a
 baseball cap on head) > Reutelhuber P/S > Sony D3) > CD. Taper & neighbor talk ("Those cables don't
 make any noise when you move it around like that?") after Cats identify this master. More taper talk
 after See What Love Can Do. Very nice versions of See What Love Can Do, Lay Down Sally, Don't Let Go.
 Big cheer @ 7 min of Everybody Needs somebody to Love -- according to jdarr, JG approached the mic for
 the verse but backed away.
 Set One: Disc One (7 tracks, 64:58) --Set I-- Cats Under The Stars Down Under The Stars Down
 Under the Stars, Shining Star, Struggling Man, Run For the Roses, Lazy Bones, Money Honey -> Deal
 Set Two: Disc Two (7 tracks, 73:11) -- Set II-- See What Love Can Do, I Shall Be Released,
 Think, Lay Down Sally, And It Stoned Me, Don't Let Go, Somebody To Love
08/10/91 Piercy, CA - French's Camp on the Eel River MAD>CD All 117 1038 14932 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 MAD (Taped by Larry Gindoff, Nakamichi 700 Microphones Capsules (Omni Direction) mounted in a
 baseball cap on head) > Reutelhuber P/S > Sony D3) > CD. This is a really nice tape, nice show with a
 top-shelf Stoned Me. - d1t01 buzz @ 0:12, levels increase @ 0:40; - d2t05 buzz @ 0:20. I have
 compared this with the unattributed aud that circulates on etree (shnid 14932) and I am pretty sure
 that that is derived from this source.
 Set One: Disc One (7) 54:33 --Set I-- The Way You Do The Things You Do, And It Stoned Me,
 You Never Can Tell (C'est La Vie), Waiting For A Miracle, Struggling Man, My Sisters And Brothers,
 Deal
 Set Two: Disc Two (7) 61:54 --Set II-- Shining Star, Think, See What Love Can Do, Lazy
 Bones, Twilight, Lay Down Sally, Somebody To Love
08/10/91 Piercy, CA - French's Camp on the Eel River MAD>CD All 119 1215 30813 
 *JGB: Buick, Katzeff & Hughes, spaced Schoeps CMC32s > SV-255*
 Recording: Marcus Buick, Rick Katzeff and Tom Hughes, Schoeps CMC32s, spaced omnis ca. 6-6.5'
 center/right > TAO/Oade PS > Panasonic SV-255; Transfer: Tascam DA-30 > Digital Domain VSP-P (for
 sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool
  Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.
 Set One: Disc One (8 tracks, 55:37) --Set I-- 01. Crowd & Tuning [1:48], 02. The Way You Do
 The Things You Do [10:20] [0:53], 03. And It Stoned Me [8:12] [1:01], 04. You Never Can Tell (C'est La
 Vie) [6:52] [0:30], 05. Waiting For A Miracle [5:27] [0:38], 06. Struggling Man [6:24] [0:13], 07. My
 Sisters And Brothers [4:29] [0:33], 08. Deal [8:10] [0:05]
 Set Two: Disc Two (8 tracks, 62:43) --Set II-- 01. Crowd & Tuning [0:23], 02. Shining Star
 [11:00] [0:46], 03. Think [6:55] [1:07], 04. Lay Down Sally [7:37] [1:20], 05. Twilight [9:06] [1:08],
 06. See What Love Can Do [6:22] [0:14], 07. Lazy Bones [6:20] -> 08. Everybody Needs Somebody To Love
 [10:16] [0:06]
08/10/91 Piercy, CA - French's Camp on the Eel River MAD>CD All n/a enter 33421 
 *JGB: Schoeps CMC?4 > Panasonic SV255*
 Lineage: Undisclosed taper. Schoeps CMC4 Cardiods ORTF > Panasonic SV255 Dat > Pansonic 3700 DAT >
 Card Deluxe Digital I/O Card > Soundforge 6.0 > Flac.
 Set One: The Way You Do The Things You Do, And It Stoned Me, You Never Can Tell (C'est La
 Vie), Waiting For A Miracle, Struggling Man, My Sisters And Brothers, Deal
 Set Two: Shining Star, Think, See What Love Can Do, Lazy Bones, Twilight, Lay Down Sally,
 Somebody To Love
08/24/91 Squaw Valley, CA - Goldcoast Concert Bowl MATRIX All 110 1106 26497 
 *JGB: DSBD matrix w/ Bill Reutelhuber, Schoeps MK2 > SV-250*
 Nice job Bill! - d1t03 pop @ 3:14; - d1t05 pop @ 2:38; - d2t03 pop @ 5:27; - d2t04 is the best
  latter day Struggling Man I have heard, not the train wreck of versions earlier in the year.
 Set One: Disc One (8) 58:49 --Set I-- How Sweet It Is to be Loved By You, Stop That Train,
 Run For The Roses, Forever Young, You Never Can Tell (C'est La Vie), Lazy Bones, Deal
 Set Two: Disc Two (7) 50:41 --Set II-- The Way You Do The Things You Do, Waiting For A
 Miracle, Struggling Man, Money Honey, Shining Star, Somebody To Love
08/24/91 Squaw Valley, CA - Goldcoast Concert Bowl MSD>CD All n/a 1037 4371 
 *JGB*
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Run For The Roses, Forever
 Young, You Never Can Tell (C'est La Vie), Lazy Bones, Deal
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Struggling Man, Money
 Honey, Shining Star, Somebody To Love
08/24/91 Squaw Valley, CA - Goldcoast Concert Bowl MSD>CD All n/a enter 34072 
 *JGB*
 SB>DAT>WAV>FLAC.
 Set One: How Sweet It Is to be Loved By You, Stop That Train, Run For The Roses, Forever
 Young, You Never Can Tell (C'est La Vie), Lazy Bones, Deal
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Struggling Man, Money
 Honey, Shining Star, Somebody To Love
08/24/91 Squaw Valley, CA - Goldcoast Concert Bowl MSD>CD All n/a enter 35269 
 *JGB*
 source: soundboard->Dat->cd-r. flaws: short dropout at 6:02 in d1t02 (also on the master).
 Set One: How Sweet It Is to be Loved By You, Stop That Train, Run For The Roses, Forever
 Young, You Never Can Tell (C'est La Vie), Lazy Bones, Deal
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Struggling Man, Money
 Honey, Shining Star, Somebody To Love
08/25/91 Squaw Valley, CA - Goldcoast Concert Bowl MSD>D>CD All 104  
 *Garcia/Grisman*
 SBDMD>DAT>CD; * With Bela Fleck; There is noticeable wind noise throughout the recording; d1t01
 Jack-a-Roe digi-static @ 2:32-2:33, pop @ 3:32; d1t07 Two Soldiers drop @ 0:28
 Set One: Set I, 1. [0:05] Jack-A-Roe [4:24] [0:22], 2. Spring In California [5:13] [0:02],
 3. [1:02] Grateful Dawg [3:42] [0:03], 4. Louis Collins [5:19] [0:18], 5. [0:16] Off To Sea Once More
 [5:11] [0:27], 6. [0:03] Friend Of The Devil [6:48] [0:51], 7. [0:03] Two Soldiers 4:27] [0:32], 8.
 [0:11] So What? [8:19] [0:06], Total Time 47:49
 Set Two: Set II, 1. [0:22] Russian Lullaby [6:50] [0:18], 2. [0:26] Dawg's Waltz [4:47]
 [0:04], 3. [0:25] The Thrill Is Gone [5:12] [0:06], 4. [0:26] Old Rockin' Chair [8:09] [0:35], 5.
 Arabia [16:42], 6. [2:20] Eat My Dust* [4:42] [0:02], 7. [0:05] Ripple* [4:18] [0:03], Total Time
08/25/91 Squaw Valley, CA - Goldcoast Concert Bowl MSD>CD All 107 1163  28843 
 *Garcia & Grisman*
 Set One: Disc One (8) 50:41 --Set I-- Jack-A-Roe, Spring In California, Grateful Dawg, Louis
 Collins, Off To Sea Once More, Friend Of The Devil, Two Soldiers, So What
 Set Two: Disc Two (8) 56:13 --Set II-- Russian Lullaby, Dawg's Waltz, The Thrill Is Gone,
 Old Rocking Chair, Arabia, Eat My Dust**, Ripple**
08/25/91 Squaw Valley, CA - Goldcoast Concert Bowl MATRIX All 109 1107 26573 
  *Garcia/Grisman: sbd-aud (Reutelhuber, Schoeps MK2 omni > SV-250)*
 **=w/Bela Fleck. This sounds wonderful. Still some windnoise, but very good stuff. Louis Collins
 is a unique fast version.
 Set One: Disc One (9) 48:29, Jack-A-Roe, Spring In California, Grateful Dawg, Louis Collins,
 Off To Sea Once More, Friend Of The Devil, Two Soldiers, So What
 Set Two: Disc Two (9) 60:49, Russian Lullaby, Dawg's Waltz, The Thrill Is Gone, Old Rocking
 Chair, Arabia, Eat My Dust,** Ripple**
08/25/91 Squaw Valley, CA - Goldcoast Concert Bowl MAD>P>CD All 105 1313 87244 
 *JGDG: Rob Darroch, B&K 4011s > Panasonic SV255*
 Master: Rob Darroch, B&K 4011s > Panasonic SV-255 DAT; Source: PCM-Beta tape, unknown gen but close
 to master; Transfer: Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs
 Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer
 by David Minches. Notes: - (1) w/ Bela Fleck on banjo - wind noise is present, as on all recordings of
 this show and the previous night (including sbds). This is otherwise a very nice sounding tape, IMO.
 The show is nice, too. The boys tear it up on Eat My Dust, in particular.
 Set One: Disc One (9 tracks, 48:05) --Set I-- d1t001. Crowd & Tuning [0:17], d1t002.
 Jack-A-Roe [4:24] [0:22], d1t003. Spring In California [5:13] [1:05], d1t004. Grateful Dawg [3:41]
 [0:04], d1t005. Louis Collins [5:20] [0:34], d1t006. Off To Sea Once More [5:13] [0:27], d1t007.
 Friend Of The Devil [6:50] [0:53], d1t008. Two Soldiers [4:27] [0:44], d1t009. So What? [8:20]
  [0:07]
 Set Two: Disc Two (8 tracks, 56:40) --Set II-- d2t001. Crowd & Tuning [0:18], d2t002.
 Russian Lullaby [6:49] [0:46], d2t003. Dawg's Waltz [4:46] [0:30], d2t004. The Thrill Is Gone [5:15]
 [0:30], d2t005. Old Rocking Chair [8:09] [0:46], d2t006. Arabia [16:36] [2:24], d2t007. Eat My Dust
 (1) [4:41] [0:10], d2t008. Ripple (1) [4:17] [0:39]
08/25/91 Squaw Valley, CA - Goldcoast Concert Bowl MSD>D>CD All n/a enter 4370 
  *JGDG*
 MSD > DAT > CDR > EAC > SHN. (1) With Bela Fleck. The wind noise is very noticeable, even in the
 SBD tapes. Notes: (1) Dropout at 0:28 in Two Soldiers. (2)A video of Friend Of The Devil through the
 end of the show also exists. EAC notes: I received this show as 2 discs, with the break between The
 Thrill is Gone and Old Rockin' Chair. This made no sense to me since you can fit each set onto it's
 own discs, so that's how I have the SHNs numbered. Disc 1 had slight (about 1 second) diginoise at
 about 2:28 of track 1 when I received it. Extracted, shortened, and seeded by eric walker
 (deadhead@walkernetworks.com).
 Set One: Jack-A-Roe, Spring In California, Grateful Dawg, Louis Collins, Off To Sea Once
 More*, Friend Of The Devil, Two Soldiers, So What
 Set Two: Russian Lullaby, Dawg's Waltz, The Thrill Is Gone, Old Rocking Chair, Arabia, Eat
 My Dust, Ripple**
11/06/91 Landover, MD - Capitol Centre MAD>D>CD All n/a 1046 16671 
 *JGB: Schoeps CMC34s*
 Set One: Cats Under The Stars, Stop That Train, You Never Can Tell (C'est La Vie), Run For
 The Roses, Simple Twist Of Fate, Ain't No Bread in the Breadbox, My Sisters And Brothers, Deal
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Money Honey, Shining Star,
 Struggling Man, Don't Let Go, Somebody To Love, E: Wonderful World
11/06/91 Landover, MD - Capitol Centre matrix All n/a enter 87600 
 *JGB: Kevin Tobin 2-aud matrix*
 Set One: Cats Under The Stars, Stop That Train, You Never Can Tell (C'est La Vie), Run For
 The Roses, Simple Twist Of Fate, Ain't No Bread in the Breadbox, My Sisters And Brothers, Deal
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Money Honey, Shining Star,
 Struggling Man, Don't Let Go, Somebody To Love, E: Wonderful World
11/06/91 Landover, MD - Capitol Centre MAV>?>DVD>CD All n/a enter 87588 
 *JGB: unknown videographer & gear*
 Source: Low gen audience tri-pod > ? > DVD. Taper: unknown. ~DVD extraction to MPEG2 by MattMan
 as LPCM Wave files. Edited and Mastered By Kevin Tobin on the BHP Edit Station. Track'd, Cdwave Flac'd
 Level 8 TLH.
 Set One: Cats Under The Stars, Stop That Train, You Never Can Tell (C'est La Vie), Run For
 The Roses, Simple Twist Of Fate, Ain't No Bread in the Breadbox, My Sisters And Brothers, Deal
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Money Honey, Shining Star,
  Struggling Man, Don't Let Go, Somebody To Love, E: Wonderful World
11/07/91 Landover, MD - Capital Center MAD>D>CD All n/a 0996-0997 13561 
 *JGB: Schoeps CMC3-MK4 > Panasonic SV-255*
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Forever Young, Let It
 Rock, Lay Down Sally, And It Stoned Me, Let's Spend the Night Together
 Set Two: Bright Side Of The Road, Shining Star, Tore Up Over You, Rubin And Cherise, Like a
 Road, Ain't No Bread in the Breadbox, Tangled up in Blue
11/07/91 Landover, MD - Capital Center MAD>CD All n/a 1305 85398 
 *JGB: Clay Brennecke, Schoeps MK4s > Panasonic SV-255*
  Taper: Clay Brennecke; Location Rig: IFOB (Floor Section 5 - Row M) ~ Schoeps MK4s > Custom Oade
 Pre Amp > Panasonic SV-255; Transferred: John E. Herrold; Transfer Linage: Master SV-255 DAT > Sony
 PCM-2800 > PCM-R500 > Sound Devices 722 > Sound Forge 8.0 > WAV.
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Forever Young, Let It
 Rock, Lay Down Sally, And It Stoned Me, Let's Spend the Night Together
 Set Two: Bright Side Of The Road, Shining Star, Tore Up Over You, Rubin And Cherise, Like a
 Road, Ain't No Bread in the Breadbox, Tangled up in Blue
11/07/91 Landover, MD - Capital Center aud shot All n/a 
 *JGB: single camera aud on tripod w/Schoeps audio* *BHP*
 Video Source: Low Generation VHS > Greyvul Dave's vhs > JVC SR-V10U VCR > Digital Time Base
 Corrector AVT-8710 > Canopus DVStorm-RT > VirtualDub 1.6.10. Audio Source: Source: AUD (Schoeps
 CMC34) > Oade > SV-255 > DAT >CDR>WAV>SHNv3; Taper: unknown; SHNID = 13561; Comments: AWESOME set
 list. Great performance, pretty good recording, at times persistent annoying background chatter.
 DAE(EAC 0.9 beta 4)>boundaries confirmed (shntool)>SHN (shorten 3.4) > FTP via C. Ladner/candyman FTP.
 Notes: -Vhs tape courtesy of Greyful Dave from up North -Audience audio downloaded from Jeromes Place
 with many thanks -Capture by Kevin Tobin. -Audio synchronization by Kevin Tobin using Adobe Audition
 to compress/expand the audio in multitrack mode to match the original audio. -Video patches created
 with Ulead VideoStudio 9 by Kevin Tobin. -Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin. -DVD
 authoring via DVD Architect 3 by Kevin Tobin. Audio\Video Faults: I've lost the notes from when I did
 this sync - I don't remember any major errors as both recordings were from 1991. Video Attribute :
 Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode :
 reserved Source picture resolution : 720x480 (525/60) Frame Rate : 30.00 Source picture letterboxed
 : Not letterboxed Bitrate : 8.00 Mbps (1st set) 8.00 Mbps (2nd set) Menu : Yes (song list on
 separate menu); Audio Attribute : Audio Coding mode : Linear PCM audio Sampling Rate : 48kHz
 1536Kbps Audio application mode : Not specified Number of Audio channels : 2 Number of Audio
 streams : 1. Brokedown House Productions
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Forever Young, Let It
 Rock, Lay Down Sally, And It Stoned Me, Let's Spend the Night Together
 Set Two: Bright Side Of The Road, Shining Star, Tore Up Over You, Rubin And Cherise, Like a
 Road, Ain't No Bread in the Breadbox, Tangled up in Blue
11/09/91 *see Jerry Garcia on Official Releases* n/a  
11/09/91 Hampton, VA - Coliseum MAD>D>CD All 143 1055-1056 4368 
 *JGB: Schoeps CMC3/MK4 > Sony D7*
 Schoeps FOB Schoeps CMC3/mk4 (ortf handheld in "sweet spot") > Oade Mic Pre > Sony D7 > Master DAT
 > CD (no intermediate DAE) > EAC > SHN.
 Set One: Disc One (8, 71:10) --Set I-- Tuning [1:47], How Sweet It Is To Be Loved By You, He
 Ain't Give You None, You Never Can Tell (C'est La Vie), Run for the Roses, The Night They Drove Old
 The Night They Drove Old Dixie Down, I Second That Emotion, My Sisters And Brothers, Ain't No Bread in
 the Breadbox
 Set Two: Disc Two (71:56) --Set II-- Bright Side of the Road, Shining Star, Think, Waiting
 for a miracle, I Shall Be Released, Don't Let Go, Midnight Moonlight, E: Wonderful World
11/09/91 Hampton, VA - Coliseum MAD>CD All n/a 1312 85796 
 *JGB: Clay Brennecke, Schoeps MK4s > Panasonic SV-255* 48k
 JGB (16bit/48kHz): Taper: Clay Brennecke Location Rig: IFOB (in sweet spot, DFC 35' from stage) ~
 Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage:
  Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV.
 Set One: How Sweet It Is To Be Loved By You, He Ain't Give You None, You Never Can Tell
 (C'est La Vie), Run for the Roses, The Night They Drove Old The Night They Drove Old Dixie Down, I
 Second That Emotion, My Sisters And Brothers, Open Up Your Heart
 Set Two: Bright Side of the Road, Shining Star, Think, Waiting for a miracle, I Shall Be
 Released, Don't Let Go, Midnight Moonlight, E: Wonderful World
11/09/91 Hampton, VA - Coliseum MAC>CD All n/a 1386 96602 
 *JGB: John, Nak 300s > Sony WM-D6*
 source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S. transfer: mac > Nakamichi
 BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX
 Advanced > wav 16/44.1 > CD Wave > TLH > flac16. Notes: - tuning and first 3:08 of How Sweet It Is (To
 Be Loved By You) patched with Schoeps MK4's > Custom Oade Pre Amp > Panasonic SV-255 (shnid 85796) -
 tape flips after The Night They Drove Old Dixie Down and I Shall Be Released crossfaded - Disc 2 will
 require an overburn. Comments: - with Bruce Hornsby on electric piano. - Thanks to John for lending me
 his masters. - transferred, edited and mastered by SIRMick, December 2008.
 Set One: How Sweet It Is To Be Loved By You, He Ain't Give You None, You Never Can Tell
 (C'est La Vie), Run for the Roses, The Night They Drove Old The Night They Drove Old Dixie Down, I
 Second That Emotion, My Sisters And Brothers, Open Up Your Heart
 Set Two: Bright Side of the Road, Shining Star, Think, Waiting for a miracle, I Shall Be
 Released, Don't Let Go, Midnight Moonlight, E: Wonderful World
11/09/91 Hampton, VA - Coliseum aud shot All n/a 
 *JGB: BigWuRock*
 audio: LPCM; fob neumann usm69. video: superbeta hifi 1st gen > sony superbeta hf360 > sony trv27
 pass through > firewire > vegas7 > avi. mpeg2,720x480, 4:3; dvd1=7,000kbps; dvd2=8,000kbps;
 dvd3=8,000kbps. authored: BigWuRock, vegas 6 and dvd arch3.
 Set One: How Sweet It Is To Be Loved By You, He Ain't Give You None, You Never Can Tell
 (C'est La Vie), Run for the Roses, The Night They Drove Old The Night They Drove Old Dixie Down, I
 Second That Emotion, My Sisters And Brothers, Open Up Your Heart
 Set Two: Bright Side of the Road, Shining Star, Think, Waiting for a miracle, I Shall Be
 Released, Don't Let Go, Midnight Moonlight, E: Wonderful World
11/10/91 Charlotte, NC - Charlotte Coliseum MA?>?>D>CD All n/a 1322 15265 
 *JGB: unknown taper & gear*
 Set One: Cats Under The Stars Down Under The Stars, Stop That Train, Get Out Of My Life
 Woman, Mission In The Rain in the Rain, Forever Young, Lay Down Sally, Lazy Bones, Deal
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Rubin And Cherise, Russian
 Lullaby, Ain't No Bread in the Ain't No Bread In The Breadbox, Money Honey, That Lucky Old Sun,
 Somebody To Love
11/12/91 Philadelphia, PA - The Spectrum MAD>CD All n/a 0931-0932 13604 
 *JGB: Nak 700s*
 Set One: How Sweet It Is To Be Loved By You, And It Stoned Me, He Ain't Give You None, Run
 for the Roses, Struggling Man, Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
 Set Two: Bright Side Of The Road, Shining Star, Waiting for a Miracle, Knockin' on Heaven's
 Door, Evangeline, Don't Let Go, Let's Spend the Night Together, E: Wonderful World
11/12/91 Philadelphia, PA - The Spectrum MAD>CD  All 139 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 MAD (Taped by Larry Gindoff, Nakamichi 700 Microphones Capsules (Omni Direction) mounted in a
 baseball cap on head) > Reutelhuber P/S > Sony D3) > CD. Notes: - pretty muffled sounding ... Gindoff.
 - (1) @ track 1:12 "Hey, are these taken, man?" may identify this master. The "are these taken" guy
 then proceeds to start singing HSII. @ 1:55: "I thought those were stairs. I fucked my toe up." -
 lots of crowd chatter - gets considerably clearer after Stoned Me - Jerry is really into this - see
 HAGYN - 3rd of 5 performances (all on this tour) of Bright Side of the Road - WFAM is sloppy - lots of
 vocal flubs - KOHD is also pretty weak
 Set One: Disc One (9 tracks, 71:09) --Set I-- Crowd & Tuning :42, How Sweet It Is -7:09,
 0:25 Stoned Me [9:09] [0:56] He Ain't Give You None [10:10] [1:00] Run for the Roses [5:30] [0:23]
 Struggling Man [7:37] [1:14] No Bread in the Breadbox [8:37] -> My Sisters and Brothers [4:00] -> Deal
 [9:07] [0:05] --set II-- [0:15] Bright Side of the Road -5:57, 0:10
 Set Two: Disc Two (7 tracks, 68:24) --Set II con't-- [0:16] Shining Star [9:58] [0:53]
 Waiting for a Miracle [5:53] [0:36] Knockin' on Heaven's Door [10:14] [0:56] Evangeline [5:58] [0:58]
 Don't Let Go [14:10] [0:11] Let's Spend the Night Together [10:04] [1:12] --Encore-- What a Wonderful
 World 6:50] [0:15]
11/12/91 Philadelphia, PA - The Spectrum MAD>D>CD All n/a 1386 97072 
 *JGB: Jeff Travitz, Schoeps MK4s > Sony D10*
 Recorded by Jeff Travitz; Schoeps MK-4s> Sony D-10. Lineage: Master DAT > HHB Stand Alone CDR
 (model unknown) > CD > dBpoweramp CD Ripper > HD > Audio Audition 2.0 (adjust DC Offset and retrack) >
 FLAC encoding. Processing and FLAC encoding by David Minches.
 Set One: How Sweet It Is To Be Loved By You, And It Stoned Me, He Ain't Give You None, Run
 for the Roses, Struggling Man, Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
 Set Two: Bright Side Of The Road, Shining Star, Waiting for a Miracle, Knockin' on Heaven's
 Door, Evangeline, Don't Let Go, Let's Spend the Night Together, E: Wonderful World
11/13/91 Worcester, MA - The Centrum MAD>D>CD All n/a 1057-1058 16377 
 *JGB: Mutterperl* *less desirable than 81368*
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, When The Hunter Gets
 Captured By The Game, Dear Prudence, Like a Road, Money Honey, Senor (Tales Of Yankee Power), Deal
  Set Two: The The Way You Do The Things You Do the Things You Do, You Never Can Tell (C'est
 La Vie), Waiting for a Miracle, Shining Star, Ain't No Bread in the Ain't No Bread In The Breadbox, My
 Sisters And Brothers, Midnight Moonlight
11/13/91 Worcester, MA - The Centrum MAD>D>CD All n/a 1287 81368 
 *JGB: John Mutterperl, Schoeps CMC44s > Panasonic SV-255*
 Taper: John Mutterperl. Source: FOB Schoeps CMC 44 blue dot cards with 90 degree capsule offsets >
 6' Monster M1000 cable -> Oade PS-> 1' Monster M1000 > Oade mod'd Panasonic Sv-255. Mics were hung
 from a necklace, just under chin height with roughly a 4 inch spread and 90 degree angle. Transfer:
 MAD > B. Fried DAT > B. Koucky DAT > Sony PCM-R500 playback > S/PDIF > Presonus Firebox > Firewire >
 PC, XP Pro > Wavelab 5 (recorded as 24 bit/48 KHz WAV) > Waves L3 Multimaximizer, high res CD
 rendering settings (Waves IDR type I dither/ ultra shaping) > 16 bit/44.1 KHz WAV > CDWAV 1.9 > WAV >
 FLAC (level 8). Transfer and encoding by C. Ladner. Seeded @ bt.etree.org by the Green Mountain Bros,
 1/2007. Ladner's Comments: "This recording is the same source as the shn set I circulated 4 years ago
 from a CDR source. This flac fileset is derived from a higher bit/sample rate digital transfer of a
 lineaged DAT without the EAC/DAE generation. The sound quality is spectacular for an audience
 recording and the performance is arguably one of the best of '91 outside the Warfield homebase. Also
 this show features a rare live performance of "When The Hunter Gets Captured By The Game" (#8 of only
 10 ever)."
  Set One: How Sweet It Is to be Loved By You, They Love Each Other, When The Hunter Gets
 Captured By The Game, Dear Prudence, Like a Road, Money Honey, Senor (Tales Of Yankee Power), Deal
 Set Two: The The Way You Do The Things You Do the Things You Do, You Never Can Tell (C'est
 La Vie), Waiting for a Miracle, Shining Star, Ain't No Bread in the Ain't No Bread In The Breadbox, My
 Sisters And Brothers, Midnight Moonlight
11/13/91 Worcester, MA - The Centrum  MAC>CD All n/a enter 87502 
 *JGB: Ted Carpenter, Nak 300s > Sony TC-D5M*
 AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's w/no Dolby. Mics on
 stand, aprx 5-feet high, in section 102 (center riser end of floor). Taped by Ted Carpenter. Transfer:
 MAC > Nakamichi BX-125 (Dolby off) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred
 by Andrew F. Notes: - The recording is a bit boomy throughout (mics kept low). - How Sweet It Is cuts
 in at start of the vocals, intro missing. - Level adjustments and minor distortion during How Sweet It
 Is. - Very bad distortion (levels too hot) in TWYDTTYD 0:00 > 1:50. - Soundforge used for fades,
 levels adjust, EQ distorted part. - TLH used for SBE-OK, FLAC compression, and checksums.
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, When The Hunter Gets
 Captured By The Game, Dear Prudence, Like a Road, Money Honey, Senor (Tales Of Yankee Power), Deal
 Set Two: The The Way You Do The Things You Do the Things You Do, You Never Can Tell (C'est
 La Vie), Waiting for a Miracle, Shining Star, Ain't No Bread in the Ain't No Bread In The Breadbox, My
 Sisters And Brothers, Midnight Moonlight
11/15/91 New York, NY - Madison Square Garden MAD>CD All n/a 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 MAD (Taped by Larry Gindoff, Nakamichi 700 Microphones Capsules (Omni Direction) mounted in a
 baseball cap on head) > Reutelhuber P/S > Sony D3) > CD.
 Set One: How Sweet It Is To Be Loved By You, Struggling Man, He Ain't Give You None, Simple
 Twist Of Fate, Lay Down Sally, The Night They Drove Old The Night They Drove Old Dixie Down, My
 Sisters And Brothers, Deal
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Shining Star, Ain't No
 Bread In The Breadbox, Don't Let Go, That Lucky Old Sun, Bright Side Of The Road, E: Wonderful
 World
11/15/91 New York, NY - Madison Square Garden MAD>D>CD All n/a enter 23343 
 *JGB: Schoeps*
 Source: FOB (Schoeps) > DAT > CDR > WAV > SHNv3. Taper Unknown. Comments: Fourth of only five
 performances of Van Morrison's "Bright Side Of The Road". **I normally prefer not to track the encore
 at the end of disc 1, but this is the only way it can be done without burning a third disc with only
 the encore on it. Flaw: There were fadeouts between each track on the original discs which i have
 removed using SF6. DAE (EAC0.9b4 offset corrected secure mode) > tracking (cdwav editor) > sector
 boundaries confirmed (shntool) > SHN (mkwact) via C.Ladner.
 Set One: How Sweet It Is To Be Loved By You, Struggling Man, He Ain't Give You None, Simple
 Twist Of Fate, Lay Down Sally, The Night They Drove Old The Night They Drove Old Dixie Down, My
 Sisters And Brothers, Deal
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Shining Star, Ain't No
 Bread In The Breadbox, Don't Let Go, That Lucky Old Sun, Bright Side Of The Road, E: Wonderful
 World
11/16/91 Albany, NY - Knickerbocker Arena MAD>CD All n/a 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 MAD (Taped by Larry Gindoff, Nakamichi 700 Microphones Capsules (Omni Direction) mounted in a
 baseball cap on head) > Reutelhuber P/S > Sony D3) > CD.
 Set One: Cats Under The Stars Down Under The Stars, Stop That Train, You Never Can Tell
 (C'est La Vie), Forever Young, Run For The Roses, Money Honey, My Sisters And Brothers, Lets Let's
 Spend The Night Together Together
 Set Two: Lay Down Sally*, Waiting For A Miracle, Think, And It Stoned Me, Ain't No Bread In
 The Breadbox, Shining Star, Tangled Up In Blue
11/16/91 Albany, NY - Knickerbocker Arena MAD>CD All n/a 1136-1137 7320 
 *JGB: Schoeps*
 Set One: Cats Under The Stars Down Under The Stars, Stop That Train, You Never Can Tell
 (C'est La Vie), Forever Young, Run For The Roses, Money Honey, My Sisters And Brothers, Lets Let's
 Spend The Night Together Together
 Set Two: Lay Down Sally*, Waiting For A Miracle, Think, And It Stoned Me, Ain't No Bread In
 The Breadbox, Shining Star, Tangled Up In Blue
11/16/91 Albany, NY - Knickerbocker Arena MAD>D>CD All n/a enter 4367 
 *JGB: Nak 700s*
  Set One: Cats Under The Stars Down Under The Stars, Stop That Train, You Never Can Tell
 (C'est La Vie), Forever Young, Run For The Roses, Money Honey, My Sisters And Brothers, Lets Let's
 Spend The Night Together Together
  Set Two: Lay Down Sally*, Waiting For A Miracle, Think, And It Stoned Me, Ain't No Bread In
 The Breadbox, Shining Star, Tangled Up In Blue
11/17/91 Hartford, CT - Civic Center MAD>CD All n/a 1105 7321 
 *JGB: Unknown taper, Schoeps > Tascam?*
 FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3(seekable). Bill Gardner notes the following at etree:
 "Most likely a Teac DAP-20. That was the predecessor tothe DA-P1 and I don't think Tascam had a
 portable out in '91."
 Set One: I Second That Emotion, Struggling Man, Let It Rock, Rubin And Cherise, Like A Road,
 Waiting For A Miracle, Deal
 Set Two: He Ain't Give You None, I Shall Be Released, Tore Up Over You, Ain't No Bread In
 The Breadbox, My Sisters And Brothers, Midnight Moonlight, E: Wonderful World
11/17/91 Hartford, CT - Civic Center MAD>D>CD All n/a 1284 81014 
 *JGB: John Mutterperl, Schoeps CMC44 > Panasonic SV-255*
 Schoeps CMC 44 blue dot cards with 90 degree capsule offsets so they could be held vertically -> 6
 feet of Monster M1000 cable -> Oade PS-> 1 foot of Monster M1000=> Oade mod'd Panasonic Sv=255. Mics
 were hung from a necklace, just under chin height with roughly a 4 inch spread and 90 degree angle.
 Mics were worn by the late great John Mutterperl. Source DAT Tape provided by B.Koucky, rec'd from
 B.Fried, 1996. Transfer: Playback on Sony PCM-R500 > S/PDIF > Presonus Firebox > Firewire > PC, XP
 Pro > Wavelab 5 (recorded as 24 bit/48 KHz WAV) > Waves L3 Multimaximizer, high res CD rendering
 settings (Waves IDR type I dither/ultra shaping) > 16 bit/44.1 KHz WAV > CDWAV 1.9 > WAV > FLAC (level
 8). Transfer and encoding by C.Ladner. Seeded by the green mtn bros, 12/2006 @ bt.etree.org.
 Set One: I Second That Emotion, Struggling Man, Let It Rock, Rubin And Cherise, Like A Road,
 Waiting For A Miracle, Deal
 Set Two: He Ain't Give You None, I Shall Be Released, Tore Up Over You, Ain't No Bread In
 The Breadbox, My Sisters And Brothers, Midnight Moonlight, E: Wonderful World
11/19/91 Providence, RI - Civic Center MAD>CD All 151 1201 30407 
 *JGB: Sideshow Bob, AGK451/CK1 > Sony D3*
 Taper: Bob M. (Sideshow Bob). Source: Akg 451/CK1 > B18 > D3. Location: 26th Row Center. EAC ->
 Shntool (SBE) -> Mkwact -> SHN. MD5's and SBE checked and verified. Patrick Hayes 8/2/2005. Seeder's
 notes: "This is a nice recording and a good night IMHO. On first listen their seem to be times when
 the music is shifting. The first set sounds better then the second - maybe taper moved between sets.
 Second set sounds a little more distant and the recording levels seem lower than the first set.
 Overall this is a solid show. D1T9 Level adjustments first 30 seconds and toward the end of the song
 there is static. Sounds like the deck or cord is shorting out. @1:43 loose left channel for a few
 seconds; @3:21 loose left channel for a few seconds; @3:22 loose left channel for a few seconds; @4:08
 loose left channel for a few seconds; @5:30 loose left channel for a few seconds; @5:43 loose left
 channel for a few seconds; @5:57 from Static till 7:08. JJ: very low levels. Senor is barely audible
  (and is also a disappointingly short version). Static @ start of Don't Let Go.
 Set One: Disc One (79:49) How Sweet It Is To Be Loved By You, He Ain't Give You None, That's
 What Love Will Make You Do Will Make You Do, And It Stoned Me, Dear Prudence, Run For The Roses, Senor
 (Tales Of Yankee Power), Deal (plus Lay Down Sally from set II)
 Set Two: Disc Two 71:25 Lay Down Sally (on d1), Shining Star, Waiting For A Miracle, Ain't
 No Bread In The Breadbox, Tore Up Over You, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
11/19/91 Providence, RI - Civic Center MAD>D>CD All n/a enter 11858f 
 *JGB: Joe Leclair, Schoeps CMC54s* *SBEs fixed*
 master recording by Captain Joe LeClair. DAT transfer and shn mastering by Tony Masiello. Schoeps
 CMC54 (hand held 4th row)--> Peter Grace power supply 12V--> DAT--> ZA2 (48/44.1)--> CEP--> SHN.
 Notes: "Set 2 can probably be burned on an 80 min cd (80:36). Otherwise the show will require 3 cds.
 If there is a better aud recording made in a hockey rink, I've yet to hear it! This recording is so
 warm it can met chocolate!" Fixer's Comment: "None of the tracks were cut on sector boundries so
 shntool was used to correct this. CDwav was used to remove a 0.09 second glitch at the end of d1t03.
 While I was at it I removed 36 seconds of crowd noise from the beginning and end of d2 so the show
 will fit on 2 discs without the need to overburn. Corrected 09-06-2002 by glyde@masonschildren.org
 Set One: How Sweet It Is To Be Loved By You, He Ain't Give You None, That's What Love Will
 Make You Do Will Make You Do, And It Stoned Me, Dear Prudence, Run For The Roses, Senor (Tales Of
 Yankee Power), Deal
 Set Two: Lay Down Sally, Shining Star, Waiting For A Miracle, Ain't No Bread In The
 Breadbox, Tore Up Over You, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
11/19/91 Providence, RI - Civic Center MAC>CD All n/a 1380 96137 
 *JGB: Alabamabob, Senn MD421s > Sony TC-D5M*
 AUD: Sennheiser MD-421's > Sony TC-D5M > Maxell MX-110's, with no Dolby, FOB 15th row center. Taped
 by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH
 > FLAC 1644. Transfer by Andrew F. The recording started late and is missing the first two songs.
 These were replaced with ShnID-11858. The SHN's were decoded to WAV to match the levels in the main
 source using Wavelab, then recoded to FLAC. ShnID-11858 patches are as follows: - How Sweet It Is,
 entire track. - He Ain't Give You None, entire track. - TWLWMYD, 0:00 > 0:08. - And It Stoned Me, 0:00
 > 0:41.
 Set One: How Sweet It Is To Be Loved By You, He Ain't Give You None, That's What Love Will
 Make You Do Will Make You Do, And It Stoned Me, Dear Prudence, Run For The Roses, Senor (Tales Of
 Yankee Power), Deal
 Set Two: Lay Down Sally, Shining Star, Waiting For A Miracle, Ain't No Bread In The
 Breadbox, Tore Up Over You, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
11/20/91 Rochester, NY - War Memorial MAD>D>CD All n/a 1241-1242 4366 
 *JGB: FOB Schoeps*
 Schoeps FOB > DAT; DAT > CD: Panasonic SV3700 > HHB CDR800. Extraction: EAC 0.85 at 1-2x with
 Plextor Ultraplex32. SHN: Rick Vacchetto, ricks_picks@hotmail.com.
 Set One: Cats Under The Stars Down Under The Stars, Stop That Train, Money Honey, Simple
 Twist Of Fate, Lay Down Sally, Like A Road, Deal
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Shining Star, Ain't No
 Bread In The Breadbox, The Night They Drove Old The Night They Drove Old Dixie Down, Tangled Up In
 Blue, E: Wonderful World
11/20/91 Rochester, NY - War Memorial MAD>CD All n/a 1293 82877 
 *JGB: Anne Cohen, Schoeps CMC5s > Panasonic SV-255*
 Recorded by Anne Cohen: Schoeps CMC5?s > Panasonic SV255 > Sony TCD-D3 (48k DAT), fob handheld.
 Sony PCM500 > Zefiro Acoustics ZA2 > Tracked using Sound Forge 4.5 and CD Architect.
 Set One: Cats Under The Stars Down Under The Stars, Stop That Train, Money Honey, Simple
 Twist Of Fate, Lay Down Sally, Like A Road, Deal
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Shining Star, Ain't No
 Bread In The Breadbox, The Night They Drove Old The Night They Drove Old Dixie Down, Tangled Up In
 Blue, E: Wonderful World
11/20/91 Rochester, NY - War Memorial MAD>CD All-1 129 1225 30546 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 Taped by Larry Gindoff, Nakamichi 700s in a hat > Reutelhuber P/S > Sony D3 master DAT > CD > EAC >
 FLAC level 8. Notes: - Sounds like a recording from back in the hall -- music just sounds a bit
 distant relative to things like the very chatty folks all around the taper. I did not note any
 specific flaws. The FLACs compressed down a great deal, with compression ratios in the 40% range ...
 not sure if that signifies anything, but I found it notable.
 Set One: Disc One (7 tracks, 63:39) --Set I-- 01. Cats Under the Stars [8:36] [0:50], 02.
 Stop That Train [7:37] [0:10], 03. Money Honey [6:35] [0:53], 04. Simple Twist of Fate [12:15] [0:31],
 05. Lay Down Sally [8:58] [1:22], 06. Like a Road [7:29] -> 07. Deal [7:59] [0:21]
 Set Two: Disc Two (6 tracks, 65:00) --Set II-- 01. [0:07] The Way You Do The Things You Do
 [12:00] [1:00], 02. Waiting for a Miracle [5:41] [0:59], 03. Shining Star [10:45] [0:29], 04. Ain't No
 Bread in the Breadbox [8:52] [1:14], 05. The Night They Drove Old Dixie Down [11:06] [0:11], 06.
 Tangled Up in Blue [12:17] [0:20], (MISSING Encore: Wonderful World)
11/22/91 Rosemont, IL - Rosemont Horizon MAP>D>CD All n/a enter 9461 
 *JGB: Schoeps*
 FOB Schoeps> PCM> DAT> CDR> WAV> SHNv3 (seekable).
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Run For The Roses, Forever
 Young, You Never Can Tell (C'est La Vie), He Ain't Give You None, My Sisters And Brothers, Somebody To
  Love
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Struggling Man, Ain't No
 Bread In The Breadbox, Shining Star, Midnight Moonlight
11/23/91 Milwaukee, WI - Bradley Center MAD>D>CD  All n/a 0998-0999 4364 
 *JGB: Nak 300s*
 Set One: Cats Under The Stars Down Under The Stars, They Love Each Other, Lay Down Sally,
 The Night They Drove Old The Night They Drove Old Dixie Down, Rubin And Cherise, Money Honey, My
 Sisters And Brothers, Deal
 Set Two: Bright Side Of The Road, Waiting For A Miracle, Think We Both Were Wrong*, Shining
 Star, Ain't No Bread In The Breadbox, That Lucky Old Sun, Tangled Up In Blue
11/23/91 Milwaukee, WI - Bradley Center MAC>CD All n/a enter 91773 
 *JGB: Greg Holtz, Nak 300s > Sony D6*
 Lineage: 2x Nakamichi CM-300 mics with CP-1 caps, worn in hat > Sony D-6 Cassette Recorder Master
 Cassettes-(2)-Maxell MX-S 90 transfered at 24/96 on a tascam112 MKII deck > apogee minime > aes-ebu
 xlr > Lynx2 > wavelab6.0 and Mastered on the GEMS Edit Station In Wavelab 6.0, Weiss Saracon Dither to
 16/44.1 by Jamie Waddell trac'ed cdwave, flac'ed flac frontend level 8. Taper's recollections: "It was
 winter in the upper midwest, so this little JGB jaunt was a cold one. We only saw the Rosemont show
 the night before, and this one. There was a bit of a snow flurry as we waited to get inside The
 Bradley Arena, a fairly new venue in Milwaukee. To my surprise, I saw more than one taper get refused
 entry once they found his gear. So I stashed my gear as well as possible, and looked around for which
 door seemed to have the most lax security. It was good research, as we entered without so much as a
 pat-down. I think it was because it was my wife (she is a babe:thumbsup and I, and we may have looked
 like locals, having grown up not far from there. We were bundled in full midwest winter gear.
 Anyway, once inside, we located our seats which were just off the floor (row 4 I think), on the right
 (Jerry's) side of the stage, just a bit in back of the board. Without doing a play by play, take a
 listen and you will hear that it was a very fun show. I am glad that this particular recording is
  being launched into the digital realm. It was my last JGB show....."
 Set One: Cats Under The Stars Down Under The Stars, They Love Each Other, Lay Down Sally,
 The Night They Drove Old The Night They Drove Old Dixie Down, Rubin And Cherise, Money Honey, My
 Sisters And Brothers, Deal
 Set Two: Bright Side Of The Road, Waiting For A Miracle, Think, Shining Star, Ain't No Bread
 In The Breadbox, That Lucky Old Sun, Tangled Up In Blue
11/23/91 Milwaukee, WI - Bradley Center MAD>D>CD All n/a enter 15266 
 *JGB: Nak 700s > unknown deck*
 Source: FOB Nak 700's > DAT > CDR > EAC > mkwACT. EAC'd/SHN'd by Doug Nawrocki. Known Flaws: -
 Bright Side Of The Road fades in.
 Set One: Cats Under The Stars Down Under The Stars, They Love Each Other, Lay Down Sally,
 The Night They Drove Old The Night They Drove Old Dixie Down, Rubin And Cherise, Money Honey, My
 Sisters And Brothers, Deal
 Set Two: Bright Side Of The Road, Waiting For A Miracle, Think, Shining Star, Ain't No Bread
 In The Breadbox, That Lucky Old Sun, Tangled Up In Blue
11/23/91 Milwaukee, WI - Bradley Center  MAD>?>CD All n/a enter 20293 
 *JGB: unknown taper & gear*
 Source to follow (DAUD). Lineage - D8>USB Mobile Pre>hdd (via Sony Soundforge7). Transferred,
 Tracked, flac'd by Jim Goldman (darkstar67@wideopenwest.com).
 Set One: Cats Under The Stars Down Under The Stars, They Love Each Other, Lay Down Sally,
 The Night They Drove Old The Night They Drove Old Dixie Down, Rubin And Cherise, Money Honey, My
 Sisters And Brothers, Deal
 Set Two: Bright Side Of The Road, Waiting For A Miracle, Think, Shining Star, Ain't No Bread
 In The Breadbox, That Lucky Old Sun, Tangled Up In Blue
11/24/91 Minneapolis, MN - Target Center MAP>D>CD All n/a enter 12025 
 *JGB: Schoeps*
 FOB Schoeps> PCM> DAT> CDR> WAV> SHNv3(seekable). DAE (EAC: High, Secure, Offset Corrected) all
 track quality > 99.8%. All sector boundaries verified using SHNTOOL. SHN (seekable) using MKWACT v0.97
 via eD(efojr) - 03.27.02.
 Set One: Disc 1: Set One: How Sweet It Is To Be Loved By You, Stop That Train, C'est La Vie
 (You Never Can Tell), Run For The Roses, And It Stoned Me, Lay Down Sally, My Sisters And Brothers,
 Deal
 Set Two: Disc 2: Set Two: The Way You Do The Things You Do, Waiting For A Miracle, Ain't No
 Bread In The Breadbox, Shining Star, Don't Let Go, Midnight Moonlight --Encore-- Wonderful World
12/07/91 San Francisco, CA - Warfield Theater MAD>D>CD All 129 1031 23118 
 *JGDG: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 MAD (Taped by Chuck & Janet Vasseur, Vintage 1950s Neumann [KM54s] > Denon DAT deck [model
 unknown]) > DAT > Sony PCM-R500 playback > coaxial S/PDIF > M Audio Audiophile 2496 > WAV
 recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) >
 SHNWAV > SHNv3 (mkwACT). DAT material provided by Jim Powell. DAT > SHN by Chris Ladner. Seeder
 (Ladner)'s Comments: - First public performance of "Arabia". First 'Sitting In Limbo' in nearly a
 decade. - There were some major problems with clipping and distortion early on during the first set
 as the levels were set very high on the master. Because of the degree of distortion, I spliced the
 first 26 seconds of the first track from the previous seeded source. Early on there is some fairly
 loud close up yelping/noise. I went through and selectively attenuated regions of clipping and also
 the intermittent yelping and whooping using Soundforge 6, but it still is at times annoyingly loud. -
 d2t01 Shady Grove first few notes clipped. - Word has it that it is also the first Garcia recording by
 Chuck and Janet Vasseur. It appears that the Neumann model used were 257s. Reviewing the Neumann
 website I can't find reference to this microphone number (I see 254s-256s), but these were apparently
 used for all of the Vasseur's audience recordings, so I need to update the db. - Portions of this
 performance are featured in the film "Grateful Dawg". If you do not have this, GET IT by all means.
 The emotional kick in the gut you will feel from scene 1 take 1 with Jerry on stage at the Warfield
 alone is worth the price and will bring it all right back. JJ Notes: - nice recording! - d2t09 Red
 Rocking Chair PA reverb clears up @ 0:40; - nice job fading down at the applause; - d2t03 after song
 crowd goes nuts as Garcia puts on the banjo; "almost as bad as one banjo, possibly worse" quip from
 Jerry; - d2t04-05 IMO should be retracked about 22 seconds earlier
 Set One: Disc One (8) 57:08 --Set I-- 01 [0:03] Jack-A-Roe [4:57] [0:33] =[05:33], 02
 Spring in California [5:07] [0:19] =[05:27], 03 Grateful Dawg [3:39] [0:17] =[03:57], 04 Louis
 Collins [5:16] [1:02] =[06:18], 05 Off To Sea Once More [5:14] [0:44] =[05:58], 06 Friend Of The
 Devil [6:49] [0:59] =[07:49], 07 Oh The Wind And Rain [5:00] [0:41] =[05:41], 08 Arabia [16:00]
 [0:26] =[16:26]
 Set Two: Disc Two (12) 72:03 --Set II-- 01 /Shady Grove [#3:23] [0:11] =[03:34], 02 When
 First Unto This Country [4:07] [0:24] =[04:31], 03 I'm Troubled [3:36] [1:36] =[05:12], 04 Sweet
 Sunny South [3:36] [3:35-:22] =[07:12], 05 The Thrill Is Gone [:22+5:06] [0:14] =[05:20], 06 So
 What? [7:27] [0:36] =[08:03], 07 Sitting Here In Limbo [6:53] [1:06] =[07:59], 08 Old Rockin' Chair
 [8:06] [0:16] =[08:22], 09 Red Rocking Chair [3:53] [0:19] =[04:12], 10 Never Seen Nobody Like You
 [3:25][0:09] =[03:34], 11 God Rest Ye Merry Gentlemen [8:25][1:06] =[09:31] --Encore-- 12 Ripple
 [4:07] [0:22] =[04:29]
12/07/91 San Francisco, CA - Warfield Theater MAD>CD All 117 
 *JGDG: Phil Jarret, Super Sonics mics > Sony D3*
 MAD (Taped by Phil Jarret, Super Sonics mics [lower main balcony, about row DD, center] > Sony D3)
 > Sony D3 (master record deck) playback > HHB CDR.
 Set One: Disc One (15) 79:51 --Set I-- ... Grateful Dawg, /Louis Collins, Off To Sea Once
 More, Friend Of The Devil, Wind and Rain, Arabia --Set II-- Shady Grove, When First Unto This Country,
 Trouble In Mind, Take Me Back*, The Thrill Is Gone, So What
 Set Two: Disc Two (6) 36:52 --Set II (con't)-- Sittin' In Limbo, Rocking Chair, Red Rocking
 Chair, I Ain't Never Seen Nobody Like You, God Rest Ye Merry Gentlemen --Encore-- Ripple
12/07/91 San Francisco, CA - Warfield Theater MAD>D>CD I,IIp 94 0590 13200 
 *JGDG: Schoeps CMC34s*
 MAD (ORTF Schoeps CMC34 [cardioids]) > DATs > Wavelab 3.0 M-S Processor @ 24 bits, dithering to 16
 bits > master CD > HP 9350i extraction using EAC > patching using Sound Forge Studio 6.0 > tracking
 using CD Wave > sector boundary alignment using shntool > .shn encoding using mkwACT. M-S processing
 by Dave Cohen. EAC > SHN by Joe Jupille. Original processing by Dave Cohen, who says this about it:
 "The Garcia-Grisman was sent to me as an ORTF Schoeps CMC34 (cardioids) audience but it had almost no
 stereo image, probably just a sneaked tape that the taper wasn't able to be careful about mic
 placement. I ran it through Wavelab 3.0 's plugin called "M-S Processor", which essentially takes the
 left and right signal information and runs it through an M-S (mid-side) algorythm which re-interprets
 the left and right signal information to become Mid (or front) and Side information. This typically
 results in a stereo image that is way off center if the original stereo image is nicely balanced. In
 the case of this recording, the stereo image was so skewed to the right side that the M-S Processing
 gave me a beautiful stereo image. After it was M-S processed (at 24 bits), it was dithered to 16 bits
 and burned to CDR." Notes: (1) Garcia and Grisman on banjo; I have come across two partial copies of
 this show. The first is the end of set II, consisting of Sweet Sunny South through Ripple, with cuts
 at the end of Never Seen Nobody Like You and at the beginning of God Rest Ye Merry Gentlemen. It came
 to me as deriving from a DAT sbd master. It sounds nice, but is a bit flat and unbalanced. I am not
 even sure it is a sbd, as I can occasionally hear mics being adjusted (though these could be stage
 mics). The second contains the first half of set I (through Off to Sea Once More, which cuts out) and
 all of set II (Shady Grove and Never Seen Nobody Like you cut in). It came to me reliably as a MAD >
 subsequent DAT stages > master CD (mine). I have chosen to use the "sbd" material only for patching
 the cut before Never Seen Nobody like you. This was done using Sound Forge Studio 6.0, which was also
 used to smooth the cuts out of Off to Sea Once More and into Shady Grove. This is my first stab at
 patching, so I apologize if the results are abrupt! Hopefully getting this out there might bring forth
 a complete copy of this wonderful show. Come out, come out, wherever you are! Flaws: d1t01
 Jack-A-Roe digi-flit @ 0:39; d1t05 Off to Sea Once More digi-static @ end, just before cut; d1t05 Off
 to Sea Once More cuts out, most missing; d2t01 Shady Grove cuts in, not much missing.
 Set One: Disc One (5) 23:58 --Set I-- 01. Jack-A-Roe [5:06] [0:27], 02. Spring in California
 [5:11] [0:15], 03. Grateful Dawg [3:39] [0:16], 04. Louis Collins [5:17] [1:00], 05. Off To Sea Once
 More// [2:44#], (missing Friend Of The Devil), (missing Oh The Wind And Rain), (missing Arabia)
 Set Two: Disc Two (12) 69:54 --Set II-- 01. //Shady Grove [#3:29] [0:07], 02. When First
 Unto This Country [4:08] [0:24], 03. I'm Troubled [3:38] [1:24], 04. Sweet Sunny South (1) [3:37]
 [1:55], 05. The Thrill Is Gone [5:27] [0:15], 06. So What? [7:28] [0:36], 07. Sitting Here In Limbo
 [6:56] [1:03], 08. Old Rockin' Chair [8:07] [0:19], 09. Red Rocking Chair [3:55] [0:16], 10. Never
 Seen Nobody Like You [3:26] [0:04], 11. God Rest Ye Merry Gentlemen [8:29] [0:26] --Encore-- 12.
 Ripple [4:07] [0:07]
12/07/91 San Francisco, CA - Warfield Theater MSD>D>CD? IIp+e 56 
 *JGDG*
 This came to me as a DSBD> DAT > CD, which it may well be. It is a little bit flat. There are
 occasional impacts on a mic, which suggests that it is really an audience tape, but Garcia/Grisman
 seemed occasionally to hit mics with their instruments, so I am not sure. Notes: d1t02 Sweet Sunny
  South L channel out @ 2:58 into t03; d1t05 Sitting in Limbo unknown anomaly in first second; d1t08
 Never Seen Nobody Like You last few reverbs clipped; d1t09 GRYMG cuts in, very little missing
 Set Two: Single Disc (10) 55:58 --End Set II-- 1. Tuning & Banter [0:17], 2. Sweet Sunny
 South [3:37] [2:23], 3. Thrill Is Gone [5:17] [0:10], 4. So What? [7:08] [0:35], 5. Sitting Here In
 Limbo [6:58] [0:58], 6. Old Rocking Chair [8:10] [0:04], 7. Red Rocking Chair [3:54] [0:16], 8. Never
 Seen Nobody Like You// [3:22#] [0:05], 9. //God Rest Ye Merry Gentlemen [#7:59] [0:28] --Encore-- 10.
 Ripple [4:07] [0:06]
12/07/91 San Francisco, CA - Warfield Theater MAD>P>CD Ip, II 87 1359 noshnid 
 *JGDG: Schoeps*
 Marcus Buick beta, minches xfer. Notes panning at start of Wind & Rain, and throughout. L channel
 is much stronger. I assume this is the same Schoeps aud that David Cohen ran M-S processing on, for
 precisely the reason that the sound is unbalanced. small ticks. (1) Garcia and Grisman duet on banjos.
 SSS more panning and level changes; (2) "Hey Pete? After this set ... never mind." TTIG levels drop @
 start; Red Rocking chair, bad reverb/feedback first 0:35.
 Set One: Disc One (2 tracks, 22:02) --set I-- (MISSING Jack-A-Roe) (MISSING Spring In
 California) (MISSING Grateful Dawg) (MISSING Louis Collins) (MISSING Off To Sea Once More) (MISSING
 Friend Of The Devil) Oh The Wind And Rain [5:08] [0:31] Arabia [16:15] [0:08]
 Set Two: Disc Two (12 tracks, 65:09) --set II-- Shady Grove [3:33] [0:13] When First Unto
 This Country [4:06] [0:25] I'm Troubled [3:39] [1:33] Sweet Sunny South (1) [3:38] [0:47] Taper Talk
 (2) [0:58] The Thrill Is Gone [5:16] [0:15] So What? [7:31] [0:25] Sitting In Limbo [7:06] [1:01] Old
 Rocking Chair [8:08] [0:18] Red Rocking Chair [3:53] [0:15] Never Seen Nobody Like You [3:26] [0:08]
 God Rest Ye Merry Gentlemen [8:23] [0:06] (MISSING --Encore-- Ripple)
12/08/91 San Francisco, CA - Warfield Theater MSD>D>CD  All 128 0410 4369 
 *JGDG*
 MSD > DAT > CD > EAC > SHN. Notes d2t01 Red Rocking Chair cuts in; d2t10 GRYMG digi-scratch @
 5:07.
 Set One: Disc One (9) 63:14 --Set I-- 1. Shady Grove [4:11] [0:08], 2. Sitting in Limbo
 [8:11] [0:07], 3. [1:15] Rosalie McFall [3:46] [0:03], 4. "brothers" banter [0:44], So What? [8:28]
 [0:11], 5. [0:08] I Ain't Never Seen Nobody Like You [3:09] [0:07], 6. [0:26] The Thrill is Gone
 [5:06] [0:06], 7. [0:18] Dawg's Waltz [3:30] [0:11], 8. Oh the Wind & Rain [5:11] [0:!5], 9. [0:50]
 Arabia [16:41] [0:10]
 Set Two: Disc Two (12) 65:08 --Set II-- 1. [0:04] //Red Rocking Chair [#4:09] [0:16], 2.
 Trouble in Mind [3:56] [0:49], 3. [0:17] Sweet Sunny South [3:38] [0:22], 4. Walkin' Boss [5:15]
 [0:31], 5. Jack-a-Roe [5:14] [0:32], 6. [0:09] Friend of the Devil [7:38] [0:18], 7. Louis Collins
 [5:08] [0:21], 8. Grateful Dawg [3:31] [0:25], 9. Russian Lullaby [7:00] [0:21], 10. God Rest Ye Merry
 Gentlemen Jam [9:22] [0:13], 11. Band Introductions [0:44], Encore: 12. Ripple [4:28] [0:17]
12/08/91 San Francisco, CA - Warfield Theater  MAD>P>CD Most 100 1300 84417 
 *JGDG: Schoeps MK4 mod > Panasonic SV-255*
 MAD (Schoeps MK4 mod [FOB, mics in hat] > Reutelhuber PS > Panasonic SV255 > unknown transfer(s) to
 unknown gen PCM/Beta > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio
 Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David
 Minches. Notes: - (1) David and Jerry duet - Jerry Site calls the third song of set II (missing here)
 "Take Me Back", but it is actually "Sweet Sunny South". Lineup: Jerry Garcia - Vocals, Guitar, Banjo;
 David Grisman - Mandolin, Vocals, Banjo; Jim Kerwin - Bass; Joe Craven - Percussion, Fiddle.
 Set One: Disc One (8 tracks, 49:59) --Set I-- [MISSING Shady Grove] [MISSING Sitting In
 Limbo] d1t001. Crowd & Tuning [0:40] d1t002. Rosalie McFall [3:45] [0:46] d1t003. So What? [8:22]
 [0:26] d1t004. I Ain't Never Seen Nobody Like You [3:05] [0:35] d1t005. Thrill Is Gone [5:08] [0:24]
 d1t006. Dawg's Waltz [3:30] [0:11] d1t007. Oh The Wind And Rain [5:11] [0:59] d1t008. Arabia [16:47]
 [0:08]
 Set Two: Disc Two (8 tracks, 49:45) --Set II-- d2t001. Red Rocking Chair (1) [4:15] [0:23]
 d2t002. Trouble in Mind (1) [3:54] [0:26] [MISSING Sweet Sunny South] [MISSING Walkin' Boss] d2t003.
 Jack-a-Roe [5:14] [0:44] d2t004. Friend of the Devil [7:40] [0:22] d2t005. Louis Collins [5:18] [0:17]
 d2t006. Grateful Dawg [3:35] [0:26] d2t007. Russian Lullaby [7:04] [0:17] d2t008. God Rest Ye Merry
 Gentlemen [9:25] [0:22] [MISSING --Encore-- Ripple]
12/09/91 San Francisco, CA - Warfield Theater MAD>CD  All 143 1031 23145 
 *JGDG: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 MAD (Taped by Chuck & Janet Vasseur, Vintage 1950s Neumann [KM54s] > Denon DAT deck [model
 unknown]) > DAT > Sony PCM-R500 playback > coaxial S/PDIF > M Audio Audiophile 2496 > WAV
 recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) >
 SHNWAV > SHNv3 (mkwACT). DAT material provided by Jim Powell. DAT > SHN by Chris Ladner. Seeder
 (Ladner) Comments: - (1) Garcia and Grisman duet on banjos; - (2) Garcia and Grisman only; - First of
 only 3 performances of "Tell It to Me (Cocaine Blues)"; - I selectively attenuated the very loud
 cheers at the end of some songs by -3dB using Soundforge 6.0. Overall a great recording with moderate
 close up noise/chatter. - This source is different than the previously seeded recording and also has a
 complete second set. Jupille Notes: - sounds quite nice! - d1t01 Thrill is Gone fades in, not much
 missing; - d1t01 TTIG sudden volume increase after attenuation of cheering ends. - d1t08 Arabia @
 7:18-7:32 heinous digital static; - d1t09 Walkin' Boss some mic adjustment first minute or so; - d2t01
 Troubled in Mind blip @ 2:33; - d2t01 @ 5:ish, Grisman: "I used to be a closet banjo player." @ 5:55:
 "It's just a modern miracle that now, in this day and age, you can actually tune two five-string
 banjos." Garcia: "Smart ass!"
 Set One: Disc One (10) 68:08 --Set I-- 01 ...The Thrill Is Gone [#5:08] [0:13] =[05:21], 02
 I Ain't Never Seen Nobody Like You [5:10] [0:50] =[06:00], 03 Grateful Dawg [3:37] [1:06] =[04:44],
 04 Two Soldiers [4:34] [0:40] =[05:18], 05 Louis Collins [5:21] [0:42] =[06:03], 06 Shady Grove
 [4:32] [0:38] =[05:11], 07 Friend Of The Devil [7:23] [0:58] =[08:22], 08 Arabia [17:05] [0:15]
 =[17:18] --Set II-- 09 [0:04] Walkin' Boss [5:30] [0:12] =[05:46], 10 When First Unto This Country
 [3:53] [0:11] =[04:05]
 Set Two: Disc Two (11) 74:30 --Set II (con't)-- 01 Trouble In Mind [4:01] [2:35] =[06:36],
 02 Sweet Sunny South (1) [4:05] [0:30] =[04:35], 03 Tell It To Me (2) [3:02] [2:20] =[05:22], 04 So
 What? [8:51] [0:40] =[9:31], 05 Off To Sea Once More [5:22] [0:17] =[05:40], 06 Sitting In Limbo
 [7:17] [0:40] =[07:58], 07 Russian Lullaby [7:24] [0:08] =[07:33], 08 Wind and Rain [5:17] [0:42]
 =[05:59], 09 band intro [01:13], 10 God Rest Ye Merry Gentlemen [10:15] [1:31] =[11:47] --Encore--
 11 Eat My Dust [7:56] [0:18] =[08:14]
12/09/91 San Francisco, CA - Warfield Theater MAD>CD Most 116 0225 8790 
 *JGDG: unknown taper & gear*
 MAD (rig, location, and taper uncertain) > DATs > Sony PCM-2600 > Egosys 2496 Waveterminal to HD >
 initial editing/tracking using Cool Edit 2000 > CDx1 > EAC > re-tracking using CD Wave > SHN using
 mkwACT. Proper sector boundaries verified using shntool. Notes: (1) Garcia & Grisman both on banjo;
 (2) Garcia & Grisman duet; missing So What (from set II) and Eat My Dust (encore); d1t01 Thrill is
 Gone fades in, not much missing; d2t03 master static @ 4:06 during crowd/tuning; d2t12 God Rest Ye
 Merry Gentlemen cuts out.
 Set One: Disc One [58:23], Set I, 1. //The Thrill is Gone [#5:14] [0:13], 2. I Ain't Never
 Seen Nobody Like You [5:12] [0:46], 3. Grateful Dawg [3:38] [1:07], 4. Two Soldiers [4:34] [0:44], 5.
 Louis Collins [5:22] [0:41], 6. Shady Grove [4:33] [0:37], 7. Friend Of The Devil [7:25] [0:54], 8.
 Arabia [17:08] [0:12]
 Set Two: Disc Two [58:28], Set II, 1. [0:27], 2. Walkin' Boss [5:30] [0:10], 3. When First
 Unto This Country [3:54] [0:10], 4. Troubled In Mind [4:00] [2:39], 5. Sweet Sunny South (1) [4:02]
 [0:36], 6. Tell it to Me (Cocaine Blues) (2) [2:58] [0:16], 7. Off To Sea Once More [5:24] [0:17], 8.
 Sitting Here In Limbo [7:16] [0:40], 9. Russian Lullaby [7:26] [0:06], 10. Wind and Rain [5:19]
 [0:41], 11. Band Introductions [1:11] -> 12. God Rest Ye Merry Gentlemen Instrumental// [5:18#]
 [0:02]
12/23/91 San Rafael, CA - Club Front MS?>?>CD 35 
 *Garcia, Wasserman, Edie Brickell* *horrible SQ*
 This material probably is derived from sessions associated with the making of Rob Wasserman's
 "Trio". It sounds absolutely terrible, extremely hissy with extremely low levels. Terrible.
 Set One: Single Disc (9) 35:21 01. [0:09] ... Zillionaire [#5:08] [0:02], 02. Zillionaire
 [5:15] [0:02], 03. {"I forget, yeah, but I had to sing it."} [0:12], 04. _____________ [5:57] [0:09],
 05. "Dolores the Vampire" (??) [5:57] [0:09], 06. ________ [3:04] [0:13], 07. , 08. _____ [3:06]
 [0:08], 09.
 
02/07/92 Oakland, CA - Henry J. Kaiser Convention Center MAD>CD All n/a 
  *JGB: Larry Gindoff, Nak 700s > Sony D3*
 MAD (Taped by Larry Gindoff, Nakamichi 700 Microphones Capsules (Omni Direction) mounted in a
 baseball cap on head) > Reutelhuber P/S > Sony D3) > CD.
 Set One: Cats Under The Stars Down Under The Stars Down Under the Stars, He Ain't Give You
 None, Money Honey, Lazy Bones, Run for the Roses, My Sisters And Brothers, Senor (Tales Of Yankee
 Power), Deal
 Set Two: Shining Star, Waiting for a Miracle, Think, Ain't No Bread in the Ain't No Bread In
 The Breadbox, Struggling Man, Evangeline, Lay Down Sally, E: Wonderful World
02/07/92 Oakland, CA - Henry J. Kaiser Convention Center MAD>CD All 142 1373 xxxxx 
 *JGB: Marcus Buick, Schoeps CMC34s > Panasonic SV255*
 Source: FOB Audience DAT; Taper: Bu; Field Recording Equipment: 2x Schoeps CMC34 (hand-held) > Oade
 PS > Panasonic SV-255; Media: 2x Panasonic 120 (48kHz); Transfer: Panasonic SV-3700 > S/PDIF >
 Waveterminal 2496 (digital in @ 16bit/48kHz) > Adobe Audition 3.0 (downsample to 44.1kHz); Tracking &
 Encoding: CD Wave (tracking) > Trader's Little Helper (FLAC8 encoding). Notes: - A nice full recording
 of what is IMO a very lackluster show. - Tape signatures: d1t01 @ 1:33 - mic check ("1, 2, 3"); d2t01
 @ 0:10 - Bu: "Hey John, check the mics." JA: "I don't think they're really in there right." - d2t02
 after SS: "Rrrrrrrrrrrrrrriipps". - Bu calling the encore right after Lay Down Sally. - d2t01 spot of
 static @ ca. 0:52 (tuning). Lineup: - Jerry Garcia: guitar, vocals; - John Kahn: bass; - Melvin Seals:
 keyboards; - David Kemper: drums; - Jaclyn LaBranch: backing vocals; - Gloria Jones: backing
 vocals.
 Set One: Disc One (9 tracks, 64:59) --Set I-- d1t01. Crowd & Tuning [2:55] d1t02. Cats Under
 The Stars [9:25] [0:39] d1t03. He Ain't Give You None [9:29] [1:09] d1t04. Money Honey [6:51] [0:23]
 d1t05. Lazy Bones [8:40] [0:53] d1t06. Run For The Roses [5:19] [0:16] d1t07. My Sisters And Brothers
 [4:07] -> d1t08. Senor (Tales Of Yankee Power) [6:00] -> d1t09. Deal [8:35] [0:14]
 Set Two: Disc Two (9 tracks, 76:52) --Set II-- d2t01. Crowd & Tuning [0:59] d2t02. Shining
 Star [16:28] [0:34] d2t03. Waiting For A Miracle [5:46] [1:03] d2t04. Think [7:36] [1:13] d2t05. Ain't
 No Bread In The Breadbox [7:57] [0:44] d2t06. Struggling Man [7:28] [0:37] d2t07. Evangeline [5:04] ->
 d2t08. Lay Down Sally [8:58] [3:05] --Encore-- d2t09. (What A) Wonderful World [9:02] [0:18]
04/25/92 San Jose, CA - Event Center Arena @ San Jose State MAD>D>CD All 128 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 Low levels to start, then come up. TJS lists Maker before Struggling Man, but here and on the Cate
 master the order is reversed, so it seems that TJS might be in error. Public debut of the Maker.
 Set One: Disc One (8 tracks, 64:42) --Set I-- How Sweet It Is To Be Loved By You, Stop That
 Train, You Never Can Tell (C'est La Vie), He Ain't Give You None, Lay Down Sally, And It Stoned Me,
 Brothers and Sisters, Deal
 Set Two: Disc Two (7 tracks, 63:12) --Set II-- Shining Star, Tore Up Over You, Struggling
 Man, The Maker, Ain't No Bread In The Breadbox, Midnight Moonlight, E: Wonderful World
04/25/92 San Jose, CA - Event Center Arena @ San Jose State MAC>CD All 124 1299 83713 
 *JGB: Chris Cate, Sony 939 > Sony D6*
 Chris Cate's MAC (Sony 939 stereo mic [hand-held] > Sony D-6 [Maxell Capsule Metal 100s]) >
 Nakamichi BX300 playback > Harmann Kardon CDR2 CD/0 > CD clone > extraction (EAC v0.95 beta 4) > flac
 encoding (FLAC Frontend v1.7.1 etree edition). Notes: - Nice tape of a nice show. Crowd is intrusive
 at times. - TJS lists The Maker before Struggling Man. - no flaws noted.
 Set One: Disc One (8 tracks, 64:15) --Set I-- d1t01. How Sweet It Is [7:34] d1t02. Stop That
 Train [8:50] d1t03. C'est La Vie [7:28] d1t04. He Ain't Give You None [8:36] d1t05. Lay Down Sally
 [10:13] d1t06. And It Stoned Me [8:08] d1t07. Sisters and Brothers [4:18] d1t08. Deal [9:01]
 Set Two: Disc Two (7 tracks, 60:23) --Set II-- d2t01. Shining Star [12:19] d2t02. Tore Up
 Over You [10:47] d2t03. Struggling Man [7:07] d2t04. The Maker [8:04] d2t05. Ain't No Bread In The
 Breadbox [7:28] d2t06. Midnight Moonlight [6:56] --Encore-- d2t07. (What A) Wonderful World [7:37]
04/25/92 San Jose, CA - Event Center Arena @ San Jose State MAD>P>CD All 138 1359  89969 
 *JGB: Schoeps CMC34s > Panasonic SV-255*
 Master: Schoeps CMC 34 (handheld, FOB) > Oade PS > Panasonic SV 255; Source tape: unknown gen beta
 via Sony PCM 601; Transfer: Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital
 Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool >
 FLAC; Transfer and FLAC encoding by David Minches. Notes: - Nice tape and an enjoyable show. - Sounds
  almost like Jerry wants to do Positively 4th Street before Stop That Train. - taper sneeze at d1t003 @
 8:47 may identify this master. I can also hear my friend Bu interrogating the tapers ("What are you
 guys doing?") right at the start of set II. - Struggling Man comes before the Maker, whereas TJS
 reverses the order. This is consistent with other sources, so TJS is probably in error here. - First
 public performance of The Maker.
 Set One: Disc One (9 tracks, 73:16) --Set I-- d1t001. Crowd & Tuning [2:39], d1t002. How
 Sweet It Is [7:11] [2:56], d1t003. Stop That Train [7:50] [1:10], d1t004. C'est La Vie [7:10] [0:41],
 d1t005. He Ain't Give You None [8:23] [1:58], d1t006. Lay Down Sally [10:00] [2:05], d1t007. And It
 Stoned Me [8:05] [0:07], d1t008. My Sisters And Brothers [4:19] -> d1t009. Deal [8:30] [0:09]
 Set Two: Disc Two (8 tracks, 64:48) --Set II-- d2t001. Talk & Tuning [0:38], d2t002. Shining
 Star [12:15] [0:40], d2t003. Tore Up Over You [10:32] [1:48], d2t004. Struggling Man [6:53] [1:07],
 d2t005. The Maker [7:53] [0:16], d2t006. Ain't No Bread In The Breadbox [7:18] [0:11], d2t007.
 Midnight Moonlight [6:30] [1:22] --Encore-- d2t008. (What A) Wonderful World [7:13] [0:09]
04/29/92 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1301 6630 
 *JGB: Schoeps MK4s > unknown deck*
 FOB > Schoeps mk4 > Dat > CD, xfer by Charlie Miller. EAC and shn by Peter Nichols
 GPN@brinkshofer.com (9-26-01)
 Set One: The Way You Do The Things You Do, They Love Each Other, You Never Can Tell (C'est
 La Vie), Run For The Roses, Like A Road, The Maker, My Sisters And Brothers, Evangeline
 Set Two: Somebody To Love, He Ain't Give You None, I Shall Be Released, Lay Down Sally,
 Money Honey, That Lucky Old Sun, Tangled Up In Blue
04/30/92 San Francisco, CA - Warfield Theater MAD>D>CD All 132 1119-1120 6345 
 *JGB: Schoeps CMC34 > Panasonic SV255* *Dankseed*
 Source: FOB Schoeps CMC34 > Oade Custom Power Supply > Panasonic SV-255 DAT @48kHz. Tranfer: DAT
 Clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 (resample, addfades) > CD WAV > SHN via MKW .97 (no
 DAE) by Bill Gardner, bgardner@telocity.com. Known Flaws: a pop at 4:43 in cats was fixed using
 SF5.0's pencil tool small analog dropouts in the beginning of Let it Rock were left untouched.
 *Dankseed Certification received 2001-09-18*
 Set One: D1 (7) 63:19 --set I-- Cats Under The Stars Down Under The Stars, Senor (Tales Of
 Yankee Power), Let It Rock, Struggling Man, That's What Love Will Make You Do Will Make You Do, Throw
 Out The Lifeline, Lets Let's Spend The Night Together Together
 Set Two: D2 (7) 68:31 --set II-- Ain't No Bread In The Breadbox, And It Stoned Me, Rubin And
 Cherise, Gomorrah -> Don't Let Go, The Maker -> Midnight Moonlight
05/??/92 San Francisco, CA - Warfield Theater MSD>C>D>CD mix 85 0360 9716 
 *Garcia/Grisman* *5/7/92-5/11/92 compilation* *more complete version*
 DATSBD > Cass. > DATs > playback on Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP
 9350i extraction using EAC > SHN using mkwACT. DAT>CD by AJL, EAC>SHN by Joe Jupille. From The Jerry
  Site: "This tape is a mix tape of the 5 night Garcia & Grisman run (May 7 - May 11, 1992). The tape
 was given to David Gans by David Grisman for Gan's Grateful Dead Hour program. The tape was
 subsequently stolen from Gans and put into circulation." This version is more complete than the
 version that has usually circulated on CD.
 Set One: 1. The Thrill is Gone [5:03] [0:12], 2. Rosalie McFall [3:11] [0:02], 3. [0:10] The
 Fields Have Turned Brown [4:56] [0:07], 4. 16x16 [5:15] [0:18], 5. Sitting In Limbo [6:10] [0:05], 6.
 Oh The Wind And Rain [4:37] [0:06], 7. Louis Collins [5:32] [0:08], 8. Bag's Groove [8:47] [0:11], 9.
 When I First Unto This Country [4:42] [0:16], 10. Long Black Veil [6:01] [0:06], 11. Shady Grove
 [3:50] [0:07], Total Time 59:58
 Set Two: 1. Down Where The River Bends [4:12] [0:09], 2. She Belongs To Me [5:43] [0:18], 3.
 Dawg's Waltz [4:45] [0:15], 4. Stealin' [4:09] [0:12], 5. Ballad Of Casey Jones [4:36] [0:11], Total
 Time 24:33
05/01/92 San Francisco, CA - Warfield Theater MAD>CD All n/a 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 MAD (Taped by Larry Gindoff, Nakamichi 700 Microphones Capsules (Omni Direction) mounted in a
 baseball cap on head) > Reutelhuber P/S > Sony D3) > CD.
 Set One: How Sweet It Is to be Loved By You, Stop that Train, Get Out Of My Life Woman, Run
 for the Roses, Forever Young, My Sisters And Brothers, Deal
 Set Two: Shining Star, Money Honey, Ain't no Bread in the Ain't No Bread In The Breadbox,
 Mississippi Moon, The Maker, Wonderful World, Midnight Moonlight
05/02/92 San Francisco, CA - Warfield Theater MAD>D>CD All 127 1059-1060 19535 
 *JGB: Nak 700s > Sony D10*
 LSTNT is a great Jerry tune. Nothing to write home about here, though. Jerry sounds pretty darn
 awful on Reuben & Cherise.
 Set One: (7 tracks, 66:51) --Set I-- I Second That Emotion, And It Stoned Me, Simple Twist
 Of Fate of Fate, Rubin And Cherise, Dear Prudence, My Sisters And Brothers, Let's Spend The Night
 Together
 Set Two: (t tracks, 60:06) --Set II-- The Way You Do The Things You Do, Waiting For A
 Miracle, The Night They Drove Old The Night They Drove Old Dixie Down, Evangeline, Don't Let Go,
  Tangled Up In Blue
05/02/92 San Francisco, CA - Warfield Theater MAD>CD All n/a 1206 30275 
 *JGB: Neumann KM150s > unknown deck*
 Source: Neumann KM150 > MAD > DATs (taper unknown). d1t01 patched with: AUD Nak 700's > Sony D-10)
 > MAD >DAT > CDR > WAV> SHN. http://db.etree.org/shninfo_detail.php?shnid=19535). Transfer: DAT 60ES
 > M-Audio Audiophile USB > WAV > Flac. Transfer jbraveman@hotmail.com August 2005. Notes: d1t01 1st
 30 seconds was muffled due to setup by the taper. This part was patched as noted above. d2t01 Levels
 started very low and were adjusted with Goldwave. Fades in slightly. The Nak source to my ears sounds
 "brighter" and has clearer high end. This sounds smoother with a fuller lower end but suffers from
 some loss of highs. Both are excellent recordings of an excellent show. YMMV. Last "Let's Spend the
 Night Together".
 Set One: I Second That Emotion, And It Stoned Me, Simple Twist Of Fate of Fate, Rubin And
 Cherise, Dear Prudence, My Sisters And Brothers, Let's Spend The Night Together
 Set Two: The Way You Do The Things You Do, Waiting For A Miracle, The Night They Drove Old
 The Night They Drove Old Dixie Down, Evangeline, Don't Let Go, Tangled Up In Blue
05/03/92 San Francisco, CA - Warfield Theater MAD>CD All 124 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 MAD (Taped by Larry Gindoff, Nakamichi 700 Microphones Capsules (Omni Direction) mounted in a
 baseball cap on head) > Reutelhuber P/S > Sony D3) > CD. CUTS clips in.
 Set One: Disc One (6 tracks, 48:02) --Set I-- /Cats Under The Stars Down Under The Stars,
 Waiting For A Miracle, Run For The Roses, Struggling Man, Mission In The Rain, Lay Down Sally
 Set Two: Disc Two (7 tracks, 76:08) --Set II-- Somebody To Love, Shining Star, Tore Up Over
  You, The Maker, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
05/03/92 San Francisco, CA - Warfield Theater MAD>D>CD I n/a 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 Set One: Cats Under The Stars Down Under The Stars, Waiting For A Miracle, Run For The
 Roses, Struggling Man, Mission In The Rain, Lay Down Sally
 Set Two: Somebody To Love, Shining Star, Tore Up Over You, The Maker, Don't Let Go, That
 Lucky Old Sun, Midnight Moonlight
05/05/92 San Francisco, CA - Warfield Theater MA?>?>CD All 15 
 *Bob Dylan, Garcia sitting in*
 **w/ Garcia
 Set One: Rainy Day Women # 12 & 35, Lenny Bruce, Union Sundown, Just Like A Woman, Stuck
 Inside Of Mobile With The Memphis Blues Again, I Don't Believe You, Shelter From The Storm, Love Minus
 Zero/No Limit, Little Moses, Gates Of Eden, Mr. Tambourine Man, Cat's In The Well**, Idiot Wind**
 Set Two: The Times They Are A-Changin', Maggie's Farm, E: Absolutely Sweet Marie, All Along
 The Watchtower, Blowin' In The Wind
05/07/92 San Francisco, CA - Warfield Theater MAD>D>CD All 112 0595 13348 
 *JGDG: unknown taper & gear*
 MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction
 using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6)
 > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). EAC
 >> SHN by Joe Jupille. Notes: Several drops where track markers had originally been placed were
 removed using Sound Forge Studio 6.0; d2t01 Walkin' Boss fades out, very little missing
 Set One: Disc One (9) 46:06 --Set I-- 01. Crowd & Tuning [0:11], 02. The Thrill Is Gone
 [5:07] [0:10], 03. Friend Of The Devil [7:20] [0:35], 04. Drink Up And Go Home [3:31] [0:13], 05.
 Ballad Of Casey Jones [4:27] [1:03], 06. Grateful Dawg [3:41] [0:58], 07. Sitting Here In Limbo [6:33]
 [0:57], 08. Bag's Groove [6:48] [0:38], 09. Shady Grove [3:26] [0:03]
 Set Two: Disc Two (10) 66:06 --Set II-- 01. Walkin' Boss// [4:54#] [0:04], 02. When First
 Unto This Country [4:16] [1:52], 03. Sweet Sunny South [3:15] [1:28], 04. Stealin' [3:48] [0:49], 05.
 Hesitation Blues [5:01] [1:05], 06. Milestones [5:34] [0:07], 07. I Ain't Never Seen Nobody Like You
 [3:08] [1:06], 08. Two Soldiers [4:33] [0:24], 09. Arabia [19:14] [0:24] --Encore-- 10. Ripple [4:50]
 [0:09]
05/07/92 San Francisco, CA - Warfield Theater MAD>CD All 115 1284 81061 
 *JGDG: Marcus Buick, Schoeps CMC34s > Panasonic SV-255*
 Marcus Buick's MAD (Schoeps CMC34s [handheld @ 110 ORTF, 2nd person, 1st drink rail] > MIT > TAO >
 MIT > Panasonic SV-255) > Tascam DA-30 playback > Digital Domain VSP-P > Digital Audio Labs Card
 Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David
 Minches. Notes: - low levels; - Jerry sounds very tired; - (1) Garcia & Grisman duet; - (2) Garcia &
 Grisman banjo duet; - I have not compared this with shnid 13348.
 Set One: Disc One (10 tracks, 47:30) --Set I-- d1t001. Crowd & Tuning [0:55], d1t002. The
  Thrill is Gone [5:18], d1t003. Friend of the Devil [8:21], d1t004. Drink Up and Go Home [3:48],
 d1t005. Ballad of Casey Jones [5:33], d1t006. Grateful Dawg [4:40], d1t007. Sitting in Limbo [7:36],
 d1t008. Bag's Groove [7:05], d1t010. Band Introductions [0:28], d1t009. Shady Grove [3:43]
 Set Two: Disc Two (11 tracks, 66:54) --Set II-- d2t001. Crowd & Tuning [1:04], d2t002.
 Walkin' Boss (1) [5:20], d2t003. When First Unto This Country (1) [6:09], d2t004. Sweet Sunny South
 (2) [4:45], d2t005. Stealin' [4:40], d2t006. Hesitation Blues [6:09], d2t007. Milestones [5:45],
 d2t008. I Ain't Never Seen Nobody Like You [4:15], d2t009. Two Soldiers [4:57], d2t010. Arabia [18:48]
 --Encore-- d2t011. Ripple [4:56]
05/07/92 San Francisco, CA - Warfield Theater MAD>CD I,IIp 67 
 *Garcia/Grisman: Scheops CMC 34s > Panasonic SV 255*
 Scheops CMC 34 mods (ORTF) @ 1st drink rail > M6T (?) > TAO > M6T (?) > Panasonic SV 255 mod. > ? >
 CD. Thrill is Gone fades in.
 Set One: Single Disc (12) 66:48 --Set I-- 01. ... The Thrill is Gone (fades in), 02. FOTD,
 03. Drink Up & Go Home, 04. Ballad of Casey Jones, 05. Grateful Dawg, 06. Sitting in Limbo, 07. Bag's
 Groove, 08. Shady Grove, 09. Walkin' Boss, 10. When First Unto This Country, 11. Sweet Sunny South,
 12. Stealin'
05/08/92 San Francisco, CA - Warfield Theater  MAD>D>CD All 115 0596 13349 
 *Garcia/Grisman* *unknown taper & gear*
 MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction
 using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6)
 > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). EAC
 >> SHN by Joe Jupille. Notes: Several drops where track markers had originally been placed were
 removed using Sound Forge Studio 6.0. d1t01 Jack-a-Roe fades in, not much missing; d1t01 Jack-a-Roe
 digital static @ 4:54, 5:00, 5:26; d1t06 Russian Lullaby ending barely clipped; d2t01 First Unto This
  Country barely clips in
 Set One: Disc One (9) 56:56 --Set I-- 01. ... Jack-A-Roe [#5:44] [0:47], 02. Long Black Veil
 [5:57] [0:38], 03. Louis Collins [5:31] [0:50], 04. 16x16 [4:49] [1:08], 05. Fields Have Turned Brown
 [4:53] [0:15], 06. Russian Lullaby/ [6:41#] [0:04], 07. Red Rockin' Chair Blues [4:04] [0:13], 08. She
 Belongs To Me [6:06] [0:26], 09. Bag's Groove [8:42] [0:03]
 Set Two: Disc Two (10) 57:57 --Set II-- 01. /When First Unto This Country [#4:44] [0:31],
 02. I'm Troubled [4:08] [0:20], 03. Tell It To Me [3:13] [1:43], 04. Off To Sea Once More [5:49]
 [1:01], 05. Stealin' [4:08] [0:59], 06. Eat My Dust [7:26] [0:51], 07. Down Where The River Bends
 [5:01] [0:11], 08. Wind and Rain [5:18] [0:19], 09. So What? [7:56] [0:10] --Encore-- 10. Ripple
 [4:06]
05/09/92 San Francisco, CA - Warfield Theater MAD>D>CD All -e 106 0597 13362 
 *Garcia/Grisman* *unknown taper & gear*
 MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction
 using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6)
 > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). EAC
 >> SHN by Joe Jupille. Notes: - Several small drops and a roughly three-minute gap in Arabia were
 removed using Sound Forge Studio 6.0; - (1) Garcia & Grisman duet; - (2) Garcia & Grisman both on
 banjo; - d2t01 Walkin' Boss clips in, not much missing; - d2t09 Milestons fades in, most missing? -
 missing Ripple encore
 Set One: Disc One (8) 59:01 --Set I-- 01. Shady Grove [3:20] [0:30], 02. Spring In
 California [5:12] [0:31], 03. Ballad Of Casey Jones [4:36] [0:36], 04. Short Life Of Trouble [3:56]
 [0:03], 05. Friend Of The Devil [7:42] [0:57], 06. Dawg's Waltz [4:39] [0:58], 07. Sitting Here In
 Limbo [7:06] [0:44], 08. Arabia [18:02] [0:06]
 Set Two: Disc Two (9) 47:03 --Set II-- 01. Walkin' Boss (1) [#6:45] [0:08], 02. When First
 Unto This Country (1) [4:54] [2:15], 03. Sweet Sunny South (1) (2) [3:59] [0:50], 04. The Thrill Is
  Gone [5:42] [0:38], 05. Two Soldiers [4:34] [0:06], 06. Rosalie McFall [4:21] [1:08], 07. Stealin'
 [4:50] [0:29], 08. Drink Up And Go Home [2:59] [0:14], 09. Milestones [#3:06] [0:03], (missing Encore:
 Ripple)
05/10/92 San Francisco, CA - Warfield Theater MAD>D>CD All 118 0598 13364 
 *Garcia/Grisman* *unknown taper & gear*
 MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction
  using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool
 (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). EAC >> SHN by Joe Jupille. Notes: (1) Garcia &
 Grisman duet. The taper did a nice job of fading the levels down at the end of each song, allowing
 nice high levels on the music without painful distortion during the applause. This makes this
 recording unusual among the Garcia/Grisman recordings that I have heard.  Another version of this
 master also circulates on CD, which seems to have had some digital processing applied and which lacks
 the encore. Flaws: d1t01 Jack-a-Roe fades in, very little missing; d1t08 very light pop during tuning
  just before So What; d2t10 Drink Up & Go Home considerable overload distortion
 Set One: Disc One (9) 56:11 --Set I-- 01. ... Jack-A-Roe [#4:18] [0:32], 02. She Belongs To
 Me [5:51] [0:59], 03. Instrumental [7:50] [0:38], 04. Louis Collins [5:36] [0:59], 05. Down Where The
 River Bends [4:10] [0:32], 06. Russian Lullaby [6:22] [0:25], 07. Band Introductions [1:33], 08. Long
 Black Veil [6:00] [0:32], 09. So What? [9:34] [0:17]
 Set Two: Disc Two (10) 61:41 --Set II-- 01. I'm Troubled (1) [4:21] [0:34], 02. When First
 Unto This Country (1) [4:53] [0:14], 03. Tell It To Me (1) [3:17] [1:20], 04. Red Rockin' Chair Blues
 [3:44] [0:17], 05. Old Rockin' Chair Blues [8:00] [1:25], 06. Stealin' [3:40] [0:44], 07. Eat My Dust
 [5:10] [0:59], 08. Fields Have Turned Brown [4:48] [0:22], 09. Bag's Groove [12:13] [1:27] --Encore--
 10. Drink Up And Go Home [4:07] [0:12]
05/11/92 San Francisco, CA - Warfield Theater MAV>V>CD All 116 1359 xxxxx 
 *Garcia & Grisman: unknown recordist, gear, location*
 Master audience video (VHS) > VHS > Cool Edit Pro Wav > CD/0 > CD/1 > Plextor extraction (EAC v0.9
 beta4) > tracking (CD Wave v1.6) > minor editing (Sound Forge Studio 6.0) > sector boundary alignment
 (shntool v1.01) > flac encoding (FLAC Frontend). VHS>CD by Nathan Wirth, CD>FLAC by misSHN. Notes:-
  not too bad a recording, very pleasurable performance. The files compressed down a great deal, though
 I did not note if the recording was mono. - (1) duet - (2) Jerry & David on banjo - Rosalie McFall
 muffling @ track 1:40-1:47 - faded down the crowd at the end of d1t09 to smooth the transition to
 d1t10. - Walking Boss clips in; I applied a 0.25s softening fade. - d2 oversaturation - Arabia static
 @ 3:31
 Set One: Disc One (10 tracks, 46:57) --Set I-- 01. Crowd & Tuning [0:17] 02. Rosalie McFall
 [3:10] [1:27] 03. Two Soldiers [4:24] [0:40] 04. Grateful Dawg [3:33] [0:54] 05. Louis Collins [6:24]
 [0:56] 06. Short Life of Trouble [3:39] [0:27] 07. Wind and Rain [4:39] [0:35] 08. Band Introductions
 [0:58] 09. Milestones [9:00] [0:12] 10. /Walking Boss (1) [#5:33] [0:08]
 Set Two: Disc Two (10 tracks, 68:35) --Set II-- 01. Crowd & Tuning [0:16] 02. When First
 Unto This Country (1) [4:44] [1:29] 03. Sweet Sunny South (1) (2) [4:08] [1:39] 04. Shady Grove [3:45]
 [1:07] 05. Friend of the Devil [7:14] [1:04] 06. Stealin' [4:45] [0:36] 07. Dawg's Waltz [5:51] [0:27]
 08. Sitting in Limbo [6:14] [1:08] 09. Arabia [19:00] [1:27] --Encore-- 10. I'm My Own Grandpa [3:16]
 [0:18]
 Set Three: jg1992-05-11.jgdg.all.aud-vhs-wirth.xxxxx.flac1644
05/11/92 San Francisco, CA - Warfield Theater ??>DVD All n/a 
 *JGDG*
 Set One: The Thrill Is Gone, Rosa Lee McFall, Two Soldiers, Grateful Dawg, Louis Collins,
 Short Life Of Trouble, Oh, Wind and Rain, Milestones
 Set Two: Duets:, Walking Boss*, When First Unto This Country*, Sweet Sunny South* **, Shady
 Grove, Friend Of The Devil, Stealin', Dawg's Waltz, Sittin' In Limbo, Arabia, I'm My Own
 Grandpa****
05/11/92 San Francisco, CA - Warfield Theater MAV>?>DVD All n/a 
 *DVD*
 Set One: The Thrill Is Gone, Rosa Lee McFall, Two Soldiers, Grateful Dawg, Louis Collins,
 Short Life Of Trouble, Oh, Wind and Rain, Milestones
 Set Two: Duets:, Walking Boss*, When First Unto This Country*, Sweet Sunny South* **, Shady
  Grove, Friend Of The Devil, Stealin', Dawg's Waltz, Sittin' In Limbo, Arabia, I'm My Own
 Grandpa****
05/11/92 San Francisco, CA - Warfield Theater ??>DVD partial n/a 
 *JGDG: partial DVD for material w/ sbd audio* *Less Than Face*
 Audio: DSBD>DATs>CDRs>EAC>SHN>PCM, 1536 k/s. From David Gans mix tape that circulates. Video: VBR:
 Max 6.9 kb/s, Avg. 4.2 kb/s, NTSC, 4x3, res: 720 x 480. Audience cam w/ tripod from unknown source.
 Authored with Architect 2.0.
 Set One: 1. Oh, The Wind and Rain, 2. When First Unto This Country, 3. Shady Grove, 4.
 Sitting Here In Limbo
06/02/92 *see Jerry Garcia on Official Releases*  n/a 
06/03/92 *see Jerry Garcia on Official Releases* n/a 
06/04/92 *see Jerry Garcia on Official Releases* n/a  
07/24/92 Sacramento, CA - Cal Expo Amphitheater MAC>CD All 123 1300 84442 
 *JGB: Chris Cate, Sony 939 > Sony D6*
 Chris Cate's MAC (hand-held Sony 939 stereo mic > Sony D-6 using Maxell Capsule Metal 100s) >
 Nakamichi BX300 playback > Harmann Kardon CDR2 CD/0 > CD clone > EAC > FLAC. Notes: - Quite a nice
 tape after things settle in. - d1t01 HSII fades in near very beginning, some level fluctuations. I
 would have tried to patch the start, but the only db source (shnid=16187) does not seem to have been
 circulated, so I don't have an alternate copy. - d1t02 HAGYN nice emotive vocals in 6-min. mark -
 d1t04 MITR levels rise @ ca. 4:10 - crowd is quite intrusive ... shhhhhh.
 Set One: Disc One (7 tracks 55:08) --Set I-- d1t01. ... How Sweet It Is (To Be Loved By You)
 [6:40] d1t02. He Ain't Give You None [8:53] d1t03. That's What Love Will Make You Do [8:03] d1t04.
 Mission In The Rain [9:11] d1t05. Ain't No Bread In The Breadbox [8:45] d1t06. My Sisters And Brothers
 [4:25] d1t07. Deal [9:07]
 Set Two: Disc Two (8 tracks, 68:09) --Set II-- d2t01. Shining Star [13:04] d2t02. Struggling
 Man [6:54] d2t03. Waiting For A Miracle [5:49] d2t04. Crowd and Tuning [0:18] d2t05. Money Honey
 [6:05] d2t06. Don't Let Go [13:45] d2t07. That Lucky Old Sun (Just Rolls Around Heaven All Day)
 [10:28] -> d2t08. Tangled Up In Blue [11:43]
07/26/92 Mountain View, CA - Shoreline Amphitheater MAD>D>CD All n/a 1317 86551 
 *JGB*
 Set One: Cats Under The Stars Down Under The Stars, They Love Each Other, Simple Twist Of
 Fate, Let It Rock, Run For The Roses, My Sisters And Brothers, Deal
 Set Two: Stop That Train, You Never Can Tell (C'est La Vie), Lay Down Sally, The Night They
 Drove Old The Night They Drove Old Dixie Down, Ruben and Cherise, Gomorrah, Ain't No Bread In The
 Breadbox, Midnight Moonlight, E: Wonderful World
07/26/92 Mountain View, CA - Shoreline Amphitheater MAD>P>CD All 131 1359 90014 
 *JGB: Schoeps MK4 mod.> Panasonic SV255*
 Master: Schoeps MK4 mod > Panasonic SV-255, from 102 boxes; Transfer: Unknown gen PCM/Beta > Sony
 SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD
 mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by
 David Minches. Notes - level fluctuations first minute of CUTS - taper talk "why you doin' that?"
 after CUTS - intrusive crowd chatter, especially at start ... shhh - The first set strikes these ears
 as terribly lackluster, truly one of the dullest JGB performances I can think of. IMO things only pick
 up a little toward the end of set II, with Breadbox actually good and the Wonderful World encore a
 nice treat. - d2t005 R&C small tick @ 4:18 - Jer does some neat staccato stuff at around 6:30 of
 Breadbox
 Set One: Disc One (8 tracks, 56:27) --Set I-- d1t001. Crowd & Tuning [1:07] d1t002. Cats
 Under The Stars [9:00] [0:37] d1t003. They Love Each Other [6:56] [0:38] d1t004. Simple Twist Of Fate
 [11:31] [0:13] d1t005. Let It Rock [6:11] [1:25] d1t006. Run For The Roses [5:36] -> d1t007. My
 Sisters And Brothers [4:11] -> d1t008. Deal [8:42] [0:18]
 Set Two: Disc Two (9 tracks, 74:56) --Set II-- d2t001. Stop That Train [7:52] [0:18] d2t002.
 You Never Can Tell [5:28] [0:10] d2t003. Lay Down Sally [9:05] [0:35] d2t004. Night They Drove Old
 Dixie Down [10:08] [0:34] d2t005. Reuben & Cherise [8:54] [0:40] d2t006. Gomorrah [6:35] [0:11]
 d2t007. Ain't No Bread In The Breadbox [8:58] [0:16] d2t008. Midnight Moonlight [6:12] [0:22]
 --Encore-- d2t009. (What A) Wonderful World [8:28] [0:06]
07/29/92 Universal City, CA - Universal Amhitheater MAD>CD All n/a 1217-1218 6344 
 *JGB: Beyer 201s*
 DAUD (Beyer 201s, 90 degrees, up front, DFC); DAT-> CD Master-> EAC(in Secure Mode)-> CDWave-> SHN.
  DAT -> CD conversion and mastering by AJ - a2k@pacbell.net - 9/10/01.
 Set One: How Sweet It Is to be Loved By You, Forever Young, You Never Can Tell (C'est La
 Vie), Run For The Roses, Dear Prudence, Like A Road, My Sisters And Brothers, Somebody To Love
 Set Two: Shining Star, And It Stoned Me, Ain't No Bread In The Breadbox, Struggling Man,
 Russian Lullaby, Don't Let Go, Midnight Moonlight
07/31/92 Ventura, CA - Ventura County Fairgrounds mixed MADs All n/a 1305 15799 
 *JGB: AKG480s (I) and Senn 421s (II)*
 Source: Set 1 - FOB(AKG480)>DAT>CDR>WAV>SHN; Set 2 - FOB(Senn 421)>DAT>CDR>WAV>SHN; Taper:
 unknown @ this time. CL's Comments: "Sound quality is a little thin initially but then dramatically
 improves within the first minute as taper repositions self/mic's (?). Moderate crowd noise. Some
 pauses between tracks on the master tape. First notes of d1t01 are clipped. I'm blanking on who sent
 me these - THANK YOU! DAE (EAC0.9 beta 4, offset corrected, secure mode) > tracking (cdwave) > SHN
 (shorten 3.4) > FTP via C.Ladner/candyman FTP."
 Set One: I Second That Emotion, Think, He Ain't Give You None, Ruben and Cherise, I Shall Be
 Released, My Sisters And Brothers, Deal
 Set Two: Shining Star, Tore Up Over You, Waiting For A Miracle, The Night They Drove Old The
 Night They Drove Old Dixie Down, Lay Down Sally, Midnight Moonlight
08/01/92 Laguna Hills, CA - Irvine Meadows Amphitheater MAD>D>CD All n/a 0989 18965 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 Source: The primary source used for this set of SHN's is FOB (Nak700) > Sony D3 > DAT > CDR > WAV
 > SHNv3. Cats Under the Stars and the beginning of Mission In The Rain (which are missing from the FOB
 source) are from a second source with at least one analog generation of spotty indeterminate lineage.
 Taper is unknown for both sources. Source update: Sean Cribbs confirms that taper is Larry
 Gindoff.
 Set One: Cats Under The Stars Down Under The Stars, Mission In The Rain, Waiting For A
 Miracle, Mississippi Moon, Ain't No Bread In The Breadbox, My Sisters And Brothers, Somebody To
 Love
 Set Two: Shining Star, Money Honey, Knockin' On Heaven's Door, The Maker, Don't Let Go,
 Wonderful World
08/01/92 Laguna Hills, CA - Irvine Meadows Amphitheater  MAD>CD All n/a 94028 
 *JGB: Schoeps*
 Source: FOB > Schoeps > DAT @ 48k; Transfer: Fostex D5 > Zoltrix 24/96 > Wavelab 5.0 @
 48k(normalized to -1db, edits,crossfades) > Cd Wave > 16/48 FLAC. *Brought To You By Gotfob* Notes:
 *fixed right channel mic bump @ 4:25 with left channel pasted in) **fixed pause between knockin/maker
 crossfaded w/-12db fast) ***(song faded out, I removed the gap & fixed the fade in)
 Set One: Cats Under The Stars Down Under The Stars, Mission In The Rain, Waiting For A
 Miracle, Mississippi Moon, Ain't No Bread In The Breadbox, My Sisters And Brothers, Somebody To
 Love
 Set Two: Shining Star, Money Honey, Knockin' On Heaven's Door, The Maker, Don't Let Go,
 Wonderful World
08/02/92 Southwestern College, Chula Vista, CA - Devore Field MAD>D>CD All n/a 1305 14309 
 *JGB: AKG480s > unknown deck*
 Source: FOB (AKG480) > DAT > CDR > WAV > SHNv3; Taper: unknown. Ladner Comments: "Overall levels
 are low, however i didn't adjust them because they are pretty hot at some points. d1t01 - 06:36-06:50
 after song is finished, before the start of the next song is some serious sonic "ruffage" as taper
 makes haste to depart the chatty throng he's landed among... onward to FOB. d2t02 - isolated nearby
 loud clapping 01:41, 02:41. Thanks to Doug R. for the seeds. DAE(EAC 0.9 beta 4) > tracking (cdwav) >
 sector boundaries confirmed (shntool) > SHN (shorten 3.4) > FTP via neo_levo/candyman FTP. A missSHN
 in the Rain installment of The Music Never Stops Project."
 Set One: How Sweet It Is to be Loved By You, Stop That Train, He Ain't Give You None, You
 Never Can Tell (C'est La Vie), Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, Waiting For A Miracle, The Maker, Gomorrah, Ain't No Bread In The
 Breadbox, That Lucky Old Sun, Midnight Moonlight
10/31/92 *see Jerry Garcia on Official Releases* n/a 
10/31/92 Oakland, CA - Oakland Coliseum Arena MAD>CD  All 137 
 *JGB: Schoeps MK-4V > Sony D3*
 AUD FOB (Schoeps MK-4V > Reutelheuber > D3):D > PC > CDR; d1t05 Dixie pop @ 8:15?
 Set One: 1. [1:14] How Sweet It Is [6:27] [1:20], 2. Stop That Train [7:09] [0:42], 3. The
 Maker [6:29] [0:54], 4. C'est La Vie [6:50] [0:32], 5. The Night They Drove Old Dixie Down [9:03]
 [0:31], 6. Lay Down Sally [7:05] [0:18], 7. Deal [7:27] [0:10], set II, 8. Shining Star [12:05]
 [0:36], Total Time 68:56
 Set Two: 1. And It Stoned Me [7:12] [0:29], 2. Ain't No Bread In The Breadbox [9:34] [0:47],
 3. Wonderful World [7:58] [0:49], 4. Tore Up Over You [7:34] [0:50], 5. Waiting For A Miracle [5:45]
 [0:28], 6. My Sisters And Brothers [6:00] -> 7. Tangled Up In Blue [11:39] [2:04], E: 8. Werewolves of
 London [6:49] [0:11], Total Time 68:10
10/31/92 Oakland, CA - Oakland Coliseum Arena MS?>?>D>CD All n/a 1001-1002 14310 
  *JGB*
 Set One: How Sweet It Is to be Loved By You, Stop That Train, The Maker, You Never Can Tell
 (C'est La Vie), The Night They Drove Old The Night They Drove Old Dixie Down, Lay Down Sally, Deal
 Set Two: Shining Star, And It Stoned Me, Ain't No Bread In The Breadbox, Wonderful World,
 Tore Up Over You, Waiting For A Miracle, My Sisters And Brothers, Tangled Up In Blue, E: Werewolves of
 London
10/31/92 Oakland, CA - Oakland Coliseum Arena  MAD>D>CD II n/a 1278 76460 
 *JGB: Schoeps CMC54s > uknown deck*
 FOB Schoeps CMC54 DAUD > DAT(x) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (both
 44.1 and 48k versions) > tracking (CD Wave) > level 8 FLAC encoding (TLH). Lossless Legs "GEMS"
 project, via Todd Evans (DAT > WAV) and keysareme (tracking and FLAC encoding).
 Set One: How Sweet It Is to be Loved By You, Stop That Train, The Maker, You Never Can Tell
  (C'est La Vie), The Night They Drove Old The Night They Drove Old Dixie Down, Lay Down Sally, Deal
 Set Two: Shining Star, And It Stoned Me, Ain't No Bread In The Breadbox, Wonderful World,
 Tore Up Over You, Waiting For A Miracle, My Sisters And Brothers, Tangled Up In Blue, E: Werewolves of
 London
11/24/92 *see Jerry Garcia on Official Releases* n/a 
12/19/92 San Francisco, CA - Warfield Theater MAD>CD All 129 enter xxxxx 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 Chuck & Janet Vasseur, Neumann KM54s > Denon deck > unknown xfer to CD. Lineup: Jerry Garcia -
 guitar, vocals; John Kahn - bass; Melvin Seals - keyboards; David Kemper - drums; Jaclyn LaBranch -
 backing vocals; Gloria Jones - backing vocals. - A very lackluster show. - static @ very end of Deal -
 The first song in each set fades up quickly near the beginning of the song, maybe missing a note or
 two in each case depending on your tracking preferences.
 Set One: Disc One (8 tracks, 67:52) --Set I-- d1t01. The Way You Do The Things You Do [9:42]
 [0:36] d1t02. Mission In The Rain [10:05] [1:23] d1t03. That's What Love Will Make You Do [8:52]
 [0:18] d1t04. Like A Road [6:29] [0:26] d1t05. You Never Can Tell [6:41] [0:41] d1t06. Ain't No Bread
 In The Breadbox [9:38] [0:10] d1t07. My Sisters And Brothers [4:16] -> d1t08. Deal [8:28] [0:07]
 Set Two: Disc Two (7 tracks, 60:34) --Set II-- d2t01. Shining Star [9:50] [0:55] d2t02.
 Wonderful World [4:52] [0:28] d2t03. And It Stoned Me [8:41] [0:33] d2t04. Money Honey [6:42] [0:21]
 d2t05. Senor (Tales Of Yankee Power) [7:05] [0:19] d2t06. Don't Let Go [13:11] -> d2t07. Midnight
 Moonlight [7:32] [0:05]
12/19/92 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1305 13422 
 *JGB: Schoeps CMC32s > unknown deck*
 Source: AUD(SCHOEPS CMC32)>DAT>CDR>WAV>SHNv3. CL's Comments: "Clear recording without much low
 end. At times very loud close up yelling. d1t02 - 07:21 - balloon pop. d2t04 - big mouth gets his
 wish. DAE (EAC0.9 beta 4) > boundaries confirmed (shntool) > SHN (shroten 3.4) > FTP via
 neo_levo/candyman FTP - 11/2002."
 Set One: The Way You Do The Things You Do, Mission In The Rain, That's What Love Will Make
 You Do Will Make You Do, Like A Road, You Never Can Tell (C'est La Vie), Ain't No Bread In The
 Breadbox, My Sisters And Brothers, Deal
 Set Two: Shining Star, Wonderful World It Is, And It Stoned Me, Money Honey, Senor (Tales Of
  Yankee Power), Don't Let Go, Midnight Moonlight
12/21/92 San Francisco, CA - Warfield Theater MAD>CD All n/a 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 Set One: How Sweet It Is to be Loved By You, Stop That Train, Run For The Roses, Forever
 Young, Wonderful World It Is, He Ain't Give You None, My Sisters And Brothers, Deal
 Set Two: Shining Star, Struggling Man, Waiting For A Miracle, Tore Up Over You, Lay Down
 Sally, That Lucky Old Sun, Tangled Up In Blue
 
01/28/93 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1024 12255 
 *JGB: Neumann KM54s > Teac DAP20*
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Forever Young, Run For The
 Roses, Wonderful World, That's What Love Will Make You Do, My Sisters And Brothers, I Second That
 Emotion
 Set Two: Shining Star, Waiting For A Miracle, Think, Ain't No Bread In The Breadbox, Don't
 Let Go, That Lucky Old Sun, Midnight Moonlight
01/29/93 San Francisco, CA - Warfield Theater MAD>D>CD All 156 1024 21133 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 d1t01 CUTS major tick @ 9:12. Cats and Second That Emotion are the deadly-dullest versions of
 these two songs I have ever heard.
 Set One: Disc One (8) 77:15 --Set I-- Cats Under The Stars, He Ain't Give You None, Simple
 Twist Of Fate, You Never Can Tell (C'est La Vie), Lay Down Sally, Money Honey, My Sisters And
 Brothers, I Second That Emotion
 Set Two: Disc Two (7) 78:43 --Set II-- The Way You Do The Things You Do, Mission In The
 Rain, The Maker, Struggling Man, Ain't No Bread In The Breadbox, The Night They Drove Old Dixie Down
 -> Tangled Up In Blue
01/30/93 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1024 21134 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 Set One: Somebody To Love, And It Stoned Me, Knockin' On Heaven's Door, Let It Rock,
 Mississippi Moon, My Sisters And Brothers, Deal
 Set Two: Dear Prudence, I Shall Be Released, Tore Up Over You, Like A Road, Rubin And
 Cherise, Wonderful World, Midnight Moonlight
02/04/93 *see Jerry Garcia on Official Releases* n/a 
02/04/93 Tiburon, CA - Grisman's Studio MSD>2C>D>CD? All 60 
 *Garcia, Grisman & Rice*
 These are the sessions that produced the Pizza Tapes. I have two discs which mostly overlap (one
  copy has a full So What and House of the Rising Sun but no Man of Constant Sorrow, the other has Man
 of Constant Sorrow but only a snippet of So What and no House of the Rising Sun. The material is hissy
 and definitely sounds like it needs speed correction, at least in places.
 Set One: COPY 1 (CAME AS 3/24/95): (13) 53:52 Louis Collins, noodling -> Shady Grove,
 noodling -> Summertime//, /Long Black Veil, Rosalie McFall & Adams Family Tuning, Amazing Grace,
 Little Sadie, Knockin' on Heaven's Door, noodling, 12. So What [5:32], 13. noodling [1:25] -> House of
 the Rising Sun false start [0:15] -> "fucked it up again" [0:20], House of the Rising Sun (fades
 down)
 Set Two: COPY 2 (CAME AS 00/00/95): (13) 50:50 Man of Constant Sorrow, Louis Collins,
 noodling -> Shady Grove, nooding -> Summertime//, /Long Black Veil, Rosalie McFall & Adams Family
 Tuning, Amazing Grace, Little Sadie, Knockin' on Heaven's Door, noodling, So What// [0:35#]
02/05/93 *see Jerry Garcia on Official Releases* n/a 
02/15/93 *see Jerry Garcia on Official Releases* n/a 
02/23/93 Oakland, CA - Oakland Coliseum Arena MAD>CD All 9 1205 noshnid 
 *Ornette Coleman w/ JG on one tune: unknown taper & gear*
 Opened for the Grateful Dead. Source: Aud > DATs, taper and gear unknown. Transfer: DAT 60ES >
 M-Audio Audiophile USB > WAV > Flac. Transfer jbraveman@hotmail.com August 2005, seeded DaD August
 2005. Seeder notes: "Average sounding audience recording. Most likely from taper-section, which was
 behind the soundboard. I guessed at the tracking based on the audience applause. No obvious digital
 glitches noted. Any help with setlist is appreciated."
02/25/93 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1024 12685 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 Set One: Cats Under The Stars, They Love Each Other, He Ain't Give You None, Dear Prudence,
 Like A Road, Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, The Maker, Wonderful World, Ain't No Bread In The Breadbox, That
 Lucky Old Sun, Midnight Moonlight
02/26/93 San Francisco, CA - Warfield Theater MAD>D>CD All 124 1024 13035 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Let It Rock, Lazy Bones, Run
 For The Roses, Waiting For A Miracle -> My Sisters And Brothers, Somebody To Love
 Set Two: The Way You Do The Things You Do, And It Stoned Me, Money Honey, Struggling Man,
 Don't Let Go, Tangled Up In Blue
02/26/93 San Francisco, CA - Warfield Theater MTX I n/a 1273  76800 
 *JGB: amdig matrix*
 Source Info: SBD: DSBD > DAT "This tape was either the master (unlikely) or a copy of it." - RG.
 Source and Transfer by Rich Gastwirt (taper@gastwirt.org) TASCAM DA-20 > M-Audio FireWire solo >
 Soundforge 8.0 wav. Edited and Mastered by James E. (BlingFree@shnflac.net). AUD: Taper: Chuck; Source
 Neumann mics (Vintage 1957, tube electronics) > MAC > CDR> EAC (Secure mode) > SHN. * This does not
 appear that it is from a cassette source. If so, then it was the most time accurate tape deck in the
 entire world. My guess is it was recorded onto DAT. Thanks to the Lossless Legs Community
 (www.shnflac.net) for getting me these 2 spectacular sources. Both of these recordings are top notch.
 The AUD source is perhaps one of the best AUDs I've heard from the Warfield. I am very pleased with
 the results of this project. The 2 recording mixed very well. Jerry's notes literally linger in the
 air for what seems an eternity. The 5.1 version and the SBD+AUD matrix mix leaves you standing front
 row at the bar rail. Complete with Jerry's guitar floating by as hoot's and cat calls add to the
 experience. Jerry's tone is very nice and the AUD did a great job at capturing how things sounded
 that night in SF. Tech Notes: FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble the
 tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 was used to
 reduce and fix some of the snaps/pops usuing the pencil tool. CEP2.0 used to adjust the volume for
 the SBD & AUD and perform the multitrack mixdown to stereo. This is a 50% SBD, 50% AUD mix. - Mixed by
 dan@am-dig.com - FLAC conversion done 15-AUG-2006. Notes: "The SBD had somewhat low levels with the
 exception of the spiking drums. I preformed some hard limiting to try and contain things a bit
 better. +3db with a max amplitude of -.1db. The SBD had several pops and clicks. Especially
 noticeable during "My Sisters and Brothers" but they were located throughout. using zoom an pencil
 tool I was able to redraw and remove 30 or 40 of these pops without disturbing the music."
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Let It Rock, Lazy Bones, Run
 For The Roses, Waiting For A Miracle, My Sisters And Brothers, Somebody To Love
02/26/93 San Francisco, CA - Warfield Theater MSD>D>CD I n/a 1267 76436 
 *JGB*
 DSBD > DAT "This tape was either the master (unlikely) or a copy of it." - RG. Source and Transfer
 courtesy of Rich Gastwirt (taper@gastwirt.org) TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0
 wav. Edited and Mastered by James E. (BlingFree@shnflac.net) *Adobe Audition 1.5 > 44.1kHz .wav >
  shntool > FLAC (lvl8). Jerry Garcia Band is: Jerry Garcia - guitar, vocals; John Kahn - bass; Melvin
 Seals - keyboards; David Kemper - drums (2-21-1986 to 11-19-1993); Jaclyn LaBranch - backing vocals;
 Gloria Jones - backing vocals. *Adobe Audition 1.5 notes: Fade-In: 0:00.000 - 0:05.000; Fades Applied
 to dropout: 18:53.188 - 18:55.000; pop fixed: 8:58.200 - 38:58.271; Waiting For a Miracle & Everybody
 Needs Somebody To Love: Too many clicks and fixes to list, some clicks stayed; Fade-Out: 1:00:44.543 -
 1:00:46.543. Convert Sample rate 48000 > 44100, pre/post filter applied, dither bit depth 1. Too many
 mastering steps to list. A GEMS production -+-+- www.shnflac.net -+-+- Aug 2006"
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Let It Rock, Lazy Bones, Run
 For The Roses, Waiting For A Miracle, My Sisters And Brothers, Somebody To Love
02/26/93 San Francisco, CA - Warfield Theater MSD>D>CD  I n/a 76435 
 *JGB*
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Let It Rock, Lazy Bones, Run
 For The Roses, Waiting For A Miracle, My Sisters And Brothers, Somebody To Love
 Set Two: The Way You Do The Things You Do, And It Stoned Me, Money Honey, Struggling Man,
 Don't Let Go, Tangled Up In Blue
02/26/93 San Francisco, CA - Warfield Theater DTS5.1 I n/a enter 76799 
 *JGB: amdig DTS-Audio-CD 5.1 Mix*
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Let It Rock, Lazy Bones, Run
 For The Roses, Waiting For A Miracle, My Sisters And Brothers, Somebody To Love
 Set Two: The Way You Do The Things You Do, And It Stoned Me, Money Honey, Struggling Man,
 Don't Let Go, Tangled Up In Blue
02/27/93 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1025 13036 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 Set One: I Second That Emotion, I Shall Be Released, Mission In The Rain, Simple Twist Of
 Fate, Ain't No Bread In The Breadbox, The Night They Drove Old Dixie Down, My Sisters And Brothers,
 Deal
 Set Two: Shining Star, Tore Up Over You, Wonderful World, The Maker, Lay Down Sally, Rubin
 And Cherise, Midnight Moonlight
02/27/93 San Francisco, CA - Warfield Theater MAD>D>CD All 136 1195-1196 29344 
 *JGB: Neumann KM54s (Vasseur?)* *2005 DAT>FLAC xfer* *SBEs*
 Transfered & Seeded By: Greg Lance, gotfob@hotmail.com. Source: FOB > Neumann Km 54's > Dat @ 48k >
 Clone. Transfer: (Fresh Transfer On 5.20.05) Fostex D5 @ 48k > Vx pocket 440 > Toshiba 3480ct >
 Wavelab 4.0 > Resampled to 44.1 > Cd Wave > FLAC. Nice tape. Tick @ 4:07 of Lay Down Sally.
 Set One: Disc One (8 tracks, 73:10) --Set I-- I Second That Emotion, I Shall Be Released,
  Mission In The Rain, Simple Twist Of Fate, Ain't No Bread In The Breadbox, The Night They Drove Old
 Dixie Down, My Sisters And Brothers, Deal
 Set Two: Disc Two (7 tracks, 62:37) --Set II-- Shining Star, Tore Up Over You, Wonderful
 World, The Maker, Lay Down Sally, Reuben and Cherise -> Midnight Moonlight
04/12/93 San Francisco, CA - Candlestick Park MC > CD All 3 1101 26477 
 *Garcia, Weir & Welnick* *SBEs*
 San Francisco Giants home opener. Source: tv > cassette > .wav (CoolEdit) > .shn.
 Set One: --Filler on "new & complete" 10/16/85, d2: d01t01 opening remarks on stadium
 public address system, d01t02 The Star Spangled Banner
04/16/93 Los Angeles, CA - Pauley Pavilion, UCLA MAD>D>CD All n/a 1025 19280 
 *JGB: unknown taper & gear*
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Let It Rock, Dear Prudence,
 Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
 Set Two: Shining Star, Waiting For A Miracle, Struggling Man, Money Honey, Wonderful World,
 Don't Let Go, That Lucky Old Sun, Midnight Moonlight
04/16/93 Los Angeles, CA - Pauley Pavilion, UCLA MAD>D>CD All n/a 1256 32751 
 *JGB: Chip, Neumann KM140s > Panasonic SV-250*
 Digitial FOB Audience Tape: Neumann KM-140 110 deg ORTF In Hat > Active Cables > Neumann Supply >
  Panasonic sv250 (Taped 4th Row Center by Chip). Transfer Details: DAT provided by and transfer to wav
 from Todd Evans: DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition >
 FLAC frontend.
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Let It Rock, Dear Prudence,
 Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
 Set Two: Shining Star, Waiting For A Miracle, Struggling Man, Money Honey, Wonderful World,
 Don't Let Go, That Lucky Old Sun, Midnight Moonlight
04/16/93 Los Angeles, CA - Pauley Pavilion, UCLA MAD>D>CD All n/a 32751 
 *JGB: Chip, Neumann KM140s > Panasonic SV-250*
 Digitial FOB Audience Tape: Neumann KM-140 110 deg ORTF In Hat > Active Cables > Neumann Supply >
 Panasonic sv250 (Taped 4th Row Center by Chip). Transfer Details: DAT provided by and transfer to wav
 from Todd Evans: DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition >
 FLAC frontend.
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, Let It Rock, Dear Prudence,
 Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
  Set Two: Shining Star, Waiting For A Miracle, Struggling Man, Money Honey, Wonderful World,
 Don't Let Go, That Lucky Old Sun, Midnight Moonlight
04/17/93 Los Angeles, CA - Pauley Pavilion, UCLA MAD>D>CD All n/a 1025 19281 
 *JGB: unknown taper & gear*
 Set One: Cats Under The Stars, And It Stoned Me, Run For The Roses, Simple Twist Of Fate,
 Tore Up Over You, Lay Down Sally, My Sisters And Brothers, Somebody To Love
 Set Two: The Way You Do The Things You Do, The Maker, Mission In The Rain, Think, E: Tangled
 Up In Blue
04/17/93 Los Angeles, CA - Pauley Pavilion, UCLA MAD>D>CD All 123 1256 33599 
 *JGB: Neumann KM140s > Panasonic SV250* *GEMs*
 Recording Details: Neumann KM-140 110 deg ORTF In Hat -> Active Cables - > Neumann Supply ->
 Panasonic sv250. Transfer Details: DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
 minor editing (inter-set level balancing, joining sets for seamless burning to longer media, fades).
 DAT provided by and transfer by Todd Evans (March 2006). Editing, tracking, FLAC-ing by Mike Hughey
 (scarletfire1111@yahoo.com).
 Set One: Cats Under The Stars, And It Stoned Me, Run For The Roses, Simple Twist Of Fate,
 Tore Up Over You, Lay Down Sally, My Sisters And Brothers, Somebody To Love
 Set Two: The Way You Do The Things You Do, The Maker, Mission In The Rain, Think, E: Tangled
 Up In Blue
04/18/93 San Diego, CA - San Diego Sports Arena MAD>D>CD All n/a 1025 21135 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 Set One: How Sweet It Is To Be Loved By You, They Love Each Other, You Never Can Tell (C'est
 La Vie), Postively 4th Street, Ain't No Bread In The Breadbox, The Night They Drove Old Dixie Down, My
 Sisters And Brothers, Deal
 Set Two: Shining Star, Struggling Man, Money Honey, I Shall Be Released, Rubin And Cherise,
 Don't Let Go, It's A Wonderful World, Midnight Moonlight
04/18/93 San Diego, CA - San Diego Sports Arena MAD>D>CD All 62 1256 33600 
 *JGB: Chip, Neumann KM140s > Panasonic SV255* *GEMs*
 Recording Details: FOB Center by Chip; Neumann KM-140 110 deg ORTF In Hat -> Active Cables - >
 Neumann Supply -> Panasonic sv250. Tranfer Details: DAT from, transfer by Todd Evans; DAT > TASCAM
 DA-20 > M-Audio FireWire solo > Soundforge 8.0 16/48 kHz wav. Editing/Tracking Details: Edits,
 downsampling to 44.1 kHz, tracking, FLAC in Adobe Audition 1.5 by Mike Hughey
 scarletfire1111-at-yahoo.com. sets joined for seamless transition to longer media. Numerous pops in
 the .01-.03 sec. range removed manually (0.5 microsecond cross-fade). One mic bump and one moron's cup
 crushing near the mics were also removed manually (blessedly both occured during crowd noise).
 Set One: DISC 1 SET 1 01. Crowd/Tunning [0:58], 02. How Sweet It Is (To Be Loved By You)
 [6:46] , 03. They Love Each Other [7:51], 04. You Never Can Tell [7:58], 05. Positively 4th Street
 [8:03], 06. Ain't No Bread In The Breadbox [8:59], 07. Night They Drove Old Dixie Down [9:42], 08. My
 Sisters And Brothers [4:15], 09. Deal [7:47], Total Time [62:19]
 Set Two: DISC 2 SET 2 01. crowd, tuning [0:56], 02. Shining Star [12:22], 03. Struggling
 Man [7:33], 04. Money Honey [7:23], 05. I Shall Be Released [8:40], 06. Reuben And Cherise [8:31], 07.
 Don't Let Go [14:01], 08. Wonderful World [7:36], 09. Midnight Moonlight [6:26], Total Time [73:34]
04/18/93  San Diego, CA - San Diego Sports Arena MAD>D>CD All n/a 16375 
 *JGB: unknown taper & gear*
 COMMENTS: D1t01 (Crowd/Tuning) Digi Pop @ :29 left channel removed and replaced with right channel.
  D1t02 (How Sweet It Is (To Be Loved By You)) Digi pop @ 6:44 both channels removed. D2t01
 (Crowd/Tuning) Pops @ :26, :39, and :50 all on both channels removed. D2t02 (Shining Star) Tiny drop
 out both channels @ 2:46 removed, static from 5:21-5:22 filtered. D2t06 (Reuben And Cherise) Tiny drop
 out and static @ 4:43 drop out removed and static filtered. Conversion/Edits/Seeded to Etree by T.
 Wiley 03/18/2003. EAC: Secure to extract Disks 1 & 2 @ 99.9 % quality with no reported errors. CD WAV:
 To select tracks. Cool Edit Pro: To preform all edits(See Comments above). Shntool: To confirm sector
 boundaries. SHN: Via mkwact (seekable).
 Set One: SET 1 CD 1 {62:19.42} 01. Crowd/Tunning {0:59.62} 02. How Sweet It Is (To Be Loved
 By You) {6:49.49} 03. They Love Each Other {7:46.69} 04. You Never Can Tell {7:58.64} 05. Positively
 4th Street {8:01.66} 06. Ain't No Bread In The Breadbox {9:00.08} 07. Night They Drove Old Dixie
 Down {9:42.25} 08. My Sisters And Brothers {4:15.04} 09. Deal {7:44.70}
 Set Two: SET 2 CD 2 {73:35.29} 01. Crowd/Tunning {1:07.03} 02. Shining Star {12:14.59}
 03. Struggling Man {7:40.58} 04. Money Honey {7:20.43} 05. I Shall Be Released {8:40.34} 06. Reuben
 And Cherise {8:31.44} 07. Don't Let Go {14:16.26} 08. Wonderful World {7:21.43} 09. Midnight Moonlight
 {6:22.19}
04/23/93 *see Jerry Garcia on Official Releases* n/a 
04/23/93 San Francisco, CA - Warfield Theater MAD>D>CD All 120 1025 15923 
 *JGB: Neumann KM54s* *compare w/identified copy of Vasseur*
 This is a really nice tape of a nice show. The Maker is great, Hunter Gets Captured is well done,
 and this Senor was well-chosen for the Garcia Plays Dylan official release. Good stuff.
 Set One: Cats Under The Stars, Knockin' On Heaven's Door, That's What Love Will Make You Do,
 He Ain't Give You None, Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
 Set Two: The Way You Do The Things You Do, The Maker, Money Honey, When The Hunter Gets
 Captured By The Game, Lazy Bones, Reuben And Cherise, Senor (Tales Of Yankee Power), Midnight
 Moonlight
04/24/93 San Francisco, CA - Warfield Theater MAD>D>CD I 55 1172 22254  
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Characteristically great aud. Set is pretty good, with the Everybody Needs Somebody to Love quite
 great, with some especially hot guitar work in the 7-minute mark.
 Set One: (7 tracks, 55:29) --Set I-- How Sweet It Is To Be Loved By You, Forever Young, Get
 Out Of My Life Woman, Run For The Roses, Dear Prudence, My Sisters And Brothers -> Everybody Needs
 Somebody To Love
04/25/93 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1026 16151 
 *JGB: Neumann KM54s*
 Set One: Cats Under The Stars, You Never Can Tell (C'est La Vie), Simple Twist Of Fate,
 Wonderful World, Think, Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
 Set Two: Shining Star, The Maker, The Night They Drove Old Dixie Down, Rubin And Cherise,
 Don't Let Go, Midnight Moonlight
06/03/93 *see Jerry Garcia on Official Releases* n/a 
06/18/93 Chicago, IL - Soldier Field MA?>?>CD All 5 
 *Sting w/ JG: unknown taper & gear*
 truly awful sound quality. Allegedly a very windy, rainy day.
 Set One: 12. Consider Me Gone (w/ Garcia)
06/25/93 Washington, DC - Robert F. Kennedy Stadium MA?>?>CD All 9 
 *Sting w/ Garcia*
 Set One: 12. Tea in the Sahara > Consider Me Gone (w/ Garcia) [8:45]
06/26/93 Washington, DC - Robert F. Kennedy Stadium MS?>?>CD All 9 
 *Sting w/ JG* (often circs as 6/25)
 Nice sbd. I have seen the linage of this given as SBD Master (Beta) > HiFi VHS > CD, but I don't
 know the precise lineage of this copy. This often circulates as 6/25 but I think it's the 26th.
 Set One: Single Disc (11) 60:51. Tunes with Garcia: 11. *Walking on the Moon -> *Consider
 Me Gone -> *Been Down So Long [8:56]
08/07/93 Seattle, WA - Seattle Center Arena MAD>D>CD All n/a 1026 6631 
 *JGB: Bill Shaw, Neumanns > Tascam D5*
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, The Maker, Run For The Roses,
 Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, Waiting For A Miracle, Simple Twist Of Fate, Ain't No Bread In The
 Breadbox, Think, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
08/07/93 Seattle, WA - Seattle Center Arena MAD>CD All n/a 1126-1127 27359 
 *JGB: unknown taper, unknown mics > Sony D3*
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, The Maker, Run For The Roses,
 Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, Waiting For A Miracle, Simple Twist Of Fate, Ain't No Bread In The
 Breadbox, Think, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
08/07/93 Seattle, WA - Seattle Center Arena MAD>CD All n/a 1228 30638 
 *JGB: 'Bearpalm,' Schoeps MK4s > Denon deck*
 Master FOB Schoeps MK4's>Billbox>Denon Dat Deck @48KHZ>Bob Katz VSP digital Domain Processor
 conversion to 44KHZ>Sound Card Deluxe Digital I/O card>Soundforge 6.0>Flac. Taper's notes: "Awesome
 show and a great recording in the sweet spot half way between the soundboard and the stage. I was
 lucky as I had a great stealth set-up. Many people around me got busted for taping. In fact one of the
 roadies was standing right behind my left shoulder busting people in front of me and to the side of
 me!!!"
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, The Maker, Run For The Roses,
 Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, Waiting For A Miracle, Simple Twist Of Fate, Ain't No Bread In The
 Breadbox, Think, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
08/07/93 Seattle, WA - Seattle Center Arena MAD>CD All n/a 1278 79045 
  *JGB: Mike Albright, Sonic Studios binaurals > Teac P20*
 48k: Mike Albright's MAD (Sonic Studios binaural mics on eyeglasses > Teac P20) > Sony 60ES Edirol
 UA-3FX Amadeus II > MacFlac > .flac (48kHz).
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, The Maker, Run For The Roses,
 Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, Waiting For A Miracle, Simple Twist Of Fate, Ain't No Bread In The
 Breadbox, Think, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
08/07/93 Seattle, WA - Seattle Center Arena MAD>CD All n/a 79045 
 *JGB: Mike Albright, Sonic Studios binaurals > Teac P20*
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, The Maker, Run For The Roses,
 Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, Waiting For A Miracle, Simple Twist Of Fate, Ain't No Bread In The
 Breadbox, Think, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
08/07/93 Seattle, WA - Seattle Center Arena MAC>CD All n/a 1259 90482 
 *JGB: Mark Severson, 2 Sonic Studios DMS6Ps > Sony TC-D5M*
  Recorded by Mark Severson; 2 Sonic Studios DSM-6P #1045> Sony TC-D5M (2 Maxell MX-100s). Transfer
 and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)>
 Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.
 Set One: How Sweet It Is To Be Loved By You, Stop That Train, The Maker, Run For The Roses,
 Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, Waiting For A Miracle, Simple Twist Of Fate, Ain't No Bread In The
 Breadbox, Think, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
08/08/93 Portland, OR - Portland Meadows MAD>?>CD All n/a 1026 13134 
 *JGB: unknown taper & gear* *not best? see shnid 6343*
 Set One: Cats Under The Stars, Mission In The Rain, That's What Love Will Make You Do, And
 It Stoned Me, The Maker, Money Honey, My Sisters And Brothers
 Set Two: The Way You Do The Things You Do, Wonderful World, Tore Up Over You, Ain't No Bread
 In The Breadbox, Rubin And Cherise, The Night They Drove Old Dixie Down, Tangled Up In Blue
08/08/93 Portland, OR - Portland Meadows  MAD>CD All n/a 1278 78974 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 Larry Gindoff's Omnidirectional Nakamichi 700 mic capsules (mounted on his baseball cap) > Preamp >
 Sony D3 DAT > Tascam DA40 playback > Dell GX1 HD > Sound Forge > CD Architect > CD > Sony RCD-W1 CDR >
 CD > MP3 Producer conversion to .wav > conversion to FLAC.
 Set One: Cats Under The Stars, Mission In The Rain, That's What Love Will Make You Do, And
 It Stoned Me, The Maker, Money Honey, My Sisters And Brothers
 Set Two: The Way You Do The Things You Do, Wonderful World, Tore Up Over You, Ain't No Bread
 In The Breadbox, Rubin And Cherise, The Night They Drove Old Dixie Down, Tangled Up In Blue
08/08/93 Portland, OR - Portland Meadows MAD>D>CD All 120 1263 34588 
 *JGB: Bearpalm, Schoeps MK4 cardioids*
 Digital FOB Audience Tape: Schoeps MK4 Cardiods, 110 degrees ORTF in Hat ** EQ'd at the deck during
 recording because of the wind; Taper Bearpalm. DAT from Todd Evans. DAT > TASCAM DA-20 > M-Audio
 FireWire solo > Soundforge 8.0 wav. Edits, tracking, downsampling in Adobe Audition 1.5 by Mike
 Hughey scarletfire1111-at-yahoo.com. -notes- This is an outdoor performance. Wind noise is significant
 throughout this recording. To preserve the source, no noise reduction techniques were employed in this
 transfer. Levels fluctuate over the first few minutes of d1t02 but stabilize after a couple of
 minutes. right channel d/o d1t02 at 2:47. Replaced null samples with left channel. right channel
 volume drop at d1t02 5:04-5:13, 3 dB boost applied. Seamless transition between discs for longer
 media. Imperfections noted, this is an excellent show. A GEMS production -+-+- www.shnflac.net -+-+-
 April 2006. JJ: Jerry sounds absolutely terrible here, out of breath and scratchy.
 Set One: Disc One (8 tracks, 55:54) --Set I-- Tuning, Cats Under The Stars, Mission In The
 Rain, That's What Love Will Make You Do, And It Stoned Me, The Maker, Money Honey, My Sisters And
 Brothers
 Set Two: Disc Two (7 tracks, 64:13) --Set II-- The Way You Do The Things You Do, Wonderful
 World, Tore Up Over You, Ain't No Bread In The Breadbox, Rubin And Cherise, The Night They Drove Old
 Dixie Down, Tangled Up In Blue
08/08/93 Portland, OR - Portland Meadows  MAC>CD All n/a 1359 90483 
 *JGB: Mark Severson, 2 Sonic Studios DMS6Ps > Sony TC-D5M*
 Recorded by Mark Severson; 2 Sonic Studios DSM-6P #1045> Sony TC-D5M (2 Maxell MX-100s). Transfer
 and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)>
 Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.
 Set One: Cats Under The Stars, Mission In The Rain, That's What Love Will Make You Do, And
 It Stoned Me, The Maker, Money Honey, My Sisters And Brothers
 Set Two: The Way You Do The Things You Do, Wonderful World, Tore Up Over You, Ain't No Bread
 In The Breadbox, Rubin And Cherise, The Night They Drove Old Dixie Down, Tangled Up In Blue
08/14/93 Mountain View, CA - Shoreline Amphitheatre MAD>D>CD All n/a 1026 12632 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 Set One: How Sweet It Is To Be Loved By You, Forever Young, Struggling Man, Run For The
 Roses, Money Honey, Like A Road, My Sisters And Brothers, Lay Down Sally
 Set Two: Shining Star, You Never Can Tell (C'est La Vie), Ain't No Bread In The Breadbox,
 Wonderful World, The Maker, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
09/15/93 *see Jerry Garcia on Official Releases* n/a 
09/17/93 New York, NY - NPR Studios MSD>D>CD All 73 15886 
 *JGDG*
 "Pre FM Soundbaord > DAT > SoundForge (sample rate conversion)." The Jerry Site calls the first
 Jenny Jenkins a "Not for Kids Only" outtake, but I wonder if it isn't in the studio just before the
 interview?
 Set One: Single Disc (11) 73:18. (Pre-interview rehearsal) 1. //Jenny Jenkins, discussion &
 banter [13:25], (NPR Interview), 2. Talk [9:31], 3. Shady Grove [3:06], 4. Talk [9:23], 5. Jenny
 Jenkins' [3:50] [0:02], 6. Talk [12:40], 7. So What? [5:12], 8. So What? (con't/take two) 5:12, 9.
 [0:22] Bringing Home a Baby Bumblebee [0:18] [0:05], Filler: undetermined live Garcia & Grisman, 10.
 Oh the Wind and Rain [4:41] [0:03], 11. [0:22] _____ [4:54] [0:06]
10/05/93 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1026 17887 
 *JGB: Kyle Porter, Neumann KM54s > Sony D7*
 Set One: How Sweet It Is to be Loved By You, He Ain't Give You None, Get Out Of My Life
 Woman, I Shall Be Released, Ain't No Bread in the Ain't No Bread In The Breadbox, My Sisters And
 Brothers >Deal
 Set Two: The The Way You Do The Things You Do the Things You Do, And It Stoned Me, Think,
 Knockin' On Heaven's Door, Lay Down Sally, That Lucky Old Sun, Midnight Moonlight
10/06/93 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1027 12252 
 *JGB: Neumann KM54s > Teac DAP20*
 Set One: Cats Under The Stars Down Under The Stars, Stop That Train, Let It Rock, Run For
 The Roses, Mississippi Moon, It's A Wonderful World, Wonderful World, Lay Down Sally
 Set Two: Shining Star, The Maker, Simple Twist Of Fate of Fate, Tore Up Over You Over You,
 Don't Let Go, Tangled Up In Blue
10/06/93 San Francisco, CA - Warfield Theater MAD>C>CD All n/a  86861 
 *JGB: unknown taper & gear*
 Set One: Cats Under The Stars Down Under The Stars, Stop That Train, Let It Rock, Run For
 The Roses, Mississippi Moon, It's A Wonderful World, Wonderful World, Lay Down Sally
  Set Two: Shining Star, The Maker, Simple Twist Of Fate of Fate, Tore Up Over You Over You,
 Don't Let Go, Tangled Up In Blue
10/07/93 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1027 12251 
  *JGB: Neumann KM54s > Teac DAP20*
 Set One: I Second That Emotion, They Love Each Other, Money Honey, Forever Young, Ain't No
 Bread In The Breadbox, My Sisters And Brothers, Somebody To Love
 Set Two: Shining Star, And It Stoned Me, The Maker, Think, Rubin And Cherise, That Lucky Old
 Sun, Midnight Moonlight
10/07/93 San Francisco, CA - Warfield Theater MAD>D>CD All 132 1197-1198 29354 
 *JGB: Neumann KM54s* *2005 DAT>FLAC xfer*
 Nice tape. Transfered & Seeded By: Greg Lance, gotfob@hotmail.com. Source: FOB > Neumann Km 54's >
 Dat @ 48k > Clone. Transfer: (Fresh Transfer On 5.23.05) Fostex D5 @ 48k > Vx pocket 440 > Toshiba
 3480ct > Wavelab 4.0 > Resampled to 44.1 > Cd Wave > FLAC.
 Set One: Disc One (7 tracks, 64:06) --Set I-- I Second That Emotion, They Love Each Other,
 Money Honey, Forever Young, Ain't No Bread In The Breadbox, My Sisters And Brothers, Somebody To
 Love
 Set Two: Disc Two (7 tracks, 67:58) --Set II-- Shining Star, And It Stoned Me, The Maker,
 Think, Rubin And Cherise, That Lucky Old Sun, Midnight Moonlight
10/07/93 San Francisco, CA - Warfield Theater MAD>D>CD  All n/a 29354 
 *JGB: Neumann KM54s*
 Transfered & Seeded By: Greg Lance, gotfob@hotmail.com. Source: FOB > Neumann Km 54's > Dat @ 48k >
 Clone. Transfer: (Fresh Transfer On 5.23.05) Fostex D5 @ 48k > Vx pocket 440 > Toshiba 3480ct >
 Wavelab 4.0 > Resampled to 44.1 > Cd Wave > FLAC.
 Set One: I Second That Emotion, They Love Each Other, Money Honey, Forever Young, Ain't No
 Bread In The Breadbox, My Sisters And Brothers, Somebody To Love
 Set Two: Shining Star, And It Stoned Me, The Maker, Think, Rubin And Cherise, That Lucky Old
 Sun, Midnight Moonlight
10/31/93 East Rutherford, NJ - Brendan Byrne Arena MAD>D>CD All n/a 1027 12824 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 Set One: How Sweet It Is to be Loved By You, He Ain't Give You None, Forever Young, Run For
 The Roses, Money Honey, Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, The Maker, Tore Up Over You Over You, Ain't No Bread In The Breadbox,
 It's A Wonderful World, That Lucky Old Sun, Midnight Moonlight, E: Werewolves of London
10/31/93 East Rutherford, NJ - Brendan Byrne Arena MAD>D>CD All n/a 1312 85959 
 *JGB: LJR, Schoeps MK41s > Casio DAR-100*
 Recorded by LJR: Schoeps MK41's > Reutelhuber preamp > Casio DAR-100 (Recorded at 44.1khz) FOB in
 Section 8; DAT CLONE directly from Master played back on Sony TCD-D10PROII > Edirol R-4 > WL5 (Fades)
 > CDWAV > FLAC.
 Set One: How Sweet It Is to be Loved By You, He Ain't Give You None, Forever Young, Run For
 The Roses, Money Honey, Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, The Maker, Tore Up Over You Over You, Ain't No Bread In The Breadbox,
 It's A Wonderful World, That Lucky Old Sun, Midnight Moonlight, E: Werewolves of London
10/31/93 East Rutherford, NJ - Brendan Byrne Arena MA?>?>CD All n/a 95653 
 *JGB: unknown taper & gear* *remastered by bdog*
 Set One: How Sweet It Is to be Loved By You, He Ain't Give You None, Forever Young, Run For
 The Roses, Money Honey, Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, The Maker, Tore Up Over You Over You, Ain't No Bread In The Breadbox,
 It's A Wonderful World, That Lucky Old Sun, Midnight Moonlight, E: Werewolves of London
10/31/93 East Rutherford, NJ - Brendan Byrne Arena MAD>D>CD All n/a 4350 
 *JGB: unknown taper & gear*
 Set One: How Sweet It Is to be Loved By You, He Ain't Give You None, Forever Young, Run For
 The Roses, Money Honey, Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Shining Star, The Maker, Tore Up Over You Over You, Ain't No Bread In The Breadbox,
 It's A Wonderful World, That Lucky Old Sun, Midnight Moonlight, E: Werewolves of London
11/01/93 Uniondale, NY - Nassau Coliseum MAD>D>CD All n/a 1027 12630 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 Set One: Cats Under The Stars Down Under The Stars, Stop That Train, Let it Rock, Simple
 Twist Of Fate of Fate, Ain't No Bread In The Breadbox, Struggling Man, My Sisters And Brothers,
 Deal
 Set Two: The Way You Do The Things You Do, And it And It Stoned Me, Think, Rubin And
  Cherise, Don't Let Go, Tangled Up In Blue in Blue
11/03/93 Albany, NY - Knickerbocker Arena MAD>D>CD All n/a 1027 12631 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 *=Freight Train is the Elizabeth Cotten tune. A string had broke on Kahn's bass, so after telling
 the audience: "We're fixing a string on the bass, so y'all talk amongst yourselves", Jerry led Melvin
 and Kemper through a soft, sincere reading: Jer on his acoustic patch and Melvin on piano.
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Freight Train*, I Shall
 Be Released, Run For The Roses, Dear Prudence, My Sisters And Brothers, Somebody To Love
 Set Two: Shining Star, The Maker, Money Honey, Russian Lullaby, Ain't No Bread In The
 Breadbox, The Night They Drove Old The Night They Drove Old Dixie Down, Midnight Moonlight
11/03/93 Albany, NY - Knickerbocker Arena MAD>CD All n/a 1311 84867 
 *JGB: Clay Brennecke, Schoeps MK4s > Panasonic SV-255* *48k*
 JGB (16 bit/48kHz): Clay Brennecke IFOB (Floor Section 2, Row 13, Sets 8 & 10) ~ Schoeps MK4's >
 Custom Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT
 > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV.
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Freight Train*, I Shall
 Be Released, Run For The Roses, Dear Prudence, My Sisters And Brothers, Somebody To Love
 Set Two: Shining Star, The Maker, Money Honey, Russian Lullaby, Ain't No Bread In The
 Breadbox, The Night They Drove Old The Night They Drove Old Dixie Down, Midnight Moonlight
11/03/93 Albany, NY - Knickerbocker Arena MAD>D>CD All n/a 4349 
 *JGB: Senn 441s > unknown deck* *SBEs*
  FOB>>daud>>senn 441>>dat>>cdr.
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Freight Train*, I Shall
 Be Released, Run For The Roses, Dear Prudence, My Sisters And Brothers, Somebody To Love
 Set Two: Shining Star, The Maker, Money Honey, Russian Lullaby, Ain't No Bread In The
 Breadbox, The Night They Drove Old The Night They Drove Old Dixie Down, Midnight Moonlight
11/04/93 Rochester, NY - Rochester War Memorial MA?>?>CD  All n/a 1028 no db? 
 *JGB: Neumanns*
 Set One: I Second That Emotion, Waiting For A Miracle, Get Out Of My Life Woman, Lay Down
 Sally, My Sisters And Brothers->Deal
 Set Two: The Way You Do The Things You Do, The Maker, Wonderful World, Tore Up Over You Over
 You, Don't Let Go->That Lucky Old Sun, Tangled Up In Blue
11/04/93 Rochester, NY - Rochester War Memorial MAD>D>CD All n/a 1028 12842 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 Set One: I Second That Emotion, Waiting For A Miracle, Get Out Of My Life Woman, Lay Down
 Sally, My Sisters And Brothers->Deal
 Set Two: The Way You Do The Things You Do, The Maker, Wonderful World, Tore Up Over You Over
 You, Don't Let Go->That Lucky Old Sun, Tangled Up In Blue
11/04/93 Rochester, NY - Rochester War Memorial MAD>CD All n/a 1311 84869 
 *JGB: Clay Brennecke, Schoeps MK4s > Panasonic SV-255* *48k*
 JGB (16bit/48kHz)): Clay Brennecke IFOB (Floor Section 42, Row 23, Sets 13 & 15) ~ Schoeps MK4's >
 Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT
 > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV.
 Set One: I Second That Emotion, Waiting For A Miracle, Get Out Of My Life Woman, Lay Down
 Sally, My Sisters And Brothers->Deal
 Set Two: The Way You Do The Things You Do, The Maker, Wonderful World, Tore Up Over You Over
 You, Don't Let Go->That Lucky Old Sun, Tangled Up In Blue
11/05/93 Buffalo, NY - Buffalo Memorial Auditorium MAD>D>CD All n/a 1028 12633 
 *JGB: Larry Gindoff, Nak 700s > Sony D3* *not best? see shnid 12568*
 Set One: Cats Under The Stars Down Under The Stars Under The Stars, Mission In The Rain,
 Simple Twist Of Fate, That's What Love Will Make You Do Will Make You Do, Ain't No Bread In The
 Breadbox, Like A Road, Deal
 Set Two: Shining Star, The Maker, Think, Rubin And Cherise, Gomorrah, The Night They Drove
 Old The Night They Drove Old Dixie Down, How Sweet It Is To Be Loved By You,
11/05/93 Buffalo, NY - Buffalo Memorial Auditorium MAD>CD All 146 1263 34709 
 *JGB: Todd Evans, Schoeps CMC34 > Panasonic sv255*
 Source: Digital Audience 13th Row Center FOB DFC, Schoeps CMC34 -> Panasonic sv255 DAT Master.
 Transfer: DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav. Recording and transfer by
 Todd Evans. WAV (48) > Flac (44.1) by jbraveman@hotmail.com. Patch source: (FOB;16th row center)>AKG
 460b ck63>Custom Preamp>Teac Dap-20 @ 48kHz, http://db.etree.org/shninfo_detail.php?shnid=12568.
 Notes: Excellent sounding recording. Sounds clearer and somewhat brighter than AKG source. Very
  active security this show. Mics went into bag during That's What Love will Make you Do and twice
 during Shining Star. Patched with AKG source. Patch notes below. 48khz source available. Problems:
 d1t04 2 spots patched first is 53 seconds and second is 20 seconds; d2t01 1 spot patched 3min 22
 seconds long; d2t06 subsecond dropout removed.
 Set One: Cats Under The Stars Down Under The Stars Under The Stars, Mission In The Rain,
 Simple Twist Of Fate, That's What Love Will Make You Do Will Make You Do, Ain't No Bread In The
 Breadbox, Like A Road, Deal
 Set Two: Shining Star, The Maker, Think, Rubin And Cherise, Gomorrah, The Night They Drove
 Old The Night They Drove Old Dixie Down, How Sweet It Is To Be Loved By You,
11/05/93 Buffalo, NY - Buffalo Memorial Auditorium MAD>CD All n/a 1317 86650 
 *JGB: Todd Evans, Schoeps CMC34s > Panasonic SV255*
 Set One: Cats Under The Stars Down Under The Stars Under The Stars, Mission In The Rain,
 Simple Twist Of Fate, That's What Love Will Make You Do Will Make You Do, Ain't No Bread In The
 Breadbox, Like A Road, Deal
 Set Two: Shining Star, The Maker, Think, Rubin And Cherise, Gomorrah, The Night They Drove
 Old The Night They Drove Old Dixie Down, How Sweet It Is To Be Loved By You,
11/05/93 Buffalo, NY - Buffalo Memorial Auditorium MAD>CD All  n/a 84955 
 *JGB: Clay Brennecke, Schoeps MK4s > Panasonic SV-255*
 Taper: Clay Brennecke. Location Rig: IFOB (Floor Section Row L, Sets 7 & 8) ~ Schoeps MK4's >
 Custom Oade Pre Amp > Panasonic SV-255. Transfered: John E. Herrold. Transfer Linage: Master SV-255
 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV.
 Set One: Cats Under The Stars Down Under The Stars Under The Stars, Mission In The Rain,
 Simple Twist Of Fate, That's What Love Will Make You Do Will Make You Do, Ain't No Bread In The
 Breadbox, Like A Road, Deal
 Set Two: Shining Star, The Maker, Think, Rubin And Cherise, Gomorrah, The Night They Drove
 Old The Night They Drove Old Dixie Down, How Sweet It Is To Be Loved By You,
11/05/93 Buffalo, NY - Buffalo Memorial Auditorium MAD>D>CD All n/a 12568 
 *JGB: AKG460Bs > Teac DAP-20* *dank seed*
 Source: (FOB;16th row center) > AKG 460b ck63 > Custom Preamp > Teac Dap-20 @ 48kHz. Transfer:
 Clone of Master Dat>Sony DTC-690>Audioquest Optilink 1 > SEK'D Prodif Plus > Samplitude v5.5 >
 Soundforge xp 4.5 (resample @ 4/4 with anti alias filter) > Cdwav 1.6 > Mkw act 0.97b1>shn v3.
 Edits:Five second fade in/out of sets. Flaws: In d1t2 (Cats) @ 2:45 something hits/brushes mics with
 the left channel taking the brunt of it. Transferred by: Chris "sparki" Ace .
 *Dankseed Certification received 2002-09-30*
 Set One: Cats Under The Stars Down Under The Stars Under The Stars, Mission In The Rain,
 Simple Twist Of Fate, That's What Love Will Make You Do Will Make You Do, Ain't No Bread In The
 Breadbox, Like A Road, Deal
 Set Two: Shining Star, The Maker, Think, Rubin And Cherise, Gomorrah, The Night They Drove
 Old The Night They Drove Old Dixie Down, How Sweet It Is To Be Loved By You,
11/07/93 USAir Arena, MD - Landover  MAD>D>CD All n/a 1028 15192 
 *JGB: Schoeps MK4*
 Set One: How Sweet It Is to be Loved By You, Stop That Train, You Never Can Tell (C'est La
 Vie), Run For The Roses, Senor (Tales Of Yankee Power), My Sisters And Brothers, Somebody To Love
 Set Two: The Way You Do The Things You Do, Waiting for a Miracle, Money Honey, Knockin' on
 Heaven's Door, Don't Let Go, Mississippi Moon, Tangled Up In Blue
11/07/93 USAir Arena, MD - Landover  MAD>CD All n/a 1312 85752 
 *JGB: Clay Brennecke, Schoeps MK4s > Panasonic SV-255* *48k*
 Clay Brennecke's FOB Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Master Dat> Sony
  PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV > Flac.
 Set One: How Sweet It Is to be Loved By You, Stop That Train, You Never Can Tell (C'est La
 Vie), Run For The Roses, Senor (Tales Of Yankee Power), My Sisters And Brothers, Somebody To Love
 Set Two: The Way You Do The Things You Do, Waiting for a Miracle, Money Honey, Knockin' on
 Heaven's Door, Don't Let Go, Mississippi Moon, Tangled Up In Blue
11/08/93 Hartford, CT - Hartford Civic Center  MAD>D>CD All n/a 1028 12841 
 *JGB: Larry Gindoff, Nak 700s > Sony D3* *not best? see shnid 23342*
 Set One: Cats Under The Stars Down Under The Stars, They Love Each Other, He Ain't Give You
 None, Lazy Bones, Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Second that Emotion, And It Stoned Me, Think, Ain't No Bread In The Breadbox, That
 Lucky Old Sun, Midnight Moonlight
11/08/93 Hartford, CT - Hartford Civic Center  MAD>D>CD All 119 1089-1090 23342 
 *JGB: Clay Brennecke & Roger Jones, Schoeps MK4 > Panasonic SV-255*
 Set One: Disc One (7 tracks, 59:44) --Set I-- Cats Under The Stars Down Under The Stars,
 They Love Each Other, He Ain't Give You None, Lazy Bones, Lay Down Sally, My Sisters And Brothers,
 Deal
 Set Two: Disc Two (6 tracks, 58:46) --Set II-- Second that Emotion, And It Stoned Me, Think,
 Ain't No Bread In The Breadbox, That Lucky Old Sun, Midnight Moonlight
11/08/93 Hartford, CT - Hartford Civic Center MAD>CD All n/a 1312 85636 
 *JGB: Keith Litzenberger, Schoeps MK4s > Sony TCD-D7*
 Keith Litzenberger's FOB Schoeps MK4 > Reutelhuber Preamp > Sony TCD-D7 > VX pocket v2 > WaveLab 5
 > CDWav > Flac.
 Set One: Cats Under The Stars Down Under The Stars, They Love Each Other, He Ain't Give You
 None, Lazy Bones, Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Second that Emotion, And It Stoned Me, Think, Ain't No Bread In The Breadbox, That
 Lucky Old Sun, Midnight Moonlight
11/08/93 Hartford, CT - Hartford Civic Center MAD>CD All n/a  35144 
 *JGB: Clay Brennecke & Roger Jones, Schoeps MK4 > Panasonic SV-255*
 Source: MAD(FOB DFC Schoeps MK4 at 110 degrees handheld > Active Cables > Oade Microphone Preamp >
 Panasonic SV-255 DAT deck. Tapers:Clay C. Brennecke and Roger Jones. Transfer: DAT > TASCAM DA-20 >
 M-Audio FireWire solo > Soundforge 8.0 16/48K WAV by Todd Evans. 48K WAV Edits (Adobe Audition 1.5) >
 tracking (CDWave) > 48K FLAC (FLAC 1.12) by mhughey (scarletfire1111@yahoo.com).
 Set One: Cats Under The Stars Down Under The Stars, They Love Each Other, He Ain't Give You
 None, Lazy Bones, Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: Second that Emotion, And It Stoned Me, Think, Ain't No Bread In The Breadbox, That
 Lucky Old Sun, Midnight Moonlight
11/09/93 Portland, ME - Cumberland County Civic Center MAD>D>CD All n/a 1028 11925 
 *JGB: Schoeps MK4 > Sony D10*
 Set One: How Sweet It Is to be Loved By You, Think (Stop That Train), Let it Rock, Forever
 Young, Ain't No Bread In The Breadbox >Promised Land (Sisers & Brothers) >Somebody to Love
 Set Two: Shining Star, Russian Lullaby, Tore Up Over You, Rubin And Cherise, Wonderful
 World, The Maker, Tangled Up In Blue in Blue
11/09/93 Portland, ME - Cumberland County Civic Center MAD>D>CD All n/a 96488 
 *JGB: Schoeps MK4s*
 Recording Info: (FOB) Schoeps MK4 -> Dat (48K). Transfer Info: Dat (Sony R500) -> Sound Devices
 744T -> Samplitude Professional v10.2 -> FLAC (2 Discs Audio / 2 Discs FLAC). All Transfers and
 Mastering By Charlie Miller, charliemiller87@earthlink.net, December 22, 2008.
 Set One: How Sweet It Is to be Loved By You, Think (Stop That Train), Let it Rock, Forever
 Young, Ain't No Bread In The Breadbox >Promised Land (Sisers & Brothers) >Somebody to Love
 Set Two: Shining Star, Russian Lullaby, Tore Up Over You, Rubin And Cherise, Wonderful
 World, The Maker, Tangled Up In Blue in Blue
11/11/93 Providence, RI - Providence Civic Center MAD>D>CD All n/a 1028 13421 
 *JGB: Larry Gindoff, Nak 700s > Sony D3*
 Set One: Cats Under The Stars Down Under The Stars, Mission In The Rain in the Rain, That's
 What Love Will Make You Do Will Make you Do, Simple Twist Of Fate of Fate, Ain't No Bread In The
 Breadbox, My Sisters And Brothers, Deal
 Set Two: The Way you Do the THings you Do, He Ain't Give You None, Dear Prudence, When the
 Hunter Gets the Game (?), Don't Let Go, Midnight Moonlight
11/11/93 Providence, RI - Providence Civic Center MAD>CD All n/a 1278 96018 
 *JGB: Rich Gastwirt, Schoeps CMC44 > Panasonic SV-255*
 Schoeps CMC 44 blue dot with 90 degree capsule offsets -> Monster M1000 cables-> Oade custom PS->
 Monster M1000 cables ->Oade modified Panasonic SV255, FOB. Taped and transfered by Rich Gastwirt.
 Master DAT played back in Sony DTC2000ES-> M-Audio Delta 410 via SPDIF-> Soundforge. Taper's notes:
 "My friends called this the bow-tie rig - mics were vertically-oriented with 90 degree capsule
 offsets, angled outward at 90 degrees roughly 4 inches apart and hung from a necklace making the mics
 almost impossible to spot." Edited, mastered with iZotope Ozone, tracked & flacs by SIRMick, August
 2006. A GEMS production -+-+- www.shnflac.net -+-+-. Jerry Garcia - guitar, vocals; John Kahn - bass;
 Melvin Seals - keyboards; Gloria Jones - vocals; Jaclyn LaBranch - vocals; David Kemper - drums.
 Set One: Cats Under The Stars Down Under The Stars, Mission In The Rain in the Rain, That's
 What Love Will Make You Do Will Make you Do, Simple Twist Of Fate of Fate, Ain't No Bread In The
 Breadbox, My Sisters And Brothers, Deal
 Set Two: The Way you Do the Things you Do, He Ain't Give You None, Dear Prudence, When the
 Hunter Gets the Game, Don't Let Go, Midnight Moonlight
11/11/93 Providence, RI - Providence Civic Center MAC>CD All n/a 1380 95709 
 *JGB: Alabamabob, Senn MD421s > Sony TC-D5M*
 AUD: Sennheiser MD-421's > Sony TC-D5M > Sony SR-90 (set-1) and Denon HD8-100 (set-2), with no
 Dolby. FOB from 15th row center, taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) >
 Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. Notes: - Pitch corrected
 patches from ShnID-78262 as follows: - Cats 0:00 > 1:09. - Crowd at end of Mission 9:00 > TWLWMYD
 0:05. - Crowd at end of TWLWMYD 9:55 > Simple Twist 0:03. - Crowd at end of Simple Twist 13:39 >
 Breadbox 0:13. - Sisters and Brothers 0:00 > 0:22. - TWYDTTYD 0:00 > 1:28. - Crowd at end of Hunter
 8:35 > Don't Let Go 0:16. - Despite all the little cuts, this is a great recording.
 Set One: Cats Under The Stars Down Under The Stars, Mission In The Rain in the Rain, That's
 What Love Will Make You Do Will Make you Do, Simple Twist Of Fate of Fate, Ain't No Bread In The
  Breadbox, My Sisters And Brothers, Deal
 Set Two: The Way you Do the THings you Do, He Ain't Give You None, Dear Prudence, When the
 Hunter Gets the Game (?), Don't Let Go, Midnight Moonlight
11/11/93 Providence, RI - Providence Civic Center aud shot All n/a 
 *JGB: Less Than Face*
 Video Source: Panasonic 3240>JVC Portable VHS Recorder>VHS>Philips HDRW720>DVD Architect
 2.0
(NTSC, 704 x 480, MPEG-2, DVD 1 Peak=7145Kbps Avg=4068Kbps, DVD 2 Peak=5782Kbps Avg=4065Kbps).
 Audio Source: FOB Schoeps CMC5>MKH>D5>DAT>CDR>SHN (EAC)>WAV (Stereo LPCM 1536 Kbps). Notes: -A "Less
 Than Face" Production. -Information file and seeding by MattMan, November 2005.
 Set One: Cats Under The Stars Down Under The Stars, Mission In The Rain in the Rain, That's
 What Love Will Make You Do Will Make you Do, Simple Twist Of Fate of Fate, Ain't No Bread In The
 Breadbox, My Sisters And Brothers, Deal
 Set Two: The Way you Do the THings you Do, He Ain't Give You None, Dear Prudence, When the
 Hunter Gets the Game (?), Don't Let Go, Midnight Moonlight
11/12/93 New York, NY - Madison Square Garden MAD>D>CD All n/a 1029 4348 
 *JGB: unknown taper & gear* *not best? see shnid 13414*
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Forever Young, Struggling
 Man, Money Honey, My Sisters And Brothers, Lay Down Sally
 Set Two: Shining Star, You Never Can Tell (C'est La Vie), Wonderful World, The Maker, Don't
 Let Go, That Lucky Old Sun, Tangled Up In Blue
11/12/93 New York, NY - Madison Square Garden MAD>D>CD All 160 1097-1098 13414 
 *JGB: Brennecke & Litzenburger, Schoeps MK4 > Panasonic SV-255*
 DFOB (Sec. 2, Row U) -- Schoeps MK-4 -> Active Cables -> CMC? -> Oade Mic Pre -> Panasonic SV-255
 -- Recorded by Clay Brennecke and Keith Litzenburger. Master DAT -> SHN conversion: d7->coax->zoltrix
 nightingale (mod)->cooledit 2000 sample rate conversion->cdwav->shn. Show with David Murray. This is
 a true delight! Lucky Old Sun is amazing, and the DLG is appropriately out there.
 Set One: Disc One (7 tracks, 71:53) --Set I-- How Sweet It Is to be Loved By You, They Love
 Each Other, Forever Young, Struggling Man, Money Honey, My Sisters And Brothers, Lay Down Sally
 Set Two: Disc Two (4 tracks, 46:59) --Set II-- Shining Star, You Never Can Tell (C'est La
 Vie), Wonderful World, The Maker
 Set Three: Disc Three (3 tracks, 41:01) --Set II con't-- Don't Let Go, That Lucky Old Sun,
 Tangled Up In Blue
11/12/93 New York, NY - Madison Square Garden MAD>CD All n/a enter 91812 
 *JGB: Young & Brennecke, Schoeps MK4s > Panasonic SV255*
 Lineage: DAT Master. Recording Equipment: Schoeps MK4 Cardiod Capsules (ORTF) -> Schoeps KC5 Active
 Cables -> Schoeps CMC3 Mic Body -> Oade Mic Preamp -> Monster M1000 Jumper Cable -> Panasonic sv255
 DAT Deck … Mics Handheld each set. Recording Location: FOB DFC … Section 2, Row U, Seats 4 & 5.
  Recorded By: Clay Brennecke and Keith Litzenburger. Transfer: DAT Master > TASCAM DA-20 (SPDIF out) ->
 LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans April 6, 2008. Editing and
 Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3
 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC
 Meta-Tagging.
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Forever Young, Struggling
 Man, Money Honey, My Sisters And Brothers, Lay Down Sally
 Set Two: Shining Star, You Never Can Tell (C'est La Vie), Wonderful World, The Maker, Don't
 Let Go, That Lucky Old Sun, Tangled Up In Blue
11/14/93 Syracuse, NY - Onandaga War Memorial MAD>D>CD All n/a 1029 10138 
 *JGB: Neumanns* *not best? see shnid 23341*
 Set One: Cats Under The Stars Down Under The Stars, Stop that Train, Let it Rock, Run for
 the Roses, Ain't No Bread In The Breadbox, Senor (Tales Of Yankee Power), Deal
 Set Two: Second that Emotion, It And It Stoned Me, Tore Up Over You, Lazy Bones, The Maker,
  The Night They Drove Old The Night They Drove Old Dixie Down, Midnight Moonlight
11/14/93 Syracuse, NY - Onandaga War Memorial MAD>D>CD All 136 1029 23341 
 *JGB: Clay Brennecke & Roger Jones, Schoeps CMC34s > Panasonic SV-255
 MAD(FOB DFC from Section 1, Row LL, Seat 11 & 12; Schoeps MK4 at 110 degrees handheld both Sets >
 Active Cables > Oade Microphone Preamp > Panasonic SV-255 ) > D > CDR > WAV > SHNv3. Tapers: Clay
 Brennecke & Roger Jones. DAE and SHN encoding vy C.Ladner. JJ: This is a terrific tape and a very nice
 performance. CUTS is very peppy, Senor is hot. JG sounds scratchy in Deal, but it is a pretty hot
 version. He sounds extremely passionate in set II, including a waaayyy above average TNDODD.
 Set One: Disc One (8 tracks, 68:25) --Set I-- Cats Under The Stars Down Under The Stars,
 Stop that Train, Let it Rock, Run for the Roses, Ain't No Bread In The Breadbox, Senor (Tales Of
 Yankee Power), Deal
 Set Two: Disc Two (8 tracks, 67:57) --Set II-- Second that Emotion, It And It Stoned Me,
 Tore Up Over You, Lazy Bones, The Maker, The Night They Drove Old The Night They Drove Old Dixie Down,
  Midnight Moonlight
11/14/93 Syracuse, NY - Onandaga War Memorial MAD>CD All n/a 35146 
 *JGB: Clay Brennecke & Roger Jones, Schoeps MK4s > Panasonic SV255*
 Digital FOB Audience Tape. Schoeps CMC34 > Panasonic sv255. Todd Evans Recording Gear. Taped FOB by
 Clay Brennecke & Roger Jones with Tom Cooper taping a row behind. Transfer Details: DAT > TASCAM DA-20
 > M-Audio FireWire solo > 48kHz wav (Soundforge 8.0). DAT from and transfer to digital by Todd Evans.
 Edit Details: 48 kHz wav edits* (Adobe Audition 1.5) > CDWave (track splits) > FLAC Frontend (1.1.2a)
 level 5 *- several sub-second, single-channel instances of digital static repaired using patches from
 unaffected channel -3:14(r), 9:13(l), 9:37(l), 11:38(r), 12:48(l), 15:28(r), 26:40(r), 27.30(r),
 30:28(r), 31:13(r) *- fireworks were present in the venue and disruptive bangs were remediated using
 least-affected channel as patch *- during d1t01 set-up, right mic was bumped a number of times. Left
 channel used to patch these bumps. *- Sets were joined seamlessly for longer media Edits, Tracking,
 FLACing by mhughey.
 Set One: Cats Under The Stars Down Under The Stars, Stop that Train, Let it Rock, Run for
 the Roses, Ain't No Bread In The Breadbox, Senor (Tales Of Yankee Power), Deal
 Set Two: Second that Emotion, It And It Stoned Me, Tore Up Over You, Lazy Bones, The Maker,
  The Night They Drove Old The Night They Drove Old Dixie Down, Midnight Moonlight
11/14/93 Syracuse, NY - Onandaga War Memorial MAD>D>CD All n/a 96548 
 *JGB: Clay Brennecke & Roger Jones, Schoeps MK4s > Panasonic SV255*
 Schoeps CMC34's > Oade pre > Panasonic SV-255. Clay Brennecke & Roger Jones. Transfer on 11/15/93:
 DAT Master > Panasonic SV-255 (Same as used to record show) > Sony DTC-700. Transfer on 12/21/08: DAT
  Clone > Tascam DA-30MKII > Sound Devices 702 > Wavelab 5 (Fades & Sample Rate Conversion) > CDWAV >
 FLAC. All Transfers By Keith Litzenberger.
 Set One: Cats Under The Stars Down Under The Stars, Stop that Train, Let it Rock, Run for
  the Roses, Ain't No Bread In The Breadbox, Senor (Tales Of Yankee Power), Deal
 Set Two: Second that Emotion, It And It Stoned Me, Tore Up Over You, Lazy Bones, The Maker,
 The Night They Drove Old The Night They Drove Old Dixie Down, Midnight Moonlight
11/14/93 Syracuse, NY - Onandaga War Memorial MAD>D>CD All n/a 97271 
 *JGB: Sonic Studios DSM6 > unknown deck*
 source: FOB, 15th row center Sonic Studios DSM-6> DAT > CDR > EAC > SHNv3.
 Set One: Cats Under The Stars Down Under The Stars, Stop that Train, Let it Rock, Run for
 the Roses, Ain't No Bread In The Breadbox, Senor (Tales Of Yankee Power), Deal
 Set Two: Second that Emotion, It And It Stoned Me, Tore Up Over You, Lazy Bones, The Maker,
 The Night They Drove Old The Night They Drove Old Dixie Down, Midnight Moonlight
11/15/93 Worcester, MA - Centrum MAD>CD All n/a 1029 9209  
 *JGB: Brennecke & Jones* **FLAWED/INCOMPLETE*
 I seem to be missing d2t08, and my d2t07 fails the md5 check.
 Set One: How Sweet It Is to be Loved By You, And It Stoned Me, Get Out Of My Life Woman,
 Simple Twist Of Fate, Lay Down Sally, Like A Road, Deal
 Set Two: Shining Star, Waiting For A Miracle, Think, Reuben and Cherise, Gomorrah, Midnight
 Moonlight, The Maker
11/15/93 Worcester, MA - Centrum MAD>D>CD All n/a 26375 
 *JGB: Brennecke & Jones, Schoeps MK4s > Panasonic SV255*
 Source: FOB/DFC Schoeps mk4 (handheld at110 degrees) > Active Cables > Oade Microphone Preamp >
 Panasonic SV-255. Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR;
 transferred by Chris Larson (btwind@comcast.net). Recorded by Clay Brennecke and Roger Jones.
 Set One: How Sweet It Is to be Loved By You, And It Stoned Me, Get Out Of My Life Woman,
 Simple Twist Of Fate, Lay Down Sally, Like A Road, Deal
 Set Two: Shining Star, Waiting For A Miracle, Think, Reuben and Cherise, Gomorrah, Midnight
 Moonlight, The Maker
11/15/93 Worcester, MA - Centrum  MAD>CD All n/a 35147 
 *JGB: Brennecke & Jones, Schoeps MK4s > Panasonic SV255*
 Set One: How Sweet It Is to be Loved By You, And It Stoned Me, Get Out Of My Life Woman,
 Simple Twist Of Fate, Lay Down Sally, Like A Road, Deal
 Set Two: Shining Star, Waiting For A Miracle, Think, Reuben and Cherise, Gomorrah, Midnight
 Moonlight, The Maker
11/16/93 Philadelphia, PA - Spectrum mixed auds All n/a 13811 
 *JGB*
 Source A: FOB (DAUD) > DAT > ? > CDR > EAC (secure) > Cool Edit Pro > CD WAV > SHN(seekable).
 Source B: FOB/DFC,section 102,Row 13 seat 9, Schoeps MK4 at 110 degrees handheld both Sets > Active
 Cables > Oade Microphone Preamp > Panasonic SV-255 > (DAT master played through) > PCM-M1 > Oade
 active cable > Edirol UA-5 (hardware resampled) USB out > USB in (HP Omnibook 500) > CE2K > CDWAV >
 SHN > WAV > Cool Edit Pro > CD WAV > SHN (seekable). Mastered Live by Clay Brennecke/Roger Jones, post
 production on source: A work/encoding done by nick@nickspicks.com.
 Set One: I Second That Emotion, Stop That Train, Mission In The Rain, Run For The Roses,
 Ain't No Bread In The Breadbox, My Sisters And Brothers, Somebody To Love
 Set Two: The Way You Do The Things You Do, The Maker, Money Honey, Wonderful World, Don't
 Let Go, That Lucky Old Sun, Midnight Moonlight
11/18/93 Richmond, Va - Richmond Coliseum MAD>D>CD All n/a 1029 14350 
 *JGB: Larry Gindoff, Nak 700s > Sony D3* *not best? see shnid 23340*
 Set One: Cats Under The Stars Down Under The Stars, And It Stoned Me, Simple Twist Of Fate
 of Fate, Run for the Roses, Ain't No Bread In The Breadbox, My Sisters And Brothers-> Deal
 Set Two: Way you do the things you do, Forever Young, Tore Up Over You, Wonderful World, The
 Maker, The Night They Drove Old The Night They Drove Old Dixie Down, Midnight Moonlight
11/19/93 Hampton, VA - Hampton Coliseum MA?>?>D?CD All n/a 1029 4347 
 *JGB: AKG 460s*
 Set One: How Sweet It Is to be Loved By You, Stop that Train, Money Honey, Lay Down Sally,
 My Sisters And Brothers, Somebody To Love
 Set Two: Shining Star, Struggling Man, The Maker, Don't Let Go, That Lucky Old Sun, Midnight
 Moonlight
11/19/93 Hampton, VA - Hampton Coliseum MAD>D>CD All n/a 1278 77281 
 *JGB: Schoeps MK4*
 Recording Info: (FOB) Schoeps MK4 -> Dat (48k). Transfer Info: Dat (Sony R500) -> Samplitude
  Professional v7.02 -> FLAC (2 Discs Audio / 2 Discs FLAC). All Transfers and Mastering By Charlie
 Miller, charliemiller87@earthlink.net, September 2, 2006. Notes: -- Fixed drop-out in How sweet It Is;
 -- The audience sings backup vocals during last half of Shining Star; -- Thanks to Ryan Shriver for
 the Dats; -- This has the fixed Shining Star.
 Set One: How Sweet It Is to be Loved By You, Stop that Train, Money Honey, Lay Down Sally,
 My Sisters And Brothers, Somebody To Love
 Set Two: Shining Star, Struggling Man, The Maker, Don't Let Go, That Lucky Old Sun, Midnight
 Moonlight
11/19/93 Hampton, VA - Hampton Coliseum MAD>D>CD All n/a 32835 
 *JGBL Brennecke et al., Schoeps MK4s > Panasonic SV255*
 Set One: How Sweet It Is to be Loved By You, Stop that Train, Money Honey, Lay Down Sally,
 My Sisters And Brothers, Somebody To Love
 Set Two: Shining Star, Struggling Man, The Maker, Don't Let Go, That Lucky Old Sun, Midnight
 Moonlight
11/19/93 Hampton, VA - Hampton Coliseum MAD>D>CD All n/a 32835 
 *JGBL Brennecke et al., Schoeps MK4s > Panasonic SV255*
 Source: Digitial FOB Audience Tape. Schoeps CMC34 > Panasonic sv255 (Todd Evans Recording Gear).
 Taped By Clay Brennecke, Ron Keyser & Friends - The Jamie Young Birthday Show. Transfer: DAT from Todd
 Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav (48khz) WAV (48) > Flac16
 (44.1).
 Set One: How Sweet It Is to be Loved By You, Stop that Train, Money Honey, Lay Down Sally,
 My Sisters And Brothers, Somebody To Love
  Set Two: Shining Star, Struggling Man, The Maker, Don't Let Go, That Lucky Old Sun, Midnight
 Moonlight
 
01/12/94 San Francisco, CA - Warfield Theater MAD>D>CD All 109 0499-0500 11169 
 *JGDG: unknown taper & gear*
 MAD (unknown taper, equipment & location) > DATs > playback on Tascam DA-30 > HHB-800 master CD >
 AJL's CD1 > my CD2 > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using
 mkwACT. D > CD by David Minches, EAC > SHN by Joe Jupille. Proper sector boundaries verified using
 shntool. Notes: * = Garcia & Grisman duet. The Jerry Site and eyewitness accounts locate the setbreak
 before Stealin', but I couldn't for the life of me detect a break between Louis Collins and the
 tuning/banter prior to Stealin'. Similarly, the Jerry Site lists Ripple as the encore, but to my ears
 this sounds like a segue directly from Bag's Groove. I list a lot of segues above, probably in part
 because it is hard to hear what's happening with the crowd noise at the end of each tune. Finally, at
 some point someone with the software, skill, and inclination may wish to raise the levels of the
  music, which are low compared to the applause. Flaws: None noted.
 Set One: Disc One (7) 42:30 --Set I-- 1. Teddy Bear's Picnic [4:48] [0:55], 2. Jack-A-Roe
 [4:31] [1:10], 3. Dark As A Dungeon [7:12] -> 4. Bow Wow [5:31] [1:35], 5. Two Soldiers [4:18] -> 6.
 Friend Of The Devil [7:02] -> 7. Louis Collins [5:22] [0:24]
 Set Two: Disc Two (11) 66:18 --Set II-- 1. Tuning & Stage Talk [0:51], 2. Stealin'* [4:05]
 [0:56], 3. Jenny Jenkins* [4:55] -> 4. Walkin' Boss [7:17] -> 5. When First Unto This Country [4:33]
 [0:24], 6. Milestones [8:42] -> 7. Sitting In Limbo [9:22] [1:01], 8. Russian Lullaby [6:38] -> 9. I
 Ain't Never Seen Nobody Like You [3:07] [0:30], 10. Bag's Groove [9:24] -> 11. Ripple [4:11] [0:16]
01/12/94 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 30691 
 *JGDG: Bob Loy remaster ofshnid 11169*
 From previous jjoops shn source > AU@96000 hz 32 bit float digitally remastered by Bob Loy (The
 Other One) > 16 bit signed pcm wav @ 44100 hz > tracked@16bit > FLAC. Bob's Notes: "This is exactly
 what you would expect from Garcia & Grisman; a Beautiful show in every aspect, excellent setlist,
  great energy... smooth and mellow, synergy, and above all an excellent recording.(I used to think AUD
 was a bad thing). It was just too quiet, on that note I helped it out by raising the volume for the
 body of the music to match the applause smoothing the transitions in and out of the songs the best
 that I could to improve the overall sonic quality of the show. The more time that I spent working on
 this show the more I came to enjoy it! I hesitate to even call this a remaster, it was a quality
 recording to begin w/ I simply tweaked the leveling and smoothed out the occasional mic stand bump,
 and close by intrusive (really) loud clapping (50-100 quit counting) when it created clipping that
 interfered w/ the song usually less than 5/1000 of a second, softened -6 db to -10 db a few were
 reshaped w/ a pencil tool when necessary. I did not apply any noise reduction or use any compression
 on this show. Completed 18NOV2004. These numbers represent the volumes increased for the body of the
 music, they do not represent the entire track: d1t1 +6.7db; d1t2 +7.8db; d1t3 +9.0 db; d1t4 +8.5 db;
 d1t5 +12.2 db; d1t6 + 7.1 db; d1t7 +14.0 db; d2t2 +12.5 db; d2t3 +8.8 db; d2t4 +10.1 db; d2t5 +13.8
 db; the few seconds trimmed between t5 and t6 was generated silence; d2t6 +6.5 db; d2t7 +8.9db; d2t8
 +8.5 db; dtt9 +12.0db; d2t10 +9.2db; d2t11 +8.4db"
 Set One: Teddy Bears' Picnic, Jack-a-Roe, Dark as a Dungeon, Bow Wow, Two Soldiers, Friend
 Of The Devil, Louis Collins, Stealin'
 Set Two: Jenny Jenkins, Walking Boss, When First unto this Country, Milestones, Sittin' In
 Limbo, Russian Lullaby, I Ain't Never Seen Nobody Like You, Bag's Groove, Ripple
01/13/94 San Francisco, CA - Warfield Theater MAD>D>CD All 100 506 11331 
 *JGDG: Neumann KM54s > Teac deck*
 MAD (Neumann KM54s > Teac deck) > DATs > playback on Tascam DA-30 > HHB-800 CD/0 > AJL's CD/1 > my
 CD/2 > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT. D > CD by
 David Minches, EAC > SHN by Joe Jupille. Proper sector boundaries verified using shntool. Notes: * =
 Garcia & Grisman duet. At some point someone with the software, skill, and inclination may wish to
 raise the levels of the music in set II, which are low compared to the applause. Flaws: d1t01 Shady
 Grove cuts in. Occasional static sound appears to be taper blowing into the microphone. Also have 48k
 version of this from Todd Evans DAT (#1260).
 Set One: Disc One (8) 35:50 --Set I-- 1. //Shady Grove [#3:06] [0:26], 2. Long Black Veil
 [5:10] [0:44], 3. Rosalie McFall [3:25] [0:35], 4. Dawg's Waltz [5:05] -> 5. Freight Train [4:59]
 [0:18], 6. Hot Corn, Cold Corn [4:26] [0:12], 7. Red Rockin' Chair Blues [3:35] [0:11], 8. Grateful
 Dawg [3:25] [0:11]
 Set Two: Disc Two (11) 63:32 --Set II-- 1. Crowd & Tuning [0:05], 2. Troubled In Mind*
 [4:13] [0:11], 3. Ballad Of Casey Jones* [4:36] [0:24], 4. There Ain't No Bugs On Me* [4:40] [0:15],
 5. Band Introductions [0:37], 6. So What? [10:05] [0:20], 7. Old Rockin' Chair [7:35] [1:13], 8.
 Stealin' [3:48] [0:34], 9. Poison Glass Of Wine [3:47] [0:12], 10. Drink Up And Go Home [2:50] [0:21],
 11. Arabia [18:25] [0:19]
01/13/94 San Francisco, CA - Warfield Theatre MAD>D>CD All n/a 1118 30692 
 *JGDG: Bob Loy remaster of shnid 11331*
 ... from jjoops shn source >>AU@96000 hz 32 bit float digitally remastered by Bob Loy (The Other
 One) > 16 bit signed pcm wav @ 44100 hz > tracked @ 16bit > FLAC. Some gain applied to the music,
 especially on disc two. See info files for details.
 Set One: Shady Grove, Long Black Veil, Rosa Lee McFall, Dawg's Waltz, Freight Train, Hot
 Corn Cold Corn, Hot Corn Cold Corn, Little Red Rocking Chair, Grateful Dawg
 Set Two: Trouble In Mind, Ballad of Casey Jones, There Ain't No Bugs on Me*, So What, Old
 Rocking Chair, Stealin', Poison Glass of Wine, Drink Up And Go Home, Arabia
01/13/94 San Francisco, CA - Warfield Theatre MAD>D>CD All n/a 1292 82760 
 *JGDG: Neumann KM54s > Teac deck*
 Source: FOB DAUD Nuemann km 54's > Teac > DAT x ?; Transfer: Panasonic SV-3700 > M-Audio 24/96 >
 Wavelab 5.0 (L3 multimaximizer) > CD WAVE > FLAC. Transfers, Remastering and Seeded to bt.etree.org
 February 21, 2007 by Bill Koucky.
 Set One: //Shady Grove, Long Black Veil, Rosa Lee McFall, Dawg's Waltz, Freight Train, Hot
 Corn Cold Corn, Hot Corn Cold Corn, Little Red Rocking Chair, Grateful Dawg
 Set Two: Trouble In Mind, Ballad of Casey Jones, There Ain't No Bugs on Me*, So What, Old
 Rocking Chair, Stealin', Poison Glass of Wine, Drink Up And Go Home, Arabia
01/13/94 San Francisco, CA - Warfield Theatre MAD>CD All n/a 1312 85644 
 *JGDG: Keith Litzenberger, Schoeps MK4s > Sony TCD-D7*
  Garcia & Grisman (16bit/48kHz): Keith Litzenberger's Schoeps MK4s > Reutelhuber preamp > Sony
 TCD-D7, recorded on 1st tier center; DAT MASTER PLAYED BACK ON SONY TCD-D10PROII > Edirol R-4 >
 Soundforge 8 > CD WAVE EDITOR (Track Splitting) > FLAC.
 Set One: Shady Grove, Long Black Veil, Rosa Lee McFall, Dawg's Waltz, Freight Train, Hot
 Corn Cold Corn, Hot Corn Cold Corn, Little Red Rocking Chair, Grateful Dawg
 Set Two: Trouble In Mind, Ballad of Casey Jones, There Ain't No Bugs on Me*, So What, Old
 Rocking Chair, Stealin', Poison Glass of Wine, Drink Up And Go Home, Arabia
01/13/94 San Francisco, CA - Warfield Theatre MAD>CD All n/a 1376 94690 
 *JGB: Keith Litzenberger, Schoeps MK4s > Son TCD-D7*
 Schoeps MK4's>Reutelhuber>Sony TCD-D7. Recorded on 1st tier center by Keith Litzenberger. DAT
 MASTER PLAYED BACK ON SONY TCD-D10PROII > Edirol R-4 > Soundforge 9 (Sample Rate Conversion to
 44.1khz) > CD WAVE EDITOR (Track Splitting) > FLAC.
 Set One: Shady Grove, Long Black Veil, Rosa Lee McFall, Dawg's Waltz, Freight Train, Hot
 Corn Cold Corn, Hot Corn Cold Corn, Little Red Rocking Chair, Grateful Dawg
  Set Two: Trouble In Mind, Ballad of Casey Jones, There Ain't No Bugs on Me*, So What, Old
 Rocking Chair, Stealin', Poison Glass of Wine, Drink Up And Go Home, Arabia
02/04/94 San Francisco, CA - Warfield Theater MAD>D>CD All 115 0943-0944 15602 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Fantastic recording!!! d1t04 JG: "The new guy is Donnie Baldwin, playing drums."
 Set One: Disc One (7) 53:31 --Set I-- How Sweet It Is To Be Loved By You, it Is, Stop that
 Train, You Never Can Tell (C'est La Vie), Lay Down Sally, Struggling Man, My Sisters And Brothers,
 Deal
 Set Two: Disc Two (7) 61:18 --Set II-- Shining Star, Money Honey, Wonderful World, The
 Maker, Don't Let Go [11:44] [0:15], Night they Drove Old Dixie Down -> Midnight Moonlight
02/04/94 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1376 94747 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Casio DA-7*
 **48KHZ version** Neumann KM54's>Casio DA-7? DAT MASTER > DAT, Sony DTC-A7 > Sony TCD-D10PROII,
 Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades) > CDWAV > FLAC. Recorded By Chuck Vasseur.
  Transferred By Keith Litzenberger.
 Set One: How Sweet It Is To Be Loved By You, it Is, Stop that Train, You Never Can Tell
 (C'est La Vie), Lay Down Sally, Struggling Man, My Sisters And Brothers, Deal
 Set Two: Shining Star, Money Honey, Wonderful World, The Maker, Don't Let Go, Night they
 Drove Ol' The Night They Drove Old The Night They Drove Old Dixie Down, Midnite Moonlight
02/05/94 San Francisco, CA - Warfield Theater MSD>D>CD All 141 
 *JGB*
 Notes: Dropout at 6:37 in I'll Take A Melody; Dropout at 0:06 in My Brothers And Sisters, skip at
 1:04 to 1:05.
 Set One: Disc 1 (71:10), Set I: 1. I'll Take A Melody (10:47), 2. Get Out Of My Life Woman
 (9:51), 3. Simple Twist Of Fate (11:26), 4. Run For The Roses (5:22), 5. Dear Prudence (11:14), 6. My
 Sisters And Brothers (4:18), 7. Deal (7:50), Set II, 8. The Way You Do The Things You Do (10:22)
 Set Two: Disk 2 (69:46), Set II (cont'd): 1. He Ain't Give You None (8:31), 2. Tore Up Over
 You (7:18), 3. Ain't No Bread In The Breadbox (9:03), 4. Lucky Old Son (10:31), 5. Midnight Moonlight
 (5:23), Filler: JGB 7/11/73 - Keystone - Berkeley, CA, 6. How Sweet It Is (To Be Loved By You) (10:36)
 [Set II], 7. My Funny Valentine (18:24) [Set I]
02/05/94 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1009-1010 15675 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
02/06/94 San Francisco, CA - Warfield Theater s1sbd-s2aud All 142 1007-1008 12256 
 *JGB: s1-MSD>C>D>CD; s2-Neumann KM104s > Panasonic SV-255*
 JJ: I suspect that the set II aud is Vasseur's, i.e., KM54s, because it has the same cut at the end
 of TUIB (IIRC). This Don't Let Go is unbelievably good, with some Tiger-ish moments.
 Set One: Disc One (68:04) --Set I-- Cats Under The Stars Down Under The Stars Under The
 Stars, Mission In The Rain, Like A Road, Let It Rock, Ain't No Bread In The Breadbox, My Sisters And
 Brothers, Somebody To Love
 Set Two: Disc Two (7 tracks, 73:41) --Set II-- The Harder They Come, Money Honey, The Maker,
 Lazy Bones, Don't Let Go, Gomorrah, Tangled Up In Blue//
02/06/94 San Francisco, CA - Warfield Theater MAD>CD All-1 125 
  *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 Great tape. AMAZING Don't Let Go -- raunchy and edgy.
 Set One: Disc One (9 tracks, 78:22) --Set I-- Cats Under The Stars Down Under The Stars
 Under The Stars, Mission In The Rain, Like A Road, Let It Rock, Ain't No Bread In The Breadbox, My
 Sisters And Brothers, Somebody To Love --Set II-- The Harder They Come, Money Honey
 Set Two: Disc Two (4 tracks, 47:07) --Set II con't-- The Maker, Lazy Bones, Don't Let Go,
 Gomorrah/ (MISSING Tangled Up In Blue)
03/09/94 San Francisco, CA - Warfield Theatre All n/a 16670 
 *JGB: Chuck & Janet Vasseur*
 Set One: How Sweet It Is to be Loved By You, Stop That Train, Forever Young, Let it Rock,
 What a Wonderful World, My Sisters And Brothers, Lay Down Sally
 Set Two: Shining Star, The Maker, Tore Up Over You, The Harder They Come, Don't Let Go, The
 Night They Drove Old The Night They Drove Old Dixie Down, Midnight Moonlight
04/18/94 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 0950 16376 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Set One: How Sweet It Is to be Loved By You, And It Stoned Me, Let It Rock, Run For The
 Roses, Like a Road, My Sisters And Brothers, Deal
 Set Two: The Harder They Come, Wonderful World, Tore Up Over You, Ain't No Bread In The
 Breadbox, Mission In The Rain, The Night They Drove Old Dixie Down, Midnight Moonlight
04/19/94 San Francisco, CA - Warfield Theater MAD>D>C>CD All 127 1005-1006 23299 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Denon deck*
 Source: MAD(Neumann KM54s > Denon DAT) > C > DAT > WAV > SHN. Taper: J. & C.Vasseur. Cassette >
 DAT transfer by J.Powell: Nakamichi DR-2 cassette deck > Tascam DA-30 Mk II. DAT > WAV > SHN transfer
 by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV
 recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) >
 SHN (mkwact).
 Set One: Cats Under The Stars Down Under The Stars Under The Stars, He Ain't Give You None,
 Struggling Man, Dear Prudence, Money Honey, My Sisters And Brothers, Somebody To Love
 Set Two: The Way You Do The Things You Do, The Maker, Simple Twist Of Fate, Lay Down Sally,
 That Lucky Old Sun, Midnight Moonlight
04/20/94 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1003-1004 21299 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Set One: I'll Take A Melody, Get Out Of My Life Woman, Forever Young, Run For The Roses,
 Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
 Set Two: Shining Star, Think, Senor (Tales Of Yankee Power), Don't Let Go, Mississippi Moon,
 Tangled Up In Blue
04/25/94 San Francisco, CA - Warfield Theater MSD>C>D>CD II n/a 1000 12257 
 *JGB*
 Set Two: The Harder They Come, Mission In The Rain, You Never Can Tell (C'est La Vie), Money
 Honey, Rubin And Cherise, Senor (Tales Of Yankee Power), Midnight Moonlight
04/25/94 San Francisco, CA - Warfield Theater MS II  n/a 77711 
 *JGB*
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Waiting For A Miracle,
 Knockin' On Heaven's Door, Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
 Set Two: The Harder They Come, Mission In The Rain, You Never Can Tell (C'est La Vie), Money
 Honey, Rubin And Cherise, Senor (Tales Of Yankee Power), Midnight Moonlight
04/26/94 San Francisco, CA - Warfield Theater MAD>D>CD  All n/a 1015 21746 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Set One: Cats Under The Stars Down Under The Stars Down Under the Stars, Stop That Train,
 That's What Love Will Make You Do Will Make You Do, Forever Young, Lay Down Sally, My Sisters And
 Brothers, Somebody To Love
 Set Two: The The Way You Do The Things You Do the Things You Do, He Ain't Give You None,
 Struggling Man, The Maker, That Lucky Old Sun, Midnight Moonlight
04/27/94 San Francisco, CA - Warfield Theater MSD>C>D>CD All 110 0933 15819 
 *JGB*
 Lineagefrom the etree seed was given without the cassette gen, but Charlie Miller informs me that
  it's there, i.e., SBD>Dat>Cass Master (Dolby C)>Dat>CD. comments: 1 sec. dropout at 3:58 of d1t06.
 JJ: - Nice clean sbd. - Vocal flubs and weak (not bad, but weak) guitar. WFAM has no energy. - Dear
 Prudence ends abruptly and Sisters and Brothers stars abruptly, but I don't think this is a guzinta,
 just a tight edit. - Shining Star clipped at start
 Set One: Disc One (7 tracks, 58:32) --Set I-- classical-sounding piano, tuning, How Sweet It
 Is to be Loved By You, Waiting for a Miracle, Simple Twist Of Fate of Fate, Run for the Roses, Dear
 Prudence, My Sisters And Brothers, Deal
 Set Two: Disc Two (6 tracks, 50:50) --Set II-- /Shining Star, Tore Up Over You, What a
 Wonderful World, Rubin And Cherise, The Night They Drove Old The Night They Drove Old Dixie Down,
 Midnight Moonlight
05/02/94z "History of Rock 'n Roll" Interview pro All 60 
 *Interview by Obie Benz (?)*
 "An Interview with Jerry Garcia": Obie Benz and D. Myers, Jerry's House?, California, May 2, 1994.
 This looks to be a substantially complete/uncut interview, which was used for "The History of Rock 'n
  Roll, vol. 6, 'My Generation'", directed by Obie Benz. - Jerry is very grouchy to start, then hits his
 groove - time stamp @ lower-left.
 Set One: 01: Personal and Musical Background -3:41, 02: Origins of the Grateful Dead -9:46,
  03: Acid Tests -10:44, 04: Acid Test Graduation -11:53, 05: Neal Cassidy -19:05, 06: Haight-Ashbury
 -27:50, 07: Straight World -31:47, 08: GD "Collaborationism" -34:42, 09: I Know You Rider ->
 Folk/Bluegrass/Electric -38:55, 10: Play for My Life -42:33, 11: Rap Is Not Music; New Music -45:57,
 12: Dick Latvala Vault Tour
05/04/94 San Francisco, CA - Warfield Theater MAD>D>CD All 113 1322 9715 
 *Garcia/Grisman: Schoeps CMC34s > Panasonic SV-255*
 MAD (Schoeps CMC 34 > SV255, taper and location unknown) > DATs > Sony PCM-2600 > Egosys 2496
 Waveterminal to HD > initial editing/tracking using Cool Edit 2000 > CD/0 > EAC > re-tracking using CD
 Wave > SHN using mkwACT. Proper sector boundaries verified using shntool. Notes: (1) Jerry and David
 duet; d1t01 Thrill is Gone cuts in, then gap @ 0:03-0:07; d1t01 Thrill is Gone level fluctuations
 first 2 minutes; d1t01 Thrill is Gone static @ @ 4:25-4:34, 4:54; d1t02 Louis Collins levels rise ca.
 1:30; d1t03 Bag's Groove L channel static @ 1:57; d1t08 Dawgnation drop @ 3:31; d2t01 Walkin' Boss
 cuts in, not much missing; d2t01 Walkin' Boss crackle @ 0:05; d2t01 Walkin' Boss PA problems
 throughout; d2t02 First Unto This Country drop @ 0:31; d2t02 First Unto This Country ca. 0:42-0:46 PA
 problems; d2t03 Teddy Bear's Picnic PA problems @ ca. 1:50
 Set One: Disc One (8) 47:49 --Set I-- 1. //The// Thrill Is Gone [#5:#06] [1:02], 2. Louis
 Collins [4:56] [0:30], 3. Bag's Groove [7:02] [0:26], 4. Hot Corn Cold Corn [4:29] -> 5. Old Rocking
 Chair [7:27] [0:23], 6. Jack-A-Roe [5:04] [0:15], 7. Goodnight Irene [5:03] [1:27], 8. Dawgnation
 [4:20] [0:16]
 Set Two: Disc Two (8) 65:00 --Set II-- 1. //Walkin' Boss (1) [#5:23] -> 2. When First Unto
 This Country (1) [4:16] [1:36], 3. Teddy Bear's Picnic [4:22] [0:40], 4. Milestones [8:05] [0:45], 5.
 Sitting Here In Limbo [7:09] [0:38], 6. Russian Lullaby [6:21] [1:05], 7. Stealin' [3:55] [0:56], 8.
 Arabia [19:22] [0:23]
05/04/94 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 
 *Garcia/Grisman: Schoeps CMC34s > Panasonic SV-255*
  *Schoeps CMC34 > SV 255 master*
05/05/94 San Francisco, CA - Warfield Theater MAD?>?>CD Most 95 12503 
 *Garcia/Grisman: unknown taper & gear*
 Probable DAUD, a solid recording. Vocals are not as low as the 1/94 shows. Much more reminiscent
 of the 5/4/94 Schoeps CMC34 > SV 255 dat aud, most likely the same setup. Notes: (1) Jerry & David
 duet. Very bad digital static plagues the end of Shady Grove and the start of Freight Train. This
 copy also lacks Louis Collins (as listed at The Jerry Site). It may have been excluded if the digital
 static plagued the whole song, though this is pure speculation. Also, occasionally throughout the show
 one can hear a staticky sound which may actually be the taper blowing in the mic (?). d1t01 Shady
 Grove cuts in after first verse; d2t01 Jenny Jenkins very brief splice @ ca. 3:36; d2t04 blip and
 2-second repeat @ 3:04 (not during music).
 Set One: Disc One (8) 48:36 --Set I-- 1. //Shady Grove [#4:09] [0:04], (missing Louis
 Collins), 2. Freight Train [4:25] [0:18], 3. Grateful Dawg [4:42] [1:02], 4. Two Soldiers [4:12]
 [0:28], 5. Bag's Groove [8:22] [0:26], 6. Sitting Here In Limbo [6:10] [0:58], 7. Stealin' [4:15]
 [0:49], 8. Milestones [7:59] [0:15]
 Set Two: Disc Two (8) 45:59 --Set II-- 1. Jenny Jenkins (1) [4:34] -> 2. When First Unto
 This Country (1) [4:04] [0:47], 3. So What? [9:57] -> 4. I Ain't Never Seen Nobody Like You [2:59]
 [0:15], 5. Old Rockin' Chair [7:17] -> 6. Teddy Bears' Picnic [4:4] [0:44], 7. Dawgnation [4:54]
 [0:04], 8. Goodnight Irene [5:34] [0:07]
05/14/94 Ventura, CA - Ventura Raceway (Fairgrounds) MAD>D>CD All n/a 1015-1016 20604 
 *JGB: unknown taper & gear*
 Set One: Cats Under The Stars Down Under The Stars, You Never Can Tell (C'est La Vie), Get
 Out Of My Life Woman, Like A Road, Lay Down Sally, My Sisters And Brothers, Deal
 Set Two: I Second That Emotion, He Ain't Give You None, Struggling Man, Money Honey, Don't
 Let Go, The Night They Drove Old The Night They Drove Old Dixie Down, Midnight Moonlight
05/15/94 Irvine, Ca - Irvine Meadows Amphitheatre MAD>CD All n/a 1016 6632 
 *JGB: unknown taper & gear*
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Let It Rock, Run For The
 Roses, Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
 Set Two: Shining Star, Tore Up Over You Over You, Wonderful World (Sam Cooke's), Simple
 Twist Of Fate of Fate, The Maker, That Lucky Old Sun, Midnight Moonlight
05/17/94 San Diego, CA - Starlight Bowl - Balboa Park MAD>D>CD All n/a 1019-1020 16186 
 *JGB: unknown taper & gear*
 Set One: Cats Under The Stars Down Under The Stars Under The Stars, Waiting For A Miracle, I
 Shall Be Released, That's What Love Will Make You Do Will Make You Do, Lay Down Sally, My Sisters And
 Brothers, Somebody To Love to Love
 Set Two: The Way You Do The Things You Do, The Maker, Russian Lullaby, Think, Rubin And
 Cherise, Gomorrah, Midnight Moonlight
05/18/94 San Diego, CA - Starlight Bowl - Balboa Park MAD>D>CD All n/a 1249 30850 
  *JGB: Neumann KM140s > Panasonic SV-255* *could be ATs?*
 db.etree.org user 'obaaron' claims that this was made by his neighbor, with this setup: AT831b > D7
 FOB. Seeder's Comments: During the first minute of set1 there is some quick adjusting going on in
 terms of levels and the sound is a little muffled at times, though overall, the sound quality is
 outstanding. One of the longer renditions of "Shining Star" with extensive crowd singalong... There
 was a perceptible disparity in peak levels between channels on the source CDRs which detracted from
 the listening experience with some mild clipping in the right channel. The left channel level was
 increased by 3 dB using Wavelab 5 "Gain" function before retracking/FLACing with CDWAV 1.9. No noise
 reduction or selective frequency augmentation was performed. thanks to slip for the cdr source. dae
 etc. via misSHN 2005.
 Set One: DISC I - SET I 01 How Sweet It Is (To Be Loved By You) [08:37], 02 Stop That Train
 [07:30], 03 Simple Twist Of Fate [10:25], 04 Run For The Roses [05:07], 05 Ain't No Bread In The
 Breadbox [08:25], 06 My Sisters And Brothers [03:57], 07 Deal [08:02], Total time: 52:05
  Set Two: DISC II - SET II 01 Shining Star [25:06], 02 Struggling Man [06:35], 03 And It
 Stoned Me [09:27], 04 Don't Let Go [14:32], 05 That Lucky Old Sun (Just Rolls Around Heaven All Day)
 [09:35], 06 Midnight Moonlight [05:49], Total time: 71:05
08/12/94 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1061-1062 15885 
 *JGB: Kyle from Chico, Neumann KM54s > unknown deck*
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Simple Twist Of Fate, Run
 For The Roses, He Ain't Give You None, No Bread In The Ain't No Bread In The Breadbox, My Sisters And
 Brothers, Deal
 Set Two: The Way You Do The Things You Do, It And It Stoned Me, Tore Up Over You Over You,
 Wonderful World, The Maker, That Lucky Old Sun, Midnight Moonlight
08/13/94 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1063-1064 15191 
 *JGB: Neumann KM54s*
 Set One: Cats Under The Stars Down Under The Stars Under The Stars, Stop That Train, Dear
 Prudence, Mission In The Rain, I Shall Be Released, My Sisters And Brothers, Deal
 Set Two: The Harder They Come, Like A Road, Think, Russian Lullaby, Don't Let Go, The Night
 They Drove Old The Night They Drove Old Dixie Down, Midnight Moonlight
08/14/94 San Francisco, CA - Warfield Theater MSD>C>D>CD All n/a 1101-1102 4306 
 *JGB*
 Set One: How Sweet It Is to be Loved By You, Waiting For A Miracle, You Never Can Tell
 (C'est La Vie), Mississippi Moon, Lay Down Sally, My Sisters And Brothers, Somebody To Love
 Set Two: Shining Star, Struggling Man, It And It Stoned Me, Tore Up Over You Over You, The
 Maker, Gomorrah, Tangled Up In Blue
09/01/94 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1070-1071 12024 
 *JGB: Neumann KM140s > Panasonic SV-255*
 Public debut of Johnny Too Bad.
 Set One: How Sweet It Is to be Loved By You, Get Out Of My Life Woman, Run For The Roses,
 Simple Twist Of Fate, No Bread In The Ain't No Bread In The Breadbox, Johnny Too Bad*, Deal
 Set Two: I Second That Emotion, The Maker, Tore Up Over You Over You, Evangeline, Don't Let
 Go, That Lucky Old Sun, Midnight Moonlight
09/02/94 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1072 12254 
 *JGB: Neumann KM54s*
 Set One: Cats Under The Stars Down Under The Stars, He Ain't Give You None, Struggling Man,
 That's What Love Will Make You Do Will Make You Do, Wonderful World, My Sisters And Brothers, Deal
 Set Two: Shining Star-> Dear Prudence, Lay Down Sally, The Night They Drove Old The Night
 They Drove Old Dixie Down, Midnight Moonlight
09/10/94 Reno, NV - Reno Hilton Amphtheatre MAD>D>C>CD All 112 1073 23791 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 This is a pretty phenomenal tape! d1t07 static @ 2:23-2:24; -d1t08 snap @ 0:54; d2t02 snaps @
 12:21, 12:25; rough start to Midnight Moonlight
 Set One: Disc One (8) 50:17 --Set I-- How Sweet It Is to be Loved By You, Stop That Train,
 Get Out Of My Life Woman, Run For The Roses, Ain't No Bread In The Breadbox, My Sisters And Brothers,
 Deal
 Set Two: Disc Two (7) 61:39 --Set II-- The Way You Do The Things You Do, The Maker,
 Wonderful World, Johnny Too Bad, Don't Let Go, That Lucky Old Sun, Midnight Moonlight
09/24/94 Berkeley, CA - Berkeley Community Theater MSD>D>CD All n/a 1280 14071 
 *Phil Lesh & Friends*
 Source: SBD > DAT(s) > CDR via Michael Zelner; Shn encoding: EAC(secure) > mkwact(seekable) by
 mvernon54@attbi.com 12/26/2002.
 Set One: Walking Blues, Lazy River Road, K.C. Moan, Dupree's Diamond Blues, Childhood's End,
 When I Paint My Masterpiece*, Attics Of My Life, Cassidy, Bird Song, Throwing Stones
09/24/94 Berkeley, CA - Berkeley Community Theater matrix All n/a 1280 78005 
 *Phil Lesh & Friends*
 Benefit for Berkeley Music Program. Sources: a - sbd > dat(s) > cdr; b - scheops cmc4 > dat > za2 >
 wav > shn. Bnd: Phil Lesh, Jerry Garcia, Bob Weir, Vince Welnick. comments: The scheops source has a
 cut at 4:09 in Lazy River Road with approximately 2.5 seconds missing, which hadn't previously been
 noted. The sbd has small sections of crowd/tuning missing. I've assumed that the sbd is at the
 correct speed and had to make some very small adjustments to the aud on most tracks. Thanks to Matt
 Vernon and Chris Ladner for getting these sources out there, of this beautiful show." SIRMick,
 September 2006.
 Set One: Walking Blues, Lazy River Road, K.C. Moan, Dupree's Diamond Blues, Childhood's End,
 When I Paint My Masterpiece*, Attics Of My Life, Cassidy, Bird Song, Throwing Stones
11/11/94 Oakland, CA - Henry J. Kaiser Convention Center MAD>CD All n/a 1074-1075 15882 
 *JGB: Neumann KM440s*
 Set One: Cats Under The Stars Down Under The Stars, They Love Each Other, Mission In The
 Rain, Run For The Roses, Simple Twist Of Fate, My Sisters And Brothers, Deal
 Set Two: How Sweet It Is to be Loved By You, Shining Star, Tore Up Over You, The Maker,
 Wonderful World This Could Be, Don't Let Go, That Lucky Old Sun, Midnite Moonlite
 
??/??/95 Mishra "Blue Incantation" "Outtakes" OFFICIAL? OFFICIAL? All 15 
 *Sanjay Mishra, JG on three tracks* *MAYBE OFFICIAL RIP*
 - Nice SQ. Per deaddisc.com: # Recorded at Bias Recording December 1994 to May 1995; # Additional
 recording at Club Front, San Rafael ; Garcia plays on three tracks on this recording. Monsoon: *
 Sanjay Mishra - guitar; * Jerry Garcia - guitar; * Samir Chatterjee - tabla, percussion; * Steve
  Zerlin - bass; Clouds: * Sanjay Mishra - guitar; * Jerry Garcia - guitar; * Samir Chatterjee - tabla;
 * George Thomas - bass; Nocturne/Evening Chant: * Sanjay Mishra - guitar; * Jerry Garcia - guitar; *
 Samir Chatterjee - tabla, percussion; * George Thomas - bass; * John Wubbenhorst - flute; *
 Sanghamitra Chatterjee - sampled voice.
 Set One: 3 tracks, 14:38: 01. [2:59], 02. [7:33], 03. [4:06]
01/13/95 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1076-1077 21484 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Simple Twist Of Fate of
 Fate, Run For The Roses, Ain't No Bread In The Breadbox, Brothers and Sisters, Deal
 Set Two: The Harder They Come, And It Stoned Me, Evangeline, Don't Let Go, Lazy Bones,
 Postively 4th Street, Midnight Moonlight
01/13/95 San Francisco, CA - Warfield Theater  MAD>D>48k II n/a 1277 79638 
 *JGB: Dan Sisler, Schoeps MK4 > Sony D7* *48khz*
 48k: Dan Sisler's MAD (Schoeps MK4 > Reutelhuber power supply > Denon DTR80p > Sony D7) > DAT >
 FLAC, via Teddy Goodbear.
 Set Two: The Harder They Come, And It Stoned Me, Evangeline, Don't Let Go, Lazy Bones,
 Postively 4th Street, Midnight Moonlight
01/14/95 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1078-1079 21744 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Set One: Cats Under The Stars Down Under The Stars Under The Stars, Like A Road, Mission In
 The Rain, Money Honey, Lay Down Sally, My Sisters And Brothers-> Tangled Up In Blue
 Set Two: Shining Star, Think, Wonderful World, The Maker, That Lucky Old Sun, Midnight
 Moonlight
01/14/95 San Francisco, CA - Warfield Theater MAD>D>48k All n/a 1277 79731 
 *JGB: Dan Sisler, Schoeps MK-4 > Sony D7*
 48k: Dan Sisler's MAD (Schoeps MK4 [1st row balcony, aisle seats left of the SBD] > Reutelhuber
 power supply > Denon DTR80p > Sony D7) > Sony PCM R300 playback > S/PDIF I/O > Fuji sound card > HD w/
 CoolEdit Pro v2.1 at 48kHz > CDWAVE v1.95.1 (direct FLAC encoding) > FLAC (48khz).
 Set Two: Shining Star, Think, Wonderful World, The Maker, That Lucky Old Sun, Midnight
 Moonlight
01/15/95 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1081 21745 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Set One: The Way You Do The Things You Do, You Never Can Tell (C'est La Vie), Stop That
 Train, That's What Love Will Make You Do Will Make You Do, Mississippi Moon, My Sisters And Brothers,
 Deal
 Set Two: The Harder They Come, He Ain't Give You None, Struggling Man, Ain't No Bread In The
 Breadbox, Rubin And Cherise, Midnight Moonlight
03/04/95 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1082 16443 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Set One: How Sweet It Is to be Loved By You, Let It Rock, It And It Stoned Me, Lay Down
 Sally, It Takes A Lot To Laugh It Takes A Train To Cry, Deal
 Set Two: The Harder They Come, Simple Twist Of Fate, Tore Up Over You Over You, The Maker,
 Postively 4th Street, That Lucky Old Sun, Midnight Moonlight
03/04/95 San Francisco, CA - Warfield Theater MAD>D>48k All n/a 1277 79635 
 *JGB: Russ B., Schoeps MK4 > Sony D7*
 Russ B.'s MAD (Schoeps MK4 [floor, center right under the drink rail] > Reutelhuber power supply >
 Denon DTR80p > Sony D7) > DAT > WAV > Cool Edit Pro > CDWAV > FLAC, via Teddy Goodbear.
 Set One: How Sweet It Is to be Loved By You, Let It Rock, It And It Stoned Me, Lay Down
 Sally, It Takes A Lot To Laugh It Takes A Train To Cry, Deal
 Set Two: The Harder They Come, Simple Twist Of Fate, Tore Up Over You Over You, The Maker,
 Postively 4th Street, That Lucky Old Sun, Midnight Moonlight
03/05/95 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1277 79634 
 *JGB: Michael B., Sonics > DTR80P*
 Michael B.'s MAD (Sonics [floor, center] > DTR80P > WAV > Cool Edit Pro > CDWAV > FLAC, via Teddy
 Goodbear. Teddy Notes: - Slight entire left channel amplify reduction -1db. - Slight entire overall eq
 to reduce booming bass and to increase the mid to high frequencies. - Downsample entire from 48 kHz to
 44.1 kHz.
 Set One: Cats Under The Stars Down Under The Stars, They Love Each Other, Run for the Roses,
 Like a Road, Ain't No Bread In The Breadbox, Brothers and Sisters, Deal
 Set Two: Shining Star->Johnny Too Bad->Shining Star, Think, Don't Let Go, Gomorrah, Midnight
 Moonlight
03/05/95 San Francisco, CA - Warfield Theater MAD>D>CD II n/a 1083 22194 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Set Two: Shining Star->Johnny Too Bad->Shining Star, Think, Don't Let Go, Gomorrah, Midnight
 Moonlight
04/14/95 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1068-1069 24990 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Set One: How Sweet It Is to be Loved By You, They Love Each Other, Mission In The Rain,
 Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
 Set Two: The Harder They Come, Like A Road, Tore Up Over You, The Maker, Johnny Too Bad,
 That Lucky Old Sun, Midnite Moonlight
04/15/95 San Francisco, CA - Warfield Theater MAD>D>CD All n/a 1078,1080 21825 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
  Set One: Cats Under The Stars Down Under The Stars Under The Stars, And It Stoned Me, He
 Ain't Give You None, Dear Prudence, My Sisters And Brothers
 Set Two: The Way You Do The Things You Do, You Never Can Tell (C'est La Vie), Rubin And
 Cherise, What a Wonderful World, Don't Let Go, Postively 4th Street, Midnight Moonlight
04/15/95 San Francisco, CA - Warfield Theater MAD>D>CD  All n/a 1376 94692 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > Casio DA-7*
 Neumann KM54's>Casio DA-7? DAT MASTER > DAT, Sony DTC-A7 > Sony TCD-D10PROII, Tascam DA-30MKII >
 Sound Devices 702 > Soundforge 9 (Fades, Sample Rate Conversion) > CDWAV > FLAC. Recorded By Chuck and
 Janet Vasseur.
 Set One: Cats Under The Stars Down Under The Stars Under The Stars, And It Stoned Me, He
 Ain't Give You None, Dear Prudence, My Sisters And Brothers
 Set Two: The Way You Do The Things You Do, You Never Can Tell (C'est La Vie), Rubin And
 Cherise, What a Wonderful World, Don't Let Go, Postively 4th Street, Midnight Moonlight
04/21/95 San Francisco, CA - Warfield Theater  MAD>D>CD All 115 1084 21900 
 *JGB: Chuck & Janet Vasseur, Neumann KM54s > unknown deck*
 Set One: The Way You Do The Things You Do, Forever Young, Money Honey, Run For The Roses,
 Ain't No Bread In The Breadbox, My Sisters And Brothers, Deal
 Set Two: Shining Star-> Johnny Too Bad-> Don't Let Go, That Lucky Old Sun, Midnight
 Moonlight
04/22/95 San Francisco, CA - Warfield Theater MAD>CD All 114 4305  1362 
 *JGB: unknown taper & gear*
 Some slight re-tracking probably should be undertaken, but it is relatively slight. d1t01 tuning
 static @ 0:10-0:11; d1t02 CUTS static @ 2:37; JG sounds really awful by TUIB.
  Set One: Disc One (6) 62:42 --Set I-- 1. Tuning [0:23], 2. Cats Under the Stars [11:21]
 [0:14], 3. TLEO [8:18] [0:22], 4. TWLWMYD [10:14] [0:54], 4. Mission in the Rain [10:36] [0:27], 5.
 Sisters & Brothers [4:42] -> 6. Everybody Needs Somebody to Love [14:58] [0:10]
 Set Two: Disc Two (4) 51:18 --Set II-- 1. Tuning [0:14], 2. Harder They Come [11:01] [1:23],
 2. I Shall Be Released [13:28] [0:15], 3. The Maker [11:08] [0:05], 4. Tangled Up in Blue [13:29]
 [0:13]
04/23/95 San Francisco, CA - Warfield Theater MAD>CD All 116 1085 17557 
 *JGB: unknown taper & gear*
 Last JGB show, and pretty depressing stuff. It takes them more than 90 seconds just to get Reuben &
 Cherise together. TNTDODD is absolutely terrible. RIP, Jerry.
 Set One: Disc One (7 tracks, 61:13) --Set I-- How Sweet It Is to be Loved By You, Stop That
 Train, Simple Twist Of Fate, Run For The Roses, You Never Can Tell (C'est La Vie), My Sisters And
 Brothers, Deal
 Set Two: Disc Two (6 tracks, 54:50) --Set II-- He Ain't Give You None, Struggling Man/,
  Think, Ruben and Cherise, The Night They Drove Old The Night They Drove Old Dixie Down, Midnight
 Moonlight
06/02/95 *see Jerry Garcia on Official Releases* n/a 
06/25/95 Washington, DC - Robert F. Kennedy Stadium MAD>CD All 15 1115 noshnid 
 *Dylan w/ Garcia: Tom Cooper & Dave Howard, FOB Schoeps*
 Source: FOB (Schoeps) > DATs. Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac. Tapers: Tom
 Cooper and Dave Howard. Transfer: jbraveman@hotmail.com November 2004. * with Jerry Garcia on Guitar;
 # Acoustic. Seeder's notes: "Excellent audience recording. No major digital problems noted. I have
 not heard the other sources for this show for comparison."
 Set One: Disc 1, 1. Drifter's Escape, 2. Watching The River Flow, 3. All Along The
 Watchtower, 4. Simple Twist Of Fate, 5. Silvio, 6. Mama You Been On My Mind #, 7. Desolation Row
 #, 8. One Too Many Mornings #, 9. Maggie's Farm, 10. What Good Am I?
 Set Two: Disc 2, 1. Like A Rolling Stone, 2. Crowd --Encores-- 3. It Takes A Lot To
 Laugh, It Takes A Train To Cry*, 4. Rainy Day Women #12 & 35*
06/25/95 Washington, DC - Robert F. Kennedy Stadium MAD>CD All 15 enter noshnid 
 *Dylan w/ JG: Adam Gross, Schoeps CMC54s > HHB PortaDAT*
 Lineage: DAT Master. Recording Equipment: Schoeps CMC54 -> Sonosax Mic Preamp -> HHB PortaDAT.
 Recording Location: FOB DFC. Recorded By: Adam Gross. Transfer: DAT Master > TASCAM DA-20 (S/PDIF
 out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 by Todd Evans December 15,
  2007. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Tracked in CDwave, FLAC’d Flac
 Frontend level 8.
 Set One: 07 - It Takes A Lot To Laugh It Takes A Train To Cry*, 08 - Rainy Day Women # 12 &
 35*

[ Contents | List Info | Contact Info | Artist Index | Jerry Garcia ]

---

JERRY GARCIA ON OFFICIAL RELEASES

Available Years: 1967, 1969, 1970, 1971, 1972, 1973, 1974, 1975, 1976, 1977, 1978, 1980, 1982, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1995, 1996, 1998, 2000, 2004, 2005

 
1967 Jefferson Airplane: Surrealistic Pillow n/a 
 
1969 New Riders of the Purple Sage - Before Time Began n/a Relix 
1969 Country Joe & the Fish - Live! Fillmore West 1969 38 Vanguard 
 *Country Joe & The Fish* *Official Release, Not For Trade*
 Country Joe and The Fish: Live! Filmore West 1969. The Band on Tracks 1-5: Joe McDonald, Barry
 Melton, David Cohen, Chicken Hirsh, Jack Casady, with David Getz on "ItÍs So Nice". The Band On Track
 6: The band above with Mickey Hart on drums throughout, Jerry Garcia, Jorma Kaukonen, Steve Miller on
 harp and after 25 minutes, David Cohen on guitar.
 Set One: Garcia on Track 6: 1. INTRODUCTION / ROCK AND SOUL MUSIC 6:15, 2. HERE I GO AGAIN
 4:42, 3. IT'S SO NICE TO HAVE YOUR LOVE 6:31, 4. FLYING HIGH 12:36, 5. DOCTOR OF ELECTRICITY 9:10, 6.
 DONOVAN'S REEF 38:18, Total Time 77:32
 
1970 Kantner/JS: Blows Against the Empire n/a 
 Set One: Let's Go Together (JG, banjo); Have You Seen the Stars Tonite (JG, pedal steel);
 XM; Starship (JG, guitar); also probably on bonus track SFX (studio outtake).
 
1971 Howard Wales & Jerry Garcia - Hooterrol?  n/a EVL 
1971 New Riders of the Purple Sage n/a 
1971 Paul Kantner & Grace Slick - Sunfighter n/a  
 http://www.deaddisc.com/ot/Sunfighter.htm
02/21/71 New Riders of the Purple Sage - Vintage NRPS 47 Relix 
 *NRPS*
 FM or SBD? via slip. - (1) Marmaduke: "Delve into a little weirdness here." - Honky Tonk Woman cuts
 out. NRPS: John Dawson - rhythm guitar, vocals; David Nelson - lead guitar, vocals; David Torbert -
 bass, vocals; Jerry Garcia - pedal steel guitar; Spencer Dryden - drums. JJ: almost certainly a rip
 of the official release "Vintage NRPS", which gives the dates of 2/21 and 2/23 (w/o identifying
 provenance of individual songs).
 Set One: (8 tracks, 46:48): 01. I Don't Know You [3:55], 02. Cecilia [4:38], 03. Watcha
 Gonna Do? [3:19], 04. (1) Dirty Business [12:13], 05. Fair Chance to Know [4:38], 06. Garden of Eden
 [7:36], 07. Portland Woman [5:10], 08. Honky Tonk Woman// [5:19]
 
1972 David Bromberg - Demon in Disguise n/a WOU 1753 
1972 New Riders of the Purple Sage - Powerglide n/a 
12/02/72 Doug Sahm - The Genuine Texas Groover n/a Rhino 
 Set One: d2t12 - From a Jack to a King (JG, pedal steel); d2t13 - Leave Me Alone With the
 Blues (JG, pedal steel).
 
1973 Paul Pena - New Train  n/a HY 20019 
01/23/73 Jerry Garcia - Garcia Plays Dylan n/a R2 73263 
 Set One: It Takes a Lot to Laugh, It Takes a Train to Cry
07/10/73 Saunders/Garcia/Kahn/Vitt: Live at Keystone n/a 
07/11/73 Saunders/Garcia/Kahn/Vitt: Live at Keystone n/a 
10/01/73 OAITW: Breakdown  n/a 
10/08/73 OAITW release n/a 
 
09/01/74 Pure Jerry, vol. 4  n/a 
12/14/74 Jerry Garcia Collection, vol. 1: Legion of Mary n/a R2 74692 
 Set One: How Sweet It Is to be Loved By You
 
1975 Keith and Donna Godchaux  38 Round RX 
 http://www.deaddisc.com/disc/Keith_And_Donna.htm. via minches vinyl.
 Set One: * River Deep, Mountain High (Barry / Greenwich / Spector) * Sweet Baby (Keith
 Godchaux / Donna Godchaux) * Woman Make You (Keith Godchaux / Donna Godchaux) * When You Start To Move
 (Keith Godchaux / Donna Godchaux) * Showboat (lyrics: Brian Godchaux / music: Keith Godchaux / Donna
 Godchaux) * My Love For You (Keith Godchaux / Donna Godchaux) * Farewell Jack (lyrics: Brian Godchaux
 / music: Keith Godchaux / Donna Godchaux) * Who Was John (Traditional) * Every Song I Sing (Donna
 Godchaux / Keith Godchaux)
1975 Ned Lagin - Seastones n/a Rykodisc 
02/27/75 Legion of Mary - Absolute Mary n/a 
 Set One: Bossa Martin, Sitting Here in Limbo
02/27/75 Jerry Garcia Collection, vol. 1: Legion of Mary n/a R2 74692 
 Set One: Let It Rock, Neighbor Neighbor, Money Honey, Last Train from Poor Valley
03/01/75 Jerry Garcia Collection, vol. 1: Legion of Mary n/a R2 74692 
 Set One: That's A Touch I Like, Second That Emotion, The Night They Drove Old Dixie Down
03/15/75 Legion of Mary - Absolute Mary n/a  
 Set One: Boogie on Reggae Woman
04/19/75 Legion of Mary - Absolute Mary n/a 
 Set One: It's No Use
04/19/75 Jerry Garcia - Garcia Plays Dylan  n/a R2 73263 
 Set One: d1t04. The Wicked Messenger
05/15/75 Legion of Mary - Absolute Mary n/a 
 Set One: The Wicked Messenger
05/15/75 Jerry Garcia Collection, vol. 1: Legion of Mary n/a R2 74692 
 Set One: I'll Take a Melody
05/22/75 Jerry Garcia - Garcia Plays Dylan Again n/a  
 Set One: Going, Going, Gone
05/22/75 Jerry Garcia Collection, vol. 1: Legion of Mary n/a R2 74692 
 Set One: Since I Lost My Baby, Tore Up Over You
05/22/75 Legion of Mary - Absolute Mary n/a 
 Set One: Every Word You Say
07/04/75 Jerry Garcia Collection, vol. 1: Legion of Mary n/a R2 74692 
 Set One: Tough Mama
07/05/75 Jerry Garcia Collection, vol. 1: Legion of Mary n/a R2 74692 
 Set One: Talkin' 'Bout You, Mystery Train
11/17/75 Jerry Garcia - Garcia Plays Dylan  n/a R2 73263 
 Set One: d1t03. Positively 4th Street
11/18/75 Jerry Garcia - Garcia Plays Dylan n/a R2 73263 
 Set One: d1t02. Tough Mama
 
02/15/76 Jerry Garcia - Garcia Plays Dylan n/a 
 Set One: d1t05. Knockin' on Heaven's Door
05/21/76 Jerry Garcia Band - Don't Let Go 152  
 *JGB*
09/11/76 Jerry Garcia Band - Don't Let Go n/a 
 Set One: Mighty High (bonus track)
 
07/29/77 Pure Jerry, vol. 1  n/a 
07/30/77 Pure Jerry, vol. 1 n/a 
 
02/19/78 Jerry Garcia - Garcia Plays Dylan n/a R2 73263  
 Set One: d1t06. Simple Twist of Fate
03/18/78b Pure Jerry, vol. 6 n/a 
 
02/02/80 Jerry Garcia - Garcia Plays Dylan  n/a 
 Set One: d2t01. When I Paint My Masterpiece
02/28/80 Jerry Garcia - After Midnight n/a Rhino R2 
02/29/80 Jerry Garcia - Way After Midnight (Bonus Disc)  n/a JGBWAM-01 
 Set One: Dear Prudence, When I Paint My Masterpiece, Russian Lullaby, Deal
03/01/80 Jerry Garcia - Way After Midnight (Bonus Disc( n/a JGBWAM-01 
  Set One: That's Alright, Mama
 
??/??/82 Joe Territo - A Talk with Jerry Garcia n/a Beserkeley 
 *Interview by Joe Territo*
 "A Talk with Jerry Garcia," Beserkeley Records.
  Set One: Meeting Joe, The Fun Finder, The Music Business, Solo Album Groove, Approach to
 Solo Recording, Guitar Playing, Being Repetitious, The Grateful Dead, Being Amazed, The Dream Lab, The
 60s, Taking Chances/Falling Down, Psychedelics, Smoking Pot, His Singing, A Grateful Dead Hit Single,
 Jerry's Favorite Album, The Dead "Organization", The in the Community, Jerry and Rock Scully Say
 Goodbye.
06/04/82 Jerry Garcia - Garcia Plays Dylan Again  n/a 
 Set One: It Takes a Lot to Laugh, It Takes a Train to Cry
 
02/28/86 Pure Jerry, vol. 8 n/a 
 
10/31/87 Pure Jerry, vol. 2 n/a 
11/28/87 Jerry Garcia - Garcia Plays Dylan n/a 
 Set One: d1t07. I Shall be Released
 
03/04/88 Jerry Garcia - Garcia Plays Dylan n/a R2 73263 
 Set One: d2t03. Forever Young
 
09/01/89 Pure Jerry, vol. 5 n/a  
09/02/89 Pure Jerry, vol. 5 n/a 
 
1990 Bruce Hornsby & The Range - A Night on the Town n/a RCA/BMG 
1990 Merl Saunders - Blues from the Rainforest n/a Sumertone 
08/05/90 Jerry Garcia - Garcia Plays Dylan Again n/a 
 Set One: Tears of Rage
08/27/90 Garcia/Grisman: Shady Grove n/a Acoustic 
 Set One: Dreadful Wind and Rain, I Truly Understand
09/01/90 Jerry Garcia Band: Live at Shoreline n/a 
09/05/90 Garcia/Grisman: Shady Grove n/a Acoustic 
 Set One: Fair Ellender
12/06/90 Garcia/Grisman: So What  n/a Acoustic 
 Set One: So What - take 1
12/16/90 Garcia/Grisman: Shady Grove n/a Acoustic 
 Set One: The Handsome Cabin Boy
12/17/90 Garcia/Grisman: Grateful Dawg Soundtrack n/a 
 Set One: Dawg's Waltz, Off To Sea Once More
 
1991 Rob Wasserman - Trios n/a MGD 4021 
1991  Jerry Garcia / David Grisman n/a ACD-2 
02/06/91 Garcia/Grisman: Shady Grove n/a Acoustic 
 Set One: Off to Sea Once More
02/09/91 Garcia/Grisman: Shady Grove n/a Acoustic 
 Set One: The Sweet Sunny South, Casey Jones
03/08/91 Garcia/Grisman: So What  n/a Acoustic 
 Set One: So What - take 1
11/09/91 Pure Jerry, vol. 7 n/a 
12/07/91 Garcia/Grisman: Grateful Dawg Soundtrack  n/a 
 Set One: Grateful Dawg, Sweet Sunny South, Sitting Here In Limbo, Arabia and Friend Of The
 Devil
 
06/02/92 Garcia/Grisman: So What n/a Acoustic 
 Set One: Milestones - take 3
06/02/92 Garcia/Grisman: Shady Grove n/a Acoustic 
 Set One: Louis Collins
06/03/92 Garcia/Grisman: Shady Grove  n/a Acoustic 
 Set One: Stealin'
06/04/92 Garcia/Grisman: So What n/a Acoustic 
 Set One: Bag's groove - take 1, So What - take 1
06/04/92 Garcia/Grisman: Shady Grove n/a Acoustic 
 Set One: Shady Grove,
10/31/92 Jerry Garcia - Garcia Plays Dylan n/a R2 73263  
 Set One: d2t04. Tangled Up in Blue
11/24/92 Garcia/Grisman: Shady Grove n/a Acoustic 
 Set One: Jackaroo
11/24/92 Garcia/Grisman: So What  n/a Acoustic 
 Set One: Bag's groove - take 5, 16/16 - take 3
 
1993 JGDG - Not for Kids Only n/a ACD-9 
02/04/93 Garcia/Gisman/Rice: Pizza Tapes n/a 
02/05/93 Garcia/Gisman/Rice: Pizza Tapes n/a 
02/15/93 Garcia/Grisman: Shady Grove  n/a Acoustic 
 Set One: Whiskey in the Jar
04/23/93 Jerry Garcia - Garcia Plays Dylan n/a R2 73263 
 Set One: d2t05. Senor (Tales of Yankee Power)
06/03/93 Garcia/Grisman: Shady Grove n/a Acoustic 
 Set One: Down in the Valley
09/15/93 Live on Letterman - Music from the Late Show 5  
 *JGDG* *OFFICIAL RELEASED, NFT*
 Jerry Garcia and David Grisman: David Letterman Show, New York, NY, September 15, 1993. Jerry
 sounds wonderful! OFFICIAL RELEASE: Live on Letterman: Music from the Late Show / Various Artists /
 Initial release: 1997 / Reprise 46827.
 Set One: Friend of the Devil [4:30]
 
1995 Sanjay Mishra - Blue Incantation n/a AM-159 
06/02/95 Garcia/Grisman: So What n/a Acoustic 
 Set One: Milestones - take 5
 
1996 JGDG - Shady Grove n/a Acoustic  
 
1998 JGDG - So What n/a ACD-33 
 
2000 Garcia, Grisman, Rice - The Pizza Tapes n/a ACD-41 
 
2004 Garcia/Grisman: Been All Around This World n/a ACD-57 
 
2005 JG - Garcia Plays Dylan n/a Rhino R2 

[ Contents | List Info | Contact Info | Artist Index | Jerry Garcia on Official Releases ]

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JONES, ELVIN

 
11/08/68 Berlin, Germany - Philharmonie MF?>?>CD All 39 
 Jones Elvin Trio / with Joe Farrell: Live at Jazztage Berlin, Philharmonie, Berlin, Germany,
 November 8, 1968. SOURCE: FM > unknown lineage > trade > CD > EAC Secure Modus > Flac Frontend Level 6
 > Flac > DIME by ricola. SOUND: A-/B+. LINEUP: Joe Farrell ts, ss; Jimmy Garrison b; Elvin Jones
 dr.JJ: some static @ start. Very pleasant listen.
 Set One: TRACKS: 1. announcements -1:20, Reza 2. Gingerbread Boy 3. Softly as in a Morning
 Sunrise 4. Sweet Little Maia tt 39:20
 
09/28/01 Oakland, CA - Yoshi's A:D>CD All? 72 
 Schoeps CMS 34 > Panasonic SV-255
 Set One: Four tracks, 71:31

[ Contents | List Info | Contact Info | Artist Index | Elvin Jones ]

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JOPLIN, JANIS

 
??/??/67 Unknown Venue MSR>4D>CD All 83 
 Original Notes: Source: SBD > 1/4" Master Reel > 4th gen DAT (48); Transfer: DAT 60ES > M-Audio
 Audiophile USB > CDWAV > Goldwave Resampling to 44.1 and pop removal (x2) > CD WAV tracking and Flac
 conversion. Diginoise in Ball and Chain, Minor cuts before I know You Rider and after Farewell Song,
 some hiss and a few digital problems as noted above. Remaster Notes: "speed correction, ground hum and
 some hiss removed, removed gaps and most of the clocks and pops. Diginoise was fixed with a different
 (inferior) source. The sound is A+, by far the best of the circulating versions. This show circulates
 under various dates: December 18, 1967; The tape was labelled 7/12/67 Fillmore West; 1966, Jul. 28
 California Hall, San Francisco, CA "Light Is Faster Than Sound" ; 1967, Feb. 12 California Hall, San
 Francisco, CA "Blow All My Blues Away Vol. 4"; 1968, May 3-4 Shrine Expo Center, L.A., California
 USA. It´s also possible that the parts come from different shows, there are 2 uncut parts T01-04 and
 T06-10. Any input would be greatly appreciated." JJ: generally sounds great.
 Set One: Disc 1 (6 tracks, 42:39): 01. Call on Me, 02. Combination of the Two, 03. Blow
 My Mind, 04. Down on Me/, 05. /All is Loneliness -> Drum Solo/, /Roadblock
 Set Two: Disc 2 (6 tracks, 40:21) Light is Faster than Sound, Bye Bye Baby, Catch Me Daddy
 (Brownsville), Ball and Chain -> Outro, //I Know You Rider, Farewell Song//
05/27/67 San Francisco, CA - Fillmore Auditorium MSR>D>CD All 57 
 *Big Brother*
 Source: PA system patch 1/4" 3.75 ips reel. Lineage: 1/4" 3.75 ips reel -> DAT -> CDx?(wav) ->
 FLAC. The source reel exhibits signs of age and the limited technology of 1967, but is still very
 enjoyable. Complete set featuring four of the "Cheap Thrills" classics in earlier form, with a great
 full band version of "Turtle Blues" among them. Also a hot psychedelic jam in the middle of
 "Roadblock." They shared the bill with Steve Miller Band. ADD TO LINEAGE - DIME > AUDIO CD > EAC >
 FLAC.
 Set One: (10 tracks, 56:30) 1-INTRO, 2-CATCH ME DADDY, 3-COMBINATION OF THE TWO, 4-I NEED A
 MAN TO LOVE, 5-SUMMERTIME, 6-ROADBLOCK > JAM > ROADBLOCK, 7-HIGH HEELED SNEAKERS, 8-TURTLE BLUES,
 9-BYE BYE BABY, 10-CATCH ME DADDY
06/??/67 Monterey n/a  
 *Big Brother* *see Compilation: Monterey Pop Festival 1/5*
 Set One: 13. Down On Me - Big Brother & The Holding Company, 14. Combination Of The Two -
 Big Brother & The Holding Company , 15. Harry - Big Brother & The Holding Company , 16. Road Block
 -Big Brother & The Holding Company , 17. Ball And Chain
 
05/18/68 San Jose, CA - Santa Clara County Fairgorunds MAR>C>D>CD? All 39 
 *Big Brother*
 LINEAGE : R2R > Cass > CD > FLAC (supposedly). Seeder's NOTES : The rumor about this one is that
 it was recorded by Jorma Kaukonen himself. I don't know weither it's true or not, but I know the sound
 quality is awsome and the band is blazing on this recording, especially Janis !
 Set One: 8 tracks, 39:00, Brownsville, Roadblock, Summertime, Dead Air, Coo Coo Bird,
 Combination of the Two, Farewell Song, Piece of my Heart
06/23/68 San Francisco, CA - Carousel Ballroom  MS?>?>R>CD All 28 
 Soundboard from low gen. reel. TDK AUDUA 3600M 10 1/2" reel at 3.75 ips (Revox A700 1/2 track
 heads) > Macintosh with DigiDesign AudioMedia III card > Pro Tools > AIFF > FLAC level 8 (xACT with
 sector boundaries verified). Nothing has been edited out or eq'd. Upgrade over previous version
 seeded. Better mix with louder vocals. No clicks in the background. The missing channel at the
 beginning of the tape was patched from the other channel with Pro Tools.
 Set One: (6 tracks, 27:51), 1. Combination of The 2 4:39, 2. I Need a Man To Love 7:10, 3.
 Flower In The Sun 3:13, 4. Light Is Faster Than Sound 6:07, 5. Summertime 4:42, 6. Mr. Natural
 [cut] 1:56
08/23/68 Flushing, NY - Singer Bowl MA?>?>CD All 29 
 *Big Brother & The Holding Company*
 Set One: Single Disc (5) 28:29, Piece of My Heart, Combination of the Two, Summertime,
 Comin' Home, Ball & Chain
 
03/??/69 San Francisco, CA - Winterland Arena MA?>?>R>CD All 126 
 *Kozmic Blues Band, 3/20-22/69*
 Dave Tamarkin seed to DIME, 10/2005. AUD UNKNOWN LINEAGE > REEL > M-AUDIO TRANSIT > COOL EDIT > CD
 WAVE EDITOR > FLAC. Dave's notes: "THIS WAS GIVEN TO ME AS ONE SHOW BUT AFTER LISTENING, IT'S CLEAR
 IT WAS TAKEN FROM AT LEAST THREE DIFFERENT SHOWS SPREAD ACROSS THE THREE NIGHTS JANIS PERFORMED AT
 WINTERLAND.I DON'T KNOW WHICH SET IS FROM WHICH NIGHT."
 Set One: CD1 (11 tracks, 59:50) 1-BILL GRAHAM INTRO > INSTRUMENTAL, 2-RAISE YOUR HAND,
 3-STAY WITH ME, 4-SUMMERTIME, 5-TO LOVE SOMEBODY//, 6-BILL GRAHAM INTRO > RAISE YOUR HAND INTRO ONLY,
 7-PIECE OF MY HEART, 8-INSTRUMENTAL, 9-I CAN'T TURN YOU LOOSE, 10-STAY WITH ME, 11-TO LOVE SOMEBODY
 Set Two: CD2 (11 tracks, 66:05) 1-INSTRUMENTAL, 2-WORK ME LORD, 3-BILL GRAHAM INTRO > RAISE
 YOUR HAND, 4-MAYBE, 5-SUMMERTIME, 6-TRY, 7-COMBINATION OF THE TWO, 8-BALL AND CHAIN, 9-PIECE OF MY
 HEART, 10-CROWD, 11-INSTRUMENTAL ( SPEED PROBLEMS ON MASTER )
04/11/69 Amsterdam, Netherlands - Concertgebouw MFD>CD All 45 
 *Kozmic Blues Band* *remaster of 2006 re-broadcast*
 DYNAMIC RESTAURATION REMASTER UP TO 5.5 DB AMPLITUDE RECONSTRUCTION. Re-Broadcast on the Dutch
 Radio2 on August 16, 2006 by KRO. Originally recorded by the VPRO. Source: FM (rebroadcast 2006)>
 Technics GT350 tuner (Analog) >Tascam DA20mk2 (A->D 16bit 44.1kHz) > HD> CDWave >FLAC
 (level6)>wave>dynamic reconstructin remaster with Wavelab 5.0, using 32, 48 & 64 bit solution plug
 ins>CD Wave tracking>normalisation to -0.01 db>Flac Frontend (level 8). Personnel: Janis Joplin -
 Vocals, Sam Andrew - Guitar , Brad Cambell - Bass , Richard Kermode - Organ , Terry Hensley - Trumpet
 , Terry Clements - Tenor Sax , Roy Markowitz - Drums, Cornelius "Snooky" Flowers - Vocals / Baritone
 Sax.
 Set One: Setlist: 01. Instrumental, 02. Summertime, 03. Try (Just A Little Bit Harder), 04.
 Can't Turn You Loose, 05. Combination of the Two, 06. Ball and Chain, 07. Piece of My Heart, Time:
 45m11s
 Set Two: OLDER COPY: Instrumental, Maybe, Summertime, Try (Just A Little Bit Harder), Can't
 Turn You Loose (1), Combination Of The Two, Ball And Chain, Piece Of My Heart, Total Time 45:16 SBD
 from Dutch Radio. Liberated Boot 'Summertime'. With Snookie Flowers and Kozmic Blues Band. (1)
 Snookie Flowers on vocals. Show opener for 1969 European tour.
08/17/69 Bethel, NY - Max Yasgur's Farm (Woodstock) MSR>P>CD All 62 
 Set One: 1. Introduction [0:10], Raise Your Hand [5:14] -> 2. As Good as You Been to This
 World [5:44] [0:35], 3. To Love Somebody [4:54] [0:36], 4. Summertime [4:53] [0:36], 5. Tr//y [3:53#]
 [0:35], 6. Kozmic Blues [4:42] [1:05], 7. Can't Turn You Loose [8:09] [0:41], 8. Work Me Lord [7:33]
 [0:42], 9. Piece Of My Heart [3:39] [0:15], 10. Janis Banter [1:21], Ball and Chain [6:01] [0:52],
 Total Time 62:14
08/30/69 Dallas, TX - Dallas Int'l Motor Speedway MS?>?>CD All 32 
 *Kozmic Blues Band*
 TEXAS POP FESTIVAL VOL.3: JANIS JOPLIN & THE COSMIC BLUES BAND: Dallas International Motor
 Speedway, Lewisville, Texas, August 30, 1969. Excellent stereo soundboard. Janis Joplin - vocals,
 Snooky Flowers - sax, Sam Andrews - guitar, Brad Campbell - bass, Lonnie Castile - drums, Richard
 Kermode - keyboards, Terry Clements - sax, Luis Gasca - trumpet.
 Set One: (6 tracks, 32:06), 1. Intro / Raise Your Hand, 2. As Good As You Been To This
 World, 3. Try (Just A Little Bit Harder), 4. Maybe, 5. To Love Somebody, 6. Summertime
12/03/69 Janis, Mike Bloomfield & Friends, Studio MS?>?>CD n/a 
 *see Compilations: San Franciscan Nights #2, disc VIII*
 Set One: 1. Nobody Knows You When You're Down And Out, 2. Try (Just A Little Bit Harder), 3.
 Don't Quit, Daddy, 4. Get It While You Can, 5. Had To Get Out Of Texas
 
04/04/70 San Francisco, CA - Fillmore West MA?>?>CD All 70  
 *BBTHC w. Janis & Nick Gravenites*
 Set One: (8 tracks, 69:51) 1) ??, 2) All is Loneliness, 3) Summertime, 4) Coo-Coo, 5) Piece
 of My Heart, 6) Combination, 7) Try (Just a Little Bit Harder), 8) Maybe
08/08/70 Port Chester, NY - Capitol Theater MAC>CD All 58 
 *PCRP #1: Ken & Judy Lee, Sony mics > Sony 124*
 "Port Chester Restoration Project #1" (9/2003): MAC (Recorded by Ken & Judy Lee, Sony dynamic mics
 [10-20' spread, from the balcony] > Sony 124 [TDK normal bias tape]) > "Susie Q" (baking) and shell
 replacement > Tascam 122mk3 playback > Lucid ADA1000 A-D converter > Tascam CDRW700 CD/0 > EAC >
 "cleanup" (Soundforge 6.0) > CD/1? > EAC > re-tracking (CD Wave) > .shn encoding (mkwACT). Tape
 preparation and A>D transfer by John Jay Hance (johnjayhance@optonline.net), cleanup by Peter G., and
 final tracking by Evan Bellaff (theelevan@yahoo.com). Band: Janis Joplin- vocals; Brad Campbell-
 bass; John Till- guitar ; Richard Bell- piano ; Ken Pearson- organ' Clark Pierson- drums; - * Janis
 mentions writing "Mercedez Benz" in the bar on the corner, right before the show. - This is Janis'
 last performance in New York and third to last performance, ever. - Several instances of tape speed
 distortion exist on the master between: track 7 (1:39- 4:58), track 12 (3:22- 4:17).
 Set One: Single Disc (12) 58:28, 01. "Check" [0:16], 02. Tell Mama [6:08] [0:36], 03. Half
 Moon [5:54] [0:15], 04. Mercedez Benz* "Acapulco" [2:11], 05. Mercedes Benz [0:54] [1:00], 06. My
 Baby [4:31] [3:26], 07. Kozmic Blues [5:00] [0:06], 08. Maybe [3:42] [1:27], 09. Instrumental [5:50]
 [0:28], 10. Undetermined Song [6:55] [0:10], 11. /Move Over [5:02], 12. /Piece of My Heart [4:37]

[ Contents | List Info | Contact Info | Artist Index | Joplin, Janis ]

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KAUKONEN & PASTORIUS

 
02/27/85 New York, NY - Lone Star Cafe MAC>CD All 177 
 MAC > NAKCR7A > SEK'D Prodif96 Pro w/Samplitude > WAV > CDWAV > CDR > EAC > FLAC. w/Jorma Kaukonen
 g, voc; Ben Prevo g; Jaco Pastorius b, kbd; Jerry Jemmott b; Jerry Gonzalez tp; Steve Sacher b;
 Michael Gerber kbd; Manoel Monteiro perc; Rashied Ali dr.
 Set One: CD1 (5 tracks, 55:02) (MISSING Electric Early: America > Blackbird > JP solo >
 Purple Haze > Invitation > Alfie >) CD1: --Early Show-- Dolphin Dance, Mustang Sally, Baby What You
 Want Me To Do, How Do I Know, If You Could See Me Now > Jams > Fannie Mae > Why I Sing The Blues >
 (55:02)
 Set Two: CD2 (8 tracks, 53:50) --Early Show con't-- CD2: America, Kansas City, Sitting On
  Top Of The World, Matchbox, Nefertiti --Late Show-- Dania, Rock Me Baby, Dolphin Dance, Red House,
 (53:50)
 Set Three: CD3 (67:47) --Late Show con't-- Blues, Junkies on Angel Dust, Unknown Title,
 Invitation, Days Of Wine and Roses, Donna Lee, Jams, (67:47)
02/28/85 New York, NY - Lone Star Cafe MAC>CD All 214 
 *Unknown taper & gear*
 Jorma Kaukonen, 02-28-85, Lone Star Cafe, New York, NY, w/Jaco Pastorius, Ben Prevo, Steve Sacher,
 Rashid Ali, Jerry Gonzales, Danny Montero. MAC > NAKCR7A > SEK'D Prodif96Pro
 w/Samplitude>WAV>>CDWAV>CDR>flac. shntool verified.
 Set One: CD1 --Electric Early-- //Mustang Sally, Rock Me Baby, Bass Jam, Baby, Won't You
 Please Come Home-> Percussion, Junkies On Angel Dust --Late-- Theme From The Saint (CD time 69:22)
 Set Two: CD2: kansas City-> Drums-> Bass Duet, Drums, A Remark You Made, Baby What You Want
 Me To Do, Drums, Jam, Jaco's Blues, Jazz Jam (TT 67:32)
 Set Three: CD3: Matchbox, Uncle Sam Blues, Feelin' Alright?, Sitting On Top Of The World,
 Jam, Jam (TT 78:08)

[ Contents | List Info | Contact Info | Artist Index | Kaukonen & Pastorius ]

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KEITH & DONNA BAND (NO JG)

 
11/07/75 NYC, NY - Beacon Theatre MAC>?>CD All 71 
 MAC (Taped by Jerry Moore, probably AKG D-200E mics [6th or 8th row center, hand-held] > Sony
 TC-152) > ? > CD.
 Set One: Single Disc (10) 71:10, 01. Introduction -> Farewell Jack [9:20] [0:41], 02. It
 Takes a Lot to Laugh, It Takes a Train to Cry [6:35] [1:04], 03. Ain't That Peculiar [5:45] [1:31],
 04. I Can't Turn You Loose [4:49] [1:38], 05. My Love For You [8:11] [1:38], 06. River Deep, Mountain
 High [5:05] [0:23], 07. Strange Man [3:37] [0:39], 08. That's Enough [2:50] [1:11], 09. Scarlet
 Begonias [7:23] [2:52] --Encore-- 10. Showboat [5:14] [0:39]

[ Contents | List Info | Contact Info | Artist Index | Keith & Donna Band (no JG) ]

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KENTUCKY COLONELS

 
04/16/64 Berkeley, CA - The Cabale MAR>R>CD All 99 
 *Brooks Otis, Shure 655C > Sony 2-track 777*
 Roland White, Clarence White, Roger Bush, Billy Ray Lathum, Eric White. Probably derives from
 Sandy Rothman's first gen reels from Brooks Otis's masters (Brooks Otis, Shure 655C > Sony 2-track
 777).
 Set One: DISC ONE, SET 1 (27 tracks, 64:15) : 1. Intro , 2. Green Corn ,3. Flat Fork
 Breakdown , 4. In the Pines , 5. Blue Grass Breakdown , 6. Columbus Stockade blues , 7. Blue Moon of
 Kentucky , 8. Love Come Home , 9. Wildwood Flower , 10. Sally Goodin , 11. A Beautiful Life , 12.
 Teardrops in My Eyes , 13. Shady Grove SET 2: 14. Instrumental Intro, 15. Ground Hog , 16. John Hardy
 , 17. Sitting Alone in the Moonlight 18. Salty Dog Blues , 19. Big Sandy River , 20. Mountain Dew ,
 21. Foggy Mountain Breakdown , 22. All the Good Times , 23. Soldier's Joy/ Black Mt. Rag , 24. Billy
 in the Lowground , 25. Clinch Mt. Backstep , 26. Swing Low Sweet Chariot , 27. Rawhide
 Set Two: DISC TWO, SET 3 (14 tracks, 34:36) : intro , On and On , Mocking Banjo , Ain't
 Nobody Gonna Miss Me , Feast Here Tonight , Journey's End , Crawdad Song , Under the Double Eagle ,
 White House Blues , Wicked Path of Sin , A Voice From On High , Jordan , Mother's Not Dead , Mad
 Banjo
04/17/64 Berkeley, CA - The Cabale  MAR>R>CD All n/a 
 *Brooks Otis, Shure 655C > Sony 2-track 777*
 Roland White, Clarence White, Roger Bush, Billy Ray Lathum, Eric White. Probably derives from
 Sandy Rothman's first gen reels from Brooks Otis's masters (Brooks Otis, Shure 655C > Sony 2-track
 777).
 Set One: DISC ONE, SET 1: 1. ...Little Maggie , 2. Wildwood Flower , 3. New River Train , 4.
 Swing Low Sweet Chariot , 5. Barefoot Nellie , SET 3:, 6. Intro , 7. Salty Dog Blues , 8. Stoney Creek
 , 9. Poison Love , 10. Way Downtown , 11. When You and I Were Young, Maggie , 12. Uncle Pen , 13.
 White House Blues , 14. Flop Eared Mule
 Set Two: DISC TWO, SET 2: 1. Intro , 2. Ground Hog , 3. Shuckin' the Corn , 4. Memories of
 Mother and Dad , 5. Pig in a Pen , 6. Orange Blossom Special , 7. John Henry , 8. Heaven Seemed So
 Near , 9. Footprints in the Snow , 10. Hand Me Down My Walking Cane , 11. Earl's Breakdown , 12.
 Soldier's Joy/Black Mountain Rag , 13. Crawdad Song , 14. Voice from on High , 15. Under the Double
 Eagle , 16. Old Joe Clark , 17. If I Be Lifted Up , 18. Wicked Path of Sin , 19. Get Up John , 20. Mad
 Banjo , 21. Jordan , 22. Bluegrass Breakdown
04/18/64 Berkeley, CA - The Cabale MAR>R>CD Ip,II,IIn/a 
 *Brooks Otis, Shure 655C > Sony 2-track 777*
 Roland White, Clarence White, Roger Bush, Billy Ray Lathum, Eric White. Probably derives from
 Sandy Rothman's first gen reels from Brooks Otis's masters (Brooks Otis, Shure 655C > Sony 2-track
 777).
 Set One: DISC ONE, Set 1: (end of set... beginning is missing) 01. Wildwood Flower, 02. New
 River Train, 03. Last Railway To Heaven, 04. Working On A Building, 05. White House Blues, Set 2, 06.
 Instrumental intro, 07. Ground Hog, 08. Instrumental, 09. Sitting Alone in the Moonlight, 10. Baby
 Girl, 11. Orange Blossom Special, 12. Orange Blossom Special (cont'd), 13. I'm On My Way Back to the
 Old Home, 14. Foggy Mountain Special, 15. Walkin' the Dog*, 16. Someday We'll Meet Again , 17. Turkey
 in the Straw , 18. Journey's End , 19. Blue and Lonesome , 20. Black Mountain Rag , 21. Crawdad Song ,
 22. Get Down on Your Knees and Pray, 23. Bluegrass Breakdown, *with Sandy Rothman
 Set Two: DISC TWO, Set 3: 01. Instrumental intro, 02. Salty Dog Blues, 03. Fire On The
 Banjo, 04. In The Pines, 05. Black Cow, 06. Rabbit in the Log, 07. Hard Hearted, 08. Hear the Whistle
 Blow a Hundred Miles, 09. Roll In My Sweet Baby's Arms, 10. Buckin Mule, 11. Footprints In The Snow,
 12. Foggy Mountain Rock, 13. Down The Road, 14. House of Gold, 15. Over In The Glory Land, 16. Wait A
 Little Longer, 17. Foggy Mountain Breakdown
04/19/64 Berkeley, CA - The Cabale  MAR>R>CD All 68 
 *Brooks Otis, Shure 655C > Sony 2-track 777*
 Roland White, Clarence White, Roger Bush, Billy Ray Lathum, Eric White. Probably derives from
 Sandy Rothman's first gen reels from Brooks Otis's masters (Brooks Otis, Shure 655C > Sony 2-track
 777). For some reason, the fidelity of this recording changes dramatically (for the better) at track
 09 in the first set. The first 8 tracks are very muffled and quiet, and are not really very fun to
 listen to. The remainder of the concert is good quality.
 Set One: DISC ONE (32:56), Set 1: 01. Intro, 02. Hot Corn, Cold Corn, 03. Lonesome Road
 Blues, 04. Memories of Mother and Dad, 05. Don't Let Your Deal Go Down, 06. Roanoke, 07. Uncle Pen,
 08. Feast Here Tonigh, (begin higher fidelity tracks, 09. Clinch Mountain Backstep, 10. Way Down Town,
 11. Wildwood Flower, 12. Listen to the Mockingbird, 13. Cumberland Gap, 14. Pass Me Not By, 15. Shady
 Grove
 Set Two: DISC TWO (35:03), Set 2: 01. Intro, 02. Ground Hog, 03. Pike County Breakdown, 04.
 In the Pines, 05. Mocking Banjo, 06. Pig in a Pen, 07. Rose of Old Kentucky, 08. Salt Creek, 09.
 Footprints in the Snow, 10. Soldier's Joy/Black Mountain Rag, 11. I Am a Pilgrim, 12. Wicked Path of
 Sin, 13. Get Down on Your Knees and Pray, 14. Rawhide

[ Contents | List Info | Contact Info | Artist Index | Kentucky Colonels ]

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KESEY, KEN

 
 VH1 - "Alive and Trippin'" (1999) All  n/a 
 Ken Kesey & The Merry Pranksters "Alive and Trippin'" VH1 (1999). Another video from the Graceful
 Duck Archive. Cable > Beta HiFi > Edit Beta HiFi > Playback Sony SL-HF900 > Standalone Panasonic
 DMR-E50 (XP). Chapters approximately every 5 minutes; NTSC; TRT: 22:14; Audio codec: AC3; Audio
 bitrate: 256 kb/s; Video codec: MPEG2; Video bitrate: 8977 kb/s.
 Set One: This is a short film that covers the life of 20th Century heavyweight, Ken Kesey.
 Set against the backdrop of images, clips and music of the 1960's, "Alive and Trippin'" does a fine
 job of covering the significance of Ken Kesey's work from his days at Stanford University until the
 final trek of the fabled bus "Further". The link between the Merry Pranksters and today's Deadheads is
 clearly established. This video is rich with early footage that is fresh and rarely circulated. Lots
 of Prankster footage, interviews, and good vibes. Wonderful narration by Levon Helm. Interviews: Ken
 Kesey (1935-2001), Ken Babbs, Mountain Girl, Hunter S. Thompson (1937-2005).

[ Contents | List Info | Contact Info | Artist Index | Ken Kesey ]

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KING, ALBERT

 
06/27/71 New York, NY - Fillmore East MFR>R>D>CD All 29 
  WNEW FM Broadcast private show by invitation only - last show at the Fillmore East. Closing Night
 for the general public was the night before. History: FM -> MR -> Dolby B encoded reel (3.75 ips) ->
 Panasonic SV-3700 DAT -> Turtle Beach Fiji S/PDIF input -> CoolEdit Pro (minor editing, normalization,
 and a touch of noise reduction) -> CDWav -> SHN. The performances at the original concert were, in
 order: Albert King J. Geils Band Edgar Winter's White Trash Mountain The Beach Boys Country Joe
 McDonald The Allman Bros. Notes: Original recording, and DAT and CDR transfer, by yours truly, Miner
 Gleason (starwolf@ipass.net). Drop me a line and let me know what you think of this stuff.
 Unfortunately, I did not keep the original master reels; at the time I was a poor college student and
 needed to conserve tape, and so I dubbed the masters to 1st gen reels, editing out all the commercials
 and between-set dead air, and then reused the masters to record other things. Oh well. General Flaws:
 There is evident FM compression, occasional distortion, and the sound is variable though mostly quite
 good. Alas, there is also a touch of Dolby decode mistracking. Mea culpa; I committed the cardinal sin
 of Dolby B recording by neglecting to include a reference calibration tone on the tapes, so I had to
 set it by ear, and did the best I could, but it's not quite exactly perfect.
 Set One: 6 tracks, 28:56: Intro by Bill Graham 0:05, Knock On Wood (instrumental) 5:12,
 Blues Power 9:41, Crosscut Saw 5:51, Personal Manager 6:08, Instrumental jam 1:54
 
02/02/74 St. Charles, IL - The Purple Carriage MF?>?>CD All 61 
 FM Broadcast>?>CDR>EAC>FLAC. Taperpat notes that this might be 1975. JJ: very nice!!
 Set One: (10 tracks, 60:42) 01. I Believe, 02. Don't Burn Down The Bridge, 03. I Wanna Get
 Funky, 04. Crosscut Saw, 05. Stormy Monday, 06. station ID, 07. I'll Play The Blues For You, 08.
 Breaking Up Somebody's Home, 09. Blues Power, 10. Born Under A Bad Sign
 
01/07/78 Chicago, IL - Double Door MS?>?>CD  All 64 
 Soundboard recording.
 Set One: Single Disc (10 tracks, 64:26), 01. King's Bounce 3:28 , 02. Stormy Monday 9:25 ,
 03. Born Under A Bad Sign 5:26 , 04. The Very Thought Of You 4:31 , 05. You're My Woman, I'm You're
 Man 4:24 , 06. Tired As A Man Can Be 6:19 , 07. Blues at Sunrise 10:12 , 08. Feel Like Breaking Up
 Somebody's Home 5:15 , 09. Please Come Back To Me (Prisoner Blues) 11:04 , 10. I'll Play the Blues
  For You 4:21 (fades)

[ Contents | List Info | Contact Info | Artist Index | Albert King ]

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KING, B.B.

 
04/15/68 NYC, NY - Generation Club MS?>?>CD All 80 
 *w/ Jimi Hendrix*
 Main Source: SBD>??>CDR; Alt. Source: SBD>??>CDR; Remastering: EAC>Steinberg Mastering Edition
 Enhanced>CDWAV>SHN. *=Jimi not playing on these tracks; Comment: Unknown Band Name: B.B. King (guitar
 & vocals), Jimi Hendrix (guitar & vocals), Elvin Bishop (guitar), Buzzy Feiten (bass), Paul
 Butterfield (harmonica), Al Kooper (organ) , Philip Wilson (drums), Stuart ? (piano), Don Martin
 (guitar). Exact date uncertain. Notes: This copy is fixed copy of my original seed. I came across 2
 diffrent recordings of this show. The main source sounded better than the alt. source. Alt. Source for
 entire tracks of d1t01(Ad Libbed Impromptu Blues) and d1t02(Kooper's Shuffle). D1t01(Ad Libbed
 Impromptu Blues) redundancy @7:35 removed. 58 seconds of redundancy removed. From D1t03(Like A Rolling
 Stone) on the main source was used what was intacked. Alt. source was also used to patch the beginning
 of d1t03(Like A Rolling Stone) @ 0:04 and the end @ 7:38. D1t04(Jam) there is a ?reel? flip @ 18:18 on
  both sources, alt. source was used to patch @ 17:53 thru 18:18 which was missing on main source, also
 alt. source patch @ 24:13. D1t05(Intro By B.B. King) alt. source from 0:00 thru 0:04 ?reel? flip @
 0:55 on both sources. D1t06(Slow Blues) ?reel? flip @ 4:15 on both sources. D1t07(Fast Blues) cuts off
 with only 3:30 intacked. D1t08(It's My Own Fault) cuts in with no way to tell how much is missing :(
 Hopefully a better copy surfaces of this one. This show absolutely smokes ;) Remastering done by
 twiley on 09/01/2004. JJ: I don't hear B.B. here.
 Set One: CD 1 [79:42.56], 01. Ad Libbed Impromptu Blues* [08:21.50], 02. Kooper's Shuffle*
 [07:48.14], 03. Like A Rolling Stone [08:05.49], 04. Jam [24:18.64], 05. Intro By B.B. King
 [01:24.37], 06. Slow Blues [17:39.26], 07. Fast Blues// [03:30.20], 08. //It's My Own Fault
 [08:34.21]
 
04/15/70 *see Playboy After Dark*  n/a 
 
06/19/71 New York, NY - Fillmore East MSR>CD All 94 
 *early and late shows*
 DIME seed, via Dave Tamarkin: SB MASTER REELS > AUDIO CD > EAC > WAVE > FLAC. Lineup: Piano: Ron
 Levi; 2nd guitar: Milton Hopkins; bass: Wilbur Freeman; trombone: Joseph Burton; trumpet: John
 Browney; alto sax: John Turpenton; tenor Sax: Louis Hubert.
 Set One: CD1 (40:31)-EARLY SHOW: 1-LET ME LOVE YOU, 2-WALKIN' DOCTOR BILL, 3-YOU'RE SO FINE,
 4-AINT THAT JUST LIKE A WOMAN, 5-INSTRUMENTAL, 6-INSTRUMENTAL, 7-PLEASE ACCEPT MY LOVE, 8-THE THRILL
 IS GONE, 9-INSTRUMENTAL, 10-SWEET SIXTEEN/
 Set Two: CD2 (52:37)-LATE SHOW: 1-INSTRUMENTAL, 2-EVERY DAY I HAVE THE BLUES, 3-HOW BLUE CAN
 YOU GET, 4-INSTRUMENTAL, 5-A WHOLE LOTTA LOVIN', 6-NOBODY LOVES ME BUT MY MOTHER, 7-HUMMINGBIRD,
 8-INSTRUMENTAL, 9-INTROS, 10-SWEET SIXTEEN, 11-INSTRUMENTAL, 12-THE THRILL IS GONE, 13-INSTRUMENTAL,
 14-CROWD

[ Contents | List Info | Contact Info | Artist Index | B.B. King ]

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KING, FREDDIE

 
??/??/69 Ann Arbor, MI - Ann Arbor Blues Festival MA?>?>CD partial 45 
 Set One: (44:40) 1) end of unknown slow blues> San-Ho-Zay, 2) See See Baby, 3) Have You Ever
 Loved a Woman, 4) Get Out of My Life Woman, 5) Hideaway, 6) I Just Play it Cool (fades out)
02/??/69 Chicago, IL - U of Chicago Folk Festival MS?>?>CD All 30 
 sounds quite nice.
 Set One: 10 tracks, 30:17, 1) intro, 2) san hose, 3) have you ever loved a woman, 4) band
 thanks, 5) si si baby, 6) hideaway, 7) play it cool, 8) sensation, 9) something you got, 10) outro
 
??/??/73 Ultrasonic Studios '73  MS?>?>CD All 52 
 Seeder's notes: "date/venue is uncertain. aquired in a trade several years ago. at that time i
 wrote 'freddie king ultrasonic studios 73' on the disc. db.etree.org lists an ultrasonic studios
 ?/?/1973 show but provides no details. setlist is an exact match to this show (bottom line, new york,
 nov 25, 1974: http://db.etree.org/lookup_show.php?shows_key=193358. a fairly extensive internet
  search reveals no additional clues. i've labeled the tracks as 'ultrasonic73' but you'll have to make
 your own determination. This is a high quality soundboard recording." JJ: this is great stuff!
 Set One: (7 tracks, 52:17) 1. big legged woman, 2. woman across the river, 3. look over
 yonder walls, 4. ain't no sunshine, 6. hey baby, 6. have you ever loved a woman>little blue bird>let
 the good times roll, 7. goin down
 
05/27/74 Denver, CO - Ebbit's Field MSR>?>CD All 97 
 Freddie King: Guitar & Vocals ; Floyd Waters: Rythm Guitar ; Lewis Stephens: Piano ; Dave: Organ ;
 Benny Turner: Bass Guitar ; Charlie Robinson: Drums. Seeder notes: "A+ Soundboard. Master reel >
 DAT#? > myDAT > Hosa A/D converter > Nomad JB3 > CD Wave > Flac."
 Set One: Disc 1 (7 tracks, 57:35) - 1. I'm Ready , 2. Ain't No Sunshine , 3. Ghetto Woman ,
 4. Let The Good Times Roll , 5. Pack It Up , 6 Have You Ever Loved A Woman , 7 Blues Jam
 Set Two: Disc 2 (5 tracks, 39:29) - 8. T.V. Mama , 9. Goin' Down , 10 Wee Baby Blues , 11
 Instrumental , 12 That's Alright
07/24/74 Antibes, France - Juan-les-Pins MS?>?>CD All 71 
 possible mislabel
 Freddie King, 11th Antibes-Juan les Pins Jazz Festival, Antibes, France, July 24, 1974. SBD ...
 CDR > Wav w/EAC (mode secure) > Flac w/Trader's Little Helper.
 Set One: Single Disc (11, 70:53) 1. Messin' with the Kid, 2. Who's Lovin' You Tonight? 3.
 Goin' Down, 4. Stormy Monday, 5. Sweet Little Angel, 6. Bye Bye Baby, 7. "World is in an Uproar", 8.
  Blues With a Feeling, 9. Woman Across the River, 10. _____, 11. Let the Good Times Roll SETLIST IN
 INFO FILE: 01. Key To The Highway, 02. Big Legged Woman, 03. Woman Across The River, 04. Have You Ever
 Loved A Woman, 05. It Ain't Nobody?s Business If I Do, 06. Hideaway, 07. Let The Good Time Roll
11/25/74 New York, NY - The Bottom Line MF?>?>C>CD All 76 
 Seeder's Notes: "Clean radio broadcast from WNYU-89.1, transferred from a Maxell XL II high bias
 cassette. I had this tape for years dated July 10, 1974, but have since been told that was incorrect,
 it appears to be 11/25/74." - DJ station id @ 6:25 of d1t05 (Yonder Wall). JJ: hissy, not great. But
 the performance is characteristically incendiary.
 Set One: Disc One (7 tracks, 44:08), 1. intro jam, 2. intro, 3. Big Legged Woman, 4. Woman
 Across The River, 5. Look On Yonder Wall -> 6. Ain't No Sunshine/Hey Baby -> 7. instrumental(tape
 flip)
 Set Two: Disc Two (8 tracks, 32:10), 1. drums, 2. (cuts in) Have You Ever Loved A
 Woman/Little Bluebird, 3. Let The Good Times Roll, 4. Continued, 5. Audience chanting, 6. Talking, 7.
 Goin' Down
12/10/74 Bremen, Germany - Postaula MF?>C>CD All 82 
 1st generation cassette (nak) > behringer ultra curve pro deq 2496 audio equalizer > amplifiers >
 tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. Transferred, remastered
 & uploaded by 38f on Dime 2006. Fabio's notes: "Good FM Broadcast with some wow & flutter and some
 background noise, check the sound samples.....Excellent show, i think better of the ones from paris
 and sweden that were recently officially released as live in europe on cd and dvd." "Come to life,
 you're in the Pepsi generation". "Being brought to you by Beefeaters' Gin". JJ: hissy. NB, seems like
 another set break after Ghetto Woman, not sure what to make of that. Track markers are often 5-10
 seconds late.
 Set One: disc one (10 tracks, 43:55) --1st set-- 1. intro > 2. that's alright > (Big Legged
 Woman), 3. woman across the river, 4. key to the highway, 5. band intro > ain't no sunshine when she's
 gone, 6. goin' down > 7. Hideaway > 8. outro. --2nd set-- 9. let the good times roll > 10.
 instrumental jam
 Set Two: disc two (5 tracks, 37:30), 1. sweet home chicago > ghetto woman, 2. instrumental
 intro > have you ever loved a woman, 3. instrumental jam > drums solo, 4. ain't nobody's business > 5.
 instrumental outro
 
??/??/75b Nancy, France  MS?>?>CD All 83 
 JJ: nice SQ, dull performance. Trade SB>CDR>EAC>Flac lvl6 on track. Lineup: Freddie King
 guitar,vocals; Alvin hemphill organ; Lewis Stephens piano; Mark Pollack guitar; Bennie Turner bass;
 Calep Emphrey Jr. drums.
 Set One: DISC - 1 (6 tracks, 45:17): Messin' With The Kid, That's All Right, Going Down,
 Storm Monday Blues, Sen-Sa-Shun / Looking Good / Boogie Chillun, Sweet Little Angel
  Set Two: DISC - 2 (6 tracks, 37:50): Got My Mojo Working, Sweet Home Chicago, Wee Baby
 Blues, The Danger Zone, Feeling Alright, You're the One, Final
03/31/75 Dallas, TX - January Sound Studios MF?>?>CD All  70 
 FM > ?? > CDR > EAC > FLAC. Radio re-broadcast of 3/31/75 show as a tribute to Freddie King,
 shortly after he died on 12/28/76. JJ: sounds great.
 Set One: (14 tracks, 70:28): 1 DJ Intro, 2 Big Legged Woman, 3 Woman Across The Water, 4 Hey
 Baby, 5 Ain't Nobody's Business, 6 Key to the Highway, 7 Hideaway, 8 Goin' Down, 9 Early One Morning,
 10 Let the Good Times Roll, 11 Have You Ever Loved a Woman, 12 Lonestar Skies (Freddie's commercial
 for Lonestar Beer) --Filler from unknown source, 13 Country Boy (w/ unknown female singer. Anyone?),
 14 That's What You Think
04/15/75 Tulsa, OK - Cain's Ballroom MS?>?>CD All 101 
 Seeder (jbraveman)'s Notes: Recieved as CDR trade (thanks hoosier). Originally seeded in free B&P
 offer by oldcoot (Shoebox Seriesin the Hittin' the Web forum. oldcoot's notes: "My thanks go out to a
 number of folks for making this one possible. Originally transferred last fall in the Republic of Tea
 by Captain Skipper, this one then made it's way to Texas where p25 gave it an initial "sonic
 cleansing" and then to DB in Ala. for some further cleansing and speed adjustment. The final product
 is a "zesty," energy charged, beautifully sounding, concert." Sound quality is very good (A-) and the
  guitar work is tremendous." JJ: some ringing on d1t03. d1t02 splice @ 4:56, then worse SQ, including
 NR swishing.
 Set One: Disc 1 (8 tracks, 64:24), 1. Big Legged Woman, 2. Hey Baby (Part 1) > TV Mama, 3.
 Yonder Wall, 4. Woman Across The River, 5. San-Ho-Zay, 6. Have You Ever Loved A Woman > 7. Rock Me
 Baby > Have You Ever Loved A Woman, 8. Goin' Down (fade at end)
 Set Two: Disc 2 (5 tracks, 37:06), 1. Sweet Home Chicago > Hey Baby (Part 2) > Palace of The
 King, 2. Please Accept My Love, 3. Instrumental, 4. Shake Your Bootie, 5. Hideaway > Mojo Boogie
10/19/75 Hamburg, Germany - Onkel Po's Carnegie Hall MF?>?>CD All 57 
 FM Radio broadcast. JJ: @@ quite an incredible recording and performance. Fantastic!
 Set One: 01. Intro 02. Big Legged Woman 03. The Moon is Rising 04. Woman Across The River
 05. Have You Ever Loved A Woman/Rock Me Baby 06. Something You Got 07. Ain't Nobody's Business 08.
 Going Down Total Time - 57:06

[ Contents | List Info | Contact Info | Artist Index | Freddie King ]

---

KING, MARTIN LUTHER

 
08/28/63 Washington, DC - Lincoln Memorial aud All 16 
 Set One: complete speech

[ Contents | List Info | Contact Info | Artist Index | Martin Luther King ]

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KINGFISH

 
12/06/75 Roslyn, NY - My Father's Place  MAR>R>C>CD All n/a 
 *Charlie Disalvo, Shure Unidyne IVs > Uher 4400*
 MAR (Taped by Charlie Disalvo, Shure Unidyne IVs [FOB on a pole] > Uher 4400 5" reels [1800 BASF] @
 7.5 ips) > Teac 2300 7.5 ips first gen reel > cassette > CDR.
 Set One: 45:11

[ Contents | List Info | Contact Info | Artist Index | Kingfish ]

---

KIRK, RAHSAAN ROLAND

 
10/14/67 Warsaw, Poland MF?>?>CD All 69 
 Rahsaan Roland Kirk - flute, tenor sax, stritch, manzello, clarinet, vocals etc.; Ron Burton -
 piano; Steve Novosel - bass; Jimmy Hopps - drums. FM > ? > CD-R > EAC Secure Mode > FLAC frontend
 level 8/ ASB /Verify. Sonic A- /EXC mono. JJ: Nothing to write home about, though it is pleasant
  enough.
 Set One: (12 tracks, 69:29) 1. Creole Love Call (9:04) 2. The Inflated Tear (6:08) 3.
 Three for the Festival (6:04) 4. Blues for C&T (4:22) 5. My Ship (5:52) 6. Lovellevelliloqui (6:53)
 7. Unknown title (0:57) 8/9. Cousin Mary (2:11/7:41) 10. Things Ain't What They Used To Be (3:21)
 11. Fly By Night (7:44) 12. You Did It, You Did It/Ow! (9:26)

[ Contents | List Info | Contact Info | Artist Index | Rahsaan Roland Kirk ]

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LED ZEPPELIN

 
 "Brutal Artistry" (Alt. Physical Graffitti) MS?>?>CD All n/a 
 LED ZEPPELIN--Brutal Artistry: The Alternate Physical Graffiti. Outtakes, demos & rehearsals.
 Headley Grange, Hampshire, November 1974 - May 1974. Liberated Midas Touch bootleg - thanks to Rick
 Burly. De-hummed by Pink Robert.
 Set One: CD 1: 1. The Wanton Song 1 2. The Wanton Song 2 3. Take Me Home 4. In The Morning 1
 5. Trampled Underfoot - various takes 6. In The Morning 2 7. Sick Again 8. The Rover - acoustic
 version 9. Untitled Instrumental 10. In My Time Of Dying - various takes
 Set Two: CD 2: 1. Swan Song - instrumental, full version
 Set Three: CD 3: 1. Ten Years Gone - Jimmy Page demo 2. The Wanton Song - alternate take 3.
 Trampled Underfoot - alternate mix 4. Kashmir - full instrumental version 5. Custard Pie - alternate
 version 6. In The Light - alternate mix 7. Swan Song - full instrumental mix 1 8. Swan Song - full
 instrumental mix 2
 "Physically Present" (Phsycial Graffitti Outtakes) MS?>?>CD All 74 
 Led Zeppelin: "Physically Present", Studio Outtakes. Lineage: Silver > EAC > wav > flac. Via Pink
 Robert.
 Set One: Tracklist: 01 Custard Pie, 02 The Rover, 03 In My Time Of Dying, 04 Trampled
 Underfoot, 05 Kashmir, 06 In The Light, 07 Bron-Yr-Aur, 08 Down By The Seaside, 09 Ten Years Gone, 10
 Night Flight, 11 The Wanton Song, 12 Swan Song (Take One), 13 Swan Song (Take Two), 14 Sick Again,
 Time: 73:57

[ Contents | List Info | Contact Info | Artist Index | Led Zeppelin ]

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LENO, JAY

 
12/28/85 Boston, MA - The Pier MAC>CD All n/a 
 Taped by Claudette Gardel.

[ Contents | List Info | Contact Info | Artist Index | Jay Leno ]

---

LIGHTFOOT, GORDON

 
06/26/76 Montreux, Switzerland - Montreux Festival MF?>?>CD  All 73 
 Source: Liberated bootleg, "Read My Mind", Trade Service Rare Recording Collection, RRC 034.
 Original silver CD -> EAC. Notes: Excellent soundboard. Appears to be sourced from FM broadcast.
  This is the only known Gordon Lightfoot bootleg CD. Enjoy!
 Set One: (19) 73:29, 01. Race Among the Ruins, 02. The Wreck of the Edmund Fitzgerald, 03.
 Summertime Dream, 04. I'd Do It Again, 05. Never Too Close, 06. The Last Time I Saw Her, 07. If You
 Could Read My Mind, 08. Don Quixote, 09. High and Dry, 10. Sundown, 11. The Auctioneer, 12. All the
 Lovely Ladies, 13. Christian Island (Georgian Bay), 14. Old Dan's Records, 15. I'm Not Supposed to
 Care, 16. Canadian Railroad Trilogy, 17. Beautiful, 18. Early Morning Rain, 19. Spanish Moss

[ Contents | List Info | Contact Info | Artist Index | Gordon Lightfoot ]

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LITTLE FEAT

 
05/05/76b Boston, MA - Orpheum Theater MAC>D>CD All  81 
 Sony ECM99A > Sony TC-152 > Nakamichi DR2 playback > Sony DTC60ES > Sony PCM500 > HHB800.

[ Contents | List Info | Contact Info | Artist Index | Little Feat ]

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LYNYRD SKYNYRD

 
10/30/73 Memphis, TN - WMC-FM Radio Station MpFR>D>CD All 37 
 *OFFICIAL RELEASE, NOT FOR TRADE*
 Set One: 01 - I Ain't the One, 02 - Call Me the Breeze, 03 - Sweet Home Alabama, 04 - Woman
 of Mine, 05 - Workin' for MCA , 06 - Free Bird
11/??/73 Inglewood, CA - Los Angeles Forum MA?>?>CD partial 20 
 *probably either 11/22 or 11/23/73*
 Lynyrd Skynyrd: Ronnie Van Zant - Vocals; Allen Collins - Guitar; Gary Rossington - Guitar; Ed King
 - Guitar; Leon Wilkeson - Bass; Billy Powell - Piano; Bob Burns - Drums. Seeder's notes: "The date
 this show generally circulates under is November 26, 1973. However, Skynyrd did not play a show on
 this date. They did open for The Who on the 22 and 23 in Inglewood, so I am assuming one of those is
 the correct date. This seems to be the earliest known live recording of Skynyrd, besides the
 officially released Memphis radio show from 10-30-73. It is incomplete, missing Free Bird."
 Set One: (5 tracks, 20:22), 1. Introduction, 2. Workin' For MCA, 3. I Ain't The One, 4.
 Gimme Three Steps, 5. Call Me The Breeze
 
10/27/75 London MA?>?>CD All 81 
 Seeder: "Aud recording .. one of the better ones. Trade CDR>EAC>Wav>Flac (level 7, check for
 boundary errors)." JJ: hissy, but not terrible.
 Set One: CD 1 (8 tracks, 41:37), 1) Double Trouble, 2) I Aint The One, 3) The Needle And The
  Spoon, 4) Saturday Night Special, 5) Gimme Three Steps, 6) Same Old Blues, 7) Simple Man, 8) Whiskey
 Rock'n'Roller
 Set Two: CD2 (4 tracks, 38:48), 1) Call Me The Breeze, 2) T For Texas, 3) Sweet Home
 Alabama, 4) Freebird
11/06/75 Cardiff, Wales, UK MS?>?>CD All 70 
 Sounds great, enjoyable listen.
 Set One: Single Disc (12) 69:50, 01. Double Trouble, 02. I Ain't The One, 03. The Needle and
 The Spoon, 04. Saturday Night Special, 05. Gimme Three Steps, 06. I Got The Same Old Blues, 07. Simple
 Man, 08. Whiskey Rock A Roller, 09. Call Me The Breeze, 10. T For Texas , 11. Sweet Home Alabama, 12.
 Feebird
 
03/07/76 San Francisco, CA - Winterland Arena MS?>?>CD All 80 
 SBD (VHS source?). Ronnie Van Zant - voc.; Artimus Pyle - drums; Gary Rossington - gt.; Allen
 Collins - gt.; Leon Wilkinson - bass; Billy Powell - keyb. Steve Gaines hasn't joined the band yet.
 Seeder's notes: "I seeded this on STG a year and a half ago and was contacted by someone remastering
 audio for his living in LA -> sent him a opy and got this back. I have no further details what has
 been done with it (some noise reduction and levelling, mostly), but the sound quality is really good."
 JJ notes: a little hissy and rough, but basically quite nice.
 Set One: Single Disc (12) 79:53, 01. Cry for The Bad Man, 02. Saturday Night Special, 03.
 Searchin', 04. Same Old Blues, 05. Gimme Back My Bullets, 06. Tuesday's Gone, 07. The Needle And The
 Spoon, 08. Gimme Three Steps, 09. Call Me The Breeze, 10. Sweet Home Alabama, 11. T for Texas, 12.
 Free Bird
04/16/76 Philadelphia, PA MA?>?>CD All 74 
 Notes : Few Abnormalities Throughout , Nothing Major At All. A Brief Drop-Out In Gimme Three
 Steps.
 Set One: 14 tracks, 73:49, 1.Intro, 2.Double Trouble -> 3.I Aint The One, 4.Saturday Night
 Special, 5.Gimme Back My Bullets, 6.The Needle And The Spoon, 7.Cry For The Bad Man, 8.Same Old Blues,
 9.Searchin', 10.Gimme Three Steps, 11.Call Me The Breeze ( Fades In & Out Real Fast), 12.T For Texas
 (With Hughie Thomasson From The Outlaws!), 13.Sweet Home Alabama, 14.Freebird (Fades Out Fast & Early
 Towards Very End)
 
02/05/77 Sheffield, England MA?>?>CD All 121 
 *soundcheck + show*
 Lynyrd Skynyrd: Ronnie Van Zant - Vocals; Allen Collins - Guitar; Steve Gaines - Guitar, Vocals;
 Gary Rossington - Guitar; Leon Wilkeson - Bass; Billy Powell - Keyboards; Artimus Pyle- Drums; Cassie
 Gaines, JoJo Billingsly, and Leslie Hawkins: Background Vocals. Here is one of the most interesting
 Skynyrd shows out there. Disc 1 is the only known recording of a Skynyrd soundcheck. Ronnie Van Zant
 is not present. Ronnie rarely did soundchecks, as he wanted to save his voice for the show. Steve
 Gaines sings Ain't No Good Life, That Smell(!!!), and the 1964 "Jumpin'" Gene Simmons hit "Haunted
 House". The jams are interesting, and there are parts that may have some day become Skynyrd songs had
 the plane crash not happened. The last jam did in fact form the basis of You Got That Right later that
 year. The sound is not great on the soundcheck and it may run a little slow, but it's still worth
 listening to. All you need to know about the show later that night: it's a kick ass Skynyrd show from
 1977 with decent sound." JJ notes: both sound like utter crap. Very disappointing.
 Set One: Disc 1 (Soundcheck) (7 tracks, 43:59), 1. Tune Up, 2. Ain't No Good Life, 3. That
 Smell (Steve Gaines on Vocals), 4. Jam 1, 5. Haunted House, 6. You Got That Right Jam
 Set Two: Disc 2 (Show) (12 tracks, 77:27), 1. Workin' For MCA, 2. I Ain't The One, 3.
 Saturday Night Special, 4. Whiskey Rock-A-Roller, 5. That Smell, 6. Ain't No Good Life, 7. Gimme Three
 Steps, 8. Call Me The Breeze, 9. T For Texas, 10. Sweet Home Alabama, 11. Crossroads, 12. Free Bird
07/13/77 Asbury Park, NJ - Convention Hall MS?>?>CD All 72 
 *speed corrected)
 Lynyrd Skynyrd: Ronnie Van Zant - Vocals; Allen Collins - Guitar; Steve Gaines - Guitar, Vocals;
 Gary Rossington - Guitar; Leon Wilkeson - Bass, Background Vocals; Billy Powell - Piano; Artimus Pyle
 - Drums; Cassie Gaines - Background Vocals; Leslie Hawkins - Background Vocals; Jo Jo Billingsly -
 Background Vocals. Notes: "This is the last known recording of the original Lynyrd Skynyrd band. The
 band would play only eight more shows before going down in the plane crash on October 20, 1977. This
 show has long been though to have been a soundboard recording, though the possibility exists that it
 is an audience recording. Nevertheless, the sound is quite good. There are two short gaps of silence
 in That Smell, and the first few seconds of Sweet Home Alabama are missing. The performance is
 amazing, enjoy." JJ Notes: - It was implied that this sounds good, but it does not until 2:45 of t01.
  This is a speed corrected version (original version ran too fast). Seeder's Notes on Speed-Corrected
 Version: "As many have mentioned the previous version of this show I torrented ran a little too fast.
 I used the Goldwave program to slow it down to a speed that should be pretty close to correct (at
 least it sounds right to me). I also made a few other edits. I removed a silence in the intro to Call
 Me The Breeze. I also elminated what was Track 09 on the original torrent, labled "applause". This was
 just 15 seconds or so of crowd noise, which I pasted on the end of track 8."
 Set One: Single Disc (11) 72:24, Workin' For MCA -> I Ain't The One, You Got That Right,
 Saturday Night Special, That Smell, What's Your Name, Gimme Three Steps, Call Me The Breeze, applause,
 T For Texas, //Sweet Home Alabama --Encore-- Free Bird

[ Contents | List Info | Contact Info | Artist Index | Lynyrd Skynyrd ]

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MAHAVISHNU ORCHESTRA

 
11/09/72 Berkeley, CA - Berkeley Community Theater MFR>CD All 126  
 source: KPFA reels (from the soundboard) -> unknown transfer and mastering -> CDR -> EAC (with
 proper offsets) -> WAV -> SHN.
 Set One: Disc 1 (4 tracks, 63:48), 1. Birds of Fire, 2. Miles Beyond, 3. You Know, You
  Know, 4. Dream
 Set Two: Disc 2 (5 tracks, 61:52), 1. One Word, 2. The Dance of Maya, 3. Sanctuary, 4. A
 Lotus on Irish Streams, 5. Vital Transformation

[ Contents | List Info | Contact Info | Artist Index | Mahavishnu Orchestra ]

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MANASSAS

 
03/22/72 Amsterdam, Netherlands - Concertgebouw  MS?>?>CD All 135 
 Sounds terrific. Manassas's first live show. Stephen Stills (vocals, guitar); Chris Hillman
 (guitar, banjo, vocals); Joe Lala (percussion); Al Perkins (guitar, pedal steel guitar); Calvin
 "Fuzzy" Samuels (bass); Dallas Taylor (drums).
 Set One: Disc One (16 tracks, 74:41), Rock & Roll Woman, Bound To Fall, Hot Burrito #2, It
 Doesn't Matter, Go Back Home, Change Partners, Know You Got To Run, 4+20, talk, Blues Man, Word Game,
 Do For The Others, Move Around, Both Of Us (Bound To Lose), Love The One You're With, He Was A Friend
 Of Mine
 Set Two: Disc Two (14 tracks, 60:29), Fallen Eagle, Hide It So Deep, Johnny's Garden, Don't
  Look At My Shadow, Sugar Babe, Four Days Gone, For What It's Worth, Song Of Love > Rock & Roll Crazies
 > Cuban Bluegrass > Jet Set (Sigh) >,Anyway, The Treasure, Find The Cost Of Freedom

[ Contents | List Info | Contact Info | Artist Index | Manassas ]

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MARLEY AND THE WAILERS, BOB

Available Years: ????, 1973, 1974, 1975, 1976, 1977, 1978, 1979, 1980

 
 The Blackwell Dubs sbd>2C>?>CD All 57 
 source sdb>cassettex2>?>flac.
 Set One: 1. forever loving jah dub 2. waiting in vain dub 3. roots rock reggae 4.
 jamming dub 5. exodus dub 6. is this love dub 7. baby we've got a date dub 8. crazy baldhead dub
 9. she's gone dub 10. satisfy my soul dub 11. iron lion zion dub 12. three little birds dub 13. one
  love dub 14. keep on moving dub Total Time - 57:16
??/??/?? Survival Rehearsals MS?>?>CD All 45 
 LINEAGE: SBD>?>CDR(X)>EAC>FLAC LEVEL 8. THE WAILERS: BOB MARLEY: GUITAR,VOCALS; ASTON BARRETT:
 BASS,ARRANGER; CARLTON BARRETT: DRUMS; TYRONE DOWNIE: KEYS; EARL LINDO: KEYS; SEECO: PERCUSSION.
 "This is the complete version of this great rehearsal..It includes the complete "RIDE NATTY
 RIDE"..Most versions do not have this version. It usually cuts at 8min."
 Set One: Single Disc (4 tracks, 45:20, 01-could you be loved take 1 1:45 , 02-could you be
 loved take 2 6:24 , 03-survival (cut) 1:18 , 04-zimbabwe 14:09 , 05-ride natty ride 21:39 (complete
 version)
??/??/?? "Santana's Secret Tape" MS?>?>CD All 86 
 seeded to Reggae Traders 1/20/2007 by PDRasta. This tape seems to be shrouded in some mystery. The
 title reflects the rumor that this tape was, IIRC, given to Carlos by Bob, or somethig like that.
 Anyway ...
 Set One: Disc One (42:28): 1. Keep On Moving (Dub Take 1), 2. Keep On Moving (Dub Take 2),
 3. Go to Leave the West, 4. Waiting In Vain (Live), 5. Rebel Music (Live), 6. Instrumental, 7.
 Revolution (Take 1), 8. Revolution (Take 2)
 Set Two: Disc Two (43:55): 8. Pimpers Paradise (Dub), 9. So Much Trouble (Instrumental), 10.
  Forever Loving Jah (Instrumental), 11. Bad Card (Version), 12. Real Situation (Alternate), 13. Crisis
 (Version), 14. Buffalo Soldier (Dub), 15. Rebel Music (Instrumental Take 3), 16. Buffalo Soldier (Dub
 Mix 2), 17. One Love (Dub Take 2), 18. One Love (Dub Take 3)
 
??/??/73 BBC Sessions MpFR>Cx>D>CD All 24 
 Source: Pre-FM Reel > Cx > DAT > CD > EAC > CDWav > FFE > FLAC; Flaws: Kinky reggae has a couple of
 ticks, as does Can't Blame The Youth at 25s, 32s, and 35s. Fantastic!!!
 Set One: --June ??, 1973-- [1] Concrete Jungle, [2] Rastaman Chant, [3] Slave Driver
 --November ??, 1973-- [4] Intro, [5] Kinky Reggae, [6] Can't Blame The Youth, [7] Get Up Stand Up
05/24/73 London, England - Paris Theatre MS?>?>CD All 46 
 From "First Trip" bootleg CD (TDCY-6005)
 Set One: Rastaman Chant, Slave Driver, Stop That Train, No More Trouble, 400 Years, Midnight
 Raver, Stir It Up, Concrete Jungle, Get Up Stand Up, Kinky Reggae
05/24/73 London, England - Paris Theatre MFC>CD All 50  
 source: master FM broadcast tape; lineage: Sansui 8 reciever > (in its day it was one of the best)
 unknown tape deck (dolby off) > TDK-AD cassettes > soundforge 4.5 (to WAV, played from Naka. BX-125 to
 hard drive) > FLAC 6. Seeder's comments: "This was almost certainly the first time I ever heard a Bob
 Marley concert, probably the first reggae show I ever heard, and the same may well be true for many
 others, too. This is the BBC broadcast, the very beginning of the opening announcement is missing but
 it doesn't seem like it's missing much because it starts with the announcer saying: "Here's Bob Marley
 & the Wailers with a Rastafarian chant"... and the opening song begins. There is a tape flip just
 before the last song, Kinky Reggae but you probably won't even notice that in this torrent. All the
 songs and between song announcer dialogue are complete. The reception is clean and the sound of this
 is excellent FM stereo, recorded from a broadcast on WBCN in the late 1970's (probably 77 or 78). I
 know this show was previously posted here on dime but I had to delete my DL of that one immediately
  because it failed my standard for clipless torrents. the audio files were solidly clipped throughout
 the concert and I couldn't even listen to it. This one comes with the Glasnost Radio Productions
 assurance that it is not clipped, pegged, glitched or gapped, and sounds like an FM show should sound.
 This was in the day when BBC concerts were broadcast on vinyl and it has great stereo seperation, an
 art often lost in more recent FM broadcasts. WBCN had a good turntable, and I didn't hear any
 scratches or skips in this broadcast (which did happen on occasion in some of the recorded concerts).
 This is good vintage Marley, and probably the best quality yet posted of it. I rarely played this
  thing because it's on 2 tapes and for a long time I couldn't find it, but this torrent comes entirely
 from my master cassettes, making this a 3 step torrent from glasnostrd19 to Marley nation. This one
 is my oldest, but probably also the best quality recording I have of BMW that is suitable for upload
 since it is my only Marley master. I don't remember which deck I had for this one, I've been through
 alot of cassette decks, especially before 87, but it was a decent one (definitely long before I got a
 Nakamichi)." JJ: - a touch of hiss, but more complete with the DJ talk and a true delight!
 Set One: setlist (49:34) 01: rastafarian chant 02: slave driver (catch a fire) 03: stop that
 train 04: no more trouble 05: 400 years 06: midnight ravers 07: stir it up 08: concrete jungle 09: get
 up, stand up 10: kinky reggae
07/??/73 New York, NY - Upstairs @ Max's Kansas City MAR?>C*>D>CD partial 94 
 *segments from July 18-23 1973*
 SEGMENT #1 NOTES: (Audience?) Reel > C > DAT > CD > Plex 48A > EAC > CDWav > FFE > FLAC; Flaws:
 There is slight overmodulation and hiss throughout the recording. t5 - 1:33 - Subsecond drop out; t8 -
 0:47 - Subsecond static pop. SEGMENT #2 NOTES: Source: Audience to reel , However, possibly through
 the Board. Lineage: Reel > C > DAT > CD > Plex 48A > EAC > CDWav > FFE > FLAC. Flaws: There is
 overmodulation and hiss throughout the recording. t1, Bend Down Low : (4:34) click. t2, Lively Up
 Yourself : (2:02) 2s drop out, (3:19) click. t6-9, Decreased sound quality and clicks. t7, Don't Rock
 My Boat : (1:24) drop out; t8, Get Up Stand Up: (2:08) drop out. SEGMENT #3 NOTES: Source: AUD.
 Lineage: Reel > C(2) > DAT > CD > Plex 48A > EAC > CDWav > FFE > FLAC. Length : 23 min incomplete.
 Seeder's Notes: "This set has been in circulation at least eight years longer than the other two sets
 which circulate. The Wailers began the Catch A Fire North American Tour with a trip to Ontario, then
 a fourteen show run at Paul's Mall in Boston from July 9th - 15th. They then hit the Big Apple for a
  fourteen show run opening up for Bruce Springsteen at Max's Kansas City, Upstairs. There were two
 shows per night and three shows on the weekend. It is highly unlikely that these were the first US
 appearances by the Wailers, as they apparently did a mini-tour of New York and the Northeast the
 previous December around New Years. All three recordings we have from this run are most likely
 mastered by the same recordist. Definitely two of the three sets appear to be either the same night
 or two consecutive nights. My guess is that these recordings were made at the soundboard, if not
 through it, either by the engineer or someone associated with the venue. This lends high hopes to the
 existence and survival of the remaining 11 sets." Flaws: Decent sound, starts with a bit of warble,
 evens out after a few seconds. There's a moderate amount of noise, but the signal is strong enough.
 Sometimes the MAC was stopped between songs. At this point, it's not clear why there are two Kinky
 Reggaes and which shows they came from. t1 - 0:00 - warble for about 10 sec. t1 - 1:36 - slight
 hiccup. t1 - 4:02 - (L) channel drop out for 2 sec. t5 - 0:00 - beginning is cut. So is the end.
 t6 - 0:20 - 13 sec. of strange low freq. rumble.
 Set One: SEGMENT #1 (8 tracks), 1) Bend Down Low [3:54], 2) Lively Up Yourself [3:54], 3)
 Slave Driver [4:45], 4) Stop That Train [3:52], 5) Stir It Up [5:08], 6) Kinky Reggae [3:47], 7) Get
 Up, Stand Up [4:27], 8) E: Rude Boy [4:25]
 Set Two: SEGMENT #2 (9 tracks), [1] Bend Down Low [4:30], [2] Lively Up Yourself [3:24], [3]
 Slavedriver [3:41], [4] 400 Yea//rs [0:48], [5] Stir It Up [4:32], [6] Kinky Reggae [4:27], [7] Don't
 Rock My Boat/ [3:37], [8] Get Up, Stand Up [4:50], [9] E: Put It On [4:11]
 Set Three: [1] Put It On [4:39], [2] Slave Driver [4:34], [3] Burnin and Lootin [5:03], [4]
 Stop That Train [3:46], [5] /Kinky Reggae/ [1:10], [6] Kinky Reggae [3:59]
07/11/73 Boston, MA - Paul's Mall MAC>C>CD All 37 
 MAC>C>CD (1 cd). Came mislabeled as 7/15/73.
 Set One: Lively Up Yourself, 400 Years, Stir It Up, Slave Driver, Stop That Train, Kinky
 Reggae, Concrete Jungle, Get Up Stand Up, Total Time 36:41
07/11/73 Boston, MA - Paul's Mall A:?>?>CD All 40  
 This is wonderful material! Came mislabeled 6/25/73. t01 static @ end; t05 drop @ 0:55
 Set One: Single Disc (12) 57:56, 1. [0:15] Lively Up Yourself [4:55] [0:13], 400 Years
 [3:27] [0:10], 2. Stir It Up [4:13] [0:05], 3. Slave Driver [3:22] [0:12], 4. Stop That Train [3:45]
 [0:09], 5. Kinky Reggae [4:50] [0:14], 6. Concrete Jungle [5:42] [0:09], 7. Get Up Stand Up [5:28]
 [0:27], show time ca. 40 minutes, Filler: 1967 apartment demos
07/18/73 New York, NY - Max's MA?>?>CD ?? 34 
 Recording source: Soundboard or Audience can't tell (JJ: clearly an aud). Seeder's notes: "I got
 this one from the worlds largest Bob Marley Collector. It is the 18th not 19th, 20th, or 21st. Don't
 know if those ones have surfaced. Transfer source: my cassette to pc from sony D3 through SB X-Fi
 Audio 2400 sound card. Transfer: Sony D3 > Jet Audio (>PCM 44,1000 kHz, 16 Bit, Stereo) > CDWav > Flac
 Level 8."
 Set One: Setlist (33:56): 01. Put It On, 02. Slave Driver, 03. Burnin' & Lootin', 04. Stop
 That Train, 05. Kinky Reggae 1//, 06. Kinky Reggae 2, 07. Stir It Up 1, 08. Stir It Up 2
10/24/73 Hollywood, CA - Capitol City Rehearsals ("A-Cuts") MSR>2C>CD Partial 62 
 MSR>C2>CD (1 cd). "Best of Capitol City, A-Cuts". t07 Put it On tape warbles. Partial relative
 to what is listed at Marley Supersite.
 Set One: 1. Can't Blame the Youth [4:20] [0:06], 2. [0:17] Slave Driver [3:36] [0:33], 3.
 [0:24] Burnin' & Lootin' 5:15] [0:16], 4. Rastaman Chant [7:07] [0:11], 5. Duppy Conqueror [4:12]
 [0:08], 6. Midnight Ravers [4:43], 7. Put It On [4:37], 8. Stop That Train [3:57] [0:01], 9. [0:10]
 Kinky Reggae [4:45], 10. Stir It Up [6:36], 11. No More Trouble [3:40] [0:09], 12. Get Up Stand Up
 [6:36] [0:15], Total Time 62:00
10/29/73 San Francisco, CA - The Matrix MAC>C>CD All 40 
 Master audience cassette > cassette > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) >
 tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0).
 Set One: Disc (7 tracks) [39:55], 1 Rastaman Chant [5:19] , 2 Duppy Conqueror [5:00] , 3
 Lively Up Yourself [7:43], 4 You Can't Blame The Youth [4:30] , 5 No More Trouble [5:21] , 6 Kinky
  Reggae [6:47] , 7 Get Up Stand Up [5:13]
 Set Two: OLD COPY, MAC>2C>CD: Single Disc (7) 40:27, 1. Rastaman Chant [5:14] [0:09], 2.
 Duppy Conqueror [4:57] [0:06, 3. Lively Up Yourself [7:21] [0:07], 4. [0:24] Can't Blame The Youth
  [4:11] [0:19], 5. [0:05] No More Trouble [4:47] [0:12], 6. [0:24] Kinky Reggae [6:31] [0:05], 7.
 [0:18] Get Up Stand Up [5:12] [0:05]. Notes: Came listed as a sbd, but almost definitely an aud.
 Lineage given from Jack Warner's list. Nice sounding, just a bit flat but nice. t01 drop/tick @ 3:16,
 brief splice @ 4:$6; t03-04 tick @ marker; t04 tick @ 0:30; t05 crackle @ track 0:26; t06 crackles @
 3:47-3:49; t07 numerous light pops, etc.
10/30/73 San Francisco, CA - The Matrix MAC>2C>CD All 46 
 Precise match to the Marley supersite. Lineage from Jack Warner's list. t04 drop @ 2:26, 4:17,
 6:00; t05 bad buzz @ 0:24; t07 lots of digital errors; t08 Stir It Up cuts out
 Set Two: OLD COPY, MAC>2C>CD: Single Disc (8) 45:29, 1. Intro Jam [3:12] [0:08], 2. [0:08]
 Bend Down Low [6:35] [0:08], 3. [0:05] Put It On [5:23] [0:10], 4. [0:21] Burnin' And Lootin' [7:50]
 [0:08], 5. [0:19] Stop That Train [3:48] [0:10], 6. [0:14] Small Axe [4:47] [0:18], 7. Kinky Reggae
 [6:30] [0:22], 8. Stir It Up//
10/30/73 San Francisco, CA - The Matrix "aud2" All 51 
  Recording source: Audience Gen 2, unknown taper. Transfer source: my cassette to pc from sony D3
 through SB X-Fi Audio 2400 sound card; Transfer: Sony D3 > Jet Audio ( > PCM 44,1000 kHz, 16 Bit,
 Stereo) > CDWav > Flac Level 8. JJ: a really nice tape and a fine performance.
 Set One: Disc One (11 tracks, 40:10) --Set I-- 01. Rastaman Chant 02. Dubby Conquer 03.
 Lively Up Yourself 04. talkting to crowd 05. talks to crowd 06. You Can't Blame the Youth 07. No More
  Trouble 08. S06 09. Kinky Reggae Ver 1 10. talks to crowd 11. Get Up, Stand Up
 Set Two: Disc Two (10 tracks, 50:45) --Set II-- 12. Dub intro to second set 13. Small Axe
 version 1 14. band intros small axe cont 15. Bend Down Low 16. Put It On 17. Burnin' and Lootin' 18.
 Stop That Train 19. Small Axe ver. 2 20. Kinky Reggae 21. Stir it up
10/31/73 Sausalito, CA - The Record Plant S:?>?>CD All 73 
 A beautiful recording!
 Set One: 1. Radio Introduction, 2. Rastaman Chant, 3. Bend Down Low, 4. Slave Driver, 5. You
 Can't Blame The Youth, 6. Stop That Train, 7. Burnin' And Lootin', 8. Kinky Reggae, 9. Get Up Stand
 Up, 10. Lively Up Yourself, 11. Walk The Proud Land, Filler: Bob Marley and the Wailers Live (unknown,
 could be 7/7/75 Boarding House, San Francisco), 12. Trenchtown Rock, 13. Burnin' and Lootin', 14.
 Midnight Raver, 15. Them Belly Full
11/26/73 London, England - Top Gear Radio Show MF?>?>CD All 18 
 Says the seeder: "Second performance on BBC radio. sounds awesome! could be prefm!!" JJ: yes,
 sounds fantastic.
  Set One: 4 tracks, 17:44, Kinky Reggae, You Can't Blame Youth, Bob interview (on rasta), Get
 Up Stand Up
11/27/73 London, England - Leeds Polytechnic College MAC>2C>CD All 72 462 
 Lineage from Jack Warner's list. Timings precisely as given at the Marley Supersite. Intros to
 songs are always inferior SQ, with digi-ticks. Bass overloads throughout.
 Set One: (11) 71:52, Duppy Conqueror, Slave Driver, Burnin' And Lootin', You Can't Blame The
 Youth, Midnight Raver, No More Trouble, Kinky Reggae, Get Up Stand Up, Stir It Up, Put It On, Lively
 Up Yourself
 
??/??/74 Natty Dread Demos/Alternates/Dubs S:R>C>CD All 69  
 Supposed MSR>C>CD (1 cd). SQ varies somewhat, with Them Belly Full in particular not up to the
 quality of the others.
 Set One: Lively Up Yourself (alternate), No Woman No Cry (alternate), Them Belly Full
 (alternate), Rebel Music (alternate), Iron Lion Zion (original), Am-A-Do (original), Bend Down Low
 (alternate 1), Talkin Blues, Revolution (alternate 1), Rebel Music (Dub 1), Am-A-Do (alternate), Bend
 Down Low (alternate 2), Revolution (alternate 2), Them Belly Full (Dub), Rebel Music (Dub 2), Natty
 Dread (Dub), Bend Down Low (Dub), Total Time 69:17
05/31/74 Kingston, Jamaica - National Arena MS?>?>CD part. 5 
 Source: sbd; Lineage: ?>cdr>wav>flac; Quality: B+; Notes The Wailers line-up includes Bob, Peter,
 Bunny, the Barrett brothers, and Tyrone Downie on keyboards. One of the last concerts as the wailers,
 with the original Wailers. This is the concert after the famous show at Carib where the wailers opened
 for Marvin Gaye. Flaws: Speed changes a bit. Damaged reels?
 Set One: (Filler on 1/13/94 Garcia/Grisman "upgrde") Lively Up Yourself 2:02, Trenchtown
 Rock 2:26
 
06/10/75 Chicago, IL - The Quiet Knight A:?>?>CD All? 57 463 
 CD>EAC>SHN by brian at cole7007@yahoo.com. Came listed as S:?>?>CD, but I believe it to be an
 excellent audience recording. Either way, it sounds very good, and is an absolutely stellar, high
 energy performance. Sounds like more might have been played after Natty Dread
 Set One: Single Disc (8) 56:43, 1. Slave Driver [4:11] [0:15], 2. Trenchtown Rock [5:44]
  [0:21], 3. Concrete Jungle [5:50] [0:08], 4. Midnight Raver [6:10] [0:27], 5. Talkin' Blues [6:13]
 [0:08], 6. Rebel Music (w/ harp) [6:02] [0:01], 7. I Shot The Sheriff [11:40] [1:02], 8. Natty Dread
 [8:26]
06/16/75 Cleveland, OH - Agoura Ballroom S?:?>?>CD All 52 520 
 Came as MAC>C2>CD (1 cd). Dave Cohen: "there is no way it's an audience as you list the
 source...certainly an FM or a pre-fm." Came mislabeled as 6/8/75. Actually quite a solid recording,
 and sounds pretty good but for a persistent high-pitched whine throughout. Notes: t06 Lively Up
 Yourself drops @ 5:18, 5:44; t07 Shot the Sheriff drop @ 5:57; t08 Get Up Stand Up significant
 cut/splice @ 4:21. Matches Marley Supersite listing.
 Set One: Single Disc (9) 51:29, 1. Slave Driver [3:40] [0:03], 2. [0:10] Burnin & Lootin'
 [4:38] [0:24], 3. [0:11] Concrete Jungle [5:30] [0:09], 4. [0:10] Kinky Reggae [4:32] [0:03], 5.
 Midnight Raver [5:10] [0:06], 6. Lively Up Yourself [7:28] [0:15], 7. I Shot The Sheriff [8:50]
 [0:01], Encore: 8. Get Up// Stand Up [6:#49] [0:06], 9. Nice Time [3:04] [0:17]
06/18/75 NYC, NY - Central Park A:?>?>C>CD All n/a 464 
 From the seeder: "Any info send to usalai@nycap.rr.com. Thanks to Dr. B. Fried for lending me his
 cassette. Transferred and edited by Mike Lai. My apologies for any tracking errors. Correctly
 re-tracked by Jason Dufair 9/25/2001." Matches Marley Supersite. This almost certainly needs
 speed-correction (it sounds way too fast).
 Set One: cd1: trenchtown rock, slave driver, burnin' & lootin', concrete jungle, kinky
 reggae, midnight raver, lively up yourself, no woman no cry
 Set Two: cd2: rebel music, them belly full, natty dread, i shot the sheriff, intros -> i
 shot the sheriff, Encores: talkin' blues, get up, stand up
06/21/75 NYC, NY - Manhattan Center MAC>C>CD All 117 520, 521  
 MAC>C>CD>EAC>SHN. This is a very solid audience recording. d1t05 Kinky Reggae drop @ 1:08; d1t09
 Rebel Music crowd reaction, to harp player? d1t09 Rebel Music possible CD skip @ ???, 2-3 secs.
 repeated? d2t01 Them Belly Full cuts in; d2t01 Bell Full diginoise @ 1:48, 3:41; d2t02 Natty Dred
 diginoise @ 0:40, 0:46; d2t09 Get Up Stand Up light CD tracking errors? Nearly matches Marley
 Supersite. Contains NWNC not listed there, and has Them Belly Full after Rebel Music rather than
 after it as listed at TMS.
 Set One: Disc One (9) 59:02, 1. Trenchtown Rock [4:42] [0:05], 2. [0:05] Slave Driver [3:53]
 [0:07], 3. Burnin' And Lootin' [5:06] [0:12], 4. [0:08] Concrete Jungle [5:32] [0:10], 5. [0:10] Kinky
 Reggae [7:44] [0:15], 6. [0:39] Midnight Raver [7:00] [0:11], 7. [0:09] Lively Up Yourself [6:42], 8.
 [0:25] No Woman No Cry [5:59] [0:03], 9. Rebel Music (w/ harp) [9:38] [0:04]
 Set Two: Disc Two (9) 58:22, 1. //Them Belly Full [#5:01] [0:09], 2. [0:09] Natty Dread
 [7:43] [0:10], 3. I Shot The Sheriff [7:13] [0:09], 4. [0:11] Nice Time 3:24] [0:05], Encore: 5. Talk
 & Announcements [2:20], 6. [0:13] Talkin' Blues [7:04] [0:09], 7. [0:05] Bend Down Low [4:51] -> 8. So
 Jah Seh [5:47] -> 9. Get Up Stand Up [13:30] [0:05]
06/21/75 NYC, NY - Manhattan Center MA?>?>CD All 120 
 Haven't compared with other version yet. "Source 5" via chunga1 on EZT, 2/2005. Doesn't sound as
 good as my other copy, I don't think.
06/25/75 Boston, MA - Paul's Mall S:C>D>CD All 58 521 
 MSC>D>CD (1 cd). Starts off hissier than you would expect based on the lineage, gets nicer after a
 few minutes. d1t01 Trenchtown Rock fades in; d1t01 Trenchtown Rock diginoise @ 1:03; ticks @ some
 markers; t03 Rebel Music static @ 4:10-4:12; t09 Shot the Sheriff brief CD skips @ 2:18, 6:43.
 Matches The Marley Supersite.
 Set One: Single Disc (9) 57:48, 1. ...Trenchtown Rock [#4:00] [0:02], 2. Concrete Jungle
 [5:13] [0:07], 3. [0:06] Rebel Music [6:58] [0:17], 4. [0:08] No Woman No Cry [7:09] [0:21], 5. [0:09]
 Natty Dread [5:06] [0:02], 6. [0:20] Get Up Stand Up [8:59], 7. Kinky Reggae [3:51] [0:05], 8. [0:04]
 Stir It Up [6:04+:08], 9. [-:08+0:15] I Shot The Sheriff [8:06] [0:21]
06/27/75 Boston, MA - Paul's Mall A:C>2C>CD All 58 522 
 MAC>C2>CD (1 cd). Starts off a bit rough, but this becomes quite a nice aud, despite low vocals.
 t05 Belly Full cuts in, not much missing; t09 No Woman No Cry fades in, unknown missing. Matches The
 Marley Supersite.
 Set One: Single Disc (9) 57:31, 1. [0:05] Slave Driver [4:17] [0:03], 2. Concrete Jungle
 [5:25] [0:12], 3. Kinky Reggae [6:40] [0:09], 4. Lively Up Yourself [6:24] [0:03], 5. //Them Belly
 Full [#3:42] [0:17], 6. Natty Dread [5:20] [0:04], 7. I Shot The Sheriff [11:50] [0:09], 8. Midnight
 Raver [5:44], 9. //No Woman No Cry [#6:54] [0:09]
07/07/75 San Francisco, CA - The Boarding House MSR>D>CD All 64 
 Source: SBD > Reel Master > DATs. Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac (no
 EAC), transfer jbraveman@hotmail.com May 2005. Seeded DaD May 2005. Notes: A+ sound quality and a nice
 show taboot. No digital glitches noted. Md5 verifies flac files. JJ: sounds absolutely wonderful! a
 tiny bit of static noted @ 1:28 during Burnin' and Lootin'. Great Kinky Reggae. Great stuff!
 Set One: COPY 3 (BEST): 11 tracks, 63:58, 1. Trenchtown Rock, 2. Burnin & Lootin, 3.
 Midnight Ravers, 4. Them Belly Full, 5. Rebel Music, 6. No Woman No Cry, 7. Kinky Reggae, 8. Stir It
 Up, 9. talk, Encore: 10. Lively Up Yourself, 11. Get Up Stand Up
 Set Two: COPY 1: (10) 64:57 1.Trenchtown Rock [4:35] [0:08], 2. [0:08] Burnin' and Lootin'
 [5:10] [0:16], 3. Midnight Raver [5:29] [0:13], 4. Them Belly Full [4:07] [0:10], 5. "So how you
 feelin' up till now?" [0:10], Rebel Music [7:03] [0:13], 6. [0:05] No Woman No Cry [6:44] [0:17], 7.
 Nice show, very nice sound. Some bass distortion. Came mislabeled as 7/18/75. Also the same material
 as what came to me as 7/3/75. t07 slight CD skips @ 4:47-4:55. t02 digi-static @ 1:36. Unknown
 sbd.
 Set Three: COPY 2: (9) 56:47, 1. Trenchtown Rock [4:38] [0:18], 2. Burnin' and Lootin'
 [:01+5:09] [0:14], 3. Midnight Ravers [:02+5:28] [0:12], 4. Dem Belly Full [:02+4:05] [0:20], 5. Rebel
 Music [:02+, 6. No Woman No Cry [6:43] [0:17], 7. Kinky Reggae [:28+ ...], 8. Stir It Up, 9. [0:22]
 Lively Up Yourself -> Get Up Stand Up//. Unknown sbd, came mislabeled 7/3/75. Sounds nice. Needs
 retracking. t02 Burnin' and Lootin' drop @ 0:30, digi-static @ 1:26; t05 Rebel Music drop @ 0:01,
 digi-static @ start; t09 only opening notes of Get Up Stand audible before cuts out.
07/13/75 Los Angeles, CA - Roxy Theater MAC>2C>CD All 69 525 
 MAC>C2>CD (1 cd). "Decent show but horrible sound." Persistent static through the first half of
 the disc, ticks @ track markers, etc. t08 Kinky Reggae has the band intros with long bass and drum
 interlude; t08 taper talk "Where's the men's room?" after Kinky Reggae; t10 Get Up Stand Up cuts in,
 not much missing; t10 drops @ 2:08, 2:14, 2:17, 2:22. Matches The Marley Supersite.
 Set One: Single Disc (10) 68:43, 1. Trenchtown Rock [4:14] [0:05], 2. Burnin & Lootin'
 [6:39] [0:08], 3. Rebel Music [7:12] [0:16], 4. [0:13] Them Belly Full [4:30] [0:15], 5. I Shot The
 Sheriff [6:37] [0:04], 6. [0:18] No Woman No Cry [8:37], 7. //Lively Up Yourself [#5:25] [0:15], 8.
 Kinky Reggae [9:40] [0:14], 9. [0:15] Bend Down Low [4:32] [0:44], Encore: 10. //Get Up Stand Up
 [#8:26]
10/04/75 Kingston, Jamaica - National Stadium  MA?>?>C>CD All 92 
 The Wailers reunion Show: "Wonder-Dream" concert, including Stevie Wonder set, 10-4-1975 National
 Stadium, Kingston Jamaica. Lineage: AUD>cass(x)>CDR(x)>Flac and Sector align via traders little
 helper. Remastered by KAZO. Seeder's (chunga's) notes: "this circulates with many clicks and pops,
 those have been removed andremastered by KAZO, to remove those noises and include stevies set with
 the best possible sound.. Great show, amazing set list...enjoy..No flaws noted but if you find some
 please let me(us) know. The last time Peter, Bob, Bunny were to perform together on stage... I am not
 stevie collector so the songs I could not identify I just numbered.. I do not know who is performing
 with him either.."
 Set One: disc 1: 5:00.66 Track01-rastaman chant, 3:43.37 Track02-nice time, 8:39.08
 Track03-simmer down-one love, 4:31.18 Track04-dreamland, 6:58.45 Track05-fight against conviction,
 5:08.51 Track06-mark of the beast, 3:55.68 Track07-you can't blame the youth, 7:04.67 Track08-legalize
 it, 3:47.47 Track09-so jah seh, 7:01.49 Track10-no woman no cry, 8:42.67 Track11-jah live, total time:
  64:34.73
 Set Two: disc 2: 3:31.57 Track01-stevie song #1 -> 4:39.64 Track02-Living for the City,
 3:00.37 Track03-sunshine of my life, 9:16.55 Track04-i shot the sheriff, 7:00.37 Track05-superstition,
 total time: 27:29.25
10/04/75 Kingston, Jamaica - National Stadium Unknown All-1 72 
 Unknown source. I have cleaned up some digital errors, some CD skips and other blemishes remain. -
 t05 Dreamland digi-tick @ 0:46 - t06 Battering Down Sentence cuts out abruptly @ 3:53 - * with Stevie
 Wonder
 Set One: 13 tracks, 71:53 --The Wailers-- 01. Rastaman Chant [5:18], 02. Nice Time [3:29],
 03. Simmer Down [3:13] -> 04. One Love [5:29] --Bunny Wailer-- 05. Dreamland [4:25], 06. Battering
 Down Sentence// [5:13] --Peter Tosh-- 07. Mark Of The Beast [4:53], 08. You Can't Blame The Youth
 [4:31], 09. Legalize It [6:45] --The Wailers-- 10. So Jah Seh [3:32], 11. No Woman No Cry [7:19], 12.
 Jah Live [8:23], 13. I Shot The Sheriff* [8:23], (missing Superstition)
10/04/75 Kingston, Jamaica - National Statium MAC>R>D>CD All-1 70 
 master audience cassette (c120!) - reel - DAT - cdr/cdr - flac - world. Re: how this relates to
 other version, per the seeder (tranehead): "complete" version that circulates was generated from a 1st
 gen normal bias cassette FROM cassette copy of master, THEN processed to remove the noise on CD. the
 original "leaker" sent it out this way on pupose as he knew it would spread like wildfire. HENCE this
 edited version from DAT master, unprocessed. otherwise i would not have bothered to put this version
 up. maybe i'll do the stevie set soon..." JJ: some setlist strangeness. Splices in One Love and So
 Jah Seh.
 Set One: (69:34) 1. rastaman chant, 2. nice time -> one// love, 3. simmer down, 4. bunny
  intro / dreamland, 5. tosh intro / battering down sentance, 6. tosh intro / mark of the beast, 7.
 cant blame the youth, 8. legalize it, 9. so// jah seh, 11. no woman no cry , 12. jah live, 13. i
 shot the sheriff (w/ stevie wonder band)
 
04/23/76 Upper Darby, PA - Tower Theater MSR>2C>CD All 126 
 Great recording, except for pops and skips in d1t01 and d2t05. Matches Marley supersite.
 Set One: Disc One (11) 01. Introduction -> Rastaman Chant, 02. Conquering Lion, 03. Roots
 Rock Reggae, 04. Burnin' and Lootin', 05. Them Belly Full, 06. Rebel Music, 07. I Shot the Sherriff,
 08. Johnny Was, 09. No More Trouble (totally unique arrangement), 10. No Woman No Cry, 11. Kinky
 Reggae
 Set Two: Disc Two (9), 01. Night Shift, 02. Lively Up Yourself, 03. Rat Race, 04. Want More
 --Encore-- 05. Positive Vibration, 06. Get Up Stand Up -> 07. War, 08. Crazy Baldheads, 09. Jah
  Lives
 Set Three: NEW COPY, supposedly an aud, seeded by Tim ('chunga1') to DAD, 8/2005, is clean,
 without any pops and skips.
04/25/76a Boston, MA - Boston Music Hall MAC>D>CD All-1 48  
 *Charlie Macasay: Sony ECM99A > Sony TC-152A*
 Master audience cassette (taped by Charlie Macasay, Sony ECM-99A>Sony TC-152A) > Nakamichi DR-2
 playback > Sony DTC-60ES DAT > Sony PCM500 playback > HHB800 master CD > CD > Samsung SW-232B
 extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) >
 .flac encoding. EAC > FLAC by Jack Warner (jackmw1ATsbcglobalDOTnet). "Lively Up Yourself" has a cut
 at 4:12; the encore, "War", is missing.
 Set One: Disc [total time 47:36]: 1 Intro [2:02] , 2 Rastaman Chant [3:55] , 3 Conquering
 Lion [5:27], 4 Burnin' And Lootin' [5:03] , 5 Them Belly Full [3:43] , 6 Rebel Music [5:56] , 7 I
 Shot The Sheriff [3:57], 8 No Woman No Cry [5:51], 9 Kinky Reggae [6:16], 10 Lively Up// Yourself
 [5:25] , [m: Encore: War]
04/25/76b Boston, MA - Boston Music Hall MAC>D>CD All 84 
  *Charlie Macasay, Sony ECM-99A > Sony TC-152A*
 Master audience cassette (taped by Charlie Macasay, Sony ECM-99A>Sony TC-152A) > Nakamichi DR-2
 playback > Sony DTC-60ES DAT > Sony PCM500 playback > HHB800 master CD. *= alternate audience source
 (probably the same one that this show typically circulates as) then the rest of the show is off a
 nice, clean master. #= w/ guest (it's apparently not ziggy). JJ: great tape!!
 Set One: (12 tracks, 68:50) disc 1: 1. rastaman chant>* 2. lion of judah*, 3. burnin' and
 lootin', 4. them belly full, 5. rebel music, 6. i shot the sheriff, 7. no woman no cry, 8. roots,
 rock, reggae, 9. kinky reggae, 10. lively up yourself #, 11. positive vibration, 12. crowd noise
 Set Two: (2 tracks, 15:00) disc 2: 1. want more, 2. get up stand up
04/25/76b Boston, MA - Boston Music Hall MA?>?>CD All 77 
 Unknown audience source. Notes/Comments: - decent aud, very enjoyable show - SQ more muffled from
 Roots Rock Reggae - Positive Vibration cuts in - Get Up Stand Up cross-faded splice @ 6:44
 Set One: 14 tracks, 77:06, 01. Greeting [0:21], 02. Rastaman Chant [4:13] ->03. Conquering
  Lion [6:06], 04. Burnin' And Lootin' [5:35], 05. Them Belly Full [4:38] , 06. Rebel Music [6:56], 07.
 I Shot The Sheriff [4:36] -> 08. No Woman No Cry [5:42], 09. //Roots, Rock, Reggae [4:25], 10. Kinky
 Reggae [8:20], 11. Lively Up Yourself [8:03], 12. //Positive Vibration [5:30], 13. Want More [4:52] ->
 14. Get Up//Stand Up [7:49]
04/25/76b Boston, MA - Boston Music Hall MAC>CD All-2 46 
 *Claudette Gardel master*
 MAC taped by Claudette Gardel
 Set One: Single Disc (7) 46:26, intro & greeting, Rastaman Chant -> Conquering Lion, Burning
 and Looting, Them Belly Full, Rebel Music, Shot the Sherrif, No Woman No Cry, Roots Rock Reggae
04/30/76a New York, NY - Beacon Theatre MSC>2C>D>CD All 90 
 *early show*
 sbd master cass. - 1st copy - 2nd copy - DAT(this) - CDR - Flac. Splice @ c. 3:45 of Johnny Was.
 Set One: (13 tracks, 64:16) disc 1: Are You Ready? > Rastaman Chant > Conquering Lion,
 Burnin' and Lootin', Dem Belly Full, Rebel Music, Want More, Roots Rock Reggae, Johnny// Was, Lively
 Up Yourself, Night Shift, Crazy Baldhead
 Set Two: (4 tracks, 26:00) disc 2 encore: Positive Vibration > Rat Race > War > Get Up Stand
 Up
05/01/76a New York, NY - Beacon Theatre  MA?>?>C>CD All 84 
 linage: AUD > cass(x) > cdr(x) > EAC (secure) > Flac 6 (asb).
 Set One: disc 1 (7 tracks, 37:50) 1. intro>are you ready, 2.conquering lion, 3.burnin' and
 lootin', 4.them belly full, 5.roadblock, 6.I shot the sheriff, 7.johnny was
 Set Two: disc 2 (7 tracks, 46:11), 1.kinky reggae, 2.lively up yourself, 3.roots rock
 reggae, 4.encore, 5.rat race, 6.positive vibration, 7..get up stand up
05/01/76b NYC, NY - The Palladium MAC>?>CD All 104 522, 523 
 MAC>?>CD (2 cd). An excellent audience recording, despite a touch of bass oversaturation. Matches
 The Marley Supersite. d1t08 NWNC cuts in; d2t03 Roots Rock Reggae cuts in; d2t07 War contains 0:41 of
 No More Trouble, ideally would be retracked (otherwise tracking is perfect).
 Set One: Disc One, Total Time 50:03-- 1. Are You Ready [3:36] [0:17], 2. Conquering Lion
  [5:57] [0:18], 3. Burnin' and Lootin' [5:09] [0:13], 4. Them Belly Full [3:56] [0:12], 5. Rebel Music
 [6:00] [0:13], 6. I Shot The Sheriff [6:13] [0:28], 7. Want More [5:35] [0:02], 8. //No Woman, No Cry
 [#5:30] [0:08], 9. Lively Up Yourself [5:47] [0:25]
 Set Two: Disc Two, Total Time 53:32-- 1. Bend Down Low [6:35] [0:20], 2. Rat Race [5:53]
 [0:14], 3. //Roots, Rock, Reggae [#5:43] [0:30], Encore: 4. [0:59] Positive Vibration [4:25] [0:06],
 5. Night Shift [3:27] [0:04], 6. Get Up, Stand Up [10:52] -> 7. War [7:07] -> 8. No More Trouble
 [:41+6:23] [0:09]
05/05/76b Toronto, ON - Convocation Hall A:?>?>CD All 64 524 
 Came to me as "MSR>C2>CD", though I rather doubt this lineage, and list it as an audience
 recording. It is solid. Matches Bob Marley supersite setlist
 (http://www.bobmarley.freeserve.co.uk/76.htm). t03 CD skips @ 0:15-0:18; t05 Shot the Sheriff cuts
 in. The intro to the encore seems patched in from a different source, and closely resembles what I
 have on 5/30/76 (but I am pretty sure that the music is different).
 Set One: Single Disc (13) 63:36, 1. Introduction [0:30], Rastaman Chant [4:54] [0:11], 2.
 Slave Driver [3:47] [0:07], 3. Them Belly Full [3:26] [0:08], 4. Rebel Music [5:31], 5. //I Shot the
 Sheriff [#3:18] [0:29], 6. Rat Race [5:40] [0:20], 7. Johnny Was [5:02] [0:06], 8. Roots, Rock, Reggae
 [4:55] [0:01], 9. Want More [7:42] [0:02], {Change of source for intro to encore? Same as 5/30/76?},
 Encore: 10. Introduction [0:21], //Positive Vibration [#2:48] [0:06], 11. Get Up Stand Up [3:53] ->
 12. War [2:58] -> 13. No More Trouble [7:12] [0:04]
05/13/76 St. Paul, MN - Orchestra Hall MA?>?>CD All 87 
 aud > gen(x) > cdr(x) > eac (secure mode) > flac (level 8). Bassy, a bit distant. But a complete
 tape with no serious glitches.
 Set One: Disc 1 (8 tracks, 43:29): 1.Trenchtown Rock, 2.Burnin & Looting, 3.Them Belly Full,
 4.Rebel Music, 5.I Shot The Sheriff, 6.Want More, 7.No Woman No Cry, 8.Lively Up Yourself
 Set Two: Disc 2 (6 tracks, 44:09): 1.Roots Rock Reggae, 2.Rat Race, 3.Kinky Reggae, 4.Encore
 intro, 5.Positive Vibration, 6.Get Up Stand Up > No More Trouble > War > No More Trouble
05/20/76 Houston, TX - Music Hall  MA?>?>CD All 74 
 sbd (JJ note: definitely an aud) > unknown > eac > flac (level 8). Seeder's notes: "This is an
 awesome show. Bob was really hot on this one for sure. He does a lot of cool improv type stuff that
 he usually doesn't do. During the encore he keeps singing "a litte bit tighter" and develops a little
 jam out of it. It is really Bob probably telling the band to play bette. Also really great scatting on
 Burnin & Lootin. I give it an A for sure." JJ: sounds like an aud. skip/splice @ 1:44 of Kinky
 Reggae.
 Set One: 1.Trench Town Rock, 2.Burnin' And Lootin', 3.Them Belly Full, 4.Rebel Music, 5.Bend
 Down Low, 6.Kinky Reggae, 7.I Shot The Sheriff, 8.Want More, 9.No Woman No Cry, 10.Lively Up Yourself,
 11.Roots, Rock, Reggae --Encore-- 12.Positive Vibration, 13.Get Up Stand Up > 14.War > 15.No More
 Trouble > 16. Jam > 17. No More Trouble
05/25/76 San Diego, CA - San Diego Sports Arena MAC>C>CD All n/a 
 MAC>C>CD (1 cd). Really nice show! Matches the Marley Supersite. Blips @ markers; t01 Trenchtown
 Rock splice @ track 0:46, missing maybe a minute or more; t04 Rebel Music static @ 4:52-5:14; t07 NWNC
 fades in; t12 GUSU cuts in, most missing; t13 Medley numerous small ticks, skips, clicks.
 Set One: (13) 72:43, 1. Introduction [0:30], Trenchtown// Rock, 2. [0:08] Burnin & Lootin,
 3. Them Belly Full, 4. Rebel Music, 5. I Shot The Sheriff, 6. Want More, 7. //No Woman No Cry, 8.
 Lively Up Yourself, 9. Roots Rock Reggae, 10. Rat Race, Encore: 11. Positive Vibration [3:26] [0:02],
  12. //Get Up Stand Up [#0:35] -> 13. No More Trouble -> War -> No More Trouble
05/26/76 Los Angeles, CA - The Roxy S:?>?>CD All 83 
 Set One: Trenchtown Rock, Burnin & Lootin, Them Belly Full, Rebel Music, I Shot The Sheriff,
 Want More, No Woman No Cry, Lively Up Yourself, Roots Rock Reggae, Rat Race, Encore: Positive
 Vibration, Get Up Stand Up > War, No More Trouble
05/30/76 Oakland, CA - Paramount Theatre  A:C>C>CD All 79 523, 524 
 MAC>C>CD. Notes: Matches Marley Supersite. This is an excellent aud recording. Flaws: t03 Belly
 Full drop/skip @ 3:47; t07 No Woman No Cry skip @ 4:21.
 Set One: Single Disc (11) 79:24, 1. Introduction [0:27], Trenchtown Rock [4:48] [0:08], 2.
 Burnin & Lootin' [4:23] [0:06], 3. Them Belly Full [4:20] [0:09], 4. Rebel Music [5:20] [0:14], 5. I
 Shot the Sheriff [5:29] [0:08], 6. Want More [8:02] [0:08], 7. No Woman No Cry [5:02] [0:05], 8.
 Lively Up Yourself [7:32], 9. Roots Rock Reggae [7:49] [1:31] --Encore-- 10. Introduction [0:11],
 Positive Vibration [3:20] [0:05], 11. Get Up Stand Up [4:26] -> No More Trouble [4:32] -> War [2:25]
 -> No More Trouble [5:06] -> Get Up Stand Up [2:51] [0:30]
06/16/76 London, England - Hammersmith Odeon MA?>?>CD Most 40 
 This is a very nice aud and a truly remarkable performance -- totally unique. The Burnin' and
 Lootin' is great, and then the jam/rap during No More Trouble is fantastic.
 Set One: Single Disc 39:43: 01. Trench Town Rock, 02. Burnin' And Lootin' (wonderful!), 03.
 Them Belly Full, 04. Rebel Music, 05. Crazy Baldhead, 06. I Shot The Sheriff (diff SQ?), 07. Want
 More// //No More Trouble (w/ amazing jam!)
06/24/76 Exeter, Devon, UK - Stardust Club M??>?>CD All 78  
 Notes: another liberated Marley bootleg. "That Rasta Feeling" CD cat no: Home records HR 5991-5.
 Same as: "Charming Haze" CD cat no: Octopus Label OCTO 059.
 Set One: 1) Trench Town Rock 5:04, 2) Them Belly Full 3:21, 3) Rebel Music 5:19, 4) I Shot
 The Sheriff 4:32, 5) Crazy Baldhead 5:14, 6) Want More 5:50, 7) No Woman No Cry 5:18, 8) Lively Up
 Yourself 6:01, 9) Roots, Rock, Reggae 6:53, 10) Positive Vibration 4:05, 11) Rat Race 7:41, 12) War >
  No More Trouble 4:44, 13) Get Up Stand Up 6:02, 14) Get Up Stand Up (cont) 7:38
 Set Two: OLDER PARTIAL VERSION: (10 52:35, 01. Introduction, Trenchtown Rock, 02. Roots Rock
 Reggae (out of order relative to Marley supersite), 03. Them Belly Full, 04. Rebel Music, 05. I Shot
 the Sherrif, 06. Crazy Baldheads, 07. Want More -> 08. No Woman No Cry, 09. Lively Up Yourself, 10.
 Introduction -> Positive Vibration. Notes: Hissy, bad NR, ticks at all markers, some horrific pops and
 digi-static. In short, pick something else, and/or send me an upgrade!
12/05/76 National Heroes Park, Jamaica MAC>2C>CD All 60 
 *Smile Jamaica" Concert*
 lots of anomalies, and extremely tightly edited (cut to hell). But great stuff!
 Set One: (15) 01. Jamaica documentary info, joins Rebel Music in progress, 02. //War -> No
 More Trouble -> (tick) 03. Get Up Stand Up, 04. ditty, 05. Positive Vibration, 06. Smile Jamaica, 07.
 Rat Race (hacked up), 08. Trnechtown Rock// (louder), 09. Keep on Moving, 10. Want More//, 11. //Them
 Belly Full//, 12. Jah Live, 13. Rastaman Chant//, 14. Rebel Music//, 15. So Jah Seh//
 
??/??/77 Exodus Demos MSR>2C>CD All 108 
 MSR>C2>CD (2 cd)
??/??/77 Exodus/Kaya Scratch Vocal Demos MS?>?>CD All 44 
 lineage: SBD > ? > CDR(x) > Flac 6 (asb). Notes: Neville garrick leaked these out a long time ago.
 Great sound quality. Amazing demo versions of these tune. Seeded to:DaD by tim jones (chunga1). JJ:
 wonderful stuff!
 Set One: 01- @@misty morning 4:03, 02- easy skanking 3:13, 03- is this love 4:14, 04-
 jamming 3:34, 05- exodus 7:54, 06- she's gone 4:23, 07- waiting in vain 4:50, 08- turn your lights
 down low 3:59, 09- running away 4:19, 10- time will tell 3:39, TT: 44:08
??/??/77 Dennis Thompson Mixes MS?>?>CD partial 76 
 Seeder's comments : The Dennis Thompson mixes tape was no-copy material for several years. Dennis
 "Machine Gun" Thompson worked with bob and the wailers as sound engineer. he dubbed all the island
 albums and island leak some on their deluxe edition."
 Set One: Single Disc (21 tracks, 75:54): 01-Coming in from the cold 5:10 (JJ: not included,
 so total time down from 81:02), 02-Coming in from the cold Dub 6:11, 03-Bad card 2:49, 04-Real
 situation 3:05, 05-Trenchtown 3:23, 06-Could you be loved 4:11, 07-Pimper´s paradise 3:23, 08-Stiff
 necked fools 3:22, 09-Forever loving Jah 3:52, 10-We and them 2:33, 11-So much trouble Dub 3:57,
 12-Top rankin Dub 3:50, 13-Babylon system Dub 4:15, 14-Jump nyabinghi Dub 3:52, 15-One drop scat mix
 5:01, 16-Running away Dub 3:16, 17-Sun is shining Dub 2:45, 18-Forever loving Jah Dub 3:01,
 19-Pimper´s paradise Dub 3:17, 20-Survival Dub 2:17, 21-Zimbabwe 3:39, 22-Wake up and live Dub 3:42
05/11/77 Brussels, Belgium - Foret National MA?>?>CD All 79 
 Lineage: AUD > ? > CD > EAC > FLAC (level 8). Seeder Comments: Second show of the 1977 Exodus tour
 in Europe, featuring a rare 1977 live performance of Concrete Jungle. Not so great quality, has much
 bass and a bit low vocals, but listenable and enjoyable in any way. Quality gets slightly worse after
 "No Woman, No Cry". JJ: show is rather interesting, with some unusual flourishes, etc., but the
 quality is bad.
 Set One: Setlist (11 tracks, 78:49), 1. Intro jam -> Rebel Music (3 O'Clock Roadblock)
 (9:42), 2. Concrete Jungle (5:33), 3. Burnin' And Lootin' (5:10), 4. I Shot The Sheriff (5:52), 5.
 Them Belly Full (But We Hungry) (4:40), 6. War -> No More Trouble (7:39), 7. No Woman, No Cry (7:15),
 8. Lively Up Yourself (8:11), 9. Positive Vibration (6:04), 10. Get Up, Stand Up (9:22), 11. Exodus
 (9:21)
05/13/77 Den Haag, NL - Houtrust Hallen MA?>?>CD Most 44 
 aud > unknown > eac > flac (level 8). Seeder: "A little rough, but not too bad overall. There are a
 few skips and a fade in Heathen and No Woman No Cry ends with a big cut."
 Set One: Total Time: 44:01: 1. Intro Jam, 2. Rebel Music, 3. Burnin' And Lootin', 4. Them
 Belly Full, 5. The Heathen, 6. I Shot The Sheriff, 7. War > 8. No More Trouble. 9. No Woman No Cry
 (cut)
05/16/77 Heidelberg, Germany - Rhein Neckar Hall MAC>2C>CD All 71 
 Set One: Single Disc (10 tracks, 70:47), 1. Burnin' And Lootin', 2. Them Belly Full, 3. The
 Heathen , 4. War, 5. No More Trouble, 6. No Woman No Cry , 7. Lively Up Yourself, 8. I Shot The
 Sheriff, 9. Get Up Stand Up , 10. Exodus
05/21/77 London - Basin Street Rehearsals, Island Studios MS?>3C>CD partial 45 
 Bob Marley and The Wailers, 5-21-1977, Basin Street Rehearsals, Island Studios, London;
 Lineage:SBD>my 3rd gen cassette>kenwood 1050ct cass deck>Xitel Inport>.wav>nero for tracks splits>Flac
 and Sector algn via Traders little helper. Seeder's notes: "tape obtained in a trade from a Packers
 fan..Nice sound throughout but jammin' and Guiltiness are a little lower in sound quality than the
 rest of the tracks.. Overall great rehearsal and one of the few with the I-Three's.. This rehearsal
 circulates with clicks and pops all over the recording this very low gen copy has none.. I applied a
 volume boost to the overall sound with slight equalizing.." Tape Transfer and Flac'd by me Tim Jones
 on 9-24-2005. JJ: somehow, I only burned d1.
 Set One: track list: (6 tracks, 45:22), 14:50.36 Track1-Exodus.flac, 06:34.24 Track2-I Shot
 the Sheriff.flac, 07:56.20 Track3-No Woman No Cry.flac, 05:36.29 Track4-No More Trouble.flac, 07:56.29
 Track5-Rastaman Vibration.flac, 02:26.70 Track6-Natty Dread//.flac [FOLLOWING TRACKS WERE IN THE
 FILESET, BUT SOMEHOW I NEGLECTED TO BURN THEM: 08:52.49 Track7-Jammin'.flac, 11:08.20
 Track8-Guiltiness.flac, 04:42.01 Track9-Natural Mystic.flac, 12:23.05 Track10-Lively up Yourself.flac,
 08:03.63 Track11-Running Away-Crazy Baldheads.flac, total time: 90:30.46]
05/23/77 Gothenburg, Sweden - The Scandinavium MA?>?>CD All 88 
 aud > unknown > eac > flac (level 8)
 Set One: Disc One (10, 63:40) 01. Rebel Music, 02. Burnin' and Lootin', 03. Them Belly Full,
 04. The Heathen, 05. I Shot the Sherriff, 06. War -> 07. No More Trouble, 08. No Woman No Cry, 09.
 Lively Up Yourself, 10. Jammin'
 Set Two: Disc Two (2, 24:13) --Encore-- 01. Get Up Stand Up, 02. Exodus
06/05/77 London, England - Rainbow Theatre MSV>?>CD All 70 
 pretty nice sbd
  Set One: >(12) 70:22, 01. ... Trenchtown Rock, 02. them Belly Full, 03. Shot Sherriff, 04.
 Rebel Music, 05. Lively Up Yourself, 06. Crazy Baldheads -> Running Away -> Crazy Baldheads, 07. War
 -> No More Trouble, 08. Heathen, 09. No Woman No Cry, 10. Jammin' -> 11. Get Up Stand Up -> 12.
 Exodus
 
??/??/78 Black Ark Demos MSR>2C>CD ? 120 
 MSR>C2>CD (2 cd)
  Set One: (12) 69:24
 Set Two: (11) 50:59
??/??/78 Kaya Demos S:R>2C>D>CD All 99 
 MSR>C2>CD (2 cd)
??/??/78 One Love Rehearsals  MSR>2C>CD All 121 
 MSR>C2>CD (1 cd)
 Set Two: 1. Soul Rebel, 2. Waiting in Vain, 3. Wounded Lion, 4. You Talk Too Much, 5.
 Babylon System
04/22/78 Kingston, Jamaica - OPLC National Heroes Stadium MSR>D>CD All 53 
 A wonderful recording of a wonderful show.
 Set One: Single Disc (9) 53:00, 1. Introduction -> Lion of Judah, 2. Natural Mystic,
 Trenchtown Rock, Natty Dread, Positive Vibration, War, Jammin, One Love, (alt. source?) Jah Live ...
 (fades out)
05/25/78a Madison, WI - Unknown Venue MSC>2C>CD All 71 
 Early Show. Master soundboard cassette > cassette x 2 > CD > Plextor PX-708A extraction (EAC v0.95
 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac
 v1.1.0). EAC and FLAC encoding by Jack Warner (jackmw1ATsbcglobalDOTnet). Major SQ change for the
 worse afer the cut in Rebel Music. Before that, the first 6 tracks are terrific, with some really
 nice rarities and some well-done standards, including a cool long intro to Concrete Jungle.
 Set One: Disc (13 tracks) [70:51], 1 Sisters Chant 4:23 , 2 So Long Rastafari 3:18 , 3
 Concrete Jungle 7:53 , 4 Burnin' And Lootin' 5:29 , 5 Them Belly Full 3:45 , 6 Rebel Music// 4:46
 , 7 I Shot The Sheriff 4:29 , 8 No Woman No Cry 7:46, 9 Lively Up Yourself 8:40 , 10 Jammin 6:02 ,
 11 Get Up Stand Up 6:20 , 12 Exodus 4:53, 13 No More Trouble 3:01
05/25/78b Madison, WI - Orpheum Theater MS?>?>CD All 45 
 Transfer by: spliff: CD > WAV > FLAC. Seeder's notes: "I got this show from a trade long years ago
 ... Great sound, great show." JJ: may run slow, but an incredible performance. Bob is way into it this
 night. Concrete Jungle is especially energetic.
 Set One: (9 tracks, 44:38) 01 - Sisters Chant 04:24, 02 - So Long Rastafari 03:58, 03 -
 Concrete Jungle 05:52, 04 - Burning And Looting 5:36 - 05. Them Belly Full 4:13, 06 - Rebel Music
 06:45, 07 - I Shot The Sheriff 04:46, 08 - No Woman No Cry 06:51, 09 - Lively Up Yourself// 02:13
05/31/78 Miami, FL - Rehearsals M??>?>CD All 90 
 Cool stuff. Burnin & Lootin' uptempo from 3:30-end.
  Set One: Disc One: 01: (Cuts In) Rastaman Chant 11:17, 02: Burnin & Lootin 06:38, 03: Time
 Will Tell 24:25, 04: Lively Up Yourself 02:18, Total: 44:40
 Set Two: Disc Two: 01: Who The Cap Fit 07:11, 02: Easy Skanking 04:00, 03: Want More 06:02,
 04: Jammin 05:37, 05: Crisis 04:09, 06: Runnin Away -> Crazy Baldhead 08:57, 07: Positive Vibration
 05:03, 08: Soul Rebel 03:38, 09: Waiting In Vain (Cut) 01:05, Total: 45:07
06/05/78 Philadelphia, PA - The Spectrum  MA?>?>CD All 80 
 aud > unknown > eac (secure mode) > flac (level 8). JJ: runs fast.
 Set One: (11 tracks, 79:57) 01.Concrete Jungle, 02.Burnin' and Lootin' > Them Belly Full,
 03.Rebel Music, 04.I Shot The Sheriff, 05.No Woman No Cry, 06.Lively Up Yourself, 07.Is This Love?,
 08.Crazy Baldhead > Runnin' Away, 09.Jammin', 10.Easy Skankin', 11.War > No More Trouble > Get Up
 Stand Up > Exodus (severe cut)
06/08/78 Boston, MA - Boston Music Hall MA?>?>CD All 74 
 Seeded to EZT by cr8ed, 6 February 2005, with these comments: "i recently transferred this to cd -
 probably a 2nd/3rd generation audience recording - no known source info - little hiss, and great
 bass". JJ: nothing to write home about here, either in terms of SQ or in terms of performance.
 Set One: (13) 74:21, Slave Driver, Burnin' and Lootin' -> Them Belly Full, The Heathen,
 Rebel Music, Shot the Sheriff, Easy Skanking, NWNC, Lively Up Yourself//, Jammin', War -> No More
 Trouble -> Get Up Stand Up, Exodus
06/14/78 Shelton, CT - Pinecrest Country Club MAC>?>CD All 85  
 This is quite simply an extraordinary aud recording, and a wonderful show! Highly recommended.
 d1t08 No Woman No Cry very end clipped, < 5 seconds missing; d2t01 Jamming cuts in, not much missing
 (< 30 seconds?). I would retrack slightly before burning.
 Set One: Disc One (48 mins), 1. Intro -> Positive Vibration, 2. Them Belly Full -> Concrete
 Jungle, 3. Rebel Music, 4. War -> No More Trouble, 5. The Heathen, 6. Easy Skankin', 7. I Shot The
 Sheriff, 8. No Woman, No Cry/
 Set Two: Disc Two (37 mins), 1. //Jamming, 2. Lively Up Yourself, 3. Get Up, Stand Up, 4.
 Punky Reggae Party, 5. Exodus
06/14/78 Shelton, CT - Pinecrest Country Club  MAC>?>CD All 81 
 Lineage: Master cassette > unknown cassette gens > reel @ 3.75 ips > cassette > HD. Encoding:
 CDWave > flac frontend > flac. Taped by: Unknown. Transfered by: Pantagruel. Seeder's Notes: "I
 believe this transfer to be an upgrade. I'll attach a sample for y'all to check out. Here's the
 story. I got this show on cassette more than 25 years ago. I believe that it was recorded by
 Deadheads who really knew what they were doing. I recently made a digital transfer, and it sounds
 amazing (IMHO). I don't know the exact lineage, but it is very low gen, and having resided on
 cassette all this time, no digitally lossy generations have been introduced. The only evidence of
 anything missing is the very beginning of "Jamming," (a tape flip?) and I can't remember if this is
 common to all versions (I assume that all versions originated with the same audience source). I
 haven't recently listened to the versiom that circulates from the Bob Fried DAT, but my recollection
 is that my source generally sounds better and cleaner, plus there is a stretch in the DAT sourced
 version where all the highs disappear for several tracks. Also, some of the other circulating
 versions